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Head of Design/Specialist Modern & Contemporary Decorative Art & Design
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COVER: 112. Axel Salto, a stoneware vase, Royal Copenhagen. BACK: 242. Hans J. Wegner, a “Swivel Chair” model “JH502”, Johannes Hansen, Denmark, 1950s-60s.
Viewing November 12–17
Live auction November 18–19
3. Edward Hald, a graal glass vase, Orrefors 1937, no 96. 2. Edward Hald, a graal vase, Orrefors 1937, no. 67. 7. Sven Palmqvist, a “double ravenna” glass bowl, Orrefors 1956, no 999.
GLASS
Andres Laszlo Jr. Collection
Bukowskis presents a private collection of art glass acquired during the 1980s and 1990s. The collection consists of a number of carefully selected pieces by Orrefors’ foremost glass designers, created during the 1930s–1950s: Simon Gate, Edward Hald, Edvin Öhrström, and Sven Palmqvist, with an emphasis on early and rare examples of Graal, Ariel, and Ravenna
1. Simon Gate (Sweden, 1883–1945) an engraved glass portrait plaque, Orrefors ca. 1935.
Engraved decoration of a man in profile, signed Simon Gate. Diameter 17.7 cm.
Provenance: Andres Laszlo Jr. Collection, purchased in the 1980s.
Literature: Arthur Hald (ed.), “Simon Gate, Edward Hald”, The Swedish Society of Crafts and Design, Norstedts, Stockholm 1948, pp. 116–119. André Laszlo, “Svenskt Konstglas”, Sellin & Blomquist Förlag AB, 1991, the plaque illustrated p. 86.
Estimate: SEK 4 000 – 6 000 / EUR 370 – 550
Master glassblower Gustaf Bergqvist, Orrefors glassworks, ca 1940-41.
2. Edward Hald (Sweden, 1883–1980) a graal vase, Orrefors 1937, no. 67.
“Thick-walled”. Decor of aquatic plants in blue against an apricot-coloured background with air bubbles, frosted surface, signed Orrefors 1937 Graal No 67 Edward Hald. Height 16.2 cm.
Provenance: Sold at auction in Gothenburg in the 1980s, thereafter acquired for the Andres Laszlo Jr. Collection.
3. Edward Hald (Sweden, 1883–1980) a graal glass vase, Orrefors 1937, no 96.
Four-sided with decoration of fish and aquatic plants in green against a clear background with small air bubbles, hand-signed Orrefors 1937 Sweden Graal No 96 Edward Hald. Height 19.5 cm, 15 x 15 cm.
Provenance: Andres Laszlo Jr. Collection.
Literature: Andres Laszlo, “Svenskt Konstglas”, Sellin & Blomquist, 1991, illustrated p. 58.
4. Edward Hald (Sweden, 1883–1980) a fish graal glass object, Orrefors 1944, no 1500.
Irregular shape, decoration of fish and aquatic plants in green against a lighter background, as well as clear glass, signed Orrefors Sweden Graal no. 1500, and signed by Edward Hald. Height 14.5 cm, 18 x 13.5 cm.
5. Edvin Öhrström (Sweden, 1906–1994) an ariel glass vase, Orrefors 1938, provenance Gustaf Bergqvist.
Drop-shaped with decoration of a rider, floral ornamentation etc. in red-violet against a blue background, signed Orrefors E. Öhrström 1938. Height 17.8 cm.
Provenance: Gustaf Bergqvist (1875–1955), master glassblower at Orrefors and brother of Knut Bergqvist, thence by descent within the family. Gustaf Bergqvist collaborated with Edvin Öhrström in the creation of Ariel glass. Acquired in 1987 from Gustaf Bergqvist’s grandchild for the Andres Laszlo Jr. Collection.
Cylindrical form with decoration of a face and a rider representing Odin with his horse Sleipnir in brown against an interior of orange and green-tinted glass, signed Orrefors Sweden Graal no: 1413B E. Öhrström. Height 17 cm.
Provenance: Andres Laszlo Jr. Collection., acquired in New York in the 1980s/1990s.
8. Sven Palmqvist (Sweden, 1906–1984) a “double” ravenna glass bowl, Orrefors 1953, no 530.
Oval with internal decoration of graduated squares in blue against red-orange, the exterior with a grey-blue layer, signed ORREFORS Sweden Ravenna No: 530. 23 x 19 cm, height 11.3 cm.
Provenance: Andres Laszlo Jr. Collection, purchased at Beijer’s Modern Spring Auction, Stockholm in 1989, catalogue 35, no. 907.
7. Sven Palmqvist (Sweden, 1906–1984) a “double” ravenna glass bowl, Orrefors 1956, no 999.
Four-sided with a checkered pattern in blue against red-orange, with an outer layer of grey-toned glass, signed ORREFORS RAVENNA No 999 Sven Palmqvist. 21 x 20 cm, height 17.2 cm.
11. Sven Palmqvist (Sweden, 1906–1984) a group of four Kraka glass objects, Orrefors 1940s-50s, no 34, 170, 359 and one unsigned. Bowl on foot with air bubbles, rim with olive-cut decoration, signed ORREFORS Kraka No. 359 (1957). Height 19 cm, diameter 19.9 cm. Vase with decoration in turquoise blue against a faintly yellow-toned ground, signed Orrefors Sweden Kraka No. 170 (1952) Sven Palmqvist, height 32 cm. Vase with decoration in light blue, signed Orrefors Sweden Kraka No. 34 (1945) Sven Palmqvist, height 36.7 cm. Bowl, decoration in yellow against a grey-toned ground, unsigned, height 9 cm, diameter 12.7 cm.
Provenance: Andres Laszlo Jr. Collection.
Exhibitions: According to the Orrefors archive catalogue, Kraka no. 34 was exhibited in Aarhus in 1947. Bukowskis thanks Björn Arfvidsson at Kulturparken Småland for this information.
13. Greta Welander (Sweden, 1882–1942) a cameo glass vase, Reijmyre 1914, no. 368.
Baluster-shaped with a wide foot, featuring etched decoration of a salamander among aquatic plants in green against a turquoise-blue background, engraved signature Reijmyre A. E Boman (etched and polished by Axel Enoch Boman) UNIQUE 1914 N=368 G. Welander. Height 33.5 cm.
Greta Welander was educated at Tekniska Skolan (now Konstfack) in Stockholm from 1902 to 1905. In 1908, she married a manufacturer in the textile industry in Norrköping. During the 1910s, she worked as a designer at Reijmyre Glassworks. She likely created her first designs for the glassworks in 1913, as the first correspondence between Welander and Reijmyre regarding designs has been found. Her design world contained motifs almost exclusively from the Swedish flora and fauna, and the designs seem to have been primarily suited for decoration in the overlay technique.
Greta Welander’s glass is very rare on the auction market, and very few examples are known.
Estimate: SEK 40 000 – 50 000 / EUR 3 640 – 4 550
14. Simon Gate (Sweden, 1883–1945) a graal glass vase, Orrefors 1937.
Carborundum decoration with seaweed in reddish-brown and blue, signed Orrefors
Simon Gate Graal No 45 (? indistinct), 1937. Height 24.5 cm.
Estimate: SEK 10 000 – 12 000 / EUR 910 – 1 090
15. Edvin Öhrström (Sweden, 1906–1994) a “Flickan och duvan” (The Girl and the Dove) ariel glass vase, Orrefors 1944, no 281.
Decor of a female profile and dove in green against a clear background with air, signed Orrefors Sweden Ariel No 281, E Öhrström. Height 17 cm.
Provenance: Around the foot rim, engraved inscription: “To Malmö Stocking Factory from A-B Nordiska Kompaniet Vogue 10 years 6/10 1944”.
16. Ingeborg Lundin (Sweden, 1921–1992) a “Melon” glass vase, Orrefors, post 1957.
Grey-blue underlay, signed ORREFORS Expo D 9–57 Ingeborg Lundin. Height 29.5 cm, diameter approx. 30.5 cm.
Estimate: SEK 20 000 – 25 000 / EUR 1 820 – 2 280
18. Bertil Vallien (Sweden, 1938–) a unique “Voyage XVII” sand-cast glass sculpture of a boat, Kosta Boda.
Inner decoration of a gilded face, a globe, a ladder etc. against clear glass, polished and sandblasted edges, signed B. Vallien 7531904 KOSTA BODA UNIQUE. Length 43.5 cm, width 7.5 cm, total height including iron stand with wires 14 cm.
19. Bertil Vallien (Sweden, 1938–) a sand-cast glass sculpture of a boat, Kosta Boda 1992.
Inner decoration of a figure, crosses, etc., signed B Vallien KOSTA BODA UNIQUE -92. Length 52.5 cm, width 7.6 cm, total height 13.4 cm, including mounting with iron rods on a rectangular granite base.
20. Gunnel Nyman (Finland, 1909–1948) a “Calla” glass vase, Riihimäen Lasi Oy, Finland.
Free-blown clear green glass with an underlay of opal glass, cut and polished rim, rounded base, signed Riihimäen Lasi Oy Gunnel Nyman. Height 22.3 cm.
Literature: Gunnel Nyman, The Bulletin of the Finnish Glass Museum, Lastitutkimuksia, glassresearch IV (1987), the model depicted, see catalog no. 49, p. 91.
Estimate: SEK 15 000 – 20 000 / EUR 1 370 – 1 820
21. Oiva Toikka (Finland, 1931–2019) a glass sculpture of a fish, Nuutajärvi, Notsjö, ed 135/150. Red filigree glass with dark iridescent fins, signed Oiva Toikka Nuutajärvi Notsjö 135/150 NIB and label marked iittala Finland. Length 48 cm, height 20 cm.
23. Edmond Lachenal (France, 1855–1948) (after a drawing by the same), an Art Nouveau cameo glass vase, Daum, Nancy, France.
Glass in green and white against an iridescent background, decoration of water lilies, engraved signature with gold on the base DAUM NANCY d’après Lachenal. Height 13.5 cm.
In the late 1890s and onwards, the ceramicist Edmond Lachenal undertook several trips to the Loire and created around thirty exceptional works with the firm Daum (only nine are known today).
A white crystal glass service was even exhibited at the Salon de la Société Nationale des Beaux-Arts in 1904. The only collaboration between these two great names of the 20th century preserved at the Musée d’Orsay is the polychrome enameled white crystal glass service “Gui”.
Estimate: SEK 30 000 – 40 000 / EUR 2 730 – 3 640
22. Daum Frères (France) an “Aurore” (Boule cabossée) Art Nouveau cameo glass bowl by Jacques Gruber, Nancy, France, 1890s. Etched and painted decoration, bulbous multi-faceted mouth, decoration of plane trees in relief in brown and gold against an opalescent yellow-toned ground, signed in gold DAUM with the Cross of Lorraine, the base with white metal mount. Height 15.5 cm, total diameter 20.5 cm.
Estimate: SEK 10 000 – 12 000 / EUR 910 – 1 090
24. René Lalique (France, 1860–1945) a “Farandole” glass vase, France, post 1930.
Opalescent, the lower part with dancing putti, flared rim, etched signature R. LALIQUE FRANCE. Height 18 cm, diameter 26 cm.
Literature: Felix Marcilhac, “R. Lalique - Catalogue Raisonné de l’œuvre de Verre”, 1989, cat. no. 1052.
Estimate: SEK 10 000 – 15 000 / EUR 910 – 1 370
145. Uno Åhrén, a Swedish Grace dining table, 1920s. 24. René Lalique, a “Farandole” glass vase, France, post 1930. 144. Uno Åhrén, a Swedish Grace cabinet, 1920s.
25. Paolo Venini (Italy, 1895–1959) an “Opalino” glass vase model 6225, Venini, Murano, Italy, 1950s. Quatrefoiled rim, grey underlay, acid signature venini murano ITALIA and remnants of paper label. Height 20.5 cm.
Estimate: SEK 6 000 – 8 000 / EUR 550 – 730
25A. Tyra Lundgren (Sweden, 1897-1979) a set of two glass dove sculptures model “10627”, Venini, Murano, Italy, post 1938. Iridescent glass mass in pink and white glass, signed with round etched signature venini murano ITALY. Height 19 and 19.5 cm, length 22 cm.
28. Alessandro Pianon, a “Pulcino” glass sculpture of a bird, Vetreria Vistosi, Italy, 1960s.
26. Alessandro Pianon (Italy, 1931–1984) a “Pulcino” glass sculpture of a bird, Vetreria Vistosi, Italy, 1960s.
Boat-shaped, light blue glass with yellow stripes, eyes in murrine, legs of copper. Height 17 cm, length 21 cm, width 9.5 cm.
Estimate: SEK 30 000 – 40 000 / EUR 2 730 – 3 640
27. Alessandro Pianon (Italy, 1931–1984) a “Pulcino” glass sculpture of a bird, Vetreria Vistosi, Italy, 1960s. Orange glass, eyes in murrine, legs of copper. Height 22 cm.
Estimate: SEK 30 000 – 40 000 / EUR 2 730 – 3 640
28. Alessandro Pianon (Italy, 1931–1984) a “Pulcino” glass sculpture of a bird, Vetreria Vistosi, Italy, 1960s.
Blue glass with murrine decoration in blue and green, eyes in yellow, green, and white, copper legs. Height 27 cm.
Estimate: SEK 40 000 – 50 000 / EUR 3 640 – 4 550
29. Alessandro Pianon (Italy, 1931–1984) a “Pulcino” glass sculpture of a bird, Vetreria Vistosi, Italy, 1960s. Green glass with decoration in blue and green, eyes in murrine, legs of copper. Height 31 cm.
Estimate: SEK 20 000 – 30 000 / EUR 1 820 – 2 730
30. Alessandro Pianon (Italy, 1931–1984) a murrine glass vase model S-177, Vetreria Vistosi, Murano, Italy, 1960s.
Smoky coloured glass with bands of murrine in blue and red. Height 22.5 cm.
Blown clear glass with wavy red rim, signed Dante Marioni 95. Height 17.5 cm, diameter 36.5 cm.
Estimate: SEK 8 000 – 10 000 / EUR 730 – 910
32. Preston Singletary (USA, 1963–) a “Genie” glass bottle, reportedly a prototype, executed ca. 1995.
Blown in red and grey underlay, unsigned. Height 45 cm.
Provenance: Purchased directly from the artist in Seattle in 1995, executed the year before the series was launched.
Estimate: SEK 6 000 – 8 000 / EUR 550 – 730
33. No Lot.
58. Berndt Friberg, a stoneware vase, Gustavsberg Studio 1967. 73. Lisa Larson, a unique stoneware sculpture, Gustavsberg Studio circa 1960.
63. Stig Lindberg , a stoneware vase, Gustavsberg Studio 1962. 38. Gunnar G:son Wennerberg , an Art Nouveau glazed creamware vase, Gustavsberg, Sweden, early 20th century. 41. Wilhelm Kåge , a “Farsta” stoneware sculpture/vase, Gustavsberg Studio 1959.
134. Carl Malmsten, a chest of drawers, executed by cabinetmaker Albin Johansson, Stockholm, 1943.
CERAMICS
34. Walter Crane (Great Britain, 1845–1915) & William Salter Mycock, a lustreware “Sea Maiden” vase, Pilkington Royal Lancastrian, England, 1910s. Luster-glazed ceramic, decoration of marine motifs with women in sailing ships in silver tones against a dark violet background, signed with Walter Crane’s (designer of the vase) signature and William S. Mycock’s monogram (decorator), stylised “Fleur de Lys”, also stamped 2472 ENGLAND. Height 27 cm.
Estimate: SEK 20 000 – 25 000 / EUR 1 820 – 2 280
35. Fanny Garde (Denmark, 1855–1928) an Art Nouveau porcelain lidded vase model 1204/8, Bing & Grøndahl, Denmark.
Baluster-shaped urn in two layers, the outer with pierced decoration of flowers in grey and white against brown, signed with manufacturer’s mark, B&G and F. Garde in underglaze blue and model number 1204/8. Height 42 cm.
Provenance: Private collection.
Estimate: SEK 40 000 – 50 000 / EUR 3 640 – 4 550
36. Nils Emil Lundström (Sweden, 1865–1960) an Art Nouveau porcelain vase, Rörstrand, ca 1900.
Relief decoration of flowers in underglaze colours, signed Rörstrand NLE and deeply stamped 11913, I. Height 42 cm.
Estimate: SEK 8 000 – 10 000 / EUR 730 – 910
37. Algot Erikson (Sweden, 1868–1937) an Art Nouveau porcelain vase, Rörstrand, ca 1900.
Relief decoration of a flower in underglaze colours, signed Rörstrand AE. Height 34 cm.
Estimate: SEK 6 000 – 8 000 / EUR 550 – 730
Gustavsberg 200 Years
Bicentennial Section
“There has always been a fairytale-like shimmer surrounding ceramic creation — perhaps above all due to the suspense of fire’s transformative power, the process in the kiln’s heat, when the soft clay turns hard, the matte glaze transforms into a gleaming shell, and the color comes alive in the decoration.”
In the foreword to the exhibition catalogue published in connection with Gustavsberg’s 150th anniversary exhibition at the Nationalmuseum in 1975, curator Eva Nordenson writes romantically about the porcelain factory in Gustavsberg’s harbor. Now, as Gustavsberg celebrates 200 years, the production from the golden age of the 20th century still carries that fairytale-like shimmer.
A contributing factor to the factory’s esteemed status has been that the industrial artist’s individual creative efforts already played a prominent role in Gustavsberg’s production by the end of the 19th century. For this auction’s anniversary section, our ambition has been to reflect how these artistic contributions have been a significant element in the development of ceramic art throughout the 20th century. Presented here are unique studio pieces by some of the factory’s foremost designers, such as Wilhelm Kåge, Berndt Friberg, Stig Lindberg, Anders Bruno Liljefors, and Lisa Larson.
55. Berndt Friberg, a mahogany casket with stoneware miniatures, Gustavsberg Studio, no. 17.
38. Gunnar G:son Wennerberg (Sweden, 1863–1914) an Art Nouveau glazed creamware vase, Gustavsberg, Sweden, early 20th century. Baluster shape, fully covered decoration of yellow flowers against a dark green background, signed G Wennerberg Gustafsberg. Height 21.5 cm.
Estimate: SEK 6 000 – 8 000 / EUR 550 – 730
39. Wilhelm Kåge (Sweden, 1889–1960) an “Argenta” stoneware vase, Gustavsberg 1938.
Spherical shape with green glaze, painted silver decoration of a dragon, signed HANDDREJAD ARGENTA 1042 III GUSTAVSBERG KÅGE year letter H and Q. Height 20 cm.
Estimate: SEK 8 000 – 10 000 / EUR 730 – 910
40. Wilhelm Kåge (Sweden, 1889–1960) a “Farsta” stoneware vase, Gustavsberg Studio 1945.
Oval mouth on a round foot, incised decoration of a grid pattern, glaze in green, yellow, and brown, signed KÅGE FARSTA with studio stamp and year letter O. Height 15.5 cm, 15.3 x 11.9 cm.
41. Wilhelm Kåge (Sweden, 1889–1960) a “Farsta” stoneware sculpture/vase, Gustavsberg Studio 1959.
Pear-shaped vase on a tall narrow foot with ribbed decoration, glaze in rust brown, yellow, green, and black, signed KÅGE i9 and with the studio stamp, FARSTA and label marked. Height 36.3 cm.
42. Wilhelm Kåge (Sweden, 1889–1960) a “Farsta spirea”, stoneware vase, Gustavsberg Studio 1957.
Engraved band decoration, glaze in yellow and brown, signed KÅGE with the year letter Ä and marked FARSTA as well as with the studio stamp. Height 17.4 cm, diameter 17.8 cm.
43. Wilhelm Kåge (Sweden, 1889–1960) a “Farsta” stoneware bowl, Gustavsberg Studio 1950s.
Oval form, incised decoration of squares and diagonal stripes, glaze in blue and cream, signed with the studio mark FARSTA. Length 21.5 cm, width 16 cm, height 10 cm.
Estimate: SEK 6 000 – 8 000 / EUR 550 – 730 (d)
44. Wilhelm Kåge (Sweden, 1889–1960) a “Farsta” stoneware dish, Gustavsberg 1934.
Matte glaze in blue and green with turquoise-blue spots, signed GUSTAVSBERG KÅGE FARSTA with the anchor mark and year letter D.
Diameter 14.5 cm, height 2.3 cm.
Estimate: SEK 3 000 – 4 000 / EUR 280 – 370 (d)
45. Wilhelm Kåge (Sweden, 1889–1960) a “Farsta” stoneware vase, Gustavsberg Studio 1948.
Incised checkered pattern, partially with turquoise and blue glaze, signed KÅGE, with the studio mark and year letter R, height 14.8 cm.
46. Wilhelm Kåge (Sweden, 1889–1960) a “Farsta” stoneware bowl, Gustavsberg Studio 1952.
Nearly round with an indented side with a handle, combed relief decoration, turquoise and green glaze with running drops, signed FARSTA KÅGE with the studio mark and year letter V, as well as marked with inventory number 112. 20.5 x 18.5 cm, height 9 cm.
Estimate: SEK 6 000 – 8 000 / EUR 550 – 730 (d)
47. Wilhelm Kåge (Sweden, 1889–1960) a “Farsta” stoneware bowl, Gustavsberg Studio 1952.
Oval bowl on a high foot, incised line decoration, partially glazed in turquoise and blue, signed KÅGE with studio stamp and Gustavsberg and year letter V. Height 10.4 cm, approx. 13.3 x 14.2 cm.
