Absolutely Essex March 2026

Over 25 pages of inspiration and insight

CULTURE

FASHION & BEAUTY

46 The Shoot Celia B launches the Moonbeam collection

52 Fitness Notes Weights for women: all you need to know

ABSOLUTELY HOME

FOOD & DRINK

Afternoon Tea The quintessential treat in a spring setting

Drinks Tasty tipples to mark the lighter days

56 The Su olk Nest How to add a spring touch to the home

64 Lighting Why 2026 is the time to go really big

68 Bathrooms Exploring the evolution of technology

For editorial enquiries please email: mark@zest-media.com

For advertising enquiries please call 07861 994764 or email: claire@zest-media.com

EDUCATION

82 Finding Your Niche Preparing for the real world

85 Dame Bradbury's On the importance of the performing arts

89 Brentwood Prep Big opportunities on a small scale

91 New Hall School Exciting equestrian developments

Celia B Moonbeam collection (celiab.com)

Elegant curves enhance your home, where natural balance reveals every note in breathtaking detail.

Perfect your space at ruarkaudio.com

LETTER Editor’s

ABSOLUTELY’S March issue highlights

IWishlist Chocolate? And fashion? A cracking mix (p12)

have an uneasy relationship with reality TV. I was in my 20s when Big Brother first hit the screens and was instantly hooked, but like all good things, TV execs decided we would want more and more of it, diminishing quality with it. There are a couple of exceptions. I was one of the many who decided it would be hilarious to keep voting for Wagner in 2010's edition of The X Factor, as it really wound my wife up (as well as Simon Cowell – till the brighter one in my relationship pointed out I was just putting money in Mr C's pocket). Another was the time I first saw comedian Jack Carroll on Britain's Got Talent in 2013, who took fun out of his cerebral palsy (and the judges) to hilarious effect.

Before Jack, though, was Essex's Jonathan Antoine, also on BGT, in 2012. Mocked when he first appeared on stage, not very chatty when asked questions, he then proceeded to sing in an operatic voice that blew me (and the public) away.

He's been on quite a journey since then, but with a new album due out this month, he chatted to me about BGT, the impact it had on his life, and why he has come out better for it on the other side.

Will there be more inspirational stories in the future from reality TV? I don't hold out much hope, but you just never know...

MARK KEBBLE EDITOR

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Absolutely Home More interiors inspiration and top design tips (p55)

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Beauty Our top purchases this month (p51)

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Wish LIST

DARK HABITS

Rouge Noir is back – if it ever went away – and the new incarnation is a collection of shades that combine red and black. chanel.com

LUCKY DUCK

BUCKLE UP

Penelope Chilvers might be known for her boots, but her brogues and loafers are lovely too. We are loving the tan and white Morrell, from the Bloomsbury collection, £289. penelopechilvers.com

focuses of Daisy Duck, and her

Danish fashion brand Ganni has teamed up with American giant Disney in a slightly unlikely but auspicious collaboration that focuses mostly on the lesser-known character of Daisy Duck, and her adventures in Copenhagen. ganni.com

I SHOULD COCO

Every hot chocolate at Cocomelt is made using premium Belgian milk, white, and dark chocolate sourced from the Ivory Coast, melted straight from the fountain and blended with warm milk. cocomelt.uk

SEE IT

EDITOR’S PICK

NEW FRAME

Iolla's stylish Bonnie frame channels the 1970s with its oversized, square shape and chocolate brown lenses. Add your prescription if you need to. iolla.com

HOME LIFE

Geeky wire specs are having a moment, and we love Bloobloom's Guardian frame in gold. Think Geography teacher, or style icon. bloobloom.com

Ferm Living's SS26 collection launches on 5th March, with a focus on creating homes that feel composed, relaxed, and shaped by everyday life. fermliving.co.uk

GLOW UP

SOUTH BEACH

Bella Freud's theme for SS26 is Miami Vice, featuring sleek lines and slick tailored trousers, alongside the iconic slogan knits. bellafreud.com

Addison Ross' new Scallop Lamp collection adds a small, portable light to the range of stylish and useful rechargeable lamps. We love the chocolate one, £125. addisonross.com

POOL PARTY

Some of the best selection of swimwear in all colours, shapes and sizes can be found at Amelie's Follies. And now's the time to be shopping for the beach. ameliesfollies.co.uk

SUMPTUOUS STAYCATIONS

DISCOVER OUR UNIQUE HOTELS, SPAS AND RETREATS IN ESSEX AND SUFFOLK

TALBOOTH HOUSE & SPA

Elegant countryside retreat with luxury rooms and spa in Dedham

IDLE WATERS

Peaceful 16th-century riverside cottage for a private self-catering stay

MILSOMS, DEDHAM

Country hotel with stylish rooms and a lively brasserie in the Dedham Vale

THE PIER AT HARWICH

Boutique waterfront hotel with sea-view rooms and acclaimed seafood menus

MILSOMS KESGRAVE HALL

Relaxed Suffolk hotel and spa blending contemporary style with great dining

THE GATEHOUSE

Secluded four-bedroom property nestled in the Kesgrave countryside

CULTURE

IVO GRAHAM

17 MARCH, CHELMSFORD THEATRE

What is the best orange thing in the world? Aperol spritz? Sunsets? Claudia Winkleman? Ivo Graham has always been a fan of orange things, but in 2025, a series of emotional days in his favourite colour prompted him to commit harder than ever to the hue: colour-coordinating his life for his daughter, for his mother, for his football team, and, he desperately hopes, for your entertainment. chelmsfordtheatre.co.uk

The Agenda

Clinton Baptiste

4 MARCH, PALACE THEATRE

Much-loved clairvoyant comedian Clinton Baptiste is preparing to embark on a brand-new tour for 2026. In a rudderless world, mankind needs an envoy to gather solutions from the all-knowing, all-seeing Afterlife. But who should it be? There’s only one man for the job – Clinton Baptiste. Receiving the audiences’ queries and earthbound dilemmas, Clinton will then reach out to the spirits for answers. Fear not. He will probe sensitively.

trafalgartickets.com

Double Indemnity

31 March-4 April

PALACE THEATRE

Hollywood star Mischa Barton (The O.C.) makes her long-awaited UK stage debut. Double Indemnity follows Walter Hu , a sharp-eyed insurance salesman who has built his career spotting scams. But when he meets the seductive Phyllis Nirdlinger (Barton) to discuss her husband’s life insurance policy, he is drawn into a web of lust, greed, and betrayal. trafalgartickets.com

24 March

CHELMSFORD THEATRE

Celebrating the 250th anniversary of their births, this unmissable new documentary explores Turner and Constable’s intertwined lives and legacies. Two of Britain’s greatest painters, J.M.W. Turner and John Constable, were also the greatest of rivals. Exhibition on Screen has exclusive and privileged access to bring their extraordinary art and remarkable stories to the big screen. chelmsfordtheatre.co.uk

COMEDY

Ringers

15 March

CLIFFS PAVILION

To celebrate its 25th anniversary, BBC Radio 4’s legendary, multiaward-winning topical satire show Dead Ringers is hitting the road with a full UK tour. Featuring much-loved long-standing cast members Jon Culshaw, Jan Ravens, Lewis Macleod, and Duncan Wisbey, the live show promises a hilarious journey through a quarter century of classic sketches. trafalgartickets.com

MUSIC

Chesney Hawkes

17 March

COLCHESTER ARTS CENTRE

The resurgent Chesney Hawkes is back where he belongs with the recent release of his new album Living Arrows, and completing a huge run of live shows: first touring arenas across Europe as special guest to James Blunt and then selling out his current UK headline run. Living Arrows shows Chesney at his most vulnerable, completely free of inhibitions or doubts. There is heartache, yes, but there is joy, too, and is well worth catching live. colchesterartscentre.com

There are exciting things to celebrate this spring at Audley End

Anew name, an updated look, new play village and Mother’s Day fun: there is plenty going on at Absolutely favourite, Audley End. For the past few months, they’ve been busy sprinkling a little magic behind the scenes, and have evolved their name to Audley End Enchanted Railway with a new look to match.

ward-winning producer Ellen Kent returns to Essex with Opera International Kyiv, Ukraine presenting a stunning classical production of Puccini’s Madama Butterfly. The show was winner of the ‘Best Opera Award’ by the Liverpool Daily Post Theatre Awards, featuring exquisite sets including a spectacular Japanese garden and fabulous costumes such as antique wedding kimonos from Japan. trafalgartickets.com

Owner, Amanda Murray, who took over from her father, the late Lord Braybrooke, in 2010, says: “Our new look and name mark a new chapter in such an exciting time for us. I am so proud to have grown my father’s beloved railway into the magical world it is today, and it’s all thanks to our wonderful customers who entrust us to come and create memories with their families. It means so much to be able to share this beautiful corner of the world with so many people. Cherishing childhood, being out in nature and championing human connection in an increasingly digital world is what it’s all about for us.”

In even more exciting news, Audley End Enchanted Railway will be launching a new Play Village this Mother’s Day weekend from 14th-15th March. Designed for toddlers and little ones, the Play Village features five themed role-play houses, including a café, wood workshop, hospital, school and music house, encouraging imagination, confidence and social development through play.

Families can also enjoy the enchanted woodland train ride, around the forest, and look out for spring scenes around the track.

audley-end-railway.co.uk

Full of VOICE

Fourteen years on from his big breakthrough, Jonathan Antoine reflects on TV stardom, the Fantoines and why Essex has remained a constant

By MARK KEBBLE

Not that long ago, I was interviewing the comedian Jack Carroll where we chatted about his first audition on Britain’s Got Talent that truly stayed with me. I mentioned I have never been one for reality shows, catching bits of them here and there, and there are very few people I remember from years back – Jack was one, and so too was Jonathan Antoine.

He was 17 when he emerged on to the BGT stage with Charlotte Jaconelli, with a tired and slightly condescending comment from Simon Cowell caught on the mic saying “just when you thought things couldn’t get any worse”. Charlotte took the lead, with Jonathan only mumbling the odd reply here and there, and looking a little uncomfortable – and I was feeling it too. And then he started to sing… His strong operatic voice was astonishing, especially coming from one so young, and

the judges and the crowd were left openmouthed at what they had just heard.

“It was one of the most remarkable times in my life, the short number of years for which I was a person of some intrigue are some of the fondest memories I have,” he says of that 2012 moment. “Being enveloped so totally in the machine, existing as a part of something greater even as a small part can be deeply gratifying. It wasn’t entirely sunshine and rainbows, and describing what precisely that journey has been like for me and my family is nigh impossible in any reasonable word count. It was a grand learning experience for me and everyone around me, and I’m so thankful for the opportunities it has led to. I think perhaps the most remarkable thing about these long years is precisely how little I’ve changed. In many ways I am still the frightened boy on the stage of the Hammersmith Apollo.”

I am not sure that is completely true, though, as the Jonathan of today is great fun to talk to and exudes real confidence. Although Jonathan and Charlotte, as they were aptly named, did not win BGT, they did go on to release two albums together before heading in their separate ways. As a solo artist, Jonathan has released several studio albums: Tenore (2014) introduced his classical tenor voice, Believe followed in 2016 with a mix of arias and contemporary pieces, Going the Distance arrived in 2020 featuring orchestral and crossover tracks, and he also issued the festive Christmasland (Platinum Edition) in 2021.

We have had to wait a little while, but now Jonathan is back with a new album, Speaking To You, which is due for release on 27th March. “Further experimentation,” is how he describes the album’s sound to someone who may not be familiar with his work. “I think this is very much an expression of a person that I have been, that I will be again some day, but that I may not be as I live and breathe in any given moment. I’ve tried to make it a well rounded experience, as any person would hope to be by the time they feel they’ve become a ‘grown up’.” The album has also come at a time when

“Britain's Got Talent was one of the most remarkable times in my life”

Jonathan has been able to open up about a late diagnosis of autism, which perhaps explains his slightly non-plussed first appearance in front of the TV cameras. “My mum had always been fairly certain, but others had their opinions which led us away from seeking out a diagnosis,” he says. “I suppose I was looking for answers to fundamental questions about myself, and it wasn’t until the specialist said to me on that fateful day that it was his professional opinion that I was autistic that some of those questions were finally put to rest.”

Has understanding his autism changed the way he views his past experiences? “I’ve come to use the phrase ‘explanations, not excuses’. I’ve certainly made my share of mistakes and been unable to tackle certain challenges, but I think everyone has that experience to some degree – it’s just that

most of them don’t do it in front of a crowd of people! It did bring into stark relief that there have been times that my needs have been unable to be met, but how can one’s needs be met when they aren’t even known? Thank goodness I know now. It’s not that I need to be treated like glass, though I am occasionally fragile, I just need some special considerations sometimes!”

Details of the new album will certainly be met with excitement with his loyal fans, who even have their own moniker: the ‘Fantoines’. “It is a beautiful and soul a rming reality to confront. I am almost entirely here thanks to the grace and kindness of the Fantoines,” he smiles. “It is a terrifying prospect to be known, and to have many di erent shadows of your true self sketched into the minds of others. I try to make those shadows beautiful, somehow. The Fantoines have been a guiding light to

“It is not that I need to be treated like glass, though I am occasionally fragile”

me, a source of fun and companionship, and many of them have become good friends with one another. To be able to forge further connections between people, even when I’m not around? That’s a glorious and well put together community, if I may say so myself!”

