Arts + Entertainment 11.28.24

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ARTS + ENTERTAINMENT

FINAL BOW for a circus couple

and Dolly Jacobs

leave a lasting legacy as they step down.

BY MONICA ROMAN GAGNIER ARTS + ENTERTAINMENT EDITOR

When most people hear the word “conservatory,” they either think of delicate plants or classical music.

Yet that’s the word Pedro Reis and Dolly Jacobs chose when they rebranded Circus Sarasota as the Circus Arts Conservatory in 2013.

With a new name and the youth Sailor Circus Academy under their umbrella, Reis and Jacobs were announcing to the world that their performers were artists who could hold their own among actors, musicians, dancers and singers.

If there was any doubt about that, they laid it to rest this past summer when the CAC traveled to Massachusetts to present “Summersaults in the Berkshires” in Lenox, Massachusetts.

Once the playground of the rich, the Berkshire Mountains region is now an arts mecca. It is home to Tanglewood, the summer residence of the Boston Symphony Orchestra, as well as Jacob’s Pillow Dance Festival and the live theater company Shakespeare & Company.

“Dolly and Pedro have elevated our community’s opinion of the circus from a form of entertainment to understanding and celebrating the circus as a true art form,” says Joseph Caulkins, artistic director of Key Chorale. “Through their leadership and passion they have shown us that the circus arts can be respected and live alongside other performing arts like dance, music and opera.”

Although many people didn’t realize it at the time, the Berkshires residency was the capstone of a long collaboration between Reis and Jacobs, fellow circus performers who founded the predecessor organization to the CAC back in 1997.

On Nov. 19, the husband-and-wife team announced they were stepping down from their leadership positions at the CAC and turning over the reins to Chief Operating Officer and Vice President Jennifer Mitchell.

A 16-year veteran of the circus arts nonprofit, Mitchell assumes the role of president and CEO immediately.

Although Reis and Jacobs are relinquishing their top management titles, they will continue to provide guidance and support to the CAC. In a statement, Reis said he intends to pursue his dream of bringing a circus arts festival to Sarasota.

Reis and Jacobs declined to be interviewed for this article because they are making preparations for their new life and because they want their successor to have the spotlight.

Nevertheless, it is the end of an era. The partnership of Reis and Jacobs has contributed immeasurably to the elevation of circus arts both in the U.S. and abroad. In addition to entertaining audiences, the pair has used circus arts to enrich the lives of children with magnet school programs, summer camps and youth performances.

A LIVING EXAMPLE OF THE POWER OF CIRCUS ARTS

If anyone exemplifies the influence of circus arts on a young life, it is Mitchell’s daughter, Emma Clarke, who is performing professionally at this year’s Wonderland circus at the Big Top near University Town Center. Wonderland, founded last year by Sarasota superstar aerialist Nik Wallenda and the CAC, has quickly become a holiday tradition.

“It was out of our admiration and deep respect for Dolly and Pedro that we approached them to collaborate on the ‘Wonderland’ holiday shows. We feel so privileged to have had the opportunity to do so for these first two seasons of this new Sarasota holiday tradition,” Wallenda says.

“Erendira (Wallenda’s wife) and I have forged similar paths to Pedro and Dolly. We are honored to carry on their proud legacy through the circus arts, in our community and beyond.”

Given that Sarasota’s connection to the circus began in 1927 when John Ringling moved the winter home of

his circus to Florida, the Observer asked circus expert Jennifer Lemmer Posey to weigh in on the legacy of Reis and Jacobs.

Nicknamed the “Queen of Circus History,” Lemmer Posey serves as the Tibbals Curator of Circus at The Ringling, the museum that John Ringling endowed by leaving the state of Florida his mansion and art collection in his will.

Commenting on the passing of the trapeze (Sorry, we couldn’t resist!), Lemmer Posey said, “Beginning with little, aside from a powerful vision and their own extraordinary talent and deep commitment to the circus community, Pedro and Dolly built an extraordinary organization that reminds the Sarasota community, and beyond, of all the reasons to fall in love with the circus arts.”

She continued, “They are recognized as icons stewarding the tradi-

to breathe new life into what some considered an outmoded form of entertainment.

tions of the American circus and now have furthered their contributions by gracefully mentoring a new generation of leadership for the Circus Arts Conservatory.”

While John Ringling brought the circus to town, it was Reis and Jacobs who helped resuscitate it in Sarasota. Changing consumer tastes led Palmetto-based Feld Entertainment to close Ringling Bros. and Barnum & Bailey Circus in 2017, 50 years after it acquired the company. (Last year, it revived the circus with a new look.)

