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Cheshire CHATTER
Jennifer Delgado on why it’s time to turn the page
In an age of endless scrolling, the nation is being urged to pick up a book again as 2026 is the National Year of Reading – and frankly, I couldn’t be happier. Even better, my hometown of Chester is perfectly placed to provide inspiration, with cosy bookshops, buzzing cafes, and new spots like the Chapters Book Bar bringing stories to life in the heart of the city.
The city is buzzing with new literary spots, and one very exciting new spot opening very soon, the brand-new Chapters Book Bar on Watergate Street. Recently I spoke with Megan Nicolaides, the co-founder, who really summed up the beauty and importance of reading. “A great story can help you see yourself, or the world, a little di erently. It might make you feel more understood, stir something in you, or carry you somewhere else for a while. And the good news is that there really is a great story for everyone. That’s why bookshops and libraries are among the most essential places in our communities. They’re not just buildings full of books, they’re gateways. And it’s the people in them, the booksellers and librarians, who can guide you to your next great story. We’re creating a place you want to spend time in. Reading is wonderful on your own, but there’s a special kind of joy in finding your people through books.”
Local bookstores, too, are embracing the movement. Chester is a haven for anyone wanting to escape into a story. Whether it’s crime, romance, or historical fiction, books are more than a pastime – they’re a cultural lifeline. With Wuthering Heights hitting screens this February, classic novels are shaping modern culture again. From TV hits to streaming blockbusters, adaptations are everywhere, and they’re sending readers, wonderfully, straight back to the page.
So, in 2026, make it your mission to read more. Even ten minutes a day counts. Pop into a local bookshop, grab a co ee, and lose yourself in a story, Chester has all the inspiration you need.
This month I will be...
This will come as no surprise, but I’ll be making my way through the entire Housemaid book series by Freida McFadden.
Focusing on my health and wellness by attending spin and swim three times a week at Mollington Banastre hotel.
Using my LED red light therapy mask before bed – got to take care of that winter skin.
JENNIFER DELGADO
JACOB ELORDI AND MARGOT ROBBIE IN WUTHERING HEIGHTS
Wish LIST
STAR GIRL
Celia B's Resort 26 collection is titled Stardust and Moonbeam –and it delivers the joyful, maximalist blend of colours, ruffles, embroidery and fun that we expect from the Spanish designer. celiab.com
LIPS INC
A new formula for NARS' A erglow Lip Balm features a nourishing blend of ingredients to hydrate while helping to smooth and so en lips. This sheer tint can be worn alone or layered with other lip formulas, £28.50. narscosmetics.co.uk
EDITOR’S PICK
HEARTS OF GOLD
Après Youth is introducing a new gold-focused collection, expanding its jewellery offering with a warmer, elevated edge. The new pieces explore gold tones through bold forms and sculptural detailing, designed to feel expressive, modern and versatile. apresyouth.com
GLOW UP
Kulfi is a make-up brand with a dual focus: fun and performance, plus a commitment to ethical practice. We love the Zari Eyes eyeshadow in Disco Dreams, £30. spacenk.com
PINK LADY
This OPEIA pendant has been cra ed from 18ct rose gold and features a open circular shaped pendant. The design showcases fi ve claw set round brilliant cut pink sapphires positioned across the surface of the pendant. berrysjewellers.co.uk
HANDS ON
The TAG Heuer Aquaracer 36mm
Pink Diamond Dial & Ceramic Bezel Ladies Automatic Watch has an intense pink waved dial with 8 diamond set hour markers, and date display at the 6 o'clock position. berrysjewellers.co.uk
PULL UP
Ski socks might not be a huge part of the look, but we do want them to be pretty as well as warm –which Sealskinz's Northwold socks defi nitely are. Especially in this pink colourway, £35. sealskinz.com
CIRCLE BACK
The best scrunchies come courtesy of Good Squish, whose vast range of hair accesssories made from deadstock fabric are designed to suit all tastes and whims. goodsquish.com
ENGLISH ROSE
Pioneers of exceptional English sparkling wines, Nyetimber offers a great range to celebrate with this year including Nyetimber Rosé Multi-Vintage. nyetimber.com
IN THE HOOD
K-Way®, known for its colourful, practical, and playful designs, has teamed up with Disney for a collection of rainwear. We love this pink Mickey Mouse windbreaker. k-way.co.uk
A garden adventure
Half Term Fun, 14-22 Feb
Join Mr Toad, Ratty, Mole and Badger for an unforgettable family day out! Step into the world of The Wind in the Willows with a brand-new garden trail and hands-on activities, brought to life by EH Shepard’s enchanting original illustrations. The adventure begins this February – and the trail continues all year!
CULTURE
Daniel Foxx
22 FEBRUARY, STORYHOUSE
Daniel Foxx is preparing to return to the stage with a fresh dose of sharp wit, gorgeous chaos and soul-searching hilarity. Determined to handle his Big Breakup with the grace of Julia Roberts, Daniel… didn’t. Instead, he found himself navigating dating apps, 12-step skincare routines and a Le Creuset addiction, all while trying very hard to emanate love and light. storyhouse.com
PHOTO: MATT CROCKETT
The Agenda
FEBRUARY'S HOTTEST HAPPENINGS
The Cheshire Decorative, Antiques & Art Fair
20-22 FEBRUARY, CHESTER RACECOURSE
This event will o er a wide variety of pieces for collectors, home furnishers, interior designers and anyone looking for decorative accessories. The fair o ers something for everyone, from classic and 20th-century jewellery, silver and ceramics to fine paintings, period furniture, copper and brass, bronze Art Deco statuary, period rugs, fine glass, impressive mirrors, medical and scientific instruments, antiquarian maps and prints, and much more.
cooperevents.com/chester
COMEDY
Hal Cruttenden
20 February
STORYHOUSE
In his last show, Hal Cruttenden discussed the devastation of his divorce – after 20 years of marriage his wife left him for a firearms o cer. Now, three years on, Hal is determined to stick it to The Man (as long as The Man doesn’t stick it back to him). Packed with hilarious pontificating on middleaged dating, social media, and the fragility of marriage, expect laughs. storyhouse.com
MUSIC
Big Special
20 February
NEW CENTURY HALL
Big Special’s rise has been rapid. In August 2023, the Walsall duo –Joe Hicklin and Callum Moloney –played their first London headline show at Camden’s Dublin Castle with only one release to their name. Less than two years later, they commanded a packed O2 Forum Kentish Town. Grounded in a decades-long friendship, Big Special are built on honesty, grit and sheer persistence. newcenturymcr.com
ART
PHOTO: STEVE ULLATHORNE
EVENT
Hamza Yassin
3 February
PARR HALL
A wildlife presenter turned Strictly Come Dancing champion will be sharing tales from his filming expeditions across the globe when he visits Warrington. Hamza Yassin, who is often touted as ‘the next David Attenborough’, aims to share his infectious sense of wonder and most precious memories both in his life and in nature. This unique live experience will o er a behindthe-scenes glimpse into Hamza's life, and his career journey from cameraman to one of Britain’s most beloved natural history storytellers. parrhall.culturewarrington.org
EVENT STRICTLY LIVE TOUR
5-6 FEBRUARY
LIVERPOOL M&S BANK ARENA
The final four couples for the Strictly Live Tour have been announced: George Clarke and Alexis Warr; Lewis Cope and Katya Jones; and Jimmy Floyd Hasselbaink and Lauren Oakley. Plus, 2023 series finalist Layton Williams will make a return to the dance floor as a special guest, reuniting with professional partner Nikita Kuzmin. mandsbankarena.com
Hollywood star Mischa Barton (The O.C.) makes her long-awaited UK stage debut as the ultimate femme fatale in Double Indemnity, a darkly compelling new stage adaptation of one of the greatest crime novels of the 20th-century, written by James M. Cain. Mischa says: “I am absolutely thrilled to be returning to the stage and making my UK theatre debut in Double Indemnity. This classic film noir favourite is a gripping tale of deceit, tension and suspense, and I cannot wait to step into the role of Phyllis and share her with audiences across the UK and Ireland for the first time.”
the critically acclaimed Back To The Future The Musical, audiences can expect a brilliant mix of comedy and confession. From being a viral internet star to starring in the West End, Maddie has a lot to say. thelowry.com
Set in Los Angeles during the 1930s, amidst the wreckage of the Great Depression, Double Indemnity follows Walter Huff, a sharp-eyed insurance salesman who has built his career spotting scams. But when he meets the dangerously seductive Phyllis Nirdlinger (Barton) to discuss her husband’s life insurance policy, he is drawn into a web of lust, greed, and betrayal. Together, they plot the perfect crime: murder the husband, cash in the policy, and vanish into the Californian sunset. But passion clouds judgment and guilt corrodes even the most perfect of plans. As their conspiracy unravels and mistrust festers, Walter and Phyllis find themselves battling not only the law, but each other. This is set to be theatre at its very finest. A bona-fide Hollywood star heads to Crewe Lyceum Theatre from 17-21 February TAKE DOUBLE
PHOTO: NICHOLAS DAWKES
PHOTO: REBECCA NEED-MENEAR
PHOTO: RAY BURMISTON
SOUL BARING HER
Liverpool-born singer
Rebecca Ferguson tells Absolutely why she is marking 15 years in the industry with a tour featuring stripped back versions of her songs
The 2010 edition of The XFactor was memorable for several reasons. There was Wagner’s run to the latter stages (thanks to a public campaign to supposedly annoy Simon Cowell), the emergence of a band called One Direction (who, despite coming third, went on to great things) – and it was the first time we got to hear the stunning voice of Rebecca Ferguson. Despite ultimately coming second to Matt Cardle, a star was born.
From launching her debut album Heaven in 2011, the Liverpool-born singer has built a career defined by exceptional vocal talent, artistic integrity, and a willingness to confront the challenges of the modern music industry. Her journey has included remarkable highs – chart success, critical acclaim, and international recognition – alongside notable lows, particularly surrounding industry pressures and personal struggles.
Now, marking 15 years since that debut release, Rebecca is embarking on the second part of a stripped back tour, featuring just a piano and her sublime vocals, coupled with a Q&A session. Rebecca will perform songs from across her five solo albums, with audiences being treated to stripped back performances of her biggest hits, including
Glitter& Gold, Nothing’s Real but Love, and Shoulder to Shoulder – plus a few interpretations of some of her favourite songs. These intimate shows will allow fans to experience Rebecca’s voice like never before, hearing it up close and personal, supported solely by piano.
“To be honest it was when I saw Lauryn Hill,” she explains about the inspiration behind 15 Years Stripped Back. “She did a stripped back tour and it’s on YouTube and I found it really amazing the way she connected with the audience. There were moments when she would stumble on a word, she’d stop, she’d get emotional, she’d talk about her experiences and the audience absolutely loved it. I watched it and I absolutely loved it too. And I think there’s just a lot to be said about an artist literally going on stage with no background noise and being able to just sing. It’s so rare to be able to do that without the fireworks, without the glitter, without all of the things that come with being a performer.”
The music – and of course her voice – have been memorable to hear during the dates she held in 2025, but it was also the opportunity to get to know Rebecca that has made the show stand out. “I tend to speak to the audience about my experiences in the industry, the past 15 years. I tell fun little stories about what’s happened, the good, the bad, the ugly. It’s very honest, actually,” she says. “It’s very rare that an audience gets to see
that from an artist on stage. Because the show’s so intimate, it feels like you’re almost in the artist’s living room and she’s just singing around their piano. It’s something that I’ve loved doing and the audience have really loved, so it’s something that I want to carry on doing in my career, these types of shows, and just connecting to people on a di erent level.”
Born in Liverpool in 1986, Rebecca grew up immersed in music, influenced by soul, jazz, and blues. “It just is part of who I am,” she says about Liverpool. “It will always be part of who I am. The people, the sense of pride that the Scouse people have, the sense of integrity, strength, all of that. And I think that’ll always just stay with me.” Her breakthrough came when she auditioned for The X Factor in 2010 and Rebecca quickly emerged as one of the most respected artists to come from the show. Her performances stood out for their emotional depth and technical control, earning praise from judges and audiences alike. Unlike many reality TV contestants, she successfully transitioned from television personality to credible recording artist.