In the 14 years since BGT, Jonathan has travelled and performed all around the world, but Essex has remained home. “Always,” he says on if he feels grounded returning to Chigwell. “I can trace the path from each of London’s major airports back around the M25 and into the beautiful county. Whether you stick to the highway or wind down the spindly country roads, it’s always a relief to cross the barrier back into good old Essex.

“It’s nice to be in a community that is both close-knit and ever-changing,” he adds. “I have always lived in a beautiful diverse world where those of all di erent creeds and kinds are able to express themselves

in earnest, and I do believe living in Essex has shaped that experience. When you have access to people of all kinds, your creative influences can be as broad and varied as those people – certainly it’s possible to come across these things on one’s own, but isn’t it much more exciting discovering the world through the people that live in it?”

As well as the album, we can expect Jonathan to return to performing live shows in the not too distant future, showing how things are looking positively rosy for him. There’s just one more thing I need to ask him: when he looks back at that young man on the BGT stage in 2012, what would he most like to tell him now? “Don’t get cocky, kid. You’ve got a long, long way to go.”

Jonathan’s new album, Speaking to You, will be released on 27th March on all major platforms. Find out more at jonathanantoinemusic.com

K-POP POWER

10th & 11th April 2026 | 1pm & 5:30pm

Tickets: £21.50

THE ROD STEWART SONGBOOK

25th April 2026 | 7:30pm

Tickets £27.50

THE FUREYS

27th April 2026 | 7:30pm

Tickets: £31.50

OH WHAT A NIGHT

15th May 2026 | 7:30pm

Tickets: £28.50

THE ELO ENCOUNTER

22nd May 2026 | 7:30pm

Tickets: £27.50

LEVEL UP LIVE - WITH THE LEWIS SISTERS

23rd May 2026 | 4:30pm

Tickets: £15

FEARLESSLY TAYLOR

31st May 2026 | 4pm

Tickets: £16.50

AN EVENING OF CLASSIC REGGAE

12th June 2026

GIVE ME THE NIGHT

20th June 26 | 7:30pm

Tickets: £28.50

CELEBRATING CELINE

26th June 2026 | 7.30pm

Tickets: £31.50

JIVE TALKIN (BEE GEES)

12th September 2026 | 7:30pm

Tickets: £29.50

SUGAR PIE HONEY BUNCH - THE MUSIC OF THE FOUR TOPS

27th September 2026 | 7:30pm

Tickets: £29.50

TALON - THE BEST OF EAGLES

7th November 2026

BEAUTY AND THE INCREDIBLE BEAST

4th-30th December 2026

Tickets from £19.50

Don't miss out! Book your tickets now for the best entertainment in North London at Millfield Theatre!

Silver Street, N18 1PJ 020 8807 6680 www.millfieldtheatre.co.uk

Scan to book your tickets now!

Smooth operator

Nigel Havers is bringing his one-man show to Essex this month, full of cracking anecdotes and a title to get many execs in a lather

By JAMES RAMPTON

Nigel Havers, a wonderfully self-deprecating raconteur, tells a marvellous story against himself to explain why he is hitting the road with a brilliant new live show, Talking B*ll*cks.

“People had asked me to do this sort of thing before, and I thought, ‘No no, no, I’m far too young’,” says the 73-year-old actor. “Then someone pointed out to me how old I actually was. And so, I thought, ‘Well, I’d better crack on then!’”

Even when he agreed to tour with his dazzling show recounting the myriad ups (and occasional downs) of his career, Nigel admits that he initially su ered some nerves. “It was a bit scary beforehand. Everyone said to me, ‘You’ll love it’. And I replied, ‘Will I?’ ‘Yes, you’ll love it because there’s no one to stop you. It’s just you.’”

Nigel, who makes for highly engaging company, continues: “I do remember years ago, I got a phone call from Dawn French, who is a good friend of mine. It was 7.20pm, and I was just about to go on stage in a play. Dawn said, ‘Oh my God, I don’t know what I’m doing’. I asked, ‘What’s the matter with you?’ ‘I’m so nervous. I’m just about to go on for the first night of my one-woman show, and I just don’t know why am I putting myself through this’. I said, ‘Dawn, Dawn, relax. It’s very simple. You’re doing it because you have a huge ego’.

And she said, ‘Oh, my God, that’s right. Oh, I feel fine now. Thank you very much’. And o she went to do the show. When I suddenly found myself on stage doing my own one-man show, I said to myself, ‘Why am I doing this show? Oh, it’s because I’ve got a huge ego!’”

Widely adored as a national treasure, Nigel loves performing Talking B*ll*cks. The actor, who has played memorable roles in everything from The Charmer and Passage to India to Benidorm and Coronation Street, particularly relishes the fact that he doesn’t have to stick to a script. “Because I haven’t got one, I feel very free. I feel great. Whereas if you’ve got a script, you think, ‘Oh my God, what if I forget that bit?’ I don’t have any worries about that anymore. I can’t dry because I can just go on to another anecdote.”

The captivating show features back-stage gossip, stories of triumph (and disaster), moments of glorious madness, and a healthy dose of talking b*ll*cks. Nigel says: “I’ll be taking you on a thoroughly entertaining trot through five decades in showbiz. From my early days as a fresh-faced drama school hopeful, to the highs and lows of a career that’s seen me in everything from Chariots of Fire and Empire of the Sun to Don’t Wait Up and some rather marvellous West End plays – and more than my fair share of Palladium Pantos.”

A born performer, Nigel also really enjoys the bond between himself and the live audience during Talking B*ll*cks. The actor, who can be summed up with one adjective –

“charming” – says: “I love that connection with the audience, and the fact that they’re completely di erent every time I do it. There is a crackle of excitement every night because it’s live and it’s never going to be repeated.”

During several decades of a very distinguished stage career, Nigel has never underestimated an audience. Universally viewed as the quintessential English gentleman, he says: “When I do a play, I tend to get very bored in rehearsal. Because all I want to do in rehearsal is just work out where I’m going to stand or sit and try to remember the words. I only start really learning about the play when the audience comes. Then I start thinking, ‘Oh, that doesn’t work. Oh, that works really well’. So rehearsals to me are a pain in the neck. I just want to get on with it.”

The audience, Nigel carries on, are, “a really important part of being in the theatre.

“I do whatever comes into my head. I live up to the name of the show”

Without them, we wouldn’t be doing it. It’s really good of them to come to the theatre. I have tremendous admiration for the audience”.

Nigel’s show, which stops o at the Palace Theatre, Southend, on 16th March, is also terrific value. “It is really good fun. It’s a very enjoyable thing. There are quite a few one-person shows touring now, and it’s because the audience seem to go for them, they seem to invest in them.”

Nigel, who has been married for 18 years to Georgiana Bronfman, expands on the content of the show, which has already had audiences up and down the country purring with pleasure. “I do whatever comes into my head – I live up to the name of the show! I just string together a few anecdotes about my career. I think people like to know what happens behind the scenes and what goes on in someone’s life. And it just seems to fly by.”

What else does Nigel get up to on stage? “I do a bit of magic in the show, which always goes wrong. I love doing magic tricks, but I do them really quite badly! I also make the perfect dry martini at the end. I drag my wife on stage to help me hand out the glasses to the audience.”

The only problem, it seems, is the title.

“Whenever I go on any TV or radio show, they tell me, ‘Whatever you do, don’t mention the title of the show.’ ‘What? Talking B-?’ ‘Don’t say that’,” Nigel laughs.

Nigel considers what audience members might be saying to each other on the way out of the show. “I hate to think! I just hope they don’t say, ‘God, that was a waste of time and money’! I just hope that they just have a really good night out and that it’s not massively too long. There’s nothing worse than a show that goes on and on. One of the great delights of doing a short play is that you can have a dry martini in your dressing room afterwards and then be in the pub by nine!”

Now in his eighth decade, Nigel shows no sign of slowing down. He appeared at the London Palladium in panto again at Christmas and is then presenting his eighth series of the very popular BBC1 auction programme, The Bidding Room

He has absolutely no intention of retiring. “I’ve got to the stage in life where I just enjoy doing anything. People ask me, ‘When are you going to retire?’ And I say, ‘Actors don’t retire. They get retired when the phone stops ringing.”

Nigel closes by underlining what a fabulous time he has had touring Talking B*ll*cks. “I come o stage on a high. It is a really wonderful evening. And then I’m on to the next town. It’s fantastic. I can’t think of anything better than doing this show. It’s more fun than I’ve ever had!”

And audiences across the country would doubtless agree.

Tickets for Talking B*ll*cks are available at nigelhavers.live

ISLAND LIFE

Crystal McClory visits the stunning Holbox in Mexico

Landing in Cancún after an 11-hour flight, we run the gauntlet of hustling taxi drivers before hopping into our pre-booked Holbox Shuttle. The two-hour drive through the Yucatán Peninsula to Chiquilá passes lush green verges, bougainvillea and roadside stalls. Dogs and sheep wander, hammocks hang from shopfronts. One-storey concrete buildings are painted in bright pastels. Families gather for football and tuk-tuks zip past.

We reach Chiquilá’s ferry terminal as the sun is setting. Magnificent frigatebirds soar above the port as the sky turns molten gold. The ferry glides across the inkyblue water for the short crossing, leaving behind a band of fire on the horizon.

On arrival, we’re instantly charmed by thatched-roof huts, palm trees, twinkling lights and sandy streets. Ahhh, island life. At colourful Casa Alebrije we dine on a Mexican feast, watched over by the resident Chihuahua (what else?) sporting a hoodie and gold chain.

Walking to breakfast the next morning, we spot masked bandits – cute raccoons with striped tails, looking like cartoon bank robbers. In the town square, a halfdome mural depicts a woman, waves, flamingos and whale sharks: Holbox’s icons captured in paint. At Painapol for brunch, a blender roars over the counter as we tuck into fresh fruit and crunchy jícama.

Down on Playa Holbox’s powderwhite sand, a wooden pier juts into the sea. Pelicans bob on the water like prehistoric rubber ducks, framed by graduated shades of azure, from aquamarine to deep turquoise.

At Punta Caliza Beach Club, hammocks creak gently beneath palm trees as a mynah bird chatters overhead. Prawn tacos, tuna tostadas, and bowls of guacamole arrive

with Paloma cocktails. Ice shakes behind the bar. Happy hours! Embrace the lack of Wi-Fi and truly unwind as warm breezes caress sun-kissed skin. Sun sets over sandcastles shaped like mini Chichén Itzá Mayan pyramids. Later Temoc Tacos y Mezcal hums with live music. Open sided taxis with tractor wheels trundle across the sand. Luuma, a boho-chic, open-air restaurant and boutique is popular. My island essentials? Supergoop Play Everyday Lotion and Unseen Sunscreen in an M&S Flat Lay bag, Incognito’s natural insect repellent tucked into a Radley Tote, and Whistles sandals on repeat. An exhilarating boat ride skims us across the sea on the three-island tour, dolphins surfacing to our delight. At Bird Island, pelicans and egrets crowd the trees, while flamingos blush pink on Passion Island. The Yum Balam Biosphere Reserve protects one of northeastern Mexico’s most important aquifer systems and remarkable wildlife. Paddling the crystalline waters of Mosquito Island, marvelling at pu er fish and horseshoe crabs, feels like stepping into a stunning postcard. At low tide walk across white sand rippled sandbanks to admire this incredible serene seascape. Back on land, hibiscus juice flows at beach bars and tacos disappear quickly. The sun sets on silhouettes lining the pier. Matambre Bodegón Argentino restaurant serves insanely good steak. Nômade Holbox is a design-driven eco-retreat with unusual architecture and earthy treehouses. The beach is secluded and elemental – a reminder that Holbox’s greatest luxury is its landscape. People gather at Zomay chiringuito to witness a spectacular sunset as

pelicans dive. A window seat at stylish Basico for dinner is perfect for peoplewatching through the macramé curtains.

Ser Casasandra, a charming boutique hotel, embodies barefoot luxury with its guiding philosophy: “To choose simplicity over access and presence over distraction.” Orange cushions rest against white studded walls beneath fan palms. An iguana nods lazily as we lounge by the outdoor pool, soaking up the Caribbean sun. Exquisitely designed rooms make you feel at home, while the Mojito beach bar o ers shelter from today’s breezy beachfront.

At Parador 33, Argentinian Italian fusion is home to a wood-fired pizza oven and glows with a neon sign: This is my happy place. Yes it is! We leave glowing – though that might be from the flaming steaks and attentive waiters. A sudden downpour sends us sprinting and laughing across wet sand, ducking under blinds and into Tierrasal to drink at the terrazzo bar.

Holbox is a special destination and next time I might even see the bioluminescent plankton and the whale sharks! Island life drifts through endless azure blues, a gentle calm that stays with you long after you leave. Our journey ends at The Fives Oceanfront in Puerto Morelos, where sunny yellow parasols line a white beach. There’s a rooftop infinity pool – and even a jacuzzi on our suite’s balcony. Bats swoop overhead on an evening stroll past a classic VW Beetle to Punta Corcho for dinner. On our final morning, a sunrise walk to the tilted lighthouse reveals waves lapping the shore, a fiery horizon, and birds perched quietly on boats.

