VIE Magazine February 2026

A STORYBOOK STAY

BARNSLEY RESORT FEELS LIKE HOME

CHOOSING HOPE: THROUGH CANCER, CALLING & the PURSUIT of HEALING,

DR. LINDSEY HOPPE

OWNER of 30A SMILES PROVES her RESILIENCY.

February 2026

HOLLYWOOD HISTORY MEETS DESERT DESIGN

Now perfectly positioned in The Della, within Alys Beach Town Center, Alys Shoppe joins a thoughtful collection of carefully cast shops and restaurants designed to take guests from breakfast through dinner, with everything in between. Alys Shoppe's well–edited logo collection pairs with designer apparel and luxury accessories to cultivate an elevated coastal lifestyle experience. 850.213.5550 | ALYSSHOPPE.COM

SPEND THE DAY WITH U S O N SCENIC HIGHWAY30A!

30A General Store

30A Yellow Fly Trading Co.

Adaro Art

Anthea Le Jardin

Fiddle Haus

Frankie’s Bike Shop

Maria Heckscher Salon

Palms

Posh Polished Nail Salon by Aika

Salt Air

Sculpt Studio

Sunset Shoes & Lifestyles

The Lens Bar

The Maddie Hatter

Vivo Spa

Coming Soon: Fusion Art Glass

A unique village-style destination awaits you as local shopkeepers carefully craft every experience, from art to apparel, gifts, beauty, fitness, and more. Shop with us, then enjoy alfresco dining next door at The Big Chill 30A!

CHURCHILL OAKS

THE HEART OF COMMUNITY

ARCHITECT: SAVOIE

INTERIOR DESIGNER: ALLYSON RUNNELS

PHOTOGRAPH: JACK GARDNER

Dr. Lindsey Hoppe is proof that resilience can be both fierce and graceful. A cosmetic dentist by trade, a wife and mother by heart, and a breast cancer survivor by lived experience, she embodies a version of strength that doesn’t ask for attention but is undeniable. Dr. Hoppe stands as a reminder that healing can be transformative and that life after hardship can be just as radiant as the life imagined before it. Read her story on page 26, and listen to her conversation with Lisa Marie Burwell on our VIESpeaks podcast, Episode 91!

Photo by Hunter Burgtorf

Vie is a French word meaning “life” or “way of living.” VIE magazine sets itself apart as a high-gloss publication that focuses on human-interest stories with heart and soul. From Seattle to NYC with a concentration in the Southeast, VIE is known for its unique editorial approach—a broad spectrum of deep content with rich photography. The award-winning magazine was founded in 2008 by husband-and-wife team Lisa and Gerald Burwell, owners of the specialty publishing and branding house known as The Idea Boutique®. From the finest artistically bound books to paperless digital publication and distribution, The Idea Boutique provides comprehensive publishing services to authors and organizations. Its team of creative professionals delivers a complete publishing experience—all that’s needed is your vision.

AND POP

A PERFECT BLEND OF LUXE

FEATURE

26 Choosing Hope: A Doctor Becomes A Patient

LE MONDE 25

32 Petite pause: Chancey Architecture & Interior Design

34 Honoring the Legacy of New Urbanism: From Khoury Vogt Architects to King Charles III

40 Purpose Beyond the Crown: Miss America 2025, Abbie Stockard

45 L’intermission: Crystal Creations by Lalique

46 From Barbie to Anna Karenina: Hollywood’s Dynamic Production Design Duo

LA MAISON 53

54 Villa with a View: A Gulf Coast Dream Home, Reimagined

62 Held Together by Home: Cottonwood Company

80 Petite pause: Flowering Outdoors Offers Alfresco Inspiration

82 Pop Culture Canvas: Miami Art Week 2025

88 Petite pause: Rimadesio Expands with Miami Showroom

90 Palm Spring Eternal: Hollywood History Meets Desert Design

97 L’intermission: Artisan Traditions by Kushaan Textiles

98 The Bleecker Street Art Beat: History, Culture, and Architecture from East to West Village

VIE BOOK CLUB 105

106 A Blueprint for Luxury: Discover the Journey of Pondbank

113 L’intermission: Fabbian Lighting Exudes Italian Artistry

INSPIRATIONS 114

115 When You Feel Insecure and Uncertain

114 LOGAN LANE, SUITE 4 SANTA ROSA BEACH, FLORIDA 32459 PUBLISHED BY

67 L’intermission: Artistic Tile’s Stunning Stonework

68 Twin Palms Estate: A Living Icon of Desert Modernism

VOYAGER 73

74 A Storybook Stay: Barnsley Resort Feels Like Home

C’EST LA VIE CURATED COLLECTION 118

LA SCÈNE 124

THE LAST WORD 131

AU REVOIR! 137

CREATIVE TEAM

CEO / EDITOR-IN-CHIEF / CREATIVE DIRECTOR LISA MARIE BURWELL Lisa@VIEmagazine.com

FOUNDER / PUBLISHER

GERALD BURWELL GERALD@VIEMAGAZINE.COM

EDITORIAL

EDITOR

JORDAN STAGGS

JORDAN@VIEMAGAZINE.COM

ASSISTANT EDITORS

KATIE OGLETREE KATIE@VIEMAGAZINE.COM

CAITLYN BURRUS

CAITLYN @ VIEMAGAZINE.COM

CONTRIBUTING WRITERS

MEGHAN RYAN ASBURY, SARAH FREEMAN, ANTHEA GERRIE, MYLES MELLOR, JUDI NEWMAN, ROBERT NEWMAN, CAROLYN O’NEIL, COLLEEN SACHS, XENIA TALIOTIS

ART AND PHOTOGRAPHY

ART DIRECTOR

JACK KIRKENDALL JACK@VIEMAGAZINE.COM

GRAPHIC DESIGNER

ANNA SIMPSON

CONTRIBUTING PHOTOGRAPHERS

NICK AGRO, LAUREN ATHALIA, JOHN BOAK, MICHAEL BOOINI, JAAP BUITENDIJK, HUNTER BURGTORF, EVAN CARTER, JIM CLARK, KINDRA CLINEFF, PETER FRANK EDWARDS, EL_CIGARRITO, JACK GARDNER, ANTHEA GERRIE, HANNAHSNYDER, HEIDI HARRIS, MACK HOPPER, JAMES KIRKIKIS, NICK LAHAM, JEFF LANDRETH, LAYNE LILLIE, MARK LITTLE, STEVEN MANGUM, MICHAEL MUNDY, ROBERT NEWMAN, PATRICK O’BRIEN, MARC PATRICK, CARLO PIERONI, EMILY MINTON REDFIELD, ROMONA ROBBINS, ALENA VEASEY, HOLLY VEGTER, PETER VITALE, DAVE WARREN, CHANDLER WILLIAMS, LEONARD ZHUKOVSKY, NATHAN ZUCKER, 1000 WORDS, A.M.P.A.S., BFA.COM, BOO MEDIA, DW LABS INCORPORATED, EVERETT COLLECTION, FOCUS FEATURES, GETTY IMAGES, MODUS PHOTOGRAPHY, NETFLIX, RIZZOLI, SHUTTERSTOCK, UNIVERSAL STUDIOS, WARNER BROS., WORLD RED EYE

ADVERTISING, SALES, AND MARKETING

DIRECTOR OF MARKETING / AD MANAGER MORGAN CLAYBOURNE MORGAN@VIEMAGAZINE.COM

AD MANAGER

ABIGAIL RYAN

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BRAND AMBASSADORS

LISA MARIE BURWELL

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MARTA RATA

MARTA@VIEMAGAZINE.COM

The SIMPLE JOYS of LIFE

“Do not grieve, for the joy of the Lord is your strength.”

—NEHEMIAH 8:10

ve never lost reverence for small, calm moments in life. Years later, I still cherish this deeply. “When the going gets tough, the tough get going” is a mantra I live by—but I’ve learned toughness can be soft, too. Even now, a childlike spirit shapes how I see the world. That lightness, playfulness, and joy give me refuge and spark imagination. Without them, life feels heavier.

These simple pleasures have colored my life from an early age. I’ve loved feeding ducks since childhood, when my parents would take their brood of six to the Boston Public Garden after church to ride the Swan Boats. This beloved, family-owned attraction—where a driver pedals a swan-shaped boat around the lagoon—has been a city tradition since 1877. It’s a gentle, affordable experience that has delighted generations and earned its place in literary history through Make Way for Ducklings

Those days remain some of my happiest memories and began my lifelong affection for feeding ducks. It brings me joy, calms my spirit, and restores me.

My affection for these moments became a source of grounding throughout my life, especially during times of change. In my mid-twenties, between jobs and uncertain about my next chapter, I moved home to Duxbury, Massachusetts. I paid rent for my childhood bedroom—my dad called it “Condo A” (my sister had “Condo B”)—and was expected to job hunt daily. After years of juggling jobs through school, I needed a breather.

Each morning, I’d dress in interview-ready clothes, briefcase in hand, and tell my father I’d be back in a few hours. Weeks went by. He grew suspicious. One day, he asked what was in my briefcase. My answers were vague. Finally, curiosity got the better of him. He opened it.

Inside was a lone loaf of bread.

He stared, then burst out laughing. “So that’s where all the bread’s gone!” I admitted that between job applications and interviews, I had been spending time feeding the ducks in Plymouth, about a fifteen-minute drive away. To my surprise, he smiled. “Let me get my coat—I’ll go with you.” He loved feeding the ducks, too, as his father had. We spent the day together, and it remains one of my most treasured memories.

Stories like these remind me how inspiration can be found in unexpected places, whether with family or featured friends. In this issue, we celebrate inspiration in every form. Our cover girl, Dr. Lindsey Hoppe—founder and owner of 30A Smiles located in 30Avenue—embodies faith, strength, and fortitude. Her journey is powerfully captured in Caitlyn Burrus’s moving feature, “Choosing Hope: A Doctor Becomes a Patient.” You can also hear Dr. Hoppe’s story in her candid conversation with me in Episode 91 of our podcast, VIE Speaks.

We are living in a time filled with serious challenges. Still, I hold tightly to faith— believing we can move toward greater unity, compassion, and love. Holding on to joy with childlike belief may seem naive, but I believe it’s essential. Levity, wonder, and gratitude are not indulgences; they serve as lifelines.

I hope you enjoy this issue and wish you a year filled with inspiration.

To Life!

—Lisa Marie Burwell CEO/Editor-in-Chief/Creative Director

We collaborate with talented photographers, writers, and other creatives on a regular basis, and we’re continually inspired by how they pour their hearts and souls into their crafts. Follow these creatives on social media and don’t forget to check out our account, @viemagazine.

IN THIS ISSUE, WE ASKED THE CREATIVES: WHEN YOU WALK THROUGH YOUR FRONT DOOR, HOW DO YOU WANT YOUR HOME TO MAKE YOU FEEL?

DR. LINDSEY HOPPE

Cosmetic Dentist at 30A Smiles @drlindseyhoppe

When I walk through the front door, I want our home to feel like an immediate exhale. Life is full and demanding, and we work incredibly hard, so home is where everything slows down. I want it to feel calm, welcoming, and lived-in—not perfect, but peaceful. It’s a place where our family can truly reconnect, where our son and his friends feel comfortable gathering, and where friends are always welcome. The water, the light, and the simplicity of the space remind us to be present. More than anything, our home is a place to rest, recharge, and celebrate everyday moments together.

ABBIE STOCKARD

Miss America 2025 @abbiestockard

When I walk through my front door, I want my home to feel like a place where I can finally take a deep breath. I want it to feel safe, cozy, and peaceful. I love having a candle lit, so walking into a familiar, comforting smell always makes me smile. More than anything, I want my home to be a place I genuinely look forward to coming back to, and it ends up being one of the best parts of my day.

DAVE KING

Creator of Bleecker Street Art Beat Walking Tour @king.daveking

When I walk through my front door, I want it to feel like a deliberate shift in atmosphere. My Florida home is where I find solitude. It’s quiet, restorative, where I unplug and spend time with family. My tiny NYC artist studio is the exact opposite. It hums

with creative energy, intentionally designed to feel like the kind of place Holden Caulfield might’ve owned as an adult. It’s over 100 years old and feels a little literary. I’m always on the verge of a new idea when I’m there. Between the two, I get exactly what I need: reset in one, ignition in the other.

