Absolutely Hertfordshire Magazine February 2026

Hertfordshire

FEBRUARY 2026 / £3.95

PLUS

HIGHLY RATED

Why foodies love The Fox & Hounds Barley

• WELL READ Visiting Hertfordshire's best bookshops

•

TOY STORY

Exploring the Mundo Pixar Experience

SPECIAL

News and views from the county's best schools

NEW COLLECTION

Inspired by our heritage, designed for the modern bedroom. The Iconic Collection features floating beds with unparalleled comfort and exclusive fabrics. Handmade in Sweden

LETTER Editor’s

February issue highlights

One of the great joys of my childhood was my regular trip to the local library. I took so much joy at strolling around the rows and rows of books, working out how many I was still allowed to take out, then avidly reading through pages and pages when I got home. Happy days.

It is why I always take a keen interest in the plight of local libraries. They are on the wane, generally, so that's where independent bookshops need to step in to fill the void. And Hertfordshire certainly packs a punch in this regard, with a real mix out there celebrating the written word, from wonderful local events to places who are keen to stop books ending up in landfill. We visit ten of the best.

In this month of Valentine's, that's one thing we certainly love, as is seeing Lisa Faulkner return to the stage, and in an 80s classic too in Single White Female. We discover what lured her back to tread the boards. Elsewhere, we sup a pint at The Fox & Hounds Barley, which is getting the recognition it deserves, and talking about my avid love of reading when younger, our education special returns this month where we discover the many ways our local schools are inspiring tomorrow's generation, from overseas enrichment to a new centre for rocking out. Happy days, indeed.

Products

Wish LIST

STAR GIRL

Celia B's Resort 26 collection is titled Stardust and Moonbeam –and it delivers the joyful, maximalist blend of colours, ruffles, embroidery and fun that we expect from the Spanish designer. celiab.com

LIPS INC

A new formula for NARS' A erglow Lip Balm features a nourishing blend of ingredients to hydrate while helping to smooth and so en lips. This sheer tint can be worn alone or layered with other lip formulas, £28.50. narscosmetics.co.uk

EDITOR’S PICK

HEARTS OF GOLD

Après Youth is introducing a new gold-focused collection, expanding its jewellery offering with a warmer, elevated edge. The new pieces explore gold tones through bold forms and sculptural detailing, designed to feel expressive, modern and versatile. apresyouth.com

GLOW UP

Kulfi is a make-up brand with a dual focus: fun and performance, plus a commitment to ethical practice. We love the Zari Eyes eyeshadow in Disco Dreams, £30. spacenk.com

STEP ON

The new M70 Soul Collection from SAYE marks a renewed version of an iconic silhouette, now cra ed in premium certifi ed long-hair suede. We're cheering up these grey days with the Garnet and Gum colourway. sayebrand.com

PULL UP

Ski socks might not be a huge part of the look, but we do want them to be pretty as well as warm –which Sealskinz's Northwold socks defi nitely are. Especially in this pink colourway, £35. sealskinz.com

CIRCLE BACK

PINK LADY

Feeling peachy? Amelie's Follies will have the perfect shade. Get in touch and you'll come away with the best fitting underwear you've ever owned. ameliesfollies.co.uk

The best scrunchies come courtesy of Good Squish, whose vast range of hair accesssories made from deadstock fabric are designed to suit all tastes and whims. goodsquish.com

ENGLISH ROSE

Pioneers of exceptional English sparkling wines, Nyetimber offers a great range to celebrate with this year including Nyetimber Rosé Multi-Vintage. nyetimber.com

IN THE HOOD

K-Way®, known for its colourful, practical, and playful designs, has teamed up with Disney for a collection of rainwear. We love this pink Mickey Mouse windbreaker. k-way.co.uk

The Agenda

Daniel Foxx

21 FEBRUARY, OLD TOWN HALL, HEMEL HEMPSTEAD

Award-winning comedian and online sensation Daniel Foxx is back with a brand-new show that dives headfirst into breakups, being single in your 30s and the complicated custody battle over a monstera. Following the global success of his critically acclaimed debut Villain, Daniel is preparing to return to the stage with a fresh dose of sharp wit, gorgeous chaos and soul-searching hilarity.

oldtownhall.co.uk

Lucy Porter

26 February

ARTS DEPOT

Lucy Porter is back on the road with her 18th solo show, Let Yourself Goan hour of stand-up exploring what it means to age, evolve, and loosen your grip on everything from self-image to social expectations. The title, Let Yourself Go, was inspired by a YouTube comment she spotted after appearing on Celebrity Antiques Road Trip. artsdepot.co.uk

Until 20 February UNIVERSITY OF HERTFORDSHIRE

This exhibition honours the heritage of St Albans School of Art and its lasting impact on creative education. The free exhibition brings together an exciting selection of works spanning from the 1950s to the present day, including some by famed Turner Prize nominee (2006) Mark Titchner. herts.ac.uk

FILM

Sherlock Jr x R.E.M.

8 February

BALDOCK ARTS AND HERITAGE CENTRE

Silents Synced pairs classic silent movies with epic rock music to bring audiences a unique big screen experience. Buster Keaton’s 1924 comedy classic is reimagined with R.E.M.'s alt-rock masterpieces Monster (1994) and New Adventures in Hi-Fi (1996). Buster Keaton stars as a film projectionist who dreams of becoming a detective. He uses his limited skills when he is framed by a rival. bahc.co.uk

A Valentine's illumination spectacular is coming to St Albans

Dark Skies EVENT

1 February

HERTFORD CASTLE

This community event at Hertford Castle celebrates the night skies. Groups of experts and enthusiasts, including LAPD Lighting Design, The University of Hertfordshire: Bayfordbury Observatory and the Hertford Astronomy Group, will come together to raise awareness of the effects of lighting at night on humans and the surrounding ecology. hertfordcastle.co.uk

Sen Fogle’s theatre show WILD brings to life on stage stories and tales of hope, possibility, and positivity. From his extraordinary encounters with the human and natural world, the hostile extreme environments of Chernobyl to the mountains of Nepal, Ben will take you on a journey with inspiring and uplifting tales of self-discovery. beamhertford.co.uk

t Albans City Centre BID (Business Improvement District) is set to transform the historic Clock Tower into a glowing celebration of love this February with a special Valentine’s illumination. Running from 12th-14th February, the beautifully designed light show will play on a continuous loop each evening from 5.30pm to 9.30pm. This enchanting display is designed to be a heartwarming experience for everyone – whether sharing the moment with a partner, enjoying a family outing, or celebrating friendship. The Valentine’s illumination offers the perfect backdrop for an a er-dinner stroll, a romantic date night, or simply a memorable moment in the heart of the city. Creating a City Centre full of love, BID is enhancing the atmosphere even further by installing Valentine’s street décor across St Albans, including a striking light-up LOVE motif and two brandnew selfie opportunities – ideal for capturing those special memories. This programme of activity aims to encourage residents and visitors to rediscover what St Albans has to offer this Valentine’s season. From its fantastic dining scene to unique independent shops and a variety of activities, the city centre is the perfect setting to celebrate love in all its forms.

enjoystalbans.com/valentines

Lisa Faulkner’s career path has been a varied one, but now she is back on the stage in a new adaptation of a 1990s classic. Absolutely takes a closer look

When TV presenter, actor and author Lisa Faulkner was asked to read the script for Single White Female by her agent, it felt serendipitous. “I actually feel like it came out of the sky because it was so weird – I haven’t acted in a theatre production for 21 years,” she says. “But I had been saying to friends that yes, it’s been ages, but I think it would be good to be scared and do some theatre again. And two weeks later my agent called and sent me a script and said ‘Look at it, they’re interested in meeting you.’ I always think the Universe is listening to you. I started reading it and couldn’t stop. I met the producer and director and I said yes.”

As well as having loved the iconic film when she watched it at the cinema years ago, North Londoner Lisa was also drawn to the character of Allie, a struggling, newly-divorced mum, trying to start a tech business, who takes in a lodger, Hedy – played by actor Kym Marsh in this production – to make ends meet.

“I remember going to see the film when I was much younger, in the early 90s, and I remember thinking it was brilliant. So it was exciting to see how they have adapted it for stage and how it was going to work but also, obviously, I’m playing a character that’s not completely far removed from me,” says the 53-year-old, who has an adopted daughter. “I know about how it feels to be a mum with a teenage daughter, juggling everything and trying to keep all the balls in the air – and all the guilt that goes with it. So that made me think it would be really interesting to play this part.”

There was also the draw of working with Kym, whose character Hedy she initially becomes close to but, as their lives intertwine, boundaries blur and things take a sinister turn. “Kym is friends with Angela MINDED

Gri n, who I have been best friends with since we acted together in Holby City in 1998, and she said I would love Kym, that we would get on really well,” says Lisa. “So that made me feel it was all going in the right direction and was another reason to be excited when they o ered me the part. It’s a huge challenge, but it is so exciting. I can’t wait to travel round the country, playing to audiences in so many di erent places.”

And how do she think audiences will relate to her character and a stage adaptation of a film that was a hit more than 30 years ago? “I actually think people will relate to many parts of the story. We are all human and we can all be a bit naive or foolish at di erent times in our lives,” Lisa says. “Allie is divorced from her husband, who she obviously really loved and she gave him many, many chances. She’s in quite a bad way, she’s just moved out and so she’s not thinking completely clearly and I think you can’t help but recognise that we’re all just human. We have to give ourselves a break. Maybe it’s that I am so immersed in her now, but I definitely feel empathy and I think others will too.”

