Designing Museum/ Art Gallery for the Visually Impaired

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|INCLUSIVE DESIGNING

CHAPTERONE:INTRODUCTION

Weallappreciateandadmireartworksandartspacessuchasexhibitions,artgalleries,museums,etc.People fromallovertheworldcometoseethesespaces/exhibitionsforvariouspurposes.Beittoexpandtheir knowledge,gainconnections,selltheirproduct,popularizetheirbrandnameamongst customersormaybejusttolookaroundandappreciatetheaesthetics.

WeallagreethatwiththepopularsayingbyPlato,thatgoesby,‘BEAUTYLIESINTHEEYESOFTHE BEHOLDER,’butwhatiftheindividualisdeprivedofthebeauty’svisuals?Howwillhe/sheappreciateitthen?

Itbecomesdifficultfortheaudiencewithvisiondilemmainaccessingmuseums,artgalleriesandexhibitions becauseofthephysicalbarrierbytheglasscases.Withthehelpofthisresearchandthesisproject,therewill beanefforttolookatthisissueinitsentiretyandseethevisuallyimpairedvisitorsasimportantaseveryone else.Thisway,aninteriorspaceshallbecreatedthatnotonlyallowsthemtogettheexperienceofamuseum butalsocaterstotheirneedsandbuildsanaccessibleenvironment.

1.1Needforstudy

Wecanmeetpeopleoutsideofourcomfortzonesandbecomemoreintegratedinoursocietythanksto cultureandmuseums.Thepowerofsocialinclusionliesinthat.Itissimplerforallvisitorswhenmuseums areaccessible.Buildingspacesusinguniversaldesignscanhelpwelcomecrowdwithdisabilitiesandgrant themthechanceofinclusivity.

Prevalence of blindness by Age

Visitorswhoareblindorvisuallyhandicappedhavethesameaccessrightstothecollectionaseveryoneelse. Whyshouldyoustopappreciatingartanddesignifyouhavealwaysdonesoafteryourvisiondeteriorates?

InIndia,thereare4.95millionblindpeople,35millionpeoplewhoarevisuallyimpaired,and0.24 millionblindchildren

InIndia,cataractandrefractiveerrorcontinuetobethemainfactorscontributingtoblindnessandvisual impairment,respectively.

Accordingtothesurveyreport,theagegroupabove80hadthehighestprevalenceofblindness(11.6%), followedbythe70-79agegroup(4.1%),the60-69agegroup(1.6%),andthe50-59agegroup(0.5%).

Itiscrucialthatthechangesmadetodaywillalsohelppeopleinthefuturebecausemajorityofvisuallyimpaired peopleareolderthan50.Mostartgalleriesandmuseumshistoricallyhavenottakenthisstrategysincemany ofthemwouldnotbebothphysicallyandintellectuallyaccessible.

Thisthesiswilldemonstratehowamuseummaybeconstructedwithalong-termfocusonaccessibilityby usinggoodplanningandconsideringpeoplewhoareblindorvisuallyimpairedwhenestablishingservices andpolicies.

1.2Aim

Tobridgethegapbetweenthemuseum’svividexperienceandthevisitor’s(visuallyimpaired)curiosityandknowledge bycreatingaccessibleinteriorsofthebuilding.

1.3Objectives

1.Tostudytheneedsandproblemsfacedbyavisuallyimpairedindividual

2.Toinvestigateandinferfromavailabledata,literatureandstandardsneededtobefollowedforamuseum.

3.Todeviseanewframeworkthatwouldbridgethegapbetweenthevisitor’svisionandthevisualelementsinthe museum

4.Usecasestudiestodemonstratetheproposedsolutionsonarealarchitecturalsiteinordertoevaluate theirviability,designconsiderations,andsuccess.

1.4Methodology

Theresearchforthethesisshallbeconductedwiththehelpofreferencebooks,internetsurfing,casestudiesandliterature study.

METHODOLOGY

INTRODUCTORY CHAPTER OF THESIS

PRIMARY DATA COLLECTION

• Online Case Studies

• Live Case Study

• Surveys

• Social Interaction

Analysis of site development with the design concept based on analysis and conclusions drawn from the study.

` ` DATA COLLECTION

ANALYSIS OF DATA COLLECTION

• Analysis Charts

SECONDARY DATA COLLECTION

Books, Magazines, Papers, Articles, Internet, Reference Thesis Reports

• Comparative Table

• Pros And Cons

• User Analysis and their Problems

SYNTHESIS OF ANALYSED DATA

RECOMMENDATION S

CONCLUSION

Further develop the concept into design proposal utilizing the design standards and considering the user’s needs.

