Stars-of-American-Ballet_25-26

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Brandon Victor Dixon U of M Musical Theater Seniors

Enrico DiGirolamo

Maria C. Duey

Marianne Endicott

Fern R. Espino

Paul E. Ewing

Mary Ann Fontana

John W. Ingle III

Barbara Kratchman

Arthur C. Liebler

Dexter Mason

Ali Moiin

Allan Nachman

Ann Nicholson

BOARD OF DIRECTORS

AS OF OCTOBER 1, 2025

CHAIR

Ethan D. Davidson

VICE CHAIR

Mary Kramer

VICE CHAIR

Denise J. Lewis

VICE CHAIR

Don Manvel

PRESIDENT/CEO

Patty Isacson Sabee

SECRETARY

Gene P. Bowen

TREASURER

Bharat C. Gandhi

IMMEDIATE PAST CHAIR

R. Jamison Williams

Naomi André

Richard A. Brodie

Kevin Dennis

Lisa M. DiChiera

Shauna Ryder Diggs

Sara Pozzi

Carrie Pryor

Paul Ragheb

Irvin D. Reid

Evan D. Ross

Nedda Shayota

Terry Shea

Matthew Simoncini

Richard A. Sonenklar

Lorna Thomas

Jesse Venegas

Barbara Walkowski

Gary L. Wasserman

Ellen Hill Zeringue

DIRECTORS

EMERITI

Elizabeth Brooks

Shelly Cooper

Marjorie M. Fisher

Herman Frankel

Dean Friedman

Jennifer Nasser

Charlotte Podowski

C. Thomas Toppin

Richard Webb

BOARD OF TRUSTEES

AS OF OCTOBER 1, 2025

Lourdes V. Andaya

Naomi André

Harold Mitchell Arrington

Bettye Arrington-Martin

Barbra Bloch

Gene P. Bowen

Richard Brodie

Charles D. Bullock

Thomas Cohn

Peter Cooper

Shelly Cooper

Ethan D. Davidson

Gretchen Davidson

Kevin Dennis

Cristina DiChiera

Lisa M. DiChiera

Shauna Ryder Diggs

Enrico DiGirolamo

Kathleen DiGirolamo

Debbie Dingell

Mary Jane Doerr

Linda Dresner

Maria C. Duey

Kenneth Eisenberg

Frances Eisenberg

Marianne Endicott

Fern R. Espino

Paul E. Ewing

Mary Sue Ewing

Margo Cohen Feinberg

Robert Feinberg

Carl Fontana

Mary Ann Fontana

Bharat C. Gandhi

Lynn Gandhi

Mara Ghafari

Yousif Ghafari

Toby Haberman

Gregory Haynes

John Ingle III

Tara Ingle

Patty Isacson Sabee

Jill Johnson

Ellen Kahn

Stephanie Germack Kerzic

Meredith Korneffel

Mary Kramer

Barbara Kratchman

Michael Kratchman

William Kupsky

Ed Levy Jr.

Denise J. Lewis

Arthur C. Liebler

Nancy Liebler

Marian Loginsky

Stephan Loginsky

Mary Alice Lomason

Don Manvel

Jack Martin

Dexter Mason

Benjamin Meeker

Ronald Michalak

Ali Moiin

Antoinette Morelock

Allan Nachman

Joy Nachman

Linda Orlans

Myrna Partrich

Spencer Partrich

Margaret Pehrson

Sara Pozzi

Waltraud Prechter

Carrie Pryor

Ted Pryor

Amy Ragheb

Paul Ragheb

John Rakolta

Terry Rakolta

Irvin D. Reid

Pamela Trotman Reid

Evan Ross

Kelsey Ross

Anthony Rugiero

Sabrina Rugiero

David Sabee

Nedda Shayota

Terry Shea

Thomas Short

Matthew Simoncini

Mona Simoncini

Sheila Sloan

Richard A. Sonenklar

Mary Ann Stella

Lorna Thomas

Jesse Venegas

Yesenia Venegas

Amy Voigt

Jeff Voigt

Barbara Walkowski

Gary L. Wasserman

Karen Williams

R. Jamison Williams

Jeremy Zeltzer

Ellen Hll Zeringue

TRUSTEES EMERITI

Augustin Arbulu

Dodie David

Larry David

Dede Feldman

Dean Friedman

Aviva Friedman

Mary Happel

Robert Klein

Wally Klein

Charlotte Podowski

Charles Powdowski

Marjorie Sandy

Roberta Starkweather

C. Thomas Toppin

Bernie Toppin

Mary Lou Zieve

FOUNDING MEMBERS

Lynn & Ruth Townsend*

Avern & Joyce Cohn*

John & Mardell* De Carlo

David DiChiera*

Karen VanderKloot DiChiera*

Aaron & Bernice Gershenson*

Donald & Josephine Graves*

Roman & Katherine Gribbs*

John & Gwendolyn Griffin*

Harry & Jennie Jones*

Wade & Dores McCree*

Harry J. Nederlander*

E. Harwood Rydholm*

Neil & Phyllis* F. Snow

Richard & Beatrice Strichartz*

Robert & Clara “Tuttie” VanderKloot*

Sam & Barbara Williams*

Theodore & Virginia Yntema*

KEY

*Deceased

When your event is held here, it's a guarantee.

From walking down the aisle to hosting an annual fundraiser, the theater is all yours. Michigan's premier venue is unmatched, offering versatile spaces for any celebration. Home to world-class performances and legendary productions, the historic Detroit Opera House offers a backdrop of elegance and drama. Between our exclusive lounges, main stage, grand lobby, and 360° panorama-view Sky Deck, this iconic venue is guaranteed to impress your guests.

Discover why we’re Detroit’s destination for show-stopping experiences.

A message from Patty Isacson Sabee

On behalf of Detroit Opera’s family of musicians and artists, staff and board, production crew and volunteers, I’m delighted to welcome you to the historic Detroit Opera House for our 25/26 season.

There is much to inspire in the rich world of opera and dance presentations that you have come to enjoy here. We also hope these presentations will inspire deeper conversations about issues that affect us all, and this season we invite you to journey along with us as we explore American identity, as the nation marks the 250th anniversary of the Declaration of Independence. Each unique opera and dance production offers us an opportunity to participate in a dialogue around the question: Has America at 250 lived up to its promise?

At Detroit Opera, we remain committed to sharing the beauty and emotional depth of opera, which is the foundation of who we are. At the same time, by presenting diverse programming that celebrates the many ways music and culture can move us, we honor our city’s dynamic artistic spirit and open new doors for audiences to experience the wonder of live performance.

In addition, as our beautiful home enters its 29th year of hosting performances and events for the greater Detroit community, we hope you will join us for more opportunities to experience the vibrancy and variety of what we can bring to this stage.

If Bugs Bunny is what first introduced you to the magical world of opera, please bring family and friends and join us in April for a concert celebrating Bugs’s 85th birthday. Classic Looney Tunes cartoons including “The Rabbit of Seville” and “What’s Opera, Doc?” will be projected on our big screen while the Detroit Opera Orchestra performs the original, iconic scores live!

Or if the magic of our dance presentations inspires you to get your groove on, head down to the Detroit Opera House on January 31 for Symphonic PFunk: Celebrating the Music of Parliament Funkadelic and enjoy the Detroit Opera Orchestra in collaboration with legendary funkmaster George Clinton, joined by special guests Nona Hendryx, Vernon Reid, and Bilal. Clinton’s unique PFunk style blends jazz, rock, pop, classical, and gospel, and this concert will be a once-in-a-lifetime chance to hear Clinton’s songbook with the grandeur of a full orchestra.

Whatever inspires you to join us at Detroit Opera, we thank you for being here. It is so important today for us all to be together, for the transformative power of performance to engage and connect us.

