Absolutely Surrey May 2026

Surrey

MAY 2026 / £3.95

PLUS

PATRICK RADDEN KEEFE

The genius of London Falling

• BRAVE NEW WORLD

Exciting posibilities at the Barbican

• GREEN FUTURES

Cooking with Matcha

SPECIAL

Inspiration and ideas for your big day

Field of DREAMS

It starts with you

It starts with you

Prep School Open Morning - 11, 13, 15 May

Prep School Open Morning - 11, 13, 15 May

Whole School Open Morning - Saturday 19 September

Whole School Open Morning - Saturday 19 September

Sixth Form Open Evening - Monday 5 November

Sixth Form Open Evening - Monday 5 November

Personal Tours - weekdays (with some evenings and weekends available)

Personal Tours - weekdays (with some evenings and weekends available)

Forest is an independent London day school for pupils aged 4 to 18 located on the edge of Epping Forest.

Talk to us to find out why a Forest education gives your child the very best start in life - whatever their age, stage, strengths and passions.

020 8520 1744 | E17 3PY | www.forest.org.uk | admissions@forest.org.uk

EDITOR IN CHIEF

PENDLE HARTE

MAMA EDITOR

CARLY GLENDINNING

ART DIRECTOR

PAWEL KUBA

MAGAZINE DESIGNER MARIANA SUZUKI

DESIGNERS

BRUNA FACCIN, PAMELLA MORENO

PRODUCTION MANAGER

DANICA BRODIE

PORTFOLIO MANAGER GEMMA GRAY

SENIOR MEDIA CONSULTANT

STELLA ADAMS

SENIOR MEDIA CONSULTANTS PAIGE COLE, CLAIRE CORNISH

FINANCIAL DIRECTOR

JERRIE KOLECI

CREDIT CONTROL MANAGER ALEXANDRA HVID

DIRECTORS

CRAIG DAVIES, JAMES FUSCHILLO, ABIGAIL GARDNER

MANAGING DIRECTOR SHERIF SHALTOUT

For editorial enquiries please email: pendle@zest-media.com

For advertising enquiries please call craig@zest-media.com

advertising 07818 690 386 or email: 020 7704 0588

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Zest Media Publications Ltd. cannot accept responsibility for unsolicited submissions, manuscripts and photographs. While every care is taken, prices and details are subject to change and Zest Media Publications Ltd. take no responsibility for omissions or errors. We reserve the right to publish and edit any letters. All rights reserved.

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LETTER Editor’s

ABSOLUTELY’S May issue highlights

Mgarden ready. Admittedly there's not much call for a parasol yet, but

ay is a month for flowers. In this issue we're not only in the business of planning weddings, with all the flowers that involves, but we're also celebrating floral prints in fashion and interiors. We've been making cakes in tins inspired by the shape of flowers and looking for blooms everywhere from skirts to wallpaper via plates and pyjamas. And since we're about to move into summer, we've started optimistically getting the garden ready. Admittedly there's not much call for a parasol yet, but with so many lovely ones around, we are starting to make choices. And anyone getting married soon should look for inspiration in our special section, which focuses mostly on what to wear, and where to host. Enjoy May.

PENDLE HARTE EDITOR

Wish LIST

MOTHER EARTH

This Mythical Garden collared buttonup with long gathered sleeves and a cropped, curved hem from Mother Denim features colorful fl owers on the front and a forest scene on the back. motherdenim.com

EDITOR’S

PICK

FLOWER GIRL

Agnes B's French chic dates back to 1973 and alongside a recurring collection of stripes and monochrome classics, SS26 brings a fresh look at fl orals too. agnesb.com

GARDEN PARTY

Derek Rose's new prints for summer include the London Garden, a mix of hand-drawn fl orals and hidden cats that represents an urban garden in bloom. These pyjamas are so and airy in lightweight cotton. derek-rose.com

IN BLOOM

Faux blooms are easy and beautiful –and the collection at Fake It includes houseplants and even trees too. Can you even tell they're not real? fakeitfl owers.co.uk

FLORAL REVIVAL

This fl oral pattern was adapted from an 1899 furnishing fabric by Steiner & Co. Lancashire, and now adorns a pouch at the V&A shop. vam.ac.uk

SUN'S OUT

For a wide range of swimwear in all shapes and colours, visit Amelie's Follies in Battersea. We're all about fl oral one-pieces this season. ameliesfollies.co.uk

PETAL POWER

WILD FLOWER

Georgia-May and Lizzie Jagger are the new faces of Jo Malone London's new spring fragrance, English Pear and Sweet Pea, which comes as a hand cream and a hair mist as well as the classic cologne. jomalone.co.uk

C. Atherley's new Geranium No. 4 is hand-blended with pure Rose Absolute, revealing notes of Cedarwood, Rosemary, Corn Mint and Spikenard. And for the fi rst time, there's a face oil too. c-atherley.com jomalone.co.uk

RED ROSE

Loeffl er Randall’s sandals evoke a fl ower in bloom. Slender grosgrain straps curve into a vine-like silhouette, crowned with a sculptural grosgrain blossom and fi nished with subtle leather trims. net-a-porter.com

BLOCK PRINT

With its vintage vibe and screen -printed fl oral detail, Pink City Prints' Ava dress is an enduring favourite. Versatile and effortless, it's just as stylish with sandals for a picnic, or with heels for a party. pinkcityprints.com

CULTURE

The Agenda

Michaelina Wautier

FROM 27 MARCH, ROYAL ACADEMY

Active in Brussels in the middle of the 17th century, Michaelina Wautier challenged the limits imposed on female artists at the time by working on an unusually varied range of subjects: from flowers and portraits to grand history paintings – a format usually reserved for her male counterparts.This exhibition puts Wautier back in her rightful place as one of Europe’s most important artists

royalacademy.org.uk

Until 13 Setpember FASHION & TEXTILE MUSUEM

An exhibition that traces the work of sisters Susan Collier and Sarah Campbell, who revolutionised textile design in the 1960s and led the market for over five decades. This exhibition showcases their prolific and diverse output through a vast range of colourful and joyous designs, large-scale paintings, room sets, fashion and interiors. fashiontextilemuseum.org

5 May

ROYAL GEOGRAPHICAL SOCIETY

How Money, Power and Corruption

Shape Our Cities: Patrick Radden Keefe joins Emily Maitlis to discuss the investigation that led to his new book London Falling. Keefe will also discuss the broader themes of how crime and corruption function today in London’s underbelly. intelligencesquared.com

EXHIBITION

The Music is Black

Ongoing V&A EAST

The Music is Black: A British Story traces the roots of music descended from African musical practices that have influenced and transformed British identity over the past 125 years. Tracing an ever-evolving sound shaped by British colonialism, transatlantic enslavement, migration and innovation, this exhibition reveals how British-born Black music genres – from lovers rock and Brit funk, to 2 tone, jungle, drum & bass, trip hop, UK garage, grime and beyond – have inspired and impacted lives across the UK and around the world. vam.ac.uk

This Month’s Must See

CART

DAVID HOCKNEY: A YEAR IN NORMANDIE

UNTIL 23 AUGUST, SERPENTINE GALLERY

Hockney’s celebrated panoramic frieze A Year in Normandie comes to London for the first time. Inspired by the Bayeux Tapestry, this monumental work captures the changing seasons at the artist’s former studio in Normandy. serpentinegalleries.org

ROMEO & JULIET

adie Sink and Noah Jupe play the star-crossed lovers in this exciting new production directed by Robert Icke and produced by Empire Street Productions. The run has already been extended by two weeks due to huge demand, so rush to get tickets if you haven't already. The play needs no introduction. romeojulietplay.com

eated by leading voices across film, theatre, literature and fashion – Gareth Pugh, Carson McColl, Danny Boyle and Paulette Randall, with Sabrina Mahfouz and Natasha Chivers, the landmark event will transform the Southbank Centre in a one-day, sitewide experience: an immersive fusion of theatrical performance, live music, dance, fashion and visual art that reveals the throughlines between cultural movements that have shi ed Britain’s kaleidoscopic identity. Since the Festival of Britain in 1951, the Southbank Centre has been a leading cultural beacon, a meeting place for boundarypushing artists and a welcoming space for audiences. You Are Here draws on that spirit and 75 years of history, reimagining the site in a takeover of colossal scale. Tracking a riotous path from monochrome 1950s austerity to a full-technicolour present-day, You Are Here traces a story of ingenuity and rebellion that has run through the core of Britain’s cultural identity across the decades. Drawing on the restless innovation that has shaped Britain since the post-war years – from reconstruction of a post-war city and the spirit of the Festival of Britain, to radical artistic movements and underground subculture – the experience connects moments of uprising, resilience and joy across generations.

southbankcentre.co.uk

Small WORLDS

Incredible craftsmanship in minuscule scale at the Kensington Dollshouse Fair

Established in 1985, Kensington Dollshouse Festival is an event that brings together top dolls house makers and miniature artists from around the world with dolls house collectors and a cionados. Over 40 years, the Festival has become the top international show for quality dolls’ houses, baby houses, miniatures and models.

This year, KDF is part of London Craft Week again and it's the perfect fit. The world of miniatures is unique, where crafts of all disciplines are used on a tiny scale, including everything from metalwork, ceramics, and needlepoint to furniture making, glassware and wickerwork. Also, there are skills in creating replica food from Fimo clay, tiny designer handbags and shoes, plants made from paper or clay, alongside the dolls and animals that inhabit this micro world. This really is craft on a minuscule scale, where skill levels are heightened and detail is everything. All of the 130+ exhibitors taking part in

are vetted to make sure their work is of the highest standard; KDF recruits the very best miniaturists from around the globe and are proud to have thousands of customers travel to London from Asia, USA, Australia and Europe to visit the Festival every year.

The Kensington Dollshouse Festival is a great place to see all the di erent facets of this incredible secret world. Realism, fantasy, perfectionism, creativity or just having a go yourself. Miniaturism is an art form that is unexpected, but once you discover it, you become addicted to the way our world can be recreated to the highest level in the palm of your hand.

Children’s activities are free to all ticket holders, and they include a Marvellous Mouse Hunt (Friday & Saturday) and a Gingerbread Craft Club (Saturday pm only) these activities are suitable for all ages.

The Summer Show is also home of the Perfection in Miniature Awards, a competition anyone can enter with a prize fund of £10 000. Entries will be showcased at the Summer Show. There's a special visit to Leighton House, which is being replicated in miniature by renowned miniature house builders Mulvany & Rogers (their miniature version will be on display at the summer show).

Artist Alice Hewitt will also be exhibiting her latest work ‘At My Mother’s Table’, which explores the importance of sharing meals with loved ones round a table. She will be exhibiting a selection of her miniature replica tables at the show.

Kensington Dollshouse Festival Summer Show: May 15th 11.00 – 18.00 | May 16th 10.00 – 17.00 | Kensington Town Hall dollshouseshowcase.com info@dollshouseshowcase.com @kensingtondollshouse

Place & time

A look at Hurvin Anderson’s work at Tate Britain

There is a painting in Hurvin Anderson's current retrospective at Tate Britain that stops you before you've properly decided to stop. It shows a Caribbean bar glimpsed through a red security grille, the kind of view you might catch for a split second through a taxi window before the city moves on. The grille does something deliberate: it holds you outside. You are not invited in. You are, in Anderson's precise formulation, in one place but thinking about another. That tension organises everything in this exhibition, the first major survey of Anderson's work, which brings together around 80 paintings spanning three decades. It is a quietly monumental

show, displaying the slow pressure of a sensibility that has been working through the same obsessions for 30 years without exhausting them.

Anderson was the first member of his family to be born in England. His father had emigrated from Jamaica in 1961, settling in Birmingham, where Anderson grew up during the 1970s and 80s. The exhibition begins with family photographs and early portraits, among them Bev, painted in 1995, a double portrait of his sister that holds her simultaneously as a child and as a woman, collapsing the distance between memory and the present tense. Nearby hangs Hollywood Boulevard, made in 1997, which shows Anderson as a boy standing beside his father. The domestic detail is tender, but the title introduces a slippage: a Birmingham

childhood refracted through the grammar of somewhere else entirely. This is how Anderson works: specific, grounded, and then suddenly somewhere else.

His Ball Watching series, made between 1997 and 2010, makes this method explicit. The starting point was a photograph Anderson took of friends watching a ball drift through the water in Handsworth Park. Over time, across four paintings, the image migrates. The flat English park water takes on the quality of tropical light. What was recognisably

The painting does not explain its question. It simply holds the question open

Birmingham begins to feel Caribbean, or somewhere between the two. The series doesn't resolve this ambiguity because Anderson isn't interested in resolution.

The barbershop paintings, which have made Anderson's reputation in Britain, carry similar weight. His Barbershop series, begun in 2006 and still ongoing, reaches back to the 1950s and 60s, when Caribbean immigrants converted rooms in their homes into makeshift barbershops, spaces that served simultaneously as economic survival and social infrastructure. Anderson's renderings of these interiors are luminous and strange, su used with a light that feels slightly too bright to be wholly natural. Jersey, from 2008, is shown alongside recent works including Ski e and Shear Cut, both from 2023, demonstrating how he continues to find new pressure inside the same material. The related Peter's series, also on display, narrows the focus to single figures, including Peter's Sitters II, which presents an anonymous man in a chair — present, unhurried, not performing anything for the viewer's benefit.

The exhibition's most overtly political work arrives without fanfare. Is It OK To Be Black?, painted between 2015 and 2016, features semi-abstracted figures drawn from the history of civil rights rendered in a way that reverses the usual dynamics of

looking. The viewer is placed in the position of the sitter, the one being observed, and the e ect is unsettling in a way that is clearly calculated. The painting does not explain its question. It simply holds the question open.

Among the exhibition's highlights is Passenger Opportunity, a 24-panel work made between 2024 and 2025, inspired by murals painted by Carl Abrahams for Jamaica's Norman Manley International Airport in 1985. The piece attempts something like a historical record of Jamaican emigration to Britain from the 1940s onwards, reworked with new historical layers folded in.

The seven paintings from Anderson's Jamaican hotel series feel like a di erent register entirely. Inspired by a 2017 visit, they show derelict resort hotels — once o -limits to locals, accessible only to tourists — now reclaimed by vegetation, the architecture slowly disappearing into the landscape. Grace Jones, from 2020, and Ashanti Blood, from 2021, are haunting images of structures that were themselves instruments of exclusion, now rendered irrelevant by time and overgrowth. There is something close to satisfaction in them, though Anderson, characteristically, does not say so directly. He lets the paint do it. Until 23 August 2026; Tate Britain, Millbank, London SW1P 4RG; tate.org.uk

London Falling

Patrick Radden Keefe’s new work is a brilliant and multi-layered story of youth, money and identity in our city

Words PENDLE HARTE

What makes a story?

Patrick Radden Keefe’s London Falling is the gripping tale of one London family’s tragedy, but it’s also the story of our city and its incremental changes over the past 35 years. This new book is a wide-ranging investigation into a series of events that the Metropolitan Police e ectively gave up on, and it hints at a terrifying darkness at work on our streets. It’s a fascinating read, narrated with devastating clarity and detail, and told with great sensitivity to the people involved.

Because this story is very much alive, focusing on the unexplained events surrounding the death of a north London teenage boy in November 2019. Zac Brettler was 19, a former pupil at Mill Hill School, when CCTV footage showed him jumping o a balcony from an apartment block overlooking the Thames, falling to his death. The media has followed the story since then, but despite lots of loose ends, inconsistencies and his parents’ belief that their son didn’t

simply kill himself, nobody has so far been charged in connection with his death. The other person in the apartment with Brettler on the night of his death has since died too.

The whole thing is ba ing. It’s no wonder that The New Yorker’s sharp investigative journalist Radden Keefe was intrigued.

It may be set in 21st century north London, but this is a story with deep roots and a wide net. It takes in refugees from Nazi Germany and survivors of Auschwitz, Idi Amin and Uganda’s Asian population, the Brinks Mat gold heist and the Costa del Sol, the former Mermaid Theatre at Puddle Dock, London’s public school admissions system, Roman Abramovich, the Candy brothers, the Chelsea Arts Club and a colourful array of gangsters and businessmen, plus, of course, lots of money (real and imagined). Radden Keefe doesn’t just give us context; he gives us backstories for each component of the scene. It’s a sprawling story but there’s never any confusion: his writing is orderly and clear, making connections with ease and sheer cleverness.

