2-night weekend breaks with 6pmdepartureSunday
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EDITOR
MARK KEBBLE
ART DIRECTOR
PAWEL KUBA
MAGAZINE DESIGNER
MARIANA SUZUKI
DESIGNER
BRUNA FACCIN
PRODUCTION MANAGER
DANICA BRODIE
MAGAZINE MANAGER
MARTIN CUNNINGHAM
CREDIT CONTROL MANAGER
ALEXANDRA HVID
DIRECTORS
CRAIG DAVIES
JAMES FUSCHILLO
NON-EXECUTIVE DIRECTOR
ALEXANDRA HUNTER
MANAGING DIRECTOR
SHERIF SHALTOUT
There is nothing better than getting away from it all by experiencing local hospitality, writes Lisa Byrne
Glorious Yorkshire is packed with a vast array of wonderful holiday homes, B&Bs and luxury hotels, scattered across our stunning countryside. However, it can prove a rarity to stumble upon a sublime location that employs mainly local people, which always helps when you want to immerse yourself in the spirit of the area. So it was a huge treat for the Byrnes to be invited to The Coniston Hotel and Spa, which is such a stunning treasure. Based on the edge of the Yorkshire Dales in a 1,000-acre estate, this magnificent venue boasts numerous outdoor pursuits as well as a state-of-the-art spa, huge bedrooms and a glorious dining room that overlooks the hills and lake.
Despite being minutes from the town of Skipton, going through the estate gates feels like you’re heading into total rural tranquillity, so beautiful is the countryside. Whilst lazing by the fire, we sipped a pre-dinner drink in the Macleod Bar as our dogs played with gifts from their welcome boxes. We were thrilled to be introduced to the sprightly estate owner, nonagenarian Nick Bannister (a cousin of famed runner Roger). Nick was utterly charming and regaled us with the history of the estate and tales of horse racing victories. For supper, we wandered into the View Restaurant, which specialises in natural, locally sourced ingredients from field to fork. While watching the spectacular sunset, we devoured asparagus, poached egg and mustard dressing, followed by trout, samphire and crushed new potatoes. However, our favourite nightcap treat was the delicious Vesper Martini created by assistant manager Ryan Sheppard, which would make the expert mixologist at the Ritz turn green with envy.
After a delicious full Yorkshire breakfast served by our lovely hostess, Lesley, we headed to the Nàdarra Spa (Scottish Gaelic for ‘natural’), where I indulged in a luxurious ishga face and body ritual. Feeling utterly renewed, I lay by the pool, contemplating how to make a fortune by creating a literary masterpiece, which would enable me to spend a few days each month at The Coniston.
theconistonhotel.com
I will be...
Faking a natural St Tropez tan by slathering on genius Sisley product Phyto-Touche Gel Mat
Treating my husband to a divine Father’s Day Feast Box by Leeds company, George & Joseph Cheesemongers
Keeping cool by munching lashings of Yorvale Caramel Honeycomb ice cream.
Melanie Georgacopoulos' beautiful jewellery collection includes this Ascending Tria ring with three white freshwater pearls and one larger lavender one. melaniegeorgacopoulos.com
‘Show Us Your Silks’, one of the themes in this year's Royal Ascot Handbook: The Art of Dressing Well. It's a playful nod to the bold graphics and colours of jockey silks. ascot.com
The Piccolo is an elegant miniature version of Neo 87100's Alice bag that comes in the brand's classic monochrome colour palette. We love the silver leather, but the orange suede is tempting too. neo87100.com
Bou Soie's scrunchies are handmade by a team of seamstresses in their studio/boutique, with a whole host of options to liven up any look. bousoie.com
Dior Maison's Champs de Tulipes collection is a tribute to fl oral poetry and art de vivre cra ed from Limoges porcelain and highlighted with 24-karat gold details. dior.com
The exquisite combination of the rich red-to-pink hues of rubellite tourmaline and the brilliance of white diamonds creates a truly captivating gemstone diamond halo cluster ring. berrysjewellers.co.uk
Stripe & Stare is a certifi ed B Corp underwear and nightware brand that prioritises transparency and ethical sourcing as well as comfort. These are the so est things we've ever worn. stripeandstare.com
A sandal must always be magenta, we believe, and our current favourite is the beautifully so leather Nottibianchi from Tuscany's
Bucherer, Mothridate, Soro Jewellery and Longines all contribute to this year's Ascot looks, as defi ned in the annual handbook. Make sure you're dressed to impress. ascot.com
A captivating triangularcut pink sapphire gemstone features as the centrepiece to this elegant pair of gemstone and diamond drop earrings. berrysjewellers.co.uk
28 JUNE, THE PIECE HALL
After the overwhelmingly positive response to their Ask That God Tour in 2025, Empire of the Sun has announced a return to Europe and the UK over summer. Expect beloved classics like Walking On A Dream, We Are The People, Alive, and High and Low, as well as tracks from their most recent album Ask That God. thepiecehall.co.uk
23 JUNE, GRAND OPERA HOUSE YORK
23-27 June
ALHAMBRA THEATRE
The Olivier Award-nominated worldwide smash hit The Choir of Man will take The Jungle to audiences across the country, coming to Bradford this month. Set in onstage pub The Jungle, The Choir of Man is the best trip to your local you'll ever have. Here, a cast of nine (extra)ordinary guys combine beautiful harmonies and foot-stomping singalongs with worldclass tap dance and soulful storytelling. bradford-theatres.co.uk
16 June
GRAND OPERA HOUSE YORK
For over five decades, actor, writer and comedian Lenny Henry has been telling stories – on stage, on screen and through a host of characters etched into our collective memory. His new live tour, Still At Large, is part stand-up, part storytelling and part conversation, seeing Lenny return to the experiences that shaped him while also exploring the ideas, challenges, and creative sparks driving him today.
atgtickets.com
Strictly Come Dancing favourites Amy Dowden MBE and Carlos Gu are back with their live tour REBORN. This uplifting and inspirational show celebrates the transformative power of dance, featuring a dazzling cast of world-class dancers and vocalists. Audiences can expect an emotional journey through powerful and showstopping routines that capture the joy, energy and beauty of dance. atgtickets.com
12 June
LEEDS MINSTER London Concertante will return to Leeds on Friday 12th June with Radiohead Reimagined by Candlelight, an orchestral interpretation of music by one of Britain’s most influential bands. Drawing on material from across Radiohead’s catalogue, the concert transforms familiar songs through string textures and cinematic arrangements, offering a fresh perspective on modern classics within an acoustic setting. londonconcertante.com
Until 27 September
YORKSHIRE SCULPTURE
GALLERY
Time’s Scythe is a site-responsive installation by British artist Nicola Turner. The powerful sculptural presence made from wool and horsehair begins outdoors on the YSP building’s facade, spilling from the bell tower and entering through an upper window, before cascading over the balcony. Visitors are able to walk amongst its sinuous forms, with the earthy smell of wool heightening its sensory impact. ysp.org.uk
arham Ghalamdar’s
Aerotheology is an exhibition that examines how belief, technology, and material memory converge under conditions of violence, displacement, and uncertainty. Bringing together aerospace language and folklore, the exhibition explores “lift” not only as a physical force but as a speculative and collective condition: what allows bodies, objects, and imaginaries to endure, to move, or to rise. leeds-art.ac.uk
The Northern Aldborough Festival returns this month
Now in its 32nd year, the Northern Aldborough Festival, running from 18-27 June, is hosted in the picturesque rural north Yorkshire village. A charity, the festival’s mission is to bring high-end live music to a rural location. Aldborough is small but mighty. The once prosperous Roman capital is now a sleepy, picturesque village nestled in rolling countryside. Audiences can step into Aldborough’s ancient 14th-century village church and experience intimate concerts normally reserved for the cosmopolitan global stage. Highlights in 2026 include the Orchestra of Opera North performing Vivaldi’s The Four Seasons, Britain’s favourite clarinettist Emma Johnson, former child prodigy and the youngest ever finalist in the history of the BBC Young Musician competition, pianist Sarah Beth Briggs, the legendary jazz great Clark Tracey and his quintet, pianist Lucy Parham (pictured) exploring the life of Clara Schumann with actress, Joanna David, and the acclaimed Wild Arts opera company bringing Mozart’s The Marriage of Figaro.
This year also sees the festival’s flagship New Voices Singing Competition return – its annual nationwide hunt for the UK’s best classical singing talent, with a star-studded judging panel, and a prize fund of £7,000. The festival finale sees 1,000 festival goers party and picnic under the stars with tribute act, Definitely Oasis. The concert is hosted in the grounds of Aldborough Manor, complete with a spectacular fireworks finale. aldboroughfestival.co.uk
How Yorkshire’s Samuel Wolfenden became social media’s most famous farrier
Born and bred in West Yorkshire, Samuel Wolfenden learned his trade on the farms of home before turning an age-old craft into an online phenomenon.
Now, with more than one million Instagram followers hanging on his every word, the farrier known to millions as the “hoof guy” is proving that hard graft, heritage and authenticity still have extraordinary pulling power.
Samuel still describes himself, first and foremost, as “a true Yorkshireman, born and bred” – and there is something fitting in that simple declaration, because everything about his rise, both in the equestrian world and across social media, seems rooted in the values that the county is famed for: resilience, humility, straight talking and an almost instinctive work ethic.
Long before millions of viewers were watching him transform damaged hooves on their phones, Samuel was a young lad spending school holidays in the passenger seat of his father’s van, heading out across
the farms of West Yorkshire. The county’s agricultural backbone meant horses were never some distant, glamorous concept reserved for elite riders and country estates. They were simply part of everyday life.
For Samuel, that normality became the foundation of an extraordinary career.
His earliest memories are not of planned riding lessons or pony club weekends, but of tagging along to work with his father, himself a respected farrier. “I actually loved going to work with my dad,” he says. “I used to take my bike in the van and play around on the farms as a young lad. As I got a bit older, I became more and more interested in what he was actually doing.”
Those formative days roaming Yorkshire farmyards gave him not just a childhood steeped in horses, but a front-row seat to a profession few people ever witness up close. While other children might have been drawn to football pitches, Samuel found himself mesmerised by fire, steel and craftsmanship. “I always remember when I was a young kid, all the burning, him shaping the shoes – it always looked fascinating to me,” he says.
Farriery is hardly the most common route for a modern young man, and Samuel is quick to point that out. “In the UK, at the moment, there are around 2,500 practising farriers,” he says. It is a specialist world, one largely invisible to anyone outside equestrian circles. Yet for him, there was never much question. “What first drew me into the career was my dad. He is the main reason I’m involved in the trade, and I do owe it all to him. Without him being a farrier, I probably wouldn’t be one either.”
That family lineage did more than teach him technical skill. It instilled the kind of no-nonsense discipline Yorkshire families are famous for. Samuel speaks of his father with obvious admiration. “I was brought up by my old man to work hard,” he smiles.
“He’s still working now and has had a very busy career, doing a lot of horses over more than 40 years.” Even now, after “two new knees”, his father is still going.
That example left its mark. Samuel does not romanticise the profession; he talks about it with the blunt honesty of someone who has lived every aching muscle and every
“Being a farrier is more of a lifestyle than a job. It's not something you do nine to five”
freezing early morning. “Being a farrier is more of a lifestyle than a job,” he says. “It’s not something you do nine to five, it’s 24/7.”
His own days have long begun before sunrise: up at 5am, straight to the gym, then on to a full schedule of shoeing horses across the region. It is physically punishing work, the kind that leaves backs tight and knees throbbing, but it is also the life he knows. And it was this very life – ordinary to him – that would unexpectedly make him one of the internet’s most watched equestrian personalities.
Today, Samuel commands a social media audience stretching well beyond the horse world, with more than one million followers on Instagram alone and millions more engaging with his content across platforms. Yet the appeal of Samuel Wolfenden lies in the fact that he never set out to become an influencer in the polished, curated sense of the word. “To me, I was just sharing a glimpse of my everyday job,” he says. That glimpse, however, turned out to be captivating. Viewers watched in astonishment as he trimmed overgrown hooves, reset shoes, soothed nervous horses and explained the mechanics behind what he was doing. For audiences unfamiliar with the trade, it was both oddly satisfying
and genuinely educational. “I think that’s what people are drawn to, because it’s not very common,” he explains.
Even his own friends were shocked. “I’ve had friends for 20 years who knew I was a farrier, but never really knew what my job involved,” he laughs. “When I started making videos… they were like, ‘I can’t believe you actually nail shoes onto their feet’.”
That “wow factor” became the catalyst. Suddenly, a profession hidden in plain sight on Yorkshire farms was finding a global audience. Samuel realised the turning point had come when “people outside of the horse world started reacting to it and being surprised by what I do”. That was when he knew he was no longer just talking to riders and owners; he was introducing millions to an ancient craft they had never considered.
Yet perhaps what has made him stick – in an online world that churns through trends by the hour – is that he has remained unmistakably himself. There is no manufactured celebrity persona, no attempt to smooth out the Yorkshire edges. He still talks like the lad who grew up on farms and learned everything by watching his dad.
work itself. “It has made me appreciate it more, being able to share it and show people what it’s really like,” he says. “I take great pride in what I do and educating others.”
“I think I’ve become known as ‘hoof guy’ but now people are really getting to know Sam, what I’m about and what I like to do,” he says. That means followers now see the full picture: the gym sessions, the travel, the horse shows, the speaking appearances, the man behind the hammer. It has shifted him from niche tradesman to lifestyle
figure – someone whose authenticity is every bit as marketable as his expertise.
