16 REIGNS Meeting the Essex singer destined for big things
20 Easter Exploring the best ways to spend the holidays
FOOD DRINK
30 The Wild Table Behind the scenes of the unique outdoor dining concept
35 Drinks Five tipples that are perfect for Easter
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FASHION BEAUTY
38 The Shoot Why Oliver Bonas is full of the joys of spring
41 Products Need a new bag? Here are ideas perfect for all occasions
INTERIORS
50 Real Home A Victorian villa transformation by Nicky Dobree
54 Trend How best to use colour in the home
61 Products Must≠buys to embrace the new season
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For advertising enquiries please call 07861 994764 or email: claire@zest≠media.com
TRAVELSPECIAL
64 Staycations Visiting 10 of the best right on our doorstep
70 Dog's Life UK hotels ideal for pampered pooches
74 Algarve Heading out on an authentic holiday
76 Eden Roc Cap Cana Beauty in the Dominican Republic
ONTHECOVER
Oliver Bonas (oliverbonas.com)
LETTER Editorís
ABSOLUTELY’S
April issue highlights
REIGNS
Ihave been incredibly lucky when it comes to travel, which makes me so sad given what is happening in the world right now. When I was young, around seven I believe, my parents took me to Israel. I vividly remember an air raid shelter on site at our hotel, not quite understanding the reason for it being there. And although it was for work, a few years back I went to Dubai for several business meetings and was fascinated with the modern architecture that has risen from the desert. I just hope the turmoil in the Middle East can be resolved soon without the loss of further life.
Teres a Ferr uccio avi ani for artellis a ampwith sin u u sh apes th a evoke pet als gently unfolding, cre ating a enveloping andwelcoming light ffect. kartell.com
BLUEJEAN
Ch anel's new collection is themed 'Never too uch denim' andthe collection of u andpink ake ush ades is enc asedin stylish denim po uches.Collect them all. chanel.com
HUN G UP
ali a ne jewellerFr ancesc a Vill a cre ates jewellery rooted in memory, arr ative andjoy, nsforming discovered tre a ures into precio us,story-ledpieces. francescavilla.it
STRI K EA CORD
Kybele St udio's Etern a ummer cord neckl aces are cr afedfor ffortless ummer style, blending artis a a andcr afsm anship with se ason-re ady a u a gemstones. kybelestudio.com
DOUBLE
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From oversized atches and Ws tosc ulpted ts and bold silho uettes, Wr angler uper Je ans brings tolife design-forw ard denim th a remembers where it ame from. wrangler.com
BLUE M OOD
Feeling bl ue? Amelie's Follies will ave the perfect sh ade. Make a appointment and yo u'llcome a a with the best tting underwe a yo u've everowned. ameliesfollies.co.uk
LOVIN G FIT
Discoverseventy mochi,where premi u denim meets accessibility. Guided theircommitment tobeing conscio usly kind, ach airis cr afed with are using high-q uality abrics th a ffer the perfect a ance ofcomfort, u ability, and ffortless style. seventymochi.co.uk
G OODNE W
Bell a Fre u a artnered with The King’s Tr ust to aunch a limitededition,100% org aniccotton t-shirt in upport oftheir‘Ch ange aGirl’s Life’ amp aign: 20% of ach t-shirt sold goes str aight to the ch arity. bellafreud.com
CULTURE
HARRY ENFIELD
The Agenda
Sip Sketch Event
Join award-winning wildlife artist Tom Middleton at Town Hall Hotel in E2 for an immersive Sip Sketch evening. Enjoy a relaxed and sociable evening with a glass of wine in one hand and a pencil in the other through a guided creative two-hour sketching session. Set within the striking surroundings of the Town Hall Hotel, this welcoming workshop provides all materials and ofers the chance to get creative and unwind.
townhallhotel.com
EVENT
Michaela Strachan
28 April
MERCURYTHEATRE
Youíve seen her cuddling orangutans, being ìWide Awakeî on Saturday mornings and almost skating to glory on Dancing on Ice. Now, wildlife TV legend Michaela Strachan swaps the binoculars for the spotlight in her show, Not Just A Wild Life. The show laughs at the chaos of TV, celebrates the beauty of nature and reflects on what it means to grow up and grow older on screen. mercurytheatre.co.uk
Acclaimed TV historian David Olusoga, known for his powerful BBC series A House Through Time and Black and British: A Forgotten History, has announced 2026 dates for his A Gun Through Time show. Here, David takes audiences on a gripping journey into the hidden stories behind three firearms that changed the world. Each gun carries a complex legacy, entwining conquest, survival, and social upheaval. colchester-events.co.uk
Sue Webster
UNTIL 10 MAY, FIRSTSITE
irstsite presents Sue Websterís first UK institutional exhibition as a solo artist, following her celebrated collaborative career. This landmark show, titled Birth of an Icon, centres around The Crime Scene, an installation Sue has been developing since 2019 charting her life from teenager to now. It will be the first time this seminal work has left the studio. From this intricate web emerges a series of artistic journeys, each sparked by the artistís exploration of her influences. firstsite.uk
Primary School Bangers
3 April
CHARTERHALL , COLCHESTER
Viral sensation and Britainís favourite school teacher James Partridge is set to hit the road again in 2026 with his most ambitious Primary School Bangers tour to date. This brand-new nationwide tour will see James bring even more of the songs that defined our childhoods to some of the UKís most iconic theatres and concert halls. Expect classic school-day singalongs. colchester-events.co.uk
tow Maries Great War Aerodrome has opened its doors for the 2026 season, with new exhibition based on the life of Royal Flying Corps Captain Lindop Evans Brown. The curated display takes pride of place in new gallery space that has been created as part of the reorganisation of the welcome area and gift shop.
The objects on show, which recognise the life and wartime service of Captain Lindop Brown, have been loaned to Stow Maries Great War Aerodrome by the intrepid World War One pilot’s descendants, who now live in the USA. Objects on display include badges among them his iconic RFC wings uniform and ying equipment that were used by the Captain in his role as Home Defence pilot during the Great War.
The museum has packed programme in the months ahead, with living history, wildlife events, ying displays and second new exhibition scheduled for the late spring. The event programme commences with Dawn Patrol, series of small-group wildlife walks in the early morning to visit the site’s carefully managed wildlife areas, followed by breakfast in The Airmen’s Mess café. Dawn Patrol will be held on Sundays 12th and 26th April and 10th May. That is closely followed by World War One Living History Weekend on 2nd-3rd May and brand-new event, The Stow Maries Motorbike Show, on Saturday 16th May. Whatever event you attend, expect thrilling day for all the family.
stowmaries.org.uk
Reigning SUPREME
REIGNS is one of the hottest voices in music right now. She talks to Absolutely about TikTok, the Rebels and how Essex left its mark on her
By MARKKEBBLE
Not that long ago I was scrolling through TikTok when a live performance stopped me mid≠scroll. A singer stood in front of the camera, casually delivering a soul vocal with the sort of power that makes you double≠take. The comments were flying past faster than I could read them, viewers requesting songs, greeting each other and reacting in real time. It felt less like watching someone online and more like stumbling into a small, but passionate live music venue.
The singer was REIGNS, and it quickly became clear that this wasnít just another livestream. It was the hub of a growing musical community. ìIt started o with me doing a couple of live streams, singing some originals and a few of my favourite covers,î she says. ìThen suddenly
all these incredible viewers started turning up and getting involved.î
For an independent artist, finding that kind of connection can take years. For REIGNS, the moment she realised something special was happening came when the requests started to change. ìWhat really got me was when people began requesting my original songs more than the covers,î she says.
ìThat was when I realised they werenít just watching they were actually listening.î
Those viewers have since grown into a loyal fan community known as the ìRebelsî, many of whom now travel across the country to see her perform live. ìIíve had people come from all over the UK,î she smiles.
ìSome have even flown in from outside the country just to be there. When we all get together and sing the songs that brought us together in the first place, thereís a magic in the room thatís hard to describe.î Live
shows that once felt like ordinary gigs now carry a di erent energy entirely. ìItís not just a show anymore,î she says. ìThereís something bigger happening in the room.î
Long before social media audiences and sold≠out rooms, though, REIGNS was simply a young singer growing up in Essex a county whose personality has clearly left its mark on her. ìGrowing up in Essex gave me a real sense of confidence and self≠belief,î she says. ìBeing nearly six foot and singing soul definitely made me stand out, but my roots taught me not to worry about being a bit di erent.î
Essex, she believes, carries a particular kind of energy. ìThereís a natural confidence and drive to the place,î she says. ìA lot of that East End spirit runs through it. It pushes you to trust your instincts, stay in your own lane and back yourself even when the path youíre choosing isnít the obvious one.î
Essex gave me a real sense of confidence and self-belief
When I sing now, I always want it to feel real
Music itself arrived early in her life, thanks largely to her fatherís record collection. Long before she understood the meaning behind the songs, she was absorbing their sound and emotion. ìI was basically spoon≠fed soul classics from a really young age,î she laughs. ìThe kind of records you grow up feeling before you fully understand them.î
Artists such as Aretha Franklin and Janis Joplin quickly became part of the soundtrack of her childhood. ìI was singing along to those voices before I could barely walk,î she says. ìLooking back, that was probably the moment music stopped feeling like background noise and started feeling like something that belonged to me.î
What struck her most about those artists was not simply their technical ability, but the emotion behind their voices. ìWhen you listen to singers like Aretha or Janis, theyíre not just singing songs theyíre singing feelings,î she explains. ìEvery word means something. You can hear it in their voice.î That emotional honesty became a guiding principle. ìWhen I sing now, I always want it to feel real,î she says. ìLike Iím giving a piece of myself, not just performing lyrics.î
Of course, discovering a love for music and building a career from it are very diferent things. Before the growing audiences and streaming numbers, REIGNS spent years juggling ordinary jobs with evening performances. ìI did so many random side jobs,î she smiles. ìPet sitting, retail, serving tea and cofee in hotels basically everything you can think of.î During the day she worked; at night she sang. ìIíd nish work and then head out to gigs,î she says. ìIt was just constant graft.î
A talent show at 16 gave her an early glimpse into the industry, suddenly placing her in an environment she hadnít experienced before. ìIt threw me into a world I really wasnít used to,î she recalls. ìIt was a bit mad, but it taught me a lot very quickly.î
Over time her musical journey began to move across genres. While soul remains the foundation of her voice, she has also stepped confi dently into collaborations within the electronic music scene. ìThe dance tracks Iíve been on really helped build momentum,î she explains. ìThey brought radio play and a lot of new listeners, and Iíll always be grateful to the dance world for that.î But the goal was always to reveal her own musical identity. ìMy tone and vocal style have always been there,î she says. ìSo the transition felt natural, but it was also intentional. I wanted people to hear the music Iíd been creating.î
Her track Closer Than Your Shadow perhaps best captures that blend of styles. ìIt actually started life as a ballad,î she says. ìWe tried a few diferent versions over the years before turning it into this cinematic drum and bass track. Once weíd done it that way, we couldnít hear it any other way,î she laughs. ìBut somehow it still sits naturally alongside my other songs.î
At the centre of her songwriting is an emphasis on honesty. Many of her tracks draw directly from real experiences, including complicated relationships and personal challenges. One song in particular, Collateral Damage, grew from a situation she remembers all too clearly. ìThat one was about a toxic situationship that needed to get in the bin,î she says bluntly.
Like many of her songs, it began with a simple idea before evolving through collaboration with her producer. ìIt usually starts as a small seed,î she explains. ìThen we build it out together, bringing in my story and shaping it into something bigger.î
The process may involve collaboration, but authenticity remains essential. ìIt always has to be honest at the source,î she says.
Now, with her debut album Love Languages on the horizon, REIGNS is preparing to share the most personal body of work she has released so far. Each track draws from moments that moved her emotionally whether they brought excitement, heartbreak or something in between. ìIf it troubles me, excites me or makes me feel something, I write about it,î she says.
It is an approach that feels refreshingly straightforward in an industry often lled with carefully constructed images. But then again, REIGNS has never seemed especially interested in following the obvious path.
From the soul records spinning through her childhood home to the TikTok livestreams, her journey has been defi ned by trusting instinct over expectation. And judging by the growing crowds of Rebels singing her songs back to her night after night, that instinct is proving to be a pretty good guide.
instagram.com/thisisreigns
SWEET TREAT
The Easter holidays in Essex is a time full of unmissable family events, natural wonders and plenty for the chocoholics out there
ssex comes into its own at Easter. With spring properly underway, the countyís mix of historic houses, wildlife attractions, coastline, woodland and market towns o!ers plenty to fill both the long Easter weekend and the wider school holidays. Whether youíre planning family days out, quieter nature walks, traditional services or weather≠proof cultural stops, Essex delivers variety and flexibility across the entire holiday period.
