SUSSEX
Sussex SEPTEMBER 2026 / £3.95
S PECI AL News and views from the county's best schools
SEPTEMBER 2026
On the
MOVE THE AW26 COLLECTION FROM POETRY OFFERS A SEAMLESS TRANSITION INTO THE NEW SEASON
ABSOLUTELYMAGAZINES.COM COVER WITH SPINE.indd All Pages
PLUS PAUL DRAYTON On addictions, his new book and finding happiness in Sussex MARKET TOWN MAGIC Why Petworth conjures up memorable visits THE SALT ROOM Visiting the refurbished Brighton dining favourite
ST YLISH / INTELLIGENT / ELEGA NT
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Lancing Lancing College College Preparatory Preparatory Schools, Schools, Senior Senior SchoolSchool & Sixth&Form Sixth Form
Welcome Welcometo to the thefamily family Lancing Lancing College College Lancing, Lancing, West West Sussex Sussex BN15 BN15 0RW 0RW T 01273 T 01273 465465 805805 E admissions@lancing.org.uk E admissions@lancing.org.uk
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Lancing Lancing PrepPrep Hove Hove
The Droveway, The Droveway, Hove Hove East Sussex East Sussex BN3 6LU BN3 6LU T 01273 T 01273 503 452 503 452 E LPHadmissions@lancing.org.uk E LPHadmissions@lancing.org.uk
Lancing Lancing PrepPrep Worthing Worthing Broadwater Broadwater Road,Road, Worthing Worthing West West Sussex Sussex BN14 BN14 8HU 8HU T 01903 T 01903 201 123 201 123 E worthing@lancing.org.uk E worthing@lancing.org.uk
DORSET DORSET HOUSE HOUSE SCHOOL SCHOOL
The Manor, The Manor, Bury, Bury, Pulborough Pulborough West West Sussex Sussex RH20RH20 1PB 1PB T 01798 T 01798 831 456 831 456 E info@dorsethouseschool.com E info@dorsethouseschool.com
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ABSOLUTELY
Contents SEPTEMBER 2026
49
22
34
CULTURE
FASHION & BEAUTY
EDUCATION
16 Agenda The start of autumn
40 The Shoot It's POETRY
70 Lancing College Visiting their
welcomes some top events
in motion this month
wonderful Family of Schools
18 Paul Drayton On battling back from
49 Goodwood Why it's the
74 Meet The Head Joff Powis of
the brink and the role Sussex played
perfect wellbeing escape
Marlborough House Vinehall
22 Petworth From scenic spots
INTERIORS
to intriguing independents
FOOD & DRINK
52 Farrow & Ball How their Colour Consultancy can change your outlook
34 The Salt Room Brighton's popular
56 Jensen Beds Innovative Norwegian
spot is back looking better than ever
design ideal for a good night's sleep
37 Drinks A tasty trip across
59 Products The cutlery buys
the globe in five bottles
that will be the envy of all
Z E S T
For editorial enquiries please email: mark@zest-media.com For advertising enquiries please call 07818 690 386 or email: craig@zest-media.com Social icon
Circle Only use blue and/or white. For more details check out our Brand Guidelines.
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77 Slindon College Exploring the world of virtual reality
87 Worth School Why golf can be a key aspect of learning
O N T H E C OV E R POETRY AW26 (poetryfashion.co.uk)
editor MARK KEBBLE • art director PAWEL KUBA • magazine designers MARIANA SUZUKI, PAMELLA MORENO • production manager DANICA BRODIE media consultants LOUISE PEARSON, SARAH BAKER credit control manager ALEXANDRA HVID • directors CRAIG DAVIES, JAMES FUSCHILLO, ABIGAIL GARDNER • non-executive director ALEXANDRA HUNTER • managing director SHERIF SHALTOUT Zest Media Publications Ltd. cannot accept responsibility for unsolicited submissions, manuscripts and photographs. While every care is taken, prices and details are subject to change and Zest Media Publications Ltd. take no responsibility for omissions or errors. We reserve the right to publish and edit any letters. All rights reserved.
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Editor’s
LETTER ABSOLUTELY’S September issue highlights
1 The Shoot
Autumnal looks from POETRY (p40)
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I
n the past couple of years I have gone back to school. Not literally – my exam results were not that bad – but I have taken my love of football and fitness a step further by taking coaching modules and embracing the learning opportunities on offer via the FA (who do, at times, get a bad rep, but I think they do a sterling job supporting aspiring coaches). It has got me thinking, too, about what I studied 30 odd years ago now. It baffles me, given my interest in the human body today, that I hated all the sciences and couldn't wait to see them off post-GCSEs. I love my career, but I do think biology should have been something I pursued for A Levels, rather than the absolutely tedious economic & social history I struggled with for two years. I was even considering history for my degree until I didn't get the grades I needed for that, took a year out, and then realised my journalistic calling. I also generally hated being at school – friends were great, lessons were not. But as I have got older, I have grown to appreciate the sterling job my teachers did, which is why when our education special comes around I always enjoy it immensely, visiting some of our top local schools. The world is very different now compared to when I was in uniform, but the younger generation are in good hands.
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Education Special
Visiting some of Sussex's top schools (p69)
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Interiors
Cutlery to sparkle at dinner parties (p59)
MARK KEBBLE EDITOR
Agenda
The best events in Sussex this month (p16)
Wishlist
Our pick of the must buys in September (p12)
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Wish LIST 10 things we Absolutely love COMPILED BY
PENDLE HARTE
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WRAP PA R T Y Beach cover-ups, sarongs and kaftans are all part of the late summer holiday wardrobe, and there's no better place for the perfect look than Amelie's Follies. ameliesfollies.co.uk
COLOUR CODE Habitat's new collection is full of well-designed and colourful accessories. We love this striped vase, a snip at just £14. habitat.co.uk
MUSHROOM M AG I C Need a bit of extra clarity and motivation in the morning? Try Ancient Extracts' Morning Magic Mushroom Coffee. It's a low-caffeine blend of functional mushrooms, adaptogenic herbs and supportive nutrients that'll give you a little lift to last the day. ancientextracts.co.uk
HOLD ON The Alice cross body bag has been handmade from the highest quality Tuscan calfskin. Light and deceptively capacious, it's a keeper, £600. neo87100.com
I N T H E D E TA I L Jewellery designer Francesca Villa's collections feature a diverse range of motivs ranging from tomatoes to whales – and this adorable puffer fish ring is reverse painted on crystal backed with turquoise, with a bezel set in yellow gold, £5,870. francescavilla.it
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ABSOLUTELY • LOVES EDITOR’S PICK
S U GA R G I R L Little Simz is widely agreed to be one of the most exciting musical acts to emerge in the UK over the past years – and not only is she an accomplished actor as well as a rapper, but she has now been announced as the newest ambassador for Miu Miu Beauty, representing Fleur de Lait, Miu Miu’s fruity-solar scent. miumiu.com
TIED UP Avani Haus' collection of beautiful silk scarves are designed as wearable art. Tie them around your neck or wrist or wear them as tops. avanihaus.com
C R E AT U R E COMFORT Artist and print designer Emma Shipley has teamed up with Lulu Guinness for a limited-edition capsule collection of characterful bags. emmajshipley.com
CHARM SCHOOL Jeweller Tilly Sveaas is celebrating 10 years of her brand with a collection of charms inspired by the symbols and stories that have shaped her style. Mix and match the charms with the ‘Charm Builder’, or choose one of her curated necklaces. tillysveaas.co.uk
B OT T L ES U P For the ultimate fashion water bottle, make it Dior. This simple yet chic stainless steel bottle channels 18th-century rococo and will set you back £170. dior.com A B S O L U T E LY m a g a z i n e s
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Are you on our priority list? The best properties don't always reach the open market. Get early access before they do.
Battle • 01424 775577 www.batchellermonkhouse.com/register Copyhold House, Cuckfield, Guide Price - £1,550,000
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C U LT U R E
NICK & S U S I E C AV E 19 SEPTEMBER, CHARLESTON
Marking the publication of SUSIE, an exquisite visual and lyrical portrait of Susie Cave, this enchanting conversation between musician and writer Nick Cave and designer Susie Cave covers themes of identity, family, devotion and the profound experiences that have shaped their lives together. charleston.org.uk
PHOTO: STEVEN HATTON
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The Agenda
PHOTO: CHLOE HASHEMI
THE BEST EVENTS IN SEPTEMBER
MU S I C
Passenger
PHOTO: KATE GREEN
6 September HOVE PARK Passenger has announced The Staves, John Smith, Ber and Chris Simmons as supports for his major open air UK show, set to take place at Hove Park. Returning to the city where his journey began, the show represents a fullcircle moment for Passenger (aka Mike Rosenberg), who first built his audience busking on local streets before going on to achieve worldwide recognition. passengerbrighton.com
HENRY MOORE, MOTHER AND CHILD, 1956 (CAST 1965) BRONZE, 17CM (HEIGHT) © 2026 THE HENRY MOORE FOUNDATION. ALL RIGHTS RESERVED, DACS / WWW.HENRY-MOORE.ORG IMAGE COURTESY PIANO NOBILE, LONDON
A RT
Moore / Freud U NTI L 13 S E PTE MB E R 2026, H ASTI N GS CON TEMPORARY
Moore / Freud is the first exhibition to explore the distinctive ways in which Henry Moore and Lucian Freud drew upon familial bonds and intimate relationships as crucial sources of artistic inspiration. Bringing together a selection of 20 works, including maquettes, works on paper and paintings, the exhibition presents two towering figures of the 20th century side by side through a deeply personal theme. hastingscontemporary.org
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EV E N T
Irvine Welsh 19 September BRIGHTON KOMEDIA JOY. Concerts presents an exclusive In Conversation with Irvine Welsh – an intimate live event celebrating the release of his new novel Can Nothing Save Us?, alongside reflections on his era-defining debut Trainspotting. Expect a candid, wide-ranging discussion spanning his latest work, cultural legacy, and the enduring impact of one of the most influential novels of the past three decades. komedia.co.uk
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CULTURE • DIARY R E V V I N G
UP
EV E N T
26-27 September SOUTH OF ENGLAND SHOWGROUND The South of England Agricultural Society is delighted to announce that the Autumn Show & Horse Trials will return to the South of England Showground, Ardingly. Running from 9am to 5pm each day, this much-loved event promises a packed programme of equestrian action, countryside pursuits and family entertainment, making it the perfect autumn day out for visitors of all ages, including their canine companions. seas.org.uk
DA N C E
EMERALD STORM
This Month’s Must See
8 SEPTEMBER THE HAWTH CRAWLEY When Riverdance and Stomp collide, a storm is born! Direct from the West End, Emerald Storm is an electrifying new dance phenomenon starring Britain’s Got Talent finalist Tom Ball, whose powerhouse vocals captivated millions and shot him to national fame. Fusing the fire of Irish dance with the grit of urban tap, this high-octane production explodes with rhythm, passion and pure spectacle. parkwoodtheatres.co.uk/the-hawth
CRAFT IN FOCUS
C
10- 13 SEPTEMBER, HEVER CASTLE
raft In Focus brings 180 of the UK’s finest contemporary craftmakers and artists to Hever Castle & Gardens. Discover original handmade work, enjoy live demonstrations, music and food, and explore the awardwinning gardens. Book discounted tickets online by 4th September using code CRAFT2026. craftinfocus.com
Goodwood Revival returns from 18-20 September with a host of special guests
PHOTO: PA MEDIA
Autumn Show & Horse Trials
G
oodwood Revival has announced the drivers and riders set to attend in September, as the 2026 event assembles a remarkable line-up of competitors from across the global motorsport community. Among the Formula 1 names joining this year’s Revival are Sir Jackie Stewart, Jacques Villeneuve, Jean Alesi, Jenson Button, John Watson, Karun Chandhok and Max Chilton. From the world of IndyCar and American open-wheel racing, the Revival welcomes an exceptional group of champions and race winners. Dario Franchitti, Scott Dixon and Tony Kanaan bring an impressive breadth of international success and experience to the weekend’s competition. The Revival’s long-standing connection to endurance racing will be represented by an extraordinary roster of Le Mans winners and sports car specialists. Tom Kristensen, the most successful driver in Le Mans history, returns alongside fellow winners André Lotterer, Benoît Tréluyer, David Brabham, Emanuele Pirro, Frank Stippler, Guy Smith, Justin Bell, Marcel Fässler and Romain Dumas. This year’s celebrations will also see the iconic Ford GT Mk II trio, which secured the historic 1-2-3 finish at Le Mans in 1966, be reunited at Goodwood, adding further resonance to the Revival’s tribute to endurance-racing heritage. Completing the four-wheeled line-up, seven-time NASCAR Cup Series champion Jimmie Johnson brings American stock-car star power to Goodwood, with Simona De Silvestro adding further depth to an already world-class field.