And while his digital footprint continues to expand, Samuel insists the online success has only deepened his appreciation for the
That pride has taken him far beyond the Yorkshire farm circuit. He has appeared at major equestrian events, delivered talks, travelled internationally and become one of the most recognisable faces in the trade. But even as new doors open, the through-line remains the same: graft first, rewards second.
In an age obsessed with overnight fame, Samuel’s story is built on decades of apprenticeship, inherited knowledge and hard labour. In a digital culture often criticised for superficiality, his content thrives because it is rooted in substance. And in a social media landscape crowded with reinvention, his greatest asset may simply be that he never had to invent anything at all.
@samwolfendeno cial
Summer has a way of showing Skipton at its very best, revealing a town that feels alive from morning to evening with colour, creativity and that unmistakable Yorkshire welcome
As the days stretch out and the Dales glow in golden light, Skipton becomes a place where something is always happening – markets spilling down the High Street, music drifting from courtyards, families exploring trails and visitors discovering just how much character can be packed into one small market town.
There’s an ease to summer here, a sense that the town naturally expands into the season, filling every corner with energy without ever losing its laid-back charm.
THINGS TO SEE AND DO
What truly sets Skipton apart, though, is the way its summer calendar reflects
the spirit of the place. Heritage events sit alongside bold, modern celebrations. Creative festivals transform unexpected spaces and community traditions continue to thrive because people genuinely care about keeping them alive.
Whether it’s the brand new Woolly Sheep Trail, the spectacle of Yorkshire Day, the colour of Pride, or the artistic buzz of Art in the Pen and Yarndale, Skipton’s summer isn’t just busy – it’s beautifully varied. It’s the kind of town where you can wander from a medieval castle to a contemporary exhibition, from a bustling market to a quiet canal walk, all in the same afternoon.
Skipton’s shopping scene o ers something you simply don’t find in most towns anymore – a blend of independent spirit, heritage
charm and genuine character that turns a casual browse into a proper experience.
The town centre, framed by the castle at one end and the canal at the other, is lined with family-run shops, specialist boutiques, artisan makers and longestablished businesses that give the town its unmistakable personality.
Wander a little further and you’ll find hidden courtyards, quirky gift shops, vintage treasures and food producers who champion local flavours. Add in the award-winning market, which spills down the cobbles across four days of the week, and you get a shopping trip that feels relaxed, varied and rooted in real community. It’s the kind of place where you can pick up a hidden gem, chat to the people who made it or sourced it and enjoy a retail experience that’s as warm and welcoming as the town itself.
Skipton’s food and drink scene comes into its own over the summer, o ering a mix of relaxed outdoor dining, independent flavours and proper Yorkshire hospitality that makes eating out feel like part of the holiday.
Cafés spill onto the pavements, perfect for lingering over brunch or an afternoon treat, while the town’s pubs and restaurants serve everything from hearty local favourites to modern, seasonal dishes that showcase the best of the region.
Add in canal-side spots for a sunny drink, fantastic foodies at the market and hidden courtyards ideal for long, lazy lunches and you get a food experience that’s as warm and varied as the town itself.
Whether you’re grabbing an ice cream on a wander or settling in for a special evening meal, Skipton serves summer on a plate.
Exploring the great outdoors in Skipton over the summer feels like stepping into a landscape designed for long, unhurried days. With the Yorkshire Dales unfolding just beyond the town, you can wander from a bustling market square to open countryside in just minutes, swapping cobbles for meadows, canal paths and sweeping views.
The towpath o ers gentle, scenic walks perfect for families, while nearby trails lead you up onto moorland, through woodland, or along rivers that sparkle in the summer light.
Whether you’re hiking to a viewpoint, cycling quiet lanes, picnicking by the canal, or simply taking a slow stroll around Aireville Park, Skipton makes the outdoors feel amazingly accessible.
Nature is never far away in Skipton, inviting you to breathe a little deeper, explore a little further, and enjoy the kind of summer days that stay with you.
Staying in Skipton gives you the perfect base to enjoy everything the town has to o er, with its hotels, B&Bs and self-catering properties putting you right at the heart of the action, while still giving you space to unwind.
Wake up just steps from the bustling market, the canal, and cafés, then head out to explore everything that fills the busy summer season. After a day discovering everything that Skipton has to o er, you can return to a comfortable room, great local hospitality and the kind of relaxed charm that makes a short break feel like a proper escape.
SKIPTON LEAVES AN IMPRESSION THAT IS HARD TO SHAKE. IT'S NO SURPRISE IT'S ONE OF THE HAPPIEST PLACES TO
With so much happening and everything within easy reach, a trip into Skipton makes summer stays e ortless, welcoming and full of reasons to come back again.
Skipton’s history and heritage shine even brighter in the summer, when long days and warm weather make exploring the town’s past feel e ortless and inviting. The towering walls of Skipton Castle become a dramatic backdrop to the season, drawing visitors to wander its ancient rooms and grounds while learning about the Cli ord family and the town’s role in the Civil War.
Beyond the castle, the cobbled High Street, centuries-old inns and the bustling market o er a living link to Skipton’s days as a thriving trading hub, while the Leeds and Liverpool Canal provides a peaceful route through the town’s industrial story.
With guided tours and heritage-themed activities often popping up through the summer months, Skipton turns its rich past into something you can step into, stroll through and genuinely feel – making history an essential part of any visit.
If you choose to spend some of your summer time in Skipton, what stays with you is the feeling of a town that truly comes alive in the sunshine – a place where markets bustle, events burst with colour, the canal glimmers in the long evening light and the Dales sit quietly on the horizon, inviting you to explore just a little further.
Whether you’ve spent your days discovering local crafts, wandering historic streets, or simply soaking up the easy
warmth of Yorkshire hospitality, Skipton leaves an impression that’s hard to shake. It’s no surprise it so often earns the title of one of the happiest places to live – that sense of contentment is woven into every corner, every event, every friendly exchange.
As the season settles, you’re left with the unmistakable sense that summer in Skipton isn’t just something you visit – it’s something you feel and something you’ll want to return to.
To plan your next trip and to find out more about our trails, guides and interactive apps, please visit welcometoskipton.com
Hot Skipton events over the summer months
• Skipton Car Show: June 7th
• Skipton Gala: June 13th
• Sheep Day: June 28th
• Woolly Sheep Trail: July 1st -September 27th
• Outdoor Cinema on Canal Basin: July 30th and 31st
• Yorkshire Day: August 1st
• Skipton Pride: August 8th
• Art in the Pen: August 15th and 16th
• Skipton LIVE: August 28th and 29th
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Why Yorkshire studio HAUS OF THRILLS has captured the imagination of the art world and beyond in just two years
Kyle Wilkinson founded immersive art studio, HAUS OF THRILLS (HOT), in Yorkshire in 2024 driven by the belief that the art world should be “less funeral, more festival”. Within just two years of launching, HOT has enjoyed huge success, including an international debut showing of ‘Liked to Death’ in New York this spring alongside commissions from household names such as Santander and Silverstone, as well as designing the 60th anniversary Mustang for Ford. Here, Kyle discusses his story to date, what inspired HOT and his vision for the future.
Q Have you always had an interest in artistic pursuits?
A No, not really. It was never really presented to me as a viable career path, which I now find quite frustrating in hindsight. My route was slightly unconventional. At college, I studied psychology, biology, geography, chemistry, and photography – the latter being where my real interest lay and I was encouraged by my tutors to explore design. That guidance is what ultimately led me into the creative industry, where I went on to work with major global brands and build the career I have today.
Q What initially inspired HOT?
A A lot of art still feels like it belongs to a certain type of person. HAUS OF THRILLS rejects that. It’s built more like a brand than a traditional gallery, creating worlds, drops and experiences people can step into, not just look at. The work draws from modern life and themes such as attention, obsession and validation, amplifying them to a point where they’re impossible to ignore. It’s bold, playful and sometimes uncomfortable – a space where di erent ideas, formats and expressions can exist under one
“The work is bold, playful and sometimes uncomfortable”
name without needing to fit a single mold. There’s also often a pressure in art to have the “right” interpretation. HOT aims to challenge that. If the reaction is simply “I don’t know why I like this”, that’s enough.
Q Your work challenges the “clinical” feel of traditional galleries – what was the moment you realised something needed to change?
A There wasn’t a specific moment, but over time I started to realise that there’s very little di erentiation to art spaces. If they all sat next to each other, you wouldn’t be able to tell which one you’re in. Why can’t the brand and space become part of the art and world?
‘The Clinic’ exhibition which debuted in London in October last year was my first piece that really explored this. From being welcomed by actors as nurses in scrubs, a DJ dressed as a surgeon in front of ‘SUPERDOPE’, a giant dopamine pill sculpture, the whole exhibition explored the cultural addiction to validation and attention through social media. The intention was to create a show that, whether you liked the artwork or not, you still enjoyed yourself and left with a smile on your face.
Q Do you think audiences today are craving more interaction and stimulation from art?
A I think audiences are far more active in how they experience art now. Social media and greater access have changed that. Art is no longer confined to galleries, it’s part of everyday life, constantly seen, shared and reacted to. It’s also broadened what people consider culturally valuable. A limited pair of Nike Air Jordan 1 x O -White by Virgil Abloh, for example, can hold as much cultural weight as something in a frame. As a result, expectations have shifted. People don’t just want to observe work on a wall, they want to be pulled into it, to feel part of it, and to have a reaction, not just an opinion.
Q Exhibiting “Liked to Death” in New York feels like a major leap. What does that moment represent for you personally and creatively?
A It was exactly that – a major leap and a real milestone. New York is a city I’ve always been drawn to, and somewhere I’ve long wanted to exhibit. It sets the pace culturally, so having HOT land there felt significant. When “Liked to Death” was selected for Metropolis in Motion at Myria Gallery in Tribeca, it marked a real turning point. The piece itself is pop-infused, finished
in 24ct gold and diamond dust, and it held its own. Seeing people stop, engage and connect with the work in the heart of the city was incredibly validating, and something I’ll carry forward creatively.
Q How do you design an art experience that feels more like a nightclub than a gallery without losing depth or meaning?
A I want to shake that stu y, hushed atmosphere that puts so many people o art, and in turn is what creates this snobbery and exclusivity to the industry. Whilst a nightclub might not be the right setting for all artists and work, it’s the essence and atmosphere that should be universal. It should be fun, vibrant – somewhere people actually want to spend more time.
Q Coming from Yorkshire, do you feel a responsibility to challenge the Londoncentric nature of the UK art scene?
A Yes, I’ve always been and will always be proud of where I come from. However, it’s undeniable that there is still a strong pull towards major cities like London, as well as places like Manchester and Leeds, where a lot of the UK’s cultural activity is concentrated. I do feel a responsibility, in a way, to challenge how London-centric the art world can be. There’s so much creative
talent in Yorkshire, it’s important to me to prove that bold, relevant work doesn’t have to come from a single cultural hub. Growing up in Yorkshire and working in predominantly London-led spaces, I’ve often been aware of being the only northern voice in the room. That’s something I’ve learned not to dilute. If anything, it’s pushed me to double down on it. Di erent perspectives and upbringings matter, and they bring real value.
Q Looking ahead, what does success for HOT actually look like?
A Success for HOT isn’t just about scale or geography, it’s about impact. I want to keep building a body of work that travels, puts a smile on more faces, and lands in di erent contexts, whether that’s more exhibitions, new collaborations, or continuing to push the conversations the work is already starting. There’s also a real focus this year on expanding beyond what I’ve done so far –exploring new spaces in the North of and developing “The Clinic”, building on the original concept in a more immersive way.
For more information, visit hausofthrills.com
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Why She eld is Britain’s cultural hotbed right now
For two extraordinary weeks every spring, She eld becomes the focus of the sporting world. The green baize, the hushed concentration, the television lights and the familiar tension of a final frame at the Crucible all combine to make the World Snooker Championship one of Britain’s most recognisable annual rituals. And yet, as this year’s championship drew to a close with Wu Yize crowned champion, the bigger story in She eld is not nostalgia –it is momentum. Because while the Crucible remains synonymous with snooker, the building’s future has just been given an emphatic vote of confidence. Plans are now advancing for a £45 million redevelopment of the Grade II listed theatre, a once-in-ageneration transformation that will not only secure the World Championship’s long-term home in the city, but radically reinvent the venue as one of the most flexible and ambitious producing spaces in the country. Capacity will increase by around 50 per
cent when required, and the theatre will be able to shift between its iconic thrust stage and a full in-the-round format, opening up entirely new artistic possibilities.
Long celebrated as a place that punches above its weight in music, theatre and film, She eld feels now like a city entering a new phase – one where major institutions are investing, programming boldly and thinking internationally, while still retaining the grit and localism that gives the city its distinctive creative identity.
Nowhere is that clearer than at She eld Theatres. Fresh from announcing its new season, the organisation has unveiled a programme that feels expansive in every sense: larger in scale, more outwardlooking and more rooted in new writing than ever. There are major headline productions to come, including Ian McDiarmid leading a new King Lear and Mathew Horne appearing in Twelfth Night, but just as telling are the number of world premieres and She eld-grown
stories embedded in the programme. This is not a venue content to import touring prestige and call it a season. It is actively making work. Among the most intriguing forthcoming productions is Open Works Festival, a brand new two-week celebration of artists, scratch performances, panels and emerging voices taking over the Playhouse and Montgomery in late September. Billed as a first-of-its-kind festival for the theatre, it is designed as a civic meeting point between audiences and makers – a place where work is seen in development, debated in public and discovered before it travels further afield. That kind of initiative matters. It positions She eld not simply as a host city for finished cultural products, but as a laboratory where those products are being generated.