The play has been adapted by writer Rebecca Reid for a modern age with social media playing a major part and Lisa feels this will help new audiences enjoy it. “Whether you have seen the film or not, I think you will love it,” she says. “A lot of

people I know don’t go to the theatre. They think it’s going to all be a bit highbrow and very worthy. But this isn’t like that at all. It’s really enjoyable – though there are some tense bits in it! People will be on the edge of their seats. Honestly, when I read it for the first time I was hooked.”

And does the infamous stiletto from the film make an appearance? “You’ll have to wait and see! There’s still the noise of the lift that you hear in the film. And the relationship between Allie and Hedy is just as central. But as a piece of drama it is very standalone and di erent from the film and has been absolutely brought up to date with social media with that idea of somebody prying into your life. Whether you are a regular theatre goer or someone who wouldn’t necessarily want to go to the theatre generally, I think people would love this as a night out. I can see mums going with their daughters [the age guidance is 15+] and people going with groups of friends and having a great time.”

As she is used to filming live television, the idea of doing theatre is more exciting than daunting. “I do food shows in front of audiences all the time and I love it because I get to meet people and I love the reaction of an audience. You know they’re with you and it’s really lovely. But I do have a kitchen bench to hide behind, which is very di erent from theatre. I’ve learnt

though that if something goes wrong you need to throw it away and move on.

I did a show with Ben Shephard called What’s Cooking? for a long time and if we stumbled over a line or something, even though your brain starts wanting to focus on that, I learned to just move on, forget it and go forward to the next line.”

Being on the road for six months means she will not be spending as much time as usual with her husband, John Torode, with whom she presents John and Lisa’s Weekend Kitchen and its spin-o special editions.

“Yes, that will be hard and I will miss him very much and Billie, my daughter, and Rory, the dog,” she says. “I love being with John and I love working with him. It will be di erent not having him around – though we have always done separate things too, so I’m used to him being away, and he’s used to me doing my thing, so it’s not a problem. I think it’s lovely to miss someone actually. And I will be able to come home two nights a week which is important.

“I think it will be so busy and, in some ways, less lonely than doing television, when a lot of the time you are on your own working on what your part is and then you turn up on set and do it. Whereas on stage the process is about working with other people, finding your character and interacting with others. That’s what I love about it – watching people and listening to how somebody is saying something which completely changes your way of delivering a line. We are all working really closely together, relying on each other and looking after each other.”

Interview by Anne Shooter. Single White Female plays at Cambridge Arts Theatre 1014 March and Richmond Theatre 14-8 April. Visit SWFonstage.com for full tour dates

AUCTIONEERSVALUERS

HansonsHertfordshire auctioneers and valuers are pleased to invite you to our regional valuation days. We are currently consigning jewellery, watches, antiques and collectibles for our monthly auctions. Our experienced valuers would be delighted to meet and advise you on auction estimates. We also offer FREE home visits if you are unable to attend our valuation days.

EVERY Wednesday at Burston Garden Centre, North Orbital Road, St Albans AL22DS

10am – 1pm

EVERY Thursday at The Kings Arms, 147 High Street, Berkhamsted HP43HL 10am – 1pm

EVERY Friday at our auction house

Hansons

Hertfordshire Unit 1, Lumen Road, Royston, Hertfordshire SG8 7AG 10am – 1pm

EVERY third Thursday at Saracens Head Hotel, High Street, Great Dunmow, Dunmow CM6 1AG 10am – 2pm

AND the last Wednesday of every month at The Acorn Room Pendley Manor Hotel Cow Lane, Tring, Hertfordshire HP23 5QY 10am –2pm

Independent Bookshops

From cosy community hubs to inspiring literary destinations, exploring the best in Hertfordshire for brilliant browsing

into the kind of pride and care you notice at the till and on the shelves. If you’re building a home library, hunting a signed copy, or introducing a reluctant reader to something irresistible, this is the place that quietly, confidently delivers.

Books on the Hill, St Albans books-on-the-hill.co.uk

David’s Bookshop, Letchworth Garden City davids-bookshops.co.uk

A proper destination bookshop, David’s sprawls across two floors of an original Garden City building and manages to feel both curated and gloriously abundant. What sets it apart is breadth with personality: new and second-hand side by side, a busy music department stocked with vinyl and CDs, gifts to linger over, and a café that turns a book hunt into an afternoon out.

Sta recommendations skew adventurous without being obscure, and the shop’s longevity – trading since 1963 – shows in the way it anchors local literary life with talks, signings and displays you didn’t know you needed until you saw them. David’s is also employee-owned, which seems to translate

Perched on Holywell Hill, this indie feels like the beating heart of St Albans’ bookish crowd: a bright, tasteful space, tables tipped with the interesting rather than the obvious, and booksellers who remember what you liked last time. The secret sauce is community programming – book clubs, workshops, poetry afternoons, and regular author events – woven into the calendar so naturally that popping in often means stumbling upon something happening. Reviews consistently praise the warmth of the team and the fact you can segue from discovering a new writer to settling in next door for co ee and conversation. It’s a shop that champions both the canon and the under-sung, with speedy ordering if your whim isn’t already in stock.

Chorleywood Bookshop, Chorleywood chilternbookshops.co.uk

Small in footprint, mighty in influence, Chorleywood is renowned far beyond

the village. The team’s events machine is the stu of industry legend – big-name authors, smart partnerships, and familyfriendly happenings that bring readers together year-round. That outward energy is matched by meticulous curation inside: a front-of-store that refreshes constantly, children’s picks that actually get devoured, and sta who ask exactly the right question before placing a book in your hand. No surprise it has scooped regional Independent Bookshop of the Year honours; the shop’s stock turn is famously high because things don’t gather dust here. If you measure a bookshop by the conversations it sparks and the authors it helps you discover, Chorleywood scores o the charts.

The Berkhamsted Bookshop, Berkhamsted theberkhamstedbookshop.co.uk

Newer than many on this list – opened in November 2022 – The Berkhamsted Bookshop has wasted no time becoming a High Street habit. It mixes a smart selection of new titles with older gems, so you can pair a just-published hardback with an unexpected bargain. The space feels airy and intentional, with face-outs that nudge you beyond the algorithm and sta notes that are specific rather than generic. Families are well served, and the team

leans into local life with window displays that change with the town’s rhythm. It’s the sort of place where a quick errand becomes an hour’s restorative browse, and where you’re gently steered toward something you’ll actually finish. For a young indie, it already reads like a classic.

Next Page Books, Hitchin nextpagebooks.co.uk

An independent children’s specialist with a mission, Next Page Books is run by a children’s publishing expert and a teacher/SENCo – credentials that show up on the shelves. The range is joyful and inclusive, with a notable strength in titles that support and celebrate neurodiversity. Picture books, early readers, middlegrade page-turners, YA that treats teens seriously: it’s all there, but curated through a lens of representation and readability. Parents and educators will appreciate how quickly sta translate a child’s interests (or anxieties) into the right book; grown-ups also get a small, well-chosen section and an ordering service for almost anything in print. It’s a community hub for school outreach and author visits, making reading feel like a shared adventure rather than homework.

The Book Nook, Ware booknookshop.co.uk

Bow leans into community – school links, Q&As, recommendations with context not clichés – and feels like a proper third place for readers who want conversation as much as stock. In a high street where every square foot has to work, Bow proves a bookshop can be both a viable business and a civic good.

Harpenden Books, Harpenden waterstones.com/bookshops/ harpenden-books

flowing between visits, and special orders are handled with the kind of care that makes you skip the online giant. It’s a bookshop that respects your reading hours and repays your loyalty with consistently good finds.

Rainford

& Parris Books (PBFA), Bishop’s Stortford

pbfa.org/members/rainford-parris

favourites, and the gifts and cards

High street indies thrive on welcome, and The Book Nook nails it with a cosy café corner, lively event schedule, and subscriptions that keep recommendations landing on your doormat. The shop balances new releases with dependable favourites, and the gifts and cards selection turns it into a one-stop for birthdays. Locals know it for friendly, straight-talking booksellers who won’t oversell, but will hand you that debut everyone will be discussing in a month. Add in regular author evenings and book club picks that aren’t the same five novels you’ve seen everywhere, and you’ve got a small shop punching above its weight –and giving Ware the kind of literary living room every town deserves.

Harpenden Books is the definition of a neighbourhood indie: compact, curated, and run by booksellers who specialise in “right book, right hands”. The window tells you what’s new; the tables tell you what’s worth your time; the sta , via personable notes and quick chats, bridge the two. Children’s picks are a particular strength, but the adult fiction and non-fiction tables are equally confident. Social channels keep recommendations

Bow Books, Royston bow-books.co.uk

a determined local can build. Part new,

After decades without an indie, Royston finally got Bow Books – and it shows what a determined local can build. Part new, part second-hand, the shop’s personality comes from deep bookselling knowledge and a volunteer-boosted team that keeps the place humming. You’ll find shelves that reward slow browsing, from modern fiction to niche nonfiction, plus the serendipity only a good pre-loved section can deliver.

pricing, describing books with the precision serious buyers expect. If you’re hunting

also includes specialists whose stewardship

A di erent flavour of independent, Rainford & Parris specialises in modern first editions, children’s and illustrated books, and 19th-century literature – catnip for collectors and anyone who thrills at a crisp dust jacket or a signed title page. Operating from the Hertfordshire/Essex border and active through reputable marketplaces, they bring dealer-level expertise to condition, provenance, and pricing, describing books with the precision serious buyers expect. If you’re hunting a clean first of a contemporary classic, upgrading a beloved favourite, or dipping a toe into collecting, their stock list rewards careful reading and quick decisions. It’s a reminder that “independent bookshop” also includes specialists whose stewardship keeps literary history circulating in readers’ hands, not locked away.

