CHICHESTER IN BLOOM The cathedral city is coming up smelling of roses GLADWIN BROTHERS Why the restaurateurs have taken over a pub in Amberley NUMBER ONE DESTINATION How Kew Wakehurst became a top tourist attraction
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EDITOR
MARK KEBBLE
ART DIRECTOR
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SHERIF SHALTOUT
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We meet the founder of this local success story (p16)
Chichester
The Festival of Flowers returns and the city is in full bloom (p21)
Wakehurst
Why it has been named Sussex's top tourist attraction again (p82)
Imogen Perreau landscape designer
Mel a nie G eorg a copo u los' be au tifu l jewellery collection incl u des this Ascending Tri a ring with three white freshwater pe a rls a nd one l a rger l a vender one. melaniegeorgacopoulos.com
SIL K CUT
‘Show Us Yo u r Silks’, one of the themes in this ye a r's Roya l Ascot H a ndbook: The Art of Dressing Well. It's a pl a yfu l nod to the bold gra phics a nd colo u rs of jockey silks. ascot.com
The Piccolo is a n eleg a nt mini atu re version of Neo 87100's Alice b a g th at comes in the bra nd's cl a ssic monochrome colo u r p alette. We love the silver le ather, b u t the ora nge su ede is tempting too. neo87100.com
Bo u Soie's scr u nchies a re h a ndm a de by a te a m of se a mstresses in their stu dio/bo u tiq u e, with a whole host of options to liven u p a ny look. bousoie.com
PRETTYPLATES
Dior Ma ison's Ch a mps de Tu lipes collection is a trib u te to floral poetry a nd a rt de vivre crafed from Limoges porcel a in a nd highlighted with 24-ka rat gold deta ils. dior.com
CHEC K M ATE
Bikini se a son is u pon us – a nd a top selection ca n be fo u nd at Amelie's Follies. For us it's pink gingh a m a ll the wa y. ameliesfollies.co.uk
Stripe & Sta re is a certifi ed B Corp u nderwe a r a nd nightwa re bra nd th at prioritises tra nsp a rency a nd ethical so u rcing a s well a s comfort. These a re the sofest things we've ever worn. stripeandstare.com
FLATOUT
INTHE PIN K
A s a nd al m ust alwa ys be gent , we believe, nd o u r f ny's m, it's designed for
B u cherer, Mothrid ate, Soro Jewellery a nd
Longines a ll contrib u te to this ye a r's Ascot looks, a s defi ned in the a nn ua l h a ndbook. Ma ke su re yo u're dressed to impress. ascot.com
G ET A LIFT
Hotel Mike's u pli f ing new b ath a nd body s a lts a re designed with the environment in mind, form u l ated with a ca refu l selection of fermented, u pcycled a nd biotech a ctive ingredients. hotelmike.co.uk
CULTURE
With a special on Chichester In Bloom inside, flowers will also feature at Chichester Festival Theatre, where this yearís summer musical, My Fair Lady, runs in the Festival Theatre from 6th July-5th September. With a bouquet of ravishing songs including I Could Have Danced All Night, With a Little Bit of Luck and Wouldnít It be Loverly, it promises a glorious summer outing come rain or shine. cft.org.uk
The Agenda
THEATRE
45 Years
12 JUNE -11 JULY, MINERVATHEATRE
Gabriel Byrne joins Geraldine James in the world stage premiere of 45 Years, from the film by Andrew Haigh, adapted for the stage by Hannah Patterson, directed by Prasanna Puwanarajah. Buried for decades, the body of a young woman is found in the melting ice. A thousand miles and 45 years away, a crack forms in the crystal of a marriage.
cft.org.uk
MUSIC
An Afternoon at the Opera
7 June
THEHAWTHCRAWLEY
Spend a summer afternoon at The Hawth basking in soaring melodies and musical drama. Indulge yourself in a majestic array of operatic classics by Puccini, Verdi and Gershwin, alongside arias performed by renowned soprano Francesca Chiejina (pictured). Combined with the sounds of the full Royal Philharmonic Orchestra, it will truly be a performance to remember. parkwoodtheatres.co.uk/the-hawth
Brightonís famous open-air theatre has now opened its gates for a jam-packed summer programme. BOAT ofers fascinating options for residents and visitors alike. June kicks of with the ever-popular Summer Comedy Festival from Funny That Comedy, featuring a host of A-list names including John Bishop, Ed Byrne, Sara Pascoe (pictured), Stephen K Amos and more. brightonopenairtheatre.co.uk THEATRE
Until 20 September
BRIGHTONOPENAIRTHEATRE
PHOTO : DOLAPOSH MAY
EVENT
The Festival of Chichester returns from 13 June-19 July
Mark Simmons
25 June
CORNEXCHANGE
As Seen on Mock The Week, BT Sport and ITV, Mark Simmons is back on tour in 2026 with Jest To Impress, a brand new show packed with even more expertly crafted one-liners, alongside his trademark of-the-cuf jokes based on random audience suggestions. The Corn Exchange in Brighton is perfect for such japes. brightondome.org/corn-exchange COMEDY
SOUTH OF ENGLAND SHOW
5-7 JUNE SOUTHOFENGLAND SHOWGROUND
The South of England Show returns to Ardingly, marking its 58th year as one of the regionís premier countryside events. Bringing together the very best of agriculture, equestrian sport and rural life, the three-day show offers familyfriendly entertainment, equine showing and showjumping classes, country pursuits and artisan crafts. seas.org.uk
This summer, a huge range of events will come together under the Festival of Chichester banner, embracing another rich and varied five weeks of arts and community fun. As ever, festival events will be packed with local talent as well as some big names from further afield. With so many options, it’s impossible to give more than the merest taster of what’s on offer, but as ever the range is vast.
ndelible Fine Art is now showing Icon Series, a new exhibition by actor and artist Jake Wood. At the centre of the exhibition are two defining portraits: Winston Churchill and Dame Barbara Windsor, who is honoured in a major work within the series. Barbara, a close friend of Jakeís from his time on EastEnders, is portrayed in a vivid, celebratory piece that reflects her warmth, humour and larger-than-life presence. indeliblefineart.co.uk
Amongst over 50 musical events are genres from jazz to country, folk-rock, psychedelia and even a chance to hear Jon Pickard play a 23-string harp guitar. Embark on a transcontinental ‘journey’ with the Chichester Symphony Orchestra, join an enticing Mozart recital from renowned pianist Young-Choon Park, and hear Handel’s Samson performed by Portsmouth Choral Union with The Consort of Twelve. There’s outdoor theatre at West Dean and Othello from the Lord Chamberlain’s Men in Paradise.
The first weekend sees the official launch as part of the Cathedral’s now-annual SussexFest, and several other community celebrations join this year including the everpopular Chichester Gala, BookFest YA’s events for inspiring literary teenagers, a Priory Park minifestival and several events aimed at encouraging debate and action on civic improvement and vision.
The festival features several art exhibitions and is a great opportunity to explore the city further with a range of guided tours, whether uncovering history, learning about the trees in the parks or the textiles in the cathedral. There are also a vast range of boat trips around Chichester harbour, starting from Itchenor.
festivalofchichester.co.uk
PHOTO: STEPHENLAWRENCE
FIT FOR A
Crowborough entrepreneur Alie Mackintosh has built AYM Studio into one of Britainís most exciting womenswear success stories. Here, she tells Absolutely why doing things the hard way has always been worth it
There are awards, and then there are royal awards. When the Kingís Award for Enterprise arrived for Alie Mackintosh and her womenswear label AYM Studio, it felt like more than a business milestone it felt like validation. Not simply of extraordinary growth, though the numbers are certainly impressive, nor of a social community nearing 800,000 followers. Rather, it was recognition that building slowly, ethically and intentionally can still win in a world obsessed with speed.
ìIt still feels like a dream,î Alie smiles. ìI was very proud that the choices weíve made along this journey that have meant our growth has been slower than it might have been if weíd taken short cuts are being recognised.î
Those shortcuts, she explains, were always there for the taking: cheaper overseas manufacturing, larger production runs, trend≠led stock churn. But AYM never took them. Instead, every piece remains handmade in the UK, by skilled craftspeople paid above the living wage, in a model that prioritises longevity over volume and thoughtful design over fast fashion. ìReceiving the Kingís Award for Enterprise was a testament to us that weíve made the right choice,î she adds.
That such a polished, internationally recognised brand began with something as humble as a £14 box of scrap fabric only makes the story more remarkable. Alie founded AYM during her nal year at university, buying leftover material and
beginning to experiment with garments of her own. It was not, she says now, a glamorous launchpad but it was an education in resilience. ìIt taught me to believe in myself,î she says, ìand that even if I donít have all the answers, thereís always a way of guring out how to do something.î
That mindset would become the backbone of the business. Once university ended, Alie gave the edgling label her full attention and suddenly momentum arrived. ìIt was then that the business grew to £247k of sales in a year with just myself doing everything from making the clothes, to wrapping them up and taking them to the post ofce, to customer care and marketing,î she says. It is the kind of all≠hands entrepreneurial
hustle that many brands mythologise after the fact, but for Alie it was simply a necessity. Every parcel packed, every customer email answered, every seam stitched helped shape what AYM would become: a business deeply connected to the women it serves.
That connection, she believes, is exactly what unlocked the brandís phenomenal 761 per cent revenue growth between 2021 and 2023. ìFocusing on creating clothing that truly puts women at the centre,î she says simply. ìWhen we share the thought that goes into our designs women feel understood and valued and that feeling is something they want to share.î
This has translated into repeated viral moments online and, crucially, a ercely loyal customer base. Yet unlike many social≠fi rst brands, AYMís digital success has not been built on glossy aspiration alone. Its audience is drawn in by transparency: the design process, the practical thinking, the craftsmanship, the why behind each garment.
