HANNES KRAUSE
TIM LABENDA
PRO VENCE GRAND TOUR
THE RENAISSANCE OF REFINED TRAVEL
CAP D'ANTIBES BEACH HOTEL
CÔTE D’AZUR
SPLASH OF ROSÉ
We leave the cape, still under the spell of all the beauty gathered at this tip of the peninsula, and follow the long coastal road southwest A sea of sails and leviathan yachts announces our arrival in Antibes, the next stop on our journey Just off the road skirting the Golfe-Juan, we spot a long, low-slung white bungalow with a crooked, timeworn olive tree next to it The Cap d’Antibes Beach Hotel is worlds away from the Belle Époque splendor of Cap Ferrat— and yet somehow it feels just as perfectly at home on the Côte d’Azur Minimalist bungalows, interlocking rich-brown teak railings, glass cubes, and clean sans serif numbers marking the 30 rooms—everything here channels the spirit of the 1960s, the decade when the Riviera truly came into its own As the charming Alicia shows us to our room, the uncompromising aesthetic flows seamlessly along rough stone floors, white-painted wood panels, and a glass wall facing directly onto the beach create a feeling almost like stepping into a private cabana The Cap d’Antibes is a beach hotel through and through—with a generous splash of rosé The hotel’s signature hue is everywhere from the pink marble in the bathroom to the rose umbrellas, sun loungers, and towels that line the beach club
We order frozen margaritas at the round bar, lit by dim ball lights, as even the sky blushes pink The hotel never gives in on its vision: radically consistent, relentlessly on theme, perfectly in the zeitgeist It’s like we might see Lana Del Rey or Sabrina Carpenter appear on the balcony any moment, enchanting us with their siren songs After sunset, we drift from the bar to Baba, the
Before we arrive in Saint-Raphaël, we pull over in our Polestar at a dusty rest area. Here, the red rocks of the Esterel massif tumble so dramatically that we have to stop to appreciate the abrupt, rugged aspect of the Côte d’Azur, yet another of its many facets. Cannes is only 15 km away and yet couldn’t be farther.
and boundless blue sea We awaken the next morning to a spectacular pink sunrise Overnight, the sea has grown fierce, hurling waves onto the terrace and sending sprays against our windows Yet Les Roches Rouges reveals itself to be equally captivating under stormy skies: a restorative refuge where stress and mundane concerns bleach away in the relentless sunshine or are carried off by salty blasts of wind
LA PÉROUSE
BATTLE FOR THE VIEW
The hotels of Nice are locked in a centuries-old rivalry, which is a struggle for the best view of the azure Baie des Anges The matter is settled as far as we’re concerned The prize can be claimed by the next stop on our tour of Nice We drive out to the end of the Promenade des Anglais, where, at the tip of the Quai Rauba Capeu—so named for the hats the brisk wind whisks from tourists’ heads—we locate an unassuming entrance .
La Pérouse has been a fixture in Nice for decades, long before anyone was saying things like “boutique hotel” In 2023, it finally received the makeover everyone had been waiting for This is where design duo Friedmann and Versace made their first foray into hotels, to give La Pérouse a bold new identity: chic, contemporary, and in the moment . The interior is full of organic curves, stripes, lathed burl wood, coral and shell motifs, rustic hand-painted ceramics and tiles, eclectic colorful rugs—it’s part Picasso, part Cocteau, part Dufy, and a true ode to the south of France We take the first of three lifts to the sixth floor, then wind our way through twisting corridors until we reach the inner courtyard, where a pool and restaurant await The bar gleams with a mosaic of shells and coral, glittering in the yellow light cast by the lemon trees . It’s only now we realize the hotel quite literally scales the cliff and how its 53 balconies crane upwards toward the sun After a quick drink by the pool at the base of a cliff, we’re keen to see the view from our suite A short detour and two more lifts later, we arrive Over the years, the hotel has embedded itself into the rock face—but every step through the maze is worth it
ALYSCAMPS
BOUCHES-DU-RHÔNE
ELYSIAN FIELDS
Our journey toward the Camargue takes us to Arles We’re in the mood for a stroll, to see and be seen like on the Champs-Élysées But instead of the streets around the imposing colosseum or the amphitheater of this former Roman provincial capital, we’ve selected a destination that, at first glance, feels rather less Parisian And yet it has more in common with the ChampsÉlysées, the “Avenue of the Elysian Fields”, than one might think . We’re bound for the Roman necropolis of the Alyscamps, the name of which shares an origin with its Parisian counterpart It’s all about the Roman afterlife Roman nobles were being laid to rest here long before the fourth century, until a Roman chancellor was martyred and this spot not far from the center of Arles became a pilgrimage site as well as the ultimate—literally the final— status symbol, with Roman high society vying for a spot they could occupy when they were dead The undertakers may have left thousands of years ago, but the place is still magnetic In Victorian times, aristocrats would parade along the Alyscamps on Sundays, showing off their stylish clothes Van Gogh and Gauguin made several paintings of the scene Gucci actually staged a runway show here a few years ago Today, it’s our turn We walk down the long promenade at midday in the shade of old plane trees Their branches cast dappled shade down neatly laid rows of stone sarcophagi The chain of crumbling monuments is unbroken They are traces of a bygone world, and yet there’s no sense of morbidity at all It feels more like a traipse through the past, with an element of reflection and, in its own quiet way, a charming encounter with our own fleeting existence
GRAND TOUR PROVENCE: THE RENAISSANCE OF REFINED TRAVEL
TIM LABENDA / HANNES-VINCENT KRAUSE
This book was conceived, edited, and designed by teNeues
Edited by teNeues
Photos by Tim Labenda
Texts by Hannes-Vincent Krause
Illustrations and Map by Joseph Dupré
Edited by Anne Paulsen
Translation by John Augustus Foulks
Editorial Management Benine Mayer, Dr Johannes Abdullahi, teNeues
Design by Marcus Taeschner
Layout by Marcus Taeschner
Proofread Susen Truffel-Reiff
Photo Editorial by Robert Kuhlendahl, teNeues
Production by Alwine Krebber, teNeues
Printed in Czech Republic by Finidr
Made in Europe
Published by gestalten, Berlin 2025
ISBN 978-3-96171-661-6
1st printing, 2025
The German edition is available under
ISBN 978-3-96171-662-3
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