Youth Chor us

Detroit Opera Youth Chorus (DOYC) is a world class training program for singers ages 8 through high school seniors. Choristers learn from Detroit Opera professionals who skillfully build a solid foundation of artistic expression and music theory. Many of our DOYC alumni have gone on to prestigious conservatories and universities majoring in vocal performance or musical theater.

Upcoming performances:

FRI / NOV 07 / 8:00PM SAT / NOV 08 / 8:00PM

SUN / NOV 09 / 3:00PM

Carmina Burana

with the Detroit Symphony Orchestra Tickets @ DSO.org

THU / DEC 14 / 2:00PM

A Winter Fantasy

at First Presbyterian Church Royal Oak Tickets @ DetroitOpera.org

THU / MAY 02 / 2:00PM

Dean Burry’s

The Hobbit

Youth Opera at Detroit Opera House Tickets @ DetroitOpera.org

Sip & Stroll at the DOH

Have you ever strolled by the Detroit Opera House and wanted to know what it looks like inside? Join us for a 90-minute “Sip & Stroll” experience at the Detroit Opera House. Tours offer participants the chance to see our beautiful, historic 1922 theater, designed by renowned architect C. Howard Crane, and include the mainstage and backstage areas, plus a visit to the rooftop for spectacular views of downtown Detroit from our SkyDeck (weather permitting). Sip & Stroll tours include a glass of premium red or white wine, bottled water, and snacks. Must be 21 years old with a valid ID. Visit DetroitOpera.org for available dates and to purchase tickets.

Volunteers are the heart of all we do.

For lovers of opera, dance, theater, history, and community.

Join Detroit Opera’s volunteer community and share your gifts and talents. Have fun and make friends while participating in a multitude of opportunities all supporting Detroit Opera’s mission. Our volunteers are ambassadors for Detroit Opera and the city of Detroit, warmly welcoming patrons from near and far to the beautiful, 103-year-old Detroit Opera House for an experience they will cherish forever.

Easily sign up for events using our online volunteer portal!

“Once, my body belonged to me.”

SUN / MAR 01 / 2:30PM

THU / MAR 05 / 7:30PM SAT / MAR 07 / 7:30PM

Dance Theatre of Harlem

SAT / NOV 15 / 7:30PM

SUN / NOV 16 / 2:30PM

Dance Theatre of Harlem is a Detroit favorite returning to the Detroit Opera House after their 2023 performances. Arthur Mitchell created the company in New York City after making history in 1955 as the fi rst Black principal dancer at New York City Ballet. He was also the famed protégé of George Balanchine, the “Father of American Ballet.” This performance will include a fi rst look at Firebird by John Taras, a DTH signature classic, first created in 1982, being performed for the first time in more than 20 years. Iconic works created by Jodie Gates, Robert Garland, and others will also be featured on the program.

SUN / DEC 07 / 2:30PM

THU / DEC 11 / 7:30PM

SAT / DEC 13 / 7:30PM

Highways and Valleys—Two American Love Stories is a unique double bill combining voices often excluded from the operatic mainstream: the “dean of African American music,” William Grant Still, and the Jewish émigré Kurt Weill. From their marginalized positions in American society, both composers sought out the heart of American folk music and brought it into the world of opera.

A message from Jon H. Teeuwissen

Welcome! As we approach America’s 250th anniversary, our Dance @ Detroit Opera 25/26 Season celebrates the evolution of dance in America, focusing on neoclassical ballet, modern, and theatrical jazz dance.

This fall, we dive into neoclassical ballet, the new vocabulary of ballet developed by George Balanchine that allowed dancers to move with greater speed. Considered the “father of American ballet,” Russian-born of Georgian descent, Balanchine choreographed for the renowned Ballets Russes de Monte Carlo and later came to America, where he and art connoisseur/impresario Lincoln Kirstein co-founded the School of American Ballet, and later the New York City Ballet.

Balanchine will be spotlighted on Stars of American Ballet’s Detroit program with his ballet Who Cares?, danced to some of Gershwin’s best-loved songs. The Stars program also includes In the Night, choreographed by Jerome Robbins to Chopin nocturnes. Robbins choreographed his first ballet, Fancy Free, for American Ballet Theatre, and used the same theme to develop the Broadway hit On the Town. He went on to choreograph many Broadway shows, notably West Side Story. He returned to choreographing for ballet when Balanchine invited him to join the New York City Ballet. The program includes the sensual pas de deux from Light Rain, Gerald Arpino’s most popular ballet. Arpino co-founded the Joffrey Ballet with Robert Joffrey and served as resident choreographer. Joffrey is the link to Twyla Tharp, who is also represented on the Stars program with her ballet Brel, featuring a male solo dancer and music by Jacques Brel. In 1973, Joffrey invited Twyla Tharp, a fixture of New York City’s downtown modern dance scene, to create a contemporary ballet. She created Deuce Coupe, set to music by The Beach Boys. This first “crossover” ballet created by a modern dance choreographer was a major success and gave Tharp huge visibility.

This season we’re delighted to welcome back Dance Theatre of Harlem, co-founded by Arthur Mitchell, the first Black principal dancer at New York City Ballet. As Balanchine was Mitchell’s mentor, DTH reflects the neoclassical ballet aesthetic. Robert Garland, current artistic director and former company member who performed many Balanchine ballets, notably The Four Temperaments, is a Balanchine devotee. Garland’s own choreography will be represented on the program with Nyman String Quartet #2. Also on the program is Passage of Being, a 2025 ballet by Jodie Gates, who in addition to her work as choreographer has danced with the Joffrey Ballet, Frankfurt Ballet, and Complexions Contemporary Ballet.

In 2026, we will feature both modern and theatrical jazz dance with works of Paul Taylor and Bob Fosse. Enjoy!

SAT OCT 18 @7:30PM

PRE-PERFORMANCE TALK @6:30PM WITH DANIEL ULBRICHT

SUN OCT 19 @2:30PM

PRE-PERFORMANCE TALK @1:30PM WITH DANIEL ULBRICHT

No photography or video is allowed during the performance. Please silence all phones.

PROGRAM

In The Night

Music by Frédéric Chopin

Choreography by Jerome Robbins

OLIVIA MACKINNON EMILIE GERRITY BRITTANY POLLACK

HARRISON COLL

TYLER ANGLE ANDREW VEYETTE

Pianist Elaine Chelton

In the Night is performed by permission of The Robbins Rights Trust.

Light Rain

Music by Douglas Adams and Russ Gauthier

Choreography by Gerald Arpino

BECKANNE SISK CHASE O’CONNELL

Brel

Music by Jacques Brel

Choreography by Twyla Tharp

Lighting Design by James F. Ingalls

Costume by Santo Loquasto

DANIEL ULBRICHT

DANIEL ULBRICHT Artistic Director

Daniel Ulbricht was born in St. Petersburg, Florida, and began his dance training at the age of 11. At age 16, Daniel was invited by the School of American Ballet (SAB), the official school of New York City Ballet, to continue his training. As a student at SAB, Daniel performed with New York City Ballet as a Jester in Peter Martins’s The Sleeping Beauty. In December 2000, he became an apprentice with New York City Ballet, and in November 2001, he joined the company as a member of the corps de ballet. In January 2005, Daniel was promoted to the rank of soloist, and then principal dancer in May 2007. During his time there, he danced featured roles in a number of Balanchine, Robbins, Martins, and Wheeldon ballets including George Balanchine’s Prodigal Son, Tarantella, Stars and Stripes, A Midsummer Night’s Dream, Mozartiana, The Nutcracker, Symphony in Three Movements, and The Steadfast Tin Soldier ; Jerome Robbins’s Fancy Free, Interplay, A Suite of Dances, and The Four Seasons; and Peter Martins’s Jeu de cartes, Hallelujah Junction, Eight More, Swan Lake, The Sleeping Beauty, and Romeo + Juliet, among many others. Daniel also danced Tarantella at the 2004 Kennedy Center Honors to celebrate the Balanchine Centenary. He has also performed at a number of national and international festivals and galas. Daniel is a guest teacher at SAB, Ballet Academy East, as well as numerous well-known national dance schools, private schools, and universities throughout the United States. Daniel created and teaches a course at Yale University. He is currently the Director of Programming at Manhattan Youth Ballet, and is a former Artistic Director of New York State Summer School of the Arts in Saratoga Springs, New York. Daniel is also founder and director of Stars of American Ballet, a touring group focusing on high art, education, and outreach, and the co-founder and producer of Dance Against Cancer, an annual benefit for the American Cancer Society. Daniel is also on the board of the National Dance Institute.

