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Absolutely Berkshire October 2026

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BERKSHIRE

Berkshire

OCTOBER 2026 / £3.95

SP ECIA L Over 25 pages of inspiration and insight

OCTOBER 2026

Autumnal

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JOE BROWNS CELEBRATES THE NEW SEASON WITH A COLLECTION BURSTING WITH COLOUR JOSEPH MILLSON The Berkshire-born star of stage and screen on his new book WOKINGHAM WAYS Exploring what makes the market town so special THE ROSEATE READING Celebrating two decades of the finest hospitality

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ABSOLUTELY

Contents OCTOBER 2026

52

72

46

CULTURE

FASHION & BEAUTY

EDUCATION

18 Agenda The October events

52 The Shoot Autumnal

96 Meet The Heads Absolutely visits

you can't afford to miss

tones from Joe Browns

local schools to discover more

20 James Bye The Bucks actor

57 Beauty News The must

on life after EastEnders

haves for your wellbeing

103 Steve Cole How his new book helps children face fears

ABSOLUTELY HOME

DON'T MISS

FOOD & DRINK

66 Ashford Kitchens & Interiors

114 Waddesdon Manor Securing

Four decades in design

a sustainable future

46 The Reading Roseate Celebrating

72 Spotlight On The lighting

two decades of luxury hospitality

illuminating our homes

48 Stoke Park Exploring

81 Trend The latest glassware

a tasty reinvention

every home needs

24 Cliveden Literary Festival Words and wisdom return to the area

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O N T H E C OV E R Joe Browns AW26 (joebrowns.co.uk)

editor MARK KEBBLE • art director PAWEL KUBA • magazine designer MARIANA SUZUKI designer BRUNA FACCIN • production manager DANICA BRODIE • group sales manager - south ABIGAIL GARDNER • media consultants LOUISE PEARSON, SARAH BAKER • credit control manager ALEXANDRA HVID • directors CRAIG DAVIES, JAMES FUSCHILLO • managing director SHERIF SHALTOUT Zest Media Publications Ltd. cannot accept responsibility for unsolicited submissions, manuscripts and photographs. While every care is taken, prices and details are subject to change and Zest Media Publications Ltd. take no responsibility for omissions or errors. We reserve the right to publish and edit any letters. All rights reserved.

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Editor’s

LETTER ABSOLUTELY’S October issue highlights

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James Bye

On the joy of bringing horror to the stage (p20)

Joseph Millson

Looking back at an eclectic career (p36)

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t the time of print, I am close to the finishing line. I am not talking about taking up Hyrox, which has been in the news a lot recently for not entirely tasteful reasons, but my kitchen makeover. My wife and I procrastinated over knocking through the kitchen/dining room to go openplan for probably over a year. One week we had built up the courage, only to go and cower behind the sofa the following week. The kitchen was the last room in the house we hadn't touched since moving in eight years ago and it desperately needed revamping, so finally – finally – we took the plunge. I would be lying if I said the past five weeks had been plain sailing. For a start, our Rommie rescue dog hates men (bar me), so there was no chance I could work from home with her, so a daily commute returned to my life. Then there was the discovery of a mystery door in the back wall – we still literally have no idea what it could have been, but that knocked us back a week as the brickwork around it couldn't hold the steel support needed minus a wall. But we are so close. Just yesterday the kitchen appliances were put in, so now it's just those decorative flourishes. It's been a labour of love, but that's why our Home special is here, to offer guidance and inspiration. I am off to put the (new) kettle on.

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Absolutely Home Absolutely Top tips and interiors inspiration (p65)

4 Trend

The top glassware to buy right now (p81)

MARK KEBBLE EDITOR

3 Wishlist

Items to make us green with envy (p14)

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Wish LIST

NEW FLAME Ths Skivvy is a new kind of candle – a hand sculpted glass vessel mouth-blown in India holds a sphere candle hand-poured in Australia. And Vine is a scent that brings the garden straight inside, £189. cillie.com.au

EDITOR’S PICK

10 things we Absolutely love COMPILED BY

PENDLE HARTE

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GOLDEN YEARS Stylish jewellery brand Otiumberg is celebrating 10 years in business this month with a stylish campaign featuring Poppy Delevingne as well as a new store opening in King's Road. Their secret? Timeless chic and effortless elegance. otiumberg.com

PRETTY GREEN Staud's palette for AW26 is full of forest shades: brown, green and rust, combined with contrast dark purples and blues. We love the muted greens best. staud.clothing

SELF CARE Diptyque's new wellness collection offers an all-day ritual, starting with morning nourishment and invigoration, and finishing with evening relaxation. Les Rituels de Soin are accompanied by a collection of decorative objects too. diptyqueparis.com

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ABSOLUTELY • LOVES

C H A I N R E AC T I O N Liberty's fabulous new fashion jewellery gallery offers an excellent curation of contemporary and demi-fine jewellery. Brands include Miami favourite Martha Calvo, among others. libertylondon.com

ON THE PULL Casesafe is the world's first suitcase to include an integrated tracker. You'll never lose your luggage again. july.com

FAV O U R I T E SHIRTS Lisa Corti's prints feature an element of surprise in their motifs and colourways – and for AW26 this stripe shirt has an unusual feel, in a very zeitgeisgty palette. lisacorti.com

EMERALD CITY Berry's are delighted to present these stunning earrings, which showcase a remarkable design featuring exquisite emeralds and diamonds. berrysjewellers.co.uk

O N E TO WAT C H We are loving this Tissot PRX 35mm Green Dial Steel Bracelet Automatic Watch. It has a green dial with a waffle pattern, luminous baton indexes and hands, and a date display at the 3 o'clock position. berrysjewellers.co.uk

N E W M E TA L L I C S Alex Monroe's Teeny Tiny Snake is elegantly poised and delicately detailed, handmade in solid 18ct yellow recycled gold in their workshop. alexmonroe.com A B S O L U T E LY m a g a z i n e s

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29-31 OCTOBER READING REP THEATRE

Step behind the curtain and discover the man behind the legend in Two Halves of Guinness. BBC Radio 4 and Classic FM’s Zeb Soanes stars as Sir Alec Guinness in this intimate, witty and poignant one-man show, bringing more than 30 characters to life and revealing the man behind one of Britain’s most iconic actors.

readingrep.com

PHOTO: DANNY KAAN

C U LT U R E

T W O H A LV E S OF GUINNESS

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The Agenda

CREDIT: PAMELA RAITH

CREDIT: STEVE ULLATHORNE

O CTO B E R ' S H OT T E ST H A P P E N I N G S

EV E N T

Hairspray The Musical 4-9 October M K T H E AT R E After breaking box office records and delighting audiences in the West End, on Broadway and on the big screen since 1988, the timeless story of Hairspray centres around heroine Tracy Turnblad, who has big hair, a big heart, and big dreams to dance her way onto national TV, and into the heart of teen idol Link Larkin. atgtickets.com

CO M E DY

Susan Calman 11 O C TO BE R , TH E ATR E ROYAL

For the first time in ten years, beloved comedian, writer and broadcaster Susan Calman returns to the stage. Susan has amassed a remarkable number of improbable adventures since her last tour. Tall Tales dives headfirst into the most unbelievable highlights: from cruising the world to driving tanks, her enduring love of cats and the trials and triumphs of getting older. theatreroyalwindsor.co.uk

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EV E N T

Standing with Giants 21 October-29 November WA D D E S D O N M A N O R Standing with Giants is returning to Waddesdon Manor with their D-Day installation ‘For Your Tomorrow’. This moving and dramatic large-scale display commemorates those who gave their lives for our freedom during the D-Day landings. Visitors will be able to stop, think and reflect amongst this powerful display of 1,476 life-size silhouettes. waddesdon.org.uk

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CULTURE • DIARY

FRIGHTS AND

FUN

EV E N T

Katherine Jenkins

There is plenty to entertain – and scare – at Buckinghamshire Railway Centre

22 October AY L E S B U R Y WAT E R S I D E Katherine Jenkins is the biggest selling classical artist of this century, and her 25 Year Anniversary Tour celebrates an extraordinary quarter of a century in music and marks her first tour in five years. The tour will feature many of her most beloved songs, including Time To Say Goodbye, the emotional Jealous of the Angels, I Will Always Love You, and more. atgtickets.com

DA N C E

THE N UTC R AC KE R

This Month’s Must See

3 0 O C TO B E R , C O R N E XC H A N G E There is plenty of dance to enjoy at the Corn Exchange this month, especially this taking place during half term. Crown Ballet returns with The Nutcracker celebrating 20 years of touring classical ballet around the UK. Audiences can follow young Marie on a magical journey through snowy forests and the Kingdom of Sweets in this much-loved ballet classic. cornexchangenew.com

Lucy Porter 3 O C TO BE R , TH E STA BL E S

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ucy Porter’s new tour, Let Yourself Go, was inspired by a YouTube comment she spotted after appearing on Celebrity Antiques Road Trip. Audiences can expect stories about clubbing in the '90s, working at Granada Television, and being married to a man more than a foot taller than she is. There may also be embroidery, a few stern words for poor indicators, and a gentle message of encouragement to anyone currently trapped in a pub toilet in a jumpsuit. stables.org

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t Buckinghamshire Railway Centre in Quainton, the journey from Halloween to Christmas takes two very different tracks. First comes Night Fright, an after-dark event on 30 and 31 October. Visitors can book a slot between 6pm and 10.30pm to brave the scare mazes, including a museum maze with Jack the Ripper, zombies and other grisly surprises. This year, killer clowns will also appear aboard a moving steam train. Magicians and fire performers add to the spectacle, while music, food and a bar keep the evening going between scares. Night Fright is unsuitable for young children; under-16s must be accompanied by a paying adult. The mood changes on 28 and 29 November, when Panto Express with Father Christmas begins its festive run. Families watch a pantomime before taking a steam train ride to meet Father Christmas, then visit Mrs Claus and the elves. There is time to enjoy the decorated Visitor Centre, its Christmas tree, café and shop. Panto Express also runs on 5–6, 12–13 and 19–22 December, with several sessions each day. For grown-ups seeking a different sort of celebration, the centre hosts a Christmas Party Night on Friday 11 December, from 7pm until midnight. Expect a cheeky mini-panto, a visit from Bad Santa, a festive buffet, drinks and dancing. From steam-powered scares to a family meeting with Father Christmas, the railway has the season covered. bucksrailcentre.org

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CREDIT: PJAS PHOTOGRAPHY

“You really believe in this couple – and then we see these horrible things happen to them”

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CULTURE • INTERVIEW

Fright

NIGHT Buckinghamshire-based actor James Bye embraces live theatre’s darker side in the chilling stage adaptation of Paranormal Activity

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ames Bye may be preparing to frighten audiences across the UK and Ireland, but the irony is not lost on him. After appearing in the supernatural thriller 2:22 – A Ghost Story, the former EastEnders star has entered the world of theatrical horror once again with Paranormal Activity – despite being far more comfortable creating scares than experiencing them himself. “It’s hilarious that I’ve just done back-to-back horror, but I hate horror,” he laughs. “Even as a 42-year-old man, I will still lose sleep and have to check rooms.” Inspired by the phenomenally successful film franchise, Paranormal Activity sees James play, handily, James alongside Hannah Sinclair Robinson as Lou. The production will visit towns and cities nationwide until May 2027, while a separate company continues the show’s extended West End run at the Ambassadors Theatre. For James, who lives in Buckinghamshire with his wife and four sons, rehearsals – at the time of us chatting – have already offered an intriguing glimpse of the technical and psychological trickery awaiting audiences. “They’re going pretty well,” he says as the company enters its second week of preparations. “We’re working with a

team that I think is on its third cast in the UK, but it’s their first tour. I’m really excited. It’s going to be fun to get this out on the road and get the whole of the UK excited about Paranormal Activity.” The production is written by acclaimed playwright Levi Holloway, whose atmospheric thriller Grey House played on Broadway, and directed by Felix Barrett, founder and artistic director of the pioneering immersive theatre company Punchdrunk. Rather than simply transferring one of the film plots to the stage, Levi has written a completely new story inspired by the screen phenomenon. It follows James and Lou, a young couple who move from Chicago to London in an attempt to escape their past. Their new beginning quickly turns disturbing as they discover that it may not be places that are haunted, but people. Although James had only recently finished another supernatural play, it was the quality and emotional range of Levi’s writing, rather than the opportunity to remain within horror, that drew him to the production. “It’s not necessarily the genre that pulls me in; it’s always the script,” he explains. “Levi Holloway has just done a phenomenal job. I always think when a genre like horror is blended with other genres, it makes it more effective.

“He’s managed to write a really funny script, a heartwarming script and a heart-wrenching script. You see this young couple and they go through the things that we all go through in relationships, and then they get this other thing thrust upon them. It’s about how they cope with that and how they deal with it.” Creating a believable relationship at the centre of the supernatural events is essential. Without that emotional foundation, the stagecraft might startle an audience, but it would struggle to hold them. James believes viewers will invest in James and Lou before their world begins to unravel. “What makes it so enthralling and so watchable is that you really believe in this couple,” he says. “They’re in love, they’re young and they’re happy – and then we see these horrible things happen to them.” While Paranormal Activity and 2:22 inhabit similarly unsettling territory, James says the demands placed upon an actor are markedly different. “2:22 and Paranormal Activity are polar opposites within that genre,” he explains. “They are two very different things. I’m being called upon much more in Paranormal to bring the audience along with me and build that tension, as opposed to 2:22, which was much more led by the technical aspect of the show and the jump scares. A B S O L U T E LY m a g a z i n e s

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CULTURE • INTERVIEW

A PREVIOUS STAGING OF PARANORMAL ACTIVITY WITH MELISSA JAMES AS 'LOU' AND PATRICK HEUSINGER AS 'JAMES' PHOTO BY JOHAN PERSSON

“It’s about leaning into it and not rushing,” he adds. “That’s a skill in itself: trusting that the audience is coming with you. We might have to go into a room that’s made a certain noise, for example. They have to come along with you, and you have to sell it in that way before the payoff at the end. That’s a skill we’re learning in this rehearsal process.” The set adds another unnerving dimension. Designed like a house with its façade removed, it allows spectators to observe several rooms simultaneously. Even when the central action is taking place downstairs, something troubling may be unfolding elsewhere. “It’s essentially like looking at a normal two-up, two-down house where they’ve sliced the front off, so you can see into every room,” James says. “If they’re downstairs having a coffee and something happens upstairs, you can see it. The audience feels like a fly on the wall, and I love that aspect of it.”

JAMES LOVES LIFE IN BUCKINGHAMSHIRE

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Although it is not an immersive production, James describes it as “quite a visceral play” and expects the audience’s reactions to become an important part of every performance. “With comedy, you know whether the audience is enjoying it because you can hear them,” he says. “With a drama, you can’t necessarily hear them. With horror, you can hear them scream, but you also get a sense that they’re leaning forward and not sitting back in their seats. They’re there with you.” He has deliberately avoided watching another company perform the play, partly because work commitments prevented him from attending earlier productions and partly because he prefers to discover a character for himself. He has not turned to the original films for inspiration either. “My wife and I both say we can’t relax watching those kinds of films,” he admits. “We’ve got four boys saying, ‘I want to watch this, I want to watch that,’ but I’d never let them watch anything too scary. Your imagination is far more powerful. When you’re lying in bed and hear a creak, that’s when it gets you.” The tour represents another chapter in a period of change for James following more than a decade as Martin Fowler in EastEnders. He departed the soap 18 months ago in a live episode, sharing his final scenes with his longstanding co-star Lacey Turner. “That was a lot of fun, a lot of pressure and a lot of adrenaline,” he remembers. “Lacey and I can’t tell you how many scenes we’ve done together over the years. Having that stability and working with fantastic talent like Lacey meant the pressure dissipated quite quickly. “It was a really lovely ending, and I still get people messaging me or stopping me in the street – and coming to see me after

A SCENE FROM THE ORIGINAL PARANORMAL ACTIVITY FILM

a show – to tell me about it. It’s nice that people bought into Martin as a character and that the fans still love him.” While he misses the “little family” formed by the EastEnders cast and crew, returning to theatre has brought a different form of excitement. “I did EastEnders for just over 10 years and you need a change,” he says. “There’s something about that live experience and having a different audience every night. It’s a really addictive feeling, that rush of adrenaline, and I just love it.” That career may now be taking him around the country, but Buckinghamshire remains his anchor. James and his family moved south from Manchester when he joined EastEnders, choosing the county after visiting friends locally. “It just seemed like the right sort of place,” he says. “It’s a beautiful part of the world, with so many gorgeous little towns and villages. We were very lucky to find a house that suited us, and now we feel very settled. My local pub is pretty special, too. We’ve got a couple of dogs and we love long dog walks. There’s just something about being at home.” For now, however, James is swapping peaceful Buckinghamshire walks for strange noises, darkened rooms and an evening encounter with the impossible. Audiences may want to hold his nerve for him. paranormalonstage.com

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F E S T I VA L

OF IDEAS Leading writers, historians and political thinkers are set to gather at Cliveden House for a compelling weekend of conversation and debate

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CULTURE • THE ARTS

EXPECT AN EXCEPTIONAL COLLECTION OF NOVELISTS, HISTORIANS, JOURNALISTS AND POLITICIANS

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ew literary festivals can claim a setting as steeped in stories as Cliveden. For more than 350 years, the Berkshire estate has been associated with pleasure, power, politics and intrigue, while its former visitors include Alexander Pope, Jonathan Swift, Alfred Lord Tennyson, George Bernard Shaw and Sir Winston Churchill. On 10th–11th October, that tradition continues as Cliveden Literary Festival returns for its ninth year with an exceptional collection of novelists, historians, journalists and politicians. Among the headline names are Julian Barnes, Candace Bushnell, Jay McInerney, Michael Connelly, Patrick Radden Keefe, Robert Harris, Tom Holland and David Nicholls. Politics will be equally prominent, with Kemi Badenoch, Wes Streeting, Michael Gove and Emily Maitlis among those appearing. Cliveden offers an appropriately atmospheric meeting place for writers and readers. Its particular mixture of beauty, glamour and history has helped establish the event as an autumn highlight – and inspired Her Majesty The Queen to describe it as “a perfection of a literary festival”. Here are five conversations set to define the 2026 weekend.

