2025 Awards eMagazine by jaaust

About About About

THE JAA

In 1931, as Australia was experiencing the gross domestic product decline and unemployment of the Great Depression, the Jewellers Association of Australia (JAA) was established to provide industry support

Over the next 92 years and continuing to the present day, the JAA works nationally to represent and protect the interests of the jewellery industry and consumers. the JAA covers all areas of the jewellery industry – from manufacturing, to wholesaling, distribution to retail

The JAA is proud to promote the highest standards and ethics within the Australian jewellery industry. Each of our members adheres to the JAA Code of Conduct, showing their commitment to the industry, its clients, and to excellence.

Trust is a key part of consumer confidence and providing a Code of Conduct by which our members must comply enhances this trust between business and consumers

Our members have access to a community of like-minded individuals with similar interests and focus. Industry concerns are discussed and resolutions researched with the aid of our dedicated Board of Directors, and State contacts who volunteer their time for the betterment of the Australian jewellery industry

The JAA is proud to promote the highest standards and ethics within the Australian jewellery industry and encourages consumers to shop with confidence where they see the JAA member logo.

Our mission is to advance the Australian jewellery industry through ethical conduct, high professional standards and efficient business practice Shop with confidence where you see this logo

THE AWARDS About About About

The JAA Australasian Jewellery Awards celebrate and recognise design, innovation, craftsmanship and marketability in the jewellery industry They are the ultimate industry awards that reward creativity, skill and technique - the most distinguished program for the Australasian jewellery community

In his position as President of the Queensland branch of the Jewellers Association, Roy Samuel Worfold founded the JAA Design Awards in 1968, and established a program to honour designers for their artistry and excellence The late Roy Worfold is honoured through the Roy Worfold Trophy, which is awarded to the Jeweller of the Year

Demonstrating both craftsmanship and design skills are vital to succeeding as a jewellery designer. Many designers are inspired by an emotional event and often the design begins with a story and ends with a piece of jewellery that can be kept forever However, to be a superior jewellery artist, designers must be technically skilled and have the ability to work with precious metals and gemstones

All Awards entrants' pieces appear in this publication, with finalists and winners noted. We also invite you to view the 2025 Awards video, where we go behind the scenes on judging day and showcase the winners and finalists in the 27th instalment of the Awards The video can be viewed at jaa com au/awards

The overall winner will be awarded a trip to the Hong Kong International Jewellery Show in March 2026 and category winners will be invited to enter into the International Champion of Champion competition in 2027.

Tammy Keers + Kathy McLay

PAST JEWELLERS OF THE YEAR

THANK YOU judGes judGes judGes

NADIA NEUMAN

“I create jewellery that carries weight, not just in carats, but in meaning.”

As a second-generation jeweller and founder of Mondial by Nadia, Nadia grew up behind the counter of a family business built on craftsmanship, integrity, and unapologetic style Today, Nadia blends that legacy with her own creative edge to design custom pieces that become personal emblems, future heirlooms, and bold statements of identity. Her work has been extensively recognised with national and international design awards, but her true reward is seeing someone light up when they realise: this piece was made for me

“If jewellery should say something, let it speak volumes ”

MICHAEL ROBINSON

Michael Robinson is a New Zealand born artist who creates single author jewels from his studio in Boston. Single author means no other person touches the jewellery or artworks created by Michael. There is no workshop of assistants and designers, there is no casting or computer aided design Michael chooses to work this way because it is important to him that anything he signs his name to is truly, authentically and entirely of his hand. Michael’s jewels have sold at prestigious galleries throughout the US as well as at major auction houses such as Sotheby’s and Phillips. He has lectured widely on the subject of metalsmithing and jewellery design for art schools and museums

MARY STORCH

Although retired, Mary Storch remains a passionate supporter of the jewellery trade. Inspired by family stories of her grandmother finding a gold nugget in Bendigo, she studied silversmithing before training in diamond grading. Mary spent 14 years with Storch & Co diamond merchants, holding numerous roles and worked extensively across Australia, Belgium, Israel and India She has also lectured for the GAA and was honoured to serve as a judge for the prestigious De Beers’ The Shining Light Awards. Mary maintains close industry ties and a strong commitment to its future.

sponsoRs sponsoRs sponsoRs

THANK YOU

Morris and Watson is a fourth-generation family-owned business, proudly serving the jewellery and precious industry since 1928. Our focus is on customer service, quality, and reliability

With facilities in Australia and New Zealand, we are a trusted local refiner and supplier of metal products from bullion, wire, sheet and solders to bangles, castings, and chain.

A member of the Responsible Jewellery Council, you can be assured that our products have been sourced and manufactured with the highest regard for social rights, human rights, and environmental sustainability morrisandwatson.com

Trusted by jewellers for decades, Chemgold has been a leading supplier to jewellery retailers and manufacturers across Australia and New Zealand for nearly 40 years. As an industry leader in quality and innovation, we use advanced technology and expertise to deliver exceptional results.

Our comprehensive range of products and services includes casting, refining, fabricated alloys, findings, bullion, mounts, laser engraving, and a 10,000+ design catalogue We offer a seamless one-stop solution, supporting jewellers at every stage from design and CAD/CAM to printing, casting, finishing, and setting. As a family-owned business, we value integrity, social responsibility, and sustainability, proudly maintaining membership with the Responsible Jewellery Council (RJC)

Visit chemgold.com for more information

BECKS is an Australian, family-owned business proudly supporting the jewellery industry since 1976 For nearly 50 years, BECKS has been a trusted name in precious metals and fine jewellery manufacturing across Australia and New Zealand Our services include jewellery manufacturing, precious metals supply, refining, casting, assaying, bullion, bespoke design, CAD, and 3D printing. We are committed to ethical, responsible, and sustainable practices with ISO accreditation and Responsible Jewellery Council (RJC) certification for both Code of Practices and Chain of Custody, (we’re proudly the first Australian company to achieve COC accreditation) With a passion for excellence, BECKS continues to champion quality, innovation, and love in all we do for our retail partners, their customers, and the future of our industry. Long live love. becksgroup.au

sponsoRs sponsoRs sponsoRs

THANK YOU

Australian Jewellers Supplies offers a comprehensive product range and expert personal service to Australian Jewellers. Our mission is to be an extension of your business and jewellery making endeavours and offer the best solutions for all your creative needs AJS is proud to provide the jewellery industry with fully stocked showrooms in Brisbane, Sydney, Melbourne, Adelaide and Perth These showrooms also hold our greatest resource - our people! We have unique depth and breadth industry technical experience in our team to offer friendly advice and solutions for every challenge We are excited to be the partners and committed supporter of the Australian jewellery industry, sharing in a common goal to advance and celebrate “The Art of Jewellery”! jewellerssupplies.com.au

The Gemmological Association of Australia (GAA) is the nation’s leading educator in gemmology Since 1945, we ’ ve trained Australia’s gem professionals and jewellers through expert-led, hands-on education With Divisions and teaching centres in every state, the GAA is a trusted source for gem knowledge, supporting both the jewellery trade and the public. Our not-for-profit structure ensures that our focus remains on quality, integrity, and advancing gemmological science

Can you confidently identify a synthetic Moissanite, detect beryllium-treated sapphire, or recognise a laser-drilled diamond? GAA courses teach you how, many short courses too, from Pearl Threading to Opal Online Courses. Join our vibrant community of students, educators, and gem lovers who share a passion for accuracy, beauty, and lifelong learning gem.org.au

A dazzling celebration of global jewellery excellence

Jewellery Show | 4-8 March 2026

Diamonds, Gem & Pearl Show | 2-6March 2026

Stepping into a world-class exhibition of timeless elegance, the HKTDC Hong Kong International Jewellery Show presents the glamour of the jewellery industry’s sparkling elites. This festival of radiance is recognised as the preeminent annual marketplace for stunning masterpieces, timeless classics and visionary creations. Beyond everlasting beauty and grace, the line-up of industry seminars, jewellery parades and networking sessions delivers exceptional insight.