ELAINE CHELTON Pianist

Elaine Chelton has performed at Lincoln Center and the Kennedy Center, and in Denmark, France, Russia, China, and Japan as a piano soloist for the New York City Ballet. She has premiered new ballets by Eliot Feld, Boris Eifman, Liam Scarlett, and Robert Binet, and has worked with Alexei Ratmansky, Christopher Wheeldon, and Susan Stroman. She was featured in the PBS special New York City Ballet in Paris, broadcast live from the Châtelet Theatre, and has also performed at the Vail International Festival of Dance, and Dancers’ Workshop in Jackson Hole, Wyoming. She studied piano with Zenon Fishbein, Morey Ritt, and Leon Pommers, and composition with Hugo Weisgall. She composed the music for God’s Country, which was an official selection of the New York Musical Theater Festival in 2013. Her Voice of the City received a workshop production at The Human Race Theatre Company in Dayton, Ohio, where it was named one of the top 10 best musicals. She has made two CDs of ballet music for Roper Records, and her music is featured on Luellen Abdoo’s CD, Luango. Elaine was honored with the John Castellini Silver Jubilee Award from Queens College, of which she is an alumna. She is a recipient of an Anna Sosenko Assist Trust grant and a member of the Dramatists Guild.

INDIANA WOODWARD was born in Paris, France, and began her dance training at the age of 10 at the Yuri Grigoriev School of Ballet in Venice, California. Indiana began studying at the School of American Ballet (SAB), the official school of New York City Ballet, during the 2010 summer course and enrolled as a full-time student that fall. In August 2012, she became an apprentice with New York City Ballet, and she joined the company as a member of the corps de ballet in December 2012. Indiana was promoted to soloist in February 2017. In 2020, she was promoted to the rank of principal dancer.

TYLER ANGLE was born in Altoona, Pennsylvania, and began his dance training at the age of nine with Deborah Anthony at the Allegheny Ballet Company. He entered the School of American Ballet (SAB), the official school of New York City Ballet, full-time in the fall of 2001. In the fall of 2003, Tyler became an apprentice with New York City Ballet. As an apprentice, he danced a featured role in Michel Fokine’s Chopiniana, performed by SAB as part of New York City Ballet’s winter 2004 season. Tyler joined New York City Ballet as a member of the corps de ballet in June 2004. He was promoted to the rank of soloist in December 2007, and in October 2009 was promoted to principal dancer. He has danced featured roles in Balanchine’s Agon, Allegro Brillante, Concerto Barocco, Jewels, Mozartiana, and Vienna Waltzes ; Robbins’s Dances at a Gathering, Glass Pieces, and In G Major ; and Christopher Wheeldon’s Carousel (A Dance), DGV: Danse à Grande Vitesse, and Polyphonia.

BRITTANY POLLACK was born in Princeton, New Jersey, and began her dance training at the age of five at the Princeton Ballet School, where her teachers included Douglas Martin, Maria Youskevitch, and Mary Barton. During the summers of 2008 and 2009, Unity attended the summer sessions at the School of American Ballet (SAB), the official school of New York City Ballet, and enrolled as a full-time student in fall 2009. She became an apprentice with New York City Ballet in December 2012 and joined the company as a member of the corps de ballet in November 2013. In February 2017, Unity was promoted to soloist, and in 2021, she was promoted to principal dancer. She has danced featured roles in Balanchine’s Agon, Chaconne, The Nutcracker, and Western Symphony ; Robbins’s Dances at a Gathering and The Four Seasons ; and Christopher Wheeldon’s Polyphonia.

BECKANNE SISK began her ballet training with Longview Ballet Theater at the age of five. She studied there until age 13 when she moved to Philadelphia, Pennsylvania, to attend the Rock School for Dance Education on scholarship. She was a part of the school’s Rock Academy of the Performing Arts (RAPA) program for four years. While there, Beckanne won the Jerome Robbins Award in 2007, and competed at the Youth America Grand Prix (YAGP) from 2007 to 2010, placing first and third. Adam Sklute invited her to join Ballet West II in 2010, at age 17, after seeing her compete at YAGP. After one year with Ballet West II, she joined the main company as a new artist in 2011, and was promoted to principal in 2015. She has performed the female principal roles in Anna-Marie Holmes’s Don Quixote; John Cranko’s Romeo and Juliet and Onegin; and Adam Sklute’s adaptations of Giselle, The Sleeping Beauty, and Swan Lake. Beckanne’s performance in Willam Christensen’s The Nutcracker was noticed by The Washington Post, which called her “one of the most charming and beguiling ballerinas to embody the role in recent memory. She was every bit the fairy-tale queen of one’s dreams—regal but warm, expressive but subtly so, who sustained her balances as if mere air held her up, and yet paradoxically, her dominant quality was softness.” Her performance in Cranko’s Onegin was also recognized by Pointe magazine as one of the “Standout Performances of 2019.” Original principal roles have been created on her by many renowned contemporary choreographers such as Nicolo Fonte, Val Caniparoli, Edwaard Liang, and Matthew Neenan. She has since become an international guest star. In addition to her dancing, Beckanne was featured on the CW’s Breaking Pointe television show for two seasons and has appeared in Vogue México. She also won the bronze medal in the Beijing International Ballet Competition in June 2012, and was awarded the 2012 Princess Grace Dance Fellowship. Beckanne joined Houston Ballet as principal dancer from 2023 to 2025 and is currently a principal dancer with The National Ballet of Canada.

CHASE O’CONNELL was born in Fredericksburg, Virginia, and started taking dance classes at the age of two. At age 13, he received a scholarship to train at the Kirov Academy of Ballet in Washington, D.C. He studied under Vladimir Djouloukhadze and Anatoli Kucheruk from 2007 to 2009. In 2009 he received a scholarship to train at The Royal Ballet School in London, England. There, he studied under Meelis Pakri and David Peden. While at school, he had the privilege to perform with English National Ballet in their 2010 production of The Nutcracker. After studying at The Royal Ballet School for two years, Chase joined the world-renowned Paris Opera Ballet to perform in their 2011 production of Rudolf Nureyev’s Cinderella In 2012 he began his contract with Ballet West II. He was promoted into the main company in 2013, and then promoted to principal in 2016. While at Ballet West, he has performed principal roles in ballets by John Cranko, Frederick Ashton, George Balanchine, Jiří Kylián, Jerome Robbins, Nicolo Fonte, Stanton Welch, and Adam Sklute. He has also had contemporary principal roles created on him by Nicolo Fonte, Edwaard Liang, Africa Guzman, and Val Caniparoli. Chase has danced in galas internationally, and his performance in Onegin was one of Pointe magazine’s top performances of 2019. Chase joined Houston Ballet as principal dancer from 2023 to 2025 and is currently a principal dancer with The National Ballet of Canada.

