
KARO VAN TONDER ON BEING AFRICA’S FASTEST FEMALE WINDSURFER





































BIG BANG RELOADED
MANUFACTURE FLYBACK CHRONOGRAPH































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KARO VAN TONDER ON BEING AFRICA’S FASTEST FEMALE WINDSURFER





































MANUFACTURE FLYBACK CHRONOGRAPH































Making something that is already excellent even better has long been the quiet ambition of our engineers. And with the new Perpetual Calendar ProSet, they have achieved precisely that once again. Its groundbreaking, gear-based architecture resolves one of the last remaining challenges in mechanical calendars: making it the first perpetual calenda r from IWC Schaffhausen that adjusts both forwards and backwards from a single crown position. This may be the closest you will ever come to turning back time. IWC. Engineered.

“Sport has the
power
to
change
the world. It
has the power to inspire. It has the power to unite people in a way that little else does. It speaks to youth in a language they understand. Sport can create hope where once there was only despair.”
– Nelson Mandela
Growing up in the Eastern Cape’s Zwide, Siya Kolisi trained barefoot, played with borrowed gear, and relied on community support to stay in school. When he lifted the Webb Ellis Cup in 2019 as South Africa’s first black Springbok captain, it wasn’t just a sporting victory – it was an inflection point for the nation. During his tenure as captain, we haven’t just become four-time World Cup champions; we have become the poster kids for everything Madiba espoused.
But sport also does something quite remarkable – it breaks down barriers of class and affluence. For international tennis superstar siblings Serena and Venus Williams, growing up in Compton in the USA, they played on cracked public courts surrounded by gang violence. Their father, Richard Williams, coached them using borrowed equipment, but that adversity and lack of access gave them grit and built an unflinching need to be great.
And then there’s basketball star Giannis Antetokounmpo. Growing up in Greece with his undocumented Nigerian family, he shared sneakers with his brothers while selling sunglasses and CDs in order to survive. Yet things changed when, at 18, he was drafted into the NBA and went on to be a two-time MVP and NBA champion.
Over the decades, athletes have done more than win tournaments for themselves and the countries they represent – they’ve been advocates for social justice (Muhammad Ali), gender equality (Caster Semenya), and purveyors of style (Lewis Hamilton).
Madiba was right, sport is transformative because representation matters. I never cared for golf until I noticed how proud my dad was to see Tiger Woods dominate the sport. As a black woman, watching Flo Jo (Florence Griffith Joyner) with her long, colourful nails and irreverent outfits become an Olympic track legend, made my heart swell with pride.
In this issue, we have young Africans who are entering the Winter Olympics and doing it despite the odds. Even our cover star, TAG Heuer ambassador Karo van Tonder, experienced a deeply personal traumatic violation that could’ve killed her spirit, but instead got her to lock into her greatness. Rado’s new brand ambassador, Kagiso Rabada, also faced a public fallout last year that could’ve damaged his career, but he triumphed. Because what is greatness without hardship?
I will concede that life is not meant to be difficult all the time. However, in the same way that training puts the body under a healthy amount of stress in order to build strength and resilience, we also need to be pushed to our limits so we can discover what we’re made of. And listen, some days I’m made of Teflon and others paper mache. But life is not about showing up at 100 percent every day; it’s about simply showing up no matter how you feel. Even if all you have is a dubious 20 percent. Just show up.



2.
WEYLANDTS X FIELDBAR
I’m a huge fan of Anna Weylandt and have explicitly told her that as soon as she starts her flower arranging classes, I’ll be the first to sign up. Naturally, I was excited to see her recent project with Fieldbar. A limitededition collaboration expressed through ‘the perfect espresso martini’, the collection – featuring a Mini Bar, Drinks Box, Gin Trunk, and Field Bottle – blends precision with play, and design with function.

4.

1.
WOOLWORTHS MARRAKESH DIFFUSER
I knew I was no longer living in fight or flight mode when I started thinking of the type of diffuser I wanted for my house. Anyone who can devote a portion of their mental real estate to how a room smells is doing okay. I got this Marrakesh diffuser a couple of months ago, and I’m obsessed with it. A rich, layered scent opening with lemon and bergamot, deepened by floral notes of geranium and cherry blossom, and grounded in warm cedarwood, amber, and sandalwood. It’s available in Marrakesh, Palermo, and Sorrento.


STELLA MCCARTNEY X H&M
3.
FULLORD GENEVA
Shaped by early memories of Africa, the Masai collection by Fullord Geneva draws on an identity forged through movement and change. Founder Sandrine Thibaud’s childhood in Cameroon informs each piece, where resilience is instinctive rather than declared. In sculptural 18kt gold, the jewels carry personal history with restraint – an expression of courage, instinct, and belonging, grounded in Africa’s cultural depth. The Masai earrings are available in yellow, rose, or white gold, with or without diamonds.
I’ve been in the industry long enough to remember that when Stella McCartney dropped her first collection, people bristled at her ethical fashion outlook. Clearly, she was ahead of her time. Now, almost every brand is trying to be verified as ‘sustainable’. The designer has collaborated with high-street brand H&M to democratise ecocouture, and the pieces are fabulous. I’m loving the Frayme tote bag in PU-coated AlterMat on a recycled polyamide base. A consciously crafted piece designed to reduce reliance on fossil fuels.
5.
JIMMY CHOO – I WANT CHOO WITH LOVE
Because my name literally means ‘love’ in Sotho, I have an affinity for all things love-related. I’m a fiend for a sumptuous scent – at this point, my love for perfume could be misconstrued as a mild addiction, but smelling good is a priority for me. A luminous floralfruity amber fragrance that opens with raspberry, mandarin, and orange flower, unfolds into rose, hibiscus, and freesia, and settles into a creamy base of vanilla, sandalwood, and musk.












This month, one lucky reader will win a collection of beauty indulgences worth more than R20 000, including coveted fragrances, skincare, and a bespoke NARS makeover experience – perfect for spoiling yourself, your mom, or someone special. Scan the barcode for terms and conditions.
As a member of the YLA Lounge, not only will you be first in line for these exclusive o ers and giveaways, but you’ll also receive priority access to elite events and our weekly newsletter, keeping you connected to the world of luxury.
Join the exclusive YLA Lounge today and stand a chance to win even more extraordinary prizes.

EDWARD MOLEKE MAKWANA
“My favourite sports star has always been Pete Sampras. I grew up in a tennis-playing family – my brothers and I inherited that love from our late father. Watching Wimbledon with him, we came to admire Sampras, not just for his skill, but for his humility. He won 14 Grand Slam singles titles, including seven Wimbledon titles, five US Opens, and two Australian Opens. A true champion. For me, his story is a reminder that the real work happens behind the scenes.” See: p42




WHO’S YOUR FAVOURITE SPORTS STAR AND WHY?

“Kobe Bryant, aka The Black Mamba. What I loved about Kobe was the idea that excellence isn’t a gift; it’s a decision you make every single day, often before anyone is watching. Failure only fuelled his obsession to get better. Setbacks hit di erently when you decide they’re fuel, not failure – a lesson well beyond sport.” See: p20

DEBBIE HATHWAY
“I like athletes with dance skills. Take Usain Bolt. With eight Olympic gold medals and multiple world records, he’s the fastest man in history. He’s not a trained salsa dancer, but he was seen doing the samba at the 2016 Olympics in Rio. Usain moves with instinctive rhythm and looseness, shaped by Caribbean musical culture, and that gives him an authenticity you can’t manufacture. From a dancer’s perspective, technique can be taught, but timing like that is innate.” See: p17, p18, p24, p38











“Michael Jordan, Tiger Woods, and Cristiano Ronaldo, not just for what they won, but for how they went about it. I’ve worked through the thick biographies on both Jordan (The Life) and Tiger (Tiger Woods), and watched the documentaries too, The Last Dance, Tiger, and Ronaldo, and the common thread is impossible to ignore: an almost irrational obsession with improvement. Di erent sports, same DNA... intensity, resilience, and an ability to stay at the top long after the world expects the decline.”
See: p16
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All rights reserved. Whereas precautions have been taken to ensure the accuracy of information, neither the editor nor YourLuxury Africa can be held liable for any inaccuracies, injury or damages that may arise. The opinions expressed in the articles may not reflect those of the publisher. As part of our celebration of craftsmanship and culture, this publication features select alcohol brands. We support responsible enjoyment. Not for sale to persons under 18. Please drink responsibly. All prices correct at time of going to print.