BENJAMIN TRACY

Beyond Symmetry

A ring hand-fabricated in platinum and titanium set with fancy coloured laboratory-grown diamonds, accented with natural colourless diamonds

DESCRIPTION MOTIVATION

Beyond Symmetry is a celebration of individuality and the beauty found in imperfection Inspired by the organic forms of nature and the asymmetry of real life, this ring challenges the traditional notion that balance must be mirrored. Instead, it honours harmony in contrast where irregular shapes, unexpected lines, and unconventional design come together to form something truly captivating.

MATERIALS

Platinum | Titanium | Natural + laboratory-grown fancy coloured diamonds

Setter: Rick Levingston

18ct yellow gold and platinum wearable p g p p v g es to resemble paint dripping down the handle towards the tip of the brush The interlocking pieces of the brush can be removed and worn as part of a collier and drop earrings This jewellery piece was made as a multimedia artwork in collaboration with a contemporary fine artist It will be sold together with a portrait featuring the jeweller and the paintbrush, this will be on display at the Jewellery Industry Fair The title of the piece was inspired by a song by Nick Cave and Nicholas Lens, “The Litany of Divine Absence” (2020)

MOTIVATION

“Art is the way home” This piece was inspired by the artist's journey My goal was to challenge boundaries by fusing jewellery making with the instrument of an artist, to create a wearable piece of art The paintbrush is an extension of the hand, a direct connection to the creation of a painting and the artist When I feel a disconnection from self, I use art to rediscover myself This piece explores how the absence of self can lead to the deepening of the experience of creation and what it means to be human It's difficult to look into ourselves, and more difficult to be seen by others Through their chosen mediums, artists externalise their souls, contributing to the visual history of the human experience

MATERIALS

Amethysts | Purple Sapphires | Tanzanites

Setter: Greg Hartnett

MICHAEL VILLANI

DESCRIPTION

Pia is a statement dress ring defined by its rich, bold use of colour and a fearless approach to form Designed with a striking interplay of sharp architectural lines and soft feminine curves, Pia commands attention from every angle This daring piece showcases a masterful pairing of intense, complementary hues, each chosen to enhance the vibrancy and presence of the other The contrast of bold geometry with fluid contouring creates visual tension and harmony in equal measure delivering angles for days and a silhouette that refuses to be ignored Far from delicate, Pia is unapologetically confident It is a celebration of colour, form, and fearless design crafted for the wearer who embraces individuality and impact

MOTIVATION

Pia marks a personal milestone my first-ever competition entry and a celebration of my 10th wedding anniversary It represents more than just a ring; it’s a declaration of growth, love, and creative courage This piece challenged me to push the boundaries of my hand fabrication skills and apply newly learned setting techniques in a bold and uncompromising design I wanted to create something that wasn’t just beautiful, but brave a wearable work of art that starts conversations and evokes emotion, whether it’s adored or polarising Pia is for the wearer who embraces impact It is a piece with presence, purpose, and a story etched into every line and curve

MATERIALS

Yellow gold | Platinum | White + yellow diamonds | Teal tourmaline | Purple sapphires

An original jewellery piece designed and produced using computer aided design and/or computer aided manufacturing technology.

CATEGORY SPONSORED BY

NICOLE WINKLER + NORAYR KHDRLARIAN

The Heart of the Pheonix

A W A R d A W A R d A W A R d c A s t c A s t c A s t

she was young, survived cancer herself, and rebuilt her life after divorce The jeweller left his home country and began again from scratch in a new language, a new culture Between them, they know what it means to start over And they understand that survival is only part of the story Rebuilding bravely and beautifully is the rest of it This piece honours the strength it takes to begin again It speaks to the moment after loss, when you choose to rise The arrow wounds the heart but doesn't break it Hidden within, a phoenix formed in rubies and garnets symbolises renewal and the courage of starting anew

MATERIALS

Yellow + white gold | Diamonds | Ruby | Garnet | Spinels

Setter: Larryan Prive | Hand Engraver: Chris O’Neill | Gem Cutter/Carving: Annaig Biden and Ryan White

KIERA WANG

Vestiges of time

DESCRIPTION

The ring is crafted from 14ct yellow gold, where textured black rhodium plating contrasts against polished gold, highlighting an organic, sculptural form that captures the interplay between clarity and haze. The gold stems with pink and white diamond pavé-set buds gently climb along the ring’s surface, reflecting the bitter sweets in life.

MOTIVATION

Inspired by the intangible remnants that persist long after memories fade Even as faces and events drift into haziness, delicate sensations of joy intertwined with bittersweet nostalgia remain vivid, subtly guiding us through life’s journey

MATERIALS

Yellow + white gold | Natural + laboratory-grown diamonds A W A R d A W A R d A W A R d c A s t c A s t c A s t

A W A R d A W A R d A W A R d c A s t c A s t c A s t

approach, she created shape, movement and a luxurious feel to the opal, visualising it as a breathtaking ball gown, capturing its elegance, fluidity and phenomenon Philip meticulously designed a pendant, adorned with a glamorous accent of sparkling melee diamonds Rose gold to enhance the opals phenomenal play-ofcolour topped with a diamond encrusted platinum mirror ball The reverse side reveals a whimsical rose gold ‘slipper,’ elegantly highlighted by the glasslike, enchanting appearance of the luminous white opal, adding a touch of magic and sophistication to the overall design The pendant is elegantly highlighted on sleek black neoprene, a subtle nod to the girl who wore the iconic black choker

MATERIALS

Manufacturer + Setter: Aaron Whitfield| Gem Cutter: Anita Morgan-Gough

Rose gold | Platinum | Neoprene | Australian white opal | Diamonds

A pendant featuring an Australian white opal, made in 18ct rose gold and platinum with diamond accents

A W A R d A W A R d A W A R d c A s t c A s t c A s t

MICHAEL PURDY

DESCRIPTION

An 18ct white and rose gold, purple sapphire, pink and white diamond cluster, dress ring named "Mikaila".

MOTIVATION

My day job most of the time is CAD design so I wanted to enter this competition as a chance to make something more interesting of my own design and get back onto the bench and do all the steps myself from clean-up and assemble to setting/polishing

MATERIALS

White + rose gold | purple sapphire | Diamonds

A W A R d A W A R d A W A R d c A s t c A s t c A s t

MATERIALS

Australian parti sapphire | Yellow gold

CAD: Jin Lee| Gem Cutter: Joel Phelps

JONATHAN WOODWARD-BORLAND

A W A R d A W A R d A W A R d c A s t c A s t c A s t

DESCRIPTION

18ct yellow and platinum gents signet ring Inspired by the Gothic Architecture of European Cathedrals

MOTIVATION

I wanted to create a gents signet ring with gothic architectural elements from European cathedrals windows to make an elegant and stunning ring

MATERIALS

Yellow Gold | Platinum | Diamonds

Setter: Ryan Castillo

NIC MARSHALL

Winter Circle A W A R d A W A R d A W A R d c A s t c A s t c A s t

DESCRIPTION

It could be a constellation. It could be a snow flake crystal. It's a pendent that transcends time.