LIFE IS FULL AND DEMANDING, AND WE WORK INCREDIBLY HARD, SO HOME IS WHERE EVERYTHING SLOWS DOWN.

ALLYSON DUTTON

Owner of Cottonwood Company @cottonwood.company

I want our home to be filled with the joy and peace of the Lord—a place where my husband, our children, and I feel safe, comfortable, and truly at rest. I desire a home grounded in love, faith, and gratitude, surrounded by things that reflect what we cherish and bring us joy. I think that’s why I love decorating so much, because I want a space that’s beautiful and welcoming, a place we are blessed to share with others. Above all, I pray that our home inspires our family, strengthens our faith, and remains a place we always long to return to.

There’s No Place Like Home

Not because it’s perfect, but because it’s personal. Home is where design softens into feeling, where materials carry memory, and where beauty is measured less by trend than by comfort. In a world obsessed with what’s new and keeping up with the Joneses, the most meaningful interiors are often the ones that feel deeply familiar: spaces that welcome us back, hold our rituals, and quietly remind us who we are. We want to see how design lives in your everyday moments, so tag @viemagazine!

@thedawnmckennagroup 30A, Florida—we couldn’t resist. The Dawn McKenna Group is now representing the Emerald Coast. We’re proud to be led along 30A by Bonnie and Maria. With over 20 years of combined experience on the Emerald Coast and more than $200M in sales, their local knowledge and client-first approach truly set the standard.

@churchilloaksfl Where New Orleans charm meets modern luxury. Churchill Oaks perfection at 335 Churchill Oaks Drive.

@ashleylongshoreart Sweet memories… My opening at Bergdorf Goodman. Every window down 5th Ave and the 7th floor was stacked with my art and sculptures. It was such a special opportunity and so much FUN! VIE cover shoot by @carlopieroni

@theideaboutique A campaign that stands the test of time! The Idea Boutique created Destination Panama City’s “It’s a Vibe” branding several years ago, and we love seeing it continue to thrive. Interested in revamping your brand this year? Send us a DM!

@allseasons_30a “My goal is to remain Exclusively Rosemary, ensuring every detail receives my personal attention and every guest enjoys the exceptional standard of service I’ve spent a lifetime perfecting,” says Cheryl Moodie. At All Seasons Collection 30A, our philosophy is simple: remain intentionally small and proudly boutique. By focusing on our homeowners and our guests, we’re able to preserve the integrity of their properties while thoughtfully maximizing rental potential.

@dahlerandco Along the 30A shoreline, this sale represents more than a headline. A $41M off-market transaction, thoughtfully executed, and a new benchmark for the Panhandle. We were proud to represent our clients in this exclusive purchase alongside Sotheby’s International Realty. 281 Paradise By The Sea Blvd.

LET’S TALK!

Send VIE your comments and photos on our social media channels or by emailing us at info@viemagazine.com. We’d love to hear your thoughts. They could end up in the next La conversation! VIEmagazine.com

Le monde

Le monde

GOES ROUND AND ROUND

Set along Boston’s storied waterfront, the InterContinental Hotel Boston offers a sophisticated gateway to the city’s rich past and vibrant present. Contemporary interiors, sweeping harbor views, and thoughtfully curated amenities create a sense of understated luxury, while the hotel’s location places guests at the heart of Boston’s cultural and historic landmarks. It is a refined retreat where modern hospitality meets timeless New England charm, recently voted Boston’s top hotel by Condé Nast Traveler.

choosing hope

a doctor becomes a patient

by caitlyn burrus | photography by hunter burgtorf

Through cancer, calling, and the pursuit of healing, Dr. Lindsey Hoppe proves her resiliency.

nspiration rarely arrives all at once. More often, it builds quietly, through small moments of courage, through faith tested and reaffirmed, through a calling answered again and again. For Dr. Lindsey Hoppe, inspiration has never been about perfection or polish. It has been about transformation— of smiles, of lives, and ultimately, of her own.

When Lindsey and her husband moved to Florida’s Emerald Coast from Texas in 2014, it wasn’t part of a grand master plan. It was a deeply human decision. They were tired of being sad every time they had to leave the beach. So they chose joy. They chose the water, the pace, and the small-town spirit of the area surrounding Scenic Highway 30-A. “We loved the small-town feel here,” Lindsey says simply. But the leap came with sacrifice. Her thriving Texas dental practice, “my baby,” as she calls it, was left behind. It was hard to walk away from something she had built with so much intention, but she trusted that there was room for something new.

That instinct proved right. When she opened 30A Smiles in October 2015 at 30Avenue, Lindsey knew something was missing in the area. “I knew there wasn’t anybody doing what I do here,” she explains. “People were still traveling to big cities for cosmetic dentistry.” She saw not competition, but possibility. “I felt like there was room for me here.”

Her passion for cosmetic dentistry is deeply personal. Growing up, Lindsey was extremely self-conscious about her teeth. She had very small teeth with large gaps; it was not an orthodontic issue, but a developmental one. “I was teased about them, actually,” she recalls. “It was terrible.” Just before leaving to attend college

at Texas A&M, her parents sat down with their family dentist in San Antonio and asked him to help their daughter before she began this new chapter. What he did was simple: composite bonding, not porcelain veneers, but the impact was profound. “It completely changed my life,” she says. That moment became her turning point. “That was my ‘that’s it’ moment. I realized if I could do this for someone else, because it truly changed my life, it was what I wanted to do.”

Today, more than two decades later, that sense of purpose remains undimmed. “I’ve been doing this for twenty-three years because my life was forever changed when my smile was fixed,” Lindsey says. “That was my trajectory.” Cosmetic dentistry is not an easy path; in dental school, entry into the program requires being at the very top of one’s class. Lindsey studied relentlessly, driven by both passion and discipline, and earned her place. She trained under Dr. Marilyn Ward, a formidable mentor who demanded excellence. Lindsey explains that if you weren’t prepared, Dr. Ward would correct you—sometimes bluntly, and in front of patients. But if you were ready, the education was unmatched.

Above: Dr. Lindsey with her husband, Dirk, their son, Hunter, and their golden retriever, Annabelle

Opposite: 30A Smiles dental practice is located at 30Avenue lifestyle center in Inlet Beach, Florida.

Opposite right row: Some of Dr. Lindsey Hoppe’s celebrity patients include MLB Hall of Fame lefty pitcher for the World Series-winning Atlanta Braves, Tom Glavine (top), 30-A area local influencer Mary Margaret Custer (middle), and the iconic Leigh Anne Tuohy (bottom), among others.

Opposite bottom row: The team at 30A Smiles reminds patients every day that a smile can change your life.

Photos courtesy of 30A Smiles

Lindsey became her chairside assistant while in college, skipping school every Wednesday to assist on cosmetic cases, and after graduating in 2003, she continued working alongside her. “I learned literally from the best,” Lindsey says. “I thank God every day for that experience. It shaped everything for me.”

That foundation is evident in the way Lindsey practices today. She understands that, for most people, the dentist is a source of fear, shame, or vulnerability. Some patients are so self-conscious that they struggle even to walk through the door.

To meet them where they are, Lindsey embraced innovation—even when it felt uncomfortable. For years, she resisted social media. “That is not me. I’m not going to be on Instagram,” she laughs. But when she finally listened to her team and began sharing her work online, something unexpected happened. People began traveling across states and across countries to see her. “Which I consider an incredible honor,” she says.

“This has been one of the best things professionally that I’ve ever done,” Lindsey says. Patients now come to her from Texas, Kentucky, Switzerland—there was even a fellow dentist from the Bahamas. For locals who feel too nervous or ashamed to come in person, the virtual consult option provides a gentle first step. From start to finish, most cosmetic cases take just three visits. What happens in between feels almost indescribable, “like a miracle that meets magic,” she says. But behind that magic is heart, precision, and an unwavering belief in what a smile can unlock.

Lindsey has seen it firsthand. Restore someone’s dental health, give them a smile they’re confident in, and everything changes for them. Introverts begin dating. People apply for jobs they never thought they could get. “Two years later, I’ll see them, and they’re not even recognizable,” she says. “It all started with a smile.” In her hands, dentistry becomes empowerment, arming people with the confidence to step fully into their lives.

That belief extends beyond her practice walls. When Lindsey first moved to the 30-A area, the 30Avenue lifestyle center was still a forest, and construction delays meant she wouldn’t be able to open her office for over a year. During that time, she connected with the Children’s Volunteer Health Network, which provides free dental care to local children in need. By chance, the organization was transitioning away from its existing dentist, and Lindsey stepped in as the dental provider for over a year and a half. Pediatric dentistry was far removed from her cosmetic specialty, but the experience became one of the most meaningful of her career. “It was two of the most rewarding, most fun

“Working for the good of local children was amazing,” she says.

“I’ve experienced that myself.”

The shift toward virtual consultations, born out of the COVID era, further transformed her practice.

years of my professional life,” she says. Treating children in pain, restoring their health, and witnessing the gratitude of their families reaffirmed what she already knew: it’s about so much more than teeth. “Working for the good of local children was amazing,” she says. “I’ve experienced that myself.”

hat depth of perspective would soon be tested in ways Lindsey could never have anticipated.

In March of 2025, Lindsey received a breast cancer diagnosis. Though she had long been considered high-risk—her mother survived stage 3B breast cancer in 1998—she says, “I don’t know if anything ever prepares you for that diagnosis. It plays games with you.” Her first biopsy in 2021 had been benign, and she had been vigilant with screenings since her twenties. “Can we just get a hurrah for early detection?” she says now. Her cancer was discovered through a routine mammogram, when the tumor was very small. “I never would have known that I had it.”

She credits her medical team on the Emerald Coast for their diligence and care, particularly her OB-GYN, Ann Marie Whitlock with Ascension Sacred Heart, who had already recommended assembling a surgical team due to Lindsey’s family history. By the time she received her diagnosis on a Friday, she was already scheduled to see Dr. Allison Moody, a board-certified, fellowshiptrained surgical oncologist, the following Monday. “It felt like my whole world stopped,” Lindsey says. But the speed, clarity, and compassion of her care carried her forward.

Every cancer case is unique, she explains, like a fingerprint. Lindsey had a small tumor in one breast, but extensive areas of atypical growth, along with early abnormalities in the other breast. From the beginning, the conversation centered on a double mastectomy. “The big C is scary for everybody,” she says. “But as a woman, to be told you’re going to lose your breasts—it’s scary, and it’s sad. It feels disfiguring.” Vanity aside, Lindsey didn’t want a daily reminder of cancer. She wanted to face it fully and move forward.

an ideal candidate for a same-day double mastectomy with reconstruction using her own tissue and no implants, all in one surgery—eight hours, more than five hundred stitches. “I walked in with cancer, I lost my breasts, and I woke up from surgery with breasts intact and no cancer,” she says. When she first looked down after surgery, she couldn’t believe how normal everything looked. “I had the best, most amazing care at Sacred Heart,” she says. “I am just so proud that we offer this kind of medical care in our community.”

The word resilience can capture who Lindsey is, but faith comes closer to it. “It wasn’t just me,” she says of her recovery. “It was supernatural. I am a faithful person, and I knew that God had me.” There were dark moments, she admits. Moments of fear. Moments of grief. “At the end of the day, it’s a gruesome surgery. But my team did a wonderful job.” Ninety percent of the time, she felt strong. Ten percent of the time, she allowed herself pity parties. “When you’re in that place, you just have to hit your knees and trust God,” she says. “I mean, what else is there?”

She leaned heavily on her village: her husband, her son, her family, her patients, her team, her friends. “I don’t think anybody gets through that on her own.” After the last of her three drains was removed, she says, “I felt like superwoman.”

Three weeks post-surgery, Lindsey returned to work in a limited capacity. By four weeks, she was back with patients. Yoga became both physical therapy and sanctuary, helping her body recover after reconstruction surgery left her hunched forward for weeks. “Once I was able to go to yoga, I feel like my recovery was exponentially fast after that,” she says. “I’m thankful every single day.”

Through Dr. Moody, she was connected with Dr. Hugo St. Hilaire, a renowned reconstructive plastic surgeon, and his partner, Dr. Suma Maddox. Lindsey was

Sharing her diagnosis was one of the hardest parts, especially FaceTiming her parents while still in shock. She didn’t want to let her patients down or make her illness the story, but with her team’s help, she shared the news thoughtfully and honestly. Looking back now, she understands why. “If I can help one person, then

“whether she is restoring a smile or reclaiming her own life, lindsey reminds us that healing, true healing, begins with hope.”

my story is worth sharing,” she says. She acknowledges survivor’s guilt and questions about why her journey was different. She believes it’s okay to feel fear and sadness, to cry when needed, and then to choose hope. “Mentality has been scientifically proven to affect outcomes,” she says. “There is a silver lining in every day. You can find it.”