The same applies to the raft of new writing announced across the next year: John Rwothomack’s Never Look Back, Lettie Precious’s 12 Letters To My Name, the stage adaptation of Sunjeev Sahota’s The Year of the Runaways, plus the newly commissioned Sapling and The Ballroom Together they signal a theatre ecology that is deeply committed to original storytelling, regional voices and global themes.
There is also something shrewdly She eld about the balance being struck. Alongside Shakespeare, largescale musicals and touring hits, the city is nurturing stories about migration, working-class life, Yorkshire history and African diasporic identity. In other words, She eld is refusing the old false choice between accessibility and artistic seriousness. It wants both.
That ambition is perhaps best summed up by the fact that, even while the Crucible is preparing for eventual redevelopment works, She eld Theatres is programming with remarkable fearlessness. The message is unmistakable: this is an institution growing into national significance rather than shrinking cautiously around uncertainty.
Just as the theatre season gathers pace, June arrives – and with it one of the most significant documentary festivals in the world.
She eld DocFest has long been one of the city’s cultural crown jewels, but this year’s edition feels especially indicative of why She eld’s stock is rising. Running from 10th-15th June, the festival brings more than 100 events across cinemas, theatres, galleries and unexpected city spaces, turning She eld into a six-day forum for journalism, activism, film, politics and technological experimentation.
This is no niche cineaste gathering. More than 80 feature films, 24 shorts, live podcasts, XR installations, immersive gaming experiences, headline talks and major television previews will unfold across the city, with premieres from BBC, Channel 4, HBO, Netflix, Sky, Prime Video and Universal all represented. The sheer scale is striking: 45 world premieres, 17 international premieres and submissions from 64 countries. For one week in June,
She eld becomes less a regional city than an international ideas exchange.
The opening night alone sets the tone. We, The Hated, Rich Felgate’s urgent documentary on Just Stop Oil, launches the festival with a fierce examination of climate activism, protest and the cost of dissent. It is exactly the kind of politically combustible work that DocFest has built its reputation on: films that are not merely observed but argued with.
Elsewhere, this year’s programme is packed with conversation starters. There is AI Doc: Or How I Became An Apocaloptimist, probing the promises and perils of artificial intelligence; The Ballad of Judas Priest, exploring heavy metal, sexuality and culture wars; Life Support, a stark account of doctors working in Gaza; and Cantona, charting Eric Cantona’s transformation from football’s enfant terrible into mythic sporting icon.
Music lovers will find plenty to savour too, from the world premiere of Heaven 17: The Last Temptation – a particularly apt She eld homecoming – to Questlove’s archiverich Earth, Wind & Fire documentary.
Then there are the guest appearances, which underline how broad the festival’s appeal has become. Maxine Peake arrives as Guest of Honour with a specially curated
The breadth is exactly why She eld feels culturally electric right now
programme and live reading of Queens of the Coal Age; Miriam Margolyes, Andrea Arnold, Chris Packham and David Olusoga all feature in major talks; while Gary Stevenson, Amy Goodman and Rose Ayling-Ellis bring politics, journalism and accessibility into the mix.
Crucially, DocFest is no longer confined to dark screening rooms. Its Alternate Realities strand embraces gaming, VR and interactive documentary, including She eld of Stories, a Minecraft reimagining of the city created with children and families. Its new GEN DocFest strand pushes further into family audiences, schools and younger participants, broadening the idea of what documentary culture can look like.
That breadth is exactly why She eld feels culturally electric right now. This is a city where a globally televised snooker championship can end on Monday, where plans for a nationally significant theatre redevelopment dominate headlines on Tuesday, where a season of world premieres and new commissions is unveiled on Wednesday, and where by June an international documentary community is spilling into pubs, foyers, cinemas and public squares.
The Crucible is being rebuilt for the next generation. She eld Theatres is investing in new voices rather than resting on old favourites. DocFest is turning the city into a live conversation about how stories are told in a fractured world. Taken together, they create a rare sense that She eld is not waiting to be noticed: it already knows exactly what it is becoming.
she eldtheatres.co.uk / she docfest.com
from ITV 1 Dickinsons real deal invite you to sell your unwanted gold & silver antiques & jewellery
Tim Hogarth – Trusted Expert in Diamonds, Jewellery & Watches
Tim Hogarth, a well-known TV personality and trusted expert, specialises in valuing diamonds, precious stones, gold, silver, medals, and vintage watches.
“We’re looking for antique jewellery in any condition, especially quality diamond pieces. Amber, coral beads, and vintage watches (Rolex, Cartier, Omega, Patek Philippe) are in high demand. We offer top cash prices for valuable items.”
Visit Tim every Tuesday and Wednesday at The Red House.
1 Duncombe Place, York, YO1 7ED 07970 818866 timhogarth@me.com
From breathtaking views while exploring the moors to leisurely strolls along the sandy shores, immerse yourself into the cosy village atmosphere while staying in these luxurious self-catering holiday cottages - the perfect home away from home.
Extend your experience with a visit to one of our eateries, serving seasonally inspired Yorkshire food & drink on your doorstep.
Cecil Beaton's revolutionary portraits propelled the monarchy into the modern age
Opening
in June, Harewood
House is showcasing the iconic work of photographer, Cecil Beaton
his summer, Yorkshire’s most vibrant country house, Harewood House Trust, hosts a major exhibition dedicated to the legendary photographer Cecil Beaton (1904-1980).
Renowned for his innovative theatrical style, Beaton captured some of the most iconic figures of the 20th century, from Hollywood legends and stars of the West End to the British Royal Family. Organised by the National Portrait Gallery in partnership with Harewood House Trust, Cecil Beaton: Staging Icons opens on 13th June and brings together more than 50 unforgettable photographs from the National Portrait Gallery’s collection, some on display to the public for the first time.
Staging Icons o ers a captivating journey through Beaton’s extraordinary career as a photographer to the stars. Featuring era-defining portraits such as those of Audrey Hepburn, Marilyn Monroe, Fred Astaire, Queen Elizabeth II and others, the show explores how Beaton’s spectacular approach to staging and design fashioned the identities of his all-star clientele, whilst also revealing Harewood’s own connections to the photographer’s world. From the opulence of the stage to the solemn grandeur of the monarchy, Staging Icons invites visitors to consider Beaton’s approach to image-making through the art of performance and how it continues to shape identity and the public imagination today.
Beaton's first love was the stage, and it left a profound mark on his groundbreaking photographic style. Using elaborate backdrops, theatrical props, costume, lighting and dramatic composition, he blurred the line between reality and artifice, transforming each of his portraits into a work of visual theatre. His passion for creating opulent sets extended to stage and costume design,
bringing his unique aesthetic to numerous operas and ballets, as well as stage and film productions in the post-war period.
Beaton’s bold creative vision was also instrumental in his work for the British Royal Family. Appointed royal photographer in 1939, his revolutionary portraits propelled the monarchy into the modern age, creating images that were both strikingly glamorous as well as remarkably intimate.
Staging Icons also explores Harewood’s connection to Beaton and the world of stage and screen, featuring original portraits, artworks and archival material from the Harewood collection. Throughout his career, Beaton photographed numerous members of the Lascelles family and visited Harewood on several occasions.
Discover more by visiting harewood.org
On 15th August 2026, step inside the magnificent Royal Hall, Harrogate, and prepare to have your senses transported. The RSPB Night of Nature Concert is heading North with a breathtaking evening of immersive film, live music and storytelling – a celebration of the wild world that’s as uplifting as it is unforgettable. This is no ordinary concert. No standard film screening. Night of Nature is a beautifully crafted sensory experience, designed to move, inspire and linger long after the final note fades. From the moment doors open at 6.30pm, anticipation builds for a night where cinematic visuals and world-class performance come together in perfect harmony.
At the heart of the show is a powerful musical collaboration. World-renowned vocal harmony group G4 are joined
by the acclaimed Blackheath Quartet, creating a rich, spine-tingling soundtrack to accompany a series of jaw-dropping wildlife films and imagery. Sweeping across vast landscapes on a giant screen, the visuals journey from the UK’s ancient woodlands and tranquil wetlands to rugged coastlines, rolling grasslands and extraordinary locations around the globe – all captured in extraordinary detail.
Hosted by RSPB Vice President, writer and broadcaster Kate Humble, the evening blends culture with conscience. Through moving imagery and evocative music, Night of Nature reveals not only the beauty of our natural world, but how vital protection and restoration e orts are helping nature thrive. You’ll leave feeling inspired, empowered and renewed with optimism.
Set within Harrogate’s iconic, Grade II-listed Edwardian venue, the experience is as elegant as it is accessible. Expect an immersive evening designed to relax
and uplift, world-class performers, and a first-class spectacle without the first-class price tag. This is ethereal entertainment at its most inclusive – perfect whether you’re a lover of classical music, a passionate conservationist, or simply seeking an unforgettable night out.
For those wanting to make the evening even more special, Premium tickets o er prime seating in the front stalls or Grand Circle, exclusive early access to the Royal Hall, a welcome drink and light supper, and the chance to meet teams from local nature reserves and the RSPB. You’ll also receive a souvenir programme, a Night of Nature tote bag and an exclusive pin badge to remember the evening.
Immersive films. Powerful music. One extraordinary night. Night of Nature is a celebration of music, nature and the wild beauty that surrounds us all.
Book now at harrogatetheatre.co.uk/ events/rspb-night-of-nature
ExperienceagreatdayoutatYorkshire’sGardenRacecourse,wherebeautiful surroundingsmeetthrillingracing.
Withfreechildren’sactivities*,liveentertainmentonthebandstand,andplentytoenjoy forallages,it’sadayoutnottobemissed.
The Gold & Silver Roadshow events head to Yorkshire in June, an opportunity to cash in on a host of vintage objects
There will be a host of Gold & Silver Roadshows across Yorkshire over the course of June, with special one-day events being held at The Shibden Mill Inn Hotel, Shibden Mill Fold, Halifax, HX3 7UL on Wednesday 3rd June and Thursday 10th June.
What can you expect at these events?
A very lucky couple called at one of their recent roadshow events with a couple of old gold chains and a silver charm bracelet and a bag of old silver coins. They were paid over £1,600 just for the coins alone. They turned out to be pre 1947 silver coins that were normal currency a few years ago and are now highly collected. Like most people, who can only dream of winning the pools or the lottery, a lot of normal households have a hidden treasure of old gold jewellery, silver jewellery, teapots, trophies, trays and old objets d’art. Why not get a free valuation from an expert at one of the roadshows?
There is no queuing and their experts will give you a one on one appraisal of the value of your treasured possessions in a private area, where there are no prying eyes, watching the process evolve. If you like the valuation, their expert will make you the same o er in cash which you can accept or decline at no cost to yourself.
Anything can be an unearthed treasure. Any old British or foreign coins. Any old wrist watches or pocket watches. All chains, bracelets, rings and bangles broken or not and in any condition. If you think it is a diamond ring, bring it along and they will confirm it to be genuine. If you have an old trophy or tankard or any silver coloured items, let them value them for you.
Old war medals and old Masonic medals can be very valuable. You will be surprised
to hear that they have paid thousands of pounds for certain war medals and even the General Service Medal group is worth bringing especially if you have the original box. Also of great interest are old military uniforms, tunics, hats and any army, navy or RAF field gear. There are rarely any queues at the events and they can normally o er a valuation within a few minutes. They will give you a free valuation on which they back up with a cash o er, there and then. Get looking now in your old drawers, cupboards, and jewellery boxes. Look in the loft and the cellar, even old broken or squashed items of jewellery and silver are valuable. Of particular interest are gold and silver cigarette cases, Vesta Cases, thimbles, candlesticks, trays and all things silver are needed. Pocket watches in gold and silver and all wristwatches by: Rolex, Cartier, Omega, Longines, IWC are particularly in demand.
07378 965411
goldandsilverroadshow.co.uk
Roadshow events
HALIFAX Wednesday 3rd June / Thursday 10th June
The Shibden Mill Inn Hotel, Shibden Mill Fold, Halifax, HX3 7UL
Our agship restaurant has been beautifully transformed, with elegant seating, intimate lighting, curated artworks and a re ned bar setting the tone for unforgettable evenings.
Our kitchen introduces an exciting new menu, blending bold new avours with the classics that made Sukhothai a Yorkshire favourite. Indulge in oysters, seafood platters and river prawns, crafted to be savoured and shared. Since 2002, Sukhothai has been part of Yorkshire life, where Thai tradition meets genuine Northern warmth.
Same warmth. Same heart. A beautiful new chapter.
CÔTE BRASSERIE
Côte Brasserie York has launched a new ‘Dish of the Day’ menu featuring French classics designed by former Gordon Ramsay Executive Chef Steve Allen for just £10 each. Available Monday to Friday, the menu celebrates accessible, high-quality dining, bringing expertise to everyday favourites at an exceptional price point. cote.co.uk
Wine recommendations for the month
Food news and the most exciting openings across Yorkshire
By MARK KEBBLE
By THE WINE SOCIETY
Lubanzi Chenin Blanc, Swartland 2025 £9.95
This is a modern and vibrant Swartland chenin e usive with peach, cantaloupe melon and honeysuckle aromas. Refreshing with a lovely mid-palate texture and grapefruit pith and orange peel on the finish.
Corbières Rosé Racine, Château Ollieux Romanis 2025 £11.95
A lovely, balanced southern French rosé, pale, mouthwateringly fresh yet full-flavoured with a touch of wild herbs and delicate fruit. Think wellflavoured seafood stews, gamier fish like red mullet or grilled Med veg, grills or just on its own.