ìWe share the care, the decision making, the efort,î Alie explains. ìOur community is incredibly passionate about quality, clothes that last and feeling their best. Showing up for them has led to them showing up for us.î
At the heart of AYMís appeal is a concept Alie describes as ìconscious clothingî but not in the vague, greenwashed sense that term can sometimes imply. For AYM, consciousness is practical, measurable and deeply rooted in the female experience. ìWe donít produce stock and hope it sells,î she explains. ìWe test new designs through pre≠orders, so we only ever make whatís genuinely wanted. No overproduction, no waste and no chasing trends.î
But sustainability, she insists, is only one part of the story. The garments
ALIE LOVES ASHDOWNFOREST
ASTORIADRESS
VENUSDRESS
themselves are solution≠driven in ways many women instantly recognise: dresses with built≠in bras, pockets that fit a phone, sculpting double≠layered fabrics, full linings, adjustable waistlines, hidden seams. ìGood design isnít just how something looks itís how it works too,î she says. ìWe understand what women want from their clothes and make sure our garments do that.î
This marriage of function and elegance is what gives AYM its longevity. In a fashion industry defined by planned obsolescence, Alie is interested in the opposite: pieces that are bought well and worn often, season after season. ìThis comes from a dedication to problem solving,î she says. ìWhen the problem is something that all women face, then it is a timeless challenge. By solving those problems, we are providing solutions that will outlast seasonal trends.î
Minimal lines, excellent fit and enduring fabrics all feed into that philosophy.
Some pieces, she notes, have remained in continuous demand for more than five years an impressive feat in any wardrobe, let alone the online fashion economy.
Of course, building that kind of consistency while keeping every item UK≠made comes with significant pressure. ìThereís no getting around the fact that producing in the UK is a more expensive choice,î Alie says candidly. ìBut itís always been the right one for us.î
The greater challenge is not conviction but capacity. ìWhen demand is high, we only have a certain number of makers, and we can only produce so much. There have been times weíve had to close the website entirely. Itís not a decision we take lightly, but delivering on our promises to customers always comes first.î
Still, the benefits are impossible to replicate elsewhere: close relationships with manufacturers, greater oversight, reduced shipping miles and, perhaps most importantly, integrity. ìKeeping what we make and how we make it in line with what we actually believe in,î as she puts it. There is another influence quietly shaping the business too: home. Alie lives in Crowborough, and Sussexís slower rhythms have become part of her creative process. While AYMís reach may be global, its founderís perspective is grounded in the countryside around her. She speaks particularly fondly of Ashdown Forest, whose sweeping openness provides both perspective and possibility. ìA lot of creative thinking is done on long walks where Iíll turn designs over in my mind as I walk. Ashdown Forest feels open
and vast like possibilities are endless.î That sense of intentional living extends beyond fashion. Away from work, she seeks out creation in di erent forms gardening, exercise and, currently, a major renovation project with her husband transforming derelict stable buildings into what she calls their forever home.
ìItís the first time Iíve ever done anything like it but I genuinely love it,î she says. ìI think Iím just someone whoís passionate about creating and problem solving in all areas of my life, not just work.î
Perhaps that is the thread that ties everything together: not simply entrepreneurship, but thoughtful construction. Whether it is a bestselling dress, an ethical supply chain or a long≠ term home, Alie Mackintosh seems drawn to building things properly.
And despite the Kingís Award, the explosive growth and the cult customer devotion, her focus remains notably unflashy. ìMy focus has always been on doing what we do really well,î she says.
ìWeíre not chasing the next big thing weíre focused on evolving what we already have and making sure every part of the experience, the product, the service, the community, is as good as it can be.î
A royal seal of approval may have put AYM Studio firmly on the national map. But from a £14 fabric box to one of Britainís most admired independent labels, Alie Mackintoshís story was never really about fashion alone. It was always about proving that substance can still be stylish.
aym≠studio.com
ALIEMACKINTOSH
Chichester in Bloom launches this month, the latest in a long line of attractions that make the cathedral city so easy on the eye
flower
POWER
Chichester BID is bringing the city into full bloom this June, launching a new city≠wide initiative to celebrate the 30th anniversary of the renowned Festival of Flowers at Chichester Cathedral. For the first time, Chichester in Bloom will extend the spirit of the much≠ loved festival beyond the Cathedral walls and into the city centre, with businesses transforming their shopfronts into a trail of floral creativity.
Timed to coincide with the Festival of Flowers from 3rd≠6th June, which draws tens of thousands of visitors to the area, Chichester in Bloom will see more than 15 city centre businesses invest in bespoke floral installations, created in collaboration with the cityís independent florists, Flower and Hedge Rose. The displays will launch on the opening day of the festival, creating a striking and cohesive visual experience across the cityís streets. Visitors are invited to step beyond the Cathedral and explore the trail of floral moments, discovering imaginative
shopfront displays at every turn from elegant window installations and artistic interpretations to creative designs that bring colour, scent and personality into the streets.
Participating businesses range from galleries, cafÈs and salons to independent retailers across the city. These include Pallant House Gallery, Waterstones, Q Hair & Beauty, Winterís Moon, Gold Arts, Dartagnan, The Jewellery and Watch Company, Hannah Prior, Ebony, The Bazaar, Brasserie Blanc, Elizabeth Miles and Chichester Festival Theatre, as well as Flower and Hedge Rose each offering their own interpretation of the floral theme.
Alongside the trail, a number of businesses including The Ivy Chichester, Brasserie Blanc and Fernleigh will also be offering floral≠inspired menus, themed dishes and drinks, and creative workshops, giving visitors even more ways to experience Chichester in Bloom from relaxed brunches and afternoon teas to hands≠on activities and evening dining.
Set against Chichesterís pedestrianised streets, rich history and distinctive independent businesses, Chichester in Bloom offers an added reason to linger longer, encouraging visitors to make a day, or even a long weekend, of their visit.
Natasha McLeod, CEO of Chichester BID, says: ìChichester in Bloom is a wonderful opportunity to build on the
energy and appeal of the Festival of Flowers, helping to bring even more vibrancy into the city centre. By working together, businesses are able to enhance their shopfronts and create a more engaging experience for visitors during this busy time. We hope the initiative encourages people to spend longer in Chichester, explore more of what the city has to offer and enjoy the creativity and variety of our local business community. As it grows, there is also exciting potential to develop Chichester in Bloom further through new partnerships and collaborations.î
Lisa Sheridan, owner of Flower, one of the cityís collaborating florists, adds: ìItís incredibly exciting to be working with so many businesses on their
CHICHESTERCATHEDRAL
PHOTO: DANIEL BOSS
individual installations. Each shopfront will have its own personality, and flowers allow us to bring that to life in a really creative way. Thereís a real sense of pride from the businesses involved.î
If youíve been inspired to have your own piece of bespoke jewellery made, why not join Gold Artsí Chichester team in≠store on Saturday 6th June at 11am for a glass of bubbles and some delicious canapÈs as you preview their new and exclusive bespoke jewellery collection, the Anthea Collection: named after the Greek Goddess of flowers and gardens. This collection has been designed by their team and is inspired by the beautiful blooms in Bishopís Palace Garden to coincide with Chichester Cathedralís Festival of Flowers. The team will be on hand to answer all your bespoke jewellery questions and discuss how they can bring your ideas into full bloom. Visit them at 1 East Street, PO19 1HE.
Fanciful FIVE
More reasons why Chichester is so picturesque
Priory Park
Few places capture Chichester’s early summer charm quite like Priory Park, where the city’s ancient walls, clipped lawns and cathedral views come together in one quietly glorious green space. In June, the formal flower beds are beginning to hit their stride, with roses, salvias and so pastel planting framing the pathways, while mature chestnut and lime trees create pockets of cool shade that feel almost continental. There is something wonderfully English about the scene: families on picnic blankets, a slow dri of walkers circling the cricket pitch, and the Cathedral spire rising beyond the treetops like a painted backdrop.
•
Bishop’s Palace Gardens
Tucked almost secretively beside the Cathedral precincts, Bishop's Palace Gardens is one of those hidden Chichester spaces that feels as though it has been borrowed from a private estate. June is arguably its finest month, when herbaceous borders loosen into romantic abundance and the old brick walls provide a warm backdrop to foxgloves, peonies and climbing roses. There is a so ness here that contrasts beautifully with the grandeur of the Cathedral nearby – less spectacle, more sanctuary.
•
Oaklands Park and the Festival Theatre Gardens
On the northern edge of the city centre, Oaklands Park comes into its own in early summer, when broad lawns so en under buttercups and daisies and the tree-lined avenues begin to form a green canopy over a ernoon strolls. The park’s particular beauty lies in its sense of openness – long swathes of grass, specimen trees in full leaf and, at its southern end, the elegant modernist silhouette of Chichester Festival Theatre surrounded by seasonal planting. June is an especially vibrant time here as the theatre’s celebrated summer season gets underway, bringing an added air of anticipation and bustle to the gardens.
•
Pallant House Garden Courtyard
Though smaller and more intimate than Chichester’s public parks, the garden courtyard at Pallant House Gallery is one of the city’s most elegant summer corners. Enclosed by Georgian brickwork and contemporary gallery architecture, it feels like a hidden urban garden – the sort of place where every pot, border and clipped shrub has been considered. In June, white and lavender planting keeps the palette calm and sophisticated, while roses and espaliered greenery so en the lines of the old walls.
•
Chichester Canal Towpath
For those willing to step just beyond the historic centre, Chichester Canal offers a wilder, looser kind of June beauty. The towpath at this time of year is fringed with cow parsley, oxeye daisies and purple loosestrife, while willow branches dip towards still water busy with dragonflies and the occasional narrowboat. It is the Chichester of Turner sketches and lazy summer a ernoons – open skies, birdsong, reeds shi ing in the breeze. Unlike the cultivated displays of Chichester in Bloom, the canal feels gloriously semi-natural, a reminder that floral abundance need not always be formally arranged.
