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From the everyday moments to the grandest stages, life is lled with experiences big and small. At CHI Health, we’re here to support your health and well-being every step of the way, so you can live life to the fullest.
CHI Health is proud to support the Lied Center for Performing Arts.
CHIhealth.com









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The University of Nebraska is an economic engine for the state, driving growth and success. Just as importantly, it's a cultural engine for Nebraska. From music to dance, theatre programs to lecture series, athletic events to art, the university's four campuses contribute to a thriving arts and cultural community. We're proud to be the people's university—enriching lives across the state.

To find out more about NU's impact, visit: nebraska.edu/economic-impact












WELCOME TO THE 2025-2026 SEASON AT THE LIED
Sharing an exceptional performing arts experience with family and friends is truly one of life’s great joys. There are few times when we are more connected to those around us than when we’re seated together in a theater, witnessing something thrilling or inspirational or entertaining. For an hour or two, we escape the real world and travel to a place of laughter, romance, beauty, excitement, culture and so many things that fill our souls.

Every season at the Lied is unique, combining encore performances from legendary artists with breathtaking talent that has never graced the Lied Center stage. This season we are thrilled to welcome back many of our favorite artists of all time! The Boston Pops under the baton of Keith Lockhart, the internationally celebrated Philadelphia Orchestra , Second City, and Stars of American Ballet all return to the Lied Center as many of our community’s favorite ensembles. The Glenn Korff Broadway series continues in 2026 with The Music Man and SUFFS , the new hit musical making its Nebraska premiere. Winner of the 2024 Tony Awards for Best Score and Best Book of a Musical, this moving show tells the story of the brave, passionate, funny, inspirational women who fought to win the right for women to vote in the United States.
There’s so much to be excited about this season ( The Moth! Dirty Dancing in Concert! Gunhild Carling! Capital City, a new play commissioned by the Lied! ), and I hope you’ll take the opportunity to experience countless date nights, outings with the family, or the best of times with friends featuring the world’s best music, theater and dance artists. Take the time now to plan and schedule your favorite moments of the year with us. Life is short. Eat the cake. Buy the tickets. Enjoy these once-in-alifetime moments that we can treasure together forever.
Bill Stephan, Executive Director & Chief Artistic O!icer, Lied Center for Performing Arts

The Lied Center for Performing Arts honors and acknowledges that it resides on the traditional and unceded territories of the Pawnee, Ponca, Otoe-Missouria, Umo n ho n , Dakota, Lakota, Arapaho, Cheyenne and Kaw Peoples, as well as the relocated Ho Chunk (Winnebago) , Iowa and Sac and Fox Peoples. We pay our respects to Elders past, present, and future.
May this acknowledgment affirm the Lied Center’s commitment to building and strengthening partnerships with vibrant Indigenous communities who continue to thrive and honor their sacred connection to this land.

Ernst F. Lied and Christina Hixson have transformed the lives of millions of Americans through the Lied Foundation Trust with philanthropic contributions of more than $300 million to over 125 di!erent organizations in seven states.
Born in 1906, Ernst F. Lied was a 1927 graduate of the University of Nebraska. He achieved business success as the owner of a Buick dealership in Omaha and as a real estate magnate in Las Vegas. Having no living relatives, he established a trust in 1972, and upon his death in 1980, his secretary and business partner Christina Hixson was appointed to administer the foundation.
The first gift from the Lied Foundation Trust was a $10 million matching grant to build the Lied Center for Performing Arts in the early 1980s at the University of Nebraska–Lincoln in memory of Lied’s parents, Ernst M. and Ida K. Lied. The Lied Foundation Trust went on to support many projects in Nebraska, including Omaha’s Henry Doorly Zoo Lied Jungle, the Lied Lodge in Nebraska City, and the Lied Transplant Center at the University of Nebraska Medical Center.
“
THE LIED CENTER’S MOST IMPORTANT ROLE IS TO INTRODUCE INDIVIDUALS FROM ALL WALKS OF LIFE AND CULTURAL BACKGROUNDS TO ENRICHING AND DIVERSE PERFORMING ARTS EXPERIENCES.
Christina Hixson
Christina Hixson first partnered with Lied in 1944 as his secretary at the Omaha Buick dealership, and she followed him to Las Vegas as a business partner in 1960. After Lied’s death, Hixson became the executrix of his estate and continues to serve as the Lied Foundation’s sole trustee. It was Hixson who made the decision to support the construction of the Lied Center for Performing Arts.
In 2000, she also announced a gift of $18 million to support UNL’s Hixson-Lied College of Fine and Performing Arts. One of the last major gifts of the Lied Foundation Trust was a $2.5 million grant for the construction of the Lied Center’s new multipurpose space, the Lied Commons, which opened in 2012. Together, Lied and Hixson built a multimillion-dollar empire that has positively impacted the lives of millions of people in Nebraska and across the nation.

BILL STEPHAN, EXECUTIVE DIRECTOR & CHIEF ARTISTIC OFFICER
BUSINESS SERVICES
Natalie Stroud, Associate Executive Director
Sharon Burkle, Finance Specialist
Jesse Dillman, Data Systems Manager
Rose Khorsandi, Administrative Projects Coordinator
Paige Patton, Programs & Events Specialist
Michelle Zinke, Administrative Coordinator
DEVELOPMENT
Amy Ossian, Associate Director of Development & Membership
Ben Cuca, Development Coordinator
Hannah Miller, Administrative & Development Associate
EDUCATION & ARTS PROGRAMS
Jane Schiermeyer Hansen, Education & Community Engagement Director
Sasha Dobson, Education Outreach Manager
Nancy Engen-Wedin, Education & Grant Programs Manager
EVENTS & FACILITIES
Mark Moore, Associate Director of Events & Facilities
Casey Barnett, Custodial Leader
Bethany Blackman, Usher & Events Coordinator
Stacy Brand, Assistant Facility Services Manager
Laura Ekinde, Custodian
Holden Franken, Events Coordinator
Steve Pearson, Event Services Manager
Christian Richey, Building & Grounds Attendant
Jillian Stewart, Assistant Custodial Services Manager
Jayden Taylor, Custodian
PRODUCTION
Jesse Snyder, Director of Production
Mike Doran, Audio & Production Specialist
Raymond Guern, Production Technician
Jason Hibbard, Production Coordinator
Melanie Rudy, Production & Broadcasting Associate
Ted Tipton, Associate Technical Director
MARKETING & PUBLIC RELATIONS
Matthew Boring, Deputy Director
Lauren Durban, Communications Manager
Andrea Fabiano, Marketing Projects Coordinator
Thao Huynh, Graphics Specialist
TICKET OFFICE
Ginger Dzerk, Associate Director of Ticketing & Patron Services
Kelly Buresh, Group Sales Manager
Drew Caskey, Administrative Ticket O"ce Manager
John Fucinaro, Ticketing Operations & Sales Manager
UNIVERSITY OF NEBRASKA FOUNDATION
Barbara Kohler, Director of Development
EMERITA
Lucy Buntain Comine, Senior Development Director

Performance times vary. Please check your ticket or call 402.472.4747 to confirm starting times. Ushers will seat latecomers at an appropriate time to minimize disruption. For most performances, the lobby will open one hour prior to show time, and the auditorium doors will be open 30 minutes before the show.
Regardless of age, every person must have a ticket for admission. Children under age 12 must be accompanied by an adult at all Lied Center events.
There are many nearby parking options in downtown Lincoln. For more information, visit the City of Lincoln Parking Services website at ParkAndGo.org.
The Lied offers limited valet parking for most Lied Season main stage season events. Purchase your valet parking in advance at liedcenter.org/parking or through the Lied ticket office at 402-472-4747.
All Lied Center venues have wheelchairand scooter-accessible locations where patrons can remain in their wheelchairs or transfer to theater seats. Patrons with mobility disabilities should request accessible seating when ordering tickets. For website orders at liedcenter.org, accessible seats in the main hall are marked with the ISA symbol. Lied Center staff are not able to physically assist patrons with chair transfers. Should you require direct physical assistance, please plan to attend with a personal care attendant. Guests of patrons with disabilities must purchase a ticket to attend performances. Lied Center ushers are happy to provide seating in the observation room should a patron need to leave the theater at any point during a performance.
Assisted listening devices, including hearing loop adapters, are provided at the coat check. ASL interpretation is available when requested at least two weeks in advance.
Sensory bags are available for check out at coat check. They include items that help individuals manage sensory sensitivities in busy or loud environments.
PDF programs are available to patrons with visual impairment when requested at least 48 hours in advance. Audio description is available when requested at least two weeks in advance.
Patrons are welcome to use the observation room at the rear of the theater to view performances. The room is separated from the audience by glass and provides a place to see and hear the show without disturbing other guests. Ask an usher for assistance.
Coatrooms, public restrooms, and drinking fountains are all conveniently located throughout the Lied Center. Please ask an usher for assistance if you have trouble locating them.
A variety of snacks and beverages, including coffee, cookies, cocktails, and more, are available for purchase in the lobby.
We ask that you turn off all noise-making electronics, including cellphones, during Lied Center performances. Due to copyright restrictions on the artists’ work, taking pictures and video is prohibited at all performances (unless specified by the artist).
No tobacco products may be used in facilities of the University of Nebraska– Lincoln, including the Lied Center. This includes electronic cigarettes or other forms of electronic smoking. The University of Nebraska–Lincoln is smoke-free, tobacco-free, and vapor-free. Learn more at go.unl.edu/quit.
Please take a moment to identify the nearest exit in case evacuation is necessary. If you hear a weather emergency announcement while outside the seating area, please return to your seat and await instructions.
The safety and security of our guests, as well as artists, volunteers, and staff are a top priority for the Lied Center. All patrons and their belongings are subject to search upon entering our facilities. By presenting your ticket and entering our venue, you consent to such screenings. Persons who refuse screening may be denied entry into our venues. More information can be found on liedcenter.org in the FAQ under Security Policies.
Wondering if the show will go on? Visit LiedCenter.org or our Facebook page to get up-to-date information regarding show status during inclement weather.
Patrons may dance in the area immediately in front of their seats as long as it is carried out in a manner that is respectful of other audience members. Dancing in the aisles and other common areas will not be permitted for safety reasons.
As a courtesy to other Lied patrons, we ask that you please refrain from wearing strong cologne and perfumes during Lied Center performances. Scented products can trigger mild to extremely severe allergic reactions and asthma and respiratory attacks. Thank you for your cooperation.
Cough drops are available from Red Cross on second floor upon request.
A 15-minute pre-performance talk, delivered by a local expert, is held 30 minutes prior to most Lied Season main stage events. Talks are designed to provide background information on artists and shows in order to increase audience enjoyment of events. Seating is limited.
FamFest activities start 90 minutes before each FamFest performance. FamFest provides free food and fun hands-on activities for the whole family!
Discounts for groups of 10 or more are available for most Lied Center presented Season performances. Contact Kelly Buresh at 402.472.4734 or visit liedcenter.org/groups for more information.
TOURS
Tours of the Lied Center are available Monday through Friday, 9am–5pm. Tours must be prearranged on an individual basis and depend on room availability. Email Steve Pearson at spearson5@unl.edu for more information or to schedule a tour.
VOLUNTEER USHERS
Interested in becoming a volunteer usher at the Lied Center? Contact Bethany Blackman at bblackman@unl.edu to learn more.
TICKET OFFICE HOURS
Monday–Friday / 11am–3pm
For most main stage performances, the Ticket Office opens two hours prior to the event, and remains open 15 minutes after the show’s scheduled start time. For events in other venues, Ticket Office personnel are on-site one hour prior to the event.
CONTACT INFO
402.472.4747
LiedCustomerService@unl.edu
University of Nebraska–Lincoln Lied Center for Performing Arts Ticket Office 301 North 12th Street P.O. Box 880157 Lincoln, NE 68588
We recommend that you allow sufficient time before a performance and review paid parking options available at the listed locations. VISIT LIEDCENTER.ORG/PARKING FOR MORE


Excited for an upcoming performance? Let your friends know! The Lied Center utilizes most social media channels including Facebook, Twitter, Instagram, Pinterest, and Spotify. Stay up-to-date on all Lied Center announcements, giveaways and special discounts by

The value of higher education extends beyond the degrees students receive and the research that changes so many lives. e University of Nebraska is an economic engine for the state, driving growth and success—and it’s also a cultural engine for Nebraska.
e arts better our quality of life, create social bonds and help us to think more broadly about the human experience.
From music to dance, theatre programs to lecture series, athletic events to art, the university’s four campuses contribute to a thriving arts and cultural community.
e Lied Center is an important contributor to this work. e Lied Center’s programs and engagement across the state create new knowledge and enrich lives.
I’m proud to have this gem as part of our university. e ne and performing arts truly play an important role in making Nebraska a great place to live and work.
JEFFREY P. GOLD, M.D. President, University of Nebraska System

On behalf of the University of Nebraska–Lincoln, welcome to the Lied Center, Nebraska’s home for the arts. Whether you’ve traveled from across the state or across the globe, we are thrilled to have you here. At UNL, we empower generations to lead boldly, courageously, and with purpose greater than ourselves. While much of our work sustains and strengthens our world, the arts inspire, uplift, and bring us together in uniquely powerful ways. The Lied Center offers Huskers unparalleled opportunities to experience live performance at its finest — from world-class musicians and dancers to innovative theater and cultural events that celebrate creativity in every form. Thank you for joining us and for sharing in the joy, inspiration, and connection that the arts bring to our community.
KATHERINE S. ANKERSON, INTERIM CHANCELLOR, UNIVERSITY OF NEBRASKA–LINCOLN


“All roads lead to Lincoln – and fortunately for us, those roads are traveled by some of the most talented and impressive performers of our time! Congratulations to the Lied Center for creating a spectacular season that is sure to entertain, thrill, and inspire audiences of all ages.
LEIRION GAYLOR BAIRD MAYOR OF LINCOLN
Here in Lincoln, it can feel easy to take for granted the many popular musicals, intricate ballets, captivating plays, and other incredible performances we are able to witness each year at the Lied Center for Performing Arts. After all, the Lied has been here for 35 years, serving as a hub for high-quality programming and world-class performances since it opened in 1990. But as my family and I return to the Lied year after year — whether it’s for time-honored holiday traditions like Mannheim Steamroller or exciting, family-friendly Broadway hits like Disney’s Frozen — I’m reminded of how important it is to recognize how fortunate we are to have a place like this right here at home. That’s why Union Bank is proud to support the Lied Center’s mission of educating, inspiring, and entertaining the people of Nebraska through the performing arts. If you are so inclined and have the means, I encourage you to join us in supporting the Lied Center to help ensure our community will be able to enjoy moments like these and create lasting memories for years to come.
JASON MUHLEISEN PRESIDENT AND CEO OF UNION BANK AND TRUST

Fulfilling life is what we do every day at Ameritas. We support the performing arts because it enriches lives—and our community—by creating opportunities to enjoy life at its very best. This is why we are so proud to sponsor Lied Center performances.
BRENT KORTE SENIOR VICE PRESIDENT & CHIEF MARKETING OFFICER, AMERITAS

“The anticipation I feel waiting for a show to begin… the emotions felt listening to a world class vocalist, the intense emotions that are stirred from a virtuosic piano player, tapping my foot along to show tunes from musicals or learning about an historical time period in a play are among the many reasons I am proud to support the Friends of Lied. The arts unite us.
Becoming a Friends of Lied member is easy and the benefits are many. For a donation of as little as $50, you become part of an amazing group supporting arts in Nebraska at the Lied Center. Additionally, you are supporting Arts Across Nebraska which brings performances to small towns across the state. You are supporting master classes for UNL students who get to train with some of the greatest talents in the world. You are supporting the Nebraska Triple Threat: a summer intensive where high school students improve upon their talents with Broadway actors and musicians. You are supporting FamFest programming for young kids to enrich their learning. The Lied Center for Performing Arts is so much more than just performances and ticket sales cover less than 50 percent of the cost of putting on a show.
The Friends of Lied Board of Directors consists of members across the state who fundraise and provide awareness of the mission of the Lied Center – To Educate, Inspire and Entertain. This fun, passionate and committed group of individuals support the Lied Center in many ways. Our annual gala is an extraordinary event that last year raised $170,000. We also put on member appreciation events, pre-performance dinners and so much more. If you’d be interested in serving the Friends of Lied in this capacity, we’d love to have you.
As the arts are under attack, now more than ever, your support of the arts is critical to promoting the mission of the Lied Center for Performing Arts. We cannot sustain the mission without you. Please consider joining Friends of Lied.
DEB NELSON PRESIDENT, FRIENDS OF LIED

As a lifelong resident of this great city, I have had the good fortune of experiencing the magic that happens inside the Lied Center on many occasions. The performing arts enrich our lives in so many ways. They have the capacity to appeal to us emotionally and intellectually while expanding our horizons and habits of thought. The Lied Center attracts the finest performing artists in the world and provides the residents of Nebraska with profound opportunities to experience the arts. FMNE Insurance (formerly Farmers Mutual of Nebraska) is a proud supporter of the Lied Center and the wonderful contribution that it makes to the quality of life we enjoy here in Nebraska.
MARK WALZ BOARD CHAIRMAN & CHIEF EXECUTIVE OFFICER, FMNE INSURANCE



The Lied Center for Performing Arts is an important partner to the Hixson-Lied College of Fine and Performing Arts and allows our students, faculty and sta! to experience world-class artists on stage and in the classroom. These experiences help our students observe what it takes to perform at the highest level.
Our deepest thanks to Miss Christina Hixson and the Lied Foundation Trust for their vision to create this facility that enhances all the arts in Nebraska, as well as their support for the Hixson-Lied College of Fine and Performing Arts.
Enjoy the performances this season at the Lied Center. We also invite you to visit arts.unl.edu for information on our student and faculty performances. We look forward to welcoming you to our new Westbrook Music Building, renovated Kimball Recital Hall and other performance and exhibition spaces this season!
The Lied Center for Performing Arts brings vibrancy, creativity, and diversity to Lincoln and the entire state of Nebraska. Through its engaging entertainment and educational programs, it enriches our communities and broadens our horizons.
As a mutual organization built on the principle of bringing people together for the common good, Assurity is honored to support a world-class performing arts venue that creates exceptional shared experiences for all.
We applaud the Lied Center as it raises the curtain on another outstanding season.
SUSIE KEISLER-MUNRO PRESIDENT AND CEO, ASSURITY
FNBO is committed to contributing to the strength of our communities, and one measure of a successful community is its vibrant and robust culture. By supporting organizations that expose individuals to the arts, cultures, humanities and athletics, we are investing in the future of our city and what it cares about. FNBO is proud to continue our tradition of partnership with the Lied Center, and we support their dedication to bringing world-class entertainment to the Lincoln area.
NATHAN S. MCKOWN MANAGING DIRECTOR, COMMERCIAL BANKING, LINCOLN, NE, FNBO
At Ameritas, fulfilling life is what we do daily. This means helping our customers enjoy life at its very best. It’s about reducing uncertainty, helping grow assets, and protecting what is most cherished. As a mutually based organization, we put our customers first. Backed by a foundation of financial strength, we offer a competitive array of insurance, retirement, and investment products. Securities offered through affiliate Ameritas Investment Company LLC., member FINRA/SIPC and investment advisory services offered through the business name of Ameritas Advisory Services.
The Friends of Lied is a membership organization of over 1,300 members, governed by a board of directors from across the state of Nebraska. Its purpose is to support and promote the Lied Center through education experiences, fundraising, social events, and service. The Friends of Lied is a 501(c)(3) tax-exempt organization, serving as a support group for the Lied Center for Performing Arts. Contributions to the Friends of Lied are tax-deductible, and membership starts at just $50. Since its inception in 1989, the Friends of Lied has contributed over $9 million in support of the Lied Center’s mission to educate, inspire, and entertain the people of Nebraska through the performing arts. Visit liedcenter.org/friends to learn more.
UBT is a locally owned bank that takes a personal approach to providing a breadth of services with a warm, helpful personality. Major turning points in your life—first car, first job, going to college, getting married, a new home, having children, retirement—are what UBT loves to help you with. At UBT, people don’t have your money— your money has people.
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Larry and Lucy are proud to return as Lied Center Season Lieders for the 2025–2026 season! They have been Lied supporters and leaders for many years, including as Season Lieders for the past several seasons. Lucy serves as the Lied Center’s Senior Development Director Emerita. She has made a major impact in building the Lied Center’s artistic programs, including the Glenn Kor ! Broadway Series and the Lied’s Command Performance of American Ballet Theatre with Misty Copeland and the St. Louis Symphony. During her time with the University of Nebraska Foundation, Lucy played a lead role in developing the arts at UNL, including the creation of the Hixson-Lied College of Fine and Performing Arts, Johnny Carson School of Theatre and Film, Mary Riepma Ross Media Arts Center, Johnny Carson Center for Emerging Media Arts and much more. She has a passion for Broadway, dance and a wide variety of art forms. Larry and Lucy enjoy supporting and advocating for Nebraska’s performing arts center, and their positive impact on the Lied will last long into the future.

