selected works
2018–2025
Ximeng Luo
e. tel.
ximengluo19@gmail +31 613336994
Ximeng Luo
Delft, The Netherlands
E: ximengluo19@gmail.com T: +31 613336994, +86 15359351649
education 2023–2025
The Berlage Center for Advanced Studies in Architecture and Urban Design | Delft, NL Master of Science, Cum Laude
2017–2022
Syracuse University School of Architecture | Syracuse, USA Bachelor of Architecture with minor in history, Summa Cum Laude Dean's List for Superior Scholarship 2017–2021 2022 James A. Britton Memorial Awards: citation for excellence in thesis design 2020 King+King Integrated Design Competition: nomination
professional practice 2022–2023
architecture intern | Office for Metropolitan Architecture, Rotterdam, NL participated in competitions and schematic design phases of different projects developed designs; produced drawings, diagrams, renders, 3D models, and booklets
2021–2023
editor and translator | Subfictions, Xiamen, China planned themes and subjects for Magazine into wrote articles; compiled, edited, and translated manuscripts and interview recordings
May–August 2020
architecture intern | Vector Architects, Beijing, China participated in schematic design, design development, and construction phases of different projects developed proposals, drawings, and models; prepeared bidding documents, proprietary specification
June–July 2019
architecture intern | GA Collaborative, Kigali, Rwanda created maps, drawings, questionnairs, and objects for projects
academia and research 2025
exhibition design: The Medical Complex | The Berlage designed and constructed the thesis exhibition of Generation 33
2023–2024
publications | The Berlage designed, edited, and organized publications related to course work at The Berlage Project NL: City Atlas, 2023; with Alfons Hooikaas Voices of the Recent Past: Six Conversations, 2023; led by Léa-Catherine Szacka Project Global: the Logistics of Olives and Marble, 2024
2022
illustrations for paper | The Plan Journal created drawings for Urban Autophagy, a paper by Hannibal Newsom Newsom, Hannibal. Urban Autophagy. A New Imaginary for Twenty-First Century Urban Growth. The Plan Journal, 7(1), (2022). https://www.doi.org/10.15274/tpj.2022.07.01.5
2021 - 2022
partnered research: Maps! Living with Ghosts | bachelor thesis Maps! Living with Ghosts: Alternative Landscapes in Ungoverned Spaces, mentored by Lawrence Chua working between architecture, history, and anthropology; investigated regions along the Heilongjiang in Northeast China, produced drawings, writings, maps, and a publication
2021 - 2022
teaching assistant | second year design studio, Syracuse University School of Architecture assisted in organizing and preparing the course participated in critiques; offered software, fabrication, and representation tutorials
2019 - 2022
NewMarket research and design collective observed, discussed, and wrote on contemporary architecture and architectural discipline established an online platform for writings and commentary in Chinese; participated in competitions Public Seating Design, A8 Design Center (Chengdu, China): third place Circle of Life competition, UNFUSE (Shanghai, China): editor's choice prize
2019
independent research: The Market as Public Space | Kigali, Rwanda recipient of the Syracuse University Undergraduate Summer Research Grant in 2019 The Market as Alternative Public Space in Kigali, Rwanda, mentored by Yutaka Sho working in the intersection between architecture, urban design, and public affairs; surveyed, mapped, cataloged, and wrote on traditional markets and their spatial organization in Kigali
2019
collective research: Between Myth and Utopia | the Balkans Between Myth & Utopia: Ideological Contours of Yugoslavian Seaside Resorts, mentored by Mitesh Dixit traveled, surveyed, documented, and wrote on the architecture of Yugoslavian seaside resorts
contents city atlas
Amsterdam 2023 collective research project The Berlage
.01 research
publication
City Atlas investigates mechanisms of urban transformation in Amsterdam from the late sixteenth century to the present. Through archival sources to satellite images, it produces an atlas of synthetic drawings. With the aid of digital tools, the project explores the possibility to overlay, compare, and annotate the built environment at different moments in time.