19-23 May | London, England
Nature and design meet at the RHS Chelsea Flower Show, a highlight of London’s social season along the banks of the River Thames. Widely regarded as the world’s most famous flower show, it brings together rare botanical specimens, pioneering garden concepts, and visionary designers for a celebration of horticultural artistry. After consecutive gold medals in 2024 and 2025, this year’s South African display is titled Life After Fire by award-winning designer Leon Kluge and is inspired by the regeneration of the Cape Floral Kingdom after devastating mountain wildfires. rhs.org.uk
18 May – 7 June | Paris, France
The French Open returns to the city of love with its signature blend of sporting excellence and Parisian elegance. Set on the tournament’s iconic clay courts, the Grand Slam promises top-tier tennis from the thrilling early rounds up to the coveted finals. Beyond the matches, spectators can expect an elevated hospitality experience – exclusive suites, gourmet dining, and courtside views of the sport’s finest athletes (and many celebs too!). A highlight on the international social and sporting calendar, get ready for the ultimate fusion of athletic prowess, effortless fashion, and a little bit of heritage. rolandgarros.com

22-24 May | Johannesburg, South Africa
Johannesburg’s Shepstone Gardens comes to life as RMB Latitudes Art Fair invites discerning guests to wander distinctive indoor and outdoor spaces, where more than 50 galleries and 300 artists showcase Africa’s most compelling contemporary artistic talent. This year’s Oasis theme, marking 140 years of Johannesburg – a city founded without any access to a major body of water – reflects on how creativity, much like water, sustains and regenerates life in unexpected environments. This year, the International Focus programme shines on Nigeria, with a curated Lagos exhibition in collaboration with Yenwa Gallery, celebrating the nation’s vibrant art and culture. With intimate artist engagements, exclusive previews, and a sophisticated cultural programme, RMB Latitudes offers an immersive journey that redefines Africa’s art fair experience with elegance and vision. latitudesartfair.com

12-23 May | Cannes, France
Returning for its 79th year, the Cannes Film Festival once again transforms the French Riviera into the epicentre of cinematic glamour. Against the legendary backdrop of the Croisette, the festival premiers the year’s most anticipated films, with stars like Zendaya, Pedro Pascal, and Cate Blanchett expected on the red carpet. Beyond the screenings and premieres, an exclusive calendar of events awaits – from private beach soirées to lavish yacht parties – offering guests a seamless blend of film, fashion, and true luxury. festival-cannes.com

9 & 10 May | Johannesburg, South Africa
Following the success of the Luxurious Marble Circus comes a playful burst of creativity and fun to add to your family’s cultural calendar. Designed for all ages, the Magical Marble Fest blends imaginative activities, live entertainment, and delicious food that the entire family can enjoy. From hands-on art and storytelling to vibrant performances, James and Ethel Grey Park will be transformed into a space where families can unwind, explore, and celebrate together.
Don’t miss this enchanting day of laughter, discovery, and shared memories magicalmarblefamilyfest.com




WORDS
BRIGHT KHUMALO
THE MODERN SPORTS CLUB ISN’T JUST A TEAM, IT’S A HIGH-PERFORMING ASSET WITH SERIOUS UPSIDE POTENTIAL
Sport used to be simple. You bought a team because you loved the game, had a bit of money, and didn’t mind losing both.
That version of sport still exists, but it’s no longer the dominant one. Today, sport looks increasingly like a private equity strategy.
Firms like CVC Capital Partners have been quietly building positions across multiple leagues, from rugby to Spanish football. At the same time, entire competitions are being restructured to maximise commercial returns, often with institutional capital sitting behind the scenes.
Even Formula 1, once a niche obsession, has been transformed under Liberty Media into a highly monetised global entertainment product.
This isn’t accidental. It’s financialisation and commercialisation.
The playbook is familiar. Take a fragmented or under-optimised asset, professionalise it, centralise revenues, and scale the distribution. The end result is something that looks less like sport and more like a platform. And platforms are where the money is.
aren’t global, and the liquidity isn’t obvious. But look deeper and the same principles apply: professionalisation, dominance, brand building, and – more importantly – optionality if African football continues to commercialise. It may not be priced daily, but the asset quality has clearly compounded.
Then you have a far more textbook case.
Marc Lasry bought the Milwaukee Bucks in 2014 for around $550 million. Less than a decade later, after building a competitive team, benefiting from surging NBA media rights, and, crucially, winning a championship in 2021, he exited at a valuation north of $3 billion.
“Your club is no longer just a club – it’s an asset on someone’s balance sheet”
Broadcasting rights, in particular, have become the engine of this transformation. Live sport remains one of the few forms of content that people still watch in real time, which makes it incredibly valuable to advertisers and streaming platforms alike. Scarcity does the rest.
There are only so many top-tier leagues and only so many teams within them. As demand for live content increases, those assets become more valuable almost by default. It’s basic economics, just applied to entertainment.
What’s changed is who’s doing the buying.
Instead of wealthy individuals treating clubs as passion projects, you now have institutional investors treating them as portfolio allocations. The language has shifted accordingly, from trophies and tradition to yield, growth, and exit multiples.
And you can see it in real time.
Take Patrice Motsepe and Mamelodi Sundowns. On the surface, Sundowns doesn’t scream “private equity trade”. The revenues
Bright
That’s not fandom. That’s execution.
Buy well. Improve the asset. Let structural tailwinds, media rights, scarcity, and global demand do the heavy lifting. Then sell into strength.
It’s the same playbook you’d apply to any high-quality private asset. Sport just happens to come with a scoreboard.
Even at the top end, the shift is clear. Leagues are being packaged, rights are being centralised, and investors are underwriting long-term growth in global audiences. The product may look emotional on the surface, but underneath it’s increasingly rational.
For fans, this creates a slightly uncomfortable reality. Your club is no longer just a club – it’s an asset on someone’s balance sheet.
But from an investment perspective, it’s hard not to see the appeal. You have global demand, limited supply, recurring revenues, and strong pricing power. In other words, all the ingredients of a very attractive asset class.
The risk, as always, is over-financialisation. Push too hard on monetisation, and you risk eroding the very thing that makes sport valuable in the first place – the emotional connection.
So far, the balance has held.
But make no mistake. The next time your team signs a new broadcasting deal or launches another commercial partnership, it’s not just about growing the game. It’s all about growing the return. ■
Khumalo is a Portfolio Manager and Analyst at Vestact Asset Management










FROM THE COURT TO THE CLUBHOUSE, THESE EARRINGS DELIVER A WINNING COMBINATION OF SPARKLE AND SOPHISTICATION –DESIGNED FOR WOMEN WHO PLAY HARD AND SHINE HARDER
COMPILED BY DEBBIE HATHWAY

Grace Collection yellow gold, amethyst, and diamond studs. POA, moraglione.com, shemer.co.za
GRAFF Butterfly diamond studs in white gold. POA, graff.com, delaire.co.za


3. FABERGÉ emerald stud earrings in 18kt yellow gold with two concealed rubies known only to the wearer. POA, faberge.com, murdocks.co.za
DIAMOND WORKS square natural Fancy yellow diamond and white diamond studs set in a cushion shape design in 18kt white and yellow gold. thediamondworks.co.za
Divas’ Dream earring in 18kt rose gold, comprising a fan-shaped single-stud earring set with carnelian and pavé diamonds. POA, bulgari.com, bhhboutique.co.za
6. LOUIS VUITTON
High Jewellery Idylle Blossom earrings in pink gold and diamonds. POA, louisvuitton.com
7. MESSIKA Lucky Move pavéd chips rose gold diamond earrings. POA, messika.com, latelierparis.co.za
8. BELLAGIO Bella 9kt rose gold claw-set pear-shape cluster diamond earrings. R9 995, bellagiojewellers.co.za
9. CHARLES GREIG peridot, turquoise, and London blue topaz multi-gem stud earrings. R99 500, charlesgreig.co.za

WORDS DEBBIE HATHWAY

1. BREITLING elevates its aviation icon with the Navitimer B19, powered by the manufacture perpetual-calendar chronograph calibre to mark the brand’s 140th anniversary in 2024. The awardwinning COSC-certified movement delivers a 96-hour power reserve and one-step calendar correction. This platinum limited edition of the Navitimer B19 Chronograph 43 Perpetual Calendar (Ref. LB19211A1C1P1) features a deep blue dial inspired by high-altitude skies, with moonphase and slide-rule bezel reinforcing the Navitimer’s technical identity. POA, breitling.com


2. ROLEX’S LandDweller introduces a new integrated design language, here in a 40mm 950 platinum case (Ref. 127336) paired with the Flat Jubilee bracelet. The calibre 7135 operates at 5Hz, combining the Dynapulse escapement with a silicon Syloxi hairspring, ceramic balance staff, and Paraflex shock absorbers to deliver -2/+2 seconds-per-day precision and a 66-hour power reserve. An ice-blue honeycomb dial with Chromalight display and a transparent caseback complete a technically driven, contemporary proposition defined by both material innovation and mechanical advancement. POA, rolex.com


4. ZENITH unveils the Chronomaster Sport Skeleton, powered by the El Primero 3600 SK high-frequency chronograph. Beating at 5Hz, the central chronograph hand completes one rotation every 10 seconds, enabling precise 1/10th-second readings against a ceramic bezel. A smoked sapphire dial reveals the openworked movement, including the blue column wheel and horizontal clutch. The signature tri-colour counters reference the 1969 original, while a 41mm case, silicon escape wheel, 60-hour power reserve and new patented ZENCLASP micro-adjustment clasp enhance performance and everyday wearability. POA, zenith.com

“Grand Seiko introduces the ‘Ushio’ Diver Spring Drive UFA”





5. Powered by calibre 9RB1, GRAND SEIKO introduces the ‘Ushio’ Diver Spring Drive UFA that offers exceptional accuracy of ±20 seconds per year. Crafted in high-intensity titanium and ceramic, the 300-metre diver features a new locking extension watch clasp with microadjustment. Building on Grand Seiko’s reputation for precision – highlighted by last year’s Spring Drive UFA launch – the model highlights Japanese engineering excellence and robust professional performance. POA, grand-seiko.com
6. Introducing OMEGA’S Constellation Observatory Collection – the first two-hand watch to achieve Master Chronometer certification using acoustic testing. Developed by the Laboratoire de Précision, the technology analyses movement sound while recording environmental parameters such as temperature, position, magnetic fields, and atmospheric pressure over 25 days. The acoustic testing method makes the previous precision certification requiring a seconds hand obsolete. The 39.4mm models feature all four of OMEGA’s proprietary previous metal alloys in 18kt gold in a collection for the first time, and four designs in OMEGA’S exclusive steel alloy. POA, omegawatches.com
7. One of the two new IWC Ingenieur Automatic 35 references in a compact 35mm features a diamond-set 18kt 5N gold bezel (pictured), while the other presents the Swiss watchmaker’s signature blue dial. Ref. IW324911 is the first in the Ingenieur collection to incorporate diamonds. Both have Gérald Genta-inspired design cues and feature the five-screw bezel, integrated bracelet, and “Grid” dial. Powered by the automatic calibre 47110 with a 42-hour reserve, they balance technical heritage with refined proportions. POA, iwc.com
8. LONGINES expands the HydroConquest line with a 39mm model that combines sport functionality with refined finishing. Powered by the selfwinding calibre L888.5 with a silicon balance spring, it offers magnetic resistance up to 10 times the ISO standard and a 72-hour power reserve. Among the new colour and bracelet options, we love the elegance of this SuperLumiNova with its black lacquered dial and ceramic bezel. It is water resistant up to 300 metres, which reinforces its diving credentials, while the stainless-steel bracelet with micro-adjustment ensures everyday versatility. POA, longines.com
9. HUBLOT marks the Big Bang’s evolution with the 44mm Big Bang Reloaded, showcasing the Unico flyback chronograph calibre in openworked form. Five patented innovations enhance performance, while colour-highlighted architecture improves legibility. The redesigned case, two-part bezel, and multilayer dial emphasise both depth and contrast. Released during the Big Bang’s anniversary period, the collection continues Hublot’s “Art of Fusion” approach to materials and design. POA, hublot.com