EMILIE GERRITY was born in Danbury, Connecticut, and began her dance training at the age of five at Betty Jean’s Dance Studio in Wappingers Falls, New York, before studying at the New Paltz School of Ballet. Emilie attended summer courses at the School of American Ballet (SAB), the official school of New York City Ballet, during the summers of 2004, 2005, and 2006, before enrolling as a full-time student in winter 2006. While at SAB, she performed George Balanchine’s Concerto Barocco as part of Protégés II at the Kennedy Center in Washington, D.C. in June 2008. Emilie was named as an apprentice in 2009 and joined the company as a member of the corps de ballet in September 2010. In February 2017, Emilie was promoted to soloist. In 2023, she was promoted to the rank of principal. She has danced featured roles in Balanchine’s Agon, The Four Temperaments, The Nutcracker, Raymonda Variations, and Serenade; Robbins’s The Four Seasons, Moves, and In the Night ; and Wheeldon’s Carousel (A Dance) and Polyphonia

ANDREW VEYETTE was born in Denver, Colorado and began his dance training at age 9, studying with Betty Downs at Dance Arts in Visalia, California. Andrew continued his studies at Westside Ballet in Santa Monica, California. While at Westside Ballet, Andrew trained with Yvonne Mounsey and was personally coached by Nader Hamed. He entered the School of American Ballet (SAB), the official school of New York City Ballet, in fall 1998. In spring 2000, Andrew became an apprentice with New York City Ballet; later that season, he joined the company as a member of the corps de ballet. In March 2006, Andrew was promoted to soloist, and in May 2007 he was promoted to Principal Dancer.

HARRISON COLL was born in Manhattan and began his dance training at the age of four in a creative dance class for boys. In 2003 he joined as a full time student at the School of American Ballet (SAB), the official school of New York City Ballet, with instructors including Olga Kostritzky, Jock Soto, Andrei Kramarevsky, Sean Lavery, Peter Martins, and Darci Kistler. In November 2012, Coll became an apprentice with NYCB and joined the Company as a member of the corps de ballet in August 2013. He was promoted to soloist in October 2018.

OLIVIA MACKINNON was born in Mobile, Alabama, and began her dance training at the age of three at the Mobile Ballet. At the age of 11, she performed with Mobile Ballet’s company. During the summers of 2008 and 2009, Olivia attended the summer sessions at the School of American Ballet (SAB), the official school of New York City Ballet, and enrolled as a full-time student in fall of 2010. Olivia became an apprentice with New York City Ballet in November 2012 and joined the company as a member of the corps de ballet in October 2013. She was promoted to soloist in April 2023.

Detroit Opera Needs You

Because of your dedication and support, Detroit Opera continues to provide meaningful artistic experiences for our community and inspires audiences of the future.

Looking ahead, please help us raise the barre— your support uplifts the art of ballet and ensures Detroit remains a destination for the world’s leading dance companies including Dance Theatre of Harlem.

Charitable contributions generate a significant portion of our overall funding and are investments in the future of performing arts in our community. Without donations, opera and dance cannot thrive in southeast Michigan.

Thank you for all the ways you support us!

All Giving Circle Members will receive a collectible pin, along with other special opportunities.

Scan the QR code to learn more about the Dance Theatre of Harlem Giving Circle and donate today!

Thank you to our donors Contributors to Detroit Opera

Detroit Opera gratefully acknowledges the generous support of our corporate, foundation, government, and individual donors whose contributions were received between July 1, 2024, and August 31, 2025. Your generosity is essential to sustaining Detroit Opera as a vibrant cultural resource for our community.

Foundations, Corporate & Government Support

$1,000,000+

William Davidson Foundation

The State of Michigan

$500,000-$999,999

John S. and James L. Knight Foundation

$250,000-$499,999

Ford Foundation

Mellon Foundation

$100,000-$249,999

J. Addison Bartush and Marion M. Bartush

Family Foundation

Community Foundation for Southeast Michigan

Ford Philanthropy

General Motors

Gilbert Family Foundation

Ralph C. Wilson Jr. Foundation

$50,000-$99,999

Max M. & Marjorie S. Fisher Foundation

Milner Hotels Foundation

$25,000-$49,999

Applebaum Family Philanthropy

Fred and Barbara Erb Family Foundation

Hudson-Webber Foundation

Kresge Foundation

MGM Grand Detroit

National Endowment for the Arts

The Karen & Drew Peslar Foundation

Rattner and Katz Charitable Foundation

Matilda R. Wilson Fund

Kurt Weill Foundation For Music

$10,000-$24,999

DTE Energy Foundation

Geoinge Foundation

Masco Corporation

Oliver Dewey Marcks Foundation

OPERA America

Penske Corporation

Ralph L. and Winifred E. Polk Foundation

Ida and Conrad H. Smith Endowment for MOT

The Mary Thompson Foundation

$5,000-$9,999

C&N Foundation

Co-Ette Club, Inc.

Aaron Copland Fund for Music

Gerson Family Foundation, Inc.

James and Lynelle Holden Fund

Honigman LLP

Louis and Nellie Sieg Fund

Donald R. and Esther Simon Foundation

Somerset Collection Charitable Foundation

Strum Allesee Family Foundation

The Samuel L. Westerman Foundation

$1,000-$4,999

ABM Janitorial Services

John A. & Marlene L. Boll Foundation

Joyce Cohn Young Artist Fund

Detroit Children’s Choir

Marjorie & Maxwell Jospey Foundation

Josephine Kleiner Foundation

Elmira L. Rhein Family Foundation

Warsh-Mott Funds

Individual Support

The National Circle

Introduced in 2024, the National Circle unites Detroit Opera’s foremost supporters at a pivotal moment in our history. With annual contributions of $25,000 or more, these visionary donors affirm their belief in the transformative power of live performance to inspire meaningful change—both in our city and across the nation.

$100,000+

Richard & Mona* Alonzo

Ethan & Gretchen Davidson

Linda Dresner & Ed Levy Jr.

David & Christine Provost

Matthew & Mona Simoncini

Richard Sonenklar & Gregory Haynes

Barbara A. Walkowski

$50,000-$99,999

Enrico & Kathleen Digirolamo

Patricia Isacson Sabee & David Sabee

Mary Kramer

Mrs. Phyllis Funk Snow*

Lorna Thomas, MD

Jesse & Yesenia Venegas

R. Jamison & Karen Williams

$25,000-$49,999

Lisa A. Applebaum

Alex Erdeljan

Carl & Mary Ann Fontana

Jane Iacobelli

Michael & Barbara Kratchman

Denise J. Lewis

Nancy & Bud Liebler

The Hon. Jack & Dr. Bettye Arrington Martin

Susanne McMillan

Allan & Joy Nachman Philanthropic Fund

Ann & James B. Nicholson

Ebbie Parsons III & Ayana Parsons

Mrs. Ruth F. Rattner*

Barbara Van Dusen

The DiChiera Society

KEY * Deceased

DiChiera Society members honor the legacy and vision of our founder, David DiChiera, while advancing Detroit Opera’s future as one of the nation’s most significant and innovative opera and dance organizations. Their commitment supports our ongoing focus on community engagement, accessibility, and bold artistic exploration under the leadership of Barbara Walkowski Artistic Director Yuval Sharon.