Her album Heaven debuted at number three on the UK Albums Chart and went double platinum, driven by singles such as Nothing’s Real but Love. Critics highlighted her mature songwriting and classic soul sound, often comparing her to legends like Aretha Franklin. This success was followed
by Freedom (2013) and Lady Sings the Blues (2015), the latter a tribute album that showcased her reverence for jazz heritage and further cemented her vocal reputation.
However, Rebecca’s career has not been without di culty. Behind the scenes, she experienced what she later described as exploitative practices within the music industry. In 2019, she spoke publicly about feeling pressured to record material she did not believe in and about a lack of creative control early in her career. These revelations represented a significant low point, but also a turning point. Her decision to speak out resonated widely and positioned her as an advocate for artist rights and mental wellbeing.
Given what she has been through, how does she now look back on The X Factor? “I look back now with a di erent mindset than I would have had a couple of years ago,” she says. “It put me in the position that I’m in now, a position that a lot of artists dream of. So I’m very grateful for that. There have naturally been highs and lows, which are well documented. But as an older woman now, having looked back, I understand that it was an experience that
has helped me grow as a person and was necessary for my path. So I am grateful.”
Being so outspoken about her experiences in the industry certainly did not go unnoticed. In 2024, Rebecca was awarded an MBE for her services to the music industry in the King’s Birthday Honours. She continues to campaign for an improved environment within the music industry, and successfully initiated a cross-creative industry committee that meets regularly with the government and members of the Department for Culture, Media and Sport (DCMS). “It felt like validation,” Rebecca says on the MBE award. “I campaigned when I was pregnant and postpartum and it was extremely di cult. It was a really di cult time for me and I felt like I was kind of isolated a little bit because it wasn’t cool to speak up, so when the MBE came through it just felt like a really wonderful validation.”
In recent years, Rebecca has enjoyed a quieter but more fulfilling phase of her career, with songs that reflect her independence, resilience, and renewed confidence. Free from the constraints of majorlabel expectations, she has embraced a more authentic sound and
message. “I’m just a lot more confident,” she says on her singing today. “I’ve been performing now for 15 years, so I’m just a lot more confident. I enjoy it a lot more. I can be a lot more relaxed now and just get up there, have fun, dance, and enjoy it. I’m not the nervous girl I was when I was 23 and that just comes with life and growth and growing up as a woman.” The 15 Years Stripped Back tour is the perfect opportunity to hear exactly what she means.
For February tour dates, visit rebeccafergusonmusic.com
LIVERPOOL HAS A RICH MUSICAL HISTORY
THREE VIEW
A trio of artists on show at Castle Park Arts Centre in Frodsham have caught Absolutely’s eye
Open now until the 20th February, Castle Park Arts Centre is showcasing the work of Barbara Derecka (Timeless icons: Art, Music and Myth), Derek Dickson (Fire and Ice) and Denis Holder’s stunning handpainted replicas of Van Gogh’s work. It’s rare to see so many great artists in one spot at the same time, so Absolutely took a deeper dive into their work and modus operandi.
Barbara Derecka
Barbara Derecka is a Cheshire–based contemporary artist whose vibrant, emotionally resonant paintings explore the interplay of colour, identity, and human experience. Originally from Poland and now residing in Cheshire, Barbara’s practice is shaped by a rich cross-cultural perspective that infuses her work with both visual dynamism and thoughtful depth.
At the heart of Barbara’s art is a commitment to using colour as a language – one that communicates intensity, vulnerability, and transformation. Her paintings often arise from an intuitive response to lived experience, with each layer of paint, brushstroke, and texture building a narrative of emotion and memory. Through acrylic and oil, she navigates themes such as femininity, nature, cultural identity, and the delicate balance between strength and fragility.
Barbara’s work spans a range of series and subjects, reflecting both personal introspection and broader societal concerns. In Conversations in contrast, she examines the dynamic interplay between masculine and feminine energies, not as binary opposites, but as complementary forces that shape human identity. Another series, Echoes of China, invites viewers into a contemplative dialogue between tradition and modernity by exploring cultural motifs, urban impressions, and natural beauty within Chinese aesthetics. Spirit of Liverpool captures the rich history and cultural vibrancy of one of the UK’s most storied cities, while Echoes of Change: Art for a Sustainable Future confronts pressing
environmental issues with bold imagery and symbolic visual language. And Icons, on show at Castle Park Arts Centre, looks at a diverse array of icons who shaped culture, art, and society. From influential artists and musicians to groundbreaking leaders and innovators, these figures have left an indelible mark on history. A central pillar of Barbara’s practice is her ability to weave personal narrative with universal experience. Her work often draws on her own journeys – from underwater environments that suggest introspection and transformation to urban landscapes that speak of human connection and cultural complexity. Through these motifs, she seeks to create paintings that are both visually compelling and emotionally accessible, inviting the viewer to reflect, empathise, and engage. Barbara also embraces exhibition and community engagement as part of her artistic mission. Her paintings have been featured in galleries, art fairs, and regional exhibitions across the UK, including shows in Liverpool, Frodsham, and wider networks of contemporary art events. Her online Beyond Boundaries virtual exhibition exemplifies her interest in breaking conventional limits and inviting a global audience to explore creative ideas that transcend the traditional gallery space.
Denis Holder
Denis Holder is a contemporary local artist from Warrington, whose work is defined by a lifelong dedication to the art of Vincent Van Gogh. For over 60 years, Denis has studied, admired, and carefully analysed Van Gogh’s paintings, developing a deep understanding of the artist’s technique, vision, and emotional intensity. Rather than producing reinterpretations, Denis focuses on creating meticulous, full-size handpainted replicas of Van Gogh’s masterpieces. Denis’s work is rooted in education and accessibility. By recreating paintings such as Starry Night, Sunflowers, and Irises at their original scale, he allows audiences to experience Van Gogh’s brushwork, colour relationships, and impasto technique in a way that reproductions in books or on screens cannot achieve. His replicas
FREDDIE BY BARBARA DERECKA
highlight the physicality of Van Gogh’s painting – the thickness of the paint, the direction of the strokes, and the energy embedded in every surface.
What distinguishes Denis’s practice is not only technical skill but intent. His replicas are not commercial imitations; they are teaching tools. Denis regularly exhibits his work in local venues, including Warrington Central Library and Castle Park Arts Centre, bringing world-famous art into community spaces. These exhibitions are often accompanied by illustrated talks and live demonstrations, where he explains Van Gogh’s methods in clear, engaging terms.
Denis is particularly committed to outreach. He frequently o ers talks to schools, community groups, and local organisations, often without charging a fee. This generosity reflects his belief that great art should be available to everyone, regardless of background or access to major galleries. Through his work, Van Gogh’s paintings become less distant and more human – objects made by a working artist grappling with colour, emotion, and form.
In many ways, Denis acts as a bridge between past and present. His replicas honour Van Gogh’s legacy while serving a contemporary educational purpose.
They allow viewers not just to see, but to understand how Van Gogh painted, why his work was radical, and how his techniques continue to influence artists today.
Derek Dickson
Derek Dickson, known professionally in his social media presence as “Derek D”, is a contemporary visual artist whose work is closely linked with charity and community support. At the core of Derek’s work is a mission that blends creativity with cause. Derek uses visual art not just as a means of self-expression, but as a vehicle for raising awareness and funds for charity, specifically the Firefighters Charity – a UK-based charity that supports serving and former firefighters and their families by o ering physical, mental, and social wellbeing services. His practice is unique in that it is not primarily driven by the art market or commercial sale for profit, but by purposeled creation. Each work – whether a painting, illustration, or design – is intended to communicate a message of support, appreciation, or solidarity with emergency services personnel and their communities. This positions Derek’s art within a tradition
of socially-oriented practice, where the impact of the work is measured not only in aesthetic terms, but in its real-world e ects. Because Derek’s art serves a charitable function, his work often features accessible and emotionally resonant imagery –visual elements that speak to heroism, service, and community wellbeing. Rather than seeking critical analysis, Derek’s pieces aim to connect people with the cause: whether through themes of bravery, resilience, or remembrance, his visuals provide a narrative bridge between the public and the realities faced by firefighters. This can include depictions of firefighting iconography, symbolic representations of strength and protection, or designs created specifically to accompany fundraising campaigns.
A key dimension of Derek’s work is its community orientation. By linking art to a widely respected charity, he creates opportunities for collaboration with supporters, charities, and potentially firefighter organisations themselves. His pieces may be used in fundraising events, promotional materials, or awareness campaigns – expanding their reach beyond static gallery environments into everyday social terrains.
This kind of culturally engaged artwork plays a valuable role in not only generating funds for important causes, but also in building ongoing public awareness and empathy. Art becomes a bridge to community support, humanising the services that firefighters provide and honouring the emotional and physical labour inherent in their work.
Find out more by visiting castleparkarts.co.uk
WORK BY DEREK DICKSON, HERE AND BELOW RIGHT
Why we love…
WARRINGTON
The town that mixes everything from fascinating history to sporting prodigies
Warrington is one of those places that quietly rewards anyone who takes the time to explore it. What looks at first glance like a straightforward modern town turns out, with a bit of digging, to be layered with Roman industry, canal-age innovation, Victorian curiosity and a surprisingly lively food and arts scene. Here’s how to get under its skin.
A SHORT HISTORY OF WARRINGTON
Warrington’s story starts long before retail parks and rugby league. Around 100 AD, the Romans established an industrial settlement at Wilderspool, close to the River Mersey, taking advantage of the ford and the river both for trade and as a natural defensive barrier.
Archaeology suggests this was no sleepy outpost: there’s evidence of extensive bronze, iron and glass working, which makes Wilderspool one of the more substantial industrial towns of Roman Britain.
After the Romans, a Saxon settlement grew up near the crossing. By the Middle Ages, Warrington had emerged as a market town at the lowest bridging point of the Mersey, a crucial link on north-south routes.
Its location meant it saw its share of turbulence; the town figured in the English Civil War, changing hands and su ering damage, though little of that survives in the modern streetscape.
The real transformation came with the Industrial Revolution. The nearby Sankey
Canal, opened in 1757, is widely recognised as England’s first modern canal and the first of the Industrial Revolution, built to move coal to the growing industries of Liverpool. It passed through the Warrington area and helped trigger a boom in manufacturing.
Warrington became a centre for wire and steel production, textiles, toolmaking, brewing, tanning and chemicals. One niche yet important trade was pin-making, where brass wire was fashioned into pins in small workshops and later factories.
In the 19th-century the railways arrived, followed by gas lighting and civic improvements, cementing Warrington’s status as a bustling industrial town.
After WWII, the town expanded dramatically, later becoming a designated New Town and attracting modern industries and logistics warehouses thanks to its motorway links. Today, while some traditional industries have faded, you can still feel the town’s manufacturing heritage in its museums, old works and canalside landscapes – and in the proud, no-nonsense character of the place.
PLACES OF INTEREST
One of the best places to start exploring is Walton Hall and Gardens, a former Victorian estate just south of the town centre. Once the home of Lord and Lady Daresbury, it now o ers expansive parkland, formal gardens, woodland walks, a children’s zoo, adventure golf and play areas – essentially a ready-made day out for all ages. On a sunny day, wandering through its orchards and lawns feels worlds away from the nearby motorways.
WARRINGTON MUSEUM & ART GALLERY
Families are particularly well-served in Warrington thanks to Gulliver’s World, a theme park geared toward younger children with a blend of rides, shows and character experiences. It’s one of the town’s big draws for visitors with kids, promising a full day of fairly compact, walkable fun.
If you prefer your green space a little wilder, head for Sankey Valley Park. Threaded along the line of the historic Sankey Canal and Sankey Brook, this linear park stretches for more than a mile and a half through the west of the town. It combines water, woodland, meadows, a maze, children’s play areas and plenty of paths for walkers and cyclists, with anglers scattered along the old canal. You’re literally walking through industrial history here: the canal beneath
the trees once helped power the region’s explosive growth.
Sports fans are drawn again and again to the Halliwell Jones Stadium, home of the Warrington Wolves rugby league club. Opened in 2004 just north of the town centre, the ground holds around 15,000 spectators, with a mix of seating and terracing that retains a proper rugby atmosphere. Even if you’re not a die-hard “Wire” supporter, a matchday visit is a brilliant immersion in local culture: a sea of primrose and blue, generous pints, and some extremely passionate chanting.