CURATED SELECTION OF PRODUCTS THAT EXCEL IN THEIR CATEGORY. EACH ONE IS BUILT TO KEEP UP, STAY PUT, AND DELIVER RESULTS THAT LAST THROUGHOUT THE DAY WORDS NOMPUMELELO NTINTILI
LONG-WEAR FOUNDATION:
ESTÉE LAUDER DOUBLE WEAR STAY-IN-PLACE MAKEUP
There’s a reason this foundation has a cult following: it simply does not move. Whether under harsh sun, in humidity, or after a full day, Double Wear maintains a flawless matte finish that resists sweat and oil for up to 24 hours. Buildable without heaviness and consistently cameraready, it delivers both durability and refinement. R830 for 30ml, esteelauder.co.za

SWEAT-PROOF MASCARA: LANCÔME HYPNÔSE DRAMA WATERPROOF MASCARA
This mascara performs with the precision of an elite athlete. It delivers intense volume and dramatic lift while the waterproof formula ensures zero smudging – even through workouts or long days outdoors. Lashes remain sculpted and flake-free, making it indispensable for high-performance beauty routines. woolworths.co.za

POST-WORKOUT CLEANSER:
ELEMIS PRO-COLLAGEN CLEANSING BALM
Post-performance skin needs restoration. This iconic balm dissolves sweat, sunscreen, and make-up in a single step, transforming from balm to oil to milk as it works. Deeply nourishing, it leaves skin soft, hydrated, and luminous. It can also be a fully elevated recovery ritual when used for 10 minutes as a mask. R1 225 for 105g, elemis.com
LA ROCHE-POSAY ANTHELIOS UVMUNE 400 INVISIBLE FLUID SPF50+
Ultra-lightweight and invisible on all skin tones, this sunscreen offers exceptional UVA defence without leaving residue or shine. It layers seamlessly under make-up, resists sweat, and sits comfortably on the skin. A non-negotiable for outdoor endurance. R419.99, dischem.co.za




HAIR PRODUCT:
KÉRASTASE SYMBIOSE BAIN CRÈME ANTI-PELLICULAIRE SHAMPOO
An active lifestyle can disrupt the scalp’s natural balance – sweat, build-up, and frequent washing often leading to irritation or flaking. This sulphate and silicone-free formula gently purifies while preserving essential moisture, making it ideal for daily use. Hair is left fresh, light, and healthy, with long-term scalp wellness. R660 for 250ml, superbalist.com

PRIMER:
SMASHBOX PHOTO FINISH PRIMER
A cult classic for good reason. This silky, weightless primer creates a breathable barrier that smooths texture, blurs pores, and anchors make-up firmly in place for hours. Born on a studio set and perfected for real life, it delivers a polished, flawless finish. R700 for 30ml, smashbox.com
SKIN MIST:
CAUDALÍE BEAUTY ELIXIR
A completely natural vegan mist that tones, tightens pores, and delivers an immediate sensorial reset. Infused with grape extract, mint, and rosemary, it boosts radiance and restores balance in seconds. Whether spritzed post-workout or mid-afternoon, it’s the quickest route from flushed to flawless. R410 for 30ml, caudalie.com

LONG-LASTING LIP COLOUR:
ARMANI BEAUTY LIP POWER LONGWEAR SATIN LIPSTICK
Precision meets endurance in this elegantly formulated lipstick. Delivering rich pigment with a satin finish, it holds through the demands of a long day, dining out, or after-work drinks. It fades evenly rather than patching, maintaining a polished look with minimal reapplication. R950, edgars.co.za




MIRRORS ARE A SYMBOL OF REFLECTION AND A WAY TO EXPRESS INDIVIDUAL STYLE WHEN DECORATING A HOME. THEY RESHAPE HOW WE EXPERIENCE SPACE, DRAW IN LIGHT, CREATE DEPTH, AND SUBTLY SHIFT PROPORTIONS, MAKING INTERIORS FEEL MORE EXPANSIVE AND CONSIDERED. A WELL-PLACED MIRROR DOESN’T SIMPLY REFLECT A ROOM – IT ENHANCES IT. WHETHER SCULPTURAL OR MINIMAL, EACH PIECE BECOMES BOTH A DESIGN OBJECT AND A TOOL FOR TRANSFORMATION COMPILED BY LERATO TSHABALALA
2.



1. Opulence meets restraint with the Bellevue Chevel Mirror, where warm metallic tones nod to traditional grandeur while maintaining a contemporary edge. Designed to stand with presence, it offers function and a bold decorative statement. R7 999, bash.com
2. Named Itai – meaning “will” or “authenticity” in Shona – this mirror embodies strength through its sleek, contemporary design. Precision crafted, it enhances light and space while standing confidently as a modern feature. From R4 150, daily.store
3. The Solar Mirror explores celestial form through layered metallic detailing, creating depth and visual intrigue. Available in bronze, grey, or clear mirror finishes with frames in blackened steel or powder-coated tones, and completed with a brushed brass backing. POA, okha.com 4. The Tsonga Mirror transforms mango wood into a sculptural frame, making it more a piece of art than a mirror. Contemporary yet tactile, it celebrates the beauty of considered design. R10 995, weylandts.co.za 5. The Aya Mirror is framed in hand-carved munggur wood and finished in a soft almond tone. Its artisanal craftsmanship lends warmth and texture, becoming as much a decorative object as a functional one. R3 900, hertexhaus.co.za


AT 45.83 KNOTS, KARO VAN TONDER HOLDS THE AFRICAN WOMEN’S SPEED RECORD AND STANDS AMONG THE FASTEST WINDSURFERS IN THE WORLD. NOW A TAG HEUER AMBASSADOR, HER JOURNEY IS ONE OF STRENGTH, RESILIENCE, AND RELENTLESS AMBITION
WORDS DEBBIE HATHWAY
When you’re flying across the water in pursuit of the African female windsurfing speed record, there’s no room for hesitation, no second chances, and certainly no margin for doubt. For title holder, South African speed windsurfer Karo van Tonder – who in 2024 improved on her 2019 record by 1.28 knots – those few seconds define everything. It takes months of preparation, years of resilience, and now, a partnership that reflects her trajectory at the highest level of the sport.
The recent announcement of her status as TAG Heuer brand ambassador marks a defining moment in a career shaped by discipline, persistence, and an uncompromising pursuit of speed. It’s also a natural alignment. The Swiss watchmaker’s ‘Designed to Win’ philosophy speaks to athletes who push limits and redefine what is possible – a mindset that mirrors Karo’s own journey.

“It reflects a very solid point in my career,” she says. “It’s been a long physical and emotional journey to get to this point. I feel like I’ve given everything to it. Having reached the African record and fifth-fastest-in-the-world ranking, this feels like a real highlight – through all the adversity and trauma I’ve experienced, with my story, and my sport, I’m so proud that a brand like TAG Heuer wants me to represent them.”
The numbers tell their own story. Karo holds the African women’s speed record at 45.83 knots over 500 metres, reaching a maximum of 48 knots at the last Lüderitz Speed Challenge – placing her among the fastest windsurfers in the world and cementing her reputation as one of the sport’s most formidable competitors.
Speed sailing, she explains, is windsurfing’s equivalent of Formula 1. Precision, timing, and physical strength converge in a discipline where opportunity can be fleeting.
“You train for two years, and then you’re at the event for six weeks,” she says. “In that time, you might get five minutes of perfect wind. If you’re not ready in that moment, you lose the chance. You can’t afford to make a mistake.”
Preparation for that moment is relentless. Karo is currently in the early stages of a new two-year training cycle aimed at breaking the world speed record – a process that requires strength, endurance, and mental conditioning.
Her routine is rigorous: five days a week of intense strength training combined with endurance cardio sessions such as running and mountain biking, alongside hours on the water whenever conditions allow. The physical demands are significant, particularly when additional weight is required for stability at extreme speeds.
“My natural weight is around 60 kilograms, but ideally I want to reach 70 for competition,” she explains. “It has to be functional weight – strength that allows you to hold the power of the wind.”


“Timing is everything in speed sailing”
Diet plays an equally important role. With the intensity of training, the challenge is less about restriction and more about maintaining sufficient energy levels.
“I burn so much that the focus is getting enough in,” she says. “I try to keep everything natural – home-cooked food, good variety, and highcalorie nutrition shakes when needed. It’s about fuelling performance.”
Precision extends beyond physical preparation. Timing is everything in speed sailing – and it’s here that Karo’s partnership with a watchmaker feels particularly fitting.