• Space Planning

• Sectional Elevations

• Service Drawings

• Detailing Of Spaces

• 3d Visuals

1.5HypothesisStatement

Webelievethatanexperienceofvisioncanbeprovidedtothevisuallychallengedaudiencewiththeapplication ofinnovativesolutionsanduniversaldesignintheinteriors,allowingthemtohaveanexperienceofthe visuallyactivespacesuchasamuseum

1.6ResearchQuestion

Themainquestionthatisaddressedis:

Whatcanweincorporateandhowcanwechangeourdesignthataddressesthevisuallyimpairer’sproblemsinamuseum?

1.7Scope

Buildingauniversallydesignedspacehasbecomeawidescope ofapplicabilityinvariousdomainsofarchitectureandinterior designallowingmuchaidandaccessibilitytotheneedy audience.Thescopeofthecurrentresearchisproposinga designideathatensuresthefeasibilityofandaffinityfora museumforthevisuallychallengedpopulationofthecountry.

1.8Limitations

Thelimitationsoftheresearchare:

1.Adetailedsurvey,toknowtheuser’sresponseandlevelofaccessibilityaffectedduetovariousvariables, cannotbecarriedoutduetotimeconstraints.

2.Thestudyshallaimatprovidinganexperienceofthesurroundingobjectsandspacesinsidethebuilding totheusers.Interpretationandcomprehensionoftheartwork/artefactissubjectivetoeveryone.

CHAPTERTWO:LITERATURESTUDY

2.1Museum

Amuseumisabuildingorinstitutionthatmaintainsanddisplaysacollectionofartifactsandotherobjects ofartistic,cultural,historical,orscientificimportance.Throughexhibitsthatmaybepermanentortemporary, thepubliccanviewthesetreasures.

Museumshavenumerouspurposesrangingfromtheconservationanddocumentationoftheircollection, servingresearchersandspecialists,tocateringtothegeneralpublic.Servingresearchershasmorethanjusta scientificpurpose;italsoaimstobenefitthegeneralpublicTherearemanytypesofmuseums,includingart museums,naturalhistorymuseums,sciencemuseums,warmuseums,andchildren'smuseums.

ThepluralformoftheEnglishword"museum,""museums,"isderivedfromtheLatinword.Itdenotesaplace ortemplededicatedtothemuses(thepatrondivinitiesinGreekmythologyofthearts)

2.2ImportanceofMuseums

1. Objectsandmaterialswithreligious,cultural,andhistoricalimportancearecollectedandpreserved bymuseums.

2. Theyprovideenjoyableamusement.

3. Theseinstitutionssupportandpromotethepreservationofourculturalheritage.

4. Museumsarerepositoriesforantiquatedobjects,sculptures,artifacts,history,etc.

5. Theyassistwithresearchandeducation.

6. Theyaretheprincipaltouristattraction.

7. Theyareareliablesourceofinformation.

2.3UserGroup;TheVisuallyImpaired

Visualimpairmentisdefinedasadecreasedabilitytoseetoadegreethatcausesproblems notfixablebyusualmeans,suchasglasses,medicationorsurgerythatinterfereswith theabilitytoperformactivitiesofdailyliving.

Visualimpairmentcanbeduetodisease,trauma,orcongenitalordegenerative conditions

A.VISIONTERMS

TheInternationalClassificationofDiseasesclassifiesvisualfunctioninto4levels:

▪ Blindness

▪ TypicalVision

▪ SeverelyImpairedVision

▪ ModeratelyImpairedVision

Lowvision

Levelsofvisionimpairmentaredescribedusingavarietyofterminology.PartiallySighted,LowVision, LegallyBlind,andTotallyBlindareafewofthesephrases.

i. PartiallySighted-formofvisualdisabilitythatmayrequirespecialeducation.

ii. Low-Vision-significantvisionlossthatisnotalwaysrestrictedtodistance.Witheyeglassesor contacts,apersonmightnotbeabletoreadatanormaldistance;theycouldrequirelargeprintorBraille.

iii. LegallyBlind:Havingvisioninthebettereyethatislessthan20/200orhavingaverysmallfieldof vision,frequentlynowiderthan20degrees.

iv. Completelyblind unabletosee;frequentlyusesBrailleorothernon-visualmedia

B.LOWVISION

Lowvision,oftenknownasvisionloss,describesaconditioninwhichapersonhastroubleseeingdespite usingeyeglasses,contactlenses,medicine,orsurgicalprocedurestoenhancetheirvision.Mostpeoplewho havelimitedvisiondosobecauseofaneyeailmentorotherhealthissues.

Therearesomecommoncausesoflowvision,theyare:

• "DiabeticRetinopathy"causesimpairedeyesightbecausediabeteshasharmedtheretina'sminuscule bloodvessels.

• "Age-RelatedMacularDegeneration"(ARMD)isaconditionwheretheretinalcellsthatallowa persontoseesmalldetailshavedied.