PHOTO: DANIEL BOSS
GOLDARTSJEWELLERS
Treasured possessions
The Gold & Silver Roadshow events head to Sussex in July, an opportunity to cash in on a host of vintage objects
There will be a host of Gold & Silver Roadshows across Sussex over the course of July, with special one≠day events being held at: The Ropemaker, 93 Havant Road, Emsworth PO10 7LF on Thursday 23rd July; and The Millstream Hotel, Bosham, Chichester, PO18 8HL on Friday 24th July
What can you expect at these events?
A very lucky couple called at one of their recent roadshow events with a couple of old gold chains and a silver charm bracelet and a bag of old silver coins. They were paid over £1,600 just for the coins alone. They turned out to be pre 1947 silver coins that were normal currency a few years ago and are now highly collected.
Like most people, who can only dream of winning the pools or the lottery, a lot of normal households have a hidden treasure of old gold jewellery, silver jewellery, teapots, trophies, trays and old objets díart. Why not get a free valuation from an expert at one of the roadshows?
There is no queuing and their experts will give you a one on one appraisal of the value of your treasured possessions in a private area, where there are no prying eyes, watching the process evolve. If you like the valuation, their expert will make you the same o er in cash which you can accept or decline at no cost to yourself.
Anything can be an unearthed treasure. Any old British or foreign coins. Any old wrist watches or pocket watches. All chains, bracelets, rings and bangles broken or not and in any condition. If you think it is a diamond ring, bring it along and they will confirm it to be genuine. If you have an old trophy or tankard or any silver coloured items, let them value them for you.
Old war medals and old Masonic medals can be very valuable. You will be surprised to hear that they have paid thousands of
pounds for certain war medals and even the General Service Medal group is worth bringing especially if you have the original box. Also of great interest are old military uniforms, tunics, hats and any army, navy or RAF field gear. There are rarely any queues at the events and they can normally o er a valuation within a few minutes. They will give you a free valuation on which they back up with a cash o er, there and then. Get looking now in your old drawers, cupboards, and jewellery boxes. Look in the loft and the cellar, even old broken or squashed items of jewellery and silver are valuable. Of particular interest are gold and silver cigarette cases, Vesta Cases, thimbles, candlesticks, trays and all things silver are needed. Pocket watches in gold and silver and all wristwatches by: Rolex, Cartier, Omega, Longines, IWC are particularly in demand.
07378 965411
goldandsilverroadshow.co.uk
Roadshow events
ESMWORTH
Thursday 23rd July
The Ropemaker, 93 Havant Road, Emsworth PO10 7LF
CHICHESTER
Friday 24th July
The Millstream Hotel, Bosham, Chichester, PO18 8HL
FOOD & DRINK
Rathfinny
RATHFINNYWINE ESTATE
rathfinnyestate.com
“WEMADETHEMENU
EVENMORELOCAL INTERMSOFPRODUCE”
Horsing AROUND
The Gladwin brothers have become renowned for their restaurants in London, but now have returned home to take over an Amberley pub. Absolutely finds out why
We do love a good pub, and recent news from our favourite farming family
The Gladwins certainly got us excited here
at Absolutely. Theyíve taken on The Black Horse in Amberley, their first ever pub with rooms and first opening outside of London. The brains behind some of Londonís most loved farm≠to≠fork restaurants are heading back to their Sussex roots.
After a gentle glow≠up, the doors reopened on 25th March with 11 bedrooms upstairs, and a pub o ering rotisserie chickens, proper pies at the bar, epic Sunday roasts and wine from the familyís Nutbourne vineyard. Itís farm≠to≠fork (measured in metres rather than miles) and we couldnít be more excited.
To find out more, we chatted to one of the brothers, Richard, to find out why now was the right time to return to the county.
Q What made now the right moment to take over your first pub with rooms and why The Black Horse in Amberley specifically?
A It was time for some countryside air! We looked at The Black Horse eight years ago, but the time wasnít right until I visited with my family during Christmas 2024 and then I knew it was time.
Q This is your first venture outside London how does returning to your Sussex roots shape the vision?
A We always planned to return to Sussex and embed ourselves into the West Sussex community. It feels like a full circle moment for our family and our business.
Q Youíve always championed ìLocal & Wildî how does that evolve when youíre operating just metres from your produce?
A It gets even better and rings truer to our ìWhat grows together, goes togetherî ethos. For example, my brother Gregory and his wife Lani are regularly delivering produce and flowers (as well as wine) from the vineyard up the road, amongst other nearby suppliers, and friends popping in during their daily travels.
Q Whatís something on the menu that truly captures that hyper≠ local, farm≠to≠fork idea?
A Nutbourne eggs first thing in the morning at breakfast, Gregoryís lamb at nightÖ all washed down with a glass of Nutty, our signature sparkling wine from Nutbourne vineyard.
Q Rotisserie chicken, pies at the bar, Sunday roasts how did you decide on the menu direction for the pub?
A Building on the success of The Pigís Ear [in Chelsea], we used the menu style as a starting point, but then made it even more local in terms of
produce. We then supplemented with some traditional classics that cater to walkers and families staying the night.
Q What makes a proper Sunday roast in your eyes?
A Buzzing atmosphere, brilliantly sourced and responsible meat, seasonal veg and loads of gravy.
Q How does wine from Nutbourne vineyard influence the overall experience?
A It supplements every aspect of a visit, in our opinion! A flute of Nutty Wild in the bar to start, then glass of Sussex Reserve to waken the tastebuds in the dining room, and our new Nutbourne Forager with our Rollright cheese to finish. The vineyard is what sets us apart from other pubs. We celebrate our family home and the wine it produces on our doorstep.
Q What kind of stay do you want guests to have upstairs?
A Like theyíre escaping the busy world. We want them to slow down and eat and drink to their heartís content.
Q How do you balance being a destination restaurant with being a true local pub?
A We design our menu to not only o!er the special serving meat cuts, oysters and seasonal treats, but we also cook up pub classics such as our pies and pouring local ales. We carefully curate our menus to o!er something for everyone.
Q What did the ìgentle glow≠upî involve what have you kept, and what have you changed?
A We did everything pretty much! We painted the interior, replaced the artwork, refurbished the bar, all new crockery, glassware. Besides major structural
changes, itís a brand new pub, yet retains the sense of being lived≠in and cosy.
Q How important is it for you to become part of the Amberley community rather than just a place people travel to?
A A pub isnít a pub without community, and we are here first and foremost for the locals of Amberley.
Q Does this mark the start of more countryside pubs from the Gladwins or is this a one≠o passion project?
A Too early to sayÖ youíll have to wait and see!
blackhorse≠pub.com
Golden Standard
Hailing from a small estate in Hampshire, Candover s Brut has big ambitions and the awards to match. Recognised by the IWC and Decanter, it delivers lemon blossom, toasted brioche, creamy vanilla, and a precise, mineral nish, £43. candoverbrook.co.uk
Stir It Up
Blackbook Controversy is London winemaking with a little attitude. Crafted from 100% Pinot Meunier and fermented in old Burgundy barrels using indigenous yeast, it delivers strawberry, redcurrant and grapefruit peel with a depth you wonít forget in a hurry, £22.50. blackbookwinery.com
ENGLISH ROSE
Tinwoodís RosÈ is West Sussex sparkling at its most charming. Itís a crafty blend of Pinot Noir, Pinot Meunier, and Chardonnay that delivers heaps of raspberry, strawberry, and rose petals, with a dry, creamy nish of real elegance, £35. tinwoodestate.com
Wild Thing
Wildshark s Bacchus FumÈ takes England s favourite grape somewhere unexpected. Smoky, aromatic, and alive with citrus and elderfl ower, it has the kind of wild energy the name promises, and the nesse to back it up, £18. wildsharkvineyard.co.uk
heroes HOMEGROWN
Five bottles to celebrate English Wine Week
By NATALIASUTA
Orange
Crush
Denbie s Wild Orange Solaris 2024 is English winemaking with nothing to hide. Wild fermented and left on skin for almost ten months, it arrives unfi ltered, unfi ned, and full of character tropical fruit, orange blossom, and a whisper of earl grey tea, £29.95. denbies.co.uk
Natalia Suta is a WSET-certified wine writer and educator with a knack for making wine accessible and fun. When she is not writing, she’s busy curating wine experiences and offering consultancy to help others discover the joy of wine. Follow Natalia on Instagram @_winerocks_
FASHION
ART meets fashion
ALBARAY X LAETITIAROUGET
Albaray has launched a vibrant summer collaboration with artist and designer Laetitia Rouget: a capsule collection that captures the spirit of sun-soaked days, artistic freedom, and wearable joy. albaray.co.uk
Anthropologie’s summer event wear will bring the cool and glam to your look
ANTHROPOLOGIE . COM
LEAVING ITS MARK
preserving its reputation for quality while adapting to a modern retail environment.
INNOVATION , CRAFTSMANSHIP & COMMUNITY
Brufords : a legacy of excellence since 1886
From humble origins in 1886 to becoming one of Eastbourneís most established and distinguished independent businesses, Brufords proudly celebrates its 140th anniversary a remarkable journey defined by craftsmanship, resilience, and an unwavering commitment to exceptional service.
A HERITAGEBUILTONVISION
The Brufords story began when William Bruford, having already built a thriving jewellers, pawnbrokers and optical business in South London, chose to relocate his family to Eastbourne. On 17th July 1886, he acquired an existing business, William Page, and soon after opened the doors to a new chapter at No. 100 Terminus Road. Under Williamís leadership and later that of his son Albert Brufords
flourished alongside Eastbourneís rise as a fashionable seaside destination, with the store doubling in size by 1924. In 1943, wartime bombing destroyed the premises, yet Albert ensured the business continued trading while rebuilding for the future. Leadership then passed through successive generations, with Nick Bruford relocating the store to Cornfield Road in 1981, marking a new chapter of success.