Estimate: SEK 5 000 – 6 000 / EUR 460 – 550 (d)
48. Wilhelm Kåge (Sweden, 1889–1960) a “Farsta” stoneware vase, Gustavsberg Studio 1949.
Partially glazed in turquoise, blue, and green, signed and dated at the bottom of the foot: Kåge 6 March 1949 Gustavsberg, as well as with studio stamp underneath. Height 8.8 cm.
Estimate: SEK 4 000 – 5 000 / EUR 370 – 460 (d)
49. Wilhelm Kåge (Sweden, 1889–1960) a “Farsta” stoneware vase, Gustavsberg Studio 1960.
Conical with concave indentations, ribbed decoration, on three feet, glaze in straw yellow and brown, signed K.9. KÅGE with studio stamp and FARSTA. Height 19 cm, diameter 14.3 cm.
50. Wilhelm Kåge (Sweden, 1889–1960) a “Farsta” stoneware vase, Gustavsberg Studio 1956.
Conical on a cylindrical foot, partially glazed in straw yellow, blue and brown, signed KÅGE Å and with studio stamp and FARSTA. Height 16 cm, diameter 18 cm.
52. Wilhelm Kåge (Sweden, 1889–1960) a set of two “Farsta” stoneware vases and a footed bowl, Gustavsberg Studio 1956–60.
Pressed and carved relief decoration, glaze in turquoise and green as well as yellow and brown, signed KÅGE K9 respectively Å with studio mark and impressed FARSTA. Height 5.5–7 cm, diameter 8–11 cm.
54. Berndt Friberg (Sweden, 1899–1981) a set of nine miniature stoneware vases, Gustavsberg Studio 1967–71. Various forms and hare’s fur glazes in blue, the smallest with geometric decoration in blue and brown, signed Friberg with the studio mark, most also with various year letters. Height 3–15 cm.
54A. Berndt Friberg (Sweden, 1899–1981) a miniature stoneware vase and bowl, Gustavsberg Studio 1964-65. Blue and brown hare’s fur glaze, signed Friberg with the studio mark and the year letters f and G. Height of the vase 12 cm, diameter of the bowl 11.3 cm.
Estimate: SEK 6 000 – 8 000 / EUR 556–741 (d)
55. Berndt Friberg (Sweden, 1899–1981) a mahogany casket with stoneware miniatures, Gustavsberg Studio, no. 17.
Rectangular casket, internally lined with a mirror and containing a total of 24 different miniature vases and bowls in various glazes, signed Friberg with the studio mark, the casket marked FRIBERG No: 17, dimensions 41 x 31 cm, height 7 cm, height of the miniatures 2–10.8 cm.
Provenance: Harry H. Hjalmarsson (1907–1986), director at KF 1956–71, thence by descent within the family.
61. Stig Lindberg (Sweden, 1916–1982) a stoneware vase, Gustavsberg Studio 1944.
Engraved relief decoration with small knobs, light glaze in turquoise, blue and beige, signed Stig L as well as with studio stamp and year letter o. Height 10.3 cm, diameter 11 cm.
In the form of a stylised hand on a conical foot, incised decoration, glaze in greybeige tones with some turquoise, signed with the studio mark Stig L. and also incised Gustavsberg SWEDEN as well as a round (Swiss?) customs stamp ZOLL 11-29.
64. Stig Lindberg (Sweden, 1916–1982) a stoneware vase, Gustavsberg Studio 1963.
Pressed relief decoration, turquoise glaze, signed Stig L with studio mark and impressed GUSTAVSBERG. Height 8.7 cm, diameter 11 cm.
Estimate: SEK 6 000 – 8 000 / EUR 550 – 730 (d)
65. Stig Lindberg (Sweden, 1916–1982) a stoneware set of a teapot, a bowl and a goblet, Gustavsberg Studio 1969.
Turquoise/blue glaze, signed Stig L with the studio hand. The height of the jug including the wooden handle is 14 cm, the height of the goblet is 7.7 cm, the diameter of the bowl is 10.5 cm, height 5.3 cm.
Estimate: SEK 6 000 – 8 000 / EUR 550 – 730 (d)
66. Stig Lindberg (Sweden, 1916–1982) Stig Lindberg, a stoneware vase, Gustavsberg Studio 1961.
Relief decoration of a grid pattern, turquoise glaze, signed Stig L with the studio mark and label marked. Height 17.2 cm, diameter 10,6 cm.
Estimate: SEK 5 000 – 7 000 / EUR 460 – 640 (d)
67. Stig Lindberg (Sweden, 1916–1982) a stoneware bowl, Gustavsberg Studio 1958–59.
Internally with pressed relief decoration, blue glaze, signed Stig L with the studio mark. Diameter 35.3 cm, height 12.8 cm.
Provenance: Harry H. Hjalmarsson (1907–1986), director at KF 1956–71, thence by descent within the family.
Estimate: SEK 8 000 – 10 000 / EUR 730 – 910 (d)
68. Stig Lindberg (Sweden, 1916–1982) a rare 32-piece stoneware chess set, Gustavsberg Studio 1970s.
Gold and silver-coloured, at least three pieces signed SL with studio hand, other pieces covered with felt underneath.
Height approx. 5–10 cm.
Provenance: Purchased at auction in the late 1970s, thence by descent within the family.
Literature: Gisela Eronn, “Tusenkonstnären Stig Lindberg”, Stockholm 2003, the model ill. p. 142.
71. Stig Lindberg (Sweden, 1916–1982) a stoneware vase, Gustavsberg Studio 1970.
Relief decoration of round buttons with faces, glossy glaze in grey-blue and burgundy, signed Stig L with studio hand. Height 18.5 cm, diameter 23.5 cm.
Bukowskis presents a selection of ceramic pieces from the Rilton Family Ebeling Collection, a rich Swedish private collection of ceramics, art and sculpture by Allan Ebeling, built up over two generations of passionate collectors. It all started when the present owner’s parents bought a horse’s head from Allan Ebeling and gradually added more objects. The present owner tells how their father and Ebeling became good friends over time: “Ebeling had a key to their garden in Torshälla. Sometimes he would sit there and wait on Friday afternoons for them to come from Stockholm”. Ebeling’s last major work, a giant equestrian statue measuring 5 x 5 meters, is placed right there in the family’s garden in Torshälla.
Allan Ebeling (1897-1975) was a Swedish visual artist, sculptor and ceramist. Allan was born in New York as the son of Swedish parents Svante and Anna. When Allan’s father died in 1908, his mother chose to return to Sweden with her sons Karl, Allan, William and Teddy. They settled in Strängnäs. From 1921 to 1928, Allan worked at Bo Fajans, where he became artistic director in 1924. Ebeling participated with Gabriel Burmeister at the World Exhibition in Paris in 1925, where they were awarded a bronze medal for the faience they had created together for Bo Fajans. A couple of years later, Ebeling was invited to exhibit at the Swedish Contemporary Decorative Arts exhibition at the Metropolitan Museum of Art in New York in 1927, an exhibition that later went on to Detroit and Chicago. This meant recognition and a great success for Ebeling. During the 1920s, he made several trips around Europe, where he drew inspiration. He eventually came to Upsala-Ekeby where he was active from 1928 to 1930 and represented the company at the Stockholm Exhibition in 1930.
As a new parent in the 1930s, Allan moved with his family to Torshälla, where he lived and worked as an artist until his death. Allan Ebeling has made many public works, a number of which can be seen in Torshälla. He is represented at the National Museum, the County Museum in Gävleborg, Eskilstuna Art Museum and Prins Eugens Waldemarsudde. The Ebeling Museum in Torshälla was opened in 1997, after a donation from the artist’s family. Ebeling is also represented at the Metropolitan Museum in New York. It has been said that many of Allan’s objects were shipped and sold in the USA, where Allan’s brother William eventually returned.
75. Allan Ebeling (Sweden, 1897–1975) a glazed ceramic jug, Upsala-Ekeby 1929.
Globular jug with a handle in the form of a tiger, glazed in green, yellow, and orange, signed UE AE 1929. Height 41.5 cm.
Provenance: The Rilton family Ebeling collection, Torshälla
76. Allan Ebeling (Sweden, 1897–1975) a large glazed ceramic plate, UpsalaEkeby 1930.
Square with a profiled edge, glaze with painted decoration of an elephant in green, grey, beige, and brown, signed UE 1970 AE 1930. 54 x 54 cm.
Provenance: The Rilton family Ebeling collection, Torshälla
Exhibitions: The model exhibited at the Stockholm Exhibition in 1930, compare the model with another decoration.
Literature: Per Hjertzell, “Allan Ebeling”, Föreningen Ebelingmuseets Vänner, Eskilstuna 2004, compare the model with another decoration, now in the collection of the Ebeling Museum, Torshälla.
Estimate: SEK 8 000 – 10 000 / EUR 730 – 910 (d)
77. Allan Ebeling (Sweden, 1897–1975) a ceramic sculpture with hippopotamus, a bowl and a vase, own studio, Torshälla 1930s.
Glazed in green and reddish-brown, signed A. Ebeling. Height 20 cm, length approx. 30.5 cm, width 20.5 cm.
Provenance: The Rilton family Ebeling collection, Torshälla
Estimate: SEK 6 000 – 8 000 / EUR 550 – 730 (d)
78. Allan Ebeling (Sweden, 1897–1975) a glazed earthenware vase, Torshälla. Nearest oval, compressed form with handles, glaze in turquoise, aubergine, brown and white, signed AE. Height 20.5 cm, 25 x 16 cm.
Provenance: The Rilton family Ebeling collection, Torshälla
Literature: Per Hjertzell, “Allan Ebeling”, The Friends of the Ebeling Museum, Eskilstuna 2004, see the vase illustrated p. 72.
Estimate: SEK 3 000 – 4 000 / EUR 280 – 370 (d)
79. Allan Ebeling (Sweden, 1897–1975) a ceramic vase, Torshälla, mid 20th century.
Calabash-shaped with handles, white glaze with painted decoration in green, yellow, and brown, signed TORSHÄLLA AE. Height 26,5 cm.
Provenance: The Rilton family Ebeling collection, Torshälla
Estimate: SEK 3 000 – 4 000 / EUR 280 – 370 (d)
81. Allan Ebeling (Sweden, 1897–1975) “Europa and the Bull”, a glazed ceramic sculpture, Torshälla.
Polychrome decoration., unsigned. Height 70 cm, length 58 cm, width 41 cm.
Provenance: Gift from the artist to his doctor as a thank you for curing his difficult-to-treat nosebleeds, thereafter in The Rilton family Ebeling collection, Torshälla.
83. Allan Ebeling (Sweden, 1897–1975) a ceramic candlestick for two candles, Torshälla, 1930s.
White glaze with decoration in green and brown, signed AE. Height 33,5 cm.
Provenance: The Rilton family Ebeling collection, Torshälla
Estimate: SEK 3 000 – 4 000 / EUR 280 – 370 (d)
84. Allan Ebeling (Sweden, 1897–1975) a ceramic sculpture/vase, Torshälla 1936.
In the form of a hand with a vase, grey glaze, signed AE 1936. Height 36 cm.
Provenance: The Rilton family Ebeling collection, Torshälla.
Estimate: SEK 4 000 – 6 000 / EUR 370 – 550 (d)
85. Allan Ebeling (Sweden, 1897–1975) a terracotta vase, Torshälla, mid-20th century.
Triangular form with bulges, signed AE. Height 45,7 cm.
Provenance: The Rilton family Ebeling collection, Torshälla.
Estimate: SEK 4 000 – 6 000 / EUR 370 – 550 (d)
87. Tyra Lundgren (Sweden, 1897–1979) a chamotte stoneware sculpture of a bird, own studio, Bredkvie, Gotland.
Partially glazed, seemingly unsigned. Height 11.7 cm including stone base.
Estimate: SEK 8 000 – 10 000 / EUR 730 – 910 (d)
88A. Hildur Haggård (Sweden, 1885-1958) two ceramic vases, executed in her own studio, Stockholm 1930s. Decorated in relief with horizontal and diagonal bands, glazed in yellow and brown, signed H.H. height 15,3 and 20 cm
Estimate: SEK 6 000 – 8 000 / EUR 550 – 730 (d)
86. Hertha Hillfon (Sweden, 1921–2013) a ceramic sculpture of a face, own studio, Stockholm 1986.
Partially glazed with gold decoration, signed H Hillfon 1986, mounted on a fabric-covered base. Total height 32.5 cm, length 42 cm, depth 22 cm.
93. Hans Hedberg (Sweden, 1917–2007) a large faience sculpture of a bunch of grapes, Biot, France. Blue-violet grapes on a green-glazed stem, signed HHg. Length ca. 92 cm, width ca. 46 cm, height ca. 46 cm.
98A. Gunnar Nylund (Sweden, 1904–1997) a unique sculpture of a lion, Rörstrand 1950s.
Standing lion, glaze in brown and green, signed R SWEDEN GN UNIQUE. Length 39 cm, height 28 cm, excluding wooden stand with silver plaque, stamped 1956.
Hare’s fur glaze in brown and black, signed R -55 CH Stålhane SWEDEN, etched AU 86. Height 38.5 cm..
Estimate: SEK 15 000 – 20 000 / EUR 730 – 910 (d)
99B. Carl-Harry Stålhane (Sweden, 1920-1990) a stoneware vase, Rörstrand 1940s-50s.
Speckled glaze in green with incised vertical lines, signed R Sweden CHS, height 56.5 cm.
Literature: Petter Eklund, “Stålhane”, Carlssons 2006, compare the model illustrated from the 1948 series, pp 23-24.
Designed in 1948. The same year, the 22nd of February, was the opening of Stålhane’s first solo exhibition as a stoneware artist at Osterman’s in Stockholm
Engraved relief decoration of stripes, glaze in green and some brown, signed R CH Stålhane SWEDEN and engraved no. 822. Height 17.4 cm, diameter 21 cm.
Estimate: SEK 6 000 – 8 000 / EUR 564 - 753 (d)
99D. Carl-Harry Stålhane (Sweden, 1920-1990) a unique stoneware vase, Rörstrand, probably 1956. Green-beige glaze, signed R, indistinct date, -56, CH Stålhane SWEDEN and incised number 962. Height 27.7 cm..
Estimate: SEK 8 000 – 10 000 / EUR 753 - 941 (d)
99E. Gertrud Lönegren (Sweden, 1905-1970) a stoneware vase, Rörstrand, 1930s-40s.
Fluted decoration, glaze in yellow, brown and beige, stamped RÖRSTRAND SWEDEN LÖNEGREN L167 HANDDREJAD.
Height 24 cm, diameter 20.5 cm.
Estimate: SEK 6 000 – 8 000 / EUR 564 - 753
100. Eva Bengtsson (Sweden, 1955–) a stoneware floor vase, own studio, Frillesås, around the year 2000. Almost oval, slightly uneven shape, glaze with decoration in blue-violet, white, red, grey, around the rim inscribed: “Händer Munnar Pärlor Stjärnor Ormar…” (Hands, Mouths, Pearls, Stars, Snakes…), signed EVA BENGTSSON. Height 83 cm, approx. 57 x 53 cm.
102. Birger Kaipiainen (Finland, 1915–1988) a stoneware tray, Arabia, Finland 1943.
Rectangular with polychrome decoration of women and a harlequin by flowering trees and birds, signed KAIPIAINEN 1943 ARABIA, on the reverse incised signature BK ARABIA SUOMI. 32 x 37.5 cm, height 4 cm.
103. Birger Kaipiainen (Finland, 1915–1988) a ceramic plaque, Arabia, Finland 1940s.
Painted polychrome decoration of a woman with a poodle and a harlequin in front of buildings, signed KAIPIAINEN, mounted in a frame, total dimensions 42 x 32 cm.
Polychrome decoration of female figures among flowers, birds, and trees, signed BIRGER KAIPIAINEN 1942 ARABIA and on the reverse BK ARABIA SUOMI. 34.5 x 37 cm.
105. Birger Kaipiainen (Finland, 1915–1988) a ceramic dish, Rörstrand, 1950s.
Rectangular form with painted decoration of a woman at a table and flowering trees in black against turquoise, signed Kaipiainen R Sweden. 51 x 40.5 cm.
107. Birger Kaipiainen (Finland, 1915–1988) a stoneware dish, Arabia, Finland.
Decoration of flowers in lustre glaze with moulded beads in blue and turquoise, signed KAIPIAINEN ARABIA. Diameter 20 cm.
Estimate: SEK 8 000 – 10 000 / EUR 730 – 910 (d)
109. Rut Bryk (Finland, 1916–1999) a wall relief/plaque, Arabia, Finland ca 1960.
Square with impressed relief decoration, centrally with a decoration of a flower, glazed in green and turquoise, the rim in light brown engobe, signed BRYK. 31 x 31 cm, depth approx. 5 cm.
110. Rut Bryk (Finland, 1916–1999) a stoneware wall relief, Arabia, Finland ca 1960.
Decoration of rose branches, polychrome glaze, signed BRYK as well as on the back BRYK, incised BRYK I and numbered 116C. Height 61 cm, width 20 cm, depth 3.5 cm excluding metal mounting.
Rectangular shape, rustic relief decoration, glaze in blue, green, and beige, signed ARABIA AH. Height 39.5 cm, 17 x 8.5 cm.
Estimate: SEK 4 000 – 6 000 / EUR 370 – 550 (d)
112. Axel Salto, a stoneware vase, Royal Copenhagen, Denmark, 1940s-50s.
112. Axel Salto (Denmark, 1889–1961) a stoneware vase in the “budding” style, Royal Copenhagen, Denmark, 1940s-50s.
Spherical form with so-called Sung glaze, incised signature SALTO, stamped green factory mark and wave mark in underglaze blue. Height 26 cm, diameter 35 cm.
Provenance: Employee at Illums Bolighus, Copenhagen, ca 1948-55.
Thence by descent to the present owner.
Literature: Susanne Bruhn & Pia Wirnfeldt (eds.), “Axel Salto - Stentøjsmesteren”, CLAY - Keramikmuseum, Denmark 2017, compare with the model illustrated p. 87, “Vase i knoppet stil. 1942” and cat. no. 134 and 168 respectively, model 20.663 dated 1944..
113. Axel Salto (Denmark, 1889–1961) a stoneware vase, Royal Copenhagen, Denmark 1958.
Globe-shaped with a high slender neck, relief decoration, brown glaze, incised signature SALTO, 21473 and the wave mark in underglaze blue, marked DENMARK U and incised 155. Height 10.3 cm.
Estimate: SEK 8 000 – 10 000 / EUR 730 – 910
114. Björn Wiinblad (Denmark, 1918–2006) an imposing ceramic sculpture, Denmark, signed and dated 1971.
Five pieces, painted decoration in blue against white, signed V 43 71 DENMARK. Height 118 cm, diameter 45 cm.
115. Björn Wiinblad (Denmark, 1918–2006) a large glazed ceramic bowl, Denmark, dated 1977.
Oval form, white glaze with painted decoration of a girl with flowers in yellow, green, and black, signed Björn Wiinblad -77. Height 24.5 cm, 52.5 x 32.5 cm.
Estimate: SEK 8 000 – 10 000 / EUR 730 – 910 (d)
116. Pablo Picasso (Spain, 1881–1973) a “Visage gravé, fond grège” (A.R. 29) faience dish, Madoura, Vallauris, France, post 1947.
Oval with relief decoration of a face in steel blue against a yellow ground, stamped MADOURA PLEIN FEU EDITION PICASSO and inscribed I. 110 156/200 in black. 32 x 39 cm.
Provenance: Private collection, Sweden. Thence by descent to the present owner.
Literature: Alain Ramié, “Pablo Picasso - Catalogue of the Edited Ceramic Works 1947–1971”, Galerie Madoura 1988, cat. no. 29.
118. Pablo Picasso, a unique earthenware jug, “Pichet gothique aux marguerites”, Madoura, Vallauris, France, 1953.
118. Pablo Picasso (Spain, 1881–1973) a unique earthenware jug, “Pichet gothique aux marguerites”, Madoura, Vallauris, France, 1953. Painted decoration of flowers and leaves in yellow, brown, blue and black engobe, date engraved on the side 18.4.53, signed Picasso and with the impressed stamp MADOURA PLEIN FEU. Height 28.7 cm. This work is accompanied by a certificate of authenticity issued by the Picasso Administration.
Provenance: Arild Wahlström Collection, Norway. Thence by descent within the family.
Literature: Alain Ramié, “Pablo Picasso - Catalogue of the edited ceramic works 1947–1971”, Galerie Madoura 1988, compare cat. no. 178, 187, 188, 192, 217.
Import VAT (12%) will be charged on the hammer price on this lot.
119. Pablo Picasso (Spain, 1881–1973) a unique earthenware dish, “Scène tauromachique”, Madoura, Vallauris, France, 1957. Engraved and painted decoration of bullfighting scenes in black and white engobe, signed Picasso and dated 22.1.57, stamped MADOURA PLEIN FEU and marked with a label from Galerie Louise Leiris, Paris. Diameter 22.7 cm. This work is accompanied by a certificate of authenticity issued by the Picasso Administration.
Provenance: Galerie Louise Leiris, Paris. Arild Wahlström Collection, Norway. Thence by descent within the family.
Import VAT (12%) will be charged on the hammer price on this lot.
121. Pablo Picasso (Spain, 1881–1973) a “Bouquet à la pomme” (A.R. 305) faience dish, Madoura, Vallauris, France, post 1956.
