portfolio_Deedhiti

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BRIDGING THE GAP

Autumn 2024

Third year, Architectural Design and Communication 3(i) Software used Revit,Autocad,adobe Photoshop, adobe Illustrator,Twinmotion,V-Ray

This project is envisioned as a three-phased experientia learning space that nurtures the cognitive and emotional development of neurodivergent children and teenagers especially those on the autism spectrum through the act of writing as a gateway to learning. Writing here is not just an educational tool, but a therapeutic and expressive medium that enables users to connect with themselves and with others.

The architecture reflects this through a fluid, cellular spatial arrangement, inspired by the organic flow of neural networks Curved walls and gentle forms are employed to create inside-out environments that feel both open and protected, fostering calmness and reducing sensory overwhelm.

The ground floor serves as a safe, welcoming base quiet and grounded to gently ease users into the space From there, an internal staircase leads to a double-height learning and meeting space, accessible only to a limited group, reinforcing privacy and control.

A transitional middle zone allows pause and reflection, offering visual and spatial relief between phases.

The design places strong emphasis on the facade and threshold, creating a sensory experience that invites exploration without overstimulation. Ultimately, this space becomes a heaven of shared growth, where writing, learning, and community come together empowering neurodivergent youth to realize they are not alone.

Diagonasis and intervention Building a strong foundation Transition into adulthood
Concept collages focusing on a hollow transitional phase and sensory safe spaces Inspired by

A HOME IS NOT A HOUSE

Autumn 2023

Second year, Architectural Design and Communication 2(i) Software used : Revit,Autocad,Adobe Photoshop, Adobe Illustrator, Twinmotion,V-Ray

A Space to Remember, Rebuild, and Reconnect

This project draws from the deeply personal stories of North Korean defectors like Song Byeok and Baek Hwa-sung, whose experiences of loss, isolation, and survival highlight a universal longing for belonging, for remembrance, and for community. The architecture responds to these narratives by offering spaces that support both individual healing and collective growth.

The design features a system of overlapping, subtracted masses that create a sense of “inside-out” spatiality offering privacy without isolation, and openness without exposure. These units are flexible and varied, functioning not only as homes but also as “third spaces” where residents can live, meet, work, and rest, either alone or in collaboration. Smooth, curving forms replace harsh angles, evoking a gentle, continuous flow reflective of emotional recovery.

Central to the scheme is a community center and an open-air school with no age or structural barriers, serving as inclusive platforms for learning, rebuilding identity, and reintegration into broader society. Near Venice’s communal edge, a cultural exchange hub fosters dialogue between the defectors and the local population, promoting empathy and understanding.

This project is not just architecture,it is memory made spatial, and healing made visible.

1.inside out gated areas curvelinear timber screens and small communal inside out garden/integration spaces

2.Inhabitation of the internal communal kitchen/community integration space

3. Physical model of a section of facade on the scale 1:30 two prototype iterations of scale 1:200 placed on site

2. Uttarayan Office

Location: Nalapara , Guwahati,Assam

I was involved in the concept development and iterative design of the façade/skin of a building located adjacent to a busy bridge, where visibility and engagement with the public realm were key considerations. Drawing inspiration from the dynamic flow patterns of the Brahmaputra River, the concept sought to translate the river’s fluid motion into an architectural language that could be expressed through the building’s outer membrane. The design process included multiple iterations, exploring how the ebb and flow of water could be abstracted and materialized into a façade that appears to ripple and fade across the structure’s surface. The aim was to create a visual rhythm that captures the attention of passersby particularly those crossing the bridge through movement, texture, and gradual transitions in form and material. This flowing, semi-transparent skin not only references the river’s cultural and geographical significance but also serves as an iconic marker within the urban landscape, blurring the boundary between architecture and nature.

3. Navyom

Location: Kolkata

I worked on the technical and spatial detailing of a games room, focusing on enhancing both functionality and design. This included detailed panelling and interior elevations of the game area, ensuring material coherence and modular accuracy. I developed false ceiling details, integrating lighting and services seamlessly within the space. Additionally, I produced technical sections to illustrate construction layering and material transitions. Key elements like the console elevation and luggage rack were carefully detailed for ergonomic use, durability, and visual consistency. This project strengthened my skills in interior detailing, spatial planning, and the production of precise technical documentation for execution.

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