The Society's Montepulciano d'Abruzzo 2024 £8.95
This much-loved Montepulciano's ripe cherry and blackberry perfume leaps out of the glass, while the palate has a lovely fruit richness, accentuated by a twist of Mediterranean herbs, and a refreshing and firm dry finish. This traditional Italian red is full of flavour and warmth.
Since it was founded back in 1874, The Wine Society has dared to do business a little differently. Bringing together a community united by a shared love of wine, The Society is a co-operative and owned by its members. This means there is no requirement to pump profit into annual dividends or bonuses for shareholders – all profits go back into the business.
The Wine Society welcomes all wine lovers. Become a member today and receive £20 off toward your first order. thewinesociety.com
GRANTLEY HALL
New for this summer, Grantley Hall is inviting guests to soak up the atmosphere of a quintessential English garden party at The Orchard, the five-star hotel’s beautifully curated indoor-outdoor dining venue. It is the ideal setting in which to enjoy limitededition cocktails and desserts inspired by seasonal produce.
grantleyhall.co.uk
Rudding Park in Harrogate has announced that its immersive dining experience, FIFTY TWO, will introduce lunch service, starting with a six-course lunch from 6th June. FIFTY TWO is the 20-seat restaurant at Rudding Park, led by Head Chef and Host Adam Degg, and was awarded its first Michelin Star earlier this year.
fiftytworuddingpark.co.uk
GEORGE & JOSEPH
For dads who’d rather unwrap a wedge of proper cheese than another pair of socks this Father’s Day, Yorkshire cheesemonger, George & Joseph Cheesemongers, has the answer. Its new Father’s Day Feast Box is a ready-made, carefully curated spread of artisan cheese, charcuterie and bold sides. georgeandjoseph.co.uk
Indulge in these delicious desserts
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NORTH YORKSHIRE PULLMAN
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Blue Sakura delivers a unique all-youcan-eat Japanese dining experience in Leeds. Guests order sushi, sashimi, and hot dishes via tablet, ensuring freshly prepared plates. Its wide variety and consistent quality have earned it a strong reputation. bluesakura.co.uk
North Yorkshire Pullman will host an Afternoon Tea on 9th and 10th June. Enjoy a classic afternoon tea experience in style whilst travelling through the North York Moors. Guests are welcomed with a drink before indulging in a selection of savoury goodies followed by freshly baked scones, cakes, and sweet treats on the return journey. nymr.co.uk
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TADA Japanese in Headingley offers a modern take on classic Japanese cuisine, with sushi as a central highlight. Its menu blends traditional rolls with contemporary dishes and cocktails, creating a lively yet refined atmosphere. tadajapanese.com
FERN MODERN SUSHI
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THE SWINE BISTRO
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Fern Modern Sushi is a newer addition to Leeds’ dining scene, quickly gaining attention for its premium ingredients and creative menu. The restaurant focuses on high-quality fish sourced internationally, producing vibrant sushi and sashimi. fernmodernsushi.co.uk
Leeds restaurant The Swine Bistro has launched a new lunchtime menu. The independent bistro, known for its bold, seasonal cooking under Executive Chef Stu Myers (above), has designed the new lunch o ering to suit everything from quick midweek bites to more leisurely afternoon dining. theswinebistro.co.uk
Make the most of the warmer weather and some of Yorkshire’s finest dining destinations with these tasty picks
thecrowdedhouse.co.uk
Tucked just o Leeds’ bustling streets, CrowdedHouse delivers one of the city’s most atmospheric outdoor dining spaces –an intimate courtyard that feels equal parts Mediterranean hideaway and urban hangout. Strung with festoon lighting and filled with closely set tables, the terrace has a buzzy, sociable energy that peaks in the evening, when the space glows and conversation spills easily between groups. The food leans into that relaxed, sun-soaked mood. Greek-inspired street food – souvlaki, gyros, loaded flatbreads – arrives quickly and is designed for sharing, making it ideal for long, informal dinners.
What makes CrowdedHouse stand out is its sense of escapism. Despite being firmly in the city centre, the courtyard feels transportive.
SORA
malmaison.com
Perched atop Malmaison York, SORA delivers one of Yorkshire’s most cinematic outdoor dining experiences. The seventh floor rooftop terrace frames York Minster in near-perfect symmetry, creating a skyline backdrop that feels closer to Manhattan than medieval England. The space itself is cleverly designed for British unpredictability: sleek seating, retractable cover and heaters allow it to function well beyond the height of summer. The menu is top-notch panAsian, with sushi platters and small plates.
Few places in Yorkshire match SORA for atmosphere; it’s less about rustic charm and more about urban glamour. If you’re after al fresco dining with a sense of occasion, this is arguably the region’s standout rooftop.
theriverfrontyork.co.uk
Just outside York, Bosun’s at the Riverfront trades rooftops for something more pastoral: a tranquil riverside terrace overlooking a working boatyard. It’s the kind of setting that feels quietly transportive – water lapping nearby, boats drifting past, and the occasional breeze carrying the scent of the river.
The outdoor space is expansive and informal, making it ideal for long, unhurried lunches. The menu reflects that mood, with contemporary British dishes – think confit salmon or robust cuts of meat – designed to be enjoyed slowly. There’s even the option to hire a boat after your meal, which says everything about the place’s relaxed, lifestyle-driven appeal.
thefatbadgeryork.com
Few beer gardens in England can rival the setting of The Fat Badger. Positioned just beneath York Minster, its garden feels almost cinematic – an intimate green space framed by one of the country’s most iconic Gothic landmarks.
The atmosphere is classic gastropub: lively, sociable and distinctly British. Wooden tables fill quickly on sunny days, and the energy is buoyant without tipping into chaos. Food is rooted in modern pub classics, with a focus on seasonal Yorkshire produce, making it as much about substance as scenery.
What elevates The Fat Badger is that rare combination of accessibility and spectacle. You don’t need a special occasion to visit, yet the view alone makes every meal feel like one.
grantleyhall.co.uk
At Grantley Hall in Ripon, al fresco dining becomes an immersive experience rather than a single terrace. This stately estate o ers multiple outdoor settings, from a champagne terrace to a courtyard and even a Japanese garden attached to its Asian-fusion restaurant. Their Norton Bar combines heritage and modern comfort, o ering creative cocktails, classic Champagnes and fine whiskies, or you can take in the views of the River Skell from the Norton Courtyard. The food matches the surroundings –refined, seasonal and beautifully presented. But it’s the variety of outdoor environments that truly sets Grantley Hall apart. You could dine here multiple times and never have quite the same experience twice.
provenance-collection.co.uk
Hidden behind Harrogate’s West Park Hotel, this courtyard is one of Yorkshire’s most stylish outdoor dining spaces. Enclosed yet open-air, it strikes a balance between intimacy and atmosphere, with heaters and blankets ensuring year-round usability. The design is contemporary – clean lines, soft lighting, and a layout that encourages sociability. Weekends often bring added energy, with DJs or live musicians.
The food keeps things grounded: seasonal dishes with a modern British edge. But it’s the setting that defines the experience. This is al fresco dining reimagined for the evening crowd – less countryside idyll, more urban courtyard chic.
starinnthecity.co.uk
Set beside the River Ouse, The Star Inn The City o ers one of York’s most refined outdoor dining spaces. Its terrace is both spacious and serene, with uninterrupted riverside views.
The design is understated but thoughtful – plenty of room between tables, subtle heating for cooler evenings, and a layout that maximises the view. The menu brings a taste of the countryside into the city, with dishes built around local Yorkshire ingredients. It’s the kind of place that works equally well for a celebratory dinner or a leisurely lunch. The terrace, in particular, elevates it from a strong restaurant to a truly memorable one.
THE ABBEY INN abbeyinnbyland.co.uk
Dining outdoors at The Abbey Inn comes with a view that’s hard to rival: the ruins of Byland Abbey rising dramatically across the landscape. It’s a setting steeped in history, lending even a casual meal a sense of grandeur.
The garden menu is designed for relaxed outdoor eating – gastropub classics, sandwiches, and lighter dishes that suit the open-air environment. There’s a simplicity to the experience that works beautifully; nothing distracts from the view. Few places combine heritage and hospitality quite so seamlessly.
thewestwood.co.uk
For those wary of British weather, The Westwood in Beverley o ers one of the most practical yet stylish outdoor setups in Yorkshire. Its terrace is both covered and heated, ensuring al fresco dining remains comfortable regardless of conditions. Set against a striking Georgian courthouse backdrop, the space feels architectural and refined. It’s particularly suited to evening dining, when lighting and warmth combine to create a cosy, almost continental feel.
The menu leans towards steak and classic dishes, reinforcing the restaurant’s appeal as a dependable, all-season destination. It’s proof that outdoor dining doesn’t have to be weather-dependent to be enjoyable.
UYARE uyare.co.uk
High above Leeds’ Trinity Centre, Uyare o ers a rooftop terrace that blends bold flavours with big-city views. The space feels contemporary and vibrant, with a layout that encourages both dining and socialising.
The food – Southern Indian dishes packed with spice and depth – adds a distinctive edge to the experience. It’s not just about the view; it’s about pairing that view with something memorable on the plate. Uyare captures a di erent side of Yorkshire dining: modern, energetic and globally influenced. For a rooftop experience that feels current rather than traditional, it’s a standout choice.
There are restaurants that come and go, and then there are restaurants that become woven into the fabric of a city. Sukhothai South Parade is firmly the latter. For over 13 years, this proud Leeds independent has been serving authentic Thai cuisine from its home on South Parade, and now, following a stunning refurbishment, it has reopened its doors looking better than ever and ready to welcome a new generation of diners.
The transformation is immediately striking. The entire upstairs dining area has been redesigned to create a more atmospheric and intimate setting, featuring a transformed bar area with high top seats, updated lighting, and stylish new booths. Elegant new décor and colourways give the space a refreshed personality, while the fit out delivered in collaboration with Harrogatebased interior design firm Studio Two ensures the result feels considered and cohesive. The ambiance is warmer, moodier and altogether more inviting; a space that makes you want to linger.
But a beautiful room alone does not make a great restaurant. It is what comes out of the kitchen that matters most, and here Sukhothai continues to deliver. Alongside the refreshed interiors, a new menu has been introduced featuring an impressive collection of dishes served alongside classic guest favourites. The new seafood platter is already turning heads, a generous celebration of the ocean featuring grilled prawns, soft shell crab
and crispy squid, presented with the elegance and precision that Sukhothai has always been known for. For those who prefer something a little more refined, the grilled river prawns and fresh oysters with a Thai-style dressing are two stunning new additions that showcase the kitchen’s lighter, more delicate touch, each one a testament to the quality of ingredients at the heart of every Sukhothai dish.
Equally unmissable is the addition of Khao Soi to the menu, the rich and aromatic Northern Thai curry noodle dish that layers tender meat in a deeply spiced coconut broth, topped with crispy noodles and fresh accompaniments. It is the kind of dish that tells you everything about a kitchen’s confidence and craft.
Executive Chef and owner Ban Kaewkraikhot opened the original Sukhothai in Chapel Allerton back in 2002 with a dream to bring real Thai cooking to Yorkshire, the flavours, the ingredients and the feeling of eating in Thailand. That spirit remains entirely intact. Everything is still made with authentic ingredients and inspired by recipes rooted in Thai culinary tradition.
The wider Sukhothai brand celebrates its 24th anniversary this year, a remarkable milestone for any independent restaurant. Sukhothai South Parade stands as a reminder of what a locally owned, passionately run restaurant can achieve. The refurbishment has not reinvented it, it has simply revealed the best possible version of itself. Book a table. You will not be disappointed.
sukhothai.co.uk
BERRY’S JEWELLERS
June styling calls for jewellery that feels fresh, radiant and effortlessly feminine – and this floral-inspired Berry’s diamond pendant delivers exactly that. Crafted in glowing 18ct yellow gold, the design captures the warmth of summer sunshine beautifully. The delicate flower silhouette adds a soft romantic touch, making it perfect for layering with shorter chains or wearing alone against sun-kissed skin. Discover the collection at your nearest Berry’s boutique or at berrysjewellers.co.uk
The Shoot 54 • Products: Sunglasses 59
Volante eternity rings, sealed with sparkle.
Discover jewellery with a story at York’s Barbara Cattle
Avisit to York’s historic Stonegate will introduce you to a jewellers with a di erence, Barbara Cattle. Housed in a glorious, restored Georgian showroom, you will discover a carefully curated world of antique, vintage and pre-owned fine jewellery –supported by expertise and the assurance of being York’s only member of the British Antique Dealer’s Association (BADA).
Barbara Cattle entrusted her business to the H. L. Brown Group of Jewellers in 1969 and they continued to maintain its reputation as a respected authority on fine jewellery, antique silverware and more, under the watchful eye of Company Director, Richard Pool, and Showroom Manager, Anita Eaton, who welcome clients wishing to browse, compare and understand what makes each piece special.
Being a member of BADA, this signals specialist knowledge, clear information and a commitment to the highest standards of service – reassurance when age, craftsmanship, condition and provenance all play a part in value.
You might be seeking romantic Edwardian details, bold mid-century style or a beautifully crafted, pre-loved, modern piece. The attraction of antique, vintage and pre-owned jewellery is its individuality, whilst giving a nod in the direction of sustainability and celebrating craftsmanship that has lasted a lifetime. The term ‘antique’ refers to pieces 100 years old or more.
‘Vintage’ is typically over 20 years old and ‘pre-owned’ could refer to a more modern piece of jewellery; though however you categorise it, the joy is finding a piece that you really cherish and making your own.
When choosing any pre-owned jewellery, good advice and guidance makes all the di erence. Be sure to talk through the condition of a piece, any alterations or repairs, hallmarks, maker’s marks and gemstone details, so you have complete confidence in what you’re buying.