Today, Lindsey is cancer-free. She continues to serve her patients, her community, and the broader Emerald Coast through her work and her leadership, including her role on the board of Ascension Sacred Heart. “It is such a rewarding board to be a part of,” she says. “I’ve never felt so excited and optimistic about where we’re headed.”

Dr. Lindsey Hoppe’s story is one of inspiration, not because it is flawless, but because it is real. It is about choosing courage over comfort, faith over fear, and purpose over limitation. Whether she is restoring a smile or reclaiming her own life, Lindsey reminds us that healing—true healing—begins with hope.

For more information, follow @drlindseyhoppe on Instagram or visit 30Asmiles.com.

This stunning 3,950-square-foot Alys Beach, Florida, residence was designed by Chancey Architecture with interior work by Evan Millard, construction by Koast Builders, and landscaping by 30A Landscape Architect Alan Holt. The home features a vaulted living room, a sunken reading nook beneath the stairs, and a sunken living suite over the garage, creating layered, inviting spaces. Oriented toward a community pocket park, the master bedroom balcony offers serene sunset views, seamlessly connecting the interior with the outdoors. Every detail of this property reflects thoughtful design and a focus on comfort, functionality, and a strong connection to its surroundings.

To see more from Chancey, visit ChanceyDesign.com and follow @ChanceyArchitecture and @ChanceyInteriorDesign on Instagram.

HONORING the LEGACY of NEW URBANISM

FROM KHOURY VOGT ARCHITECTS to KING CHARLES III

By Katie Ogletree

THE SEASIDE INSTITUTE AND SEASIDE, FLORIDA, FOUNDERS ROBERT AND DARYL DAVIS ARE HONORED TO BESTOW THE PRESTIGIOUS SEASIDE PRIZE RECOGNITION UPON MARIEANNE KHOURY-VOGT AND ERIK VOGT AT ITS 2026 SEASIDE PRIZE WEEKEND.

he annual celebration will feature a series of events, lectures, and symposia honoring leaders whose work advances architecture, urbanism, and the public realm. The celebration will take place the weekend of February 6–8.

E. F. San Juan, a custom architectural moulding, millwork, and cabinetry manufacturer based in Youngstown, Florida, has committed to an annual platinum-level sponsorship of the Seaside Prize Weekend. As part of its sponsorship, the firm will also craft wooden key enclosures for the prize recipients. Long-time manufacturing partners of Khoury Vogt Architects (KVA), the team at E. F. San Juan is thrilled to be part of this ceremony honoring KVA’s founders.

On January 28, 2026, E. F. San Juan also proudly marks its fiftieth anniversary, commemorating five decades of dedication, craftsmanship, and unwavering commitment to excellence. Since its founding in 1976, the company has grown from humble beginnings into a trusted name in its field, guided by strong values, innovation, and enduring relationships with clients, partners, and the community.

This page: A stunning Gulf-front residence in Alys Beach, designed by Khoury Vogt Architects and featuring custom millwork, windows, and doors by E. F. San Juan. It was built by Hufham Farris Construction. Lovelace Interiors recently outfitted the space with elevated coastal style.

Photos by Hunter Burgtorf

Opposite: “In Surf We Trust” is a family vacation home in Seaside, Florida, featuring numerous examples of E. F. San Juan’s precision craftsmanship, including curved walls and ceiling parts, stair parts, columns, trim, and more. It was designed by Curtis & Windham and built by O. B. Laurent Construction.

Photos by Romona Robbins

hrough generations of quality craftsmanship, our focus has always been doing great work and doing right by those we work with and those who work for us,” says E. F. San Juan president Edward A. San Juan. “We plan to continue crafting a legacy of exceptionalism, teamwork, and perpetual improvement as we head into 2026 and beyond. Being part of the Seaside Prize weekend and honoring our friends Marieanne and Erik makes us even more proud to have reached this milestone anniversary.”

Founded in 2001, KVA specializes in architecture, urban design, and town planning. They moved their practice from Miami to Alys Beach to steward the community’s development. Their work is known for a “living tradition” approach, blending classical composition with vernacular styles. The firm’s designs are heavily influenced by the architecture of Bermuda, the Mediterranean, and the Middle East. Marieanne and Erik have been residents of Alys Beach for over twenty years, have raised their family there, and have designed many of the community’s homes and public spaces. As Town Architects, they are responsible for the “design code” of the community, ensuring that all homes, including their own personal residence, known as “Dos Flores,” meet rigorous standards for durability and aesthetic harmony.

rik Vogt holds a Bachelor of Architecture from the University of Miami and a Master of Architecture from Yale University, while Marieanne Khoury-Vogt studied at L’Ecole Spéciale d’Architecture in Paris and holds a Master of Architecture and Urban Planning from the University of Wisconsin-Milwaukee.

In addition to its support of the 2026 Seaside Prize Weekend, E. F. San Juan is also collaborating with the Seaside Institute on a one-of-a-kind presentation case created to house the Seaside Prize that will be awarded to His Royal Majesty King Charles III. The award, bestowed by Robert Davis in recognition of the King’s lifelong contributions to architecture and urbanism, reflects principles closely aligned with New Urbanism, which the King championed long before his accession.

The presentation case, designed by E. F. San Juan’s founder and CEO, Edward F. San Juan, incorporates a custom royal cypher, finalized after extensive consultation to ensure proper use of crowns and royal symbols. Hand-selected premium wood, intricate engraving, and enduring construction methods were employed to reflect both the prestige of the Seaside Institute and the significance of the recipient. Above all, the piece was designed to endure, serving as a physical embodiment of the lasting bond between traditional craftsmanship and modern urbanism.

“We knew we needed to do something very special,” says Edward F. San Juan. “I wanted to preserve the front of the box to represent the Seaside Institute and the Seaside Prize while honoring the King with a unique design that would truly impress.”

tay tuned for more details on the presentation of this award to King Charles III, and in the meantime, check out E. F. San Juan’s episode of its YouTube video series, Real Wood, highlighting the project.

Marieanne Khoury-Vogt and Erik Vogt will be formally honored at the Seaside Prize awards ceremony on February 7, 2026, by Seaside founders Robert and Daryl Davis. The ceremony will be hosted at The Chapel at Seaside and promises to be one of celebration, reflection, and inspiration, recognizing a legacy of design excellence and enduring community stewardship.

Register online now for the Seaside Prize 2026 Weekend at SeasideInstitute.org, and visit EFSanJuan.com to learn more about the company’s legacy.

IT’S ALL IN THE DETAILS

Explore curated furnishings and refined design inspiration. Our full-service interior design team brings thoughtfully layered interiors to life.

Abbie Stockard

At just twenty-three years old, Abbie Stockard has already lived a season few women ever experience. Crowned Miss America 2025 in January of 2025, the Birmingham, Alabama, native stepped into one of the most visible roles in the country—one defined not only by poise and presentation, but by service, resilience, and responsibility. Now, back at Auburn University, where she is pursuing her Bachelor of Science in Nursing, Abbie is continuing her education after a year dedicated to national service and advocacy. For Abbie, the title was never about the crown itself. It was about purpose.

Her year as Miss America unfolded at a relentless pace, marked by weekly flights, constant appearances, and the emotional weight of national advocacy. Through it all, wellness became less about perfection and more about grounding practices that sustained her physically, mentally, and spiritually.

“I had to be intentional about moving my body every single day,” she shares. Even when exhaustion set in, movement, often as simple as a twenty-minute walk, became a reset. “I could feel my mood shift almost immediately. It grounded me, boosted my energy, and helped me mentally reset.” Those walks, especially outdoors, became sacred time: no phone, no music, no distractions, just space to breathe and process. MISS AMERICA 2025,

Equally central was her faith. Abbie describes it as a cornerstone throughout both competition season and her year of service. From worship music to intentional prayer before every keynote and appearance, her practices were rooted in gratitude and humility. “This title was never about me,” she says. “To me, it was about being a light, a change-maker, and a servant for the Lord.”

That servant’s heart was most visible through her advocacy for cystic fibrosis, a cause deeply personal to Abbie. Her best friend was born with CF, and witnessing her navigate a strict, unforgiving daily treatment regimen shaped Abbie’s understanding of wellness and resilience from a young age. “There are no days off,” she explains. “Missing even one day can have serious consequences.”

Rather than allowing her diagnosis to define her, Abbie’s friend chose discipline, faith, and intentional wellness, an example that profoundly influenced Abbie’s own perspective. “Watching her reminded me that our bodies are truly a gift,” she says. “Being able to move, breathe freely, and care for our health is a blessing—one that shouldn’t be taken for granted.” That mindset shift, from having to care for your body to getting to, became foundational.

Tfor

hroughout her reign as Miss America, Abbie carried the weight of visibility in a space often defined by comparison and pressure. Early in her reign, she admits to quietly questioning whether she was enough. But anchoring herself in the Bible verse Esther 4:14—“And who knows whether you have not come to the kingdom for such a time as this?”—changed everything. “I realized that none of that uncertainty disqualified me,” she says. “I earned this title.”

One of the most freeing realizations of her year was understanding that authenticity, not imitation, was the reason she stood on the Miss America stage. “I didn’t win Miss America by trying to be someone else. I won by being authentically myself.” With that acceptance came confidence, peace, and the ability to truly enjoy the opportunity before her.

That same evolution reshaped her relationship with beauty. Once measured by gowns, fitness standards, and external perception, beauty expanded into something far deeper for Abbie. Through advocacy and philanthropy, she began to see beauty in courage, compassion, and confidence, particularly in young women using their voices and dreaming boldly. “When you’re focused on serving something greater than yourself,” she reflects, “the pressure to look a certain way begins to fade.”

Even so, confidence wasn’t always automatic. On days she didn’t feel her best, Abbie learned that reassurance didn’t come from the mirror; it came from connection. Engaging in meaningful conversations, listening deeply, and serving others restored her sense of purpose. “Fulfillment doesn’t come from how you look,” she says, “but from how you love and show up for others.”

Behind the scenes, self-care was simple and grounding: home-cooked meals with family, long walks, daily devotionals, coffee runs with friends, and worship music filling the car. These small rituals became her reset button, especially when the emotional responsibility of advocacy felt heavy.

And that advocacy resonated more than she ever expected. Traveling across the country during her year of service, Abbie was often approached by strangers, many in tears, sharing their own connections to cystic fibrosis. “I realized my service was touching more people than I ever imagined,” she says. That realization was both humbling and energizing, reaffirming the power of choosing to serve in an area close to the heart.

Now, life after the crown looks purposeful in a new way. After being crowned Miss America in January 2025 and dedicating the year fully to her national service and advocacy, Abbie has returned to Auburn University to pursue her Bachelor of Science in Nursing. With over $89,000 in scholarships earned through the Miss America Organization, she is putting her education into action with the goal of becoming a pediatric nurse and eventually pursuing an advanced degree. Her

cystic fibrosis advocacy remains central, as does her commitment to public speaking and service. “Even though the crown is no longer on my head,” she says, “my platform continues to be a big part of my life.”

As women and girls enter a new year seeking confidence and clarity, Abbie’s message is resolute: believe in yourself. “Where you come from, who you are, or the obstacles you face do not define your potential,” she says. “Your voice matters—so speak up, stand up for yourself, and don’t be afraid to share your dreams.”

In Abbie Stockard’s story, wellness is not about flawlessness, beauty is not about appearance, and purpose is not limited to a title. Instead, her journey is a reminder that resilience is built through consistency, confidence is found in authenticity, and true impact begins when we choose to serve something greater than ourselves.

For more information on Abbie Stockard, follow her on Instagram @abbiestockard. For more information on cystic fibrosis, visit CFF.org/community-posts, and to learn more about the Miss America Organization, visit MissAmerica.org.

Crystal Creations

In the silence of winter, where forests breathe in secret and the air sparkles with frost, Lalique captures the living soul of nature. Swans glide on crystal waters. It is movement captured by light, an emotion sculpted in crystal. Lalique sculpts nature: mysterious, untamed, sublime. Nature becomes myth. Beauty becomes sculpture. This is the poetry of nature.