goodwood.com
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FOR THE RIDE
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CULTURE • INTERVIEW
After years in the spotlight, Paul Drayton reflects on addiction, recovery, identity and finding lasting peace in Sussex
F
or years, Paul Drayton’s life was viewed through the lens of celebrity headlines. His marriage to comedian Alan Carr made him a familiar face, but his new memoir, Ride – Or Die Trying, is an attempt to reclaim the narrative on his own terms. Far from being a celebrity tell-all, the book is an honest account of addiction, recovery, grief, ADHD, sexuality and the long road back to himself, underpinned throughout by the unwavering support of his mother. Today, that story has a very different setting. Swapping the relentless pace of London for the rolling countryside of Sussex has given Paul the space to rebuild his life and rediscover the ambitions he once put aside. “I think Sussex found me at exactly the right time in my life,” he smiles. “After years of chasing excitement in the city, working the nightlife and being surrounded by a much fasterpaced world, I reached a point where I wanted something different. I wanted space, peace and somewhere I could just be myself surrounded by animals. “What I love about Sussex is that it gives you the best of both worlds,” he continues. “You have beautiful countryside, incredible walks and a real sense of community, but you’re never too far away from the coast, culture or a great little village to explore. There’s something very grounding about waking up to birdsong rather than traffic.” Perhaps most tellingly, he adds: “I no longer feel the need to be somewhere
else or constantly looking for the next thing. Sussex has given me the chance to slow down, appreciate the simple things and build a life that feels much more authentic to who I am now.” That search for authenticity runs through every page of Ride – Or Die Trying. The memoir traces Paul’s journey from a childhood in Sunderland to pursuing acting in London, navigating fame, addiction, personal loss and a later-in-life ADHD diagnosis. Rather than offering excuses, he hopes the book provides context. “Receiving my ADHD diagnosis later in life was a huge turning point,” he explains. “It gave me a new lens through which to look back at my experiences, from impulsive behaviour and addiction to relationships and career decisions. That doesn’t mean I use it as an excuse; I see it as an explanation. It has helped me show myself a bit more compassion and understand the person I was trying to be.” Writing with such honesty wasn’t always easy, but it was essential. “For a long time, I felt that parts of my life had been misunderstood or that a narrative had been created about me that didn’t always reflect the reality of my experiences,” he says. “Writing Ride – Or Die Trying gave me the chance to finally put my side of the story out there. I’ve never wanted to pretend my life has been perfect; the struggles, mistakes and challenges are all part of what made me who I am today. If sharing those parts of my journey helps someone else feel less alone, then it was worth being vulnerable.”
Although the memoir tackles difficult subjects, readers shouldn’t expect an unrelentingly sombre account. Humour remains one of Paul’s defining characteristics. “I’ve always believed that if you can’t laugh at some of the chaos life throws at you, you’ll probably end up crying,” he says. “Life isn’t just made up of the bad moments; there are ridiculous, funny and unexpected moments too. I think being able to laugh at myself has been one of the things that has kept me going.” Running parallel to every chapter is another story: that of his mother, Barbara. The press material accompanying the book describes her as “the woman who never stopped believing in him”, while Barbara herself says she is “so proud” of her son’s courage in finally telling his story. For Paul, her influence is immeasurable. “My mum has always been one of the strongest influences in my life. She taught me the importance of kindness, loyalty and looking after people like they are family.” He reflects on growing up without great wealth, but with an abundance of love, laughter and resilience. “Looking back now, I realise that many of the things I spent years chasing were never the things that truly mattered.” Those lessons continue to shape him today. “She showed me that you can face difficult moments, pick yourself up and keep going. I think a lot of who I am today comes from those early lessons – staying grounded, treating people well and remembering where you came from.” The memoir also marks an opportunity to step beyond the public perception formed during his years with Alan Carr. “I completely understand that people will know me because of my relationship with Alan, and I have nothing but respect for the years we shared together,” he says. “But like everyone, I am more than one chapter of my life or one relationship.”
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He is keen to stress that the book “was never about blaming anyone... or rewriting the past. It was about honesty, understanding and allowing people to see the person behind the headlines”. His present-day routine could hardly be more different from the life he once led. Happiness now comes from feeding sheep and goats, walking his dogs across the Sussex countryside, singing lessons and choir practice, as well as staying connected with followers online. “I’ve actually found a wonderful community online that I love connecting with,” he says. “Music has brought a real sense of fun and freedom back into my life... I love the feeling of trying something new without worrying about being perfect.” And one daily ritual remains non-negotiable. “Checking in with my mum is also a big part of my day. Making sure she’s OK, having a chat and staying connected with my people.” Completing Ride – Or Die Trying stands among his proudest achievements. “With ADHD, sitting down, staying focused and seeing a project of this size through to the end was not easy,” he says. “The fact that I managed to take all those thoughts, memories and experiences and turn them into a published memoir still feels quite surreal.” More than anything, he hopes readers will come away feeling encouraged to have more open conversations about addiction, grief, recovery and identity. “We all have chapters in our lives that we’re not proud of,” he says. “But those
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experiences can teach us, shape us and help us understand ourselves better. If sharing my story helps someone feel less ashamed, more understood, or gives them the courage to look at their own life differently, then it has been worthwhile.” As for the title, its meaning has changed dramatically over the years. Once it symbolised excitement and proving himself. Today it represents something altogether quieter. “'Ride or die' is about being there for yourself as much as anyone else,” he says. “It’s about resilience, honesty and having the courage to face the difficult parts of your own story rather than running away from them. I’ve learned that the person you have to be most loyal to is yourself... Ride – Or Die Trying isn’t about having a perfect life. It’s about falling down, learning, getting back up and refusing to give up on yourself.” Looking ahead, Sussex provides the perfect backdrop for the next chapter. Having spent years supporting other people’s dreams, Paul is now returning to his own. “I’m back acting and singing,” he says. “Performing gives me that buzz I lost a long time ago, so I’m excited to have it back in my life. The difference now is that I’m writing because I want to, not because I feel I have something to prove.”
“The book allows people to see the person behind the headlines”
Ride – Or Die Trying is out now on Brown Dog Books, Paperback, eBook and audiobook – see more at mybook.to/RideOrDieTrying and pauldrayton.co.uk
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Moving Home? Call us on 0800 84 94 101 Offices across the South East
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CULTURE • AREA FOCUS DEER AT PETWORTH PARK
TIMELESS treasures
Discover why Petworth remains one of Sussex's most captivating market towns, where grand heritage, independent shopping and exceptional dining combine effortlessly
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ew market towns in England balance grandeur and intimacy quite like Petworth. Nestled on the western edge of West Sussex and surrounded by the rolling landscapes of the South Downs National Park, it is a place where centuries of history sit comfortably alongside stylish independent boutiques, acclaimed restaurants and a thriving arts scene. Wander its gently sloping streets and you’ll quickly understand why it continues to attract everyone from antique collectors and artists to walkers, food lovers and weekend escapees from London. Petworth’s story stretches back well over 1,000 years. Recorded in the Domesday Book of 1086, the settlement developed around an important manor that eventually became one of England’s great aristocratic estates. The town’s
fortunes became closely intertwined with the powerful Percy family before later passing to the Wyndham family, whose influence still shapes the town today. The defining landmark is, of course, Petworth House. Originally a medieval manor, it was transformed during the late 17th century into the magnificent Baroque mansion visitors see today. Inside is one of Britain’s finest art collections, featuring works by Turner, Van Dyck, Reynolds, Blake and countless other masters, while outside, celebrated landscape designer Lancelot 'Capability' Brown reshaped the surrounding parkland into one of his greatest naturalistic landscapes. The town itself prospered through agriculture, wool and local trade, becoming an important market centre for the surrounding villages. Many of the handsome Georgian and medieval buildings lining Market Square, Lombard Street and East Street survive remarkably
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rugsofpetworth.co.uk Golden Square, Petworth, West Sussex, GU28 0AP | 01798 344027
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intact, creating one of Sussex’s most atmospheric historic centres. Unlike many market towns that have become dominated by chain stores, Petworth has largely retained its independent character.
THINGS TO SEE AND DO TODAY Begin at Petworth House and Park, where even those who have visited many National Trust properties are often surprised by its scale. There’s still time to discover Expressions in Blue: Monumental Porcelain by Felicity Aylieff, where towering porcelain sculptures are brought into dialogue with the historic house and its remarkable collection. Continuing Petworth’s rich tradition of collaborating with contemporary artists, the exhibition unfolds throughout the property. In the Marble Hall, visitors can walk through a striking ‘forest’ of huge blue-and-white pots, their cobaltblue brushstrokes conveying energy and
movement. From the Grand Staircase, another monolithic work comes into view, while outside, two soaring obelisks rise from the park. Several new pieces are also on display, including highly decorative floral fencai-enamelled vessels inspired by Grinling Gibbons’ intricate wood carvings. Film and photographs in the exhibition room reveal the collaborative making process behind Aylieff’s work and its sheer physicality. Expressions in Blue continues at Petworth until 27th September, offering a fascinating meeting of contemporary ceramics, historic architecture and art. Just a few minutes’ walk away is the charming Petworth Cottage Museum. Unlike the grandeur of Petworth House, this tiny museum offers a fascinating glimpse into ordinary life in 1910, faithfully recreating the modest home of seamstress Mary Cummings. It provides a wonderfully intimate contrast to aristocratic life and offers an insight into how working families once lived in rural Sussex.
Art lovers should also seek out Newlands House Gallery. Housed within an elegant Grade II listed townhouse, it has quickly established itself as one of the South East’s leading contemporary galleries, attracting internationally recognised artists and regularly staging ambitious exhibitions that bring a modern creative energy to this historic town. Independent shopping is superb in Petworth. Stylish fashion boutiques, artisan food shops, homeware stores, bookshops and galleries line the narrow streets, encouraging visitors to linger rather than rush. It’s precisely this carefully curated mix of independent businesses that gives Petworth its distinctive personality. One great example is BEAR, situated in a Grade II-listed building in the heart of Petworth. Founded in 2020, BEAR specialises in 20th century and antique furniture and works of art with an emphasis on mid-century design by wellknown architect-designers. The shop also
PETWORTH HOUSE: EXPRESSIONS IN BLUE PHOTO BY MEGAN TAYLOR
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FIVE THINGS YOU MAY NOT KNOW ABOUT PETWORTH Artist J.M.W. Turner was a frequent guest at Petworth House during the 1820s and 1830s, producing dozens of paintings and sketches inspired by both the interiors and surrounding landscape. Many remain in the house today. The famous fallow deer roaming Petworth Park aren't simply decorative additions. Deer have grazed these parklands continuously since Tudor times, forming one of England's oldest surviving deer herds. stocks a selection of home accessories and gifts, including Santa Maria Novella, David Mellor, Ichendorf Milano, Villa Bologna Pottery and Melin Tregwynt. Rugs of Petworth is an independent business specialising in beautiful, one-ofa-kind handmade rugs and carpets from across the weaving regions of Asia and beyond. Based in the heart of Petworth for 18 years, the showroom is home to an ever-changing collection of rugs, from traditional hand-knotted designs to contemporary pieces and colourful kilims. Each rug is individually handmade using traditional techniques, and each piece is hand sourced by owner Alex Rees on regular buying trips. Natural wool, hand-dyed colour and the character that comes from being made by hand ensure that no two pieces are ever quite the same. Whether you’re looking for a statement rug for a large room, a runner for a hallway or simply need some help finding the right piece for your space, the friendly and knowledgeable team are always happy to help. Nature enthusiasts are equally well served. Numerous walking routes radiate from the town into the South Downs National Park, with gentle country lanes, woodland paths and open farmland offering spectacular scenery throughout the seasons. The recently established Petworth Way has further cemented the town’s reputation as an excellent base for walkers looking to explore the surrounding countryside.
modern British cooking, it offers beautifully prepared seasonal dishes featuring high-quality local produce. Just outside town, Horse Guards Inn has earned an excellent reputation for refined country dining. Set within a charming village setting, it combines traditional pub warmth with ambitious cooking. Equally appealing is The Woodcote in nearby Graffham. Recently revitalised, it offers sophisticated modern British cooking in an elegant country setting. Historic inns remain central to Petworth’s appeal. The Angel Inn occupies a beautiful historic coaching inn in the heart of town, blending period character with quality food and welcoming accommodation. A short drive away, The Welldiggers Arms enjoys a glorious countryside setting overlooking the South Downs. Dating back around 300 years, the beautifully restored inn has become renowned for its seasonal British menus.
While many visitors know Petworth for its stately home, fewer realise it has become internationally recognised as one of the UK's premier centres for antiques, with more than 30 specialist dealers concentrated within the compact town centre. Petworth's combination of architectural beauty, independent shopping, cultural life and countryside setting has earned repeated recognition as one of Britain's most desirable small towns, including being named among the UK's best places to live in 2026. Despite its popularity, Petworth no longer has a working railway station. The original station closed during the Beeching era in the 1960s, although the beautifully restored station buildings survive today as luxury accommodation, offering one of Sussex's most unusual places to stay.