The Pearle Francis Finigan Foundation, guided by Liana Sandin, has endeavored to make a significant impact on Nebraska's cultural scene. Their unwavering support has not only enriched the arts community in Lincoln but also fostered a broader appreciation for all the arts, especially classical music. By partnering with educational and humanitarian organizations, they have ensured that the arts remain accessible and relevant to diverse audiences. The Lied Center's world-class performances share the foundation's vision of a vibrant cultural milieu, where the arts are celebrated and cherished as a vital part of the community's fabric. This commitment to the arts is a powerful reminder of how dedicated patronage can inspire and elevate a region's cultural heritage.

Returning to Lincoln after leaving in 1985 to launch a career in the music business, Bill is excited to support the Lied Center and its 2025–2026 Season. A graduate of Lincoln High and UNL, he spent the past 35 years on the road managing finance and logistics for live concert tours for a range of rock and pop artists. His first tour was with the B-52s Cosmic Tour in 1990, and over the years he’s worked with Ozzy Osbourne, Janet Jackson, CHER, P!NK, and Tina Turner.
“Growing up in Lincoln, we didn’t have a dedicated performing arts center, so I saw touring Broadway shows at the Stuart Theater and Pershing Auditorium. We often had to travel to Omaha or Kansas City to see the most current productions. My family also produced the summer musicals at Pinewood Bowl in the late 1970s, and I probably caught the entertainment bug during those summers.”
Since moving back to Lincoln part-time in 2022, Bill has attended several performances at the Lied Center and continues to be amazed by both the quality and quantity of the programming. Whether you’re seeing a play for the first time, or revisiting one of your favorites, seeing a show at the Lied is a reminder of how good it feels to experience something live—and together.

We are thrilled to support the Lied Center in its mission to "educate, inspire and entertain" as Season Lieders for the 2025–2026 season. We have formed many wonderful memories with our children at Lied Center performances, and we appreciate the Lied's e ! orts to extend this opportunity to all students in our community and beyond. The Lied provides unique and meaningful outreach and educational experiences — from a 9-year-old's eye-opening first visit to a Lied Center matinee, to the chance for a UNL student to hone their craft in a master class, and so much more.
Kristen serves on the Lied Center Statewide Advisory Board and the Lincoln Children’s Zoo Board of Directors and previously served as President of the Friends of Lied Board of Directors. Geo ! is the managing partner of Orange Street Group and serves on the boards of the Sheldon Art Association, United Way, and Public Art Lincoln. We believe arts education and firsthand experiences are critical to the success of our students and our community.

The Lied Center for Performing Arts has always held a special place in Ryan and Beth's hearts and lives. They are honored to be Season Lieders and support the Lied Center for Performing Arts and all the artists, creators and storytellers who perform there. The arts have always been an important part of their lives and a gateway to expanding their understanding of the world and the amazing artists who create in it each day.
As a child Ryan would listen to his grandfather play the dulcimer by ear without any formal music training. He would play for those in his community including those in retirement homes, community and cultural events and for his family. He loved bringing people together through music. Beth has been involved in music and the arts her entire life. She was a member of multiple bands in school, and her children have all followed by learning to play musical instruments and all enjoy visual arts and theater. Her eldest daughter is currently enrolled in the Johnny Carson Center for Emerging Media Arts. The Lied Center for Performing Arts brings world-class, culturally diverse arts to our community. They are proud to support it and hope all that attend these shows are inspired by these great artists and performers.

We are pleased to participate in the Lied as Season Lieders for the 2025–2026 season. Both lifelong Nebraskans, Karen grew up in Lincoln and graduated from UNL, and Chuck grew up in York and is a University of Minnesota graduate. We have been honored to participate in various Lied organizations, including as members of the Lied Center’s 25th Anniversary Sterling Society. Karen served on the Friends of Lied board and served as its president in 2008–2009. She also served on the Lied Statewide Advisory Board and on the board of the Hixson-Lied College of Fine and Performing Arts. Chuck served on the Statewide Advisory Board and as its president in 2015–2016. He currently serves on the Chancellor’s Advisory Board at UNMC. We have enjoyed attending and encouraging friends to enjoy the Lied experience. The Lied’s commitment to making the performing arts experiences available to all through programs like Arts Across Nebraska, master classes by visiting performers and subsidized ticket prices makes the Lied Center the go-to destination for performing arts in Nebraska. We want all Nebraskans to have the amazing opportunity to enjoy all that the Lied Center makes possible.

The Kotils are longtime friends and supporters of the Lied Center. In 1985, Vikki first became involved as a member of the then, newly formed, Statewide Program Advisory Council for the Lied Center for Performing Arts. She later joined the sta ! of the Lied Center Project, under the direction of Shelia Gri "n, during the facility's construction and initial program development. Vikki recalls this as such a very exciting time to personally witness the brick and mortar being transformed into the world-class performing arts facility that it is today. She adds that from the onset the mission of the Lied Center was to increase opportunities for all Nebraskans to experience the highest quality performances and its events. Doug added that he and Vikki are happy to continue their support as an advocate and Season Lieder because they feel truly fortunate to benefit from the e ! orts of those visionaries who made the Lied Center a reality. Today, the Lied Center is one of the top 100 theaters in the world. As we attend this season’s performances, it is a priority for us to support the programs and events as it remains evident that the Lied Center continues to enhance and enrich the cultural experiences of generations of Nebraskans.

Taking great honor and pleasure in their involvement with the Lied Center, Art and Chris Zygielbaum support programs, take part in special events, and contribute time and energy to the Lied. Art is the past president of the Lied Center Statewide Advisory Board, and Chris is a former Friends of Lied board member. Art and Chris can be found at the Lied Center for more than 20 performances a year and often choose to support programs that have exceptional artistic merit and social justice impact. These include the play 1984 in the 2019-2020 season, the Mosaic Circle’s Everytime I Talk About and the incredible ABT Across America in the 2020-2021 Season. A number of years ago, they supported a youth play from Australia called Hitler’s Daughter that explored issues of Nazi Germany through a fictional plot. This production, in particular, had a significant impact on local youth who were given the opportunity to experience the show. The Zygielbaums also sponsored My Antonia, Trevor Noah, The Capitol Steps and many other memorable and meaningful programs in past seasons. Because of their deep belief in the importance of the Lied Center to our community and state, the Zygielbaums are committed to helping assure its continued success.

John and Laurie Tavlin have been dedicated supporters of jazz music for 50 years. John founded the Nebraska Jazz Orchestra in 1975, serving as its president and performing in the trumpet section from 1975 to 1988. As a jazz trumpeter, John has been a soloist at venues ranging from London’s Crystal Palace Bowl to jazz clubs in New York City, Chicago, Kansas City, Des Moines, New Orleans, San Francisco, Los Angeles, and San Diego. He has performed with many jazz greats, including Clark Terry, Bill Watrous, Don Menza, and Ed Shaughnessy. In 1986, John received the Lincoln Mayor’s Arts Award as a performing jazz artist.
In 2016, John founded the Johnny Manhattan Orchestra, a 19-member ensemble created to support the University of Nebraska Jazz Studies Program by pairing student musicians with professionals in a working band that celebrates classic Swing Era music.
In 2023, he founded the Metro Jazz Quintet, which honors the rich tradition of jazz through a sold-out performance series in the Lied Commons.
Through their company, Nebraska Diamond, John and Laurie have sponsored numerous guest artists with the Nebraska Jazz Orchestra and the University of Nebraska, as well as supporting Jazz in June. They have also established and funded a Graduate Fellowship in Jazz Trumpet and an Excellence in Jazz Performance Scholarship Fund through the University of Nebraska Foundation, benefiting jazz programs at both UNL and UNO.
As Season Lieders, John and Laurie—along with Nebraska Diamond—support the full spectrum of Lied programming. As members of the Lied Jazz Circle, they are especially committed to the growth and appreciation of jazz music, a uniquely creative and important American art form. They toast the Lied on another outstanding season of great performances!

Michael and Marvona Tavlin are longtime Lied Center friends and supporters. They are big fans of Broadway musicals and are both music school graduates of Oklahoma City University where Mike is a member of the Alumni Advisory Councils for the Schools of Dance, Music and Theatre. Longtime Lincoln residents and community volunteers, Mike is the Managing Director of Pacific Asset Management, LLC, and Marvona is a Past National President of the Delta Zeta Sorority, a Past President of the Delta Zeta Foundation, and was an early Friends of Lied board member. The Tavlins believe that arts education is a critical part of student development because it helps shape well-rounded, adaptable and thoughtful individuals equipped to thrive both in school and in life.


The arts bring color to our lives. We both grew up in homes that valued the arts in many di! erent forms. We raised our own children to understand the importance of the arts in the lives of every person and the strength of community it provides. Our family has enjoyed both engaging in various arts and the ability to appreciate the work of other artists. We are continually engaged and excited by the exceptional programming at the Lied. The Lied’s commitment to bringing many di! erent forms of the arts to Nebraska through both education and entertainment is a treasure for Lincoln and all of Nebraska. We are excited to continue our support of the Lied and its mission to make Lincoln an unparalleled community for the arts.
Few Nebraskans have supported the arts and culture of the state, including the Lied Center for Performing Arts, more than Rhonda Seacrest and her late husband, James C. Seacrest. With their support of the Hixson-Lied College of Fine and Performing Arts, Sheldon Museum of Art, the Glenn Kor ! School of Music, Lincoln’s Symphony Orchestra, the NET Foundation and the Nebraska Cultural Endowment, among others, the Seacrests have gone above and beyond to provide world-class cultural events and education to citizens all across Nebraska.
Jointly and individually, the Seacrests have headed fund drives raising millions of dollars and served on the boards of some of Nebraska’s most significant cultural entities.
“Attending any performance at the Lied Center enhances the cultural awareness of each person. I can feel it! Patrons exit culturally elevated in a manner that can only be provided in an exceptional venue. And it is happening right here in Lincoln.”

Barbara Bartle
Justin Carlson
Kristen Cline
Dee Cummins
Kate Engel
Clover Frederick
John Leonard Harris
Randy Hawthorne
Heather Hilgers
Hasan Khalil
Barbara Kohler
Brent Korte (President)
Daniel Martinez
Anthony J. Messineo
Dave Miller
Marilyn Moore
Brian Morrison
Kayla Mulheisen
Deb Nelson
Rosemary Ohles
It is an incredible honor to serve as president of the Lied Center’s Statewide Advisory Board, working alongside passionate individuals from across Nebraska who are united by a deep love for the performing arts.
The Lied Center is more than a landmark—it’s a beacon of creativity, connection, and excellence. Consistently ranked among the top 100 performing arts centers worldwide, its reputation is built not just on remarkable performances, but on the people behind them. From the devoted team bringing transformative art to stages and classrooms, to the generous donors, volunteers, and statewide partners who make it all possible—this is a shared achievement. And at the heart of it all is you: the audience whose curiosity, passion, and presence give the work true meaning.
Jackie Ostrowicki
Jill Pershing Davis
Kim Russel
Dr. Sarah Salem
Bryan Shank
Piyush Srivastav
Bill Stephan
Natalie Stroud
Emily Tonniges

As Sir Ken Robinson once said, “The arts are not a luxury. They are as fundamental as breathing.” The arts enrich our lives in profound and lasting ways. They allow us to experience beauty, express emotion, and explore new perspectives. They help us understand ourselves and one another, forming a bridge between diverse communities and generations.
President John F. Kennedy beautifully captured this truth when he said: “The life of the arts, far from being an interruption, a distraction, in the life of a nation, is very close to the center of a nation's purpose—and is a test of the quality of a nation’s civilization.”
When you attend a performance at the Lied, it’s more than entertainment—it’s a chance to be moved, challenged, uplifted. What will you take with you? A burst of inspiration? A new way of seeing the world? A shared moment with family or community?
The performing arts o!er escape, connection, and meaning. They don’t just reflect life—they fulfill it. And through your presence and support, the Lied Center continues to open a “whole new world” of possibility for you and your loved ones.
BRENT KORTE, PRESIDENT OF THE STATEWIDE ADVISORY BOARD

In our 35 year history, the Lied Center has hosted more than 1,700 events featuring artists from around the world.
More than 3 million audience members have enjoyed thrilling performances #AtTheLied.
Nearly every artist that appears on the Lied Center stage also works with students at the University of Nebraska-Lincoln and/ or local K-12 students. Recent masterclasses have taken place in elementary schools, after-school programs, community centers, and beyond—and they’re always FREE to students.
As part of our partnership with Lincoln’s Symphony Orchestra, every fourth-grade student in Lincoln Public School visits the Lied Center to experience a performance from the symphony.
The Lied Center’s Arts Across Nebraska program takes exceptional artists on annual tours to communities throughout the state. Last season, artists and Lied sta! traveled over 1,700 miles and provided public performances and arts outreach to more than 4,700 Nebraskans in 8 communities!

Right now, more than 1,300 Nebraskans from all across the state support the Lied Center as members of the Friends of Lied.



• Priority seating over single-ticket buyers
• No per-ticket fees
• Free bus parking
• Personalized concierge service
• Free pre-performance talks
• Groups as low as 10+ qualify for benefits
• Discount of 20% to most season performances
1. CHOOSE YOUR EVENT
Visit liedcenter.org to browse our list of spectacular season shows and choose your performance. Gather your group of 10 people or more to take advantage of great discounts and personal service.
2. GET IN TOUCH
Reach out to Group Sales Manager Kelly Buresh at 402.472.4734, email kburesh3@unl.edu, or complete the Group Ticket Request Form at liedcenter.org/groups. Kelly will find you the best seats for a price that fits your budget.
3. HAVE FUN
House lights down, stage lights up: enjoy the show!
OUR GROUP SALES MANAGER
MON, JAN 26, 2026 7:30 PM
• Dr. Mark Clinton
• Dean Hormel Colarossi & Ellison Elizabeth Colarossi in Memory of MarySue Harris
• Richard Colarossi & Elizabeth Harris-Colarossi in Memory of MarySue Harris
• Anabeth H. Cox*
• Keith Heckman
• Charlotte Heerman
• Mrs. Larry H. Lusk
• Chris Marks & Jessica Freeman
• Margaret Ozaki in Memory of Joan Reist
• Liana Sandin - Pearle Francis Finigan Foundation
*Honorary Member
This performance is supported in part by the Ruth K. Seacrest Fund.
This performance is supported in part by the Anabeth Hormel Cox Lied Performance Fund.