Lalique invites you to celebrate the wild poetry of the season. To offer a beauty that transcends time, to awaken dreams through crystal. To view more from the collection, visit us.Lalique.com.

FROM BARBIE

TO ANNA KARENINA

HOLLYWOOD’S DYNAMIC PRODUCTION DESIGN DUO

THEY ARE TWO OF THE MOST SUCCESSFUL WOMEN IN FILM YOU’VE PROBABLY NEVER HEARD OF.

arah Greenwood and Katie Spencer have no PR people, no website, not even a permanent office to work from. But boy, are they sought after—no wonder, given their seven Oscar nominations for creating the look of richly visual movies from Barbie to Anna Karenina

“Their work is so distinctive and unique, if you see a film they’ve worked on, you immediately know,” says Academy Museum of Motion Pictures

curator Michelle Puetz. If you know them, you presumably know how to find them, but it has taken me, a non-insider, months to track down these veteran creatives.

“We’re pretty under the radar,” admits production designer Greenwood, who has the look of an elegant school principal in her black dress and statement silver necklace. “This business is hard enough without trying to create a profile,” adds Spencer, a redhead who manages to ooze a distinct sense of the bohemian despite the formal suit in which she has come to tea.

We are chatting in the members’ room of BAFTA—Britain’s equivalent of the Academy of Motion Pictures—on London’s Piccadilly, two hundred miles and a planet away from the north

BY ANTHEA GERRIE

where Spencer grew up. “I’m from Yorkshire, where a real job is being a nurse or going down the mines,” jokes the set decorator, who specs every chair, mirror, and lamp, every scrap of wallpaper, and the tiniest details of the magical worlds the duo’s fictional characters occupy.

Most recently, that was Barbie—and surprisingly, given how familiar we think her world is, it was the duo’s toughest collaboration to date. “There were no locations as a starting point—we had to conjure up Barbieland from scratch because we had no point of reference,” explains Greenwood.

“It was important not to re-create Mattel—our Barbie houses came from the script, the director’s mind, our own interpretation of the story, and influences from Americana,” adds Spencer. “You’re looking at ten thousand images, filtering them down, and ending up with maybe two hundred which are key,” chimes in Greenwood. “From there, you build a picture of what it’s going to look like, and at that point, you start to make models. Concept artists and professional model makers are brought in, and as the team grows, it’s like a dinner party, with twenty tables of four, each table working on different things.”

Thrillingly for Barbie fans, many of these sets, costumes, and props are on display at the Academy Museum in Los Angeles, making up a major part of the exhibition devoted to the duo’s work. Especially interesting is a replica of the production office the women set up for Barbie, as they do for every film. At the heart of a space whose walls are crammed with swatches and image boards is a long table. “It’s got longer over the years because there are so many meetings,” explains Spencer. “Only our bit remains full of stuff; the rest is cleared so other people can sit down. They regard it as a bit of a haven where they can steal away for creative discussions,” adds Greenwood.

So used are the two to sitting down and starting work wherever they find themselves, they nearly fell foul of the museum when they actually used their pretend office. “We dressed it ourselves, re-creating our own, typically messy space,” explains Spencer. “It was so familiar, we went in the next morning, dumped our bags, and were making calls to the UK about our next film when they came in and said, ‘This is now an exhibit.’ They put a barrier around it, and we had to stop!”

The experience of helping filmmakers re-create their workspace was unique, says Puetz. “This is the first time we’ve done this kind of installation, building out the vision of artists who are on site. It was a magical experience—they are so funny and kind and so passionate about what they do.”

Greenwood and Spencer have worked together since meeting at the BBC. “I suspect they looked at each other in this very controlled environment and, recognizing something unconventional in each other, wondered if they belonged there,” posits Puetz. And from her description of the duo, whom she got to know over a week sipping tea in London two years before the exhibition opened—“They’re like sisters; they finish each other’s sentences, you feel they’ve known each other all their lives”—the two formed a bond which has endured for thirty years.

From the start, even though set decorators traditionally report to production designers, Greenwood and Spencer opted for a collaborative approach, which is

“THIS PASSION IS REFLECTED IN AN INCREDIBLY INNOVATIVE 2012 FILM ADAPTATION OF ANNA KARENINA, WHERE NEARLY EVERY SCENE BEGINS ON STAGE IN A RUSSIAN THEATER DOUBLING AS A BALLROOM, AN ICE RINK, AND EVEN A RAILWAY STATION, BEFORE MOVING INTO THE LANDSCAPE BEYOND.”

not the industry norm. “On some films, set decorators and production designers hardly talk to each other, but Katie and I have never worked in that way,” says Greenwood. “We’ve worked together for so long, we’re accepted as a unit.”

They share a passion for the stage—Spencer’s career trajectory started when she saw a poster advertising a theater design course—“I had no idea that was something you could study”—while Greenwood

confesses, “The only thing I could do at school was art. But after seeing a performance of Twelfth Night, I knew I wanted to be a part of that whole thing—not an actor, but involved in theatrical productions.”

This passion is reflected in an incredibly innovative 2012 film adaptation of Anna Karenina, where nearly every scene begins on stage in a Russian theater doubling as a ballroom, an ice rink, and even a railway station, before moving into the landscape beyond. The Academy Museum re-created an elaborate scale model of this theater, “as nothing was left from the production,” says Puetz, explaining studios rarely keep materials from completed films. They got luckier with 2017’s

Opposite bottom: A replica of Greenwood and Spencer’s Barbie production office at the Academy Museum exhibit running through October

“CREATING SUCH DETAIL-DEMANDING AND OFTEN GRUELING WORLDS CAN BE EMOTIONALLY EXHAUSTING”

live-action Beauty and the Beast, from which key pieces of furniture the duo had been charged with creating as extra characters into which they would be transformed by Disney’s animators were lent to the museum.

There is only one Academy Award for production design rather than a separate one for set decoration, so Greenwood and Spencer have shared the seven Oscar nominations they’ve earned over eighteen years. Could the upcoming Victorian thriller Jack of Spades bring them an eighth nomination—and perhaps their first actual gold statuette?

It was the chance of working with multi-Oscar-winner Joel Coen that lured Greenwood and Spencer from more glamorous locations to the mud of the Scottish Highlands for Jack of Spades, Coen’s first film in the UK. They raved about the wild beauty of shooting locales like the Mull of Kintyre, as well as the film itself. “It’s such a rare thing now to make an intelligent period film,” opines Greenwood, although historical drama is a genre in which they’ve distinguished themselves many times, from Pride and Prejudice to Sherlock Holmes, Beauty and the Beast to Anna Karenina, and the bleak theaters of war depicted in Atonement and Darkest Hour. Creating such detail-demanding and often grueling worlds can be emotionally exhausting, so it’s no surprise they are enjoying a rest now that the Coen film has wrapped.

“When we’re not working, we like to lay low,” says Greenwood, exuding serenity as she sips another cup of tea. However, confesses Spencer, “We’re always in conversation with someone.” And if it takes another sixteen years to actually win the statuette, they’re prepared for that. “Diane Warren’s had twenty-four nominations,” says Greenwood of the legendary American songwriter who holds the record for the number of award nods preceding a win, “so who’s complaining?”

Barbie to Anna Karenina: The Cinematic Worlds of Sarah Greenwood and Katie Spencer is on show at the Academy Museum until October 25, 2026. Visit AcademyMuseum.org to learn more.

La maison

WHERE THE HEART IS

Designed by Giuseppe Bavuso for Rimadesio, the Lambda table is a sculptural expression of modern living. Defined by a distinctive folded base inspired by the Greek letter from which it takes its name, the piece balances architectural elegance with remarkable structural stability. Offered in refined materials ranging from marble and wood to terrae and lacquered glass, Lambda exemplifies Rimadesio’s dedication to craftsmanship, material continuity, and interiors designed to exist in seamless harmony.

Located on an expansive 152.5 feet of pristine white-sand beach just east of Camp Creek Lake in Inlet Beach, Florida, this stunning home offers a rare opportunity to own a piece of paradise in one of the most coveted locations. This legacy property with .66 acres and an exquisite residence still has room to grow. Currently listed by Smith & Southern Collective of Rosemary Beach Realty, the home features four bedrooms and four and a half bathrooms, spread across approximately 2,700 square feet of elegantly designed living space.

The one-level floor plan boasts expansive Gulf views from three bedrooms, the kitchen, and the dining and living area, allowing residents to wake up to the serene sight of the Gulf every day. The interiors, curated by Tony Cappoli, exude sophistication and comfort, creating an inviting and elegant atmosphere throughout the home. The gourmet kitchen is a chef’s dream, with JennAir appliances and custom cabinet-front appliances, including an ice maker, dishwasher, and wine fridge, perfect for entertaining guests.

Outdoor living is at its finest with extensive covered porch space, providing the ideal setting for dining, relaxation, and soaking in the stunning sunsets over the Gulf. Direct access to the beach ensures that the white sands and crystal-clear waters are always just steps away. With two separate garage spaces and driveway parking for over ten vehicles, accommodating guests and family is effortless.

This property recently underwent a comprehensive renovation, leaving no stone unturned. Everything from windows and doors to the roof and concrete footers has been replaced, ensuring a brand-new, state-of-the-art living experience. Situated farther seaward of the Coastal Construction Control Line (CCCL) than surrounding properties, this home offers unparalleled panoramic views and a truly unique vantage point.

This Gulf-front gem represents the perfect blend of modern luxury and timeless design, making it an ideal retreat or full-time home for those seeking a serene lifestyle. Whether you are looking for a permanent residence, a vacation home, or an investment property, it offers the perfect coastal living experience. Embrace the beauty, tranquility, and prestige of this exceptional property. Contact Smith & Southern Collective today to schedule a private showing and take the first step toward owning your dream home on the Gulf.

With over half a billion dollars in sales, Smith & Southern Collective is deeply rooted in real estate and is still going strong. With over thirty years of combined expertise and a proven record, real estate advisors Jenifer Smith and Roxanne Southern, along with broker associate W. Royce Smith, provide their clients with sage advice as they navigate the 30-A real estate landscape. Their clientele comes from every walk of life, including the music business, professional sports, and heads of industry. The Smith & Southern Collective delivers pragmatic, astute counsel tailored to its clients’ unique goals, without ego or pretense.

As long-time residents of the 30-A area, the members of Smith & Southern Collective stand on their reputation as not only professionals in real estate, but also on their commitment to serving their community by supporting local charitable organizations such as the Cultural Arts Alliance of Walton County, Point Washington Medical Clinic, and Children’s Volunteer Health Network. With deep connections in Atlanta, Nashville, and Southern California, the Smith & Southern Collective also brings a dynamic perspective to everything they do, ensuring their approach to real estate is as diverse and dynamic as their clients.

Visit 30ALuxuryLifestyle.com or RosemaryBeachRealty.com to view this and many more dream home listings.

Welcome to The House of Light, a 5,400-square-foot Modern Gable-style residence designed for the ultimate waterfront living on the Choctawhatchee Bay in Santa Rosa Beach, Florida. This unique concept home draws inspiration from Scandinavian simplicity and an abundance of natural light streaming through the ample floor-to-ceiling windows. Spacious living areas, a pool and outdoor kitchen, a private dock, and an on-site pickleball court provide year-round entertainment.

ARCHITECTURE BY

BurwellAssociates.com

(850) 687-6888

Florida Lic. AR0017641

aving just celebrated its seven-year store anniversary, Cottonwood Company in Northwest Florida was built on more than the beautiful storefront you see today. It was brought together by family, heart, and a deep passion for helping people create their dream spaces. At the center of it all is owner and creative genius Allyson Dutton, a Niceville, Florida, native whose love for design is woven into her everyday life as a wife, mother of five, and businesswoman deeply invested in serving others.

For Allyson and her store, creating a home or evaluating a space isn’t about perfection; it's about intention. Crafting a space that feels lived in, loved,

and reflective of the people who gather there. Throughout Cottonwood Company, she brings that philosophy to life, and it shows in each piece she brings into the store. Everything that crosses the threshold has been carefully thought of and picked out with the hopeful intention that it will make someone’s house a home.

Allyson spoke with VIE about the beginnings of her vision and how she has stayed steady in her goals with the help of family, friends, and faith!

VIE: What is your background? How did the world of design come into your life?