Meanwhile, Reis, a native of South Africa, and Jacobs, daughter of famed Ringling Bros. clown Lou Jacobs, rewrote the circus playbook, taking a page or two from the glamorous French-Canadian troupe Cirque du Soleil.

“When Dolly and Pedro started Circus Sarasota, our community was one with a rich circus heritage but no working circus,” notes Key Chorale’s Caulkins.

The couple banded together with other Sarasota circus stalwarts such as the Wallenda family of aerialists

“Dolly and Pedro have been mentors to my wife, Erendira, and me; I have looked up to Pedro throughout my career,” says Nik Wallenda. “As a young, up-and-coming professional, I saw him take nothing and turn it into what it is today: something incredible and a well-known institution across the U.S. and throughout the global circus community.”

Brian Hersh, president and CEO of the Arts & Cultural Alliance of Sarasota County, sees the big picture since his group administers a portion of the county’s tourism tax to local arts organizations.

“Dolly Jacobs and Pedro Reis have made an incredible impact and have established a meaningful legacy,” Hersh says. “Their continuous care, commitment and investment in our community will ensure the Circus Arts Conservatory’s dynamic presence in Sarasota County and beyond.”

The numbers tell a powerful story. In the last fiscal year, the CAC presented 250 performances to 117,000 audience members, educated 9,000

students across 45 schools and five counties in Florida and trained more than 120 year-round student athletes through the Sailor Circus Academy.

The organization also trained 1,000 summer campers and mentored 110 in-school circus students through magnet programs.

ANOTHER PART OF SARASOTA’S

RICH CIRCUS HISTORY

In addition to entertaining locals, CAC’s Circus Sarasota and Sailor Circus performances help attract tourists to the area.

“Pedro and Dolly’s legacy to this community has been monumental,” said Erin Duggan, president and CEO of Visit Sarasota, the local tourism organization. “I am incredibly appreciative of the knowledge they have shared, and the rich cultural ties they have sustained in our community.”

It would take a book to outline all of the accomplishments of Reis and Jacobs at the CAC. (Indeed, one was published last year in honor of the organization’s 25th anniversary.)

But among the most notable are the CAC’s participation in Smithsonian Folklife Festival in 2017 and the

completion of a $5 million campaign to renovate and add air conditioning to the Sailor Circus Arena.

In a statement announcing the CAC management transition, Mitchell was credited with these achievements, but it was teamwork all the way. Mitchell also served as the lead strategist in developing circus magnet programs at Sarasota High School and Booker Middle School. But it was Reis who got his hands dirty when it came to the installation of a new big top near UTC Mall last year. Reis and Jacobs decided to acquire the $500,000 tent in honor of Circus Sarasota’s recent 25th anniversary and the 75th anniversary of the youth Sailor Circus.

It wasn’t just circus arts that Reis and Jacobs elevated in Sarasota; it was black tie events. “Pedro and Dolly have long been Sarasota’s most magical power couple,” says Robert Plunket, author of “Love Junkie” and a retired gossip columnist. “They’re gorgeous and glamorous, astute business people, civic minded and educators at heart.”

The former “Mr. Chatterbox” recalled his brief time as a guest ringmaster at the Sarasota Circus. “I ended up scaring the horses,” Plunket says. “But Dolly and Pedro didn’t even mention it. They have the best manners of anyone in town.”

WILLING TO LEND A HAND

In emailing and telephoning arts leaders around town for comment on the retirement of Reis and Jacobs from the top rungs of the CAC, the words that kept being repeated were “always willing to help.”

One of the CAC’s most successful collaborations led to the advent of the Cirque des Voix (Circus of Voices), its annual co-production with Key Chorale. The first Cirque des Voix, in 2011, was a modest affair. But it has since grown beyond what its original visionary, the late music critic Richard Storm, could have ever imagined.

The annual extravaganza brings together world-class circus artists, a 40-piece orchestra and a chorus of more than 100 voices under the same tent.

Another example of Reis and Jacobs’s willingness to collaborate was the closing event of the inaugural Living Arts Festival produced by Sarasota Rising. Held Nov. 17 at the Sailor Circus Arena, the “Celebration of Youth” featured the next generation of Sarasota’s performers. Among the organizations represented at the blockbuster affair were the CAC, Westcoast Black Theatre Troupe, Cuban Ballet School, Sarasota Ballet Studio Company and Venice and Riverview high schools.

Jeffery Kin, who was the longtime artistic director of the Sarasota Players before founding Sarasota Rising in 2021, had this to say about the circus couple: “Pedro and Dolly together created not only an organization, but a true lifeline for artists of all ages to gather, work, create and grow.”

