35TH ANNUAL LOS FRESNOS RODEO - February 19-22 2026

2026 RODEO SCHEDULE

THURSDAY, FEBRUARY 19, 2026

Heart of America Carnival Opens (Subject To Change)

AEP Texas Arena Exterior Gates Open

AEP Texas Arena Floor Opens. VIP Gate located inside the AEP Texas Arena

Kick-Off Concert Featuring Braxton Keith on the T-Mobile Stage

Heart of America Carnival Closes (Subject To Change)

FRIDAY, FEBRUARY 20, 2026

Jr. Beef Cattle Show (Livestock Show Arena)

Home Show Exhibits Open (Livestock Show Arena) ....................................................................

Lamb Show (Livestock Show Arena)

Goat Show (Livestock Show Arena)

Rodeo Grounds Open

Heart of America Carnival Opens (Subject to Change)

Judging of Market Steers

Old Bones (Midway Music Stage)

Pistol Packin’ Paula (Midway Variety Act)

Magic & Juggling of Pat Davison & Tess (Midway Variety Act)

PRORODEO PERFORMANCE (AEP Texas Arena) ......................................................................

Professional Bullfighters Competition, Clowning Around, Mutton Bustin

After Rodeo: Annie Bosko LIVE on the T-Mobile Stage (AEP Texas Arena)

Magic & Juggling of Pat Davison & Tess (Midway Variety Act)

Pistol Packin’ Paula (Midway Variety Act)................................................................

Heart of America Carnival Closes (Subject To Change)

Rodeo Grounds Close

SATURDAY, FEBRUARY 21, 2026

Swine Show (Livestock Show Arena) .............................................................................................

LOS FRESNOS RODEO PARADE

Home Show Exhibit Area Opens

Heart of America Carnival Opens (Subject to Change)

Magic & Juggling of Pat Davison & Tess (Midway Variety Act)

Texas Showdown Band (Midway Music Stage) 1:15

Pistol Packin’ Paula (Midway Variety Act)

Magic & Juggling of Pat Davison & Tess (Midway Variety Act)

LFHS Conjunto Halcon (Midway Music Stage) 2:45 P.M. - 4:00 P.M.

Magic & Juggling of Pat Davison & Tess (Midway Variety Act)....... 3:30 P.M. - 4:00 P.M.

Double Cut (Midway Music Stage) 4:15 P.M. - 5:30 P.M.

Pistol Packin’ Paula (Midway Variety Act) 4:30 P.M. - 5:00 P.M.

Tin Tin Campa Clown (Midway Variety Act) 5:30 P.M. - 6:00 P.M.

The Spinoffs (Midway Music Stage) ............................................................................. 5:45 P.M. - 7:00 P.M.

The Rabbit Show (Livestock Show Arena) 6:00 P.M.

Pistol Packin’ Paula (Midway Variety Act) 6:00 P.M. - 6:30 P.M.

PRORODEO PERFORMANCE (AEP Texas Arena) 7:00 P.M.

Professional Bullfighters Competition, Clowning Around, Mutton Bustin

After Rodeo: Randall King LIVE on the T-Mobile Stage (AEP Texas Arena) ........................est. 9:30 P.M.

Tin Tin Campa Clown (Midway Variety Act) 10:00 P.M. - 10:30 P.M.

Pistol Packin’ Paula (Midway Variety Act) 10:40

Heart of America Carnival Closes (Subject To Change) ...............................................................

Rodeo Grounds Close

SUNDAY, FEBRUARY 22, 2026

Livestock Judging Contest (Livestock Show Arena)

Rodeo Grounds Open

Magic & Juggling of Pat Davison & Tess (Midway Variety Act)

Heart of America Carnival Opens (Subject to Change)

Pistol Packin’ Paula (Midway Variety Act)

CCLS Scholarship & Livestock Judging Awards

THANKS TO OUR SPONSORS

Arena Naming Rights Sponsor

AEP Texas

Platinum Sponsor

City of Los Fresnos

LF Community

Development Corp

American Electric Power Foundation

Gold Sponsor

Chick-fil-A

Star’s Drive-in

Texas Regional Bank

Brownsville Toyota

Brownsville Honda

Port of Brownsville

Glazer’s

Beer and Beverage

L&F Distributors

Back to Action

Rocha Infrastructure

Holiday Inn Resort CAPA

Tejas Equipment Rentals

Silver Sponsor

Feather Ridge Subdivision

Los Fresnos CISD

Southern Landscapes

CropGuard Group

Rio Grande LNG

Harlingen Medical Center

Whataburger

Grace Acres Ranch

Republic Services

First Community Bank

Boot Jack

Noble Texas Builders

A. Naranjo & E. Garcia

Law

Los Fresnos Publishing

Kick-Off Concert Sponsor

American Electric Power Foundation

Rocha Infrastructure

Bronze Sponsor

Jaime’s Tire Shop

Rio Bank

Central Bolt & Industrial Supplies

Boot Barn

Javier Villarreal Law Firm

Tip O Tex Chevrolet

Los Fresnos Inn & Suites

VEAE Services

Saturday Concert Sponsor

City of Los Fresnos

Hanson Professional Services

J Gonzalez Injury

Attorney’s

American Electric Power

Foundation

H E B

Vulcan Materials Company

Friday Concert Sponsor

LF Community Development Corp

American Electric Power Foundation

Linebarger, Goggan, Blair & Sampson, LLP

McDonald’s Restaurant

Landscape ETC

Bull Riding Sponsor

R. M. Walsdorf, Inc

Mutton Bustin Sponsor IAEMT

Fireworks Sponsor

Rhyner Construction Services

Video Screen Sponsor

Tipton Ford

Elliff Motors

Kick Off Party Sponsor

American Electric Power Foundation

Event Sponsor

State Farm - David Armendariz

Tellus Equipment Solutions - John Deere

Impact Properties Property Managment

Valley Shredding Service

Luke Fruia Motors

Hughston Insurance Agency

Vulcan Materials Company Maverick Fuels

Grand Entry Sponsor

Simplot Grower Solutions

Midway Stage Sponsor

Boggus Tipton Chrysler

Dodge Jeep Ram

Guzman & Muñoz

Engineering & Surveying

American Electric Power Foundation

A-MAX Insurance

Midway Sponsor

Tejas Equipment Rentals

Barrel Man Sponsor

Rio Grande Waste

Bullfight Team Sponsor

Glazer’s

Beer & BeverageCoors Banquet

L & F Distributors

Busch Light

Calf Bleacher Sponsor

Fatty Chem

By-Products

R. M. Walsdorf, Inc.

R. M. Walsdorf, Inc.

Hughston Insurance Agency

Laguna Madre Psychology

GMS Architects

Haynie & Company

iRent/Lezama Rental

Brownsville Pawn & Jewelry

Vulcan Materials Company

Big Chiefs Fireworks

G & T Paving

Pederson Construction

Julia’s Restaurant

Fresno Systems Services

Bucking Chute Sponsor

Texas Regional Bank

Elliff Motors

Fatty Chem

By-Products

H E B

Tellus Equipment

SolutionsJohn Deere

Texas Gas Service

THANKS TO OUR BOX SEAT HOLDERS

Sky Box Holders

Glazer’s

Beer & Beverage

Glazer’s

Beer & Beverage

City of Los Fresnos

LF Community

Development Corp

Chick-fil-A

Fatty Chem

By-Products

L&F Distributors

Daniels Family

Los Fresnos CISD

A. Naranjo &

E. Garcia Law

Brownsville Toyota

Brownsville Honda

AEP Texas

CropGuard Group

Rio Bank

Grace Acres Ranch

Rocha

Infrastructure

Arena

Box Holders

Elliff Motors

Glazer’s

Beer & Beverage

First Community Bank

L & F Distributors

City of Los Fresnos

H.B. Girault

Jesse & Julie Breedlove

Tipton Ford

R.M. Walsdorf, Inc.

Chaffin

GMS Architects

Mark & Shannon Milum

Moses & Dahlberg Family

Gloor Lumber

IAEMT

Big Chief Fireworks

Boot Jack

Michael Meyn

Texas Regional Bank

KTEX 100.3 FM

Wesley & Jennifer Milum

Gary & Joanna Milum

McCormick

McCoy’s Building Supply

Ron Bowen

g3 Ranch

Vulcan Materials

Company

Rocha Infrastructure

Back to Action

Noble Texas Builders

Gilbert Guajardo

Ideal Realty

Laguna Madre Psychology

Gonzalez Family

The Real Estate Source

RC8 Construction

Ace Towing & Recovery

Twisted Iron Imports

z livestock

Sun Valley Dusting

Hilton Inn Resort

Debbie Abrego

Tapias Café

Sherri’s Box

San Jose Ranch

Lindsay Clark

Salazar Barrera

Martinez Family

J.R. Sosa

Rhyner Construction

Services

Southwind Airlines, Inc.