Gabriela Montero’s visionary interpretations and unique compositional gifts have garnered her critical acclaim and a devoted following on the world stage. Anthony Tommasini remarked in The New York Times that “Montero’s playing had everything: crackling rhythmic brio, subtle shadings, steely power…soulful lyricism…unsentimental expressivity.”
Montero’s recent and forthcoming highlights feature performances of her own “Latin Concerto” with the San Francisco Symphony (Marin Alsop), New World Symphony (Stéphane Denève), Vienna and Polish National radio symphonies (Marin Alsop), BBC Scottish and Antwerp symphonies (Elim Chan), Swedish Radio Symphony (Marta Gardoli! ska), and National Arts Centre Orchestra (Alexander Shelley), the latter with which she concludes a four-year Creative Partnership at the end of 2025. In May 2024, Montero also made her long-awaited return to Los Angeles, where she worked with the Los Angeles Chamber Orchestra and Jaime Martín, and also performed an adapted version of “Westward”, a special programme themed around immigration and Charlie Chaplin’s The Immigrant at the Academy of Motion Picture Arts and Sciences in Hollywood. She also gave the world premiere performance of her latest commissioned composition, a piano quintet entitled Canaima, with the Calidore String Quartet at the celebrated Gilmore Piano Festival.
Other highlights include an extensive European tour with the City of Birmingham Symphony and Mirga Gražinytė -Tyla, a UK tour with the Prague Symphony, and debut appearances with the Royal Concertgebouw Orchestra, Accademia Nazionale di Santa Cecilia in Rome, Zurich Tonhalle Orchestra, New Zealand Symphony, Orchestre National de France, Orchestre Symphonique de Québec, and the Minnesota Orchestra, where “Montero’s gripping performance…made a case that she might become the classical scene’s next great composer/pianist” (Star Tribune). Other highlights include artist residencies with the Sao Paolo Symphony, Prague Radio Symphony, Basel Symphony, and at the Rheingau Festival; debuts at Carnegie Hall’s Zankel Hall, New York’s 92nd Street Y, Paris’s Philharmonie and La Seine Musicale, and the London Piano Festival at King’s Place; and the launch of “Gabriela Montero at Prager”, an ongoing artist residency and international concert series established at the Prager Family Center for the Arts in the iconic coastal town of Easton, Maryland.
Celebrated for her exceptional musicality and ability to improvise, Montero has performed with many of the world’s leading orchestras to date, including: the New York, Royal Liverpool, Rotterdam, Dresden, Oslo, Vienna Radio, Naples, and Netherlands Radio philharmonic orchestras; the Gewandhausorchester Leipzig, NDR Sinfonieorchester Hamburg, NDR Radiophilharmonie Hannover, Zürcher Kammerorchester, and Academy of St Martin in the Fields; and the Yomiuri Nippon, Chicago, Pittsburgh, Detroit, Houston, Atlanta, Toronto, Baltimore, Oregon, Dallas, Vienna, Barcelona, Lucerne, and Sydney symphony orchestras; the Belgian National Orchestra, the Cleveland and Philadelphia orchestras, orchestra of the Komische Oper Berlin, and Residentie Orkest.
A graduate and Fellow of the Royal Academy of Music in London, Montero is also a frequent recitalist and chamber musician, having given concerts at such distinguished venues as the Wigmore Hall, Kennedy Center, Carnegie Hall, Vienna Konzerthaus, Berlin Philharmonie, Frankfurt Alte Oper, Cologne Philharmonie, Leipzig Gewandhaus, Munich Herkulessaal, Sydney Opera House, Amsterdam Concertgebouw, Luxembourg Philharmonie, Lisbon Gulbenkian Museum, Manchester Bridgewater Hall, Seoul’s LG Arts Centre, Hong Kong City Hall, the National Concert Hall in Taipei, and at the Edinburgh, Salzburg, SettembreMusica in Milan and Turin, Enescu, Lucerne, Ravinia, Colorado, Gstaad, Saint-Denis, Violon sur le Sable, Aldeburgh, Cheltenham, Ruhr, Trondheim, Bergen, and Lugano festivals.
An award-winning and bestselling recording artist, her most recent album, released in autumn 2019 on the Orchid Classics label, features her own “Latin Concerto” and Ravel’s Piano Concerto in G Major, recorded with the Orchestra of the Americas in Frutillar, Chile. Her previous recording on Orchid Classics features Rachmaninov’s Piano Concerto No. 2 and her first orchestral composition, Ex Patria, which won Montero her first Latin Grammy® for Best Classical Album. Other recordings include Bach and Beyond, which held the top spot on the Billboard Classical Charts for several months and garnered her two Echo Klassik Awards: the 2006 Keyboard Instrumentalist of the Year and 2007 Award for Classical Music without Borders. In 2008, she also received a Grammy® nomination for her album Baroque, and in 2010 she released Solatino, a recording inspired by her Venezuelan homeland and devoted to works by Latin American composers.
Montero made her formal debut as a composer with Ex Patria, a tone poem designed to illustrate and protest Venezuela’s descent into lawlessness, corruption, and violence. The piece was premiered in 2011 by the Academy of St Martin in the Fields. Montero’s first full-length composition, Piano Concerto No. 1, the “Latin Concerto”, was first performed in 2016 at the Leipzig Gewandhaus with the MDR Sinfonieorchester and Kristjan Järvi, and subsequently recorded and filmed with the Orchestra of the Americas and Carlos Miguel Prieto for the ARTE Konzert channel.
Winner of the 4th International Beethoven Award, Montero is a committed human rights advocate whose voice regularly reaches beyond the concert platform. In 2024, she was named a recipient of the Václav Havel International Prize for Creative Dissent by the Oslo Freedom Forum. She was also named an Honorary Consul by Amnesty International in 2015 and recognised with Outstanding Work in the Field of Human Rights by the Human Rights Foundation for her ongoing commitment to human rights advocacy in Venezuela. In January 2020, she was invited to give the Dean’s Lecture at the Harvard Radcli ff e Institute and has spoken and performed twice at the World Economic Forum in Davos. She was also awarded the 2012 Rockefeller Award for her contribution to the arts and was a featured performer at Barack Obama’s 2008 Presidential Inauguration.
Born in Venezuela, Montero started her piano studies at age four, making her concerto debut at age eight in her hometown of Caracas. This led to a scholarship from the government to study privately in the USA and then at the Royal Academy of Music in London with Hamish Milne. Starting September 2024, Montero will be the Jonathan and Linn Epstein Artist in Residence, and piano faculty member, at the Cleveland Institute of Music.
SERGEI PROKOFIEV
SERGEI PROKOFIEV
SERGEI RACHMANINOFF
IGOR STRAVINSKY
CHARLIE CHAPLIN
Sarcasms, Op. 17
Piano Sonata No. 2 in D Minor, Op. 14
Piano Sonata No. 2, Op. 36
INTERVAL
Piano Sonata in F-sharp Minor (1924)
“The Immigrant”, with improvised piano score by Gabriela Montero
SERGEI
Russian composer, pianist, and conductor Sergei Prokofiev was the only surviving child of a well-off family deeply involved in the arts. A quintessential child prodigy, he began playing piano and composing at an early age, completing his first piece at age five and his first opera by age nine. At just 12, he entered the St. Petersburg Conservatory, emerging seven years later with a formidable classical technique and an inclination toward modernist experimentation. Prokofiev soon made a name for himself through a series of brutally dissonant and highly virtuosic piano works that challenged both performers and audiences alike.
Originally titled “Sarcastic Pieces,” Sarcasms, Op. 17 is a five-movement work for solo piano composed between 1912-14. It is arguably the most experimental of Prokofiev’s early works. In Sarcasms, the young composer sought to forge an original and innovative musical language that leaned heavily into the abrasive harmonies and relentless rhythms of the grotesque style. Prior to its public premiere in November 1916 at the St. Petersburg Conservatory, Prokofiev gave a private performance for the acclaimed Russian pianist, pedagogue, and author Heinrich Neuhaus and his circle. Neuhaus said of the work, “The effect of the music was astounding. Some people were delighted, others indignant. Clearly music which was meant to create astonishment!”
“Astonishing” is indeed an apt description. The work’s musical language is angular and jagged, making liberal use of overtly clashing chords, deliberately “wrong” notes, extreme dynamics, and metrical irregularity – yet somehow always allowing Prokofiev’s characteristic lyricism to bleed through. Of the work’s inspiration and emotional undercurrent, Prokofiev himself explained: “We often indulge in malicious laughter at someone or something, but when we pause to look we see how pitiful and sad is the object of our ridicule; and then we grow ashamed, the mocking laughter rings in our ears, but it is we who are its object now.”
Sergei Prokofiev composed his Second Piano Sonata early in his career, in 1912 – around the same time as he began work on Sarcasms. For his First Piano Sonata, written three years earlier, the young composer had taken heavy inspiration from the works of other
composers, most notably Rachmaninoff and Scriabin. With the more expansive Piano Sonata No. 2, however, Prokofiev began to assert his own distinctive compositional voice and style: the signature sharp contrasts, biting dissonances, and mechanical rhythms that would come to characterize his mature works are already clearly present here, if not yet fully realized.
Prokofiev premiered the Second Sonata in Moscow on February 5, 1914, dedicating it to his friend and fellow St. Petersburg Conservatory student Maximilian Schmidthof, who had died by suicide the previous year. The work spans a vast emotional range, moving fluidly from lush lyricism to brutal intensity. Structurally, the work is considerably larger and more ambitious than its predecessor, yet it retains a tight sense of cohesion through recurring gestures and thematic connections.
The Sonata’s opening Allegro introduces two sharply contrasting themes: the first crisp and agitated, the second somewhat eerie and almost slippery in nature. The Scherzo follows with relentless energy, driven by the type of driving motoric rhythms which are now considered a hallmark of Prokofiev’s style. In contrast, the Andante offers a moment of melodic repose from the surrounding intensity. The final Vivace is spirited, rhythmically charged, and infused with jazz-like elements that culminate in a forceful, virtuosic close.
The late Romantic composer, pianist, and conductor Sergei Rachmaninoff was among the greatest pianists of his era, renowned for a playing style of great precision and clarity. Though often considered more conservative than many of his contemporaries, his lush textures and sweeping lyricism – always tempered by a prevailing refinement – appealed to a wide audience. His works continue to rank among the most demanding and expressive in the repertoire, and nowhere is his fusion of virtuosity and emotional depth more apparent than in his solo piano music.
Rachmaninoff began work on the Second Sonata in January 1913 while on holiday with his family in Rome. Progress was interrupted when his two daughters contracted typhoid fever, necessitating an abrupt move to Berlin for medical treatment. He continued composing there and later at his summer estate in southern Russia, where he completed the work in September 1913. Rachmaninoff premiered the work himself that December. Although it was generally well received, a harsh review from a critic evidently made a lasting impression, and he set the work aside for nearly two decades before at last revisiting it in 1931. In this revision he shortened the sonata and removed some of its most demanding passages; this revised version is the one most frequently performed today.
The sonata’s three movements are connected by both shared thematic material and musical bridges, lending it the feel of a single movement work. It begins dramatically with a plunging arpeggio followed by two emphatic tonic chords that give way to broad melodic lines and moments of delicate lyricism. The slower second movement evokes a sense of nostalgic introspection that gradually intensifies before yielding to the towering finale. Themes from earlier movements return in the work’s closing passages, culminating in the sweeping melodies and colossal chords that define Rachmaninoff’s distinct musical voice.
In contrast to the child prodigy archetype so many composers of his era seemed to embody, Igor Stravinsky began composing at the relatively advanced age of 21. Although he demonstrated keen musical aptitude in his youth, Stravinsky’s parents discouraged him from pursuing music professionally and instead directed him toward legal studies, which he undertook alongside private music lessons.
While studying law at the University of Saint Petersburg Stravinsky befriended Vladimir Rimsky-Korsakov, youngest son of the eminent composer Nikolai Rimsky-Korsakov. In the summer of 1902, Stravinsky accompanied Vladimir to visit the latter’s family and brought along several early compositions to play for the elder composer. RimskyKorsakov encouraged Stravinksy to continue with his private lessons, and – more importantly – agreed to offer guidance on future compositions.
The following year, Stravinsky began writing his Piano Sonata in F-sharp minor. Still inexperienced in composing large-scale forms, he sought Rimsky-Korsakov’s advice on its structure and completed the piece in 1904. It premiered first to Rimsky-Korsakov’s circle privately and then publicly at one of the Evenings of Contemporary Music, a concert series devoted to new works. After these performances, however, the Sonata disappeared for nearly seven decades. By the time of his death in 1971, Stravinsky believed the F-sharp sonata to be lost, dismissing it in his autobiography as “the lost – fortunately lost – piano sonata” and an “inept imitation of late Beethoven.” The manuscript was eventually rediscovered in the Leningrad State Public Library and published posthumously in 1974.
The sonata’s four movements are rich in virtuosic figurations and heightened emotional expression – a far cry from the austere, dispassionate style of Stravinsky’s mature output. As a student work, it also draws heavy inspiration from established composers, foreshadowing the composer’s “musical kleptomania,” as he himself wryly described his lifelong practice of borrowing and transforming existing musical ideas and idioms.
BY GABRIELA MONTERO
There are 40 seconds in The Immigrant that encapsulate Charlie Chaplin’s genius: as the boat bringing the Tramp and his fellow immigrants nears the United States, the Statue of Liberty comes into view. Charlie bites his lip with emotion, but the moment is broken as the stewards pen them in like cattle. Charlie asserts himself in typical slapstick fashion: the kick to the backside of the authority figure. Hope, emotion, irony, rebellion, courage, childishness, comedy – all crammed into one little sequence. In all his films, Chaplin constantly flits like this between aspects of the human spirit and bigger social issues, using infinite shades of light and dark. Without speaking a word, he says the most profound things about us. His sympathy is always with the underdog, in this case beleaguered people coming to the US. When filming started in 1917, the US Immigrant Act had just been passed, restricting the entry of ‘undesirables,’ so the issue was very real. And yet he also allows us to laugh at the seasick old man, murderous gamblers and the difficulties of trying to eat during a storm.
Chaplin’s own arrival in the US was far more agreeable. His first North American tour lasted 21 months, and he returned only a few months later, in October 1912, never to live in his homeland again. From that point, his rise was meteoric, his wild success perhaps surprising given the intense poverty and hardship in which he grew up. Maybe as an escape from all of this, he had developed a bug for performing and was passionate about music from an early age. Indeed, the idea for The Immigrant was initially a musical one. He wrote: “Even in those early comedies I strove for a mood; usually music created it. An old song called Mrs. Grundy created the mood for The Immigrant. The tune had a wistful tenderness that suggested two lonely derelicts getting married on a doleful, rainy day.”
In 1917, when The Immigrant came out, films were silent, and accompanied by a pianist, organ or an orchestra, depending on the size of the venue. They either improvised or worked off cue sheets provided by the film company – Chaplin supervised these for his early films. The Immigrant went on to become one of Chaplin’s most popular films, and his only short film selected by the Library of Congress in 1998 for preservation in the US National Film Registry as being “culturally, historically, or aesthetically significant.”
Chaplin’s own immigration story did not end happily ever after in the US. On 18 September 1952, aged 63, he and his family set sail to London`. The next day, the US Attorney General revoked his re-entry permit subject to an interview about his politics and moral behavior. He had been under the eye of J. Edgar Hoover, director of the Federal Bureau of Investigation, since 1922 – his files stretching to 1900 pages.
Sequences such as kicking the officer in The Immigrant, the prescient anti-fascism of The Great Dictator and anti-capitalist sentiment of Modern Times may have opened him up to this paranoia, as well as the generally humanist and anarchic subtexts of his films – especially when the US was in the grip of its ‘Red Scare’.
It later emerged that the Immigration and Naturalization Service would not have had enough evidence to exclude Chaplin on his way back, but by then he had decided not to attempt to return. He eventually settled in Switzerland, where he would die in 1977, at the age of 88. In 1972, he was given an honorary Oscar and returned to the US for the first time to accept it – receiving a 12-minute standing ovation from the best-known faces of Hollywood. It was recognition and a resolution of sorts, but a bitter one.
Chaplin films most often end with him picking up his cane, dusting off his hat and walking into the sunset on his own, with a resolute hop-skip (spoiler alert: The Immigrant is a rare exception). He may have been the most famous man on the planet, and one of the wealthiest, but maybe he ultimately remained The Immigrant.
Program Notes by Laney Boyd
I am honored to carry forward my parents’ legacy of supporting the Piano Circle. Having devoted my life to music and education, I understand the profound impact that early parental support and exposure to the arts can have on personal growth and success. The Lied Center’s commitment to presenting the world’s finest pianists enriches our community, and I am proud to play a role in sustaining this extraordinary tradition.
Our family is honored to support the Lied Center’s Piano Circle in memory of my mother and my children’s grandmother, MarySue Harris. MarySue was passionate about the arts and dedicated to ensuring access to quality musicians throughout Nebraska. My husband, Richard Colarossi, and I, along with our children, Dean and Ellison, have found great joy in continuing her legacy. Her love for the piano spanned nearly eight decades, and we hope our support helps keep that love alive in the hearts of Nebraskans.
As the only member of the Piano Circle without a history on the piano, I must admit that my love of piano performance comes as a result of my sister, MarySue Harris. Her love of the piano, her 40+ years of teaching piano, and her joy in the performance on the piano, have sealed my commitment to perpetuating that love for the children, and the children at heart, in the beauty of the music written for the piano. I’m grateful to be a part of bringing that beauty to the Lincoln community. I can’t play the piano, but I can love it!
Having been a dealer in fine pianos for more than forty years, it gave Keith great pleasure to continue to provide Lincoln and the surrounding area the opportunity to hear some of the great artists of the world. He also found fulfillment in assisting young piano students with interacting with excellent teachers and clinicians. He loved being part of the Piano Circle, which he felt was a treasure for the Lied. Keith passed away in 2025, and will be deeply missed.
The Piano Series initially featured in the 2013–14 season of the Lied Center has enhanced the season program and promises to continue to do so in the 20252026 season. Our community has had the special opportunity to experience piano performances of the highest quality presented by internationally acclaimed pianists. The response has been enthusiastic and has raised awareness and expectations of even more outstanding performances.
As a performing pianist and teacher for many years, I am particularly excited by the opportunity for students to hear some of the best pianists and performances in the world. What an inspiration! I look forward to another outstanding season with exceptional pianists and performances o!ered by the Piano Series.
The piano is an international musical instrument. The Lied Piano Circle brings outstanding artists from around the world to our stage. We hear artists who bring us an endless variety of wonderful piano music. The Piano Circle welcomes these artists to the Lied stage for all to enjoy.
We have loved the piano and the repertoire written for it since we were each very young. The Piano Circle concerts at the Lied Center have brought stellar artists to Lincoln and have been an exciting addition to the arts landscape here. We are very happy to be able to support the continuation of this series.
My mother spent her life teaching young people to play the piano and loved helping bring world-class pianists to the Lied Center, especially because it o!ered an opportunity for young people to hear them perform.
Music was her passion and she believed it made everyone’s life richer. She made sure it was a part of my life and her grandchildren’s lives and her family is honored to help carry on that passion through the Piano Circle and another season of outstanding performances.
As President of The Pearle Francis Finigan Foundation, I’m proud to continue supporting music, especially piano performance. Pearle’s mother was a pianist and a graduate of the Lincoln Conservatory, now the UNL School of Music.
As a classically trained vocalist, I also deeply value the artistry of pianists and appreciate the opportunity to hear world-class musicians at the Lied Center. These performances are vital for the public and for music students, o!ering access to the highest level of musical excellence.