Just like not all student-athletes go on to play professional sports, Kin notes that not all the young circus performers nurtured by the CAC will earn their living under the big top.

But the legacy of Reis and Jacobs “can’t be limited to the professional circus performers they launched,” he says. “It must include the thousands upon thousands of students out in the workforce today. Those students’ tenacity, their drive, their ‘can do’ attitude were all instilled by their time with the Conservatory.”

Even without the energetic, beloved duo at the helm of CAC, the show must — and will — go on.

TUESDAY, DECEMBER 10TH, 2024 11:30 AM - 1:30 PM MICHAEL’S ON THE BAY AT SELBY GARDENS, SARASOTA FL Co-Chairs: Dr. Dean Sutherland & Jennifer “JJ” Williams

Here’s where to get shaken or stirred in Sarasota, Lakewood Ranch and Bradenton.

A tini look into some of the best martinis in town

BY EMMA BURKE JOLLY CONTRIBUTOR

You might remember from my top crab creations column that I always wanted an older brother.

Well, friends, I left out a small detail: I met him almost seven years ago, and he’s accepted the role. Now, it’s officially in print, so there’s no backing out. Before you ask, no, this isn’t a juicy long-lost sibling saga. My newfound bro is a dear friend who showed up early to my dad’s

celebration of life, stayed late at my birthday party and continues to call me out on my nonsense — whether I deserve it or not. As with any good sibling relationship, we bond over the cards life has dealt us and have constant disagreements too. However, one thing we’ll always agree on is how a stiff post-work cocktail can solve almost any problem. While I don’t often join him in the land of dirty martinis (sorry, olive lovers), I respect a timeless drink.

So whether you like your mar-

tinis shaken, stirred, extra dirty, or dream of being the next James Bond, here’s a toast to my “big brother.” After all, he’s one of my

biggest cheerleaders — the least I can do is point him in the right direction to get a “tini” bit buzzed.

BAR ITALIA

6568 University Parkway, Lakewood Ranch; 354-1479; BarItalia.com

Shake it Up: The price is right on hump day at Bar Italia. Say hello to $8 martini Wednesdays, where you can choose from five tempting creations to make your night a “tini” bit better! My bro would pick the Paul “A,” a classic vodka martini with blue-cheese olives that’s perfectly suave. But me? I’m diving into the Manhattan, a blend of Buffalo Trace bourbon, sweet vermouth, Luxardo cherries and a dash of bitters. Olive Another: Other martinis include the Capri cosmo, Limo-

nata martini and the tramonto rosa topped with blood orange ginger beer. But when you go for happy hour ( 3-6 p.m.) Monday through Friday, diners and drinkers alike can choose from an array of appetizers like the 12-month prosciutto with ricotta ($8).

CONNORS STEAK & SEAFOOD 3501 S. Tamiami Trail, No. 1165, Sarasota; 941-260-3232; ConnorsRestaurant.com

Shake it Up: I’d be remiss to not mention my “work mother,” who has raved about Connors’ martinis since the first day we met. Diamonds might be some girls’ best friends, but I think hers might be olives. So brother, mother knows best and Connors has balanced perfection when it comes to your cocktail of choice. Chilled, clean and classically boozy, this martini is sure to get the job done.

Olive Another: Classy and elegant, just like my work mother, this martini moment calls for a duo. Order the Blue Point oysters ($18/$34) to accompany your martini — freshly shucked on the half shell and perfect for an evening of treating yourself.

ARTS & CENTRAL

611 Central Ave., Sarasota; 941306-2356; ArtsAndCentral.com

Shake it Up: I’ve been dishing out the classics and while Arts & Central serves one, there are also three other martinis to choose from: espresso, toasted almond (made with Tito’s, Kahlua, amaretto and heavy cream) and matcha green tea (360 vanilla vodka, creme de cacao, house-made match, simple oat milk). I can already hear my brother after he reads this, demanding the scoop on the dirty version. Guess what? He’s just going to have to join me at happy hour to taste it for himself!

Olive Another: If you’re more of a spritz fan like myself, there are six cocktails served with Soligo prosecco and a splash of soda water that will bring any sibling rivalry to an end. I sip on the Hugo spritz ($12) while I snack on whipped feta ($16) made with ricotta and goat cheese, fermented honey, candied

fruit and house pita.

LIBBY’S NEIGHBORHOOD BRASSERIE

1917 S. Osprey Ave., 941-236-5826; 8445 Lorraine Road, Lakewood Ranch; 941-357-1570; LibbysNeighborhoodBrasserie.com.

Shake it Up: After a long day, there’s no better reward than a perfectly poured martini for just $7 during happy hour at Libby’s. Running from 2-6 p.m., this is your golden ticket to shake off the day and stir up some fun. Honestly, even the photo of these beauties makes me wish I was more of an olive person. This smooth, sophisticated and silky cocktail is as decadently dirty as it is crisp and clean.

