11.07 & 11.14 New Release Book

T K S R

Redeye Label of the Month Q&A

Learn more about our partners in our Monthly Label Spotlight!

This Issue: Jim Olsen at Signature Sounds

How did you personally get started in the music industry?

My introduction to the music industry began with college radio in the 70’s. I grew up in the NY area completely obsessed with music and the radio. Once I got on the air, my career path was set and a bunch of radio gigs followed. I also got involved in producing live music pretty early on and was a founder of the Green River Festival 40+ years ago.

When and where did the label begin?

Signature Sounds began in 1994 in Western Massachusetts. I was programming a commercial AAA station, 93.9 The River at the time. We had a local music show called Homegrown and we hit upon the idea of doing local compilation albums as a benefit for the food bank. We recorded much of the music for those albums at Signature Sounds Studios and the owner of the studio Mark Thayer became my partner and the name stuck.

Is the label tied to a specific geographical area, and if so, how is this reflected in your releases?

The label started to promote the local music scene in Western Massachusetts, which had a super fertile music scene in the 90’s and launched many great bands such as The Pixies, Dinosaur Jr and Sebadoh plus great songwriters like Dar Williams, Ray LaMontagne, Martin Sexton and others. All of our early releases were from Western Mass artists and we still represent great locals like Chris Smither, Heather Maloney and Winterpills.

How has the label changed since it started?

The label was started with very modest ambitions and a complete lack of experience so we had a long era of trial and error before we found our footing. We started in a completely different era, when everything depended on CD sales and there was no internet music. I’m proud of the fact that we were able to navigate and thrive through all of the changes that have happened over the years. All along our goal was to sign young artists and be a driver of artist development. That is still our ethos today.

What was the biggest challenge for you and the label during the Pandemic, and is it still a challenge?

Oddly, the pandemic was a good period for the label. When things shut down, we immediately pivoted to producing live stream shows for our artists and others, producing over 100 shows in two years and helping keep everyone afloat. We also saw a significant increase in our direct product sales and streaming numbers.

Who or what has been a new find (on the label or otherwise) you’d like to rave about?

I still do a 3 hour weekly radio show on The River which is focused on roots music and Americana. I spend a lot of time checking new music for the show. I also see tons of live music as well. As for recent favorites, I’m digging the new albums by Dean Johnson, Clover County and the band Fust.

What’s the wildest marketing promotion you’ve ever worked on for any release?

We tend not to get too wild with these things, but for the 10th anniversary of Bad Self Portraits we created 4 unique artwork versions of the album with different color themes and new artwork with lots of bad self portraits of the band.

What is your stance on color vinyl? What’s the most unique color LP or overall packaging you’ve ever seen or released?

I love making colored vinyl releases as it’s such a cool extension of the album artwork. Our most unique LP color was definitely Clown Vomit (look it up!)

How do you feel about the rising costs of vinyl records? And what about the continued popularity of the CD format?

I must admit that I thought the vinyl resurgence was going to be a passing fad. It’s literally the only instance that I can recall where we brought back a dead technology years later. I’m still amazed that anyone would pay $35 for an album. I’ve always been a CD fan and continue to collect them, mostly because they are best to play on the radio.

What in your opinion has been the biggest change in the music industry from when you first started compared to now?

I think the biggest change is the ability to have direct contact with your fans. In the pre-internet days you had very limited ways to connect with the folks buying your records. Now you can connect instantly.

How do you view the issue of being environmentally sustainable within the music industry?

That is one downside of the return of vinyl. Every step of the process from production to delivery is inefficient and environmentally detrimental. CD’s aren’t much better. We have to make a collective effort to figure out a better way forward.

How important are issues like mental health and social justice to you and the label?

I feel like we are on the front lines of First Amendment rights, and it’s our duty to allow artists to express themselves through their art even when you might not agree with their views. So many of our favorite artists have struggled with mental health issues, and having an artistic outlet to express themselves is a benefit to everyone.

Want to shout out a personal favorite record store or retail establishment? Now’s your chance: There are so many great ones!!! If I had to pick one, it would probably be Waterloo Records in Austin…one of the oldest and the best!

They say our sun will explode in about 5 billion years or sohow would you like the label to be remembered? We’re not gonna last 5 billion years!

Celebrating our 20th anniversary – a milestone that honors both the journey so far and the vibrant creative future we’re continuing to build.

ALL TITLES ON SALE: 20% OFF CDs, 10% OFF LPs THROUGH NOV 30

Be Still

DAVE DOUGLAS QUINTET

186980000275

Day

RUDY ROYSTON

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Brazen Heart Live at Jazz

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DAVE DOUGLAS QUINTET 186980000466

Casting for Gravity DONNY MCCASLIN 186980000282

Reveal MAREIKE WIENING 850053189036

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Some Days Are Better: The Lost Scores (DELUXE EDITION)

KENNY WHEELER LEGACY FT. THE ROYAL ACADEMY OF MUSIC JAZZ ORCHESTRA & FROST JAZZ ORCHESTRA 634457198340

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Scandal JOE LOVANO & DAVE DOUGLAS SOUND PRINTS 186980000633

"Greenleaf has always been about supporting artists and giving them a home to make the music they want to make."

— Dave Douglas

~ JESSY LANZA ~

Denovali is an independent music label founded in 2005. Not confined to a specific genre the program of Denovali varies from electronica, ambient, experimental to jazz, adventurous pop, modern composition, sound art & more.

CD · 50% DISCOUNT

den146 Switchblade · Switchblade

den151 Lento · Anxiety Despair Languish

den167 Terminal Sound System · A Sun Spinning Backwards

den181 Thisquietarmy · Hex Mountains

den206 Matthew Collings · Splintered Instruments

den207 Matthew Collings · Silence Is A Rhythm Too

den209 The Eye Of Time · Anti

den219 Second Moon Of Winter · One For Sorrow, Two For Joy

den224 Fogh Depot · Fogh Depot

den230 Multicast Dynamics · Scape

den231 Multicast Dynamics · Aquatic System

den292 Scraps Of Tape · The Will To Burn

den335 Robin Schlochtermeier · Spectral

den336 Mansur · Temple

den343 Sa ronkeira with Paolo Fresu · In Origine: The Field Of Repentance

den346 Eraldo Bernocchi and Hoshiko Yamane · Mujo

den337 Prairie · And the Bird Said: Cut Me Open and Sing Me

den338 Sankt Otten · Lieder Für Geometrische Stunden

den347 The Eye Of Time · Acoustic II

den348 Origamibiro · Miscellany

den359 Nanook Of The North · Heide

den360 Mansur · Minotaurus

den368 Orson Hentschel · Heavy Light

den369 Mansur · Oscuras Flores

den371 Mario Diaz De Leon · Spark and Earth

den372 John Lemke · Thawlines

den375 MaskXSoul · Onegin

den378 Notilus · II

VINYL · 40% DISCOUNT

den054 Contemporary Noise Ensemble · Pig Inside The Gentleman (LIMITED CLEAR VINYL)

den193 Federico Albanese · The Houseboat and the Moon

den334 Ricardo Donoso · Content

den346 Eraldo Bernocchi and Hoshiko Yamane · Mujo

den347 The Eye Of Time · Acoustic II

den347 The Eye Of Time · Acoustic II (INDIE EXCLUSIVE BOTTLE GREEN VINYL)

den348 Origamibiro · Miscellany

den350 LTO · Daear

den356 Dalhous · The Composite Moods Collection Vol.2: Point Blank Range (INDIE EXCLUSIV CLEAR VINYL)

den358 Contemporary Noise Ensemble · An Excellent Spiritual Serviceman

den358 Contemporary Noise Ensemble · An Excellent Spiritual Serviceman (INDIE EXCLUSIVE CLEAR VINYL)

den359 Nanook Of The North · Heide (INDIE EXCLUSIVE SILVER VINYL)

den369 Mansur · Oscuras Flores (INDIE EXCLUSIVE CLEAR VINYL)

den360 Mansur · Minotaurus

den370 Sankt Otten · Symmetrie und Wahnsinn

den370 Sankt Otten · Symmetrie und Wahnsinn (INDIE EXCLUSIVE CLEAR VINYL)

den372 John Lemke · Thawlines (INDIE EXCLUSIVE CLEAR VINYL)

den373 Gary Marlowe · Everything Will Change (Original Motion Picture Soundtrack)

den373 Gary Marlowe · Everything Will Change (Original Motion Picture Soundtrack) (INDIE EXCLUSIVE CLEAR VINYL)

den374 Subheim · Raeon (OLVE GREEN WITH WHITE SPLATTER VINYL)

den383 Eraldo Bernocchi and Hoshiko Yamane · Sabi

den383 Eraldo Bernocchi and Hoshiko Yamane · Sabi (INDIE EXCLUSIVE TRANSPARENT ORANGE CLOUDY VINYL)

Plus more than 240 further Denovali releases available · latest albums: Bersarin Quartett, Mansur, Sankt Otten, Matti Bye, Taroug

Please contact your sales representative for the complete list of titles.

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NEW RELEASES

Street Date: 11.07.25 | Order Date: 10.17.25

Del Water Gap is the solo project of songwriter and producer S Holden Jaffe, which has grown from a bedroom setup to a nationally touring band since releasing his self-titled debut LP in 2021

“Chasing The Chimera” follows 2023 LP I Miss You Already + I Haven’t Left Yet, which featured contributions from Arlo Parks and Clairo, and was produced by Sammy Witte (Harry Styles) – it earned critical praise from Rolling Stone, Vogue, GQ, Esquire, W and more This was followed by tours with Niall Horan, Halsey and festival plays at All Things Go, Lollapalooza, Electric Picnic, Newport Folk Festival and more

HIGHLIGHTS

BRAND PARTNERSHIPS + SYNCS:

• “Ode to a Conversation Stuck in Your Throat” featured in Zach Braff’s A Good Person, starring Florence Pugh

• Brand work with Thom Browne, Loewe, Bode, GQ, Celine, YSL, Stella McCartney, Valentino, Levis, Esprit, Urban Outfitters, Levi’s, Bud Light, Maisie Wilen, Polaroid, Bandit

• "Ode to a Conversation Stuck in Your Throat” sync in “The Summer I Turned Pretty” (Amazon Prime)

PRESS:

• GQ, Vogue (US/UK), Rolling Stone, W Mag, Unpublished, Wonderland (UK), How Long Gone podcast, Interview, NY Mag’s The Cut, NPR’s All Songs Considered, Esquire

• Late Night with Seth Meyers

• “All We Ever Do Is Talk” #70 - Rolling Stone’s Top 100 Songs of the Year (2023)

TOUR:

• Sold out headline shows across US and EK/EU, including NYC (Brooklyn Steel), LA (The Fonda) & London (Electric Ballroom)

• Tours with Niall Horan, Halsey, Maggie Rogers, Arlo Parks, The Japanese House, girl in red, Jeremy Zucker, Holly Humberstone

• Festivals - Lollapalooza (Chicago), ACL (Austin), Governors Ball (NYC), Outside Lands (SF), Splendour in the Grass (AU), Newport Folk Fest, Shaky Knees & Hangout Festival

TOUR

8/21/2025 London, UK Outernet

8/22/2025 Leeds, UK Leeds Festival

8/24/2025 Reading, UK Reading Festival

8/26/2025 Belfast, IRE Ulster Hall

8/27/2025 Dublin, IRE National Stadium

9/20/2025 Torquay, AUS Summersalt Series (Torquay Common)

9/21/2025 Melbourne, AUS Max Watt's

9/23/2025 Adelaide, AUS Lion Arts

9/26/2025 Brisbane, AUS Riverstage (Supporting The Wombats)

9/27/2025 Tamborine, AUS Summersalt Series (Woodstock Farm)

9/28/2025 Lake Macquarie, AUS Summersalt Series (Speers Point Park)

9/30/2025 Sydney, AUS Liberty Hall

10/4/2025 Perth, AUS Summersalt Series (Esplanade Park)

TRACK LISTING

1 Marigolds

2 Small Town Joan of Arc

3 How To Live

4 Please Follow

5 Eastside Girls

6 New Personality

7 We Don’t Have To Take It Slow

8 Never Speak Again

9 Ghost In the Uniform

10 Waiting On The Day

11 Damn

12 Eagle In My Nest

ARTIST

TITLE

LABEL

STREET DATE

CONFIGURATION

DESCRIPTION

UPC

CAT #

CONFIGURATION

DESCRIPTION

UPC

CAT #

Del Water Gap

Chasing The Chimera Mom+Pop November 7, 2025

CD

Standard CD with Sleeve

8100090097619

MP885

Gatefold LP

Gatefold Jacket Printed Inner Sleeve Fold-Out Lyric Booklet 810090097503 MP885

LABEL

REDEYE

RADIO Abby Sprauge

abby@momandpopmusic com

Perry Harrell David Jacobs

harrellp@redeyeworldwide com david@momandpopmusic com

Ben Schildkraut Carrie Tolles

ben schildkraut@caa com carrie@tcbpr com 2

Teen Jesus and the Jean Teasers are a powerhouse, celebrated for their raw emotion and incisive social observations Their talent has earned them nominations for Best Independent Punk Album or EP at the AIR Awards, Emerging Songwriter of the Year and Song of the Year at the APRA Awards, along with nods from the J Awards and Rolling Stone Awards Recognised as Spotify's RADAR Artist, their rising global influence is undeniable

Following their award winning 2022 EP, Pretty Good For A Girl Band, their debut album I Love You charted at number 6 on the ARIA Albums Chart, marking a significant milestone The accompanying tour saw them sell out iconic venues like 170 Russell in Melbourne, the Metro Theatre in Sydney, and The Triffid in Brisbane They capped off the year supporting the Foo Fighters at AAMI Park in Melbourne and launched into 2024 by supporting The Vaccines across the EU/UK

GLORY is music to strut to It’s part Skins, part 90s teen movie soundtrack It’s the sound of getting the bus home after a night out, mascara smeared and battery on 1% It’s bubble grunge, if that’s a thing It’s about knowing your worth and not being afraid to take up space It’s screeching, screaming, rumbling, fun and fierce It’s an adrenaline shot to the arm, a Jagerbomb at the bar, the conspiratorial eye roll you share with a girlfriend when a loser guy is talking It’s Cher Horowitz exclaiming “Ugh, as if!” in Clueless

HIGHLIGHTS

13+ million streams

Tours with Pearl, Jam, The Vaccines, The Foo Fighters

Nominations for Best Independent Punk Album or EP at the AIR Awards

Debut album I LOVE YOU #6 on the ARIA Charts

Spotify AU/NZ’s RADAR Artist for 2023

I LOVE YOU triple j’s feature album on release

I Used To Be Fun #52 in triple j’s hottest 100

I Used To Be Fun short listed for Song of the Year at the APRA Awards

Nominated for Best New Artist and Song of the Year at The Rolling Stone AU awards

Spotify’s Global ‘Ones To Watch’

Sold out national I LOVE YOU album tour

Rolling Stone Awards - Best Live Act - 2025 nominee

TOUR DATES

TRACK LISTING

com

ARTIST TITLE LABEL

CONFIGURATION

DESCRIPTION

CATALOGUE UPC

Teen Jesus and the Jean Teasers GLORY Mom+Pop Music LP

Translucent emerald green vinyl with insert MP879

810090097329

EMMYLOU HARRIS SPYBOY

“A good song can survive and shine in different ways in the hands of different musicians,” says Emmylou Harris. “It can have different meanings at different times in your life. A good song can travel with you anywhere.” It’s that philosophy which has guided her fifty-year career in music, where she has covered countless songs across countless genres and put her own indelible stamp on each one. The same philosophy animates both Spyboy, her touring band in the late 1990s, and Spyboy, the 1998 live album that demonstrates how these musicians made her songs shine. Sequencing old songs alongside new ones, the album tests the tensile strength of each one, pushing them into wilder and more psychedelic territory while remaining grounded in earthy country music. It’s completely unique in her catalog, a crucial document of an important chapter in her career, and it’s finally getting reissued after years of being unavailable. “It’s such a special record,” she says. “Well, they all are, but this one is really, really special. That was such a fantastic band and such an amazing time.”

