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OLD MASTERS, BRITISH & EUROPEAN PAINTINGS WEDNESDAY 9TH SEPTEMBER 2026

Lot 323

ENTRIES ARE CURRENTLY BEING ACCEPTED FOR OUR 2026 AUCTIONS SEPTEMBER 9th

Old Masters, Brihsh & European Painhngs

22nd & 23rd

Arts and CraTs | Design

OCTOBER 7th & 8th

Fine Furniture & Collechons

20th & 21st

Fine Silver & Objects of Vertu

22nd

Durer to Warhol: A Private Collechon Brihsh & Conhnental Ceramics & Glass

28th & 29th

Fine Jewellery

NOVEMBER 10th

Fine Asian Art

11th

Japanese Works of Art

25th

Medals & Coins, Arms & Armour

DECEMBER 1st

Modern Brihsh & 20th Century Art

2nd

Brihsh Art PoOery & Studio Ceramics

Dates may be subject to change

+44 (0)1722 424500 info@woolleys.live 51 61 Castle Street, Salisbury, SP1 3SU www.woolleyandwallis.co.uk Lot 156 307 (detail)

OLD MASTERS, BRITISH & EUROPEAN PAINTINGS WEDNESDAY 9TH SEPTEMBER 2026 10.00AM AT OUR CITY CENTRE SALEROOMS, SP1 3SU

Victor Fauvelle +44 (0)1722 446961 vf@woolleys.live

Ed Beer +44 (0)1722 446962 eb@woolleys.live

VIEWING IN LONDON (HIGHLIGHTS) Second Floor, 17 CliIord Street, London W1S 3RQ Tuesday 1st September Wednesday 2nd September

10.00am – 4.00pm 10.00am – 4.00pm

VIEWING AT OUR OLD SARUM GALLERIES (FULL SALE) Unit 1B Castle Gate Business Park, Old Sarum, Salisbury SP4 6QX Saturday 5th September Monday 7th September Tuesday 8th September Wednesday 9th September

Richard Kay +44 (0)1722 446964 rk@woolleys.live

10.00am – 1.00pm 10.00am – 4.00pm 10.00am – 4.00pm By Appointment

BUYER’S PREMIUM Each lot is subject to a Buyer's Premium of 27% (+VAT) on the Srst £20,000 of the hammer price, reducing to 26% (+VAT) up to £500,000 and 20% (+VAT) thereaTer.

Heidi Easton +44 (0)1722 446970 he@woolleys.live

LIVE ONLINE BIDDING FREE OF CHARGE

LIVE

bid.woolleys.live Please register by 5pm on Tuesday 8th September

TELEPHONE BIDDING Requests for telephone bidding cannot be accepted aTer 5pm on Tuesday 8th September. ARTIST’S RESALE RIGHT / DROIT DE SUITE This symbol indicates that an addihonal levy may be applied for this lot – please see our Terms & Condihons on our website.

Instagram: @woolleyandwallispain ngs @woolleyandwallissalerooms Facebook: Woolley & Wallis Pinterest: Woolley and Wallis

COLLECTION OF LOTS BY APPOINTMENT Collechons will be from Unit 1B, Castle Gate Business Park, Old Sarum, Salisbury, SP4 6QX. Please call 01722 424500 to make an appointment. Please instruct carriers accordingly. Collechon of sold and unsold lots must be within 21 days of the sale – failure to collect within this hme may result in storage fees.

ILLUSTRATIONS Front cover: Lot 125 Back cover: Lot 329 Catalogue £10.00 (£15.00 by post)

PORTRAIT MINIATURES

1 CIRCLE OF BERNARD LENS III

2 AFTER ALLAN RAMSAY

3 ENGLISH SCHOOL

1682A1740

1713A1784

19th Century

Portrait Miniature of a Gentleman, Wearing a Blue Coat, Red Cloak and Long Wig

Portrait Miniature of George III in Coronation Robes

Portrait Miniature of William Shakespeare (1564 1616)

On paper laid on card, oval, in an ebonised wooden frame 95 x 72mm

Oval, in an ebonised wooden frame 76 x 63mm

Oval, in an ebonised wooden frame 50 x 42mm

£120A180

4 CIRCLE OF JEREMIAH MEYER

5 CIRCLE OF ANDREW PLIMER

6 THOMAS HAZLEHURST

1735A1789

1763A1837

c.1740Ac.1821

Portrait Miniature of Thomas Unett, Wearing a Green Coat, Pink Waistcoat and Powdered Wig