Olive Another: Not feeling the martini vibe? No worries — this happy hour’s got something for everyone. Sip on $2-off Libby’s signature cocktails, enjoy $3-off drafts and munch on $7 bar bites that are just as drool-worthy as the drinks. I personally can’t leave Libby’s without ordering avocado egg rolls ($14.50).

BRIDGE STREET BISTRO 111 Gulf Drive, Bradenton Beach; 941-782-1122; BridgeStreetBistroOnline.com

Shake it Up: Weekday happy hours might be out of the question for my brother and me given the time slot at this eatery (noon-4 p.m. daily), but come the weekend? Fuh-getabout-it! He’s all about the $6 Skyy martini — whether that means sipping one or going for the hat trick during the happiest of hours. Me? I’ll be right next to him, raising a $6 cosmo to toast working and playing hard.

Olive Another: While the hurricane season might have changed the restaurant’s hours, there is still time to enjoy this staple spot. The plan of action is to reopen seven days a week right before Christmas. So check its website, claim your spot and support this Bradenton Beach bistro with a martini and friend — in my case, my brother — in hand.

THIS WEEK

FRIDAY

PURPLE! THE 2024 ORCHID SHOW

10 a.m. at Marie Selby Botanical Gardens, 1534 Mound St.

$28 Visit Selby.org.

It’s the most wonderful time of year — when Marie Selby Botanical Gardens presents its annual orchid show. See an astonishing display of purple orchids in the Conservatory along with an exhibition of books, prints, photographs and other materials in the Museum of Botany & The Arts. Runs through Dec. 5.

NIK WALLENDA’S WONDERLAND CIRCUS: ‘ILLUMINATE’

2 and 7 p.m. at the Big Top at UTC, 195 University Town Center Drive $30-$100 Visit CircusArts.org.

Nothing says the holidays like the circus, especially when the star is Sarasota’s hometown hero, Nik Wallenda. For the second year in a row, Wallenda teams up with the Circus Arts Conservatory to present a new circus show for the whole family. Runs through Jan. 5.

‘OFF THE CHARTS’

7:30 p.m. at FST’s Court Cabaret, 1265 First St. $18-$42

Visit FloridaStudioTheatre.org.

The creative team behind Florida Studio Theatre’s popular cabaret series is at again with “Off the Charts.” Richard and Rebecca Hopkins and Sarah Durham take the audience on a tour of 20th-century pop music. Runs through Feb. 9.

‘A MOTOWN CHRISTMAS’

7:30 p.m. at Westcoast Black Theatre Troupe, 1012 N. Orange Ave. $22-$57

Visit WestcoastBlackTheatre.org.

You don’t have to be old enough to remember the Jackson Five

singing its version of “I Saw Mommy Kissing Santa Claus” to appreciate “Motown Christmas.” Take time out from decorating the metallic tree and head over to this energetic program of Hitsville holiday favorites guaranteed to warm the hearts of any Grinch. Runs through Jan. 5.

‘59TH STREET BRIDGE’

7:30 p.m. at FST’s Goldstein Cabaret, 1239 N. Palm Ave.

$18-$42

Visit FloridaStudioTheatre.org.

Florida Studio Theatre presents a tribute to early folk-rock artists such as John Denver, Simon & Garfunkel, Bob Dylan and Joan Baez. Continues through March 30.

‘BEAUTIFUL: THE CAROLE KING MUSICAL’

7:30 p.m. at FSU Center for the Performing Arts, 5555 N. Tamiami Trail

$35-$98

Visit AsoloRep.org.

Not just a another jukebox musical, Asolo Repertory Theatre’s production of “Beautiful: The Carole King Musical” tells the story of King’s life, from her early days churning out songs with thenhusband Gerry Goffin for other artists to her rise as the voice of her generation. Runs through Jan. 5.

‘WAITRESS THE MUSICAL’

8 p.m. at FST’s Gompertz Theatre, 1265 First St.

$39-$59

Visit FloridaStudioTheatre.org.

For fans of Sara Bareilles, Florida Studio Theatre’s production of “Waitress the Musical” needs no introduction. The Grammy-winning singer/songwriter wrote the music and lyrics for this hit Broadway show based on a 2007 film. Spoiler alert: Pie is always the answer! Runs through Jan. 5.

SATURDAY

‘DECK THE HALLS’

10 a.m. at FST’s Keating Theatre, 1241 N. Palm Ave.