Spyboy grew out of Wrecking Ball, Harris’ groundbreaking 1995 collaboration with producer Daniel Lanois. That album, among her best and most celebrated, offers a very different idea of what country music could be, how it might sound and move. In 1996 and 1997 together with Buddy Miller, Brady Blade and Daryl Johnson - the band, also named Spyboy, toured America and Europe together, never playing a song the same way twice. Buddy Miller brought along his recording gear to record nearly every show on the tour. When their time on the road ended, Miller and Harris sat down together and they culled through hundreds of tracks to choose the ones that best represented the Spyboy ethos of endless possibility. They whittled the original release down to 14 tracks and in 1998 Eminent Records released Spyboy on CD.

New West Records is proud to put Spyboy back in print after 27 years. The CD features four unreleased bonus tracks from the original show recordings. The LP is being pressed for the second time (RSD ‘25) and is available on clear vinyl and features five unreleased bonus tracks from the original show recordings.

MARKETING POINTS

• On CD for the first time since 1998

• Only the 2nd ever LP pressing

• The LP features 5 unreleased bonus tracks

• The CD features 4 unreleased bonus tracks

• Full Marketing and Advertising campaign

STREET DATE: NOV. 7TH, 2025 TRACK LISTING

SIDE A

My Songbird

Where I Will Be I Ain’t Living Long Like This Love Hurts Green Pastures

SIDE B

Deeper Well

Prayer In Open D

Calling My Children Home

Tulsa Queen Wheels

SIDE C

Born To Run

Boulder To Birmingham All My Tears The Maker

SIDE D

Thing About You All I Left Behind Every Grain Of Sand ***

Get Up John Sweet Old World

***Not on the CD

VINYL

Sel. #: NW5953LP

CONFIG: 2xLP, Clear Vinyl, Marketing Sticker

UPC: 607396595310

Box Lot: 20 Count

Genre: Country, Americana

***2nd ever pressing on vinyl. First since RSD’25 ****Features 5 bonus tracks from the original recordings

CD

Sel. #: NW6607CD

CONFIG: Digiwallet, Marketing Sticker

UPC: 607396660728

Box Lot: 30 Count

Genre: Country

***First pressing since 1998

****Features 4 bonus tracks from the original recordings

TOMMY TALTON SEVEN LEVELS

Street Date:

November 7, 2025

1 Time Will Take Us

2 Ramblin’ Man

3 I Can Pick You Up

4.I’ve Got the Sun In My Heart

5.I Want to Do It All Again

6.Waiting For the Lady to Return

7.Say a Prayer on My Behalf

The final studio album from Cowboy cofounder Tommy Talton featuring ex-band members and Capricorn label mates, Randall Bramblett, Chuck Leavell, and Rick Hirsh

The seven tunes were recorded at Capricorn Sound Studios in Macon, over several memorable days, in April of 2022. They were lovingly overdubbed, mixed and mastered in the following months by Rick Hirsch - a truly herculean effort, as Tommy was a perfectionist. Between medical treatments Tommy kept moving forward. He showed amazing courage in that he never let the cancer define him. He knew these tunes would be his epitaph and it is evident in these excellent compositions, arrangements and performances that this is something special

Sel #: SB57 CD

CD CONFIG:Digiwallet, Booklet

UPC: 607396057115

Genre: Southern Rock, Americana

Sel #: SB57 LP

CONFIG: Black Vinyl, Jacket

UPC:607396057139

Genre: Southern Rock, Americana

HELADO NEGRO THE LASTSOUND ON EARTH

Release Date: November 7th, 2025

Big Dada welcomes beloved producer and singer-songwriter Helado Negro (Roberto Carlos Lange) as the pioneering label’s latest signee. Known for crafting compassionate ambient pop music, he issues a new chapter with the announcement of a new EPtitled‘TheLastSoundOnEarth’.

The new EP is a collection of songs inspired by a morbid curiosity of what the last sound one would hear before dying. With ever-growing anxiety with the state of current affairs, songs on this EP contain profound despair, anguish, and sadness for the world around us, but delivered in a light and propulsive electronic package, marking a new direction in sound for Lange. In previous projects, Lange found positivity through music and dance, “I've found a way of moving my body on stage that gives me a direct, freeing feeling with the music.” these days, “The doom is real, and the gloom is unfortunate; I'm not sure how to make this any lighter.”

The upcoming EP features incredibly eye catching, high gloss artwork by acclaimed artist and designer Robert Beatty (Tame Impala, The Weeknd, Mdou Moctar, Neon Indian and many more). The album will be supported by a full press and radio campaign alongsideUStourdates.Previousalbums‘Phasor’and ‘This Is How You Smile’have received Pitchfork’s Best NewMusicandlandedonmanyyearendlists.

CAT NO: BD321

UPC: 5054429207255

Box Lot: 30

￫ Single140g Pink Opaque Vinyl

￫ UVGlossprinted innerwithlyrics

￫ Includesdownload code

SIDEA

B

Don’tGiveItUpNow

Genre: Electronic,Indie/Alternative Key Markets: NewYork,LA,MexicoCity, Chicago,Seattle

Recommended if you like… CateLeBon, Tirzah,UnknownMortalOrchestra,Connan Mockasin Previous Releases:

naretail@ninjatune.net ninjatune.net / bigdada.com

TRACKLISTING

1. Echoes

2. Jetplane

3. Love Posture

4. Antelope

5. Candle

6. Today Might Be The Hit

7. Life In This Body

8. Waxwing

9. Magic

10. Into The Dark

11. JIVE

CATALOG NUMBER: WIG537

RELEASE DATE: November 7, 2025

FILE UNDER: Alternative “S”

CD

Boxlot: 30 UPC: 887828053728

LP w/ DOWNLOAD

Boxlot: 20 UPC: 887828053711

Vinyl is non-returnable

LP (ltd) w/ DOWNLOAD (Indie/D2C Exclusive)

Boxlot: 20 UPC: 887828053735

Vinyl is non-returnable DOMINO RECORDING COMPANY

20 Jay Street, Suite 626 Brooklyn, NY 1 1201

718.797.4229 / dominorecordco.com

Contact: Cyrus Lubin cyrus@dominorecordco.com

505 Eno Street, Hillsborough, NC 27278

Contact: Jill Wheeler jillw@redeyeworldwide.com

SORRY COSPLAY

OVERVIEW

“We died when we started writing this album,” declare Sorry, the London-based five-piece preparing to release COSPLAY, their third studio album. But if Sorry did, indeed, die before a note had been recorded, before a single word had even been jotted down, who the hell are this bunch now masquerading as Sorry? Who has donned the Sorry outfits so convincingly? Who is it that has recorded COSPLAY, this album that first meticulously erases and then extravagantly redraws the perimeters of what a contemporary rock’n’roll band can achieve? Welcome to the world of COSPLAY, where anyone can be anyone, past or present, real or imaginary, dead or alive.

SELLING POINTS

• COSPLAY follows 2022's Anywhere But Here and 2020's 925, which have received praise from The New York Times, The New Yorker, Billboard, Fader, GQ, Pitchfork, Rolling Stone, Stereogum, American Songwriter, and more

• North American December 2025 headline dates (below)

• US radio campaigns to impact Alt Specialty and College formats

• All LP formats come with a download card. LP (ltd) is a red vinyl pressing

SORRY 2025 NORTH AMERICAN TOUR

DEC 3 Washington, DC - Songbyrd

DEC 4 Philadelphia, PA - Kung Fu Necktie

DEC 5 New York, NY - Bowery Ballroom

DEC 6 Boston, MA - Middle East Upstairs

DEC 8 Montreal, QC - Bar Le Ritz PDB

DEC 9 Toronto, ON - The Garrison

DEC 11 Chicago, IL - Lincoln Hall

DEC 12 Minneapolis, MN - 7th St Entry

DEC 16 Seattle, WA - Madame Lou’s

DEC 17 Portland, OR - MS Studios

DEC 19 San Francisco, CA - Rickshaw Stop

DEC 20 Los Angeles, CA - Lodge Room

TheGRAMMY®Award-winningOkeeDokeeBrothersaregoingbacktobasicsontheirnew album Little Old You withanacousticbackyardsetfromtheheart.Banjoandguitartakethelead ontheseplayfulsongsfulloflifeandthemysteryofthenaturalworld.It’sabigbucketfullof sticks,mudandcosmicwonder.JoeMailanderandJustinLansingcontinuetoremindusthat wearebothsillyandwise,youngandold,andinfinitelybiginallourlittleways.

In a departure from their iconic “Adventures,” the Brothers pare down to the essentials of what makes their sound – memorable melodies, brotherly harmony, and thoughtful lyrics based in the nature of childhood. “You” are at the center of these songs. “You” are the apple of my eye, “You” came from out of the blue, and “You” are the great big universe. “You” bring out the child inside of us, and “You” show us how to be a free little bird. “You” are wildly funny and deeply wise. “You” have been in this world a long time, and “You” will be here for many years more.

Details:

Artist: TheOkeeDokeeBrothers

Title: Little Old You

Label: OkeeDokeeMusic

BoxLots: CD-45,LP-15

Item Numbers:

CD-ODM-0010,LP-ODM-0010

Packaging: digipak

CDUPC:798576418090

LP UPC:798576416690

Street Date: November 7th, 2025

Highlights:

• GRAMMY®Winning Artists

• Engagingfor children and adults

• 14 Songs

• Export World Wide

• Also Available: GRAMMY® winning album: CanYou Canoe? and GRAMMY®nominated albums:Through the Woods,SaddleUp, Winterland, and Songs for Singin'. As well as Brambletown with a movie feature on PBS KIDS

SELLING POINTS

• Real Gone Continues Its Hellride Through the Deicide Catalog with Its Release of Their Fourth Album, 1997’s Serpents of the Light

• Stripped Down Production Makes This Record Ever So Slightly More Accessible

• Glen Benton’s Vocals Are More Intelligible, and a Couple of Songs Might Be Accused of Having Hooks

• But the Anti-Religion Invective Remains as Virulent as Ever, Ensuring that Deicide Remains One of Metal’s Most Extreme Acts

• First-Ever Standalone U.S. LP Release

• Deathly Blue Pressing

• Includes Printed Inner Sleeve

• Plus a 12” x 24” Poster Featuring the Album Cover Image

• Not for Even the Faintly Faint of Heart

DEICIDE: Serpents of the Light

(Remastered Deathly Blue Vinyl Edition)

STREET

DATE: NOVEMBER 7, 2025

Calling a Deicide album “more accessible” is kind of like calling a velociraptor less lethal than a T-Rex…you’re gonna die either way. But on 1997’s Serpents of the Light, the fourth album from the Tampa death metal quartet, Glen Benton’s rage-filled imprecations are a little more intelligible and songs like “Slave to the Cross” and “Blame It on God” do sport choruses that verge upon being hooky (if you have a meathook in mind).

The anti-religion invective remains unabated, however… this remains music in extremis despite the stripped-down production. For its first-ever standalone U.S. LP release, we’ve remastered Serpents of the Light for vinyl and given it a deathly blue pressing complete with an inner sleeve featuring lyrics and a 12” x 24” poster of the cover image. Not for even the faintly faint of heart.

SELLING POINTS

• It’s Been Our Honor at Real Gone Music to Reissue the Back Catalog of One of the Greatest Bands, Male or Female, of the ‘90s and ‘00s: The Donnas

• Now, by Popular Demand and After Years of Pursuing the Rights, We Are Releasing Their Final Studio Album, 2007’s Bitchin’

• Originally Released on The Donnas’ Own Purple Feather Label

• Marked a Return to Glam Metal and Punk After the Classic Rock Leanings of Gold Medal

• Adopted a More Celebratory Tone After Escaping the Major Label Machine

• Singalong Songs like “What Do I Have to Do” and “Don’t Wait Up for Me” Have Definitely Entered The Donnas’ Canon

• Tunes Like “Save Me” Confirm That This Band’s Ability to Set a Hook in a Chorus Remained Unabated

• Special Expanded 2-LP Edition

• Includes an Entire Side of Bonus Tracks

• Remastered for Vinyl by Mike Milchner At Sonic Vision

• Gatefold Jacket

• Includes Insert Featuring Brand-New Commentary by Brett Anderson aka Donna A.

• Strawberry with Black Swirl Pressing

• We’re Here for the Party!

UPC: 848064019695

FORMAT: Regular Weight 2-LP Strawberry with Black Swirl Vinyl

THE DONNAS: Bitchin’

(2-LP Expanded, Remastered Strawberry with Black Swirl Vinyl Edition)

STREET

DATE: NOVEMBER 7, 2025

If there is one thing we at Real Gone have learned during our rollicking ride of reissuing The Donnas’ catalog, it’s that they never did anything halfway. And we’ve tried to do the same in bringing their music back to their devout fanbase. Now, by popular demand, and after years of pursuing the rights, we are thrilled to announce that we are releasing their last studio album, Bitchin’, in an expanded, newly annotated, and newly remastered edition! This 2007 release was put out by The Donnas’ own Purple Feather label, and marks a return to the girls’ glam metal and punk roots after the classic rock leanings of Gold Medal…they’ve escaped the major label machine, and are ready to have a good time! Singalong songs like “What Do I Have to Do” and “Don’t Wait Up for Me” have definitely entered The Donnas’ canon, and tunes like “Save Me” confirm that this band’s ability to set a hook in a chorus remains unabated. For this first-ever reissue, we’ve rounded up an entire side of bonus tracks, including the two songs (“Randi” and a cover of “Safety Dance”) that were only available on the vinyl release, a track (“New Kid in School”) that was previously available only as a download, two outtakes (“We Own the Night” and “She’s Out of Control”) that showed up on the Greatest Hits Vol. 16 comp, and a track that only came out in Japan (“Can’t Keep It a Secret”).