Virgin Atlantic fly direct from London Heathrow to Cancun

BUSINESS SENSE

Adele Carnera

Founder, The OPRA Group theopragroup.com

Q Tell us about yourself…

Marking International Women’s Day this month, we chat to five inspiring individuals leading the way in their respective fields

A My career has always sat at the intersection of people and business growth. I’ve worked closely with organisations of varying sizes and sectors, supporting them through periods of change, expansion, and increased regulatory pressure. Those experiences shaped my belief that recruitment, HR, and employee screening should not exist in isolation or be viewed purely as compliance-driven functions, they should actively support better hiring decisions, stronger cultures, and sustainable business performance. Recruitment is a key pillar of our o ering. We support organisations with both temporary and permanent hiring, providing flexibility for shortterm workforce needs whilst helping businesses secure long-term talent aligned to their values and growth plans. Our particular area of growth has been clinical recruitment, where we’ve built a strong, credible foothold within the dental sector. We understand the unique regulatory, operational, and people challenges faced by dental practices, our focus is on continuing to grow and deepen our partnerships within this space.

Q How does The OPRA Group balance thorough vetting with candidate experience and privacy?

A Balance is central to how we operate. Rigorous screening should never come at the expense of dignity, transparency, or trust.

Our screening processes are designed to be proportionate, role-relevant, and fully compliant with data-protection legislation. Candidates are clearly informed about what checks are being conducted, why they are necessary, and how their data will be handled. Consent, clarity, and communication are fundamental. Operationally, we focus on e ciency and minimising delays. We work closely with clients to ensure their screening requirements genuinely align with the risk profile of each role, supporting both compliance and positive candidate experience.

Q What patterns do you see in how SMEs choose between internal HR teams and outsourced support?

A We most commonly see a hybrid approach, rather than an either/or decision. Many SMEs recognise the importance of HR expertise but don’t need, or cannot justify, a full in-house HR team. Some clients engage us on a retained basis, gaining access to senior HR expertise without the overhead of a permanent hire. Others choose bespoke, project-based support, particularly during periods of growth, regulatory change, or organisational restructure. Flexibility and scalability are the consistent priorities.

Q How do you prioritise HR initiatives when working with a new client?

A We begin by understanding the wider business context, including objectives, challenges, and risk exposure. From there, we identify where intervention will have the greatest immediate and long-term impact. Data plays an increasingly important role in this process. Metrics such as turnover trends, absence data, recruitment timelines, and engagement feedback often highlight pressure points. This enables us to prioritise initiatives that deliver measurable outcomes and align HR activity with business strategy.

Q Looking ahead, what innovations or strategic shifts do you envision for The OPRA Group?

A We see continued integration of technology and human expertise as essential. In screening, this means leveraging smarter systems and automation to improve speed and accuracy while retaining expert oversight for complex or higher-risk roles. Across HR consultancy and recruitment, we anticipate growing demand for data-led decision-making, flexible advisory models, and sector-specialist recruitment, particularly within healthcare and dental markets. AI will play a role, but always as a tool to enhance professional judgement, not replace it. Strategically, our focus remains on expanding services that help organisations navigate complexity with confidence, while maintaining the ethical, personal, and peoplefirst approach that defines The OPRA Group.

Jana Meyer

Founder, Key Tuition key-tuition.co.uk

Q Tell us about your career to date?

A I came to the UK in 2000 from South Africa, for what was meant to be a two-year gap year after I studied a business and psychology degree. A temporary role as a special needs assistant changed everything. I discovered my calling and trained as a Primary teacher in London. I then went on to specialise as a Reading Recovery teacher, and by 2005, while still teaching full-time, I opened my first tuition centre in Brentwood. That leap of faith 21 years ago has grown into Key-Tuition, where we have been helping an average of 500 primary and secondary children each week in Maths,

English, Science and 11+ as well as a Dyslexia reading program, Home educated students workshops and holiday workshops.

Q What inspired you to launch Key-Tuition?

A I fell in love with supporting the children who slip through the cracks – those who survive in traditional classrooms but never truly thrive. As a Reading Recovery teacher, I saw firsthand how powerful one-to-one support could be, but I was limited to helping just a handful of children within the school system. When my husband (also a teacher) and I had the opportunity to buy a tuition centre, we knew it was our chance to create something bigger, a place where learners could become confident, capable students.

Q What makes you di erent?

A Every person has a unique make-up of talents,

experiences, attitudes and learning. There are probably a few attributes I can list, but I think something that brings most of it together is that I love to learn. I am forever on courses and part of mastermind groups and associations in order for me to learn from other people, stay on top of changes in the world around us and have a big picture thinking. Learning goes hand in hand with implementing and that is where a great team who can help implement makes such a massive di erence. We have a team of over 30 teachers and admin sta . Together, we don’t just follow trends; we anticipate needs and create solutions. Our recent pivot to meet the growing demand for alternative provision and home education support is a perfect examplewe saw the shift coming and were ready.

Q How was 2025 for you?

A For us 2025 was transformational. After 20 years navigating recessions, a pandemic, and constant change in education, we made our boldest move yet: we decided not to renew the franchise contract, but to launch Key-Tuition as an independent brand. It was a risk, but it was necessary to stay true to our values and vision. I’m incredibly proud of our team – from admin to teachers – who rallied together to make this transition seamless for the families we serve. That’s the power of shared purpose.

Q What’s new for 2026?

A Constant and Never-Ending Improvement (CANI) is one of our core values, so we’re always evolving. The education landscape is transforming. We’re seeing unprecedented numbers of families choosing alternative provision and home education – not because they ’re rejecting education, but because they ’re seeking something better suited to their children’s needs. At Key-Tuition, we’ve been preparing for this shift, developing daytime programmes and alternative provision that meets families where they are.

This isn’t just about tutoring anymore; it’s about reimagining what education can look like.

Q What are your hopes for 2026?

A My word for 2026 is 'Jubilee'. As I turned 50, I’m embracing the Biblical concept of Jubilee – a sacred year of reset and renewal. After two decades of building, I’m reflecting on what truly matters: impact, relationships, and legacy. I’m excited to reset priorities, both personally and professionally, ensuring Key-Tuition continues to be a place where children, families, and sta all flourish.

Ruth Warnes

Associate Partner – Valuation Surveyor, Fenn Wright fennwright.co.uk

Q Before working at Fenn Wright, what was your working background?

A I have always wanted to work in property – as a small child my parents used to find me typing up sets of property particulars on a typewriter or cutting out adverts from the property section of the newspaper! I studied Land Management at Reading University before joining Bidwells Graduate Programme, qualifying as a Chartered Surveyor in 2005.

Q What inspired you to work at Fenn Wright?

A Since qualifying, I have held various roles, including managing both rural estates and a £1.1 billion pound commercial pension portfolio, as well as valuation work across agricultural, commercial and residential property. When Fenn Wright approached me in 2023, I didn’t hesitate, they were a company I had admired from afar and I feel very much at home here.

Director, Benems Carpets Flooring & Fireplaces

benems.co.uk

Q What inspired you to launch Benems?

A I always had a passion for colour and home, putting together the interiors of my own home is where the first seed was planted. I realised it was a creative endeavour that I greatly enjoyed doing and it all snowballed from there really. As a single mother of two I was also interested in building up security for my children. The business developed from there. Benems is an anagram of my children’s names, Ben and Emma, which makes me happy and immensely proud.

Q What do you think makes you di erent?

A Every job is treated with care, and we’re a family business; that's at the heart of it all. And attention to detail – from start to finish; we’re with our customers for the whole journey. We’re much more than just carpets, flooring and

fireplaces and I love guiding from choice to completion planning making customers' vision a reality.

Q How was 2025 for you?

A A challenge, personal loss of loved ones, and as any business lady will know juggling work and home is a balancing act, especially in a traditionally male dominated sector. I was happy to rise and meet customer expectations as always and blessed to have an incredible team of expert fitters alongside me.

Q Are you introducing anything new for 2026?

A It is an important year for us as it is our 30th anniversary of being in business – an incredible achievement when I look back – so Benems is celebrating that throughout the year.

Q What are your hopes for 2026?

A Family is everything to me, so just wanting the absolute best for my children and grandchildren, plus my siblings – their happiness is my happiness. This includes friends who have supported and believed in me. Thank you for being part of my story.

Q How was 2025 for you?

A It was a year of growth as well as consolidation. There were challenges, as there always are, but it was also incredibly rewarding. I strengthened my working relationships, both within the business and with external stakeholders, improved systems behind the scenes, and became more confident in my own abilities.

Q Are you introducing anything new for 2026?

A 2026 is already o to a positive start. One of the highlights so far has been the opening of our 12th Fenn Wright o ce in Basildon, which will allow us to better serve our clients in the area and expand our team. It’s thrilling to see our vision take shape in a new space, and I am looking forward to the energy, creativity, and connections this next chapter will bring.

Q Outside of work, what are you looking forward to this year?

A I am now in my 32nd consecutive year of playing league hockey, having started when I was much younger – and slimmer! I have played Masters hockey for Su olk and this year I’ve set myself the challenge to be selected for the East Region Masters team.

Felicity Walker

Head of Office, Savills Loughton savills.co.uk

Q Tell us about your career...

A I’ve always worked in estate agency – starting at Foxtons in Mayfair from 2004 until 2007, before a spell at Knight Frank specialising in equestrian properties. I returned to Foxtons in 2009 and was the first woman to lead its flagship South Kensington o ce. I joined Savills in 2022, first to run its Bishop’s Stortford o ce and now jointly with Loughton.

Q What inspired you to join Savills?

A It’s a company I think a lot of estate agents aspire to. It has a fantastic reputation and is known around the globe for selling fabulous homes and providing a first class service.

Q What do you think makes you di erent?

A This is di cult to answer – and probably best asked to my clients and team! I think, like a lot of people, I’m very enthusiastic about my job. I love getting out of bed in the morning and going to work. When selling homes, people trust

Poppy

Vice President, Laura Ashley lauraashley.com

Q What inspired you to work at Laura Ashley?

A My passion for homewares led me to Laura Ashley, where I transitioned my licensing expertise from print to product. It was the perfect fusion of my professional skills and personal interest in interiors. I’ve always been inspired by Laura Ashley’s tenacity; she was a visionary female leader who championed her community and her craft.

Q What do you think makes you di erent?

A I think I have a di erent approach. Being dyslexic was a challenge whilst studying, but I learnt to see it as an advantage within my career. The dyslexic way of thinking allows me to approach things in a di erent way to others. As I progressed up the ladder, I think it has only benefited me in being able to think logically, creatively, and problemsolve all at the same time.

Q How was 2025 for you?

A Under the ownership of Marquee Brands, we’ve gained incredible momentum, expanding internationally while deepening our UK roots. The absolute highlight was opening our 10,000 sq. ft. flagship at Lakeside Retail Park – our first standalone store in over five years.

We also embraced evolution by launching into new categories like Swimwear and Greeting Cards and taking our British aesthetic global through collaborations like Laura Ashley x The Langham Melbourne. This year proved that while we cherish our heritage, we are firmly focused on a bold, expansive future.

Q What's new for 2026?

A 2026 marks our ‘Laura Ashley: 100 Years of an Icon’ campaign, celebrating our founder’s centenary. Laura was the original trailblazer and her entrepreneurial spirit remains our heartbeat. We are honouring this legacy by inspiring the future through University Partnerships for emerging designers and Archive Activations that make our iconic designs accessible to a new generation.

you with what is very often their most prized asset – not just financially but also somewhere that can have a lot of fond memories. It’s a huge privilege.

Q How was 2025 for you?

A It was great. On the work front, our o ce went from strength to strength and we completed a very smart refurbishment. On a personal note, I moved to Loughton, so it’s been brilliant to discover more about the local area.

Q Are you introducing anything new for 2026?

A More of the same, with some fine tuning. We’ve taken on three new employees, so are growing the team, and I’m really keen to encourage an environment where we continue to work together and draw on each other’s expertise.

Q Outside of work, what are you looking forward to this year?

A Horses play a big part in my life outside of work and as the weather warms up there’s always a lot of equestrian events to look forward to. The Badminton Horse Trials is a great day out and I’ll be there again in May, but I’m also hoping to get to a few point to points and the Horse of the Year Show in October.

AUCTIONEERSVALUERS

HansonsHertfordshire auctioneers and valuers are pleased to invite you to our regional valuation days. We are currently consigning jewellery, watches, antiques and collectibles for our monthly auctions. Our experienced valuers would be delighted to meet and advise you on auction estimates. We also offer FREE home visits if you are unable to attend our valuation days.

EVERY Wednesday at Burston Garden Centre, North Orbital Road, St Albans AL22DS

10am – 1pm

EVERY Thursday at The Kings Arms, 147 High Street, Berkhamsted HP43HL 10am – 1pm

EVERY Friday at our auction house

Hansons

Hertfordshire Unit 1, Lumen Road, Royston, Hertfordshire SG8 7AG 10am – 1pm

EVERY third Thursday at Saracens Head Hotel, High Street, Great Dunmow, Dunmow CM6 1AG 10am – 2pm

AND the last Wednesday of every month at The Acorn Room Pendley Manor Hotel Cow Lane, Tring, Hertfordshire HP23 5QY 10am –2pm

REVISED RECYCLING AND REFUSE EASTER HOLIDAY COLLECTION DATE

EASTER collections 2026

SCHEDULED COLLECTION DATE

Friday 3rd April 2026

REVISED COLLECTION DATE Saturday 4th April 2026

Normal collections resume Tuesday 7th April 2026

For further information on Waste and Recycling please contact the Council on 01992 564000 or visit our website www.eppingforestdc.gov.uk

POSSIBLE MISSION

The story of an Essex entrepreneur taking on a unique trek to support women and girls in Chennai, India

An Essex entrepreneur is joining 30 female founders driving 1,200km in tuktuks across India to raise funds for charities supporting women and girls in Chennai.