Easter events
AUDLEY END HOUSE
Audley End House is one of Essexís strongest Easter destinations, with English Heritage running family Easter trails across both the bank holiday weekend and the wider school holidays. These trails encourage children to explore the house grounds through puzzles and seasonal challenges, while adults enjoy the setting of the Jacobean mansion and its landscaped parkland. Early April is an ideal time to visit, when spring flowers are emerging but crowds are still manageable. The scale of the estate allows for a relaxed visit, with plenty of space for picnics and unstructured exploring alongside the organised Easter activities.
COLCHESTER ZOO
Colchester Zoo consistently treats Easter as a major holiday period, with themed trails, animal talks and family activities usually running throughout the school break rather than just over Easter weekend. Spring brings increased activity across the zoo, with many animals more visible and engaged as the weather warms. The siteís size means it comfortably fills a full day, while Easter activities add extra focus for younger visitors. Visiting midweek during the holidays is often the best way to enjoy everything at a calmer pace, making this a reliable and rewarding Easter option.
AUDLEY END
ENCHANTED RAILWAY
Hop aboard the Easter Special at Audley End Enchanted Railway for some seasonal
surprises and make some magical family memories. Sure to entertain are their popular farmyard characters who will greet you during your adventure. Their friendly Farmer will welcome you onboard before you head into our woods to spot egg≠citing Easter scenes throughout the forest. Youíll be entertained by ëShearlock Holmesí, the worldís greatest sheep detective, who has teamed up with the Easter Bunny and the farmyard animals to help solve the mystery of the missing eggs. Once the case is cracked, Little Bo Peep will guide you back to the Woodland Station and invite you to stroll through the Fulfen Forest before arriving at the potting shed. Here, with the help of the friendly farmers, you will plant your own carrot seeds to take home and nurture into a fully grown delicious carrot! Then follow the magic through the Fairy and
COLCHESTER ZOO
AUDLEYENDENCHANTEDRAILWAY
Elf Walk, to see how they have decorated their handmade homes this Easter, before heading to the Stage Show to find the bold and mischievous Fox, who will alternate between storytelling sessions and then lively interactive games throughout the day.
LAYER MARNEY TOWER
Layer Marney Tower o ers a smaller≠scale but characterful Easter experience. This Tudor manor house typically marks Easter with family≠friendly trails that encourage exploration of the gardens and grounds rather than focusing on interiors alone. The setting feels intimate and calm compared with larger estates, making it ideal for visitors who prefer quieter attractions. Early April brings fresh colour to the gardens, and the open layout works well for short visits or half≠day outings. Itís an appealing alternative if youíre spreading activities across the holidays rather than packing everything into Easter weekend.
Family days out
HYLANDS ESTATE
Hylands Estate is a dependable holiday favourite, o ering a mix of formal parkland, woodland walks and open space that works for all ages. During the Easter holidays, itís particularly popular with families looking for relaxed, low≠pressure days out that donít require tickets or time slots. The restored mansion provides an architectural focal point, while the surrounding grounds are ideal for cycling, picnics and informal games. Spring brings renewed colour and wildlife, making early April an especially pleasant time to visit. Itís the kind of place you can return to multiple times over the holidays without repetition.
EAST ANGLIAN RAILWAY MUSEUM
The East Anglian Railway Museum o ers a family≠friendly heritage experience that suits the Easter holidays well. While not Easter≠ specific, spring opening periods include interactive exhibits, train rides and themed activity days, making it engaging for children and adults alike. The site is compact but varied, allowing visitors to explore at their own pace without feeling rushed. Easter is a good time to visit before the busiest summer events begin, and the museumís hands≠on approach
Layer Marney Tower o ers a characterful Easter experience
makes it particularly appealing for children with an interest in transport or engineering.
CHELMSFORD MUSEUM
Chelmsford Museum o ers a well≠balanced holiday visit, combining indoor galleries with the green space of Oaklands Park outside. Exhibits cover local history, archaeology and changing displays, making it suitable for a wide age range. During school holidays, the museum often provides self≠led trails or family activities, adding extra structure without overwhelming younger visitors. The surrounding park makes it easy to extend the visit outdoors if the weather allows. Itís a practical choice for a calmer day that still feels enriching and purposeful.
FIRSTSITE
Firstsite in Colchester provides a strong rainy≠ day option during the Easter holidays, with contemporary exhibitions that are accessible without feeling lightweight. The spacious galleries allow visitors to explore at their own pace, and family≠friendly elements often feature during school breaks. Its central location makes it easy to combine with shopping or lunch in Colchester, turning wet weather into an opportunity rather than a setback. Itís a good choice for older children, teenagers and adults who enjoy modern art and ideas.
FIRSTSITE , PHOTO BY JAYNELLOYD
All things chocolate
HOTEL CHOCOLAT
Hotel Chocolat remains the safest bet for Easter gifting, and the Chelmsford branch is particularly convenient for combining chocolate shopping with a day in the city. What makes Hotel Chocolat stand out is consistency you know what youíre getting, and it works for a wide age range. During Easter week, the shop often feels part of the seasonal buzz of the city, making it an easy stop while exploring markets, museums or the Cathedral nearby.
HILL ST.
Nestled in the heart of Sa ron Walden (and with a charming store in Cambridge too), Hill St. Chocolatiers is a beacon of artisanal excellence and a haven for chocolate enthusiasts. At Hill St., they are devoted to crafting exceptional chocolates that not only tantalise the taste buds, but also embody the artistry and passion of true chocolatiers. Itís why we are always very excited to see what they come up with when Easter comes around.
PUMP STREET
Just over the border, Su olk≠based bakers and chocolate makers Pump Street have introduced their Easter 2026 range, headlined by a new Easter Egg Tasting Box for discerning chocolate lovers. The Tasting Box includes five eggs of di ering single≠origins allowing the recipient to compare and appreciate the notes and origins of each chocolate. The full range of chocolate eggs inside the Tasting Box (£6.95) includes Togo 44% Swiss milk, Madagascar 58% milk, Sourdough and Sea Salt dark, Grenada 70% dark and Haiti 70% dark chocolates, providing a memorable and diverse tasting experience.
The natural way
EPPING FOREST
Epping Forest is at its best in early spring, when fresh leaves begin to appear and woodland paths feel alive with birdsong. Easter is an ideal time to explore before summer crowds arrive, with routes suitable for everything from short family walks to longer rambles. The forestís accessibility from towns and transport links makes it easy to fit into holiday plans, whether for a morning walk or a full afternoon outdoors. Early April often brings the first signs of bluebells in sheltered areas, adding to the seasonal appeal.
ABBERTON RESERVOIR
Abberton Reservoir o ers a quieter nature experience, ideal if youíre looking for something reflective during the Easter holidays. Managed as a major bird reserve, itís a rewarding place to
visit in spring, when migratory species begin to return. Well≠maintained paths and viewing points make it accessible for families, while the open landscape creates a strong sense of space and calm. Itís particularly suited to slower≠paced days, photography, or simply enjoying fresh air without the bustle of busier attractions.
Relligious settings
CHELMSFORD CATHEDRAL
Chelmsford Cathedral serves as a central hub for Easter worship in Essex, o ering a full programme of Holy Week services, Good Friday reflections and Easter Day celebrations. The Cathedral combines modern accessibility with traditional liturgy, making services welcoming for regular worshippers and occasional visitors alike. Music plays an important role throughout Easter, enhancing the sense of ceremony and celebration. Visiting during Easter o ers a meaningful way to mark the season, whether through active participation or quiet contemplation within the Cathedral space.
MERSEA ISLAND EASTER SUNRISE SERVICE
Mersea Islandís Easter Sunrise Service is a distinctive Essex tradition, bringing people together on the coast early on Easter Sunday. Informal and reflective, the service focuses on themes of renewal and hope, using the rising sun and sea as a powerful natural backdrop. Weather permitting, it creates a strong sense of shared experience and connection to place. Even for those who donít regularly attend church, the setting and simplicity of the service can feel especially resonant and itís often followed by a relaxed breakfast or walk along the shore.
Icons of London: explore transport history at the Museum Depot
his Easter, London Transport Museum is opening the doors to its Museum Depot in Acton for the first open days of 2026. This o ers a rare chance to explore a transport treasure trove thatís only available to the public on select dates throughout the year.
The April event celebrates several remarkable milestones: 120 years of the Bakerloo line, 10 years of the Night Tube and 70 years since the Routemaster first took to Londonís streets. Visitors will be able to discover the Museumís vast collection of more than 320,000 objects not on display in the Covent Garden Museum and uncover transport icons that have shaped the capitalís identity.
Across all four days visitors can enjoy talks from curators, historians and experts from the transport industry and hands≠ on activities from colouring Routemaster badges to crafting a pop≠up picture celebrating 120 years of the Piccadilly line. They can also test their knowledge
by matching iconic moquette patterns and take part in a London Transport pop quiz aboard a historic rail vehicle.
Heritage demonstrations will o er rare close≠up encounters with original equipment, including the chance to try out some vintage ticket machines at the object handling trolley, watch live demonstrations of historic signalling equipment and meet Museum volunteers to learn how they support the preservation of the capitalís transport history.
Alongside the lively programme, visitors can climb aboard historic trains including the 1927 standard stock and art deco≠style 1938 stock, get up close to the pioneering RM1 and RM2 buses, and explore rare signalling equipment, models, maps, station architecture and the Museumís world≠famous poster collection. Vendors will be at the Depot serving up delicious food and drinks each day and visitors can browse in the shop for exclusive gifts and souvenirs, from moquette pattern socks, scarves, and cushions, to posters, prints, and authentic Tube station signs and collectables.
Adult tickets £19; childrenís tickets £10; free entry for children aged three and under. Dates: Thursday April to Sunday 12 April 2026 ltmuseum.co.uk/whats≠on/depot≠open≠days
Over at the Museum in Covent Garden… Easter fun: Future London Until 12 April
Step into the future with day of creativity and discovery for the whole family. Inspired by Montague Black’s 1926posterLondon 2026, visitors can imagine what the city might look like 100 years from now. Build futuristic vehicles from recycled materials, design skyline for London in 2126 and meet time-travelling Montague Black tolearn the story behind his famous artwork. Drop-in activities run all day and are included with Museum admission and kids go free.
FOOD DRINK
Full UP
GALVINGREENMAN
Galvin Green Man in Chelmsford has unveiled a vibrant programme of events and experiences that celebrate food, community and culture. From its much-loved Book Club series and the launch of a new weekday breakfast offering, the much-loved countryside pub continues to evolve as a destination at the heart of the Essex community. galvinrestaurants.com
Burns NIGHTS
The Wild Table returns to Essex this spring, o ering another extravaganza of open- fire feasting. The chef behind it, Melanie Brown, ignites the passion once again
Nature, produce and flame all take centre stage
Following two previous sell≠out successes, high praise, and much demand, The Laundry x Browning Bros. will reunite on Friday 15th≠ Sunday 17th May 2026 for the third Wild Table weekend at Teybrook Orchard, Colchester.
Rooted in early springís bounty, this edition of The Wild Table draws inspiration from the freshness of the season: young, wild ingredients, new growth, and produce that speaks of long, lighter days. Chef Sommelier Melanie Brown the founder of The Laundry in Brixton is known for her fire≠led approach, which at The Wild Table meets produce grown just metres from
your seat, for a dining experience thatís both theatrical and deeply grounded in place.
The Wild Table is more than just a pop≠up, itís a celebration of seasonality, community, and cooking outdoors.
Together with woodland event venue Browning Bros., this is an experience that honours the land, champions flavour, and invites guests to slow down and savour.
Here, Melanie takes Absolutely behind the scenes and explains what first drew her to Essex and the excitement of working with an open flame.
Q Youíre bringing The Wild Table back to the county this spring what is it about the Essex landscape that makes it such a good fit for this kind of woodland dining?
A Itís about that rare sense of place. Browning Bros., Tey Brook Orchard, isnít just a venue; itís a fifth≠generation family farm (Tey Brook Farm). When youíre there, you feel a sense of history from the Browning family working the land, with future generations in mind. It provides such a grounded atmosphere that makes our Woodland Restaurant feel authentic rather than just a concept. Itís an easy rural escape just an hour from London, but once youíre there, nature, produce and flame all take centre stage.
