Rooted in heritage yet adapting to the present, generous forms and honest materials de ne the CH290 Series by Hans J. Wegner, embodying meticulous craftsmanship and relaxed elegance. The collection features 2- and 3-seater sofas, low and highbacked lounge chairs, and a footstool — each bringing lasting warmth, quiet sophistication, and a timeless expression to re ned interiors.
Rooted in heritage yet adapting to the present, generous forms and honest materials de ne the CH290 Series by Hans J. Wegner, embodying meticulous craftsmanship and relaxed elegance. The collection features 2- and 3-seater sofas, low and highbacked lounge chairs, and a footstool — each bringing lasting warmth, quiet sophistication, and a timeless expression to re ned interiors.
CH290 from £3,067 | CH290F from £1,294 | CH291 from £3,748 | CH292 from £4,498 | CH293 from £5,316
CH290 from £3,067 | CH290F from £1,294 | CH291 from £3,748 | CH292 from £4,498 | CH293 from £5,316
EDITOR IN CHIEF
PENDLE HARTE
MAMA EDITOR
CARLY GLENDINNING
ART DIRECTOR PAWEL KUBA
MAGAZINE DESIGNER MARIANA SUZUKI
DESIGNERS
BRUNA FACCIN, PAMELLA MORENO
PRODUCTION MANAGER
DANICA BRODIE
PORTFOLIO MANAGER GEMMA GRAY
SENIOR MEDIA CONSULTANT STELLA ADAMS
SENIOR MEDIA CONSULTANTS PAIGE COLE, CLAIRE CORNISH
FINANCIAL DIRECTOR
JERRIE KOLECI
CREDIT CONTROL MANAGER ALEXANDRA HVID
DIRECTORS
CRAIG DAVIES, JAMES FUSCHILLO, ABIGAIL GARDNER
MANAGING DIRECTOR SHERIF SHALTOUT
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LETTER Editor’s
ABSOLUTELY’S March issue highlights
W1
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ith International Women's Day approaching, now's the time to celebrate some of the countless inspirational women around us. While we are always saluting women at Absolutely, in this issue we meet people who are female and fabulous from the worlds of art, interiors, fashion, beauty and education. There's Tracey Emin with her new exhibition at Tate Modern, sisters Susan Collier and Sarah Cambell with their textile designs at the Fashion and Textile Museum and the late Elsa Schiaparelli at the V&A; there's interior designer Carina Raymond and home influencer Leanne Kilroy; we meet flower guru Nikki Tibbles, singer Corinne Bailey Rae and the inspirational head of Alleyn's Schools Group, Jane Lunnon. All this and a special Mama section too. Enjoy the start of spring.
PENDLE HARTE EDITOR
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Pattern power Wallpaper, curtains, upholstery... put a print on it
Blossom up Whisky for Mother's Day? Oh yes Spring feelings Flowers are back!
Wish LIST
DARK HABITS
Rouge Noir is back – if it ever went away – and the new incarnation is a collection of shades that combine red and black. chanel.com
LUCKY DUCK
BUCKLE UP
Penelope Chilvers might be known for her boots, but her brogues and loafers are lovely too. We are loving the tan and white Morrell, from the Bloomsbury collection. £289 penelopechilvers.com
focuses of Daisy Duck, and her
Danish fashion brand Ganni has teamed up with American giant Disney in a slightly unlikely but auspicious collaboration that focuses mostly on the lesser-known character of Daisy Duck, and her adventures in Copenhagen. ganni.com
I SHOULD COCO
Every hot chocolate at Wardour Street's Cocomelt is made using premium Belgian milk, white, and dark chocolate sourced from the Ivory Coast, melted straight from the fountain and blended with warm milk. cocomelt.uk
SEE IT
EDITOR’S PICK
NEW FRAME
Iolla's stylish Bonnie frame channels the 1970s with its oversized, square shape and chocolate brown lenses. Add your prescription if you need to. iolla.com
HOME LIFE
Geeky wire specs are having a moment, and we love Bloobloom's Guardian frame in gold. Think Geography teacher, or style icon. Bloobloom has just opened a new store in Portobello Road – so it's time for an eye test. bloobloom.com
Ferm Living's SS26 collection launches on 5 March, with a focus on creating homes that feel composed, relaxed, and shaped by everyday life. ameliesfollies.co.uk
GLOW UP
SOUTH BEACH
Bella Freud's theme for SS26 is Miami Vice, featuring sleek lines and slick tailored trousers, alongside the iconic slogan knits. bellafreud.com
Addison Ross' new Scallop Lamp collection adds a small, portable light to the range of stylish and useful rechargeable lamps. We love the chocolate one. £125 addisonross.com
POOL PARTY
As everyone knows, London's best selection of swimwear in all colours, shapes and sizes can be found at Battersea's Amelie's Follies. And now's the time to be shopping for the beach. ameliesfollies.co.uk
CULTURE
THEO CROKER: MILES DAVIS MIXTAPE, 13 MARCH, ROYAL FESTIVAL HALL; SOUTHBANKCENTRE.CO.UK; PHOTOGRAPH BY BRUNO BARRETO
The Agenda
Inside the Box
FROM 18 MARCH, L'OSCAR HOTEL
New exhibition Warhol: Inside the Box will share the full, extraordinary stories of William John Kennedy’s rare and iconic Andy Warhol photographs, from their creation during the birth of the Pop Art Movement, to being lost and forgotten for half a century, the impact of their discovery, and the ongoing saga of the rare and sealed box sets with the remaining photographs.
warholkennedyresidence.com
Hockney
Year in Normandie and Some Other Thoughts about Painting
from 12 march
SERPENTINE NORTH
Featuring new portraits and new works, alongside a large-scale printed mural. The monumental digital print will be displayed at the back of the North Gallery, echoing its creation in David Hockney’s own garden in Normandy. serpentinegalleries.org
5-7 March
QUEEN ELIZABETH HALL
A high-energy double bill by two of Europe’s top choreographers: Rose Prize-nominee Marco da Silva Ferreira and Place Prize-winner Adam Linder. Adam Linder’s Acid Gems is like a classical ballet that’s been plugged into a neon socket. Marco da Silva Ferreira’s a Folia is dance of pure ecstasy and rebellion southbankcentre.co.uk
PERFORMANCE
Chat Noir
From 24 March
EARL'S COURT
Less immersive theatre, more a time travel experience that opens straight into another century, Chat Noir! will see guests transported to bohemian Montmartre of the 1890s, inside the legendary "Le Chat Noir", the original Parisian cabaret club that launched a cultural revolution. All tickets include three courses of decadent Parisian Haute Cuisine, while an emerald Bar de Absinthe serves transportive Belle Epoque cocktails. chatnoirlondon.com
Two walking tours celebrating Kensington's literary history
6-19 MARCH, LONDON GLASSBLOWING CENTRE
An expanded exhibition of contemporary glass art at this Bermondsey studio. The show brings together work by more than 20 artists, from established names to emerging voices. Explore sculptural and complex glass creations highlighting the diversity and innovation of London Glassblowing since 1976, including works by founder Peter Layton and Tim Rawlinson. londonglassblowing.co.uk
This Month’s Must See K
KONRAD MÄGI
FROM 24 MARCH, DULWICH PICTURE GALLERY
onrad Mägi is widely considered the greatest Estonian artist of his generation. This exhibition brings together over 60 works, including enigmatic landscapes and arresting portraits, many of which have never been seen outside of Estonia. It will consider the influence of major European movements upon Mägi’s work, as well as the independent approaches that he took in painting as a largely self-taught artist. dulwichpicturegallery.org.uk
London guided walks company Footprints is hosting a month-long London Literary Walks Festival in March, including on the 19 and 26 March Radical Works, Turbulent Lives: Great Kensington Writers. The two-hour tour looks in the lives, works and scandals of writers including GK Chesterton, James Joyce and Kenneth Grahame amongst others. Tickets available on Eventbrite and cost £12.50 (footprintsoflondon.com).
Kensington’s streets, gardens and houses are connected by English Heritage’s Literary Kensington blue plaque walk with a trail featuring the homes and workplaces of more than 10 celebrated authors including: William Makepeace Thackeray who lived at 16 Young Street from 1846 to 1854, where he wrote Vanity Fair, Ezra Pound, the modernist American poet and critic who lived on Kensington Church Walk. Agatha Christie who resided at 58 Sheffield Terrace in the early 1930s, around the time she wrote Murder on the Orient Express and Death on the Nile. Virginia Woolf who was born and raised in Kensington T.S. Eliot who immortalised Victoria Grove (near Kensington High Street) in Old Possum’s Book of Practical Cats as the home of Mungojerrie and Rumpleteazer.
histfestbucks.co.uk
Are you self-employed or a landlord? Be ready for the new tax changes this Spring.
From April 2026, Making Tax Digital for Income Tax (MTD IT) applies if your self-employment or property income is £50,000 or more. You’ll be required to keep digital records and submit quarterly MTD returns. A big shift from annual tax reporting.
Need help getting ready? We’ll handle the reporting so you can stay focused on earning, not admin. 01932 830664 enquiries@wardwilliams.co.uk
SO LONG, Marianne
A muscial evening at the Barbican to celebrate the release of Broken English, a new film about Marianne Faithfull
Marianne Faithfull was more than just a muse. She was the face of a generation, and the voice that cut through it. Vilified by the press, underestimated by the industry, she endured heartbreak and addiction, yet never lost her edge, or her truth, releasing over 35 albums while constantly reinventing herself.
And now to mark the cinema release of Broken English, a never seen before career-spanning portrait of the late Marianne Faithfull, directed by BAFTA nominees Iain Forsyth and Jane Pollard (20,000 Days on Earth), the Barbican is hosting a special preview event featuring live music performances.
The evening will begin with a preview screening of the critically acclaimed film, followed by live performances from an exceptional line-up of singers featured in the documentary. The concert will feature Anna Calvi, Ed Harcourt, Adrian Utley (Portishead) and Anna Phoebe.
Made with Faithfull’s full support, Broken English is an intimate and unflinching exploration of a fractured yet unbreakable life shaped by fame, creative genius and relentless public scrutiny. A genre-defying portrait of resilience and rebellion, a final fearless declaration, Marianne Faithfull’s defiant swan song.
With a cast led by Tilda Swinton and George MacKay, the film follows the pair as they take on the roles of investigators within the framework of ‘The Ministry of Not Forgetting’, a poetic construct committed to rescuing cultural memory from oblivion. Faithfull becomes its first ‘subject’ rendered through a deeply intimate tapestry of interviews, archival footage, and soundscapes.
In addition to her last recorded performance, Broken English showcases intimate contributions from her friends and longtime collaborators, including Nick Cave, Warren Ellis, Courtney Love, Suki Waterhouse, Beth Orton, and Jehnny Beth. Additional cast include Zawe Ashton (The Marvels), Calvin Demba (Supacell), and Sophia Di Martino (Loki).
18 March, barbican.org.uk
A look at Tate Modern’s expansive new exhibition of work by Tracey Emin
Anew exhibition at Tate Modern is dedicated to the work of Dame Tracey Emin, an artist whose career has unfolded as a sustained act of disclosure. For more than four decades, Emin has used her own life as both subject and material, insisting that experiences often dismissed as private, shameful or excessive belong squarely within public view. The exhibition, titled A Second Life, spans her practice from the early 1990s to the present day and brings together more than 90 works across painting, sculpture, video, textile, neon and installation. Conceived in close collaboration with the artist, it does
not o er a neutral overview so much as a deliberately shaped self-portrait, structured around rupture, survival and renewal.
Emin first emerged in the 1990s with a voice that was unmistakably her own: direct, unguarded and resistant to aesthetic distance. The exhibition opens by returning to this moment, beginning with material from her first solo exhibition at White Cube, My Major Retrospective 1982–93. What survives from that show are not the paintings themselves, which Emin destroyed during a period of personal collapse, but small photographs documenting them. The absence is telling. These fragile images are placed alongside Tracey Emin CV (1995), a self-portrait constructed as a blunt inventory of her life to that point, and the video Why I Never Became a Dancer (1995), in which
she recounts episodes of humiliation and sexual violence from her teenage years in Margate. Together, these works establish the tone of the exhibition: the insistence that memory, loss and self-reckoning are not preparatory gestures but the work itself. Margate, the seaside town where Emin grew up, recurs throughout the exhibition as both setting and psychological landscape. She left at 15, returned intermittently, and eventually made it her permanent home after her mother’s death in 2016 and her own cancer diagnosis several years later. For Emin, Margate is not nostalgic terrain but
a place charged with volatility. Works such as Mad Tracey from Margate: Everybody’s Been There (1997) assemble handwritten confessions, drawings and stitched phrases into a restless archive of inner life, while It’s Not the Way I Want to Die (2005), a wooden rollercoaster inspired by Dreamland, transforms a symbol of leisure into an expression of anxiety and exposure. These pieces do not tidy the past; they circle it, revisiting and reworking its force.
unsuitable for art, or that their articulation
(2007) and the embroidered Is This a Joke
wrong. In that work, Emin describes medical work beyond confession toward a form of solidarity grounded in shared knowledge.
Trauma, particularly sexual trauma, is addressed without mitigation. Emin has long refused the idea that certain experiences are unsuitable for art, or that their articulation requires abstraction. Works such as the neon I Could Have Loved My Innocence (2007) and the embroidered Is This a Joke (2009) confront sexual assault head-on, while the video How It Feels (1996) o ers a stark account of an abortion that went wrong. In that work, Emin describes medical neglect, physical pain and the hostility directed at women who refuse motherhood. Shown publicly for the first time, the quilt The Last of the Gold (2002) spells out an A-to-Z of abortion advice, extending the work beyond confession toward a form of solidarity grounded in shared knowledge.
At the centre of the exhibition are two installations that have come to define Emin’s practice. Exorcism of the Last Painting I Ever Made (1996) documents a three-week period in which she sealed herself inside a Stockholm gallery, attempting to repair her relationship with painting after abandoning it following her abortion. The work records not just artistic struggle but the labour of recommitment. It is followed by My Bed (1998), the Turner Prize-nominated installation that presents
the aftermath of a breakdown in unfiltered detail. Together, these works mark a passage from one phase of Emin’s life to another, tracing a movement through illness, addiction and recovery without moral framing.
Recent work in the exhibition addresses the physical consequences of survival. Emin’s experience of bladder cancer, major surgery and disability is neither softened nor aestheticised. The bronze sculpture Ascension (2024) reflects a changed relationship to her body, shaped by surgical intervention and vulnerability, while stills from a new documentary, premiering at Tate Modern, show the stoma she now lives with. These works extend Emin’s long-standing refusal to separate the personal from the public, insisting that illness and disability are not marginal states but central to lived experience.
The exhibition concludes with painting, the medium to which Emin has returned with renewed intensity. Her recent largescale canvases remain marked by pain and longing, but they also carry a new sense of resolve. Figures appear suspended between
presence and disappearance, rendered with a looseness that suggests urgency rather than fragility. Among them sits Death Mask (2002), a reminder that mortality is not an abstract concern but an ongoing companion. Outside the gallery, the monumental bronze I Followed You Until the End (2023) extends the exhibition into the surrounding landscape, confronting passersby with a body that is at once monumental and exposed.
For Emin, A Second Life is less a retrospective than a reckoning. She has described it as a moment to look back and move forward at once, a measure of survival rather than completion. At Tate Modern, her work is presented not as a closed narrative but as a record of persistence: an insistence on speaking, making and living in the face of damage, loss and change.
Tracey Emin: A Second Life continues until 30 August Tate Modern, Bankside, SE1 9TG
In di cult times fashion is always outrageous,” Elsa Schiaparelli once said, a line that reads less like a provocation than a working method. Opening this month at the V&A is the UK’s first ever exhibition devoted to Schiaparelli, a designer whose work consistently treated crisis, constraint and convention as raw material. Spanning the late 1920s to the present day, the exhibition traces not only the evolution of a fashion house but the restless intelligence of a woman who refused to see clothes as polite decoration.
Schiaparelli arrived in Paris without formal training and without reverence for the rules she was expected to follow. What she did possess was an unusually agile imagination and a conviction that fashion could operate in the same territory as art, performance and humour. In the interwar years, when couture was dominated by ideals of refinement and restraint, she proposed something else entirely: garments that startled, teased and occasionally unsettled. Sweaters trompe-l’œil–knitted with bows, scarves and ribcages; dresses slashed with illusions of tears; hats shaped like shoes and shoes shaped like jokes. These were not eccentricities for their own sake but a sustained attempt to expand what clothing could communicate.
The V&A exhibition places Schiaparelli at the centre of a dense cultural network that stretched between Paris, London and New York in the decades between the two world wars. Rather than isolating her as
Painters, poets, photographers and performers moved fluidly through her orbit
a singular genius, the show emphasises collaboration as both strategy and philosophy. Painters, poets, photographers and performers moved fluidly through her orbit, drawn to a designer who treated couture as a site of exchange rather than hierarchy. Surrealism, with its fascination for the unconscious and the irrational, found a particularly hospitable home in her atelier. The results were garments that seemed to think for themselves, using the body as a canvas for ideas rather than a neutral support for luxury.
More than 200 objects will be on display, ranging from garments and jewellery to paintings, photographs, sculpture, furniture and perfume. This breadth is not incidental. Schiaparelli understood early on that fashion did not exist in isolation and that its power was amplified through dialogue with other media. Clothes were part of a wider visual and theatrical economy, one that extended from the salon to the stage and screen. The exhibition reflects this permeability, situating her designs alongside artworks by figures such as Pablo Picasso, Jean Cocteau and Man Ray, and referencing her popularity with film and theatre productions hungry for visual drama.
Among the highlights are some of the most radical pieces in the V&A’s own collection, including the skeletal evening
dress that maps bones across the body, and the so-called “Tears” dress, printed with trompe-l’œil rips that suggest exposed flesh. Conceived in collaboration with Salvador Dalí, these garments capture Schiaparelli’s willingness to flirt with discomfort, to destabilise the smooth surfaces traditionally associated with elegance. They also demonstrate her technical precision. Outrage, in her hands, was carefully engineered.
The exhibition is also notable for its attention to Schiaparelli as a businesswoman. Too often, the mythology of fashion reduces women designers to muses or intuitives, eliding the labour and strategy required to sustain a couture house. Here, Schiaparelli emerges as a formidable entrepreneur who navigated the volatile economies of interwar Europe and beyond. Particular emphasis is placed on the London branch of her maison, a satellite operation that has rarely been examined in depth. Its independent clientele and Schiaparelli’s direct involvement complicate the notion of Paris as the sole engine of couture innovation, revealing a more distributed and adaptive enterprise.
This focus on commerce does not diminish the strangeness of her vision; it sharpens it. Schiaparelli was acutely aware that provocation could be profitable, that
CLOCKWISE FROM TOP LEFT
1 Vogue 1940; Designer Elsa Schiaparelli wearing black silk dress with crocheted collar of her own design and a turban
(Photo by Fredrich BakerCondé Nast via Getty Images); 2 Schiaparelli by Daniel Roseberry Long sheath gown, Matador Couture collection Haute couture fall-winter 2021–2022 Wool crepe. Gilded brass necklace adorned with rhinestones in the shape of lungs. Patrimoine Schiaparelli, Paris; 3 Schiaparelli
wit and risk had market value. Her use of bold colour—most famously a shocking pink that became synonymous with the house—her playful engagement with zips, plastics and unconventional materials, and her flair for spectacle all served both aesthetic and commercial ends. She did not see a contradiction between creativity and commerce, but a productive tension.
to her legacy without treating it as a
That tension continues to define the house today. From the atelier at 21 Place Vendôme, creative director Daniel Roseberry has steered Schiaparelli into a contemporary context that is equally attuned to spectacle and symbolism. His work, which will be represented in the exhibition, does not attempt to replicate Schiaparelli’s designs so much as absorb her attitude. Sculptural forms, exaggerated anatomy and a willingness to embrace excess connect his collections to her legacy without treating it as a museum piece. In an era saturated with images, Roseberry’s Schiaparelli leans into
3 Lobster Telephone. 1938, Salvador Dali (c) Salvador Dali, Gala-Salvador Dali FoundationDACS, London 2026
visibility, understanding, as she did, that fashion is a language best spoken loudly.
The V&A, with its vast fashion holdings and long-standing interest in the intersections between design and art, provides a fitting setting for this reassessment. The exhibition is grounded in new curatorial research that foregrounds collaboration, performance and process, o ering a view of Schiaparelli that resists simplification. She appears not as a solitary eccentric but as a node in a vibrant cultural system, someone who understood that innovation rarely happens alone. What emerges most forcefully is Schiaparelli’s refusal to separate intellect from pleasure. Her clothes are funny, but they are also sharp; beautiful, but rarely soothing. They ask the wearer—and the viewer—to participate, to recognise references, to tolerate ambiguity. In di cult times, she suggested, fashion should not retreat into safety. It should respond with imagination, even audacity. Nearly a century later, that proposition feels less like a historical curiosity than an open challenge.