MOTIVATION

To take an older cut of diamond and bring it into the 21st century and give the wearer a dynamic piece that stuns

MATERIALS

White gold | Diamonds

Setter: Arsen Sargksian | CAD: Norayr Khdriaryan

ARI FLEMING

Cash A W A R d A W A R d A W A R d c A s t c A s t c A s t

DESCRIPTION

9ct yellow gold men's turquoise and Argyle champagne diamond signet ring with custom western style hand engraving encompassing the ring

MOTIVATION

The piece was inspired by the country western singer Johnny Cash He was a rough and ready cowboy and country music singer I wanted to incorporate elements of his life in the piece from the horses in the bottom of the ring, to the longhorns either side, to the native turquoise from America in the top further to incorporating the champagne diamonds to make the piece feel more earthy and rough and ready In this piece all of the above has been encapsulated

MATERIALS

Yellow gold | Cabochon Native American turquoise | Argyle champagne diamonds

Setter: Steve Gemset | Hand Engraver: AA and Nika Hand Engraving

Johnny

A W A R d A W A R d A W A R d c A s t c A s t c A s t

RENEE HUDSON

DESCRIPTION

18ct white and yellow gold pendant showcasing a15 09ct Caribbean Blue Zircon Claw set with a combination of round, pear and marquise cut diamonds Underneath the pendant is grain set with black spinel and features the pierced detail of a Ulysses butterfly wing

MOTIVATION

Inspired by the element of wind and an interpretation of a quote by the Chinese philosopher Zhuangzi – “Am I a man dreaming that I was a butterfly or am I a butterfly dreaming that I am a man?” From the front you can see beautiful gems that are set to capture the movement of wind. From the back is a fragment of a Ulysses butterfly wing The duality from the front to the back invites the viewer to question the nature of reality

MATERIALS

White + yellow gold | Caribbean blue zircon | Diamonds | Black spinel

Setter: Greg Hartnett

HUGH THYREGOD

Half a Dozen A W A R d A W A R d A W A R d c A s t c A s t c A s t

DESCRIPTION

A deep blue green egg shaped Australian Sapphire is held by a platinum hand, set in a thick curvy yellow gold band which is covered in flowy engraving and a few diamonds for good measure

MOTIVATION

I wanted to make a substantial, slightly unhinged ring with this sapphire for a 30th birthday present

MATERIALS

Yellow gold | Platinum | Australian sapphire | Diamonds

Setter: David Mccaul + Matthew Townsley | Hand Engraver: Matthew Townsley | Gem Cutter: Adam Goddard

STEPHEN SCHNEIDER

Olympia

DESCRIPTION

18ct yellow Gold custom design ring incorporating natural diamonds of various cuts and a spectacular baguette cut certified Green hue Australian Sapphire

MOTIVATION

Aspiration of achieving the ultimate goal of representing Australia in international competition in the green and gold, creating a bespoke ring design that showcases Australian Sapphires set in 18ct Gold with Sparkling Diamond Accents.

MATERIALS

Yellow gold | Diamonds | Australian green sapphire

Manufacturer: Vince Bonfa | Setter: Reine Jewels

NATASHA ARCURI

Untitled A W A R d A W A R d A W A R d c A s t c A s t c A s t

DESCRIPTION

Double sided pendant composed of six separate parts which fit together without solder Allowing it to be taken apart and so the inserts can be changed at any time

MOTIVATION

Wanted to immortalize my children's faces in a modern take on a locket. So far have only done my son's face but plan to make an alternate insert with my daughters face when I can get her to stand still enough.

MATERIALS

Sterling silver | Fine silver | Vitreous enamel

A W A R d A W A R d A W A R d c A s t c A s t c A s t

AMRITH DHARMAWARDANE

Floating Bangle

DESCRIPTION

This 14ct yellow gold bangle features a repeating pattern of open circular links, creating elegant negative space that enhances its sculptural form Set with emerald-cut tourmalines, luminous Keshi pearls and delicate white diamonds, the design balances bold geometry with soft, organic elements A signature engraved disc adds a distinctive finishing touch

MOTIVATION

When I designed this Bangle, I wanted each element to have room to breathe The negative space between the gold disc elements is just as important as the pearls and tourmalines themselves It gives the piece a sense of lightness and movement, like it’s floating on the wrist Set in 14ct yellow gold, the clean lines of the tourmalines contrast beautifully with the softness of the pearls, while small diamonds catch all the light in between I wanted it to feel bold but not heavy, the type of piece that feels like a quiet statement

MATERIALS

Yellow gold | Red + pink tourmalines | Keshi pearls | Diamonds

An original jewellery piece featuring diamond(s), including white, black and fancy.

CATEGORY SPONSORED BY A W A R d A W A R d A W A R d

A W A R d A W A R d A W A R d

NICHOLAS THEOCHARI

W A R d A W A R d A W A R d

Made by hand 18ct rose gold double spring design ring set with two brilliant cut diamonds with a swinging pendulum in platinum set with sixty four brilliant cut diamonds.

DESCRIPTION MOTIVATION

Susta ( Greek meaning Spring)

The smaller spiral represents my childhood and the lager spiral represents adulthood The diamond pendulum represents my spirit and the spiral is to show the journey of my life, going up the spiral to the center diamond which represents the peak of my life's journey which would be my beautiful family and the achievements in my career

MATERIALS Rose gold | Platinum | Diamonds

A W A R d A W A R d A W A R d

ARSEN SARGKSIAN

Dandelion

DESCRIPTION

“Dandelion” is a sculptural ring inspired by the natural geometry and delicacy of a dandelion in bloom Crafted by hand in 18k rose and white gold, the piece features a central dome of petals that radiate outward each one tipped with a natural diamond The core of the flower gently rotates, bringing the piece to life with subtle motion With its airy structure, soft symmetry, and glistening movement, this ring captures the lightness and fleeting beauty of nature in full bloom

MOTIVATION

The concept behind “Dandelion” was to reimagine a familiar natural form through precious materials and mechanical artistry The aim was to create a piece that felt poetic and organic, while still pushing the boundaries of craftsmanship The movement adds surprise and tactility, inviting the wearer to interact with the design It’s a celebration of creativity, goldsmith skill, and storytelling through form

MATERIALS

Rose + white gold | Diamonds

e o p l e ’ s c h o i c e f i n a l i s t

HARRY OZCOCH

A Beacon of the Future…

DESCRIPTION

This ring is a seamless fusion of sculptural elegance and technical mastery, handcrafted from a single twisted band of platinum. At its heart lies a 1.50ct natural brilliant-cut diamond, set in warm 18ct rose gold to enhance its fire and contrast. A halo of finely grain-set diamonds encircles the center, capturing and radiating light with every movement. Beneath the main stone lies a hidden detail an inverted bezel-set diamond, a secret touch of sparkle known only to the wearer. Finished in a flawless high polish, the piece redefines modern luxury by uniting bold form with intimate storytelling, where light, metal, and emotion come together in perfect harmony

MOTIVATION

"A Beacon of the Future "

The inspiration behind this piece lies in the transformative nature of light and its power to evoke emotion The ring’s design explores how metal and diamond work together to reflect and refract brilliance, creating a dance of light with every movement The combination of platinum and rose gold represents the union of tradition and innovation The hidden inverted diamond beneath the solitaire is a secret symbol of individuality a reminder that the deepest beauty often lies in the unseen details This piece is not only a celebration of luxury but also an exploration of intimacy, energy, and modern elegance

MATERIALS

Platinum | Rose gold | Diamonds

JEREMY FLEMING

DESCRIPTION

MOTIVATION

The motivation... My lovely wife

An original jewellery piece using gold, silver or platinum as the predominant precious metal.

CATEGORY SPONSORED BY A W A R d A W A R d A W A R d

M e t A l M e t A l M e t A l A W A R d A W A R d A W A R d winner

BENJAMIN TRACY

Beyond Symmetry

M e t M e t

A ring hand-fabricated in platinum and titanium set with fancy coloured laboratory-grown diamonds, accented with natural colourless diamonds

DESCRIPTION MOTIVATION

MATERIALS

Platinum | Titanium | Natural + laboratory-grown fancy coloured diamonds

Setter: Rick Levingston

M e t A l M e t A l M e t A l A W A R d A W A R d A W A R d

KIRRA-LEA CAYNES

DESCRIPTION

Inspired by the flowing lines of Art Nouveau, this sculptural ring is forged from a single piece of silver and shaped to wind between two fingers. A sweeping curl rolls over the top, engraved with ripple-like textures drawn from mussel shells and the tide’s imprint on sand. The curl is inlaid with rich 9ct yellow gold and blackened with liver of sulphur, creating deep contrast with the polished silver and making the gold glow with warmth. A freshwater button pearl rests cradled in the curl, giving the piece a soft, organic finish.