In a style reminiscent of his award-winning Empire of Pain, which focuses on the Sackler

family and the opioid crisis, London Falling opens with the events of 2019 and goes back to trace their origins in the past, specifically in post-Cold War London, which he describes with a clarity and insight that illuminates it in ways that those of us who’ve lived here through that time might not have seen. He reminds us how London has changed since the influx of money that arrived with the new oligarchs after the collapse of the Soviet Union, and shows how this a ected young people growing up. Zac Brettler found himself at school with wealthy international youngsters who worshipped money and luxury cars. In this context the young boy began to pass himself o as an oligarch’s son with a vast inheritance, instead of the middle-class boy from Maida Vale that he was. And this, ultimately, was probably what led to him spending that November evening with a notorious gangster in an apartment block opposite the MI6 building. London Falling is more gripping than most fiction.

London Falling by Patrick Radden Keefe is published by Picador, £22

CHAOS & HARMONY

Long-standing highlight of the dance calendar, A Festival of Korean Dance is back

Returning to The Place for its ninth year, A Festival of Korean Dance brings a selection of Korea’s premier dance companies to the UK, including returning favourites Korea National Contemporary Dance Company (KNCDC). Coming to The Place and Lowry, KNCDC will bring a double bill of new work, including the latest piece from choreographer Young-doo Jung, inspired by the Voyager space probe, following his 2025 Olivier Award nomination for Lear at the Barbican. Also returning to the festival 99 Art Company will be bringing two di erent shows, including a double bill contemplating grief, sorrow and resilience, and Ryu and Friends will make their UK debut with GRAVITY.

The festival opens on 13 May at both The Place, London and Tramway, Glasgow. At The Place, returning company 99 Art Company will present work new to the UK, Abyss & Ekah, a double bill interrogating the power of art to connect and drive change. The first half of the show explores ‘han’ – a deep, unspoken sense of sorrow and resilience. In Ekah, a female dancer and male pianist contemplate when to resist and when to confront grief. The company will then tour Burnt O ering, which received its UK premiere in 2024 at The Place, to Pavilion Dance South West (15 May) and Dance City Newcastle (18 May). Based on the traditional dance ‘Seungmu’, the Seoul Arts Award winning show clouds the stage with incense as dancers become engrossed in repetitive daily routines, finding meaning, beauty and peace in a world that grinds us down.

Making their UK debut after over a decade of creating dance in Korea and around the world, Ryu and Friends will present GRAVITY at Tramway (13 May) then The Place (15 May). Swept up by an invisible force, an eleven-strong company

shakes, scatters and spins. GRAVITY is a work about relationships between all matter; the push and pull, the chaos, the harmony, the awe and the grace, of life in the universe.

Closing the festival, KNCDC will perform a double bill of Voyage & Hakkō at Lowry (26 – 27 May) and The Place (29 – 30 May).

From 2025 Olivier Award nominated Young-doo Jung (Lear, Barbican), Voyage follows a solitary spacecraft, inspired by the 1977 probe that spent a lifetime venturing into the unknown, attempting to pause the present moment and lead us into a world beyond our experience. The show is accompanied by a score that includes sounds that were recorded onto a disk and sent into space with the probe. Finally, Ryu Suzuki’s Hakkō is a modern prayer to keep breathing in a world of perpetual

flux, with dancers in a trance-like state of deep concentration against the intense energy of club culture and electronic music. A Festival of Korean Dance was established in 2018 as part of the Korea/UK Season, and The Place and the Korean Culture Centre UK have been partnered on the festival year on year. In 2026, the festival is presented with support from Korean Foundation for International Cultural Exchange (KOFICE). The growing popularity of the festival has coincided with the booming global success of the cultural phenomenon known as Hallyu – the wave of Korean pop culture. Over the span of eight remarkable years, the festival has proudly welcomed the participation of 25 esteemed companies, among them the prestigious Korea National Contemporary Dance Company, Art Project BORA, Modern Table, and Collective A. Together, they have presented a total of 29 dance pieces, accompanied by an impressive selection of 12 evocative dance films and documentaries.

kcc.org.uk

Kensington + Chelsea Art Week 2026 announces “Web of Life” theme and new creative partnerships KENSINGTON’S

CULTURAL FRINGE

Kensington + Chelsea Art Week (KCAW) returns 25-28 June as FRINGE2, curated and developed by the area's creative community with the curatorial framework “Web of Life”, bringing together interconnected commissions, installations and performances across the borough.

Developed with key partners including Kindred Studios, Muse Gallery, Portobello Radio, artists ToyStudio and MAMIMU, Chelsea Theatre, Green and Stone, Opportunity Kensington - supported by Morley College volunteers and the Royal Borough of Kensington and Chelsea, the 2026 programme positions culture as civic infrastructure, linking communities, ecologies and creative practice. It's a scaled

down version of the annual festival but with the same (if not bigger) creative force. The curatorial direction is structured around three strands:

• Belonging – aligned with the London Festival of Architecture 2026 theme

• Waterways of London – focused on canal networks as cultural connectors

• Sound of Ladbroke Grove – live and sonic programme led by Muse Gallery in partnership with Portobello Radio and the Galleries Association, including the now infamous Art Bus moving across key cultural sites in the borough curated by TGA.

A key focus for 2026 is the canalside activation. Kindred Studios, new large-scale artist studios located on the canal, will anchor this programme. As a community-led artist ecosystem, Kindred will deliver a concentrated three-day programme over FRINGE 2 last weekend of June including open studios, exhibitions, painting, and a dedicated children’s day, placing artists and public activity directly within the canal setting.

This canal programme will be supported by site-specific installations, performances

and outdoor interventions, alongside a focused public art element. The now established KCAW scaled-down Public Art Trail will also feature a new intervention this year, introducing temporary works responding to the Web of Life theme.

The full programme, including locations and events, will be announced across KCAW channels in the coming weeks.

KCAW FRINGE 2 continues to operate as a platform for collaborative, place-led cultural production, working with local organisations to deliver meaningful public engagement.

KINDRED OPEN STUDIOS

Kindred Studio is a bold reinvention of the traditional artist studio. Now home to over 300 artists in North Kensington, it spans four floors of working studios, three vibrant galleries, and a huge onsite print and ceramics workshops.

Come and explore it all during the annual Open Studios, part of this year’s Kensington and Chelsea Fringe. Discover this year’s Web of Life theme, take part in over 30 free workshops across the weekend, enjoy talks, large-scale sculpture sessions, a tiny cinema, live music, and a lively canalside café. So much to explore for everyone but Sunday is family day!

kcaw.co.uk; @kcawlondon

ARE POSSIBLE OTHER WORLDS

A visionary new exhibition at the Barbican asks whether imagination might be our most powerful tool against extinction

We tend to think of the future as something that arrives uninvited — a force bearing down on us while we scramble to adapt. Liam Young thinks di erently. For the BAFTA-nominated filmmaker, artist and self-described speculative futurist, the future is a place we build in our minds long before we build it in the world. And this summer, he's inviting the rest of us to start construction.

In Other Worlds, opening at the Barbican, is Young's first major UK solo exhibition, and the show is monumental in its ambition. Sprawling across three distinct spaces, the show transforms the Silk Street Entrance, The Curve gallery and Car Park 5 into a sequence of cinematic future worlds, where climate science, speculative fiction, architecture and design collide in ways that are by turns awe-inspiring and deeply unsettling.

The exhibition doesn't deal in the usual currency of dystopia. There are no wastelands,

activists, and NASA engineers among them — have constructed something rarer and

The exhibition doesn't deal in the usual currency of dystopia. There are no wastelands, no totalitarian megastates, no neon-soaked ruins. Instead, Young and his extraordinary constellation of collaborators — writers, scientists, costume designers, musicians, activists, and NASA engineers among them — have constructed something rarer and more demanding: futures worth fighting for.

Images courtesy of the artist gallery

IMAGES Film stills from A er the End (2024) by Liam Young.

AI data centres that coexist, improbably but compellingly, with rewilded landscapes

The journey begins gently. At the Silk Street entrance, free to anyone passing through, an LED installation o ers animated portraits of three workers inhabiting one of the show's imagined futures. They are quiet, purposeful figures, people building something new from the wreckage of the old. It's a deliberately unhurried introduction, a chance to slow down and ask yourself when you last truly imagined the world otherwise.

From there, visitors move into The Curve, where a draped antechamber with synthesised audio narration signals that you are leaving the present behind. What follows is a sequence of films on a scale that borders on the overwhelming, each one a fully realised speculative world rooted in genuine science and real technological possibility.

The centrepiece is World Machine (2026), a newly commissioned work making its world premiere here. Projected 12 metres wide, it meditates on a future in which a planetary supercomputer emerges, weaving Earth's surfaces into vast circuits of power and calculation. Young combines real-life footage with CGI to imagine

colossal wind and solar farms powering AI data centres that coexist, improbably but compellingly, with rewilded landscapes. It is both a warning and an invitation.

Equally striking is After the End (2024), co-authored with Aboriginal actor and activist Natasha Wanganeen. Shot as a 50,000-year timelapse, the film traces First Nations communities through colonisation and resource extraction to a hopeful sci-fi future where new energy infrastructures allow communities to return to lands from which they were dispossessed. It is the exhibition's most emotionally resonant work — a creation story that insists history doesn't have to end where it currently seems headed.

Planet City (2021) imagines something almost absurdly radical: the entire human population, all ten billion of us, concentrated into a single hyper-dense metropolis, surrendering the rest of the planet to wilderness and regeneration. The Great Endeavour (2023), which premiered at the Venice Architecture Biennale, visualises the infrastructure required to physically remove carbon dioxide from the

atmosphere — a project of such staggering scale it feels like science fiction until you realise Young has designed it around what engineers say is actually feasible.

The exhibition concludes in the fittingly unglamorous car park with The Future Present, a series of short documentaries gathered from Young's research travels with his nomadic studio Unknown Fields. Here, the speculative gives way to the actual: renewable energy sites, agricultural experiments, technologies that already exist and are already working. It is a quietly radical act to end a show about imagined futures with evidence that those futures have, in places, already begun.

The collaborators Young has assembled are as impressive as the work itself. Writer Jane Wu (Netflix's Blue Eye Samurai), screenwriter Lisa Joy (Westworld, Fallout), sci-fi authors Kim Stanley Robinson and Chen Qiufan, and environmental scientist Holly Jean Buck have each contributed character narratives voiced by an ensemble that includes Richard Ayoade, Dame Dr Maggie Aderin, and Alma Pöysti. Costume designer Ane Crabtree, whose work on The Handmaid's Tale helped define a generation's visual language of political dread, brings that same craft to bear here, but in service of hope rather than horror.

Young has spoken of his films as "rehearsals for the world to come," and In Other Worlds carries that philosophy through every frame, every fabricated artefact, every speculative graphic novel fragment lining the gallery walls. The exhibition is not predicting the future. It is practising it, while insisting that before we can build something better, we must first be able to see it.

In Other Worlds, 21 May6 September; barbican.org.uk

TNine nights of live performances in the palace’s Tudor Base Court

here are few summer experiences that feel quite as special as an evening at Hampton Court Palace Festival, where world-class music meets one of Britain’s most extraordinary historic settings. Returning from 10–20 June 2026, the much-loved concert series opens the gates of Henry VIII’s former royal residence for nine nights of unforgettable live performances, staged within the intimate surrounds of the palace’s Tudor Base Court.

Part of the festival’s enduring appeal lies in its sense of exclusivity. With just 3,000 seats available per night, every concert feels personal and immersive. Arriving early is all part of the experience, with time to enjoy the splendour of the East Front Gardens before the music begins within the palace walls.

The 2026 lineup is one of the festival’s most compelling to date. Celebrated singer songwriter David Gray opens the series with two performances on Wednesday 10 and Thursday 11 June, bringing his emotionally charged catalogue to a setting that perfectly complements his storytelling style. OMD take to the stage on Friday 12 June, delivering a set of synth pop classics that feel tailor-made for the grandeur of Base Court.

Saturday 13 June brings Pete Tong with his acclaimed Ibiza Classics show blending euphoric dance anthems with orchestral scale, and the

LIVE from the PALACE

A regal summer soundtrack at Hampton Court Palace Festival 2026

following week continues at pace as The Stranglers bring their unmistakable edge on Tuesday 16 June, before funk and disco royalty arrive on Wednesday 17 June with Nile Rodgers & CHIC, guaranteed to have the entire courtyard on its feet. Elvis Costello & The Imposters, joined by Charlie Sexton, take to the stage on Thursday 18 June, drawing on an extraordinary career that spans decades of musical innovation.

On Friday 19 June, the atmosphere shifts into full celebration mode with Sophie EllisBextor’s Palace Disco, before the festival closes in spectacular style on Saturday 20 June with 80s Classical, featuring Kim Wilde, Nik Kershaw, Go West and Roland Gift, backed by the Royal Philharmonic Concert Orchestra. Guests can elevate their visit with luxury picnics and tasting boards curated by British Fine Foods, enjoy private fountain side pergolas, or indulge in once-in-a-lifetime VIP dining experiences inside the palace’s historic State Apartments. Add a glass of Champagne and gourmet street food to the mix, and the result is an e ortlessly elegant summer night that feels unmistakably special.

hamptoncourtpalacefestival.com

FOOD & DRINK

BAKE

ASTRID ATELIER

The new Astrid Atelier is an extension of Astrid's flagship and bijoux kiosk bakery, offering an extended range of artisan sourdough breads and lunch options as well as a curated retail counter. A creative European bakery with big ambitions, Astrid is dynamic and exciting in its evolution. astridbakery.co.uk

WHAT TO DRINK GRAPE news

TASTING

NOTES

London’s food news and most exciting openings this month

By PENDLE HARTE

Wine recommendations for the month

By THE WINE SOCIETY

Lubanzi Chenin Blanc, Swartland 2025  £9.95

This is a modern and vibrant Swartland chenin e usive with peach, cantaloupe melon and honeysuckle aromas. Refreshing with a lovely mid-palate texture and grapefruit pith and orange peel on the finish.

Corbières Rosé Racine, Château Ollieux Romanis 2025  £11.95

A lovely, balanced southern French rosé, pale, mouthwateringly fresh yet full-flavoured with a touch of wild herbs and delicate fruit. Think wellflavoured seafood stews, gamier fish like red mullet or grilled Med veg, grills or just on its own.

The Society's Montepulciano d'Abruzzo 2024  £8.95

This much-loved Montepulciano's ripe cherry and blackberry perfume leaps out of the glass, while the palate has a lovely fruit richness, accentuated by a twist of Mediterranean herbs, and a refreshing and firm dry finish. This traditional Italian red is full of flavour and warmth.

Since it was founded back in 1874, The Wine Society has dared to do business a little differently. Bringing together a community united by a shared love of wine, The Society is a co-operative and owned by its members. This means there is no requirement to pump profit into annual dividends or bonuses for shareholders – all profits go back into the business.

The Wine Society welcomes all wine lovers. Become a member today and receive £20 off toward your first order. thewinesociety.com

Box fresh

SUSHI SHOP

Sushi Shop has named Adrien Cachot, founder and chef patron of Vassieau, as the 2026 chef collaborator. Previous chef partnerships have included Albert Adria, Mory Sacko and Joel Robuchon. His signature box is a a 22-piece selection that includes Tulip Kuro Edamame, in which edamame is coloured with squid ink and paired with lime mayonnaise.

mysushishop.co.uk

Olympian opening

IDALIA

Idalia is now open at Olympia’s newly regenerated Pillar Hall. From restaurateur Des Gunewardena it's a glamorous restaurant and bar set within the Grade II* listed hall, with a modern British menu led by an all-female kitchen team and a standout cocktail programme. pillarhall.co.uk

Pub grub

GOLDEN TOOTH

The tbehind Papi have launched The Golden Tooth, in Newington Green, reinvigorating what was once the historic Leconfield pub. The menu will nod to nostalgia and mischief: expect Currywurst, Fried Ox Tongue or Bedfordshire Clanger with a Thai-style Gooseberry Jam. goldentooth.co.uk

TREAT YOURSELF

TAKE THREE

London's best loaves

Indulge in these delicious desserts

KITCHEN

This artisan bakery in Fulham has been bought by restaurateur Phil Howard. The rye bread is our favourite.