Q What initially inspired The Wild Table?
A It was a collision of worlds! Taking the genuine hospitality of The Laundry and my life as a Chef Sommelier, then stripping it back to raw elements. My New Zealand heritage is built on a deep connection to the outdoors and the honesty of flame; I wanted
to bring an open air restaurant experience to the English countryside and show guests the impact of dining and cooking outdoors. I guess in honesty I had a big dream but the spark really came to life when I met Becky Browning. Understanding our shared values and inspirations meant the collaboration to create a restaurant space in the forest that felt e!ortless and essential was a vision we both shared wholeheartedly, and so The Wild Table was conceptualised. Acting as conduits for the land, my partnership with Becky has given us the fuel to evolve The Wild Table, growing it into a deeper, more refined experience for our second year of service.
Q How does cooking in a place like Tey Brook Orchard change the way you think about menu planning compared to cooking in Brixton?
A In Brixton, I have the world and diversity at my doorstep, but at Tey Brook Orchard, I have the environment and an abundance of farmers and growers close by! Cooking in a space that is rustic, determined by the elements then reimagined into this stunning rustic event space makes the menu planning much more exciting. Iím looking beyond a supplier list to work with producers close to the farm. The diversity and integrity of products and ingredients from Essex is quite mesmerising.
Q Essex has a strong agricultural and foraging heritage were there any local ingredients or producers that directly influenced this yearís menu?
A It always starts with the land at Tey
MELANIE , CENTRE , WITH NAT ANDBECKYOFBROWNINGBROS
Brook Farm, the heart of the menu is our daily May forage of wild garlic, found in such abundance right at our woodland kitchen front door. Itís about letting the raw, seasonal elements of the farm dictate exactly what hits the plate we rely on the farm for our daily herb garden haul too! Weíve curated this yearís menu around the heavyweights of Essex provenance. Weíre working with Ben Rigby for incredible wild venison and Blackwells for succulent local lamb, both incredible sources of local product. When you pair those with a fresh haul from Wivenhoe Fish Company, exceptional local Essex asparagus, and tart spring rhubarb, you get a real taste of the countyís wilder side.
It is food that has been ëkissedí by the fire
Q You describe the food as ìbold, seasonal open≠fi re cookingî what does that actually look like on the plate for guests?
A Itís food thatís been ëkissedí by the re. We design a multi≠course menu brought to life over ame. Whilst not every element has been touched by ame we donít use ovens, or any commercial equipment, itís an of≠grid restaurant experience. On the plate, it looks like cuts of meat rested over embers and sliced for the table. Itís served alongside heaps of local Essex asparagus, blistered and smoky, and bowls of vibrant, punchy wild garlic weíve foraged from the kitchenís front door, the raw beauty of the May harvest. Spring is all about young, wild ingredients it would be a crime if we didnít nish with local rhubarb!
Q For diners who may be more familiar with The Laundry in Brixton, what diferences can they expect in the food at The Wild Table?
A We take the simple, bold, and genuine hospitality we ofer in Brixton and merge it with the raw, elemental, and unscripted nature of Browning Bros. Mother nature defi nitely turns into the artist, both from an ingredient perspective as well as the backdrop
Q Essex sometimes gets overlooked in conversations about food do you think events like this help reframe the county as a serious food destination?
A Yes, 100% itís about showing people that there are serious food purveyors here, the reality is that the London restaurant scene would struggle to exist without the incredible depth of Essex suppliers. So many of the cityís
top kitchens rely on the produce from this county, and The Wild Table is a testament to that quality; we are simply showcasing those incredible ingredients right where they are grown. When you see the calibre of whatís coming from this area, it reframes Essex as a true culinary landscape.
Q Fire≠led cooking can be unpredictable what excites you most about embracing that element of risk in an outdoor Essex setting?
A The unpredictability is exactly what I love, you just never know, and thatís the magic. Preparing and cooking in the woods is a constant challenge that keeps you completely present; there is an authentic, somewhat primal nature to it that gives both the cooking and the hospitality an incredible sense of purpose. If I can pass that feeling of raw connection and ëpraise for the produceí onto a guest or a fellow chef through the experience of our woodland re restaurant, then my work is done.
Q Is there a particular dish you feel really captures the spirit of The Wild Table?
A For me, it has to be our individual mini Bomb Alaskas, on a stick no less. We hand them out at the end of the meal so every guest can gather around our beautiful OFYR re pits to nish them. There is something simply mesmerising about the nuance of standing together, experiencing the heat of the ame while enjoying the contrast of cold ice cream and toasted meringue. Itís the nal, shared moment of connection around the re that captures the soul of what weíre doing.
thelaundrybrixton.com/the≠wild≠table
Award≠winning Restaurant
We are a family≠run restaurant and country pub on the outskirts of Colchester, serving seasonal a la carte dishes and pub classics alongside an extensive wine list, cocktails and local beers.
We have a range of private dining options including our Secret Garden, offering a unique dining experience in the heart of the Essex countryside.
Our adjoining Coffee Shed is open Wednesday to Sunday serving a range of pastries, paninis and cakes to dine in or takeaway.
Dogs welcome.
FUTURE FRESH
First in the UK, this 100% Voltis release from Les Malandes blends sustainability with style. In the glass, it brings together citrus lift, soft texture, and a saline edge that pairs beautifully with seafood and sunshine, £16.99. laithwaites.co.uk
New Heights
Freshly released, The Ned Skyscraper Pinot Noir 2024 lifts of with bright cherry fruit, gentle spice, and silky texture. Light on its feet yet full of character, it can handle lamb, leftovers, and long weekends alike, £17. majestic.co.uk
Sweet Finish
End Easter lunch on a high with Saint Albert Pacherenc du Vic≠Bilh. This beautifully poised sweet wine ofers layers of ripe peach, lemon peel, candied citrus, and white pepper. It will shine alongside a wedge of blue cheese, £19.95. corneyandbarrow.com
of the best
April in the glass. Five bottles for Easter celebrations
By NATALIASUTA
SPRING PINK
Nothing says a long weekend like a pale glass of Pure Mirabeau. Fresh, dry and elegant, it ofers soft berry fruit and a clean nish that feels perfectly in step with lighter plates and longer days, £14. waitrosecellar.com
Green Glamour
From the UKís largest single organic vineyard, Silverhandís Sparkling Brut ofers refi ned sparkle with a distinctly modern edge. Crisp apple, citrus lift, and ne bubbles make it a confi dent choice for Easter lunches and long spring afternoons, £15 Mix Six. majestic.co.uk
Natalia Suta is WSET-certified wine writer and educator with knack for making wine accessible and fun. When she is not writing, she’s busy curating wine experiences and offering consultancy to help others discover the joy of wine. Follow Natalia on Instagram @_winerocks_
COLOUR Splash of
OliverBonas’ spring collection –found at their Chelmsford store – will brighten up the new season
By PENDLEHARTE
HEALTH BEAUTY
PRETTY
CHANTECAILLE
The Flamingo Collection is Chantecailleís newest limitededition makeup, with 5% of every piece sold supporting Amazon Conservation Teamís Ancestral Tides program to protect the American Flamingos and their fragile wetland habitat on Colombiaís Caribbean coast. There are two limited edition Eye Trios (£70), each with three eye shades inspired by the lush feathers of flamingos, plus four nourishing Lip Chic (£48) shades. chantecaille.co.uk
Where Confdence Begins
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BEAUTY NOTES
The latest in luxury makeup and skincare
By EVE HERBERT
CECRED
Cécredapproaches hairhealth from the root, with skincarebased approach tocreate the optimal foundation forstronger, healthierhair.The scalp-fi rst ritual is designedtodetoxify, balance,andreplenish the scalp through thoughtful cleansing.
The hair repair mask
hero SPA
EDITOR’S PICK
Bespoke treatment
DCYPHER
JOMALONELONDON
Seven wellness products have joined JoMalone’s bath and collection, inspiredby the Roman baths. CategorisedPurity, Enrich, Restore andRevitalise,these showergels and lotions willsoothe andmind. jomalone.co.uk
Dcypher creates makeup specifically for you. Using AI-powered skin tone analysis, the brand delivers a fully bespoke foundation tailored to each personís exact skin tone, along with coverage and finish preferences. Allow access to your phone camera and let Dcypherís scarily accurate scanner determine your perfect shade. dcypher.com
he Innersense Organic Beauty Repair Mask is a restorative hair treatment designed to strengthen, repair and revitalise dry or damaged strands. Which describes my hair pretty accurately. Formulated with protein, itís designed to penetrate deep into the hair cortex to repair internal damage and rebuild structure by bonding with keratin sites, which helps fortify hair from the inside out. It also contains Vitamin C to support collagen production for improved elasticity, plus Tamanu oil to seal the cuticle, boost moisture and reduce breakage and split ends. And itís simple: I leave it on for a few minutes and quickly notice a softer, silkier feel to my hair. When dry, itís noticeably smoother, shinier and healthier looking. This intensive mask is ideal for hair thatís dry, brittle, rough or stressed from heat, colouring or environmental factors. The rich formula deeply conditions, smooths frizz and strengthens resilience, so hair feels softer and more manageable after use. Depending on damage levels, it can be used in place of conditioner every few washes to maintain strength and hydration
We ofer a range of ways to pay including selffunding and using your private medical insurance. C/"04?0$/*+$0#4@$/"$DEDE$FGE$HIJE$/+$7?4"$05#$ QR code for more information.
ìThe Wellness Lab takes a thoughtful, grounded approachî
OPTIMISE HEALTH
Why The Wellness Lab is the smartest science-led sanctuary
In the heart of Knightsbridge, The Wellness Lab o ers a quiet revolution in modern self≠care, combining science, precision, and calm in perfect harmony. A specialist clinic for longevity and recovery, it supports your bodyís healing with a suite of holistic, non≠invasive therapies. Wellbeing here unfolds with intention and lasting e ect. At the centre of their o ering is Hyperbaric Oxygen Therapy (HBOT) a treatment once reserved for elite athletes and medical settings, now reimagined as a transformative experience for anyone seeking better energy, faster recovery, and cellular repair. Clients lie comfortably inside a sleek, clinically
registered chamber while breathing pure oxygen at increased atmospheric pressure. By the end of it, youíll notice improved circulation, reduced inflammation, and an incredibly noticeable lift in vitality. While HBOT takes centre stage, itís only part of the story. The Wellness Labís menu spans ozone therapy, molecular hydrogen, photobiomodulation (red and near≠infrared light), lymphatic drainage, and vitamin drips and injections. Each treatment is grounded in functional medicine and tailored to support immunity, detoxification, and regeneration, making it equally suited to jet lag recovery or fatigue management.
This approach isnít about trends or surface≠level fixes. Itís deeply intentional. Every session begins with a consultation with the medical team, who guide clients with care and clinical clarity. The space itself reflects that balance: minimalist, calming, and quietly high≠tech. No gimmicks, no noise, just results.
Rather than chasing quick fixes, The Wellness Lab takes a thoughtful, grounded approach. These therapies have been selected for their ability to complement our bodyís repair processes, o ering powerful support for our natural healing systems. This is a space built on transparency, professionalism, and trust.
Clients range from high≠performance professionals to those recovering from illness or managing long≠term health conditions. Others come in simply in search of greater energy, longevity, and an overall better quality of life. Many arrive curious; most leave committed.
In a world that celebrates doing more, The Wellness Lab o ers something smarter. A chance to focus inward, rejuvenate, and invest in longevity. Breathe, not just more deeply, but more intelligently.
07724 601630 the.wellness.lab thewellnesslab.com
INTERIORS
Timeless
LIV ING
Exploring a restored Victorian Villa by Nicky Dobree Interior Design
As a designer there are few more rewarding experiences than successfully breathing new life into an old property. This involves seamlessly blending old and new, creating interiors that are sympathetic to their setting whilst meeting the growing demands of modern life.
Tasked with the brief of doing just this by her client, for whom she had previously designed their chalet in Meribel, Nicky Dobree worked alongside the architects to re≠configure the spaces, add a conservatory and create a new lower ground floor. The brief was to design a family home that was elegant and timeless, tailored to the individual needs of each family member with a separate apartment discretely hidden behind the panelling of the TV games room on the new lower ground floor.
As with all projects, it was the building that dictated the flow of the space. Great care was taken to retain its soul whilst opening the spaces and remodelling the staircase. Bespoke panelling was designed and incorporated into the rooms, and doors were raised bringing elegance back into the space. A beautifully proportioned hand forged patinated metal chandelier designed by Cox London hangs in the sitting room. It was a piece that the client had coveted for years. She was thrilled to finally be the owner and to have found a home for this exquisite sculptural art piece. The mirror above the fireplace was bespoke with antique mirror and inset bronze trim, reflecting the room as you enter.