THU, FEB 5, 2026
7:30PM
• John & Dee Cummins
• Priscilla C. Grew
• Karen Morgan
• Katherine F. Starace
• Steve Wake




Afrique en Cirque is a show by Yamoussa Bangoura, inspired by daily life in Guinea. This performance shares the beauty, youth and artistry of African culture. A colorful show beyond its scenery, costumes and staging, it makes any theatre vibrate with energy and represents the strength, agility and life's joys of young Africans. The audience will see acrobats execute gravity-defying moves and human pyramids, accompanied by the contemporary sounds of live Afro-Jazz, percussion, and kora. Welcome to the universe of Kalabanté Productions and prepare for an unforgettable journey.
Kalabanté Productions was created by Yamoussa Bangoura, a multidisciplinary artist of Guinean origin. Yamoussa’s dream was the founding of a school of circus arts, and to direct his own multidisciplinary company specializing in the African arts.
Yamoussa first became interested in the Circus Arts as a young man growing up in Conakry Guinea in the 1990’s. He studied the circus performers he saw on European TV and practiced on the beach and dirt around his home. He also studied the Nyamakala tradition of circus, practiced by the Fula people of West Africa. He eventually joined Guinea’s original circus company, Circus Baobob, with whom he toured Africa and Europe.
In the early 2000’s, Yamoussa was recruited to come to Canada with Cirque Eloize, a Montreal based Canadian cirque company. While in Canada he also performed with Cirque du Soleil and Cavalia (cirque with horses). In 2007 Yamoussa realized his dream and opened his own company, Kalabanté Productions in Montreal Canada. He recruited many of his extended family members to join the company, including his twin sisters, brothers, and cousins.
The company began doing shows in Quebec, and over the years expanded to all of Canada, the USA and now performs all over the world. In 2018, Kalabante opened their own studio and school in Montreal, where they offer classes in African dance, cirque, and drumming.
Kalabante Productions is proud to be able to share their work, achievements and skills to inspire others and to assist with the humanitarian mission to help the Guinean community from which Yamoussa and many of his company members come.
We are pleased to help support the Lied’s dance program through the Dance Circle. Our season ticket order always includes dance performances. Each new season announcement is a gift we get to open that surprises and delights. Two of our favorites from last year were Step Afrika: The Great Migration and the Parsons Dance performance. What a joy it is to watch dance performances! It is always amazing to see the strength and agility of the dancers showcased in intricate choreography. We are all so very fortunate to have the opportunity to enjoy a wide variety of dance genres through the Lied programming. Additionally, the dance program helps attract and encourage students to keep dancing through educational opportunities for students of all ages. Enjoy the dance!
In addition to the joy of watching dance during performances, I support dance at the Lied so that Nebraska students can experience outstanding professional choreography and see national artists dancing live on campus. By promoting dance, we also help provide opportunities for students in UNL’s Glenn Kor ff School of Music to attend master classes and workshops led by artists from the leading dance companies and the casts of shows performing at the Lied. The Dance Circle also enriches the educational outreach of the Lied so students from local schools and dance academies can experience both the beauty of classical ballet and the amazingly diverse dance world of today. And what I especially love about dance events at the Lied is watching the littlest dancers in the audience trying out new steps in the aisles as they leave a performance.
As a child I never saw the wonders of dance movement live. Through the Dance Circle I have the opportunity to support the talents of professional dancers and make available both master’s classes and outreach learning to an audience who may be in a similar situation. I am fascinated with all forms of dance and hope to make available live experiences to others who may never have had the opportunity to see the talents of professional dancers from ballet to modern including jazz, tap or hip hop.
I am pleased to join the Lied Center’s Dance Circle. I have so enjoyed the dance performances over the past few years- at the Lied and also in Pioneers Park and am looking forward to the performances for the 25-26 season. I appreciate the Lied Center’s commitment to providing opportunities to the community to meet and learn from the visiting performers.
The Lied Center for the Performing Arts is a wonderful asset for the cultural environment of Lincoln, Nebraska and the surrounding area. I have enjoyed attending events at the Lied for many years and I am looking forward to participating as a member of the Lied’s Dance Circle. I have always enjoyed the visual arts and dance provides a unique combination of musical and visual entertainment. I look forward to the coming seasons of the amazingly varied performances at the Lied.

For more than 135 years, Immanuel has been a trusted leader in retirement living and senior care across Nebraska. Founded in 1887 on a mission of Christ-centered service, Immanuel has created communities where all people can grow and age in dignity, safety, and wellness.
In Lincoln, Immanuel o ers independent living, assisted living, and memory support, as well as access to long-term care communities and hospice services. Communities such as The Landing , Grand Lodge , and Yankee Hill Village provide more than beautiful residences: they foster connection, enrichment, and peace of mind. Residents enjoy maintenance-free living, chef-prepared dining, wellness programs, and engaging social opportunities designed to support a life of purpose and joy.
As a nonprofit organization, Immanuel prioritizes people over profits through the Immanuel Community Foundation and the Immanuel Vision Foundation. This commitment strengthens Lincoln by supporting seniors and their families with compassionate care and stability.
We’re also proud to invest in the cultural life of Lincoln through the Immanuel Ovation Series , bringing world-class entertainment to the community. This season’s lineup includes Hadestown, Cirque Kalabante, The Best of Second City, Red Hot Chilli Pipers , and the Glenn Miller Orchestra. By sponsoring these performances, Immanuel celebrates the arts and creates opportunities for connection and joy, values that enrich lives.
Immanuel’s presence in Lincoln is more than retirement living; it’s a promise of dignity, innovation, and community for aging adults. Together, we’re building a future where older adults live fully and confidently in the place they love.

SUN, FEB 8, 2026 4:00PM
SEASON LIEDER ART & CHRIS ZYGIELBAUM
• Dr. Mark Clinton
• Dean Hormel Colarossi & Ellison Elizabeth Colarossi in Memory of MarySue Harris
• Richard Colarossi & Elizabeth Harris-Colarossi in Memory of MarySue Harris
• Anabeth H. Cox*
• Keith Heckman
• Charlotte Heerman
• Mrs. Larry H. Lusk
• Chris Marks & Jessica Freeman
• Margaret Ozaki in Memory of Joan Reist
• Liana Sandin - Pearle Francis Finigan Foundation
*Honorary Member
This performance is dedicated to the memory of Keith Heckman
This performance is supported in part by the Ruth K. Seacrest Fund
This performance is supported in part by the Anabeth Hormel Cox Lied Performance Fund.
Pianist Aristo Sham exudes astounding intellect and a deep emotional resonance; a cultivated sophistication and an immediately engaging presence; a penchant to take on the great monuments of the piano repertoire and a natural, infectious spontaneity. This makeup is fueled by a fascination with the world and its rich cultures: he was an international prodigy, is a voracious student of wide-ranging interests, and currently splits his time between three continents. At the 2025 Van Cliburn International Piano Competition, Aristo found his breakthrough moment, taking home both the gold medal and the audience award. And the critics showered him with imaginative praise, calling him “a marvel of deft characterization,”
“consistently authoritative,” “a card-carrying risk taker,” “a dapper, aristocratic fi gure on stage,” “a pianist I look forward to hearing again” (The Dallas Morning News, Gramophone, Texas Classical Voice). In just two months’ time, he was mentioned in more than 800 news articles, and his Cliburn performance videos were streamed 2 million times across 125 countries.
Aristo was featured in the 2009 documentary The World’s Greatest Musical Prodigies on Channel 4 (UK) and has performed for royalty including King Charles. He has concertized across Asia, Europe, and the United States, with major highlights including the London Symphony Orchestra under Sir Simon Rattle, Hong Kong Philharmonic Orchestra under Edo de Waart, Orchestre de Chambre de Lausanne, and Minnesota Orchestra. His 2025–2026 debut season as Cliburn winner includes a major tour of Asia through Hong Kong, Taiwan, China, and South Korea, and recitals across the United States.

Gold Medalist, Seventeenth Van Cliburn International Program – Spring 2026
Gold Medalist, Seventeenth Van Cliburn International Piano Competition Program – Spring 2026
J.S. Bach | Ferruccio Busoni
J.S. Bach | Ferruccio Busoni
Chaconne in D Minor, BWV 1004 (14’) (1685–1750) | (1866–1924)
Johannes Brahms | Ferruccio Busoni
Chaconne in D Minor, (1685–1750) | (1866–1924)
Six Chorale Preludes for Organ, op. 122 (15’) (1833–1897) | (1866–1924)
Johannes Brahms | Ferruccio Busoni Six Chorale Preludes (1833–1897) | (1866–1924) My
My heart is filled
Adorn yourself, O dear soul It is an upspringing rose I am heartily longing I am heartily longing (second setting) O World, I must leave you
Frédéric Chopin | Ferruccio Busoni
Variations and Fugue on Prelude in C Minor, BV 213 (10’) (1810–1849) | (1866–1924)
Frédéric Chopin | Ferruccio Busoni Variations and Fugue (1810–1849) | (1866–1924) – intermission –
intermission –
Johannes Brahms
Selected Klavierstücke (22’) (1833–1897)
Capriccio in F-sharp Minor, op. 76, no. 1
Capriccio in B Minor, op. 76, no. 2
Johannes Brahms Selected Klavierst (1833–1897) Capriccio in FCapriccio in B M
Capriccio in G Minor, op. 116, no. 3
Intermezzo in C Major, op. 119, no. 3
Intermezzo in A Major, op. 118, no. 2
Capriccio in C Major, op. 76, no. 8
Capriccio in G Intermezzo in C
Johannes Brahms
Sonata No. 1 in C Major, op. 1 (23’) (1833–1897)
Allegro
Andante
Johannes Brahms
Scherzo Allegro molto e con fuoco
Finale. Allegro con fuoco
Intermezzo in A Capriccio in C
Sonata No. 1 in C (1833–1897) Allegro Andante
Scherzo. Allegro Finale. Allegro
Credits: Mr. Sham appears by arrangement with the Cliburn.
Please note that the Cliburn does not provide program notes for its winners’ programs but can suggest a good annotator should you not have a local resource.
Credits: Mr. Sham appears by arrangement with the Cliburn.
Today, music lovers of all ages and backgrounds know Johann Sebastian Bach as one of the greatest composers of the Western musical tradition; that this was not always the case may come as something of a surprise. During his life, Bach was primarily known as a gifted organist and teacher – after his death, however, his name fell into obscurity. It was only during the nineteenth century that a revival of interest in his life and works brought the name J.S. Bach to the musical forefront, and it wasn’t until 1950 that the BWV, or Bach-Werke-Verzeichnis (“Bach Works Catalogue”), which assigns a unique number to every known Bach composition, was published. Bach left behind a staggering body of work encompassing nearly every major genre of his time, and his output is now widely regarded as the culmination of Baroque music.
Bach’s famous Chaconne for solo violin is the final movement of the second of three violin Partitas (dance suites) composed in 1720. Monumental in both form and expressive depth, the work features a massive series of 64 variants built upon a stark four-bar beginning phrase. Its threepart structure consists of two outer sections in the minor mode surrounding a central major episode. The work’s technical demands, architectural grandeur, and emotional intensity have secured it a place at the zenith of the violin repertoire. Though part of a larger suite, the Chaconne is now frequently performed as a standalone piece and has inspired numerous transcriptions for other instruments.
Among the most celebrated of these transcriptions is Ferruccio Buson’s 1893 arrangement for solo piano. Known in his lifetime as a virtuoso pianist, composer, and writer, Busoni (1866-1924) also penned a vast number of piano transcriptions, most of which are based on the works of Bach. His version of the Chaconne transforms Bach’s austere violin textures into a richly layered pianistic landscape, maintaining the original’s structural framework of the original while expanding its sonic and expressive reach. In doing so, Busoni honors Bach’s majestic vision for the work while reaffirming its power to speak across centuries and instruments alike.
ARR. FERRUCCIO BUSONI (1866-1924)
Johannes Brahms composed his Eleven Chorale Preludes, Op. 122, in 1896 during his final year of life. The set consists of eleven concise miniatures for organ, each based on a Lutheran chorale melody and its associated sacred text. Brahms wrote these works shortly after the death of Clara
Schumann, with whom he shared a profound and lifelong emotional bond, and around the time he learned of the cancer that would claim his own life only a year later. Considering this timeline, it is perhaps unsurprising that many of his chosen chorale texts concern death, consolation, and the hope of eternal life. These preludes, published posthumously, were the last compositions Brahms completed. Though modest in scale and subdued in tone, they represent Brahms’s late style at its most distilled – rich in counterpoint, restrained in gesture, and deeply expressive.
Ferruccio Busoni selected six of the preludes (Nos. 4, 5, and 8-11) to arrange for solo piano – the only works by Brahms he chose to arrange throughout his long and active career. Busoni’s transcriptions preserve the meditative spirit of the originals while subtly expanding their sonorities and expressive range for the piano. Three of the preludes (4, 5, and 10) feature flowing contrapuntal textures, while the remaining works (8, 9 and 11) favor a more homophonic, chordal style. The result is music suffused with dignity and clarity, emphasizing quiet introspection over virtuosic spectacle.
FERRUCCIO BUSONI
Frédéric Chopin’s Prelude in C Minor, Op. 28, No. 20, is among the composer’s most iconic works, despite also being one of his shortest. Often called the “Chord Prelude” for its stark progression of quarter-note chords, the piece is a brief, chorale-like meditation imbued with deep gravitas and expressive ambiguity. In just thirteen measures, Chopin introduces a slow, questioning melody, offers a solemn and resonant response, echoes the reply in hushed tones, and concludes with the bell-like toll of one final, distant chord. The prelude’s distillation of such profound emotion into the most economical of musical gestures has inspired numerous transcriptions and reinterpretations since its publication, including Ferruccio Busoni’s Variations and Fugue on Prelude in C minor.
Busoni’s Variations expand and transform Chopin’s compact meditation into an expansive concert work. First composed in 1884 and later revised in 1922, the piece reimagines the prelude’s harmonic framework as it travels through a series of ten inventive and highly virtuosic variations. Busoni amplifies the poignant simplicity and emotional breadth of the original, moving fluidly between intimacy and grandeur while maintaining the haunting essence at the heart of Chopin’s music.
Klavierstücke, a German term meaning simply “piano pieces,” typically refers to short, singlemovement character works – compositions that express a specific mood or extramusical idea – or sets of such pieces. Johannes Brahms appears to have been particularly fond of this genre and composed several such collections throughout his career. The six selections on tonight’s program are drawn from four of these sets, written over a span of 15 years: Eight Pieces for Piano, Op. 76 (1879); Seven Fantasies, Op. 116 (1892); Six Pieces for Piano, Op. 118 (1893); and Four Pieces for Piano, Op. 119 (1894). Though each collection possesses its own distinct character, all reflect Brahms’s ability to distill rich harmony, lyrical expression, and structural mastery into concise musical forms.
The first three and final selections on tonight’s program are capriccios – works typically characterized as quick, intense, and virtuosic with lively characters and free-flowing forms. In these works, Brahms employs restless energy, an overarching sense of urgency, and driving rhythms that propel the music ever forward punctuated by brief moments of lyricism that momentarily soften the music’s turbulence.
By contrast, the two remaining selections take the form of intermezzi. Originally a term for a
composition played between other musical pieces, such as scenes in an opera or movements of a large-scale work, the nineteenth-century intermezzo came to signify a standalone, independent character piece of a more intimate nature. Brahms’s intermezzi are especially notable for their emotional range and introspective focus.
In October 1853, the influential composer and critic Robert Schumann published an article in his Neue Zeitschrift für Musik (New Journal for Music) which catapulted the virtually unknown 20-yearold Johannes Brahms into overnight stardom:
“Sooner or later…someone would and must appear, fated to give us the ideal expression of the times, one who would not gain his mastery by gradual stages, but rather spring fully armed like Minerva from the head of Jove. And he has come, a young blood at whose cradle graces and heroes mounted guard. His name is Johannes Brahms…”
One of the works that elicited such lofty praise from Schumann was Brahms’s Piano Sonata No. 1, which was among the pieces the twenty-year-old composer brought with him when he first visited Robert and Clara Schumann in Düsseldorf in 1853. Composed in Hamburg earlier that year and published shortly thereafter, the sonata was among Brahms’s earliest large-scale works and one of three piano sonatas written in quick succession at the outset of his career. Bold, virtuosic, and unapologetically Romantic, it was an ideal choice for his first published composition.
Cast in four movements, the work begins with a powerful Allegro structured in traditional sonata form. A striking opening theme sets the dramatic tone, followed by an expansive development and thrilling coda. The ensuing Andante is more intimate in character, presenting a concise theme and variations based on the German folk song Verstohlen geht der Mond auf (“Stealthily rises the moon”), which Brahms later arranged for women’s chorus. The fiery Scherzo bursts in without pause, its restless energy providing a stark contrast to the preceding movement’s tranquility. The technically demanding Allegro con fuoco finale unfolds as a loose rondo. Wild in tone and rich in thematic recall, the movement drives the sonata to an electrifying conclusion that leaves little room for doubt as to why Schumann so fervently championed the young Brahms.
Program Notes by Laney Boyd
I am honored to carry forward my parents’ legacy of supporting the Piano Circle. Having devoted my life to music and education, I understand the profound impact that early parental support and exposure to the arts can have on personal growth and success. The Lied Center’s commitment to presenting the world’s finest pianists enriches our community, and I am proud to play a role in sustaining this extraordinary tradition.
Our family is honored to support the Lied Center’s Piano Circle in memory of my mother and my children’s grandmother, MarySue Harris. MarySue was passionate about the arts and dedicated to ensuring access to quality musicians throughout Nebraska. My husband, Richard Colarossi, and I, along with our children, Dean and Ellison, have found great joy in continuing her legacy. Her love for the piano spanned nearly eight decades, and we hope our support helps keep that love alive in the hearts of Nebraskans.
As the only member of the Piano Circle without a history on the piano, I must admit that my love of piano performance comes as a result of my sister, MarySue Harris. Her love of the piano, her 40+ years of teaching piano, and her joy in the performance on the piano, have sealed my commitment to perpetuating that love for the children, and the children at heart, in the beauty of the music written for the piano. I’m grateful to be a part of bringing that beauty to the Lincoln community. I can’t play the piano, but I can love it!
Having been a dealer in fine pianos for more than forty years, it gave Keith great pleasure to continue to provide Lincoln and the surrounding area the opportunity to hear some of the great artists of the world. He also found fulfillment in assisting young piano students with interacting with excellent teachers and clinicians. He loved being part of the Piano Circle, which he felt was a treasure for the Lied. Keith passed away in 2025, and will be deeply missed.
The Piano Series initially featured in the 2013–14 season of the Lied Center has enhanced the season program and promises to continue to do so in the 20252026 season. Our community has had the special opportunity to experience piano performances of the highest quality presented by internationally acclaimed pianists. The response has been enthusiastic and has raised awareness and expectations of even more outstanding performances.
As a performing pianist and teacher for many years, I am particularly excited by the opportunity for students to hear some of the best pianists and performances in the world. What an inspiration! I look forward to another outstanding season with exceptional pianists and performances o!ered by the Piano Series.
The piano is an international musical instrument. The Lied Piano Circle brings outstanding artists from around the world to our stage. We hear artists who bring us an endless variety of wonderful piano music. The Piano Circle welcomes these artists to the Lied stage for all to enjoy.
We have loved the piano and the repertoire written for it since we were each very young. The Piano Circle concerts at the Lied Center have brought stellar artists to Lincoln and have been an exciting addition to the arts landscape here. We are very happy to be able to support the continuation of this series.
My mother spent her life teaching young people to play the piano and loved helping bring world-class pianists to the Lied Center, especially because it o!ered an opportunity for young people to hear them perform.
Music was her passion and she believed it made everyone’s life richer. She made sure it was a part of my life and her grandchildren’s lives and her family is honored to help carry on that passion through the Piano Circle and another season of outstanding performances.
As President of The Pearle Francis Finigan Foundation, I’m proud to continue supporting music, especially piano performance. Pearle’s mother was a pianist and a graduate of the Lincoln Conservatory, now the UNL School of Music.
As a classically trained vocalist, I also deeply value the artistry of pianists and appreciate the opportunity to hear world-class musicians at the Lied Center. These performances are vital for the public and for music students, o!ering access to the highest level of musical excellence.