WHERE TO EAT AND DRINK Petworth punches well above its weight when it comes to dining, with several restaurants and pubs attracting visitors from across Sussex and beyond. For contemporary dining, E.Street Bar & Grill has become one of the town’s standout destinations. Combining polished yet relaxed service with
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HORSE GUARDS INN
INSIDE BEAR
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The Art of
OMOTENASHI In the Sussex countryside, Lexus set out to demonstrate that true luxury is not defined by excess, but by the feeling that every detail has been considered B y J A S O N T AY L O R
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he new Lexus ES was somewhere beyond the windows of Leonardslee House, but Lexus seemed in no hurry for us to drive it. First came the gardens, the wine and an extraordinary dinner. It soon became clear that this was more than an indulgent prelude to a car launch. Lexus wasn’t simply unveiling a new executive saloon; it was giving us the vocabulary with which to understand it. At the heart of that vocabulary is omotenashi. Often translated simply as hospitality, this Japanese philosophy describes something more intuitive: anticipating somebody’s needs before they realise them themselves. It is the glass replenished before it is empty or the object placed exactly where your hand instinctively reaches for it. It is care made effortless. At Lexus, omotenashi is intended to shape everything from the way a customer is welcomed to the way a car responds to its occupants. One story shared during the launch captured
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the discipline behind that apparent effortlessness. Lexus craftspeople are challenged to fold an origami cat using only their non-dominant hand in less than 90 seconds. Repetition develops dexterity, dexterity creates precision and, eventually, precision becomes instinctive. Our introduction began at Leonardslee House, surrounded by the glorious Leonardslee Lakes & Gardens. Nothing felt designed simply to impress. Instead, every detail quietly worked together. Standing in the gardens, glass in hand, I found myself thinking that this is how luxury should feel: peaceful, elegant and entirely effortless. Dinner at Restaurant Interlude brought the idea into even sharper focus. Led by Executive Chef Jean Delport, the Michelin-starred restaurant draws ingredients from the Leonardslee Estate while weaving influences from his South African heritage into its tasting menu. Remarkable food was only part of the story. Staff moved with effortless precision. Chairs quietly returned to position as guests stood, glasses were replenished before anyone noticed they were empty and every course arrived with its own story without the
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CULTURE • PARTNERSHIP
explanation overwhelming the experience. Nobody needed to mention omotenashi. By then, we had experienced it. The following morning, I finally opened the door of the new Lexus ES – and the transition from country house to car felt remarkably natural. Before I noticed the technology or admired the craftsmanship, I noticed that nothing felt out of place. Every surface, switch and line appeared to have a reason for existing. The steering wheel felt perfectly proportioned, seat controls sat where instinct expected to find them and the head-up display placed useful information naturally within my line of sight. Within minutes, it felt as though the car understood what I wanted before I needed to ask. This was omotenashi translated into engineering. For UK buyers, the new ES arrives exclusively as the electric ES 350e, producing 224hp and offering a claimed range of up to 361 miles. Yet from behind the wheel, those numbers matter less than the smooth, unhurried way the car delivers them. The central display is crisp and intuitive without dominating the cabin,
while frequently used functions remain close at hand rather than disappearing into endless menus. The technology supports the experience instead of continually demanding attention. The bamboo-inspired door trim is another highlight, confidently embracing Lexus’s Japanese identity rather than imitating traditional European luxury. Combined with supremely comfortable seats, it creates an atmosphere more akin to an elegant boutique hotel than a machine. Despite stretching beyond five metres in length and riding on 21-inch wheels, the ES glided across Sussex roads with impressive composure. Road noise faded into the background, conversation remained effortless and acceleration arrived smoothly rather than theatrically. Its performance is there to remove effort from a journey, not turn every journey into a performance. There was the occasional overenthusiastic safety alert, but it was a small irritation in a car otherwise remarkably good at knowing when technology should recede into the background.
And perhaps that is where the ES makes its strongest case. The executivesaloon market has long been dominated by familiar German badges, often chosen as much for the statement they make as the experience they provide. Lexus suggests something different. It has presence and elegance, but never seems preoccupied with announcing its status. This feels like a car for somebody who values thoughtful craftsmanship, distinctive design and genuine comfort more than making the most obvious entrance. When the drive ended, I parked, walked away and instinctively turned back for one final glance. Somewhere during those two days, the lessons of Leonardslee, Interlude and that painstakingly folded origami cat had come together. The Lexus ES does not define luxury by how insistently it demands to be noticed. It defines it by how naturally it makes you feel looked after. That is omotenashi: not simply welcoming somebody into your world, but quietly making room for theirs. lexus.co.uk A B S O L U T E LY m a g a z i n e s
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10 – 13 September
Hever Castle & Gardens Edenbridge, Kent TN8 7NG
Putting the WOW back into Craft Fairs Book In Advance & Save up to £8.70* on adult tickets using
Discount Code CRAFT2026
*See website for full details / admission costs Craft Fair entry included in normal admission RHS Members free (weekdays only) *Admission £13.50 using offer code until Friday 4th September, valid on dates of craft fair only Adult gardens only ticket on the day £22.20
Live Music Food Village Demonstrations Purchase direct from the very best makers in the UK 9.30am – 5.30pm Thurs – Sat 9.30am – 4.30pm Sun (Garden open until 6pm daily)
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ABSOLUTELY • PARTNERSHIP
FRESH
PE RS PECTIVE Why does conveyancing take longer than it used to? B y M I C H E L L E P AY N E
MICHELLE PAYNE
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ne of the most common questions we hear from clients is: “Why is conveyancing taking so long?” Many buyers and sellers compare their experience to stories from family members who purchased a property decades ago and seem surprised that a transaction can now take several months to complete. As conveyancers, we understand the frustration. We also appreciate that when you’re buying or selling a home, every day can feel like a week. However, while the basic conveyancing process remains largely unchanged, the amount of work involved behind the scenes has increased significantly. At the start of every transaction, we are now required to carry out extensive identity and anti-money laundering checks. We must verify our clients’ identities and, in many cases, investigate the source of funds being used for a purchase. These checks are a legal requirement and play an important role in preventing fraud and financial crime, but they add stages to the process that simply did not exist years ago. The properties themselves have also become more complex. Modern homes are often subject to management company arrangements, estate charges, restrictive
covenants, shared access rights, or leasehold obligations. Even seemingly straightforward freehold properties can involve legal issues that require investigation and clarification before a buyer can safely proceed. Searches remain another significant factor. Every buyer wants certainty about what they are purchasing, and searches provide important information about planning matters, highways, drainage, environmental risks, and other potential issues. Unfortunately, turnaround times vary between local authorities and third-party providers, meaning some elements of the process are outside of a conveyancer’s control. Mortgage lending requirements have become more detailed too. Lenders now conduct thorough affordability assessments and often have extensive legal instructions that must be satisfied before funds can be released. Even where a buyer has already secured an agreement in principle, obtaining the final mortgage offer can sometimes take longer than anticipated. Perhaps the biggest cause of delays is the property chain. A conveyancing transaction rarely operates in isolation. A delay affecting one buyer or seller can have a knock-on effect on everyone else in the chain. We frequently see transactions held up by survey issues, mortgage delays, missing management information, or outstanding enquiries elsewhere in the process. From a conveyancer’s perspective, the goal has never been to slow transactions down. In fact, we want to complete matters as efficiently as possible. However, our role is to protect our clients by identifying risks, resolving legal issues, and ensuring that they fully understand what they are buying or selling. While conveyancing may take longer than it once did, much of that additional time is spent carrying out essential checks that provide protection, transparency, and peace of mind. Ultimately, a few extra weeks invested in getting things right is far preferable to discovering a costly problem after moving day. Michelle Payne is Associate Conveyancing Manager at Mayo Wynne Baxter. Contact her by email at mpayne@mayowynnebaxter.co.uk A B S O L U T E LY m a g a z i n e s
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FOOD & DRINK
Starting STRONG LURY
Lury is the debut restaurant from husband and wife team Jack Lury and Issy Cianchi, located in Hastings. Situated on the ground floor of a converted Edwardian house, since opening in 2025, their multi-course tasting menu for only 10 guests at a time has proved to be a huge hit. luryrestaurant.com
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PHOTOS: BECA B. JONES
HA PPY RET UR N
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The Salt Room in Brighton has reopened to much fanfare. Executive Chef Kim Woodward takes Absolutely behind the scenes
fter a four-month closure for a full refurbishment, The Salt Room returned to Brighton’s seafront at the end of May. A multiaward-winning fixture of the city’s independent dining scene since 2015, the restaurant reopens with a refreshed look, a brand-new bar, a fully weather-glazed, 60-cover seafront terrace designed for year-round dining, a new open kitchen and a reworked menu led by Executive Chef Kim Woodward. Kim joins The Salt Room with one of the
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strongest CVs in British restaurant kitchens. A Gordon Ramsay protégée, she trained within the Gordon Ramsay Group from 2007, working her way up from Junior Sous Chef at Boxwood Café to three years as Head Chef at York & Albany, before being appointed the first female Head Chef of the Savoy Grill in its 126-year history. She went on to lead the kitchen as Executive Chef at Skylon on the South Bank and is a familiar face from BBC’s MasterChef: The Professionals and Great British Menu. Brighton is her first project outside London – and here she tells Absolutely about the pull of the sea. Q The Salt Room has long been one of Brighton’s best-loved restaurants.
What was it about this project that convinced you it was the right move for your first role outside London? A Having seen The Salt Room before and the plans that were about to happen, I just knew that something fresh, new and exciting was about to happen. I could imagine myself doing the opening, as soon I was hearing about it. Q You’ve worked in some of Britain’s
most famous kitchens, from Gordon Ramsay’s restaurants to becoming the first female Head Chef of the Savoy Grill. Looking back, which experiences have most influenced the chef you are today? A Definitely working alongside Gordon, that got me to where I am, pushing me into all
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FOOD & DRINK • Q&A
sorts of directions, working across so many of his restaurants, new openings, and more. I’ve always been on board to see new things and push myself and that’s exactly what I did. Q How does cooking on Brighton’s seafront differ from leading kitchens in central London, and has the proximity to the sea already changed the way you think about your menus? A It’s so refreshing working close to the sea, it makes you think clearly. So it’s nice to be more creative, think about the Brighton food scene and how to drive it forward. I love it.
table side. What more could you want? Making the sauce right in front of you, perfectly filleted and served right there in front of a truly beautiful sea view. Q Sustainability and local sourcing run
through the menu, with fish landed just hours before service. How important is it for diners to understand the journey from the Sussex coast to their plate? A Working closely with our fish supplier is something I have enjoyed, building great relationships with the team. I know that the fish is the best, the freshness we get daily and the amount we sell. I love that the menu reads so well with local sourced fish, and the quality you can’t argue with.
traditional starter-main-dessert format. Why was that the right direction for The Salt Room, and how do you think it reflects the way people like to eat today? A I have designed the menu so it suits everyone. If you want a few snacks, small plates, seafood pasta or whole fish for sharing, we accommodate everyone. It’s nice to see Brighton locals and the tourists coming from all over.
Q Cooking over fire remains central to your food. What is it about that style of cooking that excites you, particularly when you’re working with exceptional seafood? A When working with open fire and charcoal, the heat is doing all the work. The Josper grill is built for mastering the cooking no matter what you are cooking. For us here at The Salt Room, it is important to deliver great tasting food cooking on that grill. You just can’t beat it.