POLITICS IN TURMOIL Few appearances are likely to generate as much interest as Kemi Badenoch’s conversation with bestselling historian Simon Sebag Montefiore. The Conservative leader will discuss her efforts to reinvent her party at a moment when British politics remains unsettled, fragmented and increasingly difficult to predict. It is a subject well suited to Cliveden, a house that has long existed close to Britain’s political establishment and witnessed centuries of influence, ambition and ideological change. Badenoch has built her reputation on a willingness to challenge orthodoxies and speak in uncompromising terms, so the encounter should offer more than a conventional survey of party policy. Instead, it promises to examine what modern Conservatism represents, where the party goes next and how it can reconnect

with an electorate whose old political loyalties can no longer be taken for granted. Montefiore, whose histories combine vast scope with a fascination for personalities and power, should prove an astute interviewer. His presence may encourage the conversation to move beyond immediate Westminster manoeuvring and towards larger questions of leadership, political identity and the forces that cause parties to rise, fracture and reinvent themselves. Whether admirers see Badenoch as a necessary disruptor or critics question her direction, this should be one of the festival’s liveliest encounters: a close examination of both a politician and a party attempting to shape their next chapter. ROME REBORN Robert Harris has repeatedly demonstrated his ability to transform political history into gripping fiction, from the final years of the Roman Republic in his Cicero trilogy to imagined crises at the heart of the Vatican and British government. At Cliveden, he will turn once again to ancient Rome as he discusses Agrippa, his new novel, with historian and broadcaster Tom Holland.

The book explores loyalty and ruthlessness during the birth of the Roman Empire, placing Harris in territory where private relationships and public power are inseparable. Marcus Vipsanius Agrippa was the soldier, statesman and trusted lieutenant whose military brilliance proved vital to Octavian, the future Emperor Augustus. Yet his position also raises fascinating questions: what does it cost to serve another man’s ambition, and how securely can loyalty survive in a world governed by suspicion, violence and political calculation? Harris excels at making historical figures feel urgent and recognisably human, revealing how decisions of enormous consequence can emerge from fear, pride, friendship and rivalry. Holland, one of Britain’s most engaging interpreters of the ancient world, is an ideal companion for this discussion. Their conversation should illuminate both the historical foundations of the novel and the creative choices involved in bringing Rome to life. Expect intrigue, scholarship and sharp reflections on how power operates – themes likely to resonate far beyond antiquity. A B S O L U T E LY m a g a z i n e s

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CULTURE • THE ARTS

THE QUEEN SPEAKING AT CLIVEDEN LITERARY FESTIVAL 2025

INSIDE THE UNDERWORLD Patrick Radden Keefe has become one of contemporary non-fiction’s most compelling investigators, combining painstaking reporting with the narrative pace of a thriller. His appearance alongside journalist and organised-crime specialist Misha Glenny will explore Keefe’s bestselling investigation into London’s criminal underworld. The pairing alone makes this an unmissable prospect. Keefe is renowned for entering secretive worlds and examining the individuals, families and institutions operating within them. In Say Nothing, he investigated murder and memory during the Troubles, while Empire of Pain exposed the Sackler dynasty’s relationship with the opioid crisis, and his latest book, London Falling, investigates the mysterious 2019 death of 19-year-old Zac Brettler and his family’s search for answers, uncovering a troubling world of deception, criminality and conspicuous wealth beneath the capital’s glittering surface. Glenny brings formidable expertise of his own. His writing has charted international criminal networks, cybercrime and the shadow economies connecting illicit business with legitimate society. Together, the two writers are well placed to consider not just who inhabits London’s underworld, but how organised crime embeds itself within a global city. The event should also offer an absorbing glimpse into investigative journalism itself: the cultivation of sources, verification of competing accounts and ethical responsibility involved in telling dangerous stories. For audiences fascinated by crime writing, hidden networks or the craft of narrative non-fiction, this promises detail, tension and insight in abundance. HISTORY REIMAGINED Historical fiction is enjoying extraordinary creative vitality, and Cliveden brings together two acclaimed novelists who demonstrate just how elastic the form can

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SIMON SEBAG MONTEFIORE, THE QUEEN, ANDREW ROBERTS, CATHERINE OSTLER AND NATALIE LIVINGSTONE AT CLIVEDEN LITERARY FESTIVAL 2025

be. Yael van der Wouden and Alice Winn will join literary critic Merve Emre to dissect the particular magic that occurs when documented history meets imagination. Van der Wouden’s work has been celebrated for its psychological intensity and its examination of desire, displacement and the legacies left behind by conflict. Winn, meanwhile, won widespread acclaim for In Memoriam, her emotionally charged story of friendship, love and loss among young men confronting the First World War. Although their approaches differ, both writers understand that the past becomes most powerful when it is experienced through intimate human lives. Their discussion should consider how novelists enter periods they have never witnessed and create characters who feel authentic without becoming trapped by research. How much freedom can fiction take with the historical record? Which details make a vanished world convincing? And can an invented story sometimes reveal emotional truths that conventional histories overlook? Emre, known for her incisive criticism and scholarship, should ensure the conversation reaches beyond straightforward discussion of inspiration and technique. In surroundings so visibly shaped by successive generations, the subject feels especially appropriate. This will be an event about memory, invention and why readers continue to seek new ways of understanding the past through stories.

AN AMERICAN MILESTONE As the United States marks 250 years since the Declaration of Independence, Cliveden will examine a country celebrating a landmark birthday while debating what holds it together. Writers and commentators will consider America’s founding ideals, cultural power and political divisions. The wider festival line-up gives the discussion additional allure. American literary figures appearing across the weekend include Bright Lights, Big City author Jay McInerney and Candace Bushnell, whose writing inspired Sex and the City. New Yorker writer Lauren Collins and linguist and commentator John McWhorter are also among the festival’s speakers. America’s anniversary invites celebration, but it also demands scrutiny. Ideas of liberty and equality have shaped the nation’s identity while remaining fiercely contested throughout its history. The country’s influence on politics, language, entertainment, technology and consumer culture is immense, yet its internal arguments increasingly reverberate far beyond its borders. Against Cliveden’s own backdrop of transatlantic connections, this promises to be a timely assessment. It should ask not only how the United States reached its 250th year, but what kind of country it hopes to become next. clivedenliteraryfestival.org

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Medieval & MODERN Exploring how Wokingham combines market-town character with an energetic independent spirit

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t may sit within easy reach of Reading, London and the wider Thames Valley, but Wokingham has always possessed an identity entirely its own. This is a town where handsome historic buildings meet smart new public spaces, long-established pubs share streets with contemporary restaurants and independent traders remain an important part of everyday life.

A POTTED HISTORY Wokingham’s origins stretch back to the Saxon period, when the settlement was known as Oakingham, a name commonly interpreted as meaning the home or town of Wocca’s people, although its woodland setting has also inspired an enduring association with oak trees. That connection remains visible in the acorns displayed on the town’s coat of arms. For centuries, Wokingham stood on the western edge of Windsor

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Forest, an enormous royal hunting ground that shaped both its landscape and economy. The town began to develop into an important local centre during the Middle Ages. Once part of the large parish of Sonning, Wokingham gradually established a separate identity, with All Saints Church forming one of its principal landmarks. The present church has medieval origins and was substantially rebuilt and enlarged during the 19th century, but its setting still provides a strong link with the town’s earliest days. A market charter, granted in the 13th century, helped transform Wokingham from a modest settlement into a place of trade. Its position between London and the West Country made it useful to merchants, farmers and travellers, while the Market Place became the centre of civic and commercial life. One of the town’s most important medieval industries was bell founding. From approximately the 14th century until the early

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17th century, Wokingham produced church bells that travelled well beyond Berkshire. Although Bell Foundry Lane appears to commemorate this heritage, historical evidence suggests that the foundry itself was probably located much closer to the town centre. Archaeological discoveries made during later redevelopment included material associated with the casting process. The grandest expression of civic confidence came in the Victorian period. Wokingham Town Hall was built between 1860 and 1864 on the site of an earlier guildhall. Designed in a richly decorative Gothic style, its steep roof, patterned brickwork and prominent clock tower make it the defining building of the Market Place. It remains a working civic building rather than a monument frozen in time, hosting council business, ceremonies and community activities. The railway arrived in 1849, strengthening Wokingham’s connections. This encouraged

ALL SAINTS CHURCH

gradual expansion, although the town avoided the scale of industrial development seen elsewhere. Its most dramatic growth came after the Second World War, as new housing spread around Emmbrook, Woosehill, Norreys and other districts. Even so, the historic centre endured, and recent regeneration has given Wokingham a renewed sense of confidence without severing it from its past. THINGS TO SEE AND DO The best way to understand Wokingham is on foot. Begin in the Market Place, where the Town Hall sets the tone, before wandering into Rose Street. This is one of the most atmospheric parts of town, lined with historic buildings that reward a slower look. Timber frames, unexpected rooflines and old shopfronts hint at centuries of adaptation, while independent businesses ensure that the street remains useful rather than merely picturesque.

Peach Place and Elms Field represent the newer face of Wokingham. Their shops, restaurants, public seating and open spaces have extended the centre while providing places to pause rather than simply pass through. Elms Field is especially valuable for families, combining lawns and play facilities with easy access to cafés and shops. Throughout the year, markets, seasonal celebrations and community events animate the centre, reinforcing the sense that Wokingham is still very much a gathering place. For culture, Wokingham Theatre offers an impressively varied programme produced by its resident company. Established in the middle of the 20th century, it presents drama, comedy and other productions in an intimate setting on Twyford Road. It is a fine example of the volunteer-led arts organisations that contribute so much to the character of market towns. A B S O L U T E LY m a g a z i n e s

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CHALK

Five Things You May Not Know About

Wokingham

BOMBAY STORY

Just outside town, Holme Grange Craft Village brings together independent makers and specialist retailers in converted farm buildings. Visitors can browse gifts, interiors, jewellery, art and artisan products, join creative workshops or stop for coffee in the attractive courtyard. Wokingham is also exceptionally well placed for outdoor escapes. California Country Park covers 40 hectares within an area of ancient bogland and lowland heath. A surfaced path circles Longmoor Lake, while surrounding trails offer woodland walks, wildlife watching and fishing. It feels surprisingly secluded considering its proximity to residential areas and is particularly popular with walkers and families. Dinton Pastures Country Park is larger still, covering around 350 acres of lakes, meadows and woodland. WHERE TO E AT AND DRINK Wokingham’s dining scene has grown considerably, with its historic centre and regenerated quarters now offering plenty of reasons to linger. Chalk, situated in elegant Montague House on Broad Street, is a dependable all-day choice. Its relaxed modern British approach extends from breakfast and brunch to afternoon tea, dinner and Sunday roasts, with seasonal ingredients and a terrace that comes into its own in warmer weather. For a more spirited evening, Salty Olive at Elms Field combines Spanish-inspired tapas with wines, cocktails and regular entertainment. Sharing plates suit its

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sociable atmosphere, while live music, comedy evenings and bottomless brunches make it as much a venue as a restaurant. On Rose Street, Angelo’s occupies the intimate restaurant long associated with Ruchetta. Its focus is fine Italian dining, with carefully prepared dishes and the personal atmosphere of an independent neighbourhood restaurant. For Indian food, Bombay Story at Peach Place takes inspiration from Mumbai’s street-food culture, presenting familiar flavours in a stylish contemporary setting. Small plates encourage diners to explore, while curries, grills and vegetarian choices make it an adaptable option for groups. The Rose Inn is one of Wokingham’s long-standing pub names, although the building seen today is not the original Rose that once stood in the Market Place. Now an attractive dining pub, it serves Mediterranean-influenced dishes alongside steaks, fish and Neapolitan-style pizzas cooked in a wood-fired oven. Its mix of history and informality makes it well suited to family lunches and relaxed dinners. The Foundry Bell provides another appealing pub option in the centre. Its name nods to Wokingham’s bell-making heritage, while its dining room, terrace and garden offer several different moods, from a quick drink to a longer meal. The Oakingham Belle, named after an old form of the town’s name, is a comfortable gastropub with seasonal dishes, Sunday roasts and a dog-friendly bar and garden.

1. A celebrated barmaid inspired famous writers. Molly Mogg, daughter of an innkeeper, was immortalised in the 1726 poem Molly Mog, or the Fair Maid of the Inn. The work was associated with an illustrious literary circle that included John Gay, Alexander Pope and Jonathan Swift. 2. The town was linked to a notorious band of outlaws. During the 1720s, the countryside around Wokingham became associated with the “Wokingham Blacks”, poachers and smugglers who blackened their faces as a disguise. Their activities contributed to the introduction of the severe Black Act of 1723. 3. One local lane has a supernatural story. Molly Millars Lane is traditionally said to have been named after an elderly woman who lived beside the route. Local folklore transformed her into Wokingham’s resident witch, supposedly feared by travellers passing through the woods. 4. Wokingham has only one Grade I-listed building. Henry Lucas Hospital, founded through the will of MP Henry Lucas in the 17th century, was created as an almshouse for elderly men and included accommodation for a chaplain. Now privately owned, it remains architecturally exceptional. 5. The town once had a curious Shrove Tuesday tradition. Wokingham became known for bullbaiting in the Market Place. After the practice ended, its legacy survived in local celebrations, and today the Wokingham Lions Club’s annual winter carnival provides a considerably more cheerful reason for crowds to fill the streets.

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Seasonal SPECTACLE The National Trust reveals why autumn brings Berkshire and Buckinghamshire’s gardens and landscapes vividly to life

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AUTUMN WOODLAND WALK © NTI CHRIS LACEY

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pring may traditionally be associated with gardens bursting back into life, while summer promises long days and borders at their fullest. Yet according to the National Trust, it is autumn that offers the richest sensory experience of all – particularly across Berkshire and Buckinghamshire. From the lingering colour of dahlias and salvias to mist-covered lakes, ripening orchards and woodlands turning gold, the season brings an ever-changing combination of sights, sounds and scents. As rising temperatures make early frosts less common in the south of England, late-summer displays are also flowering for longer, sometimes continuing well into November or even December. This extended flowering period increasingly overlaps with the more familiar signs of autumn: laden fruit trees, brightly coloured squashes, ornamental grasses, sculptural seedheads and foliage shifting from green to fiery shades of orange, red and gold. The result is not one single spectacle but a sequence of “mini-seasons”, each bringing its own atmosphere. “Autumn is absolutely the best time to visit a garden,” says Rebecca Bevan, the National Trust’s specialist for environmental horticulture. “It feels like a long season too, because there’s so much change; in fact, it’s really three mini-seasons in one. “September is often a cooled-down version of summer, with many of the same bright

AUTUMN OFFERS THE RICHEST SENSORY EXPERIENCE

BASILDON PARK © NTI JOHN MILLER

flower colours set against tall grasses or foliage. October brings the traditional sights of harvest and the start of autumn leaf colour. Then it’s all change again in November, when the nights finally start to get cold and you get the mists and seedheads, the fallen leaves and signs of life going into hibernation.” Across Berkshire and Buckinghamshire, some of the National Trust’s best-known landscapes provide striking settings for the transformation. At Cliveden, colourful dahlias and salvias mingle with anemones, cosmos and Michaelmas daisies, while jewel-like zinnias, snapdragons and strawflowers extend the garden’s display beyond summer. Its orchards offer another sign of the changing season as fruit is collected and made available to visitors for a small donation. The estate’s extensive woodland is ideal for an autumn walk, with beech nuts and crisp leaves underfoot and the chance to hunt for conkers and chestnuts. Downloadable walking routes lead visitors through the wider landscape, while the changing canopy and views across the

Thames Valley make this one of the most photogenic times of year to explore Cliveden. In Buckinghamshire, Hughenden combines strong late-season planting with the productive atmosphere of its historic walled garden. Vegetables are harvested while espaliered apple, pear and plum trees carry their autumn crops. The estate’s orchard provides more seasonal fruit, while its woodlands become increasingly colourful as the weeks pass. There is culture to discover indoors, too. The Polar Failure – Uncovering the Hidden Images of the 1875 Arctic Expedition continues at Hughenden until 2027, revealing a little-known photographic record connected to Benjamin Disraeli’s government and an ill-fated attempt to reach the North Pole. At Waddesdon Manor, the gardens retain plenty of late colour before the estate’s magnificent trees take over the seasonal display. Inside, Saved for the Nation celebrates the transfer of two important masterpieces by Sir Joshua Reynolds to the National Trust, while The Rothschild Story A B S O L U T E LY m a g a z i n e s

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LORD COBHAMS WALK STOWE © HUGH MOTHERSOLE

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explores the family behind Waddesdon. Both exhibitions continue until November. From 21st October to 29th November, Waddesdon will also host Standing with Giants, a large-scale tribute commemorating the 1,476 servicemen who lost their lives under British command on D-Day in 1944. The installation promises to add a moving focal point to an autumn visit. Elsewhere in Buckinghamshire, Stowe Gardens offers one of the county’s most atmospheric seasonal walks. On cool mornings, mist can be seen rising from its lakes and streams, creating a dramatic backdrop to the temples, monuments and sweeping landscape. As the afternoon progresses, lengthening shadows and low sunlight bring a warmer quality to the gardens. Rebecca is particularly drawn to this autumn light. “I really love the low-angled light at this time of year; it backlights plants in a very dramatic way,” she says. That effect is at its most striking during the so-called Golden Hour, when the landscape is briefly washed in a soft, amber glow. In Berkshire, Basildon Park brings its own quieter pleasures. On a cool morning, dew-covered spiders’ webs sparkle across the grass, while fallen leaves and changing parkland colours gradually reshape the views around the mansion. Inside, Silhouettes of Society – The Life of Lady Iliffe in Fashion, continuing until November, explores the style and story of the woman who helped restore Basildon Park during the 20th century.