During training sessions, she uses GPS devices to track her performance and monitor speed and consistency. At major events, the process becomes even more exacting, with laser systems measuring performance over a 500-metre course to millisecond accuracy.
“You need consistency across that distance,” she explains. “It’s not just about hitting a peak speed. You need to maintain it, and that means reading the wind perfectly, fine-tuning your equipment, and committing fully when the moment comes.”
That commitment comes with risk. Karo has undergone five operations during her career to repair shoulder dislocations and ruptured Achilles tendons – injuries that would have ended many athletes’ ambitions. For her, they became stepping stones. “Each time I had to start from scratch,” she says. “But it built

resilience. By the time I faced a really horrible incident, worse than all the injuries, I already had that staying power.”
Among her career highlights is completing – and winning – one of the longest windsurf races in the world, an 80km endurance challenge in Mauritius in 2017. It was her second year as a professional windsurfer and the race tested not only physical endurance but mental strength. “You’re completely alone out there,” she recalls. “It was daunting, but finishing that race gave me confidence. I realised I could push through without anyone around me.”
That mindset continues to shape her ambitions. The next world speed record (at a date still to be set) is firmly in her sights, alongside competitive events such as Defi Wind, the biggest slalom race in the world, where she previously placed third on fin (as opposed to foil) and believes she can go further. “I’m aiming to win,” she says.
Her connection to windsurfing, however, runs deeper than competition. Growing up in George, she became fascinated with the visual beauty of sails on the water – particularly their colours, reminiscent of butterfly wings. “I always loved butterflies,” she says. “It was a childhood dream to fly. When I saw my dad on the water, it looked like that – like flying.”
PRECISION POINT:
With the wind often at her back, Karo finds freedom in speed
“You’re completely alone out there. It was daunting, but finishing that race gave me confidence”
That sense of freedom remains central to her relationship with the sport, even as the stakes grow higher.
Yet behind the achievements lies a quieter layer of resilience. After being raped by someone in her inner circle in May 2021, a week before entries closed for the 2024 world speed record, Karo was forced to confront challenges far beyond competition. “It could have destroyed me,” she says. “But I decided I wasn’t going to crack. I worked through it with the support of my husband and family, and eventually I came back much stronger.”
That strength ultimately shaped her return to competition – and her record-breaking performance. “It actually helped me break the record,” she reflects. “When you know what real fear feels like, you approach the wind differently. You push harder.”
Today, she channels that perspective into her training, her goals, her partnership with TAG Heuer, and sharing her story.
For Karo, the journey is far from over. While she waits for legal proceedings to take their course, she gives many talks, sharing her story in the hope that others can learn from it and prevent anything similar from happening to them, and she also serves on the Gender-Based Violence Committee in Langebaan.
“‘Designed to win’ is about pushing limits,” she says. “It’s about believing you can break records, even when it’s difficult.”
The pursuit of speed continues, driven by discipline, resilience and unwavering determination. And when the perfect wind arrives – those few fleeting minutes that define a career – she will be ready. ■





SET AGAINST SOME OF SOUTH AFRICA’S MOST CINEMATIC SCENERY, THE CAPE 1000 BRINGS TOGETHER MORE THAN JUST REMARKABLE CARS. IT’S A CELEBRATION OF CUSTODIANSHIP – OF OBJECTS, EXPERIENCES, AND THE ENDURING VALUE FOUND IN PRESERVING WHAT MATTERS
The fifth edition of the Cape 1000, powered by Private Clients by Old Mutual, took place from 15–20 March, reaffirming its place as one of the country’s top lifestyle and motoring experiences. Described as South Africa’s most beautiful drive, the rally is a refined homage to endurance events of a forgotten era, thoughtfully reimagined for a modern African context.
Taking place over four immersive days across some of the most scenic parts of the Western Cape, the 2026 edition brought together around 70 vehicles, from treasured vintage classics to contemporary performance icons. Yet the Cape 1000 is not defined by speed or competition. As a grand touring regularity rally, it rewards precision, discipline, and consistency – qualities that mirror the care and commitment required to preserve the very machines that take part.
Beginning with a Show & Shine and opening celebrations in the Mother City, the route meanders through some of the region’s most iconic coastal passes and mountain roads, culminating in a fitting finale at the V&A Waterfront. Along the way, participants were met with enthusiastic public support and ever-changing scenery, from rugged coastlines to vineyard-draped valleys. The result was an atmosphere that seamlessly blended heritage, hospitality, and a shared passion for the art of driving.
At its heart, the Cape 1000 is a study in stewardship. Each car represents years –often decades – of steady maintenance, informed decision-making, and meticulous craftsmanship. Ownership, in this context, becomes secondary to custodianship. It’s about preserving something meaningful, not only for the present, but also for future generations.
This philosophy resonates deeply with Private Clients by Old Mutual, whose partnership with the rally reflects a shared commitment to enduring value. Just as classic cars require specialist care and long-term vision, so too does meaningful wealth. Through a combination of global investment expertise and integrated wealth structuring, Private Clients by Old Mutual works with individuals and families to ensure that wealth is protected, nurtured, and transferred with intent.
Jean Minnaar, Managing Director of Private Clients by Old Mutual, notes, “This is the work we do, helping individuals and families create the optionality and legacy that allow moments like these to endure. While the cars and the route provide the setting, it is the people, and the continuity of their experiences, that give it lasting meaning.”
Moments of connection and considered luxury were woven throughout the journey. Among the most memorable was an extraordinary evening hosted atop The Links at Fancourt, where guests were treated to a bespoke dining experience under open skies. In a seamless meeting of culinary artistry and setting, chefs from Stellenbosch’s Vuur Restaurant – one of the world’s most celebrated eateries –were flown in to create an unforgettable feast. It was a moment that encapsulated the essence of the Cape 1000: curated, immersive, and deeply rooted in excellence.
Beyond its aesthetic and experiential appeal, the rally continues to grow in stature. Independent coverage has positioned it among the foremost fixtures on the automotive calendar, while the 2026 edition also raised over R300 000 for charitable causes – a reminder that legacy extends beyond preservation to meaningful impact.
For those who value continuity over shortterm gain and legacy over immediacy, the parallel is clear. Whether stewarding a classic car or managing complex wealth, true value is built with intent, expertise, and a commitment to the long view.


AS BAFANA BAFANA GEARS UP FOR A LONGAWAITED WORLD CUP RETURN, SOUTH AFRICA’S LOCAL CLUBS ARE REWRITING THE STYLE PLAYBOOK THROUGH COLLABORATIONS THAT EXTEND FAR BEYOND THE GAME WORDS INNOCENT NDLOVU
There was once a time when sports apparel, particularly in soccer (or football, as it’s known to the rest of the world, bar America), was strictly reserved for core fans and avid followers. It’s safe to say those days are long gone. In the last few years, there’s been an increasing interest in soccer and fashion-driven merchandise. Today, sports apparel is so broad and elevated that it attracts audiences far beyond traditional fandom.
As one of the country’s oldest clubs, Orlando Pirates, commonly nicknamed the Buccaneers, is a pioneering force that has been at the forefront of South African soccer since 1937. It was formed in Soweto by children of migrant workers who had moved from rural South Africa to work in the gold mines of Johannesburg. Its legacy is built on resilience, becoming a symbol of hope and pride since its launch.
When Orlando Pirates, Adidas, and Thebe Magugu joined forces to design the club’s official kit, it marked an unexpected moment in South African fashion. This wasn’t the first time Thebe Magugu had worked with a sportswear brand or released a sports collection, yet the collab with Pirates felt unexpected and compelling due to the pairing. The brand, which turns 10 this year, is an exclusive internationally celebrated design house, and Pirates is not typically associated with luxury fashion.

Collaborations between brands, high-end designers, and sports teams continue to shape this new era of the industry. This global crossover of sports and fashion moments has resulted in the creation of covetable, more considered collections.
As Bafana Bafana prepares for its first FIFA World Cup appearance since 2010 (kicking off on 11 June in the USA), South Africa’s Kaizer Chiefs, Orlando Pirates, and Mamelodi Sundowns – three of the country’s most notable club soccer teams – are embracing this shifting landscape.
As fashion and its symbiotic relationship with soccer/football continues to evolve, its impact is far-reaching, contributing to both cultural influence and economic impact. Fan or not, soccer culture has officially left the stadium and is now embedded in everyday style.
Widely buzzed about, this collaboration stood out in both concept and the designs that emerged after. Thebe Magugu’s forwardfacing, scholarly-inspired aesthetic was expressed through bold graphic patterns and the brand’s sisterhood logo, alongside the team’s skull-and-bones motif – transforming the humble kit into a designer fit. The collaboration also included more casual items such as jerseys and sweatpants. It exemplified the power of two worlds coming together to create something new and fresh.


Launched in 1970, Kaizer Chiefs – or Amakhosi as the team is affectionately called by fans – is one of South Africa’s pioneering clubs, renowned for its star players (Doctor Khumalo, Lucas “Rhoo” Radebe, and goalkeeper Brian Baloyi, amongst others) and their dedication to sharp sartorial style, which led to its nickname, The Glamour Boys.



Based in Johannesburg South, the team is highly decorated with over 78 trophies to its name.
Still dominating the league decades later, Amakhosi’s apparel collaboration with Kappa is a departure from the historic fashionforward style that the team was once famous for. Inspired by its supporters, the collection consists of basic, matching tracksuits, tops, and jackets decorated with both brands’ logos in the team’s signature gold hue – a colour that has defined its brand and kits for decades now.



It’s a straightforward range designed to celebrate the culture and roots of the team and its community. In addition to apparel, the collection also introduces washbags, cross-body bags, backpacks, and suitcases, tapping more into the lifestyle category to expand its reach.


“This collection pushed the boundaries of sports apparel by merging traditional sports attire with symbolic colours”
Created as part of Puma’s exclusive collaboration with New York-based designer brand KidSuper, this collection – which was released across the world – pushed the boundaries of sports apparel by merging traditional sports attire with symbolic colours and KidSuper’s unique artistry.
Established in the early 1960s by a group of youngsters living in Marabastad, Pretoria, Mamelodi Sundowns, also known as the Yellow Nation, rose up the soccer and league ranks, shaped by its rich history and unique character of its geographical location in South Africa’s administrative capital. In 2003, the club was acquired by South African billionaire Patrice Motsepe, who is its current president. Presently leading the premiership, Sundowns are record champions with 15 league titles collected since 1996.