Free

Books, Hatfield

sites.google.com/view/freebookshatfield Free Books Hatfield is an independent book rehoming charity located within The Galleria in Hatfield. Their aims are to prevent books going to landfill and promote reading in the community. All of their books have been donated by the general public, schools, and local organisations. If you have some books which you would like to donate please visit their donations page. They also hold a weekly children’s story hour on Thursdays at 1pm in their Children’s Corner, which is a popular community event. An independent bookshop with a di erence

A NEW YEAR DESERVES A FRESH BEGINNING

Enjoy lighter Italian dishes this January - o ering perfect balance without compromising on luxury. From fresh salads and comforting soups to seasonal vegetables and lean proteins, every dish highlights clean, elegant flavours, bringing wellness and indulgence together in every bite.

FOOD & DRINK

PICK OF THE PUBS

Brett Barnes, co-owner and head chef of The Fox & Hounds in Barley, on UK recognition and mixing the classics with refined dining

Nestled in the heart of the charming village of Barley, The Fox & Hounds stands as a quintessential English country pub with a remarkable contemporary pedigree. With origins dating back over 350 years, this Grade II-listed inn beautifully preserves its historic character – from the original oak beams and roaring fireplaces to the iconic hanging sign that has adorned its façade for decades – while embracing modern culinary excellence and warm hospitality.

Under the stewardship of co-owner and head chef Brett Barnes, The Fox & Hounds has evolved into a destination gastropub, where seasonallydriven British cooking takes centre stage. Its menus celebrate the very best of local and regional produce, blending traditional pub favourites with imaginative, thoughtfully crafted dishes that reflect the rhythm of the seasons. Whether you’re savouring a perfectly roasted Sunday lunch, a refined multi-course dinner, or sampling innovative small plates with a glass of wine, the quality of the food here consistently earns praise. This commitment to outstanding ingredients and relaxed yet refined dining hasn’t gone unnoticed. In 2025, The Fox & Hounds Barley was named number 36 in The Good Food Guide’s Top 100 Best Pubs in the UK, a testament to its status among the country’s leading hospitality venues and a remarkable achievement for a village pub. As such, it was the perfect time for Absolutely to revisit and chat to Brett about how they have achieved this success.

Q Congratulations on being ranked 36th in the Good Food Guide Top 100 Pubs. What was your first reaction when you saw the listing, and how do you think this recognition reflects what you’re doing at the pub?

A I was delighted of course, but there was also an element of relief as we have been nominated for many awards over the years and not quite got over the finish line!

Q When you first took over The Fox & Hounds Barley, what was your vision for it, and how has that vision evolved over time?

A I’m pleased to say that we have stuck to our original vision for the pub over the years, and the Good Food Guide entry is a great indication that our perseverance is now paying o . As a chef, a strong food o ering was always my priority, but we also wanted the pub to be accessible and welcoming – not a fancy restaurant posing as a pub. I think we have achieved that.

Q Your background spans kitchens such as Arbutus, Hix Soho and Fäviken. How did your experiences in those high-end restaurants influence the way you run The Fox & Hounds?

A Working in such esteemed kitchens obviously teaches you a lot about food and cooking, as well as how to organise a professional kitchen. But probably the most important lesson was how to source excellent produce and treat it in a respectful way. This is a lesson that can be applied to any food business, from a 5 star hotel to a street food van (which I did have for a summer, about 10 years ago!).

Q The Good Food Guide review mentions that you produce “a well-thought-out, fairly priced menu … appealing for slap-up celebrations or midweek drop-ins”. How do you balance the fine-dining pedigree with the more accessible pub environment?

A This is something that we have always

sought to o er on our menus. There is always a selection of “pub classics” available –fish & chips, burger, sausage & mash – and these are competitively priced. We then have more restaurant style dishes, which showcase a bit more technique and flair, and perhaps use more luxury ingredients. The idea being there is something for everyone, whether it be a quick midweek lunch, or a special occasion.

Q Could you walk us through your food philosophy: what matters most to you in terms of ingredients, cooking techniques, and flavour?

A We source as locally as possible and I think it’s really important to support British farmers. Seasonality is absolutely paramount – cooking ingredients in season doesn’t just mean the ingredients taste better, it’s also more sustainable, and actually more exciting for the chefs and customers alike. We like to keep the style of dishes British for the most part, with a little influence from the continent here and there.

Q How has your location shaped the character of The Fox & Hounds, in terms of style, seasonality or sourcing?

A We said from the start that we wanted the F&H to be a traditional English country pub, and we have tried to reflect this in the decor, as well as the food and drink o ering. We have open fires, local ales, seasonal pies and puddings – all of the things you hope to find in a country pub, but rarely do!

Q The Good Food Guide review observes your “commitment to seasonality is real but understated” – with examples such as pig’s head croquette or hake with surf clams. Could you pick a dish that perfectly embodies your seasonal approach and explain its development?

A We change our menu weekly, sometimes daily, but there are certain dishes that reappear every year. For example, as soon as local asparagus becomes available, it goes

straight on the menu with a duck egg and home grown pea shoots. The exact detail of the dish may change year on year, but the flavour combination remains the same, and it’s something that the customers love.

Q What are the biggest challenges you face as a pub-restaurant in a village setting when aspiring to high culinary standards, and how do you address them?

A It’s definitely not as easy to source ingredients as it was when I was working in London, where you could get literally anything you can imagine at the drop of a hat. It requires a bit more planning and careful sourcing, and the internet can be quite handy when sourcing things like caviar and tru es!

Q How do you maintain consistency – both on the food side and the hospitality side – when you’re serving everything from midweek casual meals to celebration dinners?

A The most important thing is the team. We have been very fortunate that the core of the team – head chef, sous chef, general manager – have all been with us for years and I think it really shows in the consistency of our o ering both front and back of house.

Q Looking ahead, what are your aspirations for The Fox & Hounds over the next 2-3 years?

A I’ve only ever had one aspiration for the pub and that is to be busy, popular, and well regarded by customers and industry peers. If we can continue to do that, I’ll be happy.

foxandhoundsbarley.com

of the BEST 5

Irresistible bottles for Valentine’s Day sipping

By NATALIA SUTA

Soft Spot

Smooth, stylish, and sustainably made, Tread Softly’s range combines freshness, finesse and eco-cred, wrapped in beautifully eye-catching labels. Light on alcohol and gentle in feel, they’re spot-on for slow, romantic dinners without the heavy head, £10. waitrosecellar.com

Flirt Alert

If you want a wine that does some flirting for you, De Krans’ Pink Moscato is your best move. This South African rosé is lightly fizzy, delicately sweet, and bursting with strawberry, tropical fruit, and candy-floss charm, £15. acrmwineukltd. myshopify.com

Wild at heart

Newly launched and proudly wild-fermented, Vyn Dene’s low-intervention wines bring natural charm and a delicious hint of unpredictability. Fresh, textural, and full of character, they are guaranteed to spark curiosity, and possibly a second date, £24-£28. vyndene.com

Bad Romance

Bold, dark and rebellious, Orin Swift’s Advice From John is Merlot with attitude, packed with blackberry, espresso and plush texture. A perfect Valentine’s pick for rulebreakers, late nights, and dates that don’t play it safe, £35. vinvm.co.uk

Petite Amour

Tiny Wine’s miniature bottles of premium wine are tailor-made for intimate evenings – no commitment, no leftovers, just perfectly sized fine wine for two. Cute, classy, and ideal for bathtub bubbles or fireside flirting. From £18. tinywine.co.uk

Natalia Suta is a WSET-certified wine writer and educator with a knack for making wine accessible and fun. When she is not writing, she’s busy curating wine experiences and offering consultancy to help others discover the joy of wine. Follow Natalia on Instagram @_winerocks_

FASHION

SKI season

DIOR

Part of the DiorAlps capsule, the turtleneck sweater is a laid-back creation with a couture look. Crafted in a navy blue and white alpaca, cotton and wool knit, it features a Fair Isle motif inspired by the winter sports universe, embellished with the CD signature on the back. dior.com

Quite occasion the

Love token

Sparkly trinkets for Valentine's Day

By EVE HERBERT

ANITA KO

Diamond oyster and pearl necklace, £7,263 anitako.com

REIS

Strawberry hoop earrings, £850 reisjewellery.co.uk

YVONNE LEON

Coeur Pailletee 9-karat gold diamond ring, £1,930 net-a-porter.com

TISH LYON

Kira gold titanium tiger's eye flat back stud earrings, £30 tishlyon.com

JACQUIE AICHE

Pave horizontal oval opal ring, £10,800 jacquieaiche.com

Swirly 24ct yellow gold-plated bronze hoop earrings, £215 selfridges.com

MARNI

Tulip enamelled drop earrings, £450 selfridges.com

ANITA KO

Pearl and diamond Lola huggies, £5,658 anitako.com

ASHLEY ZHANG JEWELRY

Double bezel diamond baroque pearl pendant and small belcher chain, £1,400 ashleyzhangjewelry.com

By PENDLE HARTE

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• Installed over 100 gyms and spas including: Gym Design &

Staying Connected

Did you know that 39% of people avoid visiting relatives with dementia due to communication challenges?

