Absolutely Cheshire March 2026

Cheshire

SPECIAL

Over 20 pages of inspiration and insight

MARCH 2026 / £3.95 STYLISH / INTELLIGENT / ELEGANT

Springtime

VIBES

PLUS DISCOVERANIASCHIERHOLT AT LOLATARPORLEY, PERFECT TO EMBRACETHE NEW SEASON

KASIA BROMLEY The Tarporley founder of ACAI Outdoorwear on following a dream DOUBLE ACT Shaun Ryder and Bez on the enduring appeal of the Happy Mondays CAKES & CUPS Enjoying the best afternoon tea oferings in Cheshire

NEW COLLECTION

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EDITOR

MARK KEBBLE

ART DIRECTOR

PAWEL KUBA

MAGAZINE DESIGNER

PAMELLA MORENO

PRODUCTION MANAGER

DANICA BRODIE

SENIOR MEDIA CONSULTANT NORTH REGION

MARTIN CUNNINGHAM

MEDIA CONSULTANT

MEGAN CAHILL

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DIRECTORS

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MANAGING DIRECTOR

SHERIF SHALTOUT

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Cheshire CHATTER

Ashley Rudd welcomes in March with open arms

Thereís a moment every year in Cheshire when everything just feels a little bit lighter. Itís not a dramatic shift, thereís no big announcement that spring has arrived, but suddenly the mornings donít feel quite as dark, the air feels softer, and you start noticing the first signs of fresh colours again. For me, March has always been about those small, quiet changes. Itís the time when the countyís grand estates begin to wake up after the long stretch of winter, and places like Tatton Park, Arley Hall & Gardens and Lyme Park start to feel full of life again.

Thereís something incredibly grounding about a slow walk around one of these estates at this time of year. The gardens arenít in full bloom yet, but you can see the promise of it everywhere: tiny buds on the trees, the first pops of colour in the borders, and more people out enjoying the fresh air after months of hiding under big coats. It also feels like the social side of Cheshire begins to stir again. Walks turn into lunches, co ees turn into long catch≠ups, and suddenly your weekends start filling up in the nicest, most e ortless way. Thereís less pressure than the ìnew year, new youî energy of January and more of a gentle reset, the kind that comes from fresh air, longer

days, and a bit more spontaneity. March is when everything, the gardens, the towns, and even our own routines, begins to move again. And in a county like Cheshire, where beautiful estates and countryside are right on the doorstep, it feels like the perfect excuse to get outside and enjoy it.

Taking a slow Sunday stroll around TATTON PARK and stopping for coffee a erwards.

Heading to MOOTRITION to see what spring and Easter-inspired flavoured milks they have in.

Keeping an eye out for the first lambs in the fields on countryside drives.

BUC K LEUP

Penelope Chilvers might be known for her boots, b u t her brog u es a nd lo a fers a re lovely too. We a re loving the ta n a nd white Morrell, from the Bloomsb u ry collection, £289. penelopechilvers.com

D a nish fa shion bra nd Ga u p with nt Disney slightly nlikely b u t boration th ses mostly on the a ra cter a nd her dvent res in Copenh a gen. ganni.com

A modern twist on the eleg a nt Art Deco style, the No a mond jewellery collection from Berry’s is striking nd vers tile r nge th at is perfect for both d nd night. berrysjewellers.co.uk

NE W FRA

EDITOR’S PICK

ADDSPAR K

Ioll a's stylish Bonnie fra me ch a nnels the 1970s with its oversized, sq ua re sh a pe a nd chocol ate brown lenses. Add yo u r prescription if yo u need to. iolla.com

HO M E LIFE

Ferm Living's SS26 collection l au nches on 5th Ma rch, with a focus on cre ating homes th at feel composed, rel a xed, a nd sh a ped by everyd a y life. fermliving.co.uk

The Ember collection from Berry’s Jewellers, with mic interpl a y of me, invites rers to embra ce jewellery n experience st tement. berrysjewellers.co.uk

G LO W UP

SOUTHBEACH

Bell a Freu d's theme for SS26 is Mi a mi Vice, fe atu ring sleek lines a nd slick ta ilored tro users, alongside the iconic slog a n knits. bellafreud.com

Addison Ross' new Sca llop La mp collection a dds a sm all, porta ble light to the ra nge of stylish a nd usefu l rech a rge a ble l a mps. We love the chocol ate one, £125. addisonross.com

JUSTTI M ELESS

The C a rtier Ta nk Lo u is C a rtier 18ct Rose G old La rge Model Le ather Stra p Watch h a s a silvered di al with bl a ck rom a n n u merals a nd bl u e steel h a nds. berrysjewellers.co.uk

CULTURE Holly Humberstone

30

The Agenda

COMEDY

Clinton Baptiste

8 March

LYCEUMCREWE

Hot on the heels of his fourth sell-out UK tour, the nationís favourite clairvoyant medium, from Peter Kayís Phoenix Nights, Clinton Baptiste is back with a new live show for 2026 and beyond. In a rudderless world, mankind needs an envoy to gather solutions from the allknowing, all-seeing Afterlife. But who should it be? Of course, thereís only one man for the job Clinton Baptiste. trafalgartickets.com

25 MARCH , JODRELLBANK

Elevate your technique and transform your celestial photos into works of art with a follow-on astrophotography class at Jodrell Bank. A classroom-based evening, this session follows on from their ëStep into Astrophotographyí course, giving budding astrophotographers even more tips, tricks, and techniques for creating breathtaking portraits of the night sky.

jodrellbank.net

28 March

LIVERPOOL ROYAL COURT

Award-nominated comedian, writer and composer Leila Navabi will bring her bold, joyful, punkmusical one-person show Relay to venues across the UK in 2026. Blending razor-sharp stand-up, electro-pop musical numbers and hand-drawn animation, Relay delivers a heartfelt and hilarious hour about building a queer family on your own terms. liverpoolsroyalcourt.com

EVENT

Jason Fox

13 March PARRHALL

Jason Fox has spent a career pushing himself to the limits, often in life-threatening situations all across the globe. Now the former Royal Marines Commando and UK Special Forces soldier is taking to the stage to challenge audiences to reboot their thinking, banish stubborn bad habits and transform their lives. In Embrace the Chaos, the SAS: Who Dares Wins star will also share a series of never-told-before stories revealing his close brushes with enemy gunmen, terrorist bomb makers and cartel leaders. parrhall.culturewarrington.org

Storyhouse stages a special 100 years celebration of Laurel & Hardy

MUSIC CHESNEY HAWKES

21 MARCH LIVEROOMSCHESTER

The resurgent Chesney Hawkes is back with the recent release of his new album Living Arrows, and completing a huge run of live shows: first touring arenas across Europe as special guest to James Blunt and then selling out his current UK headline run. Living Arrows shows Chesney at his most vulnerable, completely free of inhibitions or doubts. theliverooms.com

Following the success of his 2023/24 tour, Neil Brand invites you to celebrate the centenary of Laurel and Hardy with a brand-new show on 28th March.

In 1926, Stan Laurel and Oliver Hardy signed separate contracts with Hollywood film mogul Hal Roach, and appeared for the first time in a film together, 45 Minutes from Hollywood. The following year they would become an official comedy partnership that would set the whole world rocking with laughter.

he Snuts are back with anthemic new single Summer Rain, marking the Scottish bandís first new music since 2024. Written after a period spent reconnecting with their hometown roots in West Lothian, Summer Rain draws on an experience that afects many but is rarely addressed in music and ofers a first glimpse of the bandís next album. culturewarrington.org

Neil Brand has established himself as the foremost exponent of silent film and improvised piano accompaniment. Thanks to new restorations of their silent films, and the rediscovery of some of their lesser-known comedies, Neil will uncover gems of hilarity from the team whose comedy never ages, and bring them to jawdropping life with the demanding live piano improvisations for which he is so famous. Featuring extended scenes from the best of their silent comedies, particularly You’re Darn Tootin, The Finishing Touch and The Second Hundred Years.

Neil’s concerts have proved really popular with his personal contact with the audience and his unique insight into Laurel & Hardy and the birth of the cinema industry. His engaging easy-going style, along with his Q&A at the end of the show answering all the questions from the audience, followed by his afer-show ‘Meet and Greet’, makes for a highly entertaining evening.

storyhouse.com

Ioutdoors

THE TYPE

Nature has played a pivotal role in the career of Kasia Bromley , from her early work in fashion to running the hugely successful ACAI Outdoorwear. Absolutely visits her in Tarporley to fi nd out more

f you have ever struggled to believe in yourself, Kasia Bromley is the person you need to meet. Despite making quite the name for herself in fashion from an early age, she decided to follow her passion and leave it all behind by launching a business (along with her husband) that put women≠focused outdoor apparel first and even taking it upon herself to learn digital marketing in between baby feeds. Inspirational doesnít quite cut it. Kasia was originally trained in high fashion, including an internship at the acclaimed Alexander McQueen house. ìWorking under Sarah Burton so early in my career was an extraordinary education,î she recalls. ìShe taught me that great design starts with discipline, rigour in research, precision in pattern cutting, and an uncompromising respect for craft. At the same time, she showed me that creativity doesnít need to be loud to be powerful. Her leadership was

By MARKKEBBLE

calm, thoughtful, and deeply human, and that left a lasting impression on me. I learned that the strongest creative leaders create space for others, protect the integrity of the work, and lead with quiet confidence rather than ego. Those lessons have stayed with me far beyond fashion and continue to shape how I approach design and leadership today.î

Early in her career, Kasia designed a striking dress featuring a bold butterfly motif, which gained attention for its strong visual identity, craftsmanship, and femininity and is now housed in the Met Museum, as well as being featured in The Hunger Games. ìLooking back, that moment represents a real turning point for me,î she says. ìIt was the first time I truly proved to myself and to the industry that I was a credible designer and maker in my own right. Iím incredibly proud of that achievement.î

However, despite becoming a hot name in the industry, she became disillusioned

with high fashion. ìIíve always had a deep connection to nature and the outdoors, and being active is a huge part of who I am. Designing purely for the catwalk started to feel disconnected from real life,î Kasia explains. ìI wasnít fulfilled creating pieces that were admired but not necessarily lived in. What I wanted was to design clothing with purpose, garments that support women in their everyday lives, that move with them, perform, make them feel confident and empower them beyond a moment on a runway. That realisation ultimately reshaped how I thought about design and what I wanted to create.î

Frustrated by the male≠centric designs dominating the outdoorwear market, Kasia set out to create clothing that genuinely reflects womenís needs for fit, function and style not just smaller versions of menís gear or superficial ìshrink it and pink itî alternatives. Launching it with her husband, Joe, came at extraordinary personal risk. ìIt was definitely one of

the most mentally challenging periods of my life, and resilience wasnít something I had automatically,î she says. ìIt was something we built day by day. What kept me grounded was having absolute clarity on why we were doing it. We werenít chasing growth for growthís sake; we genuinely believed there was a gap in the market that needed to be fixed, and that belief gave the risk meaning.î

Kasia also moved back to Poland (where she grew up) with baby in tow to teach herself digital marketing. ìThat phase taught me that grit isnít about pushing endlessly. Itís about adaptability and trusting yourself when thereís no external validation,î she says. ìLearning digital marketing in small windows between nap times and night feeds forced me to be incredibly focused and resourceful. I couldnít wait for the ëperfectí moment or the right conditions. I had to work with what I had. It also reshaped my self≠belief. When you teach yourself something entirely new under that kind of pressure, you start to realise how capable you actually are. There was no one telling me I was doing it right, but every small win a campaign working, tra c growing, a sale coming in reinforced that I could figure things out as I went.î

ACAI Outdoorwear was launched in 2016 and, a decade later, it has grown from a small start≠up into a multi≠million≠pound business, celebrated for its innovative products like the signature skinny outdoor trousers and dedicated community that encourages women to embrace nature with confidence and comfort. Beyond clothing, Kasia champions a mission to make the outdoors more accessible, empowering women to spend time outside for both mental and physical wellbeing. ìThe impact of the Outdoorsing Club has been incredibly humbling, and itís the personal stories that stay with me the most,î she says on a unique aspect of ACAI. ìOne of the most powerful moments for us was our World Mental Health Day campaign in October last year, where women from across the community shared their real experiences so openly. Reading those stories was genuinely overwhelming in the best possible way.