unfinished building 2023 design master class led by Dyvik Kahlen with Rubén Dario Kleimeer
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design
the medical complex .09 Lyon 2024–25 collective post-master thesis The Berlage design
Unfinished Building is a twoweek design project that explores building proposals of unfinished and adaptable nature by making large, crude timber models in scale 1:25. The project experiments with scale and proportions and reflects on building elements, structural logic, and construction paneling. It concludes with selecting a setting and designing the composition of model (architecture) photography. exhibition
The Medical Complex is a collective thesis project examining healthcare for the twenty-first century, undertaken by twelve international students at The Berlage. It explores a comprehensive approach to prevention, diagnosis, treatment, wellbeing, fitness, and care, with each student designing specific departments or integrated systems within the complex. Set on the site of Tony Garnier's Édouard Herriot Hospital in Lyon, originally completed in 1933 and currently undergoing renovations, the project reflects on the modernist ideal of healthcare architecture and reconsiders the contemporary perception of health.
film
the probe Syracuse 2019 design studio Syracuse Architecture
mirror flower, water moon .21
.31
The quarry hides in the woods, a feature artificially created then abandoned, an abrupt pit separated from the city by a highway. Routinized absurdity and absentminded surrealism created a sense of anachronism, turning the quarry into an unusual, futuristic relic. The project proposes the reuse of an artificially modified natural landscape in the context of a declining rustic-belt city. design
Fort Tilden 2021 comprehensive design studio Syracuse Architecture
design Mirror Flower Water Moon is a Chinese idiom describing things that can be seen but cannot be attained, like flowers in a mirror and moon reflected in water. The thermal baths project duplicates this sense of space-time displacement as visitors explore different programs and immersive themselves in varous scenes created by alternating materiality and transparency of the spaces.
la nouvelle vague Chengdu 2020 competition
design
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appendix models
representation
La Nouvelle Vague is a competition for public seating as a piece of urban furniture. We interpret The French New Wave through a wide shot in a film: while the camera proceeds smoothly, actors come and go in the scene, each a piece of information that constitutes the whole image. Free movements of individuals together create meaning for the collective. An ongoing exploration of architectural representation through the construction of physical objects.
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01 city atlas
Amsterdam 2023 collective research project The Berlage generation 34 collaboration with Andrea Ramos City Atlas investigates mechanisms of urban transformation in Amsterdam from the late sixteenth century to the present. Through the lens of six emblematic sites, it traces physical changes resulting from processes of urban expansion and renewal, from the adaptation or renovation of buildings and blocks to the demolition and reconstruction of whole streets and neighborhoods. The project gathers information from archival sources to live-time satellite images to produce an atlas of synthetic drawings that reflect spatial transformations. With the aid of digital tools such as Allmaps and Placemark, it explores the possibility to overlay, compare, and annotate the built environment of Amsterdam at different moments in time. The research is compiled in the format of a published atlas.
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City Atlas
Uilenburg
The changes The changes in homes in homes in Uilenburg in Uilenburg were were triggered triggered by large-scale by large-scale mechanisms mechanism su “COORDINATES”: {4.90640, 52.37181}
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Housing blocks on Uilenburg following Woningwet 1901, 1910s–1950s Nieuwe Uilenburgerstraat, constructed in the 1920s (3)
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Courtyard space occupied by storage, present Infilled island in the early seventeenth century (2)
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Residential houses existing from the seventeenth to the nineteenth century Widened Valkenburgerstraat, renovated in the 1960s (4)
Outline of Uilenburg by the time of its creation, 1597 DIG
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Infill of Markengracht in the 1960s (5)
Shipyard workers’ houses, constructed in the 1590s (1)
Demolition following Woningwet 1901 in the twentieth century
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Residential houses exi seventeenth to the nin
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Fortification wall of the First Extension, constructed in 1585
Jewish businesses and market, existing from the seventeenth to the nineteenth century (2) L A IT IG D SK
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With the Second Extension of Amsterdam, Uilenburg and Marken were created at the eastern edge of the city within its old fortification walls. Uilenburg in the sixteenth century was a shipbuilding site with only a strip of land (1), and with the east-ward migration of the shipyards in the seventeenth century, canals were filled for more land (2). Influenced by the early twentieth century concept of the modern city, the island was re-planned by the municipality following Woningwet 1901, with the two old streets merged into Nieuwe Uilenburgerstraat and all houses in between demolished (3). East of Uilenburg, the island Marken experienced a more drastic transformation. Development of the tram and increasing car use led to the dissolution of Marken, where Valkenburgerstraat in the middle was widened to serve as a connection to Noord (4) and the eastern half faded into the urban fabric with the fill of Markengracht (5).