Decor of a floral still life in relief, glaze in blue and white as well as black engobe, mirror-reversed date in relief 22.4.56. Stamped MADOURA PLEIN FEU EMPREINTE ORIGINALE DE PICASSO. Diameter approx. 25 cm.
Literature: Alain Ramié, “Pablo Picasso - Catalogue of the Edited Ceramic Works 1947–1971”, Galerie Madoura 1988, cat. no. 305.
122. Pablo Picasso (Spain, 1881–1973) a “Poisson” (see A.R. 166–171) faience dish, Madoura, Vallauris, France, post 1952.
Oval, decoration, partially in relief, of a fish in blue and black against a brown and black background, impressed mark EMPREINTE ORIGINALE DE PICASSO MADOURA PLEIN FEU. 41.5 x 34.5 cm.
Provenance: Private Collection, Sweden. Reportedly, this dish was acquired at auction in Stockholm around the year 1984.
Literature: Alain Ramié, “Pablo Picasso - Catalogue of the Edited Ceramic Works 1947–1971”, Galerie Madoura 1988, compare cat. no. 166–171.
123. Pablo Picasso (Spain, 1881–1973) a “Visage au trait oblique” (A.R. 589) faience plaque, Madoura, Vallauris, France, post 1968–69.
Relief decoration of a face in blue and yellow against a background in white engobe, signed I 126C 6/100 and with impressed stamp MADOURA PLEIN FEU EMPREINTE ORIGINALE DE PICASSO. 21.5 x 25.5 cm, mounted in a frame, total 25.5 cm.
Literature: Alain Ramié, “Pablo Picasso - Catalogue of the Edited Ceramic Works 1947–1971”, Galerie Madoura 1988, cat. no. 589.
124. Jean Lurçat (France, 1892–1966) a glazed and decorated earthenware floor vase, ed. 10/25, Sant Vicens, Perpignan, France ca 1950.
Glazed and decorated in polychrome colours with motifs of a female figure and other abstract patterns, signed and numbered Dessin J. Lurçat Sant Vicens No 10/25 A.C. Height 54 cm.
Glazed in green and brown tones against a light background, pierced neck, signed GAMBONE ITALY. Height 29.5 cm.
Estimate: SEK 20 000 – 25 000 / EUR 1 820 – 2 280
129. Knut Fjaestad, an Art Nouveau sculpted and carved pine chair, Sweden, 1915.
FURNITURE AND WORKS OF ART
126. Josef Hoffmann (Austria, 1870–1956) a four-piece sitting room suite model 421/428, Jacob & Josef Kohn, Vienna, early 1900s.
Stained beech bentwood, brass rivets, green suede upholstery, manufacturer’s paper label. Sofa width 118.5 cm, depth 62 cm, height 71 cm. Armchairs width 53.5 cm, depth 62 cm, height 71 cm. Table diameter 60 cm, height 71 cm.
127. An Art Nouveau corner cabinet, carved birch, Sweden, early 1900s. Two cabinet doors, with shelf in between, the front with richly carved decoration of birch with foliage. The upper cabinet door with decoration of birds in a nest, wrought iron fittings in the shape of scarabs and larvae, the two keys with butterflies. 106 x 50.5 cm, depth 28 cm.
Estimate: SEK 15 000 – 20 000 / EUR 1 370 – 1 820
128. Emy Wahlström (Sweden) an Art Nouveau chandelier model “5024”, Arvid Böhlmarks Lampfabrik, Stockholm, 1910s.
Cast patinated brass, richly naturalistic decor of squirrels among branches, five lampholders. Height 113 cm, diameter 57 cm.
Exhibitions: The model was exhibited at the Stockholm Industrial Arts Exhibition in 1909.
Literature: E. G. Folcker (ed.), “Svenska Slöjdföreningens Tidskrift”, 1909, model illustrated p. 14. Model illustrated in the 1910 catalogue.
Estimate: SEK 15 000 – 20 000 / EUR 1 370 – 1 820
129. Knut Fjaestad (Sweden, 1860–1937) an Art Nouveau sculpted and carved pine chair, Sweden, 1915.
Carved decoration of pine cones and branches, loose seat cushion with brown leather, signed FJÄSTAD and with an inscription under the seat “Sommaren 1915 till Hilda af Knut F” (Summer 1915 to Hilda af Knut F). Height 72 cm, width 50 cm, seat height 46 cm.
Provenance: A gift in 1915 from Knut Fjaestad to Hilda Eklund, Skönnerud. Thence by descent to the present owner.
Estimate: SEK 40 000 – 50 000 / EUR 3 640 – 4 550
Postcard from Fjaestad to Hilda & Arvid Eklund at Christmas 1926.
131-132. Carl Bergsten, two important chairs, Gemla Leksaksfabrik, Diö, for the Norrköping Exhibition of Art and Industry, 1906. 291. Märta Måås-Fjetterström, a carpet, ‘Skvattram’, knotted pile in relief, signed AB MMF.
Strömsholmen’s restaurant, Norrköping.
Carl Bergsten
Important café chairs for the Norrköping Exhibition of Art and Industry, 1906.
The significance of architect and furniture designer Carl Bergsten for the development of modern architecture and furniture design in Sweden during the early 20th century cannot be overstated. Several of his commissions, such as the Exhibition of Art and Industry in Norrköping in 1906, the Swedish pavilion at the World Exhibition in Paris in 1925, and the interior of the M/S Kungsholm in 1928, have had a decisive impact on the development of Swedish architecture and design. For the Exhibition of Art and Industry in his hometown of Norrköping in 1906, Bergsten, then 25 years old, was appointed chief architect. In the years prior, Bergsten had met architect Josef Hoffmann in Vienna during a study trip in Europe and was inspired by him, his work with the Wiener Werkstätte, and by his colleagues active in the progressive Vienna Secession. Bergsten brought these impressions back to Sweden and in 1906 executed one of the largest modern manifestations in Swedish history.
For the café in Strömsholmen’s restaurant, built in connection with the exhibition, Bergsten designed, among other things, the present chair, which with its strict geometric forms and technical innovations came to write Swedish design history. Bergsten’s innovative design required a manufacturer, which Bergsten found with Gemla Leksaksfabrik in Diö. The thennew bentwood technique that had inspired him during his meeting with Josef Hoffmann in Vienna required an ambitious producer. Together with Gemla, they experimented with materials and techniques to produce the first bentwood furniture in Sweden. Strömsholmen’s restaurant became a centre for Norrköping’s nightlife until the building was destroyed in a large fire in June 1939.
After the exhibition in 1906, most of the buildings were demolished, but the hunting lodge designed by Bergsten from the exhibition was moved to an island in Bråviken just outside Norrköping. Eight of the few remaining chairs from Strömsholmen’s restaurant were brought to the hunting lodge on the island as well. The set was sold at auction in 2000, and the present chairs are two of the eight chairs that were part of the set. Few chair models have been given such an important and indisputable place in Swedish design history as Bergsten’s café chairs, and the present sale offers a rare opportunity to acquire two of the few surviving chairs.
130. Carl Bergsten (Sweden, 1879–1935) an important chair, Gemla Leksaksfabrik, Diö, for the Norrköping Exhibition of Art and Industry, 1906. Blackened bent wood of birch on five ball feet, circular seat upholstered in green leather. Height 106 cm, seat height 46 cm.
Literature: Ivar Tengbom (ed.), “Arkitektur och dekorativ konst”, No. 6, 1908, see image from the restaurant p. 69. Monica Boman (ed.), “Svenska möbler 1890-1990”, Signum 1993, p. 99. Bonnie Festin, “Carl Bergsten - en arkitekt och hans former”, Norrköpings Stadsmuseum 2005, p. 12, 31.
131. Carl Bergsten (Sweden, 1879–1935) an important chair, Gemla Leksaksfabrik, Diö, for the Norrköping Exhibition of Art and Industry, 1906. Blackened bent wood of birch on five ball feet, circular seat upholstered in green leather. Height 106 cm, seat height 46 cm.
Literature: Ivar Tengbom (ed.), “Arkitektur och dekorativ konst”, No. 6, 1908, see image from the restaurant p. 69. Monica Boman (ed.), “Svenska möbler 1890-1990”, Signum 1993, p. 99. Bonnie Festin, “Carl Bergsten - en arkitekt och hans former”, Norrköpings Stadsmuseum 2005, p. 12, 31.
132. Carl Malmsten (Sweden, 1888–1972) an oak side table, for Stockholm City Hall, ca 1920–22.
Rectangular with three fixed shelves, feet in the form of stylised lion paws. Length 80 cm, width 46.5 cm, height 71 cm.
Provenance: Stockholm City Hall, completed in 1923. According to reports, the City Hall had some of the older office furniture stored in the Nurnberg property on Högbergsgatan in Stockholm at some point during the 1950s. They remained there until the property was to be renovated in the 1970s. After that, most of it was destroyed, but this table was preserved and came into the possession of the present owner’s family. It is said that the table was originally placed in the office of a city councillor.
Literature: The model is illustrated in an undated sketch titled “Litt SD. Telefonbord.” in the file “J 16 Carl Malmsten, möbelritningar” in the collections of the City Hall Committee concerning Stockholm City Hall preserved at the Stockholm City Archive (Reference SE/SSA/0343/J 16/NS 195:6661).
Estimate: SEK 20 000 – 25 000 / EUR 1 820 – 2 280
133. Carl Malmsten (Sweden, 1888–1972) a Swedish Grace sofa, Svenska Möbelfabrikerna, Bodafors, 1920s.
Stained birch, ebonised crossbars, padded seat and back covered in a cream fabric. Length 208 cm, depth 65 cm, height 85 cm.
Exhibitions: The model was exhibited at Riksvarumässan in Gothenburg 1922–23 and at the Triennale in Milan 1925.
Literature: Gregor Paulsson (ed.), “Svenska Slöjdföreningens Tidskrift”, 1921, model illustrated. Model illustrated in the archives of the Swedish Society of Crafts and Design.
Estimate: SEK 15 000 – 20 000 / EUR 1 370 – 1 820
134. Carl Malmsten (Sweden, 1888–1972) a chest of drawers, executed by cabinetmaker Albin Johansson, Stockholm, 1943.
Veneered with rosewood and with inlays of several different types of wood in the decoration of borders, flowers, meander borders, and more. Three drawers of mahogany, the two upper ones with various compartments, manufacturer’s stamp ALBIN JOHANSSON STOCKHOLM in the drawer.
Length 108.5 cm, depth 53 cm, height 85 cm.
Estimate: SEK 30 000 – 40 000 / EUR 2 730 – 3 640
135. A pair of oak armchairs, 1920s.
Inlays in hardwood, upholstered seat and back in leather. Width 90 cm, height 89–99 cm.
The present armchairs originally stood in the premises of the Swedish Theatre Union in Stockholm and are likely to have been designed either for a theatre production or for the interior of the union’s premises. According to unconfirmed information from the union, the theatre decorator Einar Hjort, who was engaged with the union, may be the creator of the armchairs. Hjort studied decorative painting at the Stora Teatern in Gothenburg from 1914 to 1917, after which he was employed as a decorative painter at Helsingborg City Theatre, where he was active from 1921 to 1935.
Provenance: Swedish Theatre Union, Stockholm.
Estimate: SEK 20 000 – 30 000 / EUR 1 820 – 2 730
136. Swedish Grace, a pair of bronze planters, 1920s-1930s.
Patinated bronze, insert of copper with handles. Rectangular form, fluted side, profiled towards the base, round feet. 46 x 24 cm, height 18,5 cm.
Estimate: SEK 12 000 – 15 000 / EUR 1 090 – 1 370
137. Carl Elmberg (Sweden, 1889–1955) a “Tobaksburk N:r 1” tobacco jar with lid, Näfveqvarns bruk.
Cast iron, cylindrical with classical relief decoration of a hunting scene, lid with crowning knob and metal insert. Diameter 12.5, height 16 cm.
Estimate: SEK 4 000 – 6 000 / EUR 370 – 550
138. Ivar Johnsson (Sweden, 1885–1970) a pair of cast iron “Diana” urns, Näfveqvarns bruk, Swedish Grace.
Cast iron, relief decoration. Height ca 46 cm, length including handles ca 53 cm. The model was designed in 1919. The Diana urn was exhibited at the Gothenburg Exhibition in 1923 and at the Exposition Internationale des Arts Décoratifs et Industriels Modernes in Paris in 1925.
Estimate: SEK 40 000 – 50 000 / EUR 3 640 – 4 550
139. Anna Petrus (Sweden, 1886–1949) a rare pewter and brass tray, executed in her studio, Stockholm, ca. 1922–24.
Chiselled and punched decoration of a mermaid riding a hippocampus, signed A. Petrus. 72 x 37 cm, height 2 cm.
Literature: The model is illustrated in Anna Petrus’ personal photo album.
Estimate: SEK 40 000 – 50 000 / EUR 3 640 – 4 550
171. Axel Einar Hjorth, a “Louis” table, Nordiska Kompaniet, 1944.
139. Anna Petrus, a rare pewter and brass tray, executed in her studio, Stockholm, ca. 1922–24.
183. Nils Fougstedt, a Swedish Grace pewter hand mirror model “A 619”, Firma Svenskt Tenn, Stockholm, 1920s-30s.
140. Elis Bergh (Sweden, 1881–1954) a Swedish Grace ceiling lamp, C.G. Hallberg, Stockholm, 1920s. Silver plated, four arms, original shades. Diameter 66 cm, height 81 cm.
Estimate: SEK 12 000 – 15 000 / EUR 1 090 – 1 370
141. Wolter Gahn (Sweden, 1890–1985) a silver plated Swedish Grace bowl, Karl Wojtech, Stockholm, 1920s.
On a profiled foot, two handles, chased decoration of a stylised face and meander, signed K. Wojtech. Diameter 27 cm, height including handles 10 cm.
Literature: Erik Wettergren, “L’art Décoratif Moderne en Suède”, Malmö Museum 1925, model illustrated p. 154.
Estimate: SEK 3 000 – 4 000 / EUR 280 – 370
142. Swedish Grace, a brass and glass lamp, 1920s-40s. Shade of yellow tinted glass, frame of brass with neoclassical decoration with palmettes etc, three lamp holders. Height 49 cm, including frame 90 cm.
Estimate: SEK 8 000 – 10 000 / EUR 730 – 910
143. Carl-Einar Borgström (Sweden, 1914–1981) a pair of brass bookends model “840”, Ystad-Metall. In the shape of stylized female faces, manufacturer’s stamp ceb Ystad-Metall MADE IN SWEDEN. Height 16 cm.
Literature: Jonas Barros Eriksson, “Ystad-Metall 1919–1969”, Arena 2020, p. 177.
Estimate: SEK 12 000 – 15 000 / EUR 1 090 – 1 370
145. Uno Åhrén, a Swedish Grace dining table, 1920s. 24. René Lalique, a “Farandole” glass vase, France, post 1930.
144. Uno Åhrén, a Swedish Grace cabinet, 1920s. 146. Uno Åhrén, two chairs from a set of eight Swedish Grace dining chairs, 1920s.
408. Tyra Kleen, “De engel met het vlammenzwaard”. 175. Edward Hald, a pair of ceiling lamps, Orrefors, 1930s.
282. Märta Måås-Fjetterström, a carpet, ‘Ordspråksmattan’ (Havamal), knotted pile, signed AB MMF.
Uno Åhrén
A Swedish Grace dining set
The architect, designer, professor and urban planner Uno Åhrén became known as one of the foremost representatives of functionalism in Sweden and was part of the groundbreaking Social Housing Investigation from 1933 to 1947. Åhrén graduated as an architect from the Stockholm Institute of Technology in 1918. As a practicing architect, he made his debut with an interior at the Home Exhibition in 1917 and subsequently participated with elegant interiors at the Jubilee Exhibition in Gothenburg in 1923 and the Paris Exhibition in 1925. It was during the early 1920s that the present dining set was conceived, and the story behind it is a highly personal one.
Uno Åhrén grew up with a father deeply involved in the Christian community of Seventh-day Adventists. It was probably within that community that Åhrén, in his youth, came to know Rakel Lind, a woman a few years younger. Uno and Rakel began a relationship in the late 1910s – a story that is today shrouded in mystery. They had an intimate photo taken together, which has been preserved for posterity within both Rakel’s and Uno’s families. At the request of the family, Rakel moved to the United States in the autumn of 1924 and the inevitable breakup became a fact. But before the two went their separate ways, Rakel received a dining set as a gift, designed by Uno in the period’s typical Swedish Grace style, painted black on neoclassical curved rococo legs. In the USA, Rakel later met the young civil engineer Tor Gerholm, whom she married shortly afterwards in the spring of 1925. In the couple’s estate division papers from 1937, the dining set is included among the wife’s marital property. The set has since been in the possession of Rakel’s family, and after her passing it went to her eldest son and later ended up with her grandchildren.
The set, consisting of a two-part cabinet, a dining table and eight chairs, has a design language that is typical for Åhrén during the first half of the 1920s, and bears similarities to the glossy black furniture designed by him, executed by Gemla and exhibited by David Blomberg at the Gothenburg Exhibition in 1923. Also worth noting is the structure of the upper cabinet in six fields, which recurs in the magnificent intarsia cabinet that was part of Åhrén’s ladies’ salon at the Paris Exhibition in 1925, today in the collections of Nationalmuseum in Stockholm (NMK 1/2018). Furniture designed by Uno Åhrén and executed during the first half of the 1920s is exceptionally rare, and the present pieces carries a story about a past youthful love that was highly personal to the architect.
Bukowskis wishes to thank Tom Åhrén for valuable insights cataloguing the present lots.
Rakel Evelina Gerholm, née Lind & Uno Åhrén
144. Uno Åhrén (Sweden, 1897–1977) a Swedish Grace cabinet, 1920s. Two-part, upper section with three pairs of doors, drop handles in brass, lower section with six drawers, curved front legs. Total height 180 cm, depth 52 cm, width 96 cm.
Provenance: Rakel Evelina Gerholm, née Lind (1902–1975), a gift from Uno Åhrén during the first half of the 1920s. Thence by descent to the present owner.
145. Uno Åhrén (Sweden, 1897–1977) a Swedish Grace dining table, 1920s.
Oval form on curved legs, black lacquered. Length 176 cm, width 104 cm, height 76 cm. Total length 290 cm including two extension leaves of 38 cm each.
Provenance: Rakel Evelina Gerholm, née Lind (1902–1975), a gift from Uno Åhrén during the first half of the 1920s. Thence by descent to the present owner.
Estimate: SEK 30 000 – 40 000 / EUR 2 730 – 3 640
146. Uno Åhrén (Sweden, 1897–1977) a set of eight Swedish Grace dining chairs, 1920s. High back, on curved legs, two of which with armrests, upholstered seat covered in coral red textile. Height 107 cm, seat height 47 cm.
Provenance: Rakel Evelina Gerholm, née Lind (1902–1975), a gift from Uno Åhrén during the first half of the 1920s. Thence by descent to the present owner.
Estimate: SEK 40 000 – 60 000 / EUR 3 640 – 5 460
147. Petrus Forssberg (Sweden, 1880–1949) an imposing ceiling lamp, executed in his studio, Stockholm, 1920s.
Wrought iron and leaded glass. Height 70 cm, total height including chain ca. 120 cm. Alternative wall mounting included.
Literature: Gregor Paulsson (ed.), “Svenska Slöjdföreningens Tidskrift”, 1922, model illustrated.
Estimate: SEK 20 000 – 25 000 / EUR 1 820 – 2 280
148. Jacob Ängman (Sweden, 1876–1942) a rare table lamp, Guldsmedsaktiebolaget, Stockholm, ca. 1930.
Silver plated, relief decoration of stars, stamped G.A.B NS ALP. Height 44 cm including shade.
Exhibitions: Model exhibited at the Stockholm Exhibition in 1930.
Literature: Model illustrated in the image archive of the Swedish Society of Crafts and Design.
Estimate: SEK 8 000 – 10 000 / EUR 730 – 910
149. Simon Gate (Sweden, 1883–1945) & Erik Tidstrand, a ceiling lamp model “GD. 5”/”26268”, Orrefors & Nordiska Kompaniet, 1920s.
Nickel-plated metal, the stem and the shade with blue-tinted glass, cut decoration. Height ca 70 cm, diameter 47 cm.
Provenance: Teacher Alma Johansson, Skarhult, Klippan. Thence by descent to the present owner.
Literature: Otto Schulz (ed.), “Boet: Månadsskrift för hemkultur, hantverk och konstindustri”, Boet 1929, model illustrated p. 219. Model illustrated in the archives of Nordiska Kompaniet and Orrefors 1926.
Estimate: SEK 40 000 – 50 000 / EUR 3 640 – 4 550
155. Axel Einar Hjorth, a stained pine “Utö” sofa, Nordiska Kompaniet, Sweden, 1930s.
296. Barbro Nilsson, a carpet, ‘Salerno blå med enkel bård’, flat weave, signed AB MMF BN .
150. Axel Einar Hjorth (Sweden, 1888–1959) a “Skoga” stained pine stool, Nordiska Kompaniet, Sweden, 1930s. Rectangular. 48.5 x 38.5 cm, height 44 cm.
Estimate: SEK 30 000 – 40 000 / EUR 2 730 – 3 640
151. Axel Einar Hjorth (Sweden, 1888–1959) a pair of stained pine “Lovö” armchairs, Nordiska Kompaniet, Sweden, 1930s.
Wrought iron fittings, loose seat cushions. Seat height ca. 44 cm.
152. Axel Einar Hjorth (Sweden, 1888–1959) a pair of stained pine “Lovö” armchairs, Nordiska Kompaniet, Sweden, 1930s. Wrought iron fittings, loose seat cushions. Seat height ca. 44 cm.