MOTIVATION

I wanted this piece to feel like it was in motion, flowing naturally across the hand. Making it from one continuous piece of metal was important I wanted it to move without interruption. I played with the contrast between polished silver, blackened silver, and the rich tone of yellow gold The rippled engraving adds texture and gives the curl a sense of movement, like the marks left by the tide or the curves of a shell The blackened silver makes the engraved lines deeper and helps the gold glow even warmer It was about creating something that felt fluid and full of life, with light and texture working together to bring it to life

MATERIALS

Sterling silver | Yellow gold | Freshwater button pearl | Liver of sulphur

HENRY HAZELDINE

DESCRIPTION

A bangle, whose body is made up of 18ctyellow gold and white gold Mokume Gane, curling around to meet itself A platinum cable is suspended between the arms of the body, on which are suspended planets and stars made from platinum, 18ct yellow gold, and Mokume Gane

MOTIVATION

Inspired by the nostalgia I have felt over the last few years from revisiting places from my childhood where I have been camping or out in nature Standing under the night sky and staring up at an endless field has never lost that feeling of wonder it is that feeling I have tried to capture in this piece The never ending curve and twist of the Mokume body, and the stars and planets that run through its confines are my attempt to capture the ceaseless turn of the stars overhead

M e t A l M e t A l M e t A l A W A R d A W A R d A W A R d

SARAH GREEN

DESCRIPTION

Fully hand made necklace featuring a platinum, 18 carat yellow gold and sterling silver pendant set with hand carved mother-of-pearl, white and black natural diamonds, black spinel and Tahitian pearl. The pendant is attached to a twisted triple strand of grey agate and white freshwater pearl beads with hidden hook clasp.

MOTIVATION

Inspired by my drive to work through the misty hills landscape. Fog, raindrops and darkened tree branches with rays of sunlight breaking through, illuminating leaves and the occasional jonquil flower.

MATERIALS

Setter: Andrew Mitchell

Ocean inspired gold and pearl earrings set with black and white diamonds. M e t A l M e t A l M e t A l A W A R d A W A R d A W A R d

REBECCA JONES

DESCRIPTION

MOTIVATION

These earrings are inspired by summer time holidays spent on the south coast. The earrings depict the calming nature and flow of the ocean represented by smooth polished precious metals and pearls..

MATERIALS

White + yellow gold | South sea freshwater + keshi pearls | Black + white diamonds | Black rhodium

Setter: Nicolai Thaarup-Proesser

Tura

The Silkened Weaver And The Aegis Beetle

DESCRIPTION

M e t A l M e t A l M e t A l A W A R d A W A R d A W A R d

Choker necklace of a spider in its web with a spring-loaded beetle clasp with dew-styled diamond web patterns All of this is completely handmade, including the chain I drew down the wire and made the jump rings, soldered the chain and pulled it through the plate, as well as the springs from the clasp I rewound the steel wire for the springs

MOTIVATION

This design was inspired by a story told to me after a terrible tragedy in my life, based on a lose-lose situation I wanted to make something truly special and turn what was bad into something beautiful and magical

MATERIALS

Yellow + white gold | Garnets| Diamond

Gem Cutter: Laura Phillis

ANOUK DHARMAWARDANE

Untitled

DESCRIPTION

Designed and handcrafted by my brother and I for our mother’s 60th birthday, this ring captures her vibrant personality and love for colourful gemstones. At its centre sits a bi-colour tourmaline, showcasing a natural gradient from deep blue to vivid green. It is surrounded by a sunburst arrangement of brilliant-cut diamonds and topaz, representing the light and joy she brings into our lives.

The piece was created using CAD design, 3D printed and cast in-house in 14ct two-tone gold. This is not only a labour of love, but a collaborative achievement by my brother and I following our fathers' footsteps in the jewellery profession

This ring was made as a 60th birthday present for our mother. Having a husband, son and daughter who are all jewellers, we wanted to make something unique and colourful to suit her style This was the second collaborative piece my brother and I have done and, only having ventured into jewellery in the last 3 years, it was great to be able to challenge myself with a standout piece like this M e t A l M e t A l M e t A l A W A R d A W A R d A W A R d

MOTIVATION MATERIALS Yellow + white gold | Bi-colour tourmaline | White + green diamonds | Blue topaz

ERIN PEARCE

Sweet Dreams

DESCRIPTION

Two pairs of hand carved and formed wing shoulders (one pair yellow, the other white gold) highlight a claw set 9 6 | 7mm rectangular cushion cut Tanzanite The hollow-form ring shank houses automaton mechanisms that serve to allow the fluttering movement of the inner Yellow Gold shoulder wings

MOTIVATION

A confectionist's dream of wrappers that flutter and reflect, giving rise to a truly delicious treat. The creation of 'Sweet Dreams' allows for the further exploration of the manipulation of metal in light reflection, to be coupled with an investigation into methods of kinetic fabrication

MATERIALS

Yellow + white gold | Tanzanite

YUKI MATHWIN

Constellation M e t A l M e t A l M e t A l A W A R d A W A R d A W A R d

DESCRIPTION

A constellation of stars interconnecting to tell stories of different moments in life and journey’s through time. The sapphire and diamond sit slightly offset to reflect distant stars scattered across a clear night sky

MOTIVATION

Fusion of jewellery skills, from cast to engraving and manipulation of metal A handcrafting challenge translating the old fashion still life of a grape painting into a wearable more modern piece of art

MATERIALS

Yellow + white gold | Sterling silver | Ceylon sapphire | Diamond

Setter: Jo Makohin

STEVEN MCATEER

ZEPHYR

DESCRIPTION

The design is built from eight individual blocks of 18ct yellow gold, meticulously hand carved to create the swirl shapes that form the basis of the design The crown to this intricate design is a handmade 18ct white gold bezel setting featuring a Fancy Yellow cushion cut diamond The name Zephyr means a soft gentle breeze, and lends a poetic touch to the movement of the swirls creating a sense of lightness and effortless motion around the striking yellow diamond. The ring is not just an object of beauty, it is a wearable sculpture carved in precious metal.

MOTIVATION

An ode to innovation and artistry; Zephyr is a piece that celebrates old world craftsmanship in a modern design Throughout the design process, the focus was on creating a piece that challenges the norms of modern jewellery making by celebrating the time honoured traditions of hand craftsmanship and traditional design which is being replaced with modern jewellery techniques

MATERIALS

Yellow + white gold | Fancy yellow diamond M e t A l M e t A l M e t A l A W A R d A W A R d A W A R d

gold | Queensland boulder opal | Keshi pearls| Argyle diamonds |Sapphires M e t A l M e t A l M e t A l A W A R d A W A R d A W A R d

JOHN ISKENDERIAN

Good Luck (Rivers of Colour)

DESCRIPTION

Two-sided brooch/pendant

MOTIVATION

To create something representing products of Australia

MATERIALS

Yellow

CASSANDRA MAMONE

Time Capsule Ring M e t A l M e t A l M e t A l A W A R d A W A R d A W A R d

DESCRIPTION

A contemporary heirloom ring that asks: how do we preserve what matters in an age of noise and speed? Crafted in 9ct yellow gold with a spinning 9ct white gold segment, it features a black rhodium engraved QR code at its centre Twelve diamonds are set at the precise positions of a clock's hours symbolising the passage of time When scanned, the code unlocks a private digital memory: a photo, a voice, a moment otherwise fleeting It’s a ring that holds both presence and permanence In merging traditional craftsmanship with digital intimacy, Time Capsule becomes more than adornment it becomes a vessel for connection, a timekeeper of love, a living archive It invites the wearer to pause, to feel, and to carry memory forward

MOTIVATION

Inspired by my own wedding and a desire to create something lasting that could carry not just symbolic meaning but real moments- captured and retrievable. As a jewellery designer of over two decades I wanted to create a piece that combined personal legacy with universal emotion: a ring that could hold a photo album a voice message or a video from a loved one.

MATERIALS

Yellow + white gold | Diamonds

YOU ARE MY ROCK.

Is your jeweller a member of the Jewellers Association of Australia (JAA) and a participant in the JAA Jewellery Industry Code of Conduct - which means your jeweller adheres to the highest standards of ethical, professional and business practices.

