License for Professional Architect from Council of Architects Thailand.
SKILLS
SketchUp, Adobe Suites , AutoCad, Revit, Lumion.
THESIS PROJECTS : Undergraduate Bangkok International Hospital (Phuket)
LANGUAGES
English, Thai
PROFESSIONAL EXPERIENCE
Hemaraj Land and Development PLC. Bangkok, Thailand
Current name as “WHA Industrial Development PLC.” Architect / Project Manager
July 2018 - August 2020
Power Line Engineering PLC. Bangkok, Thailand
Construction Administrator
April 2017 - July 2018
TYPOLOGY
Rangsit University Education Building.
LOCATION
Bangkok, Thailand
SITE AREA
23 meters, 6 stores, 20,000 m²
COMPANY
Power Line Engineering Public Co., Ltd
ROLE
Site Architect & Designer
STATUS
Completed 2018
GREETINGS!
Digital multimedia complex is destined to become a world class performing arts venue at the Rangsit University located in Bangkok, Thailand.
The school of the Faculty of Communication Arts includes all majors of communication arts, consisting of movie, acting, multimedia, journals, radio and television. The building prides itself on diversity and creativity with vividly bright colors.
It is designed as the rendezvous for students and faculty to exchange creative ideas and theoretical knowledge. The stairway penetrates in the middle of the building, perceived as the main entrance through the void, welcoming guests and visitors into the building, and signifying the endeavors in searching of the truth and knowledge.
drawing of perforated aluminum
Detail drawing of perforated aluminum
What I have learned
As a junior architect on construction sites, I have gained practical experience in design and construction, including reading and interpreting plans, using tools and equipment, identifying and resolving construction problems, coordinating with professionals, conducting inspections, and following safety procedures. I have also learned about project management and effective communication with clients and stakeholders. These skills have been valuable in my future career as an architect.
Detail
Construction Stage
The post-tension floor system was chosen for the design of the concert and multifunction activities space because it allows for a large, open area.
Post-tension slab
The design of the structure utilized post-tensioning techniques in order to create a thinner slab with a longer span, while still being able to withstand tension forces. This allowed for the creation of open, column-free public spaces for students and academic staff to interact and engage with one another throughout the day. The use of posttensioning in the slab allowed for the creation of these spaces without compromising the structural integrity of the building. Overall, the goal was to
Construction view
After taking into account the solar orbital layout as the main layout used in analyzing position and direction of the sun's orbit to the site project. A series of vertical sun panel slats inspired by the trees beyond provides added shade to the classroom.
This vertical fin wall acts as a veil allowing ample daylight deep into classrooms while minimizing the apparent openness to floors below. Vertical shading panels are suitable for use in walls of buildings with openings on the southwest and west sides.
Vertical Fins
Curtain Wall system
Curtain Wall system
At the front of the building, we installed a curtain wall system, which is a type of exterior wall that is attached to the structure of the building but does not bear any weight. It serves as a decorative and protective layer on the outside of the building while also letting in natural light to the interior corridor space. The curtain wall system is lightweight and easy to install, including energy efficiency, better indoor air quality, and the ability to create large areas of glass for a unique architectural look. Overall, the curtain wall improves the appearance and functionality of the building.
R-Vailla
Luxury
Residence
The target development for this project is a luxury town-home in the 3-3-82 rai area with privacy and a riverside view on the roof terrace. The target price is 15 to 20 million baht for a 4-storey town-home with a roof terrace and passenger lift. The design includes approximately 35 town-homes and a clubhouse pool overlooking the Choa Praya River. However, the high price of the 120 sq.m. Townhome may be overpriced in the market, so we need to create functional living, environment, and privacy to approach the niche market.
The R-Villa project is a feasibility study focusing on the high-end design of the project.
TYPOLOGY
Luxury Residence
LOCATION
Rama III Road, Soi 6 (Wat In Ban Chong) Bangkok, Thailand.
SITE AREA
Land Plot: 3‐3‐82 Rai ( or 6,328 sq.m)
COMPANY
Hemaraj Land And Development Plc.