Carol Driver, from Upminster and who runs a boutique PR agency Carol Driver PR, is taking on the extraordinary challenge this International Women’s Day as part of the Sisterhood Rickshaw Rally 2026.

The mum-of-one will join 30 female founders and business leaders as they swap strategy meetings for bumpy roads, all with a bold mission: to raise £150,000 for education, skills training and maternal health projects in India.

Carol says: “We’re not just talking about change – we’re driving it. This is about showing what happens

when women take the lead, push boundaries and create real impact. We’re supporting women and girls where it’s needed most while proving to ourselves what’s possible when we step out of our comfort zones.”

The rally, which kicks o in Chennai on 2nd March, will see the women navigate treacherous roads, unpredictable weather and chaotic tra c, all in the name of empowering communities. Until 8th March, the entrepreneurs will travel from Chennai to Goa, stopping at key cities along the way (Chennai, Bangalore, Mysore, Mangalore, Panaji).

Some of the brands led by women taking part in the challenge include Great British Entrepreneur Awards, Killing Kittens, Ideas Fest, Think Tank Academy, Beyond Beautiful and Karma Group.

Carol is urging businesses and individuals to get involved by donating

or sponsoring the rally. She says: “There are still incredible opportunities to get in front of high-profile female founders, their wider audiences and beyond.

“Some companies are supporting us with products and services, so if you have a creative way to back our Goa Gals and, more importantly, the women and girls we’re supporting in India, we’d love to hear from you!”

Carol adds: “We know times are tough, but even £10 makes an impact. If you can’t donate, support us by sharing, commenting and helping us spread the word. Let’s show what happens when women take action instead of just talking about it.”

Be part of the adventure: follow @thesistrhoodgroup on Instagram to ride along with Carol and the team, and help spread the word

FOOD & DRINK

Colossal cuisine

BIG NIGHT

Big Night, the dining favourite in E9, enters a new chapter, welcoming Joe Lippman for a three-month residency. Highlights include Porthilly oysters with blue rhubarb, wild bass crudo with tomato ponzu and yuzu oil, and octopus carpaccio with lemon, shallot and shiso, alongside richer, comfort-leaning plates. bignight.info

Afternoon Tea

The top Essex spots to enjoy that quintessential English treat – with a little bit of spring thrown in too

DOWN HALL HOTEL & SPA

downhall.co.uk

Down Hall’s afternoon tea feels tailor-made for spring. Set in 110 acres of manicured gardens and wildflower meadows on the Essex/Hertfordshire border, it’s at its most magical when the magnolias bloom and the lawns come alive with colour. Inside, the elegant Drawing Room is flooded with natural light, while on warmer days tea spills out onto the terrace overlooking the gardens.

The menu focuses on seasonal and locally sourced produce, with delicate finger sandwiches filled with Essex smoked salmon and fresh herbs, followed by light, floral-inspired cakes that change with the time of year. Spring often brings lemon, elderflower and berry flavours, alongside freshly baked scones served warm with clotted cream and fruit preserves. The extensive tea list includes classic blends and fragrant botanicals, making it the perfect place to linger, sip and soak up the season.

PONTLANDS PARK HOTEL

pontlandspark.co.uk

Pontlands Park is a quietly elegant country house hotel just outside Chelmsford, and spring is when it really shines. Surrounded by landscaped gardens, lawns and blossomfilled trees, it o ers a tranquil backdrop for a leisurely afternoon tea. The conservatory is especially lovely in spring, filling the room with sunlight and views of fresh greenery.

Their afternoon tea balances tradition with seasonal flair. You’ll find dainty cucumber and cream cheese sandwiches, along with fillings using locally sourced ham and free-range eggs, followed by light pastries and cakes that reflect the time of year. Spring flavours such as rhubarb, citrus and vanilla often make an appearance, alongside classic fruit scones served with clotted cream and jam.

TIPTREE TEA ROOM

tiptreetearooms.com

Home of Wilkin & Sons, Essex’s most famous jam makers, the Tiptree Tea Room is a pilgrimage spot for anyone who loves a traditional afternoon tea. Spring is a particularly special time to visit, as the surrounding fruit farms and countryside come back to life, and many of the preserves used are inspired by what’s growing locally. Their afternoon tea is wonderfully classic: flu y scones, thick clotted cream, and an irresistible selection of Tiptree’s own strawberry, raspberry and lemon curd preserves. Finger sandwiches are fresh and generously filled, while cakes often include light sponge, fruit tarts and seasonal flavours. You can pair it all with a pot of their specially blended tea, designed

to complement the sweetness of the jams. It’s simple, nostalgic and deeply Essex.

MAISON TALBOOTH

milsomhotels.com/maison

Maison Talbooth sits beside the River Stour in one of the prettiest corners of Essex, right on the edge of Dedham Vale. In spring, this area becomes a patchwork of fresh green fields, blossom and water meadows, making it a breathtaking place to enjoy afternoon tea. The hotel’s riverside terrace is especially popular once the weather warms up. Their afternoon tea has a distinctly refined feel, created by chefs who focus on seasonal, locally sourced ingredients. Expect elegant finger sandwiches, perfectly baked scones, and beautifully presented pastries featuring flavours such as lemon, honey, and early summer berries. Everything is light, delicate and designed to reflect the freshness of the season. With river views, gentle wildlife and a luxurious yet relaxed atmosphere, Maison Talbooth o ers one of Essex’s most idyllic spring tea experiences.

LAYER MARNEY TOWER TEA ROOM

layermarneytower.co.uk

Few places in Essex feel more steeped in history than Layer Marney Tower, and in spring its gardens become a riot of colour. The tea room sits within this grand Tudor estate, surrounded by blooming borders, ancient brickwork and sweeping lawns. It’s a magical setting for a leisurely afternoon tea.

The tea itself is delightfully traditional, served on china with freshly baked scones, clotted cream and jam, alongside a selection of homemade cakes and finger sandwiches. In spring, you’ll often find lighter cakes, fruit-filled bakes and floral touches. After tea, you can wander the gardens and enjoy the blossoms, making it feel like a complete springtime escape rather than just a meal.

THE BARN BRASSERIE

thebarnbrasserie.co.uk

Set in the Essex countryside near Colchester, The Barn Brasserie is known for its commitment to local produce, and that shines through in its afternoon tea. Spring brings an abundance of fresh ingredients, and their menu reflects what’s being grown and harvested nearby.

Their afternoon tea includes classic sandwiches made with local bread and fillings, along with warm scones and a selection of seasonal cakes. You might find flavours such as lemon, rhubarb or fresh berries making an appearance as the months change. The bright, airy dining room and views across the

treats in cosy, quirky settings. Perfect for a laid-back catch-up or a treat with family, their seasonal menus and inviting interiors make every visit feel special.

GREENWOODS HOTEL

greenwoodshotel.com

surrounding farmland make it feel especially uplifting at this time of year.

ROSLIN BEACH HOTEL, SOUTHEND-ON-SEA

roslinhotel.com

For something a little di erent, Roslin Beach Hotel combines afternoon tea with sweeping views across the Thames Estuary. In spring, when the skies are brighter and the sea air is crisp, it’s a wonderful place to relax and watch the world go by. Their afternoon tea o ers all the classics – delicate sandwiches, freshly baked scones and an array of cakes – but with a modern, coastal twist. Seasonal ingredients are used wherever possible, and lighter, fresher flavours take centre stage as spring arrives. Sitting by the window with a pot of tea and a tiered stand of treats while waves roll in feels both indulgent and refreshing. It’s proof that you don’t need countryside gardens for a perfect spring afternoon tea – sometimes, the sea does the job just as beautifully.

MRS SALISBURY’S TEA ROOMS

mrssalisburys.co.uk

Mrs Salisbury’s – with locations in Maldon, Wickham Bishops, and Coggeshall – are beloved local tea rooms celebrating the Great British tradition with a relaxed, friendly vibe. Since 2014, Mrs Salisbury’s has been serving signature afternoon teas with fresh loose-leaf teas, finger sandwiches, warm fruit scones with clotted cream and jam, and ever-changing sweet

Afternoon Tea at Greenwoods is a longstanding tradition. With vintage china, and carefully crafted tiers of sweet and savoury delights, it’s an experience that turns a simple afternoon into something special. Perfect for celebrations or simply catching up with friends, it’s the ultimate indulgence, beautifully served in the heart of Essex.

MULBERRY HOUSE

mulberry-house.com

Set within a beautiful 18th-century manor and 22 acres of landscaped grounds in High Ongar, Mulberry House o ers a classic afternoon tea experience in elegant surroundings. Tea includes traditional delights like homemade finger sandwiches, freshly baked scones with Cornish clotted cream and jam, and a selection of fresh cakes, all paired with a choice of loose-leaf teas and co ees.

SOFT BLOOM

M&S Fleur de Lise Rosé o ers a delicate balance of freshness and flavour, with floral notes, redberry fruit, and a bright finish. Understated and elegant, it’s rosé for easing into the season, £9. marksandspencer.com

Spring

Red-Y

Light on its feet and full of charm, Elephant in the Room’s Palatial Pinot Noir is silky, juicy, and gently spiced. Best served lightly chilled, it’s a spring red that feels perfectly in tune with the season, £11. waitrose.com

BREEZE PLEASE

Shaped by the Atlantic and infused with coastal energy, Mar de Frades Brut Nature o ers saline freshness, bright citrus, and restrained bubbles. Made for spring aperitifs, seafood lunches, and those first evenings spent lingering outdoors, £28.50. vinvm.co.uk

Spring Awakening

Emma Marris’s Sauvignon Blanc captures Marlborough at its freshest, with zippy citrus, tropical lift, and a clean, mouthwatering finish. Bright, breezy, and full of energy, it’s the kind of white that signals winter is o cially over, £12. majestic.co.uk

of the best 5

Fresh bottles made for lighter days

By NATALIA SUTA

Citrus

Season

Picpoul, but with polish. Ormarine’s Cuvée Estela Élevée takes this southern French favourite into more refined territory, layering citrus freshness with gentle texture and poise. An elegant pick for lighter spring cooking and long lunches, £14.25. majestic.co.uk

Natalia Suta is a WSET-certified wine writer and educator with a knack for making wine accessible and fun. When she is not writing, she’s busy curating wine experiences and offering consultancy to help others discover the joy of wine. Follow Natalia on Instagram @_winerocks_

LIGHT

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BEAUTY

NOTES

The latest in luxury makeup and skincare

By CARLY GLENDINNING

CHANEL

The new Rouge Noir collection is dark on the eyes and nude on the lips, featuring vibrant magentas, so pinks and grey, in a subtle nod to rock icons. chanel.com

HAIR CARE DARK ARTS

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COLOR WOW

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PLANT POWER

EMMA LEWISHAM

The Emma Lewisham Essentials set contains seven luxury minis designed to deliver transformative results. Each formulation harnesses up to 25 actives that work in intelligent synergy to offer a complete ritual that hydrates, brightens, and renews. emmalewisham.co.uk

AKT’s aluminium-salts free formula transforms from a luxurious, skinnourishing balm into a dry, invisible powder, actively protecting and deodorising, £25. aktlondon.com

MAKE WAVES

Make Waves’ refi llable applicators contain a natural antiperspirant to keep you fresh and dry – and they smell great too. From £12. wearemakewaves.com

SALT AND STONE

This natural deodorant is aluminiumfree with probiotics, seaweed extracts and shea butter in a lovely Bergamot & Hinoki scent, £20. amazon.co.uk

it preserves lean muscle mass, which helps maintain a higher metabolic rate.

That said, lighter resistance training has its place too. Using lighter weights with higher repetitions (around 12–20 reps) can improve muscular endurance, coordination, and movement confidence – particularly for beginners or those returning after injury. Light-to-moderate loads are also valuable for accessory exercises, rehabilitation work, and days when the nervous system needs a break from maximal e ort.

HEAVY or LIGHT?

Rethinking resistance training for women

Walk into almost any gym and you’ll still see men clustered around the squat racks lifting heavy, while women gravitate toward lighter dumbbells and higher reps. The idea that women should train “light to tone” has lingered for decades –but is it actually true? Modern exercise science suggests the answer is far more nuanced, and far more empowering. First, let’s address the biggest myth: lifting heavy will make women “bulky”. Muscle growth is largely driven by testosterone, of which women have

significantly less than men. Even with heavy resistance training, most women will not develop large, bodybuilder-style muscles without years of highly specific training and nutrition. Instead, what heavy lifting will build is strength, bone density, and a firmer, more defined physique.

Heavy resistance training – generally defined as lifting weights that allow for about 3–6 repetitions per set – has several proven benefits for women. It improves maximal strength, supports joint health, and is especially important for bone density, reducing the risk of osteoporosis later in life. Research also shows that heavier lifting can be highly e ective for fat loss because

So where does this leave women trying to decide between heavy or light? The short answer: they shouldn’t have to choose. The most e ective training programs include a mix of both.

Periodized resistance training – cycling between heavier and lighter loads over time – delivers the best results for strength, muscle tone, and overall health. A woman might deadlift or squat heavy once or twice a week, while also incorporating lighter, higher-rep movements for shoulders, glutes, or core. This approach builds strength without neglecting endurance, mobility, or recovery.