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@littlesourdoughkitchen

SOPWELL HOUSE

In celebration of its 40th anniversary, Sopwell House is turning back the clock with two nostalgic Through the Decades menus. Expect retro-dishes and decade-defining drinks which blend timeless flavours with modern twists.

sopwellhouse.co.uk

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ASTRID

Founded by Le Cordon Bleutrained baker Charlotte O’Kelly, Astrid began as a lockdown delivery concept before opening its first bricks-and-mortar site in Alexandra Park. astridbakery.co.uk

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CLARIDGE'S BAKERY

Claridge's Bakery is Richard Hart's tribute to British bread, though it's much better than most British bread. The sourdough loaf might be the best in London. maybourne.com

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After 10 years of the iconic Jimmy’s BBQ Club, the seasonal summer pop up on the South Bank will be home to a brand new concept - Rotate by Jimmy, centred around delicious, golden rotisserie chicken (or cauliflower for veggies and vegans).

@jimmyspopup

ABSOLUTELY eats out…

CHET’S

fusion at The Hoxton Shepherd’s Bush

By PENDLE HARTE

It’s an unlikely prospect but apparently it comes from LA. Combining Thai food with American diner-style fare isn’t an obvious one, but have we reached the point where everything else has been done? I was intrigued. Inside, it looks like an American diner as reimagined in the style of Wes Anderson. All shades of pink and symmetry, with framed landscapes of things like Californian deserts on the walls. We sit at a booth with a steel tabletop; otherwise it’s school chairs and square tables. It looks great actually, with stylish pendant lamps and an

appealing layout. The open kitchen is busy and the menu is informal. “Come for the pancakes, stay for the pineapple rice!” it says. To start we order battered soft shell crab with crispy Thai basil and tom yum aioli, and sticky wings with “three flavour party sauce”. Sticky is an understatement, but happily they bring us a finger bowl. The crab is crispy and salty, and the dipping sauce has a good kick. I might have ordered a bit unwisely, choosing another deep fried option as a main course. And it’s not as if I’m not warned, because the waiter double checks with me. “You know it’s a fried chicken, right?” he says and I assure

“Pineapple rice is literally served in a pineapple”

him it’s fine. But then when my Zaab chicken – described as “Thai-spiced crispy whole baby chicken with cucumber salad and Louisiana-style honey vinegar” arrives, I’m still a bit surprised that it’s quite so fried. It’s tasty, and served on a mound of delicious tangy salad with lots of spring onions. A sesame and chilli sauce is served on the side and comes with a warning (“it’s very hot”). They’re not wrong, but I love that kind of thing. BBQ short ribs are tasty – slow-cooked beef short rib with pickled fennel, pineapple soy and pickled chilli, served with roti. We didn’t order the pineapple rice, which we regretted when we saw it at the next table, because it is literally served in a pineapple. There’s an option of bacon and a fried egg with it too, which sounds an intriguing combo.

For pudding we share a sweet and salty coconut rice pudding with fresh mango which is simple and lovely. Also on the menu is a banana roti that’s described as a “Thai calzone” and features deep-fried banana, condensed milk and other extreme treats. That’s one for next time.

65 Shepherd’s Bush Green, W12 thehoxton.com

TEA TIME

Jenki’s recipes for cooking with matcha

The Ultimate Matcha Cookie

Makes 18-20

INGREDIENTS

• 280 g unsalted butter

• 250 g caster sugar

• 175 g soft light brown sugar

• 2 eggs, plus 1 egg yolk

• 2 tablespoons vanilla extract

• 350 g plain ( flour

• 2 teaspoons bicarbonate of soda

• 1 teaspoon sea salt

• 2 tablespoons cornflour

• 40 g matcha

• 150 g dark chocolate, broken into small chunks

METHOD

Sweet, chewy centres with crisp, golden edges. A hit of matcha, flecks of dark chocolate and a pinch of flaky sea salt – simple, addictive and very freezer-friendly.

1 Line a baking tray with baking parchment.

2 Melt the butter in a small saucepan over medium–low heat for about 10 minutes until it begins to foam and turn golden brown. Pour into a large bowl and leave to cool for 10 minutes.

3 Add both sugars to the cooled butter and whisk until pale and flu y. Next, whisk in the eggs, egg yolk and vanilla extract.

4 Sift in the flour, bicarbonate of soda, salt, cornflour and matcha. Fold gently until combined, then fold in the dark chocolate chunks.

5 Divide the dough into 20 even golfball-sized portions and roll into balls.

6 Chill in the refrigerator for at least 1 hour, or overnight for best results. When you’re ready to bake, preheat the oven to 170°C fan (375°F). Place however many you’d like to eat on the prepared baking tray – we’d recommend 4 or 5 dough balls per standard baking tray 30×21 cm (12×8 in) so that it leaves space for spreading.

7 Bake the cookies for 13–15 minutes until the edges are set but the centres are still soft. Cool on the tray for 15 minutes before eating (if you can wait).

8 These will keep in an airtight container for 4–5 days.

TIP You can freeze the dough in prerolled balls and bake from frozen as needed – just add an extra 1–2 minutes to the baking time.

Matcha & Cardamom Rice

Serves 4

INGREDIENTS

• 160g short-grain rice

• 300ml water

• 200 ml almond milk

• 1 tablespoon matcha

• 3 tablespoons caster sugar pinch of ground cinnamon

• 1 teaspoon vanilla bean paste

• 200 ml double cream (dairy or coconut), plus extra to serve

• handful of pitted cherries, to serve

METHOD

A matcha-infused twist on a British classic, this is warming and comforting,

and makes the perfect winter pudding. We top it with tart dark cherries for contrast, but you could easily swap in a spoon of good-quality jam.

1 Combine the rice and water in a saucepan, then cover with a lid and place over a medium–high heat. Bring to the boil, then reduce the heat to low and cook with the lid on for 10 minutes.

2 Meanwhile, in a jug, whisk together the almond milk, matcha, sugar, cardamom, cinnamon and vanilla. Return to the saucepan. Once the water has been absorbed, stir in the almond milk mixture and cook for another 5–10 minutes, stirring regularly, until creamy.

3 Stir in the cream and cook for a final 5 minutes until thick and silky. Serve warm, topped with a drizzle of cream and a handful of cherries.

Marbled

Matcha Tahini

Banana Bread

Makes 1 loaf Serves 8

INGREDIENTS

• 2 large ripe bananas

• 75 ml coconut oil, melted

• 120 ml maple syrup

• 1 teaspoon vanilla extract

• 2 eggs

• 50 ml oat milk

• 220 g plain flour

• ! teaspoon sea salt

• 1 teaspoon bicarbonate of soda

• 1 tablespoon matcha

• 1 tablespoon tahini

• 1 tablespoon sesame seeds

METHOD

A one-bowl bake that’s simple to make and easy to slice up in the morning. Matcha and tahini work naturally together, with a smooth, nutty flavour that’s great any time of day.

1 Preheat the oven to 170°C fan (375°F) and line a 450 g/1 lb loaf tin with baking parchment. Mash the bananas in a bowl, then add the coconut oil, maple syrup, vanilla, eggs and milk, and whisk together.

2 Sift in the flour, salt and bicarb, and fold to combine.

3 Divide the batter between two bowls. Sift the matcha into one and stir, and stir the tahini into the other.

4 Dollop the two mixtures into the prepared loaf tin, alternating between the two, and swirl with a fork. Top with the sesame seeds, then bake for 45 minutes, or until a skewer inserted into the centre comes out clean.

5 Allow to cool on a wire rack, then cut into slices. This will keep for one week stored in an airtight container. TIP This cake pairs well with a matcha latte.

MATCHA AND TAHINI WORK NATURALLY TOGETHER

PAN out

The secret to a perfect bake? It’s all in the tin, as Absolutely discovers

By PENDLE HARTE

There’s not much sadder in the baking world than a broken cake that was meant to be a showstopper.

Anyone who has ever tried to make a bundt cake only to be met with a bake that stubbornly won’t leave the tin will know the feeling. So when Nordic Ware sent us a Bundt tin to trial, I was sceptical. Would it disappoint me?

I needn’t have feared. Prepping the tin carefully by brushing it with melted butter and a thin layer of flour is key. Instructions say to let it cool in the 10 for 10 minutes (running no risks, I set a timer) and then brace myself. What will happen? I bravely upend it… and it simply slides out, with not a crumb loose. And not only does it look fantastic, but the texture of the cake and the slight crispness to the crust is flawless. It’s all down to the weighty cast aluminium tin, the non-stick coating (don’t put it in the dishwasher) and getting the right quantity of batter and rise. Anyone who has ever tried to make a bundt cake only to be met with a bake that stubbornly won’t leave the tin... has clearly been using the wrong tin. nordicware.com

PISTACHIO CARDAMOM BUNDT CAKE

CAKE

• 120 g raw, shelled pistachios

• 240 g plain flour, sifted

• 1 tsp baking powder

• 1 ½ tsp ground cardamom

• ¼ tsp baking soda

• ½ tsp salt

• 255 g unsalted butter, softened

• 300 g granulated sugar

• 4 large eggs + 1 yolk, room temperature

• 1 tsp vanilla extract

• 180 g plain yogurt, room temperature

GLAZE

• 90 g icing sugar, sifted

• ¼ tsp ground cardamom

• 2 Tbsp cream or milk

• 3 Tbsp chopped pistachios

PREPARE

Pistachios

Spread the pistachios out on a baking sheet and toast them for about 5-7 minutes until they are slightly golden and fragrant. Let them cool. Once cooled, pulse the pistachios in a food processor or blender until you have a coarse meal. Avoid over-blending into a paste. Set aside.

Cake

Preheat the oven to 175°C. Prepare the Bundt Pan with baking spray containing flour and use a pastry brush to evenly coat the all the details of the pan.

Combine flour, baking soda, baking powder, salt, cardamom, and ground pistachios in a bowl and set aside. Using a mixer with a paddle attachment, cream butter and sugar. Add eggs one at a time, mixing each until thoroughly incorporated. Add vanilla, optional almond extract, and yogurt. Mix until combined. Add flour mixture and mix until no dry streaks remain. Pour into prepared Bundt Pan, filling 3/4 full and tap gently on counter to release air bubbles. Bake for 45-50 minutes or until toothpick inserted into center of cake comes out clean. Remove from oven and let cool for 10 minutes before inverting onto a cooling rack.

Glaze

Mix together powdered sugar and cardamom; add milk and mix thoroughly. Pour glaze over the cooled cake and garnish with additional chopped pistachio.

FASHION

ART meets fashion

ALBARAY X LAETITIA ROUGET

Albaray has launched a vibrant summer collaboration with artist and designer Laetitia Rouget: a capsule collection that captures the spirit of sun-soaked days, artistic freedom, and wearable joy. albaray.co.uk

Artisinal Indian block printing is the ky to this colourful collection at Pink City Prints

By PENDLE HARTE

BEAUTY

By PENDLE HARTE

LUXE

RITUAL

LA BOUGIE

La Bougie brings fragrance and sustainability together in its newest category launch: a luxurious collection of body care products designed to cleanse and nourish. Three years in development, this line places fragrance at the very heart of the experience. labougie.co.uk

EDITOR’S PICK

Naturally SCULPTED

COSMETICS À LA CARTE

Bare Sculpt is a modern contour stick designed to add natural dimension and enhance the face’s most flattering features. Vegan and never tested on animals, this weightless balm-cream applies and blends e ortlessly for a seamless, barelythere finish, while the collagen-stimulating Lupeol supports firmer and more toned skin. cosmeticsalacarte.com

THE TEA

MILLER HARRIS

Capturing the essence of tea leaves, sparkling citrus, and subtle smoky warmth, Tea Tonique extrait de parfum is cra ed to linger on the skin, thanks to a higher concentration of perfume oils, making it the perfect scent for summer. millerharris.com

Holland Park’s hair expert

You wouldn’t expect a buzzing salon to be behind the door of this black-walled townhouse in a quiet mews in Holland Park. But buzz the buzzer and you’ll enter a hive of activity: two floors of stylists and colourists working with lots of clients. The vibe is both fun and professional, and I’m immediately struck by how good everyone’s hair looks as they leave.

Josh Wood has been here for 14 years now, and in that time he’s also launched a range of products dedicated to colour. Colour is the speciality, and it’s what I’m here for. Mark takes one look at my sorry grown-out blonde and immediately he has a plan. Some highlights in foils first, then some more painted on freehand (“this is the fun part”) and then a Wellaplex treatment to address my terrible frizz, plus a toner to temper the residual bleach. That completed, I’m whisked upstairs for a trim with Jessie, whose hair is so fabulous that I’m fully expecting to come out looking like her. She teaches me how to tame my awful baby hairs and trims a critical few inches, leaving me looking if not quite like her then still a world away from when I arrived. Thank you both.

JOSH WOOD ATELIER 6 Lansdowne Mews, W11 joshwoodcolour.com

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“Exceptional craftsmanship, heritage and innovation”

Boots Opticians Wigmore Street brings together our trusted eye care expertise and a new luxury eyewear experience. Designed as a destination for exceptional vision care and style, you will find a carefully curated collection of luxury designer frames, alongside specialist eyecare services.

We’ve selected a collection of luxury eyewear brands, including Cartier, Chopard, LINDBERG and Saint Laurent, plus styles you won’t find in any other Boots Opticians. From timeless silhouettes to bold contemporary designs, each collection reflects exceptional craftsmanship, heritage and innovation.

Pair premium brands with specialist eyecare services, including optomap® eye scans, dry eye relief and contact lens care, alongside our personal frame styling service to help you find frames that truly suit you. Together, they make Boots Opticians Wigmore Street a new destination for luxury eyewear and specialist eyecare.

Book today & discover what’s waiting at Boots Opticians Wigmore Street Laurent, plus styles you won’t find in any

the traditional sauna experience, upgraded

CLEVERLY COMPACT FOR THE CITY

LUXURIOUSLY LARGE IN THE WILD

classic design, best in class, built to last

Pain FREE

How global spa founder Sue Harmsworth MBE found a solution to knee pain

Sue Harmsworth MBE is something of a legend in the world of wellness, having worked in the industry all her life, establishing a global network of over 500 spas across 55 countries. She started her career as feature editor of Vogue in the 70s and went on to found one of the most recognisable names in the spa world, ESPA.

Sue credits her knowledge and networks in the health and wellness industry as one of the reasons for her continued good health and youthful exuberance. Another is her disciplined approach to exercise, maintaining a varied fitness regime on a daily basis. However, one issue that has blighted her health is a series of problems with her joints, leading to a hip resurfacing

procedure in her mid-50s, followed by joint replacement surgery in both shoulders five years ago requiring a lengthy recovery period. And then, in 2023, in her late 70s, Sue began experiencing pain and discomfort in her knees.

Following treatment with Arthrosamid® in April 2025, Sue rediscovered her “wow factor” – back to feeling her best.

Sue explains: “I’ve followed a wideranging exercise regime my whole life and suddenly I wasn’t able to lift weights to support my muscle strength or do my daily exercises in the swimming pool. Actually, I was struggling to even get up from a chair. It all happened very suddenly and as I was approaching 80, I started to wonder how I was going to do everything. Could I really live independently in my own home and manage the stairs?

Knee pain really hit home for me.”

With a lifetime of professional experience in the industry, Sue was in a good position

to look into options for treatment. She says, “I had an initial consultation with renowned Consultant in Musculoskeletal, Sports and Exercise Medicine, Dr George Bownes of Citius Health and following an MRI to assess both knees, he suggested that I would be a good candidate for Arthrosamid®. As I had found it such an ordeal to recover from the shoulder surgery with months “out of action”, I was really keen to avoid surgery with my knees, but I still wanted a treatment that could o er me long lasting positive results. With a background in natural health, I didn’t want to try steroid injections, so I was delighted to know that there was a single hydrogel injection supported by clinical evidence showing improvements in pain up to 5 years.”