ìWomen spoke about grieving the loss of loved ones, struggling with extreme anxiety or confidence so low they didnít want to leave the house, and how reconnecting with the outdoors became a turning point. For many, it wasnít about big adventures, it was about taking that first step outside, rebuilding routine, and slowly finding themselves again. Hearing women say that getting outdoors helped them

feel like themselves again is something Iíll never forget. Those stories reinforce why the community matters so much.î

Talking of community, home is now Tarporley and Kasia couldnít be happier. ìLiving in Cheshire has had a huge influence on both my personal wellbeing and how I lead ACAI,î she smiles. ìBeing surrounded by nature brings a sense of perspective thatís hard to find when youíre constantly in high≠pressure environments. Having the outdoors so close makes it easier to build movement and headspace into everyday life, and that has a real knock≠on e ect on energy, creativity and decision≠making.

ìCreatively, that environment is incredibly grounding,î Kasia adds. ìIt keeps the brand connected to real outdoor use, not trends or noise. Ideas tend to come from lived experience like walking, running, being outside rather than sitting behind a desk, which feels very aligned with what ACAI stands for.î In this month when we celebrate International Womenís Day, whose main theme is Give To Gainí, Kasia Bromley has certainly given more than most to change the lives of so many around her.

Follow Kasia on Instagram @kasiabromley and find out more at acaioutdoorwear.com

MASTER AT WORK

A new exhibition at Tatton Park opens this month, shedding light on the extraordinary art of Canaletto

Areal treat for art lovers, Tatton Parkís major new landmark exhibition, Beyond the View: Canaletto, will open on 28th March.

The exhibition invites visitors to experience the fascinating story of 18≠year≠old Samuel Egertonís (owner of Tatton from 1738≠ 1780) journey from rural Cheshire to the heart of Veniceís vibrant art scene, and his connection to one of the worldís most celebrated artists Giovanni Antonio Canal, known as Canaletto. Funded and supported by several organisations including the National Trust, the Italian Cultural Institute, Immersive Arts Fund, Cheshire East Council and Tatton Parkís Charitable Trust, and Arts Council England, Beyond the View: Canaletto invites visitors to go beyond the surface of Tattonís Canaletto paintings, exploring the intricacies of the Venetian masterpieces alongside the stories behind Tatton Parkís Egerton family.

Carole Hyde, Head of Rural and Cultural Economy, Cheshire East Council and Tatton Park General Manager, says: ìWe are delighted to be showcasing the Egerton familyís connections to Italy through displaying new, never before seen artefacts alongside the fantastic Canalettoís commissioned specifically for the Tatton family. Add to that new, digital commissions and we will be giving our visitors a unique immersive Italian experience throughout 2026. A long time in the planning, itís fantastic to see Beyond the View: Canaletto finally come together and for us to be showcasing artworks of international significance right here in Cheshire.î

Two world renowned Canaletto oil paintings will be shown, alongside a curated display of Tatton Parkís rare paintings, prints, letters, books, and artefacts, some of which have never been displayed before, revealing the English love a air with Venice in the 1700s and a unique insight into Samuel Egertonís life in Venice. Highlights include the

magnificent portrait of Samuel Egerton by Nazari and the influential 1729 Map of Venice by Ludovico Ughi, never previously displayed and digitally projected to its intended large scale for the first time ever. Visitors will discover how Samuel, apprenticed to the influential art dealer Joseph Smith, was at the centre of a flourishing artistic community of celebrated artists of the time.

Alice Rylance≠Watson, Assistant National Curator, Visual Arts (National Trust), adds: ìIt is wonderful to see the Tatton letters on display for the first time, these are the only archival evidence in existence of the client relationship and working technique between Samuel Egerton and Canaletto including the circumstances of the commission and the di culty in finishing the pieces. This is a fantastic opportunity to see these historical documents in the context of the works commissioned, two of Canalettoís most renowned paintings.î

An artist commission extends the exhibition and invites visitors to step

Beyond the View of Canalettoís Venetian masterpieces, and the world of fine art, to a powerful exploration of Samuelís overlooked female relatives. Through Metahuman avatars, augmented reality and soundscapes, visitors will meet Elizabeth, Beatrix, and Hester Egerton who lived at Tatton during the 1700s. Commissioned by arts organisation Abandon Normal Devices and Cheshire East Council, this digital artistic installation by Alex Pollman and Bine Roth of Studio Peut≠Porter, explores fictional stories around Samuel Egertonís mother, sister and daughter, by following their dreams of travel to hosting a Venetian Ball and a grand political dinner.

Artwork plays a vital role in shaping the historical, cultural, and emotional significance of Tatton Park, one of Englandís most important historic estates. Far from being mere decoration, the paintings, sculptures, furniture, and decorative arts within the mansion help interpret the lives, values, and ambitions of the families who lived and

worked there. Collectively, they transform the house from a preserved building into a living historical narrative.

One of the key functions of artwork at Tatton Park is storytelling. Portraits of the Egerton family and their relatives establish lineage, power, and social status, reflecting how aristocratic families used art to assert identity and continuity. These works allow visitors to put faces to names and connect personally with figures from the past, making history feel tangible rather than abstract. Without such visual records, much of the human dimension of Tatton Parkís past would be lost.

Artwork also reflects changing tastes and wider cultural influences over time. Tatton Parkís interiors span several centuries, and the art within them demonstrates shifts in fashion, artistic movements, and collecting practices. Classical sculptures and Old Master paintings reveal the influence of the Grand Tour, while later works show the impact of Victorian values and industrial wealth. In this way, the collection places Tatton Park within a broader European and national context, linking a Cheshire estate to international artistic trends.

Equally important is the role of artwork in shaping atmosphere. The carefully curated interiors where paintings, furniture, and decorative objects are arranged as they would have been historically create immersive environments. These spaces help

visitors understand how art functioned in daily aristocratic life: not isolated on gallery walls, but integrated into dining rooms, libraries, and drawing rooms as symbols of refinement and education.

Canaletto, born Giovanni Antonio Canal in 1697, is best known as one of the greatest painters of urban landscapes, particularly his detailed views of Venice. His works, often described as vedute (views), are celebrated for their remarkable precision, clarity, and ability to capture both the physical appearance and atmosphere of a place. Through his paintings, Canaletto transformed cityscapes into prestigious works of art collected across Europe.

The defining feature of Canalettoís work is his extraordinary attention to architectural detail. Buildings, canals, bridges, and piazzas are rendered with near≠scientific accuracy, giving viewers a strong sense of spatial realism. This precision was especially appealing in the 18th century, when wealthy travellers on the Grand Tour sought visual souvenirs of the places they had visited. Canalettoís paintings served as elegant records of Venice, combining artistic beauty with documentary value.

Canaletto was also renowned for his masterful use of light. Venetian sunlight glinting o water, casting sharp shadows, and illuminating stone faÁades is a recurring feature of his paintings. This careful observation of light and reflection brings a sense of freshness and vitality to

his scenes, preventing them from feeling static despite their detailed structure. The balance between accuracy and liveliness is a key reason his work remains so admired. Another aspect that defines Canalettoís reputation is his compositional skill. While his scenes often appear realistic, he subtly adjusted viewpoints, proportions, and arrangements to create harmonious and visually pleasing images. This blend of realism and artistic manipulation demonstrates that his paintings were not mechanical reproductions, but carefully constructed interpretations of urban life.

Beyond Venice, Canaletto also became famous for his paintings of London, produced during his time in England. These works applied the same meticulous approach to the River Thames and the cityís architecture, influencing British landscape and cityscape painting. His international success helped establish the city view as a respected genre in its own right.

Today, Canaletto is remembered as an artist who elevated the everyday city into something timeless. His work preserves the visual identity of 18th≠century Europe while demonstrating how observation, technique, and imagination can combine to create enduring art. Donít miss this unique chance to see his work in the flesh.

Beyond the View: Canaletto runs from 28th March to 1st November 2026. Find out more at tattonpark.org.uk/canaletto

HAPPY DAYS

Shaun Ryder and Bez discuss their lasting appeal and 35 years of Pills ëní Thrills And Bellyaches

By CARLMARSH

In celebration of the 35th anniversary of their classic album Pills ëní Thrills And Bellyaches, the Happy Mondays are heading out on a 22≠date tour in March and April 2026. The group became the pioneers of the Madchester sound after signing to Tony Wilsonís Factory Records in the late ë80s, blending their love of funk, rock, psychedelia and house with the sounds of the UKís emerging rave scene.

The band became icons of Britainís biggest cultural phenomenon for a generation when they crossed over into the mainstream with Pills 'n' Thrills And Bellyaches , which reached #4 in the UK Albums Chart following its release on 27th November 1990.

Shaun Ryder and Bez look back at the madness, music and miracles of still being Happy Mondays. From chaos to viral fame, sexless marriages to survival, they tell the story their way unfiltered.

Q When you revisit Pills 'N' Thrills And Bellyaches now, what hits you first the sound of it, or the madness around it?

A SHAUN: You know what? Because we got back together with the Mondays in 1999 and weíve been doing it ever since Iíve been playing those songs for so long that it all just becomes second nature. I mean, we go out on tour, and we do tracks

off the first album, Squirrel and G≠Man , we do a couple off Bummed , and then we do the Pills 'N' Thrills and Bellyaches stuff. So it all sort of flows together now. I donít sit there thinking, "Oh, this is that iconic album," even though everyone else does. To me, theyíre just our tunes. But it still sounds good proper good like it couldíve been made today.

Q Thirty five years on, which moment in the live set still gives you the biggest buzz?

A SHAUN: Well, thatís changed loads over the years. I mean, Iíve gone through phases where Iíve absolutely f**king hated everything hated touring, hated myself, hated the lifestyle and then phases where Iíve loved it and then hated it again. But now? Now I just f**king enjoy it more than ever. Itís mad. I get a buzz now more than I did when we were kids. Maybe itís because the sex and drugs have gone all that madness and now itís just the rock 'n' roll road. And Iím enjoying the road. You get older, and you appreciate the crowds more, the band more, the songs more. I get a buzz off the whole thing every night, and I never expected that.

Q When you think back to the Mondays' wildest days, what moment still feels completely unreal?

A BEZ: The unreal thing is simply that weíre actually still in the band all the Happy Mondays after all this time. Thatís the bit that blows my mind. If youíd thought back all those years ago, when we set out as young fellas chasing a dream, causing chaos everywhere we went, youíd never have imagined weíd be here now as 60≠odd≠year≠old fellas, planning gigs and getting the band back together again. That is unreal. Thatís the moment. Just being here, still doing it, still being the Happy Mondays. The fact that we survived it all, physically and mentally, is unbelievable.

Q Why do you think the Mondays' songs still land so strongly with audiences who weren't there the first time around?

A SHAUN: I honestly donít know I ask myself the same thing. Back in the f**king '80s, a lot of the stuff around was total s**t, so we were digging into the underground, listening to the Doors, all that kind of thing. We were trying to make something different. And good music is good music thatís it. Something like 24 Hour Party People still sounds like it couldíve been written today. People connect with it because itís timeless not because we meant it to be, but because thatís what came out.

Q Do you ever miss the chaos, Bez, or does calmness suit you better these days?

A BEZ: Iíd love my life to be calm honestly, I would but itís just not meant to be that way. But I canít complain. I wake up in the same f**king bed next to my wife, and Iím like, "Iím f**king lucky, me." Sometimes I canít believe the luck Iíve had. Being a Happy Monday gave me freedom proper freedom and not many people today get that kind of freedom

to live life in a free and honest way. Iím blown away by it sometimes. I thank people for letting me be a Happy Monday because it gave me a way of life that most people never get. So no, I canít complain about the chaos itís part of who I am.

Q Shaun, your partnership with Bez has survived everything. What keeps that bond strong after all these years?

A SHAUN: Our friendship is like a sexless marriage. We donít have sex that is why it works. I know he wants to, but heís not managing it. We are marriedÖ and sexless.

Q Gogglebox opened you both up to a whole new crowd how does it feel seeing younger fans discover you through TV?

A SHAUN: When Bez did Big Brother back in 2005, he brought a whole new young fanbase to the band. When I did the jungle in 2010, the same thing loads of new people suddenly knew who we were. And every time we do things like Storage Hunters , we pick up more.