Centuries of transformation 21st 20 19 18 17 16th Unrealized proposals
Throughout the seventeenth and eighteenth century, Uilenburg was populated by warehouses and residential houses that served as homes for mainly Jewish immigrants (1). It was common for the houses to have a storefront on the street level, rendering the streets vibrant commercial spaces for small businesses and shoppers (2). With the Woningwet 1901, most of the residential units on the island were declared “unlivable” and demolished in the early twentieth century. In their place social housing blocks rose under the supervision of Municipal Housing Services (3). Street-level life was also altered by the policy. Nieuwe Uilenburgerstraat was made wide for traffic (4), flanked with parking and speed bumps that no longer encourage active pedestrian activities. Many nonresidential structures that survived the demolition were readapted for residential purposes instead of demolished by the end of the twentieth century. (5)
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hanisms ms such such as policies, as policies, shiftsshifts in societal in societal philosophies philosophies and economic and economic trends. trends. DIGITAL MASK
Brick facade in Amsterdam school style, popular among public projects in the early twentieth century
Boathouse, an alternative domestic space, 2000s
Nieuwe Uilenburgerstraat 2-68, social housing block by J.H. Mulder, designed and constructed in the 1920s (2)
Nieuwe Uilenburgerstraat 2-68, social housing block by Johannes Hendrik Carpet flooring, seen also in other modernist domestic spaces in Amsterdam around the same period Planned greenery after demolition in the twentieth century
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Residential houses existing from the seventeenth to the nineteenth century, interior constantly being modified (1)
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Crude wooden floor tiles used in the canal houses
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Nieuwe Uilenburgerstraat, constructed in the 1920s (4)
Mattresses on the floor for the whole family DIGITAL MASK
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Seventeenth-century warehouses, renovated in the 1980s (3)
Courtyard created by splitting the warehouse structure during the renovation L A IT IG D
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Seventeenth-century warehouses, renovated in the 1980s (5) Courtyard gallery leading to apartments
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Centuries of transformation 21st 20 19 18 17 16th Unrealized proposals
The homes that existed on Uilenburg vary in size and spatial organization. The historical houses had a typical Dutch canal house layout, albeit smaller in size and frequently a whole family would occupy only one room (1). Following the Woningwet 1901 demolition, new housing blocks were built under the commission of social housing associations that emerged by the end of the nineteenth century to improve the living environment of urban workers. The most prominent housing block on Uilenburg was designed by Johannes Hendrik Mulder in “Van der Tas type” with a four-room layout and a balcony (2) meant for a family. By the end of the twentieth century, old warehouses on the island were renovated into homes. Nieuwe Uilenburgerstraat 13-23 was converted into an apartment complex with a courtyard (3), which reveals the contemporary need for small, one- or two-room apartments with a shared outdoor space.
Centuries of transformation 21st 20 19 18 17 16th Unrealized proposals
05 unfinished building 2023 design master class led by Dyvik Kahlen photographed by Rubén Dario Kleimeer collaboration with Yi-an Tseng
Unfinished Building is a two-week design project that explores building proposals of unfinished and adaptable nature by making large, crude timber models in scale 1:25. The project experiments with scale and proportions and reflects on building elements, structural logic, and construction paneling. It concludes with selecting a setting and designing the composition of model (architecture) photography.
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09 the medical complex Lyon 2024–25 collective post-master thesis The Berlage generation 34
The Medical Complex is a collective thesis project that examines the spatial implications of twenty-first century prevention, diagnosis, treatment, wellbeing, fitness, and care through the design of a healthcare facility. The project focuses on the existing Édouard Herriot Hospital in Lyon chosen for its rich architectural heritage, strategic position in the city's dense urban fabric, and its immediate accessibility to Lyon's citizens. The Medical Complex seeks to integrate human-centered design principles and contemporary technologies while preserving the essence of Garnier's original "garden city for the sick" concept, reimagining the hospital as a civic architecture that enhances the well-being of all who interact with it, from patients and healthcare providers to visitors and residents.