Double sliding doors between the sitting room and the study enable you to have privacy when working from home. The team worked with William Yeoward to perfect the design of the desk incorporating all the cables needed for todayís technology. The room also doubles as a TV snug and a library with built≠in bookcases, one of which incorporates the TV, the others flanking the sofa. A huge sash window floods the room with natural light and overlooks the beautiful garden, designed by Acres Wild, and the greenery of the private park beyond. In the study, which overlooks the garden, Nicky used a De le Cuona linen on a bronze corded pole. The curtains add softness at the end of the room and frame the desk area and the garden beyond. Being a plain natural linen, they keep the room feeling light and airy. The curtains have been taken to the underside of the cornice so enhancing the length and drawing the eye up. The kitchen is at the heart of the home, and they wanted something that would sit timelessly within the space and function well for the clientís needs. Humphrey Munson were the ideal partner for this, o ering a totally bespoke service and a timeless design. The kitchen is a very convivial space to be in and is both practical and functional with each of the clients wishes having been carefully considered. Floor to ceiling
cabinetry envelops the island giving elegance and grandeur to the room. The colour palette is soft, creating a calming space to be in. Behind each cupboard door is a well≠designed interior be it a larder, an o ce space, or a breakfast area, all out of sight yet easily accessible and practical. A pop of green on the island, picked out in the blinds and the unit in the conservatory, link to the garden subtly, bringing the outside in.
Nicky and the team worked with Vale Garden Houses to design the conservatory. Great attention to detail, symmetry, scale, and proportion were considered so that it sits comfortably with the interior and the exterior of the building. It is where the family gather for mealtimes and chat around the dining table. Double doors open out onto the terrace, a perfect spot for a morning co ee or tea.
The addition of a bespoke conservatory is a wonderful way of being creative with design and breaking the tradition of other conventional rooms in the house, o ering a totally unique atmosphere with unlimited use. Here the team worked alongside Vale to extend the kitchen and create a dining space that opens up onto the garden. Here an oak dining table with Hans Wegner wishbone chairs takes centre stage. The circular steel chandelier designed by Howe and inspired by Royere draws your eye up. The bespoke cabinet by Humphrey Munson is used for storing china and glass and creates a link to the design of the
kitchen in the adjoining room. The sisal rug grounds the space, o ering warmth and texture without overpowering the space.
Upstairs the master bedroom suite is in calming blues with a walk≠in dressing and en≠suite bathroom. There are five further bedrooms, one for each of the children tailored to their individual style and stage of life. In the guest bedroom, the central pendant sculpted from layers of fibre draped and stitched around a bronze fitting is a handmade piece by Pinch, bringing elegance and character to the room. On the top floor there is also a childrenís room which doubles as a TV snug, study, or sleep over space. Wrapped in wallpaper with painted beams it is a fun space to be in.
A soft palette of calming blues with an accent of pale pink was used for one of the daughters' bedrooms. The pale blue has been carried through on the walls and the cupboards with a tonal contrast on the vanity which doubles as a desk too. The double height enhances the space. Accents of soft pink can be seen in the various accessories such as the ceramic of the bedside lamp, the wool of the throw on the bed and the glass of the dressing table lamp. A pale blue carpet from Stark grounds the space. White linen pinch pleat curtains add freshness to the room picking up the white of the skirting, beams and door. Luxury scalloped bed linen from Sophie Conran adds the finishing touch, bringing joy to the beginning and end of every day.
In the guest bathroom Nicky used a Mimi Pickard wallpaper with matching fabric for the pelmet and roman blind. A voile blind is discretely hidden behind the pelmet to provide privacy without obscuring the light. The stone surround on the bath adds elegance to the room.
Down in the newly dug basement there is a generously sized well appointed boot room, laundry, gym, TV games room with pool table and bar, and a separate apartment accessed via a hidden door in the panelling.
It is pleasing to know that each room has found its natural place within the renovation. Even the builder said to Nicky: ìWhat I love about this house is that it speaks to you. Everything fits perfectly together like a puzzle.î The clients are equally delighted with their new home so much so that they have asked Nicky to design their Hamptons style beach house on the south coast too.
nickydobree.com
How to embrace colour in the home, from the art of drenching to being at one with nature
TO GO BOLDLY
pring has always been the season of renewal, but in the home it feels particularly symbolic. As light levels rise and windows are thrown open, colour takes on new energy, shifting from the cocooning shades of winter to palettes that feel optimistic, expressive and alive. This yearís approach to colour is less about rigid rules and more about mood, emotion and confidence. Whether youíre repainting an entire house or simply refreshing a corner, colour is being used more boldly, more thoughtfully and with greater personal intention than ever before.
THE HOTTEST HUES
The standout colours of the moment sit at an intriguing intersection between comfort
and confidence. Warm, earthy tones remain popular, but theyíve evolved. Instead of safe beiges or predictable greiges, weíre seeing clay pinks, spiced terracottas, sunbaked ochres and muted apricots that bring warmth without heaviness. These colours glow beautifully in spring light and act as gentle neutrals, pairing easily with wood, stone and natural fibres. Alongside these grounded hues, thereís a renewed appetite for joyful colour. Butter yellow has emerged as a quiet hero, softer than primrose but warmer than cream, o ering a subtle lift to kitchens, hallways and north≠facing rooms. Fresh sage and pistachio greens continue to dominate, but theyíre being joined by brighter, more playful greens inspired by new growth outdoors. Blue hasnít disappeared either; instead, itís deepened, moving away from pale pastels towards inky navy, petrol blue and chalky indigo, all of which feel reassuring yet modern.
Whatís notable is that colour trends are no longer about choosing one ìitî shade and applying it everywhere. Instead, itís about selecting colours that resonate emotionally, creating spaces that feel restorative, energising or comforting depending on how theyíre used.
COLOUR DRENCHING
One of the most influential trends right now is colour drenching. This technique involves painting walls, ceilings, woodwork and sometimes even radiators or shelving in a single shade or closely related tones. The e ect is immersive and cocooning, yet far from overwhelming when done well.
In spring, colour drenching works particularly beautifully with mid≠tones. A soft olive green or dusty blue envelops a room without blocking light, while warmer shades like blush, cinnamon or caramel add depth and intimacy. The key is consistency: by eliminating contrast between surfaces, the eye reads the space as calmer and more cohesive.
Contrary to popular belief, colour drenching isnít just for bold decorators or large rooms. In smaller spaces such as cloakrooms, box bedrooms or home o ces, it can actually make a room feel larger by blurring visual boundaries. The trend also pairs well with minimal styling; when colour is doing the heavy lifting, furnishings can be simple and sculptural, allowing the paintwork to shine.
NEUTRALS, BUT NOT AS YOU KNOW THEM
Neutrals are far from disappearing, but theyíre being reimagined. The stark whites and cool greys that dominated for years are giving way to warmer, more nuanced shades. Think mushroom, oat, linen, putty and soft taupe, colours with subtle undertones that shift throughout the day.
The modern neutral scheme is all about layering. Instead of relying on a single colour, designers are combining multiple similar tones to create depth and interest. Walls might be painted a warm o ≠white, paired with slightly darker woodwork and textiles in deeper shades of sand or stone. Texture becomes crucial here: limewashed walls, boucle upholstery, raw timber and woven rugs stop neutral spaces from feeling flat.
In spring, these warmer neutrals act as a perfect backdrop for seasonal updates. Fresh flowers, lighter linens and touches of colour can be introduced without clashing, making neutral interiors feel dynamic rather than static.
ACCENT COLOURS AND THE RETURN OF CONTRAST
After years of either very muted interiors or fully immersive colour drenching, contrast is creeping back in, but in a
more considered way. Accent colours are being used strategically rather than as afterthoughts. A deep rust door in an otherwise pale hallway, a cobalt kitchen island against warm wood cabinetry, or a painted arch framing a doorway can all add drama without overwhelming a space. Whatís changed is the confidence in pairing colours that might once have felt unconventional. Earthy reds with lilac, olive green with blush pink, or navy with soft yellow, all feel fresh and modern when balanced correctly. Spring is the perfect time to experiment with these combinations, as natural light softens bolder contrasts and helps colours feel more forgiving.
NATURE-INSPIRED PALETTES
As our relationship with nature continues to influence interiors, colour palettes
drawn from the outdoors remain highly relevant. Greens, browns, soft blues and mineral greys are being used not just as individual colours, but as cohesive palettes that echo landscapes and gardens.
Whatís interesting this year is the move towards more complex, layered nature≠ inspired schemes. Instead of a single leafy green, rooms might combine moss, olive and eucalyptus tones, grounded by warm wood and stone. These palettes feel calming and familiar, yet sophisticated, creating homes that feel restorative and timeless rather than trend≠led.
This approach works particularly well in open≠plan spaces, where colour can be used to zone areas subtly. A deeper green in a dining area might transition into a lighter, more muted tone in an adjoining living space, creating flow while still defining function.
There is a growing awareness of colour's impact on
wellbeing
PASTELS GROW UP
Pastels often resurface in spring, but this year theyíve matured. Gone are the sugary, childlike shades of previous seasons. In their place are chalky, greyed≠o pastels that feel elegant and grown≠up. Lavender appears with smoky undertones, pale blue leans towards denim, and pinks take on a dusty, almost earthy quality. These softened pastels work beautifully in bedrooms, bathrooms and kitchens, where they bring lightness without feeling saccharine. They also pair well with darker accents, such as black metal, deep wood or charcoal textiles, which ground the palette and add contrast.
COLOUR AS A TOOL FOR WELLBEING
Perhaps the most significant shift in how we use colour at home is the growing awareness of its impact on wellbeing. Colour is no longer chosen purely for aesthetics; itís being used to support how we want to feel in a space. Energising colours are finding their way into kitchens and workspaces, while calming, enveloping tones dominate bedrooms and snug living areas.
Spring is an ideal time to reassess this balance. As routines change and days lengthen, homes often need to adapt. A home o ce that felt fine in winter might benefit from a lighter, more uplifting shade, while a living room could be softened with warmer tones to remain cosy in the evenings.
BRINGING IT ALL TOGETHER
The defining feature of colour trends right now is freedom. There is no single palette that dominates, no strict rulebook to follow. Instead, thereís encouragement to experiment, to layer, to immerse and to personalise. Whether that means embracing full colour drenching, updating neutrals with warmth, or introducing a bold accent that makes you smile, spring invites a sense of play and optimism. Colour in the home has become more expressive, more emotional and more intentional. As we step into brighter days, it o ers a powerful way to refresh not just our interiors, but our mood and mindset too.
omposite decking is perfect for British gardens. Itís easy to care for in all kinds of weather and the best≠quality decking is also engineered to make warping, rotting, cracking and splintering a thing of the past.
TrexÆ composite decking, a sustainable alternative to wood and made with 95% recycled and reclaimed materials, is backed by up to 50≠year limited residential warranties. Along with the endless design opportunities o ered, it
gives homeowners confidence their deck will continue to have the natural beauty of timber without the challenges.
So how do you keep your deck looking great in an unpredictable climate? Itís simple cleaning is the best composite decking maintenance UK homeowners can do. Experts from Trex, the company that invented composite decking more than 30 years ago, have shared tips to help you care for your decking whatever the season.
MONTHLY CLEAN
Clear the deck remove all furniture, plant pots and debris.
2. Sweep thoroughly with a soft≠ bristle brush, paying attention to the gaps between boards.
3. Rinse the whole surface with a garden hose to loosen dirt. If you use a pressure washer, use a fan attachment and a setting no higher than 3100 psi and spray at least 30cm away from the surface.
4. Mix warm water with a small amount of dish soap or a dedicated composite deck cleaner, and scrub with the soft≠bristle brush, working along the grain of the boards. Rinse thoroughly to remove all soap residue leftover soap attracts dirt faster.
PREVENTING
STUBBORN STAINS
Trex decking is stain≠resistant*, but act quickly and remove spills within seven days. Here are some examples of how to treat them: Foodandgrease: Spray o any residue with a hose and use warm,
more than 30 years ago
Summer
Rinse the deck often, especially after barbecues grease, sauce and wine are the biggest summer stain culprits. Having building work done? Protect the decking from dust particles from cement, concrete or mortar.
soapy water and a soft≠bristle brush to remove the rest. If itís more stubborn, use a composite deck cleaner.