The Sainsbury Gallery 28 March – 8 November vam.ac.uk
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ACT
A new exhibition at the Fashion and Textile Museum looks at the work of Susan
Collier and Sarah Campbell
Paint! Pattern! Print! invites visitors into a world where pattern behaves like a living thing, and where the act of painting remains visible even after fabric has been printed, cut, hung, worn and lived with. The exhibition follows the work of sisters Susan Collier and Sarah Campbell, whose partnership transformed British textile design from the early 1960s onwards and sustained its influence for more than half a century. What emerges is not only a history of extraordinary output, but a portrait of two artists who showed that fabric could carry the same emotional charge as a painting.
Collier Campbell designs are immediately identifiable: loose, expressive, saturated with colour and unmistakably hand-made in spirit even when produced on an industrial scale. Brushmarks remain unapologetically present; lines wobble, colours overlap, edges dissolve. Rather than disguising the processes of painting and printing, the sisters foregrounded them, believing that energy and beauty came directly from the painted mark. This philosophy challenged the prevailing expectations of textile design, which had long favoured tidy repeats and disciplined regularity. Susan and Sarah chose instead to pursue movement, openness and surprise.
The exhibition traces this approach back to its origins. In 1961, Susan Collier walked into Liberty with a portfolio of designs and left with six commissions. It was an audacious gesture, but one that paid o quickly. As orders increased, Sarah Campbell joined her sister in the studio, initially assisting but soon developing her own distinctive voice. Liberty later retained Sarah as a designer, and the sisters’ work became integral to the store’s visual identity at a moment when British design was redefining itself. Their patterns reflected a broader cultural shift away from post-war restraint towards
LINES WOBBLE, COLOURS OVERLAP, EDGES DISSOLVE
something more colourful, relaxed and forward-looking. They wanted to design for people like themselves, and for a generation eager to surround itself with colour.
A defining feature of their practice was their refusal to accept the limitations of the traditional pattern repeat. They talked about “cheating the repeat”, a deliberate strategy that allowed designs to feel continuous rather than mechanical. Their skill lay in translating an original painting into a repeating format that resisted obvious repetition. On a large scale, this approach was radical. Curtains, wallpapers and carpets could unfold like murals, maintaining the sensation of a single expansive image.
Nature was a constant source of inspiration, not as something to be rendered botanically but as a starting point for colour, rhythm and form. Flowers, birds, animals and gardens recur throughout their work, filtered through a painter’s sensibility. Large-scale paintings shown in the exhibition reveal how directly ideas moved from canvas to cloth. One of their most celebrated designs, Côte d’Azur, began as a painting that looks out through a window onto an imagined Mediterranean landscape. Palm trees, balconies and vivid
blue sky evoke a sunlit fantasy, and the design’s success lies in its ability to conjure a mood instantly. Displayed as a complete room set, it demonstrates how thoroughly their patterns could shape an environment. Landscape also informed designs such as Herbaceous Border, inspired by the exuberant planting at Great Dixter, while other works explored more intimate forms of nature. Birdsong and Cottage Garden teem with organic detail, yet never feel crowded. Elsewhere, abstraction takes over. Designs created for Gatwick North Terminal carpets in the mid-1980s show the sisters working confidently at a monumental scale, while Bauhaus, originally conceived as a silk scarf, marked a turning point for Liberty. Inspired by a Gunta Stölzl tapestry and the Royal Academy’s Bauhaus exhibition, it became Liberty’s first abstract print. Their influence extended well beyond interiors. Fashion designers recognised the vitality of their work and its potential to move with the body. Yves Saint Laurent drew on their gypsy and folk-inspired designs for his first ready-to-wear Rive Gauche collection in 1972, while Bill Gibb later used their painted stripe Quickstep in his summer collection. The exhibition
brings together garments that demonstrate how naturally their patterns translated into clothing: dresses, jackets, skirts and scarves that retain the looseness and confidence of the original paintings.
From an early stage, Susan and Sarah made the unusual decision to take full control of their production as designer-converters, overseeing everything from cloth selection to printing and delivery. At a time when textile designers, many of them women, were often anonymous and disconnected from the final product, this was a deliberate assertion of authorship and independence. In 1979 they formalised their partnership as Collier Campbell Ltd, continuing to work across an extraordinary range of commissions until Susan’s death in 2011.
Partnerships remained central to their success.
A long collaboration with Terence Conran for Habitat brought their designs into countless homes and played a significant role in shaping Habitat’s identity. Other collaborations followed with major retailers in Britain and the United States. Throughout, domestic life and personal collections fed directly into their work. Their homes and studios were crowded with pottery, textiles, embroideries and found objects, many of which reappear as motifs. Designs such as Paysanne and Gypsy Dance draw on folk traditions and personal histories, demonstrating how memory and material culture became woven into pattern.
The exhibition’s upper galleries focus on Sarah Campbell’s work since 2011, revealing a practice that continues to evolve while remaining rooted in painting. Increasingly, she has worked directly onto cloth, hand-painting designs that give her absolute control over placement and scale.
Paint! Pattern! Print! tells the story of two sisters who shared a visual language and an unwavering belief in the emotional power of colour and pattern.
Paint! Pattern! Print! The Textiles of Susan Collier and Sarah Campbell runs from 27 March to 13 September 2026 at the Fashion and Textile Museum; fashiontextilemuseum.org
Icons of London: explore transport history at the Museum Depot
This Easter, London Transport Museum is opening the doors to its Museum Depot in Acton for the first open days of 2026. This o ers a rare chance to explore a transport treasure trove that’s only available to the public on select dates throughout the year.
The April event celebrates several remarkable milestones: 120 years of the Bakerloo line, 10 years of the Night Tube and 70 years since the Routemaster first took to London’s streets. Visitors will be able to discover the Museum’s vast collection of more than 320,000 objects not on display in the Covent Garden Museum and uncover transport icons that have shaped the capital’s identity.
Across all four days visitors can enjoy talks from curators, historians and experts from the transport industry and handson activities from colouring Routemaster badges to crafting a pop-up picture celebrating 120 years of the Piccadilly line. They can also test their knowledge
by matching iconic moquette patterns and take part in a London Transport pop quiz aboard a historic rail vehicle.
Heritage demonstrations will o er rare close-up encounters with original equipment, including the chance to try out some vintage ticket machines at the object handling trolley, watch live demonstrations of historic signalling equipment and meet Museum volunteers to learn how they support the preservation of the capital’s transport history.
Alongside the lively programme, visitors can climb aboard historic trains including the 1927 standard stock and art deco-style 1938 stock, get up close to the pioneering RM1 and RM2 buses, and explore rare signalling equipment, models, maps, station architecture and the Museum’s world-famous poster collection. Vendors will be at the Depot serving up delicious food and drinks each day and visitors can browse in the shop for exclusive gifts and souvenirs, from moquette pattern socks, scarves, and cushions, to posters, prints, and authentic Tube station signs and collectables.
Adult tickets £19; children’s tickets £10; free entry for children aged three and under. Dates: Thursday 9 April to Sunday 12 April 2026 ltmuseum.co.uk/whats-on/depot-open-days
Over at the Museum in Covent Garden… Easter Holidays: future London 28 March-12 April
Step into the future with a day of creativity and discovery for the whole family. Inspired by Montague Black’s 1926 poster London 2026, visitors can imagine what the city might look like 100 years from now. Build futuristic vehicles from recycled materials, design a skyline for London in 2126 and meet a time-travelling Montague Black to learn the story behind his famous artwork. Drop-in activities run all day and are included with Museum admission – and kids go free.
London in April has a particular kind of energy. The coats get lighter, the pavements busier and suddenly the capital feels like itself again, sociable, polished, confident. It is also the moment when the city’s appetite for supercars and hypercars sharpens.
There is always the ritual of supercar spotting in London, the slow circuits around Mayfair, Knightsbridge, and Park Lane, hoping for a flash of carbon fibre at the lights. But for those who prefer certainty over luck, there is one date that matters this spring.
From 16–18 April 2026, Salon Privé London returns to the lawns of Royal Hospital Chelsea, and with it, one of the capital’s most refined luxury car events: a garden party, attended by some of the rarest machines on the planet.
Across three days, the event brings together a Hypercar Display, major marque showcases including Koenigsegg, and rotating exhibits spanning contemporary supercars to classic competition models.
THE ULTIMATE LUXURY CAR EVENT
Salon Privé London returns to Chelsea this spring
Daily parades bring the machines into motion, while club anniversaries, including celebrations from Porsche Club GB and the Lotus Drivers Club, add heritage depth alongside modern performance.
What distinguishes Salon Privé from a conventional car show is its setting and scale. Royal Hospital Chelsea provides an architectural backdrop that lends the entire scene a sense of occasion. Think open lawns, elegant hospitality areas, champagne flutes, and the hum of conversation between collectors, designers, and guests.
Alongside the automotive displays, the programme includes luxury retail pop-ups and fine dining experiences. Friday’s Ladies’ Day brings the Best Hat Competition by Gatineau, with guests encouraged to embrace the sartorial spirit of the event, while champagne from Pommery and cocktails punctuate the afternoon.
Supercar Saturday o ers a more relaxed finale, featuring the curated colour display by SCC and Maserati Club UK’s “Maserati Through the Ages” showcase, making it particularly appealing for families and younger enthusiasts.
The blend of high-performance engineering and an English garden party gives the event its particular status on the London spring events calendar.
Expect a dedicated Hypercar Display, headline marque presentations, Classic Le Mans Edition BMWs, anniversary showcases, and a rotating selection of rare performance machines. These are staged with intention, brought to life through daily parades and framed within the wider atmosphere of the event.
The outcome is a London automotive event with the depth to impress collectors and the openness to captivate anyone drawn to exceptional design.
PLANNING YOUR VISIT
Salon Privé London runs from Thursday 16 April to Saturday 18 April 2026 at Royal Hospital Chelsea.
Ticket options range from general admission to premium hospitality experiences, making it suitable for seasoned collectors, design devotees, and anyone simply curious about London’s evolving supercar culture.
salonprivelondon.com
FOOD & DRINK
The little prince
SUSHI SHOP
Sushi Shop's new limited-edition box celebrates the 80th anniversary of Le Petit Prince®, blending a beloved literary universe with culinary artistry in tribute to the iconic French children's story. The box includes 42 sushi pieces, featuring four exclusive creations inspired by the characters of Le Petit Prince®: Star Sushi, Prince Maki, Rose California, and Fox Spring. mysushishop.co.uk
WHAT TO DRINK
GRAPE news
Wine recommendations for the month
By THE WINE SOCIETY
My wine by Eduard Gorodetsky Merlot, Eduard Gorodetsky 2024,
£11.50
This is a new project in Odesa, Ukraine by talented winemaker Eduard Gorodetsky. This merlot is a great example of a juicy, accessible red that is bursting with red plum, cherry and cedar spice. The tannins are present yet supple and this is an ideal red to serve with roast beef.
Kloof Street Old Vine Chenin Blanc, Swartland 2024
£16
This is a lively and expressive Swartland chenin. Dry and refreshing, with flavours of yellow apple, ripe juicy pear, and a touch of honeycomb, this has a crisp and zesty acidity and a creamy almond mid-palate, and finishes lifted and vibrant. Predominantly fermented in tank, a portion is fermented in older oak which gives a lovely roundness to the texture.
Gratien & Meyer Crémant de Loire Cuvée Diadem NV
£12.95
From long-standing partners Gratien & Meyer is a delightful fresh elegant organic cuvée with plenty of white fruit, pear, and grapefruit, with fine bubbles.
Since it was founded back in 1874, The Wine Society has dared to do business a little differently. Bringing together a community united by a shared love of wine, The Society is a co-operative and owned by its members. This means there is no requirement to pump profit into annual dividends or bonuses for shareholders – all profits go back into the business.
The Wine Society welcomes all wine lovers. Become a member today and receive £20 off toward your first order. thewinesociety.com
TASTING
NOTES
London’s food news and most exciting openings this month
By PENDLE HARTE
Bake off
CLARIDGE'S BAKERY
Internationally acclaimed chef and baker, Richard Hart has just opened Claridge's Bakery, launching with a British-focused menu of beloved classics including Bloomers and Granary Loaves, Jammy Dodger Tarts and Malt Loaf, Belgian Buns and Iced Fingers, as well as Richard’s globally renowned sourdough breads. The bakery o ers delicious treats and goods straight from the ovens. claridges.co.uk
Asian vibe
SPEEDBOAT BAR
Rupert Street's Speedboat Bar has taken residence at the Electric in Portobello Road and it's a great destination that recreates the feel of Bangkok's Chinatown with its neon striplights, football shirt merch and excellent authentic dishes. Don't miss the chicken skins. speedboatbar.co.uk
Best bites
FATTO A MANO
At Soho's new Fatto a Mano, the pizzas are very much the point. Neapolitan-style, 48-hour proved dough, cooked at up to 460°C to achieve the perfect blistered crust – but everyone's talking about the ’Nduja Lasagna Fritta. Crisp, fried lasagna bites filled with beef & pork ragù and finished with ’nduja honey... don't miss out. fattoamanopizza.com
TAKE THREE
Our favourite hot drinks
ROASTING PARTY
These passionate coffee roasters with Aussie roots offer a stylish gi box featuring three of their bestselling blends, so you can try them all. It's high class coffee – and we love their artwork too. roastingparty.com
TOP MATCHA
Inoumi's Ceremonial Grade matcha is high quality. Bright green and fragrant, it whisks easily and tastes pure and delicious. Inoumi's handmade bowls, cups and whisks are great too. inoumi.co
ISLANDS CHOCOLATE
With cocoa beans from the Dominican Republic and a pinch of salt, this hot chocolate blend is creamy, sweet and moreish, whether you like it hot or iced. islandschocolate.com
CALONG
Stoke Newington's Calong, a petite neighbourhood Korean restaurant, has been awarded a Michelin Bib Gourmand for its small daily menu of Korean dishes created with European touches, all crafted from seasonal UK produce.
calonglondon.com
OXBO Bankside's Sunday o ering is a playful twist on the classic British Sunday Roast – it's served up bottomless brunch-style with unlimited starters and desserts, brunch favourites, and three choices of indulgent roasts.
oxbobankside.co.uk
“A strong sense of fun, but in a glamorous way”
ABSOLUTELY eats out… Sexy Fish
High glamour in Berkeley Square
By PENDLE HARTE
When Sexy Fish opened in 2015, its high-shine, maximalist Mayfair interior made a huge splash and divided opinion. Was this a trailblazing, art-led winner from Ricard Caring? Or would it all be a glitzy flash in the pan?
More than a decade on, it’s still here – and it’s still busy. The space looks as impressive as it ever did: vast and shiny, with Damien Hirst’s sealife scupltures haging o the walls, water cascading down windows and large columns of
light throughout the space. Sta wear tightly fitting suits in brightly coloured, aquatic print fabric and there’s a strong sense of fun, but in a glamorous way.
We’re here for the Sexy Set Menu - good value at £34 for four courses all day until 7pm during the week. We resist a cocktail, though there’s a huge list (a book, in fact, lavishly photographed) and go straight to miso soup, edamame and glasses of Chablis. First up is salmon ceviche, which is prettily served and full of texture, though it’s outshone by a wonderful yellowtail shashimi with green mandarin ponzu, which has a bit of green chilli that’s lovely with
the citrussy freshness. Asparagus tru e maki comes with slices of tru e so large that they might seem show-o y anywhere else, and they’re delicious; spicy tuna maki is excellent too. Everything is prettily displayed and perfectly proportioned. A main course of caramelised black cod with spicy miso is beautiful: silky, sweet, juicy, while grilled sea bass with red yuzu kosho and grapefruit is light and lovely. Tenderstem broccoli is spiked with chilli and kimchi fried rice is sharp and moreish. It’s quite a feast, but sta are happy to pack some remnanwts for me to take home –not that we’re too full for pudding. Doughnuts come with chocolate and vanilla dipping sauces, while a mini cheesecake is impossible pretty with strawberry pieces and a single rose petal. What a lovely midweek Mayfair treat.
Green fava beans with garlic, coriander & lemon: the taste of early spring
Serves 4–5
Ful season was a short celebration, a few precious weeks when green fava beans were still so and sweet. Mum never shelled them – instead, she’d sit outside in the sun, a big bowl in her lap, trimming the ends and snapping them into pieces with her hands. When they hit the pan with garlic, fresh coriander and olive oil, the whole house would fill with that unmistakable scent of spring. Ful maa’la wasn’t just a side dish, it was the sign that winter was finally over.
INGREDIENTS
• 600g fresh young green fava beans in the pod
• 80–100ml extra virgin olive oil
• 2 medium brown onions, thinly sliced
• 8–10 large garlic cloves, finely grated
• 1 small bunch of fresh coriander, finely chopped (about 50g)
• 1½ tsp fine sea salt, or to taste
• ½ tsp freshly ground black pepper
• Juice of 2 large lemons, or to taste
TO SERVE
• Lemon wedges
• Lebanese khobez
1 Wash the fava bean pods thoroughly in cold water. Trim o the tough stem and tip of each pod and remove any stringy edges if needed. Cut each pod into 3–4cm pieces.
2 Heat the olive oil in a wide sauté pan. Add the sliced onion and cook until soft and golden, then add the garlic and cook until fragrant. Stir in the chopped coriander for 30 seconds. Add the fava beans, salt, and pepper.
3 Sauté over medium heat for 15–20 minutes, stirring occasionally, until the beans are tender and the pods are soft but not falling apart.
4 To finish the dish, add the lemon juice, stir well and adjust the seasoning to taste. Serve warm or at room temperature with lemon wedges and warm khobez.
NOTES
• Only use young, tender fava bean pods – if the beans inside are large and the pods are fibrous, this cooking method won’t work. You can find fresh green fava beans at Middle Eastern grocers and farmers’ markets in spring.
• This dish is best eaten the same day it’s made, served slightly warm or at room temperature.
Kafta Meshwiyé
Charcoal-grilled minced meat skewers with tarator & téblé salad
Serves 4–5
Ka a was one of those dependable dishes that’s fast, filling, and always on hand for surprise guests. Whether grilled on skewers over charcoal, baked with potatoes in tomato sauce, or shaped into patties and seared in a pan, ka a was on rotation weekly. We would o en make it on Fridays, eaten with fresh téblé salad, tarator, and always plenty of bread. I remember sitting on the steps, helping my mum pick parsley – a small task that somehow made me feel like I was part of something bigger.
INGREDIENTS
• 1 large bunch of flat-leaf parsley
• 1 large brown onion (about 200g)
• 700g minced lamb shoulder, minced beef, or a 50/50 mix with some fat
• 2 tsp Baharat (Lebanese 7 spices)
• 1½ tsp fine sea salt, or to taste
• 1 tsp ground nutmeg
• ½ tsp freshly ground black pepper
METHOD
1 Wash the parsley thoroughly, dry it completely, and chop the leaves finely – you should have about 80–100g. Peel and grate the onion, then squeeze out some of the liquid if it’s too watery. In a large bowl, combine the minced meat, parsley, onion, salt, and spices. Mix by hand until well combined and slightly sticky.
2 Shape the mixture into oval patties, long fingers, or skewers. Grill over charcoal for 3–4 minutes on each side until nicely charred and cooked through. You can also sear the kafta in a hot pan or bake them in the oven.
NOTES
• Always use fresh, flat-leaf (not curly) parsley and don’t skip it. It’s what gives kafta its Lebanese identity.
• If grilling over charcoal, soak wooden skewers in water for 30 minutes before using them – but it’s better to use metal skewers.
• If preparing in advance, refrigerate the mixture for 1 hour before shaping as this helps the kafta hold together on the grill.
• Leftover kafta can be wrapped in flatbread to enjoy the next day.
Salatét l’Batata
Flu y potatoes dressed in lemon, olive oil & pomegranate
Serves 4–5
This salad was always part of our Sunday table when I was growing up in Beirut. My mum made it early in the morning so the garlic, lemon, and olive oil could soak into the warm potatoes. When pomegranates were in season, she’d toss in the seeds for colour and sweetness. We never needed mayonnaise, just fresh herbs and good olive oil.
INGREDIENTS
• 800g waxy potatoes, such as Jersey Royals or Charlotte
• 20g fresh flat-leaf parsley
• 20g fresh mint leaves
• 2 spring onions
• 40g pitted black or green olives
• 80g fresh pomegranate seeds (about ½ pomegranate)
• 4 tbsp freshly squeezed lemon juice (about 2 medium lemons)
• 60ml extra virgin olive oil
• 3 garlic cloves, finely grated
• 1½ tsp fine sea salt, or to taste
• 1 tsp freshly ground black pepper
• 2 tbsp pomegranate molasses
METHOD
1 Start by scrubbing the potatoes well under cold running water. Place them whole (skins on) in a deep pot, cover with cold water, and add a pinch of salt. Bring to a boil, then reduce to a simmer and cook until fork-tender, about 20–25 minutes. You should be able to pierce them easily, but they should not fall apart.
2 While the potatoes cook, wash the parsley and mint thoroughly in a bowl of cold water with a splash of white vinegar or a pinch of salt. Swish the leaves to remove any dirt, drain, and rinse twice more under cold water. Dry completely using a clean towel or salad spinner, then finely chop and set aside.
3 Rinse and slice the spring onions thinly, using both the green and white parts. Cut the olives into halves or small pieces. If using a fresh pomegranate, slice it open and gently remove the seeds, discarding the bitter membrane.