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Surgery
Inpatient
Clinic
Morgue
Research
Imaging
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Outpatient
Phys Rehab
Psych Rehab
Geriatric
E-Health
Sex and Public Health
Administration
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Kitchen Staff
Gardeners
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Cleaning Staff
Volunteers
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Volunteers (Pin)
Managers (Pin)
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Proposed Master Plan Ground Floor Plan
Proposed Master Plan -1 Floor Plan
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2 2 General General Operating Operating Room,Room, 36–65m 36–65m
2 2 Complex Complex Operating Operating Room,Room, 55–75m 55–75m
Routine open Routine surgery, open routine surgery,minimally-invasive routine minimally-invasive surgery (MIS) surgery (MIS)
ComplexComplex open surgery, open complex surgery, complex minimally-invasive minimally-invasive surgery (MIS), surgery (MIS), transplant transplant surgery, specialty surgery, specialty surgery, trauma surgery,surgery trauma surgery
6.5 OR plan OR plan
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surgical center one of the twelve departments in The Medical Complex
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The surgical center serves multiple purposes: it is a workplace for surgeons, nurses, and various staff; a treatment and recovery space for patients; an accompanying space for friends and family; and an educational facility for professionals and students. It also functions as a hub for knowledge production and exchange, providing training to medical students and professionals both nationally and internationally while facilitating the exchange of ideas and innovation.
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The design of the surgical center creates de-medicalized areas alongside critical surgical spaces that encourage the sharing of knowledge, experiences, and consolation. It is equipped with an observation theater, a surgerybroadcasting room, a public courtyard with various waiting spaces, staff resting areas, and study spaces for students. This multifaceted approach enables the center to foster innovation in the field of surgery while supporting both clinical practice and education.
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1 Entrance Courtyard with Seating 2 Skylight 3 Reception and Waiting Area 4 Patient Locker Rooms 5 Pre-Operative Holding Area 6 Nurse Station 7 Outpatient Operating Rooms 8 Clean Core 9 Anesthesia Preparation Room 10 Utility Room
11 Control/Broadcasting Room 12 Post-Anesthesia Observation Area 13 Consultation and Examination Rooms 14 Medical Staff Locker Room 15 Step-Down Observation Units 16 Clinical Laboratories 17 Side Courtyard with Seating 18 Canteen
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1 Mixed Corridor 2 Scrub Alcove 3 Control Room 4 Clean Core
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15 anatomical model surgical center photograph by MWA Hart Nibbrig for The Berlage/TU Delft
The anatomical models of the medical complex depart from the analogy between architecture and the human body. Presented as a series of 1:25 fragments, the models narrate the master plan and demonstrate the organization of departments. The fragment of the surgical center is a section through an operating room, an observation theater, the corridor, the clean core, and a helipad shared by the whole complex. It explores the relationship between old and new constructions by revealing a piece of facade from the original pavilion engulfed by new structures.
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facade skin wall muscles, tendons logistics digestive system structure bones, joints, cartilage door spinal cord sterilization lymphatic system corridor, elevator, stairs veins pipe, HVAC urinary system furniture nerves
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Wooden wall divides space and serve as the surface to hang drawings
Key objects a piece of furniture that helps to define each space formed between walls
Sticker a mark on the floor that indicates clearance area around the key objects
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Exhibition “rooms”, 1:1 Wooden walls define a series of spaces, or “rooms,” for the exhibition. Each space is defined by one key object––or one piece of furniture–– accompanied by marks on the floor that indicate how they organize medical spaces, all in 1:1 scale.
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Relevant triptychs and drawings of departments and systems are displayed around the key objects, and the 1:1 objects are distributed throughout the spaces between the walls.