Birddroppings: Apply a small amount of composite deck cleaner directly onto it, let it sit for 5≠10 minutes, then gently scrub along the grain and rinse.
Mouldand mildew: Use a hose and warm, soapy water with a soft≠bristle brush to remove the mould along with the pollen or dirt that it feeds on.
Hard water stains: Use white vinegar to remove mineral deposits and rinse with softened water. If only hard water is available, dry with a cloth to remove water drops.
SEASONAL
CARE TIPS
Spring Clear winter grime, algae and any debris thatís settled in the gaps between boards. Give the deck a deep clean and work on any stubborn stains, such as tannins from fallen leaves.
Autumn
Clear fallen leaves often to prevent them leaving stains and becoming a mould magnet. Give the deck a good clean before winter sets in.
Winter
Avoid using metal scrapers on ice or snow. Use a plastic shovel and work along the boards. Keep the deck clear of standing water and debris to prevent mould sitting all season.
Trex comes with a minimum 25≠year limited residential warranty, so by following these tips for a clean composite deck youíll ensure it looks great long into the future. See the Trex di erence for yourself order your free sample at https://uk.trex.com/shop.
For details, visit https://uk.trex. com/customer≠support/trex≠ owners/care≠and≠cleaning/
ARLO JACOB
Henry smallsofa, £2,395 arloandjacob.com
NKUKU Noko wicker dome shade, £285 nkuku.com
SPERONELLA
Candle shade, £27 speronellamarsh.com
COX COX
Hedgerow cushion, £55 coxandcox.co.uk
MERIMERI LIBERTY Paper honeycomb bunnies, £42 merimeri.co.uk
BERGSPOTTER
Kobenhavner vase, £69.20 nordicnest.com
EDITOR’S PICK
BRAIDED RUG COMPANY
Tulipjute basket,£26 braided-rug.co.uk
By PENDLEHARTE
SPRING FORWARD
JOHNLEWIS ANINE CECILIEIVERSEN Fine china teapot,£35 johnlewis.com
ARTFULLYWALLS
Framed Da ffodil pressed ower print by JamjarEdit, from £126 artfullywalls.com
MERIMERI LIBERTY Paper ower garland, £35 merimeri.co.uk
ROCKETT ST GEORGE
Set ofsix colourfuldiscoEasterdecorations, £22 rockettstgeorge.co.uk
ANNABELJAMES Hare linen napkins, £23.95 annabeljames.co.uk
With plenty of global concerns right now, inside this special section we are celebrating the great UK staycation. First, we visit 10 stunning Essex getaways that you may not realise are so close to home, before venturing to some of the finest UK destinations that are perfect for your furry friend. For those still looking to head abroad, we visit two amazing resorts in The Algarve and the Dominican Republic.
GOING
LOCAL
Need a break, but donít want to travel far? Here are 10 Essex staycation ideas, all ofering something a little di ferent
DOWN HALL HOTEL & SPA
Good for: Grand country house luxury
Set within 110 acres of manicured gardens, Down Hall Hotel Spa delivers classic country house luxury on a generous scale. The Italianate mansion feels suitably grand on arrival, yet the atmosphere inside is relaxed and welcoming rather than formal. Days here naturally revolve around the spa, where indoor and outdoor facilities encourage long, unhurried visits, while the grounds provide space for gentle walks and quiet refl ection.
Dining focuses on seasonal British produce, with an emphasis on comfort and refi nement rather than theatrics. Despite its rural setting, Down Hall remains conveniently accessible, making it ideal for short, indulgent breaks that feel far removed from everyday life. It suits couples celebrating special occasions as well as guests simply seeking space, calm, and a sense of occasion. As Essex staycations go, this is one of the most polished and dependable options. downhall.co.uk
THE ROSLIN BEACH HOTEL
Good for: Modern seafront indulgence
Overlooking the Thames Estuary, The Roslin Beach Hotel ofers a contemporary seaside staycation with a focus on comfort and views. Rooms are light and modern, many with balconies that make the most
of the coastal setting. The spa and leisure facilities add a layer of indulgence, while the restaurant and bar create a sociable yet relaxed atmosphere. This is a coastal break that feels grown≠up rather than nostalgic, appealing to couples and friends seeking sea air without traditional resort clichÈs. The Roslin demonstrates how Essexís coastline can feel stylish and restorative, ofering a staycation that blends modern hospitality with the simple pleasure of being by the sea. roslinhotel.com
THE TALBOOTH HOUSE & SPA
Good for: Boutique spa seclusion
Tucked away just outside Dedham, The Talbooth House Spa ofers a deeply relaxing staycation built around wellness and privacy. The property feels secluded and intimate, with contemporary rooms and a calm, uncluttered aesthetic. The spa is central to the experience, encouraging guests to slow down completely through thermal facilities and treatments. Dining is thoughtful and seasonal, complementing the restorative tone of the stay. Talbooth House suits couples seeking genuine rest rather than entertainment, where days blur gently into evenings. Itís an ideal choice for those wanting a spa≠led Essex break that feels personal, tranquil, and deliberately low≠key. milsomhotels.com
GREYFRIARS HOTEL
Good for: A historic townhouse stay
In the heart of Colchesterís historic centre, GreyFriars provides a boutique staycation rooted in heritage and design. The restored townhouse blends period features with contemporary styling, creating an atmosphere that feels both characterful and current. Its central location makes it ideal for exploring Colchesterís cultural sites, independent shops, and wonderful dining scene. Evenings are calm and intimate, with the hotelís restaurant and bar o ering a relaxed end to the day. GreyFriars is a reminder that Essexís appeal isnít confined to countryside and coast its historic towns have stories worth staying for. greyfriarscolchester.co.uk
LIFEHOUSE SPA & HOTEL
Good for: A wellness-focused reset
Purpose≠built for wellbeing, Lifehouse Spa Hotel in Thorpe le Soken o ers a staycation centred entirely on health and balance. Surrounded by landscaped gardens, the hotel encourages guests to embrace structured relaxation through spa facilities, fitness classes, and nutritious dining. The atmosphere is calm and intentional, making it ideal for solo travellers or couples seeking a reset rather than indulgence. Rooms are simple and soothing, reinforcing the wellness≠first ethos. Lifehouse appeals to guests who enjoy routine and mindfulness, o ering a staycation that feels purposeful and restorative. Itís a distinctive option within Essex, prioritising wellbeing over excess. lifehouse.co.uk
Good for: A coastal pub-with-rooms escape On the edge of West Merseaís harbour, The Victory at Mersea delivers a relaxed coastal staycation rooted in simplicity and place. Rooms are fresh and unfussy, while downstairs the pub focuses on local seafood and easygoing hospitality. Days revolve around tidal rhythms walks along the shore, oysters when in season, and sunsets over the water. This stay suits couples or friends seeking authenticity rather than luxury, where the setting does most of the work. Itís a distinctly Essex experience, o ering a staycation that feels honest, atmospheric, and quietly memorable. victoryatmersea.co.uk
WIVENHOE HOUSE HOTEL
Good for: Elegant country house with a cultural edge Set within landscaped parkland on the edge of Colchester, Wivenhoe House Hotel o ers a staycation that blends country house elegance with a distinctly contemporary spirit. Once home to painter John Constable, the Grade II listed house now operates as a refined boutique hotel with a strong sense of place. Interiors balance heritage features with modern design, creating a calm and confident atmosphere throughout. Guests
can spend their days walking the grounds, exploring the nearby village of Wivenhoe, or venturing into Colchesterís historic centre, before returning for dinner that focuses on seasonal, locally sourced produce. Thereís a quiet sophistication to Wivenhoe House that makes it particularly appealing to couples and culturally curious travellers who enjoy history without heaviness. Itís a staycation that feels thoughtful and well≠rounded, o ering heritage, comfort, and understated luxury in equal measure. wivenhoehouse.co.uk
THE LION INN
Good for: A proper pub with rooms
The Lion Inn is one of the most popular hotels in Chelmsford, renowned for its blend of historic charm and modern comfort. With 23 beautifully appointed en≠suite rooms, some of their rooms feature balconies with views of the beautifully landscaped gardens, whilst others o er direct access through a private terrace. Both the interior and exterior spaces are thoughtfully designed and meticulously maintained to create a tranquil and inviting atmosphere for all our guests.
The Dining Room at the Lion Inn o ers a unique dining experience that
blends the best of old and new. Guests can enjoy the finest cuisine prepared with locally sourced ingredients, all served in a relaxed setting that embodies the rich history and timeless elegance of the inn. lioninnhotel.co.uk
THE WHITE HART INN
Good for: Michelin Guide dining with guest rooms
On the edge of West Mersea village, The White Hart Inn delivers one of Essexís most rewarding food≠focused staycations. Recognised by the Michelin Guide for its confident, creative cooking, this inn combines well≠executed, seasonal cuisine with the pleasure of cosy guest rooms just steps from
the sea. West Mersea is known for its oysters, seafood and maritime atmosphere, meaning that your stay here can revolve around long coast walks, fresh lunches overlooking the estuary and wine with dinner that lets the chefsí flavour combinations shine.
Bedrooms at The White Hart Inn are designed for comfort, providing simple yet elegant places to recharge after a day of exploration and eating. This staycation spot is ideal for couples or food lovers who want a taste of coastal Essex quite literally and its setting on Mersea Island gives it a distinct seaside character thatís hard to match elsewhere in the county. whitehartinnmersea.co.uk
GREENWOODS HOTEL & SPA
Good for: Historic manor luxury with refined hospitality
Tucked into the rolling Essex countryside near Ingatestone, Greenwoods Hotel
Spa is widely regarded as one of the countyís most refined luxury stays. Set in a lovingly restored 17th century manor house, the property blends historic elegance with modern comfort from sumptuous bedrooms and refined public spaces to understated luxury touches throughout. Spa facilities enhance the experience with a pool, sauna, steam rooms and dedicated treatment spaces.
The hotelís restaurant emphasises seasonal menus and thoughtful service. Days can be spent ambling through landscaped grounds, exploring nearby villages like Stock and Ingatestone, or heading out to Essexís broader attractions coastlines, estates and countryside all within easy reach. Greenwoods excels as a luxury manor escape that feels personal rather than impersonal, ideal for visitors craving a high≠end yet characterful Essex staycation. greenwoodshotel.com
WHITEHARTINN
WIVENHOEHOUSE
days DOG
If you are looking for a luxury UK staycation break where your faithful friend can join the fun, here are 10 locations from the capital to north of the border worth barking about
TRIBE London tribehotels.com
TRIBE London Canary Wharf is a refreshingly modern option for dog owners seeking a stylish yet practical base in the capital.
Designed with contemporary travellers in mind, the hotelís sleek interiors and functional layouts make navigating city life with a pet e ortless. Whether youíre visiting London for work, a long weekend or embracing a work≠ from≠hotel lifestyle, TRIBE o ers an easygoing environment where dogs are genuinely welcome rather than simply tolerated.
Situated moments from riverside walks and green spaces around Canary Wharf, TRIBE also o ers convenient access to scenic routes for morning and evening strolls. Combined with excellent transport links across London, this design≠led hotel strikes a rare balance between urban cool and pet≠ friendly comfort, proving that city stays with dogs can be both stylish and stress≠free.
The Athenaeum Hotel & Residencies athenaeumhotel.com
Luxury and dog≠friendly hospitality come together seamlessly at The Athenaeum Hotel Residencies, a refined Mayfair address just moments from Green Park. Known for its thoughtful approach to pet travel, the hotelís much≠loved VIPUP package ensures four≠legged guests are treated with the same care and attention as their owners. For £35 per night, dogs receive a plush bed, branded bowl, gourmet treats and an Athenaeum bow tie to take home.
Beyond the in≠room touches, the hotel excels in o ering practical support for pet owners. Dog≠sitting, walking and grooming services can be arranged for an additional fee, ideal for guests planning theatre visits or fine dining experiences. The concierge team is also well≠versed in Londonís dog≠ friendly landscape and happy to recommend nearby walking routes, parks and cafÈs.
The Varsity Hotel & Spa thevarsityhotel.co.uk
Set in the heart of historic Cambridge, The Varsity Hotel Spa o ers a chic city escape for guests travelling with dogs. Combining modern design with warm hospitality, the hotel ensures canine companions are well cared for from the moment they arrive. For a £28 per≠stay charge, dogs are welcomed with a thoughtful package including a comfortable bed and food and water bowls.