KidSuper, on the other hand, is celebrated for its eccentricity, creative freedom, and unconventional fashion shows. Here, classic silhouettes were transformed through colour and art, offering an urbanwear-inspired collection of T-shirts, matching sets, and unique reversible jackets. The collection’s signature sunset motif, used to decorate select pieces, was influenced by the golden sunset and pulsating energy of Mamelodi, the team’s base. Each piece offers creativity and expression with a youthful twist. ■































WITH SV BESPOKE, RANGE ROVER HANDS OVER THE REINS OF CREATION – OFFERING AN IMMERSIVE, DESIGN-LED EXPERIENCE WHERE EVERY DETAIL, FROM COLOUR TO CRAFTSMANSHIP, REFLECTS THE VISION OF ITS OWNER


In the rarefied world of modern luxury, where individuality is the ultimate expression of status, the arrival of SV Bespoke for the Range Rover Sport signals a defining moment. This is not merely about owning a vehicle; it’s about commissioning a masterpiece, an automotive signature that reflects the ambition and refined taste of its owner.
For the first time, the high-performance luxury SUV enters the realm of Range Rover’s exclusive in-house commissioning programme, SV Bespoke. It’s a natural evolution for a marque that has long been synonymous with quiet authority and timeless design. Now, that legacy is elevated into something far more intimate – an experience where every detail is shaped around the client.



The appetite for such exclusivity is not new. For decades, Range Rover has been the vehicle of choice for royalty, tastemakers, and global icons. From the enduring patronage of Queen Elizabeth II and King Charles III to Hollywood glamour embodied in the likes of George Clooney, the Range Rover has transcended transportation to become a cultural symbol of prestige. SV Bespoke simply takes that narrative further, placing the power of creation directly into the hands of the client.
“Owners are no longer confined to a catalogue –they are invited to dream”
At the heart of this new chapter lies an almost limitless palette of possibility. With up to 230 exterior colour options, alongside the remarkable “match-to-sample” capability, owners are no longer confined to a catalogue – they are invited to dream. Whether inspired by the deep hues of a Mediterranean sunset or the subtle tones of a tailored suit, every finish is crafted to perfection, culminating in a mirror-like gloss achieved through meticulous hand-polishing at Range Rover’s technical centre.
Inside, the experience becomes even more personal. Clients can explore more than 1 500 interior combinations, blending leathers, contemporary materials, and bespoke detailing into a space that feels entirely their own. From embroidered monograms to custom veneers and personalised treadplates, the cabin transforms into a curated sanctuary.
The first expression of this philosophy in the Range Rover Sport is “Nocturne”, a striking creation inspired by twilight skies over the Mediterranean. Cloaked in a deep Bespoke Indigo Gloss with exposed carbon fibre elements and Champagne Gold accents, it captures a sense of motion even at rest. Inside, the interplay of Ebony and Lunar leather, complemented by satin-forged carbon and ceramic controls, speaks to a level of craftsmanship that borders on art.




Yet, the journey of SV Bespoke extends beyond the vehicle itself. Through a network of global commissioning suites –from London and Antwerp to Dubai and Tokyo – drivers are invited into an immersive world of design. Here, guided by expert curators, ideas are translated into reality through a collaborative process that is as luxurious as the final product. This is the essence of modern luxury: not simply acquisition, but participation. In an era where true distinction is increasingly rare, SV Bespoke for the Range Rover Sport offers something profoundly meaningful – the ability to create a vehicle that is utterly and unmistakably yours. Because in the end, the ultimate luxury is not what you own. It’s what you create.


ACROSS SUSSEX AND LONDON, TWO VERY DIFFERENT KITCHENS TELL A SHARED STORY. ONE OF AMBITION, MIGRATION, AND MEMORY – AND OF CHEFS WHO HAVE CARRIED THE ESSENCE OF SOUTH AFRICA INTO SPACES THAT NOW FEEL DISTINCTLY THEIR OWN COMPILED BY JARED RUTTENBERG


South Africa’s culinary credentials need no homefront affirmation, but when our talent is lauded abroad, it’s the icing on the cake. While this happens as returning tourists spread the word, the real magic lies in global kitchens led by South African chefs. I visited two in England for a bona fide taste of home: Restaurant Interlude’s Michelin-starred Jean Delport in West Sussex, and Kudu’s Patrick Williams in London.
When out in London, it doesn’t take long for someone to respond to a South African accent with: “Have you been to Kudu yet?” Patrick Williams and Amy Corbin opened the Peckham-based eatery in 2018, later expanding to include two other Kudu experiences. The South African-themed restaurant resonated not only with homesick Saffas but with a broader, incredibly devoted audience.


Patrick is vivacious, words spilling out of him with infectious enthusiasm as he shares his story with me. After his chef brother encouraged him to enter the culinary world, he quickly worked through some of the country’s most celebrated restaurants. At a pivotal point, his mentor, brother, and best friend all simultaneously encouraged him to work abroad. Fortunately, England led him to meeting his now wife, Amy, and then the birth of Kudu.



IT’S ALL IN THE DETAIL:
From the moody lighting to the presentation of each meal, every moment at Kudu creates a proudly South African feeling

“We opened Kudu probably about a month before my 30th birthday. Amy was like, ‘Well, there’s your 30th birthday gift!’ Eighteen months after opening Kudu, we launched Smokey Kudu, our cocktail bar just a stone’s throw away. Then we opened Curious Kudu, our private room. And finally, Kudu Grill, focused solely on fire-cooked dishes.”
A string of hearty reviews and a Bib Gourmand in the first eight months helped build momentum. Fast forward to late 2025 when all the Kudus were brought together into one stylish Marylebone venue, where I discovered that flamecooked food, homegrown wines, and warm service create dining experiences that evoke the spirit of South Africa.
The taste journey begins with melted Cape Malay butter served with fluffy mossbolletjies and harissa-spiced chopped beef. Mains include a braaied duo of pork loin with monkey gland sauce and a lamb Barnsley chop with tomato vierge. For dessert, the titles of Durban Pineapple, Kudu ‘Kit Kat’, and Chocolate Malva Pudding leave no doubt about the Kudu’s proud heritage. Patrick shared: “I think that’s been our biggest goal – to ensure what we offer remains relevant to what we do back home, but also accessible for tourists or locals to see what we’re about.”
I asked him about the stream of homesick South Africans who find their way through the doors. “That, for me, is probably the best exchange I have with a guest. It’s been somebody who’s a local or even guys that are from Durban, but don’t know I’m from Durban. They all think I’m from Cape Town because obviously every chef’s from Cape Town, right? And I just absolutely love that engagement. I really get warmth out of that.”
kuducollective.com




After winter dormancy, the pinotage vines were waking from their sleep, with tiny buds eagerly soaking up the spring sunlight. Behind me, Anton Smit’s towering Faith sculpture stood with hands reaching out to the heavens, also rejoicing in the light. While this scene could be anywhere in the Cape Winelands, I was standing in the heart of Sussex. The pinotage plantings are one of the Mzansi delights at Leonardslee Gardens.
South African-based owner Penny Streeter needs little introduction – in South Africa, her Hermanus Estate Benguela Cove has featured several times in the World's Best Vineyards rankings. Penny bought the neglected English property in 2017, with plans to fully restore it, reopening the 240acre gardens to the public. This included the opening of Restaurant Interlude, led by South African Chef Jean Delport.

Speaking with Jean ahead of my dinner at Interlude, his determination was evident. Fiercely driven, he knew from the age of 16 what his goal was: to earn a Michelin star. Having worked with Penny back home, he was given the opportunity to establish a kitchen at Leonardslee.
“It was very overwhelming at first. The place had been left to wrack and ruin for about 10 years; the house was falling apart, and the gardens were completely overgrown.”
With his passionate determination and Penny's gift for recognising potential, Interlude had not even been open a year when the email arrived – his eyes moistened as he recalled: “It came during an exceptionally busy period. Anya and I were busy packing as we were moving. I briefly opened my computer, and the email popped up from Michelin saying that we'd been invited to the awards. I went completely cold. I started crying. Fast forward to the event, we were called on stage and won the star. You don't want to believe it until it happens, and then it's a great relief. Of course, the whole team was really, really excited about it!”


“The email popped up from Michelin saying that we’d been invited to the awards… Fast forward to the event, we were called on stage and won the star”

I leave Jean for evening preparations, taking the opportunity to explore the vast gardens, lakes, and sculptures dotted across the estate. Back at Leonardslee House, Interlude’s wine service maestro leads a tasting of the three British bubblies made on the estate: a crisp brut reserve, an intriguing rosé with 10 percent homegrown pinotage, and then an impressive 48-months-matured blanc de blancs. Further impressed, it's time for a short repose; my room for the night is Rhododendron, a spacious period suite on the top floor of the 19th-century Italianatestyle house.
The clock strikes six, and guests gather in the bar for an aperitif, where the first snack-style courses arrive. Next, we’re led to the foyer, where a cleverly opened cabinet reveals some clues about the evening’s menu. Finally, we’re invited into the dining room, effortlessly elegant with high ceilings and green-shaded walls. Each course is accompanied by small cards – almost menu replacements – that sit in little silver pheasant statues on the table. A clever way to showcase many of the estate’s foraged finds, which guests can take home as souvenirs.
Some four hours and possibly 19 courses later, it’s time to retire. Thanking Jean, I ask what’s next on the horizon. He’s quick to answer: “The immediate goal is two stars – that's what we've been pushing for, and I personally think we're quite close.”
My stomach and heart agree, looking forward to returning for more of the Leonardslee magic.
leonardsleegardens.co.uk, restaurant-interlude.co.uk ■