CHANGINGTIMES , NEW HORIZONS
Changing retail dynamics in the late 20th century led the Bruford family to sell the business after 112 years of ownership. Acquired by renowned Norwich jewellers Winsor Bishop, the company entered a new phase before Ashley Pugh became General Manager in 2000 and owner in 2003. Under his direction, Brufords has balanced tradition with forward≠thinking leadership,
Brufords continues to evolve through innovation rooted in heritage. The launch of Inspired by Brufords in 2009 introduced contemporary collections, while the opening of The Beacon store in 2019 unified its luxury watch and jewellery o ering, including bespoke bridal services. In 2022, the acquisition of No. 10 Cornfield Road established a state≠of≠the≠art watch service centre, delivering expert repairs and restoration. Alongside its commercial success, Brufords remains deeply committed to Eastbourne, supporting local charities and community initiatives upholding its long≠standing values of craftsmanship, integrity, and exceptional service.
TRUSTEDSINCE 1886
For 140 years, Brufords has stood as a beacon of integrity, craftsmanship, and refined service. Whether marking a milestone, restoring a treasured heirloom, or searching for something truly unique, their expert team is here to ensure every step of your journey is e ortless, meaningful, and memorable.
Visit them in≠store at The Beacon, Eastbourne or explore their collections at brufords.com
BRUFORDSIN 1886 AND BELOW THEPRESENT DAY
BEAUTY NOTES
By PENDLEHARTE
LUXE
RITUAL
LABOUGIE
La Bougie brings fragrance and sustainability together in its newest category launch: a luxurious collection of body care products designed to cleanse and nourish. Three years in development, this line places fragrance at the very heart of the experience. labougie.co.uk
EDITOR’S PICK
Naturally SCULPTED
COSMETICS À LACARTE
Bare Sculpt is a modern contour stick designed to add natural dimension and enhance the faceís most flattering features. Vegan and never tested on animals, this weightless balm-cream applies and blends e ortlessly for a seamless, barelythere finish, while the collagen-stimulating Lupeol supports firmer and more toned skin. cosmeticsalacarte.com
THE TEA
MILLERHARRIS
Capturing the essence of tea leaves, sparkling citrus, and subtle smoky warmth, Tea Tonique extrait de parfum is cra ed to linger on the skin, thanks to a higher concentration of perfume oils, making it the perfect scent for summer. millerharris.com
Menís Health Week returns this month
In the UK, Menís Health Week takes place every June and focuses on raising awareness of the physical and mental health challenges faced by men and boys. Organised by the Menís Health Forum, the campaign encourages men to take better care of their health, seek medical advice earlier, and speak more openly about issues that are often ignored. Key topics include mental health, suicide prevention, heart disease, cancer, obesity, diabetes, and healthy lifestyles. The week also highlights the importance of regular exercise, balanced diets, reducing alcohol and smoking, and attending routine health checks. A major aim is to tackle the stigma that prevents many men from discussing emotional or physical problems. Workplaces, schools, charities, and healthcare organisations often run events, workshops, and campaigns to support menís wellbeing. A top tip for men during Menís Health Week is to use the opportunity to book a health check and start one positive habit that can realistically be maintained long term. Whether it is walking daily, improving sleep, or opening up to friends, small consistent changes often have the biggest lasting impact on overall wellbeing.
MEN’S HEALTH WEEK
Discover more by visiting menshealthforum.org.uk/mhw
A not≠so chef.private
WHERE LIVING MEETS LUXURY
At The Residences, not only is our skilled chef on hand to prepare restaurant-quality meals in the exclusive dining room but your suite comes fully stocked with nibbles should family or friends pop by.
This is senior living. Redefined.
BLUELAGOON Mineral Mask, £80 uk.skinscience.bluelagoon.com
ZO SKINHEALTH
ZO Sunscreen + Powder Broad Spectrum SPF30, £59 skin65.co.uk
IMAGESKINCARE Daily Prevention protect and refresh mist, £52 imageskincare.co.uk
IMAGE SKINCARE I Mask hydrating hydrogel sheet mask, £48 imageskincare.co.uk
BELIF
Sitting PRETTY
p48
p52
p54
p61
In this issueís special, we head to Barker and Stonehouse Hove to see how they are marking 80 years in the business. See more on page 64.
JENSEN BEDS
p73 IMOGEN PERREAU
SUMMER GARDENS
BORDE HILL
TOP 5: PAINTS inside this section
Creativity in Abundance
East Sussex landscape designer Imogen Perreau reflects on being centre stage at the Chelsea Flower Show, wellbeing in gardens and local inspiration
In May, Absolutely ventured to the RHS Chelsea Flower Show to chat to award-winning landscape designer (and Firle local), Imogen Perreau, who took centre stage within the Great Pavilion with a major new commission, RHS x CITI Season of Abundance.
Set around The Monument, the installation is an immersive celebration of the shift from spring to summer, inspired by the Celtic festival of Beltane. The installation featured sculptural planting, six striking hornbeam trees, and layers of ferns and grasses that capture the energy and optimism of early summer, brought to life through Imogenís distinctive, narrative-led approach.
It marks a defining moment for one of the UKís most exciting landscape designers, following Gold Medals and Best in Show at RHS Hampton Court Palace Garden Festival, and positions her firmly at the forefront of contemporary garden design and here she tells us what it really means.
Q Designing the Monument Feature at the RHS Chelsea Flower Show is a major milestone. What did your initial concept for ìSeason of Abundanceî look like, and how did it evolve into the final installation?
A At the outset, ìSeason of Abundanceî was imagined as a quiet takeover, a moment where planting would feel as though it had gently but insistently claimed space within a hard, civic setting. The initial concept leaned into contrast: soft, exuberant, almost unruly growth pushing up against the rigidity of tarmac, creating a subtle tension between hard landscaping and the energy and resilience of nature. I was particularly drawn to the idea of abundance not as excess, but as vitality, that surge of life you feel in May when nature is expanding and full of promise. So the early sketches focused on immersive, layered planting: frothy textures and lush green foliage and the collective energy of the planting as a whole.
As the design developed, the concept became more grounded in season-
ality and narrative, especially through its connection to Beltane. That introduced a slightly more symbolic and purposeful layer to the feature bringing with it the inclusion of medicinal plants that can go on to be used in plant-based tinctures and remedies. This helped anchor the installation. From a practical perspective, the scheme also evolved in response to the realities of the show. Plant availability, performance and timing all play a pivotal role, so Iíve become more agile through the process, leaning into what is looking its best in the lead-up. This spontaneity will allow the planting to feel even more immediate and alive, with buds, fresh foliage and that sense of anticipation woven in.
Q As mentioned, your design draws on the Celtic festival of Beltane what about that moment of seasonal transition resonates with you creatively?
A Beltane sits at that electric threshold in the year, the point where everything
Q The installation is described as an immersive sensory experience how do you approach designing gardens that people donít just see but feel?
A I think a lot about movement, how you actually pass through a space, where it opens up, where it closes in, where you naturally begin to slow down. Those shifts shape how the garden is experienced as much as the planting itself.
Height and scale are important in creating a sense of depth and immersion. Refl ections are another layer Iím drawn to, whether through water, materials or subtle glints of light. They soften edges, create depth and bring a sense of movement even in stillness.
When those elements are working together, something shifts. People stop simply looking at the garden and start inhabiting it. It becomes less about observation and more about presence, a space that holds you for a moment and asks you to move through it more slowly.
Q The use of hornbeam trees as anchoring elements is striking. What drew you to them and what role do they play in the story youíre telling?
A Hornbeam felt right quite instinc-
tively. They have a quiet strength and upright structured habit that makes them incredibly versatile in a setting like this. Within the space they act as a kind of backbone, providing height and rhythm while anchoring the composition. Thereís also something in their seasonality that felt important. Hornbeam carries that sense of transition well, from the sharp brightness of new leaves to the softer, deeper greens as the season settles. Even the way they hold onto their leaves later in the year gives them a kind of persistence.
Q Looking back, when did you rst develop an interest in horticulture?
A It wasnít a single moment, but a gradual shift. Iíve always been drawn to landscapes and spending time in nature and it took me moving back to the countryside from living in a city throughout my 20s to really see the benefi t and joy in plants and gardening. I started by growing vegetables in my garden, which naturally led into sowing annuals from seed and from
there it kept expanding. The more I got to know plants and learned about how complex and magical they can be, the more absorbing it became, until it turned into something I was completely immersed in.
Q Thereís a strong interplay in your designs between sculptural structure and naturalistic planting how do you strike that balance without one overpowering the other?
A Itís a bit of a constant adjustment. I think it comes down to restraint. The structure needs to be clear enough to hold everything but not dominate. And the planting can be quite loose as long as thereís an underlying order. If you get that balance right they support each other rather than compete.
Q You talk about gardens as spaces of reflection and wellbeing how important is emotional response in your design process?
A Itís probably the most important part. You can have something that looks great, but if it doesnít make you feel anything it falls a bit flat. Iím always thinking about how a space might make someone pause or feel slightly calmer or just more connected to where they are.
Q As your studio grows how do you maintain your distinctive voice and level of detail across multiple projects?
A Working with clients who understand and value the design process is key, where there is a real sense of collaboration and trust. That shared understanding and vision is important to help the design evolve and to create beautifully timeless considered spaces.
When that trust is in place, and there is alignment on the vision, it allows the detail and quality to be carried through properly on site, even as the studio takes on more projects.
Q Being based in East Sussex how does the landscape and natural rhythm of the area influence your work and planting choices?
A Being based in East Sussex has a huge influence on my work, particularly the South Downs and the way the landscape constantly shifts through the seasons. Thereís a wildness and softness to it that naturally feeds into my planting approach, favouring movement, texture and a more naturalistic palette. I also spend a lot of time walking locally, often across the Downs and towards Charleston Farmhouse to see the garden evolve through all seasons. The sea also
adds another stream of inspiration and grounding.
Q What does living and working in a more rural setting offer you creatively that perhaps a city environment wouldnít?