“I had the injection in both knees in April 2025 – I actually could have driven home that day. Now I’m a year post-treatment and I have absolutely no pain in my knees. I’ve really had a brilliant outcome. So many people could benefit from this treatment. As we age, we want to avoid surgeries as it gets harder to recover. And, it’s so important to keep moving. I’m able to enjoy all that life has to o er both professionally, pursuing projects I’m passionate about including improving access to touch therapies for cancer patients, and personally spending time with my children and grandchildren.” Sue now splits her time between her homes in Farnham, Surrey and Tenerife.

Another CHANCE

Exploring treatment pathways following complex eligibility decisions

Afather from Hertfordshire was ruled out of an NHS liver transplant because one tumour measured 0.4 millimetres over the threshold. With time running out, his family turned to Acibadem Health Group — and to a form of care coordination that is quietly reshaping how urgent treatment journeys begin. Now Acibadem operates an o cial London o ce, serving as a dedicated point of contact for UK patients. There are moments in medicine when everything narrows to a number. Not a dramatic diagnosis, but a tiny measurement that changes the course of treatment. For James Conradi, a 38-year-old HR director from Hertfordshire, that number was 0.4 millimetres. It was the amount by which one tumour exceeded the NHS threshold for liver transplantation. So the family explored additional treatment options, including care abroad. Liver transplantation is a major surgical procedure involving significant risks to both donor and recipient, including complications during and after surgery. Suitability for treatment varies by patient, and outcomes cannot be guaranteed.

James was first diagnosed with Primary Sclerosing Cholangitis (PSC) in 2013 after routine blood tests showed elevated liver enzymes. For years, life was shaped by monitoring and follow-up rather than crisis. But in early 2026 when he was being assessed for listing for transplant in the UK, an MRI revealed a shadow on his liver. A follow-up CT confirmed two early-stage tumours classified as cholangiocarcinoma, a bile duct cancer closely linked to PSC. Under current NHS transplant criteria, patients with cholangiocarcinoma-type tumours are generally considered ineligible for transplantation if lesions exceed 2 cm. One of James’s tumours measured 2.04 cm. That distinction may sound brutally

small. But transplant systems depend on evidence-based thresholds designed to protect outcomes and allocate highly specialised care fairly. The numbers exist for a reason. For families who fall just beyond them, however, the emotional reality is far less neat.

James’s teams at St Mary’s Hospital and the Royal Free Hospital supported him and prepared an appeal. But cholangiocarcinoma is aggressive, and time matters. According to the family’s public account, James’s NHS liver surgeon advised that seeking treatment abroad would o er the best chance within the available window.

As James told Jewish News in February 2026: “We are grateful to the NHS and the care I’ve received from the Royal Free and St Mary’s, but we don’t have time to await the results of an appeal.” That line captures the tone of the case precisely: not anger, but urgency. At that point, the family’s next steps began after making contact with Acibadem Health Group. The route the family pursued was living donor liver transplantation (LDLT), a well-established procedure in which a healthy donor gives a portion of the liver to the recipient. Because the liver regenerates, both donor and recipient can recover liver volume over time. Its clinical importance lies in speed: unlike a deceased-donor transplant, LDLT allows surgery to be planned without waiting for a compatible organ to become available. All living donor transplants are subject to strict ethical and legal safeguards. Donors must provide fully informed, voluntary consent and are not financially compensated.

Each case is reviewed by an independent ethics committee in accordance with

Turkish law and international guidelines. Turkey is one of several countries o ering living donor liver transplantation. In this case, Acibadem Health Group provided coordination support, including arranging consultations and treatment planning in Istanbul. For patients facing a narrow treatment window, that kind of coordination can be as important as clinical speed itself.

In February 2026, James’s wife, Laura Kay, launched a GoFundMe campaign to raise £250,000 for the transplant, donor surgery, hospital care, travel and aftercare. James, Laura and their nine-year-old son, Harrison, were suddenly navigating not only cancer, but logistics, fundraising and donor matching. James’s blood group is O, which significantly narrowed compatibility, though several people came forward to be tested. Throughout that period, the case was followed by Acibadem Health Group as the family prepared for treatment in Istanbul.

The family then travelled to Istanbul, where the process continued. In Turkey, living donor transplants are subject to formal ethical review by an independent, government-authorised committee before surgery can proceed. That review includes a medical and psychological assessment of both donor and recipient. In cross-border care, those safeguards matter as much as the operation itself.

By late March 2026, Laura Kay shared publicly that the transplant had been completed. Updates from social media confirmed that James’s operation in Istanbul had taken place and that he was in recovery. Recovery following transplantation can be complex and varies significantly between patients. Long-term outcomes depend on multiple medical factors. This case reflects one individual experience and may not be representative of all patients. This is where such stories resist tidy endings. A successful transplant is not the end of the ordeal. Recovery is demanding, medically complex and

emotionally exhausting. But it is also the stage that means the possibility of treatment remains open. It also underlines a broader truth about modern patient mobility: for many UK families, treatment abroad does not begin with a flight. It begins with access to trusted support at home. In cases like this, the Acibadem London O ce is not simply an administrative stop along the way, but the place where the process begins, where the case is followed, and where a di cult journey can start to feel manageable. It shows how modern medicine asks families to understand the science, respect the rules, and still keep moving when those rules leave them just outside the line. Sometimes the distance between ineligible and possible is vast. Sometimes it is small enough to be measured only in millimetres.

The Conradi case reflects a wider pattern. For many UK families facing time-sensitive treatment decisions, the process often begins not abroad, but closer to home — with the need for reliable information, medical coordination and trusted guidance. In that context, the Acibadem London O ce serves as an o cial and dedicated point of contact for patients in the UK who are exploring treatment within the Acibadem Health Group.

Further information about Acibadem Health Group’s services is available via its London o ce. For Acibadem, patient safety and follow-up are top priorities, and that is a key reason why the Acibadem London O ce was established. Patients benefit from ongoing, reliable support both before and after their treatment, helping ensure continuity of care at every stage of the journey. Acibadem London O ce (68 Great Portland Street, London W1W 7NG) can be reached at +44 7387 680090. Patients considering treatment abroad should discuss aftercare arrangements with their UK healthcare providers, as follow-up care may vary.

a Castle View apartment more a ordable than moving straight into a traditional care home, while freeing funds for your parents to enjoy their retirement.

BEST OF BOTH WORLDS

Reclaim your parents’ freedom –and your own peace of mind

Supporting a parent through later life decisions can feel overwhelming, as you try to balance their wishes, safety and finances alongside your own work and family responsibilities.

It is easy to fear that accepting help means a sudden move into full-time care, with all the emotional and financial upheaval that implies. In reality, there is a far gentler path that can help your parents regain confidence, independence and enjoyment in everyday life, while lifting the weight of worry from your shoulders.

At Castle View, Windsor, “care” starts with light-touch support that fits around your parents’ routines, rather than taking them away. That might mean a weekly cleaner, help with bedding and heavier housework, support with shopping or cooking, or regular welfare checks and friendly visits. This kind of

everyday support removes the strain and risk points, while your parent keeps their own front door, timetable and social life. As needs change, more personal care can be added gradually, avoiding rushed, crisis decisions that leave everyone feeling out of control.

Castle View o ers the flexibility to own or rent an apartment, with options similar to Independent Living Plus so your parents can “dial up” support if life changes, without committing to a care home model. For many families, knowing there is a trusted on-site team means you are no longer the only one trying to plan for every “what if”, which brings enormous peace of mind.

Apartments are designed to feel spacious and familiar, with room for favourite furniture, photos and possessions, so the move feels like an upgrade in comfort and ease, not a loss of space. Releasing equity from a larger property can also provide financial freedom, often making

To help families navigate options with confidence, Castle View has created a clear, plain-English Guide to Support and Care in Later Life. It explains the di erent types of practical and personal support available, how they can be introduced step by step, and what to consider when planning ahead together. Used as a conversation starter, it helps you frame discussions around freedom, safety and quality of life, rather than fear and loss.

You are not taking control away from your parents; you are helping them shape a safer, easier and more enjoyable future, with the right support around them and the freedom to live life on their own terms.

Find out more by calling 01753 336060 or visiting castleviewwindsor.co.uk

LATER LIVING

Find a sense of ease and calm with CHD Living

Later life is being redefined. Families still seek professional assurance and safety, but increasingly they are looking for something less easily measured and far more important: a sense of ease. A home that feels calm rather than clinical. Support that is present without being intrusive. Care that protects dignity while preserving the rhythms, preferences and personality that make someone who they are.

This is where CHD Living has built its reputation. CHD Living is an award winning, family-owned provider of health and social care services with more than 40 years of experience across Surrey and South London. Its ethos, Creating Happiness Daily, is a practical philosophy that shapes how care is delivered, how environments are designed, and how teams support people through the everyday moments that define quality of life.

Across its care homes, rehabilitation services and care at home o ering, CHD Living supports people with a wide range

of needs, from residential and nursing care to specialist dementia support, complex care and neurorehabilitation. What links every service is a belief that excellent care is both clinically strong and deeply personal. It should feel consistent, well led and quietly competent, while remaining human, tailored and respectful. Recognition has followed in ways that matter. In 2025, CHD Living was named Residential Elderly Care Provider of the Year, Medium Group, at the HealthInvestor Awards, reflecting organisational strength, leadership and the lived experience delivered for residents and families. Brownscombe Care Residences, one of the group’s flagship homes in Haslemere, has also been featured for the fifth consecutive year in the Knight Frank Luxury Care Home Guide 2026, underscoring sustained standards in environment, hospitality and care.

Yet “luxury” in later life is not simply about finish or form. It is about the confidence that care will be delivered with discretion and continuity. It is knowing that small changes will be noticed early

and addressed thoughtfully. It is the assurance that meals are unhurried, routines are respected, and families are met with warmth and transparency. It is the feeling that someone can still enjoy privacy and independence, with expert support close by whenever it is needed.

CHD Living’s approach is deliberately understated. It is not about grand statements. It is about getting the details right, day after day. A culture where team members are supported to lead with compassion and professionalism. Environments designed to feel uplifting, not institutional. Care that is responsive, accountable and centred on the individual. For families making one of life’s most important decisions, those details are everything. They create trust. They create reassurance. And ultimately, they create a home where people can live with dignity and comfort, supported by care that is both expertly delivered and genuinely felt.

To find out more visit chdliving.co.uk or call 01428 772 469

SORRELL JEWELS

Emily Sorrell sources vintage jewellery to create a collection that embodies timeless charm and individuality. Pick a relevant charm from her extensive collection. sorrelljewels.com

Absolutely LOVE THINGS WE 10

Savannah Miller’s eponymous bridal collection uniquely captures a fashion voice within the bridal world. The new Equilibrium collection draws inspiration from early modernist architect Max Bill and his fluid, sculptural forms. savannahmiller.com

OLIVER BONAS

These heart-shaped earrings will add a touch of summer fun to your big day, whether for bridesmaids, flower girls or the bride herself. oliverbonas.com

CHANEL

Chanel No5 is a classic choice for a wedding, with its enduring appeal and romantic floral elegance. It's a timeless fragrance in an iconic bottle. chanel.com

JIMMY CHOO

For a real princess-style look, the ivory crystal Bon Bon bag is a dazzler. It earns its iconic status with a contemporary bucket silhouette that is crowned with a crystal bracelet handle. jimmychoo.com

NOMASEI

These Italian-made kitten heels are designed for dancing with their memory foam cushioning, perfect 5cm height and structure designed for stability. You'll never need to take them off. nomasei.com

OLIVER BONAS

Nothing says 'I love you' like... a pair of heart-shaped sunglasses. Matching ones for bride and groom are a cute addition to a summer wedding. oliverbonas.com

BELLA BELLE

Embrace the romance of your special day with Celia 0.5 inch nude wedding flats, intricately embroidered with ivory lace vines on a subtly tinted nude mesh. bellabelleshoes.com

VAN CLEEF & ARPLES

Inspired by tuberose, Fleur de Nuit is a floral amber scent that evokes summer nights and true romance. selfridges.com

are stylish and comfortable, and

Blush

bride

Pink and peach hues bring a glow up to bridal this season – and these warm blush tones are both flattering and fun

Pastels have long been a part of bridal collections but this season they are playing a starring role, with many designers favouring a palette of soft pink, palest peach and subtle co ee tones. There's every reason to think pinks. They bring warmth – with a shade to suit every skin tone – plus glamorous ways to style things di erently. And, of course, you will be that blushing bride without losing your cool.

6Runway looks

WE LOVE

From glamour jackets to slinky dresses and a modern ballgown, here are six runway looks we love this season

3 4

1 BUTTONED UP

Anna

Cabané

Catalan designer Anna Cabané delivers inspired modern takes on bridal, and this two-piece plays with convention by pairing lightweight white jodhpurs with a smart cream topcoat. The coat is cropped to reveal the waist but then drapes at the back to create a train e ect. Cream boucle fabric, jewelled buttons and floral embroidery create a tailored ensemble for brides who want to wear separates with style. annacabane.com

2 SHEER DRAMA

Andrea Lalanza

The Capri gown is a masterclass in refined bridal dressing – part of Andrea Lalanza's lovely collection shown on the Barcelona Bridal Fashion Week runway. The plain square-necked gown is neatly tailored to skim the waist. The addition of dramatic chi on sleeves with tie cu s and chi on layer draped over the bodice add a romantic flourish, as do the low button back and fluid court train. andrealalanza.es

3

BALLROOM BELLE

Yolancris

Barcelona label Yolancris delivers delightful twists on tradition – and this ballgown is a prime example. It features a vertical satin trim on the bodice to create a sleek line. The full skirt with side pockets has a pu ball hem ending above the ankles to reveal bridal heels. It's a fantastic choice for day to evening weddings – and with light and fluid fabrics to make it comfortable and flattering. yolancris.com

4 SLIM LINE

Mariano Morena

Perfect for a sophisticated hotel celebration or party in the sun, this sleek design by Mariano Morena is also super easy to pack. It has a wide halter neck and plunge neckline that emphasise neck and shoulders. There's a deep plunge back with clever draping falling to a slinky train. With such a dramatically simple gown, accessorise with statement jewellery and heels and you're ready to celebrate. marianomoreno.es

5 TUX LUXE

Woná Concept

Tailoring is having a fashion moment – with many designers showcasing chic jackets on the BBFW runway. This clever take on the tuxedo by Woná Concept is a keep forever piece that wins the style stakes for its sharp cut, with high neck and angled jacket front. It's an edgy companion to Woná's slim lace gown but would work equally well with palazzo pants or a floaty skirt. wonaconcept.com

6

NATURAL BRIDE

Marta Martí

Brisa, from the My Universe collection, is a standout example of bridal designer Marta Martimas' distinctive approach to wedding-day dressing. She's influenced by nature when it comes to cut and form, and works with fine linen, organza and silk. This dress is both simple and beautifully cut, with its softly curved neckline and tailored longer length bodice. There's fabric appliqué on the shoulder and skirt to generate extra movement. martamarti.com

Fundraise in Celebration at your Wedding

Haven House Children’s Hospice cares for seriously ill babies and children by creating a loving and warm environment for them and their families while they go through the toughest of times.

Instead of a wedding gift, ask for a donation to help families make the most of their precious time together.

Boho

revival

TExquisite lace and romantic silhouettes add up to a hip reworking of that old favourite – boho – in bridal collections

he hippie vibe is hip this season, as designers channel their boho side. It's the perfect style to tap into, since soft whites and creams and gauzy lace are such a timeless bridal combination. This is also a look that works really well with vintage finds and, whether it's preloved jewels, veil or accessories, including 'something old' guarantees lady luck will be there on your wedding day.

Intricate lace wedding gown, with bibeffect neckline and trumpet sleeves. yolancris.com

lorenapanea.com

Be your Best

Your wedding day is one of the few moments in life where everything is captured, remembered, and revisited forever. You want to look your best. Feel your best. And walk into your day with complete confidence. But behind every wedding is an endless list of decisions. The last thing you need is the added pressure of managing your own health and fitness. You don’t have time to experiment. And you don’t get a second chance on the day. That’s where Ultimate Performance (U.P.) comes in.