You get the young 'uns watching all that stu on their iPads. These two old d**kheads me and him looking like teenagers to them. They watch us for 20 minutes, then check out the music, and the next thing you know, theyíre at the shows. Thatís one of the main reasons we do TV it brings in new fans. Our fanbase now goes from f**king ten≠year≠olds to people in their 90s. BEZ: Yeah, itís mad. At the gigs now, thereís a proper cross≠section of people mums, dads, kids, grandparents, all sorts. Itís turned into a family occasion. People introduce their kids to the music, and itís great seeing that generational thing. Most of them come to it because of their parents, and thatís brilliant to see.

Q Clips of you two go viral constantly how aware are you of TikTok and social media bringing in new fans?

A SHAUN: Oh yeah, absolutely. All the clips end up on f**king TikTok. Loads of kids found out about us because the Gorillaz tune was used on there no idea why, but it worked. You just pick up new

fans constantly. I even forget what Iím saying mid≠sentence, but thatís how they discover us. And with Gogglebox, when we werenít on it for a bit, people kept going, "Youíre not doing Gogglebox anymore?" Weíve not been told anything they usually film in April, so we wait and see.

Q After everything you and Shaun have been through, what's the bond between you like today?

A BEZ : Weíve been through a hell of a lot, yeah. As Shaun says, itís really like a sexless marriage because weíve been together for so long. Being a Happy Monday is a proper rollercoaster the ups, the downs, the lows, the highs. You canít write this f**king s**t. Weíve had some big fallouts, as youíd imagine, over more than 35 years must be 40 now. And yet, after everything, weíre still really good friends. Thatís what itís about being able to go through all that emotion with somebody. Itís rare, really rare.

happymondaysofficial.co.uk

WHYWE LOVE…

ALTRINCHAM

The market town thatís become a foodie haven (again)

When A Taste of Altrincham returns at the tail end of February, it doesnít just pad out the diary with a few special menus it feels like a statement of intent. Ten days of events across town (it runs until 8th March) turns ëAltyí into one big, walkable tasting trail: demos, workshops, supper clubs and pop≠ups that lean into the thing Altrincham has quietly become known for being properly good to eat in.

But the reason the festival ts so neatly is that Altrincham has always been a place that gathers people together. It started as a planned market town, built for trade; itís now a modern ìmarket townî in the best sense a hub where you can browse, graze, meet friends, watch the world go by, and still feel connected to a bit of history under your feet.

A QUICKHISTORYOF ALTRINCHAM

Altrinchamís origin story is unusually clear≠cut: it developed as a market town after being granted the right to hold a market in 1290 a foundation that still shapes the place today. The market wasnít an add≠on; it was the point. A good location, a regular trading day, and a reason for people across Cheshireís farm belt to bring produce in.

A few later upgrades did what infrastructure always does: they made Altrincham quicker to reach, easier to trade with, and more attractive to settle in. A canal connection arrived in the 18th century, and the railway reached Altrincham in the 19th, pulling the town into Manchesterís orbit and accelerating its development.

Altrincham has had plenty of reinvention since then from classic market town to commuter town, from slightly faded high street to a much≠ talked≠about revival. Whatís notable

about the current era is that it hasnít tried to become a clone of somewhere else. Itís doubled down on what it already had: a central market, a compact town centre, and an appetite for independents.

PLACESOFINTEREST

If you want one location that captures ìold bones, new energyî, itís the market. Altrinchamís market charter stretches back centuries, but today the area is also a focal point for regeneration and the townís modern identity. Spend time between the covered market stalls and the Market House (the lively food hall vibe), then treat the whole thing like your basecamp: wander out, loop back, pick up a cofee, repeat.

A couple of miles out, Dunham Massey is the ìyou forget youíre near a cityî reset. The National Trust describes it as a place with all≠season gardens, an ancient deer park, and a house lled with stories the sort of day out that works equally well as a long walk or

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a slow potter. If youíre visiting with kids (or just like open space), the deer park is the headline: big skies, broad paths, and that moment when you spot the fallow deer and everyone goes quiet.

Goose Green is one of Altrinchamís most distinctive corners a small square of characterful buildings that comes alive at night. Itís often framed as a symbol of the townís more recent transformation and, practically speaking, itís brilliant for bar≠hopping without needing a taxi.

For something gentler, Stamford Park o ers lawns, paths, and a calmer pace. Itís also o cially recognised as a historic park on the national register. This is the place for a morning loop with a co ee, an unhurried sit≠down, or a post≠lunch wander when you need ìfresh airî after a Market House session.

FOODANDDRINK

Itís impossible to talk about Altrincham now without talking about food and the best way to do it is not as a single ìrestaurant rowî, but as a set of mini≠ scenes that suit di erent moods.

The Market House is designed for the indecisive (and the social): everyone can order what they like, and you still eat together. The stand≠out names that come up again and again include: Honest Crust (wood≠fired pizza), Tender Cow (burgers/beef≠focused plates), Wolfhouse Kitchen, Great North Pie Co, plus drinks spots like Reserve Wines and Jack in the Box. The joy here is pacing. One slice, one burger, one pie to split; a glass of something; then go again if youíve earned it. And also make time to visit the award≠winning MOST Bakery, whose creations are truly irresistible. If you want sit≠down, date≠night, book≠ a≠table food, Altrinchamís independent roster is deep enough to keep locals arguing. A snapshot look at stand outs

include Blanchflower (bakery by day, quality≠led cooking), Bar Etna (Sicilian≠ leaning, a local favourite), Porta (tapas), Rigatoniís (small, noisy, worth it), Nellís (pizza), and Asuke Sushi for when you want something di erent without leaving town.

Altrincham does nights out in a very Altrincham way: friendly, walkable, and not too precious. Places like The Con Club often get mentioned as the bridge between ìa couple of drinksî and ìweíre staying outî, with food options and a lively vibe.

And this is where the return of A Taste of Altrincham feels so on≠brand: it turns a town that already eats and drinks well into a town that celebrates eating and drinking well with an excuse to try somewhere new every night for ten days straight.

Five things you might not know about Altrincham

It was a planned town from the start. Unlike places that slowly accreted around a crossroads or parish church, Altrincham was deliberately shaped as a commercial settlement. The medieval market charter wasnít symbolic it dictated the townís layout, rhythms and priorities. Streets, plots and public spaces were arranged around trade and movement, which is why the town centre still feels unusually compact and navigable today. That sense of purpose a place designed to bring people together regularly is something many modern developments try (and often fail) to recreate.

The market tradition never really disappeared. Altrinchamís market hasnít survived as a museum piece or a nostalgic flourish. It has adapted repeatedly: from agricultural produce to general goods, and more recently to foodled trading. Whatís unusual is that each reinvention still keeps the same core idea local exchange, social interaction, and regular footfall. The modern marketís success works because itís part of a long continuum, not a branding exercise bolted on in recent years.

Stamford Park is more significant than it looks. To locals, Stamford Park might feel like ìjust the parkî, but its historic status reflects something deeper. Designed public parks like this were statements of civic pride in the Victorian era places meant to improve health, behaviour and social life. Stamford Park still performs that role today, functioning as shared green space in a town where walkability and quality of life are part of the appeal.

Dunham Massey shapes Altrinchamís character more than its postcode suggests. The presence of Dunham Massey so close to the town subtly defines Altrinchamís identity. It reinforces the feeling that countryside and town life are not in competition here, but in balance. That proximity to open land, old trees and seasonal rhythms feeds into why Altrincham attracts people looking for space without isolation.

The food reputation grew through collaboration, not competition. Altrinchamís modern food story worked because independents clustered rather than scattered. Operators shared audiences, footfall and atmosphere instead of fighting over it. That cooperative energy traders crossrecommending, locals treating the town centre as a shared dining room is why the scene feels confident rather than trendy, and why it has endured past the initial hype phase.

CARE FOR YOUR

COMPANIONS

Avoid these spring pet hazards: Willows Vet Group share their top seasonal tips

Spring has sprung, but pet owners should be aware of some of the seasonís potential dangers. If youíre stocking up on Easter eggs, remember that chocolate contains theobromine and caffeine, which can cause serious harm to dogs. Keep all chocolate treats out of pawís reach and contact your vet practice straight away if you think your pet has consumed any chocolate.

Spring cleaning products should also be kept away from pets, as they may contain toxic chemicals. If you think your pet has consumed or licked a cleaning product, call your vet immediately.

As the weather improves, why not mix up your dogís walks and try out new routes that suit their needs, condition and

age? You could even team up and walk with a fellow dog owner. If you would like to discuss if any new routes alter your petís parasite prevention needs, please contact us and we discuss this with you.

Many dogs love to dig up the garden, but some spring flowers and bulbs can be toxic if eaten. Keep them safely away from pets and get in touch with your veterinary practice if your dog consumes a flower or bulb.

Be wary of grass seed injuries, too, which happen when seeds get trapped in fur and pierce the skin, get stuck in ears or eyes or up your petís nose. Check your petís feet, eyes and ears regularly, and look out for symptoms like shaking of the head and ears, rubbing at or squinting eyes, licking toes, swollen paws and red lumps. Flystrike is a life≠threatening condition

caused by flies laying eggs on rabbits, which then hatch into maggots and begin to feed on the rabbitís flesh. This can rapidly cause severe injury to our rabbits, so itís important to ensure that your rabbit is protected.

Both indoor and outdoor rabbits are at risk of flystrike. Rabbits who are overweight, have stiff joints or toileting issues are all at higher risk of flystrike. You can prevent flystrike by using preventative products, taking your rabbit for regular check≠ups and keeping their home clean and dry.

If youíve got any concerns about your petís health or would like further advice on staying safe throughout spring, book an appointment with your local Willows practice.

willowsvetgroup.co.uk

FOOD & DRINK

Secondís UP

SKOF

The UKís leading independent restaurant guide, SquareMeal, has revealed its Top 100 UK Restaurants for 2026, celebrating outstanding dining across the country. And in second place is Skof, Tom Barnesí first solo restaurant in Manchester that Absolutely covered last year and is nothing short of outstanding. skofmanchester.co.uk

WHAT TO DRINK GRAPE news

TASTING

Food news and the most exciting openings across Cheshire and beyond

By MARKKEBBLE

Wine recommendations for the month

By THE WINE SOCIETY

A Fistful of Schist Chenin Blanc, Swartland 2025

This juicy stone-fruit and tropical-flavoured chenin blanc is a great value introduction to the Swartland. Riebeek produces a wide range of wines, often from older bush vines which deliver greater complexity at very modest prices.

Arbois Chardonnay, FruitiËre Vinicole d©Arbois 2022

 £14.50

This chardonnay from the Jura is the perfect balance of introducing lesserknown regions whilst playing it safe with a well-liked and well-known international grape variety. Expect attractive stone fruits and white flowers, supported by citrus notes and a juicy core.

Quinta da Alorna ëLutraí Tinto, Tejo 2024

 £8.75

A supple and generous red hailing from the Tejo region of central Portugal, blending indigenous Portuguese grape varieties showcasing a medium-bodied profile with soft tannins and vibrant red-berry notes, making it approachable and enjoyable for anyday drinking.

Since it was founded back in 1874, The Wine Society has dared to do business a little differently. Bringing together a community united by a shared love of wine, The Society is a co-operative and owned by its members. This means there is no requirement to pump profit into annual dividends or bonuses for shareholders – all profits go back into the business.

The Wine Society welcomes all wine lovers. Become a member today and receive £20 off toward your first order. thewinesociety.com

Double the taste

THEIVYASIA

Launching as part of Dual Forces of Asia, a new culinary concept inspired by two enduring archetypes of Asian culture, The Ivy Asia Manchester presents the Dragon Lunch Menu and the Samurai Dinner Menu. Together, they define a seamless day-to-night dining experience that balances generosity, craftsmanship and value.

theivyasia.com

Perfect pairing

SEAFORTHRESTAURANT

Seaforth Restaurant at The Municipal Hotel and Spa, MGallery Liverpool, is currently serving a host of Chefís Specials. Inspired by Liverpoolís connections to land and sea, the menu pairs innovative cuisine with elegant surroundings and impeccable service. Highlights include indulgent Lobster Mac & Cheese, followed by the classic Beef Wellington, perfect for sharing with someone special. municipalhotelliverpool.com

Room service

LEVEN

LEVEN Manchester is elevating the guest experience and introducing a brand new evening in-room dining menu in partnership with MAYA, one of Manchesterís hottest drinking and dining destinations. An indulgent post-work treat for one, an intimate supper for two, or full-on dinner party, the choice is yours. liveleven.com

TAKE THREE

The ingredients spring is made for

STRAWBERRIES

Early strawberries are lighter and more aromatic than summer ones. Chefs showcase them beyond dessert, pairing strawberries with balsamic, black pepper, or herbs, and serving them alongside cheeses or cured meats.