“M y interest in wood was a passion I picked up… I was curious about what I naturally just found myself exploring,” says Dada Khanyisa.
At this year’s RMB Latitudes Art Fair, on from 22-24 May, Dada presents a site-responsive installation within the turret at Shepstone Gardens, transforming the space into an intimate yet layered environment. The circular architecture becomes a narrative device, guiding viewers through a sequence of encounters – figures leaning, gathering, pausing – each moment suspended somewhere between observation and memory.
Dada was awarded the FNB Art Prize in 2022, adding to earlier accolades such as the Simon Gerson Prize in 2016. Their work, which once travelled across South Africa on taxis as part of the SA Taxi Art Awards, now moves fluidly between local and international contexts, supported by residencies in Paris and Miami.
Born in KwaZulu-Natal’s Umzimkhulu in 1991 and now based in Cape Town, Dada’s foundation in animation continues to shape their visual language. “I’m interested in how people relate… you can pick that up through body gestures, the body language,” they say. “That’s something I picked up from my training as an animator.” It is precisely this sensitivity to movement and psychology that gives their work its quiet intensity – a sense that something is always unfolding just beneath the surface.
Dada’s practice sits deliberately between categories. Working across sculptural painting, collage, and low-
AT


relief wooden assemblage, they build scenes that feel at once constructed and organic. “Most of it starts with the sketch… it helps me map out what it is I want to do next,” they explain.
At Latitudes, however, the focus is not on scale or spectacle, but on experience. The turret installation invites a slower engagement – one that mirrors the artist’s own process of looking, noticing and assembling meaning. “I’m interested in what goes on psychologically… socially… spiritually,” Dada reflects, “and then trying to negotiate it through gestures and forms.”
In this space, those negotiations become visible. Figures occupy the architecture as much as they occupy each other, creating a choreography of presence and absence. It is less about what is shown, and more about what is felt – the subtle dynamics of proximity, tension and belonging. ■

RMB Latitudes Art Fair takes place from 22–24 May 2026 at Shepstone Gardens, Johannesburg.

WINTER SPORTS HAVE NEVER TRULY BELONGED TO AFRICA. FOR ISSA LABORDE, THABO RATELEKI, AND THOMAS WEIR, THE PATH HAS BEEN MARKED BY LIMITED RESOURCES, DISRUPTED TRAINING, AND IMPROBABLE BEGINNINGS. YET THEIR STORIES REFLECT A DEEPER TRUTH: THAT SHOWING UP IS, IN ITSELF, A FORM OF VICTORY
WORDS DEBBIE HATHWAY
“The important thing about the Olympic Games is not the winning, but the taking part. The important thing in life is not the triumph, but the struggle.” This quote from Pierre de Coubertin, founder of the Olympic Games in 1896 – used in Eddie the Eagle, a biopic about British ski jumper Michael “Eddie” Edwards during the 1988 Winter Olympics – rings true for three young skiers.
In the stories of Issa Laborde, Thabo Rateleki, and Thomas Weir, it regains its edge. Across different geographies and circumstances, their paths into winter sport have been defined by resilience through extremely tough conditions – representing Kenya and South Africa in a discipline where participation alone demands extraordinary commitment. Together, their journeys show that Africa’s presence on snow is no longer improbable, but steadily gaining ground.
At 17, Thomas Weir represented South Africa at the Milano Cortina 2026 Winter Olympics, competing in Giant Slalom and Slalom.
Born in Switzerland to a South African father and French mother, he grew up training in Alpine conditions but competes under the South African flag. “It’s such an honour being able to represent my country in a sport that’s not big there yet,” he says.

While he finished 63rd in the Giant Slalom, he did not finish the Slalom on a demanding course. The experience, however, was instructive. “Competing helped me a lot on the mental side… how to focus and be mentally ready.”
Finishing one race mattered. “Even though my result was not the best, I did manage to finish.” The Slalom stressed the margins. “It was a very tough race. Skiing is an unforgiving sport, and precision is key.”
Based in Switzerland, he continues to train while keeping an eye on South Africa’s future in the sport. “It would be great to be able to train in South Africa. I’m hoping that Tiffindell will get back up and running.”
His focus is now immediate, with his next major goal being to compete at the World Championships in Switzerland in 2027. @thomasweir_ski


Thabo Rateleki’s journey from South Africa’s only ski resort at the time to the Youth Olympic Games in Lausanne in 2020 remains a defining story in African winter sport. The then-17-year-old from Barkly East had never skied outside South Africa before competing internationally. However, at Les Diablerets, he completed both slalom runs, finishing 39th. “I’m so excited to have finished. The slope was very icy. But I did it,” he said.
He started at Tiffindell Ski Resort in the Southern Drakensberg, where limited terrain did little to stifle ambition. “I started skiing when I was very small. My brother inspired me.”
Training meant balancing school and long travel for weekend sessions. Results followed: gold in slalom at the National Championships in 2018 and further podium finishes in 2019. Lausanne broadened his perspective. “Being in the Youth Olympics was a dream come true. I wanted to inspire more local teenagers. I learnt about different cultures and different techniques. It was epic.”
Soon after, the COVID-19 pandemic and the closure of Tiffindell halted his progress. “It [was] hard. I [was] no longer able to ski due to not having a slope.”
In 2024, he returned to the sport as a coach in South Korea. “Being a South African champ and being a coach still stays in my heart.”

At just 18, Issa Laborde became the first alpine skier to represent Kenya at the Winter Olympics Milano Cortina 2026. Born near France’s Alpe d’Huez to a Kenyan mother and French father, skiing was part of everyday life. “I was born in a ski resort… so skiing is natural,” he says. “I fell in love with this sport when I was really, really young.”
He now hopes to revive opportunities locally. “I would really like to get Tiffindell running again and introduce more young kids to the sport, so that most kids would get away from the streets and build something of their own.”

The idea to represent Kenya surfaced later. “I said to my coach: ‘Imagine I represent Kenya’. He told me that could be really great for me and for my career,” Issa recalls. Soon after, his mother, Josephine, contacted Kenyan authorities, setting his international career in motion.
He made his debut at 16 at La Scara in Val d’Isère, France, before entering the 2024 Youth Olympics. Reaching Milano Cortina two years later required balancing school, training, and financial constraints. “It’s difficult financially to train correctly… I tried my best with what I have.”

In 2026, he competed in the Giant Slalom, finishing 66th and ranking fourth among African skiers. The experience shifted his outlook. “I thought I might stop after 2026, but when I got there, I realised this is what I want to do. Now I have the ambition for 2030.” Giant Slalom remains his focus. “I like the balance with speed and technique.”
Now 19, he combines training with instructing at the École de Ski Française in Vaujany, building towards the next Olympic cycle.
@issa.laborde ■



AT A PRIVATE UNVEILING ATTENDED BY SOUTH AFRICA’S MOST DISCERNING COLLECTORS, MERCEDES-MAYBACH INTRODUCES TWO RAREFIED CREATIONS – THE V12 EDITION AND THE SL 680 MONOGRAM SERIES – EACH EMBODYING A DIFFERENT YET EQUALLY COMPELLING VISION OF MODERN LUXURY





On 21 May, a group of South Africa’s most discerning car collectors and connoisseurs will gather for an unveiling that is sure to make waves in the motoring world. Mercedes-Maybach is set to present two extraordinary interpretations of modern luxury – each as rare as the company it keeps.
At the pinnacle sits the Mercedes-Maybach S 680 V12 Edition, a masterclass in heritage and craftsmanship. Limited to just 50 units worldwide, its presence in South Africa is exceptionally rare, with only two being allocated to the local market. This is more than a reveal – it’s a moment of proximity to one of the most exclusive automotive creations of our time.
Beneath its sculpted bonnet lies a 6.0-litre V12 engine, delivering 450kW of power and 900Nm of torque with effortless composure. “With roots tracing back to the early-20th-century Maybach Zeppelin models, this edition celebrates our iconic V12 engine,” says Daniel Lescow, Head of MercedesMaybach at Mercedes-Benz Group AG. “It offers bespoke design, reflecting a tradition of combining advanced technology and exclusive style.”
And, true to Maybach philosophy, performance is expressed through refinement rather than drama. Inside, the experience is one of serene isolation where advanced suspension, near-silent acoustics, and indulgent rear-seat comfort transform every journey into a sanctuary.
If the V12 Edition speaks to legacy and arrival, the Mercedes-Maybach SL 680 Monogram Series introduces a more expressive dimension of luxury – one defined by open-air freedom and sporting elegance. As the sportiest Maybach ever created, it reimagines the iconic roadster through a lens of sophistication and sensual design. “We want to surprise, inspire, and excite our customers,” says Daniel. “With the Mercedes-Maybach SL Monogram Series, we’re offering them the most extravagant model we’ve ever created. It’s a true Maybach for the ultimate in open-air-motoring enjoyment.”
Powered by a 4.0-litre biturbo V8 producing 430kW, the SL balances dynamic performance with the brand’s signature tranquillity. Whether experienced along sweeping coastal routes or within the rhythm of the city, it delivers a drive that is both engaging and effortlessly composed. While certain elements – such as the bonnet badging – are not offered locally, its visual drama remains intact, characterised by flowing lines, exquisite finishes, and a cocoon-like interior crafted from the finest materials.
Together, these two models capture the duality of modern Maybach –one rooted in timeless grandeur, the other embracing liberated expression. The reveal is more than the introduction of new vehicles; it’s a celebration of a philosophy in which craftsmanship, performance, and presence converge. For those at the exclusive launch, it’s a rare moment – one where the future of luxury is not only witnessed, but experienced firsthand.