• "Glaucoma"isaconditioninwhichanindividual'sopticnerveisharmedbyagradualincreaseinfluid pressureintheireyes.

• “Cataracts”Theconditionthatcausescloudingoftheeye'slens.

Apictureofahealthyeyeisshownnexttoapictureofaglaucomatouseye.

C.COLORBLINDNESS

Oneoutofeverytwelvemenandoneoutofevery200womenarethoughttobecolor-blind.Colorblindness comesinavarietyofformsandseveritylevels.

• Monochromasy,thetypeofcolorblindnessinwhichnocolorsarevisible.

• Protanomalyisalsoknownas"red-weakness,"andtheaffectedpersonnoticesachangeinthecolorofred huesfromredtogreenaswellasotherimpacts.

Peoplewhohaveprotanopianoticethatcolorslikered,orange,andyellowhavesignificantlylessbrightness andcanlookasblackordarkgrey.

• Deuteranomaly,commonlyknownas"greenweakness,"havetroubledistinguishingbetweenthered,orange, yellow,andgreenhuesofthecolorspectrum.

Thesamevisionproblemsthatpeoplewithprotanopiasufferalsooccurinpeoplewithdeuteranopia,butthe fadingisnotassevere.

• Tritanomalyisalsoknownas"blueweakness."Itischallengingtodistinguishbetweenblueandgreenas wellasbetweenyellowandredwhenonehasthislessprevalenttypeofcolorblindness.Peopletypicallysee someshadesofbluebecausetheyhaveblueconesintheireyes.

IllustrationofTypesofColourBlindnessinIndividuals

Thepopulationofvisuallyimpairedpeopleinthecountryisalmostashighas62million.CitingWHOdata, outofthe62million,ofwhicheightmillionareblind.Cataractaloneaccountedfornearlyhalfofthisand 33%ofvisualimpairmentsworldwide,asperTHEHINDUrecords.

• Category0:Presentingvisualacuitybetterthan6/18andnoorlittle visualimpairment

• Category1:Moderatevisualimpairment,definedasacurrentvisual acuityoflessthan6/18andmorethan6/60.

• Category2:Severevisualimpairment,definedasacurrentvisual acuityoflessthan6/60butgreaterthan3/60.

• Category3:Blindness,definedashavingacurrentvisualacuityof between3/60and1/60.

• Category4:Blindness,exhibitingavisualacuityoflessthan1/60and aperceptionoflight

• Category5:Blindness,Irreversibleblindnesswithoutanyawareness oflight

2.4ChallengesfacedbyaVisuallyImpaired

A. ENVIRONMENTAL CHALLENGES

• Travelingorevenjuststrollingalongacrowdedstreetcanbedifficultforblindpeople.

• Theyalsofinditeasiertotravelwithasightedfriendorrelativewhennavigating newenvironments.

• Theneedtomemorizeaplaceorthingintheirimmediatesurroundings.

• Travelingormerelywalkingdownacrowdedstreetcanbechallenging

B. SOCIAL CHALLENGES

• Finditdifficulttojoininalltheactivitygoingonaroundthem.

• Affectsaperson'scapacitytocarryoutemploymentduties.

• Limitstheiralternativesforcareers.

• Theirmoneyandself-esteemmaysufferasaresult.

• Difficultytakingpartinextracurricularactivitieslikesportsandrecreationalpursuits.

• Impairsaperson'scapacitytonetworkandmeetnewpeople,whichhasanimpacton theiremotionalwell-being.

Figure 1A typical snellen chart that is frequently used for visual acuity testing.

• Usingtheinternetforresearch,fun,socialmedia,andshoppingcanbechallenging forthosewhohavevisionimpairment.

• Relyonscreenreadingsoftwaretohavetheinformationreadout,makingonline browsingtime-consuminganddifficult.

• Thesmalltouchscreensofmanydevicesmaypresentchallengesforthevisually impairedbecauseoftheirsmallsize,whichrestrictshowlargeanimagecanbe magnified.

• Extremelypoorvisionmaypresentdifficultieswithsmallfonts,interpretingicons, andperceivingthecolorsusedbymanywebsites.

2.5AccessibilityChallengesfacedbytheuser

1.Lackofadaptedcontent

2.Accessibilityinsidethemuseum(guidestrips,audiobeacons,BraillesignageorinteriorGPS)

3.Thelackofadaptedguidedtours

4.Theaccessibilityofthemuseum’ssurroundings

5.Lackofinformationaboutthecontent

6.Accessibilitybythepublictransport

2.6Reasonswhythevisuallyimpairedvisitmuseums

• Traveling

• Curiosity,tolearnnewthingsandexplorenovelthings

• Adesiretoescapeduetoapassionforthecultureandarchitectureoftheseareas

• Aneedtospendtimewithfamilyandfriends

• Anopportunityduetotheplannedvisits

2.7AretheVisuallyImpairedindependentwhenvisitingamuseum?