Portrait Miniature of a Gentleman Wearing a Green Coat, and with Powdered Hair

Portrait Miniature of a Gentleman Wearing a Blue Coat

Oval, in a gold plated frame 52 x 42mm

Oval, in a gold frame, the glazed reverse revealing a hair back 51 x 39mm

Oval, in a gold frame, the glazed reverse revealing a hair back with green glass border 69 x 59mm

£200A300

£250A350

£200A300

£250A350

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7 J. L. HARRISON

8 CIRCLE OF HENRY EDRIDGE

9 ENGLISH SCHOOL

exh. 1784A1793

1768A1821

c.1800

Portrait Miniature of an Officer in a Blue Coat

Portrait Miniature of a Gentleman Wearing a Navy Blue Coat and Waistcoat

Portrait Miniature of a Gentleman, Wearing a Black Coat and White Waistcoat

Oval, in a gold plated frame, the glazed reverse revealing a locket of hair over an opalescent glass back 66 x 55mm

Oval, in a gold plated frame, the glazed reverse revealing a beaded initial C over blue and opalescent glass backs with hair and beaded borders 71 x 59mm

Signed and indistinctly inscribed J L Harrison/*** Court Gdn/London (to reverse) Oval, in a rectangular ebonised wooden frame 75 x 60mm £200A300

£150A250

10 ENGLISH SCHOOL

11 NICHOLAS FREESE

12 SIR WILLIAM JOHN NEWTON

c.1800

1761–1831

1785–1869

Portrait Miniature of a Gentleman Wearing a Black Coat and White Stock

Portrait Miniature of a Gentleman Wearing a Black Coat with White Cravat

Portrait Miniature of a Gentleman Wearing a Black Coat and Yellow Waistcoat

Oval, in a gold plated frame, the glazed reverse revealing a cloth back 78 x 64mm

Oval, in a gold plated frame, within a red leather case 83 x 63mm

£100A150

Provenance: James Whatman (1711 1811); And by family descent to the previous owner; By whom sold, Woolley and Wallis, Salisbury, Fine Old Masters & 19th Century Paintings, 9 December 2015, lot 195 (as Attributed to William Sherlock), where purchased by the present private collector

Signed indistinctly with initials and dated WJN 1813 (centre right), and further signed, dated and inscribed W J Newton/Pinxit/6 Duke Street/St James/1813 (to reverse) Rectangular, in a gilt metal frame 78 x 63mm Provenance: Phillips, London, 8 February 2000, lot 65, where purchased by the present private collector £150A250

£300A500 Lots marked may be subject to an addiUonal fee - please see ARR informaUon on page 131 • Framed images of each lot are available on www.woolleyandwallis.co.uk

13 ENGLISH SCHOOL

14 CONTINENTAL SCHOOL

15 ENGLISH SCHOOL

Early 19th Century

c.1840

c.1800

Portrait Miniature of a Gentleman, Wearing a Black Coat and White Stock

Portrait Miniature of a Gentleman, Wearing a Black Coat and Waistcoat, Standing in Front of a Curtain, a Landscape beyond

Portrait Miniature of a Gentleman Wearing a Black Coat and White Stock

Oval, in a gold plated frame, the glazed reverse revealing a lock of hair over an opalescent glass back 66 x 54mm

Oval, in a gilt metal frame 85 x 68mm

Oval, in a gold plated frame, the glazed reverse revealing remnants of initials over a hair back 69 x 57mm

£150A250

16 ENGLISH SCHOOL

17 ENGLISH SCHOOL

18 ENGLISH SCHOOL

c.1800

19th Century

c.1800

Portrait Miniature of an Officer in Uniform

Oval, in a red leather case 71 x 57mm

Oval, in a rectangular ebonised wooden frame 96 x 78mm

Portrait Miniature of a Gentleman Wearing a Black Coat and White Waistcoat

£120A180

£200A300

Oval, in a rectangular ebonised wooden frame 64 x 51mm £150A250

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19 HENRI JOSEPH HESSE

20 FRENCH SCHOOL

21 DANIEL SAINT

1781A1849

18th Century

French, 1778–1847

Portrait Miniature of a Young Lady, Wearing a White Dress and Blue Shawl

Portrait Miniature of a Young Lady Wearing a Green Dress

Signed and dated Hesse 1832 (centre right) Oval, in a rectangular wooden frame 151 x 117mm

Oval, in a gold plated frame 54 x 44mm

Portrait Miniature of a Lady Wearing a White Dress with Lace Trim and a Blue and White Waistband, her Dark Hair in Ringlets

An inscription on the reverse of the frame reads Mr dear mother: given ***/by her kind sister Mrs Dougal/late of Bath Park W.E/Weddington 1872/Brackridge Hall.