Goals matter, too. A woman training for powerlifting will prioritize heavy loads. Someone focused on general fitness or stress relief may prefer lighter weights and faster-paced sessions. Neither approach is “more feminine” or “more correct” – they’re simply tools. Perhaps the most important factor is psychological. Many women discover that lifting heavier than they thought possible is profoundly empowering. It challenges outdated narratives about fragility and replaces them with a sense of capability and control. Confidence, after all, is one of the most underrated benefits of strength training.

In the end, the question isn’t whether women should go heavy or light – it’s whether they’re being given the freedom, education, and encouragement to do both. Strength, in all its forms, is not gendered. And the strongest programs are the ones that let women lift for their bodies, not against outdated rules.

JUST FOR YOU

PFEIFFER DESIGN

Pfeiffer Design offers truly bespoke design solutions tailored to your vision and space. With award-winning expertise in residential and commercial interiors across London and the South East, their team manages everything from initial concept through technical planning to final installation, crafting personalised, functional and beautiful environments that exceed expectations. pfeifferdesign.co.uk

p56 p60

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p70 THE SUFFOLK NEST FEELING BLUE STATEMENT LIGHTING BATHROOM TECH KITCHEN DINING inside this section

STYLE Spring

The interior trends to know to get one step ahead

By ASHLEE JANE

As we step into spring, interiors are shedding their pared-back winter layers and embracing something altogether richer, warmer and more expressive. This season is less about restraint and more about personality. Homes that feel soulful, collected and comforting, yet undeniably stylish.

Spring 2026 is signalling a confident shift away from cool minimalism and towards depth, colour and character. From vintage-inspired pieces to bold botanicals and tactile materials, these are the spring styling trends set to define the months ahead, and how to introduce them into your home with ease.

RICH, LAYERED COLOUR TAKES CENTRE STAGE

For some time, neutral interiors dominated the design landscape, but this spring we’ll see a noticeable move away from beige and grey minimalism. In its place comes a palette of rich, cocooning tones that bring warmth, comfort and a subtle touch of drama. Deep browns, terracotta hues, vintage reds, blush pinks and mustard yellows are leading the way. These hues work beautifully when layered together, creating depth and visual interest rather than relying on a single statement shade. The key is balance, pairing bold tones with softer ones to create harmony rather than overwhelm.

Introducing colour doesn’t require a full redesign. Start with accents: cushions in earthy reds and blush tones, textured throws draped over sofas, or an accent chair upholstered in a patterned mustard fabric. Decorative vases, ceramics and florals also offer an easy way to experiment with colour while keeping the overall look refined. These warmer tones evoke a sense of nostalgia and comfort, making spaces feel

inviting and lived-in, perfect for spring gatherings and relaxed everyday living.

VINTAGE-INSPIRED INTERIORS: SOULFUL, COLLECTED AND TIMELESS

Alongside richer colour palettes comes a renewed appreciation for pieces that tell a story. Spring interiors are moving away from anything that feels overly ‘new’ and instead embracing décor and furniture with character and soul.

Think imperfect patinas, antique finds, characterful woods and handmade details. Vintage-inspired interiors bring a sense of authenticity to a space, it’s about embracing pieces that feel collected over time rather than bought all at once. This approach adds depth and creates a quietly luxurious, lived-in feel.

Incorporating vintage doesn’t mean filling your home with antiques. Instead, mix old with new: a weathered wooden console table paired with modern lamp, alongside a vintage-style urn displayed with contemporary artwork. Even small touches such as aged brass hardware, handmade ceramics or antiqueinspired vases can introduce this trend effortlessly. The result is a home that feels considered, personal and timeless rather than trend-driven.

MAXIMALISM WITH INTENTION

Maximalism continues to evolve, but this season it’s all about intention. Rather than visual chaos, spring styling is about bold choices that feel curated and cohesive.

Oversized artwork, large-scale floral arrangements, bold patterned wallpapers and antique wall tapestries are all key players. These elements bring drama and personality, but the secret lies in how they’re layered. A maximalist interior should still flow, with

colours and materials echoing from room to room. For example, a striking piece of oversized art can anchor a living space, while complementary tones appear in cushions, rugs or decorative accessories. This considered approach ensures the space feels expressive yet harmonious.

MATERIAL MATTERS

Materials play a crucial role in defining spring interiors, with natural finishes dominating across furniture and décor. Darker-toned woods such as walnut and oak are becoming increasingly popular, replacing lighter Scandinavian finishes. These woods bring warmth and depth, pairing beautifully with the season’s richer colour palettes.

Metals are also taking on a more aged, tactile appearance. Brass, bronze and iron with naturally worn patinas add character and complement both vintage and contemporary interiors. Meanwhile, marble continues to be a favourite.

Soft furnishings are equally important. Textured fabrics, embroidery and cosy layered textiles add comfort while enhancing the visual richness of a space. Mixing materials such as smooth marble against rough wood, or soft linens with aged metals creates a layered, sensory interior that feels effortlessly luxurious.

FLORALS AND BOTANICALS

Spring wouldn’t be complete without florals, and this season they’re bigger and bolder than ever. Expect oversized, abundant arrangements designed to anchor a room and draw the eye.

Pedestal tables topped with large, artfully arranged florals instantly elevate a space, acting as a focal point rather than a finishing touch. These arrangements bring energy and life into interiors, echoing the season’s move towards maximalism.

Our Spring 2026 Collection introduces new, bold floral stems in pinks, purples and even splashes of yellow, designed to capture this expressive trend.

These colours work particularly well alongside warmer, vintage-inspired palettes, adding freshness without feeling overly sweet.

Greenery continues to play a key role, offering versatility and balance. It pairs effortlessly with almost any colour scheme, bringing vibrancy and calm in equal measure. Oversized hydrangeas in bold hues, such as mauve and crimson, are perfect for adding drama while maintaining a timeless elegance.

To complement these florals, our 2026 Vase Collection introduces two new designs: a mustard yellow vintage-style urn and a sage green and brown glazed pot.

LOOKING AHEAD

Spring styling for 2026 is about embracing warmth, character and individuality. By layering rich colours, incorporating vintage-inspired pieces, choosing natural materials and making bold yet intentional design choices, interiors become spaces that feel both current and timeless. Ultimately, this season invites us to move away from perfection and towards personality to create homes that feel expressive, comforting and beautifully lived in.

Ashlee Jane is founder of The Suffolk Nest. Find out more by visiting thesuffolknest.com

Out with the OLD

And in with the blue, writes the founder of Danetti

Embracing saturated colour is a shortcut to creating a room with drama and depth. The idea that dark walls make a space look smaller or gloomy is a common misconception. In reality, a deep pigment adds a sense of permanence and weight. It stops a room from feeling transient and instead makes it feel like a scheme that has been properly considered and finished.

A heritage grey-blue is a particularly smart choice because it acts as a more sophisticated alternative to a standard neutral. It’s a grounded, honest colour that brings a sense of history into a home, even in a new build. Unlike a flat navy or a cold slate, it has a dusty quality that feels lived-in from the moment it goes on the walls. It’s about choosing a shade that feels established rather than just on trend.

When you work with a deep palette, the silhouette of your furniture has to work harder. It isn’t about utility, it’s about how shapes interact with the colour. Using pieces with softer, organic lines, like a curved sofa, is a simple way to ‘un-box’ a room. Rounded edges break up the visual weight of dark walls, making the space feel fluid and welcoming.

The secret to keeping a dark room from looking one-dimensional is in the layering of materials. You need materials that truly have something to say – elements that act as a visual anchor rather than just blending into the background. A natural veined marble, for instance, provides a sharp, bright contrast against a blue or black backdrop, adding a bit of life and movement to the scheme.

Lighting is the other half of the equation. Harsh, bright lights make dark tones look flat or clinical. Using frosted glass fittings

helps to diffuse the light, creating a gentle, low-level glow that keeps the mood soft. When you pair that with tactile finishes like velvet upholstery or linen throws, you create balance. It’s about creating a space that feels grounded, but never heavy.

Ultimately, moving away from a safe, triedand-tested palette requires a bit of courage. White will always make a space feel open, but leaning into saturated colour proves there are other ways to create a sense of scale. You are essentially trading that airy, neutral quality for something with more character, moving from a cool, open atmosphere to something more cosseting. It’s a choice that works beautifully with natural light, too. In the height of summer, the sun reveals the hidden pigments in the paint, while the grey undertones keep the room feeling composed.

The initial step can seem like a risk, but once the colour is on the walls and the textures are layered in, the room starts to show its soul. It’s about trusting that a bit of depth won’t just change the look of a space – it will change how you feel when you’re in it.

Daniel Smith is the founder of Danetti, who have a showroom in Bracknell. See more at danetti.com

SLEEP

MATTERS

Jensen Beds on the importance of a good night’s rest –throughout life

Sleep is not a pause from life – it is a vital process during which the body repairs itself

No matter who you are, sleep plays a crucial role in your health. Our needs change throughout life, but one thing remains constant: quality sleep is the foundation for development, performance, recovery and overall quality of life. In fact, we spend around one third of our lives in bed. That means a 75-year-old has spent roughly 25 years asleep. Sleep is not a pause from life – it is an active and vital process during which the body repairs itself, the brain processes impressions, and energy is restored.

In connection with World Sleep Day 2026, the global theme “Sleep Well, Live Better” highlights how essential quality sleep is for both physical and mental health. Initiated by the World Sleep Society, the day serves as a reminder that sleep is not a luxury – it is a biological necessity.

CHILDHOOD

THE FOUNDATION IS LAID EARLY

Sleep plays a decisive role in a child’s development from the very first day. The brain grows rapidly, and during deep sleep growth hormones are released that are essential for both physical and cognitive development. Children who get enough sleep have better concentration, find it easier to regulate emotions and have stronger conditions for learning. Good routines start early. Putting away digital devices well before bedtime and reading a book together instead can help establish healthy sleep habits that last a lifetime.

ADOLESCENCE

A VULNERABLE PHASE

The teenage years bring major physical and mental changes. The body clock naturally shifts, and many adolescents become more evening-oriented. At the same time,

demands from school and social life increase. Lack of sleep during this period can reduce cognitive performance, impair learning and increase the risk of mental health challenges. In fact, sleep deprivation affects reaction time almost as much as alcohol. After around 18 hours without sleep, reaction time can resemble that of someone over the drink-drive limit.

ADULTHOOD

WHEN BALANCE IS CHALLENGED

As work, family and responsibilities fill everyday life, sleep is often the first thing to be sacrificed. Yet this is precisely when the body needs recovery the most. Too little sleep over time can increase stress levels, reduce productivity and raise the risk of lifestyle-related illnesses such as obesity, diabetes and cardiovascular disease. At the same time, research shows that people who sleep well make better decisions, have stronger concentration and experience a higher quality of life.

LATER LIFE

SLEEP CHANGES

As we grow older, our sleep patterns change. Many people experience lighter sleep and more frequent awakenings. Nevertheless, the need for good sleep remains just as important. Quality sleep supports memory and cognitive function, strengthens the immune system and contributes to emotional balance. Investing in good sleep is an investment in quality of life – even in later years.

THE RIGHT BED, BETTER SLEEP

For many, good sleep has become a symbol of control. We measure sleep scores, optimise routines and adjust lighting, temperature and screen habits. Yet many overlook the most fundamental factor.

When we sleep, the body is meant to recover. Muscles relax, the spine should rest in a natural position, and pressure points must be relieved. If the bed does not provide proper support, the body may work throughout the night instead of recovering. Body temperature also drops as we fall asleep, and materials that breathe and regulate heat can make a greater difference than many realise.

Naprapath Truls Hotvedt at Jensen explains that the bed and mattress you sleep on largely determine the position your body chooses – and therefore how well you are set up for a good night’s sleep. “If you change position constantly throughout the night, it may be a sign that the pillow, bed or mattress is not providing the right support.”

When the body cannot fully relax, it cannot recover properly. Over time, this can lead to stiffness, pain and reduced sleep quality – and ultimately less energy in everyday life.

NORWEGIAN-MADE JENSEN BEDS

For nearly 80 years, Jensen has had one clear goal: to develop beds that provide

optimal support and create the best possible conditions for a truly restorative night’s sleep.

Proudly designed and manufactured in Norway, every Jensen bed reflects decades of craftsmanship, innovation and expertise in sleep comfort. From the internal spring systems to the finest finishing details, each component is carefully engineered to deliver lasting quality and personalised support – night after night.

JENSEN BEDS CHELSEA HARBOUR

Visit the official Jensen Beds showroom located in Chelsea Harbour Design Centre on Lots Road in London. Here you can see a wide range of Norwegian-made Jensen beds, try different models for comfort and support, and get professional advice on choosing the right bed for your sleep needs.

This is the main physical Jensen presence in the UK and a great place to experience first-hand how their beds are designed to improve your sleep.

Discover more at jensen-beds.com/uk

Illuminatingimpact

Statement lighting is being used to transform design in our homes, as the founder of Gabriel Scott, Scott Richler, writes

Homes are increasingly treated as long-term sanctuaries rather than trend-led showcases, and that shift naturally elevates lighting to a more central role. Statement ceiling lights bring clarity and confidence to a space; lighting defines a room instantly, rather than quietly receding into the background. There’s also a renewed appetite for craftsmanship and architectural presence; people want to see how something is made and to feel its material weight. The ‘big light’ answers that desire by offering both function and identity, acting as an anchor that brings cohesion to the entire interior.