Current name as “WHA Industrial Development PLC.
ROLE
Architect as Developer
STATUS
Completed 2020
Luxury Residence
Master plan
What I have learned
As an architect, I have been trained to think in terms of place making rather than creating objects detached from their surroundings. I have also learned about the different aspects of project development and how to recognize areas with development potential.
In my work as an architect-developer, I consider how a project might fit within and relate to its context, ensuring long-term benefits for clients and the relevant neighborhoods.
This project involved seeing value in a vacant lot that may not have been immediately apparent to the untrained eye. It was a challenge to balance good design with the need to make a profit, requiring a combination of skills ranging from design to finance and marketing. However, it was possible to successfully bring these elements together and create a successful project.
Originally, Rama 3 was a neighborhood frozen in growth since the bubble burst in the 1940s. In the past, Rama 3 Road was wanted to mold into Bangkok's new business street. Support the growth of traditional business roads. The potential of the location on Rama 3 Road, this road is very interesting. Because it is one of the roads along the Chao Phraya River.
Nagomi Izakaya
At Kenmore Square
What I have learned
restaurant
2023
The renovation project I freelanced on was a valuable learning experience. I honed my skills in design, construction, project management, problem-solving, and communication through hands-on work. This included designing spaces, managing budgets and contractors, and communicating with the owner. These skills will benefit my future career as a designer.
GREETINGS!
The brief for Nagomi sushi restaurant was to create a fresh, clean, contemporary, and simple design. The owner and I worked together to develop a space that reflects and enhances the experience of minimalist, artistic Japanese food. The mood is meant to be a sense of art, delight, and harmony, with a modern but distinctly Japanese aesthetic. The material palette and color selections were kept minimal to stay within the budget, but carefully chosen finishes were used to enhance key moments in the space, such as the warm oak timber frame over the sushi bar. The goal was to create a welcoming and exciting atmosphere that is different from other sushi restaurants.
Nagomi
After exploring the original building, it was found that its condition before renovation was quite complete and suitable for creating a nice Japanese restaurant. The structures and systems within the building were able to be used normally, so the decision was made not to change the interior space too much.
However, the original layout of the restaurant was long and narrow, with steel beams decoratively placed throughout the space. These beams created a cluttered and functionally limited environment, particularly during times of high customer volume when clear circulation and efficient service were of utmost importance. In order to improve the flow and functionality of the restaurant, it was decided to remove the steel beams and implement measures to enhance circulation and service speed. Additionally, the focus was placed on bringing in natural light and using strategically placed lighting to create a more inviting and efficient dining experience for guests.
Existing Conditions Before
Construction Administration
To complete the project as planned, we needed to rebuild the existing structure. I went to meetings every week with the owner, contractors, and other professionals to talk about the project's progress and deal with any problems that arose. I also checked and approved the materials and products used in the construction.
Nagomi Izakaya
The Zen garden at the front of the store serves as a welcoming reception area, providing a sense of openness and neatness. It also serves as a transition from the exterior to the interior of the store, combining elements of modern and traditional Japanese architecture. The minimalist garden promotes meditation and showcases the essence of nature, featuring a gravel courtyard with minimal plants to highlight the texture of the stones. The design concept for the garden is centered on minimalism, with the aim of removing unnecessary elements.
The back wall which has a very stylized “tokonoma” element and the plaster with timber panels that line the wall
There was also a requirement for a private dining area, but in such a small space, this needed to be multifunctional. We introduced sliding panels to this area so there is the flexibility to open the space to the main dining area
Symphony Sushi Restaurant
TYPOLOGY
Renovation restaurant
LOCATION
45 Gainsborough St, Boston, MA
SITE AREA
1552 ft²
Freelance
ROLE
Design&Consult
STATUS
Completed 2023
What I have learned
The renovation project I freelanced on was a valuable learning experience. I honed my skills in design, construction, project management, problem-solving, and communication through hands-on work. This included designing spaces, managing budgets and contractors, and communicating with the owner. These skills will benefit my future career as a designer.