Jose G. Leal & Family

Jose S. Cisneros

M.D., P.A.

CAPA

ISLA Prop.

Mgmt. & Sales

Prestige Home Builders

Harlingen Medical Center

Russell & Tina Moses

5C Construction

Feather Ridge Subdivision

MJ Marine Const

Zarsky Lumber

Haynie & Company

Haynie & Company

Rio Grande LNG

Next Decade

Chick-fil-A

Brownsville Pawn & Jewelry

Magic Valley Electric Co-op

Zepeda Sprinklers

Julia’s Resturant

Brownsville Toyota

Brownsville Honda

Los Fresnos Publishing, LLC.

Coastal Event Rentals

Jimmy Sanchez

Republic Services

Black Sheep’s LLC

Pumper King

RNR Auto LLC

RNR Auto LLC

Daniels Family

LJS Ranch

Isla Restorations

iRent

Gold Star Farms

Texas R Homes

Luis & Leslie Gonzalez

Jerry & Claudia Martinez

Harry & Jackie

Ward Family

ALJ Enterprises

Highlands Residential

Mortgage

Grace Acres Ranch

Blackbeard’s Restaurant

AEP Foundation

State Farm

David Armendariz

Southern Landscapes

Michael Meyn

Port of Brownsville

The Green Law Firm P.C.

Vulcan Materials Company

R.M. Walsdorf, Inc.

Cardoza

Cardoza

LF Community Dev Corp

Cardenas Motors

Fatty Chem By-Products

Corvus Arms, LLC

Tejas Equipment Rentals

Carl & Sharla

Pam & Kenneth Denny

Dr. Missy’s Vet Mobile

Cepeda Family

Pederson Construction

Hughston Insurance

Agency

Larry Cantu

Fresno Systems Services

Noel & Rosie Lopez

Burnell

DMG

FROM THE CHAIRMAN

Welcome to the 36th Annual LOS FRESNOS

RODEO

the “Biggest Little Rodeo in Texas”

On behalf of the Los Fresnos Rodeo Committee, I would like to thank all of our sponsors, who, without their generous support, would not have allowed us to put on this great event.

Thank You!

What a great rodeo we had last year for the 35th Annual Los Fresnos Rodeo. We had great weather and fantastic crowds. The cowboys and cowgirls tell us the energy from our rodeo fans is the best in all of Texas, and they really get pumped up about it. Thank you, Los Fresnos Rodeo Fans. Our Midway area was full, and there was a huge participation of youth showing animals and projects at the Cameron County Fair and Livestock Show. Elida Reyna, as part of her farewell tour, put on a great concert, and Kolby Cooper brought some new sound to the rodeo.

Stace Smith Pro Rodeo, 11-time National Finals Rodeo Stock Contractor of the Year, is back with the best stock in PRCA. Having the best bulls and broncs brings the best PRCA cowboys.

Be on the lookout for some of the cowboys and cowgirls who competed at the National Finals Rodeo as they try to rack up points for this year. The voice of the Los Fresnos Rodeo, TC Long, who announces at the Texas Circuit Finals, and our sound man, Will Morehead, are some of the best in PRCA and are back to keep the excitement going during the rodeo. Your competition bullfighting teams, brought to you by Jim McClain and Allen Nelson, are exciting to see as they protect the cowboys. Root for your favorite Bull Fighting Team. “Backflip”, Johnny Dudley, the “Man In Can” rodeo clown, will be entertaining you and will also be giving the bullfighters a hand during the bull rides.

New this year, we are having a Thursday Kick-Off Concert where we are bringing one of the hottest rising country artists, Braxton Keith. This will certainly be an electrifying event. For our Friday Concert, Annie Bosko will be headlining. She is a rising country artist with unstoppable energy that you all will love. For the Saturday concert, Randall King, a West Texas native and self-described “Old Soul,” will be headlining, bringing today’s traditional country music, another spectacular event to our rodeo.

Be sure to visit the rodeo Midway, which has free, family-friendly entertainment. We have several entertainment acts this year that are fun and exciting. Please take time to see these free acts before and after the rodeo. Also, be sure to visit the Rodeo Market Place, where you can find items from various vendors and stroll over to the Midway Music Tent, where you will hear some great local bands, and for some excitement and thrills, visit the Heart of America Carnival. Don’t forget the Cameron County Fair & Live Show. Stop by and see the kids show their animals and projects.

I would like to give a huge shout-out to our Los Fresnos Rodeo Committee. These volunteers work tirelessly throughout the year to bring you this great event.

And as we say, “It’s Rodeo Time!”

-Larry Cantu, Rodeo Chairman

LET’S RODEO, IT’S RODEO TIME!

Chairman

Larry Cantu

33 yrs.

Jerry Bruce Vice Chairman 1990-2002/2019-2026 21 yrs.

Treasurer Mark Milum

Secretary

Lifetime Director

RODEO COMMITTEE DIRECTORS

Mike Meyn, Jr.

Jesse Breedlove

David Armendariz

Jaime Barbosa

ASSOCIATE DIRECTORS

Aaron Snyder, Adrian Elizondi, Amy Gonzales, Austin Milum, Baldemar Cortez, Bobby McDougle, Bryce Pringle, Carlos Garza, Clarissa Lopez, Connor McCormick, Cruz Garcia, Darlene Pederson, David Armendariz, David Cavazos, David Valdez, Diego Chavez, Dylan Taylor, Eric Kersey, Erica Garza, Francisca Castillo, Guillermo Garcia Jr, Homero Martinez, Jennifer Milum, Joe Atkinson, Johnny Degaspri, Johnny Guttierez, JoJo Cerda, Juan Sierra, Justin Stambaugh, Kayleigh Pringle, Kevin Rocha, Kyle Monk, Lidia Garcia, Lisa Valdez, Luis Gonzalez, Lyann Garza, Madison Girault, Mary Vasquez, Melizza Atkinson, Michael Gomez, Miranda Milum, Nathan Lill, Neil Taylor, Oscar Gonzales, Patty Gomez, Robert Estrada, Robert Garza, Rosie Lopez, Ruben Silva, Stephanie Crow, TJ Tijerina

HONORARY DIRECTORS

Amy Gonzales, Traci Salazar, Melanie McCormick, Emily Schwark, Diana Salazar, Linda Chaffin, Connie Juarez, Patty Gomez, Shannon Cherrington, Stephanie Crow, Esther Bruce, Peggy Reed, Julie Breedlove, Kathleen Moses, Debora Goss, Rose Cardoza, Sherri Garcia, Rhonda Cantu, Shannon Milum, Rosalinda R. Lopez, Darlene Pederson, Kyle Monk, Jennifer Milum

PAST RODEO COMITTEE DIRECTORS

Mike Todd, Gene Daniels, Charles Curtis, Daniel Zurita, Ramon Ramirez, Richard Meyn, Jim Solis, Todd Cash, James Harris, Tyson Zufelt, Brian Hunsaker, Bob Middleton, Gilbert Guajardo Jr., Burney Baskett, Don Blakey, Joe Serrata, Mercedes Cantu, Ralph Peña, Russell Kemp, Tom Andrews, Dale Rice

CITY COUNCIL WELCOME

The City of Los Fresnos would like to welcome Rodeo Fans to the

36TH ANNUAL LOS FRESNOS RODEO

Welcome to the great City of Los Fresnos. We are glad you are here to share special memories with your family. Los Fresnos takes pride in supporting quality-of-life events throughout the year. The Los Fresnos Rodeo is one of those. The Los Fresnos Rodeo Committee and volunteers put in many hours of work year-round to host this fantastic event. Join us in thanking them for their efforts. The Rodeo will have the normal events like always with the professional Cowboys and Cowgirls competing, but pay special attention to our area youth that will be competing in the Mutton Bustin. New for Thursday night, the kick-off concert with Braxton Keith! The concert on Friday night with Annie Bosko is sure to provide a vibrant, cinematic burst of 80s and 90s country, rooted in an authentic California Cowgirl spirit. Country singer-songwriter Randall King will bring a great show for Saturday night after the rodeo. But that isn’t all, be sure to visit the Midway to see the Stock Show, the Carnival, the Market Place, and the concerts featuring varied music from local groups and many other activities before and after the Rodeo. As you visit the Stock Show area, congratulate and encourage our youth for their hard work and dedication to the various projects they are involved with. Los Fresnos has a wonderful business community. Don’t forget to visit and support the businesses of Los Fresnos before and after the Rodeo. Visit Los Fresnos often.