Arandomstudyonmuseums'accessibilityfortheblindfoundthatmostrespondents(70%)neverthought theycouldbeindependentlyinamuseum.Thesurvey'sexecutionreceivedthefollowingfeedback.Thisled totheconclusionthatalthoughblindorvisuallyimpairedpersonslikevisitingmuseums,theywillbehappy ifaccessibilityimprovementsaredone.Theywantthesemodificationstobeutilizedmorefrequentlyand, moreimportantly,promotedineducationalmaterialsandstaffdevelopment.

2.8TheFiveSenses…WhatAreThey?

Weallknowthathumanshavefivesenses:sight,smell,taste, touch,andhearing,butwheredotheseincredibleabilities comefrom?

Thelimbiclobes,frontal,parietal,occipital,temporal,and insularcortexarethesixprimaryregionsofthehuman brain.Thefollowingcategoriesareusedtosplittheseparts:

1.Touch:Processedintheparietallobe.

2.Smell:Processedbytheolfactorycortex(temporallobe) andrecognitionofsmellisproducedinthefrontallobe

3.Sight:Processedbytheoccipitallobe.

4.Hearing:Auditorycortexlocatedinthetemporallobe.

5.Taste:Processedbytheinsularcortex(Separationoffrontal lobeandtemporallobes)

Sightandsoundarethemostfrequently"lost"senses becausetheyaremoredirectlyregulatedbythevisualand auditorycortexes,respectively.

2.9TheBrainisPlastic

Thebrainhasauniquecharacteristicknownas‘plasticity,’orinmedicaltermstheadaptationprocessofthe brainiscalled‘neuroplasticity.’

Thebraincanmakeasortofdetourwhenparticularpathwaysare"blockedoff."Thebrainisconstantly changingandreactingtoitsenvironmentandthemessagesthataresenttoitbecausenewconnectionsare constantlydevelopingandoldorinactiveconnectionsdiminishovertime.Theothersenseswillmoveoutof theirtypicalplacementsinthebrainandintotheregionoftheabsentsensewhencertainsignalsdonotreach thebrain.

Peoplewhohavebeenblindsincechildhoodinsteadgetsoundandtouchinformationinthevisualcortex.In thisway,blindpeoplecanutilizetheirothersensestobuildthesamekindofmentalimageoftheir surroundingsassightedpeople.Wecansaythattheunaffectedsensesassumetheaffectedsense'sduties.

2.10IfYouLoseaSenseDotheOthersGetStronger?

 Loss of Sight

Yourabilitytomovethroughtheworldwillincreasesinceyouwon't needtoengagethatareaofyourbraintoanalyzeimages.Instead,more processingpowerandenergywillbedirectedtowardyoursensesof hearingandtouch.

Forinstance,blindpeoplecanassesstheirsurroundingsbyusingthe "clickingtechnique,"whichinvolvesmakinglittleclickingnoisesand interpretingtheechotheyhear.Peoplecanidentifyspecificitemsusing thisecholocationtechnologywhilewalkingnormallyandwithout runningintoanywallsorotherobstructions.

Greateracuityisrequiredtoisolatesoundsfortheblind.Peoplewhogenerallyrelyoneyesightdonot actuallycandistinguishbetweentheechoesthatreturnaftertheseclicks,butthosewithanenhancedsense ofhearingdo.Moreastoundingly,despitenotbeingableto"see,"these"clicking"soundsareprocessednot onlybytheauditorycortexbutalsointheoccipitallobe(visualcortex).

 Loss of Hearing

Similarprocessesoccurindeafpeople,albeitithasbeendiscoveredthattheirbrainsanalyzetouchand visualstimulithroughtheauditorycortex.

Theauditoryportionofthebrain,whichisstillhelpfulasa"computer"componenteventhoughtheperson cannolongerhear,givesitsprocessingpowertotheothersenses,amplifyingtheminameasurableway.

 Loss of Taste and Smell

Unlikeotherofoursenses,tasteandsmellareprimarilycontrolledbytheolfactorynerves.Thereislessof abrain-shiftingeffortiftheolfactorysensesarecompromisedbecausetheyaretheonlyknowncomponents ofthenervoussystemthatregenerateafterinjury.Insteadofmakingupforthesesensesinanotherwayor inanothercortex,thebodyandbrainwillgraduallytrytofixthem.

 Loss of Touch

Thelastsensationistouch,whichisincrediblychallengingto"lose."Blindpeople,however,havestatedthat theirsenseoftouchhasincreased(especiallyintermsofenvironmentalstimuli),allowingthemtoavoid wallsandwindowsbasedonthevarioustemperaturefluctuationsinthoseregions.

