PORTFOLIO - Yang(Kristen) Meng - Architectural and Computational Design

Page 1


Yang(Kristen) Meng

I am a recent graduate with a Master of Science in Design, specializing in Robotics and Autonomous Systems from the University of Pennsylvania. My academic journey began with a Bachelor's degree in Architecture, where I developed a strong foundation in architectural design and cultivated a passion for integrating computational design and AI technologies into the field.

During my six years of architectural studies, I was deeply involved in various design projects that required innovative solutions and creative thinking. This experience sparked my interest in how new technologies can transform traditional architectural practices. I have since focused on enhancing my skills in Rhino, Grasshopper, Keyshot, Lumion, Revit, and visualization, leveraging these tools to present complex materials clearly and persuasively. My aspiration is to continue exploring the intersection of architecture, technology, and sustainability. I aim to contribute to the development of intelligent design solutions that push the boundaries of traditional architecture and create innovative, eco-friendly structures.

University of Pennsylvania +1.445.208.0466 | yangmengbiz@outlook.com yangmengbiz@outlook.com

DE-LAMINAS

Ski Cabin design: 3D Spatial Structures Through Graded Timber Laminas

03

Co-living Artistic Village

A means of revitalizing the countryside based on the sharing economy

Memory Weaving Walls Museum

Weave history and the collective memory of the inhabitants into the texture of the ruins’ walls

Memo - Portugal Elderly Home Design 02 Encounter A Boutique Hotel Design. A Confluence of Time and Space 04

Material Agencies: Maze of Imagination

01

DE-LAMINAS

3D Spatial Structures Through Graded Timber Laminas

Abstract: As architectural designs increasingly embrace complex, curved forms, traditional wood construction methods often prove inadequate. This project explores creating 3D spatial structures through graded timber laminas, focusing on lamination, treelike structures, and wood bending, while also investigating the application of robotics in fabrication. The main challenge was achieving 3D curvature by dividing the process into two planar bendings. We designed and validated a prototype, demonstrating the potential for sustainable and customizable wood structures in future architectural applications.

Group Work with Kjo Zhuang, Andres Feng Academic project, 2023

Hyphothetical location

5-

1- Left: Wooden Boat Construction / Right: Mudhif Houses. Almusaed, et.al (2015). “Building Materials in Eco-Energy Houses from Iraq and Iran."
2- Georges Candilis and Anja Blomstedt: Habitable Module (1972).
3- Cellules standard en polyester stratifié. Chanéac. Collection Frac Centre (1960-1971)
4- Tree-inspired dendriforms and fractal-like branching structures in architecture
Test of Bending wood

Fabricated Prototype Connections

3D Curvature

2D Curvature

Lamination

Combined different wood types based on their properties, then laminated, bent, sliced, and soaked them for a second bending, using molds and clamps for fixation.

Connection design

Bending wood
Wooden block
Prefabricated connections
3D printed base
Steel rod (connected to the base)
Fabrication Process
3D TWISTING 2D BENDING
Outside: O (Oak) Middle : M (Maple) Loops : P (Pine)
Stable Diffusion with Control Net

Encounter

A Boutique Hotel Design on Wangfujing Street

A Confluence of Time and Space in the Urban Landscape

The design aims to create a four-star business hotel that prioritizes guest comfort while offering unique leisure amenities and communal spaces for interaction. The title "Encounter" is inspired by the concept of meaningful connections and shared experiences. Situated on Wangfujing Street, this hotel serves as a contemporary landmark, blending seamlessly into its urban surroundings.

Group Work with Jiexing Wang, Haolei Qiu Academic project, 2021

Location: Beijing, China

Form generation

形体生成 Form generation

形体生成

The site, near an intersection, features stunning views of the Wangfujing block and the Forbidden City to the west. To enhance these vistas, the high-rise is strategically recessed on its western side, with shared atriums and rest areas, emphasizing landscape inclusivity and sharing through refined structures and panoramic spaces.