Q What dishes really stand out for you and why? A Stand out dishes have to be the Turbot on the Josper, absolutely one of the best, and with the Fish Press
Q You’ve appeared on MasterChef: The Professionals and Great British Menu. How have those television experiences influenced your career? A I would say it was nice to be a part
Q The new menu moves away from the
of the shows, and yes a little push in the right direction is always nice! Q The new open kitchen at The Salt Room
puts chefs centre stage. Does it add extra pressure knowing diners can watch every move, or does it create a more rewarding atmosphere for the whole team? A The team here at The Salt Room love it. It creates a great atmosphere for the team to work in, it creates a real buzz in the kitchen, so it is rewarding for all. Q You’ve built a remarkable career
in what has traditionally been a male-dominated industry. How have things changed since you first entered professional kitchens, and what advice would you give to aspiring female chefs? A Aspiring females, with strong willpower, should go for it. They should be level-headed, open-minded and always want more. I did and it drove me to where I am now. Q Looking beyond the reopening, what are your ambitions for The Salt Room over the next few years, and what would success look like for you both personally and professionally? A I oversee the whole company, which is six sites, so not just The Salt Room. So moving myself around the sites and taking them on, menu development in hand through the seasons, and setting us up for more in the future to come.
saltroom-restaurant.co.uk
KIM WOODWARD
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FOOD & DRINK • DRINKS
ENGLISH RESERVE
Greyfriars’ Sparkling Rosé Reserve arrives with ripe strawberries, creamy red apple, cranberry, and a clean finish. Over 30 months on lees gives it a depth and complexity that sets it apart from the crowd, £29. waitrosecellar.com
Portuguese SOUL Esporão’s Monte Velho Branco is a benchmark Portuguese white that overdelivers. Aromatic jasmine and citrus on the nose, juicy apple and stone fruit on the palate, and a crisp finish. Reliable, characterful, and easy to love, £12.75. ocado.com
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Spanish Gem Made in collaboration with the Royal Botanic Gardens, Kew, this Albillo champions one of Spain’ss almostforgotten grapes. Creamy and rounded, with pear, peach, citrus, and blossom. A genuinely unusual white that rewards curiosity, £17. laithwaites.co.uk
L
O
B
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TROTTING Five bottles for the curious drinker B y N ATA L I A S U TA
TRÈS FRAIS
Rouge Clair & Frais is the red wine that wants to be chilled. A juicy blend of Grenache and Syrah, it’s alive with crunchy red fruit and soft tannins. As good with a charcuterie board as it is on its own, £14.99. tauruswines.co.uk
Greek Goddess Melpo by Muses Estate blends the peppery red fruit of Syrah with the lemony freshness of Roditis Alepou. Ripe, juicy, and full of pithy citrus on the finish, it’s a glass of Greek sunshine, £15. laithwaites.co.uk
Natalia Suta is a WSET-certified wine writer and educator with a knack for making wine accessible and fun. When she is not writing, she’s busy curating wine experiences and offering consultancy to help others discover the joy of wine. Follow Natalia on Instagram @_winerocks_
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FA S H I O N
SLOW fashion EMELLO
Just launched in Selfridges is Emello, a brand of wearable and considered sustainable womenswear. Each item is crafted with high-quality fabrics made in collaboration with independent, family run manufacturers and suppliers in Italy, Portugal and Turkey. emello.com
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POETRY has launched Catena, from the Latin meaning 'chain' or 'linked series' and inspired by the work of artist Brendan Stuart Burns. It is sure to add a unique twist to autumn dressing P O E T RY FA S H I O N .C O. U K
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FASHION • PARTNERSHIP
FINDING THE PERFECT FIT
Your Perfect MATCH How Brufords offer expert guidance when it comes to picking out your wedding ring
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hoosing your rings is one of the most meaningful parts of planning your wedding. Unlike many of the details associated with the big day, your wedding rings are designed to last a lifetime, serving as a daily reminder of your commitment to one another. Located in the heart of Eastbourne at The Beacon, Brufords have been helping couples celebrate life’s most important milestones since 1886. With generations of expertise and a reputation for exceptional service, they understand that choosing your wedding rings is a personal experience that deserves both care and attention.
DISCOVERING YOUR SIGNATURE STYLE One of the first considerations is the style of wedding band. Classic court profiles remain a popular choice
thanks to their timeless appeal and comfortable fit, while contemporary designs offer a more modern aesthetic. For those who love a little extra sparkle, diamond-set wedding bands can add elegance and individuality, while shaped bands are ideal for sitting neatly alongside an engagement ring.
Wedding rings should feel as good as they look. Factors such as the ring’s profile, width and weight can all affect comfort, so it’s worth trying on various designs before making a final decision. Taking time to ensure the correct fit will help your ring feel effortless to wear, throughout the years ahead. Seeking professional advice can help make the process enjoyable, informed and stress-free. According to the experts at Brufords, one of Sussex’s most established family jewellers, the key is to start the process early and enjoy the experience. Wedding rings are far more than a finishing touch for the wedding day; they are a lifelong reminder of one of life’s most significant moments. By choosing carefully, couples can ensure their rings remain as meaningful and beautiful decades from now as they are on the day they say, “I do.” Brufords, The Beacon, Eastbourne, BN21 3NW 01323 725452 brufords.com
THE BEAUTY OF PRECIOUS METALS The metal you choose will influence the appearance, durability and character of your wedding rings for years to come. Platinum continues to be favoured for its strength and naturally white appearance, making it an excellent choice for everyday wear. Yellow gold offers traditional warmth and enduring appeal, while white gold and rose gold provide stylish alternatives for couples seeking a contemporary look. The right metal often comes down to personal preference, existing jewellery and lifestyle considerations. A B S O L U T E LY m a g a z i n e s
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Health is about more than the hours you spend exercising At Goodwood, movement, recovery, expert support and the restorative power of nature come together to help you live well for longer. Set within 11,000 acres of beautiful West Sussex countryside. Discover a healthier way to live. Only at Goodwood.
Explore membership
goodwood.com/healthclub
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HEALTH & BEAUTY
SKIN IN THE
LONG GAME NOAEM SKIN Skin has never had more attention. But the game is changing. Dr Christopher Vary and Iki Rhode – the husband-and-wife team behind Noaem Skin in East Sussex – are playing it differently: not reactive fixes, not short-term results, but a clinical approach to how your skin actually performs, looks and ages over a lifetime. On page 45, discover what skin longevity actually means, and what the long game looks like in practice.
noaemskin.co.uk
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IKI AND CHRISTOPHER
S K I N
Dr Christopher Vary and Iki Rhode explain why understanding your skin today could transform how it looks and functions tomorrow 46
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HEALTH & BEAUTY • PARTNERSHIP
Q Most of us are used to the idea of
thinking about our general health across a lifetime. Skin, despite being our largest, most visible organ, is often something we notice only when a problem appears. When did the two of you start thinking about it differently? DR CHRIS: Medicine teaches us to consider organs as systems; how they function, how they age, how they change over time. So when we created Noaem Skin, I asked ‘what are we actually trying to preserve and improve?’. The answer was the skin’s function, its resilience and the capacity of it to do what it is meant to do across a lifetime – not how do we treat this isolated concern. IKI: I’ve spent much time in Austria and was always struck by how normal it is to approach health preventatively. This stayed with me. When we started discussing Noaem Skin, I kept returning to the same thought: why wait for a concern to become visible before planning the long-term care of our skin? Q You use the term “skin longevity”.
What does it mean and how is it different from “anti-ageing”? DR CHRIS: Skin longevity is the preservation and optimisation of skin’s function, resilience and appearance across a lifetime. Skin has a trajectory influenced by health, genetics, environment and lifestyle, and the decisions made accumulate over time. Considerations will di!er at 25 and 55, but the principle is the same: it is more useful to understand and support the skin before waiting for problems to appear. IKI: Anti-ageing treats ageing itself as a problem. Skin longevity accepts the fact that healthy skin will age; the question is how well it does so. To us, success is seeing a friend after a decade and looking like you have lived a really good, healthy ten years, not spent ten years trying to age backwards. Q Your initial skin consultation lasts 90
minutes. What can that assessment reveal before intervention is considered, and why does it change everything that follows? DR CHRIS: Our initial consultation takes 90 minutes because skin cannot be fully understood as an isolated organ. We take time to take your medical history, explore your lifestyle, previous treatments, current skincare routine and what observed changes bother the person. Next we examine the skin with our Observe520x
skin imaging device that allows us to identify patterns that are not always visible under ordinary light. All of this creates a comprehensive baseline. As a person proceeds through their skin longevity plan, we monitor changes with an understanding of where that person’s skin began.
“Skin longevity is the preservation and optimisation of skin's function”
Q What can someone who is
beginning to think about their skin differently expect from you? IKI: They can expect understanding first and recommending second. We don’t keep a huge number of devices at Noaem Skin – and believe us, we have tried many. We will only introduce new technology after careful clinical evaluation and when we feel it genuinely adds value. Our BBL HEROic is a good example. It is engineered and manufactured by Sciton in Silicon Valley and is regarded as a gold standard in broadband light. A Stanford study of skin treated with BBL demonstrated gene expression changes more consistent with younger skin – not just appearing di!erent after treatment, but functioning di!erently at a cellular level. Patients often say “I don’t need to do the research because I know you have”. We take that level of trust seriously. Q Chris, you are a doctor with a
background in anaesthesia and critical care; Iki, you are a pharmacist who is also qualified to prescribe independently. How have those clinical backgrounds shaped the way you assess evidence, manage risk and make decisions about skin? DR CHRIS: Medicine teaches us to make decisions for the individual ensuring benefit is proportionate to risk. Two people undergoing the same operation may require entirely di!erent anaesthetic approaches because their baseline health, priorities and tolerance of recovery di!er. This translates into how we approach skin; is intervention appropriate, do benefits justify risk, and is it right for the individual? IKI: My training taught me to interrogate clinical studies and understand pharmacology while prescribing safely. Even formulation science – not my favourite university subject, I admit – is now, when applied to skin, both useful and enjoyable! I understand how products are formulated and active ingredients delivered, and this helps to look beyond product claims and assess them realistically.
IN NOAEM SKIN'S HOVE CLINIC
Q Many people already think proactively
about exercise, nutrition, dental health and regular health checks, but have never considered their skin in the same way. Where should they begin? IKI: Begin by noticing patterns rather than waiting for concerns to appear. How does your skin change with seasons, illness, stress or hormones? Keep your skin routine simple – nobody needs 10 steps – and make UV protection, not only with SPF but also UPF clothing, non-negotiable. Family patterns of skin can give you clues about your personal skin trajectory. Understanding your personal baseline now helps you make better decisions for the future. noaemskin.co.uk A B S O L U T E LY m a g a z i n e s
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Freephone 0800 772 0274
24 Hour Help Line 07747 605 724
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HEALTH & BEAUTY • PARTNERSHIP
D a y t o R E M E M B E R
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24 hours of living well at Goodwood
hen people think about Goodwood, they often think about horses and motor racing. But beyond these sporting ventures there is another side to Goodwood: a place where beautiful countryside, exceptional expertise and a vibrant community come together to create a healthier way to live. Imagine starting your day with a run through Goodwood’s ancient woodlands and across the parkland, before heading to the Health Club for a swim. Later, there’s coffee at The Kennels, Goodwood’s private members’ club, overlooking the stunning parkland. It feels a world away from the everyday, yet this can simply be part of your morning. This is what makes Goodwood Health & Wellbeing different. Membership isn’t just about having somewhere to exercise. It’s about having an environment, a community and an exceptional range of expertise around you, helping you make healthier choices part of everyday life. For those who want to train, the Health Club offers facilities rarely found outside London. The AI-adaptive, Technogympowered gym responds to your individual
goals and progress, while expert instructors provide the human support to help you get the most from your training. There are dedicated spaces for Pilates, including a beautiful reformer studio, alongside classes, personal training and a wide range of ways to move. But movement is only one part of the picture. After training, you can take time to unwind in the pool and sauna, a treatment in the spa or explore the many ways Goodwood supports recovery and restoration. Its community of practitioners offers an unusually broad approach to wellbeing, from personal training and Pilates to treatments, physiotherapy, breathwork and restorative experiences such as sound bathing, all set within 11,000 acres of West Sussex countryside. Nutrition is part of the picture, too. With food at the heart of Goodwood’s farm-to-fork philosophy, healthy living extends beyond the gym. The Estate’s restaurants champion seasonal produce from Goodwood Home Farm and Market Garden, while nutritional support helps members understand how what they eat can support their individual health and goals. For those looking to understand their health more deeply, Goodwood brings together preventative health and diagnostics through partners
including Randox Health, alongside a private GP and practitioners who take a holistic view of wellbeing. Whether you’re looking to build strength, improve mobility, increase energy, manage stress or simply feel your best for longer, your membership can evolve with you. And then there is the community. You might arrive for the gym and stay for the friendships. A yoga class can become a weekly ritual, an Estate run a social occasion, or coffee at The Kennels the perfect way to finish a morning. At weekends, families can explore the Estate together, enjoy lunch, play tennis, take a treatment or simply spend time outdoors. Everyone joins for a different reason. Some want to feel stronger. Others want more energy, better health, time to switch off or simply somewhere they enjoy being. Goodwood’s role is to help you find your own healthier way to live, with personalised care and expert support around you. Because this is more than a health club. It is a way to make movement, nature, nourishment, recovery and community part of your everyday life. Join Goodwood Health & Wellbeing this September and pay no joining fee. Discover membership and book your tour at goodwood.com/healthclub A B S O L U T E LY m a g a z i n e s
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INTERIORS
LIGHT HOUSE C R I T TA L W I N D OW S
Internal and external systems from Crittall Windows combine minimal sightlines with maximum glazing, allowing daylight and borrowed light to flow throughout a property. Backed by more than 175 years of craftsmanship, Crittall creates beautifully designed architectural features that unite heritage character with contemporary performance. crittall-windows.co.uk
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BEYOND THE
paint From first impressions to lasting comfort, discover how expert colour advice from Farrow & Ball can completely transform the way you live
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INTERIORS • FEATURE
BEAUTIFUL INTERIORS ARE CREATED THROUGH EXPERT KNOWLEDGE AND GENUINE COLLABORATION
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here is a moment in every decorating project when inspiration gives way to uncertainty. Perhaps you’ve collected countless screenshots, built up a wall of colour on Pinterest, and still something just doesn’t quite fit. More often than not, it isn’t a lack of imagination that’s holding people back. It’s knowing how to make every decision work together. That’s where Farrow & Ball Colour Consultancy takes a refreshingly different approach. Rather than beginning with paint charts, the service starts with people. Every consultation is built around understanding how a home is lived in, how each room connects to the next and, perhaps most importantly, how you want your home to feel every day. Colour is treated as far more than decoration; it’s the first layer of comfort, quietly shaping the atmosphere long before the furniture is arranged or the finishing touches are added.