158. Axel Einar Hjorth (Sweden, 1888–1959) a stained pine “Lovö” table, Nordiska Kompaniet, Sweden, 1930s. Square shape. 49.5 x 49.5 cm, height 50.5 cm.
Provenance: Accountant Ture Kristersson (1895–1957), purchased for a summer house in Falsterbo built in 1934.
Estimate: SEK 60 000 – 80 000 / EUR 5 460 – 7 280
160. Axel Einar Hjorth (Sweden, 1888–1959) a stained pine “Värmdö” side table, Nordiska Kompaniet, 1930s. Rectangular with rounded corners, one shelf, inscription in pencil 41286. 45 x 31 cm, height 55,5 cm.
Estimate: SEK 8 000 – 10 000 / EUR 730 – 910
159. Axel Einar Hjorth (Sweden, 1888–1959) a set of seven stained pine “Utö” chairs, Nordiska Kompaniet, Sweden, 1930s. Seat height 46 cm.
Provenance: Accountant Ture Kristersson (1895–1957), purchased for a summer house in Falsterbo built in 1934.
Estimate: SEK 60 000 – 80 000 / EUR 5 460 – 7 280
161. Axel Einar Hjorth (Sweden, 1888–1959) a set of four stained pine “Utö” chairs, Nordiska Kompaniet, Sweden, 1930s.
Seat height 46 cm.
Estimate: SEK 40 000 – 60 000 / EUR 3 640 – 5 460
162. Axel Einar Hjorth (Sweden, 1888–1959) a set of four stained pine “Utö” chairs, Nordiska Kompaniet, Sweden, 1930s.
Seat height 46 cm.
Estimate: SEK 40 000 – 60 000 / EUR 3 640 – 5 460
163. Nordiska Kompaniet (Sweden) a stained pine “Lovö” table, 1940s.
Circular top, central leg with four contoured feet, marked with model number 42136 under the top. Height 58.5 cm, diameter 60 cm.
Estimate: SEK 30 000 – 40 000 / EUR 2 730 – 3 640
164. David Rosén (Sweden, 1910–1993) a stained pine “Berga” stool, Nordiska Kompaniet, Sweden, 1940s.
Oval, asymmetrical shape. 39 x 34.5 cm, height 40 cm.
Estimate: SEK 40 000 – 50 000 / EUR 3 640 – 4 550
165. Steneby Hemslöjdsförening, a stained pine rocking chair, 1930s-40s.
Height 68.5 cm, seat height 36 cm.
Provenance: Artist C.O. (Carl-Otto) Hultén (1916–2015). Thence by descent to the present owner.
Literature: Compare with model illustrated in a publication by Steneby Hemslöjdsförening in the 1930s.
Estimate: SEK 8 000 – 10 000 / EUR 730 – 910
166. Anton Aurelius (Sweden, 1871–1951) a rare side table model “711/10”, Svenska Möbelfabrikerna, Bodafors, 1930s.
Stained birch, carved decoration. Length 65 cm, width 65 cm, height 56.5 cm.
Exhibitions: The model was exhibited at the Stockholm Exhibition in 1930.
Literature: Model illustrated in the 1930 Bodafors catalogue and in the archives of the Swedish Society of Crafts and Design. Gustaf Munthe, “Moderna Möbler”, Natur och Kultur 1931, pl. 34. Nina Strizler-Levine, “Svenskt Tenn: Interiors”, Phaidon 2025, model illustrated in a store interior from Firma Svenskt Tenn ca. 1930.
Estimate: SEK 6 000 – 8 000 / EUR 550 – 730
290. Märta Måås-Fjetterström, a carpet, ‘Örtagården’, knotted pile, signed AB MMF JBE 1952.
167. Harald Bergsten, an important table, AB Gustaf Flinta, Hedemora, for the Stockholm Exhibition 1930
198. Harald Notini, a table lamp model “15206”, Arvid Böhlmarks Lampfabrik, Stockholm, 1930s.
184. Nils Fougstedt, a lidded pewter box model “A 1415”, Firma Svenskt Tenn, Stockholm, 1935.
51.
177.
Wilhelm Kåge, a “Farsta” stoneware vase, Gustavsberg Studio 1955.
Otto Schulz, a Swedish Modern sofa, Boet, Gothenburg, 1930s-40s.
167. Harald Bergsten (Sweden, 1889–1976) an important table, AB Gustaf Flinta, Hedemora, for the Stockholm Exhibition 1930.
Veneered in elm and maple root, matte nickel plated legs, curved end with shelves. Length 104 cm, width 60 cm, height 61 cm.
Exhibitions: Stockholm Exhibition 1930, Hall 8, Dyrbarare Rumsinredningar (Exclusive Interiors), Room 8:10 Gustaf Flinta.
Literature: Catalogue, “Stockholmsutställningen 1930 av konstindustri, konsthantverk och hemslöjd, maj-september: officiell huvudkatalog”, Utställningsförlaget Almqvist & Wiksell 1930, mentioned p. 54.
The present table is illustrated in a photograph from the Stockholm Exhibition 1930 in the collections at ArkDes in Stockholm (Identification number ARKM.1990-105-0296).
Estimate: SEK 50 000 – 60 000 / EUR 4 550 – 5 460
168. Ulla Fogelklou-Skogh (Sweden, 1913–1986) a wall mirror, cabinetmaker Gustav Bergsten, for the Stockholm Crafts Association, 1936.
Mahogany and pearwood, carved decoration of the parable of the ten bridesmaids, signed U F_ou and manufacturer’s paper label. 91 x 46 cm.
Estimate: SEK 10 000 – 12 000 / EUR 910 – 1 090
169. Axel Larsson (Sweden, 1898–1975) a rare set of eight chairs model “1030”, Svenska Möbelfabrikerna, Bodafors, 1930s.
Stained birch, woven rattan backs, seat upholstered in a light fabric, manufacturer’s stamp SMF. Height 83 cm, seat height 45 cm.
Exhibitions: The model was exhibited at Fritiden in Ystad in 1936.
Literature: Otto Schulz (ed.), “Boet”, 1936, model illustrated p. 179.
Estimate: SEK 30 000 – 40 000 / EUR 2 730 – 3 640
Stockholm Exhibition 1930
170. Axel Einar Hjorth (Sweden, 1888–1959) a pair of “Svea” bedside tables, Nordiska Kompaniet, 1934.
Birch, partially blackened, nickel-plated handles, manufacturer’s metal label NK R 37695 - C 3 9 34. Length 46 cm, depth 37 cm, height 55 cm.
Literature: Drawing in the archive of Nordiska Kompaniet.
Estimate: SEK 12 000 – 15 000 / EUR 1 090 – 1 370
172. A pair of 1930s birch armchairs. Seat and back upholstered in green velvet. Width 66 cm, depth 70 cm, height 76 cm.
Estimate: SEK 20 000 – 25 000 / EUR 1 820 – 2 280
169A. Axel Einar Hjorth (Sweden, 1888–1959) a rare pair of armchairs, Nordiska Kompaniet, 1930. Chromed steel frame, seat and back upholstered in nailed black leather, manufacturer’s metal label NK R 34729 - C 23680. Width 59 cm, height 82 cm, seat height 44 cm.
Provenance: Shoe shop Oscaria, Stockholm, opened in 1930. Interior architect Jack Weil (1939-2024), Stockholm. Thence by descent to the present owner.
Estimate: SEK 20 000 – 25 000 / EUR 1 850 - 2 320
171. Axel Einar Hjorth (Sweden, 1888–1959) a “Louis” table, Nordiska Kompaniet, 1944.
Dark stained birch, circular top, three-legged base, marked with metal label R 45512-C-4430. Diameter 75 cm, height 65.5 cm.
Provenance: Forest master Arvid Carlander (1889–1964), managing director of Mälardalen Brickworks, commissioned in 1944.
Estimate: SEK 15 000 – 20 000 / EUR 1 370 – 1 820
173. Erik Fleming (Sweden, 1894–1954) a pair of pewter candlesticks, Norrahammars Tenn, 1930. Stamped NORRAHAMMARS TENN D8. Height ca. 25.3 cm.
Literature: Hedvig Hedqvist, Rikard Jacobson & Jan von Gerber, “Modernt Svenskt Tenn”, Atlantis 2004, pp. 70–71, 112.
Estimate: SEK 8 000 – 10 000 / EUR 730 – 910
174. Scandinavian Modern, an imposing wall lamp, 1940s. Frame in beige-lacquered iron with floral decoration, six lamp holders with shades in yellow-tinted glass. Height 112 cm, depth from wall 26 cm.
Estimate: SEK 30 000 – 40 000 / EUR 2 730 – 3 640
175. Edward Hald (Sweden, 1883–1980) a pair of ceiling lamps, Orrefors, 1930s.
Patinated brass, shades in amber-toned glass with cut decoration. Height 80 cm, diameter 50 cm.
Estimate: SEK 15 000 – 20 000 / EUR 1 370 – 1 820
155. Axel Einar Hjorth, a stained pine “Utö” sofa, Nordiska Kompaniet, Sweden, 1930s. 296. Barbro Nilsson, a carpet, ‘Salerno blå med enkel bård’, flat weave, signed AB MMF BN .
177. Otto Schulz (Germany/Sweden, 1882–1970) a Swedish Modern sofa, Boet, Gothenburg, 1930s-40s.
Upholstered with a grey fabric, legs and frame of elm wood. Length 158 cm, height 73 cm, seat height ca 38 cm.
Estimate: SEK 60 000 – 80 000 / EUR 5 460 – 7 280
176. Otto Schulz (Germany/Sweden, 1882–1970) a cabinet, Boet, Gothenburg, 1930s.
Stained birch, front and sides covered in rust-red velvet with geometric decoration of brass nails, interior with shelving and a hinged lid on top, manufacturer’s stamp BOET. Width 79 cm, depth 47.5 cm, height 87.5 cm.
Estimate: SEK 10 000 – 15 000 / EUR 910 – 1 370
178. Otto Schulz (Germany/Sweden, 1882–1970) a rare ceiling lamp, Boet, Gothenburg, 1930s-40s.
Nickel-plated frame, shade in frosted glass, four light points. Length 60 cm, width 50 cm, height 23 cm.
Literature: Model is illustrated in a watercolour titled “Sängkammare för Köpman O. Nordh, Partille” in the Otto Schulz collection preserved at the Röhsska Museum in Gothenburg, inventory number RKM 37:372–1970.
Estimate: SEK 15 000 – 20 000 / EUR 1 370 – 1 820
179. Otto Schulz (Germany/Sweden, 1882–1970) an elm cabinet, Boet, Gothenburg, 1930s.
Two drop-leaves, four drawers in the mid section, brass fittings. Length 130 cm, depth 40 cm, height 115 cm.
Literature: Model is illustrated in a watercolour titled “Vardagsrum för H. Johnsson, Linköping” in the Otto Schulz collection preserved at the Röhsska Museum in Gothenburg, inventory number RKM 37:322–1970. Otto Schulz (ed.), “Boet”, 1938, model illustrat(…).
Estimate: SEK 20 000 – 30 000 / EUR 1 820 – 2 730
180. Estrid Ericson (Sweden, 1894–1981) a rare pewter table lamp model “A 87”, Firma Svenskt Tenn, Stockholm, 1927.
Stamped with the angel mark and year mark A8. Height 51 cm including the shade.
181. Firma Svenskt Tenn (Sweden) a pewter table lamp model “A 520”, Stockholm, 1928.
Stamped with the angel mark and year stamp B8. Height 46 cm including shade.
Estimate: SEK 8 000 – 10 000 / EUR 730 – 910
181A. Nils Fougstedt (Sweden, 1881–1954) a pewter framed mirror, Svenskt Tenn, Stockholm 1930.
Square mirror crowned by Diana with hinds, arch and frame detail of brass, stamped with the angel mark, Stockholm D8. Mirror 41 x 41 cm, total height 58 cm.
Estimate: SEK 25 000 – 30 000 / EUR 2 350 - 2 820
182. Estrid Ericson (Sweden, 1894–1981) a pewter framed mirror modell “A 884”, Firma Svenskt Tenn, Stockholm, 1934.
Foldable in three parts, the centre crowned with crossed layers of branches, stamped with the angel mark and year stamp H8. Total height 62.5 cm, width 41 cm, overall with the side mirrors extended 81.5 cm.
Provenance: Reportedly, likely a wedding gift in 1934, thence by descent within the family.
183. Nils Fougstedt (Sweden, 1881–1954) a Swedish Grace pewter hand mirror model “A 619”, Firma Svenskt Tenn, Stockholm, 1920s-30s.
Triangular, relief decoration with classical motifs, the handle in ebonised wood. Height 35 cm.
Estimate: SEK 8 000 – 10 000 / EUR 730 – 910
184. Nils Fougstedt (Sweden, 1881–1954) a lidded pewter box model “A 1415”, Firma Svenskt Tenn, Stockholm, 1935. Finial in blackened wood, stamped with the angel mark and year mark I8. Diameter 9 cm, height 4.5 cm.
Estimate: SEK 4 000 – 6 000 / EUR 370 – 550
185. Firma Svenskt Tenn (Sweden) a pewter framed mirror model “A 427”, Stockholm, 1927.
Rectangular frame topped by a seated female figure, stamped with the angel mark and year stamp A8. Total height 47 cm, width 20.5 cm.
Estimate: SEK 8 000 – 10 000 / EUR 730 – 910
186. Firma Svenskt Tenn (Sweden) a pewter wall scone model “A 245”, Stockholm, 1928.
Oval, the frame with pierced floral decoration, for two candles, stamped with the angel mark and year stamp B8. Height 42 cm, width 27 cm.
Estimate: SEK 8 000 – 10 000 / EUR 730 – 910
187. Estrid Ericson (Sweden, 1894–1981) a pewter framed mirror model “A 2518”, Firma Svenskt Tenn, Stockholm, 1947.
Decorated, woven frame, back panel of mahogany with both a stand for placement on a table and a hook for hanging, the frame stamped with the angel mark and year stamp U8. Dimensions 40 x 32 cm.
Exhibitions: The model designed by Estrid Ericson for Firma Svenskt Tenn in 1945 was exhibited at a show at Liljevalchs in Stockholm the same year, 1945. Bukowskis thanks Curator Per Ahldén and the Svenskt Tenn archive for this information.
Estimate: SEK 25 000 – 30 000 / EUR 2 280 – 2 730
188. Björn Trägårdh (Sweden, 1908–1998) a pewter and brass lidded jar, Firma Svenskt Tenn, Stockholm, 1951.
Pewter with brass-mounted edges, the knob with relief decoration of “snake skin”, so called panama decoration, stamped with the angel mark and year stamp A9. Diameter 10.5 cm, height 6 cm.
Estimate: SEK 10 000 – 12 000 / EUR 910 – 1 090
189. Josef Frank (Austria, 1885–1967) a walnut showcase cabinet model “B 2077”, Firma Svenskt Tenn.
Two glass shelves, door knob in brass. Height 169 cm, width 90 cm, depth 31 cm.
Estimate: SEK 50 000 – 60 000 / EUR 4 550 – 5 460
190. Josef Frank (Austria, 1885–1967) a set of three bookcases model “B 2255”, Firma Svenskt Tenn, mid-20th century, provenance Estrid Ericson.
Two-part, lacquered in white and green, lower section with a top of mahogany and details of walnut, brass fittings, pull-out drawer, cabinet with shelving. 100 x 50 cm, height 150 + 75 cm, total height 225 cm.
Provenance: Purchased at Bukowskis Modern Art & Design, auction 620, November 2019, catalogue no. 291. Previously in the private collection of Estrid Ericson.
Estimate: SEK 60 000 – 80 000 / EUR 5 460 – 7 280
190A. Josef Frank (Austria, 1885–1967) a watercolour of an English cityscape, unsigned.
Ca 34 x 50 cm.
“I started painting at the age of 68,” says Professor Josef Frank with a selfironic smile, “preferably in Southern France where one can sit outside in the sun, but 68 was too late, far too late. The technique is lacking, but it is fun” (Josef Frank in an interview in 1956).
Provenance: Hildur Hansson collection, Bukowskis Modern Art & Design, auction 644, autumn 2022, catalogue no 369.
Estimate: SEK 15 000 – 20 000 / EUR 1 370 – 1 820
191. Josef Frank (Austria, 1885–1967) a white metal and brass table mirror, model “H 2214”, Firma Svenskt Tenn, mid-20th century.
Round folding mirror, round fluted base, back of mahogany, height 54.5 cm, diameter 49.5 cm, width 55 cm.
Estimate: SEK 15 000 – 20 000 / EUR 1 370 – 1 820
192. Josef Frank (Austria, 1885–1967) a mahogany veneered sideboard, Firma Svenskt Tenn, Sweden, mid 20th century.
Two drawers and two cabinets, handles and hinges in brass. Length 152 cm, width 51 cm, height 80 cm.
Estimate: SEK 20 000 – 25 000 / EUR 1 820 – 2 280
193. Josef Frank (Austria, 1885–1967) a rare flower table with green lacquered box model “B 2084”, Firma Svenskt Tenn, Sweden, 1950–60s.
Frame of mahogany with brass fittings, removable top of green-painted sheet metal. 70 x 44.5 cm, height 65.5 cm.
Estimate: SEK 20 000 – 30 000 / EUR 1 820 – 2 730
194. Josef Frank (Austria, 1885–1967) a showcase cabinet model “2070”, Firma Svenskt Tenn, mid-20th century.
Mahogany, door, sides and two loose shelves in glass, back and bottom of mirror glass. Width 38 cm, depth 16.5 cm, height 49.5 cm.
195. Harald Notini (Sweden, 1879–1959) a ceiling lamp model “6051”, Arvid Böhlmarks Lampfabrik, Stockholm, 1920s-30s. Brass and glass, one lampholder. Height of the lamp 47 cm, height including suspension with chain 72 cm.
Literature: Model illustrated in catalogues from the 1920s-30s. Erik Andrén, “Aktiebolaget Arvid Böhlmarks lampfabrik 1872–1937”, Stockholm, 1937, pl. 44.
Estimate: SEK 10 000 – 12 000 / EUR 910 – 1 090
196. Harald Notini (Sweden, 1879–1959) a pair of table lamps model “15009”, Arvid Böhlmarks Lampfabrik, Stockholm, 1930s.
“Antique-patinated” brass, black lacquered column, two light points. Height 52 cm.
Literature: Model illustrated in the 1931 catalogue.
Estimate: SEK 12 000 – 15 000 / EUR 1 090 – 1 370
197. Harald Notini (Sweden, 1879–1959) a ceiling lamp model “10500”, Arvid Böhlmarks Lamp Factory, Stockholm, 1930s.
Stem in matte nickel plated brass, shade in ivory coloured overlay glass, discs in frosted glass. Diameter 45 cm, total height ca. 55 cm.
Literature: Model illustrated in the 1935 catalogue.
Estimate: SEK 10 000 – 15 000 / EUR 910 – 1 370
198. Harald Notini (Sweden, 1879–1959) a table lamp model “15206”, Arvid Böhlmarks Lampfabrik, Stockholm, 1930s.
Foot in etched glass known as “ice flower colour”, internal and external illumination with two lampholders. Height 43 cm.
Literature: Model illustrated in the 1938 catalogue.
Estimate: SEK 8 000 – 10 000 / EUR 730 – 910
199. Harald Notini (Sweden, 1879–1959) a ceiling lamp model “11511”, Arvid Böhlmarks Lampfabrik, Stockholm, 1940s.
Stem in brass, glass with frosted decoration of stripes, cut glass stars, three lampholders. Total height ca 82 cm, diameter 35 cm.
Literature: Model illustrated in the 1943 catalogue.
Estimate: SEK 25 000 – 30 000 / EUR 2 280 – 2 730
200. Harald Notini (Sweden, 1879–1959) a table lamp model “15484”, Arvid Böhlmarks Lampfabrik, Stockholm, 1940s. Base in polished wood, brass frame, white lacquered column, three shades. Height 48 cm.
Literature: Model illustrated in the 1948 catalogue.
Estimate: SEK 8 000 – 10 000 / EUR 730 – 910
200A. Harald Notini (Sweden, 1879–1959) a rare table lamp model “15582”, Arvid Böhlmarks Lampfabrik, Stockholm, 1950s. Brass, white lacquered inner shade, stem wrapped in leather, manufacturer’s mark and model number 15582. Height 48.5 cm.
Literature: Model illustrated in the 1953 catalogue, with additions for 1954-55.
Estimate: SEK 50 000 – 75 000 / EUR 4 700 - 7 060
201. Harald Notini (Sweden, 1879–1959) a floor lamp model “15600”, Arvid Böhlmarks Lampfabrik, Stockholm, 1950s. Brass, leather-wrapped stem, inner shade in opal glass, manufacturer’s mark with model number 15600. Height 167 cm.
Literature: Model illustrated in the 1953 catalogue.
Estimate: SEK 12 000 – 15 000 / EUR 1 090 – 1 370
202. Bruno Mathsson (Sweden, 1907–1988) a “Pernilla 3” lounge chair, Firma Karl Mathsson, Värnamo, Sweden, 1940s.
Bent wood of beech, braided saddle girths, later cushion upholstered in Josef Frank’s fabric “Hawaii”, manufacturer’s paper label Bruno MATHSSON FIRMA KARL MATHSSON MADE IN VÄRNAMO SWEDEN and signed BM 44. Length ca. 170 cm.