Allyson Dutton: I’m from Niceville—I mean, I like to say I’m from Niceville! My dad was in the military, so we moved here when I was eight, and my parents ended up retiring here. I went to college at Auburn and studied architecture there. There was a super-competitive summer program you had to take to actually get in, and I did! I was like, “I guess I’m really doing this!” But after I graduated, I was super burnt out from design and didn’t want to do anything with it, so I actually started teaching highschool math.

After I had my first child and I was home with him, I felt like I didn’t have anything to do. My mother-inlaw had a booth at Smith’s Antiques in Destin, and I thought it was super cool. I was inspired to curate one of my own! My husband and I started going to antique flea markets, collecting things, and getting ideas. We eventually went to a market in Atlanta, and that’s where I really fell in love with the whole process of finding things and putting collections together, which really inspired me to know I wanted to have my own store one day.

VIE: What’s your style and aesthetic? Do you find it hard to stay up to date with ever-changing trends?

AD: It has definitely evolved over the years. When I look back at the beginning photos from when we first opened, I’m like, “Oh my!” I love organiclooking things, something that looks old or like someone handmade it, or things with a natural color palette. It has really been that way since I opened Cottonwood Company. Those types of things, I believe, will stand the test of time.

I do spend a lot of time checking out other stores and reading design books, and I really dove into that. I’ve been able to develop what I actually like and to try things out in store, seeing what sells and what doesn’t. For trends, even if I know something is popular and doing well, I just won’t buy it if it doesn’t fit what we’re doing. I think trends will always change, so it’s important not to over-commit to them.

VIE: What’s a specific decorative item you’re really into right now?

AD: One thing I’m really loving right now is wallpaper! I do love art, as well, and I have grown to love it more and more as we’ve had the store. I love finding antique-looking artwork and true antique art pieces to incorporate into designs.

VIE: What’s a home design theme you don’t typically go for when curating your store or interiors?

AD: I really wanted to avoid beachy themes and items, which are so common along the Gulf Coast. But we live in Niceville, not at the beach! We’ve done some coastal pieces here and there, but I’ve never and will never do a lot of beachy things. I wanted to have a different style from what Destin was offering. I also stay away from using a lot of white. Of course, we have white pieces in the store, but I’m not into making the entire space white.

VIE: When did you know it was the right time to bring your design business to a storefront? What was your goal going into it?

AD: The biggest signal for me was that it was just really heavy on my heart, and I couldn't let it go. I would pray for the feeling to go away because it was so overwhelming. I thought it was so far-fetched for what we could handle. We had a brand-new baby, but I couldn’t stop thinking about a store, and the more I prayed for the idea to go away, the more visions I had of the place I wanted. I kept seeing that we did not have anything like this in Niceville. I didn’t want to be in Bluewater Bay; I wanted to be here. And the result really was the perfect in-between of everything.

My dad was super encouraging, asking me things like “What would happen if you failed?” “Could you recover if you failed from this?” And the answer was yes. I mean, it would stink, but we were young and could pivot. It wouldn’t end our lives if we tried this and it failed. The first day we opened Cottonwood Company—after working so hard for four months leading up to it and pouring all of ourselves and all this money into it, not knowing if it would work out—we were so busy! We ended up doing $10,000 in sales that one day. I remember crying, and it was a big confirmation that people like this and people want this.

My goal from the beginning was to serve people. I wanted to know how we could make them feel as welcome as possible. I love going into stores over online shopping, and I love that experience of small shops because you can’t get that with large box stores. We’ve never had the mindset of trying to reach large numbers

“My goal from the beginning was to serve people. I wanted to know how we could make them feel as welcome as possible.”

or worrying about how many of one item we are selling. Our conversation has always been about people being the most important thing, and we want to treat them the best we can by giving them the best experience, and sales will come from that.

VIE: You are a busy, working mom, so what helps you stay on track and motivated to keep thriving professionally?

AD: Over the years, it’s been a little bit more difficult. I feel like I’m in a better place with it now. There were times when I wanted so much for the store, but I couldn’t pour into it because I’d be sacrificing family time. At the time, I’d think, “The store just isn’t at the point I want it to be.” And so I’ve really had to let that go. I can only do what I can, and I’ll do it the best I can for our customers, but our family comes first.

VIE: What room in the home is your favorite to design?

AD: I love kids’ spaces. They’re so fun! I’ve done nurseries for a couple of people. I think because they’re so boundless, with the color and the playfulness that you wouldn’t do in your main spaces. I love doing my kids’ rooms, and they’re always asking, “When is my room going to be done next?” I like doing what they like and bringing their visions to life.

VIE: What advice would you give to someone who is interested in starting a small business?

AD: If it’s something you are really passionate about and really love doing, do it. I mentioned earlier how encouraged I was by my dad asking, “What is it going to hurt if you try? Could you move on from this if it failed?” If it didn’t work out and you can move on from that, why not give it a try? If you have an amazing support team as well, you should go for it!

VIE: Are there plans to expand your business to another store?

AD: The dream, one day, would be to have a larger space where we have more furniture and really can be a whole-home retail store. We’re just limited in this space, but I would love to host events and maybe have vendors come through to give smaller creators opportunities to show and sell their work. We will stay local, for sure!

VIE: Thank you, Allyson!

Visit CottonwoodCompany.com and follow @cottonwood.company on Instagram to learn more and shop the latest products!

Stunning Stonework

Artistic Tile is a leader in luxury surface design, known for elevating tile into a form of fine art. Through collaborations with world-class designers and master artisans, the brand creates richly detailed collections that merge heritage craftsmanship with modern innovation. Every piece reflects a dedication to beauty, precision, and timeless design.

Twin Palms Estate

A Living Icon of Desert Modernism

By Caitlyn Burrus

Photography courtesy of Natural Retreats

et within Palm Springs’ storied Old Movie Colony, Frank Sinatra’s Twin Palms Estate stands as one of the most enduring symbols of mid-century modern design. Designed in 1947 by architect E. Stewart Williams, the residence represents a pivotal moment in postwar American architecture, one where clean lines, natural materials, and indoor-outdoor living came together in effortless harmony. Nearly eight decades later, the home remains not only impeccably preserved but very much alive, offering a rare opportunity to experience history firsthand.

Today, Twin Palms is thoughtfully stewarded by Natural Retreats, a luxury hospitality brand known for its careful preservation of architecturally significant homes. According to Ron Willison, CMP, Group Sales & Events Manager for Natural Retreats in Palm Springs, the partnership was a natural fit.

“Natural Retreats was selected to manage Twin Palms because of our expertise in preserving and promoting historically significant estates while delivering a seamless guest experience,” Willison explains. “Our Palm Springs portfolio already included several Class 1 Historic sites, so representing Frank Sinatra’s first desert residence was a natural extension of our commitment to design, heritage, and hospitality.”

More than just a vacation home, Twin Palms is a living testament to American cultural history. “It’s more than a vacation home—it’s a living piece of American cultural and architectural history,” Willison says. “For Natural Retreats, it reinforces our philosophy that travel can be both inspiring and educational.”

rchitecturally, Twin Palms is widely regarded as a cornerstone of Desert Modernism, a regional interpretation of midcentury modern design that responds directly to the unique climate of Southern California. Williams’ vision emphasized clean geometry and a strong connection to the surrounding landscape, principles that remain evident throughout the home.

“Twin Palms embodies the very definition of Desert Modernism; clean lines, natural materials, and a seamless connection between indoor and outdoor living,” Willison notes. “E. Stewart Williams’ use of Douglas Fir ceilings, flagstone walls, clerestory windows, and the now-iconic piano-shaped pool established a design language that influenced generations of Palm Springs architects.”

Williams designed the home with both elegance and livability in mind. Low rooflines, deep overhangs, and a pinwheel layout were intentional choices, allowing the desert light to filter in while maintaining comfort. “The home’s warm woods and cool stone create a dialogue between modern sophistication and natural texture,” Willison adds, calling it “a hallmark of post-war optimism.”

That balance is immediately felt upon arrival. “The moment guests step through the gates, they’re struck by the serenity,” he says. The piano-shaped pool, perhaps the estate’s most recognizable feature, mirrors the San Jacinto Mountains beyond. Inside, Douglas Fir ceilings and Sinatra’s original stereo equipment transport visitors to another era.

Preservation has played a critical role in maintaining that sense of authenticity. When Twin Palms underwent a major restoration in 1996, every effort was made to protect its original character. “From the St. Charles metal kitchen cabinets to the Arizona flagstone and period plumbing fixtures, the home was restored with museum-level care,” Willison explains. Natural Retreats continues that standard today, discreetly integrating modern comforts such as updated climate control and technology without disrupting the home’s historic integrity.

The preservation process has involved close collaboration with local experts. Natural Retreats has worked alongside historians, the Palm Springs Preservation Foundation, and skilled craftsmen familiar with Williams’ methods. Even the landscape, originally designed by Tommy Thompson, has been meticulously maintained, including the geometric piano-key pergola that echoes the home’s architectural rhythm.

Beyond its design legacy, Twin Palms is rich with personal stories that reflect Sinatra’s personality. One favorite anecdote, Willison shares, involves the singer raising his Jack Daniel’s flag between the estate’s two palm trees to signal cocktail hour to nearby friends. “It perfectly sums up the home’s dual personality—elegant and yet informal, refined but welcoming—just like Sinatra himself.”

That spirit continues to draw visitors today, from design enthusiasts to filmmakers. “Design lovers and filmmakers are drawn to Twin Palms because it’s not a replica or a museum, it’s the real thing,” Willison says. “The house still carries Sinatra’s energy, a mix of glamour, creativity, and mischief.”

ndeed, the home reflects the broader culture of Palm Springs during Sinatra’s era, a time when Hollywood glamour met desert ease. The open floor plan and seamless indoor-outdoor flow mirrored a postwar optimism that defined California living in the 1940s and ’50s.

For Natural Retreats, managing Twin Palms means protecting that legacy while creating meaningful guest experiences. “At Twin Palms, that means honoring its heritage while creating the same sense of warmth and hospitality that Frank and Ava offered to their guests,” Willison explains. “It’s luxury rooted in authenticity, not excess.”

When asked to name his favorite space, Willison mentions the living room. “The soaring Douglas Fir ceilings, clerestory windows, and that perfect view of the pool and mountains, it feels cinematic, yet deeply personal. You can almost imagine Sinatra sitting at the piano with friends gathered around.”

Ultimately, Natural Retreats hopes guests leave with more than memories. “We hope guests leave feeling that they’ve stepped into living history—not just observed it,” Willison says.

Looking ahead, Twin Palms continues to serve as a cultural hub, hosting private architectural tours and events in partnership with Modernism Week and the Palm Springs Preservation Foundation. Plans are also underway to expand interpretive materials highlighting Sinatra’s own artwork and the home’s role in postwar design.

Asked to describe Twin Palms in three words, Willison doesn’t hesitate: “Authentic. Timeless. Legendary.” A fitting tribute to a home where history, design, and hospitality converge, still telling its story, one stay at a time.

For more information or to book a stay, visit https://sinatrahouse.com/.

For more information or to enter the

Returning to the South Lawn of Blenheim Palace in Oxfordshire, England, on September 2–3, 2026, the Salon Privé Concours by Aviva Private Clients marks its twenty-first year as one of the world’s most prestigious celebrations of automotive excellence. The professionally judged, multi-marque event will showcase an extraordinary collection of pre-war and post-war automobiles, modern supercars, and a special anniversary class honoring eighty years of Bristol Cars. Set within the elegance of a classic English garden party, Salon Privé remains a destination where heritage, craftsmanship, and global luxury converge.

A S torybook S tay

BARNSLEY RESORT

By Jack Kirkendall

Photography courtesy of Barnsley Resort

SET ACROSS THREE THOUSAND ACRES IN THE FOOTHILLS OF THE BLUE RIDGE MOUNTAINS, A BEAUTIFUL PROPERTY UNFOLDS IN EVERY DIRECTION. THIS IS BARNSLEY RESORT.

urrounded by endless woodlands and rolling hills, a sense of quietness signals you’ve arrived. Pulling into the gates and driving up the last stretch of road into the resort invites you to take a deep breath and relax. My partner and I were greeted by the gate attendant, who handed us a map of the sprawling retreat and pointed us in the right direction for check-in at the Inn. Upon entering, we were welcomed with gorgeous dark oak interiors and smiling faces ready to facilitate a seamless introduction to the property. The staff gave us information about the resort’s layout along with the keys to our cottage, and we excitedly made our way to our accommodations for the weekend.

he Arbor Cottage, like all accommodations on the property, was designed by Charlotte-based firm Charlotte H. Lucas Design. As we stepped into our private lodging, the Southern-inspired interiors felt immediately familiar, like the space had been well lived in. Heritage color palettes and cues from the surrounding landscape inspire the design, blending bold patterns with softer elements to create an environment meant for relaxation. It is the kind of setting that invites you to fully decompress after a day of travel. The living area is arranged with intention, offering a comfortable layout for gathering, anchored by an in-room fireplace with firewood ready and more waiting just outside on the porch.