GREETINGS!
Existing Conditions
Symphony Sushi Renovation: Existing Conditions & Construction Administration
During the renovation of Symphony Sushi, I was tasked with managing both the existing conditions of the space and overseeing construction administration.
The concept for renovating Symphony Sushi was to refresh the ambiance while honoring its rich history. Collaborating closely with the owner, we aimed to infuse the space with a contemporary twist while preserving its traditional charm.
Inspired by the enduring elegance of Japanese culture, the new design emphasizes simplicity, sophistication, and a touch of modernity. Carefully selected materials and finishes, such as warm woods and subtle textures, were incorporated to create a welcoming and timeless atmosphere. The goal was to enhance the dining experience for patrons, offering a harmonious blend of tradition and innovation that reflects the evolution of Symphony Sushi over the past two decades.
Managed assessment of existing space, adapting design plans to meet tight two-month construction timeline while ensuring minimal disruption to staff. Oversaw construction administration, coordinating with contractors and implementing adaptive design solutions to streamline process. Despite time constraints, successfully completed renovation, achieving harmonious blend of functionality and aesthetics.
Before
Construction Administration
CHARLESTOWN PUBLIC LIBRARY I
Charlestown, Boston,MA
TYPOLOGY
Integrated design
Wentworth Institute of Technology, Boston, MA,Us Spring semester 2024 of Master’s of Architecture.
Charlestown Public Library: First Site Visit
My first visit to the Charlestown Public Library site was on a winter evening, just as the day transitioned into night. Walking around the area, I was struck by the serene beauty of the water’s edge under the dimming sky. The interplay of light and color reflecting on the water created an illusionary effect that was both captivating and inspiring.
I captured this photograph to document the emotional impact of the scene. The subtle vibration of light and its dynamic movement on the water mesmerized me, sparking ideas for a series of abstract designs. This interplay of reflection and movement became a symbol of my personal connection to the site, blending my impressions with the surrounding atmosphere.
The beauty of the evening inspired not only my design approach but also a poem to express my feelings:
The design of the public library embraces reflection as both a visual and conceptual metaphor, addressing the community's aspirations, diversity, and environmental challenges like sea-level rise. It prioritizes people by fostering inclusive, human-centric spaces that enable connection and shared identity, while integrating place through a site-specific response that harmonizes with its surroundings and incorporates resilience strategies such as elevated structures and adaptive landscapes.
Features like a water splash pool that transforms into an ice-skating rink exemplify purpose as a dynamic framework, fostering year-round engagement and community connection. Parents and children alike create shared memories in spaces designed to reflect the community’s spirit and adaptability. The library stands as a symbol of introspection, progress, and environmental stewardship, shaping a resilient and inclusive future.
The lights reflecting on the water in Charlestown
As the sun sets in Charlestown, something magical happens by the water. The soft evening light gently kisses the harbor, creating a beautiful dance on the ripples below. City lights and lampposts reflect on the water, making a mesmerizing picture that goes on as far as I can see.
Taking a stroll along the water’s edge, I see this enchanting play of light. The warm glow from the lights paints a soft picture on the harbor’s canvas. Every little wave becomes a canvas for the city’s lights, turning the water into a tranquil and reflective seascape.
In the harbor, boats gently rock, and their lights create a rhythmic pattern on the water. The reflections seem to dance with the boats, making it a magical sight. It’s like a show that brings a touch of magic to the waterfront.
As night falls, the city lights blend with the stars above, creating a dreamy atmosphere. Stars twinkle in the night sky, adding a celestial touch to the urban scene. It’s a moment of awe, where man-made and natural elements come together in a harmonious spectacle.
Existing Public Library
STRUCTURE CONCEPT
CIRCULATION, EGRESS
PUSHING THE SERVICE TO SAME AREA OF ADJACENT
CIRCULATION
The Spaulding Rehabilitation Hospital
The building is surrounded by a large pool of water, which reflects its image like a mirror. This makes the building and the water seem like they’re connected as one. When sunlight shines on the water, it shows how things change over time, making the whole area feel vibrant and dynamic.