Estimate: SEK 25 000 – 30 000 / EUR 2 280 – 2 730
203. Bruno Mathsson (Sweden, 1907–1988) a magazine table, Firma Karl Mathsson, Värnamo, 1964.
Top in burl birch, legs in laminated birch, four magazine holders in white lacquered metal, manufacturer’s branding FIRMA KARL MATHSSON MADE IN VÄRNAMO SWEDEN 1964. Length 90 cm, width 60 cm, height 29.5 cm.
Estimate: SEK 12 000 – 15 000 / EUR 1 090 – 1 370
204. Bertil Brisborg (Sweden, 1910–1993) a floor lamp model “32620”, Nordiska Kompaniet, 1940s.
Base of brass, adjustable arm, inner shade in opal glass, shade in textile, manufacturer’s mark 32620. Height 160 cm.
Literature: Model illustrated in the Nordiska Kompaniet archive, 1947, 1950, and 1953.
Estimate: SEK 15 000 – 20 000 / EUR 1 370 – 1 820
205. Bertil Brisborg (Sweden, 1910–1993) a table lamp model “30595”, Nordiska Kompaniet, 1940s.
Base in antique patinated brass, leather-wrapped stem, shade in green lacquered brass, top in antique patinated brass, manufacturer’s mark NK 30595. Height 54 cm, diameter 42 cm.
Literature: Model illustrated in the Nordiska Kompaniet catalogue 1943 and the archive 1949.
Estimate: SEK 12 000 – 15 000 / EUR 1 090 – 1 370
205A. Bertil Fridhagen (Sweden, 1905-1993) a rare elm sideboard, Svenska Möbelfabrikerna, Bodafors, 1940s.
Interior veneered in mahogany, rectangular with rounded corners, four sections with fluted doors, the outer sections with shelves, the inner sections with drawers, signed and dated on the back Bertil Fridhagen den 21/12. Length 259 cm, depth 48 cm, height 79.5 cm.
Architect Bertil and Edna Fridhagen moved back to Bodafors in 1937. They then moved into a villa on Parkgatan 3, which was remodelled to suit the family’s needs. The home’s various functional divisions for socialising, work, and rest are described in an article in the magazine Svenska hem i ord och bilder in 1949. The present sideboard, which the family believes is likely unique, stood in Bertil’s workspace in the large living room.
Literature: Stig M H:son Björkman (ed.), “Svenska hem i ord och bilder”, 1949, illustrated in the Fridhagen family’s home in Bodafors p. 176.
Estimate: SEK 60 000 – 80000 / EUR 5 640 - 7 530
205B. Bertil Fridhagen (Sweden, 1905-1993) a rare “Limento” easy chair model “5-168”, Svenska Möbelfabrikerna, Bodafors, Sweden, 1961.
Oak, upholstered with cognacs-brown leather, manufacturer’s mark Bodafors DESIGN B. FRIDHAGEN MADE IN SWEDEN 1961. Height 80 cm
Provenance: Bertil Fridhagen’s private collection, Bodafors. Thence by descent to the present owner.
Literature: Sigrid Eklund Nyström, “Bertil Fridhagen och Svenska Möbelfabrikerna i Bodafors”, Carlsson 2022, the present armchair illustrated in the Fridhagen family’s home in Bodafors p. 63. See also the model illustrated on the cover as well as pp. 123-129.
Estimate: SEK 30 000 – 35 000 / EUR 5 640 - 7 530
Bertil & Edna Fridhagen’s home in Bodafors, 1949.
206. Carl-Axel Acking (Sweden, 1910–2001) & Sven Hesselgren, a “Luxiflax” ceiling lamp, Asea, 1940s.
Conical, plywood slats, copper fittings. Height ca 37 cm, diameter at the base 30 cm.
Literature: Arthur Hald (ed.), “Form: Svenska slöjdföreningens tidskrift”, Stockholm 1946 pp. 150–151.
Estimate: SEK 10 000 – 15 000 / EUR 910 – 1 370
207. Asea (Sweden) a Swedish Modern floor lamp model “E1781”, Västerås, 1950s.
Base of black lacquered metal, brass, leather strap, two shades, manufacturer’s mark ASEA BELYSNING E1781, hinge stamped ASEA IM 5916. Height 183 cm.
Estimate: SEK 50 000 – 75 000 / EUR 4 550 – 6 820
208. Carl-Axel Acking (Sweden, 1910–2001) a pair of wall lamps model “5017”, Bröderna Malmströms Metallvarufabrik, Malmö, 1940s.
Reflector in white lacquered brass with a profiled edge in brass, arm and shade in perforated brass. Height 60 cm, width 38 cm.
Provenance: Commissioned for a church interior in Skåne, 1940s.
212. Carl-Axel Acking (Sweden, 1910–2001) a floor lamp model “2645”, Bröderna Malmströms Metallvarufabrik, Malmö, 1940s-50s.
Brass base, stem wrapped in leather, three shades of perforated brass. Height 170 cm, diameter ca. 65 cm.
Literature: Product catalogue, “Bröderna Malmströms metallvarufabrik”, No. 18, 1940, model illustrated p. 53. Also illustrated in Carl-Axel Acking’s archive at ArkDes, Stockholm.
213. Bergboms (Sweden) a rare Swedish Modern chandelier, Malmö, 1950s.
Brass, six lampholders in a star shape with the original silk shades, cord suspension. Diameter 77 cm, total height 80 cm.
Literature: Model illustrated in the 1954 catalogue.
Estimate: SEK 30 000 – 40 000 / EUR 2 730 – 3 640
214. Sven Staaf (Sweden, 1909–1993) an armchair model “1765”, AB Almgren & Staaf, Helsingborg, 1940s.
Legs in elm, with upholstered seat and back covered in sheepskin. Height 86 cm.
Literature: Andreas Siesing, “Svenska möbler – Folkhemsform i ull, jakaranda, furu och bok”, Atlantis 2015, p. 17.
Estimate: SEK 30 000 – 40 000 / EUR 2 730 – 3 640
215. Carl Cederholm (Sweden, 1909–1991) a Swedish Modern armchair, Stil & Form, Stockholm, 1940s-50s.
Asymmetric shape, upholstered in a green fabric, buttons to the back, sculpted legs of beech. Height 88 cm, width ca. 90 cm, seat height ca. 39 cm.
Carl Cederholm graduated from HKS, the Technical School (now Konstfack) in 1940. Soon thereafter, Cederholm established the interior design company Firma Stil & Form at Sturegatan 36 in the center of Stockholm., which soon became a well-known name in Stockholm’s well-to-do circles, with a shop at Sturegatan 36, Firma Stil & Form’s production was initially characterised by a distinctive art deco-influenced style but soon began to embody Swedish Modern. Carl Cederholm’s designs are characterised by an organic and asymmetric form language, sometimes featuring exclusive inlays in silver. Among the firm’s notable interior design projects is the Central Hotel in Gävle (1947).
Despite a certain impact in bourgeois circles, Cederholm’s Stil & Form furniture and lamp fixtures were not produced in any larger quantities
Estimate: SEK 15 000 – 20 000 / EUR 1 370 – 1 820
216. Hans Bergström (Sweden, 1910–1996) a rare ceiling lamp model “98”, ateljé Lyktan, Åhus, 1940s-50s.
Frame and decoration of stars in brass, white lacquered reflectors, three lampholders with shades in frosted glass. Diameter 50 cm, height ca. 64 cm.
Literature: Drawing from the ateljé Lyktan archive.
Estimate: SEK 12 000 – 15 000 / EUR 1 090 – 1 370
216A. A Swedish Modern armchair, Gösta Westerberg Möbel AB, Stockholm, 1950s.
Organic shape, upholstered seat and back with the original patterned upholstery, loose seat cushion. Height 86 cm, width 88 cm, seat height 34 cm.
This model was introduced at the exhibition Önskehem in 1954 and shows a close relationship to the model “Tummen/Gary,” which was designed by Arne Norell and presented at the Önskehem exhibition two years earlier than this model, in 1952.
Estimate: SEK 20 000 – 25 000 / EUR 1 850 - 2 320
217. Hans Bergström (Sweden, 1910–1996) a rare pair of wall lamps model “377A”, ateljé Lyktan, Åhus, 1940s-50s.
Brass, decoration of flower petals, shades in frosted glass. Height 35 cm, depth from the wall 21 cm.
Literature: Model illustrated in the ateljé Lyktan archives.
Estimate: SEK 12 000 – 15 000 / EUR 1 090 – 1 370
218. Hans Bergström (Sweden, 1910–1996) a pair of wall lamps model “397”, ateljé Lyktan, Åhus, 1950s.
Wall bracket in brass, shade in frosted overlaid glass, stamped ATELJÉ LYKTAN ÅHUS 397. Height 22 cm, depth from wall 18 cm.
Estimate: SEK 12 000 – 15 000 / EUR 1 090 – 1 370
219. Hans Bergström (Sweden, 1910–1996) a wall lamp model “397”, ateljé Lyktan, Åhus, 1950s.
Wall bracket in brass, shade in frosted overlaid glass, stamped ATELJÉ LYKTAN ÅHUS 397. Height 22 cm, depth from wall 18 cm.
Estimate: SEK 4 000 – 6 000 / EUR 370 – 550
220. Boréns (Sweden) a floor lamp model “G7288”, Borås, 1950s. Black lacquered metal and brass, adjustable shade, manufacturer’s metal label B 7288. Height 160 cm.
Estimate: SEK 35 000 – 40 000 / EUR 3 190 – 3 640
221. Harald Fust (Sweden) a “Singoalla” canapé, Ikea, 1960s. Legs in beech, upholstered seat and back covered in a mustard yellow velvet. Length 160 cm, depth 75 cm, height 82 cm.
Literature: Model illustrated in the 1961 catalogue. Andreas Siesing, “Svenska möbler –Folkhemsform i ull, jakaranda, furu och bok”, Atlantis 2015, p. 131.
Estimate: SEK 30 000 – 40 000 / EUR 2 730 – 3 640
222. Lisa Larson (Sweden, 1931–2024) sculpture, bronze, “Storseglar’n”, Scandia Present, ca. 1978, ed. 181/999, with original box and folder.
Patinated bronze, signed Lisa Larson and numbered NO 181. Height 11 cm.
223. Claude Lalanne (France, 1925–2019) a silver plated and part gilt tray, ed. 86/250, Artcurial, France, 1980. Oval silver-plated bronze tray with gilded decoration of a butterfly on bamboo, engraved signature in script Cl. Lalanne 86/250. Length 41.5 cm, width 28 cm. A signed and dated certificate from 1981 and also the original box is included.
Claude Lalanne was one of the few women of her generation to study architecture at the École des Beaux-Arts i Paris. She then went on to the École nationale supérieure des Arts Décoratifs to further pursue her interest in decorative arts. Claude Lalanne worked closely with her husband, FrançoisXavier Lalanne, and the couple became known as “Les Lalannes”. While François-Xavier often focused on the animal world, Claude instead turned her attention to the plant world. She employed techniques such as casting, pressed decorative elements, and electroplating, for example, to create leaves, stems, and petals in bronze with a naturalistic precision. Claude Lalanne’s works navigated the boundaries between art, fashion, and sculpture.
Round frame in brass, eight lampholders with glass cylinders, manufacturer’s paper label HANS-AGNE JAKOBSSON A/B MARKARYD MADE IN SWEDEN. Diameter 116 cm, height 65 cm.
Provenance: Bankpalatset (The Bank Palace), Linköping.
Round frame in brass, eight lampholders with glass cylinders, manufacturer’s paper label HANS-AGNE JAKOBSSON A/B MARKARYD MADE IN SWEDEN.
Diameter 116 cm, height 65 cm.
Provenance: Bankpalatset (The Bank Palace), Linköping.
Estimate: SEK 40 000 – 50 000 / EUR 3 640 – 4 550
228. Hans-Agne Jakobsson (Sweden, 1919–2009) a chandelier model “T348/9”, Hans-Agne Jakobsson AB, Markaryd, 1960s. Polished brass, 9 light points with shades in smoked glass, manufacturer’s paper label. Diameter 75 cm, total height including rod 120 cm.
Estimate: SEK 25 000 – 30 000 / EUR 2 280 – 2 730
229. Alvar Aalto (Finland, 1898–1976) a dining table model “91” with tray, O.Y. Huonekalu- ja Rakennustyötehdas A.B., for Finmar Ltd, Finland, 1934–39.
Birch and curly birch, table legs of laminated bent wood. Table diameter 127 cm, height 72 cm. Revolving tray, so called “Lazy Susan” model “B91” with diameter 60 cm, height 5 cm.
Literature: Pirkko Tuukkanen (ed.), “Alvar Aalto Designer”, Vammalan Kirjapaino Oy, Vammala 2002, compare p. 82. Thomas Kellein (ed.), “Alvar & Aino Aalto Design”, Hatje Cantz Verlag 2005, p. 98.
Estimate: SEK 40 000 – 50 000 / EUR 3 640 – 4 550
230. Alvar Aalto (Finland, 1898–1976) a birch serving trolley model “98”, O.Y. Huonekalu- ja Rakennustyötehdas A.B., for Finmar Ltd, Finland, 1934–39.
Laminated birch, shelves with light coloured linoleum, large white lacquered wheels, black handle, manufacturer’s metal label FINMAR LTD. Total length 90 cm, width 50 cm, height 55.5 cm.
Literature: Thomas Kellein (ed.), “Alvar & Aino Aalto Design”, Hatje Cantz Verlag 2005, p. 105.
Estimate: SEK 25 000 – 30 000 / EUR 2 280 – 2 730
231. Aino Aalto (Finland, 1894–1949) a set of six chairs model “615”, Artek, Finland, second half of the 20th century.
Birch, seat and back with woven rattan. Height 80 cm, seat height 45 cm.
Literature: Thomas Kellein (ed.), “Alvar & Aino Aalto Design”, Hatje Cantz Verlag 2005, p. 137.
Estimate: SEK 10 000 – 12 000 / EUR 910 – 1 090
232. Alvar Aalto (Finland, 1898–1976) a set of four “Hand Grenade” ceiling lamps model “A110”, Arnold Wiig’s Fabrikker, Norway, 1960s. Cylinder-shaped brass, externally black lacquered, internally polished, manufacturer’s mark AWF. Height 34 cm, diameter 12.5 cm.
Provenance: The Norwegian villa, Landskrona’s 550th anniversary, 1963.
Estimate: SEK 40 000 – 50 000 / EUR 3 640 – 4 550
232A. Tapio Wirkkala (Finland, 1915-1985) (Finland, 1898–1976) a laminated birch plywood dish, Finland 1950s.
Leaf-shaped, signed TW. Length 47.5 cm, width 24.7 cm.
Estimate: SEK 30 000 – 50 000 / EUR 2 820 - 4 700
233. Tapio Wirkkala (Finland, 1915–1985) a laminated birch plywood dish, Finland, 1950s.
235. Tapio Wirkkala (Finland, 1915–1985) a pair of stools, executed by Reino Huotari, Finland, 1981, for the Finnish Glass Museum.
Stained pine, leater seat. Length 65 cm, width 50 cm, height 45 cm. Seat height ca. 35 cm.
Literature: Marianne Aav (ed.), “Tapio Wirkkala: Eye, Hand and Thought”, Taideteollisuusmuseo 2000, p. 381.
Estimate: SEK 15 000 – 20 000 / EUR 1 370 – 1 820
238. Niels Holger Rasmussen, an oak stool, Denmark, ca. 1924–27.
304. Barbro Nilsson, a carpet, ‘Strålblomman grön’, tapestry weave, signed AB MMF BN.
236. Maria Lindeman (Finland) a pair of table lamps model “K11–40”, Idman, Finland, mid-20th century.
Teak and copper base, shades in opal glass. Height 33.5 cm.
Estimate: SEK 12 000 – 15 000 / EUR 1 090 – 1 370
236A. Paavo Tynell (Finland, 1890–1973) a flush mount model “1076/80220”, Idman, Finland, mid-20th century.. Pleated fabric shade, details in brass, three light points, manufacturer’s mark Idman. Diameter 90 cm.
Estimate: SEK 30 000 – 40 000 / EUR 2 820 - 3 760
237. Paavo Tynell (Finland, 1890–1973) a table lamp model “5233”, Idman, Finland, mid-20th century.
Brass, wooden detail, white lacquered adjustable metal shade, manufacturer’s mark Idman. Height 45 cm.
Estimate: SEK 12 000 – 15 000 / EUR 1 090 – 1 370
238. Niels Holger Rasmussen (Denmark, 1871–1952) an oak stool, Denmark, ca. 1924–27. Turned and carved decoration, frame with inlays in ebony in the form of foliage, upholstered seat covered in brown leather. Length 100 cm, width 70 cm, height 36 cm.
Provenance: The Danish Order of Freemasons’ Hall, Copenhagen.
Literature: Mirjam Gelfer-Jørgensen (ed.), “Herculanum paa Sjælland: klassicisme og nyantik i dansk møbeltradition”, Rhodos 1988, compare pp. 351–352.
Estimate: SEK 60 000 – 80 000 / EUR 5 460 – 7 280
242. Hans J. Wegner, a “Swivel Chair” model “JH502”, Johannes Hansen, Denmark, 1950s-60s.
239. Poul Henningsen (Denmark, 1894–1967) a “PH 3½/2” table lamp, Louis Poulsen, Denmark, 1930s.
Pillar and base in patinated metal, socket in bakelite, shade holder with bayonet spring lock, mounted with a lacquered metal shade over two shades in yellow-painted glass, socket marked PH lamp Patented. Height 45 cm, diameter 33 cm.
Estimate: SEK 12 000 – 15 000 / EUR 1 090 – 1 370
240. Hans J. Wegner (Denmark, 1914–2007) an oak and rattan “CH27” easy chair, Carl Hansen & Son, Denmark, 1950s.
Manufacturer’s stamp. Height 77,5 cm, width 72 cm, seat height ca 37 cm.
Estimate: SEK 20 000 – 25 000 / EUR 1 820 – 2 280
241. Hans J. Wegner (Denmark, 1914–2007) a “Bamse” (Papa Bear) armchair, AP-stolen, Denmark, 1950s-60s.
Upholstered in a grey fabric, deep-buttoned back, loose seat cushion, loose neck cushion, armrests and legs in oak, manufacturer’s stamp Made in Denmark Designer: Hans J. Wegner A.P. STOLEN Copenhagen. Height 98 cm, width 91 cm, seat height ca. 32–36 cm.
Estimate: SEK 60 000 – 80 000 / EUR 5 460 – 7 280
242. Hans J. Wegner (Denmark, 1914–2007) a “Swivel Chair” model “JH502”, Johannes Hansen, Denmark, 1950s-60s. Backrest of teak, the seat upholstered and covered in cognac coloured leather, steel frame with a four-part braced central leg ending in grey wheels, manufacturer’s metal label JH JOHANNES HANSEN CABINETMAKER COPENHAGEN DENMARK DESIGN H J WEGNER. The original wheels enclosed are marked ARCHIBALD KENRICK & SON MADE IN ENGLAND. Height 73 cm, width 74 cm, seat height 43 cm.
Provenance: Reportedly purchased in 1956.
Literature: Johan Möller Nielsen, “Wegner - en dansk möbelkunstner”, Gyldendal 1965, model illustrated pp. 75–76. Noritsugu Oda, “Danish Chairs”, Korinsha Press 1996, compare with the later version p. 119.
243. Hans J. Wegner (Denmark, 1914–2007) a “JH 810” desk, Johannes Hansen, Denmark, post 1970.
Veneered in wenge and oak, frame and fittings in chrome-plated steel. Length 220 cm, depth 110 cm, height 70 cm.
Estimate: SEK 40 000 – 50 000 / EUR 3 640 – 4 550
244. Ib Kofod-Larsen (Denmark, 1921–2003) a pair of rosewood “Samsö” armchairs, Olof Persons Fåtöljindustri (OPE), Jönköping, 1960s.
Cushions with brown leather, remains of manufacturer’s paper label. Height 72,5 cm, width 71 cm.
Estimate: SEK 50 000 – 75 000 / EUR 4 550 – 6 820
245. No Lot.
246. Ib Kofod-Larsen (Denmark, 1921–2003) a rosewood veneered sideboard model “501” from the “Ib 500” series, Seffle Möbelfabrik, Sweden, 1960s.
Four doors, the interior with shelves, one section with white lacquered drawers. Length 243 cm, depth 47 cm, height 72 cm.
Literature: Claes Åkerblom, “Seffle Möbelfabrik - String-Seffle”, Votum & Gullers 2019, model illustrated pp. 84–85.
Estimate: SEK 60 000 – 80 000 / EUR 5 460 – 7 280
247. Ib Kofod-Larsen (Denmark, 1921–2003) a pair of rosewood “Samsö” armchairs, Olof Persons Fåtöljindustri (OPE), Jönköping, 1960s.
Cushions with reddish-brown leather, remains of manufacturer’s paper label. Height 72,5 cm, seat height ca 33 cm (without the cushion), width 71 cm.
Estimate: SEK 50 000 – 75 000 / EUR 4 550 – 6 820
248. A pair of Danish Modern easy chairs, executed by cabinetmaker Peder Pedersen, Denmark, 1940s. Fully upholstered armchairs with button-tufted sheepskin upholstery and spring seats, legs of stained beech. Width 76 cm, depth 61 cm, height 82 cm, seat height ca. 34 cm.
Literature: Compare image from the cabinetmaker’s own archive.