While owners enjoy the hotelís stylish rooms and spa facilities, dogs benefit from a calm, central base that allows easy access to outdoor space without sacrificing comfort. The Varsity strikes an appealing balance between urban sophistication and pet≠friendly practicality, making it an excellent choice for those who want to explore Cambridge without leaving their furry companion behind.
The Feathers feathers.co.uk
Positioned just moments from Blenheim Palace, The Feathers is a standout dog≠
friendly retreat in Oxfordshire. Perfectly placed for exploring the Cotswolds and surrounding countryside, the hotel welcomes dogs with genuine enthusiasm. Selected rooms feature plush dog beds and bowls, while communal areas are thoughtfully stocked with water stations and treat jars. Dogs are welcome to join their owners in The Aviary, the hotelís beautifully refurbished dining space, ensuring no one is left behind at mealtimes.
With expansive parkland, woodland trails and picturesque villages on the doorstep, The Feathers is ideal for dog owners seeking a relaxed countryside escape with thoughtful extras that elevate the stay for both pets and people.
The Headland headlandhotel.co.uk
Perched dramatically above Fistral Beach, in Cornwall, The Headland is a dream destination for dog lovers seeking a luxury coastal escape. This iconic five≠star hotel is renowned for its warm welcome to four≠ legged guests, with dogs greeted on arrival by friendly concierge sta armed with plenty of treats.
Rooms are thoughtfully prepared with blankets, water bowls and additional goodies, ensuring dogs settle in comfortably
after a day of seaside adventures. With miles of dog≠friendly beaches and coastal paths nearby, energetic pups will relish the opportunity to explore Cornwallís rugged landscape, while owners soak up spectacular ocean views.
Despite its grand setting, The Headland maintains a relaxed and welcoming atmosphere, making it ideal for guests who want refined comfort without formality. Itís a place where dogs can truly be part of the holiday experience, whether thatís windswept beach walks, cli ≠top rambles or cosy evenings back in the hotel.
Burnham Beeches Hotel
burnhambeecheshotel.com
Recently reimagined following a multi≠ million≠pound renovation, Burnham Beeches Hotel o ers a serene countryside escape within easy reach of London. Surrounded by ancient woodland, the hotel is perfectly suited to dog owners craving nature, long walks and quiet relaxation.
Just a short drive away, Burnham Beeches Nature Reserve provides acres of woodland trails, ideal for adventurous walks with your dog. After exploring, guests can unwind knowing their pet is comfortable and welcome throughout their stay. Burnham Beeches Hotel is a refined yet relaxed
PIG AT COMBE
destination that proves countryside luxury doesnít have to come at the expense of pet≠ friendly hospitality.
Lime Wood limewoodhotel.co.uk
Set deep within the New Forest National Park, Lime Wood is a dream destination for dog owners seeking luxury without limits. Surrounded by ancient woodland, open heathland and roaming ponies, the hotel o ers direct access to miles of dog≠friendly walking routes straight from its doorstep. Itís the kind of place where muddy paws are expected, not frowned upon.
Dogs are welcomed into designated rooms that balance refined interiors with practical comfort, making it easy to settle in after a day exploring the forest. Thoughtful touches ensure four≠legged guests feel at home, while owners can enjoy the hotelís relaxed yet luxurious atmosphere. With nature at the heart of the experience, dogs are never far from fresh air, adventure or space to roam freely.
While Lime Woodís spa and dining experiences remain a highlight for humans, the overall ethos is refreshingly inclusive. Morning walks through misty woodland, afternoons lounging on the terrace and evenings back in cosy rooms create a rhythm that works perfectly for pets and owners alike. Lime Wood proves that a five≠star countryside escape can still feel wonderfully down to earth especially when shared with your dog.
The Pig at Combe thepighotel.com
The Pig at Combe is a relaxed Devonshire country house hotel where dogs are welcomed as part of the family. Set within
enjoy the hotelís renowned dining, spa and leisure facilities, knowing their pet is well accommodated in a calm and spacious setting.
Another Place another.place
rolling countryside just outside Honiton, this charming retreat o ers a laid≠back approach to luxury that suits guests travelling with four≠legged companions.
Dogs are welcome in selected rooms, which combine rustic charm with modern comforts, and are free to join their owners in designated public areas. Outside, the surrounding Devon countryside provides endless opportunities for scenic walks, from winding lanes and open fields to nearby woodland trails that are perfect for adventurous pups.
What truly sets The Pig at Combe apart is its informal, welcoming atmosphere. Thereís no sense of restriction or formality instead, the hotel embraces the realities of travelling with dogs, making it easy to relax and enjoy the stay.
Gleneagles
gleneagles.com
Gleneagles o ers a rare combination of grand Scottish heritage and genuinely thoughtful dog≠friendly hospitality. Set across an expansive 850≠acre estate in Perthshire, the hotel provides vast open spaces where dogs can roam, explore and burn o energy in spectacular Highland surroundings.
Dogs are welcomed into selected rooms, where thoughtful amenities help them settle in comfortably after long walks across the estate. With miles of trails winding through woodland, glens and rolling countryside, daily walks become a highlight rather than a routine. Itís an environment perfectly suited to active breeds and nature≠loving owners. Despite its five≠star status, Gleneagles maintains a warm and relaxed atmosphere, ensuring dogs feel like valued guests rather than an afterthought. Owners can
Overlooking the shores of Ullswater, Another Place is a relaxed Lake District retreat designed for guests who want to explore the great outdoors with their dogs. With lakeside paths, fell walks and open countryside right outside the door, itís an ideal base for active holidays where dogs are central to the experience.
The hotel welcomes dogs in designated rooms and across selected public areas, ensuring pets are part of the stay rather than confined to accommodation. Long walks along the lake, bracing swims and scenic hikes are easily followed by cosy downtime back at the hotel, where dogs can rest and recharge.
Another Place champions a refreshingly informal atmosphere. Thereís no rigid structure or unnecessary rules, making it especially appealing for dog owners who want flexibility and freedom during their break. The focus is on comfort, connection with nature and shared experiences.
THEVARSITY
TRIBELONDON
THEFEATHERS
Beyond the GATES
day trip into the authentic Algarve
By KATHRYNPEEL
One of the quiet luxuries of staying at Four Seasons Fairways is the sense that everything you need is right there; manicured gardens, serene swimming pools, excellent dining and that unmistakable Quinta do Lago calm. Yet just beyond the gates lies a very di erent Algarve; slower, earthier and deeply local, rewarding those willing to venture out.
One morning during our stay, we set o inland, trading coastal polish for rolling hills and whitewashed villages as we headed towards QuerenÁa. The drive itself feels like a reset, with the air seeming to grow fresher with every kilometre. Just outside the village lies Fonte da BenÈmola, one of the Algarveís most beautiful walking trails. Unlike the dramatic coastal paths the region is known for, this walk is defined by water, trickling streams, shaded pools and a constant soundtrack of birdsong.
The trail meanders gently alongside the Ribeira da Menalva, passing reed beds, fig trees and limestone outcrops. Dragonflies skim the waterís surface while wild herbs release their scent underfoot. Itís the kind of walk that invites you to slow down, to
stop often and simply notice. Lush and unexpectedly green, this corner of the Algarve o ers a softer, more tranquil kind of beauty. Itís an easy, restorative route, perfect for those seeking nature without the strain of a demanding hike. From the calm of the trail, we returned to the heart of QuerenÁa for co ee at CafÈ da Rosa, set in the village square beside the Igreja Matriz. This is village life at its most uncontrived. Tables spill into the sunshine, locals linger over espresso and conversations unfold at an unhurried pace. Rosa herself served us co ee and warm pastÈis de nata with a smile. There is no rush here, only the quiet pleasure of sitting, observing and soaking it all in. It feels worlds away from resort life, yet itís less than an hourís drive a reminder that the most memorable moments are often the simplest. For lunch, we drove further inland to Casa dos Presuntos, a restaurant firmly rooted in its community. Arriving on a bank holiday, we found it buzzing, not a tourist in sight. Families and friends filled the room, settling in for long, leisurely meals. The atmosphere was convivial and unpretentious, with animated conversations, clinking glasses of local wine and tables laden with generous dishes. Having enjoyed refined seafood the day before, we opted for something heartier. The menu celebrates traditional Algarvian
It is a reminder that the most memorable moments are often the simplest
cooking, particularly rich meat stews and casseroles made for sharing. We sampled a deeply flavoured wild boar stew, tender lamb chops and a comforting lamb stew, each dish robust and satisfying. Desserts, displayed temptingly around the room, encouraged diners to linger. We shared a selection of regional sweets, with the standout being a sweet potato cake (torta de batata doce); moist, gently spiced and quietly addictive. To round o! the day, we stopped at Quinta da TÙr, ideally located en route back to Quinta do Lago. Set among rolling hills, the estate o!ers a glimpse into Algarve winemaking, a side of the region often overlooked. Owned by the Santos family, the winery was restored just over a decade ago. During the tour, we learned about their production process, from ageing red wines in French and Hungarian oak barrels to producing around 100,000 bottles annually. Thereís a clear pride in their use of local cork, a nod to Portugalís long≠standing heritage. The tasting revealed bold, characterful wines (high in alcohol!), full of warmth and unmistakably reflective of the Algarve climate. It was a fitting end to a day spent uncovering the regionís deeper layers. By the time we returned to Four Seasons Fairways, night had fallen. The resort lights felt especially welcoming after a full day of exploration. A light bite
at VIVO, followed by a soak in the pool and jacuzzi, provided the perfect contrast. Thereís something deeply satisfying about returning to comfort after experiencing the Algarve beyond its polished edges villages where time slows, restaurants filled with locals and landscapes shaped by tradition. Another easy and worthwhile excursion from the resort is a morning in LoulÈ. On Saturdays, the vibrant food market is a must≠see, buzzing with locals and brimming with fresh produce, regional delicacies and handcrafted goods. Four Seasons Fairways o!ers a shuttle, making the outing e!ortless. Itís worth lingering for lunch and a wander through the historic streets, including a visit to the Islamic Baths. For something more hands≠on, LoulÈ Criativo o!ers craft and food workshops that provide a deeper connection to local traditions. We joined a fig≠themed session, creating a selection of treats to take home a fun and memorable experience that adds another dimension to a visit.
For guests staying at Four Seasons Fairways, these day trips add texture and context to a stay. They reveal a quieter Algarve, where life unfolds at its own pace and experiences feel authentic rather than curated. Within an easy drive, landscapes shift, conversations change and meals become occasions rather than interruptions. For first≠time visitors and returning guests alike, these moments o!er a deeper understanding of place. Walking beside spring≠fed streams, lingering in sunlit squares, sharing traditional dishes and ending the day among vineyards all contribute to a richer, more rounded experience. Sometimes, the best way to appreciate where you are is simply to step a little beyond it.
nights in a or bed villa or apartment with swimming pool or Jacuzzi from £1,404 £4,400 on a self catering basis. For more details, visit fourseasonsfairways.com visitalgarve.pt
With its year≠ round summer vibe, gorgeous beaches and balmy cerulean seas, Dominican Republic has earned its stripes as the perfect sun≠drenched retreat in the Caribbean. Itís certainly an enticing thought, slipping away from Londonís murky grey skies on a direct flight to the balmy embrace of the Dominican coast. Our destination is Eden Roc Cap Cana a secluded, soul≠soothing oasis just 15 minutes from the airport. It feels like weíve landed in another world. From the moment weíre handed chilled drinks and led to dinner under a blanket of Caribbean stars, we know weíre somewhere special. Eden Roc is the only Relais Chateaux property on the island and was voted the No Resort in the Caribbean in the 2024 Conde Nast Traveler Readersí Choice Awards. Impressive accolades and something
to live up to in a competitive field so we re anticipating a very special time.
After a superb Asian≠style dinner, our personal concierge awaits to drive us under moonlit skies to our Pool Junior Suite. Itís dreamy, with soaring ceilings, a plush four≠poster bed and a huge bathroom with two showers (one alfresco). There s also a bathtub that makes us want to soak for hours. The grand cedarwood walk≠in closet, accessible from two entrances, is large enough to be a whole bedroom.
Outside, our private garden awaits. Verdant, secluded and surrounded by sheltering trees with a private pool glistening at its heart, itís flanked by elegant sun loungers made for lingering to enjoy the peace. There s also a vine≠ draped pergola with table and chairs for shady relaxation. This is a suite so spacious, so fabulous, weíre thinking we would like to move in permanently.
Our concierge lets us know that she and her colleague remain at our disposal around the clock, before handing us the
keys to a golf cart for our exclusive use we re overjoyed. We soon get into the swing of being in the driver s seat, and love navigating ourselves around the resort, which sprawls across acres of palm≠studded, verdant land.