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Shadow of a tree
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Bench for waiting Regular and logistics corridors
collaboration with Sara Gohberg, Carlos von Bertrab The exhibition is consisted of two parts, a series of exhibition "rooms" and a master plan with Exhibition proposal anatomical models that represent fragments from The Medical 1:100Complex. Through the juxtaposition of different scales across the spaces, the exhibition deconstructs the complex into various fragments in the 1:1 objects, 1:25 anatomical models, and triptychs, while simultaneously integrating all
floating pieces into a whole in the 1:50 footprint of the master plan and drawings in further smaller The exhibition is consisted of two parts, a series of exhibition "rooms" into a whole in the 1:50 footprint of the master plan and drawings in scales. It plan aims explainmodels the thesis project to a further smaller scales. It aims to explain the thesis project to a public and a master withto anatomical that represent fragments from The Medical Complex. Through the juxtaposition different audience from the master plan, organizational scale, to the object, public audience from the master plan,oforganizational scales across the spaces, the exhibition deconstructs the complex experiential scale. scale, to the object, experiential scale. into various fragments in the 1:1 objects, 1:25 anatomical models, and triptychs, while simultaneously integrating all floating pieces
The exhibition includes contents on the historical and geographical
context of Lyon, the legacy of Tony Garnier, master plan, system/ An exhibition booklet will serve as the "road map" to the exhibtion, with complementary information that thoroughly explains the project.
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Historical landmarks, 1:25 We propose to collectively model the preserved historical landmarks to better enrich the story of the master plan. Current selections include the entrance pavilion, the chapel, one chimney, and a section of the periphery wall.
Anatomical models, 1:25 The 12 models of centers and departments present a collection of fragments by dissecting and isolating selected spatial moments in the complex. Analogous to anatomical models in medicine and painted in glossy colors, these models form an anatomy of the complex through zoom-in analyses of old and new constructions, interior and exterior spaces, structure, and various services systems.
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Telehealth Cabin Preparation table Clearence Area Wheel chair and turn radius
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schemes, and departments. Quotes from expert conversations, notes and footages from the field work, excerpts from the encyclopedia texts are selected and exhibited. An exhibition booklet will serve as the "road map" to the exhibtion, with complementary information that thoroughly explains the project.
Horse and turn radius Operating/morgue table Sterilie zone, circulation zone
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19 the clinical trial film for the medical complex 2024 The Berlage led by Edwin Zwakman collaboration with Claire Demeyere
The clinical trial is a two-week representation experiment for the Medical Complex. Maquettes and scenography are designed to further elaborate on design aspects of select spaces in the healthcare facility. Building materials, lighting effects, colors, textures, patterns, and backgrounds are designed and tested through the lens of a camera, assuming a hypothetical gaze on the spaces. Quick and easy material solutions are invented for mimicking real-life scenarios in a minature scale of 1:20. Post-production, including filters, sounds, and cuts complement the somewhat theatrical models to create a series of fragmented narratives for the Medical Complex. https://vimeo.com/1030256856
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21 mirror flower, water moon Fort Tilden 2021 comprehensive design studio Syracuse Architecture collaboration with Luying Peng, Shihui Zhu Mirror Flower Water Moon is a Chinese idiom describing things that can be seen but cannot be attained, like flowers in a mirror and moon reflected in water. The thermal baths project duplicates this sense of space-time displacement through varous scenes created by alternating materiality and transparency of the spaces. People come for beach retreats, yet the remaining constructions of the past, half covered by earth and trees, pop out every now and then. Going through construction 220, a relic from a longterm preparation of a military operation that never happened, is like falling through a metaphorical rabbit hole which sends visitors to a mysterious landscape blurred by steam from the hot baths. As visitors float through spaces, they are constantly moving between different levels of lighting, sound, and enclosure, and at certain moments, through apertures on the SOUTH FACADE facade, get a glimpse of the exterior SCALE : 1’ = 1/16” “reality”. These moments of visual connectivity between the exterior and interior act as moments of reveal, as if peaking into the backstage of a theater.