ASPARAGUS

Asparagus is one of the earliest spring vegetables, prized for its tender texture and fresh, grassy flavour. Chefs keep preparations simple, blanching or grilling it lightly to highlight its natural sweetness and seasonal delicacy.

RADISHES

Spring radishes are crisp, juicy, and mildly peppery compared to later harvests. Chefs celebrate them raw with butter and salt, thinly sliced in salads, or lightly roasted to mellow their bite while retaining freshness.

Luke Selby has made the move to North Wales, where he will begin his new role as Chef Partner of PalÈ Hall hotel. The former Executive Chef of Le Manoir aux Quatí Saisons will direct the hotelís entire food and beverage o ering.

palehall.co.uk

TILLY’S

The Shop Local Nantwich Awards were held recently and it was great to see Absolutely favourite, Tillyís Bunbury, make the final shortlist for the Food & Drink Award. They have also added some stunning cakes to their menu, too. tillysbunbury.co.uk

AFTERNOON TEA

There are plenty of places in Cheshire to enjoy that quintessential English treat with a little bit of spring thrown in too

Arley Hall & Gardens arleyhallandgardens.com

Afternoon tea at Arley Hall feels intrinsically tied to the rhythm of the seasons, and nowhere is that more apparent than in spring. Served in the Garden View Tea Room, the experience is framed by immaculate lawns, blossoming borders, and the quiet hum of a historic estate gently waking from winter. The tea itself leans into the classic nger sandwiches, warm scones, and elegant cakes but the menu subtly shifts as spring arrives, often introducing lemon, elderfl ower, and fresh berries that echo the gardens beyond the windows.

What elevates Arleyís afternoon tea is the way it encourages you to slow down. Thereís no sense of being rushed; instead, tea becomes part of a longer afternoon spent wandering tulip beds, woodland paths, and fragrant herb borders. On milder days, the light pours in, blurring the line between indoors and out. Itís a place where afternoon tea feels less like a standalone treat and more like a seasonal ritual.

The

Chester Grosvenor chestergrosvenor.com

The Chester Grosvenor delivers afternoon tea with the assurance of an institution that knows exactly what itís doing. Served in the elegant Arkle Bar and Lounge, the experience is luxurious yet approachable, with attentive service and beautifully presented tiers that celebrate both tradition and technique. Spring brings a noticeable lightness to proceedings: citrus≠infused cakes, pastel≠coloured patisserie, and desserts that feel fresher and brighter without sacrifi cing indulgence.

Thereís a sense of occasion here that suits spring celebrations particularly well birthdays, anniversaries, or simply marking the return of longer days. The

tea selection is extensive and thoughtfully curated, allowing avours to complement rather than overpower the food. Itís afternoon tea as a refi ned escape, perfect for those who like their springtime treats served with a touch of grandeur.

Peckforton Castle

peckfortoncastle.co.uk

Few settings make afternoon tea feel as memorable as Peckforton Castle, and spring adds an unexpected softness to its dramatic stone walls and towers. Served in grand interiors or on the terrace when weather allows, the experience balances theatrical surroundings with genuinely comforting food. The afternoon tea ofering is generous and hearty, featuring classic sandwiches, indulgent cakes, and freshly baked scones that feel especially welcome after exploring the grounds.

In spring, the contrast is part of the charm. Delicate oral notes, fruit≠forward desserts, and lighter textures soften the medieval setting, while the surrounding countryside bursts into green beyond the castle walls. Thereís something particularly indulgent about enjoying tea here as the seasons shift the castle remains imposing, but the atmosphere lightens.

De Vere Cranage Estate

devere.co.uk

De Vere Cranage Estate strikes a pleasing balance between contemporary comfort and classic afternoon tea tradition. Served in stylish lounges overlooking landscaped grounds, it feels relaxed yet thoughtfully put together. The food is attractively presented, with neat nger sandwiches, well≠judged patisserie, and scones that arrive warm and inviting. Spring menus tend to favour freshness raspberry, lemon, and lighter sponge cakes replacing heavier winter avours.

The setting suits the season particularly well. As the grounds brighten and daylight lingers longer, afternoon tea here becomes a calm interlude rather than a formal afair. Itís a place where conversation ows easily, service is warm, and the overall experience feels modern and unfussy.

Rowton Hall Hotel

rowtonhallhotel.co.uk

Rowton Hall ofers a reassuringly traditional afternoon tea, delivered with warmth and consistency. Served in wood≠panelled rooms or the conservatory, itís especially appealing in spring when sunlight lls the space and the surrounding gardens begin to bloom. The focus here is on well≠executed classics: generous scones, neatly cut sandwiches, and cakes that feel familiar in the best possible way.

Spring introduces softer colours and lighter avours, often with fruit≠led

ingredients and lighter, floral≠leaning flavours at this time of year.

What makes Nunsmere special is the sense of calm it o ers. The pace is gentle, the setting romantic, and the experience encourages lingering as nature quietly takes centre stage. Itís an ideal choice for a springtime escape that feels restorative rather than indulgent.

Cottons Hotel & Spa

cottonshotel.co.uk

desserts and delicate decoration that reflects the season without becoming fussy. Thereís a comforting rhythm to afternoon tea at Rowton Hall unhurried, welcoming, and dependable. Itís particularly well suited to relaxed family gatherings or long≠ standing traditions, where the pleasure lies in knowing exactly what youíre getting, and knowing it will be done well.

Nunsmere Hall Hotel nunsmere.co.uk

Set within expansive gardens and overlooking a tranquil lake, Nunsmere Hall comes into its own in spring. Afternoon tea here feels inseparable from the landscape, with views that shift subtly as blossom appears and greenery deepens. The menu o ers classic tiers of sandwiches, cakes, and scones, often enhanced with seasonal

Cottons Hotel & Spa pairs afternoon tea with a sense of contemporary relaxation. Served in calm, modern surroundings, it feels especially suited to spring a season associated with renewal and indulgence without excess. The afternoon tea o ering is generous and well balanced, with lighter cakes, fresh fruit elements, and an impressive tea selection.

Spring menus often lean towards freshness and colour, making this a popular choice for post≠spa treats or sociable afternoons with friends. Itís indulgent but not heavy, relaxed but still polished. Cottons proves that afternoon tea can evolve with the seasons while retaining its essential comforts.

Willington Hall Hotel willingtonhall.co.uk

With sweeping views across the Cheshire countryside, Willington Hall is particularly captivating in spring. Afternoon tea is served in elegant lounges or outdoors when weather

permits, allowing guests to fully appreciate the changing landscape. The menu focuses on classic favourites, subtly enhanced with seasonal touches fresh berries, lighter sponges, and delicate decoration.

Thereís a leisurely, almost timeless quality to afternoon tea here. Spring amplifies that feeling, as fields brighten and skies soften. Itís a place for lingering conversations, slow sips of tea, and a sense of escape from everyday pace. Ideal for weekend outings or special treats, Willington Hall captures springís gentler pleasures beautifully.

The Hollies Farm Shop Tea Room theholliesfarmshop.co.uk

The Hollies Farm Shop o ers a refreshingly informal take on afternoon tea, rooted firmly in local produce and generous hospitality. Served in a bustling tea room at their Lower Stretton location, the experience is hearty and satisfying, with homemade cakes, fresh sandwiches, and scones that feel proudly unfussy. Spring brings a noticeable lift lighter bakes, fresh fruit, and a lively atmosphere as the farm comes back into full swing. Itís ideal for those who value flavour and warmth over ceremony, and who enjoy afternoon tea as a social, countryside pleasure. At The Hollies, spring feels celebratory, practical, and deliciously real. Note that bookings need to be made at least 24 hours in advance, so call 01925 730976 or pop in to reserve your spot.

Mottram Hall champneys.com

A steadfast locale of the Cheshire social scene, afternoon tea at Mottram Hall has retained its popularity ever since it opened its doors in 1940. If you are looking for a traditional afternoon tea in Cheshire, then the charming atmosphere and exquisite food and drink are the perfect choice. Whether you are celebrating a special occasion, or just fancy an indulgent treat, enjoy a homemade selection of freshly cut finger sandwiches and warm scones smothered in jam and clotted cream. Alternatively, their champagne afternoon tea allows you to mark the occasion with a glass of bubbles alongside your sweet and savoury treats.

BROTHS & BOWLS

The Nantwich

lunch

scene just levelled up thanks to NINE Mill Street

At NINE Mill Street, lunch has had a glow≠ up. Available every Thursday and Friday from 12≠5pm, the new £18.99 set menu is a choose your own adventure through bold Asian flavours and comfort food classics. The concept is simple but irresistible: dive into a generously loaded ramen bowl, indulge in a fragrant spiced curry bowl, or mix things up with any three tapas dishes and all for the same wallet≠friendly price.

BUILDYOURDREAMRAMEN

Tedzukuri is the Japanese term for ëhandmadeí, and NINEís Ramen Bowl is a masterclass in customisation. Start with a rich broth, choose from deeply savoury kabudashi, warming spiced Thai curry broth, or opt for fried teriyaki noodles if you prefer yours without soup. Each bowl comes layered with Japanese udon noodles and a parade of toppings: delicate boiled quailís eggs, steamed edamame, tempura enoki mushroom and a punchy wasabi mayo. Then comes the fun part: your protein (or plant≠based) hero. Think hot honey sesame chicken with a sticky≠sweet kick, grilled shichimi and garlic tiger prawns with gentle heat, BBQ pork belly (char siu) for melt≠in≠ the≠mouth richness, or a vibrant vegetable stir fry with tempura mixed vegetables. Itís hearty, colourful and deeply satisfying, the kind of lunch that resets your whole day.

COMFORTIN A CURRYBOWL

Prefer your comfort food with spice? The Spiced Curry Bowl delivers. Slow≠cooked and layered with flavour, each bowl is served with rice, crisp pappadums and chutney. Choose flu y white jasmine rice or aromatic pilau, then pick your curry mood.

Thereís the NINE Mill Street signature, slow≠cooked lamb coconut curry with baby onions, roquito peppers and a cooling mint yoghurt cream. The spicy Thai green curry with tiger prawns brings palm hearts, edamame, peas, Thai basil and coriander into fragrant harmony. For something creamy and indulgent, the jerk chicken curry in spiced cream with toasted almonds hits the spot. Vegetarians arenít an afterthought here either; the mixed vegetable katsu curry, packed with mushrooms, carrots, parsnips and peppers, is rich, crisp and deeply comforting and is a Japanese classic.

THREE TAPAS , ENDLESSPOSSIBILITIES

If youíd rather graze, the ìchoose any threeî tapas option turns lunch into a tasting experience. From salt and pepper crispy squid with chilli and wasabi mayo to pulled pork and vegetable gyoza with Korean BBQ dipping sauce, every plate is designed to share (or not). Crispy halloumi with garlic aioli, jerk≠glazed chicken wings, baked sea

bream with turmeric and lime, chilli beef bites, camembert with honey garlic and rosemary, and lightly battered Japanese enoki mushrooms are just a few highlights. Add a dessert for just £2 more and youíve got a weekday lunch that feels like a celebration. At NINE Mill Street, Thursday and Friday afternoons just became the best seats in town.