With a price tag in the region of R100 million, the Pagani Utopia Roadster occupies a space where numbers begin to feel secondary. It’s less a car and more a considered statement – a tribute to purity in an age of complexity, and to the enduring vision of Horacio Pagani.
At its heart lies a six-litre twin-turbocharged V12 engine, producing 600kW and 1 100Nm, notably without hybrid assistance. In a world increasingly defined by electrification, this decision feels almost rebellious. Yet it is precisely this purity that defines the Utopia’s character: a celebration of sound, sensation, and mechanical soul.
The Roadster builds on the legacy of its Coupé sibling, adding a new dimension of theatre. A seamlessly integrated hard-top allows for both open-air exhilaration and refined enclosure without compromising structural integrity or weight. It is engineering distilled into art.
Step closer, and the craftsmanship becomes even more evident. The exposed gear linkage, intricately milled pedal assembly, and the contrast of carbon fibre and metal surfaces elevate function into sculpture. More than 40 composite material formulations are used, each chosen with precision.
THERE ARE MOMENTS IN MOTORING WHEN A CAR TRANSCENDS ITS FUNCTION, BECOMING SOMETHING MORE EVOCATIVE – AN OBJECT OF DESIGN, A FEAT OF ENGINEERING, AND A REFLECTION OF HUMAN AMBITION. THIS IS ONE OF THOSE MOMENTS
WORDS
EDWARD MOLEKE MAKWANA
In rare instances, a car rises above its mechanical function to become something far more compelling; stirring emotion, expressing identity, and embodying intent. This month, we explore a curated trio of vehicles that capture this delicate balance between elegance and adrenaline.
What unites these three is not simply performance or luxury, but purpose. The Pagani Utopia Roadster reminds us that cars can be art. The MercedesBenz GLS redefines how we experience comfort and presence. And the Audi A5 Sedan quietly champions the enduring joy of driving. Together, they paint a compelling picture of the modern automotive landscape – one that quietly reminds us why driving still matters. These are stories of motion, mastery, and meaning.

Innovation, too, is woven seamlessly into the experience. The integration of advanced systems such as the Pirelli Cyber Tyre – enabling real-time communication between tyre and vehicle –ensures that performance is matched by intelligence and safety.
In the rarefied world of hypercars, rivals such as the Bugatti Mistral and Koenigsegg CC850 may compete on performance and exclusivity. Yet, limited to just 130 examples worldwide, each Utopia Roadster becomes a deeply personal creation. Through near-limitless bespoke customisation, owners are not simply purchasing a vehicle; they are commissioning a story that reflects individuality, ambition, and taste.
In a market increasingly dominated by SUVs, the Audi A5 Sedan is a quiet yet confident reminder that the art of the sedan is far from lost.
I recently spent a week living with the A5, having first encountered it at its national media launch in Johannesburg in August 2025 – courtesy of Audi South Africa. This time, however, I experienced the more potent all-wheel-drive derivative (Quattro), producing 200kW and 400Nm – a noticeable step up from the frontwheel-drive variant.

What becomes immediately apparent is the A5’s balance. It feels lighter, more agile, and genuinely engaging to drive. It does not shout for attention, but rewards those who appreciate nuance and composure.
Inside, Audi’s new “Digital Stage” transforms the cabin into a sophisticated, tech-forward environment. The curved 14.5-inch central touchscreen and the 11.9-inch virtual cockpit feel intuitive and beautifully integrated. The optional 10.9-inch passenger display adds a layer of interactivity – particularly appreciated during longer journeys – while remaining discreetly hidden from the driver.
One of the standout features is the panoramic glass roof with segmented switchable transparency. Using advanced PDLC technology allows occupants to control light and heat with precision, maintaining a seamless connection with the outside world.

The Bang & Olufsen sound system further elevates the cabin, delivering a rich, immersive audio experience that transforms even the most routine drive into something memorable.
Practicality, too, has not been overlooked. With generous interior space, a boot big enough to fit three suitcases, and flexible seating configurations, the A5 is as suited to everyday life as it is to longer journeys.
Priced from R1 238 000, the A5 Sedan positions itself competitively against rivals such as the BMW 4 Series Gran Coupé, BMW 3 Series, Mercedes-Benz C-Class and Alfa Romeo Giulia. Looking ahead, the arrival of the more performancefocused RS 5 Avant and Sedan in 2027 promises to inject an added dose of adrenaline into the A5 lineage.
“The A5 feels lighter, more agile, and genuinely engaging to drive”
When the new Mercedes-Benz GLS arrives in South Africa in 2027, it’s expected to reaffirm why the three-pointed star continues to define automotive luxury.
Positioned as the “S-Class of SUVs”, the GLS is not merely about scale – it’s about presence. At first glance, it carries itself with quiet authority: a larger grille, illuminated detailing, and an upright bonnet star signal confidence without excess.
Inside, the focus shifts to comfort and technology. The expansive MBUX Superscreen stretches across the dashboard like a piece of modern art, while new materials, ambient lighting themes, and curated colour palettes create a space that feels both contemporary and comforting.
With seven seats as standard and a genuinely usable third-row, the GLS ensures comfort for all occupants. Technology plays a defining role in this experience. Powered by Mercedes-Benz’s MB.OS, the car introduces over-the-air updates, AI-enhanced assistance systems, and a sophisticated network of sensors – including cameras, radar, and ultrasonic inputs –that continuously read and respond to the world around it.
Ride comfort remains a cornerstone of the GLS identity. AIRMATIC suspension and E-Active Body Control work together to deliver a smooth, controlled driving experience that feels almost detached from the imperfections of the road. It glides rather than travels.
Under the bonnet, electrified petrol and diesel engines – alongside the formidable GLS 580 4MATIC V8 – promise effortless performance that complements its refined character.
When it arrives locally, the GLS will compete with formidable rivals including the BMW X7, Range Rover, and Lexus LX. Yet if Mercedes-Benz delivers on its intent, it will continue to set the benchmark, not just for luxury SUVs, but for how we experience space, technology and comfort in motion. ■

AT ITALY’S NEWLY REFURBISHED CLUB MED PRAGELATO SESTRIERE, THE MODERN SKI HOLIDAY MOVES BEYOND THE SLOPES – FROM FIRST LIFT TO FIRESIDE APERITIVO. AS THE BRAND PREPARES TO ENTER SOUTH AFRICA WITH ITS DURBAN RESORT, ITS ALPINE EXPERIENCE CONTINUES TO EVOLVE WORDS LERATO TSHABALALA





“DEBUTANTS! All ze debutants come zis side pleeze,” announces the ski instructor in a beautiful sing-song Italian accent. My friend Jo and I look at each other and chorus: “That’s us!” A few minutes earlier we were in a flat panic trying to put on our ski gear for the first time so we could shuffle to the cable car.
While inside, we watch the impressive swooshes below from experienced skiers as they traverse the dreamy Italian slopes. But when our turn comes around five minutes later, we realise that as debutantes – a fancy term for newbies –we’ll be nowhere near that level of proficiency. However, I also learnt that skiing is not about mastery; it’s about enjoying nature with others.
Getting to Club Med Pragelato Sestriere from Milano Malpensa Airport takes just under three hours by car. Alternatively, Turin Airport is about a one-hour-and-45-minute transfer, with Club Med arranging seamless transfers that remove the usual friction of mountain travel.
But it’s what happens once you arrive at the resort that defines the experience.
Set at 1 600m above sea level in Italy’s Piedmont region, the newly refurbished Club Med Pragelato Sestriere resort unfolds like a traditional Alpine village – a cluster of wooden chalets arranged around a central square, complete with cobbled pathways and mountain views in every direction.
“Skiing is not about mastery; it’s about enjoying nature with others”
Originally built in the style of a Piedmontese hamlet, the resort retains an intimate, almost residential feel, despite its scale.
Globally, Club Med operates more than 20 mountain resorts across Europe and Asia, with destinations spanning France, Switzerland, Italy, Japan, Canada, and China. From the powderrich slopes of Hokkaido to the storied alpine villages of the French Alps, each offers a distinct take on the ski holiday – but all are anchored in the brand’s signature all-inclusive philosophy.
“Club Med is a global icon, not only for its excellence, but for the joy and belonging it has brought to generations of travellers. Above all, it’s a culture, a spirit, a way of living and sharing,” notes President and CEO, Stéphane Maquaire.
Pragelato offers direct access to the Via Lattea – the Milky Way ski area – a vast network of interconnected resorts with more than 400km of slopes. This terrain caters to every level of skier – beginners can ease into the sport on gentle nursery slopes, while intermediate skiers can spend days exploring scenic runs between villages. For advanced skiers, Olympic-level pistes offer both challenge and adrenaline.
Crucially, no one is left behind. Ski and snowboard lessons are included, with instruction provided by professionals from the Italian Ski School. Guests are grouped according to ability, meaning complete beginners receive patient, foundational guidance, while more experienced skiers can refine their technique or explore the mountain with expert-led groups.
This is where the all-inclusive model truly comes into its own.
At Pragelato, “all-inclusive” extends far beyond meals. It covers lift passes, group ski lessons, equipment storage, childcare programmes, entertainment, and a full schedule of daily activities. The aim is simple: remove every logistical barrier so guests can focus entirely on the experience.
Days here settle into an easy, satisfying rhythm. Mornings begin with breakfast before heading straight onto the slopes via a cable car that departs directly from the resort. Late mornings might be spent skiing across sunlit ridgelines or pausing at a mountain restaurant for lunch. Afternoons bring more skiing or a shift in pace: perhaps a snowshoe hike, a fitness class, or a session at the spa.
The resort’s main restaurant, Il Piemonte, offers generous buffet-style spreads rooted in Piedmontese cuisine – think handmade pastas prepared to order, local charcuterie, and indulgent desserts – while La Trattoria provides a more casual setting, centred around wood-fired pizzas, antipasti, and easy aperitivo moments. For something more traditional, La Tana leans into Alpine comfort, with rich fondue, pierrade, and local specialities paired with regional wines, such as Barolo. Beyond the resort, mountain dining becomes part of the experience, with partner restaurants on the slopes offering everything from hearty alpine fare to scenic, sit-down lunches.
While I fell more than anyone on the slopes, they were some of the best falls of my life. If you release perfection, you can actually enjoy not being good at skiing. I found my groove when we went on a snowshoe hike. Although, as one of the other people on the hike said, “Hiking in the snow gives you a false sense of security, more than skiing,” – and it’s false because as you trudge up the mountain, you realise that sinking into the snow is not only easy, but unpredictable and mildly hilarious. But the views from the mountains are so spectacular, they make up for any sinking, falling, or experiencing gusts of strong, unexpected winds. Which is why I was grateful for Club Med’s Spa by Payot to soothe both my bruised body and ego.
By late afternoon, the resort transitions into aprèsski mode. There are fireside drinks, rooftop DJ sets, and terraces that catch the last of the alpine light. Club Med Pragelato Sestriere is family-friendly, but every night, adults get to put on their dancing shoes and party. From welcome cocktails and live music to themed dinners and performances, the evenings
• Just 45 minutes from Club Med Pragelato Sestriere, the town of Pinerolo offers a charming counterpoint to alpine life
• Pinerolo is known for its elegant arcaded streets and layered past, once serving as a strategic stronghold of the House of Savoy
• One of its most enduring traditions is the Wednesday market – among the oldest in the region – where locals gather to shop for fresh produce, cheeses, cured meats, and artisanal goods
• Cultural highlights include the Chiesa di San Maurizio, a beautiful church that reflects the town’s historic and architectural heritage, as well as the Museo Storico dell’Arma di Cavalleria which traces Italy’s cavalry history