Recognised as the global benchmark in personal training since 2009, Ultimate Performance has helped more than 30,000 clients across the world achieve life-changing results. U.P. has 26 private training facilities worldwide, operating in Europe, North America, Asia, Australia, and the UAE, and has been helping brides and grooms look and feel their best on their wedding day for more than 15 years. In the UK, Ultimate Performance has private training facilities in Manchester,

Walk down the aisle with complete confidence thanks to Ultimate Performance

Cheshire, Liverpool, Leeds, and also operates in nine di erent exclusive locations across London, including Knightsbridge, Mayfair, Kensington, and Chelsea. Unlike commercial gyms, Ultimate Performance is a fully managed coaching system and fitness concierge service, built to deliver results with certainty: 97% of U.P. clients reach their goals, and 91% maintain their results long-term. U.P. exists for one reason – to help you be your best.

Through the U.P. Method, every part of your transformation is handled for you. Your training is programmed with precision. Nutrition is tailored to your body, lifestyle and schedule. Progress is tracked across more than 50 data points, with weekly reviews to keep you on track.

Most importantly, you’re not left to rely on motivation. Your trainer holds you accountable every step of the way, adjusting your plan, guiding your decisions, and making sure nothing slips as your wedding approaches. No guesswork. No wasted e ort. Just measurable progress, and exceptional results in as little as 2–3 hours of training per week. All sessions take place in private, appointment-only training

facilities, where you and your trainer will be completely focused on achieving your goals.

Because your wedding day is about more than how you look. It’s about walking into your big day with confidence, energy, and presence. It’s about feeling strong, standing taller, sleeping better, and radiating health from the inside out.

Don’t leave your wedding to chance. Trust the system that delivers results.

Be your best on your wedding day, with Ultimate Performance. For more information or to book at a consultation at any of Ultimate Performance’s locations across the UK, please scan the QR code below or visit ultimateperformance.com

Beauty BRIDAL

Love story

A tale of a memorable Bruisyard wedding

THE BEGINNING

Your story started months beforehand. You can still remember the moment you laid eyes on Bruisyard Country Estate and knew immediately this would be the place where the two of you would exchange your vows. Your partner confided later that they felt the same. There was a magic you both felt when you turned into the driveway and saw the stately Hall ahead of you, next to the soaring medieval barn, all set in the midst of carefully kept gardens, and the rolling Su olk countryside beyond. Since that initial introduction you have been in close contact with the team at Bruisyard, as they’ve sorted out all the details for your wedding, big and small, so you get the day you’ve always dreamed of. Some things have been arranged inhouse, for others they’ve given excellent recommendations for suppliers, but they’ve been at the heart of it all, calmly orchestrating all the moving pieces, so you’ve not felt any pressure planning your wedding.

THE BIG DAY

It’s arrived. The day you have been building up to for months. It’s going to be everything you’ve dreamed of.

People arrive to deliver wares or help you get ready: florist, hairdresser, make-up artist, photographer. All trusted people with real skill that Bruisyard introduced you to as you worked together on planning the wedding. Bruisyard’s Head Chef has been here since early morning, hard at work with the team to prepare the delicious meal you agreed at your tasting stay last summer.

THE WEDDING EVE

As you turn into the drive and see Bruisyard Country Estate laid out before you again, there’s an enormous feeling of satisfaction, wonder and excitement, knowing that this time it’s going to be exclusively yours for the next three days.

From here your day is a feast of anticipation and joy, welcoming family and friends as they arrive. In the late afternoon you go for a tour of the extensive grounds, partly to enjoy your surroundings, before enjoying a relaxed meal with your nearest and dearest, prepared by the expert team of chefs.

Once everyone has eaten their fill (and a bit more, the food is seriously good), older and younger guests start up a board game tournament, while you and your friends explore the Hall’s three floors of corridors, nooks and crannies. Finally it’s time to bid everyone goodnight, retire to your sumptuous rooms and prepare for the festivities to come.

Your dress has been hanging in the en suite bathroom since yesterday afternoon, almost luminous against the ancient timbers and bricks of the Hall, allowing any creases picked up on the journey to drop out of its elegant folds. Your closest friends have their outfits to hand in their own rooms, and you gather to be pampered and prepared for the wedding, the photographer hovering to capture every facet of the day. Those who dance themselves hungry fall on the pizzas that emerge from the outdoor wood-fired oven late in the evening, and gradually people peel away back to their own bedrooms, on site in the Hall or the Byre, or o site in one of the many places nearby that were recommended by the Bruisyard team.

AND RELAX …

The celebrations have another day - your wedding ‘Day After’ - it’s your chance to talk properly to people, relax and enjoy more precious time in this beautiful place.

Your first day of married life starts with a leisurely grazing brunch, before enjoying the rest of the estate and the surrounding area with an Estate Sunday lunch in the grand dining room. With the formalities out of the way, your day is relaxed and blissful - full of laughter and chat, simply enjoying the pleasure of being with the people you love with time on your hands and in stunning surroundings.

THE TRUE BEGINNING

The three days are over, but your new life is just starting. And you will always be a part of Bruisyard’s story, just as it will always be a part of yours.

bruisyardcountryestate.com

Histori c charm

Historic grandeur and contemporary elegance at L'oscar London

Nestled in the heart of London’s West End, L’oscar London is a five-star boutique hotel, housed within a Grade II-listed former Baptist church. The hotel blends historic grandeur with contemporary elegance, o ering a unique and theatrical setting for weddings and civil partnerships.

A wedding at L’oscar is more than an event, it is an experience, where every detail reflects elegance and romance. Our dedicated team is committed to crafting celebrations as unique as your love story, ensuring every moment, from the first toast to the final dance, is filled with charm.

Couples can choose from three captivating spaces, each o ering its own character and charm. The Baptist, the hotel’s awe-inspiring chapel dating back to 1856, is a setting unlike any other in London. Beneath a magnificent glass-topped dome flooding the space with natural light, guests are surrounded by breathtaking period features, hand-carved over 150 years ago.

Accommodating up to 180 guests for a standing reception, it provides a memorable backdrop for grand celebrations.

For a more intimate a air, The Library o ers a richly atmospheric alternative. Enveloped in exquisite oak panelling and adorned with striking Venetian masks, this licensed ceremony space exudes theatrical elegance. Ideal for gatherings of up to 80 guests, it provides a romantic setting in which to exchange vows.

Finally, The Committee Room presents an intimate yet opulent setting for smaller celebrations. Designed for up to 26 guests, this richly decorated space features jeweltoned interiors and intricate detailing. Crowned by a Royal Doulton fireplace, The Committee Room o ers the perfect backdrop for elegant, close-knit celebrations. With L’oscar London’s rich history and the team’s close attention to detail, this hotel o ers an enchanting stage for love stories to unfold.

“Crafting celebrations as unique as your love story”

NStephens

HOUSE & GARDENS

Stephens House &

Gardens

is the perfect north London venue

function, wake, private party or celebrating life, the venue o ers flexible spaces that can be tailored to your needs.

Our experienced events team works closely with every client to ensure their vision becomes a reality, handling the details so you can focus on enjoying your event.

From intimate gatherings to larger celebrations, we pride ourselves on creating a warm, welcoming environment for every guest.

estled in the heart of North London, Stephens House & Gardens o ers a truly unique setting for unforgettable events. Combining historic charm, elegant interiors, and ten acres of stunning gardens, it is a venue designed to bring people together—whether for celebration, reflection, or connection.

A historic setting with character

Originally known as Avenue House, it was once home to Henry Stephens, a Victorian philanthropist, local Member of Parliament and ink manufacturer. Upon his passing in 1918, he gifted his home and estate to the people, creating a legacy that continues today.

This rich history gives every event held here a sense of significance and atmosphere. The buildings’ period features and timeless elegance provide a distinctive backdrop that simply cannot be replicated by modern venues.

A

venue for every occasion

Stephens House & Gardens is a versatile space, perfectly suited to a wide range of events. Whether you are planning a wedding, birthday celebration, corporate

From drinks receptions on the lawn or terraced area to outdoor ceremonies and summer parties, the gardens add an extra dimension to any occasion. Guests can enjoy peaceful surroundings, scenic views, and a sense of space rarely found in London venues

A place to visit –absorb the history

Set within ten acres of gardens landscaped in the gardenesque style by Robert Marnock as part of Henry Stephens’ private estate, the gardens provide a stunning natural setting for relaxation and reflection. Walk amongst an arboretum of rare trees from around the world, enjoy

the flora and fauna, then visit Inky’s Cafe situated in the historic stables providing a perfect opportunity to enjoy some estate made refreshments during your visit.

More than just a venue

Stephens House & Gardens hosts a wide variety of community events, workshops, and seasonal activities throughout the year. This vibrant calendar reflects the site’s role as a community hub, bringing people together and creating meaningful experiences. While the house is not generally open to the public there is the opportunity to book a group tour or join one of the public tours, tours include a visit to the museum dedicated to the history of Stephens Ink, the house and the Stephens family. With a strong connection to the world renowned writer, musician, actor and comedian Spike Milligan including a very special bench with a statue of Spike seated on it there is also regular opportunities to learn more about his very interesting life at special events.

All events are listed on stephenshouseandgardens.com

Discover the unique setting of Greenwich's Fan Museum

True romance

Can you envision your wedding day in a unique cultural setting, surrounded by stunning hand-painted murals in a replica Georgian Orangery? Then look no further for your special venue than The Fan Museum in Greenwich. Open to the public since 1991, The Fan Museum is the only organisation of its kind devoted entirely to the history, culture, and craft of the fan. This award-winning museum is smallscale, independent, and accredited by Arts Council England. Situated within the World Heritage Site of Greenwich, and at the base of one of London’s oldest residential streets (the historic Crooms Hill), a pair of beautifully restored Grade II* Listed early Georgian period townhouses wait to be discovered. It is in these townhouses that the museum, its extraordinary collections, and idyllic Orangery for hire can be found.

The Orangery, an artistic gem adorned with interior murals painted by the artist

Jane Barraclough, is a small and intimate wedding venue in popular demand. With its enchanting Trompe L’oeil e ect, the Orangery provides an atmosphere of culture and elegance without equal in this leafy part of London. It is an environment in which romance flourishes, the perfect setting for a beautiful marriage ceremony for up to 28 seated guests. The Fan Museum believes in the accessibility of such a treasure to all prospective attendees, thus a portable ramp and keyoperated lift are readily available onsite.

Couples who have previously had their weddings in the Orangery at The Fan Museum have commented that the ‘setting is perfect for an intimate ceremony’ (Joe L.) and that ‘beautiful natural light and backdrops’ ‘made even phone photos look special’ (Alex L.). The memorable experience of holding a wedding in such a distinct cultural venue remains with both the couple and their guests.

For more information on booking your big day in the Orangery at The Fan Museum please call 0208 305 1441 or send an email expressing your interest to info@thefanmuseum.org.uk. You can also visit The Fan Museum website: thefanmuseum.org.uk/orangery-hire

PHOTOGRAPHY CREDITS

The Fan Museum

Gemma Sandell of Gemma Sandell Photography (featuring a picture taken at the wedding of Lizzy and Stuart at the Orangery in September 2024) gemmasandellevents.com

Wedding venues

For an extra special touch for your big day, Sussex and neighbouring counties are home to beautiful and unique destinations to tie the knot

AMBERLEY CASTLE

amberleycastle.co.uk

Amberley Castle o ers a wedding setting steeped in over 900 years of history. Surrounded by a stone curtain wall and approached via a working portcullis, the castle immediately creates a sense of occasion. Inside, the atmosphere is warm and intimate rather than imposing, with historic rooms, fireplaces and period features adding character throughout. The gardens, framed by the castle walls, provide a secluded and romantic backdrop for ceremonies and photographs. What sets Amberley apart is its authenticity: this is not a pastiche of history, but a genuine medieval structure adapted for modern celebrations. Weddings here feel private and atmospheric, with the scale of the venue encouraging a more personal celebration.

HEVER CASTLE

hevercastle.co.uk/weddings

Set in 125 acres of idyllic Kent countryside, Hever Castle’s rich and varied history provides the perfect romantic back drop for wedding ceremonies and receptions. Once the childhood home of Anne Boleyn, the castle is steeped in Tudor history, providing a truly unique setting for your special day. The scope of wedding opportunities on the estate is boundless. From the stately grandeur of the castle itself to the country house charm of the Astor Wing and the stunning lakeside location of the Italian Garden, o ering an enchanting venue in every season. Ceremonies in the Castle inner hall surrounded by ornated panelled walls create a regal setting for your celebration. The Tudor Suite within the Astor Wing o ers unparalleled views

of the castle, moat and gardens. Summer months see the award-winning gardens come to life as ceremonies take place under the beautiful arched columns of the Italian Loggia overlooking the lake.

CISSBURY BARNS

cissbury.com

Nestled within the South Downs National Park, Cissbury Barns o ers a wedding venue defined by its peaceful rural setting. Surrounded by open countryside, the barns feel wonderfully secluded, creating a sense of escape from everyday life. The buildings themselves retain their rustic character, with exposed beams and traditional materials adding warmth and authenticity. Ceremonies and receptions can be tailored across indoor and outdoor spaces, allowing couples to make full use of the landscape.

The defining feature here is tranquillity. With minimal distractions and expansive views, the focus remains on the celebration itself.

COWDRAY WALLED GARDEN cowdray.co.uk

Set within the historic Cowdray Estate, the Walled Garden o ers a refined yet relaxed wedding setting surrounded by high brick walls and beautifully curated planting. The enclosed nature of the space creates a sense of privacy, allowing couples to celebrate within their own secluded environment. The garden, elegant lawns, flowerbeds and pathways provide a soft, romantic backdrop, while adjoining reception spaces o er flexibility for dining and dancing. The venue’s unique appeal lies in this balance between openness and enclosure. It feels connected to the wider estate while maintaining an intimate, self-contained atmosphere.

LEONARDSLEE HOUSE leonardsleegardens.co.uk

Leonardslee House is set within one of Sussex’s most visually striking landscapes. The Italianate-style mansion overlooks a series of dramatic gardens filled with lakes, woodland and sweeping vistas. Weddings here are shaped by the landscape as much as the architecture, with outdoor ceremonies and photography taking full advantage of the setting.

SOUTH LODGE exclusive.co.uk/south-lodge

Set within 93 acres of rolling parkland in the South Downs, South Lodge is defined by its extraordinary sense of space and far-reaching views across the Sussex countryside. The Victorian mansion blends traditional country house elegance with a more contemporary, lifestyle-led approach to weddings, creating a venue that feels both grand and current.

THE GALLIVANT

thegallivant.co.uk

Located near the sweeping sands of Camber, The Gallivant o ers a wedding setting shaped by its coastal surroundings.

The boutique hotel combines relaxed interiors with a focus on food, hospitality and atmosphere. Its defining feature is proximity to the beach, allowing couples to incorporate seaside ceremonies or photography into their day. Weddings here feel informal yet thoughtfully curated, with an emphasis on creating a warm and sociable experience for guests.

BROOKFIELD BARN

brookfieldbarn.co.uk

Brookfield Barn reimagines the traditional barn wedding with a distinctly modern aesthetic. Purpose-built for weddings, the venue combines rustic materials with expansive glass walls that overlook a private lake. The result is a space that feels bright, open and closely connected to the surrounding countryside. Ceremonies often take place with water views as a backdrop, while receptions flow seamlessly into the main barn space.

UPWALTHAM BARNS

upwalthambarns-weddings.co.uk

Tucked away in the South Downs National Park, Upwaltham Barns o ers a classic countryside wedding setting defined by simplicity and charm. The venue is made up of a collection of restored flint barns arranged around a courtyard, creating a sense of intimacy and flow between spaces. Ceremonies take place in a characterful

barn filled with natural textures, while receptions unfold in adjoining spaces that feel relaxed and welcoming.

SOUTHEND BARNS

southendbarns.co.uk

Southend Barns blends rustic charm with a polished, contemporary finish. Set near Chichester, the venue is arranged around landscaped courtyards and gardens, creating a series of interconnected spaces that guide the flow of the day. The barns themselves are thoughtfully designed, and a stand out feature is the attention to detail, from the outdoor ceremony areas to the unique on-site accommodation.

a Love story in

From small and intimate weddings to exclusive use at Coworth Park

STHE ENGLISH COUNTRYSIDE

et within 240 acres of gently rolling parkland, Coworth Park o ers a wedding setting shaped by the beauty of the English countryside. Wildflower meadows, ancient trees and soft pathways create a landscape that feels both expansive and intimate, where celebrations unfold at an unhurried pace. Whether you dream of a small, intimate wedding or a vibrant celebration with up to 100 guests.