A Youíre much closer to the shifts in season, so you notice things you might otherwise miss. That constant awareness of change really feeds into the work. It also gives a bit more headspace. Thereís time to think things through properly, which I think you can feel in the final designs. I spend a lot of time walking on the South Downs with my Whippet, Sandwich, which is where a lot of thinking happens. Itís a really important part of how I process ideas and develop concepts.
Q What comes next for you?
A Continuing to build the studio in a way that feels authentic and considered. Iím particularly interested in larger, more local projects across Sussex where thereís real room to develop a naturalistic approach to planting and design over time. Itís about taking on work where there is space for depth and detail, and where the landscape and context genuinely shape the outcome.
Jensen Beds has been creating premium beds in Norway since 1947, combining Scandinavian craftsmanship, innovative sleep technology and timeless design to deliver exceptional comfort. Deeply rooted in Norwegian heritage, the brand is known for its dedication to quality, attention to detail and the belief that great sleep is essential to everyday wellbeing helping you wake up fully rested, every morning.
Made in Norway
Just outside Oslo, along the shores of the Drammen Fjord, lies the small coastal town of Svelvik home to Jensen Beds for generations. Here, skilled craftsmanship and a strong design tradition continue to shape every product. Each bed is handmade in Norway using carefully selected materials and advanced comfort technology, ensuring both durability and a refined sleeping experience. Every Jensen bed is backed by a 25-year guarantee against frame or spring breakage, reflecting the brandís commitment to long-lasting quality.
Get your bedroom ready for the summer season
As the warmer months approach,
Jensen introduces one of its most innovative sleep technologies: Jensen TempSmartô. Designed to help maintain an optimal sleeping temperature throughout the night, TempSmartô creates a more balanced and comfortable sleep environment, even during warm summer nights. Jensen TempSmartô products are sold separately and are an easy and affordable way to upgrade your sleep experience. If you find yourself tossing and turning during the night, it is often because your body temperature is either too high or too low. The right duvet, pillow and bed linen is therefore important for a good night sleep.
The advanced temperatureregulating materials absorb, store and release excess body heat when needed, helping to reduce overheating and chilling during sleep. The result is a more
stable sleeping climate and improved comfort through the night.
Friendly
to nature and you Jensenís beds are made in Norway using only materials, production methods and suppliers that live up to their highly set expectations. To prove their sincerity they work with leading sustainability labels, such as the Forest Stewardship Council (FSC). It makes them sleep better.
Re-thinking and re-using
The planet demands us to be smarter when it comes to the use of resources. And beds are no exception. Working with circular design, Jensen extends the life cycle of their beds and accessories, without compromising their quality. Their aim is always to make beds that stand the test of time, while constantly working to reduce their footprint.
Experience Jensen in Chelsea Harbour
For those wanting to experience Norwegian sleep comfort firsthand, Jensen Beds can be discovered at the showroom in Chelsea Harbour Design Centre, London. Located among some of the worldís leading interior and design brands, the showroom offers visitors the opportunity to explore the full collection of Norwegianmade beds, experience the quality of the materials and receive expert guidance in creating the perfect sleep sanctuary.
Discover your perfect nightís sleep at jensen≠beds.com/uk
greener Grass is
Itís time to embrace the outdoors: here are Absolutelyís summer garden trends for 2026
Gardens in 2026 are evolving into something far more immersive than the traditional patch of lawn and borders. They are increasingly being designed as true extensions of the home places where daily life unfolds just as naturally as it does indoors. This means comfortable seating, layered lighting, and even outdoor kitchens are becoming standard features rather than luxury additions. The shift is rooted in how people now use their homes: flexible living, entertaining, and relaxation all blend together, and the garden is expected to keep up. Instead of being viewed seasonally, outdoor spaces are being designed with longevity in mind, usable from early spring through to late autumn with the help of thoughtful design and accessories. At the same time, sustainability is no longer a niche interest it is shaping the entire direction of garden design. In 2026, there is a strong emphasis on working with nature rather than against it. Gardens are being planted to attract pollinators like bees and butterflies, with wildflower mixes and nectar-rich plants replacing overly manicured displays. Composting, rainwater collection, and reduced chemical use are becoming
standard practice rather than optional extras. This more ecological approach brings a softer, more natural aesthetic, where slightly untamed planting and layered textures are celebrated rather than controlled. The result is a garden that feels alive, dynamic, and in tune with its environment.
Climate is also playing a major role in shaping trends. With hotter summers and more unpredictable weather patterns, gardeners are becoming more strategic in their planting choices. Mediterraneaninspired gardens are influencing UK spaces, with drought-tolerant plants like lavender, grasses, and hardy perennials taking centre stage. There is also a growing awareness of water management, from installing water butts to improving soil structure so it retains moisture more effectively. Rather than fighting changing conditions, the trend is to embrace plants that thrive in them, resulting in gardens that are both resilient and visually striking.
Visually, 2026 marks a clear move away from the cool, muted tones that dominated outdoor design for years. Instead, gardens are becoming more expressive and full of personality. Warm, earthy shades like terracotta and ochre are being paired with rich planting palettes deep purples, vibrant
Gardens are increasingly being designed as true extensions of the home
pinks, and lush greens to create depth and interest. Furniture and accessories are following suit, with patterned textiles, curved shapes, and a slightly retro influence bringing a sense of fun back into garden styling. This trend reflects a broader desire for individuality; people want their gardens to feel personal, not like a showroom.
Urban living continues to shape how gardens are designed, particularly in cities where space is limited. In 2026, the focus is on making even the smallest outdoor areas feel abundant and purposeful. Vertical planting, container gardening, and raised beds are all being used to maximise space without overcrowding it. Clever zoning helps create the illusion of a larger area, with different sections dedicated to relaxing, dining, or planting. Even balconies are being transformed into lush green retreats, proving that size is far less important than thoughtful design.
Alongside these aesthetic and structural changes, there is a growing interest in gardens that provide something tangible in return. The rise of grow-your-own culture continues into 2026, with more
people incorporating edible elements into their planting schemes. Herbs, vegetables, and even edible flowers are being woven into decorative borders or grown in pots for convenience. This approach not only adds a practical dimension to gardening, but also deepens the connection between people and their outdoor spaces. Harvesting ingredients straight from the garden brings a sense of satisfaction that purely ornamental planting cannot replicate.
Flexibility ties all of these trends together. Gardens in 2026 are being designed to adapt easily, whether that means rearranging furniture for a gathering, adding temporary shade on a hot day, or switching between relaxation and entertaining. Modular seating, portable accessories, and multiuse features are all part of this shift. The modern garden is no longer static; it evolves with the needs of the people using it, making it a far more dynamic and responsive space than ever before.
Tips to get your garden summer-ready
1. START WITH A DEEPCLEAN
The quickest way to make a garden feel summerready is to begin with a full clear-out and clean. Sweep away leaves, dead plant material and any debris that has gathered over the colder months, then pressure wash patios, decking and pathways to instantly brighten the space. Garden furniture should be wiped down, cushions aired out, and pots cleaned so everything feels fresh rather than forgotten. Pruning back damaged growth and edging lawns also gives the garden a sharper finish. Much like spring cleaning indoors, this creates a blank canvas and makes every other improvement feel far more effective.
2. REFRESHYOURPLANTING
Summer gardens thrive on colour, texture and movement, so now is the time to replace anything looking tired with fresh seasonal planting. Add flowering perennials, hanging baskets, herbs or pollinator-friendly blooms to inject life into borders and containers. Mixing heights and tones helps create a fuller, more layered look, while fragrant plants such as lavender or jasmine add another sensory dimension. If space is limited, even a few statement pots near seating areas can transform the mood. The goal is to create a garden that feels abundant, lively and welcoming from the moment warmer weather arrives.
3. IMPROVEYOURSOIL
Healthy plants always begin below the surface, which is why improving your soil is one of the smartest jobs to tackle before summer hits. A er months of rain and winter depletion, borders and beds o en need replenishing with compost, manure or nutrient-rich organic matter. This not only feeds plants, but also helps the soil retain moisture – essential during hotter spells when watering becomes more difficult. Loosening compacted soil also improves drainage and root growth. Investing time in this unseen layer pays off massively later, giving flowers, shrubs and vegetables the strength to cope with summer stress.
4. CREATEFUNCTIONALZONES
A beautiful garden is one thing, but a usable garden is what really makes summer enjoyable. Think about how you want to spend time outside and organise the space accordingly. Even modest gardens benefit from having a dining area, a quiet relaxation corner, and a greener planting section to so en the look. Rugs, planters, screens or furniture placement can all help define these areas without major landscaping. Zoning gives the garden a sense of purpose and flow, making it feel larger and more intentional. It also encourages you to use the space more o en rather than simply looking at it.
5. UPGRADECOMFORT ANDLIGHTING
To truly enjoy long summer evenings, comfort is just as important as planting. Introduce outdoor cushions, throws and rugs to make seating areas feel inviting and lived in, rather than purely practical. Shade options such as parasols or pergolas can also make daytime use much more pleasant. As the sun goes down, lighting becomes essential – solar lanterns, festoon lights and pathway markers create atmosphere while extending the hours you can spend outdoors. These finishing touches shi the garden from functional to welcoming, turning it into somewhere you naturally gravitate towards for meals, drinks and downtime.