Whether you’re redesigning a single room, renovating an entire property or planning a commercial project, the consultancy is designed to remove the guesswork while giving clients the confidence to make bold or beautifully understated choices. Every project begins with conversation. Before the consultation itself, your Colour Consultant takes the time to understand your home, your aspirations and your personal style. Some clients arrive with detailed mood boards and a clear vision, while others simply know how they want their home to feel. Both approaches are equally valuable because every recommendation is tailored to the individual rather than following trends. The consultation itself is collaborative from start to finish. Rather than prescribing colours, consultants explore the property alongside you, noticing the details that often go unseen. The changing quality of natural light throughout the day, original architectural features, existing furniture, flooring, artwork and even the view through the windows all become part of the conversation. It’s this wider perspective that often makes the greatest difference. Instead of treating rooms as separate decorating projects, Farrow & Ball encourages a whole-home approach. Hallways, staircases and connecting spaces are considered just as carefully as kitchens or bedrooms, allowing colours to flow naturally while still giving each room its own distinct personality. Even exterior surroundings, from garden planting to brickwork, can influence the palette, creating a home that feels beautifully connected inside and out. Of course, every household lives differently. A family kitchen has different demands from a peaceful reading room, while an openplan entertaining space needs to balance energy with relaxation. Colour Consultancy isn’t simply about selecting attractive shades; it’s about creating environments that genuinely support everyday life. The service is equally accessible whether you choose an in-home or virtual appointment. Virtual consultations provide the same one-to-one expertise, with colour cards and fan decks supplied beforehand so
ideas can be explored together in real time. For those welcoming a consultant into their home, sampling tools allow colours, finishes and patterns to be viewed within the unique conditions of each room, helping decisions feel informed rather than instinctive. Once the consultation is complete, clients receive a comprehensive set of personalised recommendations covering colours, finishes, wallpaper suggestions, practical guidance and quantities, allowing every aspect of the project to move forward with confidence. The service also includes a 15 per cent discount, making it even easier to begin bringing the vision to life. Perhaps what makes the experience stand apart is that the relationship doesn’t end once the paint is ordered. Colour Consultants remain available for follow-up advice, with showrooms and customer services continuing to support clients throughout the decorating journey. It’s an approach that reflects a steadfast belief at Farrow & Ball: that beautiful interiors aren’t created through one perfect colour alone, but through thoughtful guidance, expert knowledge and genuine collaboration. In a world where decorating advice is often reduced to social media trends and fleeting fashions, Colour Consultancy offers something far more enduring. It gives homeowners the confidence to make decisions that not only look beautiful today, but continue to feel right for years to come. Because the best interiors aren’t simply designed to impress. They’re designed to feel like home. Turn over for an exclusive interview with a local Farrow & Ball Colour Consultant A B S O L U T E LY m a g a z i n e s
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INTERIORS • Q&A
Q When is a virtual consultation just
as effective as an in-home visit?
A Virtual consultations are incredibly
FIRST HAND
knowledge
Absolutely meets Sara L, the local Farrow & Ball Colour Consultant covering Hove Q Tell us a little bit about yourself and
your career with Farrow & Ball… A This is my 14th year working with Farrow & Ball as a Colour Consultant, although my passion for decorating began much earlier. My mother loved to colour drench rooms, so I grew up surrounded by colour. It was quite a revelation to visit friends' homes to discover white ceilings and woodwork! Q Can colour actually change how a
room feels, even if nothing else changes?
A Absolutely, colour is incredibly
transformative. Warm tones can turn a stark room into something cocooning, deep colours can bring atmosphere and intention. While paint is often seen as purely decorative, its emotional influence is undeniable. The right colour choice doesn’t simply change how a room looks, it changes how it feels to spend time in there.
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Q How do you help couples or
families with very different tastes reach one scheme everyone loves? A I often start the colour conversation by asking how they would like the space to feel. Someone might ask for a calm neutral, while another might request warmth or more personality. My job is to translate those ideas into a workable colour palette that everyone can enjoy, perhaps a quieter colour on the walls with a bolder shade on the cabinetry, or a stronger colour in a smaller adjoining room. Decorating is a very personal journey, but having an expert to guide you through the process can be hugely beneficial. It keeps the conversation focused and ensures that the finished scheme feels collaborative and considered.
e!ective. I was part of the first cohort of Colour Consultants to help launch the virtual consultation service at Farrow & Ball during the COVID lockdowns. That experience demonstrated just how personal, detailed and successful a remote consultation can be. Virtual consultations are particularly e!ective for refining ideas, ensuring flow between multiple rooms, or selecting colours for projects still under renovation. Q Do you have a favourite
Farrow & Ball colour right now?
A My favourite colour today is Reduced
Green. I particularly love colours that reveal di!erent aspects of themselves as the light changes, and Reduced Green does exactly that. It is quietly confident and incredibly easy to live with. Ask me tomorrow though and I will probably have a new favourite! Q What do clients tell you
after they've lived with your recommendations for a few months? A During a consultation, decisions such as selecting complementary whites or adjusting the colours of ceilings and woodwork can initially seem overly detailed. However, once the scheme is complete, clients understand how those individual choices work together to create consistency and flow. Positive feedback often leads to repeat consultations, with clients asking for help applying the same considered approach to other rooms or a new project. Visit your local showroom to find out more about Farrow & Ball Colour Consultancy. Book an appointment with Sara in store at 31B Western Road, Brighton and Hove, Hove BN3 1AF, or visit farrow-ball.com
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Levelling
UP Take your sleep comfort to the next level with Jensen
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J
ensen adjustable beds are becoming an increasingly popular choice – and it’s easy to see why. Combining Norwegian craftsmanship with exceptional sleep comfort and smart functionality, they give you the freedom to adjust your bed to suit the moment. Once you’ve experienced the flexibility of an adjustable bed, it may quickly become your favourite place to relax – day or night. WHY CHOOSE A JENSEN ADJUSTABLE BED? With a double adjustable bed, you and your partner can adjust the head and foot ends independently to find your preferred positions. You can also synchronise both sides and control them together with one remote.
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• PARTNERSHIP • XXXXX INTERIORS XXXXXXXX
JENSEN'S BEDS ARE DEVELOPED WITH EXPERTISE IN PHYSIOLOGY
The Jensen SplitTopper has been specially developed for their double adjustable beds. From the centre down to the foot end, it creates one seamless sleeping surface without a gap between you and your partner. At the head end, the topper is split, allowing each side to be adjusted individually. ADJUSTABLE FUNCTIONALITY, CONTINENTAL LOOKS Advanced functionality doesn’t have to compromise on design. The mechanical components are discreetly integrated into the bed frame, so when the bed is flat, it has the elegant appearance of a continental bed. MAKE MORE OF YOUR BEDROOM Breakfast in bed, reading before sleep or enjoying a lazy morning watching TV – an adjustable bed makes it easy to find a comfortable position. Instead of stacking pillows behind your back, simply adjust the bed at the touch of a button using the remote control or your
smartphone. When you find a position you love, the memory function lets you save it and return to it whenever you like. WHY CHOOSE JENSEN? Since 1947, Jensen’s purpose has been to help people sleep better. Their beds are developed with expertise in physiology and sleep comfort, combining generations of craftsmanship with continuous innovation. Features such as Jensen Exact Comfort Adjustment, the unique Jensen Original Zone System and the Aloy® spring system are designed to provide excellent support and comfort throughout the night. The result is a bed designed around one simple goal: helping you wake up fully rested. MADE IN NORWAY SINCE 1947 Jensen was established in 1947, when resources were scarce and ingenuity was essential. Their first mattresses were made using materials such as horsehair and cotton wool – natural materials that were available at the time.
Much has changed since then, but their commitment to outstanding sleep comfort has remained the same. Every Jensen bed is still made in Svelvik, Norway. For Jensen, Made in Norway is more than a label. It represents generations of craftsmanship, attention to detail and a dedication to quality. DISCOVER JENSEN IN LONDON Choosing a new bed is a personal investment, and finding the right comfort is an important part of that decision. If you are considering a Jensen bed in the UK, they invite you to visit their showroom at the Chelsea Harbour Design Centre. Their London-based team can guide you through the collections, help you find the right comfort and provide personalised recommendations based on your needs. JENSEN CHELSEA HARBOUR jensenbeds.chelseaharbour@hildinganders.com 020 3914 1262 / jensen-beds.com
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BRING YOUR OUTDOOR SPACE TO LIFE
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INTERIORS • TREND
OKA Pompadour faux shagreen cutlery set, 28 piece, £195 oka.com
COX & COX 16-piece cutlery set, wooden handles, £75 coxandcox.co.uk
CASA BY JJ
ADDISON ROSS
Four-piece Bamboo cutlery set, £80 casabyjj.com
Wave cutlery, 16-piece set, £80 addisonross.com
NKUKU Osko brushed gold cutlery set of 16, £190 nkuku.com
KNIVES OUT
CASA BY JJ Four-piece Pearl cutlery set, £80 casabyjj.com
Colourful cutlery is having a moment By P E N D L E H A R T E
VISTA ALLEGRE
SOPHIE ALLPORT Green handle 12-piece cutlery set, £150 sophieallport.com
REBECCA UDALL Tortoiseshell four-piece set, £60 rebeccaudall.com
EDITOR’S PICK
Domo matt gold cutlery set of 16, £495 micucci.store
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Start making plans for your next family holiday
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TRAVEL
ON THE CASE KAPTEN & SON
The key to a successful holiday? Obviously choosing the right location is paramount, but after that, surely it's packing. Pack right and you'll have everything you need to hand – and what you need to pack right is a suitable bag. Kapten & Son's collection has them all, clever pockets, dividers, and flexible options. kapten-son.com
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TRAVEL • MALDIVES
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Kandima gives the classic Maldivian escape an energetic, stylish and unexpectedly playful twist B y C R A I G D AV I E S
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here is a particular image of the Maldives that has become almost impossible to escape: an overwater villa, a hammock suspended above impossibly turquoise water and very little to trouble the diary beyond lunch, a swim and the important business of deciding where to watch the sunset. Kandima Maldives has all of that, of course. What it also has is rather more momentum. Set in the Dhaalu Atoll on an island stretching for almost three kilometres, Kandima takes the ingredients that make the Maldives so irresistible – dazzling white sand, warm Indian Ocean water and a colour palette that seems to run through every conceivable shade of blue – and adds something unexpected: energy. This is a resort where you can dive, snorkel, cycle, play tennis, make art, work out at midnight, dance after dark or, should the mood take you, race an electric go-kart beside the ocean. Getting here provides the first reminder that the Maldives really does look like the photographs. From Malé, Kandima can be reached by domestic flight and speedboat transfer, and as the resort
appears amid the blue, the transition from London life to island life feels satisfyingly dramatic. Once ashore, it’s clear this isn’t a resort overly concerned with traditional notions of Maldivian luxury. There is colour, contemporary architecture and a playful confidence to the place. Bicycles are part of the furniture, music drifts from the bars and there is a sense that you are arriving at a tropical resort with the scale and variety of a small village rather than disappearing into an isolated honeymoon hideaway. That distinction is important. Kandima isn’t the Maldives at its most hushed. It’s the Maldives with its shoes off and music on. ISL AND LIFE There are 270 studios and villas on offer, ranging from Beach and Sky Studios to Beach Pool Villas and those quintessentially Maldivian overwater retreats. The aesthetic throughout is contemporary: clean lines, generous proportions and splashes of colour rather than dark woods and faux-rustic castaway chic. For the full experience, however, it is difficult to resist life above the lagoon. Aqua Villas have private decks and direct access to the ocean, while Aqua Villas with Swirl Pools add an outdoor pool
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to the equation. Ocean Pool Villas go further still with private pools and uninterrupted Indian Ocean views – and, if luck is on your side, dolphins passing in front. There’s something wonderfully indulgent about waking up, opening the curtains and seeing nothing but water. Morning entertainment comes courtesy of the reef fish beneath the deck; your commute to the sea involves a few steps. Kandima’s scale becomes apparent when you start exploring. Cycling quickly became one of my favourite ways to get around, particularly towards the end of the afternoon when the sun begins to soften. Palm-lined paths link villas with restaurants, pools, sports facilities and quieter corners of beach, and moving between them gives the island a sense of discovery that smaller resorts can sometimes lack. And there is a lot to discover. The facilities include tennis and badminton courts, a football pitch, beach volleyball and KULA Art Studio, where guests can join painting and craft classes with the resident artist. Then there is Fast Track, billed as the Maldives’ first asphalt oceanfront electric go-kart track, a 500-metre circuit that may not feature prominently in most fantasies of Maldivian serenity, but rather sums up Kandima’s determination to do things differently. There’s more indoor entertainment at PlaySpace, Kandima’s dedicated gaming hub, designed for all ages and packed with activities when you fancy a break from the sun. It’s another slightly unexpected addition to a Maldivian resort – and further evidence that Kandima has thought beyond the traditional beach-and-lagoon formula. The same applies to fitness. BURN is open 24 hours a day, while the wider sporting offering means it would take considerable determination to remain
AQUA VILLAS
LINEAR PLUS DRAWERS
PLAYSPACE
horizontal for an entire week. Not that anyone is judging if you do. FOOD FOR THOUGHT With a resort of this size, dining could easily become the weak link: enormous buffets designed to satisfy everybody but excite nobody. Happily, Kandima’s food offering is one of the reasons I would return. There is enough variety to ensure that dinner