$10,000-$24,999

Gene P. Bowen

Mr. Thomas Cohn

Lisa DiChiera

Dr. Raina Ernstoff & Mr. Sanford Hansell

Maxine & Stuart Frankel Foundation

Bharat & Lynn Gandhi

Toby Haberman

Jody & Tara Ingle

Ali Moiin & William Kupsky

Ms. Mary C. Mazure

Donald & Antoinette Morelock

Mr. Cyril Moscow*

William & Wendy Powers

Dr. & Mrs. Samir M. Ragheb

Dr. Irvin D. Reid & Dr. Pamela Trotman Reid

Evan & Kelsey Ross

Salome E. Walton

Prof. Michael Wellman

$5,000-$9,999

Ms. Christine Ammer

Nina Abrams

Dr. Lourdes V. Andaya

Dr. Harold M. Arrington

Gregory & Mary Barkley

Wayne Brown & Brenda Kee

Sue Cutler & Jeff Fessler

Walter & Lillian Dean

Maria & David Duey

Nell Duke & David Ammer

Marianne Elrick & Kenneth Myers

Joseph Fontana & Nada Jurisich-Fontana

Ralph & Erica Gerson

Beverly Hall Burns

Ms. Carole Hardy

Ellen Hill Zeringue

William Hulsker & Aris Urbanes

Addison & Deborah Igleheart

Mary B. Letts

Andy Levin & Mary Freeman

Don Manvel

Mrs. L. William Moll

Van Momon & Pamela L. Berry

Robert & Susan Morris

Mr. George & Mrs. Jo Elyn Nyman

Joshua & Rachel Opperer

Ms. Linda Orlans

Sara A. Pozzi, Ph.D.

Waltraud Prechter

Carrie & Ted Pryor

Janice Ross

Mrs. Rosalind B. Sell

Terry Shea & Seigo Nakao

Michael & Stacey Simmons

Christopher Stavrou

Ned & Joan Winkelman

$3,000-$4,999

Sandra & Doug Bitonti Stewart

Paul & Lee Blizman

Bob & Rosemary Brasie

Dr. & Mrs. Ronald T. Burkman

Albert & Janette Cassar

Carolyn Demps & Guy Simons

Marla Donovan

Fern Espino & Tom Short

James & Margo Farber

Sally & Michael Feder

Ms. Laurie R. Frankel

Mr. Lawrence Glowczewski

Mr. & Mrs. Robert & Christine Hage

Barbara Heller

Roberto Kalb & Mane Galoyan

Dr. Glendon M. Gardner & Leslie Landau

Ann Katz

Max Lepler & Rex Dotson

John & Arlene Lewis

Stephan & Marian Loginsky

Ms. Mary McGough

Benjamin Meeker & Meredith Korneffel, MD

Brian & Lisa Meer

Ms. Evelyn Micheletti

Phillip Minch

Brian Murphy & Toni Sanchez-Murphy

Geoffrey Nathan

Friends of Detroit Opera

George & Nancy Nicholson

Brock & Katherine L. Plumb

Lois & Mark Shaevsky

Susan Sills-Levey & Michael Levey

Susan A. Smith

Frank & Susan Sonye

Sharon Tevis Finch

Buzz Thomas & Daniel VanderLey

Joseph & Rosalie Vicari

Stanley Waldon

Dr. John Weber & Dr. Dana Zakalik

Bret & Susanna Williams

Dr. Lucia Zamorano

Every gift helps ensure that opera and dance continue to flourish in our community, bringing to life the indescribable magic that begins when the curtain rises. Friends of Detroit Opera— among our most loyal and essential supporters—sustain this work through annual contributions of $500 or more & enjoy exclusive benefits in recognition of their generosity.

$1,000-$2,999

Thomas & Gretchen Anderson

D.L. Anthony, Ph.D.

Ms. Geraldine Atkinson

Mr. Jason Batke

Martin & Marcia Baum

Mr. Stanislaw Bialoglowski

Ms. Nicole A. Boelstler

Mrs. Marlene L. Boll

Constance Bodurow

Marsha Bruhn

Ilse Calcagno

Harriet Clark

John & Doreen Cole

Tonino & Sarah Corsetti

Ms. Mary J. Doerr

Murray & Alice Ehrinpreis

Ms. Judith Ellis

Burke & Carol Fossee

Carol Gagliardi & David Flesher

Marcelo Ganasevici

Arline Geronimus

Allan Gilmour & Eric Jirgens

Mr. Nathaniel Good

Robert & Ann Greenstone

Kimberly Hastie

Fay & Allen Herman

Adriana Herrera

Julie & Peter Hollinshead

Joel Howell

Mary Ellen Hoy & Jim Keller

Paul Jednak & Tim Kasunic

Richard & Involut Jessup

Marc Keshishian & Susanna Szelestey

Mr. & Mrs. Gerd H. Keuffel

Sam Logan Khaleghi

Gregory Knas

William & Jean Kroger

Jennifer Lindsay Kott

Mrs. Marsha Lynn

Ms. Vera C. Magee

Mr. Loreto A. Manzo

Ms. Janet Groening Marsh

Patrick & Patricia McKeever

Eugene & Lois Miller

Mary F. Miller

Ms. Maryanne Mott

Iuliana & Ovidiu Niculescu

Ms. Pamela Patton-Cone

Margaret Pehrson

Mark & Kyle Peterson

Ms. Irene Piccone

Ankur Rungta & Mayssoun Bydon

Prof. Alvin* & Mrs. Harriet Saperstein

Mary Schlaff & Sanford Koltonow

Kingsley & Lurline Sears

Anthony & Theresa Selvaggio

John Snyder

Ms. Theresa Spear & Mr. Jeff Douma

Gabriel & Martha Stahl

Ms. Mary Anne Stella

Dr. Andrew James Stocking

Andrew J. Sturgess

Manuel Tancer & Claire Stroker

Mr. Jon Teeuwissen

Dr. Jewlee Weah Tweh

Jeff & Amy Voigt

Gary L. Wasserman & Charles A. Kashner

Erica White

Katina Zaninovich

$750-$999

Eric Alonas

Frank & Jenny Brzenk

Carol Johnston

Vincent & Kathy Scanio

Robert & Janet Swanson

Dennis & Jennifer Varian

$500-$749

Antonia Abbey & James Lee

David A. Agius

Wallace Ayotte

Ms. Allison Bach & Mr. Michael Cool

Ms. Mary Anne Barczak

Ms. Kanta Bhambhani

Marceline Bright

Ms. Susan Burns

Stephen Calkins & Joan Wadsworth

Susan Cameron

Paula Lisa Cole

Gerald Davis

Cristina DiChiera & Neal Walsh

Mr. John R. DiLodovico

Manisha Dostert

Daniel H. Ferrier

Yvonne Friday & Stephen Black

John Gierak & Dona Tracey

Joseph & Lois Gilmore

Gil Glassberg & Sandra Seligman

Philip & Martha Gray

Ms. Rosemary Gugino

Beth Hoger & Lisa Swem

Ms. George-Ann Howell

Lawrence John & Lilian Lai

Kimberly Johnson

Ms. Lee Khachaturian

Justin & Joanne Klimko

Ms. Cynthia Kratchman

Mary Jane & Jeff Kupsky

Albert Kurt

Robert & Mary Lou Labe

Dr. & Mrs. Kenneth Levin

John & Arlene Lewis

Mr. John Lovegren & Mr. Daniel Isenschmid

John & Kimi Lowe

Mrs. Marsha Lynn

Dr. Anne Missavage & Mr. Robert Borcherding

Jane Panikkar

Elaine & Bertram Pitt

Garry Post & Robert Hill

Shawn Rieschl Johnson & Christian Kirby

Adam D. Rubin, M.D, Lakeshore Professional Voice Center

Mr. Richard Lee Ruby

Mr. Rodney Michael Rusk

Charles & Pamela Schiffer

Demetrius Shields

Catherine Strumbos

Clara Sumeghy

Mr. Bruce Tackett

Frank Tenkel

Dr. Gretchen Thams

Ms. Janet Beth Weir

Meredith Weston-Band & Jeffery Band

Ms. Richelle Wojtczak

Elliot & Dr. Susan Zeltzer

Gifts in Tribute

We extend our heartfelt gratitude to those who have made generous gifts to Detroit Opera in honor or in memory of loved ones. The names of those being honored or remembered are listed in bold below.