Days start early with a dip in our private pool with the sound of birdsong as our swimming soundtrack. We jump into our cart and head down the hill past manicured fairways with glimpses of the sea beyond. Our destination is the Blue Grill Bar with its fabulous selection of breakfast treats. This is the life, and the best way to set us up for another glorious Dominican day.
Those days feel quite busy in a relaxed sort of way. We explore the beautiful surrounding area in a colourful open≠top Moke (lots of photo opportunities there). We enjoy rum and cigar tasting, cocktail making and a Dominican Mofongo cooking lesson. We shake o the last of any tension with an incredibly relaxing sound healing session, followed by rejuvenating massages in the spa.
In between times, we make the very most of the idyllic white, sandy beach and balmy azure ocean when we can drag ourselves away from our private pool with shady loungers. Lunch is always a leisurely a air. We love La Palapa, positioned at the waterís edge and with the rhythmic murmur of the sea providing a
ìOur personal concierge awaits to drive us under moonlit skies to our Pool Junior Suiteî
soothing backdrop. There s a lovely poolside vibe at the chic Blue Grill Bar. On occasion, we venture further afield, winding our way through the verdant fairways and greens of the Jack Nicklaus≠designed Punta Espada Golf Course to dine at their restaurant. This o ers a panoramic tableau of emerald greens rolling gently toward the sapphire of the Caribbean beyond.
Eden Roc Cap Cana is like stepping into a dream you never want to wake up from. We re not at all surprised it is such a favourite among seasoned travellers, for it is a place where time slows down and every little detail feels just right. Sun≠kissed mornings filled with birdsong, lazy afternoons on the beach or hunkered down by our private pool, and exquisite food in gorgeous restaurants they all add up to a special holiday. But what makes it extra special goes way beyond. It is the feeling of being completely, deliciously spoiled. That, for us, is the most wonderfully indulgent feeling in the world and a recipe for a magical and memorable holiday.
edenroccapcana.com
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Scattered across eight idyllic Caribbean islands, discover our 17 breathtaking adults≠only resorts. Enjoy creatively crafted cocktails and indulge in mouth≠watering cuisine at up to 16 on≠resort restaurants, all included within your stay. If youíre looking for a bit of adventure, look no further we include that too with unlimited land and water sports. For the ultimate relaxation experience enjoy our award≠winning Red LaneÆ Spas each a tranquil sanctuary to rejuvenate and heighten all your senses. Here at Sandals Resorts weíve been perfecting our holidays for over 40 years, leaving you to sit back, relax and enjoy all thatís included.
EDUCATION
BEECHWOODPARKSCHOOL
CONFIDENCE CURIOSITY
Nestled within the beautiful grounds of Beechwood Park School in Hertfordshire, their award-winning Woodlands Nursery offers a warm, welcoming environment where children thrive. Guided by highly qualified Early Years specialists, ëWoodlandersí learn through play, exploration and discovery every day. Surrounded by nature and supported by purpose-built facilities, children develop confidence, curiosity and essential early skills in a nurturing setting designed especially for them. beechwoodpark.com/nursery
Q Can you tell us the story of how Living Things first began?
A Living Things started very organically. It began with rescuing my first animal, Steve the meerkat. At the time, I had just finished my Performing Arts placement at the BRIT School, and, in between auditions, I was working in my parentsí pet shop.
One day, a local schoolteacher approached me and asked if I could visit her class to do a simple ìshow and tellî with the animals. That day was incredible: I was performing, presenting, educating, and at the same time funding both my animals and I.
WILD experiences
Tasha Lewis, founder of Living Things in Ongar, on how she combines rescuing animals with teaching the young (and old) about how to care and interact with them
It all just clicked. That experience showed me that education, animal welfare, and performance could come together in a powerful way. That was the moment Living Things was born.
Q Why did you set up in Ongar?
A Essex is home, itís where I grew up, where I live, and where my family are. What was only meant to be a temporary few months stop, renting my sisterís garden for the animals, quickly turned into a much longer search. At the time, finding premises I could a ord that were also safe, secure, and suitable for the animals proved incredibly di cult.
I was very lucky that my best friend and her family, who are animal lovers themselves, had an unused area of land and kindly o ered us a permanent home. Itís the most stunning place, which we now call The Burrows.
Q How do you fund the rescue and care of the animals, and how did childrenís parties and wildlife experiences become part of the model?
A Weíre very proud to say that Living Things
is completely self≠funded. There were moments, especially when times were tough, where we considered becoming a charity, the cost of maintaining the highest standards of care is significant. Purpose built enclosures, electrics, specialist equipment, insurance, ongoing welfare and more all add up quickly. However, we realised that by educating our audiences, we were doing more than just funding care, we were helping to build understanding, respect for all living things, and a real connection to conservation.
Living Things creates powerful, meaningful experiences, and schools, families, and event organisers, from birthday parties to larger events, are happy to pay for high quality educational services. In turn, those experiences directly support the animals in our care, allowing everything we do to come full circle.
ìI realised education, animal welfare and performance could come together in a powerful wayî
Q What do you want visitors, especially children, to feel or learn when they meet your animals?
A Our visits are o ≠site, so itís really important to us that audiences experience animals in a calm, positive way wherever they are. We want them to develop a genuine sense of love and curiosity for animals, because that naturally leads to understanding. When children understand how animals behave and the important role they play in our world, respect follows. One of our biggest aims is turning fear into fascination, because that change in mindset can genuinely save an animalís life. Instead of panicking, chasing, or trying to hurt a wild animal, our audiences learn simple but vital life skills, to stay calm, give animals space, and observe rather than interfering. Those lessons stay with our audience long after the experience ends.
Q Can you share a couple of fun facts about your animals that you think every child would love to know?
A Ah, there are so many to choose from. But we always find children always love to learn that Meerkats' dark circles around their eyes work like built≠in sunglasses to protect their eyes in the sun. And how our
small but mighty Sugar Gliders can glide half the length of a football stadium.
Q How do you help children understand the importance of caring for wildlife and all living things during your workshops and parties?
A We believe the best way to teach children is by leading by example. During our workshops and parties, children see calm handling, gentle voices, and animals being always given choice and space. We explain why we do things a certain way, so children understand that good care is about respect, patience, and responsibility. We encourage questions and conversation, helping children realise that every animal has needs and feelings, and that even small actions can make a big di erence. By making learning interactive and positive, children naturally develop empathy and a deeper appreciation for all living things.
Q Whatís one thing children often misunderstand about the animals you care for and how do you help them learn the right thing?
A One of the most common misunderstandings is that small, cute, or
exotic animals are easy pets. Children often assume that because an animal is small or looks friendly, it doesnít need much care. We gently explain that every animal has very specific needs, from diet and environment to routine and space, and that caring for them is a long≠term commitment. Through hands≠on learning and honest conversations, children begin to understand that sometimes the kindest thing you can do is admire and respect an animal without owning it.
Q Can you tell the story of one animal resident whoís had a particularly challenging journey to recovery?
A Our Mediterranean spurred thigh tortoises arrived with us in quite a worrying condition. Their previous owners genuinely loved them and had cared for them for many years, but sadly didnít realise that their diet and housing werenít meeting their specialist needs. When they came to us, their shells showed severe pyramiding, a condition caused by nutritional deficiencies, where the shell grows unevenly instead of smooth and strong. They were also dehydrated, and their shells were grey, dry, and flaky rather than healthy and vibrant. With the correct diet, hydration, lighting, and care, their shells have stopped pyramiding and are now hard, shiny, and full of colour, rich browns, greens, and yellows. Watching that transformation has been incredibly rewarding, and itís a reminder of how powerful the right knowledge and care can be.
Q What is it like caring for a wide variety of animals and making sure each one thrives?
ìChildren begin to understand that sometimes the kindest thing you can do is admire and respect an animalî
A Itís a huge responsibility, but also incredibly rewarding. Every species we care for has completely di erent needs, from diet and environment to enrichment, social structure, and daily routine. No two animals are the same, even within the same species.
Our days are carefully structured around welfare, and everything we do is tailored to help each animal feel safe, stimulated, and settled. It takes knowledge, consistency and research with a lot of attention to detail, but seeing animals thrive in our care makes all the hard work worthwhile.
Q Do you have any favourite interactions with children where you saw a real ìlightbulb momentî of learning or connection?
A For me, itís when a child or even a grown≠up is at first scared to hold an animal, like one of our tarantulas. Watching them slowly overcome that fear is incredibly special. What usually happens is they end up saying, ìOhÖ theyíre not so bad actually theyíre actually really beautiful.î Those pivotal moments are so powerful
the fact we have just made someone s perspective change in that moment.
Q Looking ahead, what dreams do you have for Living Things and how might you grow the rescue and educational mission?
A Looking ahead, my dream is to continue growing Living Things in a way that always puts animal welfare first. I want to rescue and support more animals while reaching even more children and families through education.
As we grow, Iíd love to develop more immersive learning experiences, work with more schools and community groups, and expand what we can o er within education and outreach. The goal is to keep inspiring respect, curiosity, and understanding for wildlife, so future generations grow up kinder, more informed, and more connected to the natural world.
At its heart, Living Things will always be about creating meaningful experiences that benefit both people and animals.
It is World Art Day in April, so here we explore the evolution of its teaching in UK schools
Art has been part of schooling in the UK for far longer than it has been called ìArt and Designî. In the 19th century, art education grew alongside industrialisation. Drawing was often taught as a practical skill for manufacturing and architecture: accuracy, copying and ìgood handî mattered. In many schools, it sat close to technical instruction rather than self≠expression useful for producing designers, draughtspeople and craftsworkers for an expanding economy. By the early 20th century, art in schools began to broaden from technical drawing into a wider appreciation of craft, design and visual culture. But it was after the Second
World War that art education started to take on a more democratic, child≠centred character. Post≠war reforms increased access to secondary education, and art classrooms increasingly reflected the idea that creativity and making were central to a rounded education, not just a route into trades.
The 1960s and 1970s saw a noticeable shift in classroom practice. Influenced by progressive education, many teachers moved away from rigid copying towards experimentation: mixed media, personal themes, and a growing emphasis on process (ìshow your workingî) as much as product. Art rooms became places for exploration sometimes messy, often interdisciplinary linking to literature, social issues, local environments, and the emerging visual languages of photography and film. This period also overlaps with the growth of
comprehensive schools and more varied qualification pathways, which a ected who took art and how it was assessed.
A major turning point came with the Education Reform Act and the introduction of the National Curriculum in 1988. Art and design was set as a ìfoundation subjectî in the new curriculum, which formalised entitlement: every child should study it across compulsory schooling in England. That mattered in two ways. First, it protected curriculum time (at least in principle).
Second, it began a long era of balancing teacher autonomy with national expectations what knowledge and skills ìcountî in art, and how progression is defined.
Through the 1990s and early 2000s, art teaching increasingly combined making with critical and contextual understanding: looking at artists, movements, cultures and
ART ROOMS BECAME PLACES FOR INTERDISCIPLINARY EXPLORATION
design traditions, and using that study to inform practical outcomes. Assessment frameworks often encouraged teachers to evidence learning in sketchbooks and portfolios, with explicit criteria research, development, refinement, final outcomes, and evaluation. In secondary schools, GCSE and A≠level art remained distinctive because they were (and still are) heavily coursework/ portfolio based, requiring sustained project work rather than purely terminal exams. By the late 2000s, the ìcreativityî agenda became influential, with schools encouraged to build partnerships with galleries, artists and cultural organisations, and to treat creativity as something that could be developed across subjects. At the same time, pressures were building: accountability measures and school performance tables
ART ALLOWS CHILDREN TO EXPRESS EMOTIONS THAT WORDS SOMETIMES CANNOT
made leaders more cautious about timetabling subjects perceived as risky for results, or costly in sta ng and materials.
The 2010s intensified these tensions. In England, reforms to qualifications and accountability including the EBacc and changes to GCSE structures shifted school incentives. While art and design remained in the National Curriculum at primary level and as an option at secondary level, schools had to fight harder for curriculum space in key stages where ìheadlineî measures were dominated by a narrower set of subjects. Wider cultural education also felt knock≠on e ects: for example, Art
History A≠level was discontinued by AQA (the last exam board o ering it), a change that prompted debate about access to arts knowledge and pathways into creative study.