Again, welcome to the City of Los Fresnos and we hope to see you again next year on the weekend of February 18, 19, 20, & 21, 2027.

Sit back and enjoy the Rodeo!

Alberto Escobedo, Council Member Place 1, Mayor Pro-Tem

Andrew Gonzales, Council Member Place 2

Fast growing market and area population.

High Average Daily Traffic Counts reported by TxDOT

Affordable commercial, industrial, and office business sites.

Located on North Brownsville growth area and direct route to Port Isabel-South Padre Island

Qualified workforce available

IMPORTANT INFORMATION

7 Miles to Port of Brownsville

20 miles to Port Isabel-South Padre Island areas

Competitive Land Values

Low city property taxes

Attractive Residential areas

Equidistant to Airports

Just minutes to Expressway

Quality-of-Life amenities

Annual Festivals & Events •

RODEO GROUNDS & PARKING

SMITH PRO RODEOS NATIONAL ANTHEM

Producing over 7 different states, over 80 performances, and 15 separate rodeos, Stace Smith Pro Rodeos is among the busiest rodeo producers in the country. Producing rodeos such as the Cheyenne Frontier Days, Ogden Pioneer Days, TriState Fair and Rodeo in Amarillo Texas, and the Texas Circuit Finals (as well as many others) has earned him the title of “11X Stock Contractor of the year.”

The Los Fresnos Rodeo is proud to partner with the Los Fresnos CISD Fine Arts Department to feature a diverse array of local student talent during the performance of the National Anthem. These dedicated students have earned numerous accolades while performing across the Rio Grande Valley and the state, most recently sharing their talents under the Friday night lights of Los Fresnos High School football games. A central part of our mission is to support and celebrate the hard work of students across Cameron County by providing a platform for them to showcase their skills at this beloved community event. This collaboration highlights the creativity of our youth and reinforces our commitment to fostering a vibrant and supportive environment for all local students.

Performers:

Friday: Adrian Perez, Saxophone

Saturday: Los Fresnos CISD Conjunto Halcón

Sunday: Melanie Montez, Vocalist

T.C. Long was born and raised in the small West Texas town of Andrews. The sport of rodeo was always a part of T.C’s youth, being that his father was both a calf roper and a team roper. T.C. began participating in rodeos at the age of 5, and he attended rodeos throughout Texas and New Mexico. T.C. discovered his true calling at the age of 14 when he was asked by family friend to announce the activities during a small, local playday. He picked up the microphone which is where he began learning the behind the scenes work that is necessary in producing events. He began to expand his repertoire to include

RODEO ANNOUNCER T.C. LONG

junior rodeos in the states of Texas and New Mexico. It didn’t take long before rodeo producers discovered his talents. In 2001, fresh out of high school, a stock contractor that T.C. had worked with during several junior rodeos took a chance and asked T.C. to announce the largest open rodeo produced by his company, and that is all it took to introduce T.C.’s voice to the world of rodeo. In December 2002, he was approached by Booger Barter Productions, the nation’s 2nd largest team roping production company, to become a full-time employee and announce all of their team roping competitions. He then moved to Athens, Texas.

T.C. was accepted into the PRCA as a Pro Rodeo Announcer in October 2005 at the young age of 22.

ACHIEVEMENTS

In his career to date, T.C. been honored to serve as the announcer for:

· Wrangler Breakaway NFR- 2

times

· Ram Texas Circuit Finals-12 times

· National Steer Roping Circuit Finals-1 time

· Top 5 Nominee Coleman PRCA Rodeo-7 times

· The All-American Pro Rodeo Steer Roping- 5 times

· The All-American Pro Rodeo Finals Series-2 times

· The World Series of Team Roping Finale-16 times

· United Professional Rodeo Association Finals-13 times

· Cowboy Professional Rodeo Association Finals-2 times

· Louisiana Rodeo Cowboys Association Finals-8 times

· Bismarck PRCA Rodeo-6 times

· Bell County PRCA Rodeo-7 times

· Los Fresnos PRCA Rodeo -2 times

· Heart O Texas Fair & Rodeo

· PRCA Permit Finals 2022

On average, T.C. announces over 42 events each year across the United States and has been featured in several TV shows on RFD-

TV, RIDE TV and The Cowboy Channel.

I LIKE TO INCLUDE FAMILY!!

T.C and Christie grew up together in Andrews, TX. They were friends throughout school and rodeoed together. T.C. and Christie both pursued their futures in different places after high school. T.C. moved to Athens, TX to pursue his announcing career, while Christie attended Texas Tech University where she earned her degree in Education. They crossed paths again in March of 2010 and dated until December of 2013 when they got engaged. On August 30, 2014 Christie and T.C. got married in Waco, TX. Christie teaches junior high school. When she’s not teaching, she has her PRCA Timer’s card and she times rodeos. She travels with T.C. when she can. She also secretaries barrel racing and youth rodeo events as well as competes in barrel racing. T.C. and Christie love traveling together and getting to work events together.

LOS FRESNOS RODEO FLAG TEAM

PRESENTING THE 2026 SPONSOR FLAGS

Claire D. Lee is a recent graduate of Texas Tech University, where she earned a Master of Arts in Mass Communications. A proud Red Raider—“Guns Up”—Claire is actively building her presence in the communications industry through her work as a dedicated intern with the South Texas Juvenile Diabetes Association and the RGV Vipers.

In addition to her media experience, Claire remains involved in leadership and the equine industry, serving as an office leader for the Texas Quarter Horse Yearling Sale. Her career goal is to work in the media spotlight, where she can combine her passion for storytelling with strategic communication. Outside of her professional pursuits, Claire enjoys catching up on her latest reads or going for a run while listening to classic rock and roll.

Charylet D. Lee is a 19-year-old equine professional with extensive experience in horse performance, training, and care. She is currently enrolled in Auburn University’s Online Veterinary Assistant Program with an emphasis in Equine Science, furthering her education and commitment to the equine industry. Charylet is a certified farrier through the Texas Horse Shoeing School and operates her own farrier business, providing specialized hoof care services.

Charylet has an impressive competitive background, having served as a past President of the Texas Quarter Horse Association. She is a fourtime Texas State 4H Speed Champion and a three-time AQHYA World Champion, along with earning multiple awards in the Working Cow Horse discipline. In addition to her farrier work, Charylet is a PEMF practitioner and continues to train horses alongside her family at their local ranch. Her dedication, leadership, and passion for equine excellence continue to shape her growing career in the industry.

Amelia Humphreys is a 15-yearold ninth grader at McAllen High School with a strong passion for agriculture, leadership, and athletics. She is actively involved in horse speed events—including barrel racing, pole bending, and goat tying—alongside her horse, Martini. Amelia also enjoys showing both market and commercial goats and participating in a variety of 4H competitions. She has been an active member of 4H and FFA for five years, competing in events such as livestock judging, CDM, Product Identification, and Citrus and Vegetable Show. In addition to her agricultural involvement, Amelia is dedicated to athletics. She competes in cross country and track and is a member of the varsity track and field and varsity tennis teams. Amelia is also involved in school organizations, serving as the McAllen High School Student Council Freshman Class President and participating as a member of BPA and HOSA. Outside of school and animal-related activities, she enjoys spending time at the beach, traveling, and being with friends and family.

Hannah Borders lives in Missouri City, Texas and is a senior in high school at Grace Christian Academy. She has been riding horses since she was a young child. From the moment she took her first riding lesson, she became hooked and has never looked back. Hannah competes in AQHA, NRHA and IEA.

Her passion is reining and, in the fall of 2026, Hannah will be riding on Auburn University’s D1 Equestrian team. Hannah has completed a 2 year Vet Assistant Program and plans to study Business and Pre-Veterinary studies.

Hannah owns two American Quarter Horses, Mega and April and never turns down an opportunity to ride a new horse.

Addison Humphreys is a 16-yearold junior at McAllen High School with a wide range of academic, leadership, and extracurricular interests. Her passions include horse speed events such as barrel racing, pole bending, and goat tying, as well as showing market goats at major events including the San Antonio Livestock Show and the Rio Grande Valley Livestock Show. Addison has been an active member of 4H and FFA for seven years, competing in public speaking, livestock judging, CDM, Product Identification, and Citrus and Vegetable Show competitions. She is involved on campus as a member of McHi BPA and McHI FFA Secretary, Area 7 Vice President for HOSA, McHi Varsity tennis and NHS member. In addition, Addison serves as the Rio Grande Valley National Hispanic Institute Assistant Category Director for Cross Examination and is the President of the Valley West 4H Club. She also enjoys competing in cross country, track, and tennis. Outside of school and animal-related activities, Addison enjoys spending time at the beach, traveling, and being with friends and family.