形体生成

根据交通与人流聚集情况选择场地北侧为主入口,场地西侧作为 主要面对王府井街区人群的次入口,保证两侧街道立面完整。

根据客房数量与限高要求置入高层,若采用四面客房,中间环廊 这种较为经济的形式,客人只能在自己的客房内欣赏一面景观。

场地北有胡同、南有王府井大街、西有故宫,故西边退让形成 中庭,置入泳池,增加采光。入住的客人均可共享西侧景观。

根据交通与人流聚集情况选择场地北侧为主入口,场地西侧作为 主要面对王府井街区人群的次入口,保证两侧街道立面完整。

考虑到大报告厅的层高要求,在建筑南侧置入单独的体块,落地 窗面朝教堂,使用者可以在教堂与树木掩映的背景下举行活动。

东侧升起绿色休息平台,增加中庭层次,并为客人提供赏景休闲 的公共空间,与中庭的露天泳池相互呼应,塑造独特景观效果。

东侧升起绿色休息平台,增加中庭层次,并为客人提供赏景休闲 的公共空间,与中庭的露天泳池相互呼应,塑造独特景观效果。

根据客房数量与限高要求置入高层,若采用四面客房,中间环廊 这种较为经济的形式,客人只能在自己的客房内欣赏一面景观。

在靠近教堂的地方处理为可上人的绿色屋顶平台,弱化体量的 同时,为3层的部分康乐与餐饮提供了景色优美的室外平台。

高层采用部分退台的形式,为客人提供了视野良好的观景平 台,13层西侧的通高空间可供客人休闲交流、观赏故宫美景。

基地紧邻十字路口,北邻灯市口大街,西邻王府井大街。由于西侧景观最好、并且面对着地块所属的王府井街区, 因此高层部分西侧退让,共享中庭与西侧的故宫景观。再通过退台的手法细化高层,置入视野良好的共用休息 空间,以体现本设计的共享理念。

高层采用部分退台的形式,为客人提供了视野良好的观景平 台,13层西侧的通高空间可供客人休闲交流、观赏故宫美景。

基地紧邻十字路口,北邻灯市口大街,西邻王府井大街。由于西侧景观最好、并且面对着地块所属的王府井街区, 因此高层部分西侧退让,共享中庭与西侧的故宫景观。再通过退台的手法细化高层,置入视野良好的共用休息 空间,以体现本设计的共享理念。

First Floor Plan

优化裙房功能与体块,延续高层的对称性,以此突出西侧入口。 均衡而非完全对称,将北侧与西侧入口之间处理为灰空间。

加入玻璃廊道与朝向中庭的观景平台,将顶层打造为四面通透的 行政酒廊,充分利用内外的景观,并且提升了酒店高层的经济性。

场地北有胡同、南有王府井大街、西有故宫,故西边退让形成 中庭,置入泳池,增加采光。入住的客人均可共享西侧景观。

曲面屋顶柔化处理了大报告厅和平台,并嵌入室外餐饮空间。置

入顺应走势的室外楼梯,满足消防以及教堂游客来休憩的需求。

退台外侧利用斜面的玻璃幕墙对立面进行简化处理,使得 西侧的客房与13层的共享平台拥有独特的空间视觉效果。

退台外侧利用斜面的玻璃幕墙对立面进行简化处理,使得 西侧的客房与13层的共享平台拥有独特的空间视觉效果。

最后在建筑外侧罩上一层“薄纱“,柔化顶层线条,削弱建筑的 冷硬感,以一种柔和、包容的姿态迎接住客或游客的到来。

Types

This project features four types of guest rooms:

Double Rooms (80.92%)

Quenn Rooms (4.58%)

Suites (14.50%)

Within these categories, there are three variations of Standard Double Rooms, two types of Business Suites, and two types of Deluxe Suites.