Dementia can change the way someone communicates. Messages in the brain may take longer to reach the right place, which can make conversations more challenging. As dementia progresses, families and friends may feel unsure how to stay connected. In a national survey, nearly all respondents (93%) said communication barriers made meaningful interaction harder, but it doesn’t have to be this way. Understanding why communication becomes more challenging is the first step in remaining connected with your loved one.

STAYING CONNECTED

We know many families feel they don’t have enough support with communication after their loved one develops dementia. That’s why Care UK created Staying Connected: a guide to dementia-friendly conversations. This guide o ers support for family members and friends to understand some

of the ways dementia can impact a person’s ability to communicate and provides advice for making day-to-day communication less stressful. In this, Care UK share practical tips to help you communicate more easily and confi dently with your loved ones. Pick up a free copy in your local care home or download it as part of ‘The Big Dementia Conversation’ online advice hub.

WE’RE HERE FOR YOU

‘The Big Dementia Conversation’ online advice hub is all about sharing knowledge and real-life experiences to support those who are looking after someone living with dementia.

If you’re caring for a loved one with dementia and need a little extra support, why not visit the website below to discover more ways we can help you and your loved one.

If you’re considering care, call your local care homes Knebworth and Snowdrop House on 0330 822 2866 or visit careuk.com/hertfordshire

Did you know?

Nearly 4 in 10 people say they’ve avoided visiting a relative living with dementia.

93% of people feel communicating barriers can prevent meaningful interaction with their relatives.

The top three things people find most challenging are:

• having to repeat themselves (43%)

• not being recognised (42%)

• understanding what their loved one means (40%)*

Visit our online advice hub to find out more by scanning the QR code.

INTERIORS

Design DEBRIEF

Hertfordshire designer Cherie Lee on establishing her business, balancing work and family life, and why the county is a joy to work in

Q Can you explain your journey into interior design?

A My route into interiors wasn’t the traditional one. I began my career in law, and although I ultimately moved into a more creative world, that training still underpins everything I do. It gave me a highly structured, analytical approach to projects, a love of process, and an ability to problem-solve calmly and logically. Designing a home is emotional for clients, but behind the scenes it requires meticulous planning, documentation and clarity, all skills I honed during my legal career. Clients often tell me they feel incredibly reassured by that blend of creativity and rigour.

Q Cherie Lee Interiors (CLI) has grown into a thriving design studio – what do you believe has been the key to its success?

A CLI’s success comes from our belief in understated, lived-in luxury, paired with a genuine respect for how families use their homes day to day. We create schemes that feel elevated yet e ortless, with materials such as natural stone, timber and relaxed textiles forming the backbone of our style. We never impose a “house style”, we’re known for listening deeply, designing logically, and guiding clients towards choices that feel authentic to them.

That combination of empathy, process and creativity has been transformative for the studio. We believe homes should look good, but should also be liveable.

Q How would you describe the signature design style of CLI?

A The CLI aesthetic is rooted in calm, organic palettes layered with warmth, texture and craftsmanship. I gravitate towards natural materials, stones, woods, and linens because they instantly create a sense of serenity and timelessness. We aim for quiet confidence rather than showiness, but we always add a touch of “wow” where appropriate, whether through joinery, lighting or unexpected colour accents. We believe wellness is a part of people’s homes and this desire to feel well in a home is increasing, so we’re inspired by putting nature in people’s homes and doing things like blocking noise, and even light at night into bedrooms.

Q As Creative Lead, what does your typical involvement look like across di erent stages of a project?

A I’m involved from the first conversation through to the final installation. At the beginning, I spend time understanding the client’s routines, lifestyle and design

aspirations. Throughout the design phase, I lead the concept development, material palette, space planning and joinery details. As projects progress, I oversee the technical work, collaborate closely with contractors and craftspeople, and guide the styling and finishing. My role is to ensure the design vision remains coherent and beautifully executed right through to handover.

Q Does Hertfordshire influence your design choices when working in the area?

A Hertfordshire homes are wonderfully diverse, from Grade II listed houses with original details to contemporary remodels with clean lines and glazing. My approach is always contextual. In period homes, we respect heritage while carefully introducing modern comfort, flow and practicality. We love to do design where the inside of a home reflects the character of the outside. In a recent period property, the wallpaper in the dining room draws inspiration from the exterior of the home, where a serene lake sits within the garden. Since the dining room overlooks this lake, the wallpaper feels like an extension or echo of the view outside creating a seamless connection between interior and landscape.

Q How long have you been based in the county and what do you love about it?

A I’ve lived and worked in Hertfordshire for many years and recently restored a beautiful medieval barn here, which has become our design studio. I love the sense

of community, the countryside, and the blend of rural charm with easy access to London. Many of our clients are families putting down roots, and it’s a privilege to help shape the homes they’ll grow into.

Q How do you balance the creative demands of your work with being a mother of two?

A Like many working parents, balance is a constant work in progress. Strong organisation helps, as does having an amazing team around me. I try to be fully present wherever I am, whether I’m deep in a site meeting or at home with my children. The structure and discipline I developed in my early career helps enormously, but so does embracing flexibility and accepting that perfection isn’t the goal, presence is.

Q How do you and your team ensure smooth implementation and delivery, especially on complex or multi-layered projects?

A Communication is everything. We work closely with contractors, architects and suppliers from day one, producing highly detailed drawings and specifications so there are no surprises on site. We anticipate

challenges early, maintain constant dialogue with trades, and conduct regular site visits to keep quality and timing on track.

Q What do you think are the biggest trends in homes in 2026?

A For 2026, the trend will be to continue to embrace natural interiors and textures. This trend has been growing for years and remains incredibly strong, driven by clients prioritising wellness and natureinspired design. Limewash, clay finishes, organic shapes, and tactile materials aren’t groundbreaking, but they endure because they support our biophilic needs, the human desire to connect with nature.

Q Looking ahead, what’s your vision for CLI?

A We’re committed to continuing our work across both historic and contemporary homes, bringing our blend of calm elegance, materiality and thoughtful planning to each project. As the studio grows, I’d love to see CLI deepen its presence in Hertfordshire while also taking on more exciting urban and countryside projects across the UK.

cherieleeinteriors.co.uk

A world of COMFORT

Jensen: Norwegian sleep pioneers since 1947

Every Jensen bed that leaves their factory today has a story that begins almost 80 years ago. A story of craftsmanship and innovation, but also responsibility. They still build their beds in Norway, with materials and methods that stand the test of time. To underline that, your new Jensen bed comes with a 25-year guarantee against frame or spring breakages.

FROM NORWAY TO THE WORLD

What started as a small family business is today a premium brand with beds and accessories of the highest quality. And while they are proud of their heritage, they never let it stand in the way of new ideas. For example, they always apply the latest findings in sleep science and physiology to the development of new beds. They use all their expertise and curiosity to improve people’s rest – and thereby their performance. It’s a story of craftsmanship and innovation,

but also responsibility. They still build their beds in Norway, with materials and methods that stand the test of time.

BEDS MADE FROM PASSION

While technology and the automation of their production have made it more e cient, it’s the people that make their beds what they are. Some of their employees are now the third generation of passionate bed-builders at their factory in Svelvik, just outside of Oslo. Together, they are dedicated to making a long-lasting contribution to sleep comfort.

THE SLEEP THAT MAKES YOUR DAY

At Jensen, they have made it their purpose to help you wake up fully rested. From design to choice of materials, every detail in their beds is carefully chosen to improve your sleep quality – and thereby your performance.

It’s not always easy to know what to look for in a product that is meant to be a longterm investment in your sleep and well-being.

A mattress should help the body relax, reduce pressure points, and provide the right level of support. Your sleeping position can give a useful indication of what type of bed may suit you best, but it should never be the only factor when making your final choice. Jensen understand how easy it is to feel overwhelmed when choosing a bed – there are many options to consider, from bed types and firmness levels to zoning systems. That’s exactly why they encourage you to ask for help in store. They recommend visiting their London showroom at Chelsea Harbour when you’re buying a bed. Their team consists of trained sleep specialists with in-depth knowledge of the di erent models. They will guide you in the right direction from the very beginning, so you don’t end up trying too many beds and leaving more confused than when you arrived.

Find out more by calling 020 3914 1262, emailing jensenbeds.chelseaharbour@ hildinganders.com, or visit jensen-beds.com

Making a SPLASH

From rhythmic blues to wellness-inspired design, five trends shaping bathrooms in 2026

As we settle into 2026, bathroom design is moving firmly into the era of comfort, character and conscious living. Roca’s latest trends forecast highlights five key movements shaping how we design and experience the most personal space in our homes, all reflecting the broader mood in interiors for calm and connection.