Keith and late wife Janet Danielson were long-time members of the Lied’s Piano Circle, supporting both world class performances and exceptional education for students. He often brought friends and family to the Lied Center to experience the greatest artists in the world.
Keith was also a great partner with the Lied through his role with Dietze Music. When the Lied Center needed a piano for a special event, he and Dietze were always ready to help. Lied Center founder Woody Varner recruited Keith and Dietze Music to provide the grand piano to be used by world famous pianist Van Cliburn when he performed at a Husker Football game in the early 1990’s. Many people who attended that game still talk about the amazing memory of hearing one of the world’s greatest pianists perform in Memorial Stadium. Van Cliburn’s solo performance at Memorial Stadium, in conjunction with his performance at the Lied Center with Lincoln’s Symphony Orchestra, provided the foundation for the Lied Center to be Nebraska’s o ! icial presenter of the winner of the Van Cliburn International Piano Competition.
Keith graduated from UNL in 1972 with a Bachelor of Music Education degree. Keith began working at Dietze Music House as a student and remained for almost 40 years, eventually becoming a Vice President/Co-Owner. He was immensely proud of the generations of musicians served by Dietze and the store’s tenured sta ! members, whom he greatly valued.
Keith was well known throughout Nebraska as a professional musician, playing bass or tuba in a number of bands and ensembles. Memorable moments included those spent at Ak-Sar-Ben Coliseum performing in musical groups that accompanied Bob Hope, The Carpenters, Mel Torme, and Carol Channing. He especially treasured his time with the Bobby Layne Orchestra and Praise Band of Sheridan Lutheran Church (of which he was a member until his passing). Above all, his most meaningful performances were those alongside his wife, Janet, who was an accomplished pianist and long-time Lied Center pre-performance presenter.
As a piano expert, Keith joined the Lied team in traveling to NYC to pick out the Lied Center’s new Steinway piano in 2023. The Lied Center is grateful to be selected as a place for memorials to honor Keith’s legacy.

The Nebraska Arts Council, a state agency, supports the Lied Center for Performing Arts 2025/2026 Season through its matching grants program funded by the Nebraska Legislature, the National Endowment for the Arts, and the Nebraska Cultural Endowment. Visit www.artscouncil.nebraska.gov for information on how the Nebraska Arts Council can assist your organization.
The Lied Foundation Trust established the Lied Performance Fund Endowment at the University of Nebraska Foundation to enable the students & citizens of Nebraska to experience the finest cultural performances in the world. Many generous individuals & groups continue giving to this fund, enabling the Lied Center to continue presenting artists of great distinction & expanding its outreach programs throughout the state of Nebraska. Every year, thousands of free tickets are distributed to children & families who normally would not have the opportunity to experience the arts.
Established in 2014, the Glenn Kor ! Broadway Endowment enables the Lied Center to present the highest-quality Broadway shows to Nebraskans while also providing opportunities for students to work with top performers and industry professionals. The Glenn Kor ! Broadway Endowment also supports the creation of exciting new work right here in Lincoln through the Grow A Show program and o ! ers opportunities for students to work hands-on with top musical theater artists. Our deepest gratitude to the Glenn Kor ! Estate for making an immeasurable impact on the performing arts in Nebraska.
The Anabeth Hormel Cox Lied Center Performance Fund
The Lied Center is able to transform the lives of millions thanks to numerous endowments from individuals & organizations that are deeply invested in the power of the arts & their impact on our community. These endowments bring the greatest artists in the world to the Lied stage & create life-changing opportunities that will forever shape the lives they touch. Their legacies will enrich the lives & fulfill the dreams of generations of Nebraskans for years to come.
FOR INFORMATION ABOUT CREATING A FOREVER LEGACY WITH AN ENDOWMENT
CONTACT Barbara Kohler at the University of Nebraska Foundation at 402.458.1100 OR EMAIL lieddevelopment@unl.edu
Adna A. Dobson Memorial Fund
Art A. & Alice M. Dobson Endowment of the Lied Performance Fund
Burket Graf Lied Center for Performing Arts Fund
Charles J. & Irma V. Killian Fund
Dale Adams Lied Center Fund
Dan Stratman & Larry Wathor Lied Center Production & Facility Improvement Fund
Donald D. Hamann & Phoebe D. Hamann Charitable Fund
Edmund C. Peeks Family Endowed Fund
Evelyn B. Gold Memorial Fund for Performing Arts
Friends of Lied Endowment Fund & Friends of Lied Performance Fund
Gene & Hazel Tallman Memorial Endowment of the Lied Performance Fund
Glenn Korff Broadway Series Endowment
G.k. Platinum Performance Endowment Fund
Gordon & Phyllis Pauley Fund for the Lied Center
Guarantors Council Endowment of the Lied Performance Fund
Helen M. Field Endowment of the Lied Performance Fund
Jeannie Whitehead Fund
Kevin & Diane Klein Performance Fund
Kosmet Klub Lied Center Student Internship Fund
Marjorie & Gene Eaton Lied Endowment Fund
Martin & Ruth Massengale Lied Center Performance Fund
Maurice & Dorothy Hevelone Performing Artist Endowment
Melvin Kurpjuweit Friends of Lied Fund
Miriam Croft Moeller Endowment of the Lied Performance Fund
Piano Master Works Artist Fund
Priority Seating Endowment of the Lied Performance Fund
Roger Cummings Memorial Fund
Ruth M. Amen Performance Fund for Lied Center
Samuel F. & Elizabeth Heim Family Lied Program Endowment Fund
Sarah Lahr’s Sarah’s Kids Fund for the Lied Center
Sheila Delaney Griffin Lied Endowment Fund
Thompson Family Endowment of the Lied Performance Fund
Woody & Paula Varner Endowment of the Lied Performance Fund & Lied Support Fund
Lied Performance Fund: the Lied Center’s programs are supported in part by this endowment established in memory of Ernst F. Lied & his parents, Ernst M. & Ida K. Lied
Cooper Foundation
D.F. Dillon Foundation
Nebraska Arts Council & Nebraska Cultural Endowment
Supports outreach, education, and performance programs including residencies, master classes, student matinees, teacher workshops, performances, and special projects.
Lied Performance Fund
Bob & Jan FitzSimmons Lied Center
Educational Opportunity Fund
George and Barbara Day Lied Center Fund
Pace Woods Foundation
Mid America Arts Alliance
Green Feather Foundation
Lincoln Community Foundation
Dr. Phillip Engen
Ruth K. Seacrest Fund
Humanities Nebraska
Hixson-Lied College of Fine & Performing Arts Endowment Fund 2025-2026 Lied Center projects made possible, in part, with support from the HixsonLied College of Fine & Performing Arts Endowment Fund include Soweto Gospel Choir, The Philadelphia Orchestra, and Capital City.
Arts Across Nebraska connects Lied Center artists with communities, schools & performing arts centers across Nebraska.
Friends of Lied
Richard P. Kimmel & Laurine
Kimmel Charitable Foundation
Nebraska Arts Council & Nebraska Cultural Endowment
Support is provided by the John F. Kennedy Center for the Performing Arts to integrate the arts across the curriculum in partner schools. This includes a 24-year partnership with the Umonhon Nation School, Macy, NE.
ALSO SUPPORTED BY:
Nebraska Arts Council & Nebraska
Cultural Endowment
The Kennedy Center Partners in Education Program
Pace Woods Foundation
Green Feather Foundation
Dr. Phillip Engen

Umonhon Nation School
UNL College of Education & Human Sciences
Lincoln Public Schools and LPS Indian Education Program
Crete Public Schools