Estimate: SEK 50 000 – 75 000 / EUR 4 550 – 6 820
249. Ejner Larsen & Aksel Bender Madsen (Denmark) a “Metropolitan” chair, Fritz Hansen, Denmark, 1950s. Beech leg frame, backrest and armrests in moulded plywood veneered with teak. Height 78 cm, width 73 cm, seat height 42 cm.
Estimate: SEK 25 000 – 30 000 / EUR 2 280 – 2 730
250. Jørgen Høj (Denmark, 1925–1994) an oak cabinet, Knud Willadsen Møbelsnedkeri, Lillerød, Denmark, 1950s.
Two doors with relief pattern, manufacturer’s paper label Knud Willadsen Møbelsnedkeri Lillerød. Height 125 cm, width 125 cm, depth 45 cm.
Provenance: Nordiska Galleriet, Stockholm, purchased in 1953.
Exhibitions: The model was exhibited at the “Tidens møbler” exhibition at Forum, Copenhagen in 1952.
Literature: Model illustrated in the Danish Furniture Index.
Estimate: SEK 25 000 – 30 000 / EUR 2 280 – 2 730
251. Arne Jacobsen (Denmark, 1902–1971) a black leather “Egg” armchair, Fritz Hansen, Denmark, 1967.
Loose cushion, four-part central base of aluminium, manufacturer’s label. Width 87 cm, seat height 38 cm, total height ca. 105 cm.
Estimate: SEK 40 000 – 60 000 / EUR 3 640 – 5 460
253. Nanna & Jørgen Ditzel (Denmark) a rare armchair model “93”, Søren Willadsens Møbelfabrik, Denmark, 1950s.
Upholstered seat and back covered in textile “Sunniva” from Kvadrat, legs in teak. Width 89 cm, height 89 cm, seat height ca. 35 cm.
Literature: Mette Mærsk, “Historien om Søren Willadsens Møbelfabrik”, Vejen Kunstmuseum 2024, pp. 296–297.
Estimate: SEK 50 000 – 75 000 / EUR 4 550 – 6 820
252. Arne Jacobsen (Denmark, 1902–1971) a writing desk model “3605”, Fritz Hansen Denmark, 1967.
Rosewood veneered top, two drawers underneath, chrome plated steel frame, manufacturer’s paper label mars 1967. 152 x 80 cm, height 70,5 cm.
Estimate: SEK 30 000 – 40 000 / EUR 2 730 – 3 640
254. Nanna Ditzel (Denmark, 1923–2005) a teak desk model “93–4”, Søren Willadsens Møbelfabrik, Denmark, 1950s. Three drawers. Length 146 cm, width 75 cm, height 71.5 cm.
Estimate: SEK 25 000 – 30 000 / EUR 2 280 – 2 730
255. Finn Juhl (Denmark, 1912–1989) a set of four chairs and a pair of armchairs, model “Bo-63” and “Bo-72”, Bovirke, Denmark, 1950s-60s. Walnut, upholstered in brown goatskin leather. Height 81 cm, seat height 41 cm.
Literature: Esbjørn Hjort, “Finn Juhl”, Arkitektens Forlag 1990, pp. 52.
256. Peter Hvidt & Orla Mølgaard Nielsen (Denmark) a pair of “X” chairs model “6103”, Fritz Hansen Denmark, 1966.
Frame in laminated beech with details in dark wood, seats in woven rattan, manufacturer’s paper label MADE IN DENMARK 0466 BY FRITZ HANSEN. Height 73.5 cm, width 56.5 cm.
Ash wood, flag line. Height 133,5 cm, seat height ca 40 cm.
Estimate: SEK 15 000 – 20 000 / EUR 1 370 – 1 820
259. Preben Fabricius & Jørgen Kastholm (Denmark) a “Grasshopper” lounge chair model “FK-87”, Alfred Kill, Denmark, 1960s-1970s.
Chromeplated steel frame with canvas, upholstered cushion covered in black leather. Total length 185 cm.
Estimate: SEK 50 000 – 60 000 / EUR 4 550 – 5 460
258. Arne Vodder (Denmark, 1926–2009) a rosewood sideboard model “209”, Sibast Møbler, Denmark, 1970.
Shelves and drawers, cabinet on one short end. Length 165 cm, depth 42 cm, height 63 cm.
Estimate: SEK 20 000 – 25 000 / EUR 1 820 – 2 280
260. Poul Kjaerholm (Denmark, 1929–1980) a “PK61” coffee table, E. Kold Christensen, Denmark, 1960s.
Satin-brushed steel base, black stone top, stamped with signature EKC DENMARK. Length 83 cm, width 83 cm, height 32.5 cm.
Estimate: SEK 15 000 – 20 000 / EUR 1 370 – 1 820
282. Märta Måås-Fjetterström, a carpet, ‘Ordspråksmattan’ (Havamal), knotted pile, signed AB MMF.
CARPETS AND TEXTILES
Water sprite galore
The Swedish folk ballad tradition was a central source of inspiration for the Arts and Crafts Institute of Lund, and The Water Sprite’s Wedding stands as one of its most evocative textile compositions. The work is attributed to Pär Axel Olsson, assistant curator at the open-air museum Kulturen in Lund and later designer at the Institute during the 1910s and 1920s.
According to Kerstin Lind’s dissertation Textila konstmöten – Konstslöjdanstalten i Lund 1897–1932 (2024), the motif is preserved both as a working drawing and as a textile piece, all signed with Olsson’s monogram “PA” and dated. Another example of the same composition is held in the collection of the Nordic Museum in Stockholm, confirming the attribution.
In The Water Sprite’s Wedding, Olsson likely drew inspiration from the traditional ballad Necken och Jungfrun (“The Water Sprite and the Maiden”), in which the water spirit enchants a nobleman’s daughter. The scene depicts a chariot racing across a blue firmament, drawn by a black and a white horse—a dynamic interplay of light and shadow, love and enchantment. The darker figure at the reins is interpreted as the water sprite, while the fair-haired maiden in red represents the bewitched daughter.
The composition conveys movement and drama through the horses’ streaming manes and the fluttering garments, while hovering white and blue figures accompany the chariot across a dreamlike landscape. The Water Sprite’s Wedding embodies the Institute’s synthesis of national romantic narrative, symbolism, and masterful textile craftsmanship.
261. Pär Axel Olsson (Sweden, 1885–1925) a tapestry, ‘Näckens Bröllop’ (‘The Wedding of the Water Sprite / Nixie’) flat weave, c 270 x 166 cm, signed PAO 19K&L06.
Designed in 1905, woven in 1906 at Kulturens Konstslöjdsanstalt .
Provenance: Stockholms Auktionsverk Stockholm, 27 April 2009, lot 256. Acquired at the above auction by the current owner.
Literature: Brunius, Jan, Swedish Textiles: 1890-1990, Signum, Lund, 1994, p. 94. Lind, Kerstin, Textile Art Encounters: The Arts and Crafts School in Lund 1897–1932, Department of Culture and Society, Linköping University, Diss. Linköping: Linköping University, 2024, Linköping, 2024, image 60, p. 191.
Estimate: SEK 30 000 – 40 000 / EUR 2 730 – 3 640
262. Märta Måås-Fjetterström (Sweden, 1873–1941) a drape, ‘Lammet’, flat weave, c. 269 x 147 cm, signed MMF.
(Märta Måås-Fjetterström.) Early design. Woven before 1942.
Literature: Compare Bergman, Ingrid: Märta Måås-Fjetterström - A Master and Innovator in Textile Art, Södertälje 1991, plate p. 10.
Estimate: SEK 20 000 – 25 000 / EUR 1 820 – 2 280
263. Märta Måås-Fjetterström (Sweden, 1873–1941) a drape, ‘Rågen’, flat weave, c. 246 x 127 cm, signed MMF. Designed in 1929, woven before 1942.
Literature: Compare with Lundgren, Tyra: Märta Måås-Fjetterström och väv-verkstaden i Båstad , Stockholm 1968, plate 28; Liljevalchs konsthalls katalog: Märta Måås-Fjetterström, Märta flyger igen, 90 år med Märta Måås-Fjetterström, Värnamo 2009, colour plate p. 114; Angelica Persson, Ehrling Braghfors, Ulrik Swedrup: Se på mattorna - det är jag, 100 år av textil konst - sedan 1919, Märta Måås-Fjetterström, Båstad/Mölndal 2019, colour plate p. 97.
Estimate: SEK 20 000 – 25 000 / EUR 1 820 – 2 280
264. Märta Måås-Fjetterström (Sweden, 1873–1941) a textile, ‘Täppan’, tapestry weave, c. 122 x 50 cm, signed AB MMF. (AB Märta Måås-Fjetterström.) Designed in 1931, woven after 1941.
Estimate: SEK 8 000 – 10 000 / EUR 730 – 910
265. Märta Måås-Fjetterström (Sweden, 1873–1941) a textile, “Täppan”, tapestry weave, c. 54 x 51 cm, signed AB MMF.
(AB Märta Måås-Fjetterström.) Designed in 1931, woven after 1941.
Estimate: SEK 3 000 – 4 000 / EUR 280 – 370
267. Ann-Mari Forsberg (Sweden, 1916–1992) a textile ‘Bilöpare’, a tapestry variant, c. 31 x 56 cm, signed AMF.
(Ann-Mari Forsberg, nee Lindbom, for MMF AB.) Designed in 1959. A label at the back. ‘Bilöpare’, which exists in different sizes, are details from the tapestry ‘Bikupan’.
Literature: Compare with ‘Små Vävnader från Märta Måås-Fjetterström’, colour plate 13; ‘Bikupan’ Lundgren, Tyra: Märta Måås-Fjetterström och väv-verkstaden i Båstad, Stockholm 1968, plate 64; Waldemarsuddes exhibition catalogue No. 6: Ann-Mari Forsberg, Stockholm 1982, plate p. 9.
Estimate: SEK 6 000 – 8 000 / EUR 550 – 730 (d)
268. Ann-Mari Forsberg (Sweden, 1916–1992) ‘Bilöpare’, a tapestry variant, c. 27.5 x 30 cm, signed AMF, framed (with the frame c. 44 x 43.5 cm).
(Ann-Mari Forsberg, nee Lindbom, for MMF AB). Designed in 1959. A label verso. ‘Bilöpare’, which exists in different sizes, are details from the tapestry ‘Bikupan’.
Literature: Compare with “Små Vävnader från Märta Måås-Fjetterström”, colour plate 13; “Bikupan” Lundgren, Tyra: Märta Måås-Fjetterström och vävverkstaden i Båstad, Stockholm 1968, plate 64; Waldemarsuddes exhibition catalogue No. 6: Ann-Mari Forsberg, Stockholm 1982, plate p. 9.
Estimate: SEK 4 000 – 5 000 / EUR 370 – 460 (d)
269. Barbro Sprinchorn (Sweden, 1929–1973) a textile, ‘Tamburin’, tapestry variant, c. 55 x 29 cm, signed S. (Barbro Sprinchorn for AB Märta Måås-Fjetterström.)
Designed in 1967.
Estimate: SEK 6 000 – 8 000 / EUR 550 – 730 (d)
270. Barbro Sprinchorn (Sweden, 1929–1973) a textile, ‘Mörk frukt’, tapestry weave, c. 45 x 38 cm, signerad S. (Barbro Sprinchorn for MMF AB.) Designed in 1968.
Estimate: SEK 6 000 – 8 000 / EUR 550 – 730
271. Marja Gräset Andersson (Finland, 1942–) a tapestry, flat weave, c. 143 x 176 cm, signed Gräset. Circa 1970.
Provenance: The Foundation Pharmacia’s Art Collection. Estimate: SEK 10 000 – 12 000 / EUR 910 – 1 090 (d)
272. Susanne Henriques (Sweden, 1948–) a tapestry triptych, ‘Strukturerad natur’ c. 223 x 176 (one 165) cm, signed AB MMF SH. (AB Märta Måås-Fjetterström, Susanne Henriques.) Designed in 1985. Woven by the art weavers Gulli Jönsson and Magnhild Hansson. All works have individual certificates (coded 36020 a,b,c). Unique.
Provenance: The Foundation Pharmacia’s Art Collection.
273. Cecilia Andersson (Sweden) a tapestry, ‘Att fångas i flykten’, flat weave, c. 150 x 112 cm, signed CA. Designed in 1975.
Provenance: The Foundation Pharmacia’s Art Collection.
Estimate: SEK 6 000 – 8 000 / EUR 550 – 730
274. Helena, Hernmarck, a tapestry, ‘Folded paper 3’, flat weave, c. 171 x 103 cm, signed Hernmarck. Designed in 1988.
Estimate: SEK 25 000 – 30 000 / EUR 2 280 – 2 730
276. Märta Måås-Fjetterström (Sweden, 1873–1941) a carpet, ‘Herrumsmattan’, flat weave, c. 329 x 258 cm, signed MMF.
(Märta Måås-Fjetterström). Designed in 1924. Woven before 1942.
Estimate: SEK 40 000 – 50 000 / EUR 3 760 - 4 700
274A. Märta Måås-Fjetterström (Sweden, 1873–1941) a carpet
‘Blå taggen’, flat weave, ca 354 x 251 cm, signed AB MMF.
(AB Märta Måås-Fjetterström). Designed before 1924.Woven after 1941.
Estimate: SEK 60 000 – 80 000 / EUR 5 640 - 7 530
275. Märta Måås-Fjetterström (Sweden, 1873–1941) a carpet, ‘Dukater’, flat weave, c. 315 x 250 cm, signed AB MMF.
(AB Märta Måås-Fjetterström.) Designed in 1924, woven after 1941.
Literature: Compare with Angelica Persson, Ehrling Braghfors, Ulrik Swedrup: Se på mattorna - det är jag, 100 år av textil konst - sedan 1919, Märta Måås-Fjetterström, Båstad/Mölndal 2019, colour plates p. 72–73.
Estimate: SEK 50 000 – 60 000 / EUR 4 550 – 5 460
277. Märta Måås-Fjetterström (Sweden, 1873–1941) a carpet, ‘Ulriksdal’, flat weave, c. 300 x 234 cm, signed MMF.
(AB Märta Måås-Fjetterström.) Designed in 1924, woven before 1942.
Estimate: SEK 30 000 – 40 000 / EUR 2 730 – 3 640
278. Märta Måås-Fjetterström (Sweden, 1873–1941) a carpet, ‘Grön äng’, flat weave, c. 305 x 200 cm, signed AB MMF.
(AB Märta Måås-Fjetterström.) Designed in 1928, woven after 1941.
Literature: Compare with Liljevalchs konsthalls katalog: Märta Måås-Fjetterström, Märta flyger igen, 90 år med Märta Måås-Fjetterström, Värnamo 2009, colour plate p. 112; Angelica Persson, Ehrling Braghfors, Ulrik Swedrup: Se på mattorna - det är jag, 100 år av textil konst - sedan 1919, Märta MååsFjetterström, Båstad/Mölndal 2019, colour plates p. 94-96, 102-103..
279. Märta Måås-Fjetterström (Sweden, 1873–1941) a carpet, ‘Kryptans matta’ (‘Sipporna’), flat weave, c. 194 x 129 cm, signed AB MMF.
(AB Märta Måås-Fjetterström.) Designed in 1928, woven after 1941.
Estimate: SEK 18 000 – 20 000 / EUR 1 640 – 1 820
280. Märta Måås-Fjetterström (Sweden, 1873–1941) a carpet, ‘Joakim’, flat weave, c. 317 x 215 cm, signed MMF. (Märta Måås-Fjetterström.) Designed in 1929 for the 1930 Stockholm Exhibition. Woven before 1942.
281. A carpet, knotted pile (rya), c. 305 x 209 cm, signed AK - EJ.
Sweden, the 1930’s. A Light camel hair-coloured ground with stylised flowers.
Estimate: SEK 15 000 – 18 000 / EUR 1 370 – 1 640
282. Märta Måås-Fjetterström (Sweden, 1873–1941) a carpet, ‘Ordspråksmattan’ (Havamal), knotted pile, c. 341 x 223 cm, signed AB MMF. Early composition, made for the exhibition at the Swedish-French Art Gallery 13–30 January 1945. Woven by Elsa Paulsson and Ebba Persson.
Provenance: A Swedish private collection.
Exhibitions: Swedish-French Art Gallery 13–30 January 1945 Prins Eugens Waldemarsudde, Stockholm: Lilli och Prinsen, 100 år av hemslöjd och textil konst, 2012–06–06 till 2012–09–16.
Literature: Tyra Lundgren, Märta Måås-Fjetterström and the weaving workshop in Båstad, 1968, compare pl. 20, text p. 61. Meister, Anna (red.), Lilli & Prinsen: 100 år av hemslöjd och textil konst, Carlsson, Stockholm, 2012, Cat. no 3.
283. Märta Måås-Fjetterström (Sweden, 1873–1941) a carpet, ‘Rutmattan’, flat weave, c. 176 x 101 cm, signed MMF. (AB Märta Måås-Fjetterström.) Designed in 1931, woven before 1942.
Estimate: SEK 10 000 – 12 000 / EUR 910 – 1 090
284. Märta Måås-Fjetterström (Sweden, 1873–1941) a carpet, ‘Blå natt och dag’, flat weave, c. 300 x 192 cm, signed MMF.
Designed in 1933, woven after 1941.
Literature: Compare Liljevalchs konsthalls katalog: Märta Måås-Fjetterström, Märta flyger igen, 90 år med Märta Måås-Fjetterström, colour plate p. 121.
Estimate: SEK 50 000 – 70 000 / EUR 4 550 – 6 370
285. Märta Måås-Fjetterström (Sweden, 1873–1941) a carpet, ‘Nyponblomman’, flat weave, c. 285 x 150 cm, signed AB MMF.
(AB Märta Måås-Fjetterström.) Designed in 1932. Woven after 1941.
Literature: Compare with Angelica Persson, Ehrling Braghfors, Ulrik Swedrup: Se på mattorna - det är jag, 100 år av textil konstsedan 1919, Märta Måås-Fjetterström, Båstad/Mölndal 2019, colour plate page 123.
Estimate: SEK 30 000 – 40 000 / EUR 2 730 – 3 640
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286. Märta Måås-Fjetterström (Sweden, 1873–1941) a carpet, ‘Nyponblomman’, flat weave, c. 163 x 105 cm, signed AB MMF. (AB Märta Måås-Fjetterström.) Designed in 1932, woven after 1941.
Literature: Compare with Angelica Persson, Ehrling Braghfors, Ulrik Swedrup: Se på mattorna - det är jag, 100 år av textil konst - sedan 1919, Märta MååsFjetterström, Båstad/Mölndal 2019, colour plate p. 123.
Estimate: SEK 20 000 – 25 000 / EUR 1 820 – 2 280
287. Märta Måås-Fjetterström (Sweden, 1873–1941) a carpet, ‘Nyponblomman’, flat weave, c. 327 x 197 cm, signed AB MMF.
(AB Märta Måås-Fjetterström.) Designed in 1932. Woven after 1941.
Literature: Compare with Angelica Persson, Ehrling Braghfors, Ulrik Swedrup: Se på mattorna - det är jag, 100 år av textil konst - sedan 1919, Märta MååsFjetterström, Båstad/Mölndal 2019, colour plate p. 123.
Estimate: SEK 40 000 – 50 000 / EUR 3 640 – 4 550
288. Märta Måås-Fjetterström (Sweden, 1873–1941) a carpet, ‘Vita spetsporten’, knotted pile in relief, c. 270 x 164 cm, signed AB MMF A.C.E. C 1962.
(AB Märta Måås-Fjetterström.) Designed in 1934. Woven after 1941.
Provenance: Bukowskis Auctions, Important Winter Sale 645, 7 December 2022, lot number 317.
Literature: Compare with Thorman, Elisabeth: Svenska mattor, utställning på Akademien för de Fria Konsterna, Stockholm 1945, plate No VI; Katalogen Märta Måås-Fjetterström och verkstaden i Båstad, Stockholm 1951, plate p. 12; Lundgren, Tyra: Märta Måås-Fjetterström och väv-verkstaden i Båstad, Stockholm 1968, plate No 42; af Klercker, Susanne: Antikt - Bukowskis experter berättar, Västerås/Spanien 2006, colour plate p. 178; Liljevalchs konsthalls katalog: Märta Måås-Fjetterström, Märta flyger igen, 90 år med Märta Måås-Fjetterström, Värnamo 2009, colour plate and text p. 82-83, 130.
Estimate: SEK 50 000 – 60 000 / EUR 4 550 – 5 460
289. Märta Måås-Fjetterström (Sweden, 1873–1941) a carpet, ‘Röda Esset’, flat weave, c. 261 x 201 cm, signed MMF.
Designed in 1934, woven before 1942.
Literature: Compare with Lundgren, Tyra: Märta Måås-Fjetterström och väv-verkstaden i Båstad, Stockholm 1968, colour plate opposite p. 64; Liljevalchs konsthalls katalog: Märta Måås-Fjetterström, Märta flyger igen, 90 år med Märta Måås-Fjetterström, Värnamo 2009, colour plate p. 82; Angelica Persson, Ehrling Braghfors, Ulrik Swedrup: Se på mattorna - det är jag, 100 år av textil konst - sedan 1919, Märta Måås-Fjetterström, Båstad/Mölndal 2019, colour plate p. F1.
Estimate: SEK 40 000 – 50 000 / EUR 3 640 – 4 550
290. Märta Måås-Fjetterström (Sweden, 1873–1941) a carpet, ‘Örtagården’, knotted pile, c. 352 x 256 cm, signed AB MMF JBE 1952.
Designed in 1934, woven in 1952 by Svea Friberg och Naemi Martinsson.