4 Once the potatoes are cooked, drain and allow them to cool
slightly. While still warm (but not hot), peel by hand or with a small knife. Cut into quarters and place in a large bowl. Add the lemon juice, olive oil, garlic, salt, and pepper. Gently fold to coat all the cubes while the potatoes are still warm, allowing them to absorb the dressing. Add the chopped herbs, spring onions, olives, and pomegranate seeds. Mix again gently, just until combined, then drizzle with the pomegranate molasses.
5 Allow the salad to sit at room temperature for 20–30 minutes before serving. Serve at room temperature as part of a mezza, alongside grilled chicken, kafta, or fish – or simply enjoy by itself.
Lebnani: A Journey through family, food & the flavours of Lebanon by Jad Youssef is published by Meze, photography by Matt Russell
What to drink this month CABINET DRINKS
By EVE HERBERT
GLASS ART
Hibiki Harmony is a gorgeous Mother’s Day choice for anyone who enjoys premium whisky with a softer, more fragrant profile. Crafted in Japan, it’s a perfectly balanced spirit with notes of honey, orange, lychee and rose, finished with gentle sandalwood and a subtle touch of Mizunara oak. The striking bottle is finished with beautifully crafted detailing. £65.50 thewhiskyexchange.com
BRASSERIE of LIGHT
A new collaboration laces everything with notes of matcha
Best botanicals
The Silent Pool Gin Rose Expression is light, elegant, and smooth with notes of vetiver and delicate rose, a fragrant alternative to the classic Silent Pool Gin with its full-bodied blend of 24 botanicals, including bergamot orange and local Albury honey. Both are perfect for making classic cocktails such as a G&T. silentpooldistillers.com
Red
ALERT
Brestaurant’s a silky Sayuri Matcha latte served
For something more indulgent, the
For the perfect Negroni, mix 25ml Tanqueray, 25ml Campari and 25ml Cocchi Vermouth di Torino with some ice and a slice of orange. It's the simplest cocktail, and one of the very best. An infusion of bitter herbs, aromatic plants and fruit gives Campari its vibrant red colour, intense aroma and inspiring flavour. £20 waitrose.com
rasserie of Light, a restaurant and cocktail bar inside Sepfirdges, has launched a vibrant collaboration with Sayuri Matcha. The experience brings a sense of balance, colour and calm to the restaurant’s signature glamour. The exclusive Matcha drinks menu, celebrates the purity and versatility of Sayuri Matcha. Guests can personalise their ritual with Matcha Your Way, a silky Sayuri Matcha latte served with a choice of milk and syrups, or opt for the refreshing Matcha & Tonic, pairing earthy green tea notes with Fever-Tree Indian Tonic Water. For something more indulgent, the cocktails include the Matcha Toddy, served hot or cold, blending Sayuri Matcha with oat milk, Baileys, Ron Santiago de Cuba Rum, almond and chocolate bitters, while the Matcha Paradise combines Sayuri Matcha with Ketel One Vodka, coconut and cream for a smooth, tropical escape. There's also a matcha-themed set menu (two courses for £26.95, or three courses for £36.95), showcasing seasonal flavours with a lighter, uplifting touch, and Matcha accents. Think Sesame Fried Chicken with Matcha, served with an avocado and jalapeño dip, or Tiramisu al Matcha e Limone, featuring pistachio, yuzu, Sayuri Matcha and lemon mascarpone for a refined balance of citrus and green tea.
theivy-collection.com
BOTANI
1 3 2 4 5
NEW YORK STYLE
MARIA TASH
SAFE SPACE
TISH LYON
Tucked away at the back of John Lewis' fi rst fl oor jewellery department is Tish’s extensive selection of piercing jewellery catering for all budgets and styles, staffed by a team of skilled and friendly experts. tishlyon.com
BIG SPARKLE
LARK & BERRY
Book an ear styling appointment and choose from a vast selection of studs and earrings featuring lab-grown diamonds at this glittering Marylebone destination. larkandberry.com
HOOP LA
DINNY HALL
Dinny Hall hosts luxe ear piercing events at her Covent Garden store each month. Choose from a selection of studs and hoops made especially for ear piercing in solid gold, white gold and rose gold. dinnyhall.com
Maria Tash has two locations in London – in Liberty and Harrods – and each offers an elevated piercing experience that feels like a personal consultation, featuring delicate diamonds, solid gold, and thoughtfully curated ear styling. mariatash.com 1 3 4 5 2
STACK UP
ASTRID
& MIYU
With studios all over London, Astrid & Miyu has built a name for making piercings feel fun, fashionable, and totally stress-free. The spaces are bright and minimal, the team is warm and welcoming, and the jewellery is effortlessly cool. astridandmiyu.com
HEALTH & BEAUTY
PRETTY
CHANTECAILLE
The Flamingo Collection is Chantecaille’s newest limitededition makeup, with 5% of every piece sold supporting Amazon Conservation Team’s Ancestral Tides program to protect the American Flamingos and their fragile wetland habitat on Colombia’s Caribbean coast. There are two limited edition Eye Trios (£70), each with three eye shades inspired by the lush feathers of flamingos, plus four nourishing Lip Chic (£48) shades. chantecaille.co.uk
HCA Womens Health Center - 27 Harley St, London W1G 9QP Spire St Anthonys - 801 London Rd, Worcester Park, Sutton SM3 9DW Nuffield Parkside - 53 Parkside, London SW19 5NX
BEAUTY NOTES
The latest in luxury makeup and skincare
By EVE HERBERT
Hair hero
CECRED
Cécred approaches hair health from the root, with a skincarebased approach to create the optimal foundation for stronger, healthier hair. The scalp-first ritual is designed to detoxify, balance, and replenish the scalp through thoughtful cleansing.
The hair repair mask
EDITOR’S PICK
TDAY
SPA DAY
JO MALONE LONDON
Seven wellness products have joined Jo Malone’s bath and body collection, inspired by the Roman baths. Categorised Purity, Enrich, Restore and Revitalise, these shower gels and lotions will soothe body and mind. jomalone.co.uk
Bespoke treatment
DCYPHER
Dcypher creates makeup specifically for you. Using AI-powered skin tone analysis, the brand delivers a fully bespoke foundation tailored to each person’s exact skin tone, along with coverage and finish preferences. Allow access to your phone camera and let Dcypher’s scarily accurate scanner determine your perfect shade. dcypher.com
he Innersense Organic Beauty Repair Mask is a restorative hair treatment designed to strengthen, repair and revitalise dry or damaged strands. Which describes my hair pretty accurately. Formulated with protein, it’s designed to penetrate deep into the hair cortex to repair internal damage and rebuild structure by bonding with keratin sites, which helps fortify hair from the inside out. It also contains Vitamin C to support collagen production for improved elasticity, plus Tamanu oil to seal the cuticle, boost moisture and reduce breakage and split ends. And it’s simple: I leave it on for a few minutes and quickly notice a softer, silkier feel to my hair. When dey, it’s noticeably smoother, shinier and healthier looking. This intensive mask is ideal for hair that’s dry, brittle, rough or stressed from heat, colouring or environmental factors. The rich formula deeply conditions, smooths frizz and strengthens resilience, so hair feels softer and more manageable after use. Depending on damage levels, it can be used in place of conditioner every few washes to maintain strength and hydration
iNNERSENSE Repair mask, £32 libertylondon.com
BOX Sweat
Saunas are everywhere. Absolutely looks at why Londoners are seeking out places to sweat
Alongside the canal, tucked behind warehouses, floating on barges and wedged into backstreets, saunas are quietly becoming part of our winter rhythm.
Once the preserve of luxury hotel spas or weekend wellness splurges, sauna bathing is now slipping into everyday routines — a regular stop between work and home, a reset button for bodies worn down by the cold.
London now has more saunas than anywhere else in the UK, according to new data, reflecting a shift not just in availability but in attitude. Saunas are no longer about indulgence. They are about coping. Searches for “sauna” are up 34 per cent year on year, with more than 1.2 million searches each month, suggesting that as winter tightens its grip, interest in heat-based health practices is rising fast.
The appeal is easy to understand. Winter exposes the pressure points of city life with ruthless e ciency. Shorter days compress already long working hours. Cold weather makes exercise feel harder to sustain. Stress creeps up, sleep quality drops, and the simple act of staying warm can feel like work. For many Londoners, sauna o ers a rare thing: rest without e ort.
“Sauna works because it gives people a clear pause point in the day, without asking for energy or motivation they don’t have,” says Jake Newport, CEO of Finnmark Sauna. “For a lot of Londoners, sauna has become less about indulgence and more about managing stress, sleep and physical fatigue during winter.”
Inside a sauna, phones are left outside, layers are shed and time slows. The heat does the work for you. Research suggests that heat exposure can lower cortisol — the body’s primary stress hormone — while increasing endorphins, helping the nervous
THERE’S NO PRESSURE TO TALK, TO DRINK, TO BE PRODUCTIVE. YOU SIMPLY SIT, SWEAT AND BREATHE"
system shift out of constant alert mode. Many regular users report better sleep after sauna sessions, likely linked to the body’s natural cooling response once you step back into the cold air. The contrast, bracing and oddly calming, seems to tell the body it’s safe to rest.
There’s also growing evidence that sauna use supports mental wellbeing. Studies have linked regular sauna bathing with improved mood and fewer symptoms of anxiety and depression, potentially due to increased circulation and serotonin activity during heat exposure. In a city where winter blues are often worn quietly, the sauna’s communal warmth can feel quietly radical — a shared, wordless antidote to isolation.
Physical benefits matter too, especially during colder months when joints sti en and minor aches linger. Heat increases blood flow, helping to reduce inflammation and ease muscle and joint discomfort. For those who still manage to run, cycle or squeeze in a gym session despite the weather, sauna has long been a recovery tool. Research suggests it can reduce muscle soreness and improve oxygen delivery to muscles after exercise, speeding recovery without adding extra strain.
Even those who avoid exercise altogether may still be doing their hearts a favour. During a sauna session,
heart rate and circulation increase in a way that mirrors light physical activity. Long-term studies from Finland have linked regular sauna use with improved cardiovascular outcomes, while research from the University of Bristol has shown that a single session can lower blood pressure and improve arterial flexibility, reducing strain on the heart over time.
There’s also evidence that sauna users su er fewer winter colds. Heat exposure appears to activate the body’s natural immune responses, potentially strengthening resistance during the months when packed trains and recycled o ce air make illness feel inevitable.
What’s striking about London’s sauna boom is not just the science but the way people are using it. Many drop in alone after work, others meet friends for a quiet catch-up in towels rather than over drinks. It’s social, but not performative. There’s no pressure to talk, to drink, to be productive. You simply sit, sweat and breathe.
In a city obsessed with optimisation, sauna o ers something refreshingly simple. No screens, no tracking, no metrics. Just heat, stillness and time. As winter stretches on, that may be exactly why Londoners are embracing it — not as a luxury, but as a small, necessary act of care in a season that demands resilience.
A selection of urban
SAUNAS
• Wildhut - Build your own
• ARC - Canary Wharf
• The Bath House - Belgravia
• Roo op Saunas - Brixton
• Sweheat Sauna - Canning Town
• Banya No.1 Hoxton - Hoxton
• Rebase - Marylebone
• WellNest - Southwark
• Sauna & Plunge - Shoreditch
the traditional sauna experience, upgraded
CLEVERLY COMPACT FOR THE CITY
LUXURIOUSLY LARGE IN THE WILD
classic design, best in class, built to last
“The Wellness Lab takes a thoughtful, grounded approach”
OPTIMISE HEALTH
Why The Wellness Lab is London’s smartest science-led sanctuary
In the heart of Knightsbridge, The Wellness Lab o ers a quiet revolution in modern self-care, combining science, precision, and calm in perfect harmony. A specialist clinic for longevity and recovery, it supports your body’s healing with a suite of holistic, non-invasive therapies. Wellbeing here unfolds with intention and lasting e ect.
At the centre of their o ering is Hyperbaric Oxygen Therapy (HBOT) – a treatment once reserved for elite athletes and medical settings, now reimagined as a transformative experience for anyone seeking better energy, faster recovery, and cellular repair. Clients lie comfortably inside a sleek, clinically
registered chamber while breathing pure oxygen at increased atmospheric pressure. By the end of it, you’ll notice improved circulation, reduced inflammation, and an incredibly noticeable lift in vitality.
While HBOT takes centre stage, it’s only part of the story. The Wellness Lab’s menu spans ozone therapy, molecular hydrogen, photobiomodulation (red and near-infrared light), lymphatic drainage, and vitamin drips and injections. Each treatment is grounded in functional medicine and tailored to support immunity, detoxification, and regeneration, making it equally suited to jet lag recovery or fatigue management.
This approach isn’t about trends or surface-level fixes. It’s deeply intentional. Every session begins with a consultation with the medical team, who guide clients with care and clinical clarity. The space itself reflects that balance: minimalist, calming, and quietly high-tech. No gimmicks, no noise, just results.
Rather than chasing quick fixes, The Wellness Lab takes a thoughtful, grounded approach. These therapies have been selected for their ability to complement our body’s repair processes, o ering powerful support for our natural healing systems. This is a space built on transparency, professionalism, and trust.
Clients range from high-performance professionals to those recovering from illness or managing long-term health conditions. Others come in simply in search of greater energy, longevity, and an overall better quality of life. Many arrive curious; most leave committed.
In a world that celebrates doing more, The Wellness Lab o ers something smarter. A chance to focus inward, rejuvenate, and invest in longevity. Breathe, not just more deeply, but more intelligently.
with more complex needs like dementia, Parkinson’s, or arthritis, ensuring you stay safe and comfortable at home.
HOW IT WORKS
THERE’S NO PLACE
LIKE HOME
Discover an
alternative to care homes,
with bespoke at-home support from The Good Care Group
Ahome is much more than a roof over your head. It’s where you feel safe, where your community is, and where you’ve created countless memories over the years. So, when life requires a little more support, it’s only fitting to want to stay in the home you know and love.
At The Good Care Group, high-quality care doesn’t have to mean a change of address. With a range of care services, from regular hourly visits to round-the-clock live-in care, you’ll keep your routines, your independence, and the nuances that make home, home.
HOME CARE, BUILT AROUND YOU
For more than 15 years, The Good Care Group has supported families across England and Scotland to live well at home with exceptional care services.
After a careful matching process, you’ll be paired with a highly skilled carer who best suits your personality, needs and wishes. With their support, you’ll continue to enjoy your lifestyle and hobbies, whether they include getting out and about in the community, or relaxing in the garden at home.
With the support of in-house Clinical Lead, Sabah Shah, The Good Care Group also provides specialist care for those
An experienced care manager will conduct a free home assessment, working closely with you and your family to understand your needs and wishes before agreeing on the right type of support. Then, highly skilled carers are hand-selected to provide seamless assistance from day one.
RESPITE CARE, WHEN YOU NEED IT
As well as long-term support, The Good Care Group provides flexible, short-term support in the comfort of home. Whether that’s following a hospital stay, during an illness, or when a family carer takes a welldeserved break, an expert team will step in quickly to provide exceptional care at home from as little as two weeks, giving you and your family complete peace of mind.
OUTSTANDING, TRUSTED, REGULATED
The Good Care Group is fully regulated by the Care Quality Commission (CQC). Rated ‘Outstanding’ in all areas for being safe, e ective, caring, well-led, and responsive –something only the top 3% of care providers achieve in the UK – you can trust that your care is in expert hands.
START PLANNING YOUR FUTURE TODAY
It’s never too early to think about your future care. Whether you’re planning for the years ahead or seeking support for a loved one, The Good Care Group is always there to talk you through your options.
Discover award-winning live-in and hourly home care. Call our client services team today on 0808 134 0094
TEST RESULT
The benefits of cervical screening: information and reassurance from Harley Women’s Health
Receiving an invitation for cervical screening is more than just another task—it’s a critical step in protecting your health. Yet, with the hustle and bustle of everyday life, it’s easy to set it aside, thinking you’ll get to it later. We get it—life is busy. Between work, family, and personal commitments, it might feel like there’s no time to squeeze in another appointment.
But before you push that letter aside, consider this: cervical screening is one of the most e ective ways to prevent cervical cancer. This simple test, often referred to as a smear test, can detect early changes in cervical cells that, if untreated, could develop into cancer. The sooner these changes are caught, the easier they are to manage, often preventing the onset of cancer altogether.
Maybe you’re worried about discomfort, or perhaps you’re unsure why the test
is so important. Rest assured, you’re not alone in these feelings. Many women share these concerns, but the peace of mind that comes from knowing you’re taking a proactive step to protect your health is worth the brief discomfort.
At Harley Woman’s Health we o er a wealth of information to enhance your understanding of cervical screening and colposcopy. Our goal is to provide you with clear, detailed insights into these crucial
“Cervical screening is one of the most e ective ways to prevent cervical cancer”
health procedures, empowering you to make informed decisions about your cervical health. Cervical Screening, commonly known as a Pap smear or Pap test, is vital for detecting early signs of cervical cancer and pre-cancerous conditions. Cervical screening benefits are immense, as this lifesaving programme has helped reduce the risk of cervical cancer since its introduction in the UK in 1988, aimed at reducing the risk of cervical cancer. This programme invites women aged 25 to 64 to undergo a routine tes which has played a crucial role in saving lives. The smear test is a simple and quick procedure typically performed by a nurse or doctor. During the test, a small sample of cells is gently collected from the cervix, which is the lower part of the womb, also known as the neck of the womb. There is nothing to fear, and so much to gain – so book the appointment now.
harleywomenshealth.com
REAL Care
A considered response to modern expectations of later life at CHD Living
There is a quiet shift taking place in the way we think about later life living. No longer defined purely by care needs, today’s expectations are shaped by lifestyle, wellbeing, design, and the simple human desire to feel at home. It is within this evolving landscape that CHD Living continues to distinguish itself, blending clinical credibility with warmth, comfort, and a deeply personal philosophy that has guided the family-owned group for more than 40 years: Creating Happiness Daily.
Across Surrey, two of the group’s newest homes, Wey Meadows in Elstead and Willow Grange in Pyrford, capture this ethos. Both have been conceived with a clear understanding that environment and experience are inseparable, and that quality of life is shaped as much by atmosphere as by care provision.
Wey Meadows sits just beyond the charming village of Elstead in the Surrey countryside. Purpose-built and fully
accessible, the home has been designed to provide a sense of space rarely associated with traditional care settings. Light-filled en-suite bedrooms, expansive communal areas and carefully planned outdoor spaces combine to create an environment that feels open, calm, and reassuring. The architecture is modern yet understated, prioritising safety and sustainability without compromising comfort. Here, residents are supported through a comprehensive range of services, including residential, nursing, respite, and palliative care, all delivered within surroundings that feel both refined and welcoming.
In Pyrford, Willow Grange presents a di erent expression of the same values. Newly refurbished and quietly elegant, the home reflects a boutique sensibility, balancing luxury with a genuine sense of ease. This is a residence that feels calm, stylish, and inherently comfortable, where personalised support sits naturally alongside everyday pleasures, routines, and social life.
“A residence that feels calm, stylish, and inherently comfortable”
What unites both homes is not simply design, but intent. CHD Living’s approach has always centred on the belief that care is not a transaction but a relationship. Clinical governance, safety and professional excellence form the foundation, yet the defining characteristic is cultural rather than operational. The group’s homes are shaped by continuity, familiarity, and the recognition that small daily experiences carry profound importance. Independence is encouraged, dignity is protected, and wellbeing is understood in its broadest sense, encompassing emotional, social, and psychological fulfilment alongside physical health.
This perspective is perhaps unsurprising for an organisation whose roots stretch back to the mid 1980s, and whose growth has remained guided by family leadership rather than corporate convention. Over decades, CHD Living has developed a reputation not merely for service provision, but for creating environments where people genuinely wish to live, visit, and work. It is a distinction that cannot be manufactured through aesthetics alone.
CHD Living o ers more than new residences. It o ers a considered response to modern expectations of later life, where care, comfort, and quality of living exist not as competing priorities, but as a seamless whole.
chdliving.co.uk 01428 772 469
When Lin moved into her Castle View independent living apartment in the autumn of 2025, she wasn’t simply switching addresses, she was, in her own words, “opening the door to a new chapter of comfort, companionship, and peace of mind”. For anyone considering a property move later in life, Lin’s journey echoes many of the big questions Castle View Windsor hear every day…
Q Why Move? The Turning Point
A After the passing of her husband, Lin found daily life overwhelming in the family home of 66 years. Though surrounded by generations of memories, she faced di cult nights, anxiety about safety, and the burden of a house that suddenly felt too big and too empty. “The house was full of memories, but it was time to start a new chapter,” Lin recalls. Initially hesitant, Lin visited Castle View at her daughter’s insistence. From her very first step inside, she sensed a warmth and vibrancy she hadn’t expected. “As soon as I walked through the door, I thought, this is rather
PERSONAL JOURNEY
From loneliness to a new lease of life: Lin’s story at Castle View
nice,” she shares. What sealed it was the view from her new third-floor apartment – Windsor Castle, her old church, her daughter’s school – landmarks woven through her life’s story.
Q Settling In: Overcoming Challenges
A Downsizing after so long in one house wasn’t easy. Letting go of treasured items brought moments of sadness, but knowing family would cherish many of them brought comfort. The big surprise? The welcome. “As I came through the door on moving day, everyone clapped! It made me feel so welcome.”