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Autumn is also an important working season for National Trust gardeners. Rather than cutting everything back and “putting the garden to bed”, teams now leave many seedheads standing throughout autumn and winter, creating architectural interest while providing food and shelter for wildlife. The season is also one of the best times for gardeners at home to lift and

divide established plants or create new borders. Warm, moist soil and cooler nights allow plants to establish their roots before facing the possibility of spring or summer heatwaves. Long-flowering perennials can maintain colour until the first frosts and return the following year. Choosing varieties that provide nectar for pollinating insects is increasingly important, Rebecca explains, because warmer weather can extend their foraging activity into winter. After the crowds and heat of summer have faded, it is an opportunity to slow down, look more closely and watch the landscape begin its most dramatic performance.

IT IS ONE OF THE MOST PHOTOGENIC TIMES TO VISIT CLIVEDEN

BOATS RIVERSIDE AT CLIVEDEN © HUGH MOTHERSOLE

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“I have been an actor for a long time, but a book lover way longer”

Words of W I S D O M

Joseph Millson discusses his fiction debut, West End return and the choices that shape our lives

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orn and bred in Reading, Joseph Millson has spent more than three decades bringing other people’s characters to life. Now the acclaimed actor, writer and director is inviting readers into a world entirely of his own making. Best known for screen roles in Casino Royale, The Last Kingdom, Holby City, Banished, The Sarah Jane Adventures and Peak Practice, Joseph is also an Associate Artist of the Royal Shakespeare Company. This summer, however, two very different creative milestones are bringing the performer’s careers as actor and author together. In August, Joseph joined the special 40th-anniversary cast of Andrew Lloyd Webber’s The Phantom of the Opera at

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His Majesty’s Theatre, playing Monsieur André. At almost the same time, his debut work of fiction, Miller Rose Roberts, was published by Scorpius Books. “It certainly has been a unique few weeks,” he smiles. “The two events couldn’t be more different and yet they are also sprung from the same well. Good stories are good stories, and the staying power of that incredible musical is down to beautiful music, of course, but also a cracking yarn. It’s fascinating to be simultaneously celebrating the long life of one story and the birth of another. Miller Rose Roberts the musical, anyone?” Although this is Joseph’s first novella, writing is not a new departure. He holds a master’s degree in screenwriting, while Signs of Life, his first feature film as writerdirector, won Best Feature Film at both the Berlin Indie Film Festival and London Independent Film Festival. His memoir, Work – And Other Four Letter Words, became an Amazon number one bestseller and was shortlisted for the 2021 Theatre Book Prize. Miller Rose Roberts has already won the Indie Novella x London Bridge Book Club Writing Competition and drawn praise from Russell T Davies and playwright Mark Ravenhill. Its central character, Miller, first came to its creator with little warning. “She kind of walked up to me and tapped me on the shoulder,” Joseph says. “She was certainly influenced by people I’ve known – people who consistently seem to walk away from things. I was fascinated

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• INTERVIEW • XXXXX CULTURE XXXXXXXX

JOSEPH SPEAKING AT THE BOOK LAUNCH

and wanted to explore the cost, but in a style of writing I would want to read.” The story begins when a young Miller hears a mysterious high note during a violent argument at home and walks away. The sound returns every seven years, pulling her from one reality towards another. Her fragmented journey takes her from foster homes in 1980s America to life backstage with a touring rock band, a New York bar and the discovery of a child she does not remember raising. “The seven-year cycle thing has fascinated me for a long time,” Joseph explains. “I’d often heard the nearly-true urban myth that it takes seven years for every cell in a human body to have changed, so we are literally a different person every seven years. “So many cultures, religions, astrologers, teachers and philosophers talk about these cycles – important milestones in all lives. As regards the high note Miller hears, I suffer from intermittent tinnitus myself. Mine does not come with an instruction to walk, but these things joined together in my imagination.” At its heart, the novella considers those sliding-door moments when one decision can send a life in a new direction. “I’m certain these moments exist for all of us, all the time,” he says. “That’s the dance of life. The universe is having great fun expanding and contracting with every choice we make. We have to just trust our gut.” Creating Miller required Joseph to approach character differently. “Actors are paid to pretend, deeply,” he says. “With total absorption, the way children can really lose themselves in a game, in makebelieve. It’s a similar process. The main

difference is that when acting I am usually only the interpreter of someone else’s ideas and words. Writing has the extra thrill of creating the playground that I get lost in.” Prose also gave him greater freedom to explore memory, identity and the stories people tell themselves. “Prose allows the interior to be experienced in a more precise way than film does,” he says. “It’s fundamental storytelling – the shaman-round-the-campfire stuff. The thirty-plus years as an actor perhaps gave me courage to really embody the character as I wrote, which hopefully deepens the experience for the reader. It was pure joy.” The book asks whether anyone can be a completely reliable narrator of their own history. Joseph’s answer is emphatic: “One hundred percent! Isn’t it fascinating how, when two people experience the exact same event, the reported version always

differs? We all narrate our own histories to ourselves, with bias, with prejudice.” Despite his long and distinguished acting career, publishing fiction has made him unusually nervous. “The thought of strangers reading Miller Rose is far more nervejangling – but also more exciting,” he admits. Its early success feels particularly personal: “I’ve been an actor a long time, but I’ve been a book lover way longer. This is huge.” There is plenty more writing ahead. Joseph is working on a second memoir, preparing another feature film and adapting the Book of Genesis for television. For this Reading-born storyteller, it appears that one creative life will never be enough. Miller Rose Roberts by Joseph Millson is out now, published by Scorpius Books

MORE FROM THE BOOK LAUNCH

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A u t u m n

Adventure Get your wellies ready for Berkshire’s top pumpkin patch

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his autumn, one of the UK’s most picturesque rural estates, Wasing Estate, is welcoming families for the return of its annual Pumpkins & Woodland Trail event, taking place on selected dates from 16-31 October. Set in the heart of Berkshire, this charming seasonal experience is the perfect opportunity to embrace the beauty of autumn, with enchanting woodland trails, delicious seasonal treats and stunning countryside views – so get your wellies ready! At the heart of the experience is Wasing’s magical woodland trail, thoughtfully designed for little ones and packed with picture-perfect moments for the whole family. Along the way, visitors can spot everything from giant mushrooms to woodland creatures inspired by those found on the Estate, before reaching a peaceful area of reflection, where they can make a wish at the wishing well and light a candle for a loved one. The trail then leads to the mysterious Witch’s Apothecary, adding a touch of autumnal magic.

Leafy pathways lead to Wasing’s rustic pumpkin patch, where a charming fairytale pumpkin carriage sets the scene for the main event. With wheelbarrows at the ready, little ones can head into the field to choose their perfect pumpkin to take home and carve. Once the pumpkin picking is complete, the cosy stretch tent is the place to head for more family fun. Little ones can get creative by having their faces painted, while families can browse a tempting selection of specialty pumpkins to complement their Jack O’Lantern. When hunger strikes, there’s a choice of delicious seasonal treats, including Wasing organic beef pasties and sausage rolls, as well as warming pumpkin soup, all reflecting their estate-to-plate ethos and its organic beef reared on the Estate. There’s plenty more to enjoy, with crêpes, doughnuts and pizzas also on offer – the perfect way to round off an autumnal day out before heading home to carve the perfect pumpkin. From exploring the magical woodland trail and picking the perfect pumpkin to

capturing special family moments in the fairytale carriage, Wasing Estate’s Pumpkins & Woodland Trail has everything you need for an unforgettable day out.

Make this October one to remember Pumpkin picking awaits! Gather the family and head to Wasing Estate for a day of woodland adventures, pumpkin picking and plenty of seasonal fun. Open: 16–18 & 23–31 October 2026 Tickets: £6.50 per person aged 2+ on weekdays | £7.50 per person aged 2+ on weekends Under 2s: Free, but a ticket is still required Book your tickets at wasing.co.uk/pumpkins

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ABSOLUTELY • PARTNERSHIP

Hidden V A L U E

From intricate movements to revealing hallmarks, an inherited pocket watch may hold more history and value than expected

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mall enough to sit discreetly inside a waistcoat yet capable of revealing status, craftsmanship and personal history, the pocket watch remains one of the most fascinating categories of antique timepiece. Throughout much of the 19th and early 20th centuries, a beautifully made watch was far more than a practical way to keep time. It could signify professional standing, reliability and success, with the material and weight of its case, quality of its movement and name displayed upon the dial all contributing to its importance. Pocket watches were also deeply personal possessions. Many were presented to mark retirements, birthdays and other significant moments before being handed down through generations. Today, these inherited pieces often arrive with family stories attached, although their true origins and value may remain a mystery.

At The Antique Collective, pocket watches are a particular interest for head of valuations Andy, whose experience has demonstrated how frequently they are overlooked or misunderstood. Establishing their significance requires careful investigation, beginning with the movement, maker, age and complexity. Hallmarks can reveal when and where a case was made, while signatures, serial numbers and movement markings may identify its manufacturer and place it within a particular period. Original dials, matching cases and movements, unusual complications and accessories such as chains or keys can increase its appeal to collectors. The inner workings are especially revealing. Some simple time-only watches display remarkable craftsmanship, while more complicated examples incorporate chronographs, calendars or repeaters. English, Swiss and American makers developed distinctive watchmaking traditions, with certain manufacturers and retailers now particularly sought after. Condition naturally matters, but a watch that no longer works should never

be dismissed. Many movements can be repaired by a professional; when restoration is no longer practical, individual components may still help return another historic timepiece to working order. Even a tired or incomplete example could possess financial value and an intriguing story. Pocket watches were engineered to be maintained, making sympathetic restoration part of preserving their history rather than erasing it. Owners should avoid polishing, dismantling or attempting repairs before seeking specialist advice, as enthusiastic intervention can inadvertently damage both the object and its value. The Antique Collective examines each piece methodically, checking movements and hallmarks, identifying materials and assessing condition before explaining its findings clearly. Whether complete, worn or hidden in a drawer for decades, a pocket watch can offer an absorbing connection to another age – and discovering its secrets may prove time very well spent. theantiquecollective.uk A B S O L U T E LY m a g a z i n e s

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FOOD & DRINK

Firm FAVOURITE PENNINGTONS

Castle Hotel Windsor is inviting guests to discover its brand-new British brasserie, Penningtons. The menu champions comforting British favourites with a contemporary twist, and is sure to be a real hit. castlehotelwindsor.com

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WHAT TO DRINK

TASTING NOTES

GRAPE news

The latest launches and news from across the region By MARK KEBBLE

Wine recommendations for the month By THE WINE SOCIETY

Premier Idylle Vouvray Brut, Famille Bougrier NV  £12.50 Refreshing, complex and energetic Vouvray traditional method sparkling with a fine, delicate mousse and flavours of baked apple, quince, lemon zest and a long, dry finish. This is a mouthwatering and affordable example of sparkling Vouvray and would make a perfect aperitif.

Undurraga Candelabro Reserva Chardonnay Leyda Valley 2024  £9.50 Chilean chardonnay with a fresh appley aroma and flavour from the cool Leyda Valley. This has been tank fermented and aged briefly on its yeast lees to confer some richness on the palate.

The Society's Exhibition Fleurie 2024  £12.95 Attractive, floral Fleurie, in keeping with its name, with vibrant red-fruit notes on the palate. Lovely crunchy fresh fruit with a long finish. Its crunchy vibrant fruit is a great match for chicken, whether chargrilled, stuffed, marinaded or spatchcocked. Since it was founded back in 1874, The Wine Society has dared to do business a little differently. Bringing together a community united by a shared love of wine, The Society is a co-operative and owned by its members. This means there is no requirement to pump profit into annual dividends or bonuses for shareholders – all profits go back into the business. The Wine Society welcomes all wine lovers. Become a member today and receive £20 off toward your first order. thewinesociety.com

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Grand reveal J AC K O ’ N E W B U R Y

As previewed in Absolutely, The Jack O’Newbury, Dom Chapman and Nigel Sutcliffe’s pub & restaurant with rooms in the Berkshire village of Binfield, is now open. 'The Jack', as it will become known, features interiors from Bath-based Alfred House, including an 80-cover dining room and a 20-seater terrace complete with an Argentinian grill. jackonewbury.com

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TAKE TREAT THREE YOURSELF A trio to make the Indulge in these most of National delicious desserts Vegetarian Week

CREDIT JEAN-PHILIPPE BAUDEY

FOOD & DRINK • NOTES

F LY H I G H THE FEATHERS

V E G I VO R E S XXXXXXXXXXXX Caversham’s Vegivores proves

C’est magnifique PAU L

PAUL in Reading has joined forces with Michelin legend Raymond Blanc OBE for a new collaboration celebrating French food. The partnership will see Raymond bring his renowned approach to flavour to PAUL with two special sandwiches: Le Boeuf Blanc and Le Brie Blanc. paul-uk.com

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The Michelin Guide-listed restaurant, The Nest at The Feathers in Woodstock, is launching a new Four Hands supper club series, with Head Chef Luke Rawicki welcoming a different guest chef to the kitchen for each edition. The first took place on 30th September, with Chef Marc Petit of Oxford’s No.1 Ship Street. feathers.co.uk

R I WA Z XXXXXXXXXXXX

Riwaz brings twice Michelin-starred Lorem ipsum dolor sit amet, chef Atul Kochhar’s modern consectetur adipiscing elit. approach to Indian dining to Praesent odio quis dui Beaconsfi eld.utVegetarian guests convallis tincidunt. effiwith citura are particularly wellMorbi served, malesuada Nullaexploring maximus dedicated convallis. tasting menu condimentum urna, malesuada regional recipes andsed layered spices. augue. Aenean riwazrestaurants.co.uk xxxxxxxxxxx.co.uk

D O U B L E J OY LEE LEE

Refreshing touch T H E B R AY WO O D

Head Chef of The Braywood, Sam Brennan, has recently refreshed its menu. Highlights include buffalo burrata with Isle of Wight tomatoes; treacle-cured salmon with dill crème fraîche, salmon roe and blinis; sea bream crudo with buttermilk, lovage and strawberry; and smoked zitini pasta with confit yolk. thebraywood.co.uk

GIGGLING SQUID XXXX X XinXMarlow X X X XoffXers Giggling Squid

a particularly broad choice for Lorem ipsum dolor sit amet, vegetarians who enjoy the sweet, consectetur adipiscing elit. Praesent sour, salty and spicy contrasts of ut odio quis dui convallis tincidunt. Thai cooking. Clearly marked meatMorbi efficitur malesuada convallis. free dishes span curries, stir-fries, Nulla maximus condimentum urna, noodles, rice and sharing plates. sed malesuada augue. Aenean gigglingsquid.com xxxxxxxxxxx.co.uk

Lee Lee in Windsor is a family-run operation that has graduated from a local food van, to an outdoor restaurant in a key location in Windsor to their own premises. The menu is sourced from the Royal Windsor Farm Shop, and they even have a latenight karaoke room. instagram.com/find.leelee A B S O L U T E LY m a g a z i n e s

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Timeless

ELEGANCE As The Roseate Reading celebrates 20 years, its team reflects on heritage, hospitality and the changing face of luxury dining

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his year marks two decades since one of Reading’s most distinguished buildings began a new chapter. Set within the former Shire Hall, The Roseate Reading has grown into a destination for fine dining and relaxing stays, while retaining the character that first made it special. Regional General Manager Vicky Punchaye and Regional Executive Chef Rajesh Maharjan discuss the hotel’s evolution, The Reading Room’s enduring appeal and the importance of creating experiences with a genuine connection to the town.

Q Twenty years is a major milestone. How has The Roseate Reading evolved while staying true to its original vision?

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VICKY: The Roseate Reading has evolved from the sensitive restoration of one of Berkshire’s most significant civic buildings into a complete destination for dining, wellbeing, celebrations and memorable stays. Yet the original vision has remained constant: to preserve the character of this remarkable address while bringing it thoughtfully into the present. The hotel’s growth has never been about replacing the past, but giving it renewed purpose. The historic Shire Hall now sits alongside contemporary accommodation at The House, while The Reading Room Restaurant & Bar, Aheli Spa and the hotel’s event spaces allow guests and the local community to experience the property in many different ways. What has endured is a deep respect for heritage, considered design and warm, personal hospitality. It remains part of

Reading’s story and a hotel that belongs as much to the town as it does to those who visit. Q How important is it that the dining experience reflects the history and grandeur of the former Shire Hall? VICKY: The building creates a sense of occasion before the first dish reaches the table. Built in 1911 for Berkshire County Council, it carries more than a century of local history in its vaulted ceilings, cornice mouldings, restored fireplaces, wood carvings and extraordinary chandelier of 86,000 glass beads. The dining experience must feel worthy of that setting, but it should never become overly formal or theatrical. At The Reading Room, recognisable European flavours and traditions are reimagined with modern creativity, precision and a lightness of touch. The

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FOOD & DRINK • INTERVIEW

The dining experience must feel worthy of the setting

grandeur provides the sense of occasion, while the warmth of the team ensures guests feel comfortable and welcomed. Q What has been the secret of The Reading Room’s enduring appeal? VICKY: I believe it comes from consistency without complacency. Guests return because they trust the quality of the food, drinks and service, but they also know there will always be something new to discover. It can be the setting for breakfast overlooking Forbury Gardens, a business lunch, Afternoon Tea, cocktails, Sunday Roast or a full tasting-menu experience. The Secret Garden offers a secluded al fresco setting, while the Whisky Room creates a more intimate space for private dining and tastings. Across each experience, the common thread is thoughtful hospitality: refined but welcoming, and attentive without feeling intrusive.