Trust all your valued jewellery purchases to a JAA member and be assured that you are working with one of the most knowledgeable and dependable jewellery specialists in Australia.

INSPIRING CONFIDENCE. SINCE 1931. jaacomau

An original jewellery piece featuring coloured gemstone(s), pearl(s), opal(s), or enamel.

CATEGORY SPONSORED BY A W A R d A W A R d A W A R d

A W A R d A W A R d A W A R d

RIPTION

mstones to f the brush can be removed and worn as part of a collier and drop earrings This jewellery piece was made as a multimedia artwork in collaboration with a contemporary fine artist It will be sold together with a portrait featuring the jeweller and the paintbrush, this will be on display at the Jewellery Industry Fair The title of the piece was inspired by a song by Nick Cave and Nicholas Lens, “The Litany of Divine Absence” (2020)

MOTIVATION

“Art is the way home”

This piece was inspired by the artist's journey My goal was to challenge boundaries by fusing jewellery making with the instrument of an artist, to create a wearable piece of art The paintbrush is an extension of the hand, a direct connection to the creation of a painting and the artist When I feel a disconnection from self, I use art to rediscover myself This piece explores how the absence of self can lead to the deepening of the experience of creation and what it means to be human It's difficult to look into ourselves, and more difficult to be seen by others Through their chosen mediums, artists externalise their souls, contributing to the visual history of the human experience

MATERIALS

Setter: Greg Hartnett

A W A R d A W A R d A W A R d

Andrew Mitchell

Étoile

DESCRIPTION

Hand manufactured cocktail ring in 18 carat yellow gold, platinum with blue plating, set with an 18.33 carat sugarloaf cut Tanzanite, surrounded by round brilliant, pear and oval cut natural white diamonds fanning outwards with intricate wirework settings. Beneath is a four-part domed structure and two layer band, bead set with small round brilliant cut white natural diamonds.

MOTIVATION

Inspired by the graceful flowing movement of a ballerina.

MATERIALS

Yellow gold | Platinum | Tanzanite | Diamonds | Blue plating

Cutter: George Palos

Gem

A W A R d A W A R d A W A R d

gentle contrasts and transitioning shades, capturing the fluid elegance of nature in gemstone form.

MATERIALS

White gold | sapphires | diamonds

A W A R d A W A R d A W A R d

DEBORAH MICKE

Viridia

DESCRIPTION

Handcrafted in 18ct yellow gold, this necklace centres around a Spiderweb Variscite of Western Australian origin, celebrated for its unique matrix and organic beauty A fan of natural Tsavorite garnets radiates along one side in a refined, structured arrangement Opposing this, is a Australian solid crystal opal, free-form cut, is cradled in an organic, textured setting that echoes the stone’s natural contours The asymmetry of finish explores contrast - earthy vs polished, wild vs composed A scattering of brilliant cut diamonds, is delicately integrated around the garnets, opal, and along one side of the chain, adding subtle brilliance and balancing the composition with light and movement

MOTIVATION

Viridia is inspired by the natural beauty and individuality of a hand-carved Spiderweb Variscite, whose intricate web-like patterns make each piece one of a kind A fan of vibrant tsavorite garnets radiates from its edge, while an Australian opal adds a luminous green shimmer The design explores contrast - one side embraces organic, raw textures that echo the stone’s earthy origins; the other features refined, polished structure, representing human craftsmanship This juxtaposition celebrates the harmony between nature's irregular beauty and deliberate design, creating a piece that is both grounded and elevated The unique Variscite at its heart reminds us that imperfection can be extraordinary, and that tension between form and freedom can give rise to unexpected elegance

MATERIALS

MICHAEL VILLANI

DESCRIPTION

MOTIVATION

MATERIALS

ARSEN SARGKSIAN

Portal of Light

DESCRIPTION

"Portal of Light" is a one of a kind statement ring crafted in 18k white gold and finished with a high polish mirror background At its heart lies a captivating unheated natural blue sapphire, framed by a dramatic halo of pear shaped and round brilliant cut natural diamonds arranged in precise symmetry The overall design draws the eye inward, as if into a glowing vortex, balancing modern geometry with timeless elegance Every element of the piece was thoughtfully placed to achieve both technical complexity and wearable beauty

MOTIVATION

This piece was created to challenge traditional symmetry and scale, while showcasing master craftsmanship and thoughtful innovation The goal was to design a piece that immediately draws attention, the mirrored finish amplifies depth and adds an otherworldly dimension, reinforcing the theme of transcendence and creativity

MATERIALS

White gold | Sapphire | Diamond

A W A R d A W A R d A W A R d

LINGJUN SUN

DESCRIPTION

Fissure brooch/pendant draws from nature’s raw resilience where life clings to the cracks of a parched earth. Inspired by the fragile beauty of sun-baked Australian deserts, this piece is hand-carved in wax and cast in gold. Its lattice-like form mimics natural fissures, while the silhouette nods to the elegance of flying fish. At its core, green gemstones evoke a splash of water symbolising hope, renewal, and the persistence of life in harsh terrains. This duality of fragility and strength speaks to nature’s quiet power and our responsibility to preserve its delicate balance.

MOTIVATION

Inspired by Australia’s elemental contrasts, the Fissure brooch/pendant reflects the tension between its parched earth and vast seas, harsh nature and vibrant life.

MATERIALS

Yellow + white + rose gold | Peridot | Tsavorites | Emeralds | Diamonds

A W A R d A W A R d A W A R d

GEOFF MARION

Fallen Tree

DESCRIPTION

An 18ct carat rose and white gold pendant set with a Colombian emerald crystal in a rose gold tube form overlaid with white gold wire set with brilliant cut diamonds, suspended on an eighteen carat rose gold chain.

MOTIVATION

The natural shape of the Colombian emerald crystal representing a tree trunk covered with rose gold bark and overgrown with white gold brambles to represent the loss of our forests

MATERIALS

Rose + white gold | Natural untreated uncut Colombian Emerald crystal | diamonds

LAURA LEDIAEV

Zarina

DESCRIPTION

Zarina (n. golden dawn) finds our perfect balance of bold, angular elements with soft femininity to capture the incredible skies we ’ re blessed to know and love across Australia.

Aiming to bring a fresh perspective to our much loved and adored Coober Pedy Opal, Zarina features a 1.68ct Coober Pedy Crystal Opal, accented by Diamonds.

Combining Art Deco flavours and Modern angularity, contrasted by soft, flowing curves, she feels as though she travels through time periods seamlessly, creating modern yet timeless feel.

MOTIVATION

This piece was inspired by a desire to share the beauty of Australian opal in a fresh, contemporary way It's a tribute to every client I've worked with each detail drawn from their stories, shaping a unique design that showcases the stunning Coober Pedy opal In Zarina, I explored the contrast between modern angular forms and the soft, organic beauty of opal blending Art Deco structure with feminine curves It’s a reflection of opal’s timeless charm finding new life in today’s world

MATERIALS

Gold | Crystal opal | Diamonds

Setter: Amanda Evans | Hand Engraver: Erica Taylor | Gem Cutter: Scott Langford

A W A R d A W A R d A W A R d

TRENT MACKAY

DESCRIPTION

Upala, named after the ancient Sanskrit word for "precious gem," is a handcrafted ring that showcases the rare beauty of Australian opal At its core, a luminous crystal opal is set in 18ct yellow gold, embraced by hand-carved boulder opal that highlights the raw elegance of natural earth tones Fine accent diamonds add subtle brilliance, enhancing the design and drawing focus to the opals Upala is more than a ring it’s a celebration of craftsmanship, design, and nature’s rarest treasures Upala is not only a jewel but a statement of craftsmanship, design and the timeless allure of nature’s rarest treasures

MOTIVATION

From the ancient Sanskrit word meaning precious gem, Upala is a one-of-a-kind handmade creation that celebrates the rare beauty of Australian opal through meticulous craftsmanship and refined design.