IN HONOR OF

Armando Delicatio

Judith Gordon & Lawrence Banka

Lisa DiChiera

Mrs. Ruth F. Rattner*

Carl & Mary Ann Fontana

Mrs. Nina Dodge Abrams

Paul & Orvilla Ashely

Thomas E. Barron

Michael J. Bartoy

Beverly Anne Bloomberg

Andre Boulanger

Wilson Curle

Mary Jo & Donald Dawson

David Feeny

Pamela Fontana

Cynthia Gitt

Peter Gude

Patricia Isacson Sabee & David Sabee

Theresa Johnson

Mary Kramer

Allen A. Lewis

James Peggs & Margaret Talburtt

Sarah Siwek

Teresa Taranta

Sara Valenti

Rick Warner

Robert Wittenberg

Patricia Isacson Sabee

William Austin

Juliano Bitonti Stewart

Katrina Fasulo

Angela Nelson-Heesch

Brenda Kee

Dr. Ali Moiin & Dr. William Kupsky

Mrs. Ruth F. Rattner*

Dr. Ali Moiin & Dr. William Kupsky

David Kupsky Law Group, LLC

Mary Jane & Jeff Kupsky

Mrs. Mary Jane Kupsky

William & Elizabeth S. Kupsky Household

Shane Pliska & Karl Lievense

Dr. Ali Moiin & Dr. William Kupsky

Brett Scott

Marcelo Ganasevici

Jon Teeuwissen

Manisha Dostert

Lorna Thomas, MD

Paul & Lee Blizman

Barbara Walkowski

Neal S. Goren

IN MEMORY OF

Wickam Allen

Beth Buzzelli Carlson

Armando Delicatio

Patricia Bentley

Jacqueline Shuster

Carol DeVore

Mr. Mark S. DeVore

David DiChiera

Louis & Nellie Sieg Fund

Sandy Duncan

R. Jamison & Karen Williams

Grant Eldridge

Tracy Barr

Drs. Julie B. Finn & Bradley Rowens

Heather Gehring

Shawn Rieschl Johnson & Christian Kirby

Al Lucarelli

R. Jamison & Karen Williams

George & Ann Marisl

Thomas Dickson & Carol Dick

Ruth Rattner

Jody & Gary Astrein

David & Nancy Barbour Household

Ms. Lori Cohn

Elle Elder

Marianne Elrick & Kenneth Myers

Beth & Earle Erman

Ann Fishman

Amy Folbe

Richard & Eleanore Gabrys

Marilyn Goldberg

Mrs. Marilyn Goldberg

Renee Handelsman

David & Rose Handleman

Barbara Heller

Patty Isacson Sabee & David Sabee

Richard Katz

Ann Katz

Mrs. Barbara Kratchman

Michael & Barbara Kratchman

Victor Lebovici

Dr. Jay Levinson

Nancy & Bud Liebler

Howard Luckoff

Alex & Lisa MacDonald Household

Ali Moiin & William Kupsky

Angela Nelson-Heesch

Bluma Schechter

Mrs. Bluma Schechter

Ms. Lisa Schwartz

Grace Serra

Martha Siefman

Mr. Mark Sussman

Mr. William Volz

Gary L. Wasserman & Charles A. Kashner

Rick & Karen Williams

Sharon Zimmerman

Suzann Kaye Ripple

Ms. Catherine Pappas

Miss Alison Piech

Gladys Santiago

Angeline Rooks

Maria McMullen

William Sandy

Julie & Peter Hollinshead

Tamara Whitty

Phyllis Osler

Every effort has been made to accurately reflect donor, honoree, and memorial names for gifts received between July 1, 2024 and August 31, 2025. Should you find an error or omission please contact Angela Nelson-Heesch at anelsonheesch@detroitopera.org or 313.237.3438.

Avanti Society Members Setting the Stage for Tomorrow

Found throughout Italian opera, the word avanti means “ahead” or “forward.” The Avanti Society— Detroit Opera’s planned giving recognition program—honors a special group of donors whose generosity is guided by vision and foresight. By including Detroit Opera in their estate plans, members ensure that the transformative power of opera and dance will continue to inspire audiences in our community and across the nation for generations to come. With deep gratitude, we thank our Avanti Society members for shaping the future of Detroit Opera.

Douglas* & Sarah Allison

Richard & Mona* Alonzo

Dr. Lourdes V. Andaya§

Mr. & Mrs. Agustin Arbulu§

Chester* & Emilia Arnold§

Dr. Leora Bar-Levav

Lee & Floy Barthel

Brett & Veronica Batterson§

Richard & Gwen Bowlby

Mrs. Doreen Bull

Roy E.* & Ilse Calcagno§

Dr. & Mrs. Thomas & Dorothy* Carson

Dr. & Mrs. Victor J.* & Katherine Cervenak

Father Paul F. Chateau

Mary Christner

Mr. Gary L. Ciampa

Prof. Kenneth Collinson

Douglas & Minka Cornelsen

Dr. Robert A. Cornette§#

Mr. Thomas J. Delaney

Walter & Adel Dissett

Ms. Mary J. Doerr§

Mrs. Helen Ophelia Dove-Jones

Maria Dudlar

Marianne T. Endicott§#

David & Jennifer Fischer

Herbert & Betty Fisher§

Mrs. Barbara Frankel* & Mr. Ronald Michalak§#

Mr. & Mrs. Herman Frankel§#

Byron & Marilyn Georgeson§

Albert & Barbara Glover

Robert Green

Mr. Ernest Gutierrez

Stephen & Aline Hagopian

Mr. Lawrence Hall§

Jerome & Margot Halperin§

Heather Hamilton

Charlene Handleman

Preston* & Mary Happel

Mr. Kenneth E. Hart§

Eugene & Donna Hartwig§

Dr. & Mrs. Gerhardt A. & Rebecca P. Hein

Fay & Allen Herman

Derek & Karen* Hodgson

Andrew & Carol Howell

Dr. Cindy Hung§

Eleanor & Alan Israel

Ms. Kristin R. Jaramillo§

Don Jensen & Leo Dovelle§

John Jickling

Patrick J.* & Stephanie Germack Kerzic

Josephine Kessler

Edward & Barbara Klarman

Robert & Wally Klein#

Erwin H. & Suzanne Klopfer§#

Myron & Joyce LaBan

Paul Lavins*

Max Lepler & Rex Dotson

Linda Dresner & Ed Levy Jr.

Mr. Hannan Lis

Florence LoPatin

Stephen Lord

Ms. Denise Lutz

Laura & Mitchell Malicki

Ms. Jane C. McKee§

Bruce Miller

Orlando & Dorothy Miller§

Ms. Monica Moffat & Mr. Pat McGuire

Drs. Stephen & Barbara Munk

Harold Munson & Libby Berger

Tiffany Nance

Mr. Jonathan F. Orser

Ms. Julie Owens

Mr. Dale J. Pangonis§

Charles A. & Mary Parkhill

Daniel Valentino Peacock

Allison Prost

Mr. Richard M. Raisin§#

Ms. Deborah Remer

Dr. Joshua Rest

James & Marguerite S. Rigby§

Mr. Bryan L. Rives

Ms. Patricia H. Rodzik§

David & Beverly Rorabacher

Dulcie Rosenfeld

Professor Alvin* & Mrs. Harriet Saperstein

Bashar Sarraf

Ms. Susan Schooner§

Mark & Sally Schwartz

Arlene Shaler§

Ms. Ellen Sharp

Ms. Edna J Pak Shin

Harold & June Siebert

Mrs. Loretta Skewes

Ms. Anne Sullivan Smith

Ms. Betsy R. Spratt

Richard* & Roberta Starkweather§#

Ms. Mary Anne Stella

Stanford C. Stoddard

Ronald F. Switzer§ & Jim McClure

Lillie Tabor

Peter & Ellen Thurber

Alice* & Paul Tomboulian

Jonathan* & Salome E. Walton

Susan Weidinger

Mr. Andrew Wise

Larry* & Mary Lou Zangerle

We express profound thanks to these Avanti Society members whose planned gifts to Detroit Opera have been realized.