Consider the exclusive hire of the estate, where your special day unfolds in a private, serene environment. With the stunning grounds as your backdrop, each moment becomes a personal memory, embraced by nature and shared with your closest loved ones.

Ceremonies may take place beneath open skies, within elegant interiors filled with natural light, or beside the tranquil beauty of the grounds. Choose from the light-filled Garden and Oval Rooms with their private terraces, the intimate setting of the Oak Room, or the castlelike charm of the Tower House overlooking the lake. Each space is rooted in its surroundings, with views that shift gently with the seasons.

At the heart of each wedding, there is a dedicated team o ering thoughtful, attentive guidance from the earliest planning stages through to the celebration itself. Every detail is considered

with care, helping to shape a day that feels seamless and personal. Their calm, experienced approach allows couples to settle into the occasion, confident that each element has been quietly arranged.

Overnight accommodation in one of the signature suites or private cottages allows guests to settle into the countryside and enjoy time together in tranquill surroundings. Meanwhile, the award-winning spa and the pool serve as a peaceful retreat for relaxation.

Beyond the ceremony, the estate encourages guests to unwind in their own way. Walks through the grounds reveal quiet corners and open views, while horse riding o ers a gentle connection to the surrounding countryside. Dining is central to the celebration, with menus curated by Michelin-starred chef Adam Smith. Seasonal ingredients and thoughtful preparation shape dishes that feel generous, comforting and refined. Carefully selected wines and considered cocktails complement the experience, encouraging conversation and shared moments.

Just 45 minutes from London, Coworth Park feels peacefully removed yet reassuringly close. Here, the English countryside becomes the setting for a wedding shaped by care, comfort, and rural elegance, where meaningful moments unfold naturally, and memories settle softly into the landscape.

INTERIORS

MATERIAL WORLD

When Studio 29 Architects approached Espresso Design to create something truly distinctive for this stunning barn conversion in Norfolk, they selected materials that would complement the character of the space without overwhelming it. Beautiful sun-dried fir, satin-finished steel doors and luxurious marble worktops create a harmonious balance of warmth, texture, and timeless sophistication. Image by Kasia Fiszer espressodesign.co.uk studio29architects.co.uk

NOTES INTERIORS

Ideas, designs and styles for your home

By PENDLE HARTE

BR IGHT IDEA

ADDISON

ROSS

Colourful home accessories from Addison Ross include salt and pepperpots, alongside cordless lamps, candle holders and photo frames. Everything comes in a n extensive palette of colourful laquered finishes, and there's a new range of textiles too.

addisonross.com

HUNG UP

KAY+STEMMER

A new addition to the popular Agnes collection by Kay+Stemmer, the freestanding Agnes hall stand is similar in form and profile to the high shelving unit. With a notably so ened look, the design retains its aesthetic beauty from whichever angle you look at it. scp.co.uk

MORE SCANDI

JOHN LEWIS

A new Scandi collection at John Lewis celebrates the core principles of Scandinavian living: simplicity, calmness, and embracing nature. Think light wood fi nishes, thoughtful textures, and natural fi bers like linen and wool. The focus is on functional pieces and a calming, neutral colour palette. johnlewis.com

TAKE FIVE

Room sprays

DIPTYQUE

Mimosa, £62 diptyqueparis.co.uk

THE FLORA LAB

Darjeeling Delights, £20 thefl oralab.com

ARRAN

Cedarwood & Citrus, £20 arran.com

FRENCH BEDROOM

Lavender & Camomile, £40 frenchbedroom.co.uk

TYLER AROMATHERAPY

The Sanctuary Mist, £28 tyleraromatherapy.co.uk

CLAY ART

VILLA BOLOGNA

The Glug Glug jugs are so-called for the gurgling noise they make when poured. With details handpainted in sunshiney colours, they’re shaped like the leaping fish caught on Maltese fishermen’s boats, and hand-painted in Malta. villabolognapottery.com

DIPTYQUE

Diptyque has resdeigned its classic candle, with the glass candle vessel reinvented by Julie Richoz, a Franco-Swiss designer chosen for her sensitive eye and her sure grasp of the material. And look out for five new scents launching soon. diptyqueparis.com

FLORALS

By PENDLE HARTE

Material

WORLD

A look at seven decades of plastic brilliance with Kartell, as the brand launches a new collection at Salone del Mobile

Few brands embody the optimism and audacity of postwar Italian design quite like Kartell. Founded in Milan in 1949 by the visionary Giulio Castelli, Kartell has always been at the forefront of the use of plastics, transforming what was an unlikely material into something desirable, democratic and even beautiful. What began as a manufacturer of plastic accessories for cars, science labs and kitchens has evolved into one of the most internationally recognised names in furniture and interiors.

The brand's ascent was driven by an early and deliberate commitment to working with the finest designers of each generation. Through collaborations with renowned designers such as Marco Zanuso and Joe Colombo, Kartell became an icon of contemporary design. Philippe Starck's Louis Ghost chair, launched in 2002, became one of the most recognisable pieces in the modern canon: a Baroque silhouette rendered entirely in transparent polycarbonate, at once nostalgic and radically modern. It encapsulated everything Kartell stood for. And the iconic modular Componibili storage unit remains a best-seller in Italy and beyond.

Today, under the leadership of Lorenza Luti, the brand is as a cultural institution, with stores in every major city and a museum in its Milan headquarters. Luti is very much focused on the future, and keen to position Kartell as more than simply the manufacturer of the Componibili, even though there's probably one in most Italian homes (and it remains their post popular single piece). At the recent Salone del Mobile Milano they presented a diverse range of new pieces that share the brand's DNA of innovation and technical sophistication. The focus is on the whole home, with pieces ranging from lighting to accessories and tableware alongside a new line of upholstered

collections have seen the introduction of recycled and regenerable plastics — proving that the brand's characteristic optimism can be directed at environmental questions as readily as aesthetic ones. As Lorenza points out, plastic has changed a lot over the years and material innovation is a huge part of Kartell's work. Recent sources have included illy co ee pods and plastics from the automotive world, and an Italian supply chain includes manufacturers working on new transparent plastics. The word plastic is too generic – it spans so many di erent options, and the narrative around it has changed dramatically over the years. The Kartell museum shows a poster from the 1980s advertising plastic as a sustainable alternative to wood and a way of combating deforestation. Today's plastics show a return to that ethos, and Kartell intends to remain at the leading edge of technology and design for the next 70 years and more.

kartell.com

INTERIORS • DESIGN

furniture. At the heart of the new o ering is a collaboration with British designers Barber Osgerby, which is very exciting for Lorenza. "I have wanted to work with them for years," she says. The resulting Savoia chair is light and slim, simple and stylish. Collaborating with designers is at the heart of Kartell's mission. Once Lorenza has decided to work with someone, she will give them the freedom to produce their own piece to fit the Kartell family. "We don't brief them," she says, but she will show them the museum and explain her philosophy. From there, it's up to the designer. So Patricia Urquiola's Jelly cups and saucers are as characteristically Kartell as Joe Colombo's recently reissued KD28 table lamp and Antonio Citterio's Mobil drawers, despite their di erences. The Kartell DNA is shared. Sustainability has become central to the brand's evolution. The company's "Kartell loves the planet" manifesto commits to responsible materials practice, and recent

Beautifully crafted British kitchens for everyday living

BESPOKE KITCHENS | BOOT ROOMS | UTILITY ROOMS | PANTRIES | MEDIA | WHOLE HOME

FIND A SHOWROOM

By PENDLE HARTE

GP & J Baker and Kit Kemp return with a collection that's bolder, richer, and more joyful than ever

IN THE DETAIL

Some creative partnerships are so naturally wellmatched that a second act feels not just inevitable, but essential. When

GP & J Baker, one of Britain's most storied fabric and wallpaper houses, reunited with designer Kit Kemp for a follow-up to their celebrated 2024 debut, the result was always going to be something worth talking about. Now, with the new collection o cially unveiled, it's clear this chapter surpasses even its acclaimed predecessor.

Spanning 11 statement prints and embroideries, five woven striped fabrics, a coordinating rustic plain, seven decorative wallpapers, and an inventive fabric-e ect plain wallpaper, the range is nothing short of comprehensive.

At its heart, the collection is a love letter to craft. Roar Stitch pairs fierce lion motifs with flowers and birds in cross-stitch, while Flower Pot layers embroidered blooms and geometric forms into a richly dimensional vertical stripe. Noah's Ark brings a burst of colour and whimsy through its playful animal motifs outlined in expressive, lively stitching. These are designs that reward close attention and reveal something new each time you look.

The archive runs deep here too. Marigold reimagines a GP & J Baker damask as a boldly scaled modern chintz, balancing

heritage and freshness with confident ease. Forest Flower pays tribute to the art of hand-block printing, drawing from an original document in the Baker archive that Kemp has reinterpreted with characteristic warmth and depth. Even Forget Me Not, with its Bauhaus-inflected simplicity and delicate bluebell motifs, traces its roots back to a 1929 archive document.

The printed fabrics carry their own quiet energy. Compass fuses geometric and stripe motifs with a navigator's precision. Crossroads translates watercolour brushwork into an organic inky grid. Tudor Rose, recoloured from an original archive design, evokes the hand-crafted grandeur of a great country house. And Cloudline, the collection's printed stripe, brings everything together with a softly stone-washed texture and a subtle hand-stitched finish.

Among the woven stripes, Tradewind is understated in scale, endlessly versatile and available as both fabric and wallpaper. Tip Toe brings bold archival energy; Zephyr pulses with rhythmic, free-spirited colour. For those seeking grounding amid the exuberance, Cubby, a textured cotton and jute plain, and its coordinating wallpaper equivalent o er cohesion without compromise.

Kemp describes the process as "an inspiring and expansive adventure," one driven by a shared passion for storytelling through textiles. The

inspirations range widely — Peruvian blankets, Tudor damasks, 1920s florals, folk art — yet everything coheres into something unmistakably unified. What makes this collection feel genuinely significant is its generosity. It doesn't ask you to choose between boldness and refinement, tradition and modernity, pattern and plain. It simply says: have it all. And in the hands of GP & J Baker and Kit Kemp, that abundance feels entirely earned.

UPDATE GARDEN

Spruce up your outdoor space in time for summer

By PENDLE HARTE

SUN S HADE

Founded by Polly Eddis and her daughter Susie, ParasolUK creates luxury hand block-printed parasols, tents and gazebos, all designed for the British climate. Crafted with artisan workshops in Jaipur, each distinctive silhouette features handprinted, layered canopies in carefully considered palettes.

parasol-uk.com

BISTRO VIBE

GRAHAM & GREEN

Bring the charm of a Parisian café to your garden or balcony with this elegant bistro set. It includes a round table featuring an intricately woven herringbone pattern in white and mint green, along with two matching chairs with a classic basket weave design. grahamandgreen.co.uk

EARN YOUR STRIPES

COLOURS OF ARLEY

Every garden needs stripes, and Colours od Arley's Elements Collection of fabrics is built for the outdoors and resistant to water, mould, UV and stain. Think tablecloths, cushions and drapes in countless stripey colourways. coloursofarley.com

TABLE SCAPE

Decorative accessories for outdoor dining

GRAHAM & GREEN

Splash dinner plate, £12 grahamandgreen.co.uk

JOHN LEWIS X ANINE

CECILIE IVERSEN

Floral print tray, £20 johnlewis.com

OLIVER BONAS

Punch glass cocktail jug, £39 oliverbonas.com

OKA

Yuhua dinner plates set of four, £40 oka.com

POT

LUCK

COX & COX

These planters feature a so ly ribbed surface and a unique granite-inspired fleck that captures the natural beauty of stone, yet with a lightweight, easy-to-move design. With their organic texture and sleek design, these planters bring a sense of quiet luxury to any space. coxandcox.co.uk

SET AND MATCH

SWYFT

The Garden Sofa Set 03 from Swy is designed as a complete garden lounge set, pairing a slender, contemporary steel frame with cloud-like striped cushions that bring both comfort and character to any outdoor setting. swy home.com

A NAPOLEON BBQ BUNDLE, WORTH £825! W in!

We are o ering one lucky winner the chance to win a Napoleon Freestyle™ PRO 365 with Infrared Sizzle Zone. This amazing prize includes a Charcoal Smoker Tray, Premium 3-Piece Tool Set and Freestyle Grill Cover

As a proudly Canadianheritage brand since 1976, Napoleon Premium BBQs is celebrating 50 years of bringing families together around the grill. For five decades, Napoleon has combined thoughtful design, trusted performance and a genuine love of outdoor cooking to help create unforgettable moments at home. From the very first handcrafted weld to the final polish, every Napoleon BBQ is made with care and attention to detail. It’s this commitment to quality that has made Napoleon a brand families can rely on, whether it’s a quick midweek dinner, a relaxed weekend barbecue or a big celebration with friends and relatives.

While Napoleon is best known for its award-winning gas grills, the range also includes charcoal kettle and portable

HOW TO ENTER

To enter to win this ultimate Napoleon BBQ experience, worth £825, head to absolutelymagazines.com/win/

barbecues, freestanding outdoor kitchens, modular built-in kitchens and a wide selection of stylish branded accessories. Whatever your outdoor space and lifestyle, there’s a Napoleon BBQ designed to make cooking enjoyable for everyone.

Built to last a lifetime and simple to use, Napoleon BBQs are packed with trademarked features. These include the infrared SIZZLE ZONE® for quick, restaurant-style searing, backlit LED glow knobs for safety and peace of mind, precise heat control for consistently great results and iconic WAVE™ cooking grids for easy cleaning.

From the popular Rogue and Freestyle Series to the latest plancha griddles and Apollo Smoker ranges, Napoleon o ers a BBQ for every budget and level of experience. With Napoleon, outdoor grilling becomes more than just food; it’s about sharing time together and making memories that last a lifetime.

TERMS AND CONDITIONS

• The competition is open to UK and Republic of Ireland residents aged 18 and over.

• Employees of Napoleon Premium BBQs, its affi liates, retailers, and immediate family members are not eligible to enter.

• All entries must be received by 23:59 on the 31st May 2026.

• The prize is non-transferable and cannot be exchanged for cash or any other alternative.

• The winner will be chosen at random from all eligible entries.

• The winner will be notifi ed via the email provided within 48 hours of the competition closing.

• If the winner does not respond within 72 hours, we reserve the right to select another winner.

• By entering, entrants agree to participate in promotional activity related to the competition, including the use of their handle on Napoleon’s social media.

solar panels and battery packs fitted. We tried to get the houses carbon zero, and we got the energy bills down to £25 a month for a 4-bedroom house.

Q What are your plans/hopes for the future of the business?

A We now manage 130 lovely homes, and I’d love to double that over the next few years. Whilst I’m still enjoying running the business, I see continuing to grow and take on more houses to manage. I’m not looking at retirement soon.

Business Spotlight

Q In a nutshell, describe your business and what you do.

A We o er renters beautiful homes on flexible rental terms. Our tenants want something more than an Airbnb, but not a 12-month contract. Typically, our renters stay a few weeks/months whilst they are between properties or are refurbishing their own home. We generate 20-30% more rental income for landlords than other letting agents.

Q When and why did you start your business?

A I set up the business 9 years ago as a property investment business buying Buy To Let properties for clients. We buy, refurbish and then let/manage properties. We are now focused on growing our rental business and o ering lovely homes for renters.

Absolutely chats to Adrian Sutherland about his mission to transform the rental market for the better

Q What are the biggest challenges you face running a small business?

A By building a team that is knowledgeable and truly cares about customer experience, I have a strong team with many years of experience, and our customer reviews are great.

Q What do you love most about running your own business?

A I raise my daughter on my own, so being self-employed gives me the flexibility to work and be there for her. She’s 15 now, so she’s a lot more independent and doesn’t really want to hang out with her Dad as much.

Q What e orts is your company making towards sustainability?

Q What do you love about our local area?

A I love being close to the river, whether that means walking/running along the towpath, getting on the water in my kayak, or having a cheeky pint at Richmond riverside.