Beyond these headline attractions, simple wandering can be rewarding. The Cultural Quarter around the museum and Parr Hall has handsome Victorian and Edwardian buildings. The River Mersey and the Manchester Ship Canal carve dramatic lines through the landscape. And if you fancy something longer, the Trans Pennine Trail brushes past the town, o ering tra c-free cycling and walking routes that connect you to the wider North West.
ARTS AND CULTURE
Despite its industrial image, Warrington has a surprisingly rich arts scene driven largely by the Culture Warrington charity, which runs the museum, Parr Hall and the Pyramid Arts Centre in the Cultural Quarter.
Parr Hall is a classic multi-use concert and events venue, hosting live music, comedy, talks and community events. Big-name bands and tribute acts share the calendar with local choirs, orchestras and touring productions, making it the town’s beating cultural heart after dark. The building itself has that slightly faded grandeur that works beautifully for live music: intimate enough to feel close to the performers, big enough for a real buzz.
Next door, Pyramid Arts Centre focuses more on grassroots and contemporary work: small theatre productions, exhibitions, workshops and rehearsal spaces. It’s closely tied to events like the Warrington Music Festival’s “Winter Showcase”, which champions local bands and singersongwriters.
Warrington Museum & Art Gallery doubles as the town’s main gallery space, rotating exhibitions of fine art alongside its permanent collections. You might find contemporary installations inspired by the
WALTON HALL
PICCOLINO
wire industry sharing space with Victorian paintings or global ethnographic objects. The mix tells you a lot about Warrington’s dual identity: rooted in heavy industry, but always curious about the wider world.
There’s also a growing strand of public art – sculptures and installations in parks, at Sankey Valley Park, and around the town centre – as well as street-level creativity in the form of independent galleries and craft markets that pop up throughout the year. It’s not a city-size cultural o er, but it’s busy enough that you can easily build a weekend around exhibitions, gigs and performances.
FOOD AND DRINK
For a town of its size, Warrington does very well on the food front, particularly if you broaden your search to include the village of Stockton Heath just to the south, which has become the go-to dining district.
In Stockton Heath, you could graze happily for days. Piccolino on Victoria Square is a stylish Italian with an open kitchen, cocktail bar and impressive alfresco terrace – a popular spot for long lunches and evening people-watching.
A few steps away, the Olive Tree Brasserie serves modern Greek and Mediterranean dishes, with a smart rooftop terrace strung with lights and, fittingly, real olive trees: ideal for mezze and cocktails on a warm evening.
Stockton Heath’s high street is also dotted with smaller, well-rated independents. Heaths Kitchen gets consistently strong reviews for its relaxed, bistro-style dishes and brunches; Juniper o ers an intimate café-restaurant feel; Yara brings Lebanese
grills and mezze; while The Indian Courtyard and Eastern Revive cover the craving for quality South Asian cooking. LokaL Gastro Bar bills itself – with some justification – as one of Stockton Heath’s standout restaurants, focusing on seasonal, high-quality ingredients and a modern British menu in a contemporary setting. Back in central Warrington, the scene is more mixed but improving. You’ll find the expected chain choices around Golden Square shopping centre, but also some interesting independents if you look a little closer. Yum Cha, for example, brings a
neon-bright, casual take on Chinese dining, combining roasted meats, steamed and fried dumplings, noodle dishes and cocktails – a fun pick for groups. Traditional pubs like the Barley Mow or Blue Bell o er cask ales and hearty pub classics, while newer bars layer on craft beer and small plates. Also don’t overlook the more low-key pleasures elsewhere: riverside pints after a walk along the Mersey, co ee and cake in a town centre café after the museum, or a pre-match drink near the Halliwell Jones Stadium before being swept up in the atmosphere of a Wolves home game.
Little-known facts about Warrington
That Roman industrial settlement at Wilderspool wasn’t a token outpost. Archaeologists class it as a “small town with industrial functions” with significant bronze, iron and glassworking – essentially a 1st–2nd century trading and manufacturing hub serving the larger fort at Chester. When you cross the river there today, it’s worth remembering you’re walking over ground that’s been busy with industry for nearly two millennia.
The tranquil towpaths of Sankey Valley Park are built on what is arguably the birthplace of Britain’s canal age. The Sankey Canal, opened in 1757, is widely recognised as England’s first modern canal and the first true canal of the Industrial Revolution, predating the more famous Bridgewater Canal. Its success helped spark a canal-building boom that reshaped the country.
Warrington punches above its weight in museum history. Warrington Museum & Art Gallery, in its current home since the 1850s, is one of the oldest municipal museums in the UK, and originally shared its space with what’s often described as the first rate-supported public library in the country. For a town of modest size, that’s a serious cultural head start.
In the 21st century, Warrington has added an unlikely new chapter to its sporting folklore thanks to darts prodigy Luke Littler. After winning the PDC World Championship as a teenager, he was honoured by his hometown club, Warrington Wolves, when they temporarily renamed the Halliwell Jones as “The Luke Littler Stadium” for their 2025 Super League season opener, with the young champion leading the teams out and parading his trophy. It’s a very modern Warrington story: sport, fandom and community pride converging on a chilly night under the floodlights.
WARRINGTON MUSEUM & ART GALLERY
WHAT TO DRINK
GRAPE news
Wine recommendations for the month
By THE WINE SOCIETY
The Society's Greek White 2024
£9.50
Concentrated and intensely aromatic roditis and moschofilero. Both thrive leading to an equal blend of 50:50 of the two varieties, with moschofilero providing the characteristic citrus and Turkish delight with the roditis giving stone-fruit character.
Pinot Noir ‘Pure Vallée’, Vin de France, Famille Bougrier 2024
£8.50
Popular well-rounded Loire pinot, light and fresh, with bright, red-berry and cherry fruit. Best served on the cooler side, this is an easy-drinking lunchtime red.
Château Mazails, Médoc 2022
£9.95
Outstanding value Cru Bourgeois from a property a stones throw from the Gironde river just north of Saint-Estèphe from the generous and rich 2022 vintage. A blend of 60% cabernet sauvignon and 40% merlot this o ers bags of blackberry and plum fruit with a full body and sweet tannins.
Since it was founded back in 1874, The Wine Society has dared to do business a little differently. Bringing together a community united by a shared love of wine, The Society is a co-operative and owned by its members. This means there is no requirement to pump profit into annual dividends or bonuses for shareholders – all profits go back into the business.
The Wine Society welcomes all wine lovers. Become a member today and receive £20 off toward your first order. thewinesociety.com
TASTING
Cheshire’s food news and most exciting openings this month NOTES
By MARK KEBBLE
Dry mouths
THE IVY ASIA
Trying to carry on the good work of Dry January?
The Ivy Asia in Liverpool has an amazing range of non-alcoholic and zero % drink options to enjoy. We love the Rose of the Orient, with lychee, rose, raspberry & orange blossom soda, and the Dreams of Cherry Blossom with Tanqueray 0.0%, cherry blossom, grape juice, lychee, citric blend.
theivyasia.com
Glass to the past
THE ALCHEMIST
The Alchemist in Liverpool is launching a limited-edition 2010 Revival Menu, bringing back some of its most iconic early cocktails and dishes as well as long standing fan favourites. The 2010 Revival Menu celebrates 16 years of The Alchemist and includes the return of the fan favourite White Chocolate Raspberry Martini, an early Alchemist staple revived by popular demand. thealchemistbars.com
Fine fettle
THE VINES
The Vines is Carden Park’s 3 AA Rosette fine dining restaurant, o ering a refined gastronomic experience, combining exceptional seasonal produce with elegant surroundings. Recently, Harri Williams was promoted to Executive Head Chef, where he will oversee the entire culinary direction. cardenpark.co.uk
TREAT YOURSELF
Pantry essentials
APOSTLE
This Kimchi Ketchup combines the complex flavours of kimchi with the familiar comfort of tomato ketchup, for a savoury, sweet, and subtly spicy sauce with a kick, £13.99. selfridges.com
The Maldon Salt Gi Pack contains a trio of exceptional salt flavours: original, garlic and chilli, ideal for foodies or aspiring chefs, £12.99. maldonsalt.com
De Vere Cranage Estate marries 21st-century style with its original and rich heritage. The contemporary Tempus Bar & Restaurant is inspired by the British classics with highlights including 28-day dry-aged Casterbridge sirloin steak.
devere.co.uk/cranage-estate
GOOD PHATS
Spanish Virgin Avocado Oil gives a warm, rich, and nutty finish to any dish. Cold-pressed, this emeraldgreen oil is a versatile alternative to your classic Extra Virgin Olive Oil. Priced at £13.95. goodphats.com
RESTAURANT 8
Restaurant 8 by Andrew Sheridan in Liverpool has retained its three AA Rosette status for the third consecutive year. This came on the back of the Michelin Guide-listed restaurant also being rated by TripAdvisor as in the top 10 per cent in the world.
restaurant8.co.uk
MALDON
FOR
romance
Chester was made for Valentine’s Day, and here we pick out our favourite spots in the city for some cosy food and drink
The Forge chester.hotelindigo.com/the-forge
For couples seeking a refined Valentine’s escape with serious foodie appeal, Hotel Indigo Chester and its in-house restaurant The Forge deliver romance in abundance. Set within the city’s historic walls, the boutique hotel blends industrial-inspired interiors with luxurious comfort, making it ideal for a special overnight stay.
Downstairs, The Forge is the real star – a destination restaurant built around fire, flavour and seasonality. An open kitchen and dramatic grill fuelled by oak and beech logs create theatre, while menus showcase expertly aged steaks, local game, fresh seafood and beautifully balanced sides. For Valentine’s, the intimate atmosphere lends itself perfectly to lingering dinners.
Bollicini bollicini.co.uk
Tucked away in the heart of Chester, Bollicini is a go-to spot for couples craving authentic Italian flavours and a warm, romantic buzz this Valentine’s. The restaurant is known for its relaxed yet stylish setting, where candle-lit tables and exposed brick create an e ortlessly intimate
mood. On the menu, you’ll find classic Italian comfort dishes made with care – from silky handmade pastas and rich risottos to crisp wood-fired pizzas and beautifully prepared meat and fish plates. It’s the kind of place that encourages sharing.
Arkle at The Chester Grosvenor
chestergrosvenor.com
Dining at The Chester Grosvenor o ers a Valentine’s experience rooted in luxury, refinement, and timeless romance. The black-and-white timber façade sets the tone for an evening that feels grand yet welcoming, with attentive sta at the Arkle restaurant guiding you through a menu focused on seasonal produce. Soft lighting, plush seating, and an atmosphere of calm sophistication create the perfect setting for couples who appreciate classic fine dining. The wine selection is exceptional, o ering pairings that elevate every course, while the service strikes a balance between formality and warmth.
Chef’s Table
chefstablechester.co.uk
Chef’s Table is a standout for couples who
love creative, modern dining delivered with personal warmth and thoughtful detail. Tucked down a quiet passage just o the centre of Chester, this small independent restaurant has built a reputation for its beautiful tasting menus, seasonal ingredients, and dishes that feel crafted with real care. The intimate size of the dining room makes it ideal for Valentine’s Day, with soft lighting and understated décor ensuring the focus remains on the food and each other. The tasting menu evolves frequently, o ering couples a chance to explore new flavours and textures together, each plate arriving like a miniature work of art. What makes Chef’s Table especially romantic is the sense of discovery woven into the meal – every course becomes a shared moment, prompting conversation and delight.
Upstairs at The Grill upstairsatthegrill.co.uk
Upstairs at The Grill is a sophisticated steakhouse with a moody, intimate ambience that suits Valentine’s Day perfectly. Split across two levels, the restaurant features dark wood, leather seating, low lighting, and a sense of understated glamour that creates the ideal backdrop for couples looking for a cosy yet elevated evening. The menu centres on high-quality beef – expertly aged, perfectly cooked, and accompanied by indulgent sides – but also includes seafood, poultry, and seasonal specials for those seeking variety. Cocktails are a highlight, with a bar that feels hidden and exclusive, o ering the perfect place to begin or end
THE FORGE, PHOTO BY IT'S ME LOUIS PHOTOGRAPHY
CHEF'S TABLE
the evening. Service is attentive without being intrusive, ensuring couples feel looked after while still enjoying privacy.