Just beyond the living space, the primary bedroom is defined by bright walls, deep contrasting trim, generous windows, and a sculpted wooden headboard framing the king bed. Artwork placed above the additional furnishings adds warmth without overwhelming the room. An open, spacious closet connects the bedroom to the bathroom, where botanical wallpaper in rich purples sets a moody tone, balanced by natural light streaming through large windows. Circular pendant-style mirrors hang in front of the glass, offering privacy when needed while maintaining a sense of openness. The jack-and-jill bathroom eventually leads back into the living area, giving the cottage a natural sense of flow.

As we unpacked and settled in, smaller design moments began to reveal themselves, including an accent wall of subdued Georgia wildflowers above the coffee bar that echoed the same floral pattern found in the floor-to-ceiling draperies. Once refreshed from our travels, we stepped back outside, ready to explore the rest of the property and ease into the evening ahead.

IT IS THE KIND OF SETTING THAT INVITES YOU TO FULLY DECOMPRESS AFTER A DAY OF TRAVEL.

xploring began with a quiet walk down the lane, passing neighboring cottages and taking in the variety of exteriors. The path led us to what felt like the heart of the resort, the Town Hall, centrally located and used for gatherings and events, including a movie night planned for later that evening. Just across from it sits the Biergarten, an open-air, covered pavilion serving German and European brews alongside traditional fare. In the late afternoon, guests gathered here to enjoy live music, drinks, and a football game playing on TVs overhead. We stopped in for a round of drinks, which did not disappoint, before continuing our walk as the sun began to set. By nightfall, we had explored more of the grounds and settled beside one of the many outdoor fireplaces, finishing our drinks before heading to dinner at the resort’s newest restaurant, Jules.

Jules made its debut on the property in late summer 2025. The signature restaurant is set inside a restored nineteenth-century farmhouse and is helmed by Executive Chef Shaun Doty, a celebrated culinary talent whose global experience is grounded by a deep personal connection to the South. Rooted in Southern heritage, the menu pays tribute to regional ingredients sourced from the resort’s farm and nearby gardens, pastures, and fields, brought together through thoughtful culinary technique. The restaurant welcomes guests with an emerald-green subway-tile bar before opening into a darker, intimate dining room beyond. Over the course of the evening, wine, amuse-bouche, entrees, and digestifs made their way to the table and disappeared just as quickly, a testament to the meal itself. Attentive service and the steady glow of the fireplace carried us through the night until it was time to return to our cottage.

Waking up refreshed the next morning, we were ready to begin a full day at Barnsley Resort. Breakfast was first. Located on the south end of the resort between the Village Green and the Jim Fazio-designed golf course, Woodlands serves as an allday dining destination, open for breakfast, lunch, and dinner. The menu leans into Southern favorites, offering everything from steaks and fresh fish to pasta, decadent desserts, and a well-curated selection of wines, craft beers, and spirits. After fueling up, we made our way to The Farm to begin the day’s activities.

he resort offers an impressive range of activities, from the pool and spa to pickleball courts, golf, shooting grounds, archery, disc golf, and miles of hiking and biking trails. We chose a quieter path. A sixty-minute horseback ride took us through the property’s trails, offering a closer look at the resort’s history and natural surroundings. Paired with one of the resort’s experienced trail guides, we mounted our horses and set off at an easy pace. Along the way, we passed sweeping views of the Fazio golf course, remnants from years past, and bridges spanning still lakes. After bidding farewell to our horses and guide, we continued on to explore the Manor House Ruins and Gardens.

The Manor House Ruins and Gardens invite a moment of reflection amid the resort’s expansive landscape. Once a nineteenth-century Italianate villa built by Godfrey Barnsley for his wife, Julia, the home now stands as stone remnants surrounded by gardens and shaded paths, offering a connection to

THE SETTING REMAINS ONE OF THE MOST MEMORABLE PLACES TO PAUSE AND TAKE IN THE BEAUTY OF THE LAND.

Barnsley’s storied past. The setting remains one of the most memorable places to pause and take in the beauty of the land.

Our final adventure of the stay brought us to the eighteen-hole Himalayas putting green for a friendly round. Tucked behind the Woodlands restaurant near the pool and spa, the course offered more than just a bit of competition, doubling as a central viewpoint of the resort’s most outdoorsy scenes. From here, we watched families dot the greens, golf carts glide by, and players line up their drives for their next swing. It was a fun, relaxed way to spend the afternoon before closing out the day with our final meal of the trip, back at Woodlands.

s our stay came to an end, Barnsley revealed itself as the kind of place that stays with you long after departure. From the comfort and care put into the cottages to the steadiness of days defined by thoughtful dining, open landscapes, and time spent outdoors, the experience was unforgettable. There is a homelike ease to the property that encourages you to slow your pace and fully settle in. Leaving the gates behind, Barnsley felt like a place designed for return visits, where each stay offers both comfort and something new to discover.

To learn more about Barnsley Resort, follow @barnsleyresort on Instagram or visit BarnsleyResort.com.

Margot Shaw, Founder and Editor-in-Chief of FLOWER Magazine, released her latest book with Rizzoli, FloweringOutdoors: Gardens & Parties, featuring a foreword by interior designer Bunny Williams. The book celebrates the transformative power of flowers in outdoor spaces, showcasing terraces, patios, gardens, and other alfresco “rooms” designed by today’s top tastemakers. Shaw brings together an impressive roster of floral and design experts, including Jane Scott Hodges, Meg Braff, Kate Rheinstein Brodsky, Zezé, Bettie Bearden Pardee, and India Hicks, all of whom share inventive ways to incorporate blooms into every outdoor setting, from city balconies to coastal estates. Beyond its stunning photography and design inspiration, Flowering Outdoors offers practical guidance for entertaining with flowers, including tips on arrangements, furniture, and outdoor décor, making it an essential resource for elevating springtime outdoor living.

To see more from Margot Shaw, visit flowermag.com and follow @margotrshaw on Instagram. Visit RizzoliUSA.com to get your copy.

Both a visual feast and a practical guide, Flowering Outdoors offers fresh ideas for entertaining and designing with flowers in every alfresco setting.

—Rizzoli Books

BY CAITLYN BURRUS

Miami Art Week

—anchored by Art Basel Miami Beach—returned like a cultural superstorm, electrifying the city with a collision of art, fashion, design, performance, and pure spectacle.

For one exhilarating week, Miami became the epicenter of the global creative conversation, where museum-worthy works shared space with beachside installations, hotel lobbies doubled as galleries, and late-night conversations carried as much cultural currency as the art itself.

Moving through the city from sunrise openings to after-dark moments, I experienced Art Week as a living, breathing pop-culture phenomenon, equal parts high art and high energy, where introspection and indulgence coexisted, and every corner promised a new visual, sensory, or social discovery.

OPERA GALLERY: IN DIALOGUE WITH COLOR

The week began on a contemplative note at Opera Gallery Miami, whose exhibition, In Dialogue with Color: Mid-20th Century to Now, framed color not as ornament but as a narrative force. Organized chromatically—Green, Blue, Red, Black & White, Pink, and Orange—the exhibition created a visual conversation across generations, movements, and geographies.

Top: Roy Lichtenstein,

Above: Keith Haring, Untitled, 1984, DayGlo and acrylic on canvas, 19.1 x 19.1 in | 48.6 x 48.6 cm

Opposite: Cho

Marc Chagall’s celestial blues and verdant greens evoked dreamlike emotional landscapes, while Keith Haring’s kinetic oranges pulsed with the urgency of 1980s New York. Yayoi Kusama’s obsessive reds vibrated with psychological intensity, counterbalanced by Pierre Soulages’s masterful use of black, revealing light through darkness rather than obscuring it. The result was a thoughtful curatorial meditation on how color operates as a vessel for identity, memory, and shared emotional experience. The opening cocktail reception offered a moment of quiet sophistication ahead of the week’s crescendo, setting an elegant tone for what followed.

PININFARINA: THE DUAL PAVILION

Design Miami’s influence extended well beyond the fair’s official footprint, notably with the opening cocktail at the Pininfarina DUAL Pavilion. Here, the legendary Italian design house showcased its signature fusion of performance, precision, and sculptural elegance. The pavilion functioned as both exhibition and environment, an immersive expression of Pininfarina’s philosophy that design should move emotionally as well as physically.

Guests gathered amid sleek forms and refined surfaces that echoed the brand’s automotive heritage while expanding into architecture and lifestyle. In the context of Miami Art Week, the pavilion was a reminder that engineering excellence and artistic expression are not opposing forces, but complementary languages.

MOOOI AT THE STANDARD

SPA, MIAMI BEACH

At The Standard Spa, Miami Beach, luxury design brand Moooi unveiled a multi-layered collaboration that transformed hospitality into an immersive art experience. Five of the hotel’s premier rooms were reimagined as distinct sensory worlds—each defined by its own interior design, scent, and emotional tone. From Milk and Cookies to Curiosity Cabinet, every room invited guests into a curated narrative of texture, fragrance, and visual storytelling.

The experience extended beyond the rooms into the hotel’s lobby, which Moooi re-envisioned as the stage for the global debut of The Introvert Chair by Robbie Williams. Sculptural yet cocooning, the chair was conceived as a personal sanctuary within public space, celebrating introspection, privacy, and creative refuge. Marking Williams’s first foray into furniture design, the piece added an intimate, human counterpoint to Miami Art Week’s highenergy rhythm.

PUBLIC POETRY: LIBRARY OF US

On South Beach, Es Devlin’s Library of Us, presented by Faena Art, emerged as one of Miami Art Week’s most quietly powerful and unexpectedly

viral installations. The monumental, rotating structure of illuminated books and cascading text drew visitors in with a sense of gravity and calm, inviting passersby to pause and enter a shared moment of reflection. As day turned to night, the installation’s glow became a visual anchor along the beach, its poetic interplay of language and light resonating far beyond its physical footprint.

In a city defined by motion and spectacle, Library of Us offered collective stillness, an antidote to the week’s constant velocity. The work quickly captured the imagination of both visitors and digital audiences, spreading across social media feeds as a symbol of introspection amid excess. Images and videos of the installation circulated widely, transforming it into a shared cultural touchstone and reaffirming art’s ability to create connection not only in public space, but across global screens. Through memory, language, and light, Devlin’s work reminded viewers that even in an era of endless content, moments of meaning can still stop us mid-scroll.

SCENT AS SELF-EXPRESSION: TIJON AT THE GATES HOTEL

Miami Art Week’s sensory dimension extended into fragrance at The Gates Hotel South Beach, where luxury perfumery Tijon hosted hands-on perfume-making experiences. Guests blended fine oils to craft, name, and bottle their own custom scents, guided by fragrance experts in intimate thirty-minute sessions.

Inspired by Miami’s colorful neighborhoods and accompanied by artwork from Dominican artist Ramsés Mejía, each bespoke fragrance became a personal artifact of the week, underscoring how art can be experienced not only visually, but intimately and individually.

DRIVEN BY ART: HIRA MAJEED AT THE CADILLAC HOTEL

At the Cadillac Hotel & Beach Club, multidisciplinary artist Hira Majeed bridged art, motion, and emotion. A live activation saw Majeed handpaint Serenity , a life-size Cadillac F1 car sculpture rendered in color-shift paint that transformed with changing light. Positioned on the hotel’s front porch overlooking Collins Avenue, the piece drew passersby into an unexpected intersection of motorsport and contemporary art.

Inside, Majeed’s exhibition explored themes of love, loss, and resilience through textured paintings and sculptural works. Standout pieces included Shibui, inspired by Japanese philosophy, and Business Development Prodigy The Robot, a gold-illuminated humanoid sculpture examining humanity’s evolving relationship with artificial intelligence.