Q How has your culinary philosophy changed over the years? RAJESH: With experience, my cooking has become more focused on clarity, balance and restraint. Technique is important, but it should support the ingredient rather than overshadow it. I want every dish to feel considered, with a clear relationship between taste, texture and tradition. Our philosophy follows the Roseate principle of SLOW: Seasonal, Local, Organic and Wholesome. The menus evolve with the seasons, using the finest produce available from farmers and suppliers across the south of England. Creativity comes through modern techniques, thoughtful presentation and inspiration from different culinary traditions, but every dish must remain recognisable and enjoyable. Vegetarian and vegan menus receive the same level of attention and imagination. Q What gives your Afternoon Tea a distinctive sense of place? RAJESH: It respects a much-loved English tradition while creating a genuine connection to The Roseate Reading and the town around us. The timeless elements remain essential: delicate finger sandwiches, freshly baked scones, clotted cream, preserves and crafted pastries, presented with a selected collection of loose-leaf teas. Most importantly, it celebrates Reading’s identity as “Biscuit Town”. The menu is inspired by the heritage of Huntley & Palmers, whose name is inseparable from the town’s history. That allows us to tell a local story through food. We also want Afternoon Tea to feel inclusive and personal, with vegan, glutenfree, Halal and Kosher options available. Q How has luxury dining changed during the past 20 years? RAJESH: Dining has become less formal and far more personal. Guests still expect exceptional food and service, but they increasingly value authenticity, flexibility, sustainability and experiences

created for them rather than delivered according to a rigid formula. What should never go out of fashion is genuine hospitality. Warmth, discretion, consistency and attention to detail will always define an exceptional restaurant. The best contemporary dining feels polished but not intimidating, creative but not unnecessarily complicated, and special without losing its warmth. Q How has The Roseate helped raise Reading’s profile as a dining destination? VICKY: The Roseate Reading has helped demonstrate that guests do not need to leave the town to find an accomplished and memorable dining experience. The Reading Room’s two AA Rosettes and Silver award for Restaurant of the Year at the Beautiful South Awards for Excellence 2025–2026 have brought valuable recognition to the standard of hospitality here. The ambition has always been to create something of genuine quality that feels rooted in its location.

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F NEW CHAPTER Following an extensive restoration, Stoke Park is reopening with five new dining concepts created by acclaimed chef Tom Sellers

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ew Buckinghamshire addresses possess quite the allure of Stoke Park. Set within 300 acres at Stoke Poges, the historic estate combines a Palladian mansion, sweeping parkland and a cinematic past with a reputation as Britain’s first country club. Now, following an extensive restoration, it is preparing to begin a significant new chapter. Acquired by Reliance Industries Limited in 2021, Stoke Park will start its phased return in October 2026 with five new places to eat and drink, devised in partnership with acclaimed British chef Tom Sellers. The hotel, spa, wellness programme and racquet sports will follow, with further details to be announced, while golf and events have continued throughout the restoration. The first phase places food firmly at the heart of the revived estate. Tom, best known as chef patron of the two Michelin-starred Restaurant Story in London, has worked alongside chefs Dom Robinson and Tom Phillips and the wider HiStory Hospitality team to create a collection ranging from destination dining to relaxed afternoon tea. “I am thrilled to be opening at Stoke Park, joining the legendary estate at this pivotal point in its history,” says Tom. “Creative storytelling through food is inherent to everything we do at HiStory Hospitality, so it is an honour to be writing the next culinary chapter for Stoke Park.” At its centre will be The Penn, a flagship 48-cover restaurant named in honour of John Penn, who commissioned the present mansion in the late 18th century. An intimate private dining room

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FOOD & DRINK • PARTNERSHIP

“Creative storytelling through food is inherent to everything we do”

seating eight will offer another option for celebrations and special occasions. The restaurant’s à la carte menu will draw upon British culinary history, seasonal ingredients, carefully considered provenance and classical French technique. Opening dishes are set to include terrine of spiced pig’s head with Scottish langoustine, roast wild sea bass with Orkney scallop and fish of the day en papillote. For those in search of unapologetic grandeur, there will also be venison Wellington Rossini. Much of the produce will come from Stoke Park’s own Kitchen Garden, overseen by Kate Nannery, formerly a kitchen gardener at Le Manoir aux Quat’Saisons. Its harvest will help shape the menu throughout the year, strengthening the connection between the surrounding estate and the dishes served inside.

TOM SELLERS

The wine cellar has been curated by Carolina Seibel, HiStory Hospitality’s Group Head of Beverage, while Giuseppe Masala has developed the estate’s bar and cocktail collection. Beyond The Penn, four distinct concepts will allow guests to experience Stoke Park in different ways. The Piano Bar promises classic cocktails and an elevated selection of martinis, served alongside 100 Hills English sparkling wine and a list giving particular prominence to American producers. It should provide a glamorous setting for pre-dinner drinks or a leisurely evening. The Terrace & Glasshouse will adopt a lighter and more informal approach. Dishes will include sourdough flatbread scattered with wildflowers and herbs, seasonal salads, rigatoni with venison ragù and the catch of the day. Outside, pizzas and barbecue dishes will create a relaxed summer offering. The space will open for the spring and summer seasons, although it will remain available for private hire throughout the year. In The Tea Room, the emphasis will fall upon a quintessentially British ritual. Alongside teas and coffees, guests can expect freshly baked viennoiserie, a daily

tart made using fruit from the estate and signature Stoke Park scones. The Clubhouse, meanwhile, will open daily with a menu combining traditional pub favourites with Indian dishes, reflecting the estate’s ambition to offer something for every occasion. Studio Shayne Brady has overseen the new restaurant and bar interiors, working with Stoke Park and HiStory Hospitality to introduce a renewed design language while respecting the character of the estate. It is a delicate balance at a property with more than 1,000 years of history and grounds shaped by Lancelot “Capability” Brown. “The restoration and renovation of this historic estate have been a remarkable journey, undertaken with great care and consideration to honour its rich heritage while enhancing the exceptional experience we offer our guests,” says Sumeet Taneja, Head of Hospitality at Reliance Industries Limited. “We are beyond delighted to be working with Tom Sellers and his team, bringing our guests from near and far something truly special, whatever the occasion.” Discover more by visiting stokepark.com A B S O L U T E LY m a g a z i n e s

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WINDSOR | NOTTINGHAM | LEEDS | YORK | NEWCASTLE www.berrysjewellers.co.uk

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FA S H I O N

Happy days

BERRY’S JEWELLERS

A Chopard signature, reimagined. The Happy Diamonds Icons Pendant frames free-moving diamonds in sculptural ethical gold, creating a striking interplay of movement and light. Bold yet effortless, the iconic design channels contemporary elegance with a distinctly free-spirited attitude. Discover the collection at berrysjewellers.co.uk

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PERFECT

Transition

Sumptuous fabrics from glossy leather to plush velvet mark Joe Browns’ AW26 collection, designed to look and feel good from day to evening J O E B ROW N S .CO.U K

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HEALTH & BEAUTY

SMOOTH LOOK La Prairie’s Swiss Pristine Essence is the luxurious first step in a restorative skincare ritual. Inspired by Swiss glaciers, it combines the Exclusive Cellular Complex™, Hypower LP52™ and Swiss Glacial Minerals to rebalance the complexion. laprairie.com

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HEALTH & BEAUTY • NOTES

BEAUTY NOTES

The latest in luxury makeup and skincare B y PENDLE HARTE

DOUBLE ACTION

REVIEW

ROLLR

ILIA

Deodorant - but not as you know it

Is it skincare or is it makeup? Ilia’s award-winning Super Serum Skin Tint is the best of both worlds, combining light to medium coverage, powerful skincare, and mineral SPF into one easy step. Expect a dewy finish and all-day protection.

EDITOR’S PICK

iliabeauty.com

NEW CRUSH CHANEL

The new Coco Mademoiselle Crush Absolut is an intense ambery composition, threaded with the sensuality of vetiver and vanilla, the vibrant radiance of grapefruit and lychee, the sensuality of rose and jasmine, and the enveloping depth of patchouli. It’s a refined, audacious, singular trail.

chanel.com

SW I SS P OW E R LA PRAIRIE

La Prairie’s new Swiss Pristine products focus on modern fatigue. Using Swiss Glacial Minerals, patented biotechnology HyPower LP52™, and its iconic Exclusive Cellular Complex™, this is a new approach to healthylooking skin that strengthens the skin barrier and improves resilience.

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s there anything less glamorous on your dressing table than a rollon deodorant? Finding a deodorant that not only works but also smells nice is not an easy task – and looking for a sustainable solution is even harder. And making it pretty is just an unrealistic expectation, right? Wrong. Rollr is a deodorant that ticks all these boxes, especially the looking good one. With its chic, Art Deco-esque ridged glass bottle and crystal ball (rose quartz, blue dumortierite or green aventurine), it’s a stylish addition to your inventory. Plus, the sweet-smelling refills (our favourite is Mandarin, though Juniper comes a close second, and Clary Sage is a more masculine option) are simply sachets that mix with water and last two months each. And best of all, it really works. They claim that their all-natural formula works with your body’s microbiome rather than against it. Pre and postbiotics prevent the bacteria that cause odour from growing in the first place, rather than just masking the result – which sounds good to me and explains why this new brand has already won a host of awards. Granted, it’s more expensive at the start than most throwaway deodorants, but the investment will pay off quickly enough. Thank you Rollr. rollr.co.uk

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HEALTH & BEAUTY • TREND

OPI X SUPERGIRL Up Up and Ablaze Supergirl nail lacquer, £16.60 opi.com

MYLEE

CHANEL

Spotlight gel polish, £9.99 mylee.co.uk

Le Vernis, £30 chanel.com

EDITOR’S PICK

BIOSCULPTURE The Colour, £15.50 biosculpture.co.uk

MYLEE Snow & Sorcery trio, £24.99 mylee.co.uk

ON THE NAIL Bright and shiny nails for autumn BIOSCULPTURE

By P E N D L E H A R T E

The Base, £15.50 biosculpture.co.uk

MAVALA Mini Colours, £6.80 mavala.co.uk

MYLEE

MYLEE Bright & Early gel polish, £9.99 mylee.co.uk

Ski Patrol Alert, £9.99 mylee.co.uk

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HEALTH & BEAUTY • COMPETITION

WIN We are offering one lucky winner the chance to enjoy a luxury escape for two at West Court Retreat in Berkshire

WO RT H

£1,000

A HISTORIC MANOR HOUSE WITH ELEGANT INTERIORS

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his autumn, West Court Retreat is launching its new Midweek Autumn Reset Package, a seasonal invitation to slow down and spend time in the Berkshire countryside. To mark the launch, one lucky Absolutely reader will win a luxury escape for two, worth £1,000. Located in the heart of Berkshire, West Court Retreat is part of the family-owned Nirvana Spa Collection. The boutique hotel combines the character of a historic manor house with elegant interiors, warm hospitality, and a relaxed setting to step away from everyday routines. Although peaceful in setting, it remains within easy reach of London and the Thames Valley. The prize includes an overnight stay for two in one of the Luxury Suites. Each suite is individually designed, with generous proportions and thoughtful details that reflect the building's rich history and character. A bottle of Veuve Clicquot Champagne will be waiting in the suite on arrival, ready to begin the stay. In the evening, the winner and guest will dine in The Colours Restaurant. Open to hotel residents and non-residents, the restaurant serves seasonal menus in a relaxed setting and is becoming a destination for local diners and hotel guests alike. Both guests will also receive a 35-minute treatment, with a choice of facial or massage, subject to suitability and availability.

Guests can enjoy the retreat's wellness facilities, including the heated pool, sauna and steam room; use the tennis courts; walk through the grounds; or play board games on comfortable Chesterfield sofas. Plenty of quiet corners also offer a place to settle, from the welcoming Drawing Room to the landscaped grounds surrounding the hotel. Whether you spend the stay over a leisurely meal, enjoying a treatment, or simply taking time away together, West Court Retreat provides a calm setting to relax and recharge. A complimentary late checkout gives the winner more time for a leisurely morning before leaving, with breakfast included. You can book the stay on selected dates between 3 January and 31 March 2027, subject to availability and the full competition terms. It is an opportunity to begin the year with good food, time together and a change of pace in Berkshire. To enter, submit your entry through absolutelymagazines.com/win by 31 October 2026. Full terms and conditions apply.

Terms and conditions: Valid for stays between 3 January and 31 March 2027 • Subject to availability • Dinner allowance of £70 per person in The Colours Restaurant • Additional food, beverages and dining spend above the £70 per person allowance are not included and will be charged to the guest • Excludes Valentine's Day, Mother's Day and selected event dates • Adult-only hotel • Lead guest must be aged 18+; accompanying guest must be aged 16+ • Pets are not permitted • Travel not included • Prize is non-transferable, and no cash alternative is available • One night's accommodation for two in a Luxury Suite • Breakfast for two included • One 35 minute treatment per person (facial or massage) • Bottle of Veuve Clicquot Champagne • Complimentary late checkout • Use of the hotel facilities • The winner will be picked at random and notified by email within 7 days of closing. • Should the winner not respond within 3 days, we reserve the right to pick a second winner • Over 18s and UK residents only

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AQUA HOT TUBS 5 seater hot tubs starting at £5,750, with a range of saunas also available

Hydro Therapy Proven to aid some suffering with arthritis, rheumatism, diabetes, backache, stress, poor circulation, high blood pressure, cellulite…. more info available on website.

Moss End Garden Village Maidenhead Road, Warfield. RG42 6EJ Warfield: 0118 940 6002 www.aquatubs.co.uk

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HEALTH & BEAUTY • PARTNERSHIP

Care, Considered

Beautifully In the best care settings, nothing feels accidental

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he chair placed where the morning light falls. The garden path wide enough for an unhurried walk. The cup of tea made as someone likes it, before they have had to explain. The team member who notices a change in mood, appetite or energy, and understands that these small details often say the most. This is the world CHD Living has spent more than 40 years creating. A family-owned provider of health and social care services, CHD Living has grown with a clear belief that care should never feel like a compromise. It should offer safety, expertise and reassurance, but also beauty, comfort, purpose and warmth. For the people it supports, and for the families who trust CHD Living with those they love, that balance matters deeply. The organisation provides residential care, nursing care, specialist dementia care, complex care, rehabilitation and care at home. Its services are varied, but the philosophy behind them is consistent. Every person should be supported as an individual, with their routines, preferences, history and

personality understood and respected. CHD Living calls this Creating Happiness Daily. It is a simple phrase, but its meaning is layered. Happiness in care is rarely about grand gestures. More often, it is found in the familiar. A favourite song playing at the right time. A meal that brings back a memory. A conversation that restores confidence. The ability to remain connected to family, community and self, even when care needs change. This thoughtful approach has earned national recognition. In 2025, CHD Living was named Residential Elderly Care Provider of the Year, Medium Group, at the HealthInvestor Awards, a reflection of its leadership, quality and

commitment to residents and families. In 2026, Brownscombe Care Residences in Haslemere, one of CHD Living’s flagship homes, has also been featured in the Knight Frank Luxury Care Home Guide for the fifth consecutive year, recognising a standard of care and environment that continues to stand out. CHD Living was also included in the carehome.co.uk Top 20 Mid-Size Large Care Home Groups Awards 2026, a respected national benchmark of quality based on independent feedback from residents and their families. Yet what defines CHD Living is not recognition alone. It is the organisation’s ability to combine ambition with intimacy. Its homes are designed to feel welcoming and considered, with gardens, lounges, dining spaces and bedrooms that support comfort and belonging. Its rehabilitation services help people rebuild strength, independence and confidence after illness or injury. Its care at home teams bring support into the place many people most want to remain. Its complex care services provide specialist input while protecting dignity and individuality. For families, CHD Living offers something invaluable: the sense that care is being thought about properly. Not just delivered, but considered. Not just scheduled, but shaped around real life. As expectations of later life continue to evolve, CHD Living remains quietly confident in what it has always known. Excellent care is not only clinical skill, though that is essential. It is the ability to make someone feel safe without making their world smaller. To provide support without taking over. To create a place where people are known, valued and able to keep living with comfort, dignity and joy. To find out more visit chdliving.co.uk or call 01428 772 469

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DECADES IN DESIGN FRENCH BEDROOM

Celebrating its 20th anniversary, French Bedroom continues to bring romance, elegance and a touch of Parisian charm to British homes. Founded by Georgia Metcalfe, the brand has grown from a passion for beautiful French-inspired furniture into a much-loved interiors destination, offering sumptuous beds, luxurious linens, statement lighting and decorative details designed to make every bedroom feel truly special. frenchbedroom.co.uk

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L A S T I N G

Impressions Stephen Flower explains how family values, thoughtful design and personal service have sustained Ashford Kitchens & Interiors for four decades

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H O M E | INTERVIEW

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or more than 40 years, Ashford Kitchens & Interiors has helped homeowners create spaces that balance style with the practical demands of everyday life. The family-run business designs kitchens, bedrooms, home offices and wider living areas, managing projects from the first conversation through to installation and aftercare. Its Farnham Common showroom has also become an inspirational destination for Buckinghamshire homeowners, bringing traditional craftsmanship together with contemporary design and technology. Here, Stephen Flower discusses the values behind the company’s longevity, the growing demand for flexible and highly personalised interiors, and the features currently shaping local homes.