Section
Envelope Concept and System
The flooring/ceiling consists of two layers of CLT panels - 3-ply upper CLT
- 5 or 7ply - lower CLT
That have been set parallel and connected with the building structure with HSK epoxy and metal mesh connectors
Building systems
The gaps between upper and lower layers (floor and ceiling chases) are for the pipes and any mechanical, electrical services to be concealed
ROHINGYA CULTURAL CENTER AND MEMORIAL
Songkhla Province, Southern Thailand.
TYPOLOGY
Thesis : Cultural and Healing Center / Memorial Complex Watch the full animation here (https://youtu.be/c-zQR3zs9yA)
Wentworth Institute of Technology, Boston, MA Spring semester 2025 of Master’s of Architecture.
Charlestown Public Library: First Site Visit
This thesis began with a question that stayed with me: Can architecture help people heal? As I listened to stories of the Rohingya—displaced, silenced, and searching for belonging—I began to see that architecture could be more than shelter. It could be memory. It could be dignity. It could be hope.
I believe architecture has the power to transcend its physical form. It can carry identity, foster emotional recovery, and create spaces where different cultures not only meet, but support one another. For communities like the Rohingya, whose lives have been shaped by trauma and displacement, design must respond with empathy, care, and purpose.
This project explores how architecture can support healing and reconnection through a community center that blends Thai and Rohingya spatial traditions. It investigates how trauma-informed design, quiet spaces, storytelling zones, and communal gathering can restore a sense of home. The design also includes vocational workshops and market spaces—because healing is not only emotional, but economic and social.
At its core, this thesis is about creating a place where two cultures can share, heal, and grow together. A place where architecture does not divide—but gently bridges.
LOCATING MEANING : FROM NATIONAL BORDER TO COMMUNITY EDGE
ANALYSIS : This diagram shows how the project connects a large-scale context—Thailand’s southern border—to the specific site in Songkhla. The map traces the journey from broader political boundaries to the local village edge, where the community lives right next to the water. By placing the building along this line, the design becomes a threshold space—between land and sea, past and future. The site’s natural slope and proximity to homes make it a strong location for creating spaces of reflection, healing, and gathering.
Figure 40 : This diagram connects the largescale geopolitical context of Thailand’s southern border to the intimate village edge in Songkhla. The design uses this transitional edge—between land, sea, past, and future—as a site for reflection and healing. Source: Author’s diagram, 2025.
TRANSLATING PROGRAM INTO PURPOSE : PERSONAL, COMMUNAL, AND CULTURAL SPACES
Each zone connects through simple paths, helping people move emotionally — from being alone to reconnecting with others. This layout helps me test how these programs can support both recovery and belonging.
The diagram maps an emotional journey from solitude to community through spaces of healing, gathering, and cultural sharing. The red path reflects the nonlinear process of recovery and connection.
Turning Program into Experience :
This diagram starts to show how my design separates spaces for healing, gathering, and cultural sharing. The quiet corners can become areas for personal reflection. The central open space could be for community events or shared meals. The long walkway might lead to spaces for storytelling and exhibitions.
Emotional Timeline of Displacement
A simple diagram mapping the refugee experience from escape to belonging. It highlights the current moment—“shelter”—as a transitional phase before rebuilding and reintegration. The quote reinforces architecture’s role in honoring the past and shaping futures.