• PETIT CLUB MED (2–3): supervised play, storytelling, and quiet time
• MINI CLUB MED+ (4–10): creative activities, beginner sports, and outdoor fun
• TEENS & CHILL PASS (11–17): social spaces, group activities, and age-specific programmes
• DEDICATED TEEN ZONES: relaxed hangouts with games, films, and snacks








unfold across multiple restaurants and bars, creating a sense of occasion throughout the stay. As Stéphane said, “One of our core five values is freedom. Yes, we’re a ski resort, but when you get here, you can do whatever you want. You don’t have to spend 22 hours skiing if it’s not what you want to do.”
Beyond skiing, the resort offers a surprising depth of experience. There are indoor and outdoor heated pools, wellness treatments, yoga sessions, and familyfocused programming that spans toddlers to teenagers. Children can join age-specific clubs, while teens have their own social spaces and activities, allowing parents a rare balance of independence and connection. What emerges is a particular kind of luxury – one defined not by excess, but by ease. There’s no need to plan, book, or coordinate. Equipment is ready, lessons are scheduled, meals are prepared, and entertainment happens organically. It’s a model that quietly redefines the ski holiday, transforming what can often be a complex, logistics-heavy trip into something fluid and intuitive.
And perhaps that is the true appeal of Club Med Pragelato Sestriere. Not just the scale of the skiing or the beauty of the setting, but the feeling that everything has been considered, leaving you free to simply arrive and step into the rhythm of the mountains.
What I learnt from attempting to ski is that it’s not about hitting the black slopes by day two. A holiday at this resort is about tailoring the experience to work for you. My friend Jo swam and attended aqua fitness classes, while I enjoyed the spa and watched the Winter Olympics, which were on while we were there, and we both went snowshoe hiking. As Jo said, “Friend, skiing is not our thing, and that’s okay. There’s a lot to do here beyond skiing.”
Skiing may be the headline, but Pragelato Sestriere offers a full Alpine experience – whether you’re slowing down, exploring, or travelling with family.

• SPA BY PAYOT: massages, facials, hammam and sauna, as well as indoor and outdoor heated pools; they also serve a delicious detox tea from South Africa
• FITNESS & WELLNESS: yoga, stretching sessions, and cardio classes
• SNOWSHOEING: guided walks through quieter alpine trails
• CROSS-COUNTRY SKIING: a gentler, more scenic alternative to downhill skiing
• NATURE WALKS & EXCURSIONS: explore the landscape at a slower pace
While Club Med prepares to open its first summer resort in Durban, marking a significant expansion into Africa, I realised that I love the snow and can’t wait to go back to this winter wonderland. I might still be a debutante the second time around (and maybe even the third!), but trust and believe, I will have a much-deserved après ski. ■ clubmed.co.za
If you’re new to skiing, this is one of the more forgiving places to start.
• Wide, gentle nursery slopes near the resort
• Dedicated beginner zones, including “snow gardens” for children
• Ideal for learning balance, stopping, and basic turns
• Access to group lessons with professional instructors from the Italian Ski School
The progression is gradual, so you’re not thrown into steep or intimidating terrain too early.
INTERMEDIATE (Blue & Red Slopes)
This is where Pragelato really shines.
• Long, scenic runs connecting different villages across the Via Lattea
• A mix of cruisy blues and more technical reds
• Plenty of variety to build confidence and refine technique
• Ideal for skiers who want full days on the mountain without repetition
You can spend hours skiing from one area to another without covering the same ground twice.
ADVANCED (Red & Black Slopes, Olympic Runs)
For experienced skiers, there’s serious terrain to explore.
• Steeper red runs that demand control and precision
• Black slopes, including Olympic pistes from the Turin 2006 Winter Games
• Off-piste opportunities (with a guide) for those seeking more of a challenge
• Fast descents and varied conditions depending on altitude and exposure
• These runs offer both technical challenge and high-adrenaline skiing

CELEBRATING 15 YEARS IN BROADCASTING, MOTSHIDISI MOHONO IS AN AWARD-WINNING SUPERSPORT ANCHOR AND IN-DEMAND HOST WHO HAS BECOME ONE OF SOUTH AFRICA’S MOST RESPECTED SPORTS BROADCASTERS. HERE, SHE REFLECTS ON MOTHERHOOD, MEMORABLE STADIUM MOMENTS, AND LIFE’S SIMPLE PLEASURES COMPILED BY LERATO TSHABALALA

WHEN THE CAMERAS STOP FILMING, WHAT DOES DOWNTIME LOOK LIKE FOR YOU? It begins the moment I leave the studio. I get into the car, put on something calming – R&B, jazz, or even amapiano – just to come down from the adrenaline. But even then, I’m often replaying the game in my head. During the week, I try to return to routine: training, walking, and working through rehab after knee surgery. Sundays are slower –sleeping in when I can, long baths, reading, and really disconnecting. Time with family and friends is key because that’s when I’m not talking about work. FROM TWICKENHAM TO MBOMBELA, YOU’VE WITNESSED THE POWER OF STADIUMS AND THEIR CROWDS. WHICH ATMOSPHERES HAVE STAYED WITH YOU MOST? Paris during the 2023 Rugby World Cup stands out. I’d been before, but covering a tournament there brings a completely different energy – you feel the buzz building across the city as the competition intensifies. London was another highlight, especially broadcasting from Twickenham for the first time. It’s an incredible stadium. I’ve learnt that it’s important to go out beyond the match – have meals, see the city, take it in. That’s how you create memories beyond the game.
YOU’VE RECEIVED NOTABLE RECOGNITION IN THE INDUSTRY. HOW HAVE THOSE AWARDS SHAPED YOUR SENSE OF PURPOSE? They mean a lot because they come from my peers. The GSport award in 2016 and the SA Sport Journalist of the Year in 2018 are especially significant. They don’t change your purpose, but they refine it. They raise your standard. Once you’ve reached that level, you know you can’t drop below it – it becomes your baseline. It pushes you to keep improving.
HOW HAS MOTHERHOOD RESHAPED YOUR PERSPECTIVE ON TIME, AMBITION, AND WHAT TRULY MATTERS DAY TO DAY? Time feels different when you have a child. My daughter is 21 months now, and watching her grow has been transformative. I’ve become more aware how quickly time moves. It sharpens your focus on what matters – presence, legacy, intention. Success, for me, is about being good for her – showing up, being present, and building something meaningful.
IN AN INDUSTRY THAT DEMANDS VISIBILITY AND PRESENCE, HOW DO YOU NAVIGATE THE BALANCE BETWEEN CAREER, TRAVEL, AND THIS NEW CHAPTER OF MOTHERHOOD? I cannot do it alone. My mom, my sisters, and our nanny – they make it possible. Without them, I would have to choose, or I’d be falling short somewhere.
YOU’VE BUILT A CAREER IN SPACES THAT WERE NOT ALWAYS DESIGNED WITH WOMEN IN MIND. WHAT DOES CARVING OUT SPACE NOW – BOTH PROFESSIONALLY AND PERSONALLY – MEAN TO YOU? It’s about persistence. Sometimes it’s knocking on the same door repeatedly; other times it’s finding a different way through. Progress isn’t always loud – it’s like water chipping through a stone – but it’s about consistency. I’m proud to see more women in the space, but the work isn’t done. I want to be the first of many.
WHAT DOES LUXURY MEAN TO YOU? It’s about peace. Being able to go to bed without worry –that’s success for me. Luxury is the freedom to choose how you live, what you do, and when you do it.
WHAT DO YOU DO FOR SELF-CARE? A spa day is always a yes –a massage, a facial, just time to reset. I also love solo breakfasts or lunches with a book. Those quiet moments help me reconnect with myself.


LOOKING AHEAD, WHAT DOES THE NEXT SEASON OF YOUR LIFE AND CAREER LOOK LIKE? Expansion. I don’t yet know exactly what that looks like – whether it’s beyond South Africa, more digital work, or something new entirely. But I know I want to grow, to push beyond my comfort zone, and continue to excel. @motshidisim ■













THIS MONTH WE GET TO SPOIL MOM FOR ALL SHE DOES FOR EVERYONE. THESE PAMPERING PRODUCTS ARE ABOUT CELEBRATING AND ILLUMINATING HER BEAUTY
Whether dealing with scrapes, a broken heart, or giving sage advice, MOM IS THE HEART AND SOUL OF THE HOME . This Mother’s Day, take a graceful pause to HONOUR THE REMARKABLE WOMAN WHO GIVES SO GENEROUSLY OF HERSELF . However you choose to celebrate her, let it be a gesture of true meaning, one she will always remember. Indulge her senses and illuminate her natural radiance, reminding mom that SHE, MORE THAN ANYONE, DESERVES TO BE CHERISHED



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