Hickory’s Smokehouse hickorys.co.uk
For couples who want a Valentine’s Day that’s fun, relaxed, and packed with flavour, Hickory’s Smokehouse o ers an American-style dining experience with genuine personality. Located along The Groves overlooking the River Dee, it has a lively yet cosy atmosphere that feels comforting rather than chaotic. The interior blends rustic styling with warm lighting, creating a playful, inviting space ideal for couples who prefer an unpretentious but memorable evening. The menu is all about smoky indulgence – low-and-slow barbecue meats, loaded fries, vibrant sides, and indulgent desserts – making it perfect for those who enjoy hearty, shareable food. Cocktails and milkshakes add an extra layer of fun, and the sta ’s energy brings the whole experience to life. Valentine’s here isn’t candlelit sophistication; it’s laughter, flavour, and the pleasure of sharing something delicious and satisfying.
Artezzan artezzan.com
Artezzan brings a Mediterranean brightness to Chester’s dining scene, making it a wonderful option for couples seeking warmth, colour, and a sense of holiday-style indulgence on Valentine’s Day. The interior is airy and stylish, blending soft blues, warm woods, and elegant lighting to create an atmosphere that feels uplifting and contemporary. The menu covers Italian and Mediterranean classics – fresh pasta, grilled meats, seafood, vibrant salads, and beautifully presented desserts – o ering
plenty of dishes that lend themselves to sharing. What makes Artezzan particularly appealing for Valentine’s is its balance of sophistication and comfort: the food feels indulgent without being heavy, and the ambience strikes the right note between buzz and intimacy.
The Architect
brunningandprice.co.uk/architect
The Architect is a handsome, spacious pub housed in a Georgian-style building with beautiful views of Chester’s famous racecourse. Its grand proportions and elegant detailing provide a charming backdrop for couples seeking a Valentine’s experience that blends atmosphere with comfort. Inside, the high ceilings, large windows, wood panelling, and gentle lighting create a sense of relaxed sophistication. The menu o ers elevated pub classics – well-prepared meats, comforting pies,
seasonal vegetables, and generous desserts – alongside an excellent selection of wines, beers, and cocktails. There’s something inherently romantic about sitting by the window with a view over the racecourse.
Porta
portatapas.co.uk/chester
Porta is a tapas bar with an intimate, bustling atmosphere that makes it a lovely choice for couples who enjoy sharing good food in a lively but cosy setting. With its low lighting, warm rustic décor, and compact space, it exudes the charm of a neighbourhood spot in Barcelona or Madrid. The small plates format encourages connection, conversation, and a relaxed pace – perfect for Valentine’s Day. Dishes range from classics like patatas bravas and tortilla to more adventurous options such as grilled octopus or Morcilla with egg. The wine list is well-chosen, with Spanish bottles that complement the menu beautifully. Porta is best for couples who prefer authenticity, warmth, and an atmosphere that feels spontaneously romantic, as though you’ve stumbled into the perfect little spot to spend the night together.
La Fattoria
lafattoriachester.com
La Fattoria o ers one of Chester’s most inviting and authentic Italian dining experiences, perfect for couples who want a Valentine’s evening built on warmth, generosity, and the pleasure of sharing hearty, delicious food. The restaurant is known for its bustling atmosphere, friendly sta , and traditional dishes, from fresh pasta and wood-fired pizzas to beautifully prepared seafood and meats. While it’s lively, it never feels overwhelming; instead, it creates a warm buzz that feels inherently joyful and romantic. There’s an old-school charm in its décor and service: genuine hospitality, generous portions, and a sense that you’re being welcomed like family.
ARKLE AT THE CHESTER GROSVENOR
THE ARCHITECT
It is Pan-Asian innovation that is groundbreaking for the Cheshire dining circuit
PLATES OF PERFECTION
How
NINE Mill Street is reimagining the Nantwich dining scene
There is a palpable buzz humming through the cobbled streets of Nantwich at the start of 2026, and it’s emanating directly from the kitchen of NINE Mill Street: a sanctuary of Pan-Asian innovation that is, quite frankly, groundbreaking for the Cheshire dining circuit.
This isn’t just a menu refresh; it is a total sensory overhaul. The team at NINE has pivoted toward a sophisticated fusion of Pan-Asian small plates and a grill section like no other, blending the precision of Eastern techniques with the bold, smoky heart of an open flame. For those who crave variety and vibrancy, the new o ering is nothing short of a masterpiece.
A SYMPHONY OF SMALL PLATES
and soy, with specialist cuts such as the famed Wagyu making an appearance to get your tastebuds going. NINE o ers an incredible selection of high quality options.
THE VERDICT
The journey begins with the small plates, a parade of colours and textures designed for sharing (though you may find yourself reluctant to let go of the plate). The new flavours are daring; think delicate Tuna Ahi encrusted with toragashi seasoning, curries filled with slow-cooked meats that melt into a glaze of umami-rich sauces. Every dish feels intentional, a curated balance of sweet, sour, and that elusive hit of heat that keeps you reaching for your chopsticks.
FROM THE GRILL
The grill makes its triumphant return to the NINE Mill Street menu, but this time they have perfected it. O ering everything from succulent skewered meats to premium cuts that carry the distinct, charred signature of a high-heat kitchen. The aromas alone are enough to draw you in from the street. A heady mix of ginger
What makes this "new NINE" so exciting is its refusal to play it safe. Nantwich has always boasted fine tradition, but NINE Mill Street is injecting a shot of modern adrenaline into the town. The atmosphere is electric, the plating is art-gallery-ready, and the flavour profiles are unlike anything else currently being served in the town. Whether you’re planning an intimate date night or a chatty evening with friends, NINE Mill Street is the destination of 2026. It is bold, it is delicious, and it is exactly what Cheshire’s palate has been screaming for. Don’t just take our word for it: Nantwich’s new flavour frontier is waiting.
Experience it for yourself. View the full menu and book your table at 9millstreet.com. Follow their journey for the latest seasonal additions on Instagram
FASHION
Timeless ROMANCE
BERRY’S JEWELLERS
Elegant and timeless, an emerald cut diamond is love captured in perfect symmetry with graceful lines and luminous depth. Their refined sparkle symbolises clarity, trust and lasting love, making them the perfect gift for Valentine’s Day. Discover the stunning range at your nearest Berry’s Boutique or at berrysjewellers.co.uk
The Shoot: Barbour 42 • Jewellery 47
FACE ELEMENTS the
Love token
By EVE HERBERT
ANITA KO
Diamond Oyster & Pearl Necklace, £7,263 anitako.com
REIS Strawberry Hoop Earrings, £850 reisjewellery.co.uk
Dyson Beauty’s new Amber Silk colourway is a warm and sophisticated take on their most coveted hair-care tools with its sumptuous finish and so , diffused glow. dyson.co.uk
HAIR HERO HOME TECH
VITA VITAE
The new Vita Vitae micro-needling device is redefining at-home skincare. The kit includes two powerful, scientifically engineered serum boosters with an easy-touse advanced device that features 24K gold-plated micro-needles that increase serum absorption. vitavitaebeauty.co.uk
EDITOR’S
LUXE fragrance
BRUNELLO CUCINELLI
Brunello Cucinelli has launched three new fragrances. Expanding the Incanti Poetici collection, the three new additions created with master perfumers Alberto Morillas and Jordi Fernández are Segreto (floral, citrus) Silenzio (woody, spicy, amber) and Ricordo (floral, woody). brunellocucinelli.com
All-season outdoor wellness is booming as people crave nature immersion regardless of the weather. Manor House Alsager has mastered winter garden wellness with underfloor heating throughout outdoor spa areas, individually heated hanging day beds, and cosy fire pits –meaning guests can embrace the restorative benefits of fresh air and natural surroundings even on the coldest January days. Wellness also is no longer a solitary pursuit: 2026 is all about shared experiences, from friend groups to couples seeking quality moments together. Manor House Alsager features two swim-up bars (including The Bothy Bar in its new Secret Garden), plus statement hanging day beds and communal heated pools that transform spa days into social occasions. For those looking to embrace these wellness trends first-hand, Manor House Alsager is o ering its limitededition Winter Snowfall Slumber spa day, available this winter only from £200 per person. The indulgent package includes full access to the indoor and outdoor English Spa Garden (10am–7pm), a 60-minute Snowfall Slumber Ritual by tRiBe517, a one-hour reservation in the Relax Lounge, robe and towel hire, plus lunch or afternoon tea with a glass of fizz served in the Pool House Restaurant.
Manor House Alsager Audley Road, Alsager, East Cheshire, ST7 2QQ manorhousealsager.com Outdoor wellness all year round
By PENDLE HARTE
INTERIORS
Adding character
SIMON MAYHEW
Simon Mayhew, the Cheshire-based founder of TXTURED , on changing careers, county inspirations and creating homes full of soul
Q What inspired you to start TXTURED, and how has the business evolved since its inception?
A I have always loved interiors, but becoming a Soho House member truly ignited something in me. Their spaces are so atmospheric and full of character that they quickly turned into an obsession. Around the same time, I felt my previous career as an actors’ agent was coming to a natural close, so I launched TXTURED. From the start, I sensed a real gap in the market for a studio that could deliver the layered, tactile, character rich interiors I was craving to create. Since then, the business has grown enormously. We are constantly discovering boutique suppliers and skilled makers who help us bring something genuinely special to life. I have expanded the team, and we now work from our own studio, which has become a true creative hub.
Q How would you describe the core design philosophy behind TXTURED and your approach to interiors?
A Texture and character come first. I want spaces to feel warm, layered, calm and grounded. Every material has a purpose and every surface adds depth. We aim to create rooms that tell a story, feel lived in and become more beautiful over time.
Q Where did your interest in texture led design originate, and how does it influence your creative decisions?
A Travel and old buildings were the starting point. I have always been drawn to spaces where you can feel history through materials such as stone, timber, plaster and fabric. I noticed how those surfaces change the mood of a room. Now I choose finishes based on how they respond to light and how they feel to the touch. Staying in
heritage hotels that have been renovated to feel contemporary while keeping their soul really shaped my approach.
Q What distinguishes TXTURED from other interior design studios in Cheshire and beyond?
A Traditional Cheshire style often leans towards cool neutrals such as white, grey, black and gold, with glossy finishes and a very polished look. It can feel quite clinical. TXTURED goes in the opposite direction. We work with organic and muted colour palettes, rich textures and pieces with personality. Even in a modern new build, we bring character through materials, fittings, artwork and detail. We love sourcing things you do not see everywhere and creating homes that feel completely individual. The aim is always a one o design that reflects the client’s story.
Q How do you balance aesthetics with functionality when working on residential projects?
A We design for real life first. Storage, flow, natural light and movement come before finishes. If a space does not work day to day, it does not matter how beautiful it is. Once the layout is right, the aesthetic layers can sit on top and elevate everything.
Q Can you share a project that best represents the TXTURED ethos?
A We are just finishing a London townhouse that really captures what we do. The property had strong original features and the clients wanted to bring it up to date without losing its character. We kept traditional timber flooring and classic patterns, paired them with timeless furniture, and then introduced textured wall finishes, a sense of movement through materials, and sculptural lighting. It feels current, but still warm and full of soul.
Q How does living and working in Cheshire influence your design sensibilities?
A Cheshire has an incredible range of homes and architecture.
When I am driving around for work I am constantly noticing proportions, materials and details, and imagining what those spaces could become. It is a very inspiring place to be a designer.
Q Can you explain your typical workflow from initial consultation to finished project?
Q What challenges and opportunities does the Cheshire market present for design businesses?
A The biggest challenge is connecting with the right clients, people who have vision and are willing to trust the process. Clients invest heavily in their homes, so building trust is essential, and that is why recommendations matter so much to us. At the same time, Cheshire o ers a huge opportunity because there are not many studios designing in quite the way we do. People are ready for something warmer, richer and more personal.
Q Are there designers, movements, or cultural influences that inspire you?