2.11UsingtheSenses:DevelopingtheSensesinAVisuallyImpaired

Weentertheworldthroughoursenses.Ifapersonhasavisualimpairmentoranotherdisability,theymust usealltheirfunctionalsensestheirvision,hearing,touch,smell,andtastetolearnasmuchastheycan abouttheoutsideworldandtheirsurroundings.

Theywillbeabletointegratedatacollectedfrommanypartsoftheirbodiesandcomprehendwhatis happeningatanygiventimeiftheylearntousetheirsenses'informationeffectivelyandcollectively.

VISION

Mostvisuallyhandicappedpersonshavesomefunctionalvision.Thesensethroughwhichtheymay potentiallygainthegreatestknowledgeoftheirsurroundingsisvision.Itcanbeusedtocapturedataboth upclose(whatcanbehandled)andfaraway(beyondarm'sreach).

Visionuseinvolvesboththeeyesandthebrain.Thebrainisresponsibleforinterpretingandmakingsense oftheinformationthattheeyescollect.Somepeoplelearntoacquireinformationthroughtheireyesight morewhentheygetexperiencesthathelpthemdevelopanawarenessoftheirworld.

E.g.,Ifyoushowavisuallyimpairedpersonablender,he/shemightnotknowitsfunctionunlessyou involvehim/herinoperatingthedevice.Thiswaytheywillunderstandbetterandbecomefamiliarwiththe objectiftheycameacrossitinthefuture.

Somewaysofincorporatingsomevisualelementsintheinteriorsforthevisuallyimpairedare:

• Dividingtheareas/spacesbycolors

• Dividedareasshouldhavegoodcontrastwiththeobjectsinside.

• Putavisuallabelonthewallorceilings,suchasapictureorwords,toindicateinstructionsorany message

HEARING

Hearingcannotcompensateforreducedormissingeyesight.Eventhoughvisionisoftennotpresent, hearingcontinuestodelivercrucialinformation.

Similartosomeonewithvisionloss,someonewithhearinglossneedstohaveavarietyofexperiencesin ordertogivemeaningtowhattheyhear.

Forexample,touchingtheobjectcanhelptoexploreitfullyordescribingwhathe/sheishearingto understandthemeaningofthesound,whentouchingisnotpossible.

Throughhearing,oneusuallybeginstocomprehendandlearntouselanguage.Therefore,itisimportantto talktothevisuallyimpairedaudience.

Somewaysofincorporatingaudioelementsintheinteriorsforthevisuallyimpairedare:

• Installauditorydevicesonthecornersofthespace,suchasspeakersorbackgroundeffectstohelpin identifyingtheitemsorspaces.

• Useconsistentlanguagewhenexplainingtothevisuallyimpairedonhowtolocatethespacesand explainingtheitems.

TOUCH

Forsomeonewhoisvisuallyimpaired,touchisacrucialsense.Touchisacommonprimarymethodof informationcollectionforthosewithvisionimpairmentsandotherdisabilities.

Inordertohelpthevisuallyimpairedaudienceexploretheirsurroundings,itisagoodideatourgethemto touchobjects.Touchandtactileabilitieswillbecrucialforthemiftheycommunicateusingbrailleortactile symbols.

Touchisimportantintravel-relatedtechniquesaswell.Forinstance,ifapersonwalkswithacaneorother mobilityaid,theywilllearntorecognizethesurfacesandobstaclesthattheytouchwiththecane.Theymay alsouseatechniqueknownastrailing,inwhichtheylightlytouchthewallwiththebackoftheirhandas theywalktogathertactileinformationabouttheirpath.

Somewaysofincorporatingtouchelementsintheinteriorsforthevisuallyimpairedare:

• Usepartitionsordividersofdifferentsizesortexturestoseparatespacesanditems.

• Demonstratehowtotactilelyscanthecontentsonecorner,workingsystematicallyfromlefttoright.

• Placetactilelabels,suchasasymbolorbraille,toindicatewhatitis.

SMELL AND TASTE

Althoughsmellandtastearenottypicallyconsideredtobekeysensationsforlearningabouttheenvironment, theyarecrucialforsomeonewhoisblindorhasmultipledisabilities.Theycanassistingatheringinformation abouttheoutsideworld,justlikevision,hearing,andtouch.

CHAPTERTHREE:DESIGNCONSIDERATIONS

3.1DesignConsiderationintheInteriorsfortheusergroup

Museumsplayacrucialroleinsocietybyeducatingthepublicandrepresentingdiverseaspectsofculture throughtheirexhibits.Treatingthevisuallyimpairedoranypersonwithadisabilitywithcontemptdiscredits themuseumasapublicinstitutionopentoall.

Thus,inclusivedesigniscrucialformakingmuseumsaccessible.Culturalinstitutionslikemuseumshave traditionallyplacedastrongemphasisonfindingsolutionsthataddresstherequirementsofvariousgroups ofpeople.