When we design large statement fixtures, scale is always our starting point. A light should respond to the architecture around it, the volume of the room, ceiling height, sightlines and how the space is actually lived in. Quite simply, the larger the room, the more confidently a light can occupy it. That said, scale isn’t just about size; it’s about proportion and balance. We often remind clients that small rooms can look extraordinary with oversized pieces too, as long as the design has refinement and clarity. A bold light in a compact space can create tension and drama, rather than overwhelm, when it’s thoughtfully placed.

Lighting creates emotional resonance because it directly influences how we feel in a space, not just how we see it. A subtle shift from bright, task-focused light to something dimmed and warmer can instantly signal calm, comfort or intimacy. Much like changing pace at the end of the day, lighting helps us transition emotionally between moments, from focus to relaxation, from energy to rest. When lighting is layered and adjustable, it allows a home to support different moods throughout the day.

Mood plays a fundamental role in our design philosophy. We believe lighting should respond to how people actually live, not just how a room looks in photographs. Dimmable systems and thoughtful combinations of ambient, task and accent lighting give homeowners control over their environment, allowing them to tune a space to how they want to feel in that moment. Ultimately, the most successful lighting doesn’t announce itself, it quietly enhances wellbeing, making a home feel intuitive, personal and emotionally supportive.

At Gabriel Scott, materials are never an afterthought, they are central to both the

visual language and the longevity of every piece. Our approach is rooted in the belief that lighting should feel substantial, tactile and enduring, with materials chosen not just for how they look on day one, but for how they age over time. Glass is one of our defining materials. Many of our collections use hand-blown or double-blown glass, which gives each piece a subtle individuality. The layered construction softens the light, creating a warm, atmospheric glow rather than a harsh source. This quality of light is crucial to emotional comfort, it’s what makes a sculptural fixture feel inviting and lived-in, rather than purely architectural.

Equally important are our metals. We work with finishes such as satin brass, satin bronze, satin nickel, satin copper and blackened steel, chosen for their depth and quiet refinement. These finishes are deliberately understated; they catch the light without dominating it, allowing the form and the glass to take centre stage. Over time, they develop character rather than wear, reinforcing the idea of lighting as a long-term investment rather than a seasonal purchase. Statement lighting has increasingly replaced traditional focal points because it offers both visual impact and flexibility. Feature walls, wallpapers or built-in joinery are fixed to a specific home; lighting, by contrast, is something you can take with you. That sense of portability has become incredibly important to homeowners who move more frequently or see their interiors as evolving rather than permanent.

We also see lighting being treated as a true investment. When clients fall in love with a piece, it becomes part of their personal design language. That light will move homes with them, adapting to new spaces and contexts, rather than being left behind. In that sense, statement lighting has become a modern heirloom, an object that holds meaning, delivers impact, and offers longevity in a way that many traditional focal points simply can’t.

Lighting has moved far beyond simply complementing architecture, it now actively shapes how a space is experienced. Rather than being applied at the end of a project, lighting is increasingly considered at the same moment as the architecture itself. It defines volume, guides movement and influences how we perceive scale, proportion and flow within a room.

As homes become more fluid and multifunctional, lighting is also taking on a greater role in shaping how spaces are used throughout the day. Architecture may remain fixed, but lighting allows the same room to shift in character, from energetic and open to calm and cocooning. Ultimately, the relationship has become collaborative. Architecture provides the framework, but lighting brings it to life. When designed together, lighting doesn’t just support a space – it defines its atmosphere, identity and emotional impact.

gabriel-scott.com

Today’s highend mod-cons

don’t merely improve function, they

choreograph comfort

BSoak

Exploring how advancements in technology has made the bathroom a truly luxurious escape IT IN

athrooms have always been quietly technological spaces, even when they didn’t look it. Long before “smart” anything, the room where we wash and flush was shaped by engineering, materials science, and public health. What’s changed over the years isn’t just the kit we can buy, but what we expect a bathroom to do: from basic sanitation, to comfort, to wellness, to something bordering on a private spa. The Victorian era (and its equivalents elsewhere) turned sanitation into a domestic norm. The toilet evolved from an oddity to a standard fixture, and the trap became a crucial piece of everyday engineering: a simple water seal that blocks sewer gases. Indoor bathrooms spread slowly at first –

because they required infrastructure, cost, and often a cultural shift – but by the early 20th century they were a clear marker of modern living.

Mid-century bathrooms then benefited from mass production and new materials. Ceramic tiles became cheaper and more varied, making bathrooms easier to clean and more visually consistent. Hot water systems also improved: better boilers, more stable temperatures, and the growing availability of showers meant daily washing became faster. Bathrooms started to reflect convenience.

From the 1970s onwards, comfort and efficiency began to matter more. Thermostatic mixing valves reduced the risk of scalding by keeping shower temperatures steady. Ventilation fans became common, tackling condensation and mould. Accessibility standards also influenced design: safer surfaces, grab rails, and layouts that accommodated different bodies and needs. By the 1990s and 2000s, the bathroom had become a place where design and engineering met –minimalist fixtures, concealed cisterns, and frameless glass showers weren’t just style choices, but products of better manufacturing and installation techniques.

Today’s high-end “mod-cons” don’t merely improve function; they choreograph comfort, reduce friction, and blur the line between bathroom and wellness studio. The headline act in many luxury spaces is the advanced shower system. Digital and app-controlled showers let you set exact temperatures, flow rates, and even profiles for different people in the household. You can preheat the shower, pause it without losing your settings, or create routines –“morning energise” might mean a hotter start followed by a cooler finish. Rainfall heads, body jets, and hand showers can be combined with precision valves so the experience feels consistent rather than fiddly.

Baths have also become more than big tubs. Luxury models integrate air-jet or whirlpool systems with quieter pumps, improved filtration, and ergonomic shaping that actually supports the body. Some even include chromotherapy – coloured lighting designed to change the mood – and built-in speakers for a fully immersive soak.

Toilets in top-end bathrooms are where the most dramatic leap has happened. In many luxury homes (and especially in Japan-inspired designs), the “smart toilet”

or integrated bidet is now a centrepiece: heated seats, warm-water washing with adjustable pressure and position, air drying, automatic lids, deodorising filters, and self-cleaning nozzles.

Then there’s the sink area, which has become a small control centre. Touchless taps are now common in luxury settings, not just for hygiene but for sleekness and reduced cleaning. Temperature memory and precise flow control make daily routines smoother. Under-sink water filtration systems can provide cleaner water for brushing teeth or skincare routines. Mirrors have quietly become one of the most “techy” fixtures. Demisting pads keep them clear after a hot shower. Integrated LED lighting provides even illumination for shaving or makeup, with adjustable brightness and colour temperature so you can match daylight, evening light, or a softer spa ambience. In more futuristic setups, smart mirrors can display time, weather, calendars, or music controls.

Heating and comfort tech has also levelled up. Underfloor heating is a modern classic in luxury bathrooms, offering gentle, even warmth and quicker drying. Heated towel rails have become smarter too, with timers and thermostats that reduce energy waste. Some bathrooms add discreet, quiet space heating and humidity sensors that automatically ramp ventilation to prevent mould without blasting cold air through the room. Lighting, finally, is where luxury bathrooms often feel most theatrical. Layered lighting plans – task lighting at the mirror, ambient perimeter lighting, and low-level night lights – can be controlled via scenes. Motion sensors can bring on a dim pathway light at 2am without shocking you awake. What’s striking about all this is that bathroom technology has evolved from infrastructure to intimacy. The early breakthroughs were about survival and public health; today’s innovations are about ease, comfort, and the quiet pleasure of a room that anticipates what you want.

Dinner

Exploring how the kitchen has evolved to become a space to eat and entertain TIME

For most of human history, “the kitchen” wasn’t a place you ate so much as a place you worked. Cooking happened near heat, smoke, and storage – often in a separate room, a lean-to, or outdoors – while eating took place where it was clean, communal, and warm. In medieval Europe, for example, large households gathered in halls where food arrived from a distant hearth; the separation was practical as much as social. Even in smaller homes, the boundary between cooking and eating was often drawn by the simplest of technologies: a table that could be moved, a bench near daylight, or a corner away from soot.

As homes industrialised and urbanised, kitchens moved inside and became more specialised. Cast-iron ranges, chimneys, gas lines, and later electricity made heat controllable, and with control came design.

The kitchen gradually shifted from a hidden service area to a domestic machine: efficient, wipeable, and organised. Eating still belonged elsewhere, even if it was only a small dining room or the best table in the main room. When breakfast nooks appeared, they were a compromise: a tidy corner that acknowledged everyday meals without fully collapsing the distinction between preparation and dining.

Smaller homes and new family routines made casual eating more common, and the kitchen became the stage for it. Built-in cabinetry and laminate surfaces suggested permanence and ease; refrigerators and freezers changed shopping patterns, which changed the rhythms of meals. The kitchen table – once the informal cousin of the dining room table – grew in importance as a place for homework, paperwork, conversation, and snacking as much as for meals. As more households embraced convenience foods

and quicker cooking, the kitchen became less a workshop and more a hub: a spot you passed through repeatedly, not just when it was time to cook.

Late 20th century open-plan living accelerated the transformation. When walls came down, the kitchen gained an audience. Cooking became performative – something you could do while talking to guests, keeping an eye on children, or watching TV. The “kitchen-diner” became an aspiration, a signal of modernity and togetherness, and eating in the kitchen shifted from necessity to preference.

That change sets up the latest looks today, where the question is no longer whether people eat in the kitchen, but how that eating space expresses style and supports real life. The dominant design move is zoning: kitchens are planned like mini landscapes with distinct areas for prep, cooking, serving, and dining.

The kitchen island is the emblem of the modern era, but its role has expanded

The kitchen island is the emblem of this era, but its role has expanded. It’s no longer just extra counter space; it’s a dining surface, a homework desk, a buffet line, and a conversation magnet. Many islands now have “waterfall” edges, furniture-like legs, or contrasting materials that signal they belong to the living space as much as the kitchen. Seating has become more considered too: rather than a row of identical stools, you’ll see mixed silhouettes,

softer upholstery, and heights chosen for comfort over bar-like perching.

Alongside islands, the return of the dining table inside or adjacent to the kitchen has taken on a distinctly contemporary feel. Instead of a tucked-away breakfast nook, today’s kitchen dining often uses a fullsize table – sometimes vintage, sometimes built-in as a banquette, sometimes a sleek rectangle that aligns with cabinetry lines. The table is treated as a piece of furniture with its own identity, not just an accessory. That might mean warmer woods against pale stone counters, or a bold, chunky pedestal base that makes the dining zone feel grounded. Banquettes, in particular, are having a moment because they solve modern constraints: they maximise seating, reduce chair clutter, and create a cozy “room within a room” even in open-plan layouts. Another defining look is the “invisible kitchen” approach: storage walls, integrated

appliances, and concealed pantries keep the mess out of sight so the eating area feels calmer. When the dining table and island share a line of sight, visual quiet matters. You’ll see fewer items left on counters, more dedicated zones for coffee stations and small appliances, and more emphasis on cabinetry that reads like furniture.

Finally, today’s kitchen eating spaces are designed for flexibility. Islands are sized for both prep and serving; tables are chosen with extension leaves or easy circulation; stools slide under overhangs; banquettes incorporate hidden storage. The overall aesthetic – warm, integrated, and social – reflects how eating has evolved: from a separate ritual performed away from the work of cooking, to a daily practice embedded in the home’s busiest, most connected room. The modern kitchen doesn’t just feed people; it hosts the whole life around the meal.

ENDURING QUALITY

Inside the craftsmanship of Crown Pavilions garden rooms

Agarden room should be more than additional space, it should feel like a seamless extension of your home. At Crown Pavilions, true luxury lies not only in appearance, but in craftsmanship, thoughtful design and enduring quality.

As garden rooms continue to grow in popularity across the UK, so too does the variation in finish and construction. While many may look appealing in photographs, the real difference lies in the details – in the materials selected, the care taken during construction and the overall standard of the build.

Comfort throughout the seasons is key. Crown Pavilions garden rooms are constructed with insulated walls, roof and flooring to support year-round use, creating a space that feels inviting whether used as a home office, gym or private retreat.

Equally important is the structure itself. Strong timber frameworks and high-quality roofing systems are chosen to provide durability and resilience in the British climate. Every stage of the build reflects a commitment to precision and longevity.

Glazing and door systems play a defining role in both performance and aesthetics. Contemporary aluminium doors and quality glazing maximise natural light while enhancing the connection between home and garden.

Visit a Crown Pavilions Show Site

Experience the cra smanship firsthand and explore luxury garden buildings, gazebos, summerhouses and garden rooms with expert guidance throughout at these show sites:

• Chessington Garden Centre, London

• Longacres Garden Centre, Bagshot, Surrey

• Van Hage Garden Centre, Ware, Hertfordshire

• Alton Garden Centre, Essex

• Frosts Garden Centre, Woburn Sands, Milton Keynes

• Bridgemere Garden Centre, Cheshire

Exclusive Reader Offer

For a limited time, Absolutely readers will receive an exclusive 10% OFF, applicable to all installations completed before March 2026.

To invest in Crown Pavilions is to invest in a lifestyle, one defined by elegance, excellence and enduring luxury.