Darlene Araujo is a 13-year-old seventh grader who is homeschooled through MIA Academy. She has a strong interest in agriculture and animal care, particularly enjoying the responsibility of raising unique breeds of chickens. Darlene is also learning the working cow horse discipline and is currently training her new horse, CALCEEMEWHIZALITTLE, as she develops her skills in this area.

In addition to her equine interests, Darlene enjoys staying active through Pilates and spends time training her pony, Sebastian, in jumping. Her hobbies also include playing with her dog and caring for her animals. When she is not focused on school or animal-related activities, Darlene enjoys spending quality time with her family.

CONGRATULATIONS TO OUR 2025 SCHOLARSHIP RECIPIENTS

Aracely Balboa

High School College

Los Fresnos

Alejandra Coronado Los Fresnos

Abrianna Analyn Cruz

Texas A&M College Station

Yale University

Veteran’s Memorial Early College Texas State University

Kendall Christine Dunkin Los Fresnos

Katherine Danielle Farrar Los Fresnos

Jessenia Arlene Garcia Los Fresnos

Tatum Hadley Helmer

Karen Maria Madraz-Anaya

Harlingen (Rodeo Queen)

Brownsville Early College

Roberto Eric Nieto Jr. Los Fresnos

JoAna Lizette Rodriguez

Brownsville Early College

Brooklyn Autumn Strader Los Fresnos

Logan Lawrence Strader Los Fresnos

Madison Sage Strader

Robert Cade Stumbaugh

Austin Luke Vela

Victoria Berenice Zapata

Los Fresnos

Los Fresnos

Los Fresnos

Los Fresnos

University of Mary-Hardin Baylor

Texas A&M College Station

Harvard University

Texas A&M College Station

University of Texas Rio Grande Valley

Dartmouth College

University of Texas Rio Grande Valley

University of Texas Rio Grande Valley

Texas Southmost College

University of Texas San Antonio

University of Texas Rio Grande Valley

University of Texas San Antonio

University of Texas Rio Grande Valley

BULL RIDING

Rodeo competition began as more than just a sport—it was a raw, spirited extension of the everyday life of cowboys. The roping of calves and the breaking of broncs into saddle horses weren’t just skills; they were a way of life. Out of this rugged tradition emerged bull riding, the ultimate test of courage and audacity. Imagine willingly climbing onto the back of a 2,000-pound bull—a beast of raw power and unpredictable fury. It’s not just a challenge; it’s a statement.

The risks are undeniable. Injuries are not just a possibility; they’re an expectation. Yet, that’s what makes bull riding magnetic. Cowboys, undeterred by danger, step up, and fans, driven by a mix of awe and adrenaline, can’t look away. Bull riding has become one of the crown jewels of rodeo, celebrated for its heart-pounding thrills and high-stakes drama.

It’s a dance of danger and discipline, demanding peak physical strength, razor-sharp mental toughness, and an unshakable will. The rules are deceptively simple: stay on for eight seconds with only one hand. Touch the bull—or even yourself—with the free hand, and it’s over. Unlike bareback and saddle bronc riding, bull riders don’t need to mark out their animals, but they can earn extra points for spurring. Still, the spotlight remains on their ability to hold their ground against a thrashing, twisting juggernaut of muscle and fury.

Every bull is a masterpiece of unpredictability. Some spin like dervishes, others leap straight into the sky, while a few twist, kick, and dart in chaotic harmony. Riders must adapt in real-time, balancing agility, reflexes, and sheer determination.

The bull rope, a simple yet essential tool, is a lifeline. Wrapped snugly around the bull’s chest and held tightly in the cowboy’s grasp, it’s the rider’s connection to the animal’s chaos. As the rider nods and the chute gate swings open, the arena ignites. Man, and beast explode into motion, a battle of grit versus brute force.

Bull riding is more than a sport; it’s a spectacle of courage, where every ride tells a story of ambition, resilience, and the unbreakable spirit of the cowboy. It’s no wonder it remains a fan favorite—a breathtaking blend of tradition, thrill, and the relentless pursuit of victory.

PROTECTION BULLFIGHTING TWOBULLS

What are they doing out there?

Maybe this ain’t your first rodeo, or even your first Los Fresnos Rodeo, and while you are familiar with the sport, what’s different about the bull riding here? What in the world are the bullfighters, the guy’s assigned to protect the bull riders, doing out there? What’s this about a “protection match”?

As you know, rodeo is a competition that started when one cowboy said to another, “I can rope (or I can ride) better than you!” Once that was said, the competition was on to determine who was the best. Soon, some adventurous type determined that he would ride a bull! Probably no sooner than he dismounted or was thrown and scrambled to safety, someone else said that they could do it better.

Eventually, all of these contests were put together in the format we know today as “rodeo”, and before long Professional Rodeo emerged, which is what is occurring in Los Fresnos as you read this. You are seeing the best cowboys competing on the best stock to show you “who’s best”.

It was only natural, then, that the bullfighters, many of whom are cowboys, would think they were better at protecting riders than the next guy. But if you’re not being timed, and you aren’t going to get bucked off, how can you tell who’s doing a better job?

Enter TwoBulls

mastermind Jim D. McLain, Jr. and Allen S Nelson, Jr., two professional bullfighters who have not only worked

the Los Fresnos Rodeo for years, but professional rodeos and bull riding events all across the United States.

Using years of experience and knowledge of bulls, bull riding, and bullfighting, they devised a system whereby the basics and fundamentals of the sport could be quantified in a format that would allow the bullfighter’s performances to be displayed in order of superiority. Or, as Jim would say, “We developed a judging system!”

Two, or more, judges score the bullfighters as teams to determine who did their jobs the best. At the level of competition, you are seeing at Los Fresnos, it isn’t that one team did a good job and the other team did a bad job. The bullfighters competing in Los Fresnos are

experienced professionals at the top of their game, so, to determine who is doing the best job really does require a judging system to separate not just good from great, but great from greater, and greater from awesome! Your job, as a fan, is to pick a team and help them win! You see, built into the system are bonus points for thrilling the crowd! As close as the scoring has always been at the Los Fresnos Rodeo, those points are enough to determine the winner. So, when you see your bullfighters do something that makes your heart throb, or brings you to the edge of your seat, make some noise! You may just help determine the winner of the go-round and the overall competition!

Professional Bull Fighters Tour continues at Los Fresnos Rodeo

THE WILD SIDE OF RODEO WELCOME PBF PROTECTION BULLFIGHTING ABOUT THE PBF

SCORING

The teams each compete on an equal number of bulls. They will be given a cumulative score on each section of bulls. The scoring is different than other rodeo events in that Protection is not scored on a 1-100 scale for each bull. Instead each technical maneuver that the bullfighters make has a point value. The maximum points that can be earned on a single bull are 18 points per judge. The judging is performed by Professional Bullfighters as they are the only person capable of reading a situation and determining if the bullfight team was at the right place performing the right maneuvers based upon the action taking place.

JUDGING CRITERIA:

TURNING BULLS BACK

DISMOUNT POSITIONING

HOOKING PREVENTION

HANG-UPS

DEGREE OF DIFFICULTY

AGGRESSIVENESS

SHOWMANSHIP

“BACKFLIP” JOHNNY DUDLEY

Professional rodeo clown “Backflip” Johnny Dudley of Denton, Texas, is one of the top talents in pro rodeo. He is known for amazing feature acts, along with his quick wit and off-the-cuff banter that keep crowds laughing until their sides hurt. He has performed at rodeos from Florida to Alaska and just about everywhere in between, including the ProRodeo tour finale in Puyallup, WA, and twice in the barrel at the San Antonio Livestock Show & Rodeo.

He was the official entertainer at the world famous Pendleton Round-Up, chosen five times for the Texas Circuit Finals rodeo, three times for the Turquoise Circuit Finals, six times for the PRCA’s All American Finals, nominated twice for PRCA Comedy Act of the Year, top 5 multiple times for the National Finals Rodeo and in 2019 he was voted as the winner of the prestigious Coors Man in the Can award.

Before becoming a rodeo clown, Johnny served 8 years in the United States Marine Corps and then went to college, where he graduated with a degree in International Business. Johnny is one of the most likable people you will ever meet and greets everyone with a big Texas smile.

STEER WRESTLING

In the world of rodeo, steer wrestling—or “bulldogging”—stands as a thrilling testament to the cowboy’s courage, skill, and sheer physical power. Known as the quickest event in rodeo, with the world record blazing at an astonishing 2.4 seconds, it’s a high-octane spectacle where speed meets strength and precision reigns supreme.