A Hotels, fashion, art and architecture are constant references for me. I am always observing how people move through spaces and what makes a room feel good to live in. Soho House continues to be a big influence, along with designers like Kelly Wearstler and the mood of European boutique hotels.
Q How do your clients typically describe the feeling or atmosphere of a completed TXTURED space?
A My clients usually talk about feeling before appearance. Words like calm, warm, and quiet luxury come up a lot. That is exactly what we aim for, a home you can truly exhale into.
A We begin with a deep consultation to understand how the client lives and what they want the home to feel like. From there we move through concept design, material development, technical drawings, procurement, site coordination and final styling. Every stage is carefully managed. For clients new to the process, I am very transparent at the start about what each phase involves, because clarity early on is how trust is built.
Q How do you incorporate sustainability or mindful sourcing into your work?
A We prioritise long life materials and quality pieces that will not date quickly. Wherever possible we work with local makers and avoid throwaway finishes. The goal is to create interiors that last, both in durability and in style.
Q What trends are heading our way?
A I think we will see richer tones, more texture, softer shapes and more natural finishes. Less gloss, less grey, and a bigger focus on warmth, curves and personality.
Q What is next for TXTURED. Are there new directions or services you are excited to explore?
A We are moving further into boutique hospitality, including hotels and private members’ spaces, as well as larger architectural homes. We have just won our first project in Dubai, which is incredibly exciting, and we are looking forward to what 2026 brings. We also have something very special launching this year. As the team grows, we cannot wait to keep creating distinctive homes for clients across Cheshire and beyond.
txtured.studio
The floor UP
Ted Todd leads the flooring trends of 2026
While surface patterns shift seasonally in the interior design world, flooring remains one of the most enduring design choices in the home. As a more considered purchase, our changes in values and confidence to decorate more boldly will certainly be reflected in how we approach wooden flooring for our homes throughout 2026.
ADD STYLE AND PERFORMANCE WITH EXTRAWIDE, EXTRA-THICK FLOORS
Premium engineered wooden floors continue to be a timeless choice. Despite recent cost of living pressures, there is growing demand for thicker, more substantial boards that deliver a luxurious style with everlasting quality, for floors built to last. Thanks to their large format, extra-wide planks bring a sense of calm, elegance and modernity to both period and contemporary spaces. As many renovations move towards
open-plan layouts to suit busy family lifestyles, extra-wide planks help our homes feel more balanced in scale. With fewer joins and thicker boards this results in a seamless, smooth texture that allows more room for the timber to breathe and showcase its natural beauty without interruption.
In response, Ted Todd has expanded its Project collection with six new extra-wide designs, reflecting the growing desire for floors that feel stylish yet timeless and longer-lasting.
MIX AND MATCH FOR VISUAL FLOW
As mentioned above, open-plan living continues to be a preferred way for us to interact within our homes, which raises the question: how do you zone an open-plan space to make it feel less, well, open? Homeowners are turning to mixing laying patterns to subtly define areas without the need for walls.
rhythm and visual interest. The collection also features bevel-free, square shoulder joins to further enhance the clean, uninterrupted aesthetic that continues to resonate in modern interiors.
THE DARK REVIVAL
Wood tones have gradually been shifting away from cool greys and light oaks in favour of warmer, richer colour, with natural and dark woods leading the way. Deep, characterful timbers highlighting expressive grain, knots and tactile surface detail, are being increasingly preferred for the depth and comfort they bring to both traditional and contemporary spaces. Think deep walnuts and rich mahoganies, which are ideal choices for achieving a moody, grounded feel. These tones pair beautifully with the everpopular earthy palette for an organic modern style, but it’s important to balance the décor with lighter elements such as upholstery and rugs to prevent making the space feel too heavy.
WARM MINIMALISM
Using a single timber tone across plank, chevron and herringbone formats allows zones and rooms to flow e ortlessly into one another, creating distinction through texture while maintaining cohesion through colour. Ted Todd collections such as Residence® speak directly to this trend, o ering design consistency with enough variation to show
Softer, warmer tones are also on the rise, introducing unexpected colours you may not typically associate within flooring, such as delicate putty reds and golden yellows. These shades not only add a sense of excitement and innovation, but also enhance feelings of warmth and comfort. Working beautifully alongside a neutral palette of warm whites and natural materials like rattan and travertine stone, these unique tones create a design-led interior that feels considered and truly one of a kind.
Ted Todd is set to launch three brand new coloured floors within their Classic Futures collection, in time for spring/ summer, featuring an extra-wide format to fully showcase the depth of each colour. The floors are finished with a smooth Absolute Matt® lacquer that works in harmony with the timber’s natural detailing for a sophisticated yet calming aesthetic, that perfectly aligns with the warm minimalistic style.
WOOD DRENCHING
Look at any interior magazine right now
and it’s telling you to colour drench, but it’s about time wood drenching got the same appreciation. Bridging the gap between 70s nostalgia and contemporary Japandi style, this cocooning approach creates a warm, enveloping e ect that feels like a hug, adding a sense of calm and security. Woods shouldn’t be reserved solely for floors, it deserves to be embraced across all surfaces including walls, ceilings, cabinetry and even freestanding plinths. When layered throughout a space, wood delivers a rich warmth, best achieved by using a consistent wood tone across all surfaces for a totally seamless, contemporary finish. As we continue to choose more conscious choices in our homes, not only for the environment but for our wellbeing, 2026 is the perfect time to be introducing natural, sustainable, engineered wood flooring into your interior schemes.
Find out more at tedtodd.co.uk
Contemplation Stone XXI
Porcelain Sculpture
43 x 15 x 14 cm
By PENDLE HARTE
JYSK
Thore vase, £4.50 jysk.co.uk
SAINTS GO Nkosana Stoneware vase, £43 wheresaintsgo.co.uk
REX LONDON Ceramic fi sh vase, £9.95 rexlondon.com
RUMA Black vase with handles, £45 ruma.co.uk
RV ASTLEY
Igino vase set of two, £144 limelace.co.uk
MINDTHEGAP
Suzani floral lampshade, £160 mindtheg.uk
HOUSE OF HACKNEY
Golden Lily Circus wallpaper, £195 per roll houseo ackney.com
CASA BY JJ
Beatrice dinner plates, set of six, £80 casabyjj.com
Rhododendron wallpaper in Hicks Blue, £POA littlegreene.com
PRETTY TIFFIN
Mess plate set of four, £52.99 prettytiffin.co.uk
IThe gazebos o er open-air luxury, with the option to enclose the space
TIMELESS LIVING
Crown Pavilions: luxury garden buildings for all seasons
n February, most gardens fall still. The grass frosts over, furniture is packed away, and outdoor spaces retreat behind walls and windows. But for those who value year-round use of their garden, winter doesn’t have to mean switching o , it can simply mean using the space di erently.
At Crown Pavilions, they design and build garden buildings intended for use and enjoyment throughout the year. Their range includes insulated garden rooms, gazebos, summerhouses, garden shelters, equestrian buildings and fully bespoke outdoor structures, all handcrafted in Oxfordshire and tailored to individual lifestyles and settings.
Their insulated garden rooms are designed to provide a comfortable, enclosed space in all seasons. Built with high-quality insulation, double glazing and robust weatherproofing, they remain bright, warm and usable even during colder months.
These spaces are commonly used as home o ces, gyms, studios or quiet retreats – carefully designed to balance practicality with understated design. Interior options such as air conditioning, ambient lighting and bespoke layouts allow the space to be adapted for di erent uses across the year. If you intend to use your garden room as a residential, dwelling or living space, additional upgrades and specifications may be required. Their team of experts would be delighted to guide you through the available options to suit your intended use. Their gazebos o er open-air luxury, with the option to enclose the space using marine-grade canvas curtains and blinds. Crafted from European Redwood and finished with thatched or blue-label Western Red Cedar shingles – the highest quality available – they provide the perfect setting for alfresco dining, hot tub enclosures
or simply enjoying the garden, come rain or shine. With optional heating and integrated lighting, many clients enjoy their gazebo well into the cooler months. Each Crown Pavilion is carefully designed to suit its setting and purpose. As the seasons shift, your space adapts with you, welcoming spring mornings, summer soirées, autumn reflection and winter calm. Whether you’re seeking a practical space, a place to escape, or a structure that enhances your everyday, Crown Pavilions delivers luxury that lasts, garden buildings made for all seasons, and all lifestyles.
Visit
a Crown Pavilions Show Site
To truly appreciate the quality, atmosphere and design of a Crown structure, nothing compares to stepping inside. Visit show sites at: Chessington Garden Centre, London Longacres Garden Centre, Bagshot, Surrey Van Hage Garden Centre, Ware, Hertfordshire Alton Garden Centre, Essex Frosts Garden Centre, Woburn Sands, Milton Keynes Bridgemere Garden Centre, Cheshire
Exclusive Reader Offer For a limited time, Absolutely readers will receive an exclusive 10% OFF, applicable to all installations completed before March 2026. To invest in Crown Pavilions is to invest in a lifestyle, one defined by elegance, excellence and enduring luxury.
A flexible boarding culture that adapts to each family’s needs
Secure, seamless and all-encompassing care
Days in February & March
Co-ed 3-18 | Boarding & Day | Jesuit, Catholic School
THE STAGE IS SET
PERFORMERS COLLEGE
Performers College Manchester is a leading vocational institution delivering elite training in dance, musical theatre and performance, nurturing industry-ready artists through intensive, professional, real-world education. Turn over the page to discover more. performerscollege.co.uk
Inside this section
PERFORMERS COLLEGE 70
HISTORY AT STONYHURST 76
SHAKESPEARE CURRICULUM 78
DANNY ROBINS 84
PREMIER LEAGUE PRIMARY STARS 94
STANDING OVATION
For over 35 years, Performers College has o ered students from all backgrounds the opportunity to pursue their dreams in musical theatre, acting, and dance. Absolutely visited their Manchester campus to find out more
TONY FOLLOWELL
Pro-Vice Chancellor –Performing Arts
Q What is the core mission or ethos of Performers College, and how do you ensure that remains consistent across all of your campuses?
A Our mission is to prepare talented performers for professional careers through rigorous, industry-focused training that combines technical excellence with creative freedom. This ethos remains consistent across Birmingham, Brighton, Essex and Manchester through key pillars: high-contact training (minimum 25 hours
per week), teaching by working industry professionals, regular masterclasses and agent panel days, and a curriculum continuously updated to reflect current industry demands. All qualifications are awarded by BIMM University, ensuring academic rigour alongside vocational training, whilst our comprehensive wellbeing support and outstanding facilities ensure every student receives the same commitment to their development as a versatile, resilient performer ready for professional work on stage and screen.
Q How have you adapted your curriculum and training methods
over time to respond to changes in the performing arts industry?
A Our curriculum evolves continuously to reflect today’s performing arts landscape. We’ve expanded beyond traditional stage training to include acting for screen and digital media, motion capture technology, and content creation for podcasts and short-form digital platforms. Recognising that modern performers need entrepreneurial skills, we’ve embedded modules on freelancing, audition technique, funding applications and business knowledge throughout our courses. We’ve also responded to industry demand for versatility – Musical Theatre courses now include film and TV acting components, whilst Acting students train across theatre, screen and recorded media. Regular consultation with industry professionals and feedback from employers ensures our training stays ahead of trends, preparing graduates for careers that continue to evolve.
Q What role do industry links and professional opportunities play in the institution’s background and how were these built historically?
A Industry connections have been fundamental since our founding – we were built on the principle that performing arts training should be led by working professionals with current industry experience. These relationships deepened as we expanded to four campuses, each
developing strong local partnerships with theatres, ballet companies and production houses. Our Creative Futures Team systematically organises Agent Panel Days, workshops and in-house auditions, whilst lecturers' own professional work creates direct pathways for students. In 2024/25 alone, these connections resulted in 109+ agents visiting our campuses, 162+ students signing with representation, and 149+ job o ers. This isn’t networking for its own sake – these relationships translate into genuine opportunities, with graduates appearing in productions from Hamilton and Wicked to major films like Barbie, Better Man and Beetlejuice Beetlejuice, plus performances at events like the BRIT Awards and Commonwealth Games.
Q How does Performers College di erentiate itself from other performing arts colleges in the UK?