Part of the experience in buying your jewellery is seeing it in person, in the daylight and holding it yourself, and Barbara Cattle’s team encourages you to take your time exploring, trying on pieces and talking about the features that make it unique. It is a considered and unpressured way to find something that will last a lifetime, tell your story and perhaps you’ll pass on someday.
The Barbara Cattle team are delighted to welcome you into the peace and tranquillity of their period-style showroom, where you are free to take your time and discover the vast collection within. They can also assist you with additional support like valuations, restoration, repair and bespoke commissions.
Visit Barbara Cattle at 45 Stonegate, York, North Yorkshire, YO1 8AW or call 01904 623 862 to book an appointment. See more at barbaracattle.co.uk
Set in peaceful, landscaped gardens just a short walk from local shops and cafés, Headingley Hall blends a beautiful, historic building with modern, luxurious retirement apartments for sale. Pop in for a complimentary afternoon tea and discover what Headingley Hall has to offer.
PREMIUM CARE SUITES ALSO AVAILABLE FOR RESPITE AND LONG-TERM CARE.
28th June 11am–4pm
By PENDLE HARTE
LA BOUGIE
La Bougie brings fragrance and sustainability together in its newest category launch: a luxurious collection of body care products designed to cleanse and nourish. Three years in development, this line places fragrance at the very heart of the experience. labougie.co.uk
EDITOR’S PICK
Bare Sculpt is a modern contour stick designed to add natural dimension and enhance the face’s most flattering features. Vegan and never tested on animals, this weightless balm-cream applies and blends e ortlessly for a seamless, barelythere finish, while the collagen-stimulating Lupeol supports firmer and more toned skin. cosmeticsalacarte.com
MILLER HARRIS
Capturing the essence of tea leaves, sparkling citrus, and subtle smoky warmth, Tea Tonique extrait de parfum is cra ed to linger on the skin, thanks to a higher concentration of perfume oils, making it the perfect scent for summer. millerharris.com
IMen’s Health Week returns this month
n the UK, Men’s Health Week takes place every June and focuses on raising awareness of the physical and mental health challenges faced by men and boys. Organised by the Men’s Health Forum, the campaign encourages men to take better care of their health, seek medical advice earlier, and speak more openly about issues that are often ignored. Key topics include mental health, suicide prevention, heart disease, cancer, obesity, diabetes, and healthy lifestyles. The week also highlights the importance of regular exercise, balanced diets, reducing alcohol and smoking, and attending routine health checks. A major aim is to tackle the stigma that prevents many men from discussing emotional or physical problems. Workplaces, schools, charities, and healthcare organisations often run events, workshops, and campaigns to support men’s wellbeing. A top tip for men during Men’s Health Week is to use the opportunity to book a health check and start one positive habit that can realistically be maintained long term. Whether it is walking daily, improving sleep, or opening up to friends, small consistent changes often have the biggest lasting impact on overall wellbeing.
MEN’S HEALTH WEEK
Discover more by visiting menshealthforum.org.uk/mhw
BLUE LAGOON Mineral Mask, £80 uk.skinscience.bluelagoon.com
ZO SKIN HEALTH
ZO Sunscreen + Powder Broad Spectrum SPF30, £59 skin65.co.uk
CHITO CARE Body lotion, £49 chitocare.co.uk
GENTLE CARE
Lip balm, £18 uk.gentle-care.com
BLUE LAGOON
BL+ eye serum, £140 uk.skinscience. bluelagoon.com
TEOXANE Urban Shield SPF30, £60 teoxane.co.uk
BELIF
Super Drops Sun Serum 50+, £22 harrods.com
ESK Enlighten Gold, £77 eskcare.com
High tech skincare for summer
By PENDLE HARTE
EDITOR’S PICK
IMAGE SKINCARE Daily Prevention protect and refresh mist, £52 imageskincare.co.uk
IMAGE SKINCARE I Mask hydrating hydrogel sheet mask, £48 imageskincare.co.uk
Dr Usman Riaz from dental specialists Renovo reveals that oral health is not just connected to your body health – it is your body health
When you think about inflammation, you might imagine sore joints or aching muscles. But what if the real source was hiding in your mouth – quietly fuelling disease throughout your body?
Revolutionising dentistry, leading private practice Renovo has always been at the forefront of the industry and says that your mouth could be the hidden source of inflammation and is the key to total overall health. Here’s what most people don’t realise:
• Around 90 per cent of people have gum disease, often without obvious symptoms;
• Oral bacteria can trigger up to 50 per cent of heart attacks and strokes;
• Gum disease makes you 70 per cent more likely to develop Alzheimer’s;
• Around 95 per cent of diabetics also su er from gum disease;
• Even cancer, infertility, autoimmune diseases, and high blood pressure have been linked to oral bacteria and chronic inflammation.
Dr Usman Riaz, who heads up the Renovo team, explains: “Inflammation is at the root of almost every major disease and your mouth is one of the most overlooked sources.”
THE SCIENCE: FROM MOUTH TO BODY
Research shows that porphyromonas gingivalis, the bacteria behind gum disease, has been found in the brains of Alzheimer’s patients. In animal studies, these bacteria caused:
• Brain inflammation;
• Neuron damage;
• Alzheimer’s-like symptoms.
When scientists blocked these bacterial toxins, inflammation reduced and neurons began to heal. But the mouth doesn’t just connect to your heart and brain, it connects to – and directly shapes – your entire body health. “Every swallow of saliva carries bacteria from your mouth throughout your system,” says Dr Riaz. “Your oral microbiome influences your immune system, metabolic health and inflammation pathways. If your mouth harbours harmful bacteria, they disrupt immune balance and fuel chronic inflammation,” he explains.
WHY THIS MATTERS
When your gums are inflamed, bacteria and toxins enter your bloodstream every day. This causes chronic low-grade inflammation. “It’s like having a leaking toxic tap in your mouth, fuelling inflammation throughout your body 24/7,” adds Dr Riaz. “If you want to heal your body, you must start with your mouth. Oral health is body health.”
RENOVO DENTAL: BEYOND TRADITIONAL DENTISTRY
At Renovo Dental, dentists don’t guess – they test. Using advanced non-invasive saliva testing, the team identifies specific bacterial burdens causing hidden inflammation, with a focus on restoring full body health through oral health optimisation.
Dr Riaz says: “We focus on uncovering the root causes of disease and many of those causes begin in the mouth, impacting the entire body and immune system.”
THE SILENT THREAT OF OUTDATED DENTAL WORK
Beyond gum disease, old dental restorations can silently fuel inflammation. Fillings, crowns and implants degrade over time, leaking metals and toxins into gums and bone, triggering immune reactions and systemic inflammation.
REVISION DENTISTRY: HEALING THE MOUTH TO HEAL THE BODY
Dr Riaz specialises in revision dentistry, removing old, toxic restorations and replacing them with biocompatible materials that protect immune health, reduce inflammation and support overall body integrity. “We’re
not just fixing teeth. We’re supporting your whole body health,” he says. “Your mouth is the gateway to your entire body health. Stop treating symptoms – start fixing the root causes. Your health deserves that.”
WHY THIS MATTERS
• Oral health = body health = systemic health
• Oral bacteria = body inflammation
• Gum inflammation = chronic body inflammation
• Healthy mouth = healthier heart, brain, immune system, and body
Renovo is one of the very few practices in the UK to introduce biomimetic techniques and materials. Fractured or damaged teeth can be restored by using biomimetic materials to build them up –the materials and techniques ensure the restorative work can last for decades. “This is micro-invasive dentistry that preserves as much of the tooth structure as possible by using scientifically developed, bio-compatible, metal-free materials,” says Dr Riaz. “These latest advances in dental technology have changed the way we view restorative dentistry.”
For nervous patients the biomimetic approach will revolutionise the way they view a visit to their dental practice. For the generation that are now experiencing failing teeth and receding gums, where in the past removal of teeth was the only
answer, bonding technology and new biomaterials along with gum restoration, has given damaged teeth a new lease of life. By adopting these latest biomimetic philosophies and having all the specialist techniques and materials available makes Renovo pioneers in its approach to dentistry. Sustaining the longevity of teeth is the primary aim of Dr Usman Riaz and his specialist in-house team at Renovo Dental. “In very few visits patients can be transformed and because of the unique technology available to us, they leave with a bespoke smile that has longevity.
“It really is transformative dentistry. Your mouth is the gateway to your entire body health. Stop treating symptoms – start fixing the root causes. Your health deserves that.”
Pendle House, Clitheroe Road, Chatburn, BB7 4JY 01200 441000
hello@renovodental.co.uk
MAIN
We all know the kitchen is the hub of the home, but the latest trend? Soft kitchens. Inside, Alex Main, founder of Main, explains why it’s hot right now. page 72
80 YEARS OF BARKER & STONEHOUSE p76
WHY BRAZILIAN STYLE IS IN DEMAND p80
NEW LAUNCH: SIR JACOBS p92
MEET THE MAKER: EWEMOO p97
GET YOUR GARDEN SUMMER READY p84
Alex Main, director of Yorkshirebased bespoke kitchen company Main, on a key trend that has emerged in the heart of the home
While the kitchen has always been at the centre of the home, its everyday functionality is evolving, leading to homeowners wanting a cosier, more inviting and lived-in feel. The ‘soft kitchen’ trend is about kitchens becoming an extension of the living space, incorporating features like textiles, cosy seating areas, multifunctional layouts and more personal touches to add both warmth and flexibility.
Alex Main, director of bespoke kitchen brand Main, dives deeper into this trend, highlighting his top four design elements to consider. “Textiles are one of the most effective ways to soften harder finishes found in a kitchen,” he says. “Banquette seating is a great way to introduce softness into a scheme as upholstered seating naturally feels more relaxed and inviting.
“Open storage is an easy and effective way to make a kitchen feel lived-in and more personal to you,” he continues. “Closed cabinetry is essential for practicality, but open shelving provides the opportunity to display meaningful and characterful objects. This instantly warms the space and helps the kitchen feel less like a purely functional area and more like a natural part of the home’s living environment.
“Introducing relaxed seating transforms how a kitchen is used and experienced. Small design elements such as an armchair in an unused corner, a built-in window seat or a compact reading nook creates inviting spots that encourage people to sit and socialise beyond cooking and eating.
“Natural materials play a key role in bridging the gap between the kitchen and living room,” Alex adds. “Materials such as wood, stone, linen and rattan introduce warmth, texture and a sense of authenticity and balance that softens the more functional elements of the kitchen. By carrying these materials across cabinetry, furniture and accessories, the kitchen begins to share the same visual language as adjoining living areas – blurring the boundaries between zones.”
Absolutely sat down with Alex to find out a little more about the ‘soft kitchen’ trend.
Q The idea of the “soft kitchen” suggests a shift in how we emotionally experience the space – what do you think is driving homeowners to prioritise comfort and atmosphere over pure functionality?
A Homeowners are looking beyond everyday functionality and, instead, want their kitchens to act as an extension of the rest of the home. Our homes have really evolved, and the kitchen now plays a much larger part in everyday life besides cooking and dining. This means kitchens now need to include design elements which are cosier, more inviting and lived-in so it can accommodate a range of other activities including socialising, working and entertaining.
Q How can homeowners strike the right balance between softness and practicality in a space that still needs to be highly durable?
A It’s all about creating relevant zones that are both practical, soft and hardwearing. To introduce more softness via your kitchen island, for example, opt for bar stools in a more tactile material but are easy to
kitchen feel lived-in and more personal to you – but less is always more. Shelves can become easily cluttered, which can lead to your kitchen feeling busy.
Q You mention creating relaxed seating areas like reading nooks – how important is zoning in achieving that “living space” feel within a kitchen?
clean or wipe down as they are still positioned near a food prep area. On the other hand, if your kitchen has a living area as part of the design, you can incorporate softer, more luxurious fabrics here as it’s an area for relaxing as opposed to preparing food – but the design and colour palette can still tie in with the rest of the kitchen. Seating and soft furnishings aren’t the only areas to add softness; kitchen lighting and cabinetry also provide opportunities to layer textures. Wood is a great example of a versatile material that adds softness and warmth to kitchens, whilst still being hard-wearing and easy to clean. Whether that’s via an interesting pendant light, a reclaimed wood worktop or wood-front cabinets, the possibilities are endless.
Q Banquette seating and layered fabrics sound ideal, but are there common mistakes people make when trying to introduce these softer elements into a kitchen?
A Choosing a practical fabric for banquette seating can be easily overlooked. While the choice of fabric is important to the overall aesthetic of the kitchen, it still needs to be easy to clean and remove stains as its prime function is an area to sit and dine.
Q Open shelving is often debated for its practicality – how can people make it feel curated and personal without it becoming cluttered?
A Open storage is an easy and effective way to make a
A Zoning is essential when trying to create a ‘living space’ feel in a kitchen, transforming it from a purely functional space to a multifunctional heart of the home – and there are several ways you can do this, no matter the size of your kitchen. In larger spaces, smart zoning prevents a room feeling sparse and instead creates intimacy and cosiness. Rather than adding walls to separate each area, using different materials and positioning furniture in the correct place allows you to break up the space and give each area a purpose, but guests can still socialise with the rest of the room with ease.
Q In smaller homes or apartments, how can people embrace the soft kitchen trend without sacrificing too much usable space?
A The soft kitchen trend is characterised by a warm and lived-in aesthetic, meaning no matter the size of the home, this can be achieved with the correct materials, furniture and colour palettes. Look to add softness and character with personal items on open shelving, soft furnishings like curtains, adding a styled chair in the corner or choosing colourful artwork on the walls. The aim is to add elements not traditionally found in a kitchen that helps to tie in other areas of your home and showcase your personality. If you want to create separate zones, you can still do this with smart lighting or seating. If you have a dining table and chairs, why not replace it with banquette seating instead, or alternatively add some small-scale lighting such as a wall light or table lamp to highlight a particular corner of the kitchen.