The return of blue

Blue is back in a big way – not as a single statement shade, but as a whole emotional spectrum. Dulux has broken with tradition on its Colour of the Year by unveiling a trio of hues for 2026 under the banner Rhythm of Blues, a palette that captures the ebb and flow of modern life. Why blue? It’s the colour of water, wellness and balance – the perfect fit for a room where we begin and end each day. Whether it’s a soft morning sky tone or a deep, enveloping navy, blue brings a natural sense of calm and clarity to a space. Designers are leaning into this versatility. Gentle, misty blues are being used to open up smaller rooms, paired with light

woods and brushed metal finishes. More expressive shades such as the Steel Blue of the Optica vanity by Roca inject creativity and energy, perfect for those treating their bathroom as an extension of their personality. Meanwhile, moody inky tones like the Night Blue shade on Tenue furniture o er intimacy and stillness, turning bathrooms into true retreats.

Stainless steel shines

Metallic finishes have long been part of bathroom design, but 2026 is the year stainless steel takes centre stage. Its appeal goes beyond its clean, contemporary look – it is durable, low-maintenance and fully recyclable, making it a perfect choice for the eco-conscious homeowner.

This renewed love for stainless steel mirrors a broader trend across interiors: investing in materials that combine longevity with quiet sophistication. Its soft sheen adds a sense of refinement, pairing e ortlessly with marble, timber or even bold colour.

Roca’s refreshed Targa and Ona brassware collections both illustrate the look – slim silhouettes, modern forms and a choice of finishes including Brushed Brass and Matt Black alongside Stainless Steel. Natalie Bird, Brand Marketing Manager at Roca UK & Ireland, says: “This direction reflects a shift towards sustainable luxury – design that looks beautiful, performs brilliantly and lasts for decades.” With more people seeking high-quality materials that age gracefully rather than fast fashion for the home, stainless steel is emerging as a timeless classic: polished, practical and planet-friendly.

The soft power of curves

After years of geometric minimalism, curves are making their comeback. Rounded edges and sculptural forms are softening the modern bathroom, creating spaces that feel welcoming and serene rather than severe. Designers are moving away from sharp corners in favour of gentle silhouettes – oval mirrors, pill-shaped basins and softly contoured brassware. “People want bathrooms that feel tactile and approachable,” says Natalie. “It’s about harmony – elegant but never austere.”

Upcoming Roca collections such as Kay brassware (launching summer 2026) and Meridian basins and furniture (launching spring 2026) explore this balance beautifully: ovals meeting rectangles, curves o setting clean lines. The e ect is subtly luxurious, adding flow and fluidity without compromising on structure. And this softer geometry ties into a wider wellbeing trend, an instinctive move towards spaces that soothe, not stimulate. Think rounded tubs, pebble-like basins, and smooth finishes that invite touch.

Wellness, the Japanese way

Wellbeing remains one of the strongest influences on interior design, but for 2026 it’s evolving into something more mindful

and quietly intentional. The inspiration comes from Japan, where bathing is viewed as a ritual, a chance to slow down and reset.

Compact deep tubs, inspired by the traditional Ofuro, are gaining traction, designed for full immersion in a smaller footprint. Roca’s Ohtake Stonex® soaking tub, created with architect Rodrigo Ohtake, interprets this beautifully: sculptural, water-e cient and perfectly proportioned for modern homes. “Today’s bathrooms are no longer just functional spaces,” says Natalie. “They’re sanctuaries that support wellbeing in every sense – physical, emotional and environmental.”

The wellness trend is also driving innovation in technology. Smart toilets with heated seats, integrated cleaning systems, and sensor-activated functions are becoming the norm, not the novelty. These features aren’t about luxury for luxury’s sake, they make spaces more comfortable and hygienic.

Understated luxury

The final big shift for 2026 is towards quiet sophistication – luxury that whispers rather than shouts. The focus is on thoughtful detailing, fine materials and cohesive design rather than overt opulence. This understated approach celebrates restraint. Fittings and accessories are being reimagined as design features in their own right, chosen as carefully as tiles or taps. For example, Roca’s T-Multi built-in thermostatic shower mixer keeps all the working concealed so only the stylish Brushed Brass controls are on display. Small details, like a beautifully engineered handle or a perfectly matched finish, make a world of di erence.

Roca’s Duplo S flush plate collection exemplifies this ‘less but better’ ethos, showing how even the most functional elements can elevate a space. The Dupo S plates feature compact proportions, a wide choice of finishes and coordinated tones, from brushed Stainless Steel to Honey Yellow and even tactile finishes like Concrete. Plus, the Duplo PS3 and PS4 models can be customised to create a unique look.

“Homeowners are increasingly drawn to design that feels intentional,” notes Natalie. “Matching details –whether it’s taps, accessories or flush plates – help create a sense of cohesion and calm. It’s those small touches that make a bathroom feel truly considered.”

Discover more at uk.roca.com/where-to-buy-showrooms

By PENDLE HARTE

MINDTHEGAP

Suzani floral lampshade, £160 mindtheg.uk

HOUSE OF HACKNEY

Golden Lily Circus wallpaper, £195 per roll houseo ackney.com

CASA BY JJ

Beatrice dinner plates, set of six, £80 casabyjj.com

OKA

Zhenhua wall panels, £POA oka.com

COX & COX

Floral ceramic vase, £45 coxandcox.co.uk

SANDERSON Silver Lime Nymph wallpaper, £112 sanderson.design

LOUIS DE POORTERE

Suzani rug, £399-£1,555 heugahinteriors.com

DIVINE SAVAGES

Drunken Monkey wallpaper, £159 divinesavages.com

FLOWER POWER

Florals are set to be huge in 2026: here's why

By PENDLE HARTE

LITTLE GREENE

Rhododendron wallpaper in Hicks Blue, £POA littlegreene.com

PRETTY TIFFIN

Mess plate set of four, £52.99 prettytiffin.co.uk

CLAYESMORE At Clayesmore, a quiet magic welcomes every child to a place where they belong. In small classes with personalised learning, each student is known, valued, and empowered to grow in their own way – discovering their strengths, and flourishing into the scholars, artists, and leaders they are meant to be. clayesmore.com

OVERSEAS Enrichm ent

How

global trips nurture confi dent and resilient global citizens

By NICOLETTE LISTON

Overseas residential trips o er an irreplaceable form of experiential learning that simply cannot be replicated in a classroom. For many students, these journeys spark “lightbulb” moments where theory becomes tangible. Geography textbooks come alive when standing at the foot of the Atlas Mountains or watching advection fog roll in o the Atlantic, and explaining on the spot how this is illustrative of a temperature inversion. Just as lessons on global inequality resonate di erently when witnessed first-hand, these kinds of trips create the conditions for deep intellectual curiosity, prompting questions students might never have considered within familiar surroundings. Beyond curriculum links, overseas experiences foster humility, self-awareness, and perspective. Students begin to understand how their own lives, often shaped by stability and privilege, contrast with the realities of others around the world. The extended residential nature of the trips

also cultivates independence: managing personal belongings, keeping to itineraries, and navigating new cultural expectations all contribute to personal growth. Equally important is the social dimension, as students build new friendships across year groups and collaborate in unfamiliar environments. Immersive, challenging, and memorable, overseas trips broaden horizons in ways that shape both academic understanding and personal development.

EXPOSURE TO GLOBAL ISSUES

Travelling abroad also develops a sophisticated range of transferable skills essential for young people preparing for adulthood. Communication skills grow rapidly as students interact across language barriers, whether using basic Arabic or French in Moroccan souks or relying on non-verbal communication to show respect and navigate cultural di erences. Many discover the challenge and reward of bartering, which demands confidence, numeracy, critical thinking, and cultural awareness. Problem-solving becomes second nature as students negotiate new environments, from

converting currencies to deciding what constitutes fair tipping for local services.

Time management and personal responsibility are also sharpened: for possibly the first time, students must safeguard their passports, manage hydration and hygiene, pack e ectively, and stay within weight limits for flights. These routine yet essential tasks build independence and resilience. Critical thinking is strengthened through exposure to global issues, such as sustainability, informal economies, water scarcity, and the environmental footprint of tourism. Students learn to question assumptions, consider multiple perspectives, and reflect on the complexities of global interdependence. Collectively, these skills equip students for higher education, employment, and life beyond school. Likewise, international travel pushes students gently but firmly beyond their comfort zone, encouraging them to adapt to unfamiliar environments and embrace new experiences with an open mind. Navigating busy markets, unfamiliar foods, di erent social norms, and challenging climates teaches students how to manage

These kind of overseas trips create the conditions for deep intellectual curiosity

uncertainty which is an essential ingredient of resilience. These trips also provide safe opportunities for overcoming fears.

MATURITY AND PERSEVERANCE

Each small victory builds confidence. Resilience grows further through the natural unpredictability of travel: long bus journeys, heat, early mornings, changes in plans, and new routines all demand flexibility and patience. Students also learn to take responsibility for themselves and one another. They learn how to maintain group safety, follow guidance, and support peers during moments of challenge. Importantly, students realise that confidence isn’t about

Classroom learning becomes more vivid, grounded and memorable

being fearless, but about coping with discomfort and persevering despite it. These moments of growth endure long after the trip ends, empowering students to face academic pressures, social challenges, and future workplace demands with maturity.

For example, a recent overseas geography trip to Morocco o ered St Albans School Sixth Form students a transformative enrichment experience. The tour centred on academic exploration and cultural immersion, exposing students to spectacular landscapes and enabling them to observe geological processes, settlement patterns, and cultural diversity first-hand. Camel treks into the dunes, nights under starlit skies, surf lessons on the Atlantic coast, and haggling in Marrakech’s vibrant souks brought geography to life in unforgettable ways.