Q And finally, tell us a littleknown fact about yourself!

A Although my running days are over, I have run 3 marathons, and cycling is a bit more sympathetic on my joints now.

A We have recently refurbished a couple of houses and had heat pumps, SMARTER RENT ADRIAN SUTHERLAND adrian@smarterrent.co| 07725 440611 | Linked in: smarterrent | Facebook:SmarterRent Instagram: smarterrent | smarterrent.co

TRAVEL

SEA CLOUD CRUISES

Sea

FAIRYTALE VOYAGE

Exploring the Rhine on a sleek longship delivers history and fairytale scenery on a journey from the North Sea to the Swiss Alps

By SANDY CADIZ-SMITH

Cruising the Rhine feels like sailing through the pages of a children's storybook. This majestic river has carried emperors, merchants and poets over centuries, carving its way from the North Sea to the Swiss Alps. It has shaped not only landscapes but also legends, great art and culture. And now, for a week on board the Viking Sigrun, it’s our time to experience that story.

Our journey begins in Amsterdam and unfolds through the riverside landscape of four countries – the Netherlands, Germany, France and Switzerland. Our longship, Sigrun, is chic and streamlined. And it is small scale, accommodating up to 190 guests. Floor-toceiling windows frame ever-changing views, while glass doors in the lounge and bar open to provide alfresco viewing points.

Upstairs on the sun deck the air is scented with rosemary from the little organic herb garden, and there are shady corners where you can sit, a walking track and even a putting green. This soon becomes one of our favourite spots, o ering a front-row seat to enjoy the gentle rhythms of the Rhine.

Our cabin is a short stroll away – another of the pleasures of Sigrun. In fact, everything is wonderfully close by, making it easy to navigate. Our cabin is surprisingly spacious, designed with clean lines and soft tones and, best of all, it comes with a private balcony. This is our place for sunrise viewing and sundowner treats as we sail through Europe's heart.

“Tiny villages are scattered like treasures, with fairytale castles, emerald forest and vine-covered slopes rising above them”

Every day brings a new adventure with imaginative daily excursions. In the Netherlands, we watch Gouda being made the traditional way (and taste it, of course), before exploring the iconic windmills of Kinderdijk.

Germany brings delightful surprises. We explore Cologne, a city watched over by that magnificent cathedral, lingering over glasses of crisp Kolsch, the city’s signature beer. Then it’s onwards to the charming towns of Koblenz and Speyer. One evening we sip Riesling in the cool hush of an ancient monastery, while another day is spent hiking through the Black Forest before crafting our own indulgent take on the region’s signature gateau.

Then comes France, with a stop in beautiful Strasbourg. The city’s complex history and twin identity is clearly reflected in its architecture. And in its food – we trace it one bite at a time on the Flavours of Alsace walking tour. It is both delicious and enlightening – and turns out to be one of our favourite stopping points.

Perhaps the spell that lingers longest though is the one cast by the Middle

Rhine, a UNESCO World Heritage Site.

Drifting along its sparkling waters is like gliding through an enchanted kingdom. That's helped along by our onboard storyteller, who brings history and legend to life. Sigrun carries us past tiny villages, scattered like treasures along the banks, as fairytale castles, emerald forest and vine-covered slopes rising above them.

On-board life is all about relaxation and indulgence. And nowhere is this better reflected than in the food. Chef Rado is something of a genius, with menus changing daily and always inspired by the essence of the places we’re travelling through. And we enjoy their choicest ingredients and culinary traditions. From perfectly runny eggs Benedict at breakfast to tiny sandwiches at teatime, golden-crisp schnitzels, luscious chateaubriand, the freshest of fish and tempting cheese plates, every mouthful is delicious. Each meal is matched with a di erent wine pairing (all wine with meals is another indulgence of this voyage).

One night, dinner is a celebration of German cuisine – which proves to be something of a revelation. In fact, the

same could be said of the voyage. From the moment we step on board, we enjoy Viking Sigrun's warmth and hospitality, with every detail taken care of so we can relax and enjoy the journey.

In fact, the views, the stately pace and the wonderful hospitality make this Viking voyage a memorable way to absorb those ever-shifting Rhine landscapes and watch centuries of history unfold in the fairytale heart of Europe.

VIKING SIGRUN JOURNEY

The 8-day Viking itinerary from Amsterdam to Basel includes stops in Amsterdam, Kinderdijk, Cologne, Koblenz, Rüdesheim, Speyer, Strasbourg, Breisach and Basel. Prices from £1,695 per person for a 22-29 November 2026 sailing, based on current availability. Includes return flights from select UK airports, 7 nights in a standard stateroom, in-destination transfers, on-board meals including wine, beer and soft drinks at lunch and dinner (plus no corkage fee). Excursions, Wi-Fi, gratuities, evening entertainment and enrichment talks also included.

vikingcruises.co.uk

SAIL AWAY

Sailing around the Cyclades on a tall-masted ship delivers island jewels, and the pleasure of being carried on the wind

By SANDY CADIZ-SMITH

The Cyclades islands are scattered across the Aegean like a handful of sun-kissed pebbles. Their name comes from the soft circular sweep they make around sacred Delos, ancient spiritual heart of the region.

More than 220 islands and islets make up this constellation – many of them uninhabited – and they bask in 300 days of sunshine every year. The islands are known for the Meltemi, seasonal winds that make sailing exhilarating, sometimes unpredictable. We are about to discover this for ourselves aboard our stately tall-masted sailing ship, Sea Cloud II.

Our Cyclades journey begins in Athens, where boarding is smooth and unhurried. We’re shown straight to our splendid Junior Suite with generous lounge, walk-in wardrobe and gleaming marble bathroom complete with bathtub and shower. There’s a chilled bottle of champagne to welcome us – a sure sign of indulgent days ahead.

Sea Cloud II really is a sight to reckon with. She carries just 94 guests and combines the facilities of a modern cruise with the old-world romance of a tall ship. She’s beautifully finished, with open teak decks, where meals are often taken under the Greek sun. It's a delightfully intimate setting with ocean views guaranteed.

in the Derbyshire Peak District

w Lodges sleep 2 - 8 people

w Perfect for couples, families & celebrations

w Hot tubs available

w Pet friendly

w Health & fitness centre

w Restaurant & bar

w Woodland location

w Visit the Peak District

w Activities for all ages

w Soft play centre

w Mini golf, tennis & games room

w Cycle hire & nature trails

Life aboard begins properly the next morning with our first sight of the theatre of sail. It’s all done manually and we watch while some of the crew scale the mast and others gather, ropes in hand. With practised skill and precision teamwork, the crew raise the canvas until the whole ship seems to breathe out. It’s captivating – an awe-inspiring start to a voyage. We quickly learn that safety is everything, and the wind is the one true master. Captain Christian keeps us informed, his calm voice describing the onward journey, and there’s always a thrilling edge of uncertainty in our plotted course. Plans shift as our stately tall ship's stays in tune with the Meltemi. Leisurely days on Sea Cloud II are punctuated by easy meals taken in the sea-salted open air, while lectures fill us in on the fascinating history of the islands ahead. And for the bold, there’s always the rigging to climb or the bosprit to edge out onto, the sea roaring below in a blur of blue and white. Whether you're bold or not, it's an exhilarating ride, with the wind carrying us fast and clean through Aegean waters.

“Boats bob lazily and the aroma of sage and thyme fills the air as we sip on local beer and swim in the crystal-clear sea”

Patmos greets us first, serene and welcoming with its dazzlingly bright white houses. We climb to the Monastery of Saint John and wander through the Patmian houses of Chora, where sunlight catches on walls and wooden shutters. On Ios, a Zodiac wet landing brings us to Manganari Beach with its calm waters and unhurriedly island pace of life. Amorgos is ruggedly beautiful, with unravelling folds of rock and herb-scented hillsides. We cross

“With precision teamwork, the crew raise the canvas until the whole ship seems to breathe out –an awe-inspiring start to a voyage”

its spine, hairpin by hairpin, before spending time relaxing at a beach club in the gorgeous little town of Katapola. Boats bob lazily and the aroma of sage and thyme fills the air as we sip on local beer and swim in the crystal-clear sea. We wander the narrow streets in the sunshine, picking up local olive oil, herbs and zesty citron liqueur, the island’s signature tipple.

Poros, with its lively harbour and easy charm, is the final port of call. Cafés and shops line the waterfront, so it's perfect for one last wander and one last deep breath of herb-infused air. We almost feel like sailors from centuries past and it's been a wonderful discovery of a Greece that feels more ancient and less travelled. The unique character and glittering blues of each island will stay with us, but the Meltemi defined our trip – a reminder that, in the Cyclades, the exact course of every journey is in the gift of the wind.

Sea Cloud Cruises

In brief

Sea Cloud ships operate select and low environmental impact sailings in the Mediterranean, as well as themed events and cruises in locations such as the Azores, Canaries, Caribbean and Central America.

Prices from €4,790 for a 7-night Summer Breeze Through the Aegean itinerary in July, taking in the Cyclades islands of Amorgos and Milos plus Nauplio and Poros in the Peloponnese.

seacloud.com/en

AEGEAN ELEGANCE

Set in pine-clad hills, Zeus Eleva Ajul o ers an idyllic setting for weddings, wellness and a relaxed Mediterranean break, where nature, design and hospitality come together in e ortless harmony

Set amid pine-clad hills overlooking the Aegean, Zeus Eleva Ajul feels as though it was designed with life’s most meaningful moments in mind. Weddings, rather apt considering Absolutely’s special this month, take centre stage here. Whether it’s an intimate barefoot ceremony by the water or a larger celebration framed by golden Mediterranean light, the resort o ers a setting that feels both e ortlessly elegant and deeply personal. There’s a sense that everything unfolds naturally – the sea shimmering in the distance, the scent of herbs in the air, and a calm, unhurried rhythm that invites you to savour each moment.

It’s this atmosphere that makes Ajul such a compelling destination for couples seeking something more than a traditional venue. Ceremonies are tailored with care, from bespoke menus inspired by local flavours to thoughtful details that reflect each couple’s story. And beyond the wedding itself, there’s the added appeal of a place where guests can truly unwind – turning a single day into an extended celebration of connection, relaxation and shared experience.

Located in Agia Paraskevi on the Kassandra peninsula of Halkidiki, Ajul occupies a stretch of coastline where forested hills meet crystalline waters. The setting is quietly spectacular. Pine trees roll down towards the sea, and the light shifts throughout the day – soft and silvery

in the morning, rich and golden as evening approaches. It’s a landscape that encourages you to slow down, breathe deeply and tune into the simple pleasures of being here.

Arriving at the resort, the sense of space is immediate. Pathways wind through greenery, opening onto views of pools, terraces and the distant shoreline. The main building is airy and contemporary, with warm tones and natural materials that echo the surrounding environment. There’s a calm, understated luxury to it all – nothing feels overdone, yet every detail has been carefully considered.

Our room continues this theme of relaxed elegance. Designed in a soft Mediterranean palette, it’s both spacious and soothing, with clean lines, tactile fabrics and thoughtful lighting that shifts with the day. Floor-to-ceiling doors open onto a private terrace overlooking the landscape, where the horizon stretches out towards the sea. Many of the resort’s rooms and villas feature private or shared pools, and it’s easy to see the appeal – a quiet, personal space where you can begin or end the day in complete tranquillity.

Inside, the comforts are all there: a generous bathroom with premium amenities, plush robes and slippers, and a well-stocked minibar alongside co ee and tea facilities. It’s the kind of space that encourages lingering – a place to retreat to after a day in the sun or a long, leisurely dinner.

Food, as you might expect in this part of Greece, plays a central role in

Ajul reveals itself as a resort designed for a wide range of experiences

the experience. Ajul’s three restaurants o er distinct yet complementary approaches to Mediterranean dining. At Infinity, dishes are served with a light, contemporary touch, celebrating seasonal ingredients and clean flavours. Thimari draws more directly on Greek tradition, reimagining familiar recipes with a refined, modern sensibility. Meanwhile, Ambrosia brings Italian influences into the mix, with fresh, vibrant plates that feel both comforting and elevated.

Dining here is less about formality and more about atmosphere. Lunches stretch lazily by the pool, accompanied by chilled wine and the sound of water lapping nearby. As evening falls, the mood shifts – golden hour drinks give way to dinners under the stars, where the air is warm and the conversation flows easily. There’s a strong emphasis on local produce throughout, from sun-ripened vegetables and fragrant herbs to freshly caught seafood and exceptional olive oil. It’s food that feels rooted in place, yet thoughtfully interpreted.

The six bars dotted around the resort each o er their own distinct setting. There’s something undeniably appealing about a cocktail at the beachfront Enki bar, where the rhythm of the waves provides a gentle backdrop. Elsewhere, the swim-up

Ananas bar brings a more playful energy, while the Lounge Bar o ers a quieter, more intimate space for evening drinks. Wherever you choose, the emphasis is on relaxed enjoyment rather than spectacle.

Beyond the dining and social spaces, Ajul reveals itself as a resort designed for a wide range of experiences. Wellness, in particular, is woven into the fabric of the place. The spa draws inspiration from the region’s longstanding tradition of healing, incorporating natural elements such as olive oil, honey and aromatic herbs into its treatments. There’s a sense of quiet restoration here – a chance to step away from the pace of everyday life and reconnect with yourself.

The facilities extend beyond the treatment rooms. A heated indoor pool, sauna and steam areas provide additional space to unwind, while yoga sessions and fitness options cater to those seeking a more active approach to wellbeing. It’s a holistic o ering, one that feels aligned with the surrounding environment rather than imposed upon it.

For those drawn to activity and exploration, the resort o ers plenty to discover. Scenic trails wind through the surrounding hills, inviting leisurely walks or more energetic hikes. Sports courts provide opportunities for tennis, padel,

basketball and volleyball, while the coastline opens up possibilities for snorkelling and diving in the clear, inviting waters.

Families are equally well catered for. A dedicated kids’ club and a variety of activities ensure that younger guests are engaged and entertained, while spaces such as the adventure park encourage a sense of play and discovery. The waterpark, in particular, brings a lively contrast to the resort’s otherwise tranquil atmosphere. Slides, pools and shaded lounging areas create a space where laughter and movement take centre stage – a reminder that relaxation can take many forms.

Yet even with all these options, there’s no pressure to fill every moment. Ajul excels in o ering the freedom to do as much or as little as you wish. Seven outdoor pools are scattered across the property, each with its own character, from lively social hubs to quieter corners designed for contemplation. It’s always possible to find a spot to settle into, whether with a book, a drink or simply your own thoughts.

For guests who wish to explore beyond the resort, a complimentary shuttle provides easy access to nearby beaches. Halkidiki is known for its stunning coastline, and the stretches of sand here are no exception –soft, pale and lapped by clear, gently sloping

waters. It’s the perfect setting for a day by the sea, whether you’re seeking solitude or a more sociable beach atmosphere.

Back at Ajul, evenings often take on a gentle, celebratory tone. Open-air cinema screenings and entertainment spaces add variety to the nights, while the warm hospitality of the sta ensures that every interaction feels genuine. There’s an ease to the service here – attentive without being intrusive, always anticipating what you might need before you have to ask.

And it all circles back, inevitably, to those defining moments – the weddings and celebrations that bring people here in the first place. Ajul has a way of elevating these occasions without overwhelming them. The natural beauty of the surroundings does much of the work, while the team ensures that every detail is handled with care and precision. The result is an experience that feels both polished and deeply authentic.