Experience joy, laughter, and awe
Support arts education and outreach across the state
Make the arts accessible for the next generation
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Enjoy exclusive membership perks!
Friends of Lied is committed to supporting and promoting the Lied Center through educational opportunities, fundraising, and social activities. Board members throughout Nebraska serve as ambassadors for the Lied Center and as liaisons for artistic experiences for the state. Contributions enable the Lied Center to keep ticket prices a!ordable for top-quality programming and support arts education programs for all Nebraskans. Contributions are tax-deductible.
PRESIDENT:
Deb Nelson, Aurora*
Katie Allen, Lincoln*
Amy Anderson, Lincoln
Emmy Anderson, Lincoln*
Sarah Arten, Omaha
Deidre Austin, Omaha
Margaret Bartle, Lincoln
Richard Bourque, Lincoln
Kara Brostrom, Lincoln
Pat Chick, Hastings*
Daniel Church, Lincoln
Cindy Clausen, Lincoln
Jody Cosimano, Omaha
Dee Cummins, Lincoln*
Megan D’Amour, Lincoln
Anne Davis, Lincoln
LeAnne Deppisch, Lincoln
Linda Dickeson, Lincoln
Paulette Dinsmore, Lincoln
*Executive Committee Member
Sara Downes, Lincoln
C.K. Duryea, Omaha*
Katie Ely, Lincoln
Clover Frederick, Lincoln*
Ann Gradwohl, Lincoln
Kimberly Hinrichs, Holdrege
Julie Hlavaty, North Platte
Sherrie Hollister, Hastings*
Jennifer Jessup, Lincoln
Susan Klanecky, Lincoln*
Pat Knaub, Lincoln*
Tami Lambie, Lincoln*
Diane Lewis, Central City
Caroline Melson, Lincoln*
Tammy Miller, Lincoln
Sue Moore, Lincoln
Bridgett Ojeda, Lincoln
Kathleen Ousey, Lincoln*
Terri Pattavina, Lincoln
Ann Quinlan, Lincoln*
Alicia Reisinger, Lincoln
Kristi Rippe, Hastings
Jessica Robinson, Lincoln*
Lisa Roth, Lincoln
Sheila Schumacher, Lincoln
Sharlette Schwenninger, Elwood
Kathy Spahr, Lincoln
Albany Starman, Lincoln
Paulette Stefka, North Platte
Krista Stevens, Lincoln*
Gary Tharnish, Lincoln*
Jan Tuckerman, Lincoln
Julie Uribe, Lincoln
Gina Wagner, Omaha
Katie Whyrick, Lincoln
Bill Buntain
Geoff & Kristen Cline
Larry & Lucy Buntain Comine
Ryan Gross & Beth Barger
Chuck & Karen Harris
Brent & Robin Korte
Doug & Vikki Kotil
Liana Sandin - Pearle Francis
Finigan Foundation
Rhonda Seacrest
John & Laurie TavlinNebraska Diamond
Michael & Marvona Tavlin
Art & Chris Zygielbaum
Jo Adams
Chad & Erika Allison
Robert & Barbara Bartle
Anabeth H. Cox
Marsha & Don Dunn
David & Kerry Florell
Matt & Clover Frederick
Lyn & Natalie Leach
Carol & Roger Lewis
John & Deb Nelson
Bryan & Nancy Shank
Don & Myra Wilhite
Dr. Phillip Engen
John & Nancy Haessler
John Grady & Nancy King
Elizabeth Rubendall Foundation Trust
Jenna Vitosh
The Weston Foundation
Dirk Brom & Kim Russel
Geo! & Kristen Cline
Tom & Linda Hoegemeyer
Drs. Dave & Marilyn Moore
Rhonda Seacrest
Dr. Mark Clinton
Dean Hormel Colarossi & Ellison Elizabeth Colarossi in Memory of MarySue Harris
Richard Colarossi & Elizabeth Harris-Colarossi in Memory of MarySue Harris
Anabeth H. Cox*
Keith Heckman
Charlotte Heerman
Mrs. Larry H. Lusk
Chris Marks & Jessica Freeman
Margaret Ozaki in Memory of Joan Reist
Liana Sandin - Pearle Francis Finigan Foundation
*Honorary Piano Circle member
John & Dee Cummins
Priscilla C. Grew
Karen Morgan
Katherine F. Starace
Steve Wake
Dr. Jon Hinrichs
Diane & Kevin Klein
Katherine F. Starace
John & Laurie TavlinNebraska Diamond
Priscilla C. Grew
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Art & Chris Zygielbaum
Abel Foundation
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Bill Buntain
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Dee & John Cummins
Linda & Doug Dickeson
Donald F. Dillon
Marsha & Don Dunn
David & Kerry Florell
Matt & Clover Frederick
Herb & Kathy Friedman
John Grady & Nancy King
Ryan Gross & Beth Barger
Fred & Mary Anne Guggenmos
Chuck & Karen Harris
Todd & Julie Hlavaty
Vivian Kiechel
Kimmel Foundation
Diane & Kevin Klein
Doug & Vikki Kotil
Lyn & Natalie Leach
Carol & Roger Lewis
Dr. Max & Patricia Linder
Janice Lipovsky & Jacob Smith
James & Georgianne Mastera
Drs. Dave & Marilyn Moore
Angie Muhleisen
Mike & Lynn Murman
The Peteranetz Family
Pinnacle Bank
James & Deborah Ring
Jack Robinson
Elizabeth Rubendall Foundation
Liana Sandin - Pearle Francis
Finigan Foundation
Eric & Renee Schafer
Bryan & Nancy Shank
Linda & Del Smith
Aradhna & Piyush Srivastav
Gene & Kristen Stohs
Margaret & Gregory Sutton
Sue & Tom Tallman
Michael & Marvona Tavlin
Ed & Sue Tricker
Mark & Chris Whitehead
Bonnie Zetterman
Art & Chris Zygielbaum
AS OF DECEMBER 1, 2025
PATRON FRIENDS
$3,000-$3,999
Anonymous (2)
Phyllis Acklie, Lincoln
Emmy & Blake Anderson, Lincoln
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Jim & Carol Bishop, Lincoln
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Mike & Karen Hays, Lincoln
Thomas Hyde, Lincoln
Robert & Dr. Patricia Kain Knaub, Lincoln
Mike & Amber Kutayli, Lincoln
Bill & Cindy Lester, Lincoln
Mrs. Larry H. Lusk, Lincoln
Lute Family Foundaton, Lincoln
Pam Manske & Marty Adkins, Lincoln
Eric & Toni McDonald, Waverly
Lynne McNally, Lincoln
Drs. Dave & Marilyn Moore, Lincoln
Cynthia Norman, Lincoln
Rosemary & Fred Ohles, Lincoln
Tom Olson Family Foundaton, Lincoln
John & Julie Owens, Seward
Sean & Marla Payant, Lincoln
Lisa & Cary Peterson, Lincoln
Popevis Family, Lincoln
James & Deborah Ring, Denton
David A. Ripa, Lincoln
Jef & Susan Sailors, Solon, IA
Geraldine & Allen Steinbrink, Arapahoe
Bill Stephan, Lincoln*
Gene & Kristen Stohs, Lincoln
Bill & Betsy Strain, Lincoln
Mary Ann Sullivan, Lincoln
Robert & Kathy Swan, Lincoln
Ed & Sue Tricker, Lincoln
Mark & Rita Walz, Lincoln
Mat Wood & Tracy Sanford, Lincoln
Jane Zatechka, Lincoln
Chris & Art Zygielbaum, Lincoln
*Honorary Patron Friend
$2,000-$2,999
Anonymous
Joe & Jeanete Adams, Lincoln
Mark & Pat Jo Aden, Gothenburg
Bob & Jo Anne Betenhausen, Lincoln
Lynete Block, Henderson
Steven & Robin Bohnet, Lincoln
Pat & Sam Boon, Lincoln
Ty & Teresa Cox, North Platte
Brian & Denise Daake, Falls City
Rob & Christne Denicola, Lincoln
Bob & Jan FitzSimmons, Lincoln
Russ & Jane Gronewold, Roca
Tim & Cheryl Higgins, Lincoln
Tom & Linda Hoegemeyer, Lincoln
Robert J. Huf, Lincoln
John & Jana Hughes, Seward
Kenneth & Sharon Jirovsky, Lincoln
Harvey & Trish Johnson, Seward
Diane & Kevin Klein, Lincoln
Tami & Marvin Lambie, Lincoln
David & Tracy Lockwood, Lincoln
Clif & Kathy Mesner, Central City
Alan L. Meyer, Lincoln
Mat & Becky Miratsky, Lincoln
Daniel & Korinna Naranjo, Grand Island
Ann Marie Quinlan, Lincoln
Dr. Jacqueline Rhodes, Lincoln
Justn & Sher Schrader, Lincoln
Sharlete Schwenninger, Elwood
Jonathan & Ruth Tewes, Lincoln
Joyce Urbauer, Lincoln
Cheryl Vavra, Lincoln
Bob & Marilyn Wagner, Lincoln
Cindi & Marlon Weiss, Lincoln
Joanell Wheeler & Dwight Wigg, Lincoln
Delane & Dorothy Wycof, North Platte
Bonnie K. Zeterman, Lincoln
$1,000-$1,999
Anonymous (3)
James & Amy Anderson, Lincoln
Mat & Lori Ashmore, Lincoln
Tom & Bety Lou Ball, Lincoln
Margee Bartle & Terry Witler, Lincoln
Dr. J. Bruce & Lizabeth A. Bavitz, Lincoln
John Baylor & Pama Heikes, Lincoln
Vance & Heidy Behrens, Lincoln
Mary E. Benes, Raymond
Mike & Pam Boyle, Lincoln
Dr. Beth Ann Brooks, Lincoln
Bob & Lana Browne, Lincoln
Debra & David Buchholz, Lincoln
Marita Burmeister, Lincoln
Don F. Busch & Sarah Leatherwood, Waverly
Craig & April Caples, Lincoln
Brad L Christan, Clatonia
Michael & Rebecca Cintani, Lincoln
Kurt Clyne, Lincoln
Dr. Bruce & Marlene Condello, Roca
Rob & Christne Corum, Lincoln
Steven & Sydney Craze, Lincoln
Bob & Mickey Creager, Lincoln
Jim & Lana Daws, Seward
Robert & Anne Difendal, Lincoln
Donald F. Dillon, Lincoln
Leroy & Deb Dinslage, Garland
Terry & Judy Dougherty, Lincoln
Joyce V. Douglas, Lincoln
Dreeszen Family, Lincoln
Karen & Robert Duncan, Lincoln
William & Rosemary Eastwood, Lincoln
Judy Eicher, Lincoln
Kandy & Michael Eisenbarth, Lincoln
Mary & Paul Ells, Lincoln
Bruce & Nicole Ericksen, Ponca
Charles & Mary Ann Erickson, Lincoln
Chuck & Wendy Fast, Lincoln
Fischer Family, Lincoln
FOL Legends- Former Board Members
Alan & Barbara Johnson Frank, Lincoln
Mat & Clover Frederick, Lincoln
Dr. Charles & Mary Ann Genrich, Lincoln
Marynelle Greene & Ned Sharp, Lincoln
Charles & Carolyn Gregorius, Lincoln
John W. & Janet Hansen, Lincoln
Tim & Deanna Harris, Lincoln
Norman & Linda Helzer, Lincoln
Tari Hendrickson & Clay Naf, Lincoln
Janel & Chuck Hibberd, Lincoln
Phil & Kim Hinrichs, Holdrege
Dr. Todd & Julie Hlavaty, North Platte
Kriste Holoch, York
Kelly & Virginia Holthus, York
Ellan Hove, Lincoln
Kirk & Laurie Hovendick, Hickman
William & Nancy Ingham, Lincoln
Barb Jacobson, Lincoln
Richard Kat, Lincoln
Con & Barbara Keatng, Lincoln
Ivan & Vickie Keller, York
Marcia B. Knuth, Lincoln
Freida Lange, Lincoln
Doreen White Luethje, York
Derrel Martn, Lincoln
Mike & Fran Marymee, Lincoln
Kent & Vickie Miller, Lincoln
Roger & Janet Millnitz, Lincoln
Rosie Molvar, Lincoln
Dick & Pat Morin, Lincoln
Royce & Colleen Mueller, Lincoln
Mary Nefsky, Lincoln
In Memory of Max & Eleanor Neiden
Stephen & Phyllis Nelsen, Lincoln
Normil Foundaton, Lincoln
Bety Oaks, Seward
Keri & Doug Ohlson, York
Bridget & Eric Ojeda, Lincoln
Jackie Ostrowicki, Monte Olson & Eva Olson, Lincoln
Owen & Cindy Paulson, Lincoln
Jef & Sarah Peetz, Lincoln
John & Sigrun Pfster, Lincoln
Travis & Denise Pritchet, Lincoln
Kathy & Bruce Prochaska-Cue, Lincoln
Norman & Patricia Ricenbaw, Friend
Aaron & Angela Robinson, Lincoln
Joni & Bill Runge, Plymouth
Curt & Megan Ruwe, Lincoln
Jack Schneider, Lincoln
Jim & Kathy Schulz, Lincoln
Leo & Sheila Schumacher, Lincoln
Earl & Paty Scudder, Lincoln
Jon & Audrey Sevenker, Lincoln
In Memory of Willie Shafer
Ryan & Emily Shelstad, Lincoln
Wes & Maxine Sime, Lincoln
Duane & Debbie Smith, Beatrice
Fred & Lynete Snyder, Lincoln
Kathy Spahr, Lincoln
Nancy & Dennis Stara, Lincoln
Rob & Paulete Stefa, North Platte
Ray & Karen Stevens, Lincoln
Josephine Stewart, Lincoln
Vince & Brenda Suton, Lincoln
Roxane & Scot Swanson, Lincoln
Carolyn M. Taylor, Friend
Gary Tharnish & Tom Fraser, Lincoln
Dan & Lisa Thayer, Grand Island
Jan Thelen, Lincoln
Tom & Georgia Thompson, Lincoln
Shane & Rhoda Thorell, Aurora
John & Marie Trayer, Roca
Richard & Karen Vierk, Lincoln
Ronald & Jane Wall, Lincoln
Dr. F.T. Waring, Fremont
Tyler & Jenna Waters, Lincoln
Tracy & Dean Way, Lincoln
R. David & Shirley J. Wilcox, Lincoln
FABULOUS FRIENDS
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Denise Ackerman, Lincoln
Dr. Cori S. Amend & Ryan Sothan, Lincoln
Kate Aufdenkamp, Lincoln
Melanie Bachman, Grand Island
Rich Bailey, Lincoln
Keith Bartels, Lincoln
Russell & Gwen Bayer, Lincoln
Tressa Beckler, Friend
Gwen Belden, Lincoln
Douglas & Laura Bell, Ashland
Bruce & Cheryl Bellamy, Lincoln
Catherine Beltz, Lincoln
Christan & Jenna Berg, Lincoln
Claude & Karen Berreckman, Cozad
Kenneth Bloom & Sarah Kelen, Lincoln
Karen J. Blue, Lincoln
Pat Bracken & Geri Coter, Lincoln
Drs. Sam & Lorrie Bryant, Lincoln
Molly Burns & Tom Klein, Lincoln
Victoria Cady, Lincoln
Marcia Camden, Holmen, WI
John & Penny Carioto, Lincoln
Pam Carrier, Lincoln
Chris & Debra Caudill, Lincoln
Ken & Pat Cheloha, Lincoln
Rebecca Wurm Clark, Lincoln
Mary Jo & Ron Clinch, Lincoln
Joe & Jan Cook, Grand Island
Nicole & Chris Cooper, Lincoln
Carol & Kevin Coughlin, Lincoln
Dean & Judy Crawford, Friend
Nick & Ann Cusick, Lincoln
Frank C. & Ceri N. Daniels, Lincoln
Don R. & Ann L. Davies, Lincoln
Willa Detweiler, Lincoln
Susan Dinsmore, Lincoln
Arthur & Rosemary Dobson, Lincoln
Dr. Paul & Marilyn Dongilli, Lincoln
Dean & Beth Dumler, Lincoln
John & Martha Eischeid, Lincoln
Donita & Rick Erickson, Lincoln
Sael Esparza Family, Lincoln
Janis & Rick Evert, Lincoln
Steve & Barb Ferris, Lincoln
Lynn Ford, Lincoln
Dr. Kate & Kurts Fossen, Lincoln
Karl & Mary Lou Fredrickson, Bennet
Lilyan Fulginit & Richard Perrin, Lincoln
Sarah Gervais & Tom Tiegs, Lincoln
Mike Gloor & Marie de Martnez, Grand Island
Ann Gradwohl, Lincoln
Mark & Linda Graf, McCook
Max & Lavon Gramann, Adams
Jim Griesen, Lincoln
Paty & Earl Haddow, Lincoln
Andrew & Nancy Hadenfeldt, Lincoln
Robin Hadfeld, Lincoln
Jill & Terrel Hanshew, Valparaiso
Gisela & Klaus Hartmann, Lincoln
Frank & Joanne Hawkins, Lincoln
Norman & Debra Hedgecock, Lincoln
Ned & Eola Hedges, Lincoln
Kathy & Bob Hegler, Cortland
Candy & Tom Henning, Lincoln
Nora Hinrichs, Lincoln
Melvin & Eve Hofman, Lincoln
Dr James & Linda Hoke, Lincoln
Jane Holtzclaw, Lincoln
Dan & Mary Howell, Lincoln
Jason & Tammie Huenink, Lincoln
Kent Imig & Lori Kreimer, Lincoln
Kayla & Joel Jacox, Lincoln
Karen & John Janovy Jr., Lincoln
Tony & Jennifer Jessup, Lincoln
Debra Johnson, Davenport
Gene & Jacqueta Johnson, Beatrice
Michael & Natalie Johnson, Lincoln
Paul & Terri Johnson, Lincoln
Carol Johnstone-Hornig, Lincoln
Dave & Jean Jones, Seward
Dallas & Nancy Kiburz, Lincoln
Craig & Marcia Kingery, Lincoln
Vic & Nancy Knutson, Wilsonville
Douglas & Donna Koch, Lincoln
Kathleen Korinek & Travis Wagner, Lincoln
Annete Kovar, Lincoln
Steve & Judy Krueger, Lincoln
Gary & Nancy Krumland, Lincoln
Kurt & Mary Kuhl, Lincoln
Elton & Sue Larson, Lincoln
Steve & Laurie Lindgren, Lincoln
Chandra Ljunggren, Lincoln
Tom & Sherrie Manning, Lincoln
Chuck & Peggy McCann, Lincoln
McCashland Family, Lincoln
Jim & Sara McLoughlin, Roca
Brad & Natalia Meyer, Lincoln
Patsy & Steve Meyer, Lincoln
Geof & Angela Michaelson, Lincoln
Harry & Lois Muhlbach, Lincoln
Martha G. Nash, Lincoln
W. Don & Andrea Nelson, Lincoln
Tammie & Tom Nussrallah, Omaha
Sherry Oberg, Stromsburg
James & Gail O’Hanlon, Lincoln
Amy & David Ossian, Lincoln
Dr. James D. & Kristne D. Palmer, Lincoln
Derek & Larissa Palu, Lincoln
Linda Paul, Lincoln
Susan M. Petersen, Lincoln
Marilyn Peterson, Lincoln
Gale & Julie Pokorny, Lincoln
Shana Porter, Lincoln
Vicki Powell, Lincoln
Joan Powers, Lincoln
In Honor of Susan Ptacek, Lincoln
David & Krist Quade, Lincoln
Paige J. & Mathew Roberts, Lincoln
Bill & JoAnn Roehrs, Lincoln
Michelle & Chris Roemig, Lincoln
Brenda Rohren, Lincoln
Linda Rossi, Lincoln
Maris Schad & Jean States, North Platte
Eric & Renee Schafer, Lincoln
Mike & Lisa Schafers, Lincoln
Gidge & Ken Schmidt, Lincoln
Patricia Schmitz, Lincoln
Ginny Schnabel & Mike Thew, Lincoln
The Schubert Family, Lincoln
Nikki Scot, Lincoln
Ann & Kent Seacrest, Lincoln
Ben & Lisa Sedivy, Lincoln
Joe Selig, Lincoln
Dote Shapiro, Lincoln
Coleen Shepler, Lincoln
Rich & Deanna Sincovec, Lincoln
Ruth & Alan Slatery, Lincoln
David Smith & Dave Wilson, Lincoln
Norman & Judith Smith, Denton
Shaylene & Michael Smith, Crete
Bill & Sandy Spielman, Lincoln
Keith & Jana Spilker, Lincoln
Jay & Dote Steinacher, Lincoln
Georgia L. Stevens, Lincoln
Susan Sehnert Stuart, Lincoln
Joan F. Tanderup, Pleasant Dale
Julie Uribe & Tom Rajkovich, Lincoln
James & Geraldine Van Eten, Lincoln
Rick & Dawn Vest, Lincoln
Bill & Carol Weaver, Lincoln
Bruce Wendorf, Lincoln
Bill & Sherry White, Milford
George & Joy White, Hastings
Gus & Marcia Wiebers, Lincoln
Dan & Marilyn Wieser, Norfolk
Mike & Sue Wilkins, Lincoln
Dr. David & Anne Zalewski, Lincoln
Mary & Michael Zmarzly, Lincoln
$250-$499
Anonymous (3)
AshLea Allberry, Lincoln
Kate Allen, Lincoln
Steve & Barb Allen, Lincoln
Margaret Allington, Lincoln
Marvin Almy, Waverly
Todd & Jodi Alva, Lincoln
Robert C. Andersen, Lincoln
Clark & Eileen Anderson, Lincoln
Hollis Anderson & Donna Awtry, Lincoln
Sue & Dan Anderson, Lincoln
Julie M. Andresen, Lincoln
Sue & Warren Arganbright, Valentine
Bev Austn & Don Spinar, Lincoln
Terry & Tracy Babcock, Grand Island
Joel & Kelli Bacon, Lincoln
Teresa Bailey, Lincoln
Mayor Leirion Gaylor Baird & Scot Baird, Lincoln
Tamara Barry, Lincoln
Steven & Pat Basset, Lincoln
Pat & Ellen Beans, Lincoln
Mary M Beck, Lincoln
Kent & Peggy Been, Indianola
Kathy Bender, Lincoln
Dennis & Linda Biggerstaf, Lincoln
Erin Blankenship, Lincoln
Steve & Linda Blomgren, Lincoln
John & Paty Boltz, Hastings
Jon & Denise Borton, Lincoln
Don & Linda Botorf, Sutton
Michael Bowling & Julie Petersen, Lincoln
Brad & Deb Brabec, Roca
Andy & Tiny Brace, Syracuse
Bob & Nancy Brandt, Lincoln
Kris Brenneis & Rob Shortridge, Ashland
Jan & Randy Bretz, Lincoln
Barthold & Mary Brinkman, Shickley
Karen & Alan Brodbeck, Lincoln
Micheal & Maxine Buchardt, Lincoln
Dori J. Bush, Lincoln
Robert & Billie Carole Bussmann, Lincoln
Andrea Butler, Omaha
Tom & Nancy Calvert, Lincoln
Jack & Sally Campbell, Lincoln
Mary & Doug Campbell, Lincoln
Stan Campbell & Marybell Avery, Lincoln
Doug & Reggi Carlson, Lincoln
Lanny & Ann Carlson, Lincoln
Larry Cerny, Geneva
Ray & Barb Chollet, Lincoln
Karen Coen-Brown & Family, Denton
Glen & Susan Cole, Hastings
Carey & Amy Collingham, Eagle
Terry & Gretchen Corey, Waverly
Brian & Melissa Crabtree, York
Pat & David Crews, Lincoln
John & Krista Croghan, Lincoln
Kate DeCoste Photography, Wahoo
Larry & Doris DeFord, Lincoln
Doug & Linda Dickeson, Lincoln
Gerald B. & Kit Dimon, Lincoln
Andrea & Gene Dinkelman, Lincoln
Lesa M. Dixson, Grand Island
Dr. David & Tracie Duensing, Lincoln
Rob Dump & Peggy Year, Hartington
David & Elaine Dyke, Lincoln
Dan Eakes, Grand Island
Charity Ebert, Lincoln
Karen Emerson, Clarks
Mike & Maribeth Everley, Lincoln
Drs. Todd & Heather Fago, York
Doug & Shawn Farrar, Lincoln
Yolanda Fasen, Lincoln
Ross & Emily Faubel, Lincoln
Polly Feis, Lincoln
Alan & Rose Fety, Beatrice
Randall & Jill Flagel, Lincoln
Bill & Mary Flory, Lincoln
Laura Burton Franz, Lincoln
Jami & Cynthia Fristo, Lincoln
Steve & Lisa Gallant, Lincoln
Ganshert Family, Lincoln
Dr. & Mrs. Benjamin Gelber, Lincoln
Melanie Glinsmann, Lincoln
Ron & Merri Grasmick, Lincoln
Bob & Pat Grimit, Lincoln
Alex & Sam Gross, Lincoln
Dennis & Gerry Gutz, Lincoln
Bruce & Cathy Hahn, Lincoln
David & Mary Kay Hansen, Lincoln
Ardel & Marilyn Harger, Lincoln
Kylie & Mark Haten, Lincoln
Wayne & Cindy Havlat, Dorchester
DeLynn & Esther Hay, Lincoln
Kelly & Gina Heath, Lincoln
Dennis Heckman & Shirley Jahn, Hickman
Kent & Jaime Hemmerling, Lincoln
Eric & Linda Hemmingsen, Lincoln
Richard D. & Debra Henderson, Lincoln
Susan Henrie, Hastings
Chris & Nancy Henry, Lincoln
Neal & Beth Hentzen, Seward
Jill M. Hicks, Lincoln
Thomas Hinshaw, Lincoln
Jonathan & Linda Hoke, Lincoln
Doug & Sherrie Hollister, Hastings
Diane Schilling Hooker, Lincoln
Warren & Kris Humphrey, Lincoln
Earl & Jeanie Imler, Lincoln
Teresa & Todd Ingram, Lincoln
Ken & Linda Inman, Lincoln
Greg & Janet Jerger, Seward
Steve & Linda Joel, Lincoln
Gerald & Linda John, Lincoln
Lance & Juliana Johnson, Lincoln
Margaret Johnson, Lincoln
Michele Johnson-Clouse, Lincoln
Mark & Paty Jones, Lincoln
Roger & Elsa Kaiser, Firth
Susan Keisler-Munro & Michael Munro, Lincoln
Vicki Kirchhof & Jay Carstens, Lincoln
Erin & Scot Kit, Malcolm
Bryan & Susan Klanecky, Lincoln
Karen & Steve Knobel, Lincoln
Bret & Emily Koenig, Lincoln
Mark A. Kolterman, Seward
Joan & Ray Koziol, Lincoln
James & Janelle Kremer, Milford
Burma Kroger, Lincoln
Joseph & Lyn Kummer, Lincoln
Annete Klassen Kunzman, Lincoln
Bob Lannin, Lincoln
Jon L. Large, Bennet
Max & Lillie Larsen, Lincoln
Grace Larson, Lincoln
Joel & Julie Lavicky, Lincoln
Cindy & Tim LeGrande, Lincoln
Jim & Doris Lewis, Lincoln
Teresa & Bruce Liesemeyer, Unadilla
Jim & Gail Linderholm, Lincoln
Tom & Deb Loseke, Columbus
Mary Losh, Lincoln
Ed & Loreta Love, Lincoln
Barrie & Ann Luers, Beatrice
Elizabeth & Herman Lui, Seattle, WA
Brian & Carol Lutz, Lincoln
Heidi & Tom Macy, Omaha
Pete & Cyndy Maddux, Lincoln
Jef & Laura Markey, Lincoln
Dan & Donna Marvin, Lincoln
Dave & Lavon McBride, Lincoln
Jefrey T. McCabe, Alvo
Sherry McClymont, Holdrege
Jim & Dianna McElfresh, Columbus
Dallas McGee, Lincoln
Mike McKain, Lincoln
Caroline Melson, Lincoln
Dave & Tammy Miller, Lincoln
James B. Miller, Lincoln
Mark & Korby Munger, Lincoln
Carol Myers, Lincoln
Dave & Ann Myers, Lincoln
Christopher & Sonia Neale, Lincoln
Jim & Paty Neid, Lincoln
Bill & Yvonne Nelson, Lincoln
Darrell & Nancyann Nelson, Lincoln
Jodi A. & Dan D. Nelson, Lincoln
Neal & Julie Niedfeldt, Grand Island
Richard Nielsen, Lincoln
Rick & Connie Olson, Grand Island
Rob & Carolyn Ote, Lincoln
Mary Owens, Lincoln
Tyler & Angela Pannier, Lincoln
Tom Pappas & Laurel Van Ham, Lincoln
Jim & Terri Patavina, Lincoln
June Pederson, Lincoln
Kent & Sylvia Person, Holdrege
Wes & Andi Peterson, Lincoln
Bob & Margene Phares, North Platte
Dave Pool & Sarah Boehle Pool, Bennet
Neva Pruess, Lincoln
Prusa Family & T-S Ramos, Lincoln
Margaret & Jerry Puls, Lincoln
Mary Kathleen Quinn, Lincoln
Mary Raimondo, Elkhorn
Scot & Ashtyn Reiser, Greenwood
Alan & Pat Riggins, Lincoln
Krist & Dave Rippe, Hastings
Phil & Trena Rogge, Fairbury
Dr. William & Beth Rogge, Lincoln
Bill & Judy Roper, Lincoln
Frank Rothell & Todd Hollenbeck, Lincoln
Kathy & Jim Rowoldt, Lincoln
Douglas & Connie Rupp, Norfolk
Rosanne Samuelson, Lincoln
Deanna J. Sands, Nebraska City
Steve & Sandy Scheinost, Lincoln
Bill & Carol Schulte, Lincoln
Glen & Nesha Schumann, Lincoln
Allen & Lisa Sedlak, Hastings
Don & Pam Sheets, Lincoln
Robert K. Shirer & Gail J. Hankins, Lincoln
Bob & Carmen Shively, Lincoln
Damian & Liz Shotkoski, Lincoln
Joyce & LeRoy Sievers, Lincoln
Rob & Susan Simon, Lincoln
Rod & Gayle Smith, Pleasant Dale
Sandy Sostad, Lincoln
Earleen L. Spitsnogle, Lincoln
Mary & Bill Stahly, Lincoln
Gayle & Mary Starr, Lincoln
Dave & Peggy Stenberg, Lexington
Janet Stephenson, Fairmont
Rolene Stllahn, Seward
Larry & Paula Stobbs, North Platte
Jill & Bret Stohs, Lincoln
Emily Suing, Lincoln
Bob & Paula Svoboda, Lincoln
Ray & Cindy Swanson, Lincoln
Kate & Ray Taddeucci, Lincoln
John Tauriella, Exeter
Daniel Taylor & Randy Jarolimek, Lincoln
Stephen Taylor, Lincoln
Tim & Roxie Tesmer, Lincoln
David & Sally Thomsen, Lincoln
Julia & Ron Thomsen, Minden
Tom & Carolyn Tipton, Palmyra
Gretchen A. Treadway, Lincoln
Jan & Mike Tuckerman, Lincoln
Gene & Rhonda Ulmer, Grand Island
Michael & Virginia Unverferth, Raymond
Mary Lou Van Dyke, Lincoln
Robert Vavala & Mary Koens Vavala, Lincoln
Patrick Voichahoske Family, Waverly
Wade & Ann Walkenhorst, Lincoln
Mark & Andrea Way, York
Denton & Ann Weichman, Grand Island
Jerry & Robin Westhof, Lincoln
Molly & Ryan Wieber, Lincoln
C. Robert & Patricia E. Wikel, Crete
Jane Williams, Lincoln
Karen Hagelberger Winney, Seward
Leslie A. Wright, Omaha
Rawland & Sandy Wrobliski, Lincoln
Dr. William & Tamara Wyman, Lincoln
Robert & Trista Ybarra, Lincoln
Bob & Joyce Zackery, Holdrege
Allan & Marj Zimmerman, Lincoln
GREAT FRIENDS
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Greg & Julie Adams, York
Charlene Adden, Lincoln
Corey & Bailey Allard, Lincoln
Craig & Devon Ames, Lincoln
Wendi & Mark Anderson, Lincoln
Christne Arndt, Lincoln
Kate & Dawson Arnold, Lincoln
Bonnie Arrasmith, Lincoln
Sarah Arten, Omaha
Ronald & Gloria Asch, Lincoln
Mary E. Ash, Arcadia
Atlantc Music Academy, Lincoln (2)
Will & Amanda Austn-Maflika, Lincoln
Bruce N. Ayers, Lincoln
David C. Bagby, Lincoln
Kimberly Baker & Family, Lincoln
Susan Barker, Lincoln
Rick & Mary Barmore, Washington, DC
Steve & Allison Barnas, Wilber
Linda K. Barnet, Lincoln
Craig & Myna Bartels, Lincoln
Mary Ann Barton, Lincoln
Lorraine Beadell & Gregory Love, Lincoln
Tammy & Robert Beck, Lincoln
Allen J. Beermann, Lincoln
Steven & Darla Belitz, Archer
William & Daralee Beltz, Lincoln
Benischek Family, Lincoln
Jared & Kay Bennet, Lincoln
Patricia Bennet, Hickman
Tara Benson, Lincoln
Patrick Bentzinger, Waverly
Kay & Tom Bergquist, Lincoln
Nancy & Leevon Bernt, Osceola
Jay & Donna Bitner, York
Tim & Cindy Bitnger, Raymond
Ray & Bety Bloomquist, Lincoln
Sara Boatman, Lincoln
Larry & Janet Bock, Lincoln
Roger Bodtke, Lincoln
Anita & Gerald Boeselager, Lincoln
Leslie Bonelli, Lincoln
Mardi Bonner, Lincoln
Ric & Debbie Bookstrom, Lincoln
Sue & Neil Boring, Lincoln
Rick & Kathy Bourque, Lincoln
Jon, Lyndsey, & Carter Bradford, Lincoln
In Memory of Eric D. Brandt
Gary & Sharon Bredehof, Lincoln
Gale & Becky Breed, Lincoln
Frank Brill & Pinky Dokken, Lincoln
Randy & Kathy Brolhorst, Lincoln
Eric & Kelcey Buck, Lincoln
Karen & Dennis Buckley, Lincoln
Steve & Rhonda Burbach, Lincoln
Don Burt, Lincoln
Don & Lynete Byrnes, Lincoln
Cassie & Justn Cadwell, Greenwood
Wanda Cafrey, Lincoln
Dan & Becky Caldwell, Lincoln
Patricia Callaway, Lincoln
Jerry & Charlote Campbell, Lincoln
Mathew & Krist Carley & Family, Seward
Dennis & Nancy Carlson, Lincoln
Dennis & Patricia Carpenter, York
Rich & LaVonne Catron, Grand Island
Peggy Chesen, Lincoln
Pat & Randy Chick, Hastings
Gregg Christensen, Lincoln
Cindy Clausen, Lincoln
Pat Caudill Cole, Lincoln
Alice Coleman, Lincoln
Dave Collet, Lincoln
Foster Collins, Lincoln
Glynnis Collins, Lincoln
John & Nancy Comer, Lincoln
Nancy Coniglio, Lincoln
Terry & Gretchen Corey, Waverly
Anabeth H. Cox, Lincoln
Joan & Tim Creger, Lincoln
Juliet Cruce, Lincoln
Lona & Andy Dahlgren, Bertrand
The D’Amour Family, Lincoln
Damian & Natalie David, Lincoln
Allen Deaton & Jean Zeplin, Lincoln
Deb Degarmo, Lincoln
Judith DeGraf, Lincoln
Scot & Stu DeWit, Lincoln
Bill & Laurie Dicke, Lincoln
Karen Dickson, Lincoln
Kay Dinkelman, Lincoln
Steve & Paulete Dinsmore, Lincoln
Eric & Opal Doerr, Lincoln
Julia Doerr, Lincoln
Steve & Faye Doolitle, Lincoln
Robert Dover, Norfolk
Sara & Geof Downes, Lincoln
Maggie Doyle, Beatrice
Jerry & Julie Druery, Lincoln
C.K. Duryea, Omaha
Kimberly Eberly, Aurora
Greg & Rhonda Edwards, Hardy
Kasey Elgert, Lincoln
Mark & Kate Ely, Lincoln
Marijane Look England, Lincoln
Daryl & Deb Erickson, Greenwood
Jamie Erickson, Lincoln
Ann Z. Eroshevich, Lincoln
Jennifer Eurek, Kearney
Tom & Cynthia Fitchet, Lincoln
Dr. Christna Flaherty-Colling & Mr. Thomas Colling, Omaha
Rev. Rudy & Carol Flores, Aurora
Lee Foster, Lincoln
Chuck Fuhrer, Ord
Sara E. Fullerton, Lincoln
Karen L. Gagner, Lincoln
Kris & Kristn Ganoung, Halsey
Kate Garcia & Chris Balwanz, Lincoln
Jim & Marcia Gelinne, Lincoln
Nancy & John Gerrard, Lincoln
Don & Diane Giebelhaus, Lincoln
Susan Gildersleeve, Lincoln
Elizabeth Goehring, Albion
Lou & Kathy Gogela, Lincoln
Eunice Goldgrabe, Seward
Darrin & Diana Good, Lincoln
Jack & Aileen Graves, Lincoln
Tom & Jeanne Graves, Grand Island
Carolyn Gray, Albion
Jef & Judy Greenwald, Lincoln
Penny Greer, Lincoln
Dennis & Kathy Gregory, Lincoln
Greitens Family, Lincoln
Susan L. Griess, Lincoln
LaDonna Grubbs, Lincoln
Bob & Diane Grundman, Lincoln
Jean Guenther, West Point
William Haberfeld, Lincoln
Martn Hall, Lincoln
Don & Jen Ham, Lincoln
Lisa Hansen, Lincoln
Tommy & Marlene Hansen, Kearney
Jim & Suzie Harder, Lincoln
Karen Harker, Lincoln
Julie Harre, Lincoln
Meg Harry family, Lincoln
Stacy Hartgerink -Home Real Estate, Milford
Elisabeth & George Hasley, Hastings
Dean & Karen Hawthorne, Hastings
Randy Hawthorne, Lincoln
Helen & Janet Hayes, Lincoln
Sue & Bob Hedrick, Lincoln
Lora Henderson, Aurora
Kevin & Brenda Henning, Seward
Walter Henning, Crete
Todd Henrichs, Lincoln
Denny & Bonnie Hentzen, Seward
Margaret & Charles Hermes, Hastings
Susan K. Hild, Lincoln
Charley & Debbie Hill, Lincoln
Jefrey G. Hines, Lincoln
Dennis & Terri Hirschbrunner, Columbus
Dick & Sue Hodge, York
Brian & Karalyn Hoefer, Lincoln
Vincent Hoehne, Battle Creek
Don J. Hooper, Omaha
Don & Kerry Hopkins, Lincoln
SuEllyne Hopkins, Lincoln
Bob & Susan Howell, Lincoln
Joseph & JoAnne Hranac, Lincoln
Qi S. Hu, Lincoln
Megan & Thad Huenemann, Bennet
Karen Huf, Lincoln
Butch & Caroline Hug, Lincoln
Dr. Mark & Susan Hungerford, Manhattan, KS
Eric Hunt & Britany Porter, Lincoln
Inbody Family, Lincoln
Cheryl G. Jenkins & Toben Buntng, Lincoln
In Memory of Alyzabeth Jensen
Ken Jensen, Bennet
Rev. Jonathan & Pat Jensen, Lincoln
Jef & Nancy Joe, Bruning
Ann & Rod Johnson, Lincoln
Bill & Bonnie Johnson, Lincoln
Candi Johnson, Lincoln
Marleen F. Johnson, Lincoln
William & Sally Jonas, Lincoln
Linda Jones, Lincoln
Mo & Sally Jost, Seward
Al & Mary Kamrath, Lincoln
Rose M. Kastl, Wahoo
Kay & Tom Keefe, Lincoln
Lisa Kelly, Lincoln
Julie Kent, Crete
Rich & Jeanne Kern, Lincoln
Amy Killeen, Lincoln
George & Sherril Kilpatrick, Lincoln
Denny Kipper, Lincoln
Jeanie & John Kissler, Lincoln
Rose & James Klein, Lincoln
Mark & Val Kline, Lincoln
Michael & Crystal Klockenga, Lincoln
Kathy Klotz, Seward
Celeste Knapper, Lincoln
Jim & Jan Kollars, Lincoln
Paul & Bernadete Korslund, Lincoln
Jim & Cheryl Kostal, Ayr
Steven & Angela Kramer, Lincoln
Jay & Kili Krauter, Wilber
Leo & Susan Kringle, York
Dale & Nancy Kruse, Beatrice
John & Donna Kruse, Seward
Ronald & Jayne Kuehn, Lincoln
Alex J. & Susan K. Kufeldt, Seward
Christne K. Kunz, Lincoln
Scot & Amber Lane, Lincoln
DeLoyd Larsen, Lincoln
Laddie C. Lastoka, Weeping Water
Mike & Deni Lautenschlager, Lincoln
Sara Leber, Roca
Jan Leeper, Lincoln
Rich & Ann Lemmerman, Lincoln
Deb Levitov, Lincoln
Rev. Ryan Lewis, Omaha
Cheryl Lockwood, Hastings
Ken & Carla Loemker, Beatrice
Greg & Ruth Luedtke, Lincoln
Diane Lydick, Lincoln
Julie Maaske & Chris Dooley, Lincoln
Kelly & Mike Madcharo, Lincoln
John & Pat Madsen, Stuart
Laura Makovicka, Ceresco
Roger & Wanda Mandigo, Lincoln
Douglas & Eike Marthaler, Lincoln
Martn Family, Kearney
Jef & Teri Martn, Hickman
Andy & Kate Martz, Lincoln
Brian Maslonka, Lincoln
Kent & Shelley Matson, Lincoln
Lois Mayo, Lincoln
Ross & Lynn McCown, Lincoln
Vickie McDonald & Larry Harnisch, Lincoln
Mikki McGuire, Lincoln
Rick & Kathy McLaughlin, Lincoln
Deborah Meyerhof, Lincoln
Barbara Michael, Lincoln
Kathy Miller, Seward
Lou Anne Miller, Lincoln
Robert & Heather Miller, Lincoln
Dr. Michael Montgomery & Susan Rue, Eagle
Kevin & Sue Moore, Lincoln
Kari Morgan, Lincoln
Angie Muhleisen, Lincoln
Scot & Lori Muller, Lincoln
Catherine A. Nelson, Omaha
Clarine & Scot Nelson, Lincoln
John & Deb Nelson, Aurora
Neal P. & Jodi L. Nelson, Lincoln
Shannon Newburn, Ceresco
Rick Newcomer, Lincoln
Bill & Judy Nissen, Raymond
Grant & Michele Norgaard, McCook
Kathleen North, York
Vicki & Jamie Obrecht, Lincoln
Patrick O’Donnell, Lincoln
Patrick & Lacey O’Hare, Lincoln
Mary & Jorn Olsen, Hastings
Doug & Jody Osler, North Platte
David Palm & Alice Henneman, Lincoln
Ellen Paparozzi & Walt Stroup, Lincoln
Mary Pedersen, Lincoln
Joanne Pepperl, Lincoln
Ron & Clare Perkins, McCool Junction
Harvey & Susan Perlman, Lincoln
Erica Peterson, Lincoln
George W. & Harriet Peterson, Lincoln
Jef & Tracey Peterson, Lincoln
Jerry & Mary Ann Petr, Lincoln
Mike & Wendy Pety, Omaha
Christy Phelps, Norman, OK
Jim & Suzanne Pillen, Columbus
Marty & Angie Pinkerman, Hastings
Steve & Sharon Placke, Grand Island
Kathy Plunket, Lincoln
Dali Podenski, Lincoln
Gary Pohlmeier, Lincoln
Janet K. & Jef Poley, Lincoln
Keith & Jan Pretyman, Lincoln
Linda Quillin, Lincoln
Kimberly Rath, Lincoln
Bruce & Ann Rauscher, Lincoln
Paul E. Read, Lincoln
Bob & Donita Reed, Beatrice
William & Deborah Reichert, Lincoln
Dr. Kevin & Tracy Reichmuth, Lincoln
Claudia & John Reinhardt, Lincoln
Pat & Wade Remmenga, Lincoln
Larry & Margo Remmers, Lincoln
Russ & Julie Reno, Lincoln
La Familia de Renteria-McKathnie, Lincoln
Mary Beth & Rich Rice, Lincoln
Jenna Ripke, Lincoln
Terri Ritenburg, Lincoln
Julie Robinson, Lincoln
Kay & Lee Rockwell, Lincoln
Jane Rohman, Lincoln
Kelly & Andrew Ross, Lincoln
Brad Roth & Karen Jensen, Lincoln
Cheryl Roth, Lincoln
Steve & Tammy Russell, Lincoln
Tim & Ann Russell, Hastings
Allison & Richard Salem, Lincoln
Diana Sanderson, Lincoln
Steven Schafer, Lincoln
Marty Schantell, Lincoln
Cathy & Ray Schapmann, Lincoln
Barbara & John Scharf, Curtis
Krist Scheele, Waco
Mel & Linda Schmaderer, Saint Paul
Dennis Schmidt -SDMS Inc., Lincoln
Marilynn Schnepf, Lincoln
Lyle & Susan Schoen, Lincoln
JoAnn & David Schoengold, Lincoln
Sue Schulz, Hill City, KS
Michael & Karen Schweitzer, Lincoln
Elizabeth Scot, Roca
William & Karin Scully, Lincoln
Rhonda Seacrest, Lincoln
Scot & Mary Senne, Lincoln
Sue & Dave Shamblin, Lincoln
Dan & Emily Cameron Shatl, Lincoln
Patrick Shea & Elizabeth Walter-Shea, Lincoln
Patricia Shepard, Lincoln
Kevin & Lori Sheppard, Lincoln
Jane Shield, McCook
Jerry & Ann Siefes, Roca
Linda D. Simonsen, Hebron
Kevin & Chananne Slepicka, Lincoln
Laurie P. Smith & Kent Eskridge, Lincoln
Peter Smith & Annete Thompson, Lincoln
Robert J. Smith, Lincoln
Todd & Mary Sneller, Lincoln
Gracen A. Sommerer, Seward
Robert & Susan Sondag, Hastings
Mark & Sheri St. Clair, Lincoln
Sue Staehr, Lincoln
Jef & Kristn Stagemeyer, McCook
Drew & Holly Stange, Lincoln
Tom Starr, Lincoln
Jean States, North Platte
Jennifer Steenson & Joe Snyder, Denton
George & Glenda Steinsberger, Columbus
Diana Stemper, Lincoln
Bill Stephan, Lincoln
Janet Stephenson, Fairmont
Kevin & Krista Stevens, Lincoln
Wyat Suddarth & Alexa Rosenau, Lincoln
Andy & Kristn Sullivan, Doniphan
Frank & Paula Swinnea, Hastings
Remy & Kate Sydik, Lincoln
Linda Taborek & Robert Poter, Lincoln
David Taylor & Lorraine Leiser, Hickman
Beverly J. Thomsen, Hooper
Thomas & Shelley Thorpe, Lincoln
Chris & Gary Timm, Lincoln
Teri Tran, Lincoln
Jay & Jeanine Trofolz, Columbus
Eileen & Steven Trout, Lincoln
Thomas Trumble, Lincoln
Richard & Cheryl Trzupek, Lincoln
Kimberly Tyler & Paul Kramer, Lincoln
Richard & Penny Urwiler, Lincoln
Cassidy J. Vacha, Cedar Bluffs
Suman & Michelle Vallabhbhai, Lincoln
Nick & Shari Veil, Lincoln
Jean Vincent, York
Sheila Dorsey Vinton & Paul Vinton, Lincoln
Chastty & Sarah VonWonder, Lincoln
Bob & DeEta Vrana, Lincoln
Allan & Mindy Vyhnalek, Lincoln
George & Judi Wagaman, Lincoln
Gina M. Wagner, Omaha
John & Maureen Wagoner, Phillips
Kevin & Boots Wailes, Lincoln
Warwig Family, Lincoln
Deb Watchorn, Lincoln
Ted & Deborah Watson, Lincoln
Sherry Weber, Lincoln
Wendy & Scot Weitzenkamp, Lincoln
Celeste Wells, Axtell
Ryan & Rebecca Wells, Lincoln
Robert & Brenda Wergin, Lincoln
Colleen B. Werner, Hastings
Don Wesely & Michele Casanova, Lincoln
Francis & Virginia Whidden, Saint Edward
Nancy Whitman, Lincoln
Syd & Paty Widga, Lincoln
Roger & Sylvia Wiegand, Lincoln
Larry & Diane Wiehn, Lincoln
Denise Wiemer, Lincoln
Nancy Wieseman, Lincoln
Mat & Karen Freimund Wills, Lincoln
Jan L. Wilson, Roca
Mike & Marilyn Winkelbauer, Ord
Linda Winkelman, Brownville
Shirley J. & Shirley Wite, York
Curts & Lila Wolf, Aurora
Dote & Doyle Wolverton, Lincoln
Robert & Barbara Woodruf, York
Russel & Judy Workman, Lincoln
Ruth Ann & Michael Wylie, Lincoln
Tom & Pat Yaussi, Lincoln
Ian York, Lincoln
Dan Yost, Lincoln
Keith & Shelley Zaborowski, Lincoln
Kyla Zehr, Beatrice
Mary & Mike Zgud, Lincoln
Pam & Jim Zilly, Denton
Vitaly Zlotnik, Lincoln
$50-$99
Anonymous (7)
Amanda Andersen, Lincoln
Kathy Anstne, Seward
Barbara Armstead, Lincoln
Dolores Arten, Lincoln
Dee & Mike Austn, Omaha
Brad & Jen Bangs, Aurora
Marie Barret, Lincoln
Tammy Bartels, Lincoln
Tom & Kathy Bass, Swanton
Gwen Batcher, Lincoln
Allison Bauer, Henderson
Janet Behrends, Omaha
Julie Berger & family, Lincoln
Paty Beutler, Lincoln
Dagnija Bite, Lincoln
Bitenieks Family in Memory of Don Wesely
Tom & Lisa Blankenau, Lincoln
Melvin & Gail Bomar, Columbus
Brandon Bosch, Lincoln
Mick & Michele Bosilevac, Hastings
Adrian Bowen, Fairbury
Bridget Bredenkamp, Lincoln
Brenda Brehm, Lincoln
Traci Bruckner, Wayne
Roger & Mary Bruning, Lincoln
Larry & Kathy Burklund, Lincoln
David A. Burnete, Lincoln
Gregory Butell, Beatrice
Melanie Byrd, Lincoln
LeeAnne Call, Lincoln
Cindy Cammack & David Reifschneider, Lincoln
Jon Cannon, Lincoln
Alicia Carioto, Lincoln
Cary & Ginger Colton, Lincoln
Dr. Trudy K. Clark, Lincoln
James Coll, Lincoln
David E. Crawford, York
Todd & Ashlee Crawford, Lincoln
Benjamin Cuca, Lincoln
Heidi Cuca, Lincoln
Mary A. Curts, Lincoln
Jason & Jeannie Damm, Lincoln
Rose Mary Datus, Hastings
Nora E. D’Croz-Mason, Lincoln
Pam Deal, Hastings
William Dewey, Lincoln
Richard & Karen Dienstbier, Lincoln
Marcia A. Dorn, Axtell
Judy Douthit, Lincoln
Dzingle Family, Elba
Megan Eliason, Lincoln
John & Do Emerson, Lincoln
Scot & Kate Engel, Lincoln
Dr. Charles & Mary Ann Erickson, Lincoln
Carl & Janet Eskridge, Lincoln
Mark Franzen, Cary, NC
Debra K. Fritz, Lincoln
Georgia Glass, Lincoln
Larry & Laurie Graham, Crete
Raymond Grauf, Lincoln
Guterrez Family, Lincoln
Jane Haire, Lincoln
Linda & Richard Harr, Lincoln
Kari Hasemann-Herbert, Lincoln
Tyler Hayden, Lincoln
Adam D. Heiser, York
Brandon Henley, Milford
Mary Hinds, Lincoln
Ken Hopkins, Lincoln
Joel & Stacey Houston, Lincoln
Mary Jo Howe, Valley Village, CA
Helen Hrdy, Lincoln
Rubab Husain, Lincoln
Mark R. Hutchins MD & Deanna L. Louise MD, Lincoln
Carol & Wendell Hutsell, Gretna
ReAnne J. Isom, Lincoln
Marlin D. Jefers, Omaha
Daniel Jenson, Bellevue
Don & Bobbie Johnsen, Beatrice
Jim Johnson, Lincoln
David Jones, Lincoln
Dean & Pat Joy, Lincoln
Shelley Kahrs, Franklin
Helen & Dan Kappel, Lincoln
Connie C. Karges, Lincoln
Marissa Kemp, Lincoln
Rick & Karen Kennell, Lincoln
Carla Ketner, Seward
Carolyn A. Kiterer, Lincoln
Dr. Robin & Ann Koozer, Hastings
Stan Kravig, Lincoln
Jef & Pam Krenk, Seward
Elaine Kruse, Lincoln
Teresa LaFave, Ashland
Chris & Christne Lamberty, Lincoln
Clinton Leach, Lincoln
Laurie Thomas Lee, Lincoln
Glen & Ellen Lefer, Lincoln
Howard & Donna Lefer, Fairmont
Thomas Leikam, Lincoln
Andrew Lenhart, Lincoln
Sheila Lueders, Seward
Bill & Pat Lundak, Lincoln
Joy Maag, Waverly
Jamie MacKichan, Lincoln
Michaela Mallery, Waverly
Kevin M. McArthur, Bellevue
Melissa McCoy & Paul Muf, Lincoln
Carl McReynolds, Lincoln
Sarah Meisenbach, Lincoln
Michael O. Miller, Clatonia
Cheryl A. Moncure, Lincoln
Jeannie G. Morehart, Hickman
Toni B Morehouse, Lincoln
Linda E. Mousel, Central City
Kathleen Murray-Oberg, Lincoln
Tasheika N., Pickrell
Peggy Newquist, Lincoln
Mark & Debra Nicholson, Lincoln
Pam Nicholson, Lincoln
Dale & Ellen Niebuhr, Lincoln
Melissa Nierman, Lincoln
William Olson, Lincoln
Kat & Gene Ousey, Lincoln
Nancy Packard, Lincoln
Marianne Pasho, Milford
Jef & Dian Pickerel, Lincoln
Cynthia Pierce, Lincoln
Aimee Grifn Poor, Lincoln
James Poter & Deb Miller, Lincoln
Karen Rathke, Grand Island
Cortney Ray, Lincoln
Gary & Kathryn Raymond, Lincoln
Sandra J. Remus, Lincoln
Joanie Rich, Lincoln
April L. Rimpley, Lincoln
Jessica & Parker Robinson, Lincoln
Kent Rogert, Lincoln
Marjorie Ross, Lincoln
Lisa K. Roth, Lincoln
Debby Sampson, Murdock
Briana M. Scheef, Roca
Randy & Rhonda Schlick, Crete
Marian & Larry Schmid, Hickman
Rebecca Schreiner, Lincoln
Rodney & Cynthia Schwartz, Lincoln
Rich & Liz Scot, Lincoln
Al & Karen Scribner, Lincoln
Twila & Kirk Seaman, Lincoln
John Shields, Lincoln
Jesica Shiers, Lincoln
Roger E. Smidt, Filley
Donna L. Sommerer, Omaha
Thanks to the following companies who helped employee gifts go even further:
Robert & Christne Steinke, Columbus
James & Sandra Stles, Lincoln
David W. Teche, Lincoln
Otlia Titus, Lincoln
Marsha Turbet, Henderson, NV
Jennifer Valenta, Crete
Cindy Waltke, Beatrice
Nancy Waltman, Lincoln
Susan J. Weber, Lincoln
Liz & Val Wedeking, Lincoln
Lori Wegener, Humphrey
Cheryl Wells, Lincoln
Ray & Glenna Wheasler, Dublin, OH
David & Mikaela White, Lincoln
Jill Wightman, Lincoln
Diana L. Zeterman, Lincoln
Julia Zornes, Lincoln
Ask your employer if they match employee contributions!
For more information about becoming a Friends of Lied member, contact
AMY OSSIAN
Assoc. Director of Development & Membership AOSSIAN2@UNL.EDU 402.472.4704