Q Ashford Kitchens & Interiors has been serving customers for more than four decades. What was the original vision for the business, and how much of it remains today? A When Ashford Kitchens & Interiors was founded over 40 years ago, the vision was to create beautifully designed kitchens underpinned by quality craftsmanship and genuinely personal service. From

the beginning, the focus was on designing spaces that worked around real lives, not just trends. That ethos remains firmly in place. While technology, materials and lifestyles have evolved, our commitment to listening to customers and delivering thoughtful, long-lasting designs has never changed. What has grown is how we deliver that vision, combining decades of experience with modern innovation, intelligent solutions and a strong focus on quality. Our longevity comes from staying true to those values while continuing to move forward. Q In an industry that has changed dramatically, what has been the key to the company’s continued success? A With so many options available, it is important to understand what customers want. We continually update our showrooms to display the latest kitchen, bedroom and home-living designs. From bespoke inframe cabinetry to German-style handleless kitchens, we want to inspire customers from the moment they walk through the door. Exceptional customer service is also at the heart of the business. People lead busy lives, so our longstanding team coordinates every project from start to finish. Customers can relax knowing they are being looked after, which is one of the reasons so many return to us for their next project. Q How important has the company’s family-run ethos been in shaping the customer experience? A As a family-run business, we bring a high level of care and accountability to every customer relationship. There is a genuine sense of ownership and pride in each project, whatever its size. For our customers, that creates trust because the same level of commitment is reflected throughout the team. It often develops into a long-term relationship rather than ending once a project has been completed. Our team genuinely loves what it does, and I believe that comes across to our customers.

STEPHEN FLOWER

Q Why did you open such a substantial showroom in Farnham Common? A The decision was underpinned by strong family ties to the area, giving the business a deep understanding of the local community and the homeowners it serves. We wanted to create a true design destination for Buckinghamshire: somewhere that reflected the quality of our work and allowed customers to experience our approach to design, craftsmanship and service. Today, the showroom represents Ashford Kitchens & Interiors at its best. It showcases our expertise, attention to detail and lifestyleled thinking, while reinforcing our long-standing commitment to the area. More than simply a showroom, it is a hub for inspiration, collaboration and lasting customer relationships. A B S O L U T E LY m a g a z i n e s

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H O M E | INTERVIEW

People are looking for spaces that support modern lifestyles

THE WINKFIELD PROJECT

Q How has demand evolved in terms of what people now expect from their homes? A Customers increasingly want homes that work harder and more flexibly. While kitchens remain central, clients are looking for spaces that support modern lifestyles, from integrated home offices and multifunctional living areas to bedrooms and storage solutions that feel cohesive rather than like separate rooms. We are seeing a growing desire for homes that are calm, organised and highly personalised, with intelligent storage, durable materials and layouts that adapt to busy family life and hybrid working. Our showroom reflects that evolution, enabling customers to explore joined-up solutions that enhance how they live, rather than simply how their home looks. Q How important is it for customers to experience a beautifully designed space physically rather than only browsing online? A Browsing online is a useful way to gather ideas, but interacting with a kitchen in person allows customers to immerse themselves in the look and feel of a new space. A kitchen is one of the most significant investments people make in their home, so it is not an overnight decision. Visiting a showroom enables customers to explore the options before beginning their renovation. Opening drawers, testing functionality and feeling different materials can help them refine their vision. Most importantly, they can begin to imagine themselves living in and enjoying the finished space.

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Q Which styles are currently proving particularly popular with Buckinghamshire clients? A Our Buckinghamshire clients are increasingly drawn to timeless, practical design rather than short-lived trends. Classic contemporary and in-frame kitchens remain popular, paired with warmer palettes incorporating soft greens, deep blues and natural neutrals. There is also strong demand for durable, tactile finishes and lifestyle-led features such as pantries, concealed utility areas and flexible layouts that support family life, entertaining and working from home. Overall, clients are prioritising calm, well-organised spaces designed to stand the test of time. Q Can you describe a recent project that captures this approach? A We recently designed a bespoke kitchen for a couple in Winkfield that blends functionality with luxury. It features handcrafted cabinetry, a fully equipped butler’s pantry and a shelved larder, alongside durable Denali quartz worktops and an antiqued bronze splashback that introduces character and warmth. A classic Aga anchors the design, while the jade green and limestone palette creates a calm, elegant atmosphere. An integrated bar with a full-height wine cooler adds another sophisticated element, making the kitchen equally suited to entertaining and everyday living. Q After more than four decades in business, what still excites you most? A The kitchen industry is incredibly creative, technical and rewarding, and I love the variety because every day is different. It is exciting to see how a new kitchen, bedroom or living area can transform not only somebody’s home, but their daily life too. We spend so much time in our homes that our spaces need to be both visually appealing and functional. I still thrive on building relationships with new and existing customers and helping to bring their ideas to life.

ashfordkitchensandinteriors.co.uk

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BOCONCEPT’S NEW

AW26 Collection For AW26, BoConcept unveils a new collaboration with Italian architect and designer Claudio Bellini, reimagining how we sit, dine and gather at home

KAKU LIGHTING COLLECTION

PARAGGI SOFA SET

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H O M E | PARTNERSHIP

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eading the range is Paraggi, a sculptural highback sofa that reflects Claudio Bellini’s belief that furniture should be “not a static object, but a living, evolving space.” Inspired by the sheltered bay of the same name, its enveloping high back creates a sense of comfort and protection, while adjustable arm and backrests let the sofa’s form and atmosphere shift with ease and without visible mechanisms. Available as an armchair, 2.5 and 3-seater sofas, chaise lounges, corner modules and pouffes, and upholstered exclusively in fabric, Paraggi is BoConcept’s first fully functional high-back design.

Alongside it sits Volterra, an architectural dining collection of tables, chairs, sideboards and side tables. Defined by bold yet refined geometry and a considered palette of wood, ceramic and glass, it channels Bellini’s belief that “a table is a sort of basic architectural element.” As he puts it: “We are not designing for trends, we are designing to last.”

“We are not designing for trends, we are designing to last” – Claudio Bellini warmth and texture to considered, contemporary interiors. Choosing pieces for a home is about more than finding something you love. It’s about understanding how those pieces will work within your space, alongside what you already have and the way you live. That’s where BoConcept’s complimentary Interior Design Service comes in. Available in-store, at home or virtually, the service gives customers access to BoConcept’s professional interior designers, who can help bring the possibilities of the new collection to life in their own space. From layouts and colour palettes to fabrics, finishes and configurations, designers can

create personalised proposals and 3D visualisations, helping customers see how their choices could work before committing. It’s a more personal way to experience the collection — and a chance to create an interior that feels entirely your own. Call or email your local store to book your free appointment. To celebrate the new collection, BoConcept is offering 15% off all sofas, including the new range, instore only at BoConcept St Albans, Westfield London, Tottenham Court Road, Harrods, Notting Hill, Battersea Reach, Finchley Road, Fenwick Brent Cross, Fenwick Kingston and Guildford until Sunday 11th October. boconcept.com

VOLTERRA COLLECTION

Together, the collections mark a continued collaboration rooted in shared values, Italian sensibility meeting Danish design clarity. Completing the AW26 story, BoConcept also introduces a new lighting collection exploring soft, layered illumination through sculptural pieces such as KAKU and BLOSSOM, alongside a range of tactile, handcrafted rugs developed with Linie Design, both designed to bring

VOLTERRA SIDEBOARD

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This season, lighting is confidently stepping into the spotlight

Interiors

spotlight Experts from the industry pick out five lighting trends we can expect to see this autumn 72

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s autumn draws in and daylight begins to fade earlier, lighting takes on a renewed importance within the home. More than a practical necessity, the right design can transform a room, creating warmth, atmosphere and a sense of comfort throughout the darker months. This season, lighting is also stepping confidently into the spotlight as a decorative feature in its own right, with expressive forms and tactile materials bringing personality to every corner. Statement floor lamps offer scale and sculptural presence, while striking pendants turn dining areas into places of occasion. Natural wood introduces an organic, grounding quality, and the enduring romance of chandeliers continues to influence both classic and contemporary schemes. Elsewhere, fringed shades revive the glamour of bygone eras while casting a beautifully diffused glow. Here, leading interiors experts discuss how to use them to illuminate the home with style, character and warmth.

STATEMENT FLOOR L AMPS By Shelley Cochrane, Accessories Buyer at Furniture Village As people increasingly desire layered lighting schemes that include a combination of ambient, task and accent lighting, they are becoming less reliant on the traditional ‘big light’. With this, statement floor lamps have risen in popularity. Not just a source of task lighting for reading, statement floor lamps add decorative and sculptural presence to a room. Oversized designs with exposed bulbs add contemporary elegance and a sense of scale, whilst eye-catching ceramic bases add an artisan-like feel through organic textures. Whether modern or traditional, a striking floor lamp should look as good off as it does on, functioning as a piece of art by day and a source of light by night. To choose a floor lamp, consider your existing space. The right floor lamp should complement your style, whether patterned or pared-back, traditional or modern. In a living room, position a floor lamp next to a sofa or armchair to provide adequate task lighting for reading. In a dining room, place a floor lamp in a corner, where it can function

as ambient or accent lighting, setting the mood and creating intimate lighting for cosy dining. SCULPTURAL DESIGNS By Magdalena Gierasinska, Head of Product & Displays at Barker and Stonehouse Sculptural lighting designs can work anywhere in the home, but there are two rooms where they can have the greatest impact. The first is the hallway. Often one of the smaller spaces in the home, there are limited opportunities to introduce statement furniture, but an eye-catching lamp can instantly add personality while providing the soft illumination needed to create a welcoming entrance. Secondly, a sculptural light suspended above a dining table creates a sense of occasion, drawing attention to the area and making it feel like a more considered part of the home. WOODEN DESIGNS By Shelley Cochrane, Accessories Buyer at Furniture Village Wooden lighting designs are proving popular as people seek new ways to add character to A B S O L U T E LY m a g a z i n e s

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There is something nostalgic about fringing

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their homes. Wood is an incredibly characterful material because it features distinctive knots and grains. Not just reserved for furniture, wood is a fantastic choice for lighting, bringing an organic warmth and tactility to interiors. It also evokes a connection to the natural world. The inherent charm of the material lies in its individuality, as no two grain patterns are exactly alike. When illuminated the contrast between the earthy wood and glowing light feels warm, inviting and grounding.

the atmosphere of the room itself. In a bedroom or dressing room, this gentle glow creates a mood that feels intimate and cocooning, like candlelight caught in crystal. Chandeliers also shift beautifully with the seasons. In summer, they reflect and scatter natural light, creating a bright, weightless radiance. In winter, they offer a warm and festive twinkle, adding depth and atmosphere to long evenings. They’re surprisingly versatile and suit both contemporary and classic spaces, either by echoing a home’s history or adding a note of old-world glamour to something more modern. When choosing where to place your chandelier, think carefully about how you will dust it. This practical consideration might influence your choice of height and positioning to make cleaning easier. Also, in smaller rooms, avoid petit chandeliers as they can make the space feel even more compact. Instead, glass wall lights or petite glass pendants offer a refined alternative, casting delicate pools of light that enhance the space without competing with its architecture or scale.

CHANDELIERS By Georgia Metcalfe, founder and Creative Director at French Bedroom Influenced by Castlecore and Bridgerton style interiors, chandeliers have been a big lighting trend for 2026 and this shows no signs of abating. Chandeliers exude romance, elegance and grandeur. They have the power to transform a bedroom or dressing room into a truly special and inviting sanctuary. Originating in 14th-century France, chandeliers were once emblems of prestige, their candlelit arms dancing across the ceilings of grand châteaux and glittering salons. Over the centuries, they have evolved from practical fittings into sculptural centrepieces, serving as artful expressions of French design that are ornate, layered, and unapologetically sophisticated. Their light is one of their most romantic qualities. Soft and delicate, it enhances everything it touches, from fabrics and finishes to

FRINGED LIGHTING DESIGNS By Georgia Metcalfe, founder and Creative Director of French Bedroom Fringing and tasselled detailing was very prominent at WOW!house 2026, indicating that fringed lighting designs are set to make a comeback. Opulent, glamorous, and romantic, there’s something irresistibly nostalgic about fringing – echoing the elegance of bygone eras, from the decorative detailing of stately homes to the playful swish of a 1920s flapper dress. Now, fringing is en vogue once again, whether draped along the edge of a cushion, sweeping the base of a bed, or accenting a lampshade. In lighting design, especially, fringe works beautifully to softly filter light in a gentle, ambient way. It casts delicate shadows and adds a subtle sense of movement, making it perfect for the bedroom, where mood and atmosphere matter most. When layered in contrasting tones, it also becomes a visual focal point, blending whimsy with effortless elegance.

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S L E E P

Solution

Customise your Jensen bed to create a bespoke sleep environment

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Jensen bed is a personal choice. From the comfort inside the bed to the textile, size, headboard and legs, there are countless ways to create a bed that feels right for you – and looks right in your bedroom. With different bed types, spring systems, textiles and accessories to choose from, you can create a sleep experience that is truly your own.

Start with the right comfort

Good sleep starts with comfort. Choose the bed type and spring system that suit your body and the way you sleep. With Jensen, mattress firmness can also be individually selected on each side of a double bed – without a gap or hard edge between you and your partner. So

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you can share a bed without having to share the same comfort preference.

Find the right size

As the colder months approach, the size of your bed matters – both for your sleep and for the room around it. Consider how much space you need to sleep comfortably, while leaving enough room for bedside tables and movement around the bed. From single beds to generous double beds, choose the size that works for your needs and your bedroom.

Choose your textile

Once the comfort is in place, it is time to create the look. Your choice of textile can completely change the character of the bed – from light and understated to warm and sophisticated.

Explore different colours and textures to find the combination that suits your personal style and the atmosphere you want to create.

Add a headboard

A headboard gives the bed a more complete look and can become a defining feature in the bedroom. Choose a design that complements your bed and textile, whether you prefer something soft and understated or a more distinctive statement.

The details make the difference

The legs may be a small detail, but they can make a big difference to the overall look. Different shapes, materials and heights allow you to give your Jensen bed a lighter, warmer or more contemporary feel.

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It is these details that make the bed truly personal.

Complete the bedroom

Why stop with the bed? Add bedside tables and carefully selected accessories to create a complete and harmonious bedroom. By coordinating the bed, headboard, legs and surrounding furniture, you can create a space where every element works together – with the Jensen bed at its centre.

Make it yours

From comfort and size to textiles, headboards, legs and bedside tables, every detail can be chosen to create a Jensen bed that feels personal to you. First, make it feel perfect. Then, make it look perfect.

Made in Norway since 1947

Jensen was established in 1947, when resources were scarce and ingenuity was essential. Our first mattresses were made using materials such as horsehair and cotton wool – natural materials that were available at the time. Much has changed since then, but our commitment to outstanding sleep comfort has remained the same. Every Jensen bed is still made in Svelvik, Norway. For us, Made in Norway is more than a label. It represents generations of craftsmanship, attention to detail and a dedication to quality.

Experience Jensen in London

Made in Norway is more than a label. It represents generations of craftsmanship, attention to detail and a dedication to quality

Today, you can experience this Norwegian craftsmanship in the heart of London. Choosing a new bed is a personal investment, and finding the right comfort is an important part of that decision. Visit our showroom at the Chelsea Harbour Design Centre, where our London team can introduce you to the Jensen collections, help you explore different comfort options and guide you towards the bed that is right for you.