For more kitchen inspiration, visit maincompany.co.uk (Photography by Chris Snook)
Absolutely visits Barker and Stonehouse in Leeds to look back at 80 years of success, plus discover their top summer trends coming our way
Marking 80 years in business is no small feat, and for Barker and Stonehouse, 2026 represents more than a milestone – it’s a moment to reflect on a legacy of craftsmanship while looking firmly ahead to the future of interiors. Founded in 1946 by RAF servicemen Charles Barker and Alex Stonehouse, the brand was built on a simple but enduring idea: that furniture should be beautifully made, thoughtfully designed and built to last. Eight decades on, that ethos still underpins every collection, even as the way we live – and style our homes – continues to evolve.
From its early days in post-war Britain to its current position as one of the UK’s
largest independent furniture retailers, Barker and Stonehouse has consistently adapted to shifting lifestyles. The clean lines of mid-century modernism gave way to the relaxed living of the 1970s, followed by the pared-back minimalism of more recent decades. Today, interiors are far more expressive and layered, reflecting individuality rather than rigid design rules. It’s within this context that the brand’s 2026 collections feel especially relevant – bringing together heritage craftsmanship with a fresh, trend-led perspective.
At the heart of this new direction is Modern Minded, a look that encapsulates the growing desire for calm, liveable luxury. Defined by neutral palettes, subtle contrasts and sculptural forms, it reflects
a broader movement towards homes that feel both refined and restorative. As Magdalena Gierasinska, Head of Product & Displays, explains: “Curved silhouettes and tactile materials are shaping interiors this season, with everything from sofas to mirrors embracing softer, more fluid forms. These pieces don’t just serve a functional purpose – they create atmosphere, offering a sense of ease that aligns perfectly with contemporary living.
“This return to softness is mirrored in colour trends, where warm neutrals – from beige to rich chocolate – are making a strong comeback. These tones bring a grounding quality to interiors, creating spaces that feel tranquil and inviting. It’s a natural evolution from the stark minimalism of previous years, signalling a shift towards comfort and emotional connection within the home.”
Alongside this understated elegance sits a more playful counterpart: Spirited Scandi. While Scandinavian design has long been a staple, its 2026 iteration is far from the pale woods and muted greys of the past. Instead, it embraces bolder, sun-soaked hues – ochre, burnt orange and soft sage – paired with tactile textures and expressive styling, where homes are no longer about perfection but about storytelling.
“The popularity of Scandi-inspired design has never wavered, but it’s evolved,” Magdalena says. “The new Scandi style is less minimalist than we’ve seen. From open shelving to styled coffee tables vignettes, putting personality on display makes a home feel rich in character.”
This idea of storytelling is central to the brand’s continued success. As a fourth-generation family business, Barker and Stonehouse has always evolved in response to how people actually live, rather than chasing fleeting trends. Today’s customers are looking for more than just aesthetics – they want transparency, sustainability and pieces that feel personal. In response, the company has focused on designing exclusive collections that balance style with practicality, ensuring that each piece works seamlessly within modern homes.
Sustainability, in particular, has become a defining pillar. From planting over 1.5 million trees through its partnership with Trees4Trees to achieving Carbon Neutral Plus status, the brand is actively addressing the environmental impact of furniture production. This commitment ties into a broader industry shift towards “buy better, buy once” – an approach that values longevity over fast consumption.
This philosophy is perhaps most evident in the Club Classics trend, where rich woods, leather and velvet create a sense of timeless sophistication. Inspired by retro influences, particularly the 1970s, these interiors celebrate craftsmanship and materials that improve with age. Warm tones, from olive green to deep brown, reinforce a sense of nostalgia while remaining firmly rooted in contemporary design. It’s a look that resonates with consumers seeking investment pieces – furniture that tells a story and stands the test of time.
Meanwhile, Country Escape taps into a growing desire to reconnect with nature. Floral prints, layered patterns and natural textures bring the charm of the English countryside indoors, creating spaces that feel both comforting and characterful. “Pattern on pattern has emerged as one of this season’s biggest trends, signalling a move away from stark minimalism towards spaces that feel richer and more expressive,” Magdalena explains. “Mix prints, whether florals and stripes or repeat similar motifs across walls, upholstery and accessories, to add an abundance of charm to your home. The effect works best when there is a sense of cohesion, often achieved through a shared colour palette or by varying the scale of patterns.”
What unites all of these trends is a focus on individuality. In 2026, there is no single “right” way to decorate a home. Instead, the emphasis is on creating spaces that reflect personal taste, whether through bold colour choices, curated accessories or statement furniture. Even unexpected pieces –like a bright orange sofa – can become best-sellers when they strike the right balance between design and comfort.
As Barker and Stonehouse enters
its ninth decade, it does so with a clear sense of purpose. The brand continues to invest in sustainability, innovation and design, while remaining true to the values that have defined it since 1946. Upcoming collaborations and new collections promise to build on this legacy, ensuring that it stays at the forefront of British interiors.
Ultimately, the story of Barker and Stonehouse is one of balance – between heritage and modernity, tradition and innovation, style and substance. Its 80th anniversary is not just a celebration of the past, but a reflection of how far the brand has come and where it’s heading next. In a world where trends come and go, its commitment to quality, craftsmanship and thoughtful design remains constant – proving that true style is, indeed, timeless.
barkerandstonehouse.co.uk
A summer state of mind: inside
Anthropologie Leeds and FARM
Rio’s joyful home collaboration
There are certain brands that don’t just sell products: they sell a feeling. For Anthropologie and FARM Rio, that feeling has always been rooted in creativity, colour and a certain carefree spirit. Now, the two have come together to translate that energy beyond wardrobes and into the home, launching a limited-edition collection that feels like summer bottled and beautifully styled.
For nearly a decade, the partnership between the global lifestyle retailer and the Brazilian fashion house has quietly flourished. What began in 2017 as a fashion collaboration has evolved into something far more expansive –an immersive lifestyle offering that speaks to how we live, entertain and express ourselves at home. This latest launch marks a turning point, moving decisively beyond apparel and into a richly layered world of tabletop pieces, textiles and home accessories.
At its heart, the collection is an ode to maximalism, but not the overwhelming kind. Instead, it embraces a thoughtful, curated approach to colour and pattern. Think sun-drenched palettes, lush botanical prints and playful motifs that evoke the vibrancy of Rio de Janeiro. It’s a visual language that feels both escapist and deeply personal.
Anthropologie has long been known for its artful, eclectic sensibility, while FARM Rio has built a global following through its exuberant prints and celebration of Brazilian culture. Bringing these two aesthetics together feels like a natural progression. The result is a collection that balances craftsmanship with character – pieces that feel collected rather than coordinated, and expressive rather than prescribed.
What sets this collaboration apart is its emphasis on storytelling within the home. FARM Rio’s “Home Soul” philosophy underpins the entire collection, encouraging spaces that reflect individuality and memory. This isn’t about perfection or minimalism; it’s about layering textures, colours and objects that mean something. A ceramic platter becomes more than just serveware – it becomes part of a shared meal, a gathering, a moment.
The collection itself has been designed with indoor-outdoor living in mind, perfectly timed for the long, languid days of summer entertaining. There’s a sense of ease woven throughout, from tactile ceramics to mixed-material décor that feels as comfortable on a garden table as it does indoors. The emphasis is on versatility and warmth.
It’s also a collection that speaks to a broader cultural shift. In recent years, our homes have taken on new meaning as places of connection
and creativity. This collaboration taps into that desire for spaces that feel alive and expressive, where design is less about trends and more about emotional resonance. As one of the creative leads behind the project notes, the goal was to create something “warm, effortless and full of meaning”.
Visually, the pieces draw heavily from the natural world. Tropical foliage, vibrant fauna and FARM Rio’s signature banana motif appear throughout, creating a sense of movement and play. It’s a celebration of nature not as something distant, but as something to be invited into the home – whether through bold prints or organic materials like wood and ceramic.
The development process itself reflects the care behind the collection. Over the course of a year, the two brands worked closely to reinterpret FARM Rio’s iconic aesthetic for a new context. This meant moving beyond traditional materials often associated with outdoor living and elevating them through craftsmanship and design. The result is a collection that feels both elevated and approachable – special enough for entertaining, yet practical enough for everyday use.
Of course, part of the appeal lies in its accessibility. With 38 pieces ranging from affordable tabletop accents to more substantial textiles, the collection offers entry points for a wide range of shoppers. Whether it’s a small decorative object or a statement piece, each item carries the same spirit of vibrancy and individuality.
For Anthropologie, the collaboration is also a reflection of its evolving identity. Since its founding in 1992, the brand has expanded far beyond fashion to encompass a full lifestyle
The collaboration taps into a desire for spaces that feel alive and expressive
offering, from furniture to wellness. Partnering with FARM Rio in this way reinforces its position as a curator of global creativity –bringing together different perspectives to inspire its community.
Meanwhile, for FARM Rio, the move into homeware represents a natural extension of its ethos. Founded in Rio de Janeiro in 1997, the brand has always been about more than clothing, it’s about celebrating life through colour, culture and connection. Translating that philosophy into the home feels like the next step in its global journey.
Ultimately, this collaboration is less about objects and more about atmosphere. It invites us to rethink how we approach our spaces –not as static environments, but as evolving reflections of who we are. It encourages us to embrace colour, to mix patterns, to create homes that feel lived-in and loved. As summer unfolds, there’s something undeniably appealing about that idea. A table set with vibrant ceramics, a room filled with sunlight and texture, a gathering of friends that stretches into the evening.
And perhaps that’s the true success of the collaboration. It doesn’t just decorate a home – it transforms it into a place where stories are told, memories are made and everyday life feels just a little more extraordinary.
anthropologie.com
It’s time to embrace the outdoors: here are Absolutely’s summer garden trends for 2026
Gardens in 2026 are evolving into something far more immersive than the traditional patch of lawn and borders. They are increasingly being designed as true extensions of the home – places where daily life unfolds just as naturally as it does indoors. This means comfortable seating, layered lighting, and even outdoor kitchens are becoming standard features rather than luxury additions. The shift is rooted in how people now use their homes: flexible living, entertaining, and relaxation all blend together, and the garden is expected to keep up. Instead of being viewed seasonally, outdoor spaces are being designed with longevity in mind, usable from early spring through to late autumn with the help of thoughtful design and accessories. At the same time, sustainability is no longer a niche interest – it is shaping the entire direction of garden design. In 2026, there is a strong emphasis on working with nature rather than against it. Gardens are being planted to attract pollinators like bees and butterflies, with wildflower mixes and nectar-rich plants replacing overly manicured displays. Composting, rainwater collection, and reduced chemical use are becoming
standard practice rather than optional extras. This more ecological approach brings a softer, more natural aesthetic, where slightly untamed planting and layered textures are celebrated rather than controlled. The result is a garden that feels alive, dynamic, and in tune with its environment.
Climate is also playing a major role in shaping trends. With hotter summers and more unpredictable weather patterns, gardeners are becoming more strategic in their planting choices. Mediterraneaninspired gardens are influencing UK spaces, with drought-tolerant plants like lavender, grasses, and hardy perennials taking centre stage. There is also a growing awareness of water management, from installing water butts to improving soil structure so it retains moisture more effectively. Rather than fighting changing conditions, the trend is to embrace plants that thrive in them, resulting in gardens that are both resilient and visually striking.
Visually, 2026 marks a clear move away from the cool, muted tones that dominated outdoor design for years. Instead, gardens are becoming more expressive and full of personality. Warm, earthy shades like terracotta and ochre are being paired with rich planting palettes – deep purples, vibrant
Gardens are increasingly being designed as true extensions of the home
pinks, and lush greens – to create depth and interest. Furniture and accessories are following suit, with patterned textiles, curved shapes, and a slightly retro influence bringing a sense of fun back into garden styling. This trend reflects a broader desire for individuality; people want their gardens to feel personal, not like a showroom.
Urban living continues to shape how gardens are designed, particularly in cities where space is limited. In 2026, the focus is on making even the smallest outdoor areas feel abundant and purposeful. Vertical planting, container gardening, and raised beds are all being used to maximise space without overcrowding it. Clever zoning helps create the illusion of a larger area, with different sections dedicated to relaxing, dining, or planting. Even balconies are being transformed into lush green retreats, proving that size is far less important than thoughtful design.
Alongside these aesthetic and structural changes, there is a growing interest in gardens that provide something tangible in return. The rise of grow-your-own culture continues into 2026, with more
people incorporating edible elements into their planting schemes. Herbs, vegetables, and even edible flowers are being woven into decorative borders or grown in pots for convenience. This approach not only adds a practical dimension to gardening, but also deepens the connection between people and their outdoor spaces. Harvesting ingredients straight from the garden brings a sense of satisfaction that purely ornamental planting cannot replicate.
Flexibility ties all of these trends together. Gardens in 2026 are being designed to adapt easily, whether that means rearranging furniture for a gathering, adding temporary shade on a hot day, or switching between relaxation and entertaining. Modular seating, portable accessories, and multiuse features are all part of this shift. The modern garden is no longer static; it evolves with the needs of the people using it, making it a far more dynamic and responsive space than ever before.