1. TOUCH TOURS

Touchtoursareafantastictechniqueforvisitorstocomprehendexhibitionsmorethoroughly.When personnelareavailabletodescribethethingsandputthemincontext,thesetakeonalotmoresignificance. Makinga3Drepresentationoftheitemssothatvisitorsmaytouchandinvestigatethemisthemosteffective andwell-likedmethod.

2. SPACIOUS AND FEWER BARRIERS

Aroomwithalotofwallsorotherbarrierscanbedangerousforsomeonewhoisblind.Maximumroomis crucialforuserstomoveaboutinamuseumsetting.Itiscriticaltomaintainshowsthatareroomyandfree oftriphazards.

Itisalsohelpfultohaveaspaceunderneaththetableswherethegoodsaredisplayedsowheelchairuserscan accessthedisplaymoreeasily.

3. WAY-FINDING

Informationaltechnologiesthatdirectpeoplethroughaphysicalareaandimprovetheircomprehensionand experienceofthelocationarereferredtoaswayfinding.Itistheresponsibilityofthedesignertodevelop designsthatincorporatethisaspectofwayfinding.

Itcanbedonebyusingvariousfloormaterialstomakeapattern,byusingscenttoindicatethedirection,or bycombiningtactileelementstomakeapathway.

4. LIGHTING

Source:Archdaily.com

Digitalrheostatscanbeaddedtoregulatethelightinglevelsincemuseumspreferlowlightingtoconserve theircollections.Maintainingobjectsintheproperlightexposureiscrucialsinceitmightmakeitchallenging forsomevisitorswhoarevisuallyimpairedtoobserveartifacts.

Inasettingforapersonwhoisvisuallyimpaired,blindinglightsanddirect,harshsunlightshouldbe minimized,andsoftlightingwithreducedglareshouldbepromoted.

5. TACTILE MATERIALS

Inabuildingthatthevisuallyimpairedpopulationusestoaccess,tactileelementsorthingsthatstimulate thesensationoftouchworkwonders.Avisuallyimpairedperson'sperceptionofanenvironmentcanbe greatlyimpactedbydifferenttextures,suchasastonesurfaceoratexturedconcretewall.Thecombination ofvariousmaterialsandtexturesimprovestheabilitytodistinguishbetweenthespaceswhilealsomakingit easiertofollowwayfinding.

6. ACOUSTICAL TREATMENTS

Themostsensitivehearingindividualsmayexperiencepainfromexcessiveorloudnoise.Blindpeople typicallyrelyontheirsurroundings'noisesfornavigation,henceacousticsolutionsforwallsandothersurfaces arecrucial.

Theenvironmentsoundsbetterwhenirritatingmechanicalnoisesandloudtalkaremutedandnaturalsounds, suchasfootfallorwaterdropletsdropping,areexpanded.

7. BRAILLE

Brailleisbeingincludedbyarchitectsintotheirarchitecturalblueprintstoaidthosewhoareblindin understandingthelayout.Inordertohelpvisuallyimpairedpersons,understandhowanelevatorbuttonor afireextinguisherworks,braillecanalsobeaddedtosignageatthoselocations.

8. FRAGRANCE OR THE SENSE OF SMELL

Theuseofaromaticflowers,plants,orothersmell-producingelementsinaspacecanalsohelpaperson navigateitandrecognizeoneareafromanother.Peoplecanusefragrantgardenflowersoraparticularscent assensoryaidstoassistthemfindtheirwayaboutthebuilding.

9. SELF-GUIDED TOURS

Visitorscantakeself-guidedexcursionstoexploreattheirownspeed.Thetouristscanbenefitgreatlyfrom havingavarietyofalternateformsavailable,suchasaudioguidedtours,largeprints,braille,etc.The signagecanoccasionallybechallengingtoreadforthoseinwheelchairsandotherswhoarevisually impaired.Givingawheelchairuseraspiralbookletwithlargeprintprintedinstructionscanmakemoving aroundmucheasier.

10. COLOR CODING

Becauseanamalgamationofextremelybrightcolorsinonespacecanbeuncomfortable,it'simportantto incorporatedifferenttonesintoaspace'scolorcompositionandcontrast.Bothcolorandbrightness,which arerelatedtohowwellwecandetectdepthand

11. SPACIOUS LIFTS

Peoplewhoarevisuallyimpairedordisabledfrequentlytravelwithacaretaker,mayneedawheelchairofa largersize,ormayhavemedicalequipmentwiththem.Congestionmayresultiftherearemanyofelderly guestsorcaregiverspresent.Largerliftsthatareroomyenoughtoaccommodatewheelchairsshouldbeadded tomakecrowdmobilityeasier.