MATERIALS

Yellow gold | Crystal opal | Boulder Opal | Diamonds

W A R d A W A R d A W A R d

Hot Isos

two ova

The ring with the DESC MOTI

This pie piece c shoreline draw attention to the captivating water or immersive, deep colour of the Santa Maria Aquamarine, cradled in a shell inspired basket. The repetition in these patterns highlights the beauty and perfection of nature that is still largely a mystery to us. The hidden curved structure of the band is reminiscent of the female form, or the mermaid on the bow of a ship, the protector of this space.

MATERIALS

Platinum | Aquamarine | Diamonds Litto

Manufacturer: Johnny Karabajakian | Setter: Nicholas Campione

JEREMY FLEMING

Blue Ignis

DESCRIPTION

A handcrafted pendant in 18ct yellow gold, featuring a striking hand-cut London blue topaz as its centrepiece The gem is rub-over set and surrounded by an arrangement of brilliant cut diamonds on a bevelled curb chain.

MOTIVATION

The inspiration behind “Blue Ignis” stemmed from a deep reverence for its rich, elemental tones and the understated elegance of its palette I sought to amplify the piece’s inherent curvature it’s quiet, natural flow by introducing refined, minimalist arcs and a subtle graduation of diamonds These elements not only accentuate its form but also establish a bold, yet graceful, visual statement

MATERIALS

Yellow gold | London blue topaz | Diamonds

Setter: Paul Bailey | Gem Cutter: Dazzelen Gems

Jia Ling (John) Li

Ocean Sound

DESCRIPTION

Ocean Sound is a tribute to the sea ’ s power to shape and soften Inspired by the curves of shells and the textures of the coast, the piece centres around a Tahitian black pearl symbolizing the ocean ’ s depth and mystery Surrounding it, sapphires, rubies, emerald, tsavorite, and diamonds reflect the sea ’ s changing coloUrs, while cabochon tourmalines evoke the feel of sea glass Matching cuff earrings echo the design, completing this wearable homage to the ocean

MOTIVATION

When I moved from China to Australia, one of my first experiences was standing barefoot on a beach, overwhelmed by the vastness of the ocean and the warmth of the sand There’s nothing quite like it where I’m from no endless blue, no golden shore, no sea glass scattered like tiny treasures catching the light That moment stayed with me The sound inside a shell, the worn glass, the feeling of space and stillness all became part of how I see & design jewellery Ocean Sound is shaped by that memory and by conversations with friends who, like me, grew up far from the sea It’s a tribute to discovery, and to how new landscapes quietly shape who we are and what we create

MATERIALS

Setter: Kalleh Levonian

JACQUI MCMASTER DESCRIPTION

A pair of earrings with an articulated drop, featuring angular, specialist cut tourmalinated quartz set in 18ct white gold partial bezels Sitting at the top of the drop are round, orange spessartine garnets rub in set 18ct yellow gold settings The top section of the earrings are made in platinum and are an irregular, angular shape to reflect the feature quartz Along one angled face of each earring are seven grain set round black spinels, while on another angled face are three round diamonds, also grain set Stud with lever back fitting

I wanted to challenge myself to design and make jewellery beyond the everyday pieces we make for clients When the opportunity arose to design a piece around the fabulous, unique cut quartz by Munsteiner, I was compelled to create earrings which allowed them to move and catch the light The gemstones themselves informed the design, with the angled cuts reflecting the tourmaline needles intersecting within. MOTIVATION A W A R d A W A R d A W A R d

MATERIALS

Setter: Andy | Gem Cutter: Munsteiner

JOHN ISKENDERIAN

Bag of Fortune

DESCRIPTION

An opal and diamond pendant designed to look like a handbag

MOTIVATION

The colour and the shape of the opal inspired me to create this design.

MATERIALS

Yellow + white gold | Boulder opal | Diamonds

KATH PROSZKOWIEC

DESCRIPTION

A sustainably sourced & created, handmade pendant. A statement sized oval frame combining gemstones and diamonds from a collection of unworn rings, representing many memories. The pink created stone is new. The result is a truely gorgeous combination of colours encapsulating her memories.

MOTIVATION

This piece was inspired by a pendant seen in a local Antique store, and is a combination of old jewellery pieces which hold many memories

MATERIALS

Manufacturer + Setter: Raymond Lees

contempoRARy contempoRARy contempoRARy

An original jewellery piece using non-precious materials as the predominant material.

A W A R d A W A R d A W A R d

i n n e r

A W A R d A W A R d A W A R d

DESCRIPTION

Like a caiman waiting for prey just below the surface of the water, a Colombian Emerald sits just above a cascading tail of tightly set step-cut diamonds in a heavy tantalum band, with a crescent sleeve of 18ct gold

MOTIVATION

European jewellery houses have always dominated the world of innovation and excellence in high jewellery, and I’ve always admired the unconventional materials in which they excel. This piece is a personal challenge to test my boundaries of design and technique in bold materials, and though it was intensely difficult I enjoyed the exploration and R&D of this concept so much. In pushing my own technical and creative limits, I wanted to combine rarely-paired (for good reason) metal with a juxtaposing delicate and valuable emerald, with one of the most difficult sets of diamonds to tightly fit corner-to-corner, resulting in a piece that combines sculpture, engineering, and ornament

MATERIALS

Yellow gold | tantalum | Colombian emerald | Diamond

Setter: Stephen Webb

KIRRA-LEA CAYNES

DESCRIPTION

This forged brass ring explores the boundary between the natural and the surreal. Its hollow form is textured to evoke organic matter the ridges of a horn, the surface of a seed pod and blackened with soot from a soft flame The surface has been gently rubbed back near the opening to reveal warm coloured brass, sealed with a matte varnish to preserve the charred patina From the opening of the ring, a plume of my own bluedyed hair emerge like living material, surrounded by fine stalks of sterling silver tipped with delicate Akoya seed pearls

MOTIVATION

This piece began as a sketch I made during my apprenticeship a concept I’ve revisited over the years before finally bringing it to life I forged three hollow form bands and chose the one that felt most alive My own dyed blue hair spills from the ring’s opening Hair has long held symbolic meaning especially in Victorian jewellery as a way to carry memory, love, and identity I collect offcuts from myself, friends, and family, seeing hair as both deeply personal and expressive This piece is a quiet merging of history, sentiment, and instinct made not from a fixed concept, but from a desire to explore and materialise something I’ve carried with me for years

MATERIALS

A W A R d A W A R d A W A R d

PETER COOMBS

Electro-Torch 40th

DESCRIPTION

Electro-Torch 40th Anniversary Edition. Spectacles created from titanium and silver fittings. Originally an end of the world Jules Verne type piece created from black chromed nickel and sterling, the newest iteration ca be produced in raw titanium, coloured titanium etc. The front bumper can also be interchanged with numerous shapes other than round.

MOTIVATION

I created my first frame in 1985 and called it Electro-Torch.The design has endured and to mark 40 years, I have taken the look and modernised the construction process.

MATERIALS

Titanium | Sterling silver | Stainless steel screws | Cerakote (Ceramic) colouring

ZAC FARDELL

DESCRIPTION

A W A R d A W A R d A W A R d

A 6.2ct whisky zircon is elegantly set in a hand sliced and sculpted frame combining ceramic coated Australian deer antler, rich south American cocobolo wood and polished African Oryx horn. This unconventional blend of natural materials, is both a celebration and elevation of the raw to refined. Beneath the natural zircon lies an intricate array of autumn hued diamonds set into blackened silver. Evoking the subtle richness of late season earth. The rings head is semi detachable, engineered to interlock with precision Some hidden craftsmanship beneath its bold contemporary exterior

MOTIVATION

The ring draws its conceptual and material language from the design ethos of Westley and Richards. the esteemed British gunmaker Their striking interplay of organic and engineered materials, combined with a deep reverance for craft and functional beauty, served as the foundation for this piece By adopting their meticulous approach to material pairing, palette and construction An attempt to reinterpret the soul of the sporting rifle into the language of high jewellery- one rooted in contrast, heritage and elemental elegance

MATERIALS

Setter: Peter Garbers

Amberlyn

A W A R d A W A R d A W A R d

CARMEN TAYLOR

Guardian of the Heart Gate

DESCRIPTION

te is a handwoven breastplate crafted as a vibrational portal for heart-led ascension eated over 44 hours using fine micromacramé techniques, the piece activates what I ” high-frequency stones chosen for their energetic resonance. A Sirian–Lyran Light mission is woven into the fibres through meditative knotting, sealing the work as both echnology. A single Rhodochrosite bead rests at the end of the adjustable strap a ner child wonder and joy. The design merges ancestral craft, celestial geometry, and ual inviting the wearer into energetic recalibration, healing, and multidimensional ent through the heart. It is a wearable altar. Sovereign, soft, and encoded with love.