1. START WITH A DEEP CLEAN
The quickest way to make a garden feel summerready is to begin with a full clear-out and clean. Sweep away leaves, dead plant material and any debris that has gathered over the colder months, then pressure wash patios, decking and pathways to instantly brighten the space. Garden furniture should be wiped down, cushions aired out, and pots cleaned so everything feels fresh rather than forgotten. Pruning back damaged growth and edging lawns also gives the garden a sharper finish. Much like spring cleaning indoors, this creates a blank canvas and makes every other improvement feel far more effective.
2. REFRESH YOUR PLANTING
Summer gardens thrive on colour, texture and movement, so now is the time to replace anything looking tired with fresh seasonal planting. Add flowering perennials, hanging baskets, herbs or pollinator-friendly blooms to inject life into borders and containers. Mixing heights and tones helps create a fuller, more layered look, while fragrant plants such as lavender or jasmine add another sensory dimension. If space is limited, even a few statement pots near seating areas can transform the mood. The goal is to create a garden that feels abundant, lively and welcoming from the moment warmer weather arrives.
3. IMPROVE YOUR SOIL
Healthy plants always begin below the surface, which is why improving your soil is one of the smartest jobs to tackle before summer hits. A er months of rain and winter depletion, borders and beds o en need replenishing with compost, manure or nutrient-rich organic matter. This not only feeds plants, but also helps the soil retain moisture – essential during hotter spells when watering becomes more difficult. Loosening compacted soil also improves drainage and root growth. Investing time in this unseen layer pays off massively later, giving flowers, shrubs and vegetables the strength to cope with summer stress.
4. CREATE FUNCTIONAL ZONES
A beautiful garden is one thing, but a usable garden is what really makes summer enjoyable. Think about how you want to spend time outside and organise the space accordingly. Even modest gardens benefit from having a dining area, a quiet relaxation corner, and a greener planting section to so en the look. Rugs, planters, screens or furniture placement can all help define these areas without major landscaping. Zoning gives the garden a sense of purpose and flow, making it feel larger and more intentional. It also encourages you to use the space more o en rather than simply looking at it.
To truly enjoy long summer evenings, comfort is just as important as planting. Introduce outdoor cushions, throws and rugs to make seating areas feel inviting and lived in, rather than purely practical. Shade options such as parasols or pergolas can also make daytime use much more pleasant. As the sun goes down, lighting becomes essential – solar lanterns, festoon lights and pathway markers create atmosphere while extending the hours you can spend outdoors. These finishing touches shi the garden from functional to welcoming, turning it into somewhere you naturally gravitate towards for meals, drinks and downtime.
New to Hay’s classic Palissade collection is the cantilevered armchair, which retains the original symmetrical design and adds a new lightness thanks to its fl oating frame,£485. hay.com
Add a touch of glamour to your garden with an impressive pergola from Raj Tent Club’s stylish selection. We love this fl oral print inner canopy, from £2,500. rajtentclubshop.com
Angraves vintage rattan chairs are a stunning addition to a conservatory, and Raj Tent Club is currently selling a lovely set of four, so be quick, £800. rajtentclubshop.com
Colours of Arley’s Elements Collection of fabrics is resistant to water, mould, UV and stains. Perfect for pool loungers then. coloursofarley.com
Bunting brings instant joy to any space, especially when it’s striped. Choose from a huge selection at the Stripes Company, £23. thestripescompany.com
Swy Home’s new garden collection offers 24 hour delivery for emergency barbecues and last-minute weather improvements. We love this garden sofa in olive, £479. swyfthome.com
The iconic egg is much more than a barbecue (though it does that too). When coupled with Falcon's classic heat resistant Enamelware it can produce things like this homemade focaccia. You can also make pies, tarts and cakes. Who knew?
biggreenegg.co.uk
Masterbuilt's Gravity Series XT is no joke. Holding up to 24 hours of fuel, it’s ideal for low-and-slow classics like brisket or pulled pork, while a WiFi-enabled digital fan ensures precise temperature control. masterbuilt.com
Also from Masterbuilt is the clever Pizza Oven insert, which quickly transforms any barbecue into a pizza oven, enabling you to switch from pitmaster to pizzaiola in no time at all. masterbuilt.com
KAMADO JOE
The Konnected Joe is the world’s fi rst digitally connected ceramic grill. Combining the fl avour and theatre of traditional charcoal cooking with modern technology, it offers effortless fi re-lighting and precise temperature control. kamadojoe.com
Valoriani ovens are so much more than pizza ovens. They can handle curries, stews, roasted fi sh, meat or vegetable dishes, cakes, pasta dishes, jacket potatoes, shellfi sh delights, steaks and other grilled foods. valorianiuk.com
Sir Jacobs, South Africa’s most coveted luxury home fragrance brand, arrives in Yorkshire
Sir Jacobs, the South African luxury home fragrance brand that has quickly become one of the most talked-about names in scented design, is now available in Yorkshire for the first time, exclusively via Ackworth Flowers in Ackworth.
The Yorkshire arrival marks a significant milestone in the brand’s UK expansion, bringing its distinctive blend of handcrafted Cape porcelain and fine fragrance to a discerning regional audience for the first time. For Sir Jacobs, the partnership represents more than a new stockist; it signals the brand’s commitment to building relationships with independent retailers that share its values of craftsmanship, quality and considered design.
Ben Colling, Managing Director of Sir Jacobs UK, says: “This launch is incredibly special for me personally. Having lived in Ackworth for several years, I’ve long admired Ackworth Flowers and always appreciated its reputation for quality and style. To see Sir Jacobs become part of that offering as our first Yorkshire stockist is something I’m immensely proud of. We’re thrilled to begin this relationship and look forward to seeing it grow.”
Founded in 2023 by Neil and Stephan Jacobs, Sir Jacobs was born from a desire to create something more tactile, enduring and personal than traditional home fragrance brands. Leaving behind careers in law and digital product design, the founders set out to merge two worlds not often combined: ceramics and scent. The result is a collection that transforms everyday objects into pieces designed to be both functional and lasting.
At the heart of the brand is its use of Cape porcelain, a material long valued for its strength and refinement, rooted in the high-fired ceramics produced by modern studio artists in Cape Town today. Each vessel is handcrafted, shaped and finished by hand, resulting in pieces that feel closer to collectible home objects than conventional packaging. Designed to be refillable and permanent, the porcelain offers a more considered and enduring alternative to disposable plastic and glass; an approach increasingly valued by customers seeking longevity over throwaway luxury.
The fragrances themselves are composed in South Africa and developed to sit harmoniously within the home. Whether placed in a bathroom, living space or bedroom, each piece brings both function and quiet beauty to everyday rituals.
The fragrance range features nine Eau de Parfums (60ml, £125), each housed in a handcrafted porcelain vessel, with scents including Son Roos, a bright citrus rose with notes of pomelo, saffron and sandalwood; Sneeuberg, an aromatic woody musk with wild rosemary, violet, labdanum and musk; and Porcelana, a soft white floral with citrus, lily of the valley and amber woods. The home and candle collection includes diffusers, room sprays and scented candles made from 100% natural soy wax, free from paraffin and toxins, all designed to be paired with a chosen porcelain vessel. The bath and body range offers liquid soaps and hand and body lotions designed to elevate everyday routines through material and design, with refill options available throughout.
The ceramic vessels themselves are presented across four distinct collections: White Quarry, inspired by sculpted stone and natural formations; Dark Current, deep, fluid and shadow-like; Sandline, soft, flowing and tactile; and Greenwood, earthy, textured and grounded in nature. Each collection includes vessels for candles, diffusers, room sprays and bath and body products, all designed to be refilled and kept over time. Refills start from £24 and span the full fragrance library, including Citrus Grove diffuser refills with bergamot, lemon and cedarwood, and Amber Glow lotion refills with rose, musk and sandalwood.
Since launching in South Africa, Sir Jacobs has quickly established a loyal following, with a standalone store in Johannesburg’s Hyde Park Corner, one of the country’s most prestigious retail destinations. The brand’s UK arrival earlier this year introduced its distinctive perspective on luxury home fragrance to British customers for the first time, placing equal importance on object, material and scent.
Now, with its Yorkshire debut at Ackworth Flowers, Sir Jacobs continues to expand its presence across the UK through carefully selected independent retailers. In a category often defined by disposability, Sir Jacobs creates pieces designed to last.
Available in store now at Ackworth Flowers, 92 Wakefield Road, Ackworth, WF7 7BE, ackworthflowers.co.uk, and online from sirjacobs.co.uk (Eau de Parfum 60ml £125, Vessels from £59 to £94, Refills from £24)
Hans J. Wegner’s dining tables are connected by the trinity of simplicity, functionality, and form. Imagined in the 1960s and crafted from solid wood using traditional techniques, the CH327 and CH337-CH338-CH339 tables exhibit handcrafted detailing and aesthetic timelessness. Whether the shape, length, or design, the tables o er easy adaptability embracing the demands of everyday life.
The campaign price applies to the selected products and variants from September 1st to November 30th, 2025.
In today’s most inspiring bathrooms, it’s rarely just the tiles that capture attention – it’s the way the whole space is brought to life. Tiles may set the foundation, but it’s lighting and accessories that turn a room into an experience; soft, layered, and thoughtfully considered. The result is a bathroom that feels curated rather than simply completed. Start by reading the mood of your tiles. Every surface tells a story. Glossy finishes bounce light and energy around the room, while matte and stone-effect tiles feel grounded, tactile, and calm. Bold patterns bring personality and drama, often becoming the focal point of the space. The key is not to compete with them, but to complement their character. Recent design trends continue to lean into expressive, nature-inspired interiors – earthy tones, handcrafted textures, and
should feel like a natural extension of your tile palette. Warm-toned tiles pair beautifully with brushed brass or bronze, creating an inviting, cocooning feel. Cooler greys, whites, and blues suit chrome or matte black for a clean, modern edge. Meanwhile, stone-effect and textured tiles invite more organic pairings – wood, rattan, and ceramic accents that soften the space and echo nature’s palette.
Even the smallest details can elevate a bathroom design. A well-placed mirror can double the impact of a feature wall, reflecting pattern and light to expand the sense of space. Floating shelves add practicality without visual heaviness, while recessed niches with integrated lighting introduce a subtle touch of luxury often associated with boutique hotels.
organic finishes that feel warm and lived-in rather than clinical or stark.
Lighting plays a defining role in this atmosphere. Rather than relying on a single overhead fitting, designers are embracing layered lighting to create depth and flexibility. Ambient lighting provides overall illumination, task lighting around mirrors ensures practicality for daily routines, and accent lighting adds that subtle, hotel-inspired glow – whether within a shower niche or beneath a floating vanity. Warm white light is often favoured for its soft, relaxing effect, enhancing the natural warmth of tiles, while cooler tones lend themselves to crisp, contemporary schemes. The secret lies in balance – matching the lighting temperature to both the tile finish and the mood you want to create.
Accessories complete the story. Taps, handles, mirrors, and storage elements
Scale is equally important. Large-format tiles call for minimal, streamlined accessories, allowing their uninterrupted surface to shine. Smaller, decorative tiles can handle more traditional or detailed fittings. In compact bathrooms, restraint is key – choosing pieces that enhance rather than overwhelm. When these elements come together, the bathroom becomes more than functional – it becomes intentional, calming, and beautifully cohesive.
To explore how tiles, lighting, and accessories work in harmony in real-life settings, visit The Tile Company. Discover inspiring displays and expert advice at their showrooms in York and Northallerton, where design ideas are brought vividly to life and every detail is considered.
thetilecompany.co.uk, 01904 436085
Absolutely chats to Beth Morgan-Jones, founder of unique business, Ewemoo
Q What originally inspired you to start Ewemoo?
A Ewemoo originally started from a love of creating something different by hand. I’ve always enjoyed traditional craftsmanship and wanted to design furniture that made people smile while still being practical. The turning point came when people began reacting emotionally to the products at markets and events – they weren’t just buying a footstool, they were connecting with the character and personality behind them. That’s when I realised it had the potential to become a real business.
Q How has the business evolved from those early days?
A Ewemoo has grown into a recognised brand with retail stockists, nationwide delivery and a much wider range of animals and designs. However, the heart of the business has stayed the same: handcrafted products, quality materials and British manufacturing.
Q How did you come up with the Ewemoo name and concept?
A The Ewemoo name came naturally from combining the sounds associated with sheep and cows, which suited the playful, countryside-inspired identity of the brand. From the beginning, I wanted the business to feel warm, memorable and unmistakably British, with products that stood out from mass-produced furniture.
Q Can you tell us about the very first product you created?
A The very first product I created was the sheep footstool, which is still one of our most popular pieces today. The early response completely exceeded expectations. Customers loved the humour, the craftsmanship and the fact that each piece felt unique and handmade rather than factory-made.
Q What gap in the market were you trying to solve when you launched?
A At the time, there was very little in the market that combined functional furniture with personality and traditional upholstery techniques. So much furniture felt generic. I wanted to create something practical but also full of character – something that became a talking point in people’s homes.
Q How important is craftsmanship and design in your philosophy?
A Craftsmanship and design are central to everything we do. Our products are tactile, durable and designed to bring joy for years to come. In a world increasingly dominated by fast manufacturing, I believe people still value handmade quality and originality.
Q What have been some of the biggest surprises about running a creative business?
A One of the biggest surprises about running a creative business is how much time is spent outside the creative side –marketing, logistics, customer service and constant problem-solving all become part of daily life. Balancing creativity with business practicality is essential.
Q Looking ahead, what’s the longterm vision for Ewemoo?