£150A250

£400A600

Oval, in a gold frame with blue glass reverse 75 x 60mm Provenance: Bonhams, London, Fine Portrait Miniatures, 22 November 2006, lot 167, were purchased by the present private collector £400A600

23 22

23 ENGLISH SCHOOL Early 19th Century

Portrait of a Gentleman in Profile, Wearing a Black Coat and Blue Waistcoat 22 A COLLECTION OF 18TH AND 19TH CENTURY PORTRAIT MINIATURES

Pencil and watercolour 106 x 88mm, framed as an oval

Largest 105 x 88mm; Smallest 35 x 27mm (10)

Together with English School 19th Century; Three Silhouettes of Gentlemen in Profile; Each oval in a rectangular ebonised wooden frame; Largest 87 x 71mm; Smallest 65 x 53mm (4)

£200A300

£100A150

Ten, each on ivory, some possibly over a printed base

Lots marked may be subject to an addiUonal fee - please see ARR informaUon on page 131 • Framed images of each lot are available on www.woolleyandwallis.co.uk

PRINTS 24 ALBRECHT DURER German, 1471A1528

The Prodigal Son (Bartsch; Meder; Hollstein 28) Engraving, 1496, a good impression, on laid, no watermark, trimmed to just inside the plate 24.5 x 18.7cm; 9¾ x 7¼in (sheet) Unframed Provenance: Unidentified collector’s mark (CP within circle) (verso); and two lightly drawn dealers’ pricing codes (verso); Private Collection, Wales £3,000A5,000

25 AFTER MARTIN SCHONGAUER c.1435/50A1491

The Temptation of St Anthony Engraving, a later copy of Bartsch 47 of c.1469 73 (Schongauer’s monogram removed, S.ANTHONIUS in its place; QUI NON EST TENTATUS engraved extreme lower right) 27.7 x 21.7cm; 11 x 8½in (sheet) £200A400

26 GIOVANNI BATTISTA GHISI, IL MANTOVANO 1503A1575

AFTER GIULIO ROMANO 1499A1546

David Cutting off the Head of Goliath (B.6) Engraving, c.1540 35.5 x 45.2cm; 14 x 17¾in £100A200

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27 PIETRO TESTA

28 JAMES MALTON

Italian, 1612A1650

1761A1803

Il Liceo della Pittura (Bartsch XX.34)

`A Picturesque and Descriptive View of the City of Dublin`: Leinster House; College Library; West Front of St Patrick’s Cathedral; St Catherine’s Church, Thomas Street; Tholsel; Great Court Yard, Dublin Castle; Royal Infirmary, Phoenix Park; St Patrick’s Cathedral

Etching, published by Giovanni Giacomo De Rossi, c.1638 or later 46 x 72cm; 18 x 28¼in (sight)

Eight (from the set of twenty five), aquatints with hand colouring, published by J. Malton 1793 1797 and by J. Malton and G. Cowen, 1792 1794 26.5 x 37.5cm; 10½ x 14¾in and slightly smaller (8)

£150A250

£200A300

29 AFTER T. BLAKE

30 DOMINIQUE VIVANT, BARON DENON

act. 1811A1831

Editor, French, 1747A1825

The Interior of the Fives Court (with Randall and Turner sparring)

Voyage dans la Basse et la Haute Egypte

Aquatint with hand colouring, by C. Turner, published by W. Sims, 1825, a restrike 39 x 45.5cm; 15¼ x 18in (image) £100A150