HEALING
storytelling. The design translates con ceptual frameworks into built form— transforming symbolic ideas into architecture that speaks to trauma, resilience, and hope. Central to this design is the museum, located underground, which becomes the heart of the narrative. Visitors begin below the surface—physically and emotionally—before gradually ascending into spaces of light, gathering, and cultural exchange.
ment. These are organized into three core spatial types that shape the design:
1. Personal healing
2. Communal gathering
3. Cultural sharing
My sketches capture the everyday life of Rohingya refugees—built from whatever they can find, yet full of
SITE AXONOMETRIC SPATIAL STRATEGY : LAYERS OF HEALING, GATHERING, AND SHARING
5. Cultural Performance Hall 6. Mosque
PERSPECTIVE PROGRAM DIAGRAMS
These axonometric drawings highlight key program areas—from healing gardens and wellness support to cultural performance zones, market space, and the Rohingya Journey Museum—framing the emotional and communal experience of the center
1. Mental Health & Wellness Support
2. Healing & Contemplation Garden Plaza
3. Rohingya Journey Museum& Educational
4. Rohingya Street Market
5. Cultural Performance Hall
6. Mosque
Water as Journey — Symbolizing the Rohingya path of displacement, healing, and resilience.
Rohingya Journey Museum
Mosque
Healing & Contemplation Garden Plaza
Mental Health & Wellness Support
Rohingya Street Market Cultural Performance
Underground Floor Plan
Second Floor Plan
LAYERED SPACES FOR COLLECTIVE HEALING
SECTION C - C
SECTION A - A
SECTION B - B
SECTION D - D
HEALING
COMMUNITY
The marketplace brings people together through daily exchange, creating a strong sense of belonging and mutual support. It’s a space shaped by togetherness and resilience.
CULTURE
The cultural center celebrates shared stories, traditions, and crafts. It’s a vibrant space where identity is honored and cultural memory is kept alive through gathering and performance.
HEALING
The healing space offers a quiet, natural setting for rest and reflection. Surrounded by greenery, it encourages emotional recovery, mindfulness, and inner peace.
TRANSLATING ATMOSPHERE INTO HEALING SPACES
This diagram explores how architecture can support different experiences of healing by offering multiple spatial atmospheres. I believe that people heal in different ways—some need solitude, others find comfort in community or nature. These sketches present alternatives: an enclosed space for quiet reflection, a transition zone with filtered light, a water element for emotional renewal, and an open courtyard for social healing. Together, they offer layered possibilities that respond to personal, collective, and cultural needs. This aligns with the project’s core goals: personal healing, gathering, and sharing culture, allowing visitors to choose their own path toward restoration.
HEALING
Through Stillness
This space is designed for quiet, personal healing. Surrounded by soft natural elements and filtered light, it offers a calm environment where individuals can pause, reflect, and begin to process emotional trauma. The open-yet-sheltered structure, paired with natural textures and a healing garden, supports solitude without isolation—allowing visitors to reconnect with themselves gently. This aligns with the first type of space in the project: personal healing.
HEALING
social Healing
HEALING
Quiet Healing
The Escape Path (Fleeing, Migration, and Displacement): A disorienting, winding path simulating the experience of fleeing.
The Entrance Descent into Darkness (Violence & Oppression): The Journey of Displacement.
Reflection Chamber (Memory) : Water represents the long and dangerous journey Rohingya refugees took across water to escape persecution.
Light Filtering Through the Ceiling as a Beacon of Hope (Hope & Healing)
Street Market – A Space for Empowerment and Cultural Exchange
The timeline follows the refugee journey from escape to belonging.
– More Than a Place of Worship
Mosque
PORTO MUSEUM OF DEMOCRACY I
Porto, Portugal
The concept of redesign a neglected public square or park, integrating elements of democracy and community gathering.
TYPOLOGY
Urban Public Space , Cultural Museum.
LOCATION
Porto, Portugal
THEME
Democracy as a Catalyst for Reflection, Dialogue, and Public Engagement
Wentworth Institute of Technology, Boston, MA,Us Fall semester 2024 of Master’s of Architecture
STATUS Completed Fall 2024
Background
Porto, a city with a profound historical and cultural identity, has long been a cradle for political reform and civic action. Public spaces like Liberdade Square and Avenida dos Aliados have witnessed pivotal moments of assembly, protest, and celebration, symbolizing the city’s evolving relationship with democracy.