The purpose of this trip was to deepen students’ understanding of landscapes, climate systems, and development issues. Travelling from Marrakech across the Tizi n’Tichka Pass, students observed dramatic geological formations that illuminated theoretical concepts such as orogenesis, strata, and tectonic processes. Visits to Ait Ben Haddou and Essaouira highlighted settlement adaptation, cultural palimpsests, and the role of heritage in shaping identity and tourism. In the Sahara Desert, students

trekked by camel to a Bedouin-style camp, experiencing diurnal temperature ranges and nomadic lifestyles beneath extraordinary night skies. The itinerary also exposed students to local economies: they visited sa ron cooperatives, observed artisan woodworking, and explored Essaouira’s maritime trade heritage.

IMMERSIVE ADVENTURES

The impact of overseas enrichment extends far beyond the week spent abroad. Classroom learning becomes more vivid, grounded and memorable when students can draw on personal experiences. Topics such as desertification, global trade networks, tectonics, economic development, and cultural geography become anchored in real observations, strengthening comprehension and long-term retention. Students return with sharper analytical skills, having questioned and contextualised global issues in situ. This often leads to richer discussion, more sophisticated essay writing, and increased confidence in applying case studies or personal reflections to academic assessments. Creative subjects also benefit; travel experiences provide powerful stimuli for art, photography, creative writing, and project-based learning. Students often capture striking imagery, from the

geometry of medina streets to the colours of coastal markets, which inspires creative expression. Exposure to diverse cultures encourages originality, imagination, and empathy, essential qualities in innovative thinking. Ultimately, overseas trips act as intellectual catalysts, transforming abstract concepts into lived experiences that broaden students’ academic and creative potential. Trips provide an excellent platform for cross-curricular and co-curricular links and development. Global citizenship is not something that can be taught solely through textbooks – it develops through immersion, perspectivetaking and reflection. Overseas experiences encourage students to recognise their place in an interconnected world and understand the impact of their actions on global communities. By engaging respectfully with di erent cultures, students develop ethical awareness and a sense of global responsibility. Exposure to diverse values and traditions helps students appreciate di erence without judgement, fostering the cultural sensitivity essential in today’s globalised society. The independence required while travelling builds maturity and readiness for future opportunities such as gap years, higher education, and international work. Ultimately, overseas enrichment nurtures confident, adaptable, and compassionate young people who are active participants in a global community.

Nicolette Liston is Head of Lower School at St Albans School. Find out moreat st-albans.herts.sch.uk

Music MATTERS

The School of Rock has opened in the UK and Absolutely joins the band to find out more

School of Rock London is a dynamic and immersive music school that empowers students of all ages and abilities to learn, play, and perform music in a band setting. Unlike traditional music tuition, the School of Rock philosophy blends private lessons with weekly group rehearsals so learners don’t just practise – they play rock songs together from early on, building both skill and confidence through real-world performance experiences. At its core is the globally recognised School of Rock Method™, a performance-based curriculum that uses popular rock music to teach technique, theory, and musicianship in

a way that’s exciting and engaging. Students at the new London location can take lessons on guitar, drums, bass, keyboard, or vocals, progressing from beginner to advanced levels and regularly playing live at local venues. With programmes tailored for young children, teens, and adults, School of Rock London nurtures creativity, teamwork, and stage presence. Whether you’re picking up an instrument for the first time or honing your performance chops, this school turns learning into an unforgettable rock-androll journey. Matias Puga-Hamilton, an entrepreneur and drummer enthusiast who has already launched 24 School of Rock franchises across Latin America, is leading the UK charge. Absolutely went to meet him.

Q Why was Twickenham chosen as the location for the first School of Rock in the UK?

A We chose Twickenham because of its rock background. It genuinely feels like the home of British rock. Being right next to Eel Pie Island, where The Rolling Stones, The Who, The Yardbirds and so many others started their careers, gives this place a special energy. When we decided to bring School of Rock to the UK, we knew we had to start where the story of British rock began. Twickenham also has a strong creative spirit and a community that values music, families and culture. We wanted to open a place that means something for the community and around music. Starting here

“WHETHER SOMEONE IS A BEGINNER OR ALREADY PLAYS, THEY CAN FEEL PART OF SOMETHING”

allows us to connect our students to a real musical legacy, “back to rock” where it all began.

Q What would we find at this School of Rock?

A You’ll find a proper music school built around real performance. We’ve transformed a beautiful Grade II listed former bank from 1904 into 14 studios designed for lessons, rehearsals and live playing. Every room is equipped like a real venue or rehearsal space. But more than the rooms, you’ll find a space to connect around music, to build a community. Students of all ages, instructors who are working musicians, and an environment that feels welcoming and fun. Whether someone is a complete beginner or already plays, they can walk in and feel part of something.

Q You’ve mentioned ambitions to open 50 schools nationwide – what milestones will determine the pace of expansion across the UK?

A For me, the most important thing is doing this well, not fast. First we wanted to make the first school a reality, and we wanted to do it properly, so it can set the basis for the ones to come. The pace will depend on a few key things, including how the market reacts, and so on.

Once we feel confident that everything is solid and replicable, we’ll move on to the next stage of growth. The number is achievable, but only if we stay focused on quality first, which is what we do at School of Rock.

Q How will School of Rock involve behindthe-scenes professionals such as tech crews, sound engineers, or venue partners?

A I’ve always believed that live music is a team e ort. We work with local sound engineers, technicians and venue teams

“TRADITIONAL LESSONS START WITH TECHNIQUE AND THEORY. WE DO THE OPPOSITE: WE START WITH SONGS AND PERFORMANCE”

for our live shows. Their support helps us create a real performance environment for the students, with proper sound and stage setup. It also allows us to build strong relationships with local venues, which is an important part of our model. Our focus is on the performance side, but having these professionals involved makes the overall experience much more authentic.

Q How do you plan to build partnerships with local venues and arts organisations to give students real performance opportunities?

A We want our students on real stages, in front of real audiences. It builds confidence, creates memories, and connects us to the local arts community in a genuine way. That’s

why performing in real venues is essential to our method. We’ve already started building relationships with venues in di erent parts of London, and we’ll continue to grow that network as we expand.

Q You’ve successfully opened 24 School of Rock franchises across Latin America. What insights or lessons from that experience are shaping your approach in the UK?

A The biggest lesson is that you can’t copypaste culture. Each place is di erent and takes its own time to develop and grow. You need to listen to the community, understand it, and adapt the model to fit.

What stays the same everywhere is the heart, and the essence of School of Rock: great instructors, strong student support, and a school that truly feels like a second home where students can learn music but can also develop very important soft skills. That’s what we’re bringing to the UK.

Q You’ve spoken about the impact School of Rock had on your own daughters. How does that personal experience influence the way you lead and expand the brand?

A It had a huge impact on me. When we were living in the US, my wife enrolled our daughters in School of Rock, and as soon as I saw them growing in confidence, making friends and discovering music in such a joyful way, I thought, “I need to try this myself”. So I joined the adult programme as well.

That experience helped me understand how powerful this method is and the real value it brings to families and individuals

of any age. Fast forward to today, and I now have a band with my daughters. I play the drums, and they sing and play keys. It’s an amazing experience. That personal journey guides me in every decision. I want other families to feel what we felt.

Q School of Rock emphasises learning through performing. How does this method di er from traditional music education, and why do you believe it resonates so strongly with young people?

A Traditional lessons usually start with technique and theory. We do the opposite. We start with songs and performance. Students play music they love from day one, and technique and theory come naturally as part of that journey. It feels fun, fast and social, and that’s why young people connect with it so strongly.

Q What opportunities will adult learners have within the UK schools, and how important is intergenerational creativity to the School of Rock model?

A For adults, it’s the opportunity to accomplish something many people have always wanted to do: be in a band. Our adult programme gives them the chance to learn an instrument, rehearse with others and perform live. We’ve seen how meaningful that is in our schools around the world, and we’re excited to o er the same here.

And I really enjoy seeing di erent generations sharing the same love for music. It naturally connects people, and that spirit is a really important part of who we are.

Q School of Rock is known for its ensemble-based approach. How do you support students who may be shy, neurodivergent, or completely new to performing in group settings?

A We meet each student where they are. Our instructors understand di erent learning styles, and the group format helps many students feel more comfortable and confident over time. It takes time, but we’ve had many success stories in other countries, and we’ve seen the impact the school can have on children and how it boosts their confidence.

Some of our most inspiring performances come from students who walked in nervous and unsure. Watching them grow is one of the best parts of this job.

schoolofrock.com

Futureproofing SCHOOLS

A head to head view from the top

With more independent schools merging to secure their longterm futures, Absolutely interviews

Sharon Schanschie , Head at Abbot’s Hill School, and Mark Brain, Head at Westbrook Hay School in Hertfordshire, alongside Antony Spencer, CEO of the Mill Hill Education Group, about the collaboration between their schools and why more establishments are opting for this route…

Q Why do you think so many independent schools are merging at the moment and what do you believe are the contributing factors?

Antony: There are a combination of factors. Certainly, the financial imperatives such as the imposition of VAT on independent schools, and the need to secure longer term

stability, form part of the wider narrative – although this is the more negative side of the lean toward mergers. On the flipside, there are many other reasons schools are considering this route alongside the multiple benefits of collaboration – something the state sector, in particular, Multi-Academy Trusts (MATs), have been very good at for many years.