(a) Double Rooms
Quenn Rooms
(d) Deluxe Suites
(c) Business Suites
Section I-I
Section II-II

Space function analysis

The design intends to soften the boundary between public and private, while ensuring the privacy of guest rooms, creating more public spaces with transparent sightlines and communication.

酒店位于王府井历史商业街区的尽头,南 侧为东堂。设计针对商务人群,置入会议、

休闲以及行政酒廊等功能,以及可俯瞰 故宫景观的豪华套房。同时也提供了露 天泳池、室外花园、观景廊道等特色空间,

设计意在柔化公共与私人的边界,在保证 客房私密性的同时,塑造更多视线通透、

The design intends to soften the boundary between public and private, while ensuring the privacy of guest rooms, creating more public spaces with transparent sightlines and

Visitor Leisure

Co-living Artistic Village

A means of revitalizing the countryside based on the sharing economy

New village construction in China aims to integrate natural villages into cohesive residential areas. However, many projects face challenges, such as excessive reliance on rental income. Our three-stage design approach seeks to address these issues by fostering collaboration between villagers and artists, promoting sustainable development, and reducing dependence on rental housing.

Group Work with Yuanzhen Gu Academic project, 2021 Location: Wuhan, Hubei, China

Three-stage design Ground floor plan

Creative industries are inserted, allowing villagers to gradually break away from the original single economic dependence.

STEP0

Current industry

STEP1

Renovate part of the house

STEP2

Place in the gallery

STEP3

Extended industry

Building renovation

Provide customized modification plans to allow artists and villagers to rebuild their houses according to the type of art industry they want to participate in.

Original plan

Street space effect

Traffic space construction

The external space uses a steel structure as the skeleton, and the outdoor connecting platform is constructed in the simplest and quickest way, so that the street space is minimally affected during the single reconstruction process.

Industry streamline

The type of industry derived from the art industry extends a new industry

Optimizing street space

Optimize existing street spaces based on six street renovation types. The transformed street space will be suitable for the generation and conduct of various artistic activities, and the streets full of artistic atmosphere will also attract villagers, artists and tourists, bringing vitality to the village.

Memory Weaving Walls Museum

Weave history and the collective memory of the inhabitants into the texture of the ruins’ walls

The starting point of the design lies in the interpretation of the site: the changes in the walls within the site, people's living memories and future possibilities. The design uses six events and scenarios to weave historical memories and modern activities into the fabric of the walls. The linear space intertwined between the new wall and the old wall will bring a unique experience of the historical and cultural atmosphere of the city wall to the surrounding residents and tourists.

Individual Work
Academic project
Instructor: Bin Hu
Date: Jun. 2021
Location: Beijing, China

The site is located in the Ancient City Wall Park in Beijing, China. For nearby travelers arriving in Beijing by train, this area will give them an important impression of city walls.

Design generation

[STEP 0] Ruins of Ming city wall

The Ming City Wall is about 10 meters high, and the design site is located on the outside of the city wall, which is currently a linear park with lush trees, where residents and tourists often chat, sing and take pictures.

[STEP 1] Setting a new wall

Creating a connection with the old wall by designing a "new city wall". This connection is not only reflected in the form, but also create an atmosphere of coexistence between the old and the new under the shared space of the museum and the wall.

[STEP 2] Blurring the inside and outside

In linear space, the arrangement of space will naturally produce a sense of sequence, which can respond well to the changes of time and show the development of the wall from ancient to modern.

[STEP 3] Building interrmediary spaces

The space between is shaped into an exhibition hall for linear tours, as well as related functions such as libraries, cafes, and tea houses. The paths during the tour are carefully planned and lead up to the city walls.

Visiting sequences

The plan is unfolded linearly, with some outdoor activities or other residential spaces in addition to the main tour flow. The people facing the building are mainly divided into two categories, tourists who get off the train at the station and local residents who come to visit, and the space that can stay outside the orderly tour flow provides opportunities for these two groups of people to spontaneously move and interact with each other.