12. SIGNAGE

Signageisimportanttohelpyourvisitorsnavigatethroughyourbuilding.Whenitcomestosigns,high contrasttextandcleardirectionsarebest.Donotforgettoplacesignsintendedforwheelchairusersinplaces thatarevisiblefromaseatedposition.

13. RESTROOMS

Peoplewithsightlossneedtobeabletofindatoiletanduseittohaveequal accesstosanitation.Iftheareacaterstothevisuallyimpairedsector,thenthe spaceshouldhaveaccessibletoiletsaswell.Incorporatingdesignuniversal standardsforthevisuallyimpairedcanensuresafetyandlifelongindependence. Someofthemareasfollows:

• ADJUSTLIGHTING

a.Adjusttheblindsorcurtainsonthewindowstorestricttheamountoflightflowingin,addarheostat control(dimmerswitch)tothelightswitches,andadjustthemirrorssothatlightdoesnotreflectoff them.

b.Steerclearofhighlyglossyfinishes.

c.Toensurethatapersoncanmovearoundsafelyatnight,nightlightsmaybeusefultoinstallinrestrooms.

d.Considerinstallingadditionallightfixturesorselectingstrongerbulbs.

e.optforflorescentbulbstoreduceshadows.

f.Try3-waybulbstocombatglare.

• INCREASECONTRAST

a.Usecontrasting-coloredlightswitchplatesorglow-in-the-darklightswitches.

b.Putlightrugsondarkfloorsanddarkcarpetsonlightfloors.

c.Choosemattewalltilesthatcontrastwiththefloor.

d.Wallsshouldbepaintedacolorthatcontrastswiththetoilet,counters,andbaseboards.

e.Replacethetoiletseatwithonethatcontrastswiththewallbychoosingadifferentcolor.

f.Putthesoapinaplasticbottlewithacolorthatcontrastswiththetileorwall.

• BATHROOMSAFETY

a.Consideraddingasafetyrailforsupporttothewall'sedges.

b.Putupaguardrailbythetoilet.

c.Coverthebacksofallfloorcoveringswithrubbermattingoronlyusenon-skidrugsandmats.

d.Tomakeitsimplertocontrolthetemperature,putadhesivebump-onindicationdotsonthefaucet andatthe12:00,3:00,6:00,and9:00times.

• PRODUCTIDENTIFICATION

a. Labeltheitemsinthebathroomsotheyareclearlyvisible.

b. Placegoodsandobjectsinvariousconfigurationstofacilitateeasydifferentiation.

CHAPTERSIX:REFERENCESANDBIBLIOGRAPHY

• Richardson,BestpracticeinmakingMuseumsmoreaccessibletovisuallyimpairedvisitors.Retrievedfrom https://www.museumnext.com/article/making-museums-accessible-to-visually-impaired-visitors/

• TheHindu:BreakingNews,IndiaNews,SportsNewsandLiveUpdates

Today’sNewsHeadlines,BreakingNews&LatestNewsfromIndiaandWorld,NewsfromPolitics,Sports, Business,ArtsandEntertainmenthttps://www.thehindu.com

• Museums:AWholeNewWorldforVisuallyImpairedPeople|Disability...

TheDisabilityActionPlanwaspartlydrivenbytheDisabilityDiscriminationAct(DDA)whichcameintolawin 1995,whichplacesadutyonserviceproviderstomake'ReasonableAdjustments',removeanyphysicalbarriersto accessingthebuildingandalsoremoveattitudinalbarrierstoallowdisabledpeopletoaccessservices.https://dsqsds.org/article/view/3761/3276

• MakingMuseumsAccessibletoThosewithDisabilities,thiswillallowvisuallyimpairedvisitorsequalaccess towritteninformationonexhibits,givingthemachancetobeeducatedonmuseumcollectionsonequalbasis withtheirsightedcolleagues.Itisbeneficialtoprovideinformationinbrailletoenhanceinformationaccessibility forthevisuallyimpairedcommunity.Retrievedfromhttps://www.museumnext.com/article/making-museumsaccessible-to-those-with-disabilities

• Studyontheaccessibilityofmuseumstovisuallyimpairedpeople

Seventy-threepercent(73%)gotomuseumsoutofcuriosity,tomakediscoveriesandhavenewexperiences. Sharingwithfamilyandfriendsisalsoastrongmotivationfor68%ofrespondents.However,fewer(40%)goto themuseumoutofaneedtoescape,outofatastefortheatmosphereandarchitectureoftheseplaces.Retrieved fromhttps://blog.evelity.com/en/study-accessibility-museums

• VisitingaTactileMuseumwithYourBlindChild|WonderBaby.org.Beawarethatthemuseumisclosedon aSundayandMondayandtheyopenfrom10-2pmandthen5-8pm.Themuseumisfreebuttakeyourpassport togetin.Obviously,docheckthewebsitebeforegoingincaseanyofthesechanges.Retrievedfrom https://www.wonderbaby.org/articles/tactile-museums