Don’t Wait Up for Me

Wasted

Save Me

The whole thing’s been remastered for vinyl by Mike Milchner at Sonic Vision, and our gatefold-plus-insert once again includes fresh commentary by Brett Anderson aka Donna A. Bitchin’ comes in a double scoop of strawberry with black swirl vinyl…we’re here for the party!

Like an Animal

Here for the Party

Better Off Dancing

Love You Till It Hurts

Smoke You Out

Girl Talk

Give Me What I Want

Tonight’s Alright

When The Show Is Over SIDE D

Randi

Safety Dance

We Own the Night

Can’t Keep It a Secret

New Kid in School

She’s Out of Control

SELLING POINTS

• Boasting a Bravura Performance by Daniel Day-Lewis, Michael Mann’s 1992 Epic Retelling of James Fenimore Cooper’s frontier classic The Last of the Mohicans Has Passed into the Classic Movie Pantheon, with Repeated Cable TV Showings

• But the Movie’s Success Has Been Somewhat Overshadowed by Its Wildly Popular Soundtrack

• Trevor Jones and Randy Edelman’s Score Is Easily One of the Most Popular Pieces of Film Music from the ‘90s Despite Having Been the Work of Two Different Composers

• The “Main Title” Has Become as Much a Part of Pop Culture as the Themes to Titanic, Star Wars, and Other Blockbusters

• Also Includes “I Will Find You” by Clannad

• Peach Vinyl Pressing

• Gatefold Packaging Features Production Stills

TREVOR JONES & RANDY EDELMAN

THE LAST OF THE MOHICANS ORIGINAL MOTION PICTURE SOUNDTRACK

(2-LP Peach Vinyl Edition)

STREET DATE: November 7, 2025

Rare is the soundtrack that as time passes overshadows the film of which it was a part, but that’s what has happened in the years since the 1992 release of The Last of the Mohicans. Not that the film is any slouch; Michael Mann’s epic retelling of James Fenimore Cooper’s frontier tale is a cable TV fixture and more evidence that Daniel Day-Lewis is one of the great actors of our time. But the film’s music has emerged as easily one of the most popular scores of ‘90s cinema, with the “Main Title” in particular having become a part of our popular culture the same way as, say, the signature themes from Titanic, Star Wars, and other blockbusters. What makes it even more extraordinary is that the movie’s score emerged from postproduction turmoil as the work of two different composers, Trevor Jones and Randy Edelman. Jones’ work is more of the traditional orchestral soundtrack ilk, Edelman’s has a more contemporary feel, but somehow it all fits, with the closing credit song “I Will Find You” by Clannad an added bonus. Long a bestselling soundtrack CD, we at Real Gone Music are releasing this revered soundtrack on double LP peach vinyl, inside a gatefold festooned with production stills. Guaranteed to get your blood stirring!

SELLING POINTS

• Sorrow’s 1992 Album Hatred and Disgust Has Become a Cult Classic

• Doom Metal Meets Death Metal

• Down-Tuned Guitars, Slowed-Down Tempos and Sudden Bursts of Thrash

• Lyrics Take a Deservedly Dim View of Mankind

• Fat as F*** Power Chords

• First-Ever U.S. LP Release, Issued with Full Support of the Band

• Remastered for Vinyl by Mike Milchner at Sonic Vision

• Includes Lyric Insert

• Blue Smoke Pressing

• Limited to 1000 Copies

• For Fans of Slayer, Obituary, My Dying Bride

iBarcoder Trial

UPC: 848064020158

Regular Weight Blue Smoke Vinyl

Album Jacket with Lyric Insert

EDITION : 1000 Copies

SELLING POINTS

• When Korn’s Jonathan Davis Tapped Static-X Vocalist Wayne Static to Sing “Not Meant for Me” on the Queen of the Damned Soundtrack, the Band Reached a Turning Point

• The Uncharacteristically Melodic Tune Prompted Static-X to Go in a New Direction

• They Jettisoned Former Producer Ulrich Wild for Josh Abraham, Who Had Worked with More Mainstream Bands like Staind and Velvet Revolver

• And the Band’s Guitarist and Drummer Quit on the Eve of the Album Sessions

• But 2003’s Shadow Zone Nonetheless Turned Out to Be Another Top 20 Triumph

• Some Credit Must Be Given to Substitute Drummer Josh Freese from A Perfect Circle

• But the Album’s Stylistic Swerve Exposed Static-X to New Audiences Even as It Challenged Some of the More Diehard Devotees of Their Former Industrial/Nu-Metal Sound

• Remastered for Vinyl by Mike Milchner at Sonic Vision

• Includes Color Inner Sleeve with Lyrics

• Yellow Smoke Pressing

STREET DATE:

NOVEMBER 7, 2025

There’s a freedom in knowing we are all doomed, a sense of liberation from society’s morals and the considerations of commerce. That’s the territory trod by Sorrow on its lone album, 1992’s Hatred and Disgust. This album doesn’t bring you down, it takes you down. Down-tuned guitars, sloweddown tempos. Lyrics with a deservedly dim view of mankind. And fat as f*** riffs that will annihilate you. Finally released in the U.S. on vinyl and with the full support of the band, Hatred and Disgust comes in a blue smoke pressing limited to 1000 copies, complete with a lyric insert. If you like your doom metal with a side of thrash and death metal, this lost classic (remastered for vinyl by Mike Milchner) will satisfy like few others. Fans of Slayer, Obituary, My Dying Bride…take note.

(Remastered, Limited Yellow Smoke Vinyl Edition) (Limited, Remastered Blue Smoke Vinyl Edition)

• Limited to Just 500 Copies STREET DATE: NOVEMBER 7, 2025

iBarcoder Trial

UPC: 848064020325

FORMAT: Regular Weight Yellow Smoke Vinyl

PACKAGING: Album Jacket with Color Inner Sleeve

LIMITED EDITION: 500 Copies

BOX LOT: 50

This 2003 record represented a real turning point for Static-X. Korn’s Jonathan Davis had tapped Wayne Static to sing “Not Meant for Me” on the Queen of the Damned soundtrack, and that uncharacteristically melodic tune moved the band in a whole new direction. In short order, they ditched erstwhile producer Ulrich Wild for Josh Abraham, who had worked with more mainstream bands like Staind and Velvet Revolver, and lost both drummer Ken Jay and guitarist Koichi Fukuda. But (thanks in part to the prodigious talents of A Perfect Circle drummer Josh Freese) out of all that turmoil came another Top 20 record, albeit one that challenged dedicated devotees of their former industrial/nu metal sound even as it found new audiences. We’re giving Shadow Zone a super limited (to 500 copies) yellow smoke pressing, complete with a full-color inner sleeve featuring lyrics. Remastered for vinyl by Mike Milchner at Sonic Vision!

DATE: November 7, 2025

The first words you hear on Paul Kelly’s new album Seventy, are, ‘Tell us a story.’ The last words you hear are, ‘Put another big log on the fire ’ Yes, we’re back in the kellyverse of love, loss, legend, wit, poetry and tales tall and true. In the room with his band and ‘the ones he loves the best’, passing the stories and jokes around, going all around the world while the storm howls outside the door and above the roof all snug and tight. Where else would you rather be?

TRACKLIST

01 Tell Us

Story (Part A)

13 Tell Us A Story (Part B)

Listen to the new single ‘Rita Wrote A Letter’ August 14th “I’ve been mulling over the idea of a sequel to How To Make Gravy from Rita’s point of view for quite some time About five years ago I wrote down the words, ‘Rita wrote a letter,’ and thought, ‘There’s my title ’ I scratched away intermittently and fruitlessly for several years but never got very far until Dan Kelly sent me a recording of something he’d written on piano with a rough melody over the top. The words started rolling after that. As often happens, they took me by surprise. You could say the song took a dark turn but to my mind it’s a black comedy. A ghost story. You hear Rita’s voice loud and clear but Joe talks even more I couldn’t shut him up!” - Paul Kelly

Camden Gateway, 349 Royal College St, London NW1 9QS

Info@cookingvinyl com

TWO RIDE ALBUMS BACK IN PRINT, PRESSED ON NEW VINYL COLOURS

Weather Diaries on baby blue double vinyl in gatefold sleeve.

Limited 500 unit pressing.

Released in 2017, this was the band’s 5th studio album and their first following their 2014 reformation.

Produced by Erol Alkan, mixed by Alan Moulder.

Catalogue Number: WEBB510LPC

Barcode: 634457226739

Box lot: 12

Track list:

A1. Lannoy Point

A2. Charm Assault

B1. All I Want

B2. Home Is A Feeling

B3. Weather Diaries

C1. Rocket Silver Symphony

C2. Lateral Alice

C3. Cali

D1. Integration Tape

D2. Impermanence

D3. White Sands

This Is Not A Safe Place on double silver vinyl in gatefold sleeve.

Limited 500 unit pressing.

Following Weather Diaries, in 2019 came This Is Not A Safe Place. Also produced by Erol Alkan and the band, and mixed by Alan Moulder, the album’s title was inspired by one of the “hobo code” symbols once used by those who travelled the railroads of the US, and then found in the early artwork of Jean-Michel Basquiat. The phrase still resonates with the current state of the world – politically and environmentally.

Catalogue Number: WEBB570LPS

Barcode: 634457226722

Box lot: 12

Track list:

A1. R.I.D.E.

A2. Future Love

A3. Repetition

B1. Kill Switch

B2. Clouds of Saint Marie

B3. Eternal Recurrence

C1. Fifteen Minutes

C2. Jump Jet

C3. Dial Up

D1. End Game

D2. Shadows Behind the Sun

D3. In This Room

Label contact : MARK BOWEN mark@wichita-recordings.com

Distributor contact : PERRY HARRELL harrellp@redeyeworldwide.com

The Klezmatics –Rhythm + Jews Revisited

The Klezmatics are thrilled to announce the re-issue of their seminal 1990 album, “Rhythm & Jews: revisited”, set for release on limited-edition vinyl LP pressed on Bio Vinyl.

In 2026, The Klezmatics will be celebrating their 40th anniversary. This milestone will include the re- issue of many of their landmark recordings which will include previously unpublished material.

Originally released in the pre-digital era, this groundbreaking album never made its way to modern platforms until now. The re-issue features alternate versions of the album’s iconic tracks, unearthed from recently discovered master files, offering fans and new listeners alike a fresh perspective on this klezmer masterpiece.

The legendary New York Yiddish band The Klezmatics has changed the face of contemporary Jewish culture through their uniquely original and expansive work in the fields of klezmer music and Yiddish song. Their career achievements span 13 fulllength recordings, countless international concert tours and festivals across five continents, and collaborations with renowned icons of music, theater, television, radio, cinema and dance. The Klezmatics are the subject of an acclaimed documentary film (On Holy Ground, 2010) and the recipients of numerous international accolades, including the 2006 Grammy Award for Best Contemporary World Music Album.

Klezmer music is one of the most instantly recognizable and unique elements of Jewish culture, as well as one of the most distinctive and influential genres in world music. It has played a crucial role in the preservation of the Yiddish language and culture and contributed in innumerable ways to the language of global music.

KEY POINTS

• Re-issue of their seminal 1991 album, “Rhythm & Jews” first time available now on vinyl

• The Klezmatics are the only Grammy Award-winning klezmer band, now campaigning their 40th Anniversary in 2026

• WOMEX Live Showcase Friday 24th October

• USA / EU Tour Sept - December 2025

TRACKLIST

A1. Fun tashlik

A2. NY Psycho Freylekhs (edit)

A3. Di Sapozhkelekh

A4. Araber Tants

A5. Di Zun Vet Aruntergeyn

B1. Honikzaft

B2. Bulgar á La Klezmatics (edit)

B3. Shnirele, Perele

B4. Der Yidisher Soldat in di Trentshes

B5. Terkish-Bulgarish

Release Date: 07.11.2025

Artist: The Klezmatics

Title: Rhythm & Jews

Revisted

Catalogue Nr: PIR3874LP

Barcode: 826863387412

Format / Packaging: LP, 4c

Inlay, Bio Vinyl

For more information please contact Adam Calman // adam@k7.com

BrianAuger&TheTrinity

DefinitelyWhat!

Recorded during that unique period in the late ‘60s when jazz, blues and rock musicians found common ground in London’s vibrant subterranean clubs, 1968s Definitely What! was the second of the run of the four ground-breaking Trinity albums Showcasing Auger's open-minded approach and his masterful organ & piano skills, the album whips up a rich blend of jazz, R&B, psychedelic touches and soulful grooves, complemented by the tight, dynamic rhythm section of Dave Ambrose (bass) and Clive Thacker (drums)

After the previous year’s Open (1967) with its 'Summer of Love' feel and its melting pot of Mod R&B, cover versions of US soul hits led by Julie Driscoll’s inimitable vocals, Auger considered Definitely What! as his first solo album, and so he travelled deeper into jazz territory, balancing original pieces with audacious covers Tracks include versions of Mose Allison's 'If You Live' and of Wes Montgomery’s ‘Bumpin’ On Sunset’. “I got a letter from Wes's wife, ” recalls Auger, “saying that it was Wes' favourite version. Can you believe that, Wes's wife wrote to me!”

Elsewhere, we find a dramatic re-arrangement of The Beatles’ ‘A Day In The Life’ complete with orchestral strings and a punchy horn section, alongside a supercharged version of Booker T & The MGs’ ‘Red Beans & Rice’. 'George Bruno Money' was dedicated to Auger's drinking pal of the era, Zoot Money, and 'John Browns Body' both combine prime Hammond jazz with the very British surrealist humour that was in vogue at the time The title track goes further “out” in a sprawling instrumental piece rooted in experimentation Brian himself specifically states in his sleeve notes that his concept “lies along a straight line drawn between pop and jazz and aims at the 'fusion' of both elements” - ‘fusion’ at that time was not even a recognised musical term, further reinforcing Auger’s credentials as an innovator

That forward-thinking approach was developed in Open and Definitely What! would come to fruition a year later with the release of Streetnoise (1969) featuring the Trinity and Julie Driscoll. At the time, the move to bring together jazz, rhythm & blues, folk, gospel and pop into a progressive new sound may have annoyed the purists and confused the less openminded, but these albums stand today as a testament to Auger’s unique position within British music, foreshadowing his future 1970s explorations with the Oblivion Express and beyond Definitely What! remains a fascinating snapshot of 1960s musical experimentation - raw, eclectic, and unapologetically Auger!