Robert G. Abgarian

Robert & Margaret Allesee#

Serena Ailes Stevens

Mr. & Mrs. J. Addison Bartush§#

Mr. & Mrs. Mandell Berman

Margaret & Douglas Borden

Charles M. Broh

Milena T. Brown

Charlotte Bush Failing

The Gladys L. Caldroney

Mary C. Caggegi

Allen B. Christman

Miss Halla F. Claffey

Ms. Virginia M. Clementi

Hon. Avern Cohn & Ms. Lois Pincus

Robert C. & RoseAnn B. Comstock

Mrs. Mary Rita Cuddohy

Marjorie E. DeVlieg

Nance Dewar

James P. Diamond

Dr. David DiChiera

Mrs. Karen V. DiChiera

Nina S. Drolias

Charles & Mary Jane Duncan§

Mr. Wayne C. Everly

Dr. Evelyn J. Fisher

Mrs. Anne E. Ford

Ms. Pamela R. Francis§

Mrs. Rema Frankel

Barbara Lucking Freedman

Edward P. Frohlich

The Priscilla A.B. Goodell

Freda K. Goodman

Priscilla R. Greenberg, Ph.D. §#

Maliha Hamady

Ms. Nancy B. Henk

Mary Adelaide Hester

Ms. Patricia Hobar

Gordon V. Hoialmen

Carl J. Huss

Mr. John Jesser

H. Barbara Johnston

Maxwell & Marjorie Jospey

Mrs. Josephine Kleiner

Misses Phyllis & Selma Korn§#

Mr. & Mrs. Arthur Krolikowski§

Leslie Lazzerin

Mr. Philip Leon

Dores & Wade McCree

Vivien McDonald

Lucie B. Meininger

Helen M. Miller

Ella M. Montroy

Ronald K. Morrison

Ruth Mott

Clarice Odgers Percox

Elizabeth M. Pecsenye

Thomas G. Porter

Magdalena Predeteanu

Mrs. Ruth F. Rattner

Mitchell Romanowski

Ms. Joanne B. Rooney

Concetta Ross

Mr. & Mrs. Giles L. & Beverly Ross

Ms. Merle H. Scheibner

Drs. Heinz & Alice Platt

Schwarz§

Ms. Laura Sias

Mrs. Marge Slezak

Ms. Phyllis Funk Snow§

Edward L. Stahl

Dr. Mildred Ponder Stennis

Mary Ellen Tappan

Margaret D. Thurber

Mr. & Mrs. George & Inge Vincent§#

Herman W. Weinreich

J. Ernest Wilde

Mrs. Ruth Wilkins

Helen B. Wittenberg

Mr. & Mrs. Walter & Elizabeth Work§

Joseph J. Zafarana

George & Pearl Zeltzer§

KEY

§ Founding Members

# Touch the Future donors

* Deceased

Membership in the Avanti Society is open to all who wish to declare their intention for a planned gift to Detroit Opera. Call Demetrius Shields to learn more, 313.309.8255.

Detroit Opera Honor Roll

Detroit Opera gratefully acknowledges these distinguished donors for their lifetime giving. Their extraordinary generosity has shaped the history of our company— from its founding in 1971 by Dr. David DiChiera as Michigan Opera Theatre, to the opening of the Detroit Opera House in 1996, and to our bold transformation into Detroit Opera in 2022 under the leadership of Barbara Walkowski Artistic Director Yuval Sharon. Their visionary support sustains the vitality of Detroit Opera today, making possible world-class opera and dance performances as well as acclaimed community programs that inspire and engage audiences throughout our region.

$10,000,000+

The William Davidson Foundation

Ford Motor Company Fund

The State of Michigan

$5,000,000+

Community Foundation for Southeast Michigan

General Motors

John S. & James L. Knight Foundation

The Kresge Foundation

Fiat Chrysler Automobiles

$2,000,000+

Mr. & Mrs. Douglas* & Sarah Allison

Mr. Lee & Mrs. Floy Barthel

Marvin, Betty & Joanne Danto

Dance Endowment & Marvin & Betty

Danto Family Foundation

Mr. & Mrs. Herman & Sharon Frankel

Lear Corporation

Linda Dresner & Ed Levy Jr.

Masco Corporation

McGregor Fund

The Andrew W. Mellon Foundation

The Skillman Foundation

R. Jamison & Karen Williams

KEY

* Deceased

$1,000,000+

Richard & Mona* Alonzo

AT&T

Bank of America

Mandell L. & Madeleine H. Berman Foundation

Mr.* & Mrs. John A. Boll Sr.

Compuware Corporation

Robert & RoseAnn Comstock

Joanne Danto & Arnold Weingarden

Ethan & Gretchen Davidson

DTE Energy Foundation

The Fred A. & Barbara M. Erb Family Foundation

Mrs. Margo Cohen Feinberg & Mr. Robert Feinberg

Max M. & Marjorie S. Fisher Foundation

Mrs. Barbara Frankel* & Mr. Ronald Michalak

Mr. & Mrs. Samuel Frankel*

Hudson-Webber Foundation

JPMorgan Chase

Paul Lavins

National Endowment for the Arts

Matthew & Mona Simoncini

Richard Sonenklar & Gregory Haynes

Dr. & Mrs. Sam B. Williams*

Matilda R. Wilson Fund

Every effort has been made to accurately reflect donor names and gift levels. Should you find an error or omission, please contact Angela Nelson-Heesch at anelsonheesch@detroitopera.org or 313.237.3438

Orchestra

Detroit Federation of Musicians, Local #5, of the American Federation of Musicians

VIOLIN

Daniel Stachyra

Interim Concertmaster

Yuri Popowycz

Acting Asst. Concertmaster

Emelyn Bashour

Principal Second Violin

Anna Bittar-Weller

Solveig Geenen

Molly Hughes

Bryan Johnston

Henrik Karapetyan

Velda Kelly

Beth Kirton

Jenny Wan

Andrew Wu

VIOLA

John Madison

Principal

Jacqueline Hanson

Scott Stefanko

Chloé Thominet

CELLO

Ivana Biliskov

Principal

Benjamin Maxwell

Andrea Yun

BASS

Derek Weller

Principal

Clark Suttle

HARP

Juan Riveros

Principal FLUTE

Collin Stavinoha

Principal

Andrea Velasquez

PICCOLO

Andrea Velasquez

OBOE

Eli Stefanacci

Principal

Mark Doerr

ENGLISH HORN

Mark Doerr

CLARINET

Roi Karni

Principal

J. William King

BASS CLARINET

J. William King

BASSOON

Daniel Fendrick

Principal

Peter Ecklund

HORN

Colin Bianchi

Principal

Natalie Sweasy

TRUMPET

David Ammer

Principal

TROMBONE

Jordan Dove

Principal

Dustin Nguyen

TIMPANI

Eric Stoss

Principal

PERCUSSION

John Dorsey

Principal

Administration & Staff

LEADERSHIP

Patty Isacson Sabee, President & CEO

Yuval Sharon, Barbara Walkowski Artistic Director

Roberto Kalb, Music Director

Andrew Berg, Chief Development Officer

Daniel T. Brinker, General Manager, Detroit Opera House & Parking Center

Shawn Rieschl Johnson, Chief Programming & Production Officer

Jon Teeuwissen, Artistic Advisor for Dance

Samantha Teter, Chief Marketing Officer

Ataul Usman, Senior Director of Human Resources

ADMINISTRATION

William Austin, Executive Assistant

ARTISTIC DEPARTMENT

Nathalie Doucet, Head of Music & Director of Detroit Opera Resident Artist Program