9millstreet.com

FASHION

ANY TIME of the day

BERRY’SJEWELLERS

At the heart of the VERVE Collection by Berryís Jewellers lies wearable fine jewellery, effortlessly transitioning from day to night with timeless elegance. Flowing, simple designs adorned with highly-polished metals are strikingly complemented by the mesmerising allure of diamonds, making VERVE the perfect accessory to your spring wardrobe. Discover the collection at your nearest Berryís showroom or at berrysjewellers.co.uk

TIMELESS appeal

Ania Schierholt

offers contemporary, understated, premium quality daywear, available now at Lola in Tarporley

- TARPORLEY . COM

EBERJEY

Tencel pyjama set, £170 eberjey.com

PIGLETINBED

M&Co Oak Cotton pyjamas, £90 pigletinbed.com

EBERJEY

THEETHICAL SILKCOMPANY

Mulberry silk pyjamas, £280 theethicalsilkco.com

ASPIGA

Organic cotton pyjama set, £90 aspiga.com

SLEEP

SOPHIEALLPORT

Bees pyjama set, £77 sophieallport.com

Cosy up in the best pyjamas right now

Tencel Ski Chalet

pyjama set, £170 eberjey.com

DEREK ROSE

Cotton Batiste pyjamas, £245 derek-rose.com

By PENDLEHARTE

LAURAASHLEY

Kelbrook stripe pyjamas, £52 next.co.uk

VERONICABEARD

Silk eye mask, £60 veronicabeard.com

teklafabrics.com

WIGGYKIT Pyjama sets, £155 wiggykit.com

PIGLETINBED

Warm blue gingham pyjamas, £125 pigletinbed.com

BEAUTY NOTES

The latest in luxury makeup and skincare

By CARLYGLENDINNING

DARK ARTS

CHANEL

The new Rouge Noir collection is dark on the eyes and nude on the lips, featuring vibrant magentas, sof pinks and grey, in a subtle nod to rock icons. chanel.com

EDITOR’S PICK

HAIR CARE

COLOR WOW

Color Wowís products are designed to deliver instant volume, squeaky-clean strands, and frizz-free perfection in just a few steps. The 100% clean, sulphate-free shampoo and weightless hydrating conditioner deliver silkiest, glossiest, healthiest results, even for fine, thin hair. colorwowhair.com

PLANTPOWER

EMMALEWISHAM

The Emma Lewisham Essentials set contains seven luxury minis designed to deliver transformative results. Each formulation harnesses up to 25 actives that work in intelligent synergy to offer a complete ritual that hydrates, brightens, and renews. emmalewisham.co.uk

AKT’s aluminium-salts free formula transforms from a luxurious, skinnourishing balm into a dry, invisible powder, actively protecting and deodorising, £25. aktlondon.com

MAKE WAVES

Make Waves’ refi llable applicators contain a natural antiperspirant to keep you fresh and dry – and they smell great too. From £12. wearemakewaves.com

SALT ANDSTONE

This natural deodorant is aluminiumfree with probiotics, seaweed extracts and shea butter in a lovely Bergamot & Hinoki scent, £20. amazon.co.uk

HEAVY or LIGHT?

Rethinking resistance training for women

Walk into almost any gym and youíll still see men clustered around the squat racks lifting heavy, while women gravitate toward lighter dumbbells and higher reps. The idea that women should train ìlight to toneî has lingered for decades but is it actually true? Modern exercise science suggests the answer is far more nuanced, and far more empowering. First, letís address the biggest myth: lifting heavy will make women ìbulkyî. Muscle growth is largely driven by testosterone, of which women have

signifi cantly less than men. Even with heavy resistance training, most women will not develop large, bodybuilder≠style muscles without years of highly specifi c training and nutrition. Instead, what heavy lifting will build is strength, bone density, and a rmer, more defi ned physique.

Heavy resistance training generally defi ned as lifting weights that allow for about 3ñ6 repetitions per set has several proven benefi ts for women. It improves maximal strength, supports joint health, and is especially important for bone density, reducing the risk of osteoporosis later in life. Research also shows that heavier lifting can be highly efective for fat loss because

it preserves lean muscle mass, which helps maintain a higher metabolic rate. That said, lighter resistance training has its place too. Using lighter weights with higher repetitions (around 12ñ20 reps) can improve muscular endurance, coordination, and movement confi dence particularly for beginners or those returning after injury. Light≠to≠moderate loads are also valuable for accessory exercises, rehabilitation work, and days when the nervous system needs a break from maximal efort. So where does this leave women trying to decide between heavy or light? The short answer: they shouldnít have to choose. The most efective training programs include a mix of both.

Periodised resistance training cycling between heavier and lighter loads over time delivers the best results for strength, muscle tone, and overall health. A woman might deadlift or squat heavy once or twice a week, while also incorporating lighter, higher≠rep movements for shoulders, glutes, or core. This approach builds strength without neglecting endurance, mobility, or recovery.

Goals matter, too. A woman training for powerlifting will prioritise heavy loads. Someone focused on general tness or stress relief may prefer lighter weights and faster≠paced sessions. Neither approach is ìmore feminineî or ìmore correctî theyíre simply tools.

Perhaps the most important factor is psychological. Many women discover that lifting heavier than they thought possible is profoundly empowering. It challenges outdated narratives about fragility and replaces them with a sense of capability and control. Confi dence, after all, is one of the most underrated benefi ts of strength training.

In the end, the question isnít whether women should go heavy or light itís whether theyíre being given the freedom, education, and encouragement to do both. Strength, in all its forms, is not gendered. And the strongest programs are the ones that let women lift for their bodies, not against outdated rules.

LISAHENSBY

Lisa Hensby Designs is a contemporary studio creating thoughtful, handcrafted pieces that celebrate individuality and detail. Blending modern aesthetics with timeless infl uences, each design is carefully considered, beautifully made, and rooted in quality. From concept to nish, Lisa Hensby Designs brings creativity, craftsmanship, and character together in every piece. Turn over the page to read more.

DESIGN JOURNEY

Absolutely meets Lisa Hensby , founder and creative director of Lisa Hensby Design & Build Studio in Cheshire

Q What led you to create Lisa Hensby Design & Build Studio?

A I have always been entrepreneurial. Before interiors I ran event coordination businesses, managing lots of moving parts and people, which is exactly what happens on a renovation. Those businesses were very social media led, so I learned marketing, client communication, organisation and creative direction.

Design began with experimenting in my own homes, then charity projects in a youth centre and a young mumsí home. Seeing how much those spaces lifted people showed me the impact of good design. I then moved into interiors retail, which gave me a strong grounding in furniture, xtures and equipment, what is on the market and how things are made and sourced. That mix of organisation, communication and product knowledge set me up to run a full service design and build studio.

Q How would you describe your design approach?

A My design approach always starts with the brief. I make sure we hit every part of it and stay true to the clientís style. It is their home, not mine. Whether they love bold colour or calming neutrals, I work within that language and make sure tones, textures and proportions feel cohesive. The most exciting projects are the ones where a client says, ìDo what you think is right.î It is about being trusted to interpret the brief and push it a little further so we end up with something better than they imagined.

Q What do you nd unique about o ff ering both design and build services under one roof?

A The biggest difference is reliability and coordination. I work with a trusted team of trades I have used for years, so there is less chasing and fewer surprises on site. Because everything sits under one umbrella, projects are planned properly, deliveries are scheduled and nishes are installed in the right order. Clients

get experienced trades plus someone overseeing the whole process. They approve the brief and design, sign off key decisions, and then walk into a nished space.

Q Can you share a standout project that refl ects your signature style?

A A master suite I created by transforming the top oor of a long standing clientís home really captures my style. Two bedrooms and a shared bathroom became a retreat with a glass cube shower, a freestanding copper bath in the bay window and a walk-in wardrobe with bespoke joinery and a central island. The palette is deep and cocooning, with a U-shaped slatted headboard, integrated lighting and a hidden dressing table, designed to feel like an indulgent gentlemanís apartment inside a busy family home.

Q Which architectural or design principles guide your work the most?

A I always come back to proportion, balance and ow. I look at how a space feels to move through, from sightlines and door positions to where your eye lands rst, then make sure furniture, joinery and lighting support that.

Natural light and layered artifi cial light are key because they completely change the mood of a room. Above all, the layout has to work for the clientís real life so the space feels effortless, not just styled.

Q How has being based in Cheshire shaped your business?

A Being in Cheshire has shaped my client base. Most work comes through word of mouth, friends of friends and people in similar circles. Many are celebrities or business owners. That network means I often work on high expectation projects where clients want a polished, luxurious nish.

Q What architectural or lifestyle trends are you seeing among Cheshire homeowners?

A Grand hotel at home is very popular. People love statement headboards,

generous beds and that boutique hotel feeling in their bedrooms, plus large scale artwork and oversized light ttings. Many clients also want bespoke elements such as wardrobes, upholstery and joinery so their homes feel individual rather than something seen many times on social media.

Q How do you balance client aspirations with budget realities?

A I start by breaking the budget into two parts: the build, and the styling and nishing. We design from the planning stage so we understand what is needed structurally and what we are aiming for visually before any walls come down. If an unforeseen issue appears, we get it costed and then review the overall budget together. If extra money has to go into the build, we adjust the styling pot rather than letting costs run away, perhaps swapping a fully bespoke piece for a beautiful high street option that still achieves the look.

Q What role does sustainability play in your design and construction decisions?

A It varies by project and client. I have not yet had a brief for a fully eco focused scheme, but wherever possible we choose quality over quantity, invest in pieces that last, use trusted local makers and avoid wasteful last minute buying.

If a client wanted a strongly sustainability led project, we would build that into the brief and sourcing.

Q How do you incorporate local materials or regional infl uences into your projects?

A I work with local specialists, including upholsterers, joiners who create bespoke wardrobes and cabinetry, and other Manchester-based makers. They are small companies I have long relationships with, so I know the quality is there.

For larger items such as some furniture pieces or accessories, we mix in high street or online brands where it makes sense.

Q How do you manage the creative process when clients come with very specifi c visions, or none at all?

A If a client has a clear vision, my job is to make it work. I take what they love and make sure the colour palette, shapes and proportions are right so the space feels balanced rather than chaotic. I am very focused on the shapes in a room and on mixing silhouettes so everything feels dynamic but still cohesive.

If a client says they have no idea what they like, they usually do, they just cannot articulate it. I will look at the rest of the house, ask for a Pinterest board, or talk through what they are drawn to in hotels, restaurants and magazines. From that I can decode their style and build a scheme that feels very them.

Q What do you see as the biggest advantage for clients when choosing a design and build model?

A Simplicity. Instead of dealing

separately with an architect, builder, joiner and designer and trying to keep everyone aligned, they have one point of contact. I manage the whole thing so they are not caught in the middle of confl icting opinions.

Q What are your future goals?

A I want to take on larger scale build projects and keep pushing that full service, high end experience. Alongside that, I am working towards launching our own collections, from artwork to furnishings, so clients and followers can bring a bit of the studioís look into their homes wherever they live. Product feels like a natural extension of what we already do.

lisahensby.co.uk

PERSONAL

ACCOUNT

The MD of Design by UBER , Simon Evans , takes us behind the scenes of his own modern barn conversion in Cheshire

Isaw the potential to take this modest ex-stable with a dated interior and release the period potential to the maximum, whilst bringing the barn conversion right up to date. I wanted to explore the potential of creating an extension to take in the benefit of the tree-top views that were only visible from one bedroom window and garden, and all original features needed to be restored and enhanced. Here are some of the key elements of the project.

NEW GLASS KITCHEN EXTENSION

In order to create architectural disconnection from the Grade II listed element of the property, a glass link was introduced and a double-height steel frame provided the opportunity for an expanse of glazing that offers mesmerising views of the rolling countryside and the River Dane that cuts through it.

This was to become the newly located hub of the house. We were careful to ensure the inside carried through in harmony with a wonderful outdoor entertaining platform complete with olive trees and a kitchen island from which to enjoy the south facing views over the landscape.

RELOCATING THE KITCHEN

By completely rearranging the orientation, creating a glass ëboxí kitchen and suspending the inner structure to retain all the beauty of the beams and ëouter box shellí, the modest barn was transformed.

The principle kitchen was designed in a totally bespoke way with inlaid aged bronze and embossed leathers complemented by natural horn handles. We turned to Offi cine Gullo to provide the most spectacular cooking range in matching aged brass and the 6m island offered a feeling of having a chefís table at home. Alabaster

standing lamps feature heavily on the island, which is made up of a natural honed calacatta marble dining space with a Porcelanosa Xtone porcelain worksurface for ultimate durability.

CHARCUTERIE AND WINE CELLAR

As a keen foodie I wanted to create something that we had never seen before that brought together the key principles of true food enjoyment, so I set out to design and deliver a chilled marble pantry that combined wine storage and chilling with meat ageing, together with vegetables and cheese sections.