This new Strut reissue is curated by Impressive Collective’s Greg Boraman in partnership with Brian and Karma Auger The album is remastered by Cosmic Audio from the original tapes, and is packaged in Brian's favourite version of the 3 different sleeves the album was originally issued in.

RELEASE DATE: 7 November 2025 h

ARTIST: Brian Auger

TITLE: Definitely What!

CAT NO.: SBM017LP

FORMAT: VINYL LP

BARCODE: 4062548040265

TERRITORY: WW

TRACKLIST

A1.DAYINTHELIFE

A2.GEORGEBRUNOMONEY

A3.FARHORIZON

A4 JOHNBROWN'SBODY

B1.REDBEANSANDRICE

B2.BUMPIN'ONSUNSET

B3 IFYOULIVE

B4.DEFINITELYWHAT!

Artist:

Album:

Label:

UPC LP:

UPC Digital: Genre:

Catalog No LP:

Box lot LP: Format:

Zig-Zag Band

Zig-Zag Band - Chigiyo Music Kings

Analog Africa 4260126062139 4260126062160

Chigiyo, Reggae AALP102LE 12

Double LP 3-color screen printed Gatefold Cover

Analog Africa No. 42

Zig-Zag Band - Chigiyo Music

Kings

Street Date 11/07/2025

„Zig-Zag Band - Chigiyo Music Kings 1987-1998“ 3-colour screen printed version limited to 2000 copies comes as a Double LP in Gatefold Cover protected by a high quality outer sleeve

Emerging in the early 1980s, Zig-Zag Band established themselves as one of Zimbabwe‘s most distinctive musical voices. The band crafted a bold and original style defined as Chigiyo - a vibrant fusion of reggae, traditional rhythms, brass arrangements and mbira-inspired guitar. This compilation brings Zig-Zag Band’s groundbreaking music back into the spotlight— celebrating their unique contribution to Zimbabwean culture and bringing an underappreciated catalogue to a new generation of listeners.

Formed in Kwekwe, the band crafted a bold, original style. With intricate guitar lines, infectious dance rhythms, and raw, soulful Shona vocals, they pushed beyond genre boundaries. While many contemporaries opted for commercially safer routes, Zig-Zag remained fiercely independent, committed to authenticity and innovation.

This compilation brings Zig-Zag Band’s groundbreaking music back into the spotlight— celebrating their unique contribution to Zimbabwean culture and bringing an underappreciated catalogue to a new generation of listeners.

Tracklisting

A1: Ndzirombi 05:21

A2: Chenaimoyo 05:32

A3: Mangaingai 05:02

B1: Tsvarakadenga 05:18

B2: Nyamutamba Nevambwe 05:03

B3: Ndoita Ripi Zano? 05:09

https://on.soundcloud.com/Tz1rMMzMgrygHXc9xX

Redeye

505 Eno Street, Hillsborough, NC 27278

Distribution Contact: Nick Stamey / Redeye nick@redeyeworldwide.com

C1: Ndarimano 07:28

C2: Rudo Rwemari 05:20

C3: Pfumo Reropa 05:55

D1: Gomo Ramasari 04:28

D2: Mercy 06:28

D3: Mudzimu Mukuru 04:28

D4: Hombiro 04:28

Analog Africa GmbH Ottomühle 22 88662 Überlingen mail@analogafrica.com

facebook.com/AnalogAfrica analogafrica.bandcamp.com instagram.com/analogafricarecords/ youtube.com/user/AnalogAfrica

ARTIST: HARRY REVEL, LES BAXTER, & SAMUEL HOFFMAN

TITLE: MUSIC OUT OF THE MOON / MUSIC FOR PEACE OF MIND

BOX LOT QUANTITY: 30 LP / 60 CD

One of the earliest forms of electronic music, from the originators of the genre! Though the theremin is often used in science fiction and film scores depicting the macabre, this album shows the theremin’s vibrant sweetness and gentle vibrato. It explores the instrument, using exotic harmonies, timbre and composition to play upon the more remote realm of human emotions. Includes all tracks from Music Out of the Moon & Music for Peace of Mind!

Harry Revel created the basic "idea" and themes, while Leslie Baxter, arranger and conductor, has given them appropriately unique tone color and unusual instrumental effects with woodwinds, strings and brass. The artist who plays the Theremin is Dr. Samuel J. Hoffman, whose brilliant technique was heard in the music of "Spellbound," "Lost Weekend," "Spiral Staircase" and "The Red House."

"Music out of the Moon" is a landmark album that was released in 1947. It was the first commercial recording to feature the theremin, which had been invented just a few decades earlier. With its lush, atmospheric arrangements, the album was an instant success, selling over 100,000 copies in its first year and helping to popularize the theremin as a musical instrument. It also paved the way for the development of the exotica genre.

"Music for Peace of Mind" was released just three years later. Its gentle and introspective piano solos that are meant to evoke a sense of calm and relaxation. In fact, it was one of the first albums to explore the concept of "mood music", which sought to create a specific emotional response in the listener. It was a commercial success, selling over a million copies, and it helped to popularize the idea of relaxation and meditation music.

THE DEARS THE DEARS

Artist: The Dears

Title: Life Is Beautiful! Life Is Beautiful! Life Is Beautiful!

Genre: Alternative, Indie Rock

Label: Next Door Records

Format: LP - Limited edition of 1000 pressed on gold vinyl

Redeye Catalogue#: LP-NDR-9448C

UPC: 623339944816

Release date: November 7, 2025

The Dears have made some of the most beautiful music of the past quarter century, but also some of the most defiant, with an attitude and emphasis that seems to blend the operatic with a punk sensibility.

On their new album, "Life Is Beautiful! Life Is Beautiful! Life Is Beautiful!", The Dears are again at the top of their form, coming back with passionate, compassionate, urgent music that uplifts, explores dark corners, and ultimately shines out in a way that's absolutely gorgeous, with an edge

"Life Is Beautiful! Life Is Beautiful! Life is Beautiful! feels like a new masterpiece and provides further evidence that The Dears are a vital part of the musical landscape, and also just completely doing their own thing, as ever."

"If I love The Dears, if you love The Dears, it's because that orchestral, symphonic feel, those gorgeous melodies, are grounded in a gritty, gonna-die-on-this hill mentality and a heady intellectualism."

"[ ] my heart skipped a beat from the opening chords of "Gotta Get My Head Right" a masterpiece of rising tension and killer melodies, layered and precise and yet roving and wild, with changes in the music and the progressions that alter your brain while listening What follows is an album that's as various and yet as unified as that first track. Few bands can achieve this kind of complexity while also making it seem timeless and so very perfect."

"There's no one like The Dears and there never will be, and I really appreciate that so very much "

- excerpts from the album bio, written by New York Times bestselling author Jeff VanderMeer

The Dears' 9th studio album, "Life Is Beautiful! Life Is Beautiful! Life Is Beautiful", pressed on gold vinyl in a limited edition of 1000, will be released worldwide November 7 via Next Door Records

“LAURA VEIRS AND THE CHOIR WHO COULDN’T SAY (LIVE IN ANGOULEME)” - ONE SHEET

NEW ALBUM OUT ON NOVEMBER 7th, 2025 ON STREAMING SERVICES AND LIMITED EDITION CD WORLDWIDE

ABOUT THE ALBUM: In October Veirs will release an album capturing a live performance of her collabora8on with a 32 teenagers from a school choir in Angouleme, France. Veirs and the choir performed together on May 24, 2025. Veirs will release the album worldwide on her own label Raven Marching Band (distributed by RedEye).

BLURB FROM LAURA: “I am blown away by the hard work Patrice and his students put into this project. Singing in a foreign language is no joke. Hearing the choir’s brave rendi8ons of my songs and performing with them live was a career highlight. I’m so glad we were able to capture the magic of this performance.” — Laura Veirs

THE PERFORMERS:

• Laura Veirs – vocals, guitar, album co-produc8on, album art

• Patrice Cleyrat – keyboards, arrangement, choir direc8on, album co-produc8on

• 32 French teenagers – vocals

SALES NOTES & UPC:

“Laura Veirs and the Choir Who Couldn’t Say (Live in Angouleme)”

UPC: 634457230682 / Item number: RMB020

• Streaming on all plaYorms plus limited edi8on CDs

• Spo8fy (173K monthly listeners)

• Bandsintown: (53K)

AMIR ELSAFFAR NEW QUARTET

LIVE AT PIERRE BOULEZ SAAL

First Encounter

New Quartet Live at Pierre Boulez Saal documents the initial encounter between trumpeter Amir ElSaffar’s trio, consisting of Tomas Fujiwara, one of NYC’s most in-demand and dynamic drummers, and Ole Mathisen, a tenor saxophonist of unparalleled technique and versatility, with Greek pianist Tania Giannouli, a rising star who has headlined almost every major jazz festival and venue in Europe over the past several years.

ElSaffar’s nuanced and vibrant trumpet sound, rooted in Chicago school classical technique, combining subtle ornamentation and microtones of Arab Maqam with Jazz influences ranging from Miles to Woody Shaw, resonates throughout the session, guiding the new ensemble into unexplored musical territories. The music ranges from intensely quiet and nearly silent to ecstatic and declamatory, with the microtonal piano ringing ear-opening and beautifully unconventional harmonies throughout.

The four musicians had a mini-residency consisting of two rehearsal days, a concert, and an all day recording session at the Pierre Boulez Saal in Berlin, a hall known for its phenomenal acoustics and legacy of its namesake, 20th century pioneer conductor and composer Pierre Boulez.

The live recording showcases vulnerability, wonder, and a sense of discovery, as the quartet navigates ElSaffar’s material –– composed only three days earlier –– in front of a sold out audience. The results, a patiently flowing, spacious and graceful kind of jazz that is seeded profoundly with Maqam influences, left listeners at the edge of their seats. Musical gestures seemed to reveal themselves beyond the control of the musicians, who were discovering it along with the audience. The following day’s recording session allowed the musicians an opportunity to refine and hone in on the musical ideas, resulting in cleaner and more confident versions of the compositions (some of the standout tracks from this session are presented as alternate takes on the CD and download), but it’s the live concert that contains the magic and ineffable energy that makes up the bulk of this album. Vulnerable as these recordings may be, they are also marked by a stunning and surefooted elegance, truly remarkable considering the conditions, especially with respect to Giannouli’s enchanting and powerful microtonal and prepared piano work.

ElSaffar is known for his Two Rivers sextet and 17-piece Rivers of Sound Orchestra, both of which blend Middle Eastern and jazz instrumentation. At the outset, this album’s ensemble looks like a traditional jazz setting, except for one anomaly - the absence of a bass instrument. This is by design: with the unique resonances of the microtonal piano, and ElSaffar and Mathisen’s well-honed blend of two instruments into one sound, rich and nuanced timbres and harmonies are able to ring out, unencumbered with pitch information in the low registers. The bass-less context also allows Fujiwara and Giannouli to find interesting polyrhythms and grooves, further encouraged by ElSaffar’s written material that leaves the rhythmic aspects open.

Confluences and Serendipities

In late 2020, during the height of the pandemic, Amir ElSaffar received a call from Piotr Turkeiwicz, director of Jazz and Improvised music at the Pierre Boulez Saal, inviting him to premiere two new works on a single night at the Saal. “I knew this would be something significant,” ElSaffar recalls. He had worked with Pierre Boulez as principal trumpeter of the Civic Orchestra of Chicago in 1998, when he was just 19 years old, in an experience that would shape his musical career (though not entirely

for the reasons one might expect). He had also recorded with Boulez Saal’s artistic director, Daniel Barenboim, on the 1999 Teldec release, Tribute to Ellington, and was a member of the inaugural West-East Divan Orchestra in Weimar that same year, an experience that eventually led ElSaffar to discover his Arab roots through music. This historic orchestra and initiative was started by Barenboim, Yo-Yo Ma, and the late, seminal Palestinian scholar, Edward Said, who was a dear friend and colleague of Ruth El Saffar, Amir’s mother and a Spanish literature professor who had died in 1994. The Barenboim-Said Academy is active to this day, and has its home in the Saal in Berlin.

After discussing several options, ElSaffar and Turkeiwicz decided on two projects: a duo with Lorenzo Bianchi-Hoesch, the Paris-based electronics virtuoso with whom ElSaffar had already collaborated (Inner Spaces, co-released via Ornithology and Maqam Records); and a new quartet combining ElSaffar’s trio of longtime collaborators, Tomas Fujiwara (drums) and Ole Mathisen (tenor saxophone) with then rising star Greek pianist, Tania Giannouli.

Giannouli had introduced herself to ElSaffar in Brussels in 2018 after a concert of his chamber works, expressing interest in playing together. The two had kept in touch over the following years, and finally the chance to collaborate had come. Her star was rising quickly in Europe and she was receiving invites to virtually all of the major jazz festivals and halls. “By the time I invited her to be a part of the project, I was afraid she would say she was too busy.” Fortunately, she gladly accepted the invitation.

The Third Time

This double bill mini-residency, concert, and recording session was scheduled for March, 2022. ElSaffar composed material, rehearsed, and performed it with Mathisen and Fujiwara in Brooklyn. Two days before the concert, while on tour in Milan, ElSaffar tested positive for Covid, and the gig was canceled. ElSaffar relates, “I had managed to avoid getting Covid for two years, and now it hit me at the worst possible time. Tomas was already in Germany en route to Berlin. He had to be rerouted back home and all of the other flights had to be canceled.” Fortunately, the Boulez Saal was kind enough to cover all of the flights and logistics, and ElSaffar’s two weeks of Airbnb in Milan, while he recovered.

Turkiewicz managed to rebook the residency for September, 2022. Two weeks before the concert, ElSaffar fell ill with a rare case of pneumonia that hospitalized him for four days. “It was horrible and surreal. My first time in the hospital, and the second time in my life that I canceled a concert due to health reasons - both were at the Boulez Saal. I thought, considering the money they had lost, that they would give up on me and not rebook.” But Turkeiwicz was persistent and managed to convince his directors that this concert was worth it. So the concert was rescheduled yet again for September, 2023. “This time, I didn’t leave my house for a month before the gig,” ElSaffar jokes.

This long stretch between the initial booking and the concert gave ElSaffar time to reconsider the music. “Somehow, my compositions from a year and a half earlier didn’t seem appropriate anymore. I didn’t know what I wanted to play this time, but I knew it wasn’t that repertoire.” When he arrived to Berlin on the first day, he sat down with Tania for three hours, improvising, trying ideas and different modes on the microtonal piano, and most importantly, listening to her. “My preferred way to write music is to listen to the sensibilities of

the musicians I work with, and harmonize with them and write something that matches my impressions and feelings that I get from their sound.” That night, he stayed up in his hotel room, unable to sleep due to jet lag, and wrote 12 pages of material, which he presented to the musicians the following day. “Once they started feeling their way through the written material, that’s when the magic began. I could hear that the chemistry was already there, written into this configuration. It was as if the potential energy from all of the performances that were canceled manifested in the moment, and the connection.”