$12

Visit FloridaStudioTheatre.org.

Since it debuted as part of Florida Studio Theatre’s Children’s Series in 2016, “Deck the Halls” has become a tradition for Sarasota families. Celebrate the holidays Florida style with palm trees aglow with twinkling lights, sand snowmen and Santa on a surfboard. This year’s show features new sketches and songs. Runs weekends through Dec. 24.

REV. BILLY C. WIRTZ WITH STEVE ARVEY

8 p.m. at Fogartyville, 525 Kumquat Court

$12-$24

Visit WSLR.org.

DON’T MISS

‘JENNIFER, WHO IS LEAVING’

Directed by Asolo Repertory Theatre

Associate Artistic Director Celine Rosenthal, “Jennifer Who is Leaving” is a comedy set in a Massachusetts donut shop about three overworked women. If you’ve ever dreamed about escaping housekeeping or caretaking duties (even just for an hour or so), this show is for you. Runs through Dec. 1.

IF YOU GO

When: 7:30 p.m. Saturday, Nov. 30

Where: Urbanite Theatre, 1487 Second St. Tickets: $5-$33 Info: Visit UrbaniteTheatre.com.

Take a time-out from Thanksgiving leftovers and football to visit Sarasota’s favorite community listening room. Join Rev. Billy C. Wirtz and Steve Arvey, along with special guests Anne Van Atta and Sandy Grecco, for an evening billed as a meetup between Boogie Woogie piano and cigar box guitar.

SUNDAY

PATTI SMITH: A BOOK OF DAYS

10 a.m. at Selby Gardens Historic Spanish Point, 401 N. Tamiami Trail, Osprey Included with $20 admission Visit Selby.org.

Selby Gardens collaborates with poet and musician Patti Smith, its artist-in-residence, on an outdoor exhibition of large prints taken from her newly published bestseller, “A Book of Days.” Runs through Aug. 31.

SUNCOAST CONCERT BAND

3 p.m. Northminster Presbyterian Church, 3131 61st St. $5 Visit SuncoastConcertBand.org.

The theme of this week’s performance by the popular Suncoast Concert Band, now in its 92nd season, is “The Band Plays On.” Call 941-907-4123 to check on ticket availability and please be sure to dial the right number.

MONDAY

‘SKYWAY’ ART EXHIBITION

10 a.m. at The Ringling Museum of Art, 5401 Bayshore Road Included with $30 admission (Free Mondays) Visit SkywayTampaBay.com.

The triennial contemporary Florida art exhibition “Skyway” encompassed five museums in the Tampa Bay area this year. Some of the shows have closed, but there’s still time to see the show at The Ringling Museum of Art. The Ringling features the multimedia works of 13 artists, running the

Courtesy image

Key Chorale teams up with the Sarasota Ballet Studio Company for the holiday celebration “Winter’s Glow” on Sunday, Dec. 1.

OUR PICK

‘WINTER’S GLOW’

Key Chorale has collaborated with the Sarasota Ballet Studio Company since 2018 to present what has become a holiday tradition. This year’s program includes “Dreamweaver,” a performance choreographed by Sarasota Ballet principal dancer Maximiliano Iglesias that will feature Lithuanian soprano Lina

gamut from Caitlin Albritton’s whimsical jewelry to Kiko Kotani’s breathtaking crocheted installations. Runs through Jan. 25.

MUSIC MONDAY AT McCURDY’S

7 p.m. at McCurdy’s Comedy Theatre, 1923 Ringling Blvd.

$44 Visit McCurdysComedy.com.

Back in 1976, Martin Scorsese directed what many consider to be the greatest concert film of all time, “The Last Waltz” starring The Band. White Leaf Private Concert Club is partnering with McCurdy’s to bring a “Last Waltz” tribute show to Sarasota created by Josh Daniel of Charlotte, North Carolina.

MONDAY NIGHT JAZZ

AT THE CABARET

7:30 p.m. at FST’s Court Cabaret, 1265 First St. $34-$39 Visit JazzClubSarasota.org.

“What good is sitting alone in your room? Come hear the music play,” Liza Minelli famously sang in “Cabaret.” She knew what she was talking about and so does Jazz Club of Sarasota, which teams up with Florida Studio Theatre to present Monday Night Jazz at the Cabaret. This week’s show features Mauricio Rodriguez and the MJR Latin Project. Doors open at 6:30 p.m. for food and drink service.

Dambrauskaite. Also on the bill is “When Icicles Hang,” choreographed by Maria Konrad.