A Looking ahead, I’d love Ewemoo to continue growing as a recognised Welsh lifestyle brand while expanding the range into new animal designs, interiors and larger statement pieces, all while keeping the handmade character that built the company in the first place.
ewemoo.co.uk
NEW PAINT SHADES ARE WARM, RICH AND MUTED. HERE'S OUR SELECTION 3
Reds are very 2026 and Lick's Red 01 is a burnt, earthy tone that looks great in a living or dining room. The matt texture won't reflect light, creating a cosy, welcoming feel, while the red is intense without being overwhelming. lick.com
BENJAMIN MOORE
Golden Chalice is a mustard colour with a hint of green that feels both retro and contemporary. Pair it with similar colours from the same palette of golds, browns and yellows for striking results. benjaminmoorepaint.co.uk
Marshland Muddle is a warm taupe inspired by damp soil and dri wood. Earthy, grounding, and an easy mid neutral. Available in all six paint finishes, from £28 for 1 litre. fenwickandtillbrook.com
Riverbank is an unapologetic green that looks great with a muted pink. We love it for kitchen cabinets, but it will bring energy to any room, whether on the walls or the woodwork. earthbornpaints.co.uk
Sybill is a deep plaster pink with a terracotta edge that pairs excellently with browns, reds and pinks. It works in all spaces. coatpaints.com
Why outdoor play matters more than ever
By LIZ EDWARDS
There’s a particular kind of magic that happens when children step outside. It isn’t found in buzzing notifications or flashing lights, nor does it shout for attention. Instead, it reveals itself in muddy hands, curious eyes, and the gentle rhythm of discovery. As the founder of Muddy Faces, I’ve spent years championing outdoor play, and I’ve seen first-hand how profoundly it shapes children – not only physically, but educationally too.
In a world where learning is often boxed into classrooms and measured by screens and scores, it’s easy to overlook the extraordinary educational value of something as simple as a patch of woodland, a puddle, or a pile of sticks. But step outside with a child, and you’ll quickly realise: this is where learning comes alive.
Outdoor play o ers a rich, multi-sensory learning environment that no worksheet can replicate. When children build a den, they’re not “just playing” – they’re problemsolving, experimenting with balance and structure, and engaging in early engineering thinking. When they mix mud and water to create their own concoctions, they’re exploring cause and e ect, texture, and transformation – the foundations of science.
And perhaps most importantly, they’re doing all of this through self-directed exploration – the kind of learning that truly sticks, because it belongs to them.
We often talk about literacy and numeracy as cornerstones of education, but the outdoors o ers a rich environment for both. Counting stones, measuring sticks, comparing leaf sizes – these are early mathematical concepts in action. Storytelling emerges naturally too, whether it’s through imaginative play or simply describing what they see, hear, and feel. A walk through a forest can become a narrative, a poem, or a shared conversation that builds language skills in a deeply authentic way.
But outdoor play goes beyond academic learning. It nurtures resilience, confidence, and emotional intelligence; qualities that underpin all successful learning. When a child climbs a tree, they’re assessing risk, testing their limits, and building trust in their own abilities. When they navigate uneven ground or face unpredictable weather, they learn adaptability and perseverance. These experiences can’t be taught through instruction alone, they have to be lived.
There’s also a growing body of evidence linking time spent outdoors with improved concentration and wellbeing. Children who regularly engage with nature often return to indoor learning more focused,
calmer, and ready to engage. In this sense, outdoor play doesn’t compete with traditional education, it enhances it.
Of course, one of the biggest barriers we hear about is time. Busy schedules, structured activities, and digital distractions all compete for children’s attention. But outdoor play doesn’t have to mean grand adventures or hours in the wilderness. It can start small: a walk after school, a visit to a local green space, or simply allowing time for unstructured play in the garden. The key is to embrace a mindset shift – from seeing outdoor time as “extra” to recognising it as essential.
OUTDOOR PLAY IS NOT A BREAK FROM LEARNING. IT IS LEARNING
Another common concern is mess. Muddy clothes, wet shoes, grass stains, they’re often seen as inconveniences. But at Muddy Faces, we see them as badges of honour. They tell a story of exploration, creativity, and engagement. When we allow children to get messy, we’re giving them permission to fully experience the world around them. And that’s where the real learning happens.
As adults, we don’t need to have all the answers or lead every activity. In fact, some of the most powerful moments come when we step back and let children take the lead. Our role is to provide the space, the time, and the encouragement and to trust in the process.
Outdoor play is not a luxury. It’s not a break from learning. It is learning.
So as we look for ways to support children’s development academically, emotionally, and socially, it’s worth remembering that some of the most valuable lessons don’t come from a desk or a device. They come from the crunch of leaves underfoot, the feel of rain on skin, and the simple joy of being outside.
Let’s make space for that. Let’s value it. And most importantly, let’s give children the freedom to discover it for themselves.
Liz Edwards is the founder of She eldbased Muddy Faces, a leading UK provider of Forest School, outdoor play and learning resources. See more at muddyfaces.co.uk
The many benefits of getting out into
Experts tell us that young children should be outside for a minimum of three hours every day (about a quarter of their waking day), all year round. Across generations, we have moved from being ‘earthlings’ to ‘indoorlings’ – perhaps we need reminding of what the outdoors offers that the indoors cannot: the special nature of the outdoors.
1. NATURAL LIGHT
Spending time outside in full spectrum natural light improves learning ability and memory as well as mood, through the production of serotonin, o en called a ‘feelgood’ hormone.
2. GOOD GUT BACTERIA
Spending time outdoors and interacting with soil exposes us to diverse environmental microbes, some of which may help support a healthy microbiome and immune system – similar in principle to why probiotic products aim to introduce beneficial bacteria.
3. BEING ACTIVE
The outdoors offers children the space and opportunity to crawl, roll, run, jump, shout and so much more. Physical play helps build the brain for learning and strengthens the muscles needed for active movement, while also laying the foundations for fine motor skills and small, everyday movements.
4. CONNECTING TO NATURE
Feelings of connection to the natural world are developed when we spend time in nature. Children are fascinated by the ‘everyday’ beauty in the world outside the door.
5. VISION & HEALTHY EYES
The muscles in our eyes need exercise to develop well. Looking closely at tiny minibeasts one minute, then focussing on a plane in the sky the next, provides just this opportunity. With this in mind, why stay indoors?
Exploring the post-16 crossroads for students across the county
For many young people across the UK, turning 16 marks more than the end of compulsory schooling – it signals the beginning of one of the most consequential decisions of their lives.
The post-16 crossroads is not a single path but a complex junction of choices, each carrying its own expectations, pressures and possibilities. Whether students opt for A-levels, vocational qualifications, apprenticeships or alternative routes, the question remains the same: what happens next?
Traditionally, A-levels have been seen as the default academic route, particularly for those aiming for university. Schools often frame them as the “gold standard”, and for good reason: they provide a well-established pathway into higher education and are widely recognised by universities and employers alike. Yet this route is not without its challenges. A-levels demand a high level of independent study, subject specialisation at an early stage, and resilience under pressure. For students who thrive in exambased environments, they can be a natural fit – but they are far from the only option.
Increasingly, vocational qualifications such as BTECs and T Levels are gaining recognition and respect. These courses blend academic learning with practical skills, often including industry placements that give students direct experience of the workplace. For many, this applied approach makes learning more engaging and relevant. It also helps bridge the gap between education and employment, something long identified as a weakness in the UK system. However, awareness and understanding of these qualifications remain uneven, with some students and parents still unclear about their value or progression routes.
Apprenticeships, too, are reshaping the post-16 landscape. O ering the opportunity to earn while learning, apprenticeships appeal to students who want to enter the workforce early without sacrificing training and development. From engineering to digital marketing, the range of sectors has expanded significantly in recent years. Higher and degree apprenticeships, in particular, challenge the notion that university is the only route to a professional career. Yet competition for places can be intense, and access is not always equitable, with some regions o ering far more opportunities than others.
Beyond these structured routes lies a less discussed reality: uncertainty. Not all students feel ready to commit to a clear pathway at 16. Some may retake GCSEs, explore foundation courses, or take time to reassess their goals. While this can be a valuable period of reflection, it is often accompanied by anxiety – both for students and their families. In a system that prizes progression and clear trajectories, taking a less direct route can feel like falling behind, even when it is the most appropriate choice.
The role of schools and colleges in guiding students through this crossroads is crucial. High-quality careers education, information, advice and guidance (CEIAG) can make a significant di erence in helping young people understand their options and make informed decisions. However, provision varies widely. Some students benefit from tailored advice, employer engagement and exposure to a range of pathways, while others rely on limited or outdated information. Ensuring consistency and quality in careers guidance remains a key challenge for policymakers.
Parents and carers also play a pivotal role, often acting as sounding boards, advisers and sources of reassurance. Yet they, too, may feel ill-equipped to navigate a system that has evolved considerably since their own school days. Misconceptions about certain routes – particularly vocational ones – can influence decisions, sometimes steering students away from options that might suit them better.
What happens next, then, is not determined solely by grades or ability, but by a complex interplay of information, perception, opportunity and support. The post-16 crossroads is as much about identity as it is about education: who am I, what do I enjoy, and where do I see myself in the future? These are not easy questions, especially at a time when young people are already navigating social, emotional and academic pressures.
As the UK continues to reform its education and skills system, there is a growing recognition that no single pathway should be seen as superior. Parity of esteem between academic and vocational routes is not just a policy ambition – it is a necessity in a rapidly changing economy that demands diverse skills and talents. For students standing at this crossroads, the most important message may be this: there is no one right path, only the path that is right for you. Ultimately, what happens next is not a fixed destination, but the beginning of a journey – one that may twist, turn and evolve over time. The challenge for educators, policymakers and society as a whole is to ensure that every young person has the knowledge, confidence and support to take that first step with purpose.
5%
HAMBLETON NORTH YORKSHIRE
More Built In...
Air Source Heat Pump, Underfloor Heating*, EV Charging Points, Bi-Fold Doors, Porcelanosa Bathrooms, Ring Doorbell, Smart Thermostat, Integrated Kitchen Appliances, Fitted Wardrobes to Bedroom 1. Showhome launching June.
Log on: bankshomes.co.uk/the-pastures
Email: thepastures@bankshomes.co.uk
A beautiful family home on Old Park Road, Roundhay
Set in one of Roundhay’s most sought-after locations, the property is ideally placed for local amenities, well-regarded schools and green spaces.
An exceptional and substantial family home, positioned on a prime corner plot in the heart of Roundhay. Beautifully presented throughout, it combines period character, generous proportions and modern family living.
A welcoming hallway leads to a characterful front living room with original flooring, decorative coving, wall panelling, a working gas fire and bespoke handmade shelving. The spacious openplan kitchen and dining area enjoys triple-aspect natural light and Siemens integrated appliances.
A bright family room flows into a beautifully renovated conservatory, now opened up to create a larger living and entertaining space with French doors, fitted storage and a multi-fuel burner. There is also a boot room, utility room, cellar and a ground-floor bedroom with en suite.
Across the upper floors, the home o ers generous bedroom accommodation, with multiple en-suites. The principal suite is particularly impressive, featuring a large en-suite with freestanding bath and separate shower, plus French doors opening onto a private terrace.
The gardens wrap around three sides of the home, creating a private and versatile outdoor setting. A handmade garden bar with electricity provides excellent entertaining space, while electric gates lead to a double garage and ample o -street parking.
A further room above the garage, with its own private entrance, balcony and storage, is currently used as a bedroom.
PRICE
Asking Price £2,250,000
AGENT
Leeds Fine & Country, 0113 2034939
why everyone is talking about…
A major new public art trail will arrive in the city this summer in a bold celebration of heritage, creativity and community
Produced by Make It York in collaboration with York Minster, The Watchers of York trail will showcase ten individually designed sculptures, each inspired by a di erent facet of the city’s rich identity and cultural legacy.
The sculptures draw inspiration from the carved stone figures – the grotesques – that adorn the exterior of York Minster, and much of the Gothic architecture around the world. Reimagined with a contemporary twist, these new sculptures bring historic forms to life, stepping down from the stonework to cause a little mischief across York.
The free, family-friendly trail will o cially launch on 29th June, coinciding with the city’s historic York Mystery Plays, creating a landmark moment in York’s summer cultural calendar. From hidden gardens to cobbled streets, these larger-than-life sculptures will be waiting to be discovered in locations throughout the city centre throughout the summer months until 31st August.
In collaboration with York Minster’s Centre of Excellence for Heritage Craft Skills and Estate Management, a team of stonemasons transformed the initial design concept into the first original sculpture. In this world-class facility, the stonemasons used state-of-the-art cutting technology in addition to their carving skills to make a reduced scale maquette in stone.
This maquette formed the foundation for a suite of detailed 3D renders, which were used by the production artists at Norse Sky to upscale and fabricate a full-
scale four-foot master model. That master model was then used to produce the ten final sculptures in fibreglass before they are individually designed and painted by hand by the artists and groups involved. Each sculpture will be linked to its location and inspired by York’s history, character and everyday life. The trail will also feature an ‘original’ sculpture, The Watcher of York, alongside work from York St John University, students from York College, York Mystery Plays and a dedicated community sculpture open to expressions of interest from
local charities and community groups. Sarah Loftus, Managing Director of Make It York, says: “We are delighted to bring The Watchers of York to life this summer. After months of careful planning and collaboration, it’s incredibly exciting to launch our new trail working alongside one of our key partners York Minster. By reimagining the figures on one of the world-class icons of the city, we hope to inspire everyone to explore, connect and celebrate York’s rich heritage.”
visityork.org/watchers-trail
Discover beautifully curated bathrooms, luxury tiles, natural stone and designer radiators at The Tile Company.
From contemporary elegance to timeless craftsmanship, our Yorkshire showrooms are designed to inspire every project. With expert guidance, premium collections and endless design possibilities, visit us in-store and bring your dream interior to life this summer.