Literature: Compare with Lundgren, Tyra: Märta Måås-Fjetterström och väv-verkstaden i Båstad, Stockholm 1968, plate No. 36 colour plate opposite p. 49; Millesgårdens utställningskatalog nr 20: Märta Måås-Fjetterström, Stockholm 1989, No. 10, colour plate p. 17; Liljevalchs konsthalls katalog: Märta Måås-Fjetterström, Märta flyger igen, 90 år med Märta Måås-Fjetterström, Värnamo 2009, colour plate p. 122.
290. Märta Måås-Fjetterström, a carpet, ‘Örtagården’, knotted pile, signed AB MMF JBE 1952.
291. Märta Måås-Fjetterström (Sweden, 1873–1941) a carpet, ‘Skvattram’, knotted pile in relief, c. 270 x 164 cm, signed AB MMF.
(AB Märta Måås-Fjetterström). Designed in 1938, woven and knotted after 1941. (Rare.).
Literature: Compare with Lundgren, Tyra: Märta Måås-Fjetterström och väv-verkstaden i Båstad, Stockholm 1968, plate No. 43; Millesgårdens utställningskatalog nr 20: Märta Måås-Fjetterström, Stockholm 1989–90, No. 16.
Estimate: SEK 40 000 – 60 000 / EUR 3 640 – 5 460
292. Barbro Nilsson (Sweden, 1899–1983) a carpet, ‘Hjortron’, flat weave, c. 137 x 87 cm, signed AB MMF BN.
(AB Märta Måås-Fjetterström, Barbro Nilsson.) Designed in 1946. (Rare.).
Literature: Compare with Lundgren, Tyra: Märta Måås-Fjetterström och väv-verkstaden i Båstad, Stockholm 1968, plate 50, colour plate opposite p. 65; Möller, Viggo Sten: En bok om Barbro Nilsson, Stockholm/Barcelona 1977, colour plate p. 3; Liljevalchs konsthalls katalog: Märta Måås-Fjetterström, Märta flyger igen, 90 år med Märta Måås-Fjetterström, Värnamo 2009, colour plate p. 149..
Estimate: SEK 25 000 – 30 000 / EUR 2 280 – 2 730
293. Barbro Nilsson (Sweden, 1899–1983) matta, ‘Tigerfällen’, knotted pile (rya), c. 260 x 154 cm, signed AB MMF BN.
(AB Märta Måås-Fjetterström, Barbro Nilsson.) Designed in 1946.
Literature: Compare Märta Måås-Fjetterström och verkstaden i Båstad, 1951, colour plate. p. 21.
294. Barbro Nilsson (Sweden, 1899–1983) a carpet, ‘Blåbär mörk’, tapestry weave, c. 215 x 149 cm, signed AB MMF BN (AB Märta Måås-Fjetterström, Barbro Nilsson.) Designed in 1946.
Literature: Compare with Lundgren, Tyra: Märta Måås-Fjetterström och väv-verkstaden i Båstad, Stockholm 1968, plate 50, colour plate opposite p. 65; Möller, Viggo Sten: En bok om Barbro Nilsson, Stockholm/Barcelona 1977, colour plate page 3; Liljevalchs konsthalls katalog: Märta Måås-Fjetterström, Märta flyger igen, 90 år med Märta Måås-Fjetterström, Värnamo 2009, colour plate p. 149.
Estimate: SEK 25 000 – 30 000 / EUR 2 280 – 2 730
295. Marianne Richter (Sweden, 1916–2010) a runner, ‘Gråtaggen’, flat weave c. 276 x 101 cm, signed AB MMF MR. (AB Märta Måås-Fjetterström, Marianne Richter.) Designed in 1947.
295A. Ann-Mari Forsberg, a carpet, “Tvistrutan”, flat weave, c. 275 x 195 cm, signed AB MMF AMF. (AB Märta Måås-Fjetterström, Ann-Mari Forsberg, born Lindbom). Designed in 1948.
296. Barbro Nilsson (Sweden, 1899–1983) a carpet, ‘Salerno blå med enkel bård’, flat weave, c. 365 x 244 cm, signed AB MMF BN. (AB Märta Måås-Fjetterström, Barbro Nilsson.) Designed in 1948.
Literature: Compare with Yashar, Nazanin, Nilufar Tappeti Antichi: Tappeti Svedesi e Mobili Scandinavi Anni 1920-1960, Milano 1998, colour plate p. 39; Liljevalchs konsthalls katalog: Märta Måås-Fjetterström, Märta flyger igen, 90 år med Märta Måås-Fjetterström, Värnamo 2009, colour plate p. 151.
297. Barbro Nilsson (Sweden, 1899–1983) a carpet, ‘Salerno röd’, flat weave, c. 214 x 158 cm, signed AB MMF BN. (AB Märta Måås-Fjetterström, Barbro Nilsson.) Designed in 1948.
Literature: Compare with Yashar, Nazanin, Nilufar Tappeti Antichi: Tappeti Svedesi e Mobili Scandinavi Anni 1920-1960, Milano 1998, colour plate p. 39; Liljevalchs konsthalls katalog: Märta Måås-Fjetterström, Märta flyger igen, 90 år med Märta Måås-Fjetterström, Värnamo 2009, colour plate p. 151.
298. Barbro Nilsson (Sweden, 1899–1983) a carpet, “Salerno blå”, flat weave, c. 314 x 255 cm, signed AB MMF BN.
(AB Märta Måås-Fjetterström, Barbro Nilsson.) Designed in 1948.
Literature: Compare with Yashar, Nazanin, Nilufar Tappeti Antichi: Tappeti Svedesi e Mobili Scandinavi Anni 1920-1960, Milano 1998, colour plate p. 39; Liljevalchs konsthalls katalog: Märta Måås-Fjetterström, Märta flyger igen, 90 år med Märta MååsFjetterström, Värnamo 2009, colour plate p. 151.
299. Barbro Nilsson (Sweden, 1899–1983) a runner, ‘Salerno blå’, flat weave, c. 419 x 122 cm, signed AB MMF.
(AB Märta Måås-Fjetterström, Barbro Nilsson.) Designed in 1948.
Literature: Compare with Yashar, Nazanin, Nilufar Tappeti Antichi: Tappeti Svedesi e Mobili Scandinavi Anni 1920-1960, Milano 1998, colour plate p. 39; Liljevalchs konsthalls katalog: Märta Måås-Fjetterström, Märta flyger igen, 90 år med Märta Måås-Fjetterström, Värnamo 2009, colour plate p. 151.
301. A tapestry weave carpet, c. 528 x 473 cm, signed Aubusson. France, mid-20th century. A burgundy melange ground in various nuances. A wide yellow main border of classicist design featuring meander and floral vine.
Estimate: SEK 50 000 – 70 000 / EUR 4 550 – 6 370
302. Barbro Nilsson, a carpet ‘Nejlikan grön’, flat weave, signed AB MMF BN.
163. Nordiska Kompaniet, a stained pine “Lovö” table, 1940s.
302. Barbro Nilsson (Sweden, 1899–1983) a carpet ‘Nejlikan grön’, flat weave, c. 390 x 278 cm, signed AB MMF BN
(AB Märta Måås-Fjetterström, Barbro Nilsson.) Designed in 1950.
Literature: Compare with skisser Möller, Viggo Sten: En bok om Barbro Nilsson, Stockholm/Barcelona 1977, colour plate p. 79; af Klercker, Susanne: Antikt - Bukowskis experter berättar, Västerås/Spanien 2006, colour plate p. 184; Liljevalchs konsthalls katalog: Märta Måås-Fjetterström, Märta flyger igen, 90 år med Märta Måås-Fjetterström, Värnamo 2009, colour plate p. 152.
Proveniens: Bukowskis Auctions, The Modern Autumn Sale 2000, 7-9 November, lot 1228.
304. Barbro Nilsson (Sweden, 1899–1983) a carpet, ‘Strålblomman grön’, tapestry weave, c. 316 x 232 cm, signed AB MMF BN. (AB Märta Måås-Fjetterström, Barbro Nilsson.) Designed in 1952.
Literature: Compare with sketches Möller, Viggo Sten: En bok om Barbro Nilsson, Stockholm/ Barcelona 1977, colour plate p. 79.
307. Anna-Greta Sjöqvist (Sweden, 1908–1993) a carpet, flat weave, c. 225 x 151 cm, signed AGS. Sweden, the 1960’s. A large polychrome hourglass design.
Estimate: SEK 10 000 – 12 000 / EUR 910 – 1 090
311. Barbro Nilsson, a carpet, ‘Tånga blå’, flat weave, signed AB MMF BN.
308. Barbro Nilsson (Sweden, 1899–1983) a carpet, ‘Falurutan gul S’, flat weave, c. 200 x 150 cm, signed AB MMF BN.
(AB Märta Måås Fjetterström, Barbro Nilsson.) Designed in 1952.
Literature: Compare with Möller, Viggo Sten: En bok om Barbro Nilsson, Stockholm/ Barcelona 1977, colour plates p. 68; Liljevalchs konsthalls katalog: Märta Måås-Fjetterström, Märta flyger igen, 90 år med Märta Måås-Fjetterström, Värnamo 2009, colour plate p. 153.
Estimate: SEK 30 000 – 40 000 / EUR 2 730 – 3 640
309. Barbro Nilsson (Sweden, 1899–1983) a carpet, ‘Falurutan grön I’, flat weave, c. 266 x 210 cm, signed AB MMF BN.
(AB Märta Måås-Fjetterström, Barbro Nilsson.) Designed in 1952.
Literature: Compare with Möller, Viggo Sten: En bok om Barbro Nilsson, Stockholm/ Barcelona 1977, colour plates p. 68; Liljevalchs konsthalls katalog: Märta MååsFjetterström, Märta flyger igen, 90 år med Märta Måås-Fjetterström, Värnamo 2009, colour plate p. 153..
Estimate: SEK 60 000 – 80 000 / EUR 5 460 – 7 280
310. A knotted pile carpet, c. 275 x 177 cm, signed ES-FV-AJ. Sweden, 1950s. A light camel coloured ground with a medallion and framework in the form of cherry blossoms.
Estimate: SEK 18 000 – 20 000 / EUR 1 640 – 1 820
311. Barbro Nilsson (Sweden, 1899–1983) a carpet, ‘Tånga blå’, flat weave, c. 300 x 207 cm, signed AB MMF BN.
(AB Märta Måås-Fjetterström, Barbro Nilsson.) Designed in 1955.
Literature: Compare with Möller, Viggo Sten: En bok om Barbro Nilsson, Stockholm/Barcelona 1977, colour plate p. 69; Stensman, Mailis: Ännu Mera Mattor från Märta Måås-Fjetterströms ateljé i Båstad 1919-1999, Uddevalla 1999, colour plate p. 11; af Klercker, Susanne: Antikt - Bukowskis experter berättar, Västerås/Spanien 2006, colour plate page 184; Liljevalchs konsthalls katalog: Märta Måås-Fjetterström, Märta flyger igen, 90 år med Märta Måås-Fjetterström, Värnamo 2009, colour plate p. 154-155.
312. Barbro Nilsson (Sweden, 1899–1983) a carpet, ‘Tånga brun och grön’, tapestry weave, c. 286 x 186 cm, signed AB MMF BN. (AB Märta Måås-Fjetterström, Barbro Nilsson.) Designed in 1955.
Provenance: Purchased in the 1960s and thereafter inherited by the current owner.
Literature: Compare with Möller, Viggo Sten: En bok om Barbro Nilsson, Stockholm/ Barcelona 1977, colour plate p. 69; Stensman, Mailis: Ännu Mera Mattor från Märta MååsFjetterströms ateljé i Båstad 1919-1999, Uddevalla 1999, colour plate p. 11; Liljevalchs konsthalls katalog: Märta Måås-Fjetterström, Märta flyger igen, 90 år med Märta MååsFjetterström, Värnamo 2009, colour plate p. 154-155.
313. Svea Norén (Sweden) a carpet, tapestry weave, c. 245 x 169 cm, signed SN.
Sweden, around the mid-20th century. A green melange ground with five rows of stylized flowers. An ivory main border with stylized pattern in green and yellow melange.
Estimate: SEK 12 000 – 15 000 / EUR 1 090 – 1 370
314. Barbro Nilsson (Sweden, 1899–1983) a runner, ‘Marina, grön’, knotted pile, c. 469 x 158 cm, signed AB MMF BN.
(AB Märta Måås-Fjetterström, Barbro Nilsson.) Designed in 1956.
Literature: Compare with Nationalmusei utställningskatalog 308: verkstad Måås-Fjetterström, Stockholm 1967, No 31, plate p. 11.
Estimate: SEK 60 000 – 80 000 / EUR 5 460 – 7 280
315. Anna-Greta Sjöqvist (Sweden, 1908–1993) a carpet, flat weave, c. 240 x 130 cm, signed AGS.
Around 1960. Grey mottled ground with four rows of red squares.
316. Judith Johansson (Sweden, 1916–1993) a carpet, ‘Spise hall’, flat weave, c. 283 x 199 cm, signed JJ.
Designed in 1961. ‘Spise Hall’ was woven in a variety of sizes - the pattern was created to easily adept to the customers choice of size - that where not standard. All the variants are shaded in a escalating colour scale. In nature there is no such thing as a uniform colour, its always changing depending on light, shadow and density.
Literature: Compare with Andersson, Torsten: JJ Så vävdes ett livsverk, Göteborg 2006, page 80. Estimate: SEK 20 000 – 25 000 / EUR 1 820 – 2 280 (d)
317. Anna-Greta Sjöqvist (Sweden, 1908–1993) a carpet, ‘Blomsteräng’, flat weave, ac. 351 x 241 cm, signed AGS. Sweden, the 1960s.
318. Judith Johansson (Sweden, 1916–1993) a carpet ‘Riddarsporrar’, flat weave, c. 245 x 177 cm, signed JJ E. Designed in 1961–62.
Literature: Compare with JJ Så vävdes ett livsverk - En berättelse om de vävda konstverken från Judith Johanssons ateljé i Knäred, Falkenberg/Varberg 2006, colour plate p. 20.
319. Ingrid Dessau (Sweden, 1923–2000) a carpet, ‘Pilevall’, flat weave and tapestry weave, c. 258 x 173 cm, signed KLH ID. (Kristianstad Läns Hemslöjd, Ingrid Dessau.) Designed c. 1950–1960.
Literature: Compare with Angelica Persson, Ehrling Braghfors, Ulrik Swedrup: Se på mattorna - det är jag, 100 år av textil konst - sedan 1919, Märta MååsFjetterström, Båstad/Mölndal 2019, colour plate p. 123.
Estimate: SEK 25 000 – 30 000 / EUR 2 280 – 2 730
320. Josef Frank (Austria, 1885–1967) a carpet, ‘Odjursmattan’ also known as ‘Matta nr 7’, handtufted, 175 x 115 cm. Design Josef Frank for Svenskt Tenn. The light coloured ‘Odjursmattan’ was exhibited in a rya variant at the San Francisco exhibition in 1939.
Estimate: SEK 15 000 – 18 000 / EUR 1 370 – 1 640
344. Wiwen Nilsson, a pair of sterling silver candlesticks, Lund, Sweden, 1973–1974.
345. Atelier Borgila, a sterling silver vase, Stockholm 1954.
357. Henrik Ingemansson , a pair of sterling silver and Älvdal porphyry candelsticks, Ingemansson’s Smithy, Stockholm, 2002.
360. Olle Ohlsson , a sterling silver teapot, Stockholm, Sweden 2001.
339. Kay Fisker , a sterling silver coctailshaker, Company Anton Michelsen, Copenhagen 1940’s.
SILVER
322. Georg Jensen (Denmark, 1866–1935) a silver bowl with lid, ‘Blossom’, design no 126, Copenhagen circa 1915–1921. Round bowl on three legs, lid with two reclining magnolia buds. Swedish import marks, design no. 126. Silver 830/1000.
Height ca. 10 cm. Weight ca. 227 g.
Estimate: SEK 5 000 – 7 000 / EUR 460 – 640
321. Georg Jensen (Denmark, 1866–1935) a silver bowl, design no 15, Copenhagen 1915–1919.
Flower-shaped bowl supported by four legs with fruit. Gift engraving underneath. 830/1000 silver, Swedish import marks GAB F. Design no. 15. Height 5.5 cm, diameter ca. 9.8 cm. Weight ca. 153 g.
Estimate: SEK 5 000 – 7 000 / EUR 460 – 640
323. Georg Jensen (Denmark, 1866–1935) a sterling silver cigar box with wood interior, Copenhagen 1918.
Rectangular model. Decor on the lid and along the edges of the lid. Also with Swedish import marks and GAB F. Silver 830/1000. Length 23.5 cm, width 13.8 cm, height 5.3 cm. Total weight (including wood interior) 959 g.
Literature: Janet Drucker and William Drucker, Georg Jensen: 20th Century Designs, New York 2002. Compare smaller box with the same design, ill. at p. 7, catalogue no F-62.
Estimate: SEK 20 000 – 25 000 / EUR 1 820 – 2 280
324. Georg Jensen (Denmark, 1866–1935) a set of two serving cutlery for fish, model ‘Konge/Acorn’ sterling silver, design Johan Rohde, Copenhagen 1919–1927.
Length ca. 26.5 cm and 24 cm. Total weight ca. 260 g.
Estimate: SEK 6 000 – 7 000 / EUR 550 – 640
326. Georg Jensen (Denmark, 1866–1935) a set of 133 pieces of ‘Acorn’ sterling silver and stainless steel flatware, design Johan Rohde, Copenhagen after 1945.
The model “Konge/Acorn” was designed in 1915.
Comprising:
12 dinner knives 23 cm
2 dinner knives 25 cm
6 dinner forks 19 cm
1 dinner fork 20 cm
5 soup spoons 19 cm
12 fish knives 21 cm
10 fish forks 16.5 cm
5 lunch knives 20.5 cm
6 appetizer spoons 17 cm
6 dessert/fruit knives 16.7 cm
6 dessert/fruit forks 14.2 cm
3 consommé spoons 13 cm
12 cocktail forks 14.5 cm
4 bouillon spoons 16 cm
2 teaspoons 14.5 cm
6 ice cream spoons 14.5 cm
1 cake server 27 cm
1 cake knife 27 cm
1 serving spoon 23 cm (gift engraving)
1 small sauce ladle/roe spoon 15 cm
2 sauce ladles 20 cm
6 olive forks 9.5 cm
6 butter knives 14.7 cm
1 salad fork
2 carving forks 20 cm
1 nutcracker 15 cm
1 poultry shears 25.5 cm
2 herring utensils (parts of bone) 16 cm and 17.5 cm
2 salad utensils (parts of bone) 20 cm and 20.5 cm
1 carving knife 34.5 cm
1 cheese slicer 21 cm
1 cheese knife 20.5 cm
1 stilton knife/spoon 17.5 cm
1 cheese fork 16.5 cm
2 sugar shovels 14 cm
1 corkscrew 11 cm
325. Georg Jensen (Denmark, 1866–1935) a set of 110 pieces of ‘Dronning/ Acanthus’ sterling silver flatware, design Johan Rohde, Copenhagen.
Cutlery in sterling silver and stainless steel. Made after 1945.
Comprising:
11 dinner knives, 22.5 cm
10 dinner forks, 18.5 cm
11 fish knives, 20.8 cm
11 fish forks, 17 cm
9 lunch knives, 17 cm
9 lunch forks, 14.5 cm
10 dessert/compote spoons, 14.2 cm
12 teaspoons, 11.5 cm
12 coffee spoons, 9.5 cm
4 butter knives, 15.2 cm
2 serving spoons, 20.5 cm
1 serving/salad fork, 20.5 cm
1 soup ladle, 19.5 cm
1 sauce ladle, 16 cm
1 bottle opener, 16 cm
1 serving fork, 20.5 cm
2 serving forks, 16 cm
2 serving forks, 12 cm
Total weight ca. 4180 g (including steel blades).
Literature: Janet Druckner, “Georg Jensen - A tradition of splendid silver”, 1997.
Compare ill. at pp. 262-263 and 270.
Estimate: SEK 35 000 – 40 000 / EUR 3 190 – 3 640
Knife blades in stainless steel. Some made 1933-44, a few with Swedish import marks, 10 pieces with engraved J. Total weight ca. 6700 g.
Exhibitions: The Panama–Pacific International Exposition in San Francisco, USA, 1915, the model was exhibited for the first time.
Literature: Lise Funder, “Danish Silver 20th Century”, 2004, the model illustrated and mentioned at p. 55. Read more at www.bukowskis.com
Estimate: SEK 80 000 – 90 000 / EUR 7 280 – 8 190
327. Georg Jensen (Denmark, 1866–1935) a sterling silver corkscrew, model ‘Dronning/Acanthus’, Copenhagen, Denmark efter 1945.
Decor of leaf ornament on the handle. Dimensions 10.7 x 7.1 cm.
Weight ca. 65 g.
Estimate: SEK 3 000 – 5 000 / EUR 280 – 460
328. Georg Jensen (Denmark, 1866–1935) a sterling silver serving spade, a sandwich tong and a tea strainer, 3 pcs, Copenhagen after 1945 and one 1925–1932.
Design Johan Rohde. Model ‘Konge/Acorn’. Serving spatula 22.5 cm, weight ca. 100 g. Sandwich tong 18.5 cm, weight ca. 84 g. Tea strainer 14.54 cm, weight ca. 40 g.