Jensen Chelsea Harbour, 0203 914 1262 jensenbeds.chelseaharbour@ hildinganders.com jensen-beds.com/uk A B S O L U T E LY m a g a z i n e s

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Winter PRO OF

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Chiltern Surface Co’s Jon McGrath explains why a little autumn maintenance can protect your home throughout the colder months

here is a point every autumn when the garden furniture disappears, the heating goes on and most of us retreat indoors until spring. The outside of the house, unfortunately, does not enjoy the same luxury. Roofs, gutters, patios, render and driveways face months of rain, frost, falling leaves and persistent damp. Most problems begin quietly: a few patches of moss, a slightly green patio or a gutter that overflows only during a downpour. Nothing too dramatic – until winter intervenes. Jon McGrath notices these details more than most. Before founding Chiltern Surface Co, which works across Buckinghamshire, Oxfordshire and

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Berkshire, he was a Director of Photography in television, filming programmes including Location, Location, Location, A Place in the Sun and Grand Designs. Years spent focusing his camera on homes and renovations gave him an unusually sharp eye for how buildings look – and behave. “When you have spent years pointing cameras at houses, you start noticing things other people probably do not,” he says. “Where the water is going, which side stays damp, why one part of the paving is green and the rest is not, and what is happening at the roofline. Working on those property programmes changed the way I looked at homes, and it was a big part of what inspired me to start Chiltern.” Jon also believed exterior cleaning needed greater

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H O M E | PARTNERSHIP

technical understanding and rather less of the “turn the pressure up and see what happens” philosophy. When somebody’s home is being cleaned, identifying the material and its condition is essential. Sandstone and limestone, for example, may look remarkably similar when laid as patios, yet can react very differently to cleaning products and treatments. This is why Chiltern Surface Co invests heavily in training its team, covering materials, contamination, chemistry, water temperature and pressure. “The machinery is the easy bit,” Jon says. “The knowledge is knowing whether you should be using it in the first place.” The company’s guiding principle is to use the lowest effective pressure and the smallest amount of chemical required. That might mean making two gentler applications instead of relying on one stronger treatment, or using heat to reduce the pressure needed. “Gentle and controlled will always win over aggressive and quick,” Jon adds. Roofs demand particular care. Every clean begins with an assessment of the covering, age, condition, pitch, access and extent of any moss, lichen or biological growth. A drone inspection allows the team to examine the surface without walking on it, while any obvious damage is shared with the homeowner. The findings may change the cleaning method, lead to repairs being recommended first or, occasionally, establish that the roof should not be cleaned at all. The Chiltern method avoids walking on roof tiles. Instead, equipment such as cherry pickers and tracked spider lifts can bring the operator safely closer to the surface. While this may increase the initial cost, it provides better visibility, greater control and the ability to clean using considerably less pressure. Where appropriate, heated water or steam can improve results without relying on brute force. Moss may also be removed manually with specialist brushes and scraping equipment. If there is any doubt about a roof ’s condition, a conservative manual method is preferable.

Knowing when to stop is equally important. There can be a temptation to pursue the perfect ‘after’ photograph, repeatedly attacking one stubborn patch. At Chiltern Surface Co, physical cleaning stops before it risks damaging the surface. Chiltern EverGuard™ can then target remaining biological growth, allowing it to die back and weather away naturally while helping to inhibit its return. “If getting the final few per cent off on the day means becoming unnecessarily aggressive with someone’s roof, we are not interested,” Jon says. “We would rather stop at the right point and let Chiltern EverGuard™ continue the process.” Gutters are another potential winter weakness. Leaves may be the obvious culprit, but moss, roof debris and sediment also accumulate. The first warning is often water cascading over the gutter during heavy rain and soaking a wall that was never designed to accommodate its own waterfall. Patios and paths pose a more immediate risk. A surface that appeared mildly green in August can become extremely slippery after weeks of cool, damp weather. Algae thrives on shaded and northfacing areas, particularly beneath mature trees, but pressure washing is not a universal remedy. The surface material must dictate the treatment. Water is winter’s most effective accomplice. It settles in joints, penetrates porous materials and lingers where drainage is poor. Once frost arrives, loose pointing, damaged sealers and tired joints become more apparent. Yet not every surface needs sealing: some materials must breathe, and an unsuitable coating can create a fresh problem. Exterior cleaning is best viewed as routine maintenance rather than an occasional rescue mission. Most exterior problems are simpler to address while they remain small. And if something green, black, white or furry appears, resist reaching immediately for the most powerful machine available. Understanding what you are looking at before deciding how to treat it may be the most effective protection of all. Chiltern Surface Co specialises in the professional cleaning and restoration of roofs, patios, driveways and exterior surfaces across Buckinghamshire, Oxfordshire and Berkshire. For advice or to arrange a free site assessment, call 01628 232 450 or visit chilternsurface.co.uk A B S O L U T E LY m a g a z i n e s

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H O M E | TREND

REX LONDON Vintage etched coupe glasses, set of two, £18.95 rexlondon.com

COX & COX Fluted champagne coupe, set of four, £35 coxandcox.co.uk

OKA Ampelos wine glasses, set of four, £65 oka.com

MICUCCI INTERIORS Linea champagne glass, £12 micucci.store

BITOSSI HOME Giada glasses set of two, £35 bitossihome.it

NUDE X TOM DIXON Splash set of two Lowball glasses, £30 nudeglass.com

H OT SIPS

HABITAT Colour stem champagne flute/ Martini glass, set of four, £17 habitat.co.uk

All the chicest glasses By P E N D L E H A R T E

PROCOOK Confetti tumbler set of four, £25 procook.co.uk

DIBOR Parisian purple wine goblet, £11 dibor.co.uk

MICUCCI INTERIORS Bicos wine glass, £20 micucci.store

CASA BY JJ Eleanor wine glass, set of eight, £99 casabyjj.com

CASA BY JJ Poolside Gossip acrylid tumbler, set of six, £64 casabyjj.com

NKUKU Yalla hammered champagne coupe, set of four, £48 nkuku.com

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H O M E | PARTNERSHIP

T H E

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AUTUMN Creating a cosier bathroom thanks to design specialists, Ripples

T We want rooms that feel beautifully considered, but somewhere you want to linger

here is something about autumn that makes us look at our homes differently. As the evenings draw in and mornings become cooler, we naturally start craving spaces that feel warmer, softer and a little more comforting. Increasingly, that extends to the bathroom too. For autumn 2026, bathroom design is becoming noticeably more relaxed. The pristine, almost clinical bathroom is making way for spaces with greater depth, texture and personality, rooms that still feel beautifully considered, but are also somewhere you want to linger. Colour is playing a big part in this shift. Earthy shades are coming to the fore, from warm clay and terracotta to tobacco browns, olive greens and softer stone tones. Rather than overwhelming a scheme, these colours can be introduced through a painted vanity, statement bath or beautifully tiled shower area, bringing warmth while still allowing the room to feel calm and timeless. Materials are becoming richer too. Natural stone, timber cabinetry and tiles with variation, texture and an almost handcrafted quality can instantly soften a bathroom. The most interesting schemes don’t necessarily match every surface or finish; instead, they layer materials in a way that feels natural and collected. Think oak against veined stone, glossy tiles beside matt finishes, or warm metallic brassware adding a subtle glow. Lighting can completely transform the mood. As daylight fades earlier, softer pools of light become particularly important. Wall lights, illuminated mirrors and low-level lighting around a vanity or bath can create a much gentler atmosphere than relying on one bright ceiling light. Dimmers are especially effective, allowing the bathroom to move easily from practical morning routine to relaxing evening retreat. Wellbeing remains a major influence on bathroom design, but in 2026 it feels more personal than overtly spa-like. A deep bath,

generous shower, underfloor heating or simply beautifully organised storage can all make everyday routines feel a little more restorative. And creating an autumnal bathroom doesn’t require a complete redesign. Richer towels, warm-toned accessories, a wooden stool, artwork or a favourite candle can subtly change the mood. The key is not to decorate for the season, but to create a bathroom that feels good within it: warm, tactile, quietly luxurious and exactly the kind of place you want to retreat to when it is cold outside. Visit Ripples Newbury at 51a London Road, RG14 1JN, head to ripplesbathrooms.com or call 01635 569900 for more information A B S O L U T E LY m a g a z i n e s

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HOME • ISSUE

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Absolutely takes a look at heat pumps. Are they suited to most homes?

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or several years now we have been talking about heat pumps. But are they right for everyone? A heat pump can be an expensive outlay and a long-term investment, so it’s important to get it right. For many people, government grants are a big draw. The Boiler Upgrade Scheme gives most households in England £7,500 off an air source or ground source heat pump, with an extended budget running through 2028. If you're on oil or LPG rather than mains gas, the grant rises to £9,000 (but only until 31 March 2027). Since April 2026 you no longer need an EPC to qualify, and there's no means test, plus every residential heat pump install carries 0% VAT. That typically leaves £5,000– £10,000 to find yourself for a full system, sometimes less. Housing stock is the real deciding factor. Victorian/Edwardian terraces often have solid walls, small gardens for outdoor units, and existing radiators

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sized for high-flow-temperature gas boilers. Heat pumps run at lower flow temperatures, so you may need larger radiators or underfloor heating and better insulation first – this adds cost and disruption beyond the unit itself. Flats and conversions are trickier: no garden for an outdoor unit, shared freeholds requiring permission, and sometimes no obvious place to site equipment. Air-to-air heat pumps (which get a smaller £2,500 grant) or communal/ district systems can be better fits than a standard air-to-water setup. Conservation areas and listed buildings may need planning permission for external units where permitted development rights don't apply – it's worth checking with your council before committing. Newer or well-insulated homes are the easiest case: existing radiators or underfloor heating often cope fi ne, and payback is faster. A wholehouse retrofit assessment (insulation,

radiator sizing, heat loss survey) from an MCS-certifi ed installer is worth doing, since it tells you whether you're a "straightforward" case or a "fabricfirst" case needing extra work. While the environmental case is solid, it is not absolute. Heat pumps cut carbon emissions significantly if run on grid electricity, since the grid is much greener than it was a decade ago. They're more efficient at converting energy into heat than gas boilers, so the case strengthens further as the UK grid decarbonises. However, if your home is poorly insulated, a heat pump run inefficiently can cost more to run than a modern gas boiler, even if it's still lower-carbon – so insulation improvements often deliver as much environmental benefit as the heat pump itself, and ideally happen alongside it. In short, if you're in a reasonably well-insulated terrace or house with outdoor space and not in a restrictive conservation area, a heat pump is increasingly becoming a sound choice with current grants. If you're in a flat, solid-wall Victorian house without space for external kit, or a listed building, get a proper survey fi rst – the answer may be "yes, but not the standard system", or "insulate first".

Housing stock is the real deciding factor

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BEAUTIFUL OUTLOOK 86

Explore a refined collection of contemporary homes surrounded by the beauty of the Chilterns

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yelcome to Pennwood Grange, an exceptional collection of beautifully designed new homes in the sought-after village of Hazlemere, Buckinghamshire. Created for those who value space, style and a superb quality of life, Pennwood Grange brings together the very best of modern living with the enduring appeal of village life. Here, beautifully considered homes sit within easy reach of the Chiltern Hills, while the amenities and connections of High Wycombe, Amersham and beyond remain remarkably accessible. It is a setting that makes everyday living feel a little more effortless.

AN ENVIABLE SETTING

Positioned less than a mile from Hazlemere village centre, Pennwood Grange enjoys a wonderfully convenient location. Park Parade Centre is approximately a 15-minute walk away, providing a useful selection of local amenities. For those occasions when you want more choice, High Wycombe town centre is less than ten minutes by car, offering an appealing mix of high-street names, independent shops, cafés and restaurants. The charming market towns of Beaconsfield and Maidenhead are also within easy reach. For dining enthusiasts, the surrounding area offers an exceptional choice, with eight Michelin-starred restaurants nearby. Artichoke in Amersham is around ten minutes away by road.

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H O M E | PARTNERSHIP

Pennwood Grange offers a collection of beautifully designed new homes

BEAUTIFULLY DESIGNED HOMES

Pennwood Grange offers a diverse collection of one and two-bedroom apartments and maisonettes, alongside three, four and five-bedroom houses. Each home has been thoughtfully designed around contemporary lifestyles, creating spaces that are as practical as they are inviting. Generous kitchens and dining areas provide natural settings for entertaining, while beautifully proportioned living rooms offer space to relax and unwind. The larger homes introduce an impressive level of flexibility, with features including studies, utility rooms, family rooms, dressing areas and en-suite bedrooms. The five-bedroom Beaconsfield, for example, has been designed with modern family life in mind, combining a substantial kitchen/dining space with a separate family room, living room, utility room and versatile study/bedroom five. The result is a collection of homes with room to grow, work, entertain and simply enjoy.

CONTEMPORARY COMFORT, BEAUTIFULLY SPECIFIED

Inside, the specification reflects the development's emphasis on quality and modern convenience. Kitchens feature soft-close cabinetry, integrated appliances and contemporary lighting, while the larger four and fivebedroom homes benefit from enhanced finishes including porcelain worktops, integrated dishwashers and wine coolers. Bathrooms and en-suites combine clean contemporary design with quality fittings, including Roca sanitaryware, chrome fittings, thermostatic showers, heated towel warmers and fully tiled floors.

Technology has been considered too, with ultrafast Openreach connectivity, Cat 6 networking, smart heating controls and energy-efficient lighting. PV solar panels are incorporated into the homes, while houses feature EV charging provision, helping to create homes ready for the future.

LIFE BEYOND THE FRONT DOOR

One of Pennwood Grange's defining qualities is the extraordinary landscape surrounding it. The Chiltern Hills provide an ever present invitation to escape into the countryside, with countless footpaths crisscrossing the surrounding landscape and many accessible on foot from the area around your new home. Closer to home, Hazlemere Community Centre and Recreation Ground offers tennis, bowls, football and a playground, while Hazlemere Golf Club provides an attractive option for a leisurely round. There is plenty for weekends and evenings too. Enjoy theatre, comedy and music at Wycombe Swan, explore the gardens at Hughenden Manor, or make memories with the family at Bekonscot Model Village and Railway.

EXCEPTIONALLY WELL CONNECTED

For commuters, Pennwood Grange offers the rare opportunity to combine a peace-

ful village setting with excellent transport connections. The A404, A413, M40 and M25 provide convenient road links, while Amersham's mainline and Underground stations are approximately ten minutes away by car. Direct services to London Marylebone can take around 38 minutes, making the capital surprisingly accessible when work or leisure calls. Heathrow Airport is less than an hour away for international travel.

A PLACE TO PUT DOWN ROOTS

Pennwood Grange is more than a collection of new houses. It is an opportunity to embrace a different pace of life without giving up the convenience of modern living. Wake up to the tranquillity of the Chilterns. Walk into the village for your morning coffee. Enjoy spacious contemporary interiors designed around the way you live today. Then, when London calls, reach the capital with ease. With its combination of elegant new homes, countryside surroundings, village amenities and excellent connections, Pennwood Grange offers a compelling address in the heart of Buckinghamshire. Discover your next chapter at Pennwood Grange. Contact Romans New Homes on 01344 753110 or newhomes@romans.co.uk. A B S O L U T E LY m a g a z i n e s

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C E N T R A L

attraction Exploring the new heart of the home

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here was a time when the kitchen was simply a f unctiona l room – somewhere to cook , prepare meals and tidy away at the end of the day. Today, it has become something altogether more important. The modern kitchen is the centre of the home: a place to cook, entertain, work, relax and spend time together. And across Berkshire, where beautiful period properties sit alongside contemporary newbuilds and ambitious renovation projects, homeowners are increasingly looking for kitchens that combine exceptional design with genuine everyday practicality. At Kutchenhaus Wokingham, they believe the best kitchens begin not with a catalogue, but with a conversation. Every household lives differently. For one family, the priority may be a generous island where children can sit while dinner is prepared. For another, it might be

concealed storage, integrated appliances or creating a seamless connection between a new kitchen extension and the garden beyond. Understanding those details is what transforms a kitchen from simply looking beautiful into a space that truly works. German kitchen design has long been admired for its precision, engineering and attention to detail. Clean lines, intelligent storage and beautifully considered finishes create a distinctive contemporary aesthetic, but the most successful designs are never simply about following trends. They are about longevity. A well-designed kitchen should feel just as considered in ten years as it does on the day it is installed. That means thinking carefully about proportions, lighting, materials, storage and how every element works together. We are also seeing a shift towards greater individuality. Homeowners are becoming more confident in mixing textures and finishes – pairing warm

woodgrains with contemporary matt cabinetry, introducing statement worktops or using subtle lighting to create atmosphere in the evening. The result is a space that feels less like a traditional kitchen and more like a beautifully designed piece of the home. Kutchenhaus’s Wokingham showroom gives homeowners the opportunity to explore these possibilities in person, experiencing materials, finishes and design ideas while working closely with designers who understand that no two projects should ever feel the same. Ultimately, a great kitchen is not defined by how much is fitted into a room, but by how effortlessly that room works around the people who live there. Because when a kitchen is designed properly, it becomes far more than somewhere to prepare food. It becomes the place everyone naturally gravitates towards – the true heart of the home. uk.kutchenhaus.com A B S O L U T E LY m a g a z i n e s

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H O M E | PARTNERSHIP

Cultural STONE

Culture, craftsmanship and contemporary design at stoneCIRCLE

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or thousands of years, natural stone has been a medium through which cultures have expressed belief, power, beauty and permanence. That relationship remains relevant today. The applications may have changed, but the underlying cultural connection is still there: every piece of natural stone has a story that begins long before it reaches a building. Natural stone’s colour, crystals, fossils and veining are the result of geological processes that may have taken millions of years. Ancient Greek, Roman and Islamic architecture used marble to communicate order and refinement. When a contemporary designer or homeowner chooses a statement stone, they are choosing a material with provenance and geological character, brought to life by craftsmanship. This season, stoneCIRCLE moves beyond the familiar and allows you to explore lesser-known stones: richly coloured marbles, Breccias, travertines, onyxes, limestones and other regional stones. A-list celebrities love the visual drama of these highly tactile choices. Gwyneth Paltrow’s kitchen island is a rich marble with burgundy veins oozing quiet luxury, Tommy Hilfiger opted for heavily patterned onyx to make a statement in his bathrooms and Jennifer

Natural stone introduces individuality into an environment

Aniston’s hand-carved limestone flooring will develop a rich patina over time. In everyday homes, richly coloured marbles, quartzites and onyxes can also inject unexpected character. Large slabs can make a bold statement across an entire wall, while carved basins, bespoke vanities, worktops, splashbacks, mouldings and carefully detailed edges introduce elements of eye-catching workmanship. The result feels less like a conventional space and more like a contemporary architectural interior. For homeowners, the selection of a particular stone for a kitchen or bathroom is a highly personal process. Its character, movement and the way its veining will appear in situ can influence the entire design of a room. You will become aware that natural stone introduces a sense of timelessness and organic beauty, which feels luxurious and deeply individual.