The Maqam Maqām is the modal and melodic musical language found in music of the Middle East, North Africa, and Central Asia, that has had a profound influence on the history of music throughout the centuries. Maqam also refers to a repertoire in Iraq, representing its rich history and multifaceted society through melodies and poetry, with elements that date back to Baghdad’s glorious ages (8th-13th centuries C.E.) and ancient Mesopotamian civilizations.

Label: Maqām Records

Release Date: November 7, 2025

Cat#: MR2

Format: LP / CD / DIGITAL

LP - 199284921986 - $25

CD - 199284143265 - $15.99

Label Contact: Amir ElSaffar amir@maqamstudio.com

Distribution Contact: Will Savery will@redeyeworldwide.com 877-733-3931 x287

Obits L.E.G.I.T. LP

Previously only available as a limited - edition Japanese tour CD , we are very excited to release the Obits – L.E.G.I.T. collection on vinyl! 12 tracks, ranging from their first self-released single (‘One Cross Apiece’) to covers (Graham Nash’s ‘Military Man’, The Kid’s ’78 punk classic ‘The City is Dead’) to live tracks, three of which (‘New August’ ‘Talking to the Dog’ & ‘Refund’) were recorded at Red 7 in Austin in 2012, and were only available as a limited 7” with mail order copies of the band’s ‘Bed and Bugs’ LP for Sub Pop. L.E.G.I.T. features stunning artwork from singer Rick Froberg , and it is yet another reminder how tragic it was that we lost him at such a young age. In the spirit of the original Japanese tour CD, all copies of L.E.G.I.T. will be packaged in an obi . We still have a handful of copies left of the Obit’s killer live LP, ‘ Die at the Zoo ’ , available on yellow vinyl while supplies last!

Tracklisting:

Side 1 - 1) One Cross Apiece 2) Put it in Writing 3) I Can’t Lose 4) Military Madness 5) Refund 6) Suez Canal

Side 2 - 1) Let Me Dream if I Want To 2) The City is Dead 3) Run (live) 4) New August (live) 5) Talking to the Dog (live) 6) Refund (Live)

Artist: Obits

Title: L .E.G.I.T.

Label: Outer Battery Records

Street Date: 11/ 7/25

UPC: 634457 226555

Cat #: OBR 03 6

A LSO AVAILABLE!

Obits – Die at the Zoo LP

UPC: 634457226555

Cat #: OBR 024

UPC: 195497997916

SABINE McCALLA - “DON’T CALL ME BABY” OUT NOVEMBER 7TH, 2025

Sabine McCalla creates her own version of multi-cultural American roots music. It's a sound that crosses borderlines, pulling everything from Brazilian samba to southern soul to British rock & roll into its orbit. On Don't Call Me Baby, Sabine filters those influences through the lens of her Haitian heritage and her music community of New Orleans, creating a debut album that's every bit as multi-faceted as the woman who wrote its songs.

The daughter of first-generation Haitian immigrants, Sabine was raised in the suburbs of New York City, where she grew up alongside her sister Leyla McCalla (Sons of Our Native Daughters, Carolina Chocolate Drops). "We had open-minded parents who encouraged us to play an instrument from an early age," she remembers. Introduced to chamber music at an early age, Sabine began playing classical violin in orchestras, music camps, and conservatory classes as an 8 year old. Back at home, she filled her head with Motown classics, girl group hits, Bob Marley albums, Beatles standards, and Haitian folk music. It was a wide constellation of sound that spanned more than a half century, and Sabine made it all her own, drawn to the connections binding everything together.

Don't Call Me Baby shines a light on those connections. The follow-up to her critically-acclaimed Folk EP, whose pre-war sound earned her a slot at the Newport Folk Festival in 2019, the album transcends genre and generation, creating a raw, rich mix of country, R&B, folk, and soul that exists on its own timeline. Co-produced by Sam Doores of the Deslondes and featuring a cast of New Orleans’ most spirited and gifted (including guest vocals from Riley Downing Leyla McCalla, and The Lostines), Sabine McCalla reaches beyond her beloved hometown Americana scene with Don't Call Me Baby, building a bridge between the world-spanning sounds that have captured her attention. ,

1. Sunshine Kisses

2. Louisiana Hounddog

3. Two of Hearts

4. Anything Without You

5. Baby, Please Don’t Go

6. I Went to the Levee

7. Deep River

8. Tall Lonesome Cowboy

9. Lovely Lonely

LISTEN HERE

VINYL GHR029LP

UPC: 634457232990

140g orange / black marble vinyl CD

GHR029CD

UPC: 634457233003 4-panel digipak

- HIGHLY ANTICIPATED DEBUT ALBUM OF THE CELEBRATED NEW ORLEANS SONGSTRESS

- CO-WRITES FROM DAN AUERBACH AND ELI “PAPER BOY” REED

- GUEST APPEARANCES FROM LEYLA McCALLA, RILEY DOWNING, AND THE LOSTINES

- ALSO AVAILABLE ON LP: ‘FOLK’ - DEBUT EP OF PRE-WAR BLUES, FIRST PRESSING ON VINYL

- TOP US MARKETS: SEATTLE, PORTLAND OR, DENVER, DENVER, CHICAGO, BROOKLYN

- TOP INTERNATIONAL MARKETS: AUSTRALIA, CANADA, UK (RECENT HEADLINING TOUR AND FESTIVAL APPEARANCES IN 2025)

- UPCOMING SUPPORT TOUR WITH ORACLE SISTERS

9/11 Vancouver, BC Fox Cabaret 9/12 Seattle, WA Crocodile 9/13 Portland, OR Mississippi Studios 9/16 San Francisco, CA Great American Music Hall

9/19 Los Angeles, CA Lodge Room 9/20 San Diego, CA Casbah

9/21 Pioneertown, CA Pappy & Harriet’s 9/24 Denver, CO Marquis

Kurt DeLashmet kurt@garholerecords.com

Release Date: 7 November 2025

RUTH MASCELLI & MARY HANSON SCOTT

Esoteric Lounge Music Now

Get zoned into mult-dimensional noir on this vaporous, intimate and beautiful collaborative LP

On their third album for Disciples, Special Interest member Ruth Mascelli teams up with Mary Hanson Scott, pushing the paranoid torch songs of previous record Non-Stop Healing Frequency into even more liminal and spaced out territory The song side of proceedings is stronger than ever, with the epic, yearning melted power ballad of “Haunted Hearts”; a gorgeous slo-mo cover of hi-nrg pop(pers) banger “Self Control”; and the chopped up rhythms of “A Lover’s Theory Of Value”, musically located somewhere between blunted trip-hop and Julee Cruise. The FX-blasted reeds of Mary Hanson Scott not only perfectly underpin Ruth’s seductive croon, but provide a cloud-like ambient sound bed for the instrumental pieces that tie the sequencing together, and help make this a truly emotionally engaging journey from beginning to end It’s also very much the culmination of a trilogy, with a track such as “Vaseline Lens” calling back to the elegiac comedown laments found on the second side of debut album A Night At The Baths Includes guest appearances from Jae Matthews of Boy Harsher, and Maria Elena from Special Interest Sleeve designed by Brett LaBauve of New Orleans queer dance party institution Gimme A Reason.

An inspired coming together of musical minds, wander the streets of your soul with Ruth Mascelli & Mary Hanson Scott!

1LP black vinyl, limited edition of 500 copies

DISC34 | 5056818804205 | Boxlot: 20 Side A

A

B

01 Could A Wound Be A Window? 02 Haunted Hearts 03 Self Control 04 The Fool

05 Encore

R Mascelli: Vocals, Keys, Production

M Hanson Scott: Saxophone, Flute

Pasha Jovanovic: Guitar on “Haunted Hearts” & “Self Control”

Jae Matthews: Backing Vocals on “Self Control”

Maria Elena: Guitar on “The Fool” & “Encore”

Mixed by R Mascelli

Mastered by Kassian Troyer at Dubplates & Mastering

Additional Tracking by Matt Olson & Steve Roche

Artwork and layout by Brett LaBauve

For the creatures of the night

Also Available

DISC8

Ruth Mascelli A Night At The Baths 5060263723295

DISC23

Ruth Mascelli Non-Stop Healing Frequency 5056614705348

Claudia Bouvette

DIARY FOR THE LONELY HEARTS

Claudia Bouvette is a Montreal singer, songwriter & actress.

Since the release of her debut album in 2022, Claudia Bouvette has performed at major festivals including Osheaga, FEQ and has joined Simple Plan on stage numerous times. In addition, she has been featured on the cover of ELLE Quebec and has made several television appearances as a performer, co-host, and actress.

Regardless of the artistic medium, Claudia Bouvette's message is one of empowerment and freedom to be oneself. Her

With 4 Bonus Tracks featuring Strings from Paris

“DIARY

-Atwood Magazine

“The entire record is an absolute treat.”

-Kelsey Adams, CBC Music

TRACKLIST:

A1. CALL ME BACK !

A2. W.O.W.Y.

A3. LONELY HEARTS

A4. BITE THE APPLE

A5. SILVER LINING

A6. LOVING YOU CAREFULLY DON’T WANNA HEAR THAT SONG ANYMORE THE MEANING TO US LUCKY 7

WORLD IN YOUR HANDS W.O.W.Y. (romantic version) BITE THE APPLE (romantic version) CALL ME BACK ! (romantic version) THE MEANING TO US (romantic version)

Street date: 11/7/2025

On Patience, Devin Shaffer leads a group of sensitive instrumentalists through a stirring, hushed collection of folk songs. After finding a Martin guitar on the sidewalk with a note that said, “This is for you,” Shaffer began writing a series of whispered folk songs from her bed that mark her move from Chicago to NYC. First, Shaffer tracked vocals and guitar in Chicago with Michael Macdonald (The Slaps, Tenci, Mia Joy, Tasha). Then, she arranged contributions from Lucy Liyou on piano, Sarah Galdes (L’Rain, Bartees Strange) on drums, Marilu Donovan (LEYA) on harp, and Mari Rubio (More Eaze) on pedal steel. The results update the intimacy of songwriters like Vashti Bunyan, Sibylle Baier, and Linda Perhacs for the twenty-first century.

American Dreams Records

American Dreams Records is a transcontinental experimental label dedicated to showcasing art inspired by patience, intention, perseverance, hope, and leaving the world a little more beautiful than we found it. Our ethos is rooted in story-telling, inclusivity, community, and cohabitation with the natural world.

DEVIN SHAFFER PATIENCE

A1. Intro

A2. Forever

A3. Cool

A4. All My Dreams Are Coming True

A5. Interlude I

RIYL: Linda Perhacs, Vashti Bunyan, Ada Lea

B1. Anyone

B2. Night

B3. Interlude II

B4. I Guess I’m Crawling

B5. Stranger

File under: Folk, Indie

“The saxophonist funnels a painful and triumphant history into his compositions” - NPR

Selling Points:

• Second LP from Brooklyn-via-Chicago songwriter

• Featuring collaborations with Lucy Liyou on piano, Sarah Galdes (L’Rain, Bartees Strange) on drums, Marilu Donovan (LEYA) on harp, and Mari Rubio (More Eaze) on pedal steel guitar

• Album release shows planned in NYC and Chicago

• In-house press via Cody DeFalco / Terrorbird

• Recorded with Michael Macdonald (The Slaps, Tenci, Mia Joy, Tasha)

• Mixed with Anthony Cazade (Fontaines D.C., Ballaké Sissoko)

Catalog #: 87 ADR

Black LP: 727431750365

Box lot of 30

Label Contact: Eli Winter, label manager eli@american-dreams.zone

Redeye Worldwide 505 Eno St. Hillsborough, NC, 27278 redeyeworldwide.com

HOBBY

CLEAR BLUE RIVER

RELEASE DATE: NOVEMBER 7, 2025

Toronto’s Hobby have been honing their uniquiely Canadian brand of Americana Since 2017. Clear Blue River is their third full-length, and first for Telephone Explosion. The album further refines their sound, adding to their sonic singularity while continuing to summon fragments of the best country, folk and rock music of the last half century.

Combining a steadfast work ethic with a love of live performance, Hobby has been taking their act on the road for years now, placing an emphasis on Canada’s under-represented small cities and towns. This move has allowed them to bring their music faceto-face with now-loyal fans in venues sorely lacking in performances that are not cover bands or karaoke nights.

Clear Blue River runs the gamut of moods, ranging from gently strummed introspection to absolute barn burning, with plenty of ground tread in between. Lyrically, themes range from heartbreak to aging and the passage of time. Everything is sung in an unmistakable way that sounds like Hobby.

Object Collection & Richard Foreman Suppose Beautiful Madeleine Harvey

SUPPOSE BEAUTIFUL MADELINE HARVEY is composed by Travis Just and is the musical component of Object Collection’s collaboration with legendary experimental theater icon Richard Foreman.

The album was captured live (with no overdubs or edits) during Object Collection’s sold-out run of ten performances in December 2024 at NYC’s legendary East Village theater La MaMa.

A paper-thin love story within a paper-thin world, speeding, so it would seem, towards inevitable catastrophe or perhaps, a very serious twist.

Using Foreman’s ecstatic, labyrinthine text as the rhythmic source for all vocal and instrumental material, Just scores the voices in a kind of notated speech that ducks and weaves through the dense sound world. The instrumental ensemble performs a high-wire act of a through-composed score, stuffed with bubbling synths, stuttering drum machines, processed woodwinds, and heavy guitars.

Acclaimed for their invigorating blend of music and theater, Object Collection got their start over twenty years ago in Foreman’s own Ontological-Hysteric Theater. Foreman passed away in January 2025, just two weeks after this production closed. Suppose Beautiful Madeline Harvey extends Richard Foreman’s legacy to a new generation of experimentalists.