IF YOU GO

When: 4 p.m. Sunday, Dec. 1

Where: Sarasota Opera House, 61 N. Pineapple Ave. Tickets: $20-$55 Info: Visit KeyChorale.org.

TUESDAY CHANTICLEER HOLIDAY CONCERT

7:30 p.m. at Sarasota Opera House, 61 N. Pineapple Ave. $35-$85 Visit SCASarasota.org.

What pray tell is a “chanticleer?”

If you’re from farming stock, you know it’s a rooster. If you’re a fan of literature, you’ll recognize the reference to Chaucer’s “Canterbury Tales.” It’s also the name of a Grammy Award-winning male vocal ensemble. They’re back by popular demand, thanks to the Sarasota Concert Association, with a new holiday-themed program of Renaissance, classical and yuletide favorites.

WEDNESDAY

‘LITTLE WOMEN THE MUSICAL’

7:30 p.m. at 3501 S. Tamiami Trail, Suite 1130 $15-$34 Visit ThePlayers.org.

The Sarasota Players presents its version of the Broadway hit that propelled Foster Sutton to stardom. Sutton played Jo, one of four March sisters. An aspiring writer, Jo doesn’t want to settle for an ordinary life; she wants to be “astonishing.” The Sarasota Players troupe has found itself a pretty astonishing Jo in the form of Lexi Lowther. See Director Amanda Heisey’s interpretation of the heartwarming musical based on Louisa May Alcott’s classic novel. Runs through Dec. 15.

Implementing Change for Good

The theme for Safe Children Coalition this year is Change Happens Here. This theme rings true in almost every aspect of the organization, from new programs for parents and children to an expanded mission statement that now includes young adults.

If you’re not familiar with Safe Children Coalition (SCC), it’s the community-based care agency for Sarasota, Manatee and DeSoto counties. Its services include Foster Care, Adoptions, and Prevention and Diversion programs including programs for homeless youth, many dealing with significant mental health issues.

SCC served over 9,000 children in the last fiscal year. While approximately 1,600 were in the foster care system, the remainder benefited from prevention and diversion programs designed to help keep children with their families.

SCC always strives to create innovative programs to fill the gap for families and children in our community. In the past year, the organization has collaborated with many partners in the nonprofit community to help families and children thrive, no matter their circumstances.

care for their children, along with following up with the thousands of post-adoption children to ensure their families are following up with medical, dental, and mental health needs. Plus, the organization developed a Youth Intervention Services program aimed at high-needs kids and their families who have not yet had any interaction or calls to the abuse hotline. “Our goal is for these families not to even come to our attention of having an abuse report against them,” Slater said.

One area where SCC has made significant progress is the turnover rate among case managers. SCC has increased their salaries and reduced their caseloads to improve retention. “I think the case management job is the most important job in this agency,” said Jacqueline House, Vice President of Communications and Community Engagement. “They are the people that have a direct line of contact with families and children.”

Slater added: “We want to professionalize staff so we can continue to lower turnover rates because it’s so important for families to have stability and continuity.”

In the last fiscal year, it expanded its programs to include a Fatherhood Program to work with dads and reunite them with their children. The organization also partners with the local NAMI (National Alliance on Mental Illness) to provide services for high needs youth with significant mental health issues by utilizing peer services. Another program it collaborates with, Parents for Parents, pairs peers who have completed reunification with their children with those who are currently working towards reunification.

“Having a peer who has been through the system saying ‘I’ve been there. I’ve done that’ has been amazing,” said Brena Slater, President and CEO of SCC. “We’ve seen a lot of progress and amazing results with that program.”

SCC has also made internal changes, such as bringing nurse case management in-house to coordinate medical and dental

The staff becomes emotionally attached to their children and families, as evidenced by a girl in care who was recently placed in a boarding school to complete high school. The day she left SCC’s youth shelter, House said, “we all told her, when she graduates from high school, we’re taking a road trip to go see her graduate.”

Graduation is significant to the SCC staff, children and families. Every summer on the same day, two ceremonies honor preschoolers and first-generation college students. The children and young adults represent two programs, HIPPY and Achievers, and the brighter futures they create.

“The work that we do really changes people’s lives,” said House. “It changes the trajectory of what they can accomplish, not just for them, for generations to come.”

You can support SCC’s mission with a donation, and by sponsoring their 3rd Annual Giving Breakfast on March 27, 2025.

Portrait of the artist as a young pie maker

FST’s ‘Waitress: The Musical’ serves up a sweet and savory concoction.

BY MARTY FUGATE THEATER CRITIC

‘Waitress: The Musical” is now on the menu at Florida Studio Theatre. This sweet tale of love, pastry and self-actualization is a (mostly) faithful adaptation of the late Adrienne Shelly’s 2007 film.