MOTIVATION

This piece began as a spiritual directive to weave a ceremonial heart amulet as a guide for inner transition. I was moved to work with eleven specific stones, each chosen for their capacity to hold clarity, compassion, and transformational frequency. The process became a ceremony: a slow, sacred conversation between material, memory, and intention. While working, I received a Light Language transmission from the Sirian and Lyran frequencies. This frequency was sung into the cordwork, knot by knot. On the end of the strap, a Rhodochrosite bead became a symbolic key a whisper from the inner child, reminding us to see through the eyes of wonder. My motivation was to create something that both holds and heals a bridge back to soul truth.

MATERIALS

A W A R d A W A R d A W A R d

JACINTA MARTIN

Wyola

DESCRIPTION

Brass, platinum and silver necklet featuring sea glass and patterned sea pottery surrounded by South Sea Keshi Pearls, diamonds, driftwood, Mother of pearl and hand carved Abalone shell The necklet is finished with a matt finish with polished highlighted sections and a hand-woven natural cotton rope on an adjustable tension spiral clasp to allow the necklet to be worn at any length to suit the wearer and their attire.

MOTIVATION

Inspired by themes of transformation, sustainability and resilience Balancing raw, found objects with precious pearls, this one-of-a-kind statement jewellery necklet is a harmonious blend of nature’s castaways and reined craftmanship Named “Wyola” after the shipwreck (SS Wyola) where the sea glass and sea pottery, found nestled in the sands of CY O’Connor beach It reimagines discarded objects, such as sea glass, pottery, driftwood and pearls which normally wouldn’t be used into a refined, heirloom-worthy piece telling a story of time, transformation and repurpose What was discarded is given new life, transformed into something meaningful and beautiful to be handed down for generations. This necklet is both a work of art and a tribute to the sea, tactile memory or coastal shores, ocean tides and history.

MATERIALS

Manufacturer + Setter: Anthony Hulsen

A hand drawn, finished, rendered jewellery piece, using any traditional drawing media.

A W A R d A W A R d A W A R d

CHANTELLE GREEN

DESCRIPTION

‘Hydra’ is a collier design featuring a central pear cut white diamond, which is set between two swirling ‘vortices’ of white and rose gold It is adorned with grain set white round brilliant cut diamonds and rub over set Argyle pink diamonds, which graduate from most intense in the centre, to white diamonds at the back

MOTIVATION

This collier was inspired by Leonardo da Vinci’s series of ‘Nature Studies’ exhibited in Australia in 1984 In particular, his studies on water and hydrodynamics, which served as both scientific observation and artistic pursuit His illustrations with their dynamism and swirling vortices were the aesthetic foundation of this design

MATERIALS

Gouache | watercolour | graphite+ alcohol marker | 160gsm acid free card Hydra

NICOLE WINKLER

Heart of the Pheonix

DESCRIPTION

The Heart of the Phoenix is a contemporary interpretation of antique design, hand-rendered in pencil and gouache The piece is an Edwardian-inspired star brooch with a removable anatomical sacred heart at its centre The heart connects into the brooch via a white gold arrow pin set with rubies and diamonds The arrow unscrews at the ruby end to hold the piece securely together Inside the heart locket lies a hidden pavé of cabochon and reverse set rubies and garnets, and an engraved intaglio of a rising phoenix a symbol of strength and renewal Each component the brooch, heart, and arrow can be worn separately or combined

MOTIVATION

The Heart of the Phoenix is a deeply personal design about taking painful experiences and creating something meaningful and beautiful from what remains A trip to Italy in 2024 inspired much of the iconography behind the piece, drawing on sacred hearts, arrows, and symbolism of rebirth I lost both of my parents to cancer at a young age, survived cancer myself, and rebuilt my life after divorce My jeweller was forced to leave his home country and begin again in a new language and culture Between us, we understand that rebuilding is more than survival it's an act of strength, intention and beauty This piece speaks to that journey The heart is pierced but not broken Hidden inside, the phoenix symbolises renewal and the courage to rise

MATERIALS

Pencil |Paper | Gouache | Watercolour

A W A R d A W A R d A W A R d

JENNIFER ROWLANDS

Hand drawn Sapphire necklace Graduating cabochon sapphires set in white gold (black rhodium) and yellow gold

DESCRIPTION MOTIVATION

Luidia - Inspired by a 9-armed starfish

MATERIALS

Alcohol markers | gouache | graphite | pencil on white bleed proof card

A W A R d A W A R d A W A R d

DEBORAH MICKE

La Belle Etreinte

DESCRIPTION

A technical sketch of an 18ct white gold cuff bangle, in an openwork lace design The edges are lined with pavé-set diamonds, and appliqué elements highlight lustrous Australian South Sea pearls and rare Argyle pink diamonds The piece embraces the wrist in a corset-like silhouette, softly concave and with a crossover ribbon-inspired design with fine chain as the closure. At the base, delicate chainwork cascades over the hand, ending in drop-shaped South Sea pearls and briolette-cut diamonds for an elegant, articulated finish. The top view showcases the piece as a three-dimensional cuff, with the flat-lay centred, both drawn to scale for structural clarity.

MOTIVATION

La Belle Etreinte - “The Beautiful Embrace” - is a cuff bangle inspired by the sensual romance of lace, the structured elegance of corsetry, and the dazzling allure of vintage Parisian nightlife. Drawn in white gold, its openwork design evokes delicate lace patterns, the piece encircles the wrist like a gentle, seductive embrace. Pearls symbolize classic femininity, while white and pink diamonds add vibrancy and sparkle, capturing the drama and glamour of Parisian cabaret. This piece explores the juxtaposition between boldness and delicacy, structure and softness, celebrating empowered beauty through intricate craftsmanship and theatrical flair.

MATERIALS

Card | Rotring Isograph technical pen| Faber-Castell Polychromos coloured pencils

MONIKA DEKLEVA

DESCRIPTION

An 18k gold ring featuring a mounted rider atop his horse in a victorious stance The top rim is accented with round diamonds, while laurel leaf motifs are engraved on either side of the band, symbolising honour and endurance

MOTIVATION

A valiant rider atop his horse captured in a victorious stance, symbolising quiet heroism and the enduring virtue of perseverance The laurel wreath, held aloft, represents triumph earned through steadfastness and inner strength I wanted to create a piece that honours the kind of courage often unseen - the courage to keep going through difficulty, to persevere with quiet strength This design is a reminder that heroism doesn’t always shout - sometimes, it simply endures

MATERIALS

Pencil | watercolour | gouache paints

A W A R d A W A R d A W A R d

ASTRID DAHL

Untitled

DESCRIPTION

A brooch/necklace featuring a carved bee intaglio parti sapphire and black opals

A fancy shield cut Australian parti Sapphire with a carved bee intaglio, set in a gold brooch mount surmounted by a scalloped halo of old cut diamonds, to an Ametrine briolette drop

The brooch mounted in a gold foliate necklace, featuring 9x carved black Australian opal from lightning ridge, 6x golden Australian sapphires, ad 9x Jade cabochons, to a gold chain

'Life' highlights the delicate beauty of nature The native Australian vine (the happy wanderer) represents growth The carved bee intaglio represents the fragile nature of our ecosystem The bees and flowers are fundamental to the cycle of life The gemstones chosen capture the unique and magical beauty of some of Australia's most prized gemstones MOTIVATION

MATERIALS

Gouache | Gesso primed canvas paper | 24ct gold leaf

A W A R d A W A R d A W A R d

LUCAS CASCIO

Royal Symphony Blooms

DESCRIPTION

A luxurious floral jewellery suite featuring a necklace, earrings, and a ring. The design blends rich crimson petals, emerald leaves, sapphire droplets, and white diamond highlights to create an elegant and regal statement piece.