Total Duration: 77 minutes

Composed by Travis Just text written by Richard Foreman adapted for the stage by Kara Feely

Cast:

Maggie Hoffman – Madeline Harvey

Daniel Allen Nelson – Roger Vincent

Catrin Lloyd-Bollard – Rita

Avi Glickstein – Stephen

Nicolas Noreña – Bertrand

Timothy Scott – René

Yuki Kawahisa – Louise

Alessandro Magania – Charles with Richard Foreman - voice

Travis Just – tenor saxophone, soprano saxophone, Bb clarinet, bass clarinet, flute, effects, drum machines, synths

Jack Lynch – bass, sampling, modular synth

Chlöe Roe – guitar, voice, synths

Compact Disc

https://objectcollection.us/ http://www.ontological.com/ www.infrequentseams.com

LABEL: Infrequent Seams Records RELEASE DATE:10/31/2025

CAT#: IS-1077

FORMAT: CD, DL

Contact: Infrequent Seams: infrequentseams@gmail.com

Clandestine Label Services: info@clandestinelabelservices.com

Lori Miller, Redeye Worldwide: Lori@redeyeworldwide.com 877-733-3931 x28

SweetHarm

Certain Sun

Label:SalinasRecords

Format:VinylLP

CatalogNumber:SAL-129

ReleaseDate:November7,2025

BoxLot:48LPs

ContactInformation: salinasrecords@gmailcom

SweetHarmareafourpiecepunkbandfromtheHudsonValley,NYthat treadstheintersectionofbeautyandgrit,anchoredbyloveandfuzz Their newLP“CertainSun”isafeverofmoods:songsunfoldingwithagrounded force,equalpartsscrappyandshimmering Jaggedguitarsconvergingwith bittersweetvocalinterplayfromDominicArmaoandKateLarsonareanchoredby thepropulsiverhythmsectionofMikeCampbellandLivBattell.Theirsongs graspatconnectionfromallangles,weavingasturdyurgencythatfeelsboth bruisedandvivid.Themembershavebeenplayingmusicincirclesaroundeach otherformostoftheiradultlives,catchingbackupin2023andbuildinganew focustogether,finallyfeelingathomewitheachother CertainSunistheirdebut LP.

IdleRay Eternal Fade

Label:SalinasRecords

Format:VinylLP

CatalogNumber:SAL-128

ReleaseDate:November7,2025

BoxLot:507”s

ContactInformation: salinasrecords@gmailcom

ThecreativeprocessforMichigan-basedindiepopbandIdleRayistowriteas manysongsaspossibleandseewhatsticks.Thoughthegroupbeganasasolo recordingprojectforFredThomas(SaturdayLooksGoodToMe,Tyvek, WingedWheel,etc etc),itgrewintoafully-functioningbandwiththe inclusionoffellowsongwritersandplayersFrancesMaandDevonClausen. WorkingtowardstheirsecondLP, Even in the Spring,thistrioworkedon somewhereintheneighborhoodof40songsoverthecourseoftwoyears, landingonthetensuccinctandfuzzy-but-catchyrippersthatmadeitontothe album Foroneofthemanysessions,friendofthebandJaysonGerycz(Cloud Nothings,Swisher)playeddrumsonsixofFred'ssongs,someofthemoreenergetictunesconsideredfortherecord.Two ofthesesixsongsappearon Even in the Spring,buttheremainingfourfeltsoof-a-piece,itwashardtoeitherdiscard themcompletelyorintegratethemintoanotherrelease Compartmentalizingthemontoone7"EP,however,feltperfect

NEW RELEASES

Street Date: 11.14.25 | Order Date: 10.24.25

PAVEMENT

Pavements (Original Motion Picture Soundtrack)

TRACKLIST

01. INTRO FOR A MAJOR MOTION PICTURE

02. OUR SINGER (LA SESSION)

03. JOE KEERY SCREEN TEST (MOVIE CLIP)

04. ANGEL CARVER BLUES (LIVE AT CIRKUS, STOCKHOLM)

05. YOU’RE KILLING ME/MY RADIO/NOTHING EVER HAPPENS (JUKEBOX MUSICAL VERSIONS)

06. SPIZZLE TRUNK (PORTLAND SESSION)

07. IT’S WHAT I WANT (MOVIE CLIP)

08. IN THE MOUTH A DESERT (LIVE AT LE GRAND REX, PARIS)

09. PRICELESS ART (MOVIE CLIP)

10. FAME THROWA (LA SESSION)

11. SONG IS SACRED (MOVIE CLIP)

12. HERE (JUKEBOX MUSICAL VERSION)

13. ZURICH IS STAINED (LIVE AT CIRKUS, STOCKHOLM)

14. WHEN SONGS ARE BOUGHT (MOVIE CLIP)

15. WITCHITAI-TO (JIM PEPPER COVER/LA SESSION)

16. DON’T FUCK WITH MY ROLLS MAN (MOVIE CLIP)

17. TWO STATES (LIVE AT CIRKUS, STOCKHOLM)

18. I CAN’T PLAY BILLY JOEL/“RANGE LIFE” THEME (MOVIE CLIPS)

19. JOE KEERY SINGS RANGE LIFE AT FAKE LOLLAPALOOZA (DELETED SCENE)

20. SERPENTINE PAD (LA SESSION)

21. STAIRWELL SCENE (MOVIE CLIP)

22. FILLMORE JIVE (PORTLAND SESSION)

23. CIRCA 1762 (JOHN PEEL SESSION)

24. WE DANCE (JUKEBOX MUSICAL VERSION)

25. UNFAIR (LIVE AT CIRKUS, STOCKHOLM)

26. HARNESS YOUR HOPES (LIVE AT CIRKUS, STOCKHOLM)

27. STILL WAITING ON THAT GOLD RECORD (SPIRAL INTERVIEW)

28. SHOOT THE SINGER (SNAIL MAIL LIVE FROM THE PAVEMENT MUSEUM IN NYC)

29. ENDLESS LOOP OF SONGS (DELETED SCENE)

30. NO MORE ABSOLUTES/SO MIND BLOWING (MOVIE CLIPS)

31. GROUNDED (LIVE AT THE FONDA THEATRE, LOS ANGELES)

32. FIGHT THIS GENERATION (MUD THROWA MUSICAL - LIVE MIX)

33. THE BAND THAT RUINED LOLLAPALOOZA (MOVIE CLIP)

34. THE INFRASTRUCTURE ROTS (MOVIE CLIP/ JUKEBOX MUSICAL VERSION)

35. TYPE SLOWLY (LIVE AT CIRKUS, STOCKHOLM)

36. SLANTED! ENCHANTED! TRYOUTS! (MOVIE CLIP)

37. GRAVE ARCHITECTURE (PORTLAND SESSION)

38. I HEARD PAVEMENT FOR THE FIRST TIME SIX WEEKS AGO (MOVIE CLIP)

39. GIVE IT A DAY (JUKEBOX MUSICAL VERSION)

40. I JUST SAW A GHOST (MOVIE CLIP)

41. SLANTED! ENCHANTED! MUSICAL! FINALE! (JUKEBOX MUSICAL VERSION)

• FEATURING 85 MINUTES OF NEVER-BEFORE-HEARD MUSIC AND DELETED SCENES

• RELEASED ALONGSIDE INTRODUCTORY GREATEST HITS SINGLE LP

• PAVEMENT PERFORMED ON FALLON RECENTLY (MAY ‘25)

• HEADLINING LEVITATION FEST 2025

• FOUR MILLION TOTAL SALES AND ONE BILLION STREAMS WORLDWIDE

PRAISE FOR ‘PAVEMENTS’

“Brilliantly done…delightfully destabilizing.” – The New York Times

“Dazzling…An artificial artifact that nonetheless proves more authentic.” – The New Yorker “Perfectly cracked…exactly the type of WTF rock doc the band deserves.” – Rolling Stone

This November, Matador Records capitalizes on the sweeping success of box office smash PAVEMENTS with the physical release of the iconic meta-documentary’s original soundtrack.

Compiled by PAVEMENTS producer/ editor Robert Greene and the band, the soundtrack ropes together disparate elements of the film – dialogue snippets, scenes from the fake Oscar-bait biopic Range Life, and cast recordings from the Slanted! Enchanted! jukebox musical as well as live and rehearsal recordings from the group’s 2021 reunion tour and the never-before-released cover of Jim Pepper’s song “Witchitai-To.”

The full-band performances were mixed by Bryce Goggin, who worked on Pavement classics Crooked Rain, Crooked Rain, Wowee Zowee, and Brighten the Corners.

PAVEMENT

Hecklers Choice: Big Gums and Heavy Lifters - A Pavement Collection

Hard to believe we made it, but here we are. A sold-out reunion. Gold records. A criticallylauded feature film. Stockton, CA’s finest are once again seated atop the throne and Pavement is the biggest band in the world, North America, the coastal United States.

And yet, we get the sense there’s still a lot of people who don’t know who the hell they are. Thus, Matador Records will release Hecklers Choice: Big Gums and Heavy Lifters

- A Pavement Collection, Pavement’s secondever “best of” compilation. Look, it’s been more than a decade. Back when Quarantine the Past came out in 2010, TikTok wasn’t a thing. This newly re-vamped track-list accounts for any/all viral sensations that have emerged hence (“Harness Your Hopes”) while continuing to rep the timeworn tunes that have remained playlist and mixtape staples for in-the-know-types across generations.

• FEATURES THE VIRAL SENSATION “HARNESS YOUR HOPES”

• RELEASED ALONGSIDE ‘PAVEMENTS’ ORIGINAL SOUNDTRACK DOUBLE LP

• FULL ALBUM NEWLY REMASTERED IN 2025

• INCLUDES TRACKS FROM ‘SLANTED AND ENCHANTED,’ SUBJECT OF RECENT PITCHFORK PERFECT 10 SUNDAY REVIEW

• BAND PERFORMED “HARNESS YOUR HOPES” ON FALLON RECENTLY (MAY ‘25)

• HEADLINING LEVITATION FEST 2025

• FOUR MILLION TOTAL SALES AND ONE BILLION STREAMS WORLDWIDE

PRAISE FOR ‘PAVEMENTS’

“Brilliantly done…delightfully destabilizing.”

– The New York Times

“Dazzling…An artificial artifact that nonetheless proves more authentic.” – The New Yorker

“Perfectly cracked…exactly the type of WTF rock doc the band deserves.” – Rolling Stone

TRACKLIST

01. STEREO

02. HARNESS YOUR HOPES

03. CUT YOUR HAIR

04. SHADY LANE

05. UNFAIR

06. MAJOR LEAGUES

07. SUMMER BABE (WINTER VERSION)

08. GOLD SOUNDZ

09. RANGE LIFE

10. SPIT ON A STRANGER

11. DATE W/ IKEA

12. HERE

14,

THE DEFINITIVE DECORATION DAY

STREET DATE: NOVEMBER 14TH, 2025

The remixed 2003 classic album, Decoration Day, remastered by acclaimed engineer Greg Calbi. Features Drive-By Truckers standards, “Sink Hole,” “Marry Me,” “My Sweet Annette,” and Jason Isbell’s first songs with the band, “Outfit,” and “Decoration Day.”

PLUS BONUS DOUBLE LIVE ALBUM

Heathens Live At Flicker Bar, Athens, GA - June 20, 2002 A stripped-down, acoustic show from the band’s hometown, recorded a year before Decoration Day’s release. Featuring novel and tight live takes on most of the album’s tracks - several performed for the first time ever - with additional back catalog tracks to round out this dynamic and raw set.

“Considered by many (including me) to be DBT’s masterpiece, this is the ultimate version of Decoration Day, sounding better than ever with an expanded presentation of Wes Freed’s iconic artwork and expansive liner notes by Stephen Deusner. Plus a very special live performance of an acoustic set from Athens, GA’s iconic Flicker Bar. We recorded the basic tracks for our Decoration Day album in late May / early June 2002 in Athens GA. On June 20, DBT was nominated for several awards at the Athfest / Flagpole Music Awards. We all dressed up in vintage suits and performed several songs at the beautiful Morton Theatre in downtown. We decided that it would be fun to go play an acoustic late night show at the tiny Flicker Bar, less than a block away from our beloved 40 Watt Club. We ended up playing a set that included all but one song off of our new but still unfinished album. . This is a beautiful document of our band at a very crucial and joyous moment in time. I’m so happy that it exists and we’re thrilled to present it to you as part of our Decoration Day celebration.” - Patterson Hood (May 2025)

Decoration Day - Remixed & RemasteredVINYL Disc 1 and Disc 2

SIDE A

1. The Deeper In

Sink Hole 3. Hell No, I Ain’t Happy

Marry Me

SIDE B

My Sweet Annette

Outfit

Heathens

Sounds Better in the Song

SIDE C

(Something’s Got to) Give Pretty Soon

Your Daddy Hates Me

Careless

When the Pin Hits the Shell SIDE D

Do It Yourself

Decoration Day

Loaded Gun in the Closet

Heathens Live at Flicker Bar, Athens GA June 20, 2002 - VINYL Disc 3 and Disc 4

SIDE A

1. Flicker Heathens (intro) 2. Do It Yourself 3. Careless 4. The Deeper In

Sink Hole 6. Hell No, I Ain’t Happy

SIDE B 1. Marry Me 2. Outfit 3. Heathens

My Sweet Annette

SIDE C 1. (Something’s Got to) Give Pretty Soon

2. Your Daddy Hates Me

3. Decoration Day 4. Loaded Gun in the Closet

SIDE D 1. Panties in Your Purse 2. TVA

3. Uncle Frank

4. The Living Bubba

VINYL INDIE EXCLUSIVE VINYL

CONFIG: 4xLP + rigid slipcase + gatefold + wide-spine jacket

+ 40p book + sticker

UPC: 607396593514

Catalog: NW5935LP

Box Lot: 10 Count

Genre: Rock n Roll

CONFIG:4xLP + rigid slipcase + gatefold + wide-spine jacket

+ 40p book + sticker, Olive Green Vinyl, Limited.

UPC: 607396593613

Catalog: NW5936LP

Box Lot: 10 Count

Genre: Rock n Roll

***Entirely Exclusive to Indies

All Vinyl Variants - Standard, Indie (olive, 3K), Webstore (Burgundy, 1K) Seasick Records Edition (150, Blue and Red Splatter) HeAthens Exclusive (300 exclusive to Athens area retailers).

3CD

CONFIG: Clamshell box + 3 CDs in sleeves + 68p book + marketing sticker

UPC: 607396661220

Catalog: NW6612CD

Box Lot: 20 Count

Genre: Rock N Roll

Press for Decoration Day

5 Stars - Mojo

8.0 - Pitchfork

#27 Album of the Decade - Paste Magazine

Top 10 Critics Pick 2003 - Rolling Stone

MARKETING POINTS

•Remixed and Remastered Decoration Day

•Bonus 2LP live show recorded in June 2002

•Jason Isbell’s first album with the band

•Considered by man to be the bands Masterpiece

•Historical book included with essays and liner notes

LUSH Gala

35th Anniversary Edition available on standard black + cd

Lush’s Gala was the band’s debut compilation album, comprising their earliest releases — Scar (1989), Mad Love (1990), and Sweetness and Light (1990) — in reverse chronological order, plus two additional tracks (a cover version of ABBA’s “Hey Hey Helen” and the extended Robin Guthrie mix of Scar track “Scarlet”).

Originally released in 1990 as the band’s introduction to the US and Japanese markets, the compilation’s 35th anniversary is being celebrated with a 2025 reissue with new remasters by Kevin Vanbergen. Back in print for the first time since 1990, the LP features original artwork by V23.

“With their strumming swathed in electronic reverberation and other effects, Lush creates an undertow of opulent and churning harmony. Above it float Ms. Berenyi’s airy lead vocals and Ms. Anderson’s weightless descant, their chiming, overlapping lines calmly sketching disillusionment amid the maelstrom of guitars.