Since moving, Lin describes her life as “transformed”. She now relishes the security of the Castle View building, even sleeping soundly in the dark for the first time since her loss. With 24-hour reception, triple glazing, and warm, quiet apartments, Lin feels entirely secure – something that has made a world of di erence to her wellbeing. The social life has also brought unexpected joy. Lin has become a regular at cinema nights, themed dinners, Saturday brunches, and friendly get-togethers in the Sky Lounge. “If you feel a bit fed up, you just go downstairs, and there’s always someone to talk to,” she enthuses.
Q Staying Connected and Making Memories
A Lin’s days are now sprinkled with family visits – her daughter Wendy joins her for breakfast most mornings before work – and with community events that keep her active and engaged. She takes part in group physio sessions, enjoys walks, and loves experimenting with her new air fryer at mealtimes. “It is a good life here. I have met lovely people, and I have a new life – which I did not have the prospect of, before,” Lin says.
To those on the fence about leaving their longtime home, Lin’s advice is simple: “Come along for a look, it is so far removed from what people might think – it is definitely NOT a care home! It is a big step, but once you are here, you will wonder why you waited.” Lin hopes her journey may help others see that change, while challenging, can bring laughter, friendship, and a genuine new lease of life.
The dedicated later life advisers at Castle View are always on hand to help guide you and your family – whether it’s answering questions, o ering support, or arranging a personal visit. Simply give Nicky a call on 01753 378127
MINDFUL LUXURY
A renaissance of wellbeing: redefining your lifestyle at Battersea Place
At LifeCare Residences, we believe that true wellbeing is born from an environment that e ortlessly supports your lifestyle every single day.
At Battersea Place, London’s premier luxury retirement village, we understand that retirement should be a chapter of unparalleled freedom. The burdens of home maintenance and everyday chores are discreetly lifted from your shoulders by our dedicated team, granting you the most precious luxury of all: time. Time to focus on your fitness, to indulge your passions, and to curate a lifestyle that is as active and enriching as you desire. Situated in an enviable position directly opposite the verdant expanse of Battersea Park, our community o ers a unique
connection to nature in the heart of the city. Imagine starting your morning with a brisk, reinvigorating walk through the mist-covered park, or perhaps a gentle stroll across the Thames to the elegant streets of Chelsea and Knightsbridge.
Within the village itself, your fitness goals are supported by truly exceptional facilities. Residents enjoy exclusive access to our state-of-the-art gymnasium, where maintaining strength and agility becomes a pleasure rather than a chore. For a lower-impact, yet equally e ective workout, our serene indoor swimming pool awaits - a tranquil oasis perfect for leisurely laps or aquarobics classes.
A healthy lifestyle extends far beyond physical fitness; it encompasses mental agility and social connection. Battersea Place is designed to foster a vibrant community of like-minded individuals. Our
bespoke concierge service and dedicated activities team curate a diverse programme of events, outings, and experiences, ensuring that no two weeks are the same.
Whether you wish to expand your horizons with engaging talks by visiting experts, unleash your creativity in our dedicated craft room, or simply lose yourself in a literary world in our library, the opportunities for personal fulfilment are boundless. For moments of relaxation, our private cinema room o ers the perfect setting for communal screenings, bringing the magic of the silver screen to your doorstep.
Should you wish to explore the cultural treasures of the capital, our bespoke chau eur service o er speed and convenience, allowing you to attend the theatre, galleries, or appointments with absolute ease and comfort.
We understand that for many of our residents, fine dining and the ability to entertain are pillars of their social lives. At Battersea Place, you need not relinquish the joy of hosting; instead, it becomes e ortless. Our exquisite on-site restaurant o ers a dining experience that rivals the capital’s favourite bistros. Led by our talented Executive Chef, the menus are curated using the finest seasonal ingredients, allowing you to remain the consummate host without the preparation and tidying away.
Perhaps the most significant luxury we o er is peace of mind. While you focus on living life to the fullest, you can rest assured knowing that support is always at hand. From our 24/7 concierge providing a warm welcome and peace of mind that all visitors are welcome, to the reassurance of 24-hour on-site domiciliary care and emergency response, your safety is our priority. Furthermore, with the proximity of 'The Albert Suites' - our luxury care home located within the village - you have the comfort of knowing that comprehensive care is available should your needs ever change.
For more detailed information or to arrange a private tour, please contact Ina Betsi, Sales and Marketing Manager at Battersea Place, on 0207 924 8641 or visit batterseaplace.co.uk.
CARL HANSEN & SØN
FLAT OUT
Pelican House’s fl atweave Quilt rug is made to order in India on a traditional horizontal loom that creates a strong, versatile fabric. pelican-house.com
FASHION HOUSE
Cole & Son has launched a capsule collection that reimagines fabrics, prints and hand-drawn graphics by Vivienne Westwood, making homes into canvases for culture, art and cra smanship. cole-and-son.com
GLOBAL APPROACH
Harlequin’s Zamora is a new fabric and wallpaper collection celebrating world cra and vibrant colour, with an expressive interpretation of nature. Zamora blends techniques from Indian Kantha embroidery to Mexican tapestry weaving. Designs honour traditional textile practices while drawing inspiration from modern art and street culture, creating a decorative, upli ing collection harlequin.design
The Lost Garden is inspired by the late botanical artist William Kilburn, drawing from the beautiful Spring fl owers growing at Shute Farm’s forgotten Peace Garden in Somerset. studiolecocq.com
FABULOUS FLORAL
Ben Pentreath Studio designed this stylish New York drawing room, with the walls papered in Highgrove by Sanderson Silver Lime wallpaper in Kips Bay – a modern approach to chintz. sanderson.design
ALL THAT JAZZ
Alluding to Miles Davis’ album that was a tribute to Archbishop Desmond Tutu, Mindthegap’s Tutu wallpaper features handwritten quotes from the renowned jazz trumpeter. mindtheg.uk
NATURE VIBE
A Rum Fellow’s new Jute Collection is a refi ned, handwoven family of six rugs inspired by the jute plant’s organic form and the graceful movement of its natural surroundings. arumfellow.com
TWO TONE
Stripes are always a good idea, and Ferm Living’s new collection includes these rounded sofas in stylish stripes. fermliving.com
GARDEN PARTY
In the Garden is Little Greene’s sixth wallpaper collection in collaboration with the National Trust. The designs have been inspired by grand formal gardens, humble horticultural collections, individual plants and historical fl oral artefacts that have all been loved, cherished and cared for, by the National Trust. littlegreene.com
ANIMAL MAGIC
Divine Savages’ Safari Soirée features a mischievous cast of divine savages in an elegant yet playful design that will bring character to any room. divinesavages.com
BALANCED FORM
The Vita Sofa was designed in 1952 and named after the Ditzels’ daughter. Its organic shell with soft edges o ers relaxed comfort, while textile buttons add a sophisticated detail to a seat that appears to balance within its solid wood frame. Available as two- or three-seater options. From £4,089 ND55 Co ee Table, from £1,363
Nanna & Jørgen Ditzel
RICH IMAGERY
CHRISTOPHER FARR CLOTH
Christopher Farr Cloth has launched a distinctive range of fabrics and wallpapers in collaboration with German artist Olaf Hajek. His intricate, dreamlike imagery, rooted in folklore and surrealism, is translated into wallpaper for the fi rst time. christopherfarrcloth.com
NEWS Updates from the industry IN THE
Compiled by PENDLE HARTE
LIGHT SHOW
ADDISON ROSS
The ever-growing collection of colourful, stylish homewares now includes these cute rechargeable scallop lamps, which come in lots of glossy lacquer colours and have a distinctly spring-like feel to them. £125 addisonross.com
NEW WEAVE
TOAST
HAY
Hay's endlessly versatile storage crates come in lots of sizes and colours – and not only can you stack them up, but you can also attach wheels to create useful, fl exible storage. Crates from £6, hay.com
FAMILY TIES
NPG/BELLA FREUD
Accompanying the Lucian Freud exhibition at the National Portrait Gallery is a range of homewares designed by the artist's daughter Bella. You'll fi nd them in the gallery shop.
blend of wools for a
The star of Toast's beautiful new collection of textiles and bedding is this Bristol Weaving Mill Block Stripe Blanket, knitted in a blend of wools for a stylish, Bauhaus-style look. £215 toa.st
HIGH DRAMA
Absolutely quizzes interior designer Carina Raymond on a colourful recent project
Designed by Carina Raymond, founder of Studio Raymond, this five-bedroom, four bathroom townhouse has been transformed from a vast, openplan shell into a warm, layered and deeply personal space alive with colour, pattern and craft. The clients, a couple with three young children who recently relocated to London from Amsterdam, wanted their new home to feel distinctly British in tone: full of warmth, comfort and character. Carina reworked the layout to create intimate, connected rooms, introducing architectural arches, panelling and rich, saturated colour throughout - from a cinnamon-hued reception room and denim-inspired family snug to peach and blue tones in the bedrooms. The project also champions British craftsmanship and sustainable design, with bespoke pieces by Alfred Newall,
reupholstered vintage furniture and textiles from GP & J Baker, Christopher Farr, and Trove by Studio Duggan. The result is a home that feels elegant yet lived-in and a thoughtful, modern British take on family life.
Q What was the most challenging aspect of this renovation and why?
A The most challenging aspect of the renovation was working with the existing extensions carried out by the previous owners. The ground floor and loft had already been extensively extended, leaving no scope to build further. However, the ground floor felt fragmented, with split levels creating dead spaces and underutilised rooms. It was also very cavernous and overly openplan, which didn’t suit the family’s dayto-day living.
Q How did the structural changes you made improve family life?
A We reworked the entire internal layout to optimise space and improve family life. As the ground floor was too open-plan, we introduced new walls to create more intimate, defined areas. This resulted in a more cocooned formal reception space. A half-height partition wall between the dining room and kitchen added intimacy and privacy when hosting guests. The
Each room is carefully considered but doesn’t feel overdesigned or overly manicured
kitchen island was enlarged to provide more seating for the family of five. Crittall doors were added between the kitchen and playroom, allowing mess to be hidden away and giving the option to convert the playroom into a study in the future. On the first floor, we created a walk-in wardrobe within the master suite by carving into an adjoining bedroom and converted one of the smaller bedrooms into the principal ensuite. This transformed the suite into a much more functional principal bedroom. In the boys’ bedroom, we added a walk-in dressing and desk area with ample storage for toys. On the second floor, one large bedroom was divided into a home office and guest bedroom, allowing the client a dedicated workspace alongside a separate guest room. Overall, the rooms are now far
better defined, with each family member having a space that works for them.
Q Tell me how you hit upon the idea of the arches in terms of drama, intimacy and practicality?
A We were looking for a way to transition from the formal reception room into the dining room while maintaining a sense of connection. The challenge was that the two rooms sit on different levels, with the dining room three steps lower due to the previous extension. The client was keen to reintroduce period features that had been stripped from the house, so we added wall panelling in both spaces to create continuity. This was further enhanced with the introduction of arches, inspired by the porticos seen on many London period properties. The arches add decorative interest and a sense of drama while helping to visually link the two rooms. They are also highly practical, allowing us to incorporate low-level storage for serving plates and tableware on the dining room side.
Q What other touches, such as joinery, have really improved family living?
A We introduced bespoke joinery throughout the house to maximise storage and improve day-to-day efficiency. Built-in wardrobes were added to all bedrooms, as none existed originally, and the walk-in dressing room in the principal bedroom has been invaluable, particularly during busy mornings. In the kitchen, we created a walk-in pantry, which was high on the client’s wish list, along with a breakfast bar housing the coffee machine, toaster and microwave. On the first floor, reconfiguring the layout allowed us to add a walk-in linen cupboard, while on the second floor we made full use of the eaves with lowlevel storage.
Q What were the advantages of working with what you already had in some cases, such as the kitchen?
A It can work either way. In this house, we had a blank canvas in many areas where we reworked the layouts entirely, but the kitchen was more restricted. Rather than replacing it completely, we focused on optimising what was already there, which helped avoid the cost and waste of a brand-new kitchen. Those funds were redirected into bespoke joinery elsewhere in the house. The existing cabinetry was in good condition, so we repainted the doors from navy to an earthy mushroom tone and added new ironmongery. The marble splashback was also retained, as it would have been a shame to remove it. The original white quartz island worktop was replaced with Rosso Orobico marble to
One key takeaway was how effective it can be to paint all the woodwork in a single colour
create a larger surface for family seating, and the quartz was repurposed in the utility room and upstairs bathroom. I enjoy working this way as it feels less wasteful and presents a satisfying design challenge.
Q Tell me about some of the most successful decorative elements of this renovation
A My client and I were very aligned stylistically, which allowed us to be bolder with layering colour, texture and pattern. Each room is carefully considered but doesn’t feel overdesigned or overly manicured. The house feels relaxed and well suited to family life, with moments of fun and surprise throughout. The family have made it their own with artwork, photographs and personal mementos, which brings real warmth and character.
Q What did you learn personally from this project? Did it affect any changes in your own home?
A I learn something from every project, but one key takeaway here was how effective it can be to paint all the woodwork - doors, skirtings and window frames - in a single colour. It creates a wonderfully cohesive look and is something I would definitely consider in my own home. We also paid particular attention to ceilings on this project, whether through colour drenching, wallpaper or added mouldings. It’s an approach that really elevates a scheme and adds an element of fun, and one I’ll continue to explore in future projects.
“Mother’s Day is very important for us and we make it different every year”
FLOWER GIRL
Absolutely chats to Nikki Tibbles of Wild at Heart about spring flowers, Mothers’ Day and destination weddings
Q What’s coming up for Mothers’ day?
A We’ve got a whole new collection of flowers, all very much inspired by nature, colour and fragrance. We’re including all my favourites at this time of year: anemones, ranunculus and narcissi with their gorgeous, gentle colours, and also launching a range of new ‘Mini Me’ bouquets that are personal indulgences rather than grand gestures, alongside a new selection of handblown glass vases. Mother’s day is very important for us and we make it different every year by changing the bouquets and making sure nothing stays the same.
Q What are your personal favourites?
A My favourite flowers essentially don’t change - I’m an English garden flower type person. I love nature: it’s the most inspiring thing. I like old-fashioned flowers like peonies, sweet peas and garden roses – gentle blousy flowers that look just as beautiful as they fade (though none of these are actually indigenous to this country, even if we do associate them with the English garden). I like a very natural, gentle, look – I don’t like things that feel forced. We think how things would grow together when we do a bouquet; I like recreating an eclectic mix like you might see in a well-planed garden. I love flowers in late spring and early summer when you have beautiful lupins, foxgloves, sweet peas and hydrangeas, and when my beloved angelica is growing in the garden.
Q What’s new for Wild at Heart?
A We are opening a new studio in the Cotswolds, extending the small space we have. It’s very exciting – it’s a great area, very popular for weddings and incredible events. We have lots of enquiries from America for Cotswolds weddings and there are so many wonderful venues for destination weddings –places like Soho Farmhouse, Cornwell Manor, Estelle Manor and Minerva Vines. We’ve got lots planned with Benham Park which is one of the most beautiful stately homes ever.
Q How has the business grown over the years?
A The wedding market has changed quite dramatically. The major growth that we have seen is in the destination wedding market, where clients tend to be American, Indian, Chinese or European. They want more of an experience, something more personal and interesting, perhaps a multi-day event in a beautiful space. Last year we worked with amazingly creative American wedding planners in New York, Paris, Iceland, Tuscany, the south of France and Lake Como. This year we are in Ireland then Tuscany, Como, France, Ibiza and also Switzerland and Austria. We’re doing more immersive design with amazing artists who create bespoke pieces inspired by the venues. Every day is different, which I love, and that’s what keeps me engaged after all these years. wildatheart.com
MOTHERS' DAY 'MINI ME' BOUQUETS
NIKKI TIBBLES
SICILY WEDDING
The CH290 series by Hans J. Wegner is now being presented by Carl Hansen & Søn
T“Hans J. Wegner designed his furniture to be beautiful from any angle”
he CH290 series was designed by Hans J. Wegner in 1962, and its informal, yet rigorous style creates a beautiful setting for pleasant, relaxed conversations.
And now Carl Hansen & Søn presents the CH290 Series, widening its comprehensive collection of design-led products by internationally renowned furniture designer Hans J. Wegner in the process. Hallmarks are a straightforward design with wide arm rests, visible back slats, and dynamic legs. The series comprises a tall and low lounge chair, two- and three-seat sofas and a stool. Hans J. Wegner designed his furniture to be beautiful from any angle, which is why the wooden frame is accentuated, not concealed under upholstery. This enhances the series’ straightforward, relaxed style. The rear legs are dynamically angled and call for being the central feature of any space. Wegner had a remarkable ability to strike a
balance between form and function without compromising workmanship or aesthetics. This is evident, for example, in the side rail, which embraces the cushion at the front of the seat, while tapering off towards the backrest to lighten the look and reduce the design to its bare essentials. The CH290 Series is manufactured at Carl Hansen & Søn’s furniture factory in Denmark, where skilled cabinetmakers craft and assemble all the components, after which they carefully sand the finished wooden frame by hand. The backrest and seat cushion are upholstered with removable fabric or leather covers that are easy to replace as needed. Knud Erik Hansen, CEO and third generation owner-manager of Carl Hansen & Søn, says: “Hans J. Wegner is held in high esteem by Carl Hansen & Søn, which is why we are thrilled to welcome the CH290 Series into our collection. The distinctive Wegner identity is characterised by sublime craftsmanship, high functionality, and informal aesthetics.”
Carl Hansen & Søn Flagship Store London, 48A Pimlico Road, SW1W 8LP; 020 7730 8454 @carlhansenandson_london carlhansen.com
SWEETNESS
AND LIGHT
Leanne Kilroy of Good Bones invites Absolutely into her home to see her fabulous new lighting collection
Words PENDLE HARTE
SWEETNESS
Leanne Kilroy has a lovely house –her instagram followers will vouch for that (and there are almost half a million of them). Kilroy is the woman behind goodboneslondon, an account dedicated to her north London home, a Victorian terraced house in Tufnell Park that ticks all the instagram boxes: spacious rooms, a fabulous kitchen, lots of plants and a carefully considered mix of old and new furniture and decorative accessories. Oh, and of course, lighting. Kilroy’s clever instinct for good lighting has led her to launch her first collection of lighting in collaboration with Plank Hardware, and to celebrate, she invited a large group of people with an interest in interiors to – where else? – her actual home to see the products in situ, and admire the place IRL. Everyone there said the same thing: “We feel like we know this house so well already.”
In person, Leanne is friendly and approachable, relaxed despite the sheer number of people in her house, including her own small children demanding her attention. The new collection of four lamps (one for each of her children, and named after them too) came about when Leanne wanted to track down a vintage pendant like one she’d lived with in an old rental, a perforated conical shade that cast a warm, patterned glow that she fell in love with. Despite years of searching, she couldn’t find anything like it. So she
“I’ve always been obsessed with how light behaves in a space”
set out to recreate it herself – and that light became the seed for a collection that fills a clear gap in the market: small, beautifully made wall and ceiling fixtures that work effortlessly in awkward or compact spaces, and produce a striking glow without glare.
Leanne says: “I’ve always been obsessed with how light behaves in a space – avoiding glare, casting subtle patterns, and creating atmosphere. Every piece in this collection is designed with that in mind.” The collection features three distinctive designs, fittingly named after Leanne’s daughters - Vesper, Stella, and Domino - each bringing its own unique character. The Vesper Conical Pendant (£169) offers vintage-inspired warmth, ideal for hanging in multiples above kitchen islands or dining tables, with a compact silhouette and signature pigeon flex. The Stella Swivel Wall Light (£149) combines a soft, curved S-shaped form with a conical shade, working beautifully as a bedside, vanity, kitchen, or picture light, with an adjustable swivel arm. The Domino Flush Wall Light (£119) completes the trio as a low-profile, jewel-
like fixture, perfect for adding interest and light to walls without projecting into the space.
These perforated shades cast a sparkling, ambient glow, with hole sizes refined through multiple iterations to create dramatic shadows without revealing the bulb. Polished metal finishes have been chosen to complement existing brass, chrome, or nickel hardware, reflecting Leanne’s belief that mixed metals should behave like neutrals in the home. Each piece shines sculpturally when off and comes to life when lit, offering warmth and personality at all hours.
Leanne’s design philosophy centres on creating homes that feel comfortable, functional and beautiful without being overly precious. She has a particular talent for spotting potential in older homes — spaces with “good bones” — and enhancing their inherent character rather than masking it with trendy finishes. This mindset is reflected in both her personal renovation and her professional work. When she and her family bought their house in 2020, it had chopped-up rooms, two kitchens and lots of compartmentalised spaces. Although it needed extensive work, Kilroy was drawn to its proportions, light and classic features, which for her are the qualities that make a house structurally sound and adaptable. Over months of careful planning, extensions, glazing improvements and reconfiguration of the layout, she transformed it into a calm, cohesive family home filled with light, thoughtful details and a neutral yet textured palette.
Kilroy documented the renovation journey on Instagram and via a weekly newsletter, which reso -
Her design philosophy centres on creating homes that feel comfortable, functional and beautiful – and not overly precious
nated with thousands of followers seeking practical, honest design inspiration. From this organic audience grew her design practice, Good Bones, offering both one-off consultations and full interior redesigns tailored to each project’s context and needs. Her aesthetic has been described as laid-back yet elegant, marrying timeless architectural elements with personal touches and sourced antiques or vintage pieces.