Kandima doesn't ask you to subscribe to one particular idea of paradise feels like an occasion rather than a routine. Flavour and Zest provide the more relaxed market-style international dining, but the speciality restaurants are where Kandima really starts to show its personality. Azure is exactly the sort of restaurant you hope to find on a tropical island. Sitting beside the beach, it has a Mediterranean sensibility that suits the surroundings perfectly. Fresh seafood, salads and grilled dishes are the natural order of the day, and this is somewhere where lunch can very easily consume an afternoon. Add a chilled glass of wine, the lagoon a few metres away and nowhere particularly urgent to be, and plans tend to evaporate. Smoked offers something altogether richer. Built around an open BBQ kitchen, its menu moves through steaks, ribs, fresh fish and vegetarian dishes. Watching food cooked over the flames adds theatre without tipping into gimmickry, and it feels sufficiently special for a celebratory dinner while retaining the informality that Kandima does so well. Then there is Sea Dragon. Positioned over the water and specialising in Asian
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cuisine served family-style, it is one of the island’s most atmospheric dinner spots. There is the rather wonderful distraction of blacktip reef sharks gliding through the water beneath the restaurant – the sort of detail that makes even an excellent meal difficult to replicate once home. The casual options are equally important because they give the resort rhythm. Aroma Café overlooks a lake rather than the ocean and is an appealing stop for coffee, juices and baked treats; Deli covers quick bites and ice cream; while Breeze supplies the poolside drinks and soundtrack. It’s this choice that makes a longer stay work. One day can involve coffee at Aroma, lunch overlooking the water and dinner at Sea Dragon; another can revolve around the pool before heading to Smoked. Despite the resort’s size, dining doesn’t feel corporate or over-orchestrated. INTO THE BLUE If the restaurants surprised me, the ocean ultimately defined the trip. Aquaholics, Kandima’s diving and watersports centre, ensures that the lagoon is something to experience rather than simply photograph. Diving and marine biology activities sit alongside a watersports programme, and there is something particularly appealing about being able to switch so easily between doing nothing and doing rather a lot. Paddleboarding across water that barely seems to move is an excellent way to begin the day. Snorkelling, meanwhile, reveals the other Maldives: coral formations, flashes of tropical colour and rays moving silently beneath the surface. We loved seeing schools of reef fish and having encounters with rays, while the wider
IT IS A HAVEN FOR WATERSPORTS
Dhaalu Atoll offers opportunities for divers to see turtles, reef sharks and eagle rays. It is this accessibility that makes the difference. You don’t feel as though every adventure needs to become a major expedition. The ocean is simply there, waiting. Eventually, even the most enthusiastic diver needs some downtime, and esKape Spa provides the counterpoint to Kandima’s activity. Hidden amid tropical greenery, it offers treatments alongside steam and sauna facilities, yoga, a nail bar and hairdresser. After several days of swimming, cycling and being in the sun, surrendering an afternoon to the spa feels entirely justified. Families are well catered for too. Kandiland runs a daily programme of activities for younger visitors, while the abundance of sport, water-based activities and space gives older
FAST TRACK
children considerably more to occupy them than another afternoon around the pool. That helps explain why Kandima feels different from resorts built almost exclusively around honeymooners. Couples can find romance and privacy here – quite easily – but families and groups don’t feel like interlopers. As darkness falls, the island changes gear again. Music and live entertainment replace some of the daytime activity, and Breeze becomes a natural meeting point. Yet the clever part is that participation is optional. Kandima may have more going on than many Maldivian islands, but you can always walk away from it and find silence, stars and the sound of the Indian Ocean. And perhaps that is the real luxury here: choice. Kandima doesn’t ask you to subscribe to one particular idea of paradise. You can spend the morning beneath the ocean and the afternoon beneath an umbrella. You can have dinner cooked over flames at Smoked or linger over Asian food above the lagoon. You can cycle three kilometres, take an art class, visit the spa, go diving or ignore absolutely everything and sit on the beach. For anyone imagining the Maldives solely as a romantic cocoon, Kandima might initially come as a surprise. It is bigger, brighter and considerably more energetic than the archetypal private-island retreat. For me, its scale is precisely what makes it compelling. The Maldives supplies the beauty effortlessly. Kandima gives you reasons to engage with it. The villas are stylish, the dining impressively varied and the service warm, but my strongest memories aren’t confined to a room: they’re of cycling beneath the palms, slipping into the lagoon, discovering what lives below the surface and sitting over the water as another Maldivian day disappeared. You still return home with the photographs everyone expects: white beaches, blue lagoons and sunsets that scarcely look real. Kandima simply makes sure you return with a few stories as well. For full pricing information, visit kandima.com A B S O L U T E LY m a g a z i n e s
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ESCAPE - WITHOUT LEAVING HOME
C L E V E R LY C O M PA C T F O R T H E C I T Y the traditional sauna experience, upgraded
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TRAVEL • DUBAI
It holds the Guinness World Records title for Most Waterslides in a Waterpark
FANTASY
ISLAND Dubai’s Atlantis, The Palm, is a vast, sprawling world of its own
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tlantis, The Palm is a 46-hectare, oceanthemed entertainment resort on Dubai’s man-made Palm Jumeirah island. The resort draws inspiration from the legendary lost city of Atlantis, blending Arabian architectural motifs such as Moorish archways, palm-shaped pillars and hand-wrought iron detailing with dramatic features. The vast resort holds 1,544 rooms and suites across two 22-storey towers, including six signature suites (notably two Underwater Suites), an Imperial Club with dedicated lounge and VIP perks, and over 2km of private beachfront, making it the largest continuous privately-owned stretch in Dubai. Dining is a major pillar, with 38 restaurants, bars and lounges spanning celebrity-chef venues (Gordon Ramsay’s Bread Street Kitchen and Street Pizza,
Nobu, Hakkasan, FZN by Björn Frantzén and Brasserie Frantzén), Michelinstarred options, and the award-winning underwater restaurant Ossiano. Family entertainment runs through Wavehouse, and Casablanca Beach Club, is an elevated beach club with a designer twist. The resort’s signature attraction is Aquaventure World, now the world’s largest at 22.5 hectares. It holds the Guinness World Records title for Most Waterslides in a Waterpark, with over 105 rides and attractions across three towers, three river rides, and dedicated kids’ zones, plus record-breaking slides like Odyssey of Terror and Shockwave. It’s also the Middle East’s first certified Autism Center waterpark. Marine life is central to the experience: The Lost World Aquarium and The Ambassador Lagoon together house over 65,000 animals across 250+ species, AZA-accredited since 2020. Dolphin Bay and Sea Lion Point offer conservationfocused encounter programmes. Wellness is served by the 2,400sqm AWAKEN Spa (27 treatment rooms, holistic "four elements" concept, vegan/ cruelty-free products) plus a fitness centre, nail bar, and salon/barber. Shoppers can browse The Avenues, a 2,200sqm retail souk with 30+ luxury boutiques including Tiffany & Co. and Stefano Ricci. The resort has earned extensive recognition, including multiple World Travel Awards, Forbes Travel Guide recognition, and sustainability honours, cementing its status as one of the region’s premier destinations. atlantis.com A B S O L U T E LY m a g a z i n e s
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all
heroes story of their own
2 – 13 YEARS | DAY & BOARDING | 50–WEEK WRAPAROUND CARE FOR NURSERY-YEAR 2
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SPECI A L
BEST OF ALL WOR LDS L A N C I N G CO L L EG E
Lancing College is a co-educational boarding and day school for pupils aged 13–18, set in the stunning South Downs of West Sussex. Welcoming pupils from across the UK and more than 40 nationalities, the College combines academic excellence with a warm, inclusive community. Turn to page 70 to read more. lancingcollege.co.uk
Inside this section 7 8 VA L U E O F A P R E P E D U C AT I O N 8 2 G R E E K GO DS R E I MAG I N E D 8 7 G O L F A S A N E D U C AT I O N A L T O O L
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WELCOME TO THE
FAMILY
Exploring the educational journey at Lancing College Family of Schools
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he Lancing College Family of Schools offers children from nursery to 18 an inspiring journey of learning and discovery. At every stage, pupils benefit from an environment where they are encouraged to explore their interests, develop their independence and make the most of their individual talents. Although each school has its own distinctive identity, they are united by a shared ethos that puts children at the heart of everything they do. At the centre of it all is Lancing College. Set against the backdrop of the South Downs, the College is famous for its
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stunning Chapel and beautiful campus, but there’s far more to it than the view. Walk around on any school day and you’ll quickly notice the energy. Pupils are busy rehearsing for productions, training on the sports pitches, working in the art studios, debating ideas in classrooms or simply catching up with friends between lessons. Lancing has built its reputation on giving young people every opportunity to aim high while making sure they feel supported along the way. Academic achievement matters, but so does finding your passion, trying something new and building the confidence to take on challenges. Whether that’s representing the school in sport, performing in a concert, leading a society or discovering a
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EDUCATION • PARTNERSHIP
subject that sparks a future career, there’s a real sense that every pupil is encouraged to make the most of their time here. The boarding community adds another dimension to life at the College, creating friendships that often last a lifetime, while day pupils are just as much part of the vibrant community. It’s a busy, welcoming school where there’s always something going on and everyone is encouraged to get involved. For many pupils, the journey starts much earlier at one of the Lancing prep schools. At Lancing Prep Hove, curiosity is at the heart of everyday learning. Set in seven acres of green space, in the heart of Hove and just minutes from the sea, the school gives children the confidence to ask questions, think independently and enjoy discovering new things. From Forest School and outdoor learning to music, sport and the classroom, there’s a real focus on helping every child grow in confidence as well as ability. Over in Lancing Prep Worthing, the atmosphere is equally warm and welcoming. Every child is truly known by staff, creating an environment where pupils feel comfortable to have a go, take risks and enjoy learning. Alongside strong academic foundations, there’s plenty
of opportunity to explore interests through sport, drama, music and creative activities, helping children discover what they love. The newest member of the family, Dorset House School, brings its own rich history and traditions. Set in Bury, near Arundel and surrounded by beautiful countryside, Dorset House has long been known for its balanced approach to education, encouraging children to work hard while making the most of childhood. It’s a boarding and day prep school where pupils are challenged, supported and given the confidence to become independent learners, making it a natural fit within the Lancing family. Although each school is different, they all share the same belief that education is about much more than exam results. It’s about building confidence, encouraging curiosity and helping every child find their place. Teachers know their pupils as individuals, celebrate their successes and support them when things don’t quite go to plan. Being part of the Lancing College
Family of Schools also brings exciting opportunities to work together. Staff share expertise, pupils enjoy shared experiences and, for many children, there’s a natural pathway through to Lancing College. That continuity helps make transitions feel exciting rather than daunting, while each school continues to keep the qualities that make it special. Ultimately, that’s what family means here. Four schools, each with its own character, united by a shared approach to education that puts children first. Wherever the journey begins, it’s one that encourages pupils to be curious, to get involved, to aim high and, above all, to enjoy every step along the way. To explore the Lancing College family of schools and attend an open day event visit lancingcollege.co.uk
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M A K I N G
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S P L A S H Dr Scott Crawford discusses his first year as Head Master of Lancing College Q You've now had a full year at
Lancing College. What has surprised you most about the school, and what has exceeded your expectations? A It’s the dynamism of the place. Lancing College carries nearly two centuries of history in its buildings, but underneath that is real energy. Our pupils pack so much into every week: academic work, sport, music, drama, community projects. I’ve watched a pupil go from a hockey pitch to a rehearsal to a debate in a single afternoon, still full of beans. And what’s exceeded my expectations is the quality of what they achieve: the standard of music and drama, the standard of sport, the standard of thinking in a classroom discussion. Q Looking back, what have been the
most significant developments you've been able to make over the past year? A Two things stand out, both born from listening rather than arriving with a plan. First, our approach to AI: clear Dos and Don’ts for pupils, alongside a statement of the Enduring Values we want to protect (the struggle of drafting an essay, the pleasure of making something by hand, the value of real conversation). We’ve drawn on some genuinely big brains to get this right, because I want our thinking here to sit among the best in the sector. AI should support learning, never replace it. Second, our £6.5 million investment in sport. The refurbished swimming pool has just reopened, with a new multisport indoor facility and Astro pitch to follow by 2027 and 2028. A school
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that takes itself seriously academically must take sport just as seriously. Q You spoke previously about
wanting every pupil to contribute meaningfully to the wider community. Have there been any initiatives or projects over the past year that particularly embody that ambition? A Our partnership with Electric Storm Youth, a local charity based in Lancing, has deepened significantly, now in its third year and growing. But it sits within a much wider push: our Community Action group has doubled in size this year, Fourth Form pupils have kept up their work on the College Farm and their visits to two local care homes, and we’ve built academic mentoring links with Sir Robert Woodard Academy. Our Third Form spent a whole morning out in the community, visiting care homes, churchyards and local primary schools, and litter-picking around Lancing. There is a real appetite for volunteering in the Sixth Form, and I want to see that channelled more deliberately through our 'Charity Term' alongside deeper links with local primary schools. We’ve also joined the Schools Partnership Alliance, a national charity building meaningful partnerships between the state and independent sectors. It’s a formal commitment to doing this properly.