POP REIMAGINED: JISBAR AT EDEN GALLERY

French pop-street artist JISBAR brought bold visual energy to Miami Art Week with a presentation at Eden Gallery. Known for remixing classical masterpieces with pop culture, sports, and luxury branding, his work offered immediate impact while maintaining conceptual depth. Against the backdrop of Art Basel, JISBAR’s Miami exhibition underscored the city’s ongoing appetite for art that is both accessible and culturally resonant.

CRAFT AND COUTURE: ACHILLE SALVAGNI X MANOLO BLAHNIK

An intimate evening at the Miami Beach EDITION brought together Achille Salvagni Atelier and Manolo Blahnik to celebrate craftsmanship and beauty. The collaborative display highlighted the natural dialogue between collectible design and high fashion, united by a shared commitment to Italian artisanal excellence.

At the center stood Salvagni’s Hera cabinet, crafted in parchment and bronze, paired with selections from Manolo Blahnik’s Winter 2025 collection. The moment was both refined and personal, reflecting a belief in beauty as an enduring, life-affirming force. Salvagni’s Design Miami debut, Memories of the Future , further expanded this conversation by placing mid-century Italian masterworks alongside contemporary creations, honoring legacy while embracing innovation.

As Miami Art Week came to a close, what lingered wasn’t just the flash or the frenzy, but the undeniable sense of connection—between past and future, craft and experimentation, public spectacle and private reflection. Over the course of the city’s biggest week of the year, art spilled far beyond booths and gallery walls, surfacing in hotels, on the shoreline, and in unexpected, shared moments of pause. From chromatic meditations at Opera Gallery to immersive design, scent, and performance woven throughout the city, Miami once again proved it is not simply a stage for art, but an active force shaping the global cultural conversation. It is this electric, ever-evolving rhythm—equal parts glamour and substance—that defines Miami Art Week not just as an event, but as a cultural state of mind.

For more information on Art Basel, visit ArtBasel.com. For more information about Miami Art Week, visit MiamiArtWeek.org.

The Miami flagship has been conceived as more than a showroom. It is a true design destination where Rimadesio’s vision of contemporary, sustainable living can be fully experienced.

—Rimadesio

Rimadesio has opened a new company-managed flagship store in Miami at 2601 Biscayne Boulevard, occupying a striking contemporary building with over 3,000 square feet of immersive showroom space. Curated by R Studio, the redesigned interior reflects the brand’s architectural philosophy and environmental commitment through refined materials, integrated lighting, and a cohesive layout showcasing Rimadesio’s core systems and collections. Designed as both a showroom and design destination, the Miami flagship highlights Rimadesio’s focus on innovation, craftsmanship, and sustainable contemporary living while reinforcing its growing presence in the US market.

To learn more, visit Rimadesio.it and follow @rimadesio_miami on Instagram.

Palm Springs is so much more than a resort town; it’s a living, breathing museum where the glamour of Old Hollywood merges with the contemporary appeal of mid-century modern architecture and design.

Born as a sunny escape from winter chills, this California desert oasis is deeply rooted as a place of healing and rejuvenation. The indigenous Cahuilla people and first settlers recognized the area’s natural springs, but it was in the early twentieth century that the area truly began to buzz. Hollywood stars such as Frank Sinatra, Bob Hope, and Marilyn Monroe sought refuge from the flash bulbs of Los Angeles, establishing a reputation for laid-back luxury and poolside sophistication. Geographically just right, Palm Springs met the demands of strict contracts that required actors to be within a two-hour drive of their studios. The town became their exclusive playground, leaving behind a legacy of iconic homes, legendary hotels, and an air of vintage cool that still defines the city’s character.

Today, this rich heritage is proudly preserved and especially celebrated during Modernism Week each February. From its boutique hotels, fashionable shops, art galleries, classic car shows, and stylish restaurants to the city’s meticulously restored historic neighborhoods, Palm Springs is a pilgrimage for design enthusiasts and history buffs alike.

THE PARKER PALM SPRINGS

The Parker Palm Springs is a microcosm of the city’s unique legacy and design evolution. Check into this Jonathan Adler-designed hotel resort set on thirteen acres of lush landscaping, and it’s like stepping onto the set of a glamorous 1960s-era film.

Behind the high white walls, Adler created an eclectic, maximalist fantasy that he describes as “happy chic.”

The playful interiors juxtapose traditional midcentury shapes with bright colors, pop art, and witty accessories. Guests are greeted by a striking lobby lounge featuring macramé owls and a round fireplace. More than 120 original art pieces are featured throughout, including a lithograph from Marilyn Monroe’s last sitting by Hollywood photographer Bert Stern and an Op-Art piece by Hungarian-French artist Victor Vasarely (whose work is also featured at the Palm Springs Art Museum). Guests can explore these and more during a complimentary art tour.

The walkable grounds, with winding palm-lined paths, maintain the tropical, secluded feel of a grand private estate, scattered with playful elements like a giant bronze banana sculpture, tiled fountains, and, of course, a lemonade stand surrounded by lemon trees.

It’s quirky, quiet, and quite an adventure just wandering the weave of walkways that can take you to breakfast on the terrace at Norma’s, a drink at the Mini Bar, or a chaise longue at one of the three saline swimming pools.

COURT OF PALMS TO PADEL COURTS

Originally built as a Holiday Inn in 1959, this architectural landmark was purchased in 1961 by actor Gene Autry, an icon of Hollywood westerns known as “The Singing Cowboy.” Autry’s Melody Ranch home is a two-bedroom, twobath private residence available to guests of The Parker. Here they’ll find plenty of room to roam and classic cowboy memorabilia. Across the property, there are 144 rooms, including 12 one-bedroom villa suites with private enclosed patios.

There’s no shortage of options for those who choose to leave the poolside cabanas or tree-slung hammocks. The 17,000-square-foot PSYC (Palm Springs Yacht Club) spa, cheekily decked out in maritime style, features yoga classes, a sauna, a steam room, custom treatments, an indoor pool, and a stateof-the-art gym.

Outside, four clay tennis courts, two pétanque courts, a putting green, and a croquet lawn await. What’s uniquely exciting is the recent addition of two padel courts, now open for a sporty afternoon of the new fitness trend. Step aside, pickleball, fast-paced padel blends the elements of tennis and squash in enclosed glass-walled courts.

Explorations of the culinary kind invite guests to discover dining with decadence at elegant Mister Parker’s—where you can simply savor a martini or devour dishes from the menu. How about beef tartare with quail egg served with table-side service flair, followed by scallops and caviar in champagne sauce?

At the candlelit speakeasy Counter Reformation—where all seats are bar seats—dining is a discovery of eclectic wines by the glass paired with creative small plates and conversation in a room filled with religious relics, including a full-size confessional where you can sip and say what you like. The “calamari,” made with hearts of palm, and the lobster Bolognese, served twirled around a chopstick, are deliciously inventive.

Whatever you choose to do during your desert oasis escape, The Parker Palm Springs is a notso-basic base camp where you’re smartly situated to hike, bike, golf, and explore Palm Springs and other area towns, such as Palm Desert and Rancho Mirage.

To learn more and start planning your stay, visit TheParkerPalmSprings.com.

pigmented

Artisan Traditions

Kushaan’s design aesthetic is built on centuries-old artisan traditions from Central Asia. Made with painstaking artistry, these intricate fabrics have an heirloom quality you can see and feel. And infused with Kushaan’s signature clean lines and detailing, they’re updated with sumptuous modernity into styles for today’s consciously curated interiors. Quality and sustainability are at the forefront of the brand’s promise. Prepare to swoop and swoon.

They say it’s the greatest city in the world, and while many might argue, there’s no denying New York City has been home to a fascinating array of people throughout history. From US Founding Fathers to silver screen stars, world-renowned artists, best-selling authors, and infamous characters, the Big Apple has seen it all. Modern-day tours of the city range from hitting the most famous highlights to exploring niche locales featured on popular television shows. But you can skip the expensive bus ticket or crowded tour if you know where to look. The city is teeming with history, often right in front of locals and visitors who don’t even realize they might be walking past a famous artist’s former home or the scene of some incredible historical events. For those seeking a fun walking tour focused on music, art, and culture, check out Bleecker Street Art Beat: A Pop Culture Journey from East to West Village

BY JORDAN STAGGS

This guided audio tour was curated by Dave King, a part-time NYC resident, podcast host, entrepreneur, and licensed tour guide with a love of history, jazz, art, and pop culture. While exploring some of the city’s most artistic neighborhoods, you can even spot a forgotten Picasso while you walk in the footsteps of entertainment icons, all narrated by King himself. The tour is available for download on the VoiceMap mobile app and typically takes about an hour and a half, but you can do it at your own pace.

“A walk from New York’s East to West Village is like embarking on a pop culture journey through the heart of Manhattan’s vibrant art scene,” King writes in the tour description. “You’ll trace the footsteps of musicians like Taylor Swift and Bob Dylan, as well as cultural revolutionaries like Sarah Jessica Parker from Sex and the City , who helped shape this part of the city.”

The tour begins at Astor Place Plaza, a pedestrian square just a few blocks from Washington Square Park and a venue for festivals and events throughout the year. From there, architectural beauties include Cooper Union, Astor Place Theatre, The Public Theater, the spinning Alamo sculpture by Tony Rosenthal, also known as the Astor Place Cube, and the Self Portrait sculpture by Keith Haring.

Nearby, you’ll find McSorley’s Old Ale House, established in 1854. It’s known as the oldest continuously operated bar in NYC, and its patrons have ranged from Abraham Lincoln to Joseph Mitchell, John Lennon, and

Woody Guthrie. If you pop in for a drink or a bite at this authentic Irish pub, be sure to note that McSorley’s is cash only!

From there, King leads you on a journey that includes more “hidden” art gems, including Picasso’s Bust of Sylvette sculpture on the campus of NYU, past well-known movie and television locales such as the exterior of residences seen on Friends, Sex and the City, Doctor Strange, and more, and up and down the famed Bleecker Street and Cornelia Street in the West Village—the latter being known as the home of Taylor Swift. Just around the corner on Jones Street, tour takers can take a quick photo op to re-create their version of the The Freewheelin’ Bob Dylan 1963 album cover.

Culture takes center stage at the famous Chess Forum, the Comedy Cellar, and Generation Records, all located between the East and West Village. King’s passion for the area and penchant

for storytelling come through as he leads you around his favorite Manhattan icons, not only pointing them out but regaling listeners with history and anecdotes, pop culture trivia, and some personal touches. This isn’t just a walking tour, it’s an exposé on the soul of the Village, from top to bottom (and even underground). Many of the stops offer a chance to go inside, look around, shop, dine, or drink.

Speaking of food and drinks, you won’t go hungry on your tour, with other infamous and historic spots joining McSorley’s on the list. Magnolia Bakery is famous for its cupcakes and baked goods, while Caffe Reggio offers a true Italian coffeehouse experience—its roots go back to 1927, and it’s known as the first US cafe to serve cappuccino, offering a perfect pick-me-up during your tour. The guided tour ends at Corner Bistro, the famous West Village burger bar known for its laid-back bohemian vibe, great burgers, and appearance in many NYC films and series.

These are just a handful of the iconic spots “hidden in plain sight” among the bustling New York City streets, and King is thrilled not only to point them out but also to share pop culture history with those who download the audio tour. “When I lived in New York prior to moving to the South Walton community of Florida’s Gulf Coast, I was a volunteer tour guide for a nonprofit called Big Apple Greeters,” King shares. “They only advertised their tours in the European market, working in partnership with New York’s tourism bureau. And while I was in the city a few years ago, I decided to get back to my tour guide days and to formalize a tour through Urban Hiker Guide, which I created so I could host audio tours in various places around the country, from New York to Seaside, Florida, Rosemary Beach, Defuniak Springs… Audio tours are a close cousin to podcasts—they’re an amazing way to showcase a place and tell stories while allowing active listening as the audience moves and studies the subjects in real-time. We’re hoping to produce several more in the coming years.”

Visit UrbanHikerGuide.com to learn more or book your tour, or you can download the tour on the VoiceMap mobile app!

Get your copy of Flowering Outdoors, debuting February 17, 2026, and learn more at RizzoliUSA.com.