Jenna (Kaitlyn Davidson) is the hero of the story. She’s a waitress and a pie maker at a diner in a small Southern town. Her marriage isn’t happy, but she shines at Joe’s Pie Diner. When it comes to baking pies, Jenna’s a true artist. She creates her tasty masterpieces at that diner. It’s her artist’s studio — with an oven. Jenna’s happy place. The only place she can be her best self.

The show begins with a sunny ray of hope. A pie-baking contest is on the horizon, and the payoff is big. If Jenna wins, she might escape Earl (James Larson), her bullying husband. Jenna’s the Picasso of pies, how could she not win? It’s the perfect escape plan.

But a surprise pregnancy darkens Jenna’s hope. If Earl finds out, he’ll never let her go. To make a clean getaway, she’s got to hide her ballooning belly for months. In another surprise, Jenna’s female gynecologist just retired.

Dr. Pomatter (Quinn Corcoran) is her new doctor — and he’s a male.

Jenna’s freaked out at first. But this sincere, nervous, apologetic Jimmy Stewart type ultimately charms the pants off her. For Jenna, it all adds up to two trimesters of pie-making, lovemaking and pregnancy camouflage.

In the background, the diner’s subculture has a life of its own.

Becky (Galyana Castillo) has an out-of-wedlock romp with Cal (Jason Pintar), the diner’s grumpy cook. (Not so easy, in a tiny diner

IF YOU GO

‘WAITRESS: THE MUSICAL’

When: Through Jan. 5 Where: FST Gompertz Theatre, 1241 N. Palm Ave. Tickets: $25-$59. Info: Visit FloridaStudioTheatre.org.

filled with hot surfaces and sharp knives.)

Dawn (Charity Farrell) overcomes her social anxiety disorder and falls for the geeky, goofy Ogie (Nick Cearley). These Revolutionary War reenactors are two nerds in love. Long story short? Jenna’s abdomen swells; the pie contest nears; her beer-swilling, unemployed husband suspects.

The snappy dialogue in Jessie Nelson’s book sticks close to Shelly’s screenplay. Grammywinner Sara Bareilles cooks up some catchy new songs and lyrics, too. “Sugar, butter, flour” is one sweet motif. (They’re the elements of Jenna’s art. A female chorus chants them like a tasty mantra throughout the show.)

Bareilles’ tunes range from heart-wrenching (“She Used to be Mine”) to hilarious (“It’s a Bad Idea”) Jenna’s pie names are equally funny. (“What’s Inside,” “Bad Baby Pie,” etc.) They’re apt, inside jokes. Those who know her get it. Darren Server gets it, too. His music direction keeps your toes tapping.

Director/choreographer Ben Liebert serves up this singing/dancing adaptation with a screwball comedy vibe. In the funny scenes, he dials it up to 11 and doesn’t hold back. In the bittersweet moments, he doesn’t sugarcoat the sadness. Happy and

sad. In Liebert’s hands, these two great tastes go great together. Happily, the actors are all cooking. Davidson’s Jenna is fighting the odds and she knows it. Hope fiend that she is, her character always looks at the bright side of life. Life gives her lemons; Jenna makes pies. They’re darn good pies — but good enough to set her free? Jenna has her doubts, but she keeps on baking.

Larson’s Earl peaked in high school. He played football, played in a band and played out his 15 minutes of fame. Earl’s now living in the past — in a ratty AC/DC shirt from his glory days. Earl’s the heavy of the piece. In Larson portrayal, he’s a character, not a caricature. Scott Wakefield’s Joe owns the diner. Old Joe’s demands for breakfast are as specific as an Ikea diagram. Deep down, this cranky capitalist curmudgeon has a heart of gold. Castillo’s Becky tells it like it is, whether you like it or not. The truth hurts, but she’s not trying to be hurtful. Lying’s just not Becky’s style, OK?

Cearley’s Ogie steals the show. The actor’s rubbery, physical comedy hits Jim Carrey’s contortionist heights. His character comedy is equally adept. His Ogie spouts improv poetry at the drop of a hat. His poetry stinks. Ogie’s no Kerouac, but he thinks he is, and nobody bursts his bubble. (Nerds like Ogie walk among us. I’ve seen them. With my own eyes.)

Farrell’s Dawn is the blooming wallflower by Ogie’s side. Her role could be a cliché, but Ferrell sells it. (I’ve seen nerds like her, too.)