NORTH FACADE SCALE : 1’ = 1/16”
EAST FACADE SCALE : 1’ = 1/16”
atmosphere
form
sectional profile
body movements
LUYING PENG
SHIHUI ZHU
XIMENG LUO
WxW WindWash
MIRROR FLOWER, WATER MOON PROJECT INFORMATION
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Experie Diagram
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SHEET INFORMATION
Environmental: Nari Yoon
Structural: Steve Zuo
CONSULTANTS
FORT TILDEN GATEWAY NATIONAL RECREATION AREA BREEZY POINT, NY 11697
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INTERIOR DECORATIVE FRAME
SHIHUI ZHU
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REMAINING SITE-POURED CONCRETE
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PROJECT INFORMATION
INTERIOR DECORATIVE FRAME
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CONSULTANTS
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FORT TILDEN GATEWAY NATIONAL RECREATION AREA BREEZY POINT, NY 11697
Main Entrance Detail at Construction 220 1 A500 1/4" = 1'-0"
MIRROR FLOWER, WATER MOON
EXTERIOR DECORATIVE FRAME
Structural: Steve Zuo
POOL GLAZING BORDER
Environmental: Nari Yoon
INFINITY POOL
GLASS MULLION
SHEET INFORMATION
Date
05/13/2021
Project Number Drawn by
GLASS FIN
ARC 409
Luying Peng
SHEET NAME
1 A507
Detail Plans
WATER SLIDE
SHEET NUMBER
Thermal Bath Zone Detail 2 A500 1/4" = 1'-0"
1 A301
3 Infinity Pool Zone Detail A500 1/4" = 1'-0"
1 A302
2 A301
3 A301
A500
1 A302
WxW WindWash TEXTURED CONCRETE FINISHING
XIMENG LUO SHIHUI ZHU LUYING PENG
STAIRS TO SECOND FLOOR MALE LOCKER
SHOWER
CONCRETE
EGRESS
VAPOR BARRIER
AIR GAP
GYPSUM BOARD
INSULATION 2-HR FIRE RATED WALL
PROJECT INFORMATION
LOCKER
LOUNGE
FORT TILDEN GATEWAY NATIONAL RECREATION AREA BREEZY POINT, NY 11697
SILL SEALER
MIRROR FLOWER, WATER MOON
1 A300
COLUMN CONSULTANTS Structural: Steve Zuo Environmental: Nari Yoon
CHANNEL GLASS
SHEET INFORMATION
Date
05/13/2021
Project Number Drawn by
EXTERIOR REFLECTION POOL
ARC 409
Luying Peng
SHEET NAME
Detail Plans 1 A301
1 A501
Locker Room Detail 1/4" = 1'-0"
1 A302
2 A507
1 A302
SHEET NUMBER
A501
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29 la nouvelle vague Chengdu 2020 competition collaboration with Shihui Zhu
La Nouvelle Vague is a competition for public seating as a piece of urban furniture. We interpret The French New Wave through a wide shot in a film: while the camera proceeds smoothly, actors come and go in the scene, each a piece of information that constitutes the whole image. Free movements of individuals together create meaning for the collective. Varing heights and widths of the net encourages any kind of "misuse" of the seating. Wider sections of the net allow two adults to lie side by side, narrower areas are better for sitting; children can go under higher sections, and the parts that are closer to the ground can be jumped over. The void in the middle could be completely meaningless, or can be converted into a temporary point of focus when actions such as discussions or performances take place inside.
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31 the probe Syracuse 2019 design studio Syracuse Architecture
The quarry hides in the woods, a feature artificially created then abandoned, an abrupt pit separated from the city by a highway. Routinized absurdity and absent-minded surrealism created a sense of anachronism, turning the quarry into an unusual, futuristic relic. The project proposes the reuse of an artificially modified natural landscape in the context of a declining city in the rustic-belt . As a remnant of industrialization, the quarry symbolizes the past glory and achievements of Syracuse. The project choose to flood the quarry with trees, leaving parts of bare ground. The pit, small warehouses, abandoned metal equipment and rocks covered with graffitti are deliberately left out, like archipelagos poking out of sea water, revealing the past of the site. The research center acts like a probe penetrating this artificially modified natural site. Observation decks are set at each different typological and vegetational area, taking "samples."
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0m
Operations
frame
2nd floor plate
1st floor plate
transportation
Programs core / breakers cafe & computer lab
2nd floor
1st floor
fluctuating space
60m
130m
200m
270m
340m
410m
480m
550m
620m
680m
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representation
representation
site texture
site texture
Operations hill | direct access
flatland | observation deck
slope | observation deck
grassland
grassland | graffiti
bare
34 slope | bridge
pit | transparent floor & cable station
bare | stones
stones | vegetation
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i.
ii.
i. cafe + library
0
1:300 m
5
10
20 m
ii. cafe + library
36 iv.
iii.
iii. laboratory
iv. roof: tennis court
37 appendix: models 2018–2022
art depot, 2018
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39
post-familial coliving, 2019 collaboration with Yihan Yang
40