MOTIVATION

This piece was created to express the harmony of colour and form found in nature a symphony of gemstone tones inspired by royalty, flora, and enamel artistry

MATERIALS

Pastel pencil | gouache | ink | brown art paper

ALYRA BARTASEK

Littoral Zone

A watercolour sketch of a Platinum ring featuring a Santa Maria Emerald Cut Aquamarine and Diamonds of various cuts The ring can separate into two pieces, the ring shank and the basket The basket can also be worn as a pendant with the concealed clasp bail A W A R d A W A R d A W A R d

DESCRIPTION MOTIVATION

This piece was inspired by the continually changing patterns of shorelines Like the transformative sea, this piece converts from ring into pendant, to be worn as either The diamonds like glistening, wet pebbles on a shoreline draw attention to the captivating water or immersive, deep colour of the Santa Maria Aquamarine, cradled in a shell inspired basket The repetition in these patterns highlights the beauty and perfection of nature that is still largely a mystery to us The hidden curved structure of the band is reminiscent of the female form, or the mermaid on the bow of a ship, the protector of this space

MATERIALS

Watercolours | 300gsm cold pressed watercolour paper

ZEN CHEW

Flame and Throw

DESCRIPTION

A hand-sketched hair pin featuring 18ct yellow gold, vibrant natural red rubies and a sparkling pear-cut diamond Inspired by the graceful beauty of the red fantail goldfish, it’s a celebration of beauty, grace, and prosperity in motion

MOTIVATION

Inspired by the graceful elegance of the red fantail goldfish an emblem of luck and prosperity I envisioned this hairpiece as a poetic union of nature's treasures Just as the ruby captivates with its deep crimson glow and timeless mystique, so too does the goldfish mesmerise with its fluid, vibrant beauty In luminous yellow gold, set with radiant rubies and a brilliant pear-cut diamond, this piece is a love letter to heritage A jewel that whispers stories of fortune, passion, and enduring elegance

Pencil | gouache | paper | yellow gold+ white gold MATERIALS

LUCAS CASCIO

The Kiwi Rosella Waltz

DESCRIPTION

A hand-rendered necklace design featuring an elegant circular composition, where a Rosella and Kiwi bird engage in a symbolic waltz The design is adorned with emerald, ruby, sapphire, and diamond elements, representing both nations’ rich natural landscapes and shared cultural rhythm

MOTIVATION

Inspired by the shared beauty of Australia and New Zealand, this piece symbolises unity through the graceful dance of two native birds the Rosella and the Kiwi surrounded by vibrant gemstones A W A R d A W A R d A W A R d

MATERIALS

Pencil | Gouache | White gel pen on toned paper

Jewellery designed and made by a 1st, 2nd, 3rd or 4th year apprentice or student

CATEGORY SPONSORED BY A W A R d A W A R d A W A R d

A W A R d A W A R d A W A R d

DESCRIPTION

Hand manufactured pair of large earrings. The earrings feature hugging ear-cuff tops set with kite-shaped Parti sapphires in bezel settings surrounded by white natural diamonds in pave settings with omega fittings. Flowing down from the tops are two-part drops featuring saw-pierced work, white natural diamonds in bead settings, pink sapphires in pave settings and tourmaline and garnet cabochons in bezel settings

MOTIVATION

A study in contrast and harmony, blending sharp geometric forms with flowing lines and opposing colours to achieve a striking yet balanced design

MATERIALS

CORINNA DOUST

Allure of the Ocean

DESCRIPTION

Sterling silver articulated skeletal fish earrings

MOTIVATION

In today's busy world we so often find ourselves queing behind someone, this motivated me to design a bold statement piece visually striking from all angles drawing attention to the wearer because i wanted my design to stand out from both sides I chose to use the repousse and chasing method to create the fish heads, to capture the body's natural movement each joint was hand fabricated from chenier to balance the spinning bones I chose titanium for its colour and the synthetic teal green stones for the eyes complimenting the titanium

MATERIALS

Sterling silver | Titanium | Synthetic teal green stones

3 Year Apprentice rd

HANNAH CREA

Giardina

DESCRIPTION

Giardina - meaning "garden" is a handmade ring that captures the beauty and movement of a blooming garden The design features a vine-like band that gracefully wraps around the wearer's finger At the heart of the piece is a spinning flower with openwork petals that surround a vivid green sapphire The petals' airy structure allows light to pass through and reveals shifting perspectives as the flower moves Grain set diamonds decorate the large swirl adding a touch of sparkle Giardina is a miniature enchanted garden bought to life for the wearer.

MOTIVATION

My motivation was to create a floral, nature inspired ring that feels alive, organic and enchanting

MATERIALS

Platinum | Rose + yellow gold | Sapphire | Diamonds 1 year apprentice st

A W A R d A W A R d A W A R d

centre, or with the classic pearl drop perfect for every moment of the day and beyond

MOTIVATION

These wedding earrings are a celebration of Olivia’s unique spirit and the journey we ’ re starting together.

MATERIALS

White + rose gold | Sapphires | Morganites | South Sea pearls 4th year apprentice

HAYDEN SOFOULIS

DESCRIPTION

Sterling Silver and Neoprene necklace made in an Aztec style set with a two sided Australian Boulder Opal in a spinning bezel

MOTIVATION

This Aztec-inspired necklace was created as an exploration of duality, fusing ancient symbolism with the raw beauty of nature and modern materials The design aims to capture the strength, mysticism and transformative spirit that runs through Aztec mythology

At its centre lies a double-sided Australian Boulder Opal, bezel-set within a freely spinning mechanism This kinetic element symbolises transformation and the coexistence of opposing forces - both of which are core themes in Aztec cosmology.

Crafted in Sterling Silver, the pendant pays homage to traditional metalworking techniques, while the use of neoprene for the chain introduces a bold, modern contrast. The Boulder Opal, with its shifting colours and one-of-a-kind natural patterns, speaks to the power of individuality and the beauty of constant change.

MATERIALS

Sterling silver | Australian boulder opal | Neoprene 3rd year apprentice

MATERIALS

Yellow + white gold | Purple, yellow + green sapphires

4th year apprentice

OLIVER MATHE

DESCRIPTION

This sterling silver ring features a lab-grown blue spinel, secured in a claw setting with sculptural, organic shoulders It's the first ring I've made using a claw setting, and the process taught me a lot about precision and control I kept the band smooth and clean to contrast with the more decorative setting, which reminds me of petals or unfurling leaves The overall form is simple yet expressive, reflecting both my learning process and my interest in natural forms and refined, elegant design

MOTIVATION

As a first year jewellery student, I'm drawn to learning new techniques and building the skills that will help me grow into a more confident maker I enjoy the process of problem solving at the bench, figuring things out step by step There's something cathartic about working with my hands, shaping metal into something real and wearable I often take inspiration from nature and organic forms, but I try to balance that with a sense of elegance and simplicity I'm still in the process of developing my style, but each piece brings me closer to understanding how I want to express myself through jewellery

Sterling silver | Laboratory-grown blue spinel 1st year apprentice

A W A R d A W A R d A W A R d

This sterling silver ring features a Laboratory-grown green sapphire, securely set in a double bezel. The layered setting was a deliberate choice, giving the stone a feeling of depth while protecting its edge. I wanted the design to feel solid but not heavy, with smooth curves that sit comfortably on the hand. The green sapphire brings a vibrant contrast to the silver, and shifts in tone depending on the light. This piece was an exercise in balance, between structure and simplicity, colour and metal. It's a quiet design, but one I feel reflects more control and intention in my work.

contAct contAct contAct

Love what you see? Interested in buying? Want a unique piece of jewellery designed? Contact the designers below