Estimate: SEK 6 000 – 7 000 / EUR 550 – 640
329. Georg Jensen (Denmark, 1866–1935) a large soup ladle, ‘Konge/Acorn’ sterling silver, design Johan Rohde, Copenhagen 1919–1927.
Length 34 cm. Weight ca. 210 g.
Estimate: SEK 6 000 – 7 000 / EUR 550 – 640
330. Georg Jensen (Denmark, 1866–1935) a sterling silver three-piece coffee set, Copenhagen, Denmark, after 1945, design no 80B and 80C.
Coffee pot, sugar bowl, and cream jug. All with a hammered surface and handles and knobs of ebony wood. Height 10–19 cm. Total weight ca. 865 g.
Literature: Janet Drucker, “Georg Jensen - A Tradition in Splendid Silver”, 1997, the model illustrated p. 216.
Ivan Munk Olsen, “Sølvsmeden Georg Jensen”, Copenhagen 1937, the model illustrated p. 59.
Estimate: SEK 8 000 – 10 000 / EUR 730 – 910
331. Georg Jensen (Denmark, 1866–1935) a sterling silver cruet set, 4 pcs, model ‘Pyramid/ Pyramide’, design Harald Nielsen, no 632, Copenhagen 1945–51.
Georg Jensen & Wendel A/S. Swedish import marks. Salt and pepper shakers and a mustard pot with a spoon. Height 4.5–6.5 cm. Total weight ca. 200 g.
Literature: Janet Drucker and William Drucker, Georg Jensen: 20th Century Designs, New York 2002. Compare ill. at p. 74, catalogue no F-531.
Estimate: SEK 4 000 – 6 000 / EUR 370 – 550
332. Georg Jensen (Denmark, 1866–1935) a set of 99 pieces of sterling silver flatware, model ‘Pyramide’, design Harald Nielsen, Copenhagen 1933–1977.
Comprising:
12 dinner knives, 22.8 cm.
12 luncheon knives, 20 cm.
12 dinner forks, 18.2 cm.
12 luncheon forks, 16 cm.
12 cake forks, 14 cm. (One with engraved “H”).
12 dinner spoons, 18.5 cm.
12 dessert spoons, 16.5 cm.
4 butter knives, 14.5 cm.
1 bottle opener, 11 cm.
10 different kind of servers, 15.5–26 cm.
The model Pyramid was designed in 1927.
Total weight (including steel blades on the knives) ca. 5515 g.
Provenance: Bukowskis, Spring Modern Auction 2015, auction 584, catalogue no. 356.
Literature: Lise Funder, “Danish Silver 20th Century”, 2004, the model illustrated and mentioned at p. 70. Read more at www.bukowskis.com
Estimate: SEK 60 000 – 80 000 / EUR 5 460 – 7 280
333. C.G. Hallberg (Sweden) a large silver bowl on foot, Swedish import mark, Stockholm 1917. Round bowl, decorated legs on a round foot. Height 20.8 cm, diameter at the top 28 cm. Weight ca. 933 g.
Estimate: SEK 15 000 – 18 000 / EUR 1 370 – 1 640
334. Karl Anderson (Sweden, 1865–1938) a silver coffee- and teaset, 4 pieces, Stockholm, Sweden 1918. Hexagonal model, wood handles and wood knobs. Creamer and sugar bowl gilded inside. Gift engraving underneath and engraved on the bodys “AS”. Swedish import marks. Height 8–23.5 cm. Total weight ca. 1668 g.
Estimate: SEK 10 000 – 12 000 / EUR 910 – 1 090
335. Karl Anderson (Sweden, 1865–1938) a silver tureen with lid, Stockholm 1943.
Oval tureen with leaf-decorated handles and a domed lid topped with a flower bud. Height ca. 17 cm, length ca. 25 cm. Weight ca. 1130 g.
Estimate: SEK 8 000 – 10 000 / EUR 730 – 910
336. Karl Anderson (Sweden, 1865–1938) a silver table lamp, Stockholm 1917.
Round base standing on four ball feet, hammered surface, height of the base ca. 47 cm, total height including the silver finial on the shade ca. 68 cm.
Estimate: SEK 12 000 – 15 000 / EUR 1 090 – 1 370
337. Karl Anderson (Sweden, 1865–1938) a silver table lamp, Stockholm 1917.
Round base standing on four ball feet, hammered surface, height of the base ca. 49 cm, total height including the silver finial on the shade ca. 73 cm.
Estimate: SEK 12 000 – 15 000 / EUR 1 090 – 1 370
338. Johannes Siggaard (Denmark) a silver cocktail shaker, Copenhagen, Denmark 1936.
Slightly conical, faceted model. Height ca. 24 cm. Weight ca. 460 g.
Estimate: SEK 4 000 – 6 000 / EUR 370 – 550
339. Kay Fisker (Denmark, 1893–1965) a sterling silver coctailshaker, Company Anton Michelsen, Copenhagen 1940’s.
Ribbed side and lid with ribbed stopper. Height 23.5 cm, weight ca. 535 g.
340. Wiwen Nilsson (Sweden, 1897–1974) a sterling silver bowl, Lund, Sweden 1934.
Round bowl with octagonal base. Height 6 cm, diameter 23,5 cm.
Weight ca. 499 g.
Exhibitions: Kulturen i Lund, “Bygge och Bo-utställningen” (=The Building and Living Exhibition), 1931, see image from the exhibition at p. 132 in Kersti Holmquist’s book “Silversmeden Wiwen Nilsson”, 1990.
Literature: Kersti Holmquist, “Silversmeden Wiwen Nilsson”, 1990, compare the same model illustrated p. 68.
342. Wiwen Nilsson (Sweden, 1897–1974) a sterling silver beaker, Lund, Sweden 1955.
Round model, tapering downwards with a fluted footring. Height 16.5 cm, diameter at the top 9.2 cm. Weight ca. 343 g.
Literature: Kersti Holmquist, “Silversmeden Wiwen Nilsson”, 1990, compare the same model illustrated p. 88.
Estimate: SEK 8 000 – 10 000 / EUR 730 – 910 (d)
343. Wiwen Nilsson (Sweden, 1897–1974) a sterling silver and wood ceremonial mallet, Lund, Sweden, 1962.
Octagonal form, length 27.5 cm. Gift engraving on one side. Case included.
Provenance: Flora Food Manufacturing Sweden AB, gift from AB Pellerin/Zenith.
Literature: Kersti Holmquist, “Silversmeden Wiwen Nilsson”, 1990, compare the same model illustrated p. 120.
Estimate: SEK 6 000 – 8 000 / EUR 550 – 730 (d)
344. Wiwen Nilsson (Sweden, 1897–1974) a pair of sterling silver candlesticks, Lund, Sweden, 1973–1974.
Hexagonal shape, height ca. 16.5 cm. Total weight ca. 474 g.
Literature: Bengt Bengtsson, “Gammalt silver ur Kulturens samlingar”, 1979, the model illustrated at p. 195. Kersti Holmquist, “Silversmeden Wiwen Nilsson”, 1990, compare the same model illustrated p. 105.
345. Atelier Borgila (Sweden) a sterling silver vase, Stockholm 1954.
Octagonal form on a low round foot. Height 22.2 cm.
Weight ca. 783 g.
Estimate: SEK 6 000 – 8 000 / EUR 550 – 730
345A. Atelier Borgila (Sweden) a pair of silver candelabra, design Erik Fleming, Stockholm 1947. Loose candelabra arms with five candle arms each. Cylindrical stem with leaf decor. Height 51 cm, upper diameter ca. 35 cm. Total weight ca. 4925 g.
349. Sven-Arne Gillgren (Sweden, 1913–1992) a paif of silver candelsticks, design Sven-Arne Gillgren, company Guldsmedsaktiebolaget, Stockholm 1965.
Square form, narrow shafts tapering upwards. Height ca. 25.5 cm. Filled feet.
Estimate: SEK 6 000 – 8 000 / EUR 550 – 730
350. G H Markenius (Sweden) a silver pitcher with handle, Stockholm 1957.
Cone-shaped with a lightly hammered surface. Height 19 cm, diameter at the bottom 14.8 cm. Weight ca. 725 g.
Estimate: SEK 7 000 – 9 000 / EUR 640 – 820
351. Sigurd Persson (Sweden, 1914–2003) a sterling silver marmalade jar with lid, Stockholm, Sweden 1959.
Round model with an opening in the lid for a spoon. Diameter ca. 10 cm.
Total weight ca. 338 g.
Estimate: SEK 5 000 – 7 000 / EUR 460 – 640 (d)
352. Jan Ante Dahlstedts Silversmedja (Sweden) a silver decanter with lid, Umeå, Sweden, 1966.
Faceted side with a high neck and lid with a round knob.
Height ca. 25.5 cm. Weight ca. 437 g.
Estimate: SEK 8 000 – 10 000 / EUR 730 – 910
353. Tapio Wirkkala (Finland, 1915–1985) a ‘TW 42’ silver vase, Kultakeskus, Hämeenlinna 1958.
Silver 916/1000. Height 15.5 cm. Weight ca. 198 g. Marked TW. Made to order.
Estimate: SEK 6 000 – 8 000 / EUR 550 – 730 (d)
355. Tapio Wirkkala (Finland, 1915–1985) three sterling silver ‘Trumpetti’ candlesticks, Kultakeskus, Hämeenlinna 1973. Height 10 cm, 18 cm and 23 cm. All marked TW and with Swedish import marks. Designed in 1955. Filled bases/feet.
358. Kay Bojesen (Denmark, 1886–1958) a silver matchbox case, Copenhagen.
830/1000 silver. The top decorated with an ant and a match. Measurements 12.5 x 7.5 cm, height ca. 6.5 cm. Weight (without the wooden lining) ca. 264 g.
360A. Louis Osman, a large Britannia silver beaker, London 1987. A Britannia silver large beaker/cup with hammered finish. Decor of scrolls, open spiral-shaped foot on a round base. Height 20 cm, diameter at the top 10.8 cm. Weight approx. 818 g.
Louis Osman was born in Exeter in 1914 and studied drawing at the Slade School of Art and later trained at the Bartlett School of Architecture. In 1935 he won a scholarship which took him to Syria on an expedition for the British Museum. He married Dilys Roberts in 1940 and the couple collaborated in the creation of several objects, with her doing the enamel work. He registered his own mark in 1957 and managed to distinguish himself both as a goldsmith and medallist while continuing his career as an architect. He designed the silver treasury of Lincoln Cathedral but is perhaps best known for being commissioned to make the Welsh crown for the investiture of the Prince of Wales in July 1969. In 1976 he created the gold-enamelled casket for Magna Carta, which was given by the British government to celebrate the Bicentennial, and is now in the Capitol in Washington. His designs were innovative and of their time but outside current trends and he worked only on private commissions throughout his career. Osman often used Britannia silver, which is more malleable. Louis Osman died in 1996.
361. Arman (Armand Pierre Fernandez), a gilded sterling silver dinner fork and a dinner knife, model ‘Violin’ from the 116 pieces cutlery set. Tétard Frères, Paris, France 1973.
361. Arman (Armand Pierre Fernandez) (France, 1928–2005)
A gilded sterling silverware set, model ‘Violin’, 116 pieces, Tétard Frères, Paris, France 1973, no 12/99, design Arman. Violin service, gilded sterling silver. Company Tétard Frères.
Comprising:
12 dinner knives 24 cm
12 dinner forks 19.5 cm
12 table spoons 19.5 cm
12 fish knives 19 cm
12 fish forks 16 cm
12 lunch knives 19.8 cm
12 lunch forks 17 cm
12 lunch spoons 17 cm
12 dessert/tea spoons 12.2 cm
8 assorted serving utensils 18.5–27 cm.
Numbered 12/99, all signed Arman.
Weight (including steel blades on the knives) ca. 8240 g.
390. Karl-Ingemar Johansson, a necklace 18K gold with smoky quartz, Gothenburg 1963.
JEWELLERY
Wiwen Nilsson
Wiwen Nilsson was a Swedish designer born in Copenhagen. He studied at his father’s workshop, as well as in Germany, Denmark and France. Nilsson is primarily known for his objects created in silver with a geometric, stylish and austere form. Nilsson made his debut at the Gothenburg Exhibition in 1923. At the Stockholm Exhibition in 1930, he had his major breakthrough and his innovative modernism was a success. Nilsson has, among other things, created jewellery, silverware and crockery.
362. Wiwen Nilsson (Sweden, 1897–1974) a brooch, 18K gold with a cabochon-cut moonstone, Lund 1967.
Signed Wiwen Nilsson. Dimensions ca 63 x 17 mm, weight 9 g.
Estimate: SEK 5 000 – 7 000 / EUR 460 – 640 (d)
363. No Lot.
364. Wiwen Nilsson (Sweden, 1897–1974) a brooch, in the form of a twig, gilded sterling silver, Lund 1969.
Signed Wiwen Nilsson No. C 5. Dimensions 65 x 50 mm, weight 14 g.
370. Wiwen Nilsson (Sweden, 1897–1974) a necklace, ring and pendant chain with pendant, silver with rock crystal, Lund 1947.
Signed Wiwen Nilsson. Rock crystal dimensions ca 18 x 15 mm, length ca 54 cm, weight 17 g.
Estimate: SEK 10 000 – 12 000 / EUR 910 – 1 090
371. Wiwen Nilsson (Sweden, 1897–1974) a bangle, silver, Lund 1957.
Signed Wiwen Nilsson.Inner diameter ca. 55 mm, width ca 30 mm, weight 35 g.
Estimate: SEK 4 000 – 5 000 / EUR 370 – 460
372. Rosa Taikon (Sweden, 1926–2017) a ring, sterling silver, Stockholm 1994.
Signed Rosa Taikon. Size 18/57, width of the front ca 23 mm, weight 13 g. Accompanied by a case.
Estimate: SEK 10 000 – 12 000 / EUR 910 – 1 090
373. Rosa Taikon (Sweden, 1926–2017) & Bernd Janusch, a necklace, silver, Stockholm 1971.
Signed Rosa Taikon and Bernd Janusch. Stamped TAI, Stockholm 1971. Pendant measurements without chains ca 40 x 30 mm. Length ca 85 cm. Weight 20 g.
Estimate: SEK 6 000 – 8 000 / EUR 550 – 730
375. Olle Olsson for Kaplans, bracelet, silver, Stockholm 1966.
Stamped Olle Olsson, GK, Kaplans. Length ca 16.5 cm, width ca 45 mm, weight 91 g.
Estimate: SEK 4 000 – 5 000 / EUR 370 – 460
374. Atelier Borgila (Sweden) a necklace, silver with enamel, Stockholm 1966.
Stamped Borgila. Length ca 37 cm, width ca 30 mm, weight 82 g.
Estimate: SEK 5 000 – 6 000 / EUR 460 – 550
Sigurd Persson
The width and artistic complexity of Sigurd Persson’s artistry is almost overwhelming and makes him one of the greatest goldsmith and artists of the 20th century. After a long education in both Sweden and Germany he opened his own studio 1962 on Högbersgatan in Stockholm, but already in 1960 he gained international recognition with the exhibition “77 rings” at NK in Stockholm.
376. Sigurd Persson (Sweden, 1914–2003) a bangle, silver, Stockholm 1957.
Stamped SIGP. Inner diameter ca 60 mm, width front ca 60 mm, weight 40 g.
Estimate: SEK 8 000 – 9 000 / EUR 730 – 820 (d)
377. Sigurd Persson, a bangle, 18K gold, Stockholm 1973.
378. Sigurd Persson, a pair of earrings, 18K gold with cultured pearls, Stockholm 1965.
377. Sigurd Persson (Sweden, 1914–2003) a bangle, 18K gold, Stockholm 1973.
Smith Wolfgang Gessl. Stamped SIGP. Width ca 18 mm, inner diameter ca. 55 mm, weight 67 g. Accompanied by a fitted case by Sigurd Persson.
379. Sigurd Persson (Sweden, 1914–2003) a ring, sterling silver with gilding, Stockholm 1995.
Stamped SIGP. Width ca 4 mm, size 52, weight 17 g. Case included.
Estimate: SEK 3 000 – 4 000 / EUR 280 – 370 (d)
380. Sigurd Persson (Sweden, 1914–2003) a necklace, sterling silver with gilding, Stockholm 1995.
Stamped SIGP. Height 28 mm, inner diameter ca 11.8 cm, weight 183 g.
Estimate: SEK 3 000 – 4 000 / EUR 280 – 370 (d)
381. Sigurd Persson (Sweden, 1914–2003) a necklace, sterling silver with gilding, Stockholm 1995.
Smith Wolfgang Gessl, signed WG. Size of the butterfly ca 55 x 40 mm, inner diameter ca 12.5 cm, weight 70 g.
Estimate: SEK 4 000 – 5 000 / EUR 370 – 460 (d)
382. Sigurd Persson (Sweden, 1914–2003) a necklace, silver with red stone (likely jasper), Stockholm 1981. Smith Wolfgang Gessl, signed WG. Pendant dimensions ca 22 x 34 mm, inner diameter ca 13.5 cm, total weight 32 g. Case from Sigurd Persson is included.
Estimate: SEK 5 000 – 6 000 / EUR 460 – 550 (d)
383. Inga-Britt “Ibe” Dahlquist, a necklace, sterling silver with fossils, Malmö 1965.
383. Inga-Britt “Ibe” Dahlquist (Sweden, 1924–1996) a necklace, sterling silver with fossils, Malmö 1965.
Signed IB Dahlquist. Diameter ca 64 mm, length ca 67 cm, weight 66 g.
Exhibitions: “Nutidssmycken”, Nationalmuseum Stockholm 1959 “The International Exhibition of Modern Jewellery”, Goldsmiths Hall London 1961 “Form fantasi”, Liljevalchs konsthall, Stockholm 1964.
Estimate: SEK 15 000 – 20 000 / EUR 1 370 – 1 820
384. Inga-Britt “Ibe” Dahlquist (Sweden, 1924–1996) a bracelet, sterling silver, for Georg Jensen, Denmark post 1945.
Stamped Georg Jensen, model number 167. Width ca 4 cm, weight 55 g.
Estimate: SEK 6 000 – 8 000 / EUR 550 – 730
385. Kristian Nilsson (Sweden, 1942–1989) for Lantz, a necklace, silver with opal and brilliant-cut diamond, Stockholm 1975.
Stamped Lantz. Diamond ca 0.03 ct, length ca 43 cm, height of pendant ca 80 mm, weight ca 87 g.
Estimate: SEK 15 000 – 18 000 / EUR 1 370 – 1 640
386. César Baldaccini (France, 1921–1998) compression, pendant made of compressed beer bottle caps.
387. Georg Jensen (Denmark, 1866–1935) a brooch, silver with a cabochon-cut moonstone. After 1945.
Stamped Georg Jensen. Marked no. 100, dimensions ca 40 x 30 mm, weight 9 g.
Estimate: SEK 4 000 – 5 000 / EUR 370 – 460
388. Vivianna Torun Bülow-Hübe (Sweden, 1927–2004) a bracelet with pendant, sterling silver and smoky quartz, for Georg Jensen. Signed Torun. Model 205 and 130. Inner diameter of the bangle ca 66 mm, pendant ca 17.5 x 24.5 mm, total weight 26 g.
Estimate: SEK 6 000 – 8 000 / EUR 550 – 730
389. Claës E. Giertta (Sweden, 1926–2007) a pendant, silver, Stockholm 1990
Stamped GIERTTA. Measurements of the pendant ca 50 X 40 mm, length of the chain ca 50 cm, total weight 39 g.
Estimate: SEK 5 000 – 6 000 / EUR 460 – 550
390. Karl-Ingemar Johansson (Sweden, 1927–1997) a necklace 18K gold with smoky quartz, Gothenburg 1963. Stamped KIJ. Length ca. 44 cm, width ca 15–20 mm, weight 67 g.
Estimate: SEK 50 000 – 55 000 / EUR 4 550 – 5 000
391. Björn Weckström (Finland, 1935–) a necklace 18K gold with copper ore, for Lapponia, Finland 1976.
Signed Lapponia. Dimensions of the pendant ca 25 x 50 mm, length ca 46 cm, weight 18 g.
Estimate: SEK 15 000 – 17 000 / EUR 1 370 – 1 550
392. Björn Weckström (Finland, 1935–) a bracelet 14K gold “Lapplands stenar” for Lapponia, Finland 1971.
Signed BW. Width ca 18 mm, length ca 20 cm, weight 46 g. Case from Lapponia included.
394. Björn Weckström (Finland, 1935–) a bracelet, “Moon Bridge”, silver. Lapponia, Helsinki 1971.
Stamped BW. Length ca 19.5 cm, width ca 30 mm, weight ca 105 g.
Accompanied by a Lapponia pouch.
Estimate: SEK 4 000 – 5 000 / EUR 370 – 460
395. Björn Weckström (Finland, 1935–) bracelet, 18K gold, “Cascade”. Stamped Bjorn. Lapponia, Swedish import mark. Length ca18 cm, width ca 9 mm, weight 32.8 g.
Estimate: SEK 30 000 – 35 000 / EUR 2 730 – 3 190
AUTUMN 2025
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Estimates are given in Swedish kronor (SEK) and € (EUR). Bukowskis general terms and conditions for buyers and sellers, b idding instructions, and special terms and conditions for individual lots can be found at bukowskis.com. We also reserve the r ight for any possible typographical or printing errors.
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All lots with a lower estimate value of 15 000 SEK and above in the Art section of Modern Art and Important Winter/Spring’s hammer sales are searched against the Art Loss Register database.
Hans J. Wegner, a “Swivel Chair”, Johannes Hansen.