DR SCOTT CRAWFORD
year, what excites you most?
should actually equip a young person with will be a defining focus next year. We’ve also gone back to first principles with our Statement of Aims, distilling 13 points down to four. Fewer words, sharper ambition, and now the real work of living them out daily. Alongside that, we’re launching a new Parents' Forum, giving families a genuine channel to bring their expertise and voice into how we shape the school.
school we have real freedom to innovate, and asking what a Lancing education
Meet Dr Scott Crawford at Lancing College's next open event: lancingcollege.co.uk
Q Looking ahead to the next academic A The curriculum. As an independent
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N E X T C H A P T E R From September, Joff Powis, formerly Head of Vinehall and currently Senior Deputy Head of Marlborough House Vinehall, will become Head of the latter. He tells Absolutely what we can expect from his leadership
Q What excites you most about taking over as Head of Marlborough House Vinehall (MHV) in September? A The sense of possibility. MHV brings together two much-loved prep schools and already has what no plan can manufacture: a beautiful setting and a committed community. I believe strongly in independent education, but the sector faces real challenges. Schools must adapt rather than rely on the past. MHV has the chance to build something special: ambitious, warm and rooted in belonging. I look forward to working with the community, and to the lessons, matches and conversations where its character is seen. Q Having spent many years in boarding prep schools, what do you believe are the
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most important qualities a prep school should develop in children today? A Academic foundations matter, but children also need to manage themselves and relate well to others. They should grow in confidence without losing humility, and understand that resilience sometimes means asking for help. They must think independently and adapt. I hope pupils leave MHV ready for senior school, comfortable in their own skin and curious about the world ahead. Q What aspects of MHV’s heritage and culture are particularly important to you, and how do you see them evolving in the years ahead? A Heritage gives a school memory and identity. MHV draws on two proud traditions, and we should respect what
LIZ AND JOFF POWIS
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each has brought. The warmth of the community, boarding and strong relationships matter greatly to me. Those qualities must remain, but heritage should be a foundation rather than a constraint. We should preserve MHV’s spirit while giving pupils greater independence and a clearer educational journey. Q What, for you, makes MHV stand out? A Children can be genuinely known here.
We notice when confidence is growing, when more challenge is needed or when something does not seem right. MHV also offers unusual breadth: academic challenge, sport, performance, outdoor learning and boarding. Children can discover where they flourish and be encouraged to try something new. Success is personal, and the sense of belonging is real. Q As a Geography graduate and outdoor enthusiast, how do you think learning beyond the classroom can help children thrive? A Geography taught me to look closely at places and understand how people and landscapes shape one another. Outdoors, plans change, problems need solving and children must work together. For some, this offers a route into success that the classroom may not. Used well, our grounds can build confidence, provide perspective and preserve a sense of wonder.
and feel safe, but they also need challenge. Much satisfaction comes from managing something hard. The balance is high expectation with strong support. Because we know pupils well, we can judge when to push and when to reassure. Results matter, but so do confidence, character, friendship and enthusiasm for learning. Q You have experience as a teacher, housemaster, deputy head and head. What lessons from those different roles have most shaped your leadership style? A Teaching keeps leadership honest: every decision eventually reaches a classroom. Housemastering taught me to notice small changes and that pastoral care is built through daily attention. Deputy headship showed me that an idea only
matters if colleagues can deliver it. Headship reinforced the importance of culture. I try to be visible, clear and calm, combining trust with high expectations. Q For families who have not yet met you, what should they know about Joff Powis the person, not just Joff Powis the Head? A I am not someone who wants to spend the day behind a desk. I enjoy being outdoors and involved in school life. I take the responsibility seriously, but do not believe a school must feel solemn to be excellent. Humour matters, and children are excellent at keeping adults grounded. I hope families find me approachable and straightforward. Above all, I intend to be visible and to listen.
mhvschool.co.uk
Q What role do you believe sport, adventure and co-curricular activities play in a child’s education and personal development? A They are central to a complete education. Sport teaches commitment and how to respond when the result goes against you. Adventure calls for courage and judgement. Music, drama and art can reveal strengths less visible in lessons. A broad programme lets every child find something meaningful. It should also help pupils take responsibility and understand what those experiences teach them. Q Parents often talk about wanting their children to be both happy and successful. How do you strike that balance as a school leader? A Happiness does not mean avoiding difficulty. Children should enjoy school A B S O L U T E LY m a g a z i n e s
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Lancing College Senior School & Sixth Form
Saturday Morning Open Events 3 October 2026 – All Years 14 November 2026 – Year 9 FIND OUT MORE LANCINGCOLLEGE.CO.UK AD LANCING COLLEGE AND PREP.indd 76
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EDUCATION • PARTNERSHIP
T O M O R R O W ’ S W O R L D
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lindon College is an independent day and boarding school for boys aged 8-18, who thrive in a specialist learning environment. The College is able to offer a broad, balanced and differentiated curriculum with a range of alternatives to GCSEs, such as BTECs, Functional Skills and AQE Awards. To identify the best approach, the inclusion team considers the individual needs of the young person rather than diagnosis alone. Teachers adapt lessons through differentiated tasks, sensoryaware classroom strategies, scaffolded instructions and flexible approaches to communication and assessment. Slindon College currently offers a variety of assistive technology in classrooms including laptops, reader pens, iPads, voice-to-text and speech recognition programs, as well as ClaroRead and
Exploring VR headsets and assistive technology at Slindon College MyOn software. Some pupils attend assistive technology intervention sessions to support them with using these tools and embedding them into their methods of learning. Reader pens are trialled for certain pupils, and if it is considered their normal way of working, these can then be applied for their exam access arrangements. The College’s exam access arrangement pens are able to read from a screen and ClaroRead software allows pupils to have text read out loud. This technology supports pupils with dyslexia, visual impairments and other print or learning difficulties. MyOn, an online reading programme, is also used by the College to provide pupils access to a variety of high-quality digital texts that can be read out loud. After purchasing new VR headsets and hand controllers, Slindon College is also introducing these to lessons as a learning tool. With a vast library of software available, content is tailored to
allow pupils to engage with these devices in any lesson, from roaming the streets of medieval Rome, to exploring the depths of the ocean; pupils can even take a trip to the Moon and explore with NASA’s lunar rover. The College employs a 30/30 rule, engaging in 30 minutes of VR use followed by 30 minutes off. The VR programmes include revision tools, which are used every Wednesday on a table rotation by Year 11 pupils to assist with their GCSE revision. Many pupils can experience mental health challenges linked to neurodiversity. At Slindon College, ‘The Sensory Snug’ is a space that has been opened to provide pupils with a designated area to focus on their learning needs. The Sensory Snug is a room with additional tools available to assist pupils with self-regulation and learning energy levels; it has become a dedicated space for pupils before and after exams. slindoncollege.co.uk A B S O L U T E LY m a g a z i n e s
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POSITIVES As more parents weigh up options and budgets, Nathaniel McCullagh of Simply Learning Tuition considers the long-term value of a prep education
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or many parents, paying for independent school for their child’s entire education is no longer an option. With the inclusion of VAT, average day fees are now around £19,000 a year or £50,000 for boarding, but this is an average. Many top schools charge far more – for example, Brighton College charges more than £19,000 a term for UK sixth form boarders. In effect, this would mean spending somewhere between £350,000 and £700,000 on independent schooling through nursery, prep and senior school – for one child. Unsurprisingly, a significant minority of families are now considering independent school for a limited time. For example, applications to sixth forms have remained strong despite fee increases, as parents choose to make financial sacrifices for two years. As more families mixand-match state and independent, the question becomes what age to prioritise. Many parents might consider it sensible to focus on senior and sixth, particularly as this covers off public exam years. They may also believe that home environment and family support can have a bigger influence on children when they are younger, but as they become teenagers their peer group matters more. It would be an oversimplification to assume that independent education in the earlier years (to Year 6 or Year 8) is a luxury, with the greatest value added at senior level. For example, if you live in the catchment area of an academically
Prep schools typically have smaller class sizes and more specialist teaching rigorous senior grammar but a poorperforming primary, then the opposite may well be true. Local situation plays a key part in such decisions, but there are also more general reasons why independent education through the formative prep years delivers long-term value. EXPANDING HORIZONS Prep schools typically have smaller class sizes, more specialist teaching, excellent facilities, high expectations for academic achievement and behaviour, varied extracurricular activities and outstanding pastoral care – including before and after school hours. Prep settings are important – they are often idyllic. For example, Sunningdale School, near Ascot, is set within 25 acres of woodland and playing fields, and boys can go fishing, mountain biking, climbing and camping. More rural still, at Pinewood School in Wiltshire, there are 84 acres and pupils can ride and go clay-pigeon shooting. Preps provide both breadth and depth of experience. Annie Gent, Head of Sherborne
Prep in Dorset, notes that senior school Heads, “really value the children who come on to them from us – their willingness to get involved in school life, their excellent education grounding across all subjects, and their quiet confidence, sense of community and maturity”. At Sherborne Prep, pupils are offered more than 130 different enrichment opportunities each term. Children play sport every day of the week (by contrast, state primary schools may offer as little as one lesson of PE a week), and every day pupils have a co-curricular lesson – whether that be Art, DT, Music, Drama or project work. STRETCH AND SUPPORT State primary schools can work well for confident independent learners who find the three Rs (Reading, Writing and Arithmetic) relatively straightforward. At the other end of the scale, those with severe learning difficulties (critically, children with an Education, Health and Care Plan – EHCP) get one-to-one help for free, and so can also be well-supported. A B S O L U T E LY m a g a z i n e s
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However, an independent prep can really come into its own for both all-rounders and those who sit in the ‘middle’ of the academic spectrum. In a typical cashstrapped primary, it is easy for ‘middling’ or quieter children to be overlooked. An overstretched primary school teacher, trying to instruct a mixed-ability class of 30 with a range of educational and behavioural needs, may simply not be able to adequately support or stretch those students who are not obvious over- or under-achievers. THE 'PREPARATION' FACTOR By design, an independent prep school can help your child get a place at a top secondary school. Most parents are already aware that prep schools are excellent at readying students for the demanding entrance tests to academically selective independent schools, but they can also give students the best possible chance of moving on to a non-fee-paying selective school. For example, Gayhurst Prep in Buckinghamshire sees about 40% of its leavers head to one of the popular local grammars, while Holmwood House in Essex loses half its pupils after Year 6 to Colchester Royal Grammar and Colchester County High. Preps such as these help to prepare students for the rigours of the 11+ exam and senior life, but in a way that is less pressured than the Standard Assessment Tests (SATS) of state primaries, which are invariably much more about teaching to the test.