The Porto Museum of Democracy is inspired by Porto’s layered history and its role in fostering democratic ideals. The project explores how architecture can narrate the city’s political journey while serving as a platform for education, dialogue, and community engagement. By connecting the past and present, the museum aims to embody democracy as an ongoing process rather than a static achievement.
Architectural Philosophy
The project takes cues from Álvaro Siza’s principle of continuity, where architecture emerges from its cultural and contextual roots. The design integrates Porto’s urban character with democratic ideals, using architecture as a medium to educate, heal, and inspire.
Multiple Pavilions or Series of Buildings
Inspired by Siza's design for the Porto School of Architecture, the Porto Museum of Democracy is envisioned as a series of smaller, connected structures rather than one large building. Each structure houses distinct programs, such as interactive digital maps, debate spaces, or temporary exhibits, with outdoor paths and spaces connecting them.
This approach creates a human-scaled, approachable design that encourages exploration and engagement with both indoor and outdoor areas. It reflects democracy’s openness and inclusiveness while fostering a deeper connection between the public and the museum's spaces.
Porto’s Growth and Democratic Evolution
This design explores the evolution of Porto through its public spaces, highlighting their role in fostering democracy and community interaction. Drawing inspiration from the city's 1896 and 1906 maps, the project focuses on key elements like public squares, city halls, and open areas—places that historically served as platforms for gathering, expression, and social change.
The concept captures Porto’s transformation during the 18th and 19th centuries when movements for freedom and fair governance emerged. Spaces like Liberdade Square became symbolic of collective action and early democratic ideals.
By integrating open spaces, both indoors and outdoors, the design reflects Porto’s growth and its shift toward inclusivity and openness. These elements create a layered narrative, showing how public spaces not only support community engagement but also embody the city’s historical journey toward a more democratic society.
Porto map 1906
Porto map 1896 The Palácio de Cristal Gardens 1951.
Liberdade Square & City Hall 2024
Liberdade Square & City Hall 1866
Key Features
1.Interactive Storytelling:
Digital maps and exhibits illustrate Porto’s political history, emphasizing moments of transformation.
Walking paths connect visitors to historical landmarks, integrating the museum into the city’s fabric.
2. Community Engagement:
Debate areas and workshop spaces encourage civic dialogue and collective learning. Open-access programs invite diverse participation, ensuring inclusivity.
3. Symbolism of Public Spaces:
Drawing inspiration from Porto’s iconic squares, the museum’s design incorporates open courtyards and green urban spaces, fostering accessibility and connection.
4.Sustainability and Continuity:
Modular and adaptable structures align with modern sustainable practices. The layered architectural design represents the continuity of democracy across generations.
Interconnected squares foster gatherings, debates, and exhibits, embodying democracy through openness and community connection.
Open Public Spaces
PROGRAM DIAGRAM
1. Public Debate Area (Open Square)
2. Interactive Digital Maps
3. Historical Walking Path
4. Main Exhibition
5. Democracy Installation, Community Workshop
6. Cultural Program, Film Festival, Art & Protests Exhibits.
7. Temporary Exhibit, Flexible & Adaptable space
8. Public Art
9. Cafe' Restaurant
Flexible and Adaptable Spaces
Create spaces with movable walls and temporary installations to host changing exhibitions, debates, or events. Include a rotating exhibit on modern urban issues like sustainability, urban renewal, and community resilience, link-
Fluid Connection Between Indoor and Outdoor Spaces
Use large windows, open corridors, and terraces to create seamless transitions between exhibitions and outdoor plazas. This design reflects democratic transparency and makes the museum more inviting and accessible.
Historical Walking Path:
Create a walking path within or around the museum that replicates a historical route through Porto. This path can feature important landmarks, such as Porto’s city hall, and explain their role in the city’s history of democracy and public life.
Why It Works: This physical engagement connects visitors to the city’s urban history, making them feel like they’re part of the city’s evolution.
Civic and Political Spaces:
City halls symbolize governance and their central locations highlight public life. Designing key spaces, like entrance halls or gathering areas, in central positions reflects civic responsibility and community engagement, blending historical preservation with urban democracy. Section B