In September of 2024, sold out crowds exceeding 1,300 people experienced the world premiere play A House Divided in the Lied Center’s Carson Theater. Produced as part of the Lied Center’s Grow a Show program, this new work by Christina Kirk examined the bitter political and personal divisions in the Lincoln White House when Mary Todd Lincoln’s Confederate half-sister came to visit during the height of the Civil War.
The Lied Center has a long history of supporting and creating new work as part of the Grow A Show Program, and over the years the Lied has commissioned, created, and partnered on dozens of theatrical, dance, and musical compositions.
Executive Director Bill Stephan, who chose to produce the play after attending a first reading in November of 2023, said, “Abraham Lincoln used the phrase “a house divided” in his famous speech known as the “House Divided Speech,” delivered on June 16, 1858. The phrase is a reference from the Bible, Matthew 12:25 in which Jesus says, “Every kingdom divided against itself is brought to desolation, and every city or house divided against itself shall not stand.” I hope this play may help bring our community and potentially our nation together in that spirit of unity Abraham Lincoln so believed in. Keep an eye on this new work, as you may see it on stages in New York, Chicago, or Los Angeles in the future.”
In addition to the show, the Lied Center also presented a panel discussion and lecture featuring celebrated author and Civil War expert Dr. Jeremi Suri called A House Divided: Politics Today and American History, diving deeper into the topics presented in the play. The lecture was also later aired on C-SPAN, bringing these important topics to an even wider audience.
The Lied Center is proud to support new works that enrich our community, encourage thoughtful discussion, and inspire positive change!
Classical guitarist Daniel Martinez, who grew up in Peru and has called Lincoln home for more than 20 years, believes deeply in the power of music as a universal language to bridge divides. With that power in mind, he came up with a big dream. He says, “My goal was always to do a world music tour of all the Lincoln Public Schools.”
In partnership with the Lied Center, Daniel is currently doing just that through the Strings of Many Colors program. The plan is to bring the program to 10 schools each year, eventually reaching every school in LPS. He’s already visited more than 30 schools! For each visit, Daniel brings 7 or 8 instruments (which is only half of the instruments this talented multiinstrumentalist has mastered!) and gives students background on the country each one comes from. He plays and sings for them, talks about culture and traditions, and in the process invites students to talk about their own backgrounds and heritage. Daniel shares with the