Good Bones isn’t just a catchy name — it’s a philosophy. Leanne Kilroy advocates prioritising structure, light, proportion and function before decorative elements. By focusing first on these fundamentals, she helps clients create homes that are not only beautiful, but enduring.
plankhardware.com
SLEEP TALK
By PENDLE HARTE
PIGLET
SLEEP
MATTERS
Jensen Beds on the importance of a good night’s rest –throughout life
Sleep is not a pause from life – it is a vital process during which the body repairs itself
No matter who you are, sleep plays a crucial role in your health. Our needs change throughout life, but one thing remains constant: quality sleep is the foundation for development, performance, recovery and overall quality of life. In fact, we spend around one third of our lives in bed. That means a 75-year-old has spent roughly 25 years asleep. Sleep is not a pause from life – it is an active and vital process during which the body repairs itself, the brain processes impressions, and energy is restored.
In connection with World Sleep Day 2026, the global theme “Sleep Well, Live Better” highlights how essential quality sleep is for both physical and mental health. Initiated by the World Sleep Society, the day serves as a reminder that sleep is not a luxury – it is a biological necessity.
CHILDHOOD
THE FOUNDATION IS LAID EARLY
Sleep plays a decisive role in a child’s development from the very first day. The brain grows rapidly, and during deep sleep growth hormones are released that are essential for both physical and cognitive development. Children who get enough sleep have better concentration, find it easier to regulate emotions and have stronger conditions for learning. Good routines start early. Putting away digital devices well before bedtime and reading a book together instead can help establish healthy sleep habits that last a lifetime.
ADOLESCENCE
A VULNERABLE PHASE
The teenage years bring major physical and mental changes. The body clock naturally shifts, and many adolescents become more evening-oriented. At the same time,
demands from school and social life increase. Lack of sleep during this period can reduce cognitive performance, impair learning and increase the risk of mental health challenges. In fact, sleep deprivation affects reaction time almost as much as alcohol. After around 18 hours without sleep, reaction time can resemble that of someone over the drink-drive limit.
ADULTHOOD
WHEN BALANCE IS CHALLENGED
As work, family and responsibilities fill everyday life, sleep is often the first thing to be sacrificed. Yet this is precisely when the body needs recovery the most. Too little sleep over time can increase stress levels, reduce productivity and raise the risk of lifestyle-related illnesses such as obesity, diabetes and cardiovascular disease. At the same time, research shows that people who sleep well make better decisions, have stronger concentration and experience a higher quality of life.
LATER LIFE
SLEEP CHANGES
As we grow older, our sleep patterns change. Many people experience lighter sleep and more frequent awakenings. Nevertheless, the need for good sleep remains just as important. Quality sleep supports memory and cognitive function, strengthens the immune system and contributes to emotional balance. Investing in good sleep is an investment in quality of life – even in later years.
THE RIGHT BED, BETTER SLEEP
For many, good sleep has become a symbol of control. We measure sleep scores, optimise routines and adjust lighting, temperature and screen habits. Yet many overlook the most fundamental factor.
When we sleep, the body is meant to recover. Muscles relax, the spine should rest in a natural position, and pressure points must be relieved. If the bed does not provide proper support, the body may work throughout the night instead of recovering. Body temperature also drops as we fall asleep, and materials that breathe and regulate heat can make a greater difference than many realise.
Naprapath Truls Hotvedt at Jensen explains that the bed and mattress you sleep on largely determine the position your body chooses – and therefore how well you are set up for a good night’s sleep. “If you change position constantly throughout the night, it may be a sign that the pillow, bed or mattress is not providing the right support.”
When the body cannot fully relax, it cannot recover properly. Over time, this can lead to stiffness, pain and reduced sleep quality – and ultimately less energy in everyday life.
NORWEGIAN-MADE JENSEN BEDS
For nearly 80 years, Jensen has had one clear goal: to develop beds that provide
optimal support and create the best possible conditions for a truly restorative night’s sleep.
Proudly designed and manufactured in Norway, every Jensen bed reflects decades of craftsmanship, innovation and expertise in sleep comfort. From the internal spring systems to the finest finishing details, each component is carefully engineered to deliver lasting quality and personalised support – night after night.
JENSEN BEDS CHELSEA HARBOUR
Visit the official Jensen Beds showroom located in Chelsea Harbour Design Centre on Lots Road in London. Here you can see a wide range of Norwegian-made Jensen beds, try different models for comfort and support, and get professional advice on choosing the right bed for your sleep needs.
This is the main physical Jensen presence in the UK and a great place to experience first-hand how their beds are designed to improve your sleep.
Discover more at jensen-beds.com/uk
Carefully
Explore
WITH NATIONAL SLEEP DAY ON 13 MARCH, HERE ARE SOME BEDROOM
WOO L CYCLE SHLEEP
Shleep’s merino wool bedding is designed for year-round comfort. Trans-seasonal bedding is essential to quality sleep and the exceptional properties of Australia’s finest Merino Wool combine with cutting-edge sleep science to deliver just that. shleep.co 1 2
PACKAGE DEAL LOAF
Loaf's wide selection of mattresses, toppers, duvets and bed linen makes it a one-stop-shop for reliable, high quality bedroom essentials. loaf.com
CUSTOM MADE
SIMBA
The Customfl ex pillow has an adjustable inner layer that allows you to personalise its support levels. Choose from three different options, depending on your sleep position and preferences. A good night's sleep is guaranteed. £159, simbasleep.com
CHECK IN HASTENS
A Hastens bed is the ultimate in Swedish sleep luxury, and the brand's distinctive check pattern also adorns these fabulous cotton pyjamas, available in store only. hastens.com 3 4 5
PERFECT MATCH
NORVEGR
Norvegr makes the world’s fi nest down duvets, loved by royals, rock stars and interior designers. Part of its success is down to a sleep consultation to tailor-make the perfect, forever duvet for every customer. Both halves of a couple can complete the consultation to fi nd their perfect dual fi ll-power.x norvegr.com
Family
Inside a restored Victorian villa by Nicky Dobree Interior Design
Photography PHILIP VILE
As a designer there are few more rewarding experiences than successfully breathing new life into an old property. This involves seamlessly blending old and new, creating interiors that are sympathetic to their setting, while meeting the growing demands of modern life.
Tasked with the brief of doing just this by her client, for whom she had previously designed their chalet in Meribel, Nicky Dobree worked alongside the architects to reconfigure the spaces, add a conservatory and create a new lower ground floor. The brief was to design a family home that was elegant and timeless, tailored to the individual needs of each family member with a separate apartment discretely hidden behind the panelling of the TV games room on the new lower ground floor, thus future-proofing for either the children when they were older, a live in housekeeper, a grandparent, or a carer.
As with all projects, it was the building that dictated the flow of the space. Great care was taken to retain its soul while opening the spaces and remodelling the staircase. Bespoke panelling was designed and incorporated into the rooms, doors were raised bringing elegance back into the space, and draw the eye up. A beautifully proportioned hand-forged patinated metal chandelier designed by Cox London hangs in the sitting room. It was a piece that the client had coveted for years. She was thrilled to finally be the owner and to have found a home for this exquisite sculptural art piece. The mirror above the fireplace was bespoke with antique mirror and inset bronze trim, reflecting the room as you enter.
Double sliding doors between the sitting room and the study enable you to have privacy when working from home. The room also doubles as a TV snug and a library with built in bookcases one of which incorporates the TV, the others flanking the sofa. A huge sash window floods the room with natural
light and overlooks the beautiful garden. designed by Acres Wild, and the greenery of the private park beyond.
In the study, which overlooks the garden, Nicky used a De le Cuona linen on a bronze corded pole. The curtains add softness at the end of the room and frame the desk area and the garden beyond. The plain natural linen keeps the room feeling light and airy. The curtains have been taken to the underside of the cornice, enhancing the length and drawing the eye up.
The kitchen is at the heart of the home, and we wanted something that would sit timelessly within the space and function well for the client’s needs. Humphrey Munson were the ideal partner for this offering a totally bespoke service and a timeless design. The kitchen is a very convivial space to be in, both practical and functional with each of the clients’ wishes having been carefully considered. Floor-to-ceiling cabinetry envelops the island giving elegance and grandeur to the room. The colour palette is soft, creating a calming space to be in. Behind each cupboard door is a welldesigned interior be it a larder, an office space, or a breakfast area, all out of sight yet easily accessible and practical. A pop of green on the island, picked out in the blinds and the unit in the conservatory, link to the garden subtly bringing the outside in.
The team worked with Vale Garden Houses to design the conservatory. Great attentions to detail, symmetry, scale, and proportion were considered so that it sits comfortably with the interior and the exterior of the building. It is where the family gather for mealtimes and chat around the dining table. Double doors open out onto the terrace, a perfect spot for a morning coffee or tea.
The addition of a bespoke conservatory is a wonderful way of being creative with design and breaking the tradition of other conventional rooms in the house, offering a totally unique atmosphere with unlimited use. Extending the kitchen created a dining space that opens up onto the garden. A conservatory does need to be thought of as just another sitting room. Here an oak dining table with Hans Wegner wishbone chairs takes centre stage. The circular steel chandelier designed by Howe and inspired by Royere draws your eye up. The bespoke cabinet by Humphrey Munson is used for storing china and glass and creates a link to the design of the kitchen in the adjoining room. The sisal rug grounds the space, offering warmth and texture without overpowering the space.
“The brief was to design a family home that was elegant and timeless, tailored to the individual needs of each member”
Upstairs the master bedroom suite is in calming blues with a walk-in dressing and en suite bathroom. The bedroom comprises bay window chairs by Rose Uniake and accessories from Society Limota and bedside lamp bases from Studio Ham with bespoke shades in a Bennison fabric.
There are five further bedrooms, one for each of the children tailored to their individual style and stage of life. In the guest bedroom, the central pendant sculpted from layers of fibre draped and stitched around a bronze fitting is a handmade piece by Pinch, bringing elegance and character to the room. On the top floor there is also a children’s room which doubles as a TV snug, study or sleepover space. Wrapped in
wallpaper with painted beams, it is a fun space to be in. In the guest bathroom Nicky used a Mimi Pickard wallpaper with matching fabric for the pelmet and roman blind. A voile blind is discretely hidden behind the pelmet to provide privacy without obscuring the light. The stone surround on the bath adds elegance to the room
Down in the newly dug basement there is a generous sized boot room, Laundry, Gym, TV games room with pool table and bar and a separate apartment accessed via a hidden door in the panelling. The clients are so delighted with their new London home that they have asked Nicky to design their Hamptons-style beach house on the south coast too.
Cupboard LOVE
Espresso Design: the wardrobe reimagined
The wardrobe has come a long way. No longer just a practical storage solution tucked against a wall, it has become an essential part of how a bedroom works and feels. Today’s homes demand both comfort and efficiency, and wardrobes are being designed with the same care and attention once reserved for kitchens or living spaces.
“A well-planned wardrobe makes daily life easier”
A well-planned wardrobe makes daily life easier. Thoughtful interiors reduce clutter, streamline routines and ensure everything has its place. At Espresso Design, this approach is at the heart of every project: precision matters, but so does style. Each wardrobe is bespoke, designed to suit the way you live. Configurable interiors keep tailored suits, occasion wear, accessories, and shoes organised and easily accessible, making mornings and evenings feel smoother.
Details make all the difference. Soft-close doors offer a quiet, effortless experience, while integrated lighting illuminates each compartment just right. Smart layouts maximise storage without crowding the space, and finishes are chosen to complement the room — whether sleek, handleless fronts for a modern look or textured materials to add warmth and personality.
Espresso wardrobes are built as part of the architecture of the room, not as standalone furniture. Proportions are carefully considered, ceiling heights fully used, and internal layouts tailored to real-life routines. The focus is on order and balance — storage that works hard, quietly, behind the scenes while keeping the room feeling calm and uncluttered.
This philosophy is beautifully demonstrated in the new wardrobe display at the showroom on St John’s Hill. Clients can explore a variety of layouts, materials, and drawer systems, getting a real sense of how each wardrobe can be personalised to fit a home perfectly.
Durability is just as important as design. These wardrobes are built to last, with premium materials, expert joinery, and carefully engineered components. They’re investments in everyday living — practical, reliable, and beautifully designed.
. Come and see the new displays, open the doors, explore the interiors, and discover how thoughtful design can transform your bedroom into a space that’s organised, welcoming, and designed to last. espressodesign.co.uk
WORKS WOOD
A creative modern extension to a Victorian Terrace in Teddington
AHouse of Birch is a full refurbishment and asymmetric cedar-clad extension to a three-bed Victorian terrace in Teddington. Designed for a young couple, the project opens up a north-facing ground floor to create a light-filled kitchen, dining and living space, united by warm birch joinery and a palette inspired by Scandinavian design.
Forgeworks specialises in modern renovations of period homes, projects where the bones of a house hold potential but the lived experience needs rethinking. The practice is guided by a belief in timeless design, honest materials and homes that feel as good to live in as they look on paper. In this case, the brief went beyond adding space. The couple wanted their home to evolve with them, introducing daylight, simplifying the plan, and accommodating both work and family life.
As with many London mid-size terraces, the original layout suffered from common issues: a narrow galley kitchen, an underused hallway and a series of disconnected rooms. Forgeworks approached these constraints as opportunities, opening up the rear of the house into one generous space and making small, strategic moves elsewhere to unlock its full potential.
At the heart of the new extension is a 6m-long bespoke cast-concrete island and
dining table, designed as a centrepiece for a client passionate about cooking and entertaining. Around this, Forgeworks crafted a fully custom kitchen, meticulously planned, detailed and fabricated in birch plywood. Five roof lights and a large pivot glass door bring natural light deep into the plan, while subtle architectural detailing, such as the floating corner over the island and concealed structural steel create a sense of calm and clarity. The pivot door itself reads almost as a picture window when closed, and when open, connects seamlessly with the garden terrace. Its minimal appearance belies a complex bit of engineering: the offset hinge is placed unusually tight to the wall, with the outer
frame tucked away behind flush thresholds, brick reveals and black cedar soffits.
Throughout, the design balances tactile materials with simple lines; white-painted brick, stainless steel, pale grey concrete creates a quietly confident aesthetic that reflects the clients’ taste for contemporary Scandinavian interiors. While the extension leans into this modest Scandi restraint, the original parts of the house are full of personality, shaped by Forgeworks’ exploration of the client’s interest in colour, texture and material tone.
A philosophy of precision and personality
Forgeworks’ design process is rooted in conversation, craft and contextual thinking. Every decision in the House of Birch reflects this philosophy: from the handrouted door panels referencing Victorian joinery to the hidden back-of-house utility tucked behind flush doors.
Warm birch joinery and a palette inspired by Scandinavian design
This sensitive approach extends upstairs, where a cold, previously uninsulated bedroom has been transformed into a comfortable home office. A new family bathroom replaces a disjointed WC and bath, finished in terrazzo resin for a clean, monolithic look. The entire ground floor is now highly insulated for improved energy efficiency, an upgrade carried through into the retrofit strategy more broadly.
Tailored for life now… and in the future
Forgeworks believes that a well-designed home should reflect your life today and anticipate the life you’re building. For this young couple, that meant creating a space
A careful balance of design ambition and financial clarity
that supports entertaining, new routines, and growing a family without outgrowing the street, neighbours or sense of place.
A House of Birch represents a careful balance of design ambition and financial clarity. The result is a refined, hard-working family home that feels both rooted and renewed.
Forgeworks is an award-winning, RIBA Chartered architecture studio specialising in residential design. Based in London and the South West, the practice was founded in 2021 by Chris Hawkins, who brings over 20 years’ of experience across residential, cultural, workplace and community projects, including the Stirling Prize-nominated Olympic Velodrome. Forgeworks is committed to designing energy-efficient, healthy, and long-lasting buildings. Their approach to sustainability is guided by the RIBA 2030 Climate Challenge and a deep understanding of vernacular and contemporary construction techniques. Whether working with homeowners or developers, Forgeworks offers a collaborative and thoughtful design process rooted in trust, curiosity and craft.
forgeworks.co.uk
THE ART OF LIVING
Danishly
BoConcept celebrates light, longevity and the quiet confidence of considered design – expressed through the art of living Danishly
Since 1952, BoConcept has honoured the principles that made Danish design globally admired –simplicity, craftsmanship, elegant functionality and quality materials.
From a small workshop founded by Jens Ærthøj and Tage Mølholm to a global presence in more than 65 countries, the brand has evolved without abandoning its core belief that good design should stand the test of time.
Materials are chosen with uncompromising attention to quality: oak veneers reveal natural depth, ceramics are selected for durability, and fabrics are crafted for tactile pleasure as well as longevity. Traditional techniques meet modern precision in the hands of skilled craftsmen, ensuring that every piece is as enduring as it is beautiful.
At the heart of this philosophy lies balance –between minimalism and warmth, structure and softness, individuality and cohesion. It is this equilibrium that defines the art of living Danishly: interiors shaped not by excess, but by intention.
BoConcept’s new collection continues this legacy for Spring/Summer, exploring pale woods, sculptural silhouettes and tactile materials that soften contemporary spaces while preserving architectural clarity. This season feels lighter. Warmer. More open. An invitation to curate rather than accumulate –and to design rooms that feel considered, calm and quietly confident.
LIGHT AS LUXURY
In Scandinavian interiors, light is the ultimate material. It shapes mood, enhances proportion and reveals texture – particularly in natural oak.
At the centre of this expression sits the Axo dining collection, created in collaboration with Copenhagen-based atelier axo. Architectural in proportion yet human in presence, Axo is a study in balance. The table’s tapered legs and expansive veneer surface celebrate oak as a living material –textured, tactile and quietly expressive.
In Natural Oak, the defining tone of Spring/Summer, Axo feels almost illuminated from within. The grain catches daylight softly, lending warmth without heaviness. It is a finish that speaks to optimism – to homes that feel open, airy and intentional. For evening moods or more dramatic interiors, the Dark Oak variation introduces depth and contrast, grounding a space with understated authority.
Surrounding Axo, seating becomes an extension of the architectural narrative. The Hamilton dining chair, with its organic curves and refined waist, offers cocooning comfort in either minimalist plastic or fully upholstered finishes. Princeton dining chairs soften the silhouette further – a gentle, feminine embrace shaped to follow the body’s contours. Together, they demonstrate how Danish design approaches comfort: sculptural, supportive, effortless.
Elsewhere, lightness takes on a different rhythm in the bestselling Santiago dining table. Designed by Morten Georgsen, its pillar-shaped legs and curved edges bring visual softness to contemporary interiors. In lighter finishes, it echoes the season’s tonal direction, while its ceramic surface introduces durability suited to everyday life – proof that beauty and resilience need not compete.
More compact expressions, such as the Kingston dining table with its discreet extension leaf, honour the same principle of invisible adaptability. Scandinavian design has always valued adaptability; here, flexibility is integrated so seamlessly it feels almost invisible.
Light, in Danish interiors, is never accidental. It is curated – through proportion, material and space.
KINGSTON EXTENDABLE DINING TABLE
HELENA CHRISTENSEN ON THE BERGAMO ARMCHAIR
Discover the Axo collection
Danish design has long blurred the line between art and function
For those drawn to quieter statements, the Bolzano armchair offers rounded simplicity with architectural clarity. Designed to stand alone or alongside its matching sofa, its cocooning silhouette is timeless – contemporary yet never trend-led.
And then there is Salamanca – perhaps the most relaxed expression of the season’s mood. Low, generous and subtly bohemian in spirit, the Salamanca sofa introduces a relaxed counterpoint to the season’s architectural precision. With oversized proportions and moveable back cushions, it embraces a slower rhythm of living – one that values lounging as much as hosting. Its modularity allows it to expand or contract according to space, while its ‘floating’ base maintains visual lightness.
Bergamo, by contrast, refines organic luxury through restraint. Adjustable seating depth and discreet legs create a sofa that appears to hover gently above the floor – elegant, composed, endlessly comfortable.
Across these pieces, form is never decorative for its own sake. It is shaped by use, by comfort, by the desire to create rooms that feel balanced and alive.
SCULPTURAL LIVING
If light defines the mood, form defines the emotion. Danish design has long blurred the line between art and function – furniture conceived not merely as utility, but as presence.
The Sweet Art armchair, designed by Charlotte Høncke and introduced through Helena Christensen’s curated collaborations, channels playful sensuality. Its scalloped detailing and pastry-inspired curves reference Danish heritage in a way that feels light-hearted rather than literal. Set against neutral surroundings, it becomes a moment of character – an object that invites both conversation and touch.
COMPACT LIVING, CLEVER DESIGN
The art of living Danishly is not an aesthetic performance – it is practical, particularly in smaller or multifunctional homes. The Modena sofa carries this sculptural language in softened form. Rounded edges and precise stitching deliver timeless Danish design within a smaller footprint – a reminder that proportion, not scale, defines presence.
The Lucerne sleeper sofa exemplifies this philosophy. By day, it offers clean-lined elegance; by night, it transforms seamlessly into a restful bed. Its mechanism is integrated so discreetly that the transition feels natural rather than mechanical – a continuation of design rather than an interruption.