This cabinet has provided a true sense of theatre as well as the go to foundation for any great dinner party.

Beyond the kitchen, the change of design mood deepens as you enter a bygone era adventurersclub pool room, with a collection of antique explorer-themed pieces from around the world.

The wall backing the kitchen has a bank of wall cabinets made of dark brushed-metal frames with inset embossed hides, concealing a hidden utility space complete with sink and stacked washer and dryer.

POLISHED PLASTER TREAD-LIT STAIRS

The staircase, which is illuminated under every tread, cuts an impressive shape as it winds its way up to the first floor. The polished plaster finish to all sides is a work of art that comes to life in the evening with fully automated lighting and bespoke pendant lights that cast shadows from above.

The landing shows off the bespoke and entirely solid nature of the doors which have inlaid brass sections, perfectly milled to create a hexagonal one-off design. The handles by Oliver Knight adorn each one.

THE UPPER FLOORS

It was an easy sacrifice to remove the smaller bedrooms and create a complete new layout for three, much larger bedroom suites with views. Whilst the vaulted master highlighted the amazing original oak trusses, the layout with occasional use mezzanine needed a rethink and a flip.

The master bedroom has been completely opened up into a vast, double volume space where the King Truss is the focal point within the structure of the room. A polished nickel bath and bespoke timber fireplace surround complete this tranquil sanctuary which leads into the master en-suite.

The tones and materials of the entire house have been consistently carried through every piece of cabinetry and the headboard and wardrobes are no exception. The headboard design re-introduced the same ivory nubuck as the sofa and wall panelling on the ground floor. Textured fabric is used to bring colour into the wardrobes which are matched by cushions on the bed.

The steam room shower is lined in dramatic stones and the hand-made, bespoke vanity is embellished with embossed pig hides and natural river stone basins. Polished nickel Samuel Heath brassware adds elegance to the space with three different shower options, all harmonising with the translucent alabaster wall lights.

COMPLETELY REFORMATTED DUPLEX SUITES

The most important part was that the above-ground floor system needed to be torn down and newly supported from an internal steel framework that allowed all the original beams and character to be

The master bedroom has been completely opened up into a vast, double volume space

fully displayed without continuing to act as part of any load-bearing structure. This left the outer walls to be a full-character facade internally and externally.

Two further bedrooms were carefully designed to provide two storey luxurious spaces, with upstairs lounges and en-suites that command spectacular views across to Swettenham Hall and the countryside beyond.

GARDEN AND SHARED GROUNDS

As well as a personal garden terraced with low-level lounge seating featuring olive trees inset into a marble table and views over the grounds, the estate benefits from 60 acres of the most beautiful countryside, equestrian facilities, river and woodland walks as well as recreational areas and roaming wild deer.

Discover more interiors inspiration at designbyuber.com

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SWOON

Chorley armchair, £1,019 swooneditions.com

OAK & MORE

CONRANSHOP

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SWOON

Linton armchair, £689 swooneditions.com

OKA

Coleridge Areca linen armchair, £1,495 oka.com

DARLINGS OFCHELSEA

Notting Hill armchair, from £1,619 darlingsofchelsea.co.uk

HOT SEATS

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JOHNLEWIS

Su ffolk Windemer chair, £1,199 johnlewis.com

SOFA .COM

Hockney armchair, £1,050 sofa.com

FERMLIVING

Rico armchair, £1,835 fermliving.co.uk

Ferm green fabric armchair, £629 oakandmore.co.uk JULIETTESINTERIORS

Leather occasional armchair, £6,846 juliettesinteriors.co.uk

Fromtailoreddesign toprofessional installation,our specialistsprovide bespokesolar systems,supported byin-houseroofing andscaffoldingfor perfectexecution.

ENDURING QUALITY

Inside the craftsmanship of Crown Pavilions garden rooms

Agarden room should be more than additional space, it should feel like a seamless extension of your home. At Crown Pavilions, true luxury lies not only in appearance, but in craftsmanship, thoughtful design and enduring quality.

As garden rooms continue to grow in popularity across the UK, so too does the variation in finish and construction. While many may look appealing in photographs, the real difference lies in the details in the materials selected, the care taken during construction and the overall standard of the build.

Comfort throughout the seasons is key. Crown Pavilions garden rooms are constructed with insulated walls, roof and flooring to support year-round use, creating a space that feels inviting whether used as a home office, gym or private retreat.

Equally important is the structure itself. Strong timber frameworks and high-quality roofing systems are chosen to provide durability and resilience in the British climate. Every stage of the build reflects a commitment to precision and longevity.

Glazing and door systems play a defining role in both performance and aesthetics. Contemporary aluminium doors and quality glazing maximise natural light while enhancing the connection between home and garden.

Visit a Crown Pavilions Show Site

Experience the cra smanship firsthand and explore luxury garden buildings, gazebos, summerhouses and garden rooms with expert guidance throughout at these show sites:

• Chessington Garden Centre, London

• Longacres Garden Centre, Bagshot, Surrey

• Van Hage Garden Centre, Ware, Hertfordshire

• Alton Garden Centre, Essex

• Frosts Garden Centre, Woburn Sands, Milton Keynes

• Bridgemere Garden Centre, Cheshire

Exclusive Reader Offer

For a limited time, Absolutely readers will receive an exclusive 10% OFF, applicable to all installations completed before March 2026. To invest in Crown Pavilions is to invest in a lifestyle, one defined by elegance, excellence and enduring luxury.

DISCOVERMORE

crownpavilions.com

crown-equestrian.com Call: 01491 612 820

Inside, attention to detail is evident in the finishes and fittings. Clean internal lines, carefully considered lighting and refined design touches create a cohesive space that complements the main residence. With bespoke sizing and layout options available, each garden room is tailored to suit individual properties and lifestyles. When designed and built with care, a garden room becomes more than an addition it becomes a considered investment in your home and the way you live

Todayís highend mod-cons donít merely improve function, they choreograph comfort

BSoak

Exploring how advancements in technology has made the bathroom a truly luxurious escape IT IN

athrooms have always been quietly technological spaces, even when they didnít look it. Long before ìsmartî anything, the room where we wash and flush was shaped by engineering, materials science, and public health. Whatís changed over the years isnít just the kit we can buy, but what we expect a bathroom to do: from basic sanitation, to comfort, to wellness, to something bordering on a private spa. The Victorian era (and its equivalents elsewhere) turned sanitation into a domestic norm. The toilet evolved from an oddity to a standard fixture, and the trap became a crucial piece of everyday engineering: a simple water seal that blocks sewer gases. Indoor bathrooms spread slowly at first

because they required infrastructure, cost, and often a cultural shift but by the early 20th century they were a clear marker of modern living.

Mid-century bathrooms then benefited from mass production and new materials. Ceramic tiles became cheaper and more varied, making bathrooms easier to clean and more visually consistent. Hot water systems also improved: better boilers, more stable temperatures, and the growing availability of showers meant daily washing became faster. Bathrooms started to reflect convenience.

From the 1970s onwards, comfort and efficiency began to matter more. Thermostatic mixing valves reduced the risk of scalding by keeping shower temperatures steady. Ventilation fans became common, tackling condensation and mould. Accessibility standards also influenced design: safer surfaces, grab rails, and layouts that accommodated different bodies and needs. By the 1990s and 2000s, the bathroom had become a place where design and engineering met minimalist fixtures, concealed cisterns, and frameless glass showers werenít just style choices, but products of better manufacturing and installation techniques.

Todayís high-end ìmod-consî donít merely improve function; they choreograph comfort, reduce friction, and blur the line between bathroom and wellness studio. The headline act in many luxury spaces is the advanced shower system. Digital and app-controlled showers let you set exact temperatures, flow rates, and even profiles for di fferent people in the household. You can preheat the shower, pause it without losing your settings, or create routines ìmorning energiseî might mean a hotter start followed by a cooler finish. Rainfall heads, body jets, and hand showers can be combined with precision valves so the experience feels consistent rather than fiddly.

Baths have also become more than big tubs. Luxury models integrate air-jet or whirlpool systems with quieter pumps, improved filtration, and ergonomic shaping that actually supports the body. Some even include chromotherapy coloured lighting designed to change the mood and built-in speakers for a fully immersive soak.

Toilets in top-end bathrooms are where the most dramatic leap has happened. In many luxury homes (and especially in Japan-inspired designs), the ìsmart toiletî

or integrated bidet is now a centrepiece: heated seats, warm-water washing with adjustable pressure and position, air drying, automatic lids, deodorising filters, and self-cleaning nozzles.

Then thereís the sink area, which has become a small control centre. Touchless taps are now common in luxury settings, not just for hygiene but for sleekness and reduced cleaning. Temperature memory and precise flow control make daily routines smoother. Under-sink water filtration systems can provide cleaner water for brushing teeth or skincare routines. Mirrors have quietly become one of the most ìtechyî fixtures. Demisting pads keep them clear after a hot shower. Integrated LED lighting provides even illumination for shaving or makeup, with adjustable brightness and colour temperature so you can match daylight, evening light, or a softer spa ambience. In more futuristic setups, smart mirrors can display time, weather, calendars, or music controls.

Heating and comfort tech has also levelled up. Underfloor heating is a modern classic in luxury bathrooms, offering gentle, even warmth and quicker drying. Heated towel rails have become smarter too, with timers and thermostats that reduce energy waste. Some bathrooms add discreet, quiet space heating and humidity sensors that automatically ramp ventilation to prevent mould without blasting cold air through the room. Lighting, finally, is where luxury bathrooms often feel most theatrical. Layered lighting plans task lighting at the mirror, ambient perimeter lighting, and low-level night lights can be controlled via scenes. Motion sensors can bring on a dim pathway light at 2am without shocking you awake. Whatís striking about all this is that bathroom technology has evolved from infrastructure to intimacy. The early breakthroughs were about survival and public health; todayís innovations are about ease, comfort, and the quiet pleasure of a room that anticipates what you want.

Illuminatingimpact

Statement lighting is being used to transform design in our homes, as the founder of Gabriel Scott, Scott Richler, writes

Homes are increasingly treated as long-term sanctuaries rather than trend-led showcases, and that shift naturally elevates lighting to a more central role. Statement ceiling lights bring clarity and confidence to a space; lighting defines a room instantly, rather than quietly receding into the background. Thereís also a renewed appetite for craftsmanship and architectural presence; people want to see how something is made and to feel its material weight. The ëbig lightí answers that desire by offering both function and identity, acting as an anchor that brings cohesion to the entire interior.

When we design large statement fixtures, scale is always our starting point. A light should respond to the architecture around it, the volume of the room, ceiling height, sightlines and how the space is actually lived in. Quite simply, the larger the room, the more confidently a light can occupy it. That said, scale isnít just about size; itís about proportion and balance. We often remind clients that small rooms can look extraordinary with oversized pieces too, as long as the design has refinement and clarity. A bold light in a compact space can create tension and drama, rather than overwhelm, when itís thoughtfully placed.

Lighting creates emotional resonance because it directly influences how we feel in a space, not just how we see it. A subtle shift from bright, task-focused light to something dimmed and warmer can instantly signal calm, comfort or intimacy. Much like changing pace at the end of the day, lighting helps us transition emotionally between moments, from focus to relaxation, from energy to rest. When lighting is layered and adjustable, it allows a home to support di fferent moods throughout the day.

Mood plays a fundamental role in our design philosophy. We believe lighting should respond to how people actually live, not just how a room looks in photographs. Dimmable systems and thoughtful combinations of ambient, task and accent lighting give homeowners control over their environment, allowing them to tune a space to how they want to feel in that moment. Ultimately, the most successful lighting doesnít announce itself, it quietly enhances wellbeing, making a home feel intuitive, personal and emotionally supportive.

At Gabriel Scott, materials are never an afterthought, they are central to both

the visual language and the longevity of every piece. Our approach is rooted in the belief that lighting should feel substantial, tactile and enduring, with materials chosen not just for how they look on day one, but for how they age over time. Glass is one of our defining materials. Many of our collections use hand-blown or double-blown glass, which gives each piece a subtle individuality. The layered construction softens the light, creating a warm, atmospheric glow rather than a harsh source. This quality of light is crucial to emotional comfort, itís what makes a sculptural fixture feel inviting and lived-in, rather than purely architectural.