DISCOVER MORE

crownpavilions.com crown-equestrian.com Call: 01491 612 820

Inside, attention to detail is evident in the finishes and fittings. Clean internal lines, carefully considered lighting and refined design touches create a cohesive space that complements the main residence. With bespoke sizing and layout options available, each garden room is tailored to suit individual properties and lifestyles. When designed and built with care, a garden room becomes more than an addition – it becomes a considered investment in your home and the way you live

A new DAWN

Patio awnings made for spring style, comfort and shade

A

patio awning is a cool and considered investment

As spring finally arrives in Essex, gardens are beginning to reawaken. It’s time to wash the patio down and dust off the outdoor furniture as the promise of longer days draws us outside again. For homeowners who appreciate considered design and understated luxury, a patio awning is a truly great addition. Here are five reasons it deserves a place above your terrace:

1: EXTEND THE OUTDOOR CALENDAR

Essex weather rarely follows the forecast. A retractable patio awning provides reliable shelter from passing showers and welcome shade on bright afternoons. With a simple motorised action, your patio becomes a protected setting for Sunday brunch in April or relaxed suppers well into September.

2: FLEXIBLE AND PRACTICAL

Unlike permanent structures, a retractable awning adapts throughout the day. Open it fully to enjoy the first spring sunshine, extend it for filtered light or retract it completely to admire a clear evening sky. Caribbean Blinds’ Anguilla and Tortola models combine clean lines with smooth operation, ensuring practicality without affecting the home’s architecture.

3: A CONSIDERED DESIGN STATEMENT

An awning should complement its surroundings. With hundreds of fabric options, from muted natural shades to more modern tones, it can coordinate with stone flooring, painted brickwork or garden planting. The result is a harmonious transition from interior dining space to outdoor terrace, giving the impression of a curated extension of your home.

4: COMFORT AFTER DARK

Early spring evenings can cool quickly. Integrated LED lighting introduces a soft, understated glow, while discreet infra-red heaters provide warmth. Together, they turn a patio into an inviting outdoor room for entertaining friends or enjoying a quiet glass of wine after sunset.

5:

DESIGNED FOR MODERN LIVING

Today’s patio awnings are engineered with performance in mind. Wind and sun sensors can adjust the canopy automatically, protecting both the system and your outdoor space. Larger terraces benefit from the Cuba model, which spans up to 14 metres and withstands winds up to Beaufort 6, combining scale with reliability.

For style-conscious homeowners across Essex, a patio awning is a cool and considered investment in how your home is experienced from spring onwards – practical, bang ontrend and designed to bring comfort and enjoyment to daily life outdoors.

Discover how a Caribbean Blinds awning can transform your terrace into a versatile space for every season. Visit cbsolarshading.co.uk for more details

SLEEP TALK

By PENDLE HARTE

Whether you require an expert will drafting service, inheritance tax planning advice, need help with the administration of a will, or require advice on a contested will, BTMK’s Wills, Trusts, Probate and Inheritance Solicitors can guide you through the options. The team will make sure that the future of your family is secure and your wishes are carried out.

FVision comes to

LIFE

Design and build are equally important, and contractors that excel in both are a real find

or the Dakins, who planned a garden room extension to use year-round, it was important that design and construction worked together to create a long-term solution. The timber framework supporting the patio was rotten, and re-engineering it in a more durable material would have been too expensive. More importantly, they felt they would get more use from an extra room than outside space in a north facing garden.

“We wanted somewhere for the grandchildren to play when they come over, with more natural light and access to the garden,” they say. SEH BAC’s consultant arrived with a laptop and CAD software, ready to translate these requirements into a workable design. “It’s very different from someone roughing it out on a scrap of paper. The room took shape before our eyes.”

For retired engineer and IT worker Anthony Dakin, this approach was reassuring. “It gives you confidence you’ll get what you discussed,” he reflects, “and you know it’s feasible because you’re looking at a scale drawing that reflects the realities of the site.”

The design process also considers building regulations, allowing a close estimate of construction costs, including permissions, materials and labour. Budget mattered, but perspective was key. “You don’t want to be saying, I wish we’d spent ten per cent more to get what we wanted.”

A visit to the showroom helped finalise the specification. Staff were knowledgeable, clear on scheduling, and punctual.

Completed in six weeks, the project has transformed the home, providing a comfortable, well-insulated space to enjoy year-round, with improved light and a stronger connection to the garden.

For more details on how SEHBAC can help with laminated double glazing for your home, head to sehbac.com or visit your local showroom. Call 0800 666 444 for more information

The room took shape before our eyes. It gives you confidence you'll get what you discussed

EDUCATION

EQUESTRIAN EXCELLENCE

NEW HALL SCHOOL

At New Hall School in Chelmsford, the equestrian offering centres on a dedicated Learn-to-Ride Centre with onsite arena, stables and advanced simulators, plus riding lessons and courses across abilities and competitive opportunities in dressage, show jumping and eventing. newhallschool.co.uk

Stand out TACTICS

With more firms hiring on a skills basis and the inexorable rise of AI, degrees are no longer the golden ticket, so graduates need to find their niche to stand out from the crowd

Let’s spare a thought for the graduates of 2025. They are facing the toughest job market in the UK for nearly a decade. Shifting hiring trends appear, at first glance, to be devaluing the degrees they’ve worked so hard for in the first place.

The number of roles advertised for recent graduates is down 33% on last year, according to recent data released by jobs search site Indeed. There are many reasons for this – a sluggish UK economy, rising National Insurance contributions for employers, and more graduates than ever with similar credentials. But the biggest cloud on the horizon is the rise of AI, which is drastically reshaping the world of work.

“AI is dissolving the bottom rung of the corporate ladder, especially in economies and industries where information work dominates,” said Ignacio Palomera, CEO of Web3 professional networking and jobs platform Bondex, speaking to The Times recently.

“This is not a binary story of jobs lost vs jobs gained, but rather an asymmetrical transformation where tasks are being obliterated faster than the market can absorb or reskill the displaced,” he added. “The first casualties are disproportionately early-career professionals and operational generalists.”

As if to illustrate this point, PWC UK, number one in ‘The Times Top 100 Graduate Employers’ list for nearly 30 years, announced in September it would be hiring 200 fewer graduates this year.

In addition, there is a fundamental shift taking place in the hiring practices of many firms. More are open to hiring nongraduates, sometimes prizing real-world skills and portfolios above grades and academic learning. Companies such as Accenture, Kellogg’s and Kurt Geiger have recently introduced new hiring rules where no degrees are necessary. Neil Cli ord, CEO of Kurt Geiger, has made no secret of the fact that he wants to rip apart the ‘paper ceiling’ – the longstanding requirement of recruiters for degrees over practical and real-world experience.

“On-the-job learning is often as good, or better than, uni,” he says. “Taking away the paper ceiling is helping bright people get great jobs.”

This doesn’t mean a degree isn’t still worthwhile – it’s just that it is rarely enough on its own. Of course, the upper echelons – Oxbridge, Imperial and the Ivy

League – still hold sway, as do vocational pathways such as Medicine, Dentistry and Veterinary. University also remains a must for experiencing life away from home and expanding intellectual horizons. Independence, a chance to learn for learning’s sake, and a space to make new friends and have fun will remain a rite of passage for many, understandably. What has shifted is the landscape graduates enter.

This means securing a degree should be viewed more as the starting point for your career than a guaranteed door opener. What employers now want is students who can show they have a passion which they have actively pursued – experiences showing they have gone above and beyond.

HOW TO EVIDENCE PASSION

First, specialiseslightlymore than your peers. You don’t need a PhD-level niche (unless you wish to continue studying), but when graduating at an undergraduate level, you should be able to evidence passion in something specific. For instance, ‘I’m a PPE graduate who builds data dashboards on elections’ or ‘I’m a soil scientist and

“There is a fundamental shift taking place in the hiring practices of many firms –more are open to hiring non-graduates”

have completed a 10-week summer project with the Royal Horticultural Society’.

You need to show you have used your course as a springboard to convert academic learning into real experience. Choose a small, persistent problem in your field –data cleaning for a charity or cost overruns in student societies, for example – and become the person who solvesthatproblem. Evidence your passion with examples. Create a portfolio site or deck of slides to present the voluntary work or work experience undertaken. Create a case study of yourself – a problem, action, outcome (for example with the data cleaning for a charity) with numbers where possible as proof points. One excellent project with measurable results beats a dozen vague bullet points with no clear outcome. Use clubs, competitions and communities as a shortcut to build your experience and network. If you are doing a Politics degree, join the debating society, volunteer with the local branch of a political party and go canvassing during an election. Get to

know people in your field of interest and ask for their recommendations for your next step into work. If you impress them, don’t be afraid to ask for a testimonial. It should go without saying, but be sure to master the tools hiring managers expect along the way. There is no point applying for a job in a particular field and not being able to use the given technology. Gone are the days when you could expect to learn on the job. Finally, get working. Too many graduates leave university having never interacted with a real client or consumer. Take roles at university and o er your time to a local SME, startup, charity or campus department. Do all this pro bono, if necessary, but make sure you keep a record of your work, summarising your professional contributions and gathering results and testimonials where you can. If there isn’t available work in your field, bar or restaurant work is proof of the ability to work – and nothing prepares you for the working world like starting in the service industry in an entry role.

Working with an education consultancy that supports students through choices and the rigours of the UCAS or Common App application, I firmly believe that university provides an excellent foundation for your personal life, and a degree is an excellent foundation for professional life. But there is a growing body of evidence that it will no longer di erentiate you enough. That’s why you need to stand out by finding your niche and owning it. And the good news is that there’s a real renaissance in demand for skills that you will have developed during your education and activities beyond the classroom. Employers are looking to hire problem-solvers with a can-do attitude and great communication skills. So, if there’s a silver lining in the future landscape of work, it’s that AI may inspire us to reconsider, and value more highly, what makes us human.

Written by Jess Harris, who is Head of Quintessentially Education

Shaping the INDIVIDUAL

The power of bespoke performing arts

By JAMES MCCAUGHRAN

While global icons like Ed Sheeran and Sir Elton John frequently champion the performing arts as a cornerstone of mental wellbeing, at Dame Bradbury’s, we see these disciplines as something even more profound. For us, music, drama, and dance are not just subjects; they are bespoke pathways designed to unlock the individual potential of every pupil. Not only do drama, music, singing and dancing actively contribute to the cognitive and physical

development of children, but performing can build confidence and improve self-esteem. Through tailored creative journeys, every child – regardless of their starting point – can develop the confidence, cognitive agility and communication skills necessary to thrive in an evolving world.

NURTURING CONFIDENCE THROUGH INDIVIDUAL EXPRESSION

At Dame Bradbury’s, we recognise that every child’s path to self-assurance is di erent. Our performing arts curriculum is intentionally designed to meet pupils where

they are. While the performing arts can help all children feel more confident, they are particularly beneficial for young people who are naturally shy or more reserved. For the naturally shy, it is a supportive environment to find their voice; for the bold, it is a space to refine their craft.

We o er a progressive, pupil-focused performance calendar that ensures every year group has its moment to shine in a way that suits their developmental stage. Our pupils’ performing arts journey is meticulously structured to nurture individual development, beginning in the Early Years and Key Stage 1, where

the focus is on building foundational joy through traditional nativities and spring shows. This creative progression continues in Year 3 with a bespoke introduction to Shakespeare, where pupils perform specially adapted versions of his classics, followed by Year 4, where children take the lead in ‘mini-musicals’ designed to build their collaborative stamina. By Year 5, pupils are a orded the prestigious opportunity to perform at Sa ron Hall, providing an outstanding professional-grade platform for their dramatic and musical contributions, before the journey culminates in Year 6 with a grand summer production that serves as a celebratory capstone to their individual creative journey. With a purpose-built theatre and professional sound and lighting booth, our pupils also gain valuable insight into the mechanics of staging a performance.

By mastering a choreographed routine or a Shakespearean monologue, children gain a tangible sense of achievement. This isn’t just about applause; rather, it’s about the internal realisation of their own capability.

DEVELOPING COMMUNICATION AND ORACY

The ability to articulate an idea is fundamental to academic success. As such, communication is at the heart of the Dame Bradbury’s experience and we embed drama and oracy skills directly into our curriculum from Year 3. Every performance is treated as a unique display of the children’s own individual interpretations of a script, moving beyond simple recitation to teach pupils how to analyse, empathise and communicate with genuine intent. Our approach is uniquely tailored through our specialised workshops, which provide a focused environment for honing public speaking skills and verbal expression,

WE VIEW MUSIC PRACTICE AND PERFORMANCE AS A WORKOUT FOR THE DEVELOPING BRAIN

creating a dedicated pathway for pupils to enter London Academy of Music and Dramatic Art (LAMDA) examinations. For the 50 per cent of our pupils who choose to enrol in these courses and obtain individualised qualifications, it significantly bolsters their academic portfolios.

Not only are these skills valuable in the classroom, they are fundamental for children’s success beyond school –whether this is at university or in the workplace. Any child who performs has the opportunity to develop many of the skills that employers value: communication, collaboration and confidence.

BUILDING THE "SCHOLAR’S BRAIN" THROUGH MUSICAL MASTERY

The cognitive benefits of both listening to and playing music are well-documented, but our music programme goes further by o ering unrivalled variety – from electronic music production using the MIDI keyboard to the gamelan – and specialisation. We view music practice and performance as a "workout" for the developing brain, strengthening problem-solving skills, memory, and executive function. Research shows that

live performance can improve academic performance in children by four per cent. While music remains a core curriculum subject for all, a significant percentage of our pupils choose to refine their talents through additional individualised specialist lessons, spanning a diverse range from the oboe and violin to drums and rock guitar. We ensure these musical opportunities remain inclusive by tailoring specific parts within our various ensembles – including the orchestra, jazz band, and our two rock bands – to perfectly suit the skill level of every performer, from the absolute beginner to the advanced player. From the Pre-prep Music Club to our expansive Year 3-6 Choir, each child’s bespoke contribution is valued as an essential part of a larger, collective masterpiece. Whether your child prefers to sing, dance, act or play a musical instrument, encouraging them to join a creative community of performers while they are at school means that they become part of a world where ideas, inspiration and individuals thrive.