SALAMANCA SOFA
SWEET ART ARMCHAIR
Explore the story behind the Sweet Art collection
Discover how this sofa transforms into a bed
The Southampton sofa bed balances quilted softness with concealed storage, ensuring duvets and pillows remain hidden yet accessible – an ideal solution for guest rooms that double as everyday living spaces.
Even smaller gestures can make a significant impact. The Xtra footstool appears as a minimalist accent piece, yet unfolds effortlessly into an additional single bed –Danish ingenuity distilled into compact form.
Dining, too, adapts intelligently. The Billund dining table embodies Scandinavian efficiency: its adaptable tabletop folds down for an intimate meal for two or flips up to seat four or five comfortably. Its modest footprint makes it a refined solution for even the smallest dining areas – design and function working in quiet harmony.
Storage pieces follow the same philosophy. The Santiago sideboard transforms practicality into theatre with its curved form and optional illuminated bar section, while Calgary shelving offers modular flexibility – serving as display, workspace or even a desk configuration depending on need.
Compact living, here, is not a compromise. It is an opportunity for thoughtful design.
The art of living Danishly is not an aesthetic performance. It is practical.
DESIGNING WITH INTENTION
Living Danishly is ultimately about cohesion – and this is where BoConcept’s complimentary Interior Design Service becomes essential.
Rather than selecting individual pieces in isolation, clients are guided through a complete spatial journey. From initial consultation to installation, in-store designers assist with layout planning, material selection and 3D visualisation. Entire rooms can be recreated digitally, allowing proportions, finishes and configurations to be explored before decisions are finalised.
Mood boards and physical material samples translate ideas into tangible direction, ensuring that oak tones, upholstery textures and ceramic surfaces sit in harmony.
Almost every design can be tailored – from dimensions and modular combinations to finishes and fabrics – with more than 120 materials available, including Helena Christensen’s new Bologna Velvet in tones such as Sky Blue and Mouse Belly.
The result is not simply a furnished room, but a considered interior – one that balances architecture and atmosphere, practicality and personality.
Explore more about BoConcept’s comprehensive design service
To live Danishly is not to follow a formula, but to design with intention: to value materials that age gracefully, to create rooms that feel calm yet expressive, and to recognise that beauty and function are not opposing forces, but partners in shaping a life well lived. In that quiet partnership between purpose and poetry lies the true art of living Danishly.
Discover more at boconcept.com
CALGARY SHELVING
LUCERNE SLEEPER SOFA
BOCONCEPT’S INTERIOR DESIGN SERVICE
PALE AND
interesting
A Hampstead town house brought back to life by Callender Howarth
“Classic contemporary with a twist of funkiness”
Tucked away on one of Hampstead’s most prestigious tree-lined streets, just moments from the high street, this detached Victorian townhouse has been completely transformed by interior architecture and design studio Callender Howorth. The 5,000 sq ft home — now a striking blendof classic architecture and contemporary creativity — has been reimagined as a warm,characterful “forever home” for a creative family.
Left tired and untouched for over three decades, the property underwent a complete redesign,including the addition of a newly built basement that now houses a guest suite, wine cellar, cinema room and an art gallery space — designed specifically for the client’s art business and events. This level establishes the home’s unique personality: functional, elegant and layered with artistic energy.
Kasia Fiszer
Marco Joe Fazio Creatives
Onice Rigato
Across four floors, every space was spatially reworked to suit modern family life. The first floor opens into a generous, light-filled kitchen, dining, and drawing room, designed for entertaining and everyday living. The second floor hosts a luxurious master suite, while the third floor features two further bedrooms. An attic guest room offers additional accommodation with charm and privacy. The design brief called for a house that felt both modern and lived-in, refined yet soulful. To achieve this, Callender Howorth curated an eclectic mix of new and vintage pieces, combining quality materials with textured surfaces, patterned fabrics and handcrafted details. The resulting aesthetic — “classic contemporary with a twist of funkiness” — strikes a balance between sophistication and comfort, creating a home that feels deeply personal and effortlessly stylish. A soft palette of organic, chalky tones runs throughout, layered with textured wallpapers and fabrics for depth and warmth. This tactile approach enhances the home’s sense of longevity and calm, ensuring a timeless yet contemporary feel.
For Mark Howorth, founder and creative director of Callender Howorth, the project’s greatest success lies in its emotional resonance. “I love how the art and textures make this house a real Aladdin’s cave of discovery. Every room reveals something unexpected. It truly reflects the family who live here — it’s cosy, balanced and full of character.” The Hampstead town house stands as a celebration of design storytelling — a testament to how thoughtful spatial planning, material richness and playful individuality can breathe new life into a historic London home.
ART AS A
Way to Be
“I am not here to tell you what you are supposed to see, I am solely offering you an expression, a platform, an utterance of my soul, to see and to feel what you want to”
Imyself discover meaning in the artwork through the process in its creation, and even after throughout its inception to continued existence in reality of my calling it into being, the entities invoke a conversation within me. It can be a dialogue based on the senses, solely on a triggering of sentiments through my eye resting on an artwork or observing its own presence, or it can
of gathered, gathering, digesting, learning and processing information. Through the making of art I continuously arrive in the present moment.”
It can transfer to points of attention, ronment and equally the way that I move through the world, observe nature, the ture and visa vie it can transfer and feed into the work. It is a continuous exchange
Carolin Rechberg, born in Starnberg, Germany, is a female artist interested in the importance of cognitive and sensory learning, initiated through the encounter of the artistic process. She places most value in the multi-sensory experience involved in creating, the embodied insights which are generated and how these transfer to a way of life.
Rechberg attained an Interdisciplinary Bachelor of Fine Art from the California College of the Arts, a Master of Art in Drawing and Painting from the San Francisco Art Institute, and a Master in Art and Art Education from Teachers College, Columbia University.
She also taught Drawing and Painting as a Teaching Assistant in her 1st Master at the San Francisco Art Institute, and Etching, Lithography, Silkscreen and Woodcut during her 2nd Master at Teachers College. Simultaneously to completing her education, she managed the Printmaking Studios at Teachers College and, facilitated individual instruction of adult students and, assisted in workshops such as the ‘Making and Knowing Project’, an initiative from the Center for Science and Society at Columbia University, that explores the intersections between artistic making and scientific knowing.
Carolin Rechberg’s interdisciplinary body of work comprises drawing, installation, painting, performance, poetry, photography, printmaking, sculpture, and sonic voicework. Her artwork has been exhibited in Solo and Group Exhibitions, in America, Asia and Europe. It has been published internationally, received awards and residencies. Currently she is working from her ‘studio C’ close to Murnau am Staffelsee in Germany.
FACING PAGE Carolin Rechberg in her studio
FROM LEFT Karuna Painting, canvas, acrylic, house- and oilpaint, cord, burlap, birch trees, pinewood, tracing paper, text, 400 cm x 300 cm x 300 cm, 2011; Marginal Man, Illustration, Aquarelle and Ink on Translucent Paper, 30 cm x 42 cm, 2014 BELOW FROM LEFT Singing Bowls, The Language of Paint, Ceramics, 22.5 cm x 16 cm, 2025; New Birth Painting, Mixed Media on Raw Canvas, 238 cm x 210 cm, 2024
There are many reasons you might want to replace windows and doors in your home from reducing drafts, improving heat insulation to home improvement and renovations. With thoughtful consideration and the help of an expert, such enhancements can increase the value of your property and ensure a long-lasting investment. For this reason, we introduce you to Ayrton Bespoke, experts in period replacement timber doors and windows. Ayrton specialise in accurately replicated sash or casement windows and individually made front and back doors that will enhance
DOOR
POLICY
Ten things to consider when replacing windows and doors
the character of your period home. They have an impressive reputation with more 5* Google Reviews than any other timber window and door company in London.
Before you invest in new window or door replacements, have a look at Ayrton’s 10 important decisions for window and door replacements:
• Buy from a local window specialist (not a builder – they don’t make windows and doors)
• See the products up close before you buy
• Property is valuable – use timber – and accurately replicate the original features
• Don’t buy on price – buy cheaply and you will pay twice
• Look for comprehensive guarantees
• See examples of local work – even talk to an existing customer
• Good windows and doors take time to make – allow 12-14 weeks
• Expect answers on the detail – what is the design process, do you have a showroom, are your fitters employees? What aftercare can we expect from you?
• Make sure the company also fits the windows and doors and does NOT subcontract
• Check out their Google reviews Ayrton Bespoke is London’s leading period timber window and door replacement company. Visit their showrooms in Wandsworth, Notting Hill, Dulwich and Crouch End. ayrtonbespoke.com
ENDURING QUALITY
Inside the craftsmanship of Crown Pavilions garden rooms
Agarden room should be more than additional space, it should feel like a seamless extension of your home. At Crown Pavilions, true luxury lies not only in appearance, but in craftsmanship, thoughtful design and enduring quality.
As garden rooms continue to grow in popularity across the UK, so too does the variation in finish and construction. While many may look appealing in photographs, the real difference lies in the details – in the materials selected, the care taken during construction and the overall standard of the build.
Comfort throughout the seasons is key. Crown Pavilions garden rooms are constructed with insulated walls, roof and flooring to support year-round use, creating a space that feels inviting whether used as a home office, gym or private retreat.
Equally important is the structure itself. Strong timber frameworks and high-quality roofing systems are chosen to provide durability and resilience in the British climate. Every stage of the build reflects a commitment to precision and longevity.
Glazing and door systems play a defining role in both performance and aesthetics. Contemporary aluminium doors and quality glazing maximise natural light while enhancing the connection between home and garden.
Visit a Crown Pavilions Show Site
Experience the cra smanship firsthand and explore luxury garden buildings, gazebos, summerhouses and garden rooms with expert guidance throughout at these show sites:
• Chessington Garden Centre, London
• Longacres Garden Centre, Bagshot, Surrey
• Van Hage Garden Centre, Ware, Hertfordshire
• Alton Garden Centre, Essex
• Frosts Garden Centre, Woburn Sands, Milton Keynes
• Bridgemere Garden Centre, Cheshire
Exclusive Reader Offer
For a limited time, Absolutely readers will receive an exclusive 10% OFF, applicable to all installations completed before March 2026.
To invest in Crown Pavilions is to invest in a lifestyle, one defined by elegance, excellence and enduring luxury.
DISCOVER MORE crownpavilions.com crown-equestrian.com Call: 01491 612 820
Inside, attention to detail is evident in the finishes and fittings. Clean internal lines, carefully considered lighting and refined design touches create a cohesive space that complements the main residence. With bespoke sizing and layout options available, each garden room is tailored to suit individual properties and lifestyles. When designed and built with care, a garden room becomes more than an addition – it becomes a considered investment in your home and the way you live
kitchen A MEDITERRANEAN
How Poggenpohl and Hill House Interiors in London collaborated on this fabulous Spanish kitchen project
Set within the sun-drenched landscape of Southern Spain, this exceptional private residence near Málaga is a refined expression of contemporary luxury and effortless living. At its heart sits a beautifully considered Poggenpohl kitchen, specified by Hill House Interiors and supplied by the expert team at Poggenpohl Wigmore, London. The result
is a space that balances architectural clarity, tactile elegance, and a deep connection to its natural surroundings. From the outset, the homeowner requested that the kitchen be designed in two designated areas to include a social space with a drinks area or bar for entertaining, and a cooking space. The two zones needed to be delineated and so Richard designed a wooden partition wall that allowed for visual connection between
(but clearly demarcated) the two areas. An additional requirement was to bring the outside in, most notably the ‘living wall’ which was the be created alongside the kitchen behind the sink run. This wall needed to be incorporated into the kitchen design so the team at Wigmore specified wall cladding in the same furniture as the kitchen cabinets, tying it all together and creating a unifying space for the living wall to be made part of the kitchen.
The kitchen is finished in Poggenpohl’s Pebble Grey and Bronze Anthracite cabinetry, a subtle and timeless palette that enhances the calm, understated atmosphere of the interior. The soft, neutral tones provide a sophisticated backdrop for daily life while allowing light to move freely through the space. Furniture wall cladding in matching Pebble Grey is complemented with Bronze Anthracite fitted into the inlay of the window space, matching the door fronts on the island and sink run.
Floor-to-ceiling glazing frames uninterrupted views of the lush gardens beyond, reinforcing a strong sense of interior/exterior flow and echoing
the relaxed yet refined lifestyle of the Mediterranean setting. A large patio area and swimming pool is directly accessed from the large kitchen doors, truly creating a perfect blend of indoor outdoor living.
Functionality and performance are delivered at the highest level with the integration of Gaggenau appliances, chosen with precision engineering and minimalist aesthetic in mind. A Quooker tap adds modern convenience, seamlessly supporting both everyday use and entertaining. The kitchen is grounded by striking 12mm Dekton worktops in Taga. The refined surface and slim profile bring a sense of contemporary sharpness while offering exceptional durability suited to modern living.
+STAGE, Poggenpohl’s ingenious pocket door cabinet, conceals a drinks station. Perfect for entertaining guests, but hidden
A London-specified, German-engineered kitchen, perfectly at home in Spain
away when not in use, it offers a seamless and clean aesthetic. A Gaggenau wine storage unit is also incorporated, while the fridge, freezer, hob and sinks all feature in the cooking side of the otherwise open space. Bespoke glass splashback and brushed bronze handle rails complete the look.
This project is a testament to the successful collaboration between Hill House Interiors and Poggenpohl Wigmore. Together, the team has created a space that transcends geography; a London-specified, German-engineered kitchen perfectly at home in Southern Spain, offering a timeless example of how thoughtful design and strong professional relationships can deliver truly exceptional results.
Poggenpohl Senior Designer & Wigmore Studio Manager, Richard Anderson said: “The inspiration for this kitchen came from its setting. We wanted to create a space that felt calm, architectural and effortlessly connected to the gardens beyond. The Pebble Grey cabinetry offers a soft, timeless backdrop, allowing the landscape and natural light to take centre stage, while the precision of the Gaggenau appliances and the slim worktops bring a quiet confidence to the design. The kitchen feels highly considered and completely at ease within the flow of the home.”
Poggenpohl 01727 738 100 poggenpohl.com
HEART OF THE HOME
THREE COMPANIES WHO WILL REVITALISE YOUR KITCHEN
EXTREME DESIGN
extreme-design.co.uk
Conceived in collaboration with interior designer Aimée-Shirin Daruwala for her own home, this brief was unapologetically bold. Every element of the kitchen was conceived as part of a singular composition. Each material, finish and fixture was individually chosen and sourced to align with the client’s vision and the architecture of the home. From cabinetry handcrafted in England and expressive stone to artisan detailing and seamlessly integrated technology, the scheme reflects a layered, maximalist sensibility executed with discipline and precision.
ELYSEE KITCHENS
elyseekitchens.co.uk
This kitchen perfectly captures one of today’s strongest design movements: the fusion of rustic heritage with contemporary function. Exposed timber beams, natural stone walls and vaulted ceilings create architectural drama while
grounding the space in authenticity. The generous island reflects another key trend: kitchens as social hubs. Seating, expansive countertops,and integrated cooking zones turn prep space into a place for gathering, working, and entertaining. Stone, wood, brushed metals, and matte paint finishes combine to create visual interest without clutter.
JAM DESIGN WORKS jamdesignworks.com; @jam_design_works
At JAM, we believe no room reveals more about a home than the kitchen. It is the one space used by every member of the household and their guests, at all hours of the day and night. Morning rituals unfold alongside late-night conversations; quiet family moments sit comfort-
ably beside lively gatherings. As such, the kitchen sets the standard for the entire home, offering visitors an intimate, behind-the-scenes glimpse into the lives of those who live there. For this reason, we see the kitchen as the perfect canvas for truly considered design. Our approach is rooted in functionality, but elevated through distinctive, often unexpected details that make each space feel deeply personal. In a recently completed home in Hadley Wood, this philosophy came to life through a bespoke backsplash installation (pictured), a subtle yet striking feature that anchors the room and transforms a practical surface into a moment of design expression. It is in these details that a kitchen becomes unforgettable.
ELYSEE KITCHENS
JAM DESIGN WORKS
Garden inspiration
Even the smallest of gardens can be a wellbeing sanctuary
As we emerge from winter and yearn for spring sunshine, our thoughts turn to our gardens and how we can make better use of them. Landscape and garden designer
Melissa Morton is creating a feature garden for the Association of Professional Landscapers at the Harrogate Spring Show in April, featuring a small sauna from luxury sauna company Wildhut.
“I’m increasingly asked about garden saunas,” she says. “It’s a fabulous way to add value to gardens particularly in the colder, darker months, when gardens are underused. People are wanting to create places to nurture wellbeing and connect with nature, year-round. This small show garden at just 4m x 5m is centred around a small, beautifully crafted garden sauna for two – a place of warmth, ritual and quiet restoration.”
The sauna on show is Wildhut’s two-person OHK. Melissa was drawn to Wildhut for its timeless design and high-quality finish, with an outdoor shower that she felt added another dimension to the garden. It’s based on the traditional Nordic sauna, but designed and built to the highest standards using cutting-edge construction techniques.
PLANNING YOUR OWN SAUNA HAVEN AT HOME
There’s a plethora of saunas available, ranging from £4,000 for a DIY kit to over £100,000 for a premium sauna. So how do you decide what’s right for you? Founder and co-director of Wildhut, Lisa Deller, sets out the key considerations:
SET YOUR BUDGET ALONGSIDE YOUR LONG-TERM GOALS
“A sauna is an investment that can add value to your property and, in all honesty, you get what you pay for. Cheap saunas use low-cost materials that just won’t stand the test of time in our climate. We set out to create premium saunas that meet the highest standards in every aspect, from slow-grown thermotreated timber, using cross-laminated timber construction, to marine-grade fittings. We also created specialist supports for perfect installation and excellent stability, meaning you can relocate your sauna if you move.”
WILDHUT’S SAUNAS ARE ARCHITECT AND STRUCTURAL ENGINEER APPROVED
“But it’s not just about the build quality. It’s about how you feel in your sauna, so the ambience is really important. I’d recommend aromatic cedar for the best sauna experience and specialist sauna lighting to set the right mood.”
“Another aspect of our saunas that our clients love is the optional shower porch, where you can hang robes and shower in private, but if space is tight, the integrated external shower on the OHK (used in Melissa’s show garden) is perfect.”
TRADITIONAL OR INFRARED?
Infrared saunas offer a cost-effective route to the home sauna, but the heat method and experience is very different to the traditional Nordic sauna, as Lisa explains:
“Infrared saunas heat the body directly through infrared rays, resulting in a more targeted heat exposure, regardless of how close you sit to the heat lamps. This leads to a less intense sweat and a different sensation on the skin.”
“A traditional Nordic sauna uses an electric or wood-fired heater with sauna stones to heat the room. Traditional saunas are known for their high temperatures and humidity, created by steam when water is poured over the stones. This steam helps bathers sweat profusely, which cleanses, comforts and releases a range of health benefits, like boosting your cardiovascular health, lowering your blood pressure and improving your blood circulation.”
“At Wildhut we only build authentic outdoor saunas in the traditional Nordic style, because the experience is incomparable and the health benefits long-established.”
PLANNING PRACTICALITIES
A large, purpose-built garden sauna may need planning permission, but most saunas fall within an ‘outbuilding’ category and are generally considered to be ‘permitted development’ subject to certain height restrictions.
“Groundworks for a Wildhut include a level and pre-prepared concrete surface alongside a power source, if you want an electric heater. For off grid locations, a wood-fired heater is ideal. Pipework for water too if you want a shower,” Lisa explains.
“Ventilation is vital: you need a flow of fresh air in and exhaust air out to ensure a relaxing, healthy sauna experience. Installation depends on the location. Vehicle access close to the sauna location is ideal, as our saunas are usually delivered fully assembled and lifted into position. Where access is an issue, we can deliver the sauna in modular form and assemble on site.”
“In terms of timing, that very much depends on whether or not you are designing a new garden, redesigning an existing one, or simply slotting your sauna into an existing space. We work closely with garden designers and homeowners to plan the sauna installation alongside other works. I’d recommend a four-to-sixmonth lead time for planning a high-end sauna in your garden.”
SLOW DOWN, TUNE IN AND RELAX
In a fast-moving world, time in a garden sauna is hugely beneficial. Just being situated in nature will lower stress and hormone levels, reduce blood pressure and calm our nervous systems. Add a traditional outdoor sauna and the outcomes can be even more powerful: enhanced stress reduction, relaxed muscles, improved skin health and sleep, reduced risk of cardiovascular disease, depression and dementia… the scientific evidence is building.
But above all, it offers quality downtime. A place to relax, recover and connect with friends and family.
LISA DELLER
MELISSA MORTON
SURFACE AREA
IN 2026, BATHROOMS ARE ALL ABOUT COMFORT AND GLAMOUR. STEVE VANHINSBERGH OF STONECIRCLE OUTLINES CURRENT TRENDS
COLOUR
Plain white and grey have gone from being contemporary to looking boring and passé. People are getting bored with playing safe and are looking for ways to add excitement to their homes and to express their personality.
Warm colours and natural materials are coming to the fore, with stone the obvious choice as a durable, practical material that will stand the test of time, while offering a huge choice and variety of colours. Patterns are preferred to plain colour, and once again stone is perfect for this, with marble veining creating visual interest.