More recently, there has been a renewed focus on curriculum quality and clarity. The national curriculum framework in England sets out aims for art and design such as producing creative work, developing techniques, and knowing about great artists and designers. Ofstedís subject research review for art and design (2023) reflects a similar direction: strong curricula should help pupils build knowledge of materials, techniques, visual literacy, and the traditions of art, craft and design without reducing art to tick≠box tasks or generic ìcreativityî.
Across the UK as a whole, the story is not one straight line: Scotland, Wales and Northern Ireland have their own curricula and assessment systems. But the broad themes are shared. Art teaching has moved from drawing≠as≠utility to art≠as≠entitlement; from copying to inquiry and experimentation; from isolated ìprojectsî to more carefully sequenced curriculum thinking; and from a purely practical subject to one that also develops cultural understanding, critique and visual communication. Todayís best practice often blends all of these: disciplined skills instruction, ambitious knowledge of artists and contexts, and authentic opportunities to make work for real audiences while navigating the very modern challenge of protecting time, space and funding for the arts in a crowded school curriculum.
What is World Art Day?
WorldArt Day is celebrated every year 15th Apriltopromote the importance of art andcreativity aroundthe world. The date was chosen tohonour the birthday ofthe famous Italian artist Leonardoda Vinci,whosymbolises artistic freedom, creativity,andthe connection between art andscience.The celebration was establishedby the International Association ofArt andlaterrecognized by UNESCO. The purpose ofWorldArt Day is toencourage people ofallages toappreciate art andtorecognise the important role it plays in society.Art allows individuals toexpress emotions,ideas, and cultural identity in ways that words sometimes cannot.It alsobrings communities togetherandpromotes understanding between fferent cultures. On this day, museums, galleries, and schools en organise special activities such as exhibitions,workshops, public art projects,anddiscussions about creativity. Artists may showcase theirwork, while students andthe public are encouraged toparticipate in artistic activities like painting,drawing,orsculpture. World Art Day also highlights the impor tance of supporting artists and protecting artistic freedom. By celebrating art in all its forms from traditional painting and sculpture to digital and street art the day reminds people that creativity is power ful force that inspires innovation, preserves culture, and enriches everyday life.
Three form
The Essex schools leading the way when it comes to artistic achievements
William Edwards School (Thurrock) Celebratedfor third Artsmark Platinum award,with assessors noting partnerships andincreased pupil opportunities.
Wix and Wrabness Primary School (Tendring) AchievedPlatinum Artsmark,spotlightedby Essex County Councilas markerofexcellence in arts education.
Sa ffron Walden County High School
Profiled by the Royal Opera House Bridge programme as Artsmark Platinum and committed to high-quality cultural learning.
SAINT NICHOLAS
Since the launch of ChatGPT in 2022, the misconception that Artificial Intelligence (AI) will replace teachers or write pupils essays for them has been set in the past. It is crucial that schools now embrace, adapt and balance the use of AI in their classrooms to avoid the risk of falling behind with modern schooling and depriving young people of innovative learning, vital technology awareness and life skills.
At Framlingham College, we are continuously adapting learning techniques and developing our educational approach to meet the needs of our pupils and ensure they thrive in an ever≠changing world. Our use of AI is expanding across our curriculum and beyond after numerous success stories during this last academic year. There are programmes to support pupils with dyslexia and enhance creativity with descriptive writing. We have movement tracking apps in sport that accurately analyse and finesse performance techniques, while
other technology assists teachers with planning lessons. There are also translation apps for our UK and international pupils to help them communicate and forge friendships.
Talking about our use of AI in classrooms, our Assistant Head of Teaching and Learning, Lucy Manning, says: ìAI platforms like Sparx Maths and Spelling Shared allow us to tailor education for the needs of individual children. Text≠to≠ talk programmes are incredibly beneficial, particularly for our pupils with dyslexia.
At the Prep School, we use creative art tools for pupils to practise using descriptive words, verbs and adjectives for instance, writing descriptions of dragons and wizards and using AI to bring those images to life.
At GCSE level, we use AI to create logos for the pupilsí projects, alongside teaching them the ethics of AI so that they can identify when AI is assisting in the process of learning and when it is just doing it all.
Looking ahead to how we continue to adapt and balance our use of AI, itís imperative that all our schools prepare young people for an AI≠infused world. Whether we like it or not,
we canít deny its existence itís out there but itís not something to fear when used correctly and responsibly in the classroom.
Of course, we donít want pupils to use ChatGPT to write their essays because that takes away the opportunity to learn, but AI platforms like ChatGPT can certainly help pupils with planning projects, taking notes and structuring revision.
At Framlingham College, we are introducing AI steadily throughout our curriculum across the Prep and Senior School. It is a bit like a garden planting the seeds, watering them and gradually watching them flourish. We are working closely with our teaching sta to see what works, what doesn t and what areas we need to be wary of when it comes to the use of AI. We absolutely understand that there needs to be a careful balance in the use of this powerful technology. Our approach is that it s not about replacing, but rather enhancing the teaching and the learning experience for all our pupils.
framlinghamcollege.co.uk
LOUISENORTH
Durden Hunt present this gated home of over 6,900 sq ft, comprising five bedrooms and five bathrooms, additional downstairs WC, multiple reception rooms, dining room, cinema room, snug, open plan kitchen, pantry and utility. The property also features a swimming pool with changing room, multiple out buildings, annex, o ce, gym and triple garage.
Spring is a buoyant time for the housing market, but you need to approach things in the right way says Durden Hunt founder, James Hunt
April is traditionally when the market finds its rhythm. Lighter evenings, renewed buyer confidence and a sense of momentum returning after the first quarter. But this year the advantage will not belong to everyone, it will belong to those who are intentional. We have seen a clear shift in sentiment since the start of the year, valuations are more considered, buyers are more analytical, mortgage rates have stabilised but a ordability remains front of mind.
The result is a market that rewards strategy rather than speculation. Simply launching at an aspirational price and hoping for the best is no longer enough. Presentation, positioning and pricing must align from day one. When they do, the results are decisive. When they do not, reductions follow and public perception becomes the silent obstacle. There is, however, real opportunity. Serious buyers are active, the key di erence
is that they are informed. They are tracking reductions, days on market and comparable evidence with more scrutiny than ever. This is why the first two weeks of exposure are critical. A well prepared launch, supported by strong marketing and a realistic guide, creates competition. Competition protects value. Chasing the market does the opposite.
For landlords, the regulatory landscape continues to tighten and professionalism is becoming the dividing line between those who thrive and those who struggle. Compliance is no longer optional and the gap between well run portfolios and reactive ones is widening. As we move through spring, the message is simple. This is not a downturn market and it is not a frenzy market, it is a disciplined market. Sellers who are prepared, decisive and advised correctly will transact well. Buyers who are clear on their criteria will secure quality homes before summer. Momentum is building and it favours those who act with intent.
An eight bedroom estate with pool and additional dwellings
AskingPrice£5,995,000
Durden & Hunt present this Grade II listed, eight bedroom, four bathroom home, with three additional WCs, multiple reception rooms, kitchen/ breakfast room and library. Externally, the property further benefits from two bedroom barn conversion, alongside three and four bedroom bungalows, indoor swimming pool complex, workshop and private woodlands. Allthis andmuch more. Find out more at durdenandhunt.co.uk
JAMESHUNT
Ideally situated for schools, Queens Road and the Central Line is this attractive detached Victorian property which offers a charming mix of both modern and period features. Offering over 1,750 sq. ft. of well presented accommodation, there are four bedrooms, three reception rooms, study, a good size garden and plenty of potential to extend further, subject to planning consent.
Offered chain free is this beautiful three bedroom, two bathroom semi-detached Victorian property featuring a superb family kitchen/ dining room, separate lounge, guest cloakroom and a landscaped rear garden. Ideally placed for schools, Queens Road and the Central Line.
Green shoots
Absolutely explores a historic country house in Dunmow, set in gardens and grounds with influence from the famous Edwardian garden designer Harold Peto
Warwick House is an outstanding country house with Jacobean origins, and forms the west wing of the former Easton Lodge, a renowned Victorian Gothic≠style stately home. It boasts spacious accommodation with exquisite period detailing reflective of its aristocratic origins. The main house provides five bedrooms, arranged over the first and second floors, and there are also three reception rooms and a grand marbled reception hall.
This magnetic residence sits on approximately 6.2 acres of beautifully landscaped gardens and grounds. In addition to the main house, there are several outbuildings, including an elegant red≠brick Dovecote and a studio, among other useful structures used for storage.
The house retains many of its original features, showcasing high Victorian Gothic
architecture, highlighted by ornate Dutch gables on the east and west elevations. The attractive red brickwork, with intricate patterned details, is complemented by tall square bay windows that flood the interiors with natural light and o er stunning views of the beautiful gardens.
The magnificent reception hall features marble flooring and a sweeping staircase that leads to the first floor. On the ground floor, there is a drawing room, a dining room, a cloakroom, and WC. At the heart of the home is the kitchen/dining room, which opens into a bespoke garden room with stone flooring, connecting to a large terrace.
The first floor accommodation is equally charming, o ering three spacious bedrooms and a family bathroom. The principal bedroom suite has French doors opening onto a grand exterior staircase leading directly to the garden. There is a magnificent secondary bedroom, with a balcony providing panoramic rural views. The upper floor features a fourth bedroom, and a fifth
bedroom (currently a study) and a shower room, adding to the versatility of the home.
The gardens of Warwick House are a very special part of this historic country house. Harold Peto, an accomplished Edwardian garden designer with a background in architecture, crafted the gardens at Warwick House which was part of the scheme for Easton Lodges as a whole.
Initially trained as an architect, Peto infused his designs with influences from Italianate, French and Japanese styles, adding architectural elements throughout the landscapes. His 1902 design for the Countess of Warwick at Easton Lodge featured formal lawns, a sunken Italian garden, a yew walk, a treehouse, a glade and a Japanese garden, reflecting his signature blend of structured formality and natural beauty. Elements of Peto s iconic work can still be seen within the garden and grounds of Warwick House.
The property is set back within its gated grounds. It features a large circular terrace, a private garden and a swimming pool with a stone terrace surround.
Easton Lodge has a guide price of £2,000,000. To find out more, contact Savills Bishopís Stortford on 01279 756800 or visit savills.co.uk
why everyone is talking aboutÖ
Laurel Hardy
Marking their centenary since they first wowed audiences, a special event in Essex commemorates the work of the influential comedy duo
aurel Hardy arguably the most important and influential comedy partnership of all time will be celebrated in 2026 with a new 100th anniversary touring show, presented by TV personality, musician and world authority on silent films, Neil Brand.
The Laurel Hardy Centenary Tour comes to the Palace Theatre in Southend on 19th April. Audiences will be taken back in time to the era of the silent film, where the music was played live and often improvised alongside the moving picture.
Two newly restored films, The Finishing Touch and Youíre Darn Tootin , will be screened, the latter featuring Neil Brand performing his own acclaimed soundtrack to the film, and audience participation in the sound e ects. Freshly restored clips from a further 11 classic Laurel Hardy films will be shown.
Audiences will be treated to a unique evening of fun, music and insight as Neil reveals the techniques of silent film and how the comedy of Laurel Hardy is heightened with piano accompaniment.
Neil says: ìEvery show on this tour will be di erent because just as 100 years ago the music will be improvised. I am going to take audiences back in time: weíll run the films and I will improvise dramatic music at the piano. The Laurel Hardy Centenary Tour is designed to give people a great night of entertainment, a little history and a chance to witness, in remarkable new clarity, the starting point of a partnership that revolutionised global entertainment.î
Laurel Hardy were one of the most famous comedy duos in film history. The
duo consisted of Stan Laurel, a thin and childlike Englishman, and Oliver Hardy, a larger, pompous American who often played the self≠important leader of the pair. They became internationally popular during the late 1920s and 1930s.
The duo first worked together at the Hal Roach Studios in Hollywood. Their contrasting personalities created the core of their comedy: Laurel was innocent, clumsy, and slow≠thinking, while Hardy was confident but easily frustrated. Many of their jokes involved simple situations that spiraled into complete chaos, such as moving a piano, delivering a Christmas tree, or building a house.
Laurel Hardy were masters of physical comedy, timing, and facial expressions. Hardyís trademark reaction to the camera breaking the fourth wall with a look of disbelief became one of the pairís most recognisable gags. Their films often featured elaborate slapstick sequences, but also moments of genuine friendship between the characters. Some of their most famous films include The Music Box (1932), which won an Academy Award, Sons of the Desert (1933), and Way Out West (1937). Today, their influence can still be seen in modern comedy duos trafalgartickets.com
