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āI love reading Simenon. He makes me think of Chekhovā āĀ William Faulkner
āA truly wonderful writerĀ . . . marvellously readableĀ āĀ lucid, simple, absolutely in tune with the world he createsā āĀ Muriel Spark
āFew writers have ever conveyed with such a sure touch, the bleakness of human lifeā
āĀ A.Ā N.Ā Wilson
āOne of the greatest writers of the twentieth centuryĀ . . . Simenon was unequalled at making us look inside, though the ability was masked by his brilliance at absorbing us obsessively in his storiesā
āĀ Guardian
āA novelist who entered his fictional world as if he were part of itā āĀ Peter Ackroyd
āThe greatest of all, the most genuine novelist we have had in literatureā āĀ AndrĆ© Gide
āSuperbĀ . . . The most addictive of writersĀ . . . A unique teller of talesā āĀ Observer
āThe mysteries of the human personality are revealed in all their disconcerting complexityā āĀ Anita Brookner
āA writer who, more than any other crime novelist, combined a high literary reputation with popular appealā
āĀ P.Ā D.Ā James
āA supreme writerĀ . . . Unforgettable vividnessā
āĀ Independent
āCompelling, remorseless, brilliantā
āĀ John Gray
āExtraordinary masterpieces of the twentieth centuryā
āĀ John Banville
Georges Simenon was born on 12 February 1903 in LiĆØge, Belgium, and died in 1989 in Lausanne, Switzerland, where he had lived for the latter part of his life. Between 1931 and 1972 he published seventy-five novels and twenty- eight short stories featuring Inspector Maigret.
Simenon always resisted identifying himself with his famous literary character, but acknowledged that they shared an important characteristic:
My motto, to the extent that I have one, has been noted often enough, and Iāve always conformed to it. Itās the one Iāve given to old Maigret, who resembles me in certain pointsĀ . . āunderstand and judge notā.
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First published in serial, as Maigret et lāhomme tout seul , in Le Figaro 1971
First published in book form by Presses de la CitƩ 1971
This translation fi rst published 2019
Published in Penguin Classics 2025 001
Copyright Ā© Georges Simenon Limited, 1971
Translation copyright Ā© Howard Curtis, 2019


GEORGES SIMENON and Ā® , all rights reserved
MAIGRET ® Georges Simenon Limited, all rights reserved original design by Maria Picassó i Piquer

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It was only nine in the morning and it was already hot. Maigret, who had taken off his jacket, was lazily going through his mail and occasionally glancing through the window. There was no quiver from the foliage of the trees on Quai des OrfĆØvres, and the Seine was as flat and smooth as silk.
It was August.Ā Lucas, Lapointe and at least half the inspectors were on holiday. Janvier and Torrence had taken theirs in July, and Maigret was planning to spend much of September in his house in Meung- sur-Loire, which looked like a presbytery.
For nearly a week, every day, late in the afternoon, a brief but violent storm had broken out and rain pattered down, forcing the people in the streets to hurry on, as close to the buildings as possible. It was the end of the heatwave, and it cooled the air for the night.
Paris was empty. Even the street noises were not the same as usual, and there were intervals of near-silence.
What you saw the most were the coaches of all colours and all nationalities, invariably stopping at the same placesĀ āĀ Notre Dame, the Louvre, Place de la Concorde, Place de lāĆtoile, SacrĆ©- CÅur and, inevitably, the Eiffel TowerĀ āĀ to discharge their loads of tourists.
When you walked in the streets, you were surprised to suddenly hear French being spoken.
The commissioner was on holiday, too, which meant that the chore of the daily briefing had been dispensed with. There wasnāt much mail, and purse snatching was the most common crime.
The ringing of the telephone startled Maigret out of his lethargy. He picked up the receiver.
āThe chief inspector from the first arrondissement is on the line. He wants to speak to you personally. Shall I put him through?ā
āPlease do.ā
Maigret knew him well. He was a somewhat affected man, always immaculately dressedĀ āĀ a highly cultivated man, too, who had been a lawyer for several years before joining the police.
āHello, Ascan.ā
āI hope Iām not disturbing you.ā
āI have all the time in the world.ā
āIām calling you because I thought the case I was landed with this morning might interest you.ā
āWhat is it?ā
āA murder. But not an ordinary murder. Itād take too long to explain. When will you be free?ā
āIām free now.ā
āI hope you donāt mind my asking you to meet me in my office. This thing happened in an almost unknown dead- end street on the edge of Les Halles.ā
It was 1965, and Les Halles, Parisā central food market, had not yet been transferred to Rungis.
āIāll be at the station in a few minutes.ā
He indulged in a few grunts, like a man who is being disturbed, but the fact was, he wasnāt upset to get away
for a while from the routine of the last few days. He went into the inspectorsā room. Usually, he would have taken Janvier with him but he needed somebody he could trust, somebody who could take the initiative, to stay at Quai des OrfĆØvres in his absence.