Sharon: I wholeheartedly agree with Antony. Independent schools have perhaps not been as forthcoming in terms of building collaborative relationships with their competitors in previous years. For us, joining the Mill Hill Education Group strengthens our ability to thrive in what is a changing and challenging educational landscape. It ensures we can continue to deliver a high-quality education while benefiting from the support, resources, and expertise of a larger network, whether that is support around regulatory pressures or shared best practice, being part of a wider family of schools o ers tangible benefits.

“SCHOOLS NEED TO PROTECT THE QUALITY OF THE EDUCATION THEY DELIVER TO THEIR PUPILS”

Mark: For me, stability and opportunity seem to be the most obvious triggers for the trend around group mergers. Schools are aware that they need to work smarter and futureproof their survival during what have been turbulent times for the sector. From falling birth rates to rising pressure around justification of fees, schools need to protect the quality of the education they deliver to their pupils.

Antony: I also think it is important to distinguish the di erence between a charity merger which seeks to collaborate in a bid to meet certain charitable objectives, versus a profit-led merger, which is more financially driven.

Q Sharon and Mark – what do you see as the main benefits for your schools of becoming part of a bigger group?

Sharon: Being part of a wider family of schools o ers substantial benefits such as shared best practice and being able to reach out via cross-school collaboration, as well

as the obvious economies of scale. It’s a step forward that allows us to grow while staying true to who we are. We can still stand as an individual school, but if we are looking for specific expertise or additional resource for instance, we have access to a wider pool of experience within a supportive and nurturing environment.

Mark: For me, a key benefit is the camaraderie and support from fellow Heads within the Group. Being a school Head can be a lonely place at times and being able to pick up the phone and speak with another like-minded Head is invaluable. Likewise, having access to meaningful collaborations across departments, from safeguarding and medical support to pastoral care and communications, can have a real impact day to day.

Antony: From a group perspective, the benefits of a shared culture are really valuable. This allows e ective collaboration across all our schools, across a diverse pupil roll; the impact can be di cult to quantify,

but we are already seeing improvements in the quality of education we are able to provide to our pupils.

Q There has been speculation from the sector that schools risk losing their own identity and personalities if they merge with other schools – what is your view on this?

Mark: Finding the right match is important in terms of retaining your identity as a school. The question of ethos, purpose and core values are high on the agenda when considering any kind of collaborative partnership. Day to day from the child’s perspective, school doesn’t look any di erent. The uniform is the same etc, but every now and then there will be something like a large-scale group sports event or creative arts experience that would have only been possible because of the merger.

Sharon: I absolutely agree. It has to be the right fit for your school. Mill Hill places its students at the heart of everything it does and that resonates very much with our own school ethos. Importantly for us, our identity and values remain unchanged, we are still very much ‘Abbot’s Hill School’, but it is great to be able to share ideas and aspirations and to be able to visit each other’s schools too.

Q How do these kinds of mergers benefit the pupils and their families?

Sharon: Having access to wider academic partnerships for teaching is a key benefit for our pupils, as is having an enhanced range of co-curricular activities providing our children with even more opportunities for

new experiences than ever before.

Mark: Peace of mind for parents is probably one of the main benefits too. Having the support of a bigger organisation behind you provides the stability needed to thrive and grow. For prospective parents who are looking to move their child from nursery into a school of choice, they want reassurance that the school will still exist long term. For example, a lot of smaller schools are not able to justify something like a ski trip to the Alps, while jointly as a group, this is something that is far more achievable, and something that all pupils will benefit from.

Q Finally, since you merged, what has been the biggest positive for you?

Sharon: Collaboration and stability. Having knowledgeable people around me that I can speak to at any time for insight or even just for a second opinion, has been amazing.

“HAVING

ACCESS TO WIDER ACADEMIC PARTNERSHIPS FOR TEACHING IS

A KEY BENEFIT FOR OUR PUPILS”

Mark: Being part of a group like this has strengthened our school without changing who we are at the heart.

Antony: From a Group perspective, it’s fantastic to be part of a genuine two-way relationship whereby we can learn from and support each other. Finally, to counteract some of the negativity surrounding school mergers I would add some food for thought – no school is truly independent. All schools have limitations and red tape to navigate regardless of whether they stand alone or as a larger collaborative group. I would say that by merging with the right partners who share the same ethos and guiding principles, schools aren’t really giving up much, but united as a group, they potentially stand to gain a great deal from the experience.

abbotshill.herts.sch.uk westbrookhay.co.uk

MEET THE HEAD

Duncombe School’s Jeremy Phelan on the many benefits of their holistic approach

Q Tell us about Duncombe School...

A Duncombe School is a warm, welcoming independent day school and pre-school in Hertford for children aged 2–11. Set in a beautiful woodland environment, we combine high academic expectations and outcomes with outstanding pastoral care. Pupils are known, valued and encouraged to be curious, confident and kind. Learning is engaging and purposeful, with strong relationships between sta , pupils and families creating a close, supportive community where children feel safe, confident and inspired to do their best. We encourage the children to be themselves, embrace challenges and love their learning experience. It’s an exceptionally happy place to be.

Q What elements of school life do you think set you apart?

A Duncombe’s distinctive strength is its holistic approach. Academic rigour and success are complemented by exceptional enrichment opportunities. The school’s “Team Duncombe” culture fosters respect, teamwork and pupil voice, while innovative use of technology and a clear future-ready focus prepare children for their next steps. A strong focus on wellbeing, outdoor learning, and personal responsibility underpins our consistently outstanding 11+ results and scholarships.

Q What are your hopes for the year ahead?

A We are excited to have become part of the Blenheim Schools group. Our

joint ambition is to build on what makes Duncombe special: outstanding teaching, innovation and a caring community. We aim to deepen our holistic learning approach, expand enrichment and leadership opportunities, and continue strengthening wellbeing and character education. We also want to continue to bring our tight-knit community together through shared events and partnerships, ensuring that every pupil is challenged academically, supported pastorally and inspired to develop confidence, creativity and a lifelong love of learning.

Q Are you looking to introduce anything new to the school?

A We will continue to expand our outdoor and experiential learning, including Forest School and environmental projects that foster resilience and responsibility. Our holistic curriculum will grow in meaningful ways, such as the Key Stage 2 ‘My Classroom Economy’ initiative, which develops economic literacy while enhancing creativity, collaboration, and problem-solving. We will also amplify pupil voice through leadership roles and community projects.

Q Are there any particular dates ahead this year that you are looking forward to?

A We always look forward to welcoming new families at our Open Mornings and tours, as well as the concerts, productions and seasonal celebrations that bring our community together. Sporting fixtures are always a highlight, alongside house events and our unparalleled Year 6 Enrichment Programme that must be seen to be believed! Our Patron of Reading, Abiola Bello’s workshop days are always a highlight, as is our annual Speech Day: a proud celebration of our exceptional pupils and our unwavering Team Duncombe spirit.

Please contact the Admissions Team on 01992 414109 or admissions@duncombe-school.co.uk to book a visit or to find out more about joining Duncombe School. duncombe-school.co.uk

A learning JOURNEY

How investing early in a school sets children up for life

Recent government research states that the quality of a child’s education at age 3 can impact their GCSE and A-level grades. That means investing in a child’s early years education is key, and that every year in education counts.

At Berkhamsted Schools Group, children are seen not only for who they are in Nursery, but for who they could be by the time they reach Sixth Form. By o ering a sustained schooling journey from ages 3 all the way to 18, every child is given the opportunity to develop into a truly remarkable person. By remaining with one school, Berkhamsted can bring consistency to a child’s educational journey and help to improve their attainment potential. Transitions across schools can lead to omissions or inconsistencies in the curriculum, with children finding themselves either behind or further ahead. At Berkhamsted, pupils moving

across di erent sites are already known and supported: this allows them to thrive in their studies from the moment they arrive. A sustained schooling experience allows pupils to feel both comfortable in class and continually stretched.

Curriculum success is also underpinned by a consistent support network. At Berkhamsted, the continuity of a child’s journey allows sta to share knowledge and insights over time, ensuring that every pupil is continually stretched to support their development. With a foundational set of values adhered to each stage of the journey and driven by a consistent leadership team, the familiarity with Berkhamsted’s culture and ethos helps children feel confident and secure in their environment. This then empowers children to take on new challenges, building adventurous, self-assured learners for life.

An education journey at Berkhamsted also promises community. With Sixth Form students often visiting early years, relationships grow naturally, sharing advice and connections. The community builds role models: aspirational and familiar

faces for younger pupils to look up to. The power of a friendly wave in your first week of Senior School cannot be understated. It is true that changing schools can bring valuable challenges, as adjusting to new curricula, people and social settings can help children to grow. At Berkhamsted, the benefits of these transitions are not lost. Each school is located on a di erent site, with two choices for Prep at either co-ed Berkhamsted or all-girls Heatherton. Girls and boys are split between Years 7 to 11 before being brought back together at Sixth, creating varied social structures while also benefitting from environments designed exclusively to help them thrive. Between the rolling fields of the PrePrep and the boardroom-style design of the Sixth Form block, pupils never feel that they outgrow Berkhamsted: rather that it grows with them.