Natural stone is also effortlessly suited to entrance spaces, as they mark a transition between outside and inside, public and private. In this domain, it can establish a sense of arrival and invitation, infused with natural warmth and elegant craftsmanship, while creating a strong sense of identity for the home. Whether the interior feel is rustic or refined, choosing travertine, marble or any of the other choices at stoneCIRCLE adds a layer of finesse. This is how natural stone introduces individuality into an environment where standardisation often dominates. This is why natural stone continues to occupy a powerful position in contemporary design. It is not simply a material inherited from the past. It is a living cultural tradition, one in which landscape, history, craftsmanship, technology and creativity continue to meet. stone-circle.com A B S O L U T E LY m a g a z i n e s

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H O M E | PARTNERSHIP

Fresh

beginnings Why autumn at Stubbings is a thrilling time

T A little preparation now will help your garden thrive through winter

here’s something rather special about autumn at Stubbings. As the air becomes crisp, the leaves begin to turn and the gardens take on beautiful shades of amber, copper and gold, it’s the perfect time to slow down, take stock and prepare for the seasons ahead. Autumn may feel like the end of the gardening year, but in many ways, it’s where next year’s garden begins. Now is the perfect time to plant spring-flowering bulbs, from cheerful daffodils and crocuses to colourful tulips, giving you something to look forward to when winter finally gives way to spring. Winter bedding, such as pansies and cyclamen, will also bring colour and interest to containers and borders throughout the colder months. A little preparation now will help your garden thrive through winter. Add compost or mulch to enrich and protect the soil, keep lawns clear of fallen leaves and cut back tired perennials. Tender plants such as dahlias may also need lifting and storing somewhere dry and frost-free. At Stubbings Garden Centre, you’ll find everything you need for your autumn gardening, from seasonal plants and spring bulbs to composts, tools and those finishing touches that make all the difference. Their knowledgeable team is always happy to offer advice, whether you’re planning a new border or simply giving your garden a seasonal refresh. Autumn at Stubbings isn’t just about the garden, there are plenty of ways to step into the season and enjoy everything our beautiful surroundings have to offer. During half term, families can join them for a Halloween Afternoon Tea, perfect for a spooky seasonal treat. For an evening of mystery and delicious food, the Murder Mystery 3-Course Supper promises an entertaining night of clues, characters and plenty of surprises. Or, step into the season with their Guided Forage Walk and Lunch. Explore the changing landscape with their knowledgeable guide, discover what nature has to offer at this time of year, and finish with a delicious lunch. An autumn visit wouldn’t be complete without a stop at the Stubbings Café. Warm up

with a hearty seasonal special or enjoy the much-loved pumpkin spiced latte while taking in the changing colours of the garden. Set just west of Maidenhead, off the A404M, Stubbings is an easily accessible countryside escape. They’re around five minutes from the M4 at Junction 8/9 and just ten minutes from the M40 at Junction 4, with free parking on site. So, as the seasons change, why not go and enjoy autumn at Stubbings. Whether you’re there to get your garden ready for winter, choose bulbs for spring, enjoy something delicious in the Café, join one of their seasonal events or simply escape to the countryside for a while, they’d love to see you.

Don’t miss the fo llowi n g e ve nts : Guided Forage Walk & Lunch: 7th & 21st October Halloween Murder Mystery & 3 Course Meal: 24th October Halloween Afternoon Tea: 27th-31st October Book tickets at stubbingsnursery.co.uk

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E D U C AT I O N

L E A D I N G T H E WAY LE IGH TON PARK SC HO O L

Leighton Park School has been recognised as the UK’s leading future-ready, values-led school. A finalist for UK Co-ed School of the Year 2026, they are a day and boarding school in Reading, inspiring young people aged 11–18 to think boldly, learn adventurously and live with purpose. Their learning community combines an exceptional education based around compassionate challenge with a distinctive STEAM approach, one of the UK’s top music departments and 30 sports, including strengths in football, hockey and netball. leightonpark.com

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H E A D O F T H E G A M E WITH THE NEW ACA D E M I C Y E A R U N D E R WAY, A B S O L U T E LY VISITS SEVEN LO CA L SC H O O LS TO D I S COV E R MORE ABOUT THOSE LEADING T H E WAY

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Rob Grosse

Rob Grosse HERRIES SCHOOL herries.org.uk

Q What first inspired you to pursue a career in education? A My path into education comes from a genuine passion for working with children and witnessing those pivotal lightbulb moments when a child grasps a new concept or discovers a hidden talent. Throughout my career in prep school leadership, my approach has been shaped by a firm belief that education must look at the whole child. Experience has taught me that academic success never happens in a vacuum; it builds when children feel safe, known and valued as individuals. Learning from outstanding colleagues, engaging with supportive parent communities and leading positive school environments have reinforced my commitment to setting high expectations and developing a school where children are never afraid to take risks. Q How does Herries' small classes help every child to flourish academically and personally? A Our small class sizes and close-

knit family feel are at the very heart of the Herries experience. In a small school, there is simply nowhere for a child to hide, nor is there any chance of a child being overlooked. Every teacher knows every pupil – not just their academic strengths and areas for growth, but their personalities, passions and unique senses of humour. Academically, this allows us to deliver genuinely tailored teaching, stretching the confident and reassuring the hesitant in real time. Personally, it creates a grounded, safe environment where children across different year groups interact like a big family. Q The school’s values spell out HERRIES – Happiness, Enthusiasm, Respect, Resilience, Independence, Excellence and Sincerity. How are these principles brought to life each day? A HERRIES isn’t just an acronym on a poster; it is the lived ethos of our school. We see Happiness and Enthusiasm in the energetic start to every morning and the joy in our classrooms. Respect and Sincerity guide how our pupils treat one another, our staff and our environment, through empathy and polite interaction. We actively

teach Resilience and Independence by encouraging children to view mistakes not as failures, but as essential steps in the learning process. Finally, Excellence at Herries is about taking pride in giving one’s personal best in everything – whether that is solving a maths problem, performing on stage, or supporting a classmate on the sports field. Q Herries offers a particularly broad education. Why is learning beyond the traditional classroom so important? A Education should be an adventure that extends far beyond whiteboards and textbooks. Learning outdoors in woodland activities builds practical problemsolving, risk management and a connection to nature. Participating in public speaking, drama and music gives children a voice, building self-assurance that serves them for life. Sport teaches teamwork, grace in victory and fortitude in defeat. These co-curricular experiences allow children to discover what makes them tick and build confidence in areas where they might naturally excel, which in turn boosts their academic self-belief back in the classroom.

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EDUCATION • PARTNERSHIP

Dr Sarah Tullis

Dr Sarah Tullis THE ABBEY SCHOOL theabbey.co.uk

Q You have described The Abbey as a place defined by curiosity, fun and happiness. How do you ensure those qualities sit alongside academic ambition? A Academic excellence and joy are our core aims and go handin-hand. We seek to stretch and challenge all students, in and outside of the classroom, including by small-group teaching by dedicated subject specialists. But grades and academic successes come from more than classroom teaching, however excellent. We deeply believe in knowing and valuing every individual for herself

A C A D E M I C E XC E L L E N C E A N D J OY A R E O U R CORE AIMS AND GO HAND-IN-HAND

and helping her to find passions and interests that are right for her from the extraordinary range on offer at The Abbey. Q Why do you believe girls-only education remains so important, and what particular freedoms or opportunities does it give pupils? A All-girls education is arguably even more special today than it was in 1887 when The Abbey was founded. It gives girls the freedom simply to be themselves, removed from assumptions or gender biases. Studies have shown that boys in co-ed classrooms tend to get significantly more teacher attention than girls. That doesn’t happen at The Abbey. Research suggests that girls in girls’ schools are more likely to study STEM subjects, compete in higher-level sports and, critically, to be more confident. The all-girls environment allows every individual to be herself and to flourish and it enables a uniquely humane and happy environment. Q Student voice and autonomy are central to your vision. How

are pupils encouraged to influence school life and take greater ownership of their education? A It is vital to us to listen to our students and for them to have a high degree of autonomy over their learning. We have no fewer than 12 school councils on everything from the environment to school food. We regularly survey pupils for their feedback and there is a great range of student leadership opportunities, all going to girls. Moreover, we have the kind of environment in which students knock on my door to give me their ideas. Q The Abbey has strong roots in Reading. How does the school engage with the wider Berkshire community, and how would you like those relationships to develop? A We love being a part of the Reading community and actively seek to be a force for good in the area. To share just a few examples, every Tuesday our Sixth Formers volunteer to run our Refugee Homework Club, the Royal Berkshire Hospital is our neighbour and our students have gathered hundreds of donations for their Giving Tree, and each year as thousands of runners pass our front door during the Reading Half Marathon, Abbey students are there hosting an official water station. Our commitment to the wider community also comes to life through ARCH, our programme of inspiring events for local young people. From our schooldesigned escape room to a transformational careers fair, ARCH opens doors and raises aspirations. In the past year alone, we have welcomed young people from more than 50 local schools. A B S O L U T E LY m a g a z i n e s

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Luke Walters

Luke Walters LEIGHTON PARK SCHOOL leightonpark.com

Q Tell us about your 20 years’ experience in independent education... A From the outset, I was drawn to schools that offered a holistic education, much like my own. I was fortunate to be able to participate in everything the international school I attended offered and came to believe that the challenges students encounter outside the classroom are as important as those they experience inside it. After training and my early career in the maintained sector, I moved into independent education as an English teacher at Marlborough College. I later became Head of English at Reading Blue Coat before following a more pastoral path as a boys’ housemaster at Marlborough College Malaysia and subsequently Ardingly College, where I moved into senior leadership.

Most recently, I was Deputy Head at Christ’s Hospital. Those experiences shaped my belief that schools are, above all, communities which are founded on the quality of their human relationships. I would describe myself as an optimistic educator and collaborative leader: I want to listen, to understand what makes a community special and to create the conditions in which both students and staff can fulfil their potential. For me, that remains the most rewarding aspect of education; it is about everyone in the community growing and developing. Q You believe intellectual ambition, personal development and wellbeing deserve equal importance. How does the school maintain that balance while encouraging strong academic results? A I don’t see academic ambition, personal development and wellbeing as competing priorities. Too often in contemporary education and society, issues are

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represented as oppositional. In a strong school they reinforce and sit alongside each other. Young people are most likely to excel when they feel valued and that they belong; this then gives them the confidence to challenge themselves and to take safe and critically-considered risks. At Leighton Park, the quality of the human relationships is a vital part of that. Small tutor groups and close connections throughout our community mean that students receive individual support, while simultaneously the culture encourages them to think independently, ask questions and push themselves without being defined simply by an examination result. Q Preparing young people for a rapidly changing world is a major challenge for schools. What skills and qualities do you most want Leighton Park students to develop? A Knowledge remains enormously important, but students also need the wisdom to know what to do with it. We nurture critical thinking and creative problemsolving, developing young people who can look at a complex problem from different perspectives, work effectively with others and have the confidence to find their own way. Just as importantly, I want them to lead with empathy and conviction. Our Creativity, Action and Service programme is particularly powerful in this respect because it encourages students to put ideas into practice and to see themselves as part of the solution to the problems they encounter. The aim is to develop young people with the skills, character and independence to thrive in a fast-changing world, while retaining a clear sense of purpose and responsibility to others.

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• PARTNERSHIP • XXXXX EDUCATION XXXXXXXX

Matt Robinson UPTON HOUSE SCHOOL uptonhouse.org.uk

Q What first inspired you to pursue a career in education, and which experiences have most influenced your approach to school leadership? A I received a lucky break to be a post-grad gap student at Cranleigh Prep in the early 1990s and never looked back. My first Head gave me lots of opportunities to teach a variety of subjects and sports, to assist with boarding and trips, to manage school events and then edit the school mag… so when I moved to London I had seven years of experience under my belt. In terms of leadership, he taught me to trust one’s staff to teach and innovate. Q You joined Upton House as Head in September. What attracted you to the school and made this feel like the right next step in your career? A Upton House is a delightful place full of warmth, excitement and innovation. The children on the School Council interview panel impressed me: articulate, confident, interesting, proud of their school and they challenged me. And the adults I met were great too. Q Upton House promises children a “bright beginning” founded on kindness, curiosity and enjoyment. How closely

Matt Robinson

U PTO N H O U S E I S A D E L I G H T F U L P L A C E F U L L O F WA R M T H , E XC I T E M E N T A N D I N N O VAT I O N does that align with your own educational ethos? A For many years I led a school (Freemen’s Junior) that lived “kind, honest and fun”. I fit right in here too... and so does my dog, Hugo, to whom the Upton children have been kind, whose company they have enjoyed and whose presence has generated myriad questions. We are very happy here at Upton. Q How do you balance strong academic expectations with the school’s emphasis on happiness, self-esteem and individual progress? A I believe that children who are content, challenged appropriately and who are enjoying themselves work and learn to their best, even on wet weather days. Creating a culture where mistakes are acknowledged and celebrated as prompting development and progress, such that children try things with no or little fear of failure, makes for a successful environment. One of the Upton values is “Give

Our Best”… and that’s all we can ever do. Q What are your main priorities for your first term, and are there any new initiatives or developments you are especially excited to introduce? A The children have already discovered that I have a deaf sister so have been introduced to British Sign Language – they know how to sign Hugo’s name! The school has so many strengths that all I intend is to enhance and refine. September’s parental survey will help inform that. Watch this space. Q What would you like every child to have gained – academically, socially and personally – by the time they leave Upton House? A We are ambitious for our children; they leave us with strong moral compasses, intellectual resilience, a love of learning, empathy and respect for others, purposeful confidence and a sense of social responsibility. And a wide smile. A B S O L U T E LY m a g a z i n e s

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Oliver Knight

Oliver Knight PANGBOURNE COLLEGE pangbourne.com

Q What skills do you think will matter most over the next decade, and how is Pangbourne helping pupils develop them? A I would argue that we need to focus less on trying to predict exactly what the future will look like (because we can’t) and more on developing young people who can thrive whatever that future brings. This is through developing skills that are universal and have withstood the test of time. Our young people are going out into a world that has probably changed more than at any point since the agrarian revolution 10,000 years ago. We can see that it is likely AI will change the workplace dramatically, and will increasingly do many of the tasks we currently think of as skilled or routine; many of the things schools currently prepare students for. So rather than trying to guess which jobs will exist, we should be asking what qualities young people will need to flourish. For us, that means developing what we call ‘unautomatable’ young people. People who are curious, adaptable, resilient and able to think for themselves. People who can make good decisions, work well with others,

take responsibility and cope when things don’t go according to plan. These are the qualities that will remain deeply human. We want our pupils to be able to take control of their future rather than be left at the mercy of deeper currents. So at Pangbourne we give them plenty of opportunities to practise this: through academic challenge, outdoor adventure, leadership, teamwork and the responsibilities that come with being part of a community. We are also becoming more deliberate about helping pupils become comfortable with challenge. Our exploration and adventure programme is an important part of that, but so is learning to persevere with a difficult piece of work, having the confidence to try something unfamiliar, or learning from getting something wrong. Q When a pupil leaves Pangbourne, what do you hope they will remember most? A We talk a lot at Pangbourne about the residue of a great education; the principles that remain long after you have walked through the gates for the last time. This is rarely how to balance an equation or why Robespierre is a contested figure. It is the underlying ideas and principles that induct them into

a disciplinary conversation about knowing our world. We aim to equip Pangbournians with the agency to not only participate in but to shape the national discourse. To leave as a force for good in an imperfect world. We also talk a lot about community; the sense of belonging that is so protective. So we hope that alongside recognising their duty to society and to their fellow citizens they remember the people, the experiences and the moments when they discovered they were capable of more than they had imagined. Academic achievement matters enormously, but when I think about an eighteen-year-old leaving Pangbourne, I think much more about whether they have developed the confidence and character to navigate whatever comes next. I hope they remember the friendships, the laughter, the challenges they overcame and the moments when they stepped outside their comfort zone. Ultimately, I hope a Pangbournian leaves with a sense that they don’t need to have everything figured out. The future will inevitably contain uncertainty, but they have already learned how to meet it. If they leave believing, “I don’t know exactly what comes next, but I’m ready for it,” then I think we’ve done our job.

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EDUCATION • PARTNERSHIP

Ashmi Morjaria MALTMAN’S GREEN SCHOOL maltmansgreen.com

Q What do you believe is special about a girls-only education, and how does it shape the girls at Maltman's Green? A Every opportunity here belongs to a girl, and that is incredibly powerful. Whether it’s captaining a team, performing on stage or leading a debate, our girls never see limits. They grow up believing they can have a go at anything, and that confidence shines through. Q Maltman's Green has an impressive range of facilities. What do you feel makes the biggest difference to the girls' experience? A We are lucky to have 13 acres of beautiful grounds, woodland and excellent facilities, but the real magic is seeing them used. One minute girls are building dens in the woods, the next they ’re diving into our pool, playing football on our MUGA or igniting a Bunsen burner in science lab. It is that variety which makes school life so exciting.

Q How would you describe the pastoral care at Maltman's Green, and how do you ensure every girl feels known, supported and able to thrive? A One of my favourite things about Maltman’s Green is that every girl is truly known. Our motto is, "When one girl rises, we all rise too," and there is a genuine culture of kindness here. We help girls develop confidence, resilience and the skills to navigate life’s ups and downs, while always knowing there is an adult in their corner.