Photo by Kindra Clineff

BOOK CLUB

THE READERS CORNER

In Flowering Outdoors, FLOWER Magazine founder and editor-in-chief Margot Shaw celebrates the beauty of life lived beyond the walls of home. Featuring an inspiring collection of designers, tastemakers, and floral experts, the book explores how flowers elevate gardens, terraces, patios, and outdoor rooms of every scale. Lush photography pairs with practical guidance on entertaining, arrangement, and design, offering readers both creative inspiration and an invitation to embrace the art of alfresco living.

A Blueprint for Luxury

DISCOVER the JOURNEY of PONDBANK

STORY COURTESY of ROBERT and JUDI NEWMAN

Released in September 2025, Pondbank: The Residence of Robert and Judi Newman is a personal journal chronicling the six-year journey of building an extraordinary home in Denver, Colorado. From making thousands of decisions to attending hundreds of hours of meetings, the Newmans share every detail in this stunning coffee-table book.

his grand endeavor warranted a telling of how this home came to be and why, after a disaster before construction, the homeowners were still determined to bring it to life. A timeless masterpiece of Palladian architecture, sophisticated design, and energy-efficient features, Pondbank—the name given to the home, which is perched on a hill overlooking a pond on the property—is a 21,500-square-foot neo-classical masonry estate that blends classical and modern elements to create a functional, inspiring, and everlasting family home.

More than just a residence, Pondbank was designed to showcase a world-class art collection, maximize natural light in every room, and harmonize history, art, and the landscape.

his is much more than a book about architecture and design,” says Judi Newman. “From the nuts and bolts, literally, to the moment we lost our dog in the walls of the home, we share the full experience to help guide others who dream of creating a magnificent home from the ground up.”

Robert and Judi Newman—accomplished professionals and deeply committed philanthropists known for their enduring contributions to

universities, the arts, sustainability, and education in Denver and Miami— assembled a world-class team to bring their vision to life.

Architect Don Ruggles, AIA, NCARB, ICAA, ANFA, CEO emeritus of Ruggles Lindemann Bell, sketched more than 300 drawings that evolved into the final design for Pondbank. Grounded in neuroscience principles and adhering to sustainability standards, the home was designed to enhance health and well-being at every turn.

Interior designer Paula Berg blended Art Deco and Art Nouveau influences, curating furnishings, cabinetry, murals, and hidden technology. She has also designed the Newmans’ homes in Scottsdale, Arizona, and South Beach, Florida.

Above: It’s not just a residence; the Newmans also wanted Pondbank to serve as a living gallery for their extensive art collection.

The Newmans refer to builder Jeff Barnett and his team at JKB Construction as “the glue” that held the project together and brought this incredible home to life, inside and out.

Opposite: A custom Italian tile mosaic designed by Melissa Mabe envelops the indoor pool below mythology-inspired artwork reflected in the water’s surface.

andscape designer Herb Schaal, FASLA, created sensory-rich landscapes, including the courtyard, cascading and strolling gardens, featuring reflexology paths, moonlit spaces, and water elements.

Contractor and custom builder Jeff Barnett, owner of JKB Construction, has been referred to as “the glue” that kept the team on point. He and his team managed the entire project, making the impossible possible.

Artisans and craftspeople contributed bespoke details, including a hand-drawn mosaic by project manager Melissa Mabe, brought to life with custom Italian glass tiles lining the indoor pool.

Photographer Peter Vitale and Emily Minton Redfield are credited with many of the images in the book, placed alongside those from the Newmans and contractors who documented the process. The result is a truly stunning collection of images, heartfelt stories, and details about a one-of-a-kind estate.

The book was co-written by Pulitzer Prize-winning writer Mike McPhee and designed by John Boak. Published by Fibonacci, Pondbank: The Residence of Robert and Judi Newman is available online at Barnes & Noble, Strand, and Amazon.

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Mon–Thurs 4PM–9PM Sun 11AM–9PM

NEW LATE NIGHT HOURS Fri-Sat 4PM–Midnight

NEW LATE NIGHT HOURS Fri-Sat 4PM–Midnight

NEW LATE NIGHT HOURS Fri-Sat 4PM–Midnight

FAMILY-STYLE DINING. CRAFT COCKTAILS. GREAT CONVERSATIONS. Mon–Thurs 4PM–9PM Sun 11AM–9PM

24200 US-331, Santa Rosa Beach, FL 32459

24200 US-331, Santa Rosa Beach, FL 32459

24200 US-331, Santa Rosa Beach, FL 32459

FARMANDFIRESOUTHWALTON.COM

FARMANDFIRESOUTHWALTON.COM

FARMANDFIRESOUTHWALTON.COM

Inspired by the Japanese dessert, Mochi is a softly rounded glass pendant hand-blown into an organic silhouette. The clear cord wraps playfully around the suspension thread, letting the light float like a cloud. Available in three sizes at RoomandBoard.com.

Italian Artistry

Fabbian started as a small, family-owned lighting business in the Venetian countryside. Since then, it’s grown and now partners with a large network of local Italian glassblowers who have decades of experience crafting artisanal-quality lighting. Each piece is handblown by Fabbian's skilled artisans, resulting in lighting that feels both sculptural and soft, balancing the weight of tradition with the airiness of contemporary design.

To learn more about Katie Stout, follow @ummmsmile on Instagram. Visit MiamiDesignDistrict.com for more information on installations and events.

Playful, provocative, and delightfully surreal, Gargantua’s Thumb marks artist Katie Stout’s contribution to the Miami Design District’s Annual Design Commission as it celebrates its tenth anniversary. Debuting during Miami Art Week, the large-scale installation transforms public space into an immersive landscape of sculptural benches and interactive elements inspired by hand-formed clay figures. Digitally enlarged and fabricated in durable materials, Stout’s whimsical forms invite curiosity and connection, blurring the boundaries between art and function while honoring the raw beauty of the handmade.

When You Feel Insecure and Uncertain

By Meghan Ryan Asbury

It had only been a week since I moved to a different city where I didn’t know anyone. A new coworker had invited me to her friend’s house for a party. I was thankful for the invitation but simultaneously felt nervous.

The bubbles in my stomach grew progressively worse the entire way there as I followed my GPS and silently questioned my outfit choice. It was as if the insecurities of my high school self had climbed into the passenger seat, and I tried to hype myself up, reminding myself I was a grown woman with nothing to prove, and I could just be myself. When I arrived at the unfamiliar house and timidly walked through the front door, my mind filled with questions:

Would these become the people I called my friends? Would they like me?

Walking into a party full of people I didn’t know is a small example of a bigger fear lying beneath, in the deeper places of my heart, full of unknowns, unanswered prayers, uncertain outcomes, and unending time of waiting.

Will God be faithful to me in this new season?

Moving scared me, and leaving behind a life I loved for one I knew nothing about made me feel vulnerable. Vulnerability exposes how we are hiding, but it also exposes us to hard things we’ve been hiding from. In this case, it showed what I really put my trust in. As a Christian, I want to say I put my trust in God, but in this moment, and so many others throughout my life, I put it in what I felt like I could control. Whenever I stop feeling in control, insecurity and anxiety come flooding in.

Then I question if I believe what the Bible says about God’s faithfulness to me.

Moments when you feel unsteady or shaky can reveal a lot. Maybe you’re in a place in life that has made you feel insecure or uncertain. Whether in a specific circumstance you are facing or across years of wondering where the path you are on is heading,

it can be easy to cling to whatever is around us to make us feel safe and steady.

But when those things we try to cling to are no longer there, where do we turn?

This is why I admire the story of Ruth in the Bible so much. When she spoke the words below to her mother-in-law, Naomi, Ruth was choosing to leave behind her entire life and everything familiar to her:

“Don’t urge me to leave you or to turn back from you. Where you go I will go, and where you stay I will stay. Your people will be my people and your God my God.”

(Ruth 1:16)

For context, Ruth was a part of a culture that did not follow God. When her husband died, she had two options: stay with her people and what was familiar to her, or go care for her mother-in-law in a foreign land. She chose to leave her people and home to follow Naomi and a God she barely knew. And the place she moved to did not typically welcome outsiders like her.

But she trusted God’s faithfulness, even though she did not know what the outcome would be. How did she do it?

She committed to going and staying where she felt God called her. Regardless of whether she would be accepted, she decided to believe she would not be alone. She didn’t wait for a sign or a guarantee—just a quiet conviction that God would go with her.

Like Ruth, we have a choice: cling to what is comfortable and familiar for our security, or trust God in the midst of the unknown. We can look to His Word and His character, which have proven He is who He says He is and He will do what He says He will do. Not just for Ruth but for you and me, too.

I could have let my fears keep me from going to the party, but I’m glad I didn’t. Not because I met my future best friends—I didn’t. But that night became a small reminder that God was already ahead of me, preparing good things I couldn’t yet see.

When you look back at your life, where do you see glimpses of God’s faithfulness? They may not be big,

extravagant instances, but if you are alive and reading this today, it’s proof God has been faithful in His pursuit of you. You have breath in your lungs, which means He has a plan for you that’s not finished yet.

When we feel insecure, God’s promises are sure. When we feel uncertain, God’s faithfulness remains.

The ultimate proof of God’s faithfulness is in His son, Jesus. The same Jesus who was born through the lineage of Ruth’s family came to earth as a sign of everything God had promised up to that point coming to pass. And one day, Jesus is going to come back and make all the wrong things in this world right again. (Revelation 21:5)

When you find yourself insecure and uncertain, remember: God is faithful, and we can cling to Him.

Meghan Ryan Asbury is an author and speaker who is passionate about helping people discover and live out their God-given callings. She has worked in international ministries as well as with Proverbs 31 Ministries. When she’s not surrounded by friends, you can usually find her reading a book or enjoying the great outdoors. A 30-A beach girl, born and raised, she and her husband now reside in Nashville. Her first book, You Are Not Behind: Building a Life You Love Without Having Everything You Want, is available wherever books are sold. You can connect with her on Instagram @meghanryanasbury and at AlwaysMeghan.com.

OHANA DAY SCHOOL

STRANGER THINGS SEASON 5

A pop culture phenomenon came to an end as Hollywood and fans worldwide gathered to celebrate Stranger Things Season 5. The hit Netflix series, which debuted in 2016, wrapped up with several emotional events, red carpet premieres, interviews, in-theater finale screenings, a behind-the-scenes documentary, and more. Whether you’re happy with the ending the Duffer Brothers penned for the main characters or you were hoping for that secret January 7 episode drop (#conformitygate), there’s no denying the cast and crew showed up and showed out in their red-carpet best for these final season events.

NEW ORLEANS MEETS CHURCHILL OAKS – HOLIDAY POP-UP GALLERY

Locals and friends gathered at the home of Churchill Oaks developers Roy and Wendy Sembera on December 13, 2025, to celebrate the holidays together with a special gallery pop-up starring artists David Harouni of Harouni

lery and RJ Raizk of Art Gallery New Orleans, wines from Thompson 31fifty Wines, and food from Roux 30a. It was a beautiful evening by the Choctawhatchee Bay!

Photography by Steven Mangum

30A SONGWRITERS FESTIVAL 2026

A weekend to remember! Enjoy a few highlights from the 30A Songwriters Festival 2026, where unforgettable stories, soulful performances, and coastal charm all came together in venues throughout South Walton, Florida. Here’s to another year of music and magical moments! Congratulations to the Cultural Arts Alliance of Walton County and all the artists, venues, and partners on seventeen years of Hooks, Lines & Singers!

SONGS FOR YOUR VALENTINE

BY MYLES MELLOR

Puzzle on previous page

All you need is love. But a little chocolate now and then doesn’t hurt. “

—Charles M. Schulz

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Presenting Sponsor: Dugas Estate

For more information on Project Chromology by MSO, visit Cars.McLaren.com/us-en/mso.

Au revoir!

Color becomes an art form in Project Chromology by MSO, where performance and personalization converge. Each meticulously developed finish by McLaren Special Operations, in collaboration with British artist Nat Bowen, is designed to evoke emotion, enhance form, and reflect the spirit of the driver behind the wheel. From bespoke hues to expertly engineered paint applications, Project Chromology revealed the project with a custom 750S Spider at Miami Art Week 2025. Each layered finish reflects the thoughtful craftsmanship that defines McLaren—proving that luxury lies not only in speed, but in the details that make every vehicle entirely its own.

“I’LL BE SHARING NEWS WITH YOU SOON ABOUT A NEW CHAPTER FOR ME AND OUR BELOVED JEWELRY BOUTIQUE!”

—Lisa Peters, Owner