James McCaughran is the Head of Junior School – Dame Bradbury’s. Discover more at damebradburys.stephenperse.com

At Brentwood Preparatory School, they have found the ‘sweet spot’ of modern education. By combining award-winning, world class facilities with an individualised approach to pastoral care, they o er a rare dual advantage: the expansive opportunities of a progressive learning environment delivered within the warm, nurturing environment of a small school community where pupil wellbeing is at the heart of everything they do.

It is often assumed that a school must choose between being small and nurturing or large and well resourced, but Brentwood Prep is the exception to that rule. Having fully integrated state-of-the-art developments, they provide children with a breadth and depth of academic and co-curricular programmes that few schools in the country can match, all while maintaining a village-school atmosphere where every child is known and valued.

Head of Prep, Alice Goodfellow, explains: “Every child at Brentwood Prep is important,

Big school opportunities, small school feel at Brentwood Prep

they only get one shot at their education and we take that responsibility very seriously. Our established Pastoral team, which includes two Pastoral Mentors and Heads of Year, ensures our care remains highly personalised. Class and Form Teachers play a significant role in being a child’s constant in school life, someone that knows them well and who they can turn to for advice at any point. All adults at Brentwood Prep go out of their way to have positive, regular interactions with the children, this is their community, this is where they belong.”

This growth of the Shenfield Road campus was meticulously planned to achieve an optimum balance. Paradoxically, as the school’s facilities expanded, the pupil-tosta ratio was significantly reduced: more sta means more time to dedicate to each child. This investment in people ensures that the ‘small school feel’ is protected by a dedicated team that provides a personalised experience for every child.

The benefits of this ‘big school’ infrastructure are woven into the fabric of daily life. A rich, varied academic enrichment

programme is built directly into the timetable, ensuring every child – rather than just a selected few – enjoys access to elite-level academic and co-curricular challenges. This sense of opportunity extends to their vibrant House culture, where children have ample opportunities for leadership roles and chances for pupils to represent their peers. Furthermore, the school’s team of coaching sta and extensive grounds mean that every child, regardless of ability, has the opportunity to represent the school in sports.

“We have reached a point where we o er the best of both worlds,” Alice Goodfellow adds. “The growth of the school has actually allowed us to know our pupils better. We have the resources to o er an incredible range of activities, but we remain small enough to ensure no child is left on the sidelines. Our pupils are the main beneficiaries of an approach that o ers them the world, while keeping their happiness and wellbeing at the very centre of it.”

brentwoodschool.co.uk

Saint Nicholas School

• Independent co-educational day school for ages 3 months to 16 years.

• Small class sizes for personalised attention and early success.

• High expectations balanced with kindness and care.

• Beautiful campus with outstanding outdoor learning provisions for all ages.

• Competitive fees with wraparound care and convenient bus routes.

OUT IN FRONT

New

Hall School’s equestrian provision

continues to evolve at pace with the announcement of a new departmental lead

New Hall School in Chelmsford is delighted to announce the appointment of Rebecca Kennedy as its new Head of Equestrian.

Originally from the Isle of Arran on the west coast of Scotland, Rebecca began riding at the age of six at her local riding school. She holds an Honours degree in Equine Business Management and is a qualified British Horse Society Coach. Prior to joining New Hall, Rebecca was Head of Equestrian at the renowned Gleneagles Hotel in Perthshire, where she managed a 30-horse equestrian centre and led a team of 13 coaches and grooms.

In May 2025, New Hall opened its Learn-to-Ride Centre, a facility that blends centuries of equestrian

tradition with innovative technology. The centre features an outdoor arena, new stables and two state-of-the-art Racewood simulators. These simulators, already in regular use, enable students to train year-round. Rebecca says:

“I am excited about developing the Learn-to-Ride Centre’s o ering for students. New Hall has a strong equestrian heritage, and I am looking forward to working with students and sta to build on this, while expanding opportunities for riders at every level.”

New Hall boasts a vibrant and successful Equestrian Team that competes in a range of disciplines at National Schools Equestrian Association (NSEA) competitions, including a thriving grassroots team. The school also o ers the BTEC Level 3 Diploma in Sport, a vocational qualification in which students can o er riding for one of the performance elements.

THE FACILITY BLENDS CENTURIES OF EQUESTRIAN TRADITION WITH INNOVATIVE TECHNOLOGY

The school has a rich equestrian history, including a Royal Visit by HRH Princess Anne in 1979, and national-level success dating back to the 1970s and 1980s. Notable alumni include Dr Veronica Lac, founder of The HERD Institute and a practitioner in equine-facilitated psychotherapy, who recently returned to New Hall to share her inspiring journey of combining her lifelong passion for horses with a distinguished career in psychology. The Riding for the Disabled Association (RDA) regularly attended New Hall, bringing people with disabilities for therapeutic walks with horses, supported by trained sta and New Hall riders. Looking ahead, New Hall is developing New Hall Park Farm, a 70-acre site in nearby Little Baddow. Currently undergoing refurbishment, the site will o er expanded opportunities for student riders, including livery services, advanced riding camps and specialised training programmes. New Hall School’s next Open Day, taking place on 2nd May, will include guided tours of the Learn-to-Ride Centre and the chance to meet the School’s coaching team and student riders.

newhallschool.co.uk

A£3,950,000

n exceptional family home occupying a generous plot with landscaped gardens and lake views. This outstanding six bedroom house o ers a high standard of luxury living, thoughtfully arranged across three floors. The property also includes a pool and leisure facilities, plus a stunning one bedroom detached annexe with air-conditioning.

Anglesea Road, Wivenhoe, Colchester, Essex. Guide Price: £750,000 - £800,000

• Individual & bespoke build • Prestigious lower Wivenhoe location in close proximity to the River Colne & bustling Quayside • Air conditioning

• Mainline railway station within easy walking distance • Three spacious bedrooms & three bathrooms • Ample secure off road parking

Unexpectedly re-available is this truly stunning individually designed home built to incredible specifications, nestling behind a beautiful and unassuming facade with electric Cedar gates which lead to the entrance and further secure parking. Architecturally brilliant, this contemporary home has been planned to perfection, offering versatile accommodation to make the most of the prime position it resides in. Stunning design features include glass panels, skylights, open plan living/dining/kitchen with Bi-Fold doors to the rear garden, three bedrooms; the master of which is enhanced by high ceilings and french doors to its own central courtyard, two En-Suites, a family bathroom, underfloor heating and air conditioning powered by an Air Source Heat Pump. This stunning contemporary home is within a short stroll of Wivenhoe’s famous Quayside which offers an excellent range of bespoke shopping and leisure activites, and for the commuter, the mainline train station offers fast links to London Liverpool Street in just over the hour. this one off masterpiece must be viewed.

GROWING MOMENTUM

Levels of activity have been supported by a relatively stable mortgage market and the expectation of further interest rate cuts.

Demand remains strong among buyers and several o ers have been made in the early part of the year. Just as importantly, these o ers are being accepted. An example of this is our recent sale of Windy Ridge (pictured) in Havering-Atte-Bower, which was listed for a guide price of £4.5m.

Signs of CONFIDENCE

Felicity

Walker, head of

o ce at

Savills Loughton

, says sellers who put their house on the market early could steal a march on the competition

While the winter may not traditionally be seen as the best time to house hunt, the first months of 2026 have seen something of a new year bounce for the property market.

A welcome cut to interest rates and greater clarity following the Autumn Budget has led to growing confidence among both buyers and sellers. Realistically priced, well-maintained homes continue to have strong appeal. Some of the houses sold so far this year are carryovers from 2025 – but we are also seeing plenty of fresh interest. Nationally, exchanges are 20% up on what’s considered

normal for this time of year, while here in West Essex we have seen a huge rise in potential buyers wanting to view properties.

Interestingly, a number of o ers are on homes that have been on the market for some time, suggesting a degree of renewed motivation from buyers who have been watching the market closely, as well as from those who are newly registered.

Of course, the market isn’t perfect. Sellers still need to be realistic on price. According to Nationwide’s latest report, house prices have shown very little change since the start of the year.

However, new instructions are slightly up on 2025 and sales of properties above £1m have also improved compared to the final quarter of last year.

The five-bedroom property was on the market for just 24 hours and went under o er to the first person who viewed it. Market confidence appears to be improving and people who had seemingly held o have dusted down their plans to move. All of this bodes well for the months ahead.

With local elections around the corner, my advice to would-be sellers is to capitalise on this early year activity.

Whilst the markets will likely remain finely balanced, momentum should build as decisions start to be made. Pragmatism will remain key to achieving successful sales, creating plenty of opportunities for well-informed buyers and sellers.

For more information, contact Savills Loughton on 020 8498 6600 or visit savills.co.uk

A wonderfully and attractive four bedroom link detached property located in the heart of Buckhurst Hill. The present owners have thoughtfully transformed and extended the property over time and now offers spacious and comfortable accommodation with generous reception rooms, bathrooms, study, spacious kitchen, utility room, lift to main bedroom, plus garage.

Ideally placed for the Central Line Station and Queens Road’s shops, cafes and restaurants is this contemporary three bedroom, three bathroom family home. The house is beautifully presented with a modern kitchen, bathroom and shower rooms, utility room and there is a low maintenance south facing rear garden.

Seasonal shift

James Hunt, founder of Durden & Hunt, on why there is a spring in the step of the property market

As we move into March and the first signs of spring begin to show, the property market typically enters one of its most active and opportunity driven periods of the year. Longer days, better natural light and gardens starting to come back to life all help properties present at their absolute best, and buyer activity historically increases as people look to complete moves before summer.

This year we are seeing a market that feels more measured and more educated, but importantly it is still very active when properties are priced and positioned correctly. Buyers are analysing value closely, mortgage rates feel more stable and there is a growing sense of confidence compared to the uncertainty we saw across parts of last year.

a property launching correctly versus simply being listed can be significant in both sale price and timescale. At Durden & Hunt we are continuing to see strong demand across family homes, village locations and well presented period properties, particularly where there is parking, home working space and energy e ciency improvements already in place. We are also seeing investors quietly re-enter the market where yields and long term fundamentals make sense.

On the market

Regents Drive, Woodford Green, IG8

Asking Price £1,695,000

For sellers, this means presentation, pricing strategy and agent selection matter more than ever. The di erence between

As we head towards the end of the first quarter, the key message is one of realistic optimism. The market is not standing still, it is simply more professional and more strategic. For anyone considering a move in 2026, the spring window is traditionally one of the strongest launch periods of the year, and with the right advice and preparation there is real opportunity to achieve excellent results in the current climate.

Durden & Hunt welcome to the market this five bedroom home with three bathrooms, additional downstairs WC, open plan kitchen diner, utility room, large reception room and study. Externally the property benefits from a double garage and large garden.

Find out more at durdenandhunt.co.uk

why everyone is talking about…

Strictly Air Ambulance

A dancing extravaganza in aid of a wonderful local charity returns in March

After raising an incredible £58,000 at last year’s glittering event, life-saving charity, Essex & Herts Air Ambulance (EHAAT), is bringing the region’s favourite dance extravaganza back for its 14th year – and it’s set to be bigger, bolder and brighter than ever.

Strictly Air Ambulance 2026 will take centre stage at the Brentwood Centre on Saturday 14th March, promising a night packed with dazzling performances, celebrity guests and heartfelt community spirit, all to help fund EHAAT’s life-saving air ambulance missions across Essex, Hertfordshire, and the neighbouring regions.

Last year’s event was one of the highest grossing in the 13 years of the event’s history. This year, the charity is setting its sights even higher, with every ticket sold, sponsorship of the participants, and donations made, helping keep the helicopters flying and critical care teams on the frontline when every second counts.

Hosted once again by crowd favourites EHAAT charity ambassador Lisa Snowdon and ITV’s David Whiteley, the 2026 event introduces a brand-new “TV & Film” theme, featuring seven brave local amateurs paired with professional dancers to perform routines inspired by iconic screen moments, all competing for the coveted Glitterball Trophy. In addition to 14 routines performed by the dance couples, the evening will feature special performances from Strictly Come Dancing star Vincent Simone and his professional partner Victoria Martin.

Joining Vincent and Victoria on the show-stopping panel to judge the sparkle and skill on the night will be

television personality and influencer, Dani Dyer, Chelmsford Dance Centre Director and Head Judge Phil Meacham, alongside British national professional showdance champion Ben Milan-Vega.

Dani Dyer says: “I’m really excited to get the chance to channel my inner Shirley Ballas and be part of the judging panel at this year’s Strictly Air Ambulance extravaganza – I’m really looking forward to seeing all the couples routines. The evening is going to be amazing and all for such a great cause.”

“The energy, talent and generosity we see every year is truly inspiring,” says Mark Jarman-Howe, CEO of Essex & Herts Air Ambulance. “Last year’s total helped our crews reach more people in life-threatening emergencies and we can’t wait to make 2026 even more spectacular. It’s a night that makes a real di erence.”

Tickets are on sale now at ehaat.org/strictly

A Timeless Approach to Kitchen Design

Meticulously Made