DIFFERENT USE OF SPACE
One of the things that is changing is that wet rooms are no longer in fashion, and showers are separated from the rest of the room. The freestanding bath is also on its way out. Baths are being recessed
into nooks that are tiled or clad in stone with generous ledges allowing items to be placed around the bath in easy reach while bathing.
Double vanity tops have dominated for a long time, but two single vanity units are becoming more common, allowing the space to be used more efficiently, and broken up in a different way.
Niches are also less popular. Increasingly a false wall is used to create a ledge instead of a small niche in the shower. This allows the veining in the stone to flow down the wall and looks less fiddly and cramped than a niche.
TALK TO THE EXPERTS
stoneCIRCLE has been fabricating stone for interiors since 1968, and works with top architects and interior designers on some of the most desirable residences. They have their own teams of installers working across the south of England fitting the stone they fabricate. Please contact them to discuss how you could use stone to transform your home.
For more information on stoneCIRCLE’S range of stone and services, visit stone-circle.com or call 0125 685 0380.
WELLNESS BATHROOM THE RISE OF
With bathroom design specialists Ripples
Wellness is no longer viewed as an occasional indulgence reserved for spas or retreats. In 2026, it has become something people actively seek and genuinely need in their daily lives, and nowhere is this more apparent than in the bathroom. Once considered purely functional, this space is now being reimagined as a restorative sanctuary that supports balance, wellbeing and everyday self-care. At Ripples, this shift shapes every project, with carefully considered layouts, tactile materials and calming aesthetics working together to elevate daily routines into moments of quiet luxury and essential pause. This evolution has been driven by how we live today. Busy schedules, constant connectivity and a growing awareness of mental and physical wellbeing have changed what we expect from our homes.
We’re no longer just asking our interiors to look good; we want them to actively support how we feel. The bathroom, with
its natural connection to water, warmth and routine, has become the heart of this movement. So, what does bathroom wellness look like in 2026? It’s not about gimmicks or indulgence for indulgence’s sake. Instead, it’s a careful layering of atmosphere, comfort, and intelligent design choices that turn everyday rituals into moments of restoration.
Light is one of the most powerful tools in a wellness-led bathroom. Natural daylight remains highly desirable, but where that isn’t possible, carefully planned artificial lighting can have a profound effect.
Layered lighting, combining ambient glow, soft task lighting and subtle accent lighting creates a soothing environment and avoids the harsh, clinical feel traditionally associated with bathrooms. Warm, adjustable lighting allows the space to respond to different times of day and different moods. Warmth and comfort are equally important. Features such as underfloor heating, warm surfaces and
gentle ambient heat help the body relax, particularly in the colder months. These elements encourage you to linger rather than rush, shifting the bathroom from a purely functional space into one that feels nurturing and restorative.
Material choice also plays a key role in today's wellness-focused bathrooms. Tactile, natural finishes are favoured over high-gloss surfaces, creating spaces that feel grounded and calm. Stone, softly textured tiles, wood-effect finishes and muted colour palettes all contribute to an atmosphere that feels reassuring rather than overstimulating.
Technology, when used thoughtfully, enhances the wellness experience without dominating it. Integrated features such as steam, infrared warmth and lightbased innovations are becoming more discreet, allowing homeowners to benefit from them without compromising on design. The emphasis is on wellness that fits effortlessly into daily life - no extra steps, no added complexity.
Finally, wellness-led bathrooms prioritise clarity and calm. Considered layouts, well-proportioned fittings and concealed storage help keep surfaces clear and the space visually restful. A bathroom that feels organised and intentional has a direct impact on how relaxing it feels to use.
True bathroom wellness in 2026 isn’t about following trends – it’s about creating a space that genuinely supports how you live. With thoughtful design, the bathroom becomes more than just a room; it becomes a daily opportunity to pause, reset and restore.
ripplesbathrooms.com
TRAVEL
BAY AREA
NAPLES
After an immersion into Naples' rich contrasts, we’re drawn to the water. The Bay of Naples stretches wide and luminous, and with views to the isle of Capri and ever-watchful Vesuvius. page 150
Naples – a walking tour of Italy's fascinating and diverse city 150
REAL NAPLES
Naples is a city steeped in history, but out on the streets it's refreshingly real, says Sandy Cadiz-Smith
Naples hums with a restless energy and, given its geology, that’s no surprise. The city sits atop the simmering super volcano of Campi Flegrei, while just across the bay, Mount Vesuvius keeps its silent guard. It feels gloriously chaotic, alive with activity, noise and tempting aromas.
The best way to get Naples' pulse is on foot. We start by wandering down Spaccanapoli, the long, narrow artery that splits Naples in two, threading together more than two thousand years of Neapolitan life. From there, we slip into the tangled maze of the Spanish Quarter (Quartieri Spagnoli), where everyday life spills out into the open. A unique energy fills the air – scooters buzz past, laundry lines flutter
overhead, street shrines mark every corner, and crumbling palazzi jostle for space alongside the city’s hundreds of churches.
As we walk on, the city shifts from intimate alleyways to grander architecture.
The glorious Galleria Umberto, a 19thcentury shopping arcade with sweeping glass dome and intricate mosaic floor, rises like a glittering jewel. And Castel dell’Ovo stands proud above the bay, steeped in centuries of myth and history.
Markets overflow with glossy tomatoes, fresh seafood and peaches so fragrant you can smell them before you see them. Co ee here is super strong and taken standing up, and no visit is complete without a stop at Gran Cafe Gambrinus for your ca eine hit. Established in 1860 it has been a gathering place for artists, writers, intellectuals, and royalty – those Belle-Epoque interiors conjure up a glittering past. Amid this rich
HOTEL ROMEO NAPOLI TERRACE
“Scooters buzz past, laundry lines flutter overhead, street shrines mark every corner, and crumbling palazzi jostle for space”
and layered history there’s pizza. Blistered crusts and oozing mozzarella – simplicity and flavour delivered in every bite.
After an immersion into the city's rich contrasts, we’re drawn to the water. The Bay of Naples stretches wide and luminous, and with views to the isle of Capri and ever-watchful Vesuvius.
From our home-from-home in the dazzling ROMEO Napoli overlooking the harbour, we are perfectly placed to enjoy the whole panorama. We are within easy walking distance of all the city’s treasures but have a calm base to return to. It is a wonderfully quirky and stylish hotel – an eclectic art collection adding another layer of cool to its Neapolitan vibe. Our deluxe front room is modern and inviting, all dark wood tones and clean lines and with floorto-ceiling windows framing the harbour.
Up on the top floor, the superb Alain Ducasse restaurant has stunning views across the bay and has recently been awarded a Michelin star. This is also where you’ll find two pools and a gorgeous terrace – perfect spot for soaking up the Neapolitan light and the views.
Downstairs the spa is nothing short of magnificent. A sprawling sanctuary, it is complete with sauna, steam
bath, frigidarium, cold baths and a blissful wet area lined with chaise longues for rejuvenating. We treat ourselves to a restorative massage at the Sisley Paris spa, which o ers a wide array of beauty treatments – the perfect way to complete our stay.
Naples delights the senses and steals our hearts. With its layers of history, lively street scene and wonderful dining and grazing opportunities, it delivers a city break that feels both energising and refreshingly real.
Naples explorer In detail...
SEE Navigate Naples' maze of streets on a walking tour with Italy Charme’s knowledgeable local guide. italycharme.com
STAY
Base yourself close to Naples' heart at Hotel ROMEO Napoli slh.com/hotels/romeo-napoli
in the Derbyshire Peak District
w Lodges sleep 2 - 8 people
w Perfect for couples, families & celebrations
w Hot tubs available
w Pet friendly
w Health & fitness centre
w Restaurant & bar
w Woodland location
w Visit the Peak District
w Activities for all ages
w Soft play centre
w Mini golf, tennis & games room
w Cycle hire & nature trails
SANDS OF SOPHISTICATION
Iconic architecture, elevated dining and indulgent wellbeing define Jumeirah’s distinctive vision of luxury in Dubai
From tropical islands to chic city centres, Jumeirah hotels are found in some of the world’s most desirable locations. The 31 luxurious properties across Europe, the Middle East, Asia and Africa are famed for their stunning design and personalised service, with topnotch restaurants and guest experiences.
ARCHITECTURAL FLAIR MEETS AQUATIC ADVENTURE
Set on Dubai’s glittering coastline, with uninterrupted views of the iconic Burj Al Arab “sail,” Jumeirah Beach Hotel cuts a striking figure: its sweeping, wave-inspired silhouette a modern landmark in its own right. Beyond its bold design, the hotel is a dream for stylish families. Choose to relax at up to five sparkling pools, a 2km stretch of private beach and a wide selection of watersports. Guests enjoy unlimited access to Wild Wadi Waterpark while the little ones are treated to the newly renovated Kids' Club. Rooms and suites are e ortlessly contemporary, while the dining scene is a culinary tour in itself: from refined Italian to bold Argentinian, elevated British classics and more.
Whether it’s sand art, falconry or mocktail-making for families, or rum tastings and aperitivo classes for adults, the hotel o ers a curated line-up of experiences that ensure every day feels freshly indulgent.
OTTOMAN ELEGANCE
Perched on the serene West Crescent of Palm Jumeirah, Jumeirah Zabeel Saray whisks guests into the opulent world of the Ottoman Empire. Its rooms, suites and villas are lavishly detailed, with rich textures and grand design flourishes; and for those staying in the villas, butler service elevates every moment. The culinary scene is just as impressive. Savour fragrant regional Indian cuisine at Amala, linger over refined Lebanese dishes at Al Nafoorah, or explore global flavours beneath the glittering chandeliers of Imperium. Families are equally well catered for, with engaging children’s and teens’ clubs, plus access to a private beach and an inviting infinity pool that feels worlds away from city life.
COOL SERENITY MEETS EXQUISITE WELLNESS
Both of Jumeirah’s Dubai hideaways are home to serene Talise Spas, where state-of-the-art fitness meets deeply restorative wellbeing.
At Jumeirah Zabeel Saray, the two-storey spa blends ancient Ottoman healing rituals with contemporary therapies to luxurious e ect. Expect to drift between snow rooms, soothing heat experiences, tranquil flotation tanks, and traditional hammams, a beautifully balanced journey designed to melt away every trace of everyday stress. The team at Trailfinders is on hand 24/7 until you’re safely home and your money is completely financially secure in an ATOL approved independently operated Trust Account. Speak to an expert travel consultant to book your stay on 020 7938 0207 or come see us in your local travel centre.
The Ultimate in Resort Living
Royal Westmoreland in St. James, Barbados, offers a golf resort experience which is second to none.
Enjoy five-star amenities including our championship 18-hole golf course, designed by Robert Trent Jones Jr., offering breathtaking views and a world-class playing experience. Or if you prefer, relax at our exclusive Beach Club at Mullins Bay. Our dedicated concierge team is on hand to ensure your stay is perfect from beginning to end.
The exclusive community is made up of a collection of stunning properties, from apartments to sprawling detached villas. Stay for a while, or for a lifetime with holiday rental, fractional and full ownership opportunities all available.
the rural idyll
Bruisyard Country Estate is the ultimate dream countryside wedding venue
Ahistoric country house. An immaculately restored medieval barn. Five star accommodation for 30 people. 700 acres of spectacular grounds. Gorgeous rolling Su olk countryside in every direction. All within easy reach of London. And for the duration of your wedding, it’s yours.
BIG BARN WEDDINGS AND STATELY INTIMATE WEDDINGS
If a classic barn wedding is your thing, then the two-storey, 17th-century barn can accommodate up to 140 people for ceremony and dining, with plenty of space outside to add a marquee or two for a larger wedding. It’s light and airy, with full height windows to let the Su olk sunlight pour in, and double doors let your guests spill out on to the manicured lawns once the ceremony is complete. Wooden beams criss cross the space overhead, and look beautiful when draped with lights or
festooned with flowers and greenery.
For a more intimate wedding, there’s Bruisyard Hall. Parts of this stately home have been here for over 700 years with the rest built in the mid-16th century, and you can feel the history in the very fabric of the building. It’s richly decorated, yet is still a real home, full of texture and interesting pieces.
You can choose to have your wedding inside the wonderful Entrance Hall or the elegant Drawing Room, and there’s space for 30 of your nearest and dearest family and friends to witness your ceremony.
ALL YOURS FOR THREE DAYS
One of Bruisyard Country Estate’s biggest draws is that it’s exclusive use, so from the moment you arrive until it’s time to leave, apart from the unobtrusive sta who are there to make sure everything runs according to your plan, it’s just you and your guests on the estate.
As you might imagine, one day in this rural idyll is not enough, so Bruisyard specialises in three day weddings. The
extended stay allows you to arrive for your wedding eve, get comfortable and enjoy a happy reunion with your guests, before the thrilling events of the day itself. Then you can take life at a more relaxed pace the day afterwards, sharing stories, enjoying more good food, and exploring the grounds.
The Bruisyard team is extremely experienced, and work closely with you, first to understand what your dream wedding looks like, and then to deliver it. From arranging the best suppliers to making sure the day itself only goes with one hitch, their friendly, expert support makes all the di erence.
Bruisyard is easy to reach from London. Drivers can take a short trip up the A12, and the nearest train station is just five miles away.
PHOTO: EMILY TYLER
PHOTO:
BETH
BERESFORD
ON THE BALL
Shooters Hill Golf Club: a hidden gem
Shooters Hill Golf Club marked its centenary in 2024, commemorating the purchase of Lowood, a grand terraced home on the hill’s slopes. The original sales brochure, now a century old, boasted panoramic views across the countryside and into Kent. Today, the Dartford Bridge is visible in the distance, and the landscape has evolved, with houses replacing fields, but the North Downs remain a scenic backdrop for one of the most picturesque 18-hole golf courses within the M25.
Lowood itself, built in 1814, is steeped in history. Its former owner, John James Jackson, was a deputy lieutenant and colonial broker, living there with his family and servants. Much of the house’s original character, including the wooden staircase, ballroom, and panelling, is preserved within the clubhouse, alongside family photographs that reflect the club’s heritage.
The Golf Club itself started in 1903, carving out holes from the slopes beneath the house which weave backwards and forwards across the contours of the hill’s eastern slopes. In 1907 the full course was laid out by Willie Park Jr. and completely re-modelled in the 1930s by Messrs Harris and Colt. The course itself is 5,749 yards long, with tree-lined fairways and a notable “Amen Corner” of three consecutive par threes from
holes 9 to 11. The pro-shop is well-stocked with clubs and other merchandise, with the club professional available for advice.
Despite its proximity to Plumstead and Welling, the club maintains a peaceful atmosphere, with tree-lined fairways separating it from neighbouring houses. The course is described as “a thinking golfer’s course,” with each hole o ering unique challenges. Visitors are warmly welcomed, and the club provides regular deals, a well-stocked bar, hot food, and facilities for societies and corporate groups.
The clubhouse is not just for golf: its spacious function areas and dining room are available for family events and social occasions, with the redecorated cosy and welcoming spike bar just o the large outdoor patio. The club is popular for
weddings and celebrations, thanks to its proximity to London and its scenic setting. Sunday lunches are o ered, and the location provides an escape to the countryside without leaving the capital.
Amenities include three newly refurbished golf nets and a short game area, competitions with other clubs and an indoor simulator for wet days, allowing members to test their skills on famous courses.
The club is described as a “hidden gem” for both golfing and socialising, with buoyant membership and space for more to join. Green fees can be paid for on the day or booked online, annual membership for five or seven day play is available, with more information on the club’s website, shgc.co.uk.
IN THE BAG
Stowing your mama essentials doesn’t get much more stylish than the new collection from Tiba + Marl. We love this stroller organiser in a go-with-anything gingham check. Practical and cool. tibaandmarl.com
In this section:
MOTHER’S DAY
Covert-worthy gift picks
• TINY TRAVELLER
Exploring Milan with a baby
• PUT YOUR RECORDS ON Corinne Bailey Rae’s debut book
• SAFE SLEEP
The best tech for parents
M U M
By CARLY GLENDINNING
LUCKY CHARM
HEAVENLY VICES
This modern keepsake necklace is the perfect marker of a first Mother’s Day. £XX; heavenlyvices finejewelry.com
COSY CLUB
BINIBAMBA
Handcra ed from the so est merino wool, snuggle season just got sweeter with this matching mama-and-mini gilet set. £157; binibamba.com
GO WILD
OLIVIA SEWELL
We love the playful vibe of this Wild Horse print by British artist Olivia Sewell. Printed on eco-friendly bamboo paper, it’s a thoughtful gi for mamas who are expecting the the Year of the Fire Horse. £70; oliviasewell.com
Sustainable and ethical, handcra ed using we
love Lorna Murray’s accsseories md]ade traditional techniques and natural fibres. lornamurray.com.au
Cherry Picked
EARL OF EAST
Bring a little Italian sunshine indoors with this hand-poured soy wax candle. The juicy cherry blend is perfect for helping you unwind at the end of the day. £40; earlofeast.com staplestein.de
IN BLOOM
FAUX KING FLORALS
This faux bouquet looks ultra realistic, making it the perfect keep-forever Mother’s Day gi . We love the stunning mix of dahlias, roses, and orchids. £160; fauxkingflorals.com
2. Becksöndergaard, Birch White Tila Scrunchie, £29; cissywears.com
3. Avery Row, Essentials New Baby Gi Set, £145; avery-row.com
5. Belle Enfant, Eau de Toilette, £48; belleenfantboutique.com
PUT YOUR
RECORD S ON
Carly
Glendinning chats to Corinne Bailey Rae about her debut children’s book
Put Your Records On might be best known as the feel-good anthem that launched Corinne Bailey Rae onto the global stage, but now its warmth and emotional honesty have found a new audience. Her debut children’s book draws on the song’s spirit to explore how music can help young readers understand and express their feelings, following Bea as she discovers the magic of a record collection and the comfort of sound.
Q Put Your Records On the song is about to celebrate its 20th anniversary. How does it feel to see its spirit translated into a children’s story book?
A It feels amazing to see Put Your Records On translated into this form of a book. I really see myself in Bea and the excitement of discovering records. That was how I really got into music, playing my dad’s 45s. He had loads of stacks of albums and 45s in our house. And I used to love going through his collection and sort of making a separate collection of songs that were my own, like Pick Up the Pieces by Average White Band or This Masquerade by George Benson. The songs that really were intriguing to me and songs that I liked putting on. So I had my own little stack of records that I would put on at my house. And I love the story of Bea being introduced to her
great aunt Portia’s record collection and finding, not only that a song could be a new friend for you, but that all the emotions you’ve ever felt are captured in a song somewhere or another.
Q Many parents are increasingly aware of children’s mental and emotional wellbeing. How do you hope this book might help children who are struggling to articulate how they feel?
A I think taking time as a parent to let your child sit in their feelings is so important. I definitely think the culture used to be that you kind of jolly children along and not let them sit in sadness, you know, just say, oh, it doesn’t matter, or look, here’s a sweet, or, you know, here’s a new balloon, your balloon’s bursting. I think it’s good for children to sort of feel what they’re feeling and not try and find a kind of quick way out of it. And that’s why I really love music and I really love reading for that. Sometimes your kids are just blue and you can hold them and cuddle them up and just sit under a blanket and read to them and they can rest their head on you or they can fall asleep. I think it’s really important we see that our children have got emotional needs. That there’s times in the day where there is a kind of stillness and slowness, they’re not at school,
“It’s really important we see that our children have emotional needs.”
they’re not sitting in front of a device being blasted out, even if it’s something educational. I think it’s great when you can just let them unwind. I find lots of di erent ways that are useful to do that – being in the bath, being in water or playing with sand or playing with clay or guiding a paintbrush along a piece of paper. I think they’re all really useful ways for children to unravel their feelings and I think that’s really an important thing. And you know, music does that as well. Our music will hold children and hold their emotions, especially music that’s slow, even music that doesn’t have any words, I
think it’s great to see them get up and respond to music, whether they’re dancing or swaying or singing along and when you find them singing the song independently of the record, you know, that it’s kind of gone into a deep place and that it helps them to kind of pin their feelings onto or help them to unloose their feelings.
Q Are there moments from your motherhood journey that inspired Bea’s story, or the idea of music as a companion for feelings? to articulate how they feel?
A My childhood was a lot like this moment in Bea’s life where she finds Portia’s record collection. I grew up with my parents’ record collection, especially my dad’s. There were a lot of 45s, so individual songs on vinyl, and the covers for those records were just cardboard. They didn’t have any illustrations on or any writing. The only way to really get to know those songs, find out what was on them, was to actually put the records on. That was what I used to like doing at my house. I remember the feelings of lying on the white wool carpet on sunny days and putting these records on the record player and seeing if I enjoyed them. I got into quite a few Stevie Wonder songs that way. I really liked The Secret Life of Plants, which was a full album rather than a 45. I loved tracing my fingers over the braille and hearing this sort of modern sounding tech music, but at the same time it felt very earthy. I loved hearing those songs, and then just individual singers. I remember liking Rainy Night in Georgia or Pick Up the Places by Average White Band. Then other songs came to me in di erent ways. I used to watch Top of the Pops a lot and be really inspired by seeing people sing on there. Mel and Kim, all those kind of Stock Aitken Waterman songs. Michael Jackson, obviously a big part of our childhood in the 80s, and Whitney
Houston. So I used to enjoy when they had a song out and we’d get to listen to that on the radio. Yeah, that was really important for being able to dance around the room.