As our time here draws to a close, it’s this sense of harmony that lingers. Ajul is not about grand gestures or dramatic statements. Instead, it o ers something more subtle and, ultimately, more lasting – a place where nature, design and hospitality come together in quiet balance. Whether you arrive for a wedding, a family holiday or simply a few days of rest, it’s a destination that encourages you to slow down, reconnect and savour the beauty of the Mediterranean at its most refined.

zeusintl.com

Ajul excels in o ering the freedom to do as much or as little as you wish

MORE THAN GAMES

MUSIC MAKER

Bringing live music making back into schoolsis a mission for Restore the Music , and it has plenty of proof of the impact on student outcomes

Watch any toddler take to the dance floor or teenage band in rehearsal and you just know this brings something

special – something beyond the immediacy of notes and rhythms. But the sad fact is that there is a severe shortage of music making in many schools, making teaching music almost impossible. In some, they lack even the basic resources for engagement. Restore the Music has been on a mission, since 2013, to deliver the tools and the inspiration to redress that – focusing on some of the most music-depleted parts of the country. The first pilot project

was, says CEO Polly Stepan, a wake-up call for her on how bad things were. "We hadn't actually realised the extent of the problem – we literally had no idea," she says. She grew up enjoying the benefits of a full musical education at Wimbledon High School. "There were no limits to the musical opportunities that I could access." She studied piano and clarinet and enjoyed orchestra and choir tours. In common with most school children of her generation, she saw music as a birthright. After a first career as a commodity broker, she stepped back to raise her twin children and, when she began to think of what to do next, it was a colleague –knowing her love of music – who pointed out the huge problem in schools. "Our model is so apt for today," she says.

"Increasingly, we need a language that all young people can speak, that everybody can access, that unifies, that brings harmony and delivers all sorts of skills." Restore the Music works with schools in areas of high deprivation – 50% free school meals is the entry point, but it rises to 95% in some areas. Originally it was piloted and embedded in London, but as it has gained traction it has expanded to Birmingham, Manchester and Newcastle. The thinking here was that it makes more sense to deliver in areas of denser population, and all these cities also have strong musical heritage. "It's much more sensible to build hubs within the cities where you have a denser footprint and the impact of the investment within these schools is far greater," says Polly Stepan.

"And schools then start to collaborate." When schools start working with Restore the Music, they get an initial package of musical instruments and resources. From there, they can come back and request specialist instruments and support – for instance for a brass or jazz band. "We've delivered just about every musical instrument there is," she says. The impact of tapping into local heritage and children's own cultural heritage and interests can be immense. From brass to steel pan bands to gospel choirs, there are many inspiring music making collectives thanks to these packages. Music technology is a big area where Restore the Music is supporting schools, and it is working up some interesting data about the correlation between musical

and numerical proficiency – especially in DJing, where beatmaking and ratioing (aka phrasing and beatmatching) are essential skills. "Often the brains of students drawn to DJing are also numerically highly proficient, which makes them hugely employable," says Polly Stepan. "The problem for employers these days is that these are the children they can't reach – often these are the students who are highly disengaged from education." This is the overriding purpose of Restore the Music – helping students engage with education and achieve in school – and it has an impressive impact report, published last year, showing how the schools it supports have improved educational outcomes through music. "Our three goals are attendance, engagement and attainment. What we're able to do is

“They play every single piano as loud or as quiet as they want. And the Steinway people are relaxed and happy to see them enjoying themselves”

build those pathways, bring the children into education, and the ripple e ect of a positive music department across the whole school means that the levels across the whole school improve." Restore the Music's work has drawn in generous supporters – from Warner Music, Universal Music and Sony Music Social Justice Fund to Bowers & Wilkins, The Childhood Trust and The Fishmongers Company. One of the earliest to come on board was Steinway & Sons. That was the call Polly Stepan made when she had a blank notebook in front of her and the seeds of a plan. "It struck me that throughout my childhood

playing piano – and I got to Diploma level – I always wanted a Steinway. That was my dream, a Baby Grand. I didn't get it, but I thought if I wanted one that's going to be other kids' dream, too."

Steinway couldn't have been more open, or more generous in fuelling kids' dream. Early and ongoing support has morphed into annual masterclasses for primary and secondary children, held at its Marylebone showroom. "Often these kids are learning on keyboards. I've got a kid in Greenwich who is learning Rachmanino on a keyboard," she says. "They run round the showroom and they play every single piano as loud or as quiet as they want.

And the Steinway people are relaxed and happy to see them enjoying themselves." A telling moment on the power of playing on proper instruments came at the end of one session when a little boy pointed at the price ticket on a Steinway and asked if it said £1,000. Polly Stepan helped him count the extra zeros. Enthusiasm undimmed, he said: 'One day, I'm going to buy a Steinway'. Alongside the corporate, charity and trust supporters, are Restore the Music's Ambassadors. Andrew Levy of The Brand New Heavies, Cary Powell of The Libertines and PMR Records' A&R manager Sachin Johal have, she says, championed Restore the Music ever since they discovered its good work for music. There are also Junior Ambassadors, paying it forward as mentors and examples to younger children. All are taking music to a higher level – and who knows where that will lead. "We've followed their journey and, out of all the students, these have been the most engaged." she says. "They represent everything I want Restore the Music to be."

Thanks to the networks Restore the Music has developed, it has associations with cool venues – Band on the Wall in Manchester and The Lower Third in London, for example. It is always looking out for more partners – more people to join the bandwagon. "We're always trying to find ways to collaborate with partners on initiatives that make sense and add another dimension," she says. "We can't do everything, but we can be a facilitator and an introducer as we're regularly in touch with so many schools." Polly Stepan points to the value of music – in and of itself but also as teacher of so many transferable skills for life and career. It helps children build teamwork, listening skills and the ability to work at speed processing multiple strands of information. "Music was invaluable in my career," she says. "And music brings joy."

restorethemusicuk.com

ALL WE CAN BE

Alleyn's Schools Group extends its community north of the river and continues growing

Aschool’s ethos is how it defines what it stands for. In education, many of the same values appear again and again because they reflect the qualities we all want for our children. What distinguishes one school from another is how consistently and meaningfully those values are lived in the everyday life of the school. That sense of values lived out as a community becomes even more important when it is carried into a new setting. To establish a school in a new community while delivering on the same promise requires clarity, consistency and conviction. This is what is now taking shape within the Alleyn’s Schools Group. Alleyn’s is a school community that has been educating children in Dulwich, for over 400 years. Its long-standing commitment to a values-led education has shaped a community where those

principles are both understood and lived. The question is not simply what the ethos All We Can Be represents, but whether it carries weight in practice.

That ethos is now taking form in north London. At Alleyn’s Regent’s Park, now two and a half terms into its journey, there is a clear sense of purpose and energy. It reflects a commitment to creating an environment where children are supported to grow in confidence and to realise their potential.

Tom Le Tissier, Head at Alleyn’s Regent’s Park, has seen how that ethos is received by di erent audiences. With parents, he says, the focus is on making it tangible.

“Parents need to feel it as well as hear it,” he says. “They need to see it in the results, in the conversations their children bring home, and in the way the school responds when things are hard as well as when things are going well.”

He describes a school investing in both AEQ, Alleyn’s Emotional Quotient, and AiQ, Alleyn’s Intelligence Quotient, as parallel

rather than competing priorities. Academic rigour sits alongside emotional development, while technological fluency is balanced with human judgement. The All In co-curricular programme o ers breadth across debating, coding, drama and sport, giving the ethos a clear presence beyond the classroom.

As Alleyn’s Hampstead prepares to open its doors in September, it draws on that same 400-year heritage while responding to the character of its own community.

Aidan Sproat-Clements, Founding Head at Alleyn’s Hampstead, describes this approach not as a marketing position but as a genuine expectation placed on pupils themselves. “The most important thing,” he says, “is that the children believe that who they are and what they can become genuinely matters here.

That said, All We Can Be is about our aspirations for the whole community - we want the school to maximise the o er; we want our sta to aspire continuously for new and exciting developments”

For Sarah Cartwright-Styles, Head of Nursery and Junior at Alleyn’s Hampstead, the impact is often felt in more immediate and personal ways.

“Often, it comes down to a feeling,” she says. “Like when you walk into a place and it just feels right. And I think that’s connected to All We Can Be, because when sta see every child through that lens, families feel it. They feel that their child will be known and understood.”

It is a co-educational environment, with children from two to 18 moving through nursery to sixth form together. Boys and girls share the same classrooms, the same debates and the same opportunities.

What is emerging in north London is not something new in principle, but a continuation of a long-established approach. One that combines academic ambition with care, structure with opportunity, and a clear belief in the potential of every child.

All We Can Be is taking root here, brought to life by people who believe in it.

The AI TRAIN

Daniel Martin says boarding the AI train was mandatory for educators, but the direction at Emanuel School is positive

For many schools, managing pupils’ use of AI has felt like being on a train they didn’t decide to board and cannot get o . With free large language models so readily available, pupils look to these platforms regularly to reduce their workload, generate ideas and deepen the quality of their learning. This can be both beneficial and detrimental – we have entered a new era in education and cannot go back. Schools must now educate students on how to use AI in a safe, ethical and educationally beneficial manner, but how are we to do this? I believe the answer lies in positivity. It is impossible for schools to guide their pupils on e ective AI practice if members of the teaching sta do not understand for themselves what this means. At

Emanuel School, our AI journey began with empowering sta . We wrote and published an AI guide on how to write prompts and what was acceptable AI practice (this is available for free on the school website under the name ‘Your MAIT’). We also founded a new sta group, ‘Tech4Teachers’, which meets once every half term to show-and-tell how AI has been beneficial to our pedagogy. The benefit of this was not only allowing sta to reduce their workload and plan for more engaging lessons with AI’s assistance. Teachers now fundamentally understand what draws our pupils to these platforms, how they can add or detract from their understanding and what tools work for which function.

Our second phase has focused on making it clear to pupils when AI use will genuinely improve their long-term learning and when its use would be considered

unethical, dangerous or damaging to their education. While it would be easy to approach pupils with a long list of ‘don’ts’ and the threat of various sanctions, we decided instead to root the message in positivity. If pupils are going to use AI, let’s get them using it in the best way possible. The publication of a student guide (AMAISE), and several assemblies, have allowed pupils to understand the context, assess the risks and positives for themselves and practice using AI beneficially.

Our recent prompt writing competition for Y10 and Y12 saw 95 entrants. Pupils submitted exemplar prompts from a range of subjects, utilising ChatGPT as a tutor, revision assistant and facilitator to their learning. In seeing our pupils model innovative and mature methods of using AI, we have validated that our approach is working and have been able to re-circulate best practice to the wider school.

AI is part of everyday life in our schools and pupils will use it. As educators, we now have the responsibility to guide them in the right direction. When deciding to approach AI with positivity, we empower sta and students with the skills needed to use AI beneficially. This creates classrooms where best practice is established, discussed and implemented. While our ride upon the AI train remains mandatory and inescapable, we can have an impact on the destination by creating opportunities for pupils to benefit from a powerful educational tool, the likes of which has never existed before.

DANIEL MARTIN

SMT Associate

Digital Learning and Innovation

Emanuel School

LVS Ascot is an awardwinning independent co-educational day and boarding school for students aged 4–18, situated in Ascot, Berkshire. The 26-acre campus provides outstanding facilities within a supportive and ambitious learning environment where pupils are known as individuals and encouraged to aim high.

Academic excellence sits at the heart of the school’s ethos. A future-ready curriculum incorporates AI and emerging technologies, while a distinctive “Big Challenge” mindset fosters confidence, resilience and intellectual curiosity. As a Round Square school, LVS Ascot places value on leadership, service, environmental awareness and global outlook, helping pupils develop not only academically but also as thoughtful, well-rounded young people.

The Reception class encourages free-flow between the outside area and

CONFIDENCE BOOST

LVS Ascot o ers a wide-ranging curriculum and an all-through ethos

inside classroom, demonstrating that education is not solely associated with the more traditional classroom setup. The nurturing environment of Key Stage 1 allows the children to explore personality and responsibility within boundaries of good manners and respect. Key Stage 2 pupils build upon previously learned skills, increasing independence and confidence. Senior school curriculum includes a combination of subject-specific unique breakaway classes, enrichment trips and events. LVS Ascot Sixth Form o ers small classes for focused studies in over 25 A-level and BTEC courses. Pupils are carefully prepared for entry to leading universities through dedicated Oxbridge and Russell Group pathways and a specialist Medical Pathway, supported by UniAdmissions preparation, interview coaching and tailored academic guidance. The NCUK International Foundation Year further broadens progression opportunities to partner universities worldwide.

Beyond the classroom, LVS Ascot o ers exceptional specialist programmes. The Flying School allows students to work towards their Private Pilot’s Licence, while a Category 1 football pathway in partnership with Southampton FC strengthens elite athletic development. Culinary training with Leiths Cookery adds further breadth to the co-curricular o er. Students are encouraged to participate in as many activities as they are able to, in pursuit of passions and developing confidence in many forms.

Boarding from age 10 enhances the school’s flexibility, with four on-site houses providing high standards of care and a strong sense of community.

LVS Ascot o ers the benefits of an allthrough education on one spacious campus, enabling children to grow in confidence as they move through each stage of school life.

lvs.ascot.sch.uk

Book a place at the next Open Morning on Saturday 27th June 2026 at 9am

CHAMPIONS READING

All children love stories, but not all are drawn to books. Sta at Dulwich College share how they champion reading

Boys are often seen as more reluctant readers than girls, but at Dulwich College Junior School, they overturn that assumption – and it all centres on the library. "Parents and pupils often tell us that there is a 'magic' in the Junior School library," says Junior School Librarian Hazel Forbes. "There is most certainly a certain magic in books and reading," she adds. But the team here don't leave discovering the magic to chance and have clever strategies

for embedding positive ideas around books and reading as early as possible. Even before joining the College, children and their parents are invited along to the library for an introductory evening. Parents are also asked to send a photo of their child reading during the summer holidays. Photos are then displayed outside the library so that pupils feel welcome – this is their space. There are practical ways in which this welcome is reinforced, with Library Induction Sessions and generous opening hours (8:30am-5pm every day). "It is a popular place for our pupils to come

and sit, rest and relax – they have a variety of books and activities to choose from," says Hazel Forbes. Forget the three Rs, at the Junior School Library they live by six of them – Read, Return, Renew, Reserve, Respect and Relax. Once Dulwich College Junior School pupils get to Year 3, they are introduced to the 'Rumbustious Reading Challenge'. For this, they are asked to read eight books and will get rewards for each milestone. Once four books are read, the children are presented with a certificate by the Head of the Junior School at a whole

school Celebration Assembly. Around 70% of pupils complete this challenge, with many reading all eight books.

Children are given plenty of agency to inspire their skills as both readers and critics. At the start of every library lesson, there are Book Talks, in which children talk about what they are reading, if they are enjoying it and, if so, why. Peer-topeer recommendations are welcomed, and Year 6 librarians take their role of helping younger children select books at lunchtimes and breaks extremely seriously.

"We also recommend di erent genres and new authors and encourage children to take a chance and read the first 30 pages," adds Hazel Forbes. With stock updated constantly to ensure the latest

and greatest is on the shelves, the team are firm believers in choice determining outcome. "We believe there is no such thing as a child who does not read. It is simply a question of finding the right book." There is material to entice SEND readers and those who don't gravitate towards the more typical fiction and chapter book formats.

Book Week is a big deal at Dulwich College Junior School, with a whole host of activities. The school welcomes authors to speak to di erent age groups, plans workshops and has a dress up day, where children come as a favourite fictional character. There is also 'Drop Everything and Read' day, where the whole school pauses to sit and read for a few minutes. And the annual short story House competitions is designed to inspire readers to put pen to paper and become writers.

While marking that annual celebration is important, author visits take place throughout the year. The school works closely with its local independent bookshops to set these up and other nearby schools are often invited to these events. "The children love meeting real authors," says

Hazel Forbes. "In the past year we have welcomed Alexander Armstrong, Hamza Yassim, David Baddiel, A F Steadman, MacKenzie, Serena Patel and Greg James."

The weekly school newsletter includes children's own book reviews, as well as forthcoming events and news on all things bookish. Dulwich Junior School also gives parents bespoke book recommendations, drawing on what their children have previously enjoyed. This is especially useful to keep the reading going during school holidays. As are holiday Reading Challenges, with pupils asked to read for ten minutes a day. There are prizes in the mix and parents often report that children read for much longer – sometimes it turns into a whole family reading session.

The importance of the library can't be underplayed here, helping children to catch and keep the reading bug. "As librarians, we are constantly reading, recommending, listening, and personalising suggestions while being aware of new books, following trends and authors on social media and in the news," says Hazel Forbes. "This is a vital part of keeping the library buzzing and up to date."

"WE BELIEVE THERE IS NO SUCH THING AS A CHILD WHO DOES NOT READ. IT IS SIMPLY A QUESTION OF FINDING THE RIGHT BOOK"