The towering wall form surrounded by the exhibition hall indicates the most practical defensive role of the wall in ancient times.

On one side of the space is a large window, through which people can see the stage, and on the other side is the exhibition hall's description and display of ancient scenes.

03 Highlands overlooking 02 Ancient stage 01 Fortress of defense

Through the surrounding stairs, people can personally experience climbing and looking, and recall the visual experience of the wall in the past.

The few remaining walls in the scene have lost their concrete meanings, suggesting that the walls are losing their specific functions in the transitional period of development.

05 Broken walls 04 Flowing history

The broken wall shows the wall demolished due to the construction of the railway, and also makes people reflect on the contradiction and relationship between ancient relics and urban development.

06 New culture under the walls

The atmosphere of the exhibition hall space is creating a modern background, and the wall is playing a new urban function, such as providing public activities, promoting heritage culture, etc.

Memo - The Final Recollections

Portugal Elderly Home Design

Individual Work, Academic project, 2023, Location: Leiria, Portugal

Floor Plans Site Plan

Functional Circulation Analysis

Thermomorph

Localized Multi-Pass Robotic Thermoforming Group Work with

Prototype fabrication

Time and energy consumption of each panel of the prototype
Claudia, Sizhe Wang, Academic project, 2024

Multi-part assembled prototype design

We applied the developed localized heating and robotic manipulation thermoforming process to a multipart prototype measuring 1.6m in height and 0.8m in width, consisting of five custom-shaped and formed PETG sheets. Each panel underwent between 5 and 7 local robotic thermoforming operations.

Augmented reality (AR) in assembly

AR was explored as a means to support human assembly operations. We imported our simulation 3D models into Unity with a series of joints. This Unity model was exported to the Touch Base AR software which uses ARKit and Simultaneous Localization and Mapping (SLAM) for 3D cartesian position tracking.

Micro-factory application

Material Agencies: Maze of Imagination

Robotic 3D Clay Printing - Crafting Fused Polyhedra

Group Work with Sizhe Wang, Riddharth, Shenaia, Academic project, 2023

Individual Work

My initial model features a layered growth effect on the facade, resembling ascending pyramids. I learned to 3D print simple polygons. During block segmentation and micro-relief design, I encountered the challenge of single slopes failing to support the structure of the second layer.

Micro-relief design

Through the integration of deep learning, we explore AI-generated textile patterns for micro-relief design, offering alternative interpretations to the conventional geometric logic. These designs challenge the rigidity of ceramic bricks, potentially transitioning into a realm of expressive textile lightness.

Revolving

People’s identity transformation and self-reflection in the development of productive forces

Individual Work, Academic project, 2022, Hyphothetical location

After 1949, rural China underwent earth-shaking changes. In the 50 years from 1950 to 2000, the development of science and technology and the times brought about changes in productivity. When people face such changes, they have various emotions such as blindness, fanaticism, and hesitation. Mo Yan's novel "Life and Death Fatigue" observes and records the impact of this history on people's lives through the perspective of animals. Starting from the translation of the novel scenario, the design attempts to look at people's situation and self-perception in the process of productivity change from the history of China from 1950 to 2000, and reproduce people's inner entanglements in a reflective way, so as to provide self-reflection methods for the changes to be faced in the future.

Selected works 2018-2021

Location:

Date: Jun. 2019

3.4.Creative sketching. Date: Mar. 2019

5.Photography.

Location: Apple store.

Date: May. 2019

1.2. Sketches: The current situation of the houses in Shuiyu Village.
Shuiyu Village, Beijing.
6. cocoon-break Art Museum. Date: Dec. 2018
7. Form reconstruction design. Date: Nov. 2018
8.Furniture design. Date: Apr. 2019 9.Residential area planning Date: Oct. 2021

Turn static files into dynamic content formats.

Create a flipbook
Issuu converts static files into: digital portfolios, online yearbooks, online catalogs, digital photo albums and more. Sign up and create your flipbook.