• RadovljicaBeekeepingMuseum,world'sfirstmuseumwithaFeelbook... WiththeFeeliftechnology,theblindorvisuallyimpairedpersongetsarealisticideaofthepicture.Theblindand partiallysightedpersoncanfeelexactlywhatobjectsareonthepicture,wheretheyare,whatshapes,sizesand colorstheyare.TomaketheFeelBookevenmoreattractive,asoundeffecthasbeenaddedtosomeoftheobjects Retrievedforhttps://www.feelif.com/news/the-first-museum-in-the-world-with-a-feelbook

• NationalMuseum,NewDelhi,NationalMuseum,theprimeculturalorganizationofIndia,wasinauguratedon 15thAugust1949atPresidentHouseandmovedtoitspermanentlocationatJanpathon18thDecember1960... ReadMoreKiteSellerObjectoftheMonthIndiahasanancienttraditionofkiteflying. www.nationalmuseumindia.gov.in/en

• TypesofMuseums-MuseumTypesandCategories,Specializedmuseumsfordisplayingmaritimehistory, cultureorarchaeology.Primarilyarchaeologicalmaritimemuseum’sexhibitartifactsandpreservedshipwrecks

recoveredfrombodiesofwater.Maritimehistorymuseums,showandeducatethepublicabouthumanity's maritimepast.Militaryandwarmuseums.Museumsspecializedinmilitaryhistories.Retrievedfrom www.historyofmuseums.com/museum-facts/types-of-museum

• Typesofvisualimpairment-News-Medical.netTypesofimpairmentaredifferentfordifferentcausesofvisual impairment.Intotalvisionlossforexampletheremaybetotaldarknessofthevisualfields.Othertypesinclude.... Retrievedfromhttps://www.news-medical.net/health/Types-of-visual-impairment.aspx

• AssistiveTechnologies®forVisuallyImpaired:Howarethey?–eSight.Assistivetechnologyrefersto products,devices,andequipmentusedtomaintain,increase,orimprovethefunctionalcapabilitiesofindividuals livingwithavisualdisability.Assistivetechnologycanrefertoamorespecificsubsetoflowvisionaids,although theycansometimesbeusedinterchangeably.Lowvisionaidscanincludeoptical....Retrievedfrom https://esighteyewear.com/assistive-technology-visually-impaired

• DailyLifeProblems,StruggleandChallengesFacedbyBlindPeople,Ablindpersonmightbedoingsomething painfullyslow(fromyourperspective)butyoushouldnothurryindoingtheworkwithoutaskingtheperson properly.Youmightendupcreatingsometroublefortheblindperson.GettingDevicestoBecomeIndependent

Themostvaluablethingforadisabledpersonisgainingindependence.Retrievedfrom https://wecapable.com/problems-faced-by-blind-people

• 10ThingstorememberwhendesigningfortheBlind,Findingalternativestostandardwallslikelowwalls, furnitureelements,orcreatingopeningswithinwallscanbeconsideredwhiledesigning,makingthespacemore accessible.InsertImages:Designfortheblind-Image1Description:TheCasaMacHouse,ItalySource:ArchDaily; https://www.archdaily.comDesignfortheblind-Retrievedfromhttps://www.re-thinkingthefuture.com/designingfor-typologies/a2694-10-things-to

• Toptipsformakingyourmuseumorgalleryaccessible-Euan'sGuide,Apopularapproachistobuilda3D modeloftheobjectsforvisitorstofeelandexplore.Touchtoursworkforeveryoneandareverypopular; particularlyforchildren.Spaceisveryimportantforwheelchairuserstoenablethemtomaneuverinthemuseum environment.Keepingexhibitionsspaciousandclearoftriphazardsisimportant.Retrievedfrom https://www.euansguide.com/campaigns/top-tips-for-museums-and-galleries

• UsingtheSenses:DevelopingtheSensesinaMultiply...–FamilyConnectIfyourchildhasavisual impairmentandadditionaldisabilities,sheneedstouseallofherfunctional(remaining)senses vision,hearing, touch,smell,andtastetogetthemostinformationpossibleabouttheworldandwhatishappeninginher environment.Retrievedfromhttps://familyconnect.org/multiple-disabilities/learning/using-the-senses

• Supersensors:HowthelossofonesenseimpactstheothersRetrievedfrom https://neuroscience.stanford.edu/news/supersensors-how-loss-one-sense-impacts-others

• DoesLosingOneSenseImprovetheOthers?Retrievedfromhttps://www.scienceabc.com/humans/does-losingone-sense-improve-the-others.html

• BathroomAdaptationsforIndividualswhoareBlindorVisuallyImpaired

• https://www.teachingvisuallyimpaired.com/bathroom-adaptations.html

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