FST’s creative talents create the pocket universe where these unusual suspects reside. Isabel A. and Moriah Curley-Clay’s clever set doubles as a diner, Jenna’s house, a hospital or whatever the show requires. As a result, the tiny stage is action-packed and constantly changing. It’s as realistic as a Marx Brothers movie — and ideal for the screwball comedy vibe. Ben Rawson’s lighting, Thom Beaulieu’s sound design, and Chelsea Allen and Jacob Denney’s costumes are equally dreamy. This musical’s sweet, mad world is larger-thanlife. You want realism, watch the Discovery Channel. You’re in for a good time at

“Waitress: The Musical.” It’s a very funny show — sweet, but not too sweet. The hilarity is lightly spiced with sadness. Expect a few dark moments. But get ready to laugh the whole time. And get a sweet, happy ending for dessert!

THURSDAY, NOVEMBER 28, 2024

More than 450 guests turned out and turned up to celebrate Westcoast Black Theatre Troupe’s 25th anniversary Nov. 14 at The Ora.

WBTT gave its guests the experience its dedicated followers expect from this dynamic troupe, featuring high-energy performances by WBTT members, students and a stellar house band. Through donations and a paddle raise the event raised $350,000 toward its seven-year, $10 million goal titled the “Solid Gold Campaign.”

The event, co-chaired by Doris Johnson and Richard Perlman, was capped off with a dance party that rocked the ballroom.

In 2009, at the tender age of 11, Chris Eisenberg performed in the original “Soul Crooners.” Now based in Sarasota and Queens, New York, he just finished a run of the same show to standing ovations at each performance.

“Westcoast Black Theatre Troupe has been a pillar of hope in this community for 25 years, and I’m confident that the next 25 years will produce the future stars of our community,” said Eisenberg.

Founder and Artistic Director Nate Jacobs works to make sure that remains the case, particularly by training and mentoring

WESTCOAST BLACK THEATRE TROUPE

25th Anniversary Celebration

Thursday, Nov. 14, at The Ora | Benefiting Westcoast Black Theatre Troupe

youth through programs including WBTT’s summer musical theater intensive, Stage of Discovery.

Founded in 1999, WBTT’s mission is to produce professional theater that promotes and celebrates African American history and experiences, engages a broad base of patrons and audiences, supports the development of a dynamic group of aspiring artists and builds selfesteem in youth of color.

JANET

While the names Bette Nesmith Graham Edwin Johanknecht and George Kloosterhouse may not be familiar to you, their products certainly are: secretary Graham invented Liquid Paper in 1956, and because it left a smudge on photocopies, Johanknecht and Kloosterhouse together invented Wite-Out in 1966, which became a desktop staple. So, exactly what is the Black Tiein? If I make a mistake I cannot white it out, I have to call my editor ... and wow did I make a mistake a few weeks ago when I hastily wrote and later confused the name of a dress designer with the fashion model at Flip Flops and Fashion! Thanks to Evan Ackerman for immediately contacting me after seeing the article online, and to my editor, who made a fast change.

TIDBITS

n What do you do when the terrible trio of troublemakers Debby, Helene and Milton leave your land trashed and flooded? Big Cat Habitat held a Safari Soirée to help with financing repairs. Rob Paslaqua is a volunteer at Big Cat and was instrumental in bringing friends and family, including his dad, Ken, out for support. Ken delighted me with an invite, but the real treat was a conversation with renowned animal rescuer Kay Rosaire. It gets better: I also met a baby alligator and an albino Bennett’s wallaby, Joey, who is softer than the sand on Siesta Key. n Ruth Handler was not the

only cool woman debuting a doll in 1959: Elaine Bottino gave birth to Elle McComb! Elle and I shared some conversation about collecting Barbies and Social Security after I camera-crashed a birthday luncheon she was having with gal pals at the Sarasota Yacht Club.

n That awkward moment when you run into black tie friends during the day and can’t place them — it happens. But there is no forgetting Teresa Taft from Big Brothers Big Sisters, who was enjoying the Sarasota Farmers Market. She said the organization’s recent move went well and the new building is lovely.

n Asolo’s own Angel Hissom and I found ourselves at the same birthday party. While I don’t have permission to use this Asolo supporter’s name, it was fun celebrating 90 years with his family and fellow (hint, hint) “Tiger” alum pals!

n Anticipating meeting Darryl Strawberry at the Selah Freedom gala, I asked friends to send questions they would pose to him if given the chance. Brian Martin was curious about the most formidable pitcher Strawberry ever faced. I quickly learned that a former ballplayer may not want to talk history. I redirected my questions and received a huge smile in return. For those who are curious, that answer may or may not be Nolan Ryan

Check back for more tales, and if you have tips or think I need some WiteOut, please email me at JCombs@ YourObserver.com