Channel vintage beach clubs and sundrenched Mediterranean terraces in your urban garden with this Bounder Stripe parasol in claret, £395. staycationvintageparasols.com
SLING BACK
The Marcy sling chair is a a modern design made with robust tubular frames. All-weather fabric seat and backrest slings are bolstered by plump cushioning, £149. johnlewis.com
Cult Furniture’s reimagining of the classic deckchair includes a clever cushion, and perfects the simple folding mechanism. We’ll have the stripey one please, £69. cultfurniture.com
SUNSEAT
New to Hay’s classic Palissade collection is the cantilevered armchair, which retains the original symmetrical design and adds a new lightness thanks to its fl oating frame,£485. hay.com
GIMMESHELTER
Add a touch of glamour to your garden with an impressive pergola from Raj Tent Club’s stylish selection. We love this fl oral print inner canopy, from £2,500. rajtentclubshop.com
VINTAGESTYLE
Angraves vintage rattan chairs are a stunning addition to a conservatory, and Raj Tent Club is currently selling a lovely set of four, so be quick, £800. rajtentclubshop.com
LINEUP
Colours of Arley’s Elements Collection of fabrics is resistant to water, mould, UV and stains. Perfect for pool loungers then. coloursofarley.com
STRUNG OUT
Bunting brings instant joy to any space, especially when it’s striped. Choose from a huge selection at the Stripes Company, £23. thestripescompany.com
HOT SEAT
Swy f Home’s new garden collection offers 24 hour delivery for emergency barbecues and last-minute weather improvements. We love this garden sofa in olive, £479. swyfthome.com
There are garden rooms and there are Eco Studios.
Bespoke garden studios that are as individual as you are. Sustainably made using hemp, a historic material with serious built≠in benefits for you and your building.
ecostudios.uk
Sussexís Rose
Borde Hill celebrates a very special anniversary for one of its most popular garden spaces
For three decades, the scent of roses has drifted across the gardens of Borde Hill in West Sussex, but this June the celebrated estate is turning the spotlight on one of its most beloved spaces: Jay Robinís Rose Garden. Marking its 30th anniversary, the garden will host a month-long celebration of flowers, fragrance and English garden design at its most romantic.
At the heart of Borde Hillís Grade II* listed landscape, the Rose Garden is
a dazzling spectacle in summer, with more than 750 David Austin roses across 150 varieties creating a kaleidoscope of colour. Designed in 1996 by RHS Gold Medal-winning designer Robin Williams, the garden was named after Jay Robin Goddard, daughter of Borde Hill custodians Andrewjohn and Eleni Stephenson Clarke.
ìMy family has a long tradition of naming parts of the garden after female relatives,î says Jay. ìIt was a real honour for my parents to name the Rose Garden after me in 1996. Today, the Rose Garden is a stunning kaleidoscope of colour, which brings joy to visitors with its generous scent and long-flowering beauty.î
Williamsí design balances formal structure with softness and movement. Geometric rose beds framed by lavender, hedging and century-old yew trees are softened by curving pathways that invite visitors to wander slowly through the blooms. In high summer, white, blush pink, apricot and crimson roses mingle with delphiniums, peonies and phlox in a planting style inspired by an Edwardian photograph of the original
Borde Hill Rose Garden published in Country Living in 1902.
At the centre of the garden stands a life-size copper statue of Aphrodite by sculptor Brendon Murless, her bouquet transformed into a gently flowing fountain that adds a soothing soundtrack to the sensory experience.
The anniversary celebrations will include guided tours, botanical art classes, aromatherapy workshops and exhibitions exploring the evolution of the garden from its Edwardian origins to today. Highlights include talks by renowned rosarian Michael Marriott and an exhibition of rose-inspired artwork in the Victorian Glasshouse.
Beyond the roses, Borde Hill itself remains one of the South Eastís most treasured horticultural destinations a 2,000-acre estate owned by the Stephenson Clarke family for more than 130 years, where heritage planting, conservation and contemporary garden design continue to flourish side by side.
bordehill.co.uk
PHOTO BY CLAUDIA GAUPP
HEAT WAVE
BIG GREEN EGG
The iconic egg is much more than a barbecue (though it does that too). When coupled with Falcon's classic heat resistant Enamelware it can produce things like this homemade focaccia. You can also make pies, tarts and cakes. Who knew?
biggreenegg.co.uk
GAME CHANGER MASTERBUILT
Masterbuilt's Gravity Series XT is no joke. Holding up to 24 hours of fuel, it’s ideal for low-and-slow classics like brisket or pulled pork, while a WiFi-enabled digital fan ensures precise temperature control. masterbuilt.com
PIZZA CHEF MASTERBUILT
Also from Masterbuilt is the clever Pizza Oven insert, which quickly transforms any barbecue into a pizza oven, enabling you to switch from pitmaster to pizzaiola in no time at all. masterbuilt.com
AUTO PILOT KAMADO JOE
The Konnected Joe is the world’s fi rst digitally connected ceramic grill. Combining the fl avour and theatre of traditional charcoal cooking with modern technology, it offers effortless fi re-lighting and precise temperature control. kamadojoe.com
MULTI TASK VALORIANI
Valoriani ovens are so much more than pizza ovens. They can handle curries, stews, roasted fi sh, meat or vegetable dishes, cakes, pasta dishes, jacket potatoes, shellfi sh delights, steaks and other grilled foods. valorianiuk.com
Absolutely visits Barker and Stonehouse in Hove to look back at 80 years of success, plus discover their top summer trends coming our way
DECADES IN
DESIGN
Marking 80 years in business is no small feat, and for Barker and Stonehouse, 2026 represents more than a milestone itís a moment to reflect on a legacy of craftsmanship while looking firmly ahead to the future of interiors. Founded in 1946 by RAF servicemen Charles Barker and Alex Stonehouse, the brand was built on a simple but enduring idea: that furniture should be beautifully made, thoughtfully designed and built to last. Eight decades on, that ethos still underpins every collection, even as the way we live and style our homes continues to evolve.
From its early days in post-war Britain to its current position as one of the UKís
largest independent furniture retailers, Barker and Stonehouse has consistently adapted to shifting lifestyles. The clean lines of mid-century modernism gave way to the relaxed living of the 1970s, followed by the pared-back minimalism of more recent decades. Today, interiors are far more expressive and layered, reflecting individuality rather than rigid design rules. Itís within this context that the brandís 2026 collections feel especially relevant bringing together heritage craftsmanship with a fresh, trend-led perspective.
MODERN MINDED
At the heart of this new direction is Modern Minded, a look that encapsulates the growing desire for calm, liveable luxury. Defined by neutral palettes, subtle contrasts and sculptural forms, it reflects
a broader movement towards homes that feel both refined and restorative. As Magdalena Gierasinska, Head of Product & Displays, explains: ìCurved silhouettes and tactile materials are shaping interiors this season, with everything from sofas to mirrors embracing softer, more fluid forms. These pieces donít just serve a functional purpose they create atmosphere, offering a sense of ease that aligns perfectly with contemporary living.
ìThis return to softness is mirrored in colour trends, where warm neutrals from beige to rich chocolate are making a strong comeback. These tones bring a grounding quality to interiors, creating spaces that feel tranquil and inviting. Itís a natural evolution from the stark minimalism of previous years, signalling a shift towards comfort and emotional connection within the home.î
SPIRITED SCANDI
Alongside this understated elegance sits a more playful counterpart: Spirited Scandi. While Scandinavian design has long been a staple, its 2026 iteration is far from the pale woods and muted greys of the past. Instead, it embraces bolder, sun-soaked hues ochre, burnt orange and soft sage paired with tactile textures and expressive styling, where homes are no longer about perfection but about storytelling.
ìThe popularity of Scandi-inspired design has never wavered, but itís evolved,î Magdalena says. ìThe new Scandi style is less minimalist than weíve seen. From open shelving to styled coffee tables vignettes, putting personality on display makes a home feel rich in character.î
CLUB CLASSICS
This idea of storytelling is central to the brandís continued success. As a fourth-generation family business, Barker and Stonehouse has always evolved in response to how people actually live, rather than chasing fleeting trends. Todayís customers are looking for more than just aesthetics they want transparency, sustainability and pieces that feel personal. In response, the company has focused on designing exclusive collections that balance style with practicality, ensuring that each piece works seamlessly within modern homes.
Sustainability, in particular, has become a defining pillar. From planting over 1.5 million trees through its partnership with Trees4Trees to achieving Carbon Neutral Plus status, the brand is actively addressing the environmental impact of furniture production. This commitment ties into a broader industry shift towards ìbuy better, buy onceî an approach that values longevity over fast consumption.
This philosophy is perhaps most evident in the Club Classics trend, where rich woods, leather and velvet create a sense of timeless sophistication. Inspired by retro influences, particularly the 1970s, these interiors celebrate craftsmanship and materials that improve with age. Warm tones, from olive green to deep brown, reinforce a sense of nostalgia while remaining firmly rooted in contemporary design. Itís a look that resonates with consumers seeking investment pieces furniture that tells a story and stands the test of time.
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COUNTRY ESCAPE
Meanwhile, Country Escape taps into a growing desire to reconnect with nature. Floral prints, layered patterns and natural textures bring the charm of the English countryside indoors, creating spaces that feel both comforting and characterful. ìPattern on pattern has emerged as one of this seasonís biggest trends, signalling a move away from stark minimalism towards spaces that feel richer and more expressive,î Magdalena explains. ìMix prints, whether florals and stripes or repeat similar motifs across walls, upholstery and accessories, to add an abundance of charm to your home. The effect works best when there is a sense of cohesion, often achieved through a shared colour palette or by varying the scale of patterns.î
What unites all of these trends is a focus on individuality. In 2026, there is no single ìrightî way to decorate a home. Instead, the emphasis is on creating spaces that reflect personal taste, whether through bold colour choices, curated accessories or statement furniture. Even unexpected pieces like a bright orange sofa can become best-sellers when they strike the right balance between design and comfort.
As Barker and Stonehouse enters
its ninth decade, it does so with a clear sense of purpose. The brand continues to invest in sustainability, innovation and design, while remaining true to the values that have defined it since 1946. Upcoming collaborations and new collections promise to build on this legacy, ensuring that it stays at the forefront of British interiors.