- The New York Times

“From the early standout ‘Sweetness and Light’ to the swooping beauty of ‘De-Luxe’ to the enjoyable romp through Abba’s ‘Hey Hey Helen,’ Gala is one continued win.”

- Pitchfork [The 50 Best Shoegaze Albums of All Time, #8]

“Fom the twisting stab of ‘De-Luxe’, the controlled thrash of ‘Downer’ or the heady swirl of ‘Thoughtforms’, Lush seemed like the perfect creation, right down to the beautiful Vaughan Oliver v23 artwork.”

- The Quietus

A1/1 Sweetness and Light

A2/2 Sunbathing

A3/3 Breeze

A4/4 De-Luxe

A5/5 Leaves Me Cold

A6/6 Downer

A7/7 Thoughtforms - Mad Love Version

B1/8 Baby Talk

B2/9 Thoughtforms - Scar Version

B3/10 Scarlet - Scar Version

B4/11 Bitter

B5/12 Second Sight

B6/13 Etheriel

B7/14 Hey Hey Helen

B8/15 Scarlet - Robin Guthrie Version

Picture Disc LP: YT-229-LPE2

File Under:Electronic

Vinyl non-returnable

Jamie xx In Colour

10th Anniversary Picture Disc

STREET DATE: August 22nd, 2025

To mark the 10th anniversary of In Colour, Jamie xx will release a limited edition picture disc version of his debut album. Jamie’s definitive In Colour is a bold, celebratory, and emotional artistic statement that received critical acclaim across the board as well achieving huge commercial success.

The eleven track LP is widely regarded as one of the best albums of 2015 and was voted in the top 25 of Pitchfork’s best records of the 2010s. The album features The xx band mates Romy Madley Croft (‘Seesaw’ and ‘Loud Places’) and Oliver Sim (‘Stranger In A Room’), Young Thug and Popcaan (‘Good Times’) and Four Tet (‘Seesaw’) and received Grammy, Brit and Mercury Award nominations.

PRESS

“Dazzling” – Pitchfork (Best New Music)

“In Colour isn’t only a necessary listen, but an important one too.” – Complex

SELLING POINTS

• Limited Edition Picture Disc Celebrating In Colour’s 10th Anniversary

• The debut album by Jamie xx

Harmonia: Deluxe – 50-year anniversary edition

Artist: Harmonia

Album title: Deluxe – Anniversary Edition

Cat No: LPGRON151X

Barcode: 5061010503597

Sale facts: orange colored, 180g vinyl with revised gatefold

Cover/MockUp: Link

Tracklist:

Sales Text:

When Harmonia made an album, it was about more than just music. It was about a vision.

Deluxe, released in 1975, was the band's second album. Instead of pure sound experiments, this album focused more on structure, melody, and rhythm. Harmonia showed a new side of themselves – more accessible musically, without losing any of their depth.

50 years later, Deluxe is being released in a special anniversary edition – as a high-quality gatefold with previously unreleased photographic material and on orange vinyl, inspired by the artwork of the original pressing.

This edition is not only interesting for collectors, but for anyone who wants to understand why artists such as Brian Eno and David Bowie counted Harmonia among their most important influences – and why Deluxe is still considered a blueprint for electronic music today. Brian Eno himself once called Harmonia “the world's most important rock band”1 – an assessment that could hardly better underscore how visionary this music was then and still is today.

1. Quote from: David Stubbs: Future Days: Krautrock and the Building of Modern Germany. Faber & Faber, 2014.

CORB LUND

HORSE SOLDIER! HORSE SOLDIER!

Horse Soldier! Horse Soldier! was originally released in 2007, and will finally be back in print on vinyl for the first time outside of Canada. On this album, Corb Lund took a turn from his previous writing topics and settled on one theme for this record: historical military songs. “The Horse Soldier album apparently came out of left field for people,” said Lund. “We had just come off two straight gold records which both surprised me in terms of their commercial success. I just kept writing what I was feeling, and what I was feeling was a bunch of military history songs (apologies to Johnny Horton and Steve Earle). I’m really proud of sticking to my guns and releasing this album just how I envisioned it because to this day I have people tell me all the time that of all our records this is their favourite. It seems to be a very interesting mirror for the listener. Many people have told me they love it as an ‘anti-war’ record yet I’ve also had a ton of feedback from military guys, retired and active, who appreciate the acknowledgement of their work. I don’t know, maybe it’s both. I didn’t really have an agenda in mind at all when I wrote it other than presenting a bunch of war stories from different perspectives.”

This limited edition release is part of the Corb Lund - Dark Horses Club. New West Records will be releasing unreleased records and material from Corb Lund throughout 2025 and 2026.

STREET

DATE: Nov. 7th, 2025

TRACK LISTING

Side A:

1. I Wanna Be In The Cavalry (3:09)

2. Horse Soldier, Horse Soldier (5:12)

3. A Leader On Losing Control (3:21)

4. Student Visas (4:03)

5. Ciesla’s Revenge (Intro) (0:38)

6. My Saddle Horse Has Died (3:07)

7. I Wanna Be In The Cavalry: Reprise (3:45)

8. Taps (0:32)

Side B:

1. Lament For Lester Cousins (4:53)

2. Brother Brigham, Brother Young (4:09)

3. The Horse I Rode In On (3:51)

4. What That Song Means Now (2:37)

5. Hard On Equipment (Tool For The Job) (3:14)

6. Family Reunion (2:19)

7. Especially A Paint (2:36)

VINYL

Sel. #: NW5910LP

Config: 1xLP, Jacket, Full Color Sleeve, Black Vinyl UPC: 607396591015

Box Lot: 20 Count

Genre: Country, Americana

***Color variant available via D2C

SCAN THIS QR CODE FOR ASSETS, BIO, PRESS KIT, MOCKUPS ETC…

Tony Molina

“On This Day”

Street Date: November 14, 2025

Territory: World

RIYL: The Choir, The Beau Brummels, The Byrds, Bill Fox, The (UK) Kaleidoscope, The Kinks. Jackie DeShannon

TL;DR: South SF Bay Area mainstay Tony Molina is back with his most finely-realized album of classicist folk-rock yet. Informed by deep pop scholarship and Tony’s DIY roots, “On This Day” is packed with brilliant tunes, crafty arrangements and stellar melodies.

CD UPC: 749846029928

Packaging: Jewel Case Box Lot: 30

Much has been made of Tony Molina's simultaneous love of and history with feedback-overload punk *and* 60s-influenced folk-pop, but what really ties it all together is the belief in the *song* and telling your story in the most honest way possible. His new album On This Day might be the most Tony Molina album yet -- an achingly beautiful set of songs collaboratively produced and recorded by Tony and Alicia Vanden Heuvel (The Aislers Set).

An unhurried home recording process gave them plenty of time to experiment and hone the arrangements, adding Mellotron, piano, organ, mellotron, bells, trumpet and more to exquisite effect. Timeless folk/rock gems alternate seamlessly with straight-up acoustic folk tunes, intricate classical guitar interludes and baroque/soft-pop delicacies. This is an album in the truest sense - a cycle of songs linked by mood, melody, hook and purpose, and not by accident it's Tony's finest yet.

Contact: Stephen Svacina

email: stephen@redeyeworldwide.com

tel: 1.877.733.3931

AUSTRA CHIN UP BUTTERCUP

TRACKLISTING

1. Amnesia

2. Math Equation

3. Siren Song

4. Chin Up Buttercup

5. Fallen Cloud

6. Blindsided

7. Think Twice

8. Look Me in the Eye

9. The Hopefulness of Dawn

10. Good Riddance

CATALOG NUMBER: WIG522

RELEASE DATE: November 14, 2025

FILE UNDER: Alternative “A”

CD

Boxlot: 30 UPC: 887828052226

LP w/DOWNLOAD

Boxlot: 20 UPC: 887828052219

Vinyl is non-returnable

LP (ltd) w/DOWNLOAD

Indie/D2C Exclusive

Boxlot: 20 UPC: 887828052233

Vinyl is non-returnable DOMINO RECORDING COMPANY 20 Jay Street, Suite 626 Brooklyn, NY 1 1201 718.797.4229 / dominorecordco.com

Contact: Cyrus Lubin cyrus@dominorecordco.com

505 Eno Street, Hillsborough, NC 27278

Contact: Jill Wheeler jillw@redeyeworldwide.com

OVERVIEW

“I’m so chaotic in love,” sings Katie Austra Stelmanis on “Amnesia,” the cinematic opening track of Chin Up Buttercup, the fifth album by her alter ego and longtime pop project Austra You know Austra’s astonishing voice – singular and operatic, it betrays a fearlessness and sophistication. She’s the woman you’d be afraid to approach in a bar. Her voice draws you like a siren to the dance floor as the beats build toward the hypnotic chorus of “my life is not the same without you in my arms.” Listen closely and you’ll hear a vulnerability that sets this album apart from her earlier work. This is a grief album you can dance to.

Stelmanis, a classically trained musician and opera devotee with four previous albums and a Canadian Screen Award under her belt, has been singing dramatic arias about tragedy for years. Her secret? She didn’t really know what that devastation felt like. She only experienced it off stage in early 2020 when her long-term partner dropped a bombshell. “I was completely blindsided … the person I loved woke up one day, told me she wasn’t happy, and I never saw her again,” Stelmanis says. She confesses to feeling very at odds with the world, like nothing made sense. The album’s name is a reference to the societal pressure to just paste on a smile and keep going.

Stelmanis and co-producer Kieran Adams shared a mutual love of pop divas, Eurodance and hard-to-find techno. Madonna’s 1998 album Ray of Light, produced by William Orbit, was a key influence in the later stages of album making: “Ray of Light was produced almost entirely on a Juno-106 and a Korg MS-20 which we’d been using, so the reference point was aligned ,” says Stelmanis. The album sounds like a mix of hypnotic dance floor anthems and elegant melodies to soothe your broken heart.

SELLING POINTS

• Chin Up Buttercup is Austra's fifth studio album, not counting her film scores, and she has amassed over 60 million streams across her catalog.

• Major market North American tour dates to be announced.

• Radio campaign to impact non-commercial/specialty formats.

• Indie/D2C exclusive format comes on Neon Orange vinyl. The standard format comes on All LP foramts include an A2 double-sided poster and download card.

BAD VIBES & THE END

Los Angeles artist and musician Shlohmo

returns with a vinyl repress of two of his defining albums: ‘Bad Vibes’ and ‘The End’ . From the first sounds of Henry Laufer’s early work, it was clear he was forging a new path in electronic musicmelding hazy textures, emotive melodies, and fractured beats into a sound both intimate and expansive.

Bad Vibes introduced Shlohmo’s lo-fi, slow-

motion approach, crafting emotive atmospheres that would influence a generation of West Coast producers The End, a cinematic journey of chaos and calm, cemented his status as a visionary, blending apocalyptic tension with moments of quiet reflection, made with drum machines, vintage synths, and improvised recording techniques

These albums showcase Shlohmo at the height of his craft, balancing raw emotion with

meticulous sound design. Both records have shaped the landscape of modern electronic and lo-fi production, and now, on vinyl, they offer a tactile, immersive experience that captures every nuance of Laufer’s vision.

Key points

Dual repress of seminal albums –Shlohmo’s groundbreaking debut Bad Vibes and his apocalyptic opus The End

return to vinyl

116,000,000 cumulative streams across

both albums

Over 4,000 physical units sold

Albums praised by outlets like Pitchfork, FADER, Resident Advisor, and FACT, positioning him as a tastemaker and innovator

KALIA VANDEVER ▒ ANOTHER VIEW

Release Date: November 14, 2025

Catalog #: NS 176

Territory: Worldwide Genre: Jazz, Ambient Styles: Jazz Instrument, Eledtric Jazz

Tour Dates:

September 25 – Columbus Museum of Art, Columbus, OH

September 26 – Otterbein University, Westerville, OH

November 29 – Public Records, New York City, NY

December 16, 17 – Lodge Room, Los Angeles, CA

Compact Disc Digipak

UPC: 309272739749

Kalia Vandever is a GRAMMY Award-winning trombonist and composer living in Brooklyn, NY. Her approach to the trombone is distinctive and defined by her sonorous tone and lyrical improvisational voice. She leans into the challenges of the instrument and allows patience and melody guide her process.

Another View, the latest release from Kalia Vandever, explores over-idealization and romanticization and the insidious horrors born from adapting to dysfunction.

Featuring Mary Halvorson on guitar, Kanoa Mendenhall on bass, and Kayvon Gordon on drums, this book of music is inspired in part by Carmen Maria Machado’s memoir In the Dream House.

The EP invites the listener to examine what emerges from cyclical forms and free-flowing melodies via repetition and intentional, deep listening.

Label Contact: Adam Downey, adam@northern-spy.com

Distro Contact: Jeanette Wall, jeanette@redeyeworldwide.com 877-733-3931 x232

CAGED ANIMALS MAKE STRANGE FRIENDS

limited edition translucent ruby LP LP-YC-069

Black vinyl. Tip-on gatefold jacket.

CATALOG: YC-069

FORMAT: LP/DIGITAL RELEASE DATE: NOV 14, 2025

Caged Animals is singer-songwriter Vincent Cacchione and visual artist Magali Charron. The son of a NYC stand-up comic and a public school teacher, Vin gravitated to songwriting at a young age and became a student at the anti-folk academy at the East Village’s fabled Sidewalk Café. From early solo performances to his work in the underrated noir-indie-rocker’s Soft Black (with DIIV’s Cole Smith), Vin’s songs have maintained a cutting sincerity.

Over the last decade, he has collaborated with pioneering figures in fiction podcasts like Welcome to Night Vale, The Space Within, and Hedwig creator John Cameron Mitchell, honing his craft as a storyteller and songwriter along the way.

Make Strange Friends was conceived during a transitional moment in Vin and Magali’s lives, after relocating to Magali’s hometown in Sackville, New Brunswick. There they met low-key indie legend Jon Mckiel, who as co-producer, helped Caged Animals embrace a raw, spontaneous recording approach on his Tascam 388 tape machine. The album harks to lo-fi treasures like The Basement Tapes and Mellow Gold, marrying rough-hewn, folky impressionism with a lush, post-modern palette,

Make Strange Friends parses the world through its binaries: the characters are either running away or stuck forever, totally isolated or desperately connected. The music strikes haunted chords, but the characters say funny things. Caged Animals have crafted a multifaceted album that is both a time capsule from a weird era and a tender love letter to the next chapter.