To find out more about Berkhamsted Schools Group, book a place at one of their open events. Pre-Prep and Prep: 7th March, Senior Girls, Boys: 24th April, and Sixth Form: TBC September. See more at berkhamsted.com

Opening MINDS

Stormont School and the case for a liberal arts education

By LOUISE MARTIN

When visitors walk around Stormont School, they see a timetable that looks reassuringly familiar: English, mathematics, science and sport all play their part. Yet a little closer inspection reveals something more distinctive. In lessons, assemblies and School Council discussions, our girls are encouraged to ask questions, make connections and think beyond the confines of individual subjects. This reflects our belief in a liberal arts education. By this, we do not mean a narrow focus on the arts, but a broad and balanced approach to learning, with deep historical roots. Its purpose is to develop young people who can think critically, communicate confidently, and engage in the world with curiosity and understanding. Breadth is woven into daily life at Stormont. A science experiment might be followed by a drama rehearsal; a philosophical discussion may sit alongside an afternoon on the sports field. Each experience enriches the next. Our Year 6 Life Skills programme brings this to life, combining practical learning such as budgeting and

financial awareness with encounters with local entrepreneurs, community leaders and professionals. Recent assemblies have featured speakers from McLaren, Lego and the legal profession, each illustrating how skills and ideas transfer across disciplines. Critical thinking is central to this approach. We want our pupils to understand how ideas connect, not simply to memorise facts. Our School Council, made up of girls from Years 3 to 6, provides a powerful example. When the Stormont Parent Association donated funds, the Council was asked to decide whether to spend the money on a whole-school trip or new digital devices. After surveying their peers and weighing the long-term benefits, the girls chose to invest in iPads. It was a valuable lesson in democracy, budgeting and shared responsibility.

Creativity and self-expression form another pillar of Stormont life. Specialist teaching in art, music, drama and sport is supported by facilities more often associated with senior schools, including a dedicated art studio, pottery room and kiln, a Design Technology space, a music studio and extensive sports provision. These give our girls the confidence to experiment, take risks and refine their skills.

Co-curricular opportunities reinforce this further. LAMDA is particularly popular, with consistently high distinction rates, while English Speaking Board assessments in Years 3 and 5 have produced excellent results over many years. These experiences build confidence, clarity of expression and personal presence.

Ultimately, the value of a liberal arts education lies in its adaptability. In a fastchanging world, a wide base of knowledge combined with critical and creative thinking prepares children for whatever comes next. At Stormont, our aim is not only strong outcomes, but the development of thoughtful, resilient and curious young people, ready to engage with the future.

Louise Martin is Headteacher at Stormont School, an independent preparatory school for girls aged 4-11 years in Potters Bar, Hertfordshire. Find out more at stormontschool.org

Merchant Taylors’ School blends centuries of tradition with a bold, forwardthinking ethos. Set across 280 acres in Northwood, it provides a dynamic and rigorous education for boys aged 11–18, combining academic ambition with personal growth. Founded in 1561, the school has long been known for academic excellence, but its true strength lies in the way it nurtures the whole person – developing intellect, character and confidence in equal measure. Every boy is known, valued and supported through a distinctive coaching culture that sits at the heart of school life. Teachers act as mentors as well as educators, engaging boys in thoughtful conversations about their progress and aspirations. Through this approach, pupils learn to take ownership of their learning, to reflect on their strengths, and to see challenge as an opportunity for growth.

THRIVE

How Merchant Taylors’ School prepares its boys for any future that may lie ahead

The curriculum evolves from broad foundations in the lower years to deep subject mastery in the Sixth Form, supported by exceptional co-curricular opportunities in music, sport, drama, service and leadership. The boys also have the chance to involve themselves in a variety of charitable partnerships, taking leading roles in the organisation, fundraising and engagement with them.

Merchant Taylors’ flagship partnership with Phab raises money and culminates in an annual two week long residential camp led by the school’s Sixth Formers. The breadth ensures that every boy can explore his interests and discover his passions in an environment that celebrates individuality and encourages curiosity.

Merchant Taylors’ is also a place of innovation and reflection. New ideas are welcomed, and both sta and pupils are encouraged to embrace change with confidence and creativity. This innovation is reflected in the cutting-edge facilities on o er, from a world-class indoor cricket

training facility to university grade Design, Engineering and Technology facilities.

Pastoral care runs through the fabric of school life, ensuring that wellbeing, empathy and moral courage are central to every boy’s journey. The school’s system of vertical tutoring places pupils across all year groups into small groups with a dedicated tutor who knows, understands and supports their individual needs and development. When joining the school, new boys will have familiar and friendly faces across all age groups they can turn to and, thanks to a focus on a coaching culture, will mature into being role models themselves for new students who join in subsequent years.

The result is a holistic education that prepares boys not only to excel academically, but also to make a meaningful contribution to the world. Merchant Taylors’ boys leave as thoughtful, capable and compassionate young men – ready to lead, to serve and to thrive in an ever-changing world.

mtsn.org.uk

Quality Care and Education

T: 01707 392999

E:hertfordbarns.nursery@childbase.com

Hertford Barns Day Nursery, Cole Green, Hertford, SG14 2NL

T: 01582 792060

E: nurseryonthegreen.redbourn @childbase.com

Nursery on the Green, South Common, Redbourn, Hertfordshire, AL3 7NB

EDUCATION NEWS

The latest from schools across the county

Joining forces

Local co-educational prep school, Beechwood Park School, and independent senior school, St Albans School, have officially joined together as part of a new strategy that unites the two schools in their shared ethos and strong sense of community, marking an important new chapter in their longstanding relationship.

The partnership strengthens both schools’ educational offering, while enhancing the opportunity for a continuous, high-quality education for pupils aged 3 to 18 years.

The respective Heads of Beechwood Park School and St Albans School – Christian Pritchard and Joe Silvester –will work closely together to shape and deliver a cohesive, forward-looking educational vision for both schools. Investing in an exceptional educational experience for the future, the schools will collaborate through shared use of facilities, special joint events and enrichment activities, providing greater opportunities for staff development and shared expertise.

Beyond expectations

Independent senior school, St Albans School, is celebrating an outstandingly positive ISI inspection this week having met full expectations across all five standards including leadership, management and governance; quality of education, training and recreation; pupils’ physical and mental health and emotional wellbeing; pupils’ social and economic education and contribution to society; and safeguarding.

The inspection report praised the school’s leaders for creating a broad curriculum which meets pupils’ different needs and where ‘pupils are motivated to learn’, adding that ‘the school’s well-structured curriculum is academically ambitious across subjects, supporting pupils’ progress and achievement’. The report also highlighted that its ‘teachers provide appropriate challenges and encourage pupils to think deeply.

As a result, pupils articulate mature reflections about texts they study’. st-albans.herts.sch.uk

Hear from the Heads

A new podcast episode has just been released with the new Head of Berkhamsted Girls and Head of Berkhamsted Boys Schools, Jo Vila and Tom Hockedy. This month on the ‘In the Berkhamstedian Spotlight’ podcast, Tom and Jo share insights on collaboration, educational opportunity, and what makes Berkhamsted such a special place to learn and work.

Jo and Tom also explore the school’s “diamond” structure, which combines the strengths of a single-sex education at senior level with rich co-educational opportunities. From the use of the

outstanding facilities across all sites, to co-curricular clubs and trips, pupils come together across the group in so many meaningful ways.

Jo and Tom also reflect on their own journeys at Berkhamsted, including how they built their families there, and yes, Tom’s favourite ice cream. Tune in to the podcast now to find out more. berkhamsted.com/podcast

why everyone is talking about…

Mundo Pixar EXPERIENCE

The hugely anticipated multi-sensory exhibition opens this month, a must for film lovers of all ages

Mundo Pixar Experience, which opens at Wembley Park on 13th February, o ers fans of all ages a chance to enter the universes of Pixar’s most iconic films, and relive the stories that have shaped generations up close.

Following its record-breaking success in Brazil, Mexico, Belgium and Spain, where it welcomed over 3.2 million visitors and received widespread acclaim, Mundo Pixar Experience will now arrive in the UK for the very first time. The Experience also launches ahead of the release of two brand new Pixar films coming to cinemas in 2026, the new original Hoppers in March and the eagerly anticipated Toy Story 5 in June.

Set in a purpose-built venue in Wembley Park, the exhibition will span more than 3,500 square metres, and will feature 14 Pixar universes including over 25 sculptures, inviting guests to explore meticulously recreated environments from Toy Story, Monsters, Inc., Cars, Finding Nemo, Inside Out, Coco, Up, and many more fan favourites. Each space combines detailed set design, ambient music, and specially crafted scents to immerse visitors in Pixar’s most beloved stories.

Visitors can shrink down to toy size in Andy’s Room in Toy Story, explore the Scare Floor at Monsters, Inc. with Mike and Sulley, race into Flo’s Café from Cars to meet Lightning McQueen, or soar through the skies with Carl Fredricksen from Up. They can also visit the HQ of Riley’s emotions from Inside Out 2, and journey from Coco Land of the Living to the Land of the Dead.

Beyond the immersive sets, guests can take part in a special Pixar Ball Treasure

Hunt, searching for the famous yellow ball with a red star hidden throughout the exhibition – a playful nod to the beloved Easter egg that appears in many Pixar films. Mundo Pixar Experience is accessible for visitors with motor, hearing, visual, and neurodivergent disabilities, ensuring that everyone can share in the creativity and joy of Pixar’s storytelling.

This trailblazing exhibition is a heartfelt journey through 40 years of imagination, emotion, and innovation – celebrating the timeless stories that continue to inspire children, families, and fans around the world.

mundopixar.com