Equally important are our metals. We work with finishes such as satin brass, satin bronze, satin nickel, satin copper and blackened steel, chosen for their depth and quiet refinement. These finishes are deliberately understated; they catch the light without dominating it, allowing the form and the glass to take centre stage. Over time, they develop character rather than wear, reinforcing the idea of lighting as a long-term investment rather than a seasonal purchase. Statement lighting has increasingly replaced traditional focal points because it offers both visual impact and flexibility. Feature walls, wallpapers or built-in joinery are fixed to a specific home; lighting, by contrast, is something you can take with you. That sense of portability has become incredibly important to homeowners who move more frequently or see their interiors as evolving rather than permanent.

We also see lighting being treated as a true investment. When clients fall in love with a piece, it becomes part of their personal design language. That light will move homes with them, adapting to new spaces and contexts, rather than being left behind. In that sense, statement lighting has become a modern heirloom, an object that holds meaning, delivers impact, and offers longevity in a way that many traditional focal points simply canít.

Lighting has moved far beyond simply complementing architecture, it now actively shapes how a space is experienced. Rather than being applied at the end of a project, lighting is increasingly considered at the same moment as the architecture itself. It defines volume, guides movement and influences how we perceive scale, proportion and flow within a room.

As homes become more fluid and multifunctional, lighting is also taking on a greater role in shaping how spaces are used throughout the day. Architecture may remain fixed, but lighting allows the same room to shift in character, from energetic and open to calm and cocooning. Ultimately, the relationship has become collaborative. Architecture provides the framework, but lighting brings it to life. When designed together, lighting doesnít just support a space it defines its atmosphere, identity and emotional impact.

gabriel-scott.com

Sunny OUTLOOK

Solar installations: the new standard in luxury living

Solar energy has shifted in recent years beyond being a purely environmental upgrade. In the most considered homes across Cheshire, it is fast becoming a defining feature. A practical and intelligent choice that sits alongside high-quality design, craftsmanship, and long-term thinking. No longer a green add-on, solar is now part of the modern luxury standard. This shift is being driven by changing expectations. Homeowners are increasingly looking to optimise their homesí performance, rather than focusing solely on aesthetics. Rising energy costs, an unpredictable utilities market and a growing

focus on sustainability have brought energy independence to the forefront of many homeownersí minds. Generating power on-site and reducing reliance on the grid allows for a more measured, long-term approach to powering your home.

In high-end homes, solar demands a thoughtful, bespoke approach. Cheshire Solar Services specialises in designing systems tailored to each property, drawing on experience across luxury estates and large-scale commercial projects. Every installation is planned around the characteristics of the building, the homeownerís lifestyle, and typical energy use.

This design-led approach extends to aesthetics. Installations are carefully aligned with the homeís architecture and roofline, resulting in a solar system that is as elegant as it is efficient. With far more design options available than ever before, modern solar can be integrated seamlessly, delivering a sleek, refined finish that complements the property. No longer purely functional, solar has become a considered design feature that enhances the character of the home.

Contemporary homes are now expected to support evolving lifestyles, from electric vehicles to increased energy use from home working and smart technology. Modern solar systems are increasingly intelligently managed, with AI-driven software monitoring generation and usage to direct power where itís needed most, whether in the home, to charge a vehicle, or stored for later use. By integrating these systems thoughtfully, Cheshire Solar Services ensures that installations can adapt with the homeownerís

needs, optimise for maximum e ffi ciency whilst reducing reliance on the grid to allow homes to remain resilient.

Delivering systems of this quality requires careful planning, coordination, and local expertise, particularly for larger-scale or complex properties. By managing every element in-house, from technical planning to roofing, electrics, sca ffolding, and final installation, Cheshire Solar Services, working closely with their sister company Cheshire Roof Repairs, ensures that each project runs smoothly. This integrated approach provides consistency, accountability, and peace of mind, allowing sophisticated solar systems to be installed efficiently and seamlessly.

As expectations continue to evolve, solar is no longer a statement. It is simply part of how well-designed homes work intelligent, integrated, and built for the future. To start your solar journey, reach out to Cheshire Solar Services.

cheshiresolarservices.co.uk

info@cheshiresolarservices.co.uk 01565 859 689

EDUCATION

ROOM TO GROW

RYDALPENRHOS

Five minutes© walk to the beach. Half an hour to the mountains of Eryri. Rydal Penrhos launches Sixth Form Boarding in September 2026 from a setting few schools can match. Combine an enviable location with the strengths of an outstanding school exceptional teaching, close-knit community, and extensive extra-curricular opportunities and you have the perfect platform for young people to prepare for next steps. The option of weekly boarding offers families the best of both worlds. Register your interest at rydalpenrhos.com or call 01492 530155

Good SPORTS

Absolutely visits a school setting the pace with sporting results and unrivalled facilities

The starting gun cracks across the track and Finlay drives forward, head steady, arms pumping, the field already stretching behind him. He crosses the line first, not only winning at the Eryri Schools Championships, but setting the tone for a season that would carry him through Welsh Schools qualification and on to Great Britain selection for Budapest. He is still only in Year 11. At Rydal Penrhos, moments like this are far from outliers. They are becoming a pattern. On the water, Year 13 sailor Ben has stood on national podiums as 29er National Champion, lifted the title at the RYA Youth Nationals and earned selection for the GBR team at the Youth Sailing World Championships in Portugal. In the pool, Year 10 swimmer Seren has claimed the Swim Wales national age≠group title in the 400m Individual Medley, reached multiple finals and amassed 11 regional gold medals, including relay victories with her squad. Di erent disciplines, di erent personalities, one shared thread: a school in a golden period of sporting achievement.

Rydal Penrhos is a co≠educational independent school for ages 2 to 18 on the North Wales coast, within easy reach of Cheshire and the wider North West. It is academically ambitious, delivering outstanding GCSE and A≠Level results year after year, yet the current sporting momentum is not happening despite that culture. It is being accelerated by it. High expectations are matched by close support: pupils are known well, routines are structured, and when competition calendars intensify, sta help pupils keep study on track rather than asking them to choose between classroom and sport.

Sustained investment in facilities has strengthened that momentum. In September 2025, a new state≠of≠the≠art Astro Turf provided a playing surface to rival the very best in the country.

Success in the pool is underpinned by the extensive refurbishment of the 25≠metre swimming pool, creating a first≠class environment for swimmers of every ability. Meanwhile, the upgraded

Performance Gym o ers an exceptional setting for strength and conditioning across a wide range of sports, enabling pupils to train with purpose and precision. Importantly, these facilities are not reserved solely for elite performers. In the gym, for example, equipment, machines and free weights are available to all pupils of the appropriate age, with thorough inductions ensuring that every young person feels confident and capable in a gym setting, both at school and beyond. Individual training programmes are a regular feature, carefully designed and overseen by a specialist coaching team. In addition, tailored nutritional guidance, delivered in partnership with expert caterers Holroyd Howe, equips pupils with the knowledge they need to fuel e ectively for both performance and recovery. Benís sailing achievements illustrate another strand of the story. Competing internationally demands time away from school. Here, flexibility is structured rather than improvised. Work is sent to pupil iPads, teachers remain in close contact, and learners return to lessons supported rather than penalised. Finlayís sprint commitments are managed in the same spirit: ambitious pathways, quietly

enabled by the adults around them. Breadth matters. At Rydal Penrhos, the sporting o er is genuinely varied. Rugby Sevens is a highlight of the spring calendar, with the First VII travelling annually to the Rosslyn Park National Schools Sevens and the school hosting its own tournament, attracting strong sides from across North Wales and Cheshire. That range also includes a proud cricket tradition; the school recently celebrated its centenary fixture against MCC, the worldís most famous cricket club. Across all sports, what is striking is not only the medal count or the representative honours, but the atmosphere behind them. Pupils speak of being known well, of coaches who understand their ambitions, of teachers who ensure that coursework keeps pace with competition. Success has become visible, and visibility creates belief. That belief will soon extend further.

From September 2026, Sixth Form Boarding will open in New House, o ering a structured and supportive environment for pupils seeking to combine academic study with high≠level sport. For families relocating to the region, or for those considering boarding as an option, it represents a significant new chapter. Finlay on the track, Ben on open water,

Seren in the pool: their achievements are individual, but the conditions that have shaped them are collective and intentional. Rydal Penrhos is experiencing a golden period not by chance, but by design.

To find out more, call 01492 530155, visit rydalpenrhos.com, or email admissions@rydalpenrhos.com

SUCCESS stories

Sport at St Anselmís College is flourishing, from try scoring to being fi rst on the track. Absolutely fi nds out more

St Anselmís College under 16s continued their ne unbeaten season by reaching the Schools Sports Magazine national cup semi≠fi nal away at QUEGS Wakefi eld. A nail≠biting end to end match resulted in a 24 all draw and St Anselmís progressed on the away team rule. They have now beaten Wirral, Calday, Woodhouse Grove in Bradford and QUEGS in Wakefi eld to progress as one of the last four teams in England.

The under 16s recently won the Cheshire Cup with a last minute victory over local rivals Calday Grange. It was an incredibly tense and high standard game played out in front of over 500 spectators. Calday were excellent on the night and led the contest from the rst few minutes. However, showing superb resilience St Anselmís scored on the penultimate play with a ne break by Ben Lightfoot resulting in a try for captain Louie Kellett, securing an excellent victory.

This was St Anselmís second county cup success in three seasons. Director of Rugby, Simon Mason, says: ìThe under 16s have been the standout team this season and PE teacher and rugby coach Mat Kilcourse has done a great job. He is a ne coach and he also plays at fullback for Caldy RFC in the Championship and is a role model for the lads.

ìRugby is ourishing at St Anselmís College,î Simon continues. ìMr Haleís under 15s also got through to the national cup quarter nal and Mat Cucchi has been instrumental in driving the skills clinics that underpin our success across the teams. It has been a pleasure to see so many of our players selected for Sale Academy and Cheshire, through hard work and drive.î

St Anselmís College has a proud tradition of participation and excellence across a range of sports and provided numbers of international players since its inception in 1933. The College competes nationally at rugby, cross≠country, athletics and hockey. This year the cross≠ country team reached the national nal with all three teams and came second nationally in the King Henry relay.

Last summer the College athletics side qualifi ed for the national nal in Chelmsford. They were the highest scoring team in the north of England and also the strongest scoring team outside of London, an incredible achievement for a state school.

The hockey under 18s and 16s both qualifi ed for the North West regional nals to be played in Sedbergh later this month. St Anselmîs also has a number of academy level football and cricketers who have recently signed professional contracts and gained scholarships.

st≠anselms.com

Starting POINT

Why investing in the early years of your daughterís education makes all the di erence

If youíre considering independent education for your daughter, you wouldnít be alone in thinking that the best time to invest is in the later years, perhaps when exams appear on the horizon. Many parents instinctively think ahead to Year 6 SATs, 11+ exams, or senior school entrance. But mounting evidence suggests that the earliest years of formal learning (particularly from Reception to Year 2) are not just important; theyíre transformative. The experiences, values, and attitudes shaped in these early years have a profound and lasting impact on a childís academic performance, emotional resilience, and sense of self. Here is why starting early in an independent, all≠girls setting could be the best decision you make for your daughter.

THEEARLYYEARS

ADVANTAGE : WHYTHEFIRST FIVEYEARSCOUNT

Childrenís brains develop faster in the first five years than at any other time in life. Research from Harvard and UNICEF shows that by age five, a childís brain is already 90% developed. This is when neural connections form at rapid speed, laying the groundwork for how children learn, relate to others, and approach challenges. Itís also when children are naturally curious, deeply observant, and highly receptive to new information. An enriching environment during this window can significantly boost a childís ability to: develop strong literacy and numeracy foundations; regulate emotions and manage relationships; and build confidence,

resilience, and a love of learning.

For girls, these early years are especially critical. Studies suggest that girls often internalise expectations earlier than boys, which makes it all the more important to provide an empowering environment from the outset, one that celebrates their voice, fosters confidence, and sets high standards for what they can achieve.