A Our unique position comes from combining specialist vocational heritage with university-level academic credibility. Unlike drama schools, we o er the full university experience through BIMM University – comprehensive wellbeing support, diverse societies and crossdisciplinary projects with musicians, filmmakers and game developers. Unlike traditional universities, we deliver intensive professional training in purpose-built facilities that mirror industry environments. We don’t just teach performance technique – we
teach sustainable career-building, and students often graduate with their first professional contracts already secured through our systematic approach to agent representation and industry showcases. Our partnerships with organisations like Matthew Bourne’s New Adventures and Birmingham Royal Ballet mean students build genuine professional networks before they leave, supported by qualifications that are respected both nationally and internationally.
JOHN HARRISON
Head of School at Performers College, Manchester
Q How do the “purpose-built facilities” at the Manchester campus di er from those at other campuses, and what advantages does this o er for students?
A The Dancehouse features a stunning 400-seat period theatre with full professional PA system, wireless microphones, fully programmable LED lighting rig and original Art Deco fixtures – providing students with real-world performance experience in a working venue. The campus includes five spacious dance studios with cascade sprung floors, mirrors, ballet barres, PA systems and pianos, three acting studios with sound systems, and an intimate vocal practice room. Unlike other campuses, Manchester has four university buildings in total, all within walking distance of each other in the city centre, giving students access to cross-campus facilities including media suites, post-production studios, green-screen facilities, screening rooms,
and Apple Mac suites with audio/visual software, recording interfaces and MIDI controllers – creating a professional vibe where students are genuinely rubbing shoulders with the rest of the industry.
Q How does the Manchester campus facilitate professional opportunities for students (for example, performances, external venues) as part of training?
A Manchester’s unique selling point is the 400-seat professional working theatre that allows students to perform to thousands of paying audience members every year. For degree students, performance exposure increases through academic levels from peer-to-peer in Year One to professional stages with public audiences at Level 6, whilst Northern Ballet School students receive three performance opportunities per year (autumn, spring and summer productions) regardless of academic level. The campus has developed strong links with local venues including 53:Two
(Manchester’s only truly accessible working theatre) where acting students deliver plays to public audiences at Level 6.
Q Are there any campus-specific partnerships or local industry links in Manchester that benefit students (for example venues, theatres, or regional performance networks)?
A Yes – Manchester has excellent relationships with The Palace Theatre, HOME and Contact Theatre, plus the campus delivers Industry Advisory Panels featuring practitioners from across the sector including professionals with local representation from organisations like 53:Two. For specialist facilities, the campus engages with Cloud Aerial (acro), 0161 Studios (dance), and Life Centre (acting), whilst Northern Ballet School students also utilise Sophie Dee’s in Stockport and the Centre for Performing Arts in Denton for ballet training. Northern Ballet School graduates have joined companies worldwide including Matthew Bourne’s New Adventures, Birmingham Royal Ballet, Northern Ballet, Royal New Zealand Ballet and numerous international productions from Wicked to The Lion King
Q Looking ahead, what developments or enhancements are planned for the Manchester campus over the next few years?
A Manchester gained its international student licence in 2025, o ering extra assistance to international applications to support them prior to arrival. The campus was also a host venue for SXSW festival last April. performerscollege.co.uk
SUCCESS STORY
The inspiring career trajectory of Latesha Karisa
Twenty one-year-old Performers College Manchester graduate, Latesha Karisa, who is the first black woman to play Linda in Blood Brothers, says it’s a dream come true being in the iconic and long-running musical.
Latesha, from Liverpool and who recently graduated from her BA (Hons) Musical Theatre degree, has always been obsessed with musicals and is now a role model for young girls who come to see the show. “They message me asking how I got into the show straight after uni, or they message me saying they’ve been told they couldn’t do this because they are ethnically diverse and I say why not, that has nothing to do with it. Some of them are studying Blood Brothers for English or drama and come and talk to me after the show with their mums,” she says. “It’s really sweet.”
It was the Wizard of Oz that Latesha used to watch with her nan that ignited her passion for musicals. “Growing up in Liverpool we didn’t really have much, so we couldn’t really fund my love for singing, but then we then went to a nonprofit charity organization called Rare in Liverpool and they are really fantastic. I had singing lessons in the choir, and I did a lot of musical theatre and acting lessons too.”
Latesha says her family have been incredibly supportive and it was her mum who advised her to refine her acting and musical theatre skills. “Growing up my mum was just very aware of what you needed to do to be
able to push yourself through this industry. She was really educated on it, I can’t lie.”
After secondary school Latehsa went on to sixth form at The Liverpool Institute for Performing Arts and it was there she first heard about Performers College. She went along to an open day and really enjoyed it. “Everyone was so friendly, and it was a lovely environment.”
Reflecting on her time at Performers College, Latesha says that as much as she loved doing the actual lessons the best bit for her was the third year when they put on two shows. “I really, really loved it and knew it was what I wanted to do. When the actual microphones went on and looking out into the theatre that was my favourite part, working on an actual production and seeing what a professional production is really like.”
Latesha says the whole experience of being in Blood Brothers is far better than she could ever have imagined back when she was a child dreaming of being in a musical. “I always had a preconception that everybody in the industry is, like, not friends with each other and everyone is in competition with each other. But this isn’t the case. It’s amazing. Everyone’s here for each other, we all do things together on our days off and it’s such an amazing experience. I’ve made lots of friends and connections.”
She says she feels like she’s gone from her Performers College family to her Blood Brothers family.
History in
THEIR HANDS
At Stonyhurst, rare, historic collections can be touched, examined and brought vividly to life during lessons, giving pupils the opportunity to learn from the past
Nestled within the historic halls of Stonyhurst College lies a museum and archive like no other. Spanning centuries and continents, the Stonyhurst Collections hold not only rare and priceless objects, but also the power to educate and inspire. Today, they are recognised as one of the most significant educational collections in the UK, beginning in 1609 with a single golden cope.
That object marked the beginning of a story shaped by upheaval, devotion and resilience. During the Reformation, when the school was based in the Spanish Netherlands, the parents of English boys entrusted precious Catholic artefacts to the Jesuits for safekeeping, saving them from destruction in England.
Four centuries later, the collection has grown into an extraordinary archive of around 100,000 books, 40,000 manuscripts and 70,000 artefacts –from a 4,000-year-old spearhead to the fossilised tooth of a woolly mammoth.
“The Jesuits have always recognised that objects have the power to illuminate and inspire,” explains Dr Jan Gra us, curator of the Stonyhurst Collections. To make history come alive for pupils, Dr Gra us established the Junior Curators Scheme for pupils aged nine and ten, teaching them to handle, interpret and communicate the stories behind objects. Children may find themselves holding a Greek drinking cup unearthed at Pompeii or examining the carefully engineered curve of a Neolithic spearhead. “The whole point of a Jesuit education is to observe, absorb and learn,” adds Dr Gra us. Learning extends far beyond history.
Stonyhurst houses part of the celebrated Waterton Collection, assembled by Victorian explorer Charles Waterton, whose preserved animals open conversations about natural history, preservation and global exploration. In lessons, a 50-million-year-old megalodon tooth sparks discussions about palaeontology, while Shakespeare’s First Folio, displayed prominently on campus, introduces pupils to the foundations of English literature.
Older pupils use the collections to deepen their studies. Sixth Formers studying the International Baccalaureate (IB) programme are required to curate exhibitions using artefacts, while A-level pupils in art and biology draw inspiration from the Waterton specimens. Recent displays, such as Womanuscripts, curated by pupils, have explored women’s roles in history through letters, recipes and theological manuscripts. Supporting Dr Gra us in this mission is Museum Education O cer Esther
Rollinson. Together they have developed hundreds of lessons, adapted for pupils as young as three, and frequently welcome local schools to share in the experience.
The legacy of Stonyhurst’s collections extends beyond the artefacts themselves. Names carved into desks connect pupils to alumni such as Arthur Conan Doyle, whose school report – on display in the museum – memorably describes him as a “quarrelsome bu oon with dirty habits”. Behind such curiosities lies a profound purpose: to help pupils understand the world through the things people have left behind – their values, struggles and ideas. Whether handling the tools of a Neolithic hunter, the writings of Shakespeare or the explorations of Victorian naturalists, Stonyhurst pupils are given a rare opportunity to hold the past in their hands – and carry its lessons into the future.
A new way for Shakespeare to be taught in schools has been launched – with some star names throwing their weight behind it
The Royal Shakespeare Company (RSC) and Foyle Foundation have been joined by leading actors to launch the RSC Shakespeare Curriculum, a revolutionary new way of studying Shakespeare using the latest learning technology and innovation.
The Shakespeare Curriculum is the most important development in the teaching of Shakespeare in a generation and will radically change how Shakespeare is studied and taught in secondary schools across the UK and around the world. It responds to ongoing concerns from teachers and young people about the way in which Shakespeare is experienced by many in school, with the aim for 80% of all UK secondary schools to use the Shakespeare Curriculum by the academic year 2029/30.
The first resource of its kind and free to use for all state and SEND secondary schools, it distils the RSC’s award-winning teaching approaches into a digital platform that has everything teachers and students need to teach and learn about Shakespeare, immersing them in the creative world of
an RSC rehearsal room. Grounded in the techniques used by actors and directors, the Shakespeare Curriculum takes students beyond their desks, unlocking language, character and themes and fostering vital skills for school, life and work. The RSC Shakespeare Curriculum has been created with major investment from the Foyle Foundation as one of the key projects recently announced for the long-term legacy of the foundation.
David Hall, Chief Executive of the Foyle Foundation, says: “Our relationship with the RSC has extended over a period of more than 20 years, culminating in the development of the Shakespeare Curriculum. We are immensely proud that this will be
“The RSC has come up with a way for teachers to lead students to an appreciation of Shakespeare's plays”
a legacy for future generations of the work we have done together and honoured to be able to play a part in supporting the extraordinary achievements of the RSC.”
Big names from the acting world are also backing this new launch. Sir Ian McKellen is one and he says: “Actors, better than other Shakespeare lovers, know how di cult it is to transform his words on the page into living, breathing characters on the stage where they belong. To expect schoolchildren to grapple with such problems may well put them o Shakespeare for life. Ever since I was at school, reading a troublesome text around the classroom, I have wondered how professional theatre people might help English teachers who too often feel inadequate to the task.
Now the Royal Shakespeare Company has come up with an answer, a practical way for teachers to lead students to an appreciation of the plays, not just as written texts but as a starting place to explore the excitement of live theatre. A revolution is in the o ng!”
Approximately two million young people in the UK study Shakespeare in
any given year. From a 2012 study by the RSC and British Council, approximately 50% of schoolchildren in the world study Shakespeare and his plays each year. The Shakespeare Curriculum turns Shakespeare’s ten most studied plays into a 24-part creative learning adventure, bringing the RSC’s unique blend of theatre practice, research and digital innovation into schools. Drawing on thousands of unique archive resources, and decades of world-renowned productions featuring leading actors in defining performances, it will put young people in control of their Shakespeare learning.
Launching the RSC Shakespeare Curriculum, Jacqui O’Hanlon, RSC Director of Creative Learning, says: “The RSC has worked with thousands of teachers and young people over 20 years and we understand the challenges of teaching and learning about plays that were written over 400 years ago. The Shakespeare Curriculum responds to this challenge.
“Research shows that the combination of Shakespeare’s language and RSC
SIR IAN MCKELLEN
DAME HELEN MIRREN
“This brings the energy of the rehearsal room into secondary schools across the country”
teaching approaches improve young people’s academic, social and emotional development. As well as improved language development, writing and oracy skills, this work improves communication, self-belief and well-being and develops creative problem-solving skills. Through the RSC Shakespeare Curriculum, all state secondary and SEND schools will have free access to this transformational way of teaching and learning about Shakespeare’s plays.”
The platform uses the rehearsal process as the framework for teaching and learning and creates opportunities for young people
our own experiences and interpretations to Shakespeare’s stories. That spirit of collaboration and creative enquiry sits at the very heart of the RSC’s new Shakespeare Curriculum: bringing the energy of the rehearsal room into secondary schools across the country, turning classrooms into places where inquiry, co-operation and creativity flourish.”
to experience first-hand some of the creative decisions made by actors, directors and creative teams working in theatre. The Shakespeare Curriculum has been developed in collaboration with Charanga, a specialist provider of digital platforms and technology for music and arts education.