Vin Cacchione is one of the finest indie songwriters around. He’s written nine beautifully evocative songs that inhabit their characters whether it’s a song about leaving rehab, losing friends way too soon, or the tentative stabs at a new relationship under the Blood Moon. Plus he respects his elders: Building A Monster builds on Dylan’s My Own Version of You but instead of channeling Marx, Freud and St. John, Vin’s monster is buying bulk at Costco! And the spoken word finale, Make Strange Friends is totally prescient in its anticipation of the US/Canada tariff wars, the immigration crisis, and the ever-looming specter of climate change. A new Caged Animals LP is always a celebration in Ratsotown. - Larry “Ratso” Sloman

Shimmering moonlit ballads and highway meditations from an antifolk authority. A record of thought provoking aphorisms retrieved from the lifelines of personal experience. Caged Animals are the genuine article, a warm sentimentality communicated straight from the heart. - Adam Green

Captivating and cinematic! Beautiful short films for the ears and soul! - Julie Doiron

God himself could not have created a more perfect collection of songs. - Zachary Cole Smith (DIIV)

YOU’VE CHANGED RECORDS

123 Pauline Ave. Toronto, ON M6H3M7

info@youvechangedrecords.com www.youvechangedrecords.com

Redeye Project Manager

Nick Stamey - nick@redeyeworldwide.com 877-733- 3931 ext 277

THE ALTONS

DEL CIELO TE CUIDO b/w PERDÓNAME

In anticipation of the group's upcoming Mexican tour dates we are happy to announce that both Spanish sung tracks from their LP will now be available on 45. With lead vocals shared between Adriana Flores and Brian Ponce the interplay between their unique timbres brings a romantic quality to the music that is absent in many of today's soul offerings. "Del cielo te cuido", a gorgeous ballad about the unconditional nature of true love, builds into an uplifting waltz–showcasing the delicate and effective interplay between Ponce and Flores. Sung in unison, "Perdóname" is a viby, mid-tempo shuffle whose dreamy swing–courtesy of their unassailable rhythm section: Caitlin Moss (drums) and Chris Manjarrez (bass)–transports you to another time and place.

JMMR

Resistance Is Fertile

1. Virtue Signaling 139 BPM (feat. Stuart Bogie)

2. Vitamin C 120 BPM

3. Search Terms 135 BPM

4. Kiosk Radio 142 BPM

5. Dancing on the Precipice 144 BPM (feat. Stuart Bogie)

6. Courage Wolf 148 BPM

7. Igor Stravinsky 155 BPM (feat. Cochemea Gastelum and Morgan Price)

8. Basic Human Decency 000 PBM

9. Right to Die 162 BPM (feat. Stuart Bogie)

10. Climate Wars 172 BPM

11.Uptown Swing 148 BPM (feat. Ricky Quiñones)

Resistance is Fertile was recorded using layered first take performances. All tracks were recorded to “dance music” tempo markings (between 120-172 beats per minute, or BPM) beginning with voice memo beatboxes, layered on top by drums, synths and finally horns. These multitracked improvisations were then edited and mixed into the compositions heard on the album.

JMMR is built for guests, and the album features blinding improvisational contributions from reedmen to the stars Stuart Bogie and Cochemea Gastelum, and global sensations Morgan Priceand Ricardo Quinones...

ABOUT JMMR

JMMR (Jordan McLean's Musical Resistance) brings you the new sounds of Electrobeat, with their debut album Resistance is Fertile. Resisting despair since 2019,the Resistance was rebuilt for the long haul in 2024. Founded by long-time Antibalas trumpeter and bandleader/arranger Jordan McLean, the members of the Musical Resistance have performed with a diverse array of artists such as The Roots, TV on the Radio, Tony Allen, Steven Tyler, Iron and Wine, Zack Bryan, David Byrne, Patti Labelle, Sharon Jones and the Dapkings, JRAD, Medeski Martin & Wood and Ornette Coleman to name only a very few. At the bandʼs core lies a fusion of synthetic and natural elements, where machines enhance human expression. Both familiar and unrecognizable, traditional musical techniques undergo electronic synthesis yielding unforeseen outcomes creating an internet radio dance tempo avant-rave.

30 Available November 14, 2025 Label Contact Info:

3xLP

XL-1571-LP

File Under:Electronic Vinyl non-returnable

2xCD

XL-1571-CD

File Under:Electronic

Brave Work

TRACKLIST

From Before... What?

Relax The Pleasuredome

Sodastream

Gush Goog

To Win Her Love

Thanks mr jones

To Tell a Lie

I Won’t Forget

Be Clowns

Different Time

Different Time (Reprise) young ones track 5

existential megamix METHODOLOGIES

tim giles live drum takes Lush Nova Elec old dat biz 1#46 (wakey wakey) acid frog fave techyarr a reasoning old tech 38 sweets (bring u back) new guardmeter

Leila

Courtesy of Choice... asides and besides 25th anniversary

STREET DATE: November 14th, 2025

Iranian-born, London-based innovator Leila has been described as one of the “1990s forgotten mavericks” (Pitchfork) and is an integral member of the golden generation of boundary-pushing electronic producers, working with the likes of Bjork, Terry Hall, Martina TopleyBird, and Aphex Twin.

After releasing her debut album ‘Like Weather’ via Aphex Twin’s label Rephlex in 1998, Leila signed to XL and released ‘Courtesy of Choice’ in 2000, an album described as “creative, highly listenable, unpretentious electronic music at its best” (Exclaim!).

To celebrate the album’s 25th anniversary, Leila reissues ‘Courtesy of Choice … asides and besides’, the expanded edition of her seminal XL Recordings sophomore album. Here Leila blends glitchy textures, emotive melodies, and off-kilter beats to craft deeply personal sonic landscapes. Led by “Lush Nova Elec”, her work helped shape the post-trip-hop, IDM-influenced sound of the early 2000s, influencing the generation that followed.

In parts, Courtesy of Choice is almost a pastoral techno take on city sickness: Eno or The Aphex Twin meets the sounds o’ The Massive perhaps, or DJ Shadow, or Soul II Soul deconstructed by Jah Wobble. - Hot Press

The Best Of Natacha Atlas

Natacha Atlas is an internationally-acclaimed artist with one of the world’s most distinctive voices. The Anglo-Egyptian singer has spent more than three decades fusing electronic beats with North African and Arabic music, finding links between seemingly disparate musical genres, exploring new and different sonic settings and working with a wealth of like-minded collaborators from across the world along the way. The resulting body of work is both a triumph of true multiculturalism and a testament to the richness and accessibility of Arabic culture. It is, indeed, an oeuvre unlike any other. Presiding over it all, of course, is Atlas’s extraordinary voice. Meltingly sensuous and gloriously passionate, delicate with melisma and microtones, it bridges Middle Eastern and Western styles with instinctive ease.

The Best Of Natacha Atlas was originally released in May 2005, and we are excited to present a remastered version, available on vinyl for the first time. When this best-of was originally released, Natacha didn’t want to just put out a collection of only album tracks. Several tracks were new mixes and re-workings that Natacha chose to do, and at the time, she said “I decided to re-record a few tracks that I felt needed an overhaul or bringing up to date”. Her stunning versions of the Françoise Hardy classic “Mon Amie La Rose”, the James Bond theme “You Only Live Twice”, “I Put A Spell On You” as made famous by Screamin’ Jay Hawkins and James Brown’s “(It’s a Man’s Man’s) Man’s World” are also included.

To date, Natacha has released nine studio albums, the first seven of which were released on Beggars labels Nation and Mantra. Her most recent album Strange Days, was released in 2019.

LP: MNT1089-LP

File Under: World

Vinyl non-returnable

A1. Leysh Nat’Arak – New Version

A2. Mon Amie La Rose

A3. Eye of the Duck

A4. Ezzay

B1. Fakrenha

B2. Mistaneek – 2005 Edit

B3. Leysh Nat’Arak – TJ Rehmi Remix

B4. You Only Live Twice

C1. Yalla Chant – 2005 Edit

C2. Fun Does Not Exist – New Mix

C3. I Put A Spell on You

C4. (It’s a Man’s Man’s) Man’s World

C5. Amulet – 2005 Edit

D1. Kidda

D2. Leysh Nat’Arak - 2005 Dub Mix

D3. Le Printemps (For Mona)

D4. Moustahil - Live

Ship Sket

InitiatriX

LABEL: PLANET MU RECORDS STREET DATE: 14th NOVEMBER 2025

A:

Frost Cake

Vendetta’s Theme (ft. Charlie Osborne)

Supermodel Mansion

Dysentery

Audition For The Part Of The Killer Casting Call (ft. S280F)

B: iLuminatriX

Permanent Kigurumi

Futaro

Mimikyu

Desire 4 Stealth

Locked In

BLACK VINYL LP: ZIQ480

UPC: 5056321683007

Ship Sket is 26 year old Josh Griffiths. Originally from Dorset, he's lived in Manchester for seven years and forged his own path within the city's welcoming and close-knit music scene, arriving on Planet Mu this autumn with his debut album InitiatriX.

Sonically the album is a homage to the UK styles that Josh loves: dubstep, grime, drill and rap, but on an emotional level it’s about spirituality, fetish, and latent darkness hidden by outward appearances.

Josh says about his process “I like happy accidents, messing around and resampling, and kind of seeing how far I can push stuff before it disintegrates in front of me.“ Not so much deconstructed so much as derailed; “I’ve heard my tunes on a club system and gone wow that mix sounds bad, but the tune is still popping. My approach is a lot more stylistic than it is technical.“

InitiatriX is a smeared mix of distorted pop, underwater drill, dubby musique concrète and the downright dada. There are dramatic string passages and naked piano; Josh drops from twitchy electronics to blooms of distortion, found-sound and lo-fi drum patterns and sometimes all those things at once.

“I do think of production as a divine practice because it is a mass-channeling of creative force. Putting together a track is drawing down energy and organising it into the best possible shape, like a huge elaborate puzzle. Sometimes the tracks will write themselves, and that is a beautiful feeling.“

This approach to writing is manifest throughout InitiatriX. Take Vendetta's Theme (ft. Charlie Osborne) - a pounding drill beat covered in a layer of filthy distortion with demonic vocals rapping about spiders, alchemy and isolation - the vocals and sample chops forcing their way through the song's web of grit; or the subtle intensity of Mimikyu’s slow paced and ornate strings, cast against repeated cute bleeps and incidental details to form a hypnotic club tool. Permanent Kigurumi's lonely melody, cloaked in a haunted atmosphere, rubs against explosive drill drums and a vocal snatch whispering “Just Like You.”

Ship Sket's music is strange and beguiling, rough and sensuous all at the same time.

Hélène Barbier

PANORAMA

Avant-pop singer and bassist Hélène Barbier seeds melodies that ferment in her head, pairing hummable lines with alien tunes conjured in someone else’s psyche across time and space. She creates an imbalance through juxtaposition. Four simple notes become evocative alongside four disorienting, different notes, and this simplistic rule has become a basis for complex play.

The Montreal-based artist enlists musicians based on their willingness to break from tired chords, worn fills, and needless flourish—expertise aside. She switches between English and French atop aggressively anti-complicated melodies. Off-kilter beauty ensues. Pretension and contrived professionalism are kept far away as these sketches find mature forms in songs that keep

On November 14th, Barbier will unveil Panorama , her third full-length album.

Thro ugh a symphony of sticky jangle pop riffs, guttural melodies, and intricate grooves, the record evokes a dying jukebox spitting out its last perfect songs.

• First album release with Bonsound, Third album in Career

• F eatures Ada Lea, Meg Duffy (Hand Habits, Perfume Genius) & musicians from other Montreal bands (Corridor, Night Lunch, Retail Simps, etc)

• C o-produced and mixed by Emmanuel Ethier (Coeur de Pirate, Chocolat, Bon Enfant, etc)

• P R Teams in Canada, USA and France

• R ecommended if you like Courtney Barnett, Stereolab, Melody’s Echo Chamber, Young Marble Giants

TRACKLIST:

A1. Kindness in a cup

A2. Lapin

A3. Milquetoast

A4. Marcel

Street date: Nov 14, 2025

A5. A House B1. Plastique Couch

B2. Dans l'os

B3. Weather Channel

B4. Water

LP-BONAL-114

634457229310

S ingle LP Jacket, Black Vinyl, Printed Sleeve Worldwide

Smote –Songs From The Free House

Rocket Recordings

LAUNCH415S 5056688847227

2025-11-14

In the world of Smote, going further out means going inward. Less a metaphysical journey into inner space, more a physical journey into the ground itself, converging with its roots and vibrations. Forged from repetition and mantric intensity and possessed of formidable psychic fortitude, Songs from the Free House - their fifth release for Rocket Recordings - proves that the only retro-chic Smote indulge in is liable to go back several centuries. The megalithic monomania of last year's A Grand Stream set a formidable precedent, and Smote's live shows in its wake have gradually built a reputation as visionary seers building audial monuments by cranked amplification and atmospheric intensity alike. Yet these five gnostic serenades offer portals and paradigms anew.

In terms of locating this album in place, this new foray also differs from Smote's past work in terms of its recording - although once again chief architect Daniel Foggin played and sang almost everything on this record (bar guest appearances from Sally Mason of the Smote live band on vocals and Ian Lynch from Lankum on Uillean pipes) his recording Songs From The Free House in Blank Studios with Sam Grant (Pigs Pigs Pigs Pigs Pigs Pigs Pigs) marked a journey from the DIY minimal approach of yore into more widescreen visions without compromising the singular intent within.

Wrought from the earth, transposed to the ether, and now shared with the world at large, this album marks a transcendental journey where Smote render ancient and modern indivisible. Just as traditional music is passed down through generations, Songs From The Free House is where the primal collides with the eternal.

DIRECTOR OF SALES & LABEL RELATIONS

Jason Taylor jason@redeyeworldwide.com § ext. 245

SALES MANAGER

Alex Ashkenes alex@redeyeworldwide.com § ext. 295

LABEL RELATIONS MANAGER

Will Savery will@redeyeworldwide.com § ext. 287

SENIOR ACCOUNT REPS

Steve Dixon steve@redeyeworldwide.com § ext. 229

Christie Coyle christie@redeyeworldwide.com § ext. 294

ACCOUNT REPS

Ben Wilson ben@redeyeworldwide.com § ext. 238

Kathryn Berry kathryn@redeyeworldwide.com § ext. 297

Jack Patton-Smith jack@redeyeworldwide.com § ext. 248

Chris DeBono chrisd@redeyeworldwide.com § ext. 335

SALES ADMINISTRATOR

Justin Bowers justin@redeyeworldwide.com § ext. 209

SENIOR LABEL MANAGERS

Lori Miller lori@redeyeworldwide.com § ext. 216

Perry Harrell perry@redeyeworldwide.com § ext. 207

Stephen Svacina stephen@redeyeworldwide.com § ext. 249

Jill Wheeler jillw@redeyeworldwide.com § 901-409-5186

LABEL MANAGERS

Jeanette Wall jeanette@redeyeworldwide.com § ext 232