The roots of steer wrestling trace back to the ranches of the Old West, where cowboys would wrestle unruly steers as part of their daily work. Over time, these practical skills evolved into contests of speed and technique, giving birth to one of rodeo’s most challenging and captivating events.

The objective of steer wrestling is deceptively simple: the cowboy must leap from a galloping horse onto the back of a running steer and wrestle it to the ground as quickly as possible. But here’s the twist—this is no gentle tussle. The steer often weighs twice as much as the bulldogger, and both are hurtling across the arena at speeds reaching 30 mph. It’s a heart-pounding collision of muscle, momentum, and determination.

Like ropers, steer wrestlers start from a box, a three-sided enclosure beside the chute where the steer is released. A breakaway barrier is attached to the steer and stretched across the open side of the box, ensuring the animal gets a fair head start. Timing is everything—if the bulldogger breaks the barrier too soon, they’re hit with a 10-second penalty, a significant setback in this lightning-fast event.

As the steer reaches its advantage point, the barrier releases, and the bulldogger charges into action. Timing and balance become as critical as strength. Leaping from the horse onto the steer, the cowboy grips the animal’s horns with precision, using momentum and leverage to halt its powerful strides. The goal is to plant the steer firmly on its side, with all four legs pointing in the same direction.

But the cowboy doesn’t work alone. A hazer, riding alongside the steer on the opposite side, ensures the animal runs straight, setting the stage for the bulldogger’s leap. The partnership between these two riders and their horses is a finely tuned dance of coordination and trust, where split-second decisions can mean the difference between victory and defeat.

Steer wrestling is more than a test of brute force; it’s a masterclass in agility, technique, and courage. The combination of strength, timing, and balance required to succeed makes it one of the most electrifying events in rodeo. Whether you’re watching from the stands or standing in the arena, the sight of a cowboy taking down a charging steer in a matter of seconds is a jawdropping reminder of the skill and bravery that define this timeless sport.

BAREBACK RIDING

Bareback riding is rodeo at its rawest—a test of courage, resilience, and sheer grit. These cowboys endure more punishment, suffer more injuries, and bear more lasting scars than any other rodeo competitor. It’s not just a sport; it’s a testament to the unbreakable spirit of those who choose to ride.

The tools of the trade are as unforgiving as the event itself. Bareback riders rely on a rigging, a leather handle resembling the grip of a suitcase, meticulously crafted to PRCA safety standards. This rigging, secured over the horse’s withers with a cinch, is the rider’s lifeline. With one hand gripping the handle, the other free, the rider faces the storm—a relentless, bone-rattling eight seconds often compared to riding a jackhammer.

When the chute bursts open, the battle begins. The rider must “mark out” by keeping both spurs planted on the horse’s shoulders until the bronc’s front feet touch the ground. A failure to do so ends the ride before it begins. As the bronc bucks, the rider moves with a rhythm honed through countless hours of practice. Pulling his knees up and rolling his spurs along the horse’s shoulders, he times every movement to match the bronc’s unpredictable leaps. Each descent demands precision and timing as the cowboy straightens his legs, setting up for the next explosive jump.

But bareback riding isn’t just about surviving the storm. It’s an art form. Judges scrutinize every detail: the rider’s spurring technique, how well he keeps his toes turned out, and his ability to maintain control and style amidst chaos. The score reflects not just the rider’s performance but the horse’s bucking intensity, making every ride a partnership of power and determination.

Cowboys like Jason Jeter know the price of this relentless pursuit. The bruises, the broken bones, and the grueling lifestyle are all part of the ride. Yet for those who brave it, bareback riding is more than a living—it’s a way of life. It’s a connection to a legacy of grit, where the cowboy way means embracing the hardest challenges with unwavering determination.

In the arena, bareback riders don’t just compete; they embody the spirit of rodeo. It’s a dance with danger, a showcase of resilience, and a testament to the enduring cowboy code. Through every ride, they remind us all that greatness is born from grit, and glory comes to those brave enough to chase it.

Olivia Grace Rowe 2026 RODEO QUEEN

Olivia Grace Rowe is the daughter of Michael and Lezlie Rowe of Los Fresnos, Texas, and a senior at Texas Tech University High School. Over the years, Olivia has been involved in FFA, 4-H, the National Honor Society, and the Cotillion Club of Harlingen. She is passionate about giving back to her community through volunteer work such as food drives, church initiatives, and youth mentorship through Logos Community Church, FFA, 4-H, and the Boys and Girls Club of Los Fresnos. Her dedication to service reflects her strong values of faith, family, and community.

Olivia has earned numerous accolades for her hard work and talent, including the Texas FFA Lone Star Degree, AP Scholar recognition, placement in the Top 10% of her class, Division Champion at the Texas FFA State Agriscience Fair, Reserve Grand Champion Overall Home Show Exhibit, and Dark OPB Breed Champion Market Hog at the Cameron County Fair and Livestock Show. She also placed 4th Overall Senior in Swine Skillathon at the Rio Grande Valley Livestock Show.

In her spare time, Olivia enjoys art, writing, and reading. She plans to attend Parsons School of Design in New York City to study Illustration and Creative Writing. As Rodeo Queen, Olivia is proud to celebrate her hometown, honor the traditions of the Los Fresnos PRCA Rodeo, and highlight the importance of giving back to her community.

PRESENTING THE COLORS

AT THE LOS FRESNOS RODEO

The Color Guard is a four-member formation – consisting of the senior Marine and Color Sergeant carrying the National Colors, a Marine carrying the Marine Corps Colors, and two rifle bearers. The Color Guard is responsible for rendering appropriate military honors. This traditional formation adds dignity to any military-related activity, parade, or civic event by showing respect to our Nation and those who have served.

U.S. Marines with the Marine Corps Mounted Color Guard, Marine Corps Logistics Base Barstow, will present the colors at the Los Fresnos Rodeo at AEP Texas Arena. The Marine Corps Mounted Color Guard travels around the continental United States performing various events such as parades, ceremonies and rodeos fostering community and patriotism.

C AMERON COUNT Y

FAIR & LIVESTOCK SHOW 2026

LIVESTOCK SHOW EXECUTIVE BOARD

Valerie Arizmendi President

William Goad Vice President

Virginia Miller Secretary

Sherilyn Goad Treasurer

Mark Miller VP Livestock

Rhonda Muñoz VP Home Show

LIVESTOCK SHOW BOARD MEMBERS

Delmer Stanko Anna Lee Stanko

Eloy Garcia Marta Garcia

Billie D. Simpson Will Goad

Lynette Suarez Jason Suarez

George & Gloria Loya Claudia Rodriquez

Rebecca Goad

SHOW VOLUNTEERS

David Arizmendi Abel Suarez

Marco Ponce Joe Cruz

Cameron County Fair & Livestock Show is in its 46th year in 2026 and continues to be blessed with the support of the City of Los Fresnos, the CDC of Los Fresnos, the Lions Club of Los Fresnos, and the Los Fresnos Rodeo. We wish to thank them all!

This organization is made up of many volunteers who donate their time and efforts to make this show a continued success. I would like to recognize the 2026 Board of Directors for the show, as follows: William Goad as Vice President, Mark Miller as Vice President over Livestock, Rhonda Munoz as Vice President of the Home Show, Sherilyn Goad as Treasurer, and Virginia Miller as Secretary. There are many other volunteers, too numerous to name as well!

The Heart of America Carnival will be here once again to bring out the youth in us all as we ride the thrilling rides or play the games in an effort to win prizes or just look at the bright lights. Carnival hours of operation will be Thursday, February 19, 2026, from 6 pm- 10 pm, and a wristband will cost $25. On Friday evening, February 20, 2026, from 5 pm -11 pm, Saturday, February 21, 2026, from 1 pm- 11 pm, and Sunday, February 22, 2026, from 1 pm – 7 pm. Wristbands will be available to purchase for Friday and Sunday for $30, and Saturday for $35 for the rides.

The 2026 Cameron County Cowgirl pageant was still pending to be held at the time this article was being written and was to be held at the CCFLS Showgrounds on February 15th, 2026. The full Cowgirl Court will be presented once again on Friday, February 20th, 2026. The 2025 Cowgirl was Olivia Rowe, representing Allegiance 4H, who will now go on to represent the Los Fresnos Rodeo as their Queen for 2026.

This year, we anticipate the barns to be full once again with 4H and FFA projects from all over Cameon County competing. From heifers and steers, to lambs, goats, and pigs, along with rabbits, it is quite exciting! There will also be a home show and shop projects division. Take a walk over after the rodeo and check us out!