Dame Helen Mirren, RSC Honorary Associate Artist, adds: “Rehearsal rooms are places where we explore possibilities; where we look at a play written 400 years ago as if it was new, with the ink still wet on the page. In a rehearsal room we are questioning, experimenting and bringing
Adjoa Andoh, RSC Associate Artist, also commented: “If you have found Shakespeare boring or confusing or not relevant, if you have been made to feel like you’re not smart enough, or you can’t concentrate enough, or people don’t think you’re worth bothering with, that’s other people’s fault not yours – with the Shakespeare Curriculum all this is about to change. It is about giving you the chance to get up on your feet and deep dive into the crazy, heartbreaking hilarious, thrilling world of Shakespeare’s stories –stories you will recognise as things you have experienced in your own lives, as things that are happening in the world around you today, and you’ll feel it, you’ll understand it and you’ll get to live it out in rehearsals.
“Shakespeare is relevant yesterday, today and tomorrow – and yours for the taking. Come join us, breathe out, dive in. Shakespeare can change your life – he did mine!”
The RSC Shakespeare Curriculum is now live at shakespearecurriculum.com
ADJOA ANDOH
Next STEPS
Why Sixth Form boarding? A visit to Rydal Penrhos will answer the question
Sixth Form is an exciting step. Confidence grows, opportunities increase, and young people begin making clear choices about who they want to become. With Sixth Form boarding launching at Rydal Penrhos in September 2026, families are seeing boarding as a real advantage – creating the conditions for pupils to flourish when it matters most. Sixth Form moves quickly. Subject
demands increase, deadlines come faster, and pupils are asked to manage more while also planning their next steps – university, apprenticeships or the world of work. Parents ask: which environment will help my child stay focused, confident, well supported and ready for what comes next?
At its best, boarding is about far more than taking away the commute. It brings together opportunity, structure and belonging. A clear weekly routine supports strong habits – steady study, balanced diet, good sleep, evening downtime – and the calm headspace that enables progress and wellbeing. Just as importantly, boarding creates a close-knit community where encouragement is immediate and support is close, both academically and pastorally. That sense of community matters more than ever. Teenagers are constantly “connected”, yet real connection can be crowded out by online life. Boarding o ers shared, real-world experiences day after day: meals together, prep sessions, team training, rehearsals and house activities. Friendships deepen, confidence strengthens, and pupils feel part of something –with clear benefits for wellbeing.
If there is a stage when boarding makes
the greatest di erence, it is Sixth Form. Pupils are ready to use independence well: taking ownership of learning, organising competing priorities, and building the confidence to advocate for themselves. It is also excellent preparation for their next steps. Managing time responsibly, learning to live well with others, and balancing work with leisure are not “extras”; they are essential skills that support life-long success.
From September 2026, Rydal Penrhos will introduce Sixth Form boarding in New House, a purpose-designed home. It pairs the focus of boarding with what Rydal Penrhos is known for: small class sizes, expert teaching and outstanding pastoral care, so every pupil is both challenged and fully understood. It’s a setting designed to support wellbeing, friendships and progress in equal measure. Boarding also helps pupils make the most of wider school life – sport, performing arts, clubs, outdoor education, trips, leadership and service – because opportunities are on the doorstep, 24 hours a day.
Alongside subject-specialist teaching and tailored support, UCAS and careers guidance helps pupils choose the right pathway for them – from apprenticeships to leading universities, including Oxbridge and the Russell Group.
To find out more, visit rydalpenrhos. com or contact Admissions at admissions@rydalpenrhos.com or 01492 530155
SPIRIT
GUIDE
With a new book and hit stage show, Danny Robins believes today's children are every bit as keen on ghostly detective stories as he was
by LIBBY NORMAN
PHOTO: RICH LAKOS
He’s been compared to Hitchcock and Van Helsing and called the UK’s ‘go-to spook guy’. But Danny Robins wears his o cial badge lightly and there’s not a hint of mystic aura about him. He never expected The Battersea Poltergeist and Uncanny to cause such a stir. “It happened in that strange, alien landscape of lockdown. I think it was a point where a lot of people were cooped up in their houses feeling slightly haunted by their houses,” he says. “I sometimes think I was the paranormal Joe Wicks. I was the beneficiary of that era, in that there were a lot of people who wanted to be entertained.”
The ripple spread way wider than he could have conceived. “I couldn’t in a million years have anticipated The Battersea Poltergeist being talked about on Australian breakfast television and fielding calls from Hollywood producers asking about film rights.” Looking back now, Danny wonders if he had stumbled across a collective desire to explore the out-ofbody world. “Those strange, chaotic, uncertain times spawned an interest in the paranormal.”
The Battersea Poltergeist – a podcast first aired in 2021 – retold the tale of the 1956 alleged haunting of 63 Wycli e Road in an utterly riveting way, while Uncanny, beginning later that year, delivered a rich brew of paranormal and haunting true-life tales examined in forensic depth through a believer’s and a sceptic’s lens. Uncanny passed to the other side, with a BBC Two series beginning in 2023 (we’re now two series in) and has also become a hit touring show. Somewhere in there, Danny also found time to write 2:22 A Ghost Story, which was one of the first plays to open on the London stage after lockdown. It picked up three Olivier nominations and won three WhatsOnStage Awards, including Best New Play.
It’s worth noting that Danny’s interest in the paranormal is not recent – among his many writing credits is Young Dracula, the comedy that ran for five seasons on CBBC from 2006. “This is the subject that keeps on giving. You can go anywhere in the world and ask that question, ‘do you think ghosts exist?’ and come up with a really exciting, colourful debate.” This, then, is the backdrop for Do You Believe in Ghosts?, his new book aimed squarely at curious young minds keen to find out more about the supernatural. In designing the book, Danny has drawn on his own childhood passion. He was, he says, that kid in the school library reading everything he could find on a subject that gripped him. He still recalls the Usborne World of the Unknown,
the Collins Gem Ghosts and even a Hamlyn guide. “There was an era of real fascination with this subject that spawned quite a lot of lurid books full of pictures of ghosts and monsters and demon dogs,” he says.
“Combined with the fact I was brought up as an atheist, and I didn’t have belief in my life, I think I was just really interested in the idea of what made people believe.” Or not, for in the introduction to Do You Believe in Ghosts? Danny nails his colours to the mast as ‘a sceptic who really wants to believe’. In similar vein, he invites readers to align themselves with either #TeamBeliever or #TeamSceptic, also voting on each of the accounts they read in the book to see if they’ve been swayed one way or the other.
“IT IS ALL ABOUT US TESTING THE PARAMETERS OF OUR WORLD AND BEING SCARED WITHIN SAFE
BOUNDARIES”
It’s an approach that gives children agency and also encourages them to get thinking behind the stories and listening to di erent theories. “If you are from #TeamSceptic you can look at it from a psychological, environmental, scientific perspective, and if you are #TeamBeliever you are digging into the history of the house, who might have lived there and who might be the ghost,” he says. “All the kids I meet, they are little detectives. They love exploring stu . They love trying to make sense of science and history – this is a subject that allows you to do that.”
Of course, ghost stories give children a thrill, a frisson, but this is as old as storytelling itself. “There’s something important for a kid – which is when you first come across this idea of ghosts – about being scared within very safe boundaries. It’s why we watch Dr Who or enjoy doing something like Go Ape. It’s us testing our world, testing the parameters of our world.”
Do You Believe in Ghosts? tests parameters but sits firmly on the side of spooky, rather than scary, with jokes and asides and plenty of comic illustrations. In fact, illustrator Ellen Walker wrote to him first as an Uncanny fan and plays a key role here as a part of the ghost hunting team. The tales cover familiar spooky ground to many adults. We read about the disturbances at 284 Green Street (aka The Enfield Poltergeist), the thrilling haunting of RAF Lossiemouth, a cellar in York where Roman Legionnaires were spotted by a hapless boiler fitter, and even head back to 19th-century New York State to meet the famous spiritualist Fox sisters. There’s plenty of history in the mix, but also clear and age-appropriate explanations of concepts such as Stone Tape Theory, telekinesis and cognitive bias – also, impressively, an evolutionary psychology explanation for why we humans are pre-programmed to be scared of the dark. “Explaining them in a kid-friendly way opens up this amazing debate they can have,” says Danny. He hopes that these explanations serve a useful purpose in helping children rationalise other fears. “Once you understand that you can start to feel, ‘well maybe some of
the other things I feel scared about I don’t need to feel scared about’. I think there's quite an empowering message behind all of this – that the world isn’t quite as scary a place as it might sometimes seem.”
Adults reading along with their children may expect more questions than they can answer. “I definitely think any sort of fear within a ghost story has in equal measures that dose of optimism. It suddenly opens up the possibility that people that we’ve loved and lost still might be out there,” he says. “That potential optimism is a really powerful thing in terms of processing those moments – whether it’s a pet that you’ve lost or a grandparent.”
One of the things that has struck Danny is that the audience for ghosts spans all ages. “What I’ve noticed a lot on my tour and just generally meeting people who listen to the show or watch the show is that there are loads of kids who are Uncanny fans,” he says. “It feels like a family-safe subject. You can approach it in di erent ways. You
have the adult level where you’re consuming stu that might make you feel a bit scared, or you can have the kids’ stu where you’re loving the fact that it’s a detective hunt and that you’re learning a bit about science and history and having a bit of fun.”
With the book, plus a season of Uncanny stage shows, Danny is looking forward to hearing from many more fans who share his enthusiasm for considering mysteries beyond our rational world. “Detective stories normally stop when you find out whodunnit, but ghost stories just keep on unfolding,” he says. “I really like the idea that we haven’t discovered everything there is to discover about our world. What’s not to love about the idea of hunting for that?”
Do You Believe in Ghosts? by Danny Robins, illustrated by Ellen Walker, is published by Pu n Books (£8.99). The 'Uncanny: Fear of the Dark' stage show is on tour now. For dates and venues, visit uncannylive.com
Beech Hall o ers a truly child-centred education where academic excellence, exceptional sporting and performing arts opportunities, and outstanding pastoral care combine to create a personalised pathway for every pupil.
At Beech Hall School, the uniqueness of the individual child is at the heart of all that they do. Whether that’s golf or motor racing, cheerleading or maths, performing arts or open-water swimming, they focus on enabling happiness, success and individualised confidence.
Beech Hall has areas of curriculum strength that include performing arts and sports. This includes a swimming team that travels around the world to complete swimming expeditions and has become the world’s most successful English Channel junior team, with ten relay crossings, raising over £150,000 for Mencap. Overseas opportunities have included the 20 Bridges relay swim around Manhattan, New York, and both relay and solo swims across the 14km Bonifacio Strait from Corsica to Sardinia.
Kindness, respect, integrity and ambition are the school values at the heart of everything they do, with sta who understand that positive and supportive relationships are the cornerstone of a happy and successful education. A balanced focus on academic attainment, sporting
THE INDIVIDUAL JOURNEY
Because no two children learn –or thrive – in the same way
opportunities, emphasising individual strengths and celebrating traditional values are at the core of everything that is important to Beech Hall, with the ultimate focus on enabling every pupil to become the very best version of themselves, growing confidence in their own unique individuality.
Beech Hall is the leading all-ability school in the north of England, o ering an enriching educational experience that builds confidence and nurtures individual success. It is also one of the country’s most successful schools for open-water swimming, enabling opportunities for pupils to become world-class athletes. With facilities that include an all-yearround open air swimming pool, state-ofthe-art science laboratories and design technology workshop, 8 acres of playing fields and a school environment in which children feel happy and comfortable to feel themselves, why would you not go and take a look for yourself?
Isn’t it time for something di erent?