students about the languages he speaks (Spanish, English, and Portuguese), and says students often tell him about the languages they speak as well. He says that’s one of his favorite parts of the program—seeing the students open up through music and feel pride in who they are and where they come from. He introduces music as the universal language, meaning that “Because you play an instrument or you love music, you can say you are bilingual- you speak English, and you also speak music.”
After his time in the classroom, Daniel returns to each school with his celebrated band Jarana to give a concert for the entire student body.
At a recent stop at a Lincoln elementary school, Daniel asked the students, “Why do you think I am here? I am here to show you love through culture. Because we are from di ! erent places. And the only thing we have to do for others is just love one another. Right?”
After the first Strings of Many Colors visits, Daniel knew the program was having exactly the e ! ect he hoped it would on the students. “I know it’s working because of the laughter and clapping! Kids dancing in front of their peers! I know that’s working. As humans, we build these filters to protect ourselves. And kids, they don’t have that.”
Daniel and his Strings of Many Colors are scheduled to visit 10 schools during the 2025-2026 school year, and he says, “I want to reach more kids and families with my music and bring hope during these confusing times. I want to expand to di ! erent towns and cities, bringing hope through melodies, harmonies, and di ! erent rhythms. I want kids to connect to their roots, no matter where they are coming from.”
The Lied Center is proud to have this program as part of the Lied’s Educational Outreach that is bringing culture, belonging, and the “universal language” to students across Lincoln!



The Lied Center kicked o! 2025 with the groundbreaking RENT in Concert, a one-night-only event celebrating Jonathan Larson’s groundbreaking Tony and Pulitzer Prize Award winning musical by adapting it for full orchestra. Fresh from its debut at the Kennedy Center with a superstar cast featuring multiple Tony Award® nominees performing alongside local Nebraska talent and the full Lincoln’s Symphony Orchestra, Lincoln was one of the only cities in the U.S. to welcome this exciting new concert production.
The project was helmed by Sammi Cannold, named one of Forbes Magazine’s 30 Under 30 in Hollywood & Entertainment and one of Variety’s 10 Broadway Stars to Watch and known for directing unique Broadway projects including How to Dance in Ohio, Evita at New York City Center, Ragtime on Ellis Island, and Sunset Boulevard at the Kennedy Center. For Cannold, the casting process was one of the things that made Rent in Concert so exciting.
She says, “Our casting process on this production is really unique because we are casting locally from amazing talent in the city that we’re going to, in this case in Lincoln. And then also we are bringing in folks from New York or from elsewhere, and those two groups are coming together and making something really special. The other dimension of that that’s really exciting is that we have a few performers who are now based in New York, who’ve performed on Broadway or O! Broadway, and are from Nebraska originally.”
Among those performers returning to Lincoln was Mary Kate Moore, a Lincoln native who was recently on Broadway in Into the Woods as a standby for Sara Bareilles and Stephanie J. Block. For Moore, returning to Lincoln to perform at the Lied was a true full-circle moment. “I had my first ever dance recital on the stage of the Lied. I graduated from high school on the stage of the Lied Center. It’s really, really special.”
In addition to the unique casting process, Cannold said the reimagining of the Rent score for full orchestra also made the show such a special experience. “It’s a completely new, exciting, thrilling sound and emotion.”
Cannold reflected on her time in Lincoln, saying “My Lied Center experience has been amazing. I just have loved every second of working here, and it’s been really exciting to see the di!erent dimensions of what the Lied does. I think that often times in the theater, we work in a ‘theater-only’ bubble, and so to be at a place that does so many di!erent kinds of art and engagement with the community is a very cool thing. And I’ve loved getting to know the community at the Lied.”
REACH NEW CLIENTS. GROW YOUR BUSINESS. SUPPORT THE LIED CENTER.
• Reach 130,000+ arts patrons and support Nebraska’s Home for the Arts.
• Your ad will be seen by a dedicated, infuential audience—and your support helps bring world-class performances to our community.
LEARN MORE OR RESERVE YOUR SPOT TODAY:
KBURESH3@UNL.EDU 402-472-4734 LIEDCENTER.ORG/PROGRAM-ADVERTISING




For more than three decades, the Lied Center for Performing Arts has been Nebraska’s premier stage for world-class performances, community engagement and transformative arts education. Every season, the Lied Center opens doors to transformative experiences—bringing Broadway, classical music, dance, and innovative programming to audiences of all ages.
By including the Lied Center in your estate plans, you ensure that future generations will continue to experience the power of the performing arts. Your legacy will:
• Sustain Excellence : Support nationally acclaimed artists and productions that enrich our cultural landscape.
• Expand Access : Provide opportunities for students and underserved communities to experience live performance.
• Inspire the Future : Fund educational programs that nurture creativity and foster lifelong appreciation for the arts.
Planned gifts—such as bequests, charitable trusts, or beneficiary designations—are a meaningful way to make a lasting impact. Every gift helps guarantee that the Lied Center remains a vibrant hub for the arts for generations to come.
JOIN THE LIED LEGACY SOCIETY TODAY & HELP US KEEP THE ARTS ALIVE FOR TOMORROW.
To learn more about including the Lied Center in your estate plans, or to join the Legacy Society if you already have a planned gift in place, contact Barbara Kohler, Director of Development, Visual & Performing Arts at the University of Nebraska Foundation at Barbara.kohler@nufoundation.org or (402) 458-1100.














Catch a can of Saro Cider before the next act.
Then visit us at our Saro Cider Taproom at 18th & N St. for your next date night.
Show us this ad for a $3 draft pour.
sarocider.com



Since 1937, the First Aid Services Team has been providing one-of-a-kind emergency medical services in the city of Lincoln. More than 200 local volunteers stand ready to keep you safe at community events. redcross.org /NEIARedCross @neiaredcross



















Polyphony
Friday, October 24, 2025 at 7:00 p.m.
Visit us at 201 N. 14th St
SUN-WED 10AM - 11PM THU-SAT 10AM - 3AM
2025 - 2026 Abendmusik Concert Season
All concerts are FREE - 2000 D Street, Lincoln NE
England’s most remarkable chamber choir, Polyphony, comes to the Midwest for the rst time.
Community Sing: Handel’s Messiah
Sunday, November 30, 2025 at 4:00 p.m.
Raise your voice in Abendmusik’s annual rendition of George Frideric Handel’s iconic Messiah
Christmas with Abendmusik
Sunday, December 14, 2025 at 4:00 and 6:30 p.m.
Plymouth Choir accompanied by the Plymouth Ringers and the Abendmusik Chamber Orchestra.
New Year’s Eve Last Blast
Wednesday, December 31, 2025 at 3:00 p.m.
e Plymouth Brass, the Lincoln Continentals, and guest organist Diane Meredith Belcher.
St. Olaf Choir
Saturday, January 31, 2026 at 7:00 p.m.
e St. Olaf Choir is hailed as one of the nation’s premier a cappella ensembles.
Youth Masterworks Festival at the Lied Center for Performing Arts
Monday, February 23, 2026 at 7:30 p.m.
Directed by conductor Darita Seth.
J.S. Bach’s Mass in b minor
Sunday, March 15, 2026 at 6:00 p.m.
Tom Trenney leads sounding light, the Plymouth Choir, soloists, and the Abendmusik Orchestra.
Tonality: America Will Be
Sunday, April 12, 2026 at 4:00 p.m.
Tonality invites us to look toward a more perfect union for ourselves and future generations.


How much fun can you pack into a day in Lincoln? A relaxing and stress-free adventure is waitng for you. Trek around town at your leisure and discover a surprise around every corner.


As a local company, business, or organization, this free program provides your employees or members with Lied season subscriber benefits with no minimum purchase. Perfect for those managing employee perks, we will provide all the materials you need to share with your team.
• 20% discount on most Lied Center season events
• Early access to tickets before the general public
• Easy access to benefits using a company email address or unique promo code
• Reduced handling fees – save up to $9 per ticket!
• No minimum purchase required CONTACT OUR GROUP SALES MANAGER TODAY FOR MORE INFORMATION KELLY BURESH GROUP
KBURESH3@UNL.EDU 402-472-4734



Tuesday, January 20, 2026 | 7:30 PM
Johnny Carson Theater
Music by Anton Bruckner, Franz Schubert, Akemi Naito, Paul Moravec, and Andrew Smith

Wednesday, April 15, 2026 | 7:30 PM
Kimball Recital Hall
Music by George Gershwin, Peter Schickele, Arturo Marquez, and Greg Simon
Sunday, November 9, 2025 | 3:00 PM
Johnny Carson Theater
Music by Beethoven, Joseph Bologne, Aftab Darvishi, Toru Takemitsu, and Florence B. Price

Thursday, Feb. 19, 2026 | 7:30 PM
Johnny Carson Theater
Music by Beethoven, John Cage, John Zorn, and Franz Schubert

For more information about the artists and programs, go to www.LFCM.US
Single tickets available through the Lied Center and at the door.




Oct. 14 • 6:30pm • FREE Lied Center for Performing Arts
19th and 21st Surgeon General of the United States and and author of Together: The Healing Power of Human Connection in a Sometimes Lonely World.
Nov. 18 • Time TBA • FREE Location TBA
Communication strategist, creator of The Listening Table, and founder of Warmline.org, teaching communication skills to foster authentic human connection.
Feb. 17 • 6:30pm
Rococo Theatre • TICKETED
With Firespring and The Foundry Community
Local individuals and nonprofit organizations sharing ideas and stories that spark imagination, inspire, educate, and build a better community.
Mar. 31 • 6:30pm • FREE Lied Center for Performing Arts
With Center for Great Plains Studies
Social entrepreneur and coauthor of The Upswing: How America Came Together a Century Ago and How We Can Do It Again.












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IMPACTS IN EVERY COUNTY
Bringing Big Ten education and resources to all 93 Nebraska counties.
The state-of-theart building creates big opportunities for music, music education and dance students.