āCome with me, Torrence. Take one of the cars in the courtyard.ā
The police station of the first arrondissement wasnāt far, in Rue des Prouvaires. Maigret went straight to Chief Inspector Ascanās office.
āYouāre about to see one of the most appalling sights Iāve ever witnessed. Iād rather not say too much in advanceĀ . . . Ah, Torrence!Ā . . . Itās best to leave the car here. Itās only round the corner.ā
They walked round the outside of the market, from which, in this heat, the smell was very strong, and which wasnāt closed, even though it was August.Ā They passed through narrow little streets lined with shops andĀ rooming houses of varying degrees of seediness. There were a few tramps about, including a completely drunk woman holding on to the walls in order not toĀ fall.
āThis wayĀ . . .ā
They came to Rue de la Grande-Truanderie, and Ascan plunged into a dead- end street so narrow that a lorry wouldnāt have been able to get through it.
āImpasse du Vieux-Four,ā he announced.
There were no more than ten or so old buildings, and, halfway along, a gap left by one that had already been demolished. The others were also due for demolition and had been cleared of occupants.
Timber supports had been put up against some of them in order to stop the walls collapsing.
The one outside which Ascan stopped had lost its windowpanes, and part of the frames had also been removed. The front door had been replaced with planks, and Ascan pulled away two of them from which the nails had been removed. Behind it they found a wide corridor.
āBe careful on the stairs. There are steps missing and the ones that are left arenāt very stable.ā
There was a smell of dust and decay, in addition to the lingering odour from Les Halles.
They climbed three floors. A boy of about twelve sitting against the cracked wall sprang to his feet, bright- eyed, when he saw the three men coming.
āYouāre Inspector Maigret, arenāt you?ā
āYes.ā
āIf anyone had told me Iād see you in the flesh one dayĀ . . . I have a scrapbook of all the photographs of you they publish in the papers.ā
āThis is young Nicolier,ā Ascan explained. āYour first name is Jean, isnāt it?ā
āYes, monsieur.ā
āHis fatherās a butcher in Rue Saint-Denis. The only one in the neighbourhood not to have closed in August.Ā Tell us your story, Jean.ā
āIt happened just like I said. Most of my friends are at the seaside. I canāt play on my own, so I wander around. I look for places I donāt know, even though I was born around here. This morning, I noticed this building. I tried to move the planks across the door and realized they werenāt nailed on. I walked in. I called out, āIs anyone
here?ā And my voice just echoed. I wasnāt looking for anything. I kept going, just to see what there was. I pushed open that broken door you see there on the right, and that was where I found the man. I ran downstairs and rushed to the police station. By the time I got there, I was out of breathĀ . . . Do I have to go back into that room?ā
āI donāt think thatāll be necessary.ā
āShall I stay here?ā
āYes.ā
It was Maigret who opened the door, which was so rotten it wasnāt even good for making firewood. He stopped in the doorway and realized why Ascan had wanted to surprise him.
The room was quite large, and in the two windows the panes had been replaced with cardboard and thick paper. The uneven floor, with gaps several centimetres wide between the boards, was cluttered with an incredible jumble of totally useless objects, most of them broken.
What particularly drew the eye was a man lying fully dressed and obviously dead on an iron bedstead covered with an old straw mattress. His chest was covered in caked blood, but his face had retained a serene expression.
The clothes were those of a tramp, in marked contrast to the dead manās face and hands. He was quite old and had long silvery hair with bluish streaks. His eyes, too, were blue, but their fixed stare made Maigret uncomfortable, and Ascan closed them.
He had a white moustache which was slightly turned up at the ends and an equally white Richelieu-style goatee beard.
Apart from that, he was clean-shaven, and Maigret had
another surprise on discovering that the dead manās hands had been carefully manicured.
āHe looks like an old actor playing the part of a tramp,ā he murmured. āDid he have any papers on him?ā
āNo, nothing. No identity card. No old letters. My inspectors who know the neighbourhood came and had a look at him. None of them recognized him. Just one thinks he may have spotted him going through the dustbins.ā
The man was very tall and exceptionally well built. His trousers were too short for him and had a hole in the left knee. An old jacket, a real rag, lay on the dusty floor.
āHas the pathologist been?ā
āNot yet. Iām expecting him any minute. I wanted you to be here before anything was touched.ā
āTorrence, phone from the nearest bistro and ask for the men from Criminal Records to get here as soon as possible. Also ask for the prosecutorās office to be informed.ā
That face on the warped iron bedstead continued to fascinate him. The moustache and beard had been trimmed with care, and there was every sign that this had been done the previous day at the latest.Ā As for the welltended hands with their polished nails, it was hard to see them sifting through rubbish bins.
And yet the man must have been doing that for a long time now. The whole room was cluttered with the most unexpected objects. Broken, almost all of them. An old coffee grinder. Badly chipped enamel jugs, buckets with dents or holes, a kerosene lamp without a wick and without kerosene, unmatched shoes.