Ultimately, the story of Barker and Stonehouse is one of balance between heritage and modernity, tradition and innovation, style and substance. Its 80th anniversary is not just a celebration of the past, but a reflection of how far the brand has come and where itís heading next. In a world where trends come and go, its commitment to quality, craftsmanship and thoughtful design remains constant proving that true style is, indeed, timeless.
barkerandstonehouse.co.uk
ODINEBARSTOOLS
CONNIE 3 SEATER SOFA
ZERINAHIGHBOARD
HE MODERN
Why the new John Lewis x Sanderson drop is the best yet
Spring doesnít so much arrive as unfurl softly at first, then all at once. Longer days, open windows, the scent of blossom drifting through the air. Itís a season that naturally invites renewal, and nowhere is that instinct more joyfully expressed than in the home. Enter the latest collaboration between John Lewis and Sanderson: a collection that captures the essence of spring while honouring the enduring beauty of heritage design.
At its heart, this new drop is a celebration of Sandersonís rich archive one that spans over 160 years of British decorative history. But rather than simply revisiting the past, the collection breathes new life into it. Traditional florals are reimagined with a contemporary sensibility, their intricate details sharpened, scales adjusted, and palettes refreshed to suit the modern home. The result is something that feels both familiar and entirely new: a dialogue between eras that speaks to todayís appetite for characterful, layered interiors. Florals, of course, take centre stage, but not in the predictable way. These arenít your grandmotherís chintzes
(though they nod affectionately in that direction). Instead, they are bolder, more expressive, often paired unexpectedly with graphic elements like stripes and checks. This interplay is where the collection truly comes alive. A delicate trailing rose might sit alongside a punchy candy stripe; a painterly botanical could be offset by a structured geometric. Itís a masterclass in contrast, and a gentle nudge to be braver with pattern at home.
This spirit of experimentation is exactly what the designers had in mind. Bronwyn Erskine, Sandersonís Senior Stylist, describes the collaboration as an invitation: a way to make maximalism feel approachable rather than intimidating. The pieces have been thoughtfully designed to work together, meaning you can layer prints, mix textures, and play with colour without fear of clashing. Itís about creating a home that feels collected rather than curated: personal, expressive, and a little bit unexpected. What makes this collection particularly compelling is its versatility. It spans an impressive range of categories, from statement furniture and lighting to softer touches like bedding, cushions, and ready-made curtains. Wallpaper options allow for a more immersive
RITAGE
approach, transforming entire rooms into botanical sanctuaries or graphic playgrounds. And for those looking to extend their interiors outdoors, there are garden-ready pieces that carry the same design language into alfresco spaces perfect for spring entertaining.
Despite its breadth, thereís a clear cohesion running throughout. The colour palette is carefully considered, balancing soft, romantic hues with more saturated tones. Think blush pinks and sage greens alongside deeper indigos and warm ochres. This harmony ensures that whether youíre introducing a single accent piece or embracing the look wholesale, everything feels connected.
To fully appreciate the depth of this collaboration, it helps to understand the heritage behind Sanderson itself. Founded in 1860 by Arthur Sanderson, the company began as an importer of fine French wallpapers before quickly establishing its own manufacturing
and design identity in Britain. By the late 19th century, Sanderson had become synonymous with quality and innovation, producing wallpapers and fabrics that reflected both the tastes of the time and a distinctly British sensibility. Over the decades, Sanderson built an archive that is now one of the most extensive in the world, housing thousands of original documents, hand-painted patterns, and historic printing blocks. This treasure trove has become a cornerstone of the brandís creative process, continually inspiring new collections that reinterpret traditional motifs for contemporary audiences. Its designs have graced everything from stately homes to modern apartments, demonstrating a rare versatility that transcends trends. Sandersonís reputation for excellence was cemented in 1924, when it received a Royal Warrant an honour it still holds today as a supplier to the British royal household. This
endorsement speaks not only to the brandís craftsmanship, but also to its enduring relevance. While many heritage brands struggle to evolve, Sanderson has consistently found ways to balance tradition with innovation, collaborating with contemporary designers and adapting its aesthetic to suit changing lifestyles.
Today, Sanderson sits within the Sanderson Design Group, continuing to champion British design on a global stage. Its commitment to quality materials, sustainable practices and thoughtful design ensures that each piece carries forward a legacy more than a century in the making. Itís this rich history combined with a willingness to experiment that makes Sanderson such a natural partner for John Lewis, and what gives this latest collection its distinctive sense of modern heritage.
Thereís also a reassuring sense of quality underpinning the collection. Both brands are synonymous with craftsmanship, and that heritage is evident in the details from the weight of the fabrics to the precision of the prints. These are pieces designed not just to look good for a season, but to become part of your home for years to come.
In many ways, the collection taps into a broader shift in how we think about interiors. Thereís a growing desire to move away from minimal, paredback spaces in favour of something richer and more layered. People are rediscovering the joy of pattern, the comfort of colour, and the stories that come with design that has a sense of history. This collaboration captures that mood perfectly, offering a way to embrace maximalism without losing a sense of balance.
Ultimately, what makes the John Lewis x Sanderson collection so appealing is its optimism. It feels joyful, generous, and full of possibility much like spring itself. Whether youíre drawn to a single floral cushion or ready to transform an entire room with bold wallpaper and clashing prints, it encourages you to experiment, to trust your instincts, and to create a space that feels uniquely yours.
The full collection is available to explore online and in stores now. Consider it your invitation to refresh, reimagine, and bring a little more beauty and personality into your home this season.
johnlewis.com
RED HOT LICK
CUTTHE
BENJAMIN MOORE
Golden Chalice is a mustard colour with a hint of green that feels both retro and contemporary. Pair it with similar colours from the same palette of golds, browns and yellows for striking results. benjaminmoorepaint.co.uk
FEEL GROUNDED FENWICK & TILLBROOK
Marshland Muddle is a warm taupe inspired by damp soil and dri wood. Earthy, grounding, and an easy mid neutral. Available in all six paint finishes, from £28 for 1 litre. fenwickandtillbrook.com
PRETTY GREEN EARTHBORN
Riverbank is an unapologetic green that looks great with a muted pink. We love it for kitchen cabinets, but it will bring energy to any room, whether on the walls or the woodwork. earthbornpaints.co.uk
Reds are very 2026 and Lick's Red 01 is a burnt, earthy tone that looks great in a living or dining room. The matt texture won't reflect light, creating a cosy, welcoming feel, while the red is intense without being overwhelming. lick.com 5 4 3 2 1
PLASTERCAST COAT
Sybill is a deep plaster pink with a terracotta edge that pairs excellently with browns, reds and pinks. It works in all spaces. coatpaints.com
EDUCATION
AT ONE WITH NATURE
MARLBOROUGHHOUSEVINEHALL
Recognising Marlborough House Vinehallís role in supporting the preservation of the countryside and the ecosystem, the school is planning on embarking on a restoration project, repurposing some of the under-used acreage into wildflower meadow. The school is keen to partner with members of the Sussex community to help bring this project to life. If you feel passionate about the countryside and can offer ideas, time or resource, please get in touch with the school. mhvschool.co.uk
HAPPY PLACE
Why prep schoolsí approach to pupil wellbeing is paying dividends
By NICKJENSEN
In todayís fast≠moving world, itís hard not to worry about how children are really doing. Between social media, academic pressure, and the constant buzz of technology, many parents and grandparents are asking the same question: are children getting the space they need just to be children?
Interestingly, one part of the education system thatís been quietly addressing this for years is the UK prep school sector. Often associated with tradition and strong academics, prep schools are increasingly being recognised for something else entirely their focus on childrenís mental health and overall happiness.
One of the key ways prep schools support this is by keeping a close eye on how children are feeling. Many prep schools regularly ask pupils to complete simple wellbeing surveys. These arenít complicated or clinical theyíre designed to give children a chance to say, in their own way, whether they feel happy, worried, included, or under pressure. Because prep schools tend to be smaller, staf can act
quickly if something doesnít seem right. Itís not about ticking boxes; itís about genuinely listening and responding before small worries become bigger problems.
That sense of being heard runs through everything. Prep schools put real emphasis on giving children a voice. Whether itís through pupil councils, classroom discussions, or just open conversations with teachers, pupils are encouraged to speak up and share their thoughts. For many children, this can be hugely reassuring. Feeling listened to builds confidence and helps them understand that their opinions matter something that stays with them long after they leave school. Another standout feature is the way prep schools create space for children to explore and discover who they are. This isnít just about academic learning. Music, drama, sport, art, and outdoor activities are all treated as essential, not optional extras. Thereís often time built into the school day for these pursuits, rather than squeezing them in at the margins. The result? Children who are not only learning, but also developing interests, friendships, and a sense of balance.
Perhaps most importantly, prep schools tend to allow children to hold on
to their childhood for a little longer. In a culture where everything can feel rushed (moving quickly from one milestone to the next) these schools often take a more measured approach. Thereís still ambition and high standards, of course, but not at the expense of play, curiosity, and simple enjoyment. Youíre more likely to see children chatting, climbing, and imagining than staring silently at screens. That brings us to another area where prep schools have been ahead of the curve: mobile phone use. Long before it became a national talking point, many prep schools had already introduced strict rules (or outright bans!) on phones during the school day. The di!erence is striking. Lessons tend to be more focused, playgrounds more sociable, and friendships more face≠to≠face. Without the distraction of constant notifications, children are more present, both in their learning and in their relationships. Itís a simple change, but one that makes a real di!erence to overall happiness. Taken together, these approaches paint a picture of schools that are doing something quite powerful. Theyíre not just educating children academically, theyíre creating environments where children
feel safe, valued, and able to grow at their own pace. In many ways, prep schools are becoming a model for how education can support mental health, not as an add≠on, but as part of everyday life.
That said, itís not a case of ìjob doneî. The world children are growing up in is changing rapidly. New technologies, particularly artificial intelligence, are already beginning to shape how they learn, communicate, and spend their time. While these tools bring exciting possibilities, they also raise fresh questions about balance, attention, and safety.
Prep schools, like all schools, will need to keep evolving. The challenge will be to embrace the benefits of new technology without losing the human touch that makes such a di!erence: strong relationships, open conversations, and the freedom to explore the world beyond a screen.