The Queenís School is an independent day school for girls aged 3≠18 located in Chester. The school prides itself on creating an ambitious and future≠focused environment from the early years, where every girl is supported to thrive academically and personally shaping happy, confident, future≠ready girls. Joanne Keville, Headmistress of The Queen's School, says: ìEven in Reception, our girls are encouraged to think independently, explore ideas, and express themselves. These early habits of mind last a lifetime.î

WHYGIRLSTHRIVEIN INDEPENDENTSETTINGS

Girls often approach learning di erently from boys, especially in the early years. They may develop verbal skills earlier and show a greater sensitivity to relationships

and emotions. In a single≠sex setting, teachers can tailor their approaches to suit how girls typically learn best through collaboration, encouragement, and creative expression. In smaller class sizes, teachers can truly get to know each child, spotting areas of potential, supporting challenges, and building self≠belief at just the right moment.

In independent schools like The Queenís School, the environment is designed with these dynamics in mind. From the types of texts chosen for shared reading, to how maths is taught through real≠ life problem≠solving, the curriculum is deliberately constructed to reflect how girls think, communicate, and thrive.

Joanne says: ìOur classrooms are calm, creative spaces where each girlís strengths are stretched and barriers to learning are removed. Itís not just about learning facts; itís about shaping character.î

WHAT TO LOOK FOR INAN EARLYYEARSSETTING

Not all early years environments are created equal. Parents often focus on location or facilities, but the real markers of quality are more subtle. Look for settings where:

ïThe environment feels warm and supportive, not overwhelming or chaotic;

ïLearning is personalised, with sta who really know each child;

ïPlay and structured learning are balanced thereís time to explore, but also focused teaching;

ïValues are embedded, not just displayed on a wall;

ïGirls are encouraged to speak up, share their ideas, and take the lead. At The Queenís School, the early years are designed to ignite curiosity while gently building discipline. Activities such as outdoor exploration, phonics games, creative storytelling, and early problem≠solving all serve a purpose not just preparing girls for whatís next, but helping them discover who they are.

LONG -TERMBENEFITS : HOW EARLYINVESTMENT PAYS OFF

The long≠term advantages of high≠quality early education are well≠documented. Children who attend strong early years settings are more likely to:

ïAchieve academic success in primary and secondary school; ïDisplay leadership, empathy, and teamwork;

ïMaintain a positive attitude toward learning and self≠improvement; ïTransition more smoothly into new environments later.

These benefits are magnified in independent settings, where resources, class sizes, and teacher expertise o er a consistently high standard of support. For girls, that means growing up with the confidence to explore any subject or pathway from STEM and sport to the arts and enterprise and developing emotional literacy in an environment designed for them. They can focus on both learning and building the confidence and soft skills that will carry them into the future.

Joanne says: ìWe donít just prepare girls for their next year we prepare them for life. When the foundations are strong, thereís no limit to what they can achieve.î Is it too soon for independent school? Not at all. Some parents feel they should wait until their daughter is ëreadyí for independent education perhaps in Year 3 or Year 7. But by then, many aspects of her learning style, social confidence, and mindset have already been shaped.Starting early means your daughter can grow up with consistent support, embedded values, and high expectations from the very beginning.

thequeensschool.co.uk

AHappy RETURNS

Cheshire's Abbey Gate College achieves a glowing report as it heads towards its 50th year

bbey Gate College has announced that it has received an excellent report, following its recent Independent Schools Inspectorate (ISI) inspection. This endorsement comes as the College prepares to celebrate 50 years since its original foundation by parents.

Overseen by the Department for Education, the standards against which independent schools are inspected are rigorous, detailed, and very demanding. Abbey Gate College has been judged successful in every single area leadership, education, co≠curricular, wellbeing, preparedness for life, contribution to society, facilities, and safeguarding. In addition, the inspectors noted the Collegeís commitment to nurturing pupils at a personal level, with care and with the kind of relationships and respect that enable them to thrive. This deep≠rooted part of the Collegeís culture was praised for its e ectiveness.

Commenting on the report, Head of Abbey Gate College, Craig Jenkinson, says: ìWe are delighted with the report. It commends highly not only academic progress and learning, but also the profound, authentic care and the inspiring, innovative purpose of our whole College's educational provision, from Early Years provision right through to Sixth Form.

ìAs parents and educators, in a fast≠evolving world for all our children, we want to prepare them, as well as we can, for the diverse opportunities and challenges they will face in their future lives of the 21st≠century. Abbey Gate Collegeís three pillars of Self, Service, and Sustainability are unique, forward≠looking and entirely aligned with this aim. Our inspection report repeatedly praises their strength and impact, in robustly shaping and defining the high≠quality education we provide.î Some key comments from the report include:

ìTeaching is well paced and composed, resulting in lessons that are purposeful and calm, enabling pupils to make rapid progress. Teachers hold high expectations for the quality of work produced by pupils. Pupils respond with self≠motivation and consistent effort.î

ìThe comprehensive and broad co≠ curricular programme enriches pupilsí experiences and skill development.î

ìWarm, respectful and nurturing relationships between staff and pupils positively influence behaviour and moral development. These practices create a calm, inclusive environment where relationships thrive.î

ìThe physical education curriculum is rich, varied, and well resourced, resulting in the acquisition of advanced skills for many pupils.î

ìThe school has cultivated a strong emphasis on pupilsí responsibility to society through the concept of service. As a result, pupils view service to others as a core aspect of school life, fostering a strong sense of social responsibility.î

ìCareers education is well≠embedded through a comprehensive curriculum from Year 7, culminating in effective preparation for diverse destinations including degrees, apprenticeships and entrepreneurial ventures. As a result, pupils demonstrate high aspirations and enthusiasm for their future education and career paths.î

Discover more at abbeygatecollege.co.uk

BY KATIELUCAS

HISTORIC FIRST

A well-known Manchester girlsí school is opening a pre-school for the first time in its 152-year history

Manchester High School for Girls (MHSG), in Fallowfield, is extending its o ering to welcome girls as young as three, from September 2026. The independent all girlsí school, which boasts alumnae including all three of su ragette Emmeline Pankhurstís daughters, is opening spaces for a select number of pupils.

Headmistress, Helen Jeys, says: ìWe are a proud school of firsts, and this is the first time in our history that we are extending our education to three and four≠year≠old girls. With strong foundations in place, girls are equipped to grow with resilience, ambition and integrity throughout their educational journey and beyond. As an organisation that believes so passionately in girlsí education, it is an understandable and deliberate evolution for us to o er a pre≠school at Manchester High.î MHSGís pre≠school is set to provide a nurturing, yet academic environment for some of Manchesterís youngest girls, with teaching on early phonics and numeracy

skills and a focus on emotional and social development. There will be a maximum of 16 spaces available in the class, who will be known as the ëLittle Iviesí.

Ruth Anderson is Head of EYFS at MHSG and will be leading the pre≠school. She says: ìThe Early Years are not a prelude to a successful education; these years are the vital foundation. The symbolism of the ivy, long associated with Manchester High School for Girls, o ers a powerful metaphor for this work. Ivy grows slowly but purposefully, anchored by strong roots that allow it to flourish over time.

ìThe pre≠school represents those roots: the starting point of girlsí education, where confidence is established, identity is a rmed, and potential begins to climb.î

With limited places available from September 2026, interested families are encouraged to get in touch with the school directly to find out more.

Visit manchesterhigh.co.uk, email registrar@mhsg.manchester.sch.uk, call 0161 224 0447 or find MHSG on social media @manhighgirls to find out more

LIFE CHANGER

Exploring the scholarships o ered at Beech Hall , a school committed to unlocking talent from within our children

As it celebrates its Centenary year, Beech Hall remains utterly committed to o ering extraordinary opportunities, shaped by individual journeys; because no two children learn or thrive in the same way. In order to expand this opportunity, they are o ering six scholarships for the September 2026 intake of Year 7s. Will Beech Hall School be the place where your child will truly thrive? Does your child excel in the academic world? Are they a mathematical genius who could score the full 160 marks in paper 2 of

Further Maths GCSE two years early and is heading for A≠level mathematical success in the summer of Year 10? Imogen did.

Does your child compete at the highest level of their chosen sport? Do they play sport for their county, nationally or internationally? Are they the number one under≠16 golfer in Cheshire? Austin is.

Does your child have the dramatic flair and ability to take the lead role in a school production? And to cut it amongst their peers on some of the biggest blockbusting movies on the international stage? Charlie does.

Does your child have the potential to excel in open≠water swimming, to join the worldís

most successful English Channel relay team? To become the first child to swim the 14km from Corsica to Sardinia, and to tackle the Hudson River in a 58.5km marathon swim around Manhattan, New York? Rory does. Whilst many scholarships tend to be relatively modest, Beech Hallís o er for September 2026 is a 20% fee discount for the five years from Year 7 to Year 11, reviewable should you choose to apply for a place in the Sixth Form. Applicants must be able to represent the school positively and publicly in some form, and consent for the public use of images, photography, audio and video is a given. Do you BMX or motor≠race in European championships? Do you have the ability to score full marks in a GCSE English essay on Macbeth? Are you playing county hockey or playing o a handicap of 2.5 on the 18th? Would you like to be a part of the leading all≠ability school in the north of England, o ering an enriching educational experience that builds confidence and nurtures individual success?

Whether you have the brain of Einstein or the voice of an angel, the muscle≠power of an Olympic athlete or the steely determination to succeed whilst those around you fail, Beech Hall could o er you the chance to be you. To stand out against the crowd, to be utterly unique and confident to be so. Isnít it time for something di erent?

Applications should be made in writing to the Headmaster, explaining how the applicant meets the criteria for a scholarship to be awarded headmaster@beechhallschool.org

why everyone is talking aboutÖ

Chester Festival of Ideas

The fi rst details have been revealed for the 2026 incarnation of the celebrated event

The first events for this yearís free, University≠run Chester Festival of Ideas have been announced, from some of the UKís leading broadcasters sharing insights to spectacular science shows. The award≠winning, four≠day annual festival is returning in the summer for the third time, after proving a success with thousands of visitors enjoying its near≠ to≠100 events held each year since its launch.

Created by the University of Chester in collaboration with partners, the festival o ers a programme of free and accessible public events on a wide range of themes, for all ages and interests, at venues across the city. The city calendar highlight celebrates imagination, inspiration, learning and culture, including talks, exhibitions, performances, and hands≠on workshops, and takes place from 2nd≠5th July.

Among the many names taking to the festival stage in 2026 are journalist, broadcaster, author and campaigner, Mariella Frostrup, and author, broadcaster, former editor≠at≠large at The Guardian and Professor, Gary Younge.

Adding to the line≠up will be Greg Jenner, public historian, author, and broadcaster, best known for working on the award≠winning BBC TV series, Horrible Histories, as its historical consultant, and for creating and hosting the BBC podcast, You're Dead To Me. Environmentalist Dr Mya≠Rose Craig also joins the guests, and the Royal Institution will lead a trio of exciting science shows to wow children and families, o ering something for everyone.

Meanwhile, a range of research and expertise will be presented by University of Chester academics, and authors from the University of Chester Press will feature, including discussions on ëFinding the Battle of Brunanburhí and ëWalking and Cycling to a Better Futureí.

To bring even more to the developing 2026 programme, organisers are inviting individuals, organisations and communities to submit their event ideas through the events form on the festival website from now until 4th March. The call≠out extends to both primary and secondary schools across the North West, North Wales and beyond, to host events, or share projects or pupilsí work around the theme of ëOur Future in Our Handsí. They are encouraged to delve into the power of individual choices, community action, and innovative thinking in addressing issues such as climate change, social justice, science, interpretations of history or technological advancement.

Katherine Wilson, Director of Chester Festival of Ideas and Professor of Later Medieval European History at the University of Chester, says: ìWeíre thrilled to announce that Chester Festival of Ideas is back this year, along with the first guests. Itís a joy to start 2026 by providing a preview of the diverse schedule of events exploring and inspiring new thinking, ideas, discussion and skills.

ìIf you would like to be part of these, please donít hesitate to get in touch; weíd love to see lots of submissions. For example, schools≠led events as part of the festivals in 2024 and 2025 included an upcycling workshop, a dance event, retelling of forgotten histories, a showcase of artwork and a public talk on climate change. These were so well≠received and we are really keen to inspire more schools to submit ideas for 2026.î

festivalofideas.chester.ac.uk

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