SRISHTI BUSAR | Undergraduate Architecture Portfolio | Nirma University

EMAIL ID

busarsrishti@gmail.com

21bar041@nirmauni.ac.in

412, Akash Ganga Apts, 22 Godown Industrial area, Jaipur, Rajasthan, India 302006

2021PRESENT

Nirma University, Ahmedabad

Bachelor of Architecture Semester 6 (Ongoing)

20072021

RBMHS, Jaipur

Autodesk Autocad

Autodesk Revit (BIM)

Rhinoceros 3D Sketchup

Adobe Photoshop

Adobe Illustrator

Adobe Indesign Lumion

MACHAAN

CONTEXTUAL STUDIO

ART DHARA INSTITUTION

WORKING DRAWING INSTITUTION

LE FORUM DU COTTAGE HOUSING

SHAJAR E SUKOON

NASA HUDCO 2024

TARANG

NASA ANDC 2023

SRI LANKA RSP FIELD STUDIO

MEASURE DRAWINGKAZA AND AHMEDABAD

MISCELLANEOUS SKETCHES AND INSTALLATIONS

MACHAAN A PHOTOGRAPHER’S DEN

Machaan, a viewing deck cum shelter for travellers and photographers, is inspired by the works of Japanese architect Kengo Kuma. The design principles are derived from the case study of one of his projects, ‘The Nest We Grow’. These are then translated into circlular volumes blending with undulating terrain. At the lake side, the space is defined by slender additive elements mimicking the trees. The peripheral circulation in the front transitions into passage enclosed by substractive mass towards hill side, creating scenic frames.

Intersecting Circular Masses

Solid-void- interplay

Peripheral to enclosed circulation

Peripheral Circulation

Play of light and shadow

Access from two different terrain levels

Volumes through structure

Visual Permeability, lightness

Furthur articulation for varied enclosure

ART DHARA AN ART LANDSCAPE

ART DHARA is a space for art designed with the intention to bring the “Class to Mass” which means to break the eliteness of an art museum into a humble space that is more accessible and inviting to the masses.

Nestled in the dense urban fabric of Topi Mill Compound, Ahmedabad, it is designed as a Non- building, where the built form emerges from the site, creating sub terranean spaces as a response to the climate as well as the heritage structure, Jhulta Minara, adjacent to the site.

Existing Site

Spaces intersecting by simultaneous Horizontal and Vertical Circulation

Lifting built mass on contour for noise reduction

Substraction of mass from contour to generate subterranean spaces

Sunken built mass in parallel grids, intercepted by courtyards

Extending volumes above and below the terrain to submerge mass

Non-building: Terrain sloping upto terrace of a sunken built mass

Terrain sloping up from roadside and terminating at the trees foliage

Play of levels and vertical and horizontal circulation

WORKING DRAWING ART DHARA

LE FORUM DU COTTAGE

The project concept is inspired from the idea of a CENTRAL CITY CORE, like that of the Roman Forum. The site consists of UNESCO world heritage structures present as forgotten ruins. The design hence proposes retaining all the heritage structures and revitalising their essence on site by building a larger square around them consisting of Amphitheatre and other leisure spaces.

All the commercial activities and offices are proposed around the central Square to increase footfall around the heritage structures and bring them back to life. The residential plots are placed at the periphery.

The Pedestrian Network well connects the Context to the Central Square which, in turn, makes the whole Site a ‘WALKABLE NEIGHBOURHOOD’.

AND PEDESTRIAN PATHWAY

SHAJAR-E-SUKOON NASA HUDCO 2024

Shajar-e-sukoon, translates to ‘Tree of Tranquillity’. It is a staff housing designed with a stepped form generating terraces and breakout spaces on multiple levels with plantations and urban farming, with the intention to provide a sustainable, adequate and affordable living.

CO-WORKING SPACES

Terraces with Urban farming Bridge connecting the two blocks

CO- WORKING SPACES

CO- WORKING SPACES

Breakout Spaces in lobbies

SUSTAINABILITY

Rainwater Harvesting

SUSTAINABILITY

Greywater Treatment

TARANG NASA ANDC COMPETITION 2023

V

The idea behind the pavilion Tarang is to transform wastes generated in our everyday lives into a dynamic structure. The site chosen lies at the intersection of rural and urban fabric, thus, the pavilion forms an interaction platform for people from different socioeconomic backgrounds and age groups.

It intends to generate consciousness amongst public for irresponsible waste disposal and a new perception towards its usage especially in architecture and construction.

PROPOSED PLAN PROCESS PLANS

SRI LANKA RSP

FIELD STUDIO

The RSP focused on redevelopment of Nuwara Eliya, a hill station in Sri Lanka. Earlier a British colony, the city now expects more than 10,000 tourists every year, resulting in need for creating a new identity of the city.

Therefore, the objective was to understand the existing scenario and prepare a suitable map for future development, trying to respect both the geographic features and the character of the town The proposal focused on development of a Central Public Plaza ,improving Pedestrian movement and creating better Edge conditions for the streets.

PROCESS SKETCHES

KAZA RSP MEASURE DRAWING

Based in a cold and dry climate, the Kee Monastery, Kaza exemplifies cultural and climate responsive architecture.

The main temple is a mud and rubble stone constrution with traditional Tibetan pagoda-style roofs, traditional motifs, colors, and stucco on walls.

The monks’ domestic quarters are mud construction with flat roofs with wooden beams and rafters covered by waste wood or wooden planks. This is then layered on top by mud and tin sheets. These are built in very humble volumes, with thick walls for insulation and fenestration having a black painted border for absortion of sunlight and heat.

GROUND FLOOR PLAN

REFLECTED CEILING PLAN

AHMEDABAD

POL MEASURE DRAWING

MISCELLANEOUS SKETCHES AND ARTWORKS

MODELS

Folded plate structure exploration

Gherkin by Norman Foster

Nest We Grow by Kengo Kuma

INSTALLATIONS

Tapestry Cascade

Mehfil-e-Courtyard (Bamboo Installation)

MISCELLANEOUS MODELS/ INSTALLATIONS

+91-7014723244

busarsrishti@gmail.com

21bar041@nirmauni.ac.in