Q And what kind of music do you love to listen to with your own daughters?
A We listen to all sorts of music with our children. They pick up things from their friends, so they want to hear about films that have come out, and we’ll get the books from those. So they’ll definitely sing along to Moana. I think Lin-Manuel Miranda is a really talented writer. But also we love introducing them to music that is ours. You know, we love playing them. Stevie Wonder songs, or we love playing them Aretha Franklin, or songs from the 80s. We love playing them things that are from our ear and from our childhood, and the richness of that. We’ll play them a James Brown record, or things that just have so much musical pulse that they can
“Music is a safe place to put your emotions.”
dance to, or that are very alive. We really like to play music that has instruments in, and where the vocals not crazily auto-tuned, so you can hear all these human beings reacting to each other in a moment. It’s so special, I think, for children to hear that. And it’s easy for them to pick it apart and hear, oh, the guitar’s doing this, or the drums are doing this, and as they go on and learn their instruments and get into dance as well. So, we play them a real mixture of things. Some starting in the 1930s and going right up to now, so it’s fun when the songs come around, we realise they’re listening to a hundred years of music, and I think that’s really great.
Q And finally, if a little one takes just one thing away from this story, what do you hope it is?
A I hope that it will be that music is a safe place to put your feelings, that every single thing you felt has been felt by someone before. It makes you realise that your feelings are valid, that your feelings are normal, and that you have a place where you can put them, whether you need to dance it out or to cry or to be held by a safe adult. Music is like a blanket that can wrap you and help you to feel what you’re feeling and help you to know that it is an important part of being a person – having all these feelings, this rainbow of emotions.
Put Your Records On by Corinne Bailey Rae and illustrated by Gillian Eilidh O’Mara is on sale now (Fox & Ink Books/£8.99)
MUSICAL MAGIC
The Strings Club: Music-Led Childcare That Supports Children and Families
For families new to The Strings Club, the best way to describe what we o er is a unique blend of high-quality childcare through the realm of music for children aged 4 to 11. Our 5* rated, screen-free Holiday Camps are designed to give children a safe, creative space where they can learn, play and grow. Music sits at the heart of everything we do because it naturally builds confidence, communication skills and emotional expression. When children engage with music - whether learning an instrument, singing with friends or exploring rhythm through games - they develop focus, resilience and a sense of belonging. These qualities are just as important as academic skills, making music a powerful foundation for childcare.
Winning the 2026 Feefo Platinum Trusted Service Award for the third year running was a particularly meaningful
moment for us. This recognition is based entirely on genuine feedback from families, so it reflects real experiences rather than judges’ opinions. For our team, it confirmed that the care, enthusiasm and professionalism we aim to deliver every day are truly valued. It also felt like a celebration of the trust parents place in us to care for their children. After years of dedication, receiving consistent five-star feedback reassured us that our approach is making a positive di erence. The award also highlights the growing importance of music-led childcare in supporting children’s wellbeing today. Families are increasingly aware that children need more than supervision during school holidays - they deserve opportunities to build confidence, friendships and emotional resilience. Music o ers all of that. It encourages self-expression, reduces anxiety and fosters teamwork
Music encourages self-expression, reduces anxiety, and fosters teamwork
without the pressure of formal academic assessment. In a world where children face increasing digital distractions and social pressures, structured creative activities such as music can help restore balance and promote mental wellbeing. Recognition like the Feefo award suggests that parents see this value clearly.
For a child attending their first Strings Club camp, the experience is designed to feel welcoming, engaging and supportive from the moment they arrive. Days typically begin with ice-breaker games to help children feel comfortable, followed by fun-filled violin, guitar or ukulele lessons - led by our incredible team of string teachers. Plus free hire of an instrument to take home if you book more than one day! Alongside music, children take part in interactive, carefully-created workshops, designed by Activities Manager and PhD student in Education, Lucy Hoy. Think sports, drama games and relaxation activities that support social and emotional wellbeing. Small group sizes ensure each child receives personal attention - especially with our exceptional sta ng ratio of one trained adult to 8 children. Children leave not only with new musical skills but also stronger friendships, improved self-confidence and happy memories. For many families, that combination of expert childcare, creative learning and wellbeing support is exactly what they are looking for - and it is what continues to drive everything we do at The Strings Club.
owletbabycare.co.uk
away from the main street, the doormenfronted entrance has a discrete allure, welcoming guests into the spacious lobby. Like all of the properties in the Mandarin Oriental group, the Milanese outpost boasts an exceptional spa and wellness programme: indulge in treatments that merge the best of Eastern and Western techniques, take a dip in the tranquil swimming pool (children are welcome during dedicated hours), work up a sweat in the fitness centre, or get a new ‘do at the in-house salon.
THE SUITE
TINY
Why Milan makes the perfect family-friendly city break
Words INA YULO STUVE
As the summer sun started to fade and the cooler weather began creeping its way in, the only thing that a travel fiend like myself could think about was where to go for an autumn staycation. I was on the lookout for a destination that was just a short fl ight away from London, had favourable weather in the Fall, and was especially babyfriendly: Milan ticked all of those boxes.
EXPLORING MILAN
Modern Milan has shed its more buttoned-up image and stepped out as an international hub for creatives and young talent, brimming with design-forward influences. For baby-toting families like us, Milan’s fl at landscape means there are no steep hills to climb. Key landmarks like the Duomo, Basilica di Sant’Ambrogio, and La Scala opera house are all relatively near one another, making Milan an incredibly walkable city.
THE HOTEL
Set in the heart of Milan’s fashion district—just a short walk from the Duomo and designer boutique-lined Via Monte Napoleone—Mandarin Oriental Milan is a stunning five-star luxury hotel that expertly blends classic charm with modern elegance. Four 18th-century palazzo buildings were brought together and restored by renowned architects Antonio Citterio and Patricia Viel, who were also responsible for the hotel’s refi ned interiors. Tucked
The Milano suite combines 60sqm of oak wood flooring, generous wardrobe space, expansive windows, two fl at-screen televisions, a luxurious marble bathroom, and a lounge area that invites you to sink in the moment you arrive. Our baby Cecilia was treated not as a guest, but as an actual VIP—a handwritten welcome note lays inside a wooden cot, right next to an array of brand new (and still boxed) toys, a colouring book, a bib, steriliser, and a stu ed version of the hotel’s mascot, MiniMO the panda. The attention to detail is truly astounding: greeting us at the foot of our king-sized bed is a framed family photo of us (“We hope it makes you feel like you are home,” a sta member explains) and by the sink inside the adjoining bathroom, three towels with the letters I, B, and C (our initials) sit under a bright pink orchid.
THE FOOD
When it comes to getting a taste of la dolce vita, Mandarin Oriental Milan o ers immaculate fi ne dining at two-starredMichelin restaurant Seta or a more casual menu of local and international favourites at all-day restaurant Mandarin Garden. Breakfasts are spent at Mandarin Garden, where the menu is curated by Seta’s acclaimed chef Antonio Guida. The generous bu et takes guests from continental classics, to hearty American-style pancakes and maple syrup, to warming congee and other Oriental specialties, while the a la carte menu features dishes like eggs royale with a decadent caviar hollandaise. We were lucky to have visited in November, when the gorgeous Winter tru es were in season. For lunch, we enjoyed this exquisite delicacy shaved on top of fresh taglioni in a rich butter sauce.
THE VERDICT
With a prime location just a stone’s throw away from Milan’s best attractions, luxurious suites with personalised touches, and an unbeatable food and beverage programme, Mandarin Oriental Milan is the clear choice when seeking a fivestar stay in Italy’s capital of cool.
The nurturing atmosphere and authentic care that Mandarin Oriental Milan’s sta has for children is incomparable and was a highlight of our trip to Milan.
mandarinoriental.com
SHOPPING IN MILAN
INA WITH HER FAMILY OUTSIDE THE DUOMO
THE MANDARIN GARDEN RESTAURANT
In the midst of the newborn fog, many parents find that technology can o er gentle reassurance. Moving beyond traditional audio or video monitors, smart baby monitors o er a more connected picture of a baby’s sleep and wellbeing, helping parents feel informed, prepared and supported both day and night.
WHAT MAKES A BABY MONITOR “SMART”?
SAFE SLEEP
How smart baby monitors provide parents with peace of mind
• Share caregiving with partners or family more confidently
• Build trust in their own routines and decisions
from sleep routines to confidence leaving baby with a partner, grandparent or caregiver.
WHAT TO LOOK FOR IN A SMART BABY MONITOR
For families considering the best baby monitor for their newborn, key features often include:
• Clinically tested or medically certified technology
• Clear, easy-to-use app interface
• Reliable sleep and wellbeing insights
• Comfortable, baby-safe design
• Trusted brand reputation and global usage
Unlike traditional monitors, smart baby monitoring technology can provide insights into sleep patterns, movement and other wellbeing indicators, presented clearly through an app or device.
One brand at the forefront of this technology is Owlet®, trusted by millions of parents worldwide and backed by clinical research to support confident, informed caregiving.
“With over a decade of experience pioneering at-home infant monitoring technology, we’ve built a deep understanding of what parents truly need – actionable insights, peace of mind, and a seamless way to track their baby’s health and development,” said Kurt Workman, Owlet Chief Executive O cer and Co-Founder.
SUPPORTING CONFIDENCE IN THE EARLY MONTHS
For first-time parents, especially, confidence grows over time. Smart monitoring through a baby monitor with an app can help parents:
• Understand their baby’s sleep rhythms
• Feel reassured during naps and overnight
TECHNOLOGY AS A PARENTING PARTNER, NOT A REPLACEMENT
Smart baby monitors can o er peace of mind through monitoring the baby’s breathing overnight or as an oxygen monitor for baby, while parents remain the experts on their own child, learning cues, preferences and rhythms over time.
The innovative Owlet Dream Sock® wearable baby monitor also provides Predictive Sleep Technology, acting as a personal sleep expert in parents’ pockets. Cleverly using historical sleep data for the baby and best practices for sleep, based on the baby’s age, the Dream Sock, uniquely recommends the next appropriate sleep window, helping parents to establish a smooth sleep routine bespoke to their child.
WHY REASSURANCE MATTERS FOR FAMILIES
When parents feel reassured, they’re more able to rest, recover and enjoy the early bonding period with their baby. That sense of calm can shape everything
The medically-certified Owlet Dream Sock wearable baby monitor features a simple, non-invasive design that fits comfortably around Baby’s foot with adjustable Velcro straps. The integrated smart monitor tracks real-time data, instantly accessible to parents through the Owlet Dream app. The intuitive app tracks key health metrics, including oxygen saturation, pulse rate, and movement. Owlet believes parenting doesn’t have to be sleepless. When equipped with the right knowledge, science and data, the stress and worry can be taken away from naps and bedtimes. Amazingly, 94% of parents reported better quality of sleep with Dream Sock, so not only does it have scientific backing, but it also has the parents’ seal of approval too.
HELPING PARENTS FEEL SUPPORTED AND EMPOWERED
Parenting has always been a blend of instinct, support and learning as you go. Smart baby monitors simply add another layer, o ering gentle reassurance and helping parents feel more confident as they navigate the early months. Used thoughtfully, they don’t add pressure or worry. Instead, they create space for what matters most: feeling calm, capable, and present in those first stages of family life.
owletbabycare.co.uk
THE ALLEYN’S
The Alleyn’s Schools Group is a dynamic and distinguished collection of schools rooted in the rich heritage of Alleyn’s School in South London, united by a vision for worldclass education. Shaped by more than four centuries of educational heritage, the group builds on the legacy of Alleyn’s School while looking firmly to the future of education in a rapidly changing world.
The origins of Alleyn’s School can be traced back to a remarkable actor and entrepreneur who lived in England under the reign of Elizabeth I and James I, Edward Alleyn. He founded the ‘College of God’s Gift’ after a vision on stage that inspired him to provide an education for children living in poverty. Later, in 1882, The College of God’s Gift split into two schools: Alleyn’s School and Dulwich College. Alleyn’s School was established to provide transformative education to academically able students from a wider range of social backgrounds across London.
Edward Alleyn’s legacy is an important part of the school today. His career as an actor, theatre owner, educator and benefactor was defined by his entrepreneurial spirit and his singleminded zest for life. His mission to provide
A London educational legacy with global ambition, where heritage innovation and purpose shape confident, curious young people equipped to thrive in an ever-changing world
THE GROUP BRINGS TOGETHER CENTURIES OF EDUCATIONAL HERITAGE WITH A MODERN, FORWARD-THINKING APPROACH
an education for ‘12 poor scholars’ was never simply about academic instruction, but about equipping young people to contribute meaningfully to society. That same ethos of entrepreneurialism and opportunity continue to shape Alleyn’s Schools Group, as it prepares pupils with the skills they need to navigate the world around them, and to carve out their own unique and impactful paths in it.
Alleyn’s School consistently features among London’s top ten co-educational schools for academic results. It was a national finalist for Co-educational School of the Year at the 2024 Independent Schools of the Year Awards and went on to win the title in 2025. The school has also been recognised at the 2023 TES Schools Awards, while its Head, Jane Lunnon, was named Tatler Head of the Year in 2021.
For families, the name Alleyn’s means consistently strong results amongst the UK’s most academic schools. The name
is also associated with excellence across sport, performing arts and public speaking, and with young people who leave school with a strong sense of purpose. Alumni go on to make their mark worldwide as Olympians, Nobel Prize-winning scientists, Premiership footballers, social entrepreneurs, Oscar-winning directors and Grammy-nominated musicians.
Academic excellence is central to Alleyn’s, but it is driven by something deeper: a genuine love of learning and a belief in people. Strong exam results are seen not as an end in themselves, but as a by-product of an education in which children are known, challenged and supported to find their voice, their craft and their direction.
Alleyn’s Schools Group brings together centuries of educational heritage with a modern, forward-thinking approach to schooling. We understand what it takes to deliver high-quality education consistently.
In the spirit of our founder’s original commitment to widen opportunity, Alleyn’s now builds values-led partnerships that extend an Alleyn’s education to more students: broadening access, amplifying impact and building the next generation’s capacity to shape a better future, so children can be all they can be, wherever they may be.
In the spirit of Edward Alleyn’s original commitment to widening opportunity, the Group now forms values-led partnerships that extend an Alleyn’s education to more pupils, broadening access and amplifying impact. The aim is to build capacity in the next generation — wherever they may be — so young people can shape a better future for themselves and others.
That mission took a significant step forward with a bold move north of the Thames, marking the first phase in expanding Alleyn’s education beyond its South London home.
Central to this growth is a belief that an inspiring education deserves inspiring spaces. Learning environments are carefully considered, because how a child learns is shaped by where they learn.
At Alleyn’s, there is a simple truth: ‘spaces shape people, and people shape spaces’. Alleyn’s approaches its physical learning environment with a view of every intervention allowing a marginal gain in personal and academic development.
The All Spaces design philosophy includes everything from carefully curated furnishings and ergonomic classroom layouts to monitored CO2 levels, balanced daylight and task lighting, all designed to help pupils feel energised, engaged and supported throughout the school day. The result is a positive, collegiate atmosphere that enhances learning, belonging and wellbeing.
This attention to environment sits alongside a broader commitment to sustainability. Alleyn’s ‘All Now’ programme focuses on the four R’s — Reduce, Reuse, Responsibility and Regenerate — lowering demand through passive design and smart controls, extending the life of materials, sourcing low-carbon and low-VOC products, and enhancing campus biodiversity
Academically, Alleyn’s takes a deliberately well-rounded approach. In
STRONG EXAM RESULTS ARE SEEN NOT AS AN END IN THEMSELVES, BUT AS A BY-PRODUCT
the classroom, pupils develop intellectual confidence and curiosity. Through the Alleyn’s Intellegence Quotient (AiQ) curriculum, they explore the relationship between human and artificial intelligence, applying imagination, collaboration and ethics to real-world challenges. Alongside this, Alleyn’s Emotional Quotient (AEQ) the school’s proactive pastoral framework, supports resilience, emotional literacy and a strong sense of identity.
Beyond the classroom, All In the school’s expansive co-curricular programme and partnerships, encourages pupils to try widely and practise deeply, often discovering talents and interests they did not know they had. Throughout this journey, pupils are guided by the school’s ROCCK values: Respect, Opportunity, Courage, Curiosity and Kindness.
Together, these elements define Alleyn’s Schools Group today: a Londongrown institution with global ambition, rooted in heritage yet relentlessly forward-looking, committed to academic excellence and to shaping thoughtful, capable and compassionate young people for an ever-changing world.
Room to grow
The power of Years 7 and 8 at Prep School
By SARAH EIFION-JONES
In an age when children are encouraged to grow up faster than ever, there is something quietly radical about giving them time. Years 7 and 8 (ages 11 to 13) are often seen as transitional spaces between childhood and adolescence, where pupils move into much larger schools before they may be emotionally, socially or academically ready to. Yet for many pupils, this period between 11 and 13 is formative –academically, socially and emotionally. They are years of grounding, growth and confident preparations, in which young people have more opportunities to discover who they are before they leave for their Senior School.
In a Prep School setting, pupils benefit from academic stretch within a community
that knows them well. Teachers understand how each child learns, where confidence may waver and how to nurture resilience. This continuity allows pupils to take intellectual risks, to ask questions, to make mistakes and to grow – habits that underpin longterm success. The Pre-Senior Baccalaureate – the assessment framework used at Swanbourne – reflects this philosophy. It combines academic rigour with creativity and critical thinking, preparing pupils not only for examinations but for the demands of modern senior schools. Subject knowledge remains central, yet pupils are also challenged through research projects, presentations, debate and problem-solving. They learn how to communicate ideas, collaborate e ectively and reflect on their own progress. Assessment is purposeful and personalised. Alongside examinations, pupils receive regular feedback that develops independence and metacognitive awareness – the ability to understand how they learn best. These skills smooth the transition to larger senior schools, equipping pupils with confidence and organisation. Crucially, academic ambition is balanced by strong pastoral care. Small tutor groups ensure every child is known as an individual. A structured, no-phone school day reduces distraction and social pressure, allowing focus, friendships and character to flourish. Leadership roles, competitive sport, performances and residential experiences provide challenges within a supportive framework.
For families seeking space, perspective and the opportunity to board within a nurturing rural setting, these years can be transformative, and the result is simple yet powerful: pupils leave Swanbourne not rushed, but ready and excited for the next stage of their journey.
Swanbourne House is an independent boarding and day prep school for children aged 3 to 13 years in Buckinghamshire (with pupils being able to board from Year 3) and is part of The Stowe Group of schools.
Sarah Eifion-Jones is Deputy Head Academic, Swanbourne House, The Stowe Group, Buckinghamshire. Find out more at swanbourne.org or email admissions@swanbourne.org
SOLUTION FOCUS
Family mediation: moving forward with confidence and care
Changes in family life can be unsettling. Separation or divorce is not merely a legal matter, it is a deeply personal transition that calls for discretion, perspective and expert guidance. Navigating it with calm and clarity ensures decisions are thoughtful, fair, and respectful.
Owen White Catlin has long supported families through these sensitive times. Our family mediation service provides a dignified alternative to the courts, o ering a constructive, confidential space in which complex issues can be resolved with privacy and care.
FINDING SOLUTIONS
Mediation is voluntary and confidential, designed to help separating couples reach practical, workable agreements. Guided by an independent and accredited mediator, discussions
cover finances, property and child arrangements in a calm, measured environment. The focus is on shaping solutions for the future, rather than revisiting past conflicts, with children’s wellbeing at the heart of every conversation.
The appeal of mediation lies in control. Families make their own decisions rather than leaving them in the hands of a judge. The process is typically more cost-e ective, faster and far less confrontational than traditional litigation. It also helps maintain a respectful, functional relationship between parents long after separation, an outcome that benefits everyone involved.
EXPERT GUIDANCE WITH A PERSONAL TOUCH
At Owen White Catlin, mediation is backed by extensive family law expertise. Partner James Kiely, an accredited family mediator and member of both the Family Mediation Council and Resolution, brings
a thoughtful, solution-focused approach even to the most complex cases. He is supported by a team of approachable family law solicitors, many also Resolution members, all committed to reducing conflict and prioritising children’s interests.
“ THE FOCUS IS ON SHAPING SOLUTIONS FOR THE FUTURE, RATHER THAN REVISITING PAST CONFLICTS”
The process usually begins with a Mediation Information and Assessment Meeting (MIAM), providing a calm, informative introduction and the opportunity to explore whether mediation is suitable. There is no obligation to proceed, allowing families to consider their options with confidence. When agreements are reached, Owen White Catlin can formalise them into legally binding arrangements. If mediation is not suitable, or certain matters require court intervention, clients benefit from continuity of advice from solicitors who already understand their priorities. The firm provides guidance on divorce and dissolution, financial settlements, child arrangements and the legal considerations a ecting unmarried couples.
SUPPORT THAT GUIDES EVERY STEP
With measured expertise, empathy and discretion, Owen White Catlin helps families move forward with dignity and clarity. Clients value a service that is professional yet personal, combining thoughtful guidance with meticulous attention to detail. Every conversation is handled with care and confidentiality, ensuring families feel supported, informed and confident at every stage of the journey.