There will be a Livestock Judging competition on Sunday morning, as well as a competition in Ag ID. Both contests will challenge the youth with their knowledge of different items/products used/grown in agriculture, and which animal is the best in the group of four presented to them. From the 4H and FFA to the Pee-Wee Showmanship, there is a great deal of learning and friendly competition during the three-day show.

The committee members and show volunteers of Cameron County Fair & Livestock show are proud of our continued association with the Los Fresnos Rodeo and the Los Fresnos Lions Club.

See you at the show!

Valerie Arizmendi

CCFLS President 2026

PAT DAVISON’S Comedy Magic Variety Show!

Pat Davison first began performing at the age of seven when his brother brought home a book of magic tricks from the library.

Pat pursued his education and earned a Bachelor’s Degree in Speech and Theater Arts from the University of Minnesota, majoring in Radio and Television Production. After graduation he followed his youthful dream of running away with the circus, and thus began his career in show business.

Since 1968 his Juggling, Balancing, and Magic acts have brought him to more than two dozen countries around the world to entertain audiences as small as one and as large as 50,000.

Following a two-year correspondence with a young lady in the Philippines, Pat flew to the island of Cebu to marry his penpal, Marites, in 1994.

A graduate of a four-year course in Computer Science, Marites had never even seen a live show, but she quickly earned a reputation as one of the theater world’s most accomplished showgirls and assistants. She is known best for her exotic beauty, glamorous smile and elegant style.

Soon after their marriage, their daughter Mabelle was born. Her first appearance on stage was at the ripe old age of one-and-a-half when she rode on her daddy’s shoulders on his unicycle! At the age of three she learned to ride a tiny unicycle, and on her fourth birthday she rode in the act, becoming “The World’s Youngest Professional Unicyclist”.

And now they travel the globe making events like yours fun, exciting and memorable!

PISTOL PACKIN’ PAULA

Pistol Packin’ Paula is not just the girl next door. When Pistol Packin’ Paula gets ready for work, she grabs her nickel plated .45 Cimarrons and her bull whips - not a briefcase. She twirls and shoots her gun like Annie Oakley. She cracks her bull whips like Calamity Jane.

Paula is the only woman in the U.S. who twirls real guns professionally. She twirls two .45 Cimarron revolvers and twirls them into her fancy custom-made holster by Alfonso of Hollywood. Her one-woman show includes gun twirling, cracking bullwhips made by Simon Martin and then she caps it off with a foot-stomping wild west dance that puts a showgirl to shame. She has now expanded her skills to include her horses Jake and Tonto. Her performances, both live and on television, have been enjoyed around the world. Paula also performs around the country portraying Annie Oakley in special events and Wild West Shows.

So you can now see the true flavor of the Wild West performed not only by a woman, but a world class entertainer as well.

TEAM ROPING

Team roping is more than just an event—it’s the embodiment of ranching tradition and cowboy ingenuity. As the only true team event in ProRodeo, it demands seamless coordination, mutual trust, and perfect timing between two ropers: the header and the heeler. Born out of necessity, team roping originated on ranches where handling large steers for branding or treatment was simply too much for one cowboy. It was teamwork in its rawest form, and over time, it evolved into a dynamic showcase of skill, partnership, and horsepower.

Success in team roping is no accident. It’s the result of relentless hard work, countless hours of practice, and an unbreakable bond between cowboy and horse. Partners, like legendary duos Joe Beaver and Travis Tryan, spend untold hours refining their rhythm, not just with each other but with their equine partners as well. Timing is everything—between the header’s sharp initial move, the heeler’s precise follow-up, and the horses’ synchronized reactions.

The event begins with anticipation and strategy. Both ropers start from boxes flanking the chute, where the steer makes its entrance. A breakaway barrier, stretched across the header’s box, ensures the steer gets a head start—an advantage critical to fair competition. As the steer reaches its mark, the barrier drops, and the chase is on. The header charges out first, with the heeler close behind. Breaking the barrier too early costs the team a 10-second penalty, a price no competitor wants to pay.

The header’s job is to make the critical first move, roping the steer with one of three legal catches: both horns, one horn and the head, or the neck. Anything less, and the team is disqualified. Once the catch is secure, the header turns the steer to the left, exposing its hind legs for the heeler’s moment to shine. The heeler aims for both legs, and while catching one leg is worth the effort, it incurs a five-second penalty. The run ends only when there’s no slack in the ropes and the two horses face one another—a moment of triumphant precision.

But the unsung heroes of team roping are the horses, the heart and muscle behind every successful run. The American Quarter Horse reigns supreme, prized for its power, speed, and agility. Heading horses are taller and sturdier, built to control and turn a steer. Heeling horses, on the other hand, are quick and nimble, perfectly suited to react to the unpredictable movements of the steer.

Team roping is a celebration of the cowboy spirit, a sport steeped in history and driven by a passion for precision and partnership. Each run is a testament to the dedication of two ropers, their horses, and the timeless tradition of working together to accomplish the extraordinary. It’s no wonder team roping continues to captivate crowds, bringing the ranching legacy to life in arenas around the world.

BRAXTON KEITH

With a sound and style honed in the honky tonks of Texas and beyond, Braxton Keith is part of a new generation of country singersongwriter – one leading a revival of its core creative tenants.

Featuring an earnest love of the ‘80s country aesthetic – and all but addicted to the rush of the stage – Keith has spent the last few years of life as a proud road dog, schooling new fans of the timeless power of a revved up band and rich organic twang. But while his what-you-seeis-what-you-get approach remains firmly rooted in tradition, that doesn’t mean he’s staying put. This Warner Music Nashville newcomer lives one state line at a time.

“I love the honky tonk country twang and I wouldn’t trade it for anything,” the rising star explains. “But honestly, I’m just thinking about getting up and playing another show. This is just the beginning. This is where the hard work starts.”

A proud Texas native who these days splits time between San Antonio and Nashville, Keith was born in Midland, Texas, steeped in country mystique. Learning to play piano from his grandmother – a woman who loved the Cadillac cool of stars like Porter Wagoner – he grew up singing, drawn like a magnet to the sonic storytelling of gritty tunes like “The Carroll County Accident” (an all-time family favorite).

Diving deep into the purecountry form, Keith picked up a guitar and soon had a taste for hard twang and tales of the heart, writing his own

classically-inspired songs in a grungy, cluttered garage. He never took it seriously until college, when a friend convinced the unknown-butobvious talent to record one –just so he’d have something to share with his future kids.

“I did it – and I never stopped,” Keith says. “I caught this little honky tonk bug, and now I’m traveling the country for a living. Started out writing songs in our garage, now I’m writing songs in Nashville. It’s crazy.”

Leaving school behind to earn his place in Texas’ vibrant live-music scene, Keith and a band of brothers have now been touring nonstop since 2020, racking up untold miles and hundreds of floorboard-shaking shows. Blending throwback-tonk with a sharp, barbed-wire vocal recalling stars like Tracy Lawrence (plus a little borderland buzz of San Antonio Spanish influence), Keith became a regular face in venues all across his home state, and then looked beyond.

Relentless nationwide touring and a series of selfreleased singles and EPs have helped build a solid social media following. He arrived in Nashville for the first time in 2021, and has since been fine tuning his natural songwriting style – timeless tunes of love, loss and life steeped in the energy and attitude of a Texan dancehall, but made for a wider audience.

“There’s something romantic about the country music scene in Texas – it’s that connection with that crowd,” Keith explains. “It doesn’t matter what day of

the week it is, whether it’s an old raggedy bar or wherever the hell you are, they’re going to show up, and I fell in love with creating moments with those fans. I just try to imagine it’s a 90-minute show for me, but it’s a lifetime experience for them.”

Featured on taste-making playlists like Spotify’s New Boots and Breakout Country, Keith’s 2024 single “Cozy” leads the way for a new chapter, highlighting the rising star’s fresh take on a classic style. A silkysmooth two-step with an unmistakable vocal tone, the clever, co-written message of warning for a romantic rival sets Keith apart from the pack.

“It’s a very different song – unlike anything I hear on country radio today,” he says. “It’s just a very honest, vibey, Ronnie Millsap-style ‘80s country song. In today’s world it’s an interesting song, and from the moment we wrote it I was like, ‘This is something special.’”

More new music is planned for 2025 release, as Keith continues exploring the contours of a uniquely country sound and style. Merging past and present with the timeless edge of a band-leading troubadour, he’ll stay on the road, too, crossing time zones like he’s gliding across a honky tonk

floor.

“The touring never stops – especially for an artist like me,” he admits. “I hope people have a damn good time when they come out, and I hope the show was great. And if they pick up the record, I hope they get a taste of that.”