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EXTENDED CHILDHOOD A critical benefit of the classic prep school – educating children from 7 to 13 – is that it gives children an opportunity to stay in primary education for longer. Those extra two years allow time to mature and enjoy a more carefree school existence for longer. Once children are in secondary school, immersed in the world of adolescence and surrounded by much older pupils, some innocence and confidence can be lost. Christine Cook, Head of Kitebrook School in the Cotswolds, points out that Years 7 and 8 in a prep school are valuable for offering plenty of leadership opportunities. “Students here have lots of chances to be role models to the younger pupils – for example, being a prefect – and can also excel in lots of areas, such as being a Scholar in an academic subject,” she says. “As well as helping to extend their childhood and hold off the pressures of teenage life for a little longer, it can really build up their confidence. For some students, moving to secondary school at Year 7 can make them feel like a very small fish in a very big pond, and force them to grow up very quickly.” It’s also worth noting that teachers at independent prep schools are specialists, both in terms of subject and age group. At secondary school, teachers are often incredibly busy prioritising A level or GCSE classes, or spending time writing references or assisting with university personal
statements, and so Year 7 and 8 classes can sometimes be a bit of an afterthought. At prep schools offering places up to 13, these year groups are the top of the school. In many respects, they are the priority. Despite prep schools’ many attributes, this may not be the right route for every child. Ultimately, it comes down to family circumstances, local options and your child’s interests, strengths and personality. There are opportunities outside school that help to add breadth and depth. In particular, working with a tutor can be invaluable for parents considering the independent school route for senior years, but nervous about the academic leap required. Tutoring represents an accessible investment to help ensure that, wherever your child spends their senior years, they can thrive. Nathaniel McCullagh is founder and director of Simply Learning Tuition. Find out more at simplylearningtuition.co.uk
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PHOTO: SOPHIE DAVIDSON
CLARE POLLARD
E P I C
A DV E N T U R E While Jason and the Argonauts is not famous for laughs, Clare Pollard has delivered a funny and gripping take on the myth to delight middle-grade readers 82
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ow do you solve a problem like Medea? It’s one of the reasons Clare Pollard believes Jason and the Argonauts is a story that hasn’t been retold for a young audience in a while. But it’s a challenge she decided to take on, in part because it began her lifelong fascination with the myths and legends of Ancient Greece. “I think for me the starting point was seeing the movie of Jason and the Argonauts when I was a kid, which is why the story means so much to me. I absolutely adored it.” The result is The Othernauts, with adventure, characters to love and – it has to be said – a slew of epic jokes about the weirder aspects of the tale and the lives it describes. The time felt right because Clare has her own children as inspiration: “I’ve got children who are nine and 12 so middle grade is right in the zone.” And there is, she admits, a little bit of their sibling dynamic in central characters Phoebe and (plot spoiler) her twin brother Perry. This is an author who has worked across genres and age groups – from The Weather, a play that premiered at the Royal Court, to poetry, adult fiction and non-fiction, plus a new translation of Ovid’s Heroines that she toured as a one-woman show. “I’ve always loved writing everything, really,” she smiles. Her book Fierce Bad Rabbits was an exploration of the sometimes dark and sinister elements of children’s stories. “I take children’s literature very seriously,” she says. “I think we should all take children’s literature seriously and think about what stories we’re telling them. These books completely shape our imagination and often shape our moral code, our sense of what’s
possible in the world.” Now with two children of her own, she’s believes the biggest mistake a writer can make is to underestimate the audience. “Your storytelling needs to be just as good, your descriptions just as evocative, your characters just as rounded, your jokes just as witty.” In The Othernauts, there’s no dumbing down in the language, and she shows the
same respect for the wit of a child audience as an adult one, albeit with some thought about the grislier bits of Greek myths. “There is dark material in them that you have got to handle quite carefully. But I just love the idea that I’m telling a story to children that is a version of the same story told to children thousands of years ago. I find that just incredible,” she says. “I really love reinterpreting these myths and trying to make them relevant now.” Medea, that problem character, is handled rather beautifully. “I had quite good fun turning her into a Goth teenage witch,” she laughs. From her first stomping and slamming entrance, because she’s taken a night off from the shrine (where she spends her time making potions and sun-drying shrews’ hearts), she’s riveting and ghastly in equal measure. As Phoebe puts it: ‘I thought she’d be cooler than this’. The seriously cool character in The Othernauts is Phoebe, who is also incredibly funny. What’s not to love about a heroine who starts out telling us how deeply bored she is, with only a wicked stepmother and poisonous flowers for company on the dust-smothered and man-free island A B S O L U T E LY m a g a z i n e s
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CHILDREN START GIVING ME A BLOWBY-BLOW ACCOUNT OF THE ODYSSEY of Lemnos. She certainly doesn’t want to be a boy – having been educated in man hating since she was small – but she wouldn’t mind a change of scene. “I really wanted Phoebe to be that cynical, sarcastic character,” says Clare. Here, she admits she was influenced by her own children and the way they crack jokes – part of the shared language of home. “We all really love that deadpan humour,” she laughs. She believes jokes are a hook for this age group, as long as they are actually funny, but she had the perfect judging panel of two. “Children are a particularly good audience to test jokes on. A joke will fall absolutely flat – it’s humbling,” she says. There’s no doubt that audiences – boys and girls – are going to enjoy the polished humour in a story that treats a dark myth with lightness. Clare thinks the Greek myths endure because they have a plot that’s for everyone. “What’s so appealing about Greek myths – and the same is true of fairytales and a lot of these traditional tales – is that they weren’t aimed at children. There
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wasn’t such a thing as childhood in those days. It was literature for everybody.” She’s looking forward to taking The Othernauts into schools – where she already does a lot of work with The Poetry Society – because she knows there’s a keen audience. “The couple of workshops I’ve done so far, it’s been hard to get a word in edgeways because children start giving me blow-byblow accounts of The Odyssey – they get geeky about it!” She’d like the workshops to cover something else the Greek myths gave us. “I think the Greeks invented the shapes of stories – the stories that we still tell now,” she says. “One of the things I’m going to be asking is, how does a story work?”
The good news for readers who get behind Phoebe and Perry is that they ride o! into the sunset in search of another adventure. The second book is well into production – no plot spoilers but expect monsters, a fiendish female and other typical hazards of ancient times. Clare is delighted because these are two characters she isn’t ready to let go of quite yet. “I’m fond of Phoebe and Perry. It’s really nice to take them forward into another story and see them grow up a bit.” The Othernauts, written by Clare Pollard and illustrated by Macha Yao, is out now (£7.99, Piccadilly Press)
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EDUCATION • SPORT
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THE CLUB In a tech-driven world, David Burton of Worth School discusses the counterpoint offered by sports opportunities – especially golf
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n a world increasingly shaped by screens, algorithms and AI, the importance of sport in education has never been greater. Young people are growing up surrounded by extraordinary advances, yet also facing digital distraction, reduced physical activity and fewer opportunities for genuine connection. As schools prepare pupils for this technology-led future, they must ensure they develop the qualities technology cannot replace – resilience, teamwork, integrity, confidence and wellbeing. At Worth School, the sport programme aims to foster a lifelong love of physical activity. Pupils learn, develop and compete across athletics, badminton, basketball, cricket, cross country, equestrian, fencing, football, golf, hockey, lacrosse, netball, rugby union and tennis, and all pupils take part in the timetabled sports programme. Within this broad mix, golf has emerged as a particularly distinctive and valuable part of school life. The Worth Golf Academy provides pupils with the opportunity to develop and perform at whatever
level of golf they aspire to. Through our partnerships with Tilgate Golf Academy and Copthorne Golf Club, pupils benefit from coaching delivered by PGA professionals, access to a 32-bay driving range equipped with Toptracer technology, an 18-hole course and excellent short-game facilities. On the Worth School site, we have a 9-hole golf course and an indoor golf facility with simulator, state-of-the-art launch monitor and performance analysis technology. Competitive opportunities are extensive. There’s an internal Order of Merit plus inter-school fixtures and national competitions such as ISGA and HMC tournaments. Beginners and developing golfers join the Development Squad, enjoying three to five hours of coaching each week. More experienced and aspirational players train within the Performance Squad, receiving five to eight hours of coaching and playing opportunities weekly. Our golf scholarships allow talented pupils to combine a first-class academic education with an outstanding golf programme.
DAVID BURTON
While every sport contributes to child development, golf fosters qualities that feel especially relevant in this digital age. Modern life conditions young people to expect instant responses and immediate reward. Golf offers something different, and there are no shortcuts. Improvement comes gradually and is earned through patience, repetition and reflection. Teenagers learn quickly that setbacks are not failures but part of progress. Mastering a skill over months creates a deep and powerful sense of achievement and self-belief. Golf also develops accountability in a uniquely direct way. Players must take ownership of decisions and performances, learning how to recover from mistakes and remain composed under pressure. The game’s culture reinforces honesty and integrity, too, often requiring players to uphold standards of play and scoring even when nobody is watching. Just as importantly, golf encourages something increasingly rare – sustained concentration and genuine human connection. Walking a course creates space for conversation, friendship and reflection, while its intergenerational nature allows young people to interact with peers, but also teachers, parents and older adults. The future may be digital, but childhood should never be so. Sport has never been more relevant – and golf shows us precisely why. worthschool.org.uk A B S O L U T E LY m a g a z i n e s
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PIONEER Your Story Motivation isn’t something you either have or don’t have, it’s something you create. Surround yourself with people who inspire you in subjects that spark curiosity. Shape the future you want.
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EDUCATION • NEWS
EDU CATION NEWS The latest from schools across the county
Leading the way
Welcome with open arms Childhood is too important to rush. It should be filled with curiosity, laughter, friendship, challenge and discovery. At Windlesham House, they believe these years shape who children become. That’s why individuality is celebrated, confidence is nurtured and every opportunity inspires children to flourish. Windlesham House’s Open Mornings are a wonderful opportunity to see the school in action, meet pupils and staff, explore the beautiful grounds and discover what makes Windlesham House such a special place to learn, grow and belong. If you are not able to make the open morning, do go and visit them anyway as they would be delighted to share their school with you. Windlesham House School offers a broad curriculum, which is complemented by specialist teaching, sport, swimming, music, drama, outdoor learning and an extensive programme of clubs and enrichment, while strong pastoral care encourages confidence, independence, curiosity and resilience. The Windlesham House open mornings are on Saturday 10th October and Friday 13th November. windlesham.com
Lancing College is celebrating another excellent set of A Level results, with 54% of grades awarded A* or A and 26% achieving the top A* grade, with particularly strong performances in Mathematics, History, German and the Extended Project Qualification. Students are progressing to leading universities and institutions in the UK and overseas, pursuing subjects ranging from Engineering and Medicine to History, Politics, and Business. Destinations include UCL, LSE, Durham, Edinburgh and the Royal Northern College of Music. Head Master Dr Scott Crawford praised the cohort’s “sustained commitment, intellectual curiosity and willingness to embrace opportunities”, adding that their achievements extend beyond examination results to becoming thoughtful, resilient young people equipped with the confidence, ambition and sense of purpose to succeed. lancingcollege.co.uk
Great shot Set within the beautiful surroundings of Lavington Park, near Petworth, Seaford College offers students an exceptional environment in which to develop their golf. Seaford is one of only a small number of schools in the UK to have its own ninehole golf course on site, giving students the opportunity to play and practise without leaving the school grounds. With stunning views across Lavington Park, the course forms part of Seaford’s extensive 450-acre estate. Alongside the course, students benefit from an on-site driving range, a state-of-the-art indoor golf simulator and expert coaching from Seaford’s resident golf professional. Golf is available to players of all abilities, from those picking up a club for the
first time, to experienced golfers looking to develop their game. Having such extensive facilities on site means golf is a part of everyday school life. It is another example of Seaford’s commitment to giving students opportunities beyond the classroom, helping them discover new interests, develop their talents, and enjoy being active in one of the most beautiful school settings in Sussex. seaford.org
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LAST WORD • EVENT
why everyone is talking about…
Heritage Open Days The public have the unique opportunity to see behind the doors of some of Sussex’s most historic buildings
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very September, Heritage Open Days throws open the doors to some of Sussex’s most fascinating historic buildings and hidden treasures, offering visitors the chance to discover remarkable places and stories free of charge. From medieval manor houses and working watermills to military forts and nostalgic museums, the festival is a wonderful opportunity to explore the county’s rich heritage while enjoying exclusive access to sites that are not always open to the public. Among the standout attractions this year is Seaford Museum, housed within Martello Tower 74 on the seafront.
NYMANS, PHOTO: NATIONAL TRUST, GARY COSHAM
Packed with artefacts charting the town’s history, it recreates Victorian shops and domestic interiors alongside displays exploring life through to the Second World War. A special exhibition of penand-ink drawings by local artist Harry Harison Evans adds another dimension. In Hastings, visitors can step aboard a genuine piece of transport history with a ride on 'Happy Harold', a beautifully restored 1928 trolleybus. Believed to be the only operational trolleybus of its kind anywhere in the UK or Europe, the vintage vehicle offers a rare glimpse into a bygone era, lovingly maintained by a dedicated team of volunteers. One of the festival’s most exclusive experiences can be found in Eastbourne, where The Old Medieval Manor House opens to the public for the very first time. Dating from before 1463, the remarkable home has evolved over centuries and now reveals a fascinating blend of medieval, Tudor and later architectural features. Guided tours uncover reconstructed halls, Elizabethan wall paintings hidden for centuries and an atmospheric cellar containing the remains of medieval fireplaces, making this a genuine highlight for history enthusiasts.
Brighton’s Toy and Model Museum offers a journey into childhood nostalgia, with expert-led tours bringing to life one of the world’s finest collections of vintage toys and models. Home to more than 12,000 exhibits, the museum celebrates the golden age of toymaking. Near Petworth, the Coultershaw Heritage Site comes alive with demonstrations of its historic water-powered pumping engine, alongside interactive exhibits set beside the River Rother. Just along the road, Burton Mill showcases traditional flour milling using water power, while also generating hydroelectricity, illustrating how historic engineering continues to have a place in the modern world. For those who prefer grand houses and gardens, Nymans offers the chance to wander one of the National Trust’s finest Sussex estates. Meanwhile, Shoreham Fort transforms into a living history experience with military vehicles, costumed re-enactors and displays bringing this impressive Victorian coastal fortification vividly back to life. For dates and listings, visit heritageopendays.org.uk
1 & 2. BRIGHTON TOY AND MODEL MUSEUM. 3. THE OLD MEDIEVAL MANOR HOUSE, PHOTO: HARRIET TAIT. &. SHOREHAM FORT. PHOTO: FOSF
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3. &. 2.
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