āIāll have to make an inventory of all this.ā
There was a wash-basin on the wall, and Maigret went and tried the tap. As he had expected, the water had been cut off. So had the electricity and the gas, as in all these buildings marked down for demolition.
For how long had the man been living here? Long enough to have accumulated all these old things. It was impossible to question the concierge and the neighbours, since there werenāt any. Ascan went back out on the landing and spoke to young Nicolier.
āDo you want to make yourself useful? Wait downstairs in the street and when a group of gentlemen arrive, whichāll be in a few minutes, bring them up here.ā
āYes, monsieur.ā
āDonāt forget to point out the steps that are missing.ā
Maigret was coming and going, touching some of the objects, which was how he discovered a candle end and a box of matches. The candle had been stuck to the bottom of a chipped cup.
It was the first time in his career that he had seen a sight like this, and the surprises kept coming.
āHow was he killed?ā
āFrom several bullets in the chest and the belly.ā
āHigh calibre?ā
āMedium. Probably .32.ā
āIs there anything in the pockets of his jacket?ā
He could imagine the disgust with which the elegant, fastidious Ascan had searched these grubby rags.
āA button, some pieces of string, a crust of stale breadĀ . . .ā
āNo money?ā
āTwo twenty-five-centime coins.ā
āAnd in the trouser pockets?ā
āA dirty cloth he must have used as a handkerchief and a few cigarette ends in a tin of cough drops.ā
āNo wallet?ā
āNo.ā
Even the tramps on the riverbanks, who slept under the bridges, had papers in their pockets, even if it was just an identity card.
Torrence, who had returned, was no less dumbfounded than Maigret.
āTheyāre just coming.ā
And, indeed, Moers and his men from Criminal Records were following young Nicolier up the stairs. They looked around them in amazement.
āMurder?ā
āYes. Thereās no way it could be suicide, thereās no weapon in the room.ā
āWhere should we start?ā
āWith his fingerprints. We need to identify him before anything else.ā
āItās a pity to spoil such well-tended hands.ā
They took the prints all the same.
āPhotographs?ā
āOf course.ā
āWell, well, what a good-looking man, he must have been quite a strong fellow.ā
The next thing they heard were the cautious footsteps of the deputy prosecutor, Examining Magistrate Cassure and the court clerk. All three were looking in amazement at the sight offered by the room.
āWhen was he killed?ā the deputy prosecutor asked.
āWeāll soon know, hereās Dr Lagodinec.ā
The doctor was young and lively. He shook hands with Maigret, nodded to the others and walked over to the bed with its twisted feet. Another piece of junk the man had found in the street or on a patch of waste ground.
āHave you identified him?ā
āNo.ā
They were looking anxiously at the floor: now that there were so many of them in the room, it was moving so much there was a likelihood it could collapse.
āWe might end up on the floor below,ā the young doctor remarked.
He waited until photographs had been taken before he approached the body and began his examination. The chest was uncovered, and they saw the black holes made by the bullets.
āThree shots were fired, from less than a metre away. The murderer aimed carefully, and itās likely his victim was asleep, or the bullets wouldnāt have been so close together.ā
āWas death instantaneous?ā
āYes. The left ventricle was hit.ā
āDo you think the bullets went through the body?ā
āIāll tell you that when Iāve turned him over.ā
One of the two photographers helped him. Only one of the bullets had gone right through the strange trampās chest and would probably be found in the straw mattress.
āIs there water in the room?ā
āNo. Itās been cut off.ā
āI wonder where he washed himself so carefully. His bodyās clean.ā
āCan you establish the approximate time of death?ā
āBetween seven and eleven p.m. Iām sure Iāll be a bit more precise when Iāve done the post-mortem. Has he been identified?ā
āNot yet. Weāll be giving his photograph to the papersĀ . . . By the way, when will we have the first photographs?ā
āIn an hour, is that OK ?ā
The photographer left. The other technicians searched for fingerprints on all the objects.
āI assume you donāt need me any more?ā the deputy prosecutor said.
āOr me?ā Examining Magistrate Cassure added.
Maigret was slowly smoking his pipe with a distracted air. It took him a few seconds to realize they had been talking to him.
āNo. Iāll keep you informed.ā And to the pathologist:
āDo you think he was drunk?ā
āIād be surprised if he was. The stomach contents will tell us for sure. But at first sight, I donāt think this man was a drinker.ā
āA tramp who doesnāt drink,ā Ascan said. āThatās quite rare.ā
āWhat if he wasnāt a tramp?ā Torrence said.
But Maigret said nothing. It was as if his eyes were somehow photographing every last object and tiny detail of the room. Less than a quarter of an hour had gone by, and the technicians were still at work when a van from the Forensic Institute drew up in the street. Young Nicolier went down to show the stretcher bearers the way.
āYou can take him away, yes.ā