For parents and grandparents looking on, thereís something reassuring here. In the midst of all the change, there are still schools that understand a simple truth: happy children learn better. And sometimes, the best thing we can give them isnít more pressure or more technology, but time, space, and the chance just to be themselves.
Nick Jensen is Deputy Head Pastoral of Marlborough House Vinehall. Discover more at mhvschool.co.uk
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Staying ACTIVE
Summer school holidays a drag? Not with the activity camps on o er at Lancing College
School holidays should be a time for children to explore, discover and grow a chance to step away from screens, build confidence and make lasting memories. Activity camps play an increasingly important role in giving children those opportunities, combining physical activity, creativity and social connection in a safe and supportive environment.
At Lancing College, the activity camps programme has been designed to do exactly that. Set within the Collegeís beautiful grounds, the camps o er children an exciting and varied programme throughout the school holidays, including half terms and longer summer breaks. Every session is carefully planned to ensure children remain active, engaged and inspired, while encouraging them to
try new activities, meet new friends and develop independence along the way.
For younger children (aged 5ñ7), the Little Explorers programme introduces a fun≠filled mix of activities tailored to spark imagination and curiosity. Days may include art, performing arts, team sports and even farm visits, creating the perfect balance between creativity and adventure. Meanwhile, the Young Adventurers camp (for children aged 8ñ12) encourages older children and young teens to challenge themselves, stay active and enjoy new experiences away from screens. Activities range from sports and drama to inflatable fun days, art workshops and outdoor team challenges.
One of the most valuable aspects of activity camps is the confidence they help build in children. Whether it is learning a new skill, taking part in a team activity or simply making a new friend, camps provide children with opportunities to step outside their comfort zone in a positive and encouraging environment. The experienced sta at Lancing College work to ensure every child feels included, supported and celebrated, regardless of ability or experience.
This summerís activity camp will run on various dates from 13th July to 2nd September, with flexible options designed to support busy families. The standard day runs from 9.30amñ3pm, with early drop≠o and late finish options available, as well as hot lunches served in the much≠ loved Harry Potter≠style Dining Hall.
At just £35 per day, the activity camps provide an a ordable way for children to stay active, creative and connected throughout the holidays, while giving parents peace of mind that their children are spending their summer in a safe, enriching and enjoyable environment.
To learn more about the Lancing College Activity Camps visit lancingcollege.co.uk/activity≠camps
SKILL SETS
Want to keep your children busy over the summer? Here are six Sussex establishments o ering exciting programmes
CLAREMONTSCHOOL
claremontschool.co.uk
Join Claremont Summer School in July and August 2026 for an inspiring programme combining learning, adventure and international friendships. Designed for students aged 11 to 17, the Active English programme welcomes young people from around the world to improve their English in a supportive and welcoming environment. Alongside language development, students build confidence, communication and independence through engaging lessons, group activities and cultural experiences. The programme also includes excursions to world≠famous attractions, giving students the opportunity to explore the UK while creating unforgettable memories with new friends. With a strong focus on personal growth and skills for life, Claremont Summer School o ers a safe and enriching experience both inside and outside the classroom. Whether students want to strengthen their English, gain confidence or simply enjoy a memorable summer abroad, the programme provides the perfect balance of education, fun and discovery.
BRIGHTONCOLLEGE
brightoncollege.org.uk
Brighton College o ers an exciting range of holiday camps throughout the summer, welcoming both Brighton College pupils
and children from the wider community. Designed for girls and boys of di erent ages and interests, the camps provide a fun and engaging environment where young people can develop new skills, build confidence and enjoy an active summer. Programmes include theatre, dance and cricket camps, each led by experienced sta and tailored to encourage creativity, teamwork and personal development. The Senior Theatre Camp takes place in mid≠July, followed by Dance Camp and Junior Theatre Camp later in the month, with Cricket Camp running at the beginning of August. Whether participants are passionate performers, aspiring athletes or simply looking to try something new, Brighton Collegeís summer camps o er a welcoming atmosphere and excellent facilities. These popular programmes combine learning and enjoyment, helping children make friends and create lasting memories during the school holidays.
UNIVERSITYOFSUSSEX
sussex.ac.uk
The University of Sussex Summer Schools o er students the opportunity to study in an inspiring academic environment while experiencing life in the vibrant city of Brighton. Hosted on the universityís beautiful campus, the programmes include Undergraduate and Physics Summer Schools designed to support academic growth,
cultural exploration and international collaboration. The Undergraduate Summer School allows students to choose from a wide range of three≠week modules taught by expert academics across multiple subjects, with credits available to transfer back to their home institution. The specialised Physics Summer School provides students with advanced knowledge and practical insight into key areas of physics, helping to strengthen future academic and career prospects. Alongside their studies, participants can enjoy Brightonís lively atmosphere, seaside attractions and cultural experiences while meeting students from around the world.
ENJOYARCHERY AT BARRACUDAS
PHYSICS AT THEUNIVERSITYOFSUSSEX
4 to 14, combining energetic activities with outstanding facilities at Patcham High School. The camp o ers a wide variety of engaging experiences designed to keep children active, creative and entertained throughout the holidays. Facilities include an indoor swimming pool, tennis courts, dance studio, art room, archery range, motorsports track and a summer aqua slide, giving children the chance to try new activities and develop confidence in a fun and supportive setting. Rated MET by Ofsted, Barracudas is known for its high standards of care and experienced sta . Standard camp hours run from 8.30am to 5.30pm, with flexible early and late club options available from 8am to 6pm to support busy families. Whether children enjoy sports, arts, swimming or adventure activities, Barracudas o ers a safe and lively environment where they can make friends, stay active and enjoy memorable school holidays.
THEOUTDOORSPROJECT
theoutdoorsproject.co.uk
PGLWINDMILLHILL
schoolsandgroups.pgl.co.uk
Set within the beautiful Sussex Downs, PGL Windmill Hill o ers an action≠packed summer experience filled with outdoor adventure, teamwork and fun. Popular with families from London and the surrounding areas, the centre provides a wide range of exciting activities designed to build confidence, resilience and independence in young people. Children can canoe on the lake, race down ziplines, tackle high ropes, swing through the trees and cool o in the swimming pool, all within a safe and supportive environment. Windmill
Hill also o ers a variety of programmes to suit di erent interests, including its well≠ known multi≠activity camps and Specialist Adventure Camps such as Pony Camps for children looking for something unique. With excellent facilities, experienced instructors and plenty of opportunities to make new friends, PGL creates memorable summer adventures that encourage children to try new things and enjoy the outdoors.
BARRACUDAS
barracudas.co.uk
Barracudas Brighton provides exciting school holiday childcare for children aged
The Outdoors Project o ers a refreshing approach to holiday childcare across Crawley, Horsham, Shoreham and Worthing, encouraging children to spend their days outdoors, active and away from screens. Built around the philosophy of ìFresh Air, Fresh Activities and Fresh Attitudeî, the programme focuses on imaginative play, nature≠based adventures and creative group activities that inspire confidence, curiosity and teamwork. Often described as holiday childcare that children genuinely look forward to attending, The Outdoors Project creates a relaxed and energetic environment where children can explore, build friendships and enjoy the freedom of outdoor play. Activities vary from woodland games and bushcraft to creative challenges and team adventures, all designed to keep children engaged and active throughout the school holidays. In addition to holiday camps, the organisation also runs birthday parties and school workshops, o ering fun outdoor experiences year≠round.
why everyone is talking aboutÖ
Wakehurst
Kewís wild botanic garden has once again been named the top visitor attraction in Sussex
Wakehurst is the number one visitor attraction in Sussex, for the second year running, according to new figures released by the Association of Leading Visitor Attractions (ALVA).
The ALVA membersí visitor figures for 2025 show Wakehurst, Kewís wild botanic garden in Sussex, has retained the top slot in the county for the second year running, as the number one visitor attraction and destination.
Susan Raikes, Director of Wakehurst, comments: ìI am delighted that Wakehurst has once again been recognised as Sussexís top visitor attraction, and proud to see us ranked among the top 20 in the South East. Over the past year, we have worked hard to enrich every aspect of the Wakehurst experience welcoming more visitors and creating truly memorable moments. Highlights include celebrating seed science and conservation to mark 25 years of Kewís Millennium Seed Bank, reopening our Elizabethan Mansion with new exhibitions, and ending the year with an enchanting Seed Safariñthemed Glow Wild light trail.
ìVisitors are returning not only for our beautiful landscapes and inspiring events, but because Wakehurst is a garden with purpose a living laboratory, home to pioneering science and the worldís largest wild seed bank, dedicated to protecting and restoring nature.
ìWeíre excited to welcome new visitors in the year ahead, especially with the launch of our Henry Moore and more outdoor exhibition in June,
showcasing Mooreís iconic sculptures, alongside works by three internationally acclaimed contemporary artists.î
From 5th June until May 2027, Wakehurst will host Henry Moore and more, a unique outdoor exhibition in which four of Mooreís iconic sculptures are displayed alongside three exciting contemporary commissions from artists Rana Begum, Rafael PÈrez Evans and Paloma Varga Weisz. This is the first time that Wakehurst has collaborated with sister site, Kew Gardens, on a major arts exhibition.
Wakehurstís topography, within the beautiful and inspiring High Weald National Landscape in Sussex, will provide a colourful seasonal backdrop for the artworks throughout the year. Henry Moore works on display at Wakehurst will be Reclining figure (1982), Mother and Child Block Seat (1983≠4), Relief
No. 1 (1959) and Reclining Connected Forms (1969). Henry Moore and more will celebrate Mooreís profound connection to the natural forms of the English countryside, creating a unique interplay between his sculptures and the surrounding landscape. In turn, visitors will be encouraged to reflect on the theme of connecting to nature and how theyperceive and interact with the natural world.
kew.org/wakehurst
SPRING AT WAKEHURST PHOTO BY OLLIEDIXON
HENRYMOORE MOTHERAND CHILDBLOCK SEAT 1983-84, PHOTO BY JONTYWILDE