Find out more at beechhallschool.org
SATURDAY JOBS? WHATEVER HAPPENED TO
Saturday and holiday jobs used to be a rite of passage for teenagers, so what has happened? Absolutely investigates
By LIBBY NORMAN
Rather like Monty Python’s ‘Four Yorkshiremen’ sketch, get adults of a certain age together and they wax lyrical about the hardships of their Saturday and holiday jobs. There was the permafrost of early morning paper rounds, that long hot summer in the bowels of a factory, and the travails of working a till that didn’t even tell you how much change to hand back. And, in another parallel with the famous sketch, that first foray into employment – however menial – made teenagers feel lucky. Earning cash meant a measure of independence, a sense of making their own way. Parents, meanwhile, saw jobs as a useful way to encourage self-discipline (getting up, turning up, taking orders). Also, perhaps, a salutary reminder to slacking teens of the
importance of studying to open up career opportunities beyond shop or factory floor.
But something has happened to the teenage jobs market – the statistics are dramatic, especially in recent times. The number of teenagers with Saturday jobs halved between 2010 and 2020, according to data from the Resolution Foundation, with only a quarter of young people having some paid employment. Look back to the turn of the Millennium and almost half (48%) of young people aged 16 and 17 had some form of conventional paid work. It’s a similar story for holiday jobs. Last December, a report in the Daily Telegraph highlighted that only a little over 20% of 16- and 17-year-olds in education had held down a summer job. The article pointed to a potential shift in attitudes among many young people. One employer suggested they are far less motivated by money and see such employment as something to help them earn the cash they want for a specific goal, not a routine to stick with. This, the article
suggested, has reduced the supply of suitable jobs, as employers have looked elsewhere to fill roles that used to be filled by teenagers. Statistics don’t tell the whole story. Paper rounds and retail work are less abundant now that so many people get their news and their shopping online. And summer factory jobs for older teens have dwindled in line with our shrinking manufacturing base. There is also more legislation, and issues such as insurance have made employing teenagers harder (see right). Many young people – especially boarders and those who have Saturday school or weekend sports fixtures – are written out of the employment market on a Saturday. Their parents may also consider a holiday job to be a bad idea because, after a full-on academic year packed with extra-curricular activities, time o to recharge with family is top priority. Parents can reasonably argue that there are opportunities to pick up job experience later – borne out by the fact that well over half of university undergraduates
“The number of young teenagers with Saturday jobs halved between 2010 and 2020, with only a quarter having some paid employment”
work alongside their studies, according to NUS (National Union of Students) surveys. Still, among some parents, there’s a niggling worry about the fact children don’t have the same opportunity to earn. Even the lowliest role teaches a lot about the value of money accrued through your own labour. It also gives early lessons about employer expectations – especially on attitude and diligence – helping to avoid career fails down the line.
JOB SEEKING
For teenagers who are keen and available for jobs, there are still opportunities out there. Some retail chains, including supermarkets and clothing stores, accept students for seasonal work or Saturday shifts. Competition tends to be fierce for these roles, which may come with perks such as sta discount. Hospitality roles in the restaurant and pub trade may be easier to find, as sta are often employed less formally on a ‘needs must’ basis during busy times. Working as a pot washer, porter or cleaner is hard, but it’s often an entry point to securing regular seasonal work, perhaps moving up to a front-of-house role once you’ve shown your worth. This is a good ‘banker’ for the longer term for students keen to earn cash if they return home during long university holidays. When applying for Saturday and holiday roles, a face-to-face approach nearly
always gets better results. Taking in a CV, however short on job experience, is important. Being available if a job o er comes in at short notice and accepting conditions such as a trial shift show willing. For more informal roles in, say, dog walking, babysitting or gardening, it’s definitely worth asking around among neighbours and friends as local networks can prove more fruitful than formal applications. If a paid Saturday or seasonal job is impractical, for whatever reason, it’s still possible to start building work experience. Periods volunteering in a local animal rescue or stables or helping out at a foodbank or charity shop are all valuable ways to add something beyond school to the CV. Informal and unpaid assistance at really local level can also evidence ability to ‘muck in’. From volunteering for a local event to fundraising for charity or becoming a care home visitor, it all adds to the skillset. Taking pay out of the equation opens up opportunities that show as much, if not more, of the mindset and people skills that future employers will respect.
What’s the law?
• Children can work part-time for up to 12 hours a week from age 14, rising to 25 hours in school holidays.
• There are specific restrictions on certain types, hours and places of employment for children.
• At age 15 and 16, children can work up to 35 hours a week in school holidays.
• At 16, employers may have to pay PAYE and at 18 adult employment rights apply.
• Go to gov.uk/child-employment for detailed advice – plus guidance on accessing your local council regulations on child employment.
Today’s fast-evolving world of employment and further education requires an equally innovative approach in schools. At Queen Ethelburga’s, we are at the forefront of providing a highly personalised and dynamic o ering that prioritises curriculum choice and wellbeing. We do this through our model of three schools on one campus. Our prep and middle schools lead to an array of flexible pathways through our senior school.
From September 2025 QE began the process of combining what were previously known as QE Faculty and QE College into one exceptional Year 10 to 13 senior school o ering an unprecedented range of academic, vocational, sport, performance, creative and co-curricular opportunities – and with a new name, Queen Ethelburga’s College. Our approach is to think of what is best for your child as they progress through sixth form.
Sixth form
SUCCESS
Lauren Blakeley, Head of Queen Ethelburga’s College, on key areas to consider when thinking about options for the final school years
Education doesn’t need to be a one size fits all. Depending on the strengths and interests of your child, you should consider whether a traditional academic route or a modern BTEC or mixed route would suit them best. At QE, we provide a variety of flexible pathways. Here, students can take the A-level route and choose traditional academic subjects. Alternatively, there is the opportunity to combine traditional and modern A-level subjects alongside BTECs. At QE, we are also able to facilitate extra time within the curriculum for performance sports and performing arts. Whatever direction they are considering, a strong careers department is vital for all students as they embark on their sixth form years. At QE, we provide each student with as much support as needed across areas such as career and subject choices, applications, interviews, work experience, entrance exams and auditions. Our advice considers the subject combinations and extra-curriculars that will be most useful in widening knowledge and boosting applications.
We know universities and companies are increasingly looking for a wide range of interests beyond academic grades. At QE, we are incredibly proud of the vast array of opportunities available. We have over 100 clubs and activities on site, ranging from CCF to Student Motorsport and Esports teams. We o er regular trips throughout the UK and overseas and have a Stretch and Challenge programme to specifically encourage students to go further via, for instance, national competitions and outside lecture attendance. The sixth form you choose is where your child will be for not just the next two years of their life, but the two most important years of their academic life. At QE, we know that the right sixth form environment has such a positive impact on outcomes, determining future destinations and ambitions. This makes it critical to find the experience that suits your child – ensuring their happiness and making sure they will thrive.
qe.org
LAUREN BLAKELEY
Great goals
Established in 2017, Premier League Primary Stars uses football to inspire academic engagement, wellbeing and positive values
The beautiful game is a powerful force for good in our schools, clubs and homes as it is wildly popular with the primary school age group
Let’s be honest, football doesn’t always get a good press. Over the years, columns have highlighted the tribalism and, from time to time, dreadful behaviour among fans and players. But the 'beautiful game' is, most certainly, a powerful force for good in our schools, clubs and homes through the work of Premier League Primary Stars. This programme has capitalised on a huge positive – football is wildly popular with this age group. That enthusiasm is used to engage boys and girls with sport, with academic subjects (especially all-important English and maths) and with life lessons about resilience, confidence, kindness and fairness. Premier League Primary Stars was first established in 2017 and has been a consistent resource ever since in delivering resources and ideas for primary education. It is accessible to everyone, and with particular focus on delivering age-appropriate, practical and curriculumaligned material. This is used by teachers,
educators in settings such as out-of-school clubs, and by home schoolers (parents are more than welcome on its website).
With football as the hook, subject specialists and heavyweight partners such as the National Literacy Trust have helped develop accessible and engaging resources that support children’s learning. There are great initiatives in areas that don’t instantly seem a natural match, such as poetry, to inspire creativity and help children get in touch with their feelings.
It’s now widely accessed – used in over 20,000 primary schools across England and Wales – and with some 18 million attendances at club-led sessions delivered by 103 professional football club community organisations. More than 70,000 teachers are registered for its free downloadable lesson plans. Premier League Primary Stars estimates it reaches 1.1 million children every year through digital resources.
The data is impressive, so too the fact that its resources are attuned to the issues of our time. For instance, there is a big bank of teaching resources supporting
children’s mental health, confidence and ability to bounce back from setbacks. For instance, this autumn term kicked o with an academic planner to highlight special events, including World Mindfulness Day. Similarly, after the great win in the Women’s World Cup, there was a Resilience Pack featuring stories and insights from Harry Kane and the Lionesses on themes such as learning from mistakes and adopting a can-do approach even when you fear failure.
There has been some especially timely material on allyship – called Active Allies – to help children overcome stereotypes and outdated attitudes and encourage girls to be more confident playing sport alongside boys. And there’s a wealth of material to keep playground play clean through the Play the Right Way theme. With many initiatives, downloadable material includes inspiring short films and assembly plans, as well as suggested classroom activities. There is also specific support for children facing di culties, such as fear around school attendance. This is supported through more than 100 professional football club charities – these span both the National and Premier leagues. Of course, nothing the greatest teacher prepares for a lesson plan could come close to beating a surprise school visit from a
Coming face to face with Theo Walcott is something that ensures lessons are taken to heart
hero of the game. Coming face to face with Theo Walcott and having his motivational support during a lesson is something that ensures lessons are taken to heart. Theo, who helped launch Premier League Primary Stars back in 2017, visited a primary school with his former club Arsenal in February for the launch of resources for Children’s Mental Health Week. There have been other similar club-led visits by great names –including Chloe Kelly, who visited schools to support the launch of allyship resources. Premier League Primary Stars is funded by its charitable arm, Premier League Charitable Fund, which is one of the largest sports charities in the world and works closely with professional football club charities. It’s good to see the Premier League and clubs at every level investing in young people. Even better is that their objective is not only to grow the next generation of players and fans, but also support their academic success, confidence and wellbeing.
plprimarystars.com
Foodies Festival
The event celebrates its 21st birthday and this year’s showcase at Tatton Park will see the boldest, tastiest and most exciting extravaganza yet
Foodies Festival – the UK’s biggest touring celebrity food and music festival series, known a ectionately as “Gastro-Glastonbury” – has announced a turbo-charged 21st birthday tour for 2026, bursting with new features, spectacular chefs and bakers, food and wine experts and chart-topping music stars, tribute acts and local musical and culinary talent, and returns to Tatton Park from 10th-12th July.
As always, you can expect live cooking demonstrations from an all-star roster, including: Harry Maguire – 2025 Masterchef Champion; Claire Syrenne –2025 Masterchef Finalist; Sophie Surgue – 2025 Masterchef Finalist; Jessika Trassell – 2025 Great British Bake O ; Hassan Islam – 2025 Great British Bake O ; Thomas Frake – Masterchef Champion and DJ; Dhruv Baker – TV celebrity chef, author and Masterchef Champion; Ben Chamberlain – Wild at The Bull, Bulford (Michelin Guide)... and many more
This anniversary year introduces a suite of new features designed to elevate the Foodies experience:
READY STEADY COOK OFF
A high-octane culinary showdown where top chefs and bakers race against the clock to craft the ultimate dish. Expect sizzling pans, bold flavours, and edge-of-your-seat drama as competitors battle for kitchen supremacy.
UPGRADED VIP EXPERIENCE
Step into the spotlight with an all-new VIP area, an exclusive zone right where you can also bag yourself the best spot beside the stage. Enjoy a complimentary meet-and-greet of your choice, premium refreshments and a curated goody bag packed with surprises. Be the first to sample creations from MasterChef champions, Michelinstar chefs,
and star bakers. This is your all-access pass to the ultimate A-list treatment.
WELLBEING
VILLAGE & CALM KITCHEN
Head to foodiesfestival.com for more why everyone is talking about…
A brand-new space to explore the connection between food, nutrition and mental wellbeing. Learn how to create delicious dishes on a budget, mindful eating, fitness fuel, discover local wellbeing services, or simply unwind in a peaceful corner away from the buzz.
DOGS’ DINNER
Food festivals are simply better with fourlegged friends. Treat your pup to a day of pampering too, enjoy playful activities, pick up tasty dog-friendly goodies and even enter them into competitions for a chance to take home a coveted canine trophy.