Ashmi Morjaria

Q What makes the academic experience at Maltman's Green so successful, and how do you balance academic ambition with a love of learning? A Our teachers are exceptional – learning here is truly joyful! They know how to stretch, support and inspire each girl because they know them so well. We want our girls to achieve highly, but we also want them to be curious, ask questions and leave the classroom wanting to know more than when they came in.

Sid Inglis ELSTREE SCHOOL elstreeschool.org.uk

Q What first inspired you to pursue a career in education? A I loved my time at school and was fortunate to have been taught by truly inspirational teachers who combined passion for their subjects with a genuine interest in their pupils. It is that same combination that shapes my approach at Elstree: I want every child to be known, nurtured and inspired. My own path took me to Chile, then Ludgrove, where I taught Classics before becoming Deputy Headmaster and, eventually, Joint Headmaster. In 2023 I took on the Headship at Elstree and today I lead the school with the invaluable support of my wife, Olivia. We both believe that education is about guiding and nurturing young people not just academically, but emotionally and personally. Sid Inglis

Q The school talks about an “Elstree Childhood”. What does that mean? A For me, an Elstree Childhood is

about letting children be children for as long as they can – they should be curious, energetic, occasionally mischievous and always encouraged to have a go. We combine high expectations and a love of learning with the freedom to enjoy the camaraderie and adventure that make childhood so memorable. Triumphs and disappointments alike help to build confidence, character and resilience. And then there is the Elstree family: friendships between children and families often last a lifetime. I hope pupils leave us happy, grounded and quietly confident, with wonderful memories of their childhood at Elstree. Q What are your ambitions for Elstree’s next chapter? A My ambition is for Elstree to retain its high academic standards and breadth of co-curricular opportunity, while continuing to evolve. These are exciting times for Elstree: we have grown carefully and deliberately. Soon I will be setting out a new ten-year vision, ensuring Elstree remains a beacon of excellence while keeping our feet firmly on the ground. A B S O L U T E LY m a g a z i n e s

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EDUCATION • INTERVIEW

Wild at

HEART Aylesbury Vale author Steve Cole reveals how rescue animals and Chiltern walks inspired his thrilling new adventure

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nce they were pampered pets, accustomed to warm beds, regular meals and the reassuring presence of their human companions. Then the people disappeared. In The Wild Ones, the latest children’s novel from bestselling Buckinghamshire author Steve Cole, a motley collection of former pets must navigate a ruined city inhabited by vicious beasts known only as the Things. At the centre of this moving survival adventure is Scamp, a dog living in a pet care centre until the mysterious Night of the Great Growl transforms his world forever. Driven into the wild

alongside Chandelier the cat, Punzel the rabbit, Patticake the dachshund, Falstaff the parrot and hamsters Nudge and Wink, he must find the courage to become their unlikely leader as they search for safety and a new home. The idea first began taking shape during the pandemic. “A lot of people were getting dogs and pets because they were at home,” Steve says. “I was concerned about how these animals would be affected when these people went back to work. Then I imagined what would happen if the people just went, full stop, and didn’t come back. So it’s a classic case of a ‘reality’ question leading to a ‘fantasy’ question – and, over time, The Wild Ones was the answer I came up with.” Steve’s own experience of living with rescue dogs helped him understand A B S O L U T E LY m a g a z i n e s 103

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EDUCATION • INTERVIEW

TODAY’S CHILDREN HAVE TO NAVIGATE A SCARY WORLD NOT OF THEIR MAKING

how domesticated animals might respond when everything familiar is suddenly taken from them. It also gave him a way to explore the worries and uncertainties experienced by young readers. “My family has always had rescue dogs, so I’ve seen that resilience and that ability to adapt up close,” he explains. “The pets in The Wild Ones are innocents caught in a dark situation outside their control, and it’s not hard to see parallels with today’s children, who also have to navigate a scary world not of their making. I think that, like Scamp, they need to dig deep, form strong friendships with peers and trust that they can deal with what life throws at them.” Some of Steve’s real-life animals have found their way into the story, although his dog Clara was spared its most perilous moments. “Originally, I was going to include Clara as one of the characters, but I just couldn’t put her through that ordeal, even fictionally!” he admits. “Instead, she gets a cameo towards the end. I’ve owned several hamsters and Nudge and Wink are definitely based on them. I’ve known one or two cats like Chandelier in my time too!” Balancing the novel’s danger with humour, friendship and hope required careful planning. “You need a mix of characters and a plot that throws them forward,” Steve says. “Opportunities for friction and conflict, but also pauses for friendship and fun. Then, when you’ve written the first draft, you

take a big pair of editorial scissors and snip out the saggy bits and refine what you’ve got.” The finished book took around a year to write, on and off, and features full-page illustrations by Johanna Tarkela. Steve began his career as a children’s book editor before the success of his Astrosaurs series established him as an author. He has since sold more than three million books, with work spanning science fiction, adventure, comedy and graphic novels, as well as stories featuring Doctor Who and Young Bond. His editorial background continues to shape his approach. “It taught me that it’s the author’s job to be clever, and the editor’s job to be wise,” he says. “Being open to other points of view or suggestions is healthy – for you and the book. Publishers bring a lot of expertise and their support is so important.” Even after such a prolific career, new ideas remain irresistible. “If an idea gets into the back of my head, it starts exerting gravity on characters and formats and settings and plot points,” he says. “Eventually you get this little solar system that you want to explore. I love the exploring part, finding something I’m passionate about.” Buckinghamshire provides space for that exploration. Steve moved from London to Haddenham in 2002, wanting to raise his family in more rural surroundings,

and now lives in Aylesbury Vale. “For me, Bucks is the best of all worlds – close enough to London, but far enough to escape it, well connected by road and rail, and well-placed for my pastimes.” The landscape also plays a part in his creative process. “I love quiet and peace and the Chilterns have so many beautiful walks – ideal when you have an eager dog,” he says. “The circular walk from Cuddington through Nether Winchendon and back is a favourite. Many a plot point has been hammered out along that route.” Away from his desk, Steve sings and plays bass with his band Faces Fall and teaches salsa dancing. Both offer a useful counterpoint to the solitary business of writing. “When you’re leading a salsa dance, you’re thinking what moves you’ll do next; you don’t have a chance to dwell on your novel, and so you come back to it fresh,” he says. “Likewise with playing and singing at an open mic night – it gets the adrenaline flowing and focuses you on the moment.” Steve remains passionate about helping children discover books amid the many distractions competing for their attention. “It’s so important that the adults in their lives take time to pick up a book too,” he says. “Join a library. Share stories. Read out a particularly funny bit.” There are already more adventures ahead, including another middle-grade novel, further Astrosaurs graphic novels, a dystopian novella for young adults and a new Doctor Who project. As Steve puts it with characteristic understatement: “I’m keeping busy!” The Wild Ones is out now

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EDUCATION • FOCUS

T O

THRIVE What does Inclusive Excellence really look like?

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By ROB LANE

or 130 years, Clayesmore has believed that our school should create an environment where every child can find their place, discover what they are good at and develop the confidence to see what they might become. We live in a world in which education is often judged through relatively narrow measures of success. Academic ambition matters enormously. Young people deserve to be taught well and challenged intellectually. But is that enough? For me, excellence in education is about creating the conditions in which every child can discover their strengths, challenge themselves

and achieve more than they thought possible. That is what we mean by Inclusive Excellence at Clayesmore. It is an idea that feels particularly important as I begin my time here. Clayesmore has a lovely sense of itself: ambitious without being overbearing, personal without being complacent and, importantly, a place where children are known. There is a warmth to the school that is difficult to manufacture but easy to recognise, and feel. But warmth alone is not enough. Nor is academic ambition. A modern independent school should bring the two together. Each pupil should be stretched, nurtured and supported. For some that’s a medical degree at Oxbridge, or a college in America. For others, it’s a

WE NEED TO GIVE PUPILS KNOWLEDGE, BUT ALSO TEACH THEM HOW TO USE IT

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place on an apprenticeship scheme, a dance school in London or having the skills and confidence to inherit the family business. All are valid. Our objective as educators should be to help them find their path. To get there, we have to be comfortable that for one pupil, Inclusive Excellence might mean outstanding examination results. For another, it’s finding the confidence to perform on stage, discovering a talent in the music school, leading a team on the sports field, designing something or developing a passion they didn’t know they had. The point is not that academic achievement doesn’t matter, it is fundamental, but it cannot be the only measure of what a young person is capable of becoming. Our children are entering a period of rapid global change. Artificial intelligence will transform the way we work and learn. Employers will increasingly value communication, creativity, adaptability and judgement alongside technological fluency and traditional knowledge. Schools therefore have a responsibility to do more than prepare pupils for the next examination. We need to prepare them for the next chapter of their lives. That means giving them knowledge, but also teaching them how to use it. Our job as educators is to create the environment in which they can find out. That requires high expectations, excellent teaching and genuine academic ambition. It also requires opportunity, encouragement, relationships, creativity, character and the confidence to try things. At Clayesmore, that is the ambition: not excellence for a select few, but excellence in all its different forms, for every child, in an environment where no one gets lost. Rob Lane is Head of Clayesmore School. Discover more at clayesmore.com A B S O L U T E LY m a g a z i n e s

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EDUCATION • PARTNERSHIP

Unique

A P P R O A C H Matt Robinson, Head of Upton House, on what makes the school stand out

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t Upton House, we combine academic ambition with a nurturing environment where every child is known, valued and encouraged to thrive. Our small class sizes allow us to recognise each child’s strengths, interests and aspirations, helping them to feel confident, secure and ready to embrace new challenges. A strong sense of belonging sits at the heart of our school community. Upton House is a place where children, staff and families feel connected, creating a warm and supportive atmosphere where every child matters. Visitors frequently comment on our distinctive family feel, where achievements are celebrated and relationships are built on kindness, respect and trust. As an innovative Windsor school, we continually evolve to prepare children for the future. We challenge our pupils academically – proudly holding the NACE

Challenge Award for the third time – while ensuring that the joy of childhood remains central to every day. Wellbeing sits at the heart of school life, with children nurtured to strive for their personal best and recognised for their individual achievements, whether in the classroom, on the sports field, on the court, in the swimming pool, on stage or through music. Our 99% LAMDA distinction rate reflects the confidence, commitment and enjoyment our pupils bring to the performing arts. The breadth of opportunity at Upton House is one of our greatest strengths. Through sport, music, outdoor learning, leadership opportunities, educational visits and hands-on experiences, children are encouraged to discover new passions, develop resilience and broaden their horizons. Learning extends far beyond the classroom, with immersive experiences that inspire curiosity, creativity and confidence. From our community spirit to the warm welcome provided by our school dog, Hugo, Upton offers an education that develops the whole child. Our aim is for every child

The breadth of opportunity at Upton House is one of our greatest strengths to leave Upton House confident, connected and ready for the future – equipped with strong academic foundations, character, curiosity and the confidence to embrace the next stage of their journey. And good with dogs. uptonhouse.org.uk A B S O L U T E LY m a g a z i n e s 109

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EDUCATION • PARTNERSHIP

All round APPROACH Absolutely is given a behind the scenes look at The Abbey School in Reading

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he Abbey is a remarkable multi-award-winning 3-18 all girls community of learning and brilliant experiences. It is a place of curiosity, adventurous spirits, and the excitement of discovery. We focus on individual care and attention in a warmly supportive atmosphere full of fun and laughter. Our students have the assurance to take risks, explore interests and passions, and engage generously with the world and with each other. From Little Knellies Nursery onwards, our girls grow in a culture that values challenge, creativity and a genuine love of learning. At The Abbey Senior School, dedicated staff nurture, inspire and support every student and family. From the moment each young person arrives, we want them to feel at home, ensuring the move from Junior to Senior School is both comforting and exciting. Sixth Form offers the best school experience – a dynamic, ambitious community where bright minds pursue excellence together every day.

Our results are outstanding, but what matters to us is how students achieve them. Our goal is to equip girls to live with confidence, purpose and joy. This means providing exceptional opportunities across the widest spectrum of learning and activities. We offer more choice in our curriculum than almost any other school, so that students lead their learning and mature into the people they mean to be. Beyond the classroom, our girls find their passion in a wide range of co-curricular life – from sport, music and drama to debating, enterprise and Duke of Edinburgh. Here, trying something new isn’t daunting, it’s celebrated, and every girl is encouraged to discover what she’s good at, on her own terms. Our sense of community runs deep too; parents tell us it’s the connections – with staff, with each other, and across the whole school from Nursery through to Sixth Form – that make The Abbey feel like a genuine extended family. What’s special about The Abbey is the atmosphere. We’re a diverse, downto-earth community full of enthusiasm, spark and energy. The best way to get a feel for the school is to visit on an ordinary weekday. Being in the halls for one lesson, feeling the buzz all around you, gives you a sense of The Abbey spirit. We’ve played a leading role in all-girls education for over 130 years. During that time we’ve adapted and innovated and that is true now more than ever. In today’s world, all-girls education matters: it helps our students face the future on their own terms. theabbey.co.uk/events A B S O L U T E LY m a g a z i n e s

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EDUCATION • NEWS

EDU CATION NEWS The latest from schools across the county

Results speak volumes

Big celebrations As Cranford School prepares to celebrate its centenary in 2031, it has unveiled Cranford 2031 – a long-term vision designed to ensure the school continues to thrive for generations to come. Rooted in nearly 100 years of educational excellence, the initiative reflects the school’s determination to remain forward-looking while staying true to the values that have always defined it. At the heart of the vision are the principles that matter most to families: outstanding teaching, high expectations, exceptional pastoral care, a broad and balanced education, and a community where every child is known, supported and encouraged to flourish. As part of the programme, Cranford will continue to develop its campus. Every new space is being designed with a clear purpose – to inspire curiosity, encourage collaboration, promote health and wellbeing, and create an environment where children can develop confidence, independence and a lifelong love of learning. Want to see more? Their Whole School Open Morning is on Saturday 3rd October, 9.30am-12.00pm. cranfordschool.co.uk

The Abbey in Reading has celebrated an outstanding year across both GCSE and A-Level results. At GCSE, almost nine in ten grades were 9-7, with 40% of all grades awarded the top 9, and 67% at 9-8. Nearly a quarter of the year group achieved at least eight grade 9s. At A-Level, two thirds of all grades were A* or A, a 16 per cent increase on last year, with 29.1% reaching the very top A* band. More than 17% of students achieved at least three A* grades, with offers secured across 18 of the 24 Russell Group universities, and 12 students going on to study Medicine, Veterinary Science or Dentistry. Head, Dr Sarah Tullis, said the results reflect the strength of an all-girls environment where every individual is valued and supported to flourish, both in and beyond the classroom. theabbey.co.uk

Space to f lourish Upton House School has been accredited for the third time with the prestigious NACE Challenge Award by The National Association for Able Children in Education (NACE). The award is given for high-quality work in challenging all children, particularly more able learners, to achieve their best. The report stated: “Upton House is a highly aspirational and successful school… It seeks new opportunities to enable an increasing number of more able pupils to follow their passions and interests.” To achieve reaccreditation, a school must demonstrate that it continues to develop outstanding teaching and learning, a high level of challenge for all, a culture of high expectations and aspirations,

and the understanding that ability can be revealed across a range of specific domains and not only in traditional academic subjects. Upton House provides all of this and more in a nurturing environment where every child is known, valued and encouraged to flourish as an individual. Book a personal tour to find out how your child can thrive at Upton House. uptonhouse.org.uk A B S O L U T E LY m a g a z i n e s

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LAST WORD • VENUE why everyone is talking about…

Waddesdon

MANOR Why the Buckinghamshire landmark is all set to become a renewable energy trailblazer

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addesdon Manor may be celebrated for its Frenchinspired architecture, remarkable art collection and sweeping Buckinghamshire gardens, but its latest chapter looks firmly towards the future. A major partnership between the National Trust and Rothschild Foundation will see the Grade I listed property replace its ageing gas boilers with the National Trust’s largest-ever ground source heat pump system. The ambitious project aims to prove that even the grandest historic houses can embrace renewable technology without compromising their character. Waddesdon’s current heating system is more than 25-years-old, with seven boilers and three hot-water cylinders consuming almost one million kWh of gas annually. Its replacement will remove gas from the Manor entirely, cutting carbon emissions by an estimated 124 tonnes each year and producing more than 500,000kWh of renewable heat. The system will draw natural warmth from beneath the North Lawn through 46 vertical boreholes, each extending 160 metres underground. This energy will be transferred to new heat pumps in the Manor’s basement, providing heating and hot water throughout the building. Once the work is finished, the underground network will leave no visible trace on the landscape. As well as creating a more sustainable home, the technology will help protect Waddesdon’s internationally significant collection of art, furniture and historic objects. Maintaining a stable indoor temperature will eliminate the damaging fluctuations that can occur whether the house is open or closed to visitors. “This project is a major step forward in our ambition to reduce carbon emissions across

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our estate,” says Paul Cook, Assistant Director of Operations at the National Trust. “Working with the Rothschild Foundation allows us to safeguard Waddesdon Manor’s heritage while embracing modern, renewable technologies.” Pippa Shirley, Director of Waddesdon Manor for the Rothschild Foundation, describes the scheme as an opportunity to demonstrate that sustainable systems are possible “even in a historic listed building”. The first phase began in August, with internal work following in November. Waddesdon will remain open for as much of the project as possible. The house and gardens will close from 29th November for the winter season, including Christmas, while the installation and electricity upgrades are completed. Waddesdon is scheduled to reopen in March 2027, ready to celebrate its 150th anniversary – with its history protected by a distinctly modern source of warmth. waddesdon.org.uk

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