RANDALL KING

A West Texas native and self-described “old soul,” Warner Music Nashville’s Randall King has never wavered in his honky-tonk allegiance – in fact, he’s worn it like a badge of honor, growing with pride into a leading voice for today’s traditional country.

Amassing over 300

Million streams with singles like “You

In A Honky Tonk,” “Hey Cowgirl” and “Mirror, Mirror,” he’s kept the twang alive in country’s mainstream while also earning acclaim through deeply personal EPs like 2020’s Leanna, and his 2022 major label

album debut, Shot Glass – which landed on both Whiskey Riff’s Top 40 Country Albums of 2022 and Billboard’s All Genre 50 Best Albums of 2022 (So Far). Schooled on icons like Keith Whitley, George Strait, Alan Jackson and John Anderson, but inspired by modern masters like Dierks Bentley and Gary Allan, King first built an independent, grass-roots following on the strength of his electrifying live shows – each one a harrowing mix of rowdy roughnecking, romantic tenderness and breathtaking emotion – never asking for permission to explore his creative vision.

He has since gone on to headline all across the U.S., the U.K. and Europe, where he continues to play nearly 150 shows a year and hone his craft where it matters most.

Named a Country Artist to Watch by everyone from Pandora and Country Now to Music Mayhem Magazine, his sophomore major label album Into the Neon, available now, takes that craft to the next level, as King’s neo-traditional roots meet the bloodpumping rhythms and sharp, arenasized grooves of Y2K-era country and beyond. Co-produced by King and Jared Conrad, and featuring 18 tracks, punchy sounds exist side-byside with timeless swagger, further blurring the line between yesteryear and today – even as King renews his forever-country vows.

ANNIE BOSKO

Annie Bosko’s sound is a vibrant, cinematic burst of 80s and 90s country, rooted in an authentic California Cowgirl spirit. Raised on a third-generation farm, her music draws from deep roots in rural California life—from riding horses and tractors to listening to George Strait and Patsy Cline— which lends her sound a rare blend of grit and sincerity. Her passion for classic female vocalists like Wynonna Judd and Shania Twain fuels her commitment to bringing honesty and soul back to modern country. Her debut album, California Cowgirl on QHMG/ Stone Country Records, features a powerful, femme-forward collection of shuffles, sweeping ballads, and midtempos, all anchored by a traditional country sound with Telecaster guitar, pedal steel, and fiddle.

This dedication to the genre has attracted support and collaborations from legends like Raul Malo and Vince Gill. Her music proudly embodies the rich heritage of California country, echoing the sounds of Merle Haggard, Buck Owens, and Dwight Yoakam—who personally bestowed the “California Cowgirl” nickname upon her. The album highlights this by featuring duets with Yoakam, Joe Nichols, and Darius Rucker. Bosko’s powerful voice and deep knowledge of the genre make her a compelling force, delivering a sound that is perfectly throwback, triumphantly forward, and full of that “anything is possible” feeling.

MIDWAY MUSIC STAGE CONCERT LINEUP

OLD BONES (CLASSIC ROCK / COUNTRY)

FRIDAY, FEBRUARY 20TH 5:30 PM - 7:00 PM

DOUBLE CUT (COUNTRY)

SATURDAY, FEBRUARY 21ST 4:15 PM - 5:30 PM

TEXAS SHOWDOWN BAND (CLASSIC COUNTRY / ROCK)

SATURDAY, FEBRUARY 21ST 1:15 PM - 2:30 PM

THE SPINOFF’S (80’S RETRO ROCK)

SATURDAY, FEBRUARY 21ST 5:45 PM - 7:00 PM

LFHS CONJUNTO HALCON (TEX-MEX)

SATURDAY, FEBRUARY 21ST 2:45 PM - 4:00 PM

DOUBLE SHOT (COUNTRY)

SUNDAY, FEBRUARY 22ND 1:30 PM - 3:00 PM

BREAKAWAY ROPING

Breakaway roping is more than a rodeo event—it’s a showcase of skill, athleticism, and a rich legacy rooted in ranching traditions. This fast-paced event, a variation of calf roping, shines a spotlight on cowgirls who have mastered the art of roping with precision and grace. Unlike its predecessor, breakaway roping is a gentler test of speed and timing, where the calf remains free after being roped, honoring both the spirit of competition and animal welfare.

The origins of breakaway roping are deeply tied to the daily lives of ranchers, where roping calves was a necessary skill for care and management. Over time, this practical chore evolved into a celebrated event, showcasing the finesse of cowgirls whose talent rivals their male counterparts.

The event begins with a burst of energy and focus. Mounted on a swift and steady horse, the cowgirl positions herself in the roping box beside the chute where the calf waits. A spring-loaded barrier gives the calf a head start, ensuring a fair chase. Timing is crucial—if the horse breaks the barrier too early, a costly 10-second penalty is added to the competitor’s time.

When the barrier drops, the cowgirl and her horse explode into action, racing after the calf with precision and determination. In a split-second display of skill, the cowgirl swings her rope and aims to loop it cleanly around the calf’s neck. The rope, tied to the saddle horn with a breakaway string, ensures the run ends smoothly when the calf reaches the end of the rope and the string snaps.

A simple flag—a bandana or a piece of white cloth—attached to the rope’s end signals the moment of triumph. The flagger watches closely, ensuring the run is timed to perfection. With only one loop allowed and a 20-second time limit, breakaway roping demands flawless execution and razor-sharp focus.

This event, long celebrated at local rodeos, gained monumental recognition in 2019 when the Professional Rodeo Cowboys Association (PRCA) began including Women’s Professional Rodeo Association (WPRA) sanctioned breakaway roping in professional rodeos. Alongside WPRA barrel racing, it became one of the two premier rodeo events exclusively for women, marking a historic step forward for cowgirls in the sport.

Breakaway roping is a powerful blend of tradition and progress, honoring the cowboy heritage while elevating the role of women in rodeo. It’s a celebration of speed, strategy, and skill, leaving spectators in awe of the cowgirl’s mastery and the enduring legacy of the sport.

SADDLE BRONC RIDING

Saddle bronc riding is rodeo’s quintessential event, embodying the rich heritage of the Old West while showcasing an unparalleled blend of grit, grace, and precision. Often referred to as the “classic” event, it stands apart as both a complement and contrast to the untamed chaos of bareback riding and bull riding. It’s not just about staying on—it’s about riding with poise, style, and mastery.

The roots of saddle bronc riding run deep into the rugged traditions of the cowboy. In the early days of the American West, cowboys faced the arduous task of breaking and training wild horses to work the sprawling cattle ranches. These daily trials eventually evolved into contests of skill and pride, becoming the foundation of today’s saddle bronc competition. Cowboys often say that saddle bronc riding is the toughest rodeo event to master, requiring a harmony of technical skill, strength, and rhythm that few can achieve.

Unlike the raw power of bareback riding or the sheer adrenaline of bull riding, saddle bronc riding demands a deliberate partnership between cowboy and horse. Every move the rider makes must align perfectly with the horse’s rhythm, resulting in a fluid, dance-like performance. The goal is to create a ride so seamless and controlled that it almost looks effortless—a striking contrast to the chaotic energy of other roughstock events.

As the chute gate swings open, the saddle bronc rider’s challenge begins with a critical move: the mark-out. To avoid disqualification, the cowboy must have both heels positioned above the horse’s shoulders on its first jump from the chute. This initial act is not just a rule; it’s a testament to the rider’s preparation and discipline.

Unlike bareback riders, who rely on a rigging for grip, saddle bronc riders hold onto a single thick rein attached to the horse’s halter. With only one hand for support, the cowboy must stay balanced in the saddle while maintaining complete control. A slip of the free hand touching the horse or the rider’s own body results in instant disqualification.

Judges assess the ride with a sharp eye for the horse’s bucking ability, the cowboy’s spurring technique, and the overall flow of the performance. With toes turned outward, the rider spurs in a rhythmic motion from the horse’s shoulders to the back of the saddle. A smooth, controlled ride with consistent spurring action earns higher marks than a wild, uncoordinated effort.

Saddle bronc riding is where raw power meets finesse, and where the spirit of the cowboy shines brightest. It’s not just about taming the horse—it’s about creating a symphony of movement between man and animal, steeped in tradition and brimming with artistry. This event remains a cornerstone of rodeo, a living tribute to the skills and values of the Old West, and a spectacle that leaves audiences in awe.

TIE DOWN ROPING

Tie-down roping is a cornerstone of rodeo, rooted in the working ranches of the Old West where practicality met necessity. In those days, speed and skill meant survival. When a calf was sick or injured, cowboys had to rope and immobilize it quickly for treatment. Over time, what began as a crucial ranching skill evolved into a test of precision and speed, sparking friendly contests among ranch hands eager to prove their prowess.