Elizabeth Anderson, Artistic Administrator

DANCE

Kim Smith, Dance Administrator

DETROIT OPERA YOUTH CHORUS

Twannette Nash, Chorus Administrator

Jane Arvidson Panikkar, Preparatory Chorus Conductor

Rebecca O-G Eaddy, Principal Chorus Conductor

Maria Cimarelli, Preparatory Chorus Accompanist

Joseph Jackson, Principal Chorus Accompanist

DEVELOPMENT

Juliano Bitonti Stewart, Director of Development

Chelsea S. Kotula, Director of Institutional Giving

Katrina Fasulo, Director, Individual Giving & Donor Engagement

Angela Nelson-Heesch, Director, Data Analytics & Operations

Valentino Peacock, Manager of Data & Operations

Demetrius Shields, Manager of Individual Giving

EDUCATION

Branden Hood, Director of Education

Alaina Brown, Program Coordinator: Education & Community Programs

Eliza Beutler, Program Administrator

FACILITIES

Vanessa Boyd, Facilities Manager

Juan Benavides, Building Engineer

Kevie Crumb, Facilities & Event Technician

FINANCE

Kimberley Burgess, Accountant

Rita Winters, Accountant

HUMAN RESOURCES

Denver Harvey, Human Resources Coordinator

MARKETING/COMMUNICATIONS

Leah Hill, Director of Marketing

Anna Herscher, Lead Graphic Designer

Jennifer Melick, Communications & Media Relations Manager

Deirdre Michael, Website Administrator

Austin Richey, Digital Media Manager & Storyteller

Arthur White, Director of Community & Audience Engagement Position is supported by the John S. and James L. Knight Foundation

MUSIC

DEPARTMENT

Katherine Kozak, Chorus Director & Music Administrator

Molly Hughes, Orchestra Personnel Manager

Jean Posekany, Orchestra Librarian

PRODUCTION

Elizabeth Anderson, Production Coordinator

Kathleen Bennett, Production Finance Administrator

Jeff Beyersdorf, Technical Director

Eden Cope, Assistant Technical Director

Brian Dambacher, Production Manager

Monika Essen, Property Master

Suzanne Hanna, Costume Director

Kaila Madison, Technical Assistant

Brodrick Whittley, Assistant Technical Director

COSTUMES

Suzanne Hanna, Costume Director

Michaela Tanskley, Wardrobe Supervisor

Patricia Sova Jr., First Hand

Mary Ellen Shuffett, Fitting Assistant

Eileen Thorna , Tailor

Maureen Abele, Paul Moran, Lupe Vazquez, Stitchers

WIGS & MAKEUP

Erika Broderdorf, Wig & Makeup Crew Coordinator

STAGE CREW

John Kinsora, Head Carpenter

Jerome Bowie, Head Electrician

Pat McGee, Head Propertyman

Chris Baker, Head of Sound

Pat Tobin, Head Flyman

Dee Dorsey, Surtitle Operator

Mary Ellen Shuffett, Head of Wardrobe

IATSE Local #38 Stage Crew

IATSE Local #786 Wardrobe

SAFETY AND SECURITY

Rock Monroe, Director of Safety & Security

Lieutenant Lorraine Monroe

Sergeant Demetrius Newbold

Officer Gary Cabean

Officer A.M. Hightower

Officer Michelle Johnson

Officer Terrence Hunter

Officer Vernon Smith

Officer Khalil Nalis

TICKETING & BOX OFFICE

Amy Brown, Director of Ticketing and Booking

Stephanie Stoiko, Box Office Manager

Evan Carr, System Administrator

Holly McDermott, Box Office Associate

Alex Robinson, Box Office Associate

Chris Simpson, Box Office Associate

Ellen Smith, Group Sales Associate

VENUE OPERATIONS

Alexis Means, Director of Operations & Patron Experiences

Holly Clement, Senior Manager of Events & Rentals

Jennifer George-Consiglio, Manager of Venue Operations

Michael Hauser, Curator of History & Architecture

Kathie Booth, Volunteer Coordinator

USHERS

Max Aghili, Christine Berryman, Ellen Bishop, Kathie Booth, Lori Burkhardt, Randall Davis, Erin Doakes, Suzanne Erbes, Pamela Fergusson, Jo-Ann Hale, Sue Hargrave, Myrna Mazure, Ennis Mcgee, Steven McReynolds, Heddie O’Connor, Bill Ried, Kimberly Ried, Edna Rubin, Ida Vance, Sheryl Weinan-Yee

IN CASE OF EMERGENCY

Please observe the lighted exit signs located throughout the theater. In the event of an emergency, remain calm and walk, do not run, to the nearest exit. Ushers and security personnel are trained to assist. An emergency medical technician (EMT) is on-site during most events. Contact an usher or staff member if you need medical assistance.

GUEST SERVICES:

Vincent Lobby and Broadway Lounge

There are a variety of amenities for your comfort and use located in both guest services locations. Wheelchairs, booster seats*, earplugs, assisted listening devices, feminine hygiene products, basic first aid items, and more are complimentary and available for your convenience. Coat check is also available. The Vincent Lobby is located on the Madison Street side of the building and the Broadway Lounge is located on the Broadway Street side of the building.

*Limited quantity

PHOTOGRAPHY, RECORDING, AND CELL PHONE USE

Photography and/or recording during any performance is strictly prohibited. Photographs taken in the lobby areas, before or after a performance, and during intermission are welcome. As a courtesy to all guests, please turn off all electronic devices and refrain from use during the performance.

RESTROOMS

Women’s restrooms are located off the Ford Lobby (Broadway Street entrance) and down the stairs, and on third floor (Madison Street entrance). Men’s restrooms are located under the Grand Staircase and on the third floor (Broadway Street side). There are two sets of elevators or stairs available to access all third-floor restrooms. All third-floor restrooms are wheelchair accessible (women’s restroom, press 3R in the elevator). There are single-use unisex wheelchair accessible restrooms on the first floor of the Broadway Street side of the building and the Madison Street side of the building. There is also a wheelchair accessible women’s restroom on the Broadway Street side of the building.

NO SMOKING

The Detroit Opera House is a non-smoking facility. This includes e-cigarettes, vapes, and other “smokeless” products.

USHERS

Ushers are stationed throughout the building to assist patrons as needed. Please direct questions, concerns, and feedback to them during your visit. Enjoy volunteering? Please go to guest services or the Detroit Opera website, DetroitOpera.org/support/volunteer, for information on becoming a volunteer.

LOST AND FOUND

During the performance, lost and found is located in guest services. Unclaimed items are logged and taken to the Safety and Security office after each performance. To inquire about a misplaced or lost item, please call 313.961.3500. Items left over 30 days will be discarded or donated.

RECORDING IN PROGRESS

Entry and presence on the event premises constitute your consent to be photographed, filmed, and/or otherwise recorded, and to the release, publication, exhibition, or reproduction of any and all recorded media for any purpose whatsoever in perpetuity in connection with Detroit Opera and its initiatives. By entering the event premises, you waive and release any claims you may have related to the use of recorded media of you at the event.

DETROIT OPERA HOUSE, IN ASSOCIATION WITH CHEW ENTERTAINMENT, PRESENTS

Symphonic PFunk: Celebrating The Music of Parliament Funkadelic

AND THE DETROIT

CONDUCTED BY RAY CHEW

Featuring George Clinton with Nona Hendryx, Vernon Reid, and Bilal

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