As the event matured, it demanded more than just roping expertise. The competitive tie-down roper became a blend of skilled horseman, swift sprinter, and precise technician. It’s not just about the cowboy but the seamless partnership with his horse—a relationship built on trust, training, and instinct.

The event begins in the roping box, a three-sided enclosure where cowboy and horse stand ready, eyes locked on the calf in the chute. A breakaway barrier, looped around the calf’s neck, gives the animal a fair head start before the chase begins. Timing is critical: if the cowboy breaks the barrier too soon, a 10-second penalty is added, turning a perfect run into a costly mistake.

When the calf bursts into the arena, the horse and rider spring into action. The horse’s training shines as it races alongside the calf, maintaining perfect alignment for the cowboy’s throw. A well-aimed loop from the cowboy’s rope ensnares the calf, and the horse halts abruptly, holding tension on the rope without dragging the animal.

From here, the cowboy takes center stage. He dismounts with agility, sprints to the calf, and performs a maneuver called flanking, swiftly flipping the calf onto its side. If the calf isn’t standing when he arrives, the cowboy must patiently wait for it to rise before continuing—adding a layer of unpredictability to the event.

The next step is the tie, where precision is paramount. The cowboy uses a pigging string, held between his teeth during the run, to tie any three of the calf’s legs together in a secure and swift motion. Meanwhile, the horse continues to maintain just the right amount of tension on the rope—enough to prevent slack but gentle enough to avoid harm.

With the tie complete, the cowboy throws his hands into the air, signaling the end of his run. Yet, the drama isn’t over. He remounts, rides forward to create slack in the rope, and waits six agonizing seconds to see if the calf remains tied. A kick-free calf means disqualification, turning triumph into heartbreak.

Tie-down roping is more than a rodeo event; it’s a celebration of tradition, teamwork, and the unyielding

BARREL RACING

Barrel racing is where the artistry of equestrian skill meets the raw thrill of speed. Born from the ranches of the Old West, this exhilarating event showcases the extraordinary bond between horse and rider, highlighting agility, precision, and the sheer adrenaline of competition.

Originally a test of a horse’s maneuverability on working ranches, barrel racing evolved into a competitive sport that captivates audiences at rodeos across the nation. Today, it’s a breathtaking display of finesse and control, as rider and horse work in perfect harmony to navigate a cloverleaf pattern around three barrels.

The race begins with a burst of speed as the duo charges through the starting line, accelerating toward the first barrel. The rider’s skill and the horse’s agility are on full display as they make a tight, controlled turn, weaving effortlessly to the second and third barrels. Every fraction of a second counts. The rider’s guidance and the horse’s responsiveness must be in perfect sync to maintain speed without losing precision.

But barrel racing isn’t just about speed—it’s a delicate balance of power and control. A single misstep, whether tipping over a barrel or breaking the pattern, can mean the difference between victory and defeat. Knocking over a barrel adds a costly five-second penalty, and an incorrect pattern results in disqualification. The pressure is immense, yet the best barrel racers execute each run with a combination of poise and daring.

The final stretch is a heart-stopping sprint back to the finish line, where the race is decided by mere hundredths of a second. An electronic timer ensures absolute precision, capturing the exact moment horse and rider cross the line.

Barrel racing is more than a competition; it’s a celebration of the unique partnership between horse and rider. It’s about trust, discipline, and the shared thrill of pushing boundaries. As the dust settles and the cheers erupt from the crowd, one thing becomes clear: barrel racing is a testament to the beauty, power, and spirit of the Western way of life.

MUTTON BUSTIN

Mutton bustin’ is rodeo’s most delightful, heartwarming spectacle, where pint-sized cowboys and cowgirls climb aboard woolly steeds and give audiences a show filled with thrills, spills, and plenty of smiles. This charming event, a junior cousin to bull and bronc riding, puts kids at center stage, fostering rodeo spirit in its purest form: fun, courage, and sheer determination.

The setup is simple but brimming with excitement. A sheep, either held in place by a handler or nestled in a small chute, becomes the unwitting star of the show. The child, perched atop in a riding position, grips tightly and braces for the adventure ahead. The moment the sheep is released, it’s a mad dash across the arena, the woolly competitor zigging and zagging as it tries to shake off its tiny passenger.

For most kids, the ride is a brief but unforgettable whirlwind, often lasting less than eight seconds. Yet, every second is packed with heart-racing excitement and crowd-pleasing antics. Staying on isn’t the only goal—sometimes, it’s the dramatic tumbles and triumphant smiles that steal the show. Winners are often awarded ribbons, trophies, or small prizes, but every child walks away a champion in the eyes of cheering spectators.

Mutton bustin’ has no formal rulebook or national governing body, and that’s part of its charm. Events are typically organized at the local level, each with its own flair and flavor. To keep things safe, age, height, and weight limits ensure that both kids and sheep remain unharmed. Spurs and other implements are strictly prohibited—this is all about fun, not fierce competition.

The event’s origins trace back to at least the 1980s when it was introduced at the National Western Stock Show, thanks to Nancy Stockdale Cervi, a former rodeo queen. Early participants were children aged five to seven, weighing under 55 pounds, tasked with hanging on for a thrilling six-second ride. Decades later, mutton bustin’ has become a beloved tradition, drawing thousands of young riders annually across the U.S.

Supporters see mutton bustin’ as more than just entertainment; it’s a rite of passage, a playful gateway to the world of rodeo’s rough stock events like bull riding, saddle bronc, and bareback riding. It’s here that future champions take their first wobbly steps—or rides—toward greatness.

For the kids, it’s an adventure they’ll never forget. For the audience, it’s pure joy. Mutton bustin’ is a celebration of courage, laughter, and the cowboy spirit, where every ride begins with a sheepish grin and ends with a roar of applause.

FAIR & LIVESTOCK SHOW 2026

COWGIRL COMPETITION CONTESTANTS

Formal announcement of the new Cowgirl and 1st & 2nd Runner-ups will be announced on Friday, February 20, 2026 prior to the Steer Division show. The five contestants will be introduced and the winners announced. Former 2025 CCFLS Cowgirl, Olivia Grace Rowe, will crown the new CCFLS Cowgirl and then Olivia Grace Rowe will be formally crowned by representatives of the Los Fresnos Rodeo as their 2026 Rodeo Queen!

Hanna Albritton Harlingen High School FFA

Mariah Atkinson Los Fresnos High School FFA

Brittany Davila Allegiance 4H Club

Saleen Belmontes Harlingen High School FFA

Montserrat Martinez Los Fresnos High School FFA

THE HISTORY OF RODEO

Legend has it that rodeo was born on July 4, 1869 when two groups of cowboys from neighboring ranches met in Deer Trail, CO, to settle an argument over who was the best at performing everyday ranching tasks. That competition is considered to be the first rodeo which evolved into rodeo as we know it today.

Today’s professional rodeo cowboy is a bit different from his 1800s predecessor, but the ideals and showmanship and hard work are still valued by today’s competitors. A cowboy’s standing in the rodeo community is still dependent on his skill with a rope or his ability to ride a bucking animal.

The cowboy code still dictates that a cowboy ought to help his fellow competitors, even though they might be competing for the same paycheck.

While some things have changed since the last century, most of the changes have been for the better.

Now the cowboy travels much of the time in custom-made rigs or flies from one rodeo to another either by commercial airline or charter plane.

Marketing and business acumen have become as crucial as roping, wrestling or riding skills. Cowboys are competing for more money then ever before.

Even if a PRCA member doesn’t have the inclination to spend more than 200 days a year on the road in search of a berth in the Wrangler National Finals Rodeo - the sport’s championship - he can participate in one of many rodeos close to home each year. Over 600 are held throughout the country year-round, from small town venues to arenas in Las Vegas.

The Professional Rodeo Cowboys Association (PRCA) was created almost by accident in 1936 when a group of cowboys walked out of a rodeo at the Boston Gardens to protest the actions of rodeo promoter W.T. Johnson, who refused to add the cowboys’ entry fees to the rodeo’s total purse.

Johnson finally gave in to the cowboys’ demands, and the successful “strike’’ led to the formation of the Cowboys’ Turtle Association.

The cowboys chose that name because, while they were slow to organize, when push finally came to shove, they weren’t afraid to stick their necks out to get what they wanted.

In 1945, the Turtles changed their name to the Rodeo Cowboys Association, and in 1975, the organization became the PRCA.

The PRCA staff consists of about 70 full-time employees, but grows to nearly 100 during the peak rodeo season. The PRCA headquarters, established in 1979 in Colorado Springs also houses the Pro Rodeo Hall of Fame and Museum of the American Cowboys.

OFFICE HOURS

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