Thirteen engravings from the suite, subjects to include Armant (`Erment`), Denderah, Elephantine (`Ile d’Elephantine`), Karnak, Luxor (`Louqsor`), Philae and Thebes (Vol. 1, pls.12, 22, 37, 95; Vol. 2, pls.36, 88; Vol. III, pls. 11, 24, 27, 28, 30; Vol. IV, pls. 16, 21); after various artists/archaeologists (including Balzac, Cecile, Chabrol & Redoute, Chabrol, Dutertre, Jollons & Devilliers, Lancret, Lepere and Monsalty); by various engravers (including Adam, Allais, Baltard, Carre, Chalin, Coupe, Dutertre, Louvel, Moisy, Phelippeaux and Prot), various sizes 70 x 69cm; 27¾ x 27¼in and smaller (13) Provenance: Probably NCM Auctions, London, Claridge’s, The Connaught and The Berkeley, 25 26 September, 2024; Dreweatts, Newbury, Guy Tobin: For the Love of Objects!, 7 January 2025, lot 72 £800A1,200

31 31 JOHANN WILHELM WEINMANN Publisher, German, 1683A1741

‘Phytanthoza Iconographia’ (pls. 542, 620, 659, 672, 716, 727) Six (from the set of 1025), engravings with hand colouring, published c.1737 1745 Each 33 x 21cm; 13 x 8¼in (plate) (6) Unframed £250A450

Lots marked may be subject to an addiUonal fee - please see ARR informaUon on page 131 • Framed images of each lot are available on www.woolleyandwallis.co.uk

32 CHARLES MERYON French, 1821A1868

La Morgue (Schneiderman 42; Delteil 36) Etching with drypoint, 1854, the 4th state of 7 22.8 x 20.2cm; 9 x 8in (plate) Provenance: P. & D. Colnaghi & Co Ltd, London, where probably purchased by Frank Norman (d.1958); By descent to Miss Anne Page (d.2000); By descent to the present owner, c.2000 £1,000A1,500

33 AFTER JOSEPH NASH 1809A1878

Windsor Castle: Green Drawing Room; St George’s Hall (2); Rubens Room; Lower Ward (Abbey Scenery 360) Five, chromolithographs or tinted lithographs with hand colouring, each bears title in ink (on support sheet lower left), published by T. McLean, 1848, with descriptive text for the plates, within original folder, as issued Each 33.5 x 47.5cm; 13¼ x 18¾in (image) (5, within folio) £150A200

34 WILLIAM WALCOT 1874A1943

Trafalgar Square; Piccadilly Circus; The Bank of England; The Banqueting House, Whitehall Four, each signed W. Walcot (in pencil to margin) Each etching with drypoint, printed with light plate tone 24.2 x 31cm; 9½ x 12¼in and smaller (4)

£400A600

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DRAWINGSF& WATERCOLOURS 35 FOLLOWER OF ANNIBALE CARRACCI Italian, 1560A1609

Putto Standing, Right Arm Raised Black chalk on paper, laid down on old washline support sheet 19.7 x 9.7cm; 7¾ x 3¾in Provenance: Two indistinct collectors’ marks (lower left) £300A500

36 EMILIAN SCHOOL, 18th Century

Venus, Adonis and Hound Pen and ink, with washes en brunaille and en grisaille

19.5 x 17cm; 7¾ x 6¾in

Provenance: Collection of Pier Giulio Breschi (L.2079b) (stamp lower right); Collection of Claudio Argentieri (L.486b) (stamp lower left)

£200A300

37 JACOPO CONFORTINI Italian, 1602A1672

Studies of a Seated Woman (the Penitent Magdalene?) Bears inscription Salupini (to verso, in ink, laid down) Red chalk on light brown paper 15.5 x 17.7cm; 6 x 7in Provenance: Nathaniel Hone (1718 1784) (Lugt 2793); Christie’s, London, Old Master Drawings, 16 April 1991, lot 157 £500A800

37 38 FOLLOWER OF MATTIA PRETI Italian, 1613A1699

Drunken Silenus (?) with Two Male Head Studies; The Ecstasy of Blessed Ludovica Albertoni (after Bernini) Two, the latter bearing inscription Sta Francesca del Bernini disegnata da Dorigny (lower centre) Both red chalk 12.5 x 18cm; 5 x 7in; 19.5 x 18cm; 7¾ x 7in, framed as one (2) £300A500

38 Lots marked may be subject to an addiUonal fee - please see ARR informaUon on page 131 • Framed images of each lot are available on www.woolleyandwallis.co.uk

39 VENETIAN SCHOOL, 17th Century

Susanna and the Elders Black chalk heightened with touches of red chalk, on blue paper, on three joined sheets 39.5 x 66.5cm; 15½ x 26¼in £500A800

40 FOLLOWER OF JEAN BAPTISTE DE LA ROSE French, 1612A1687

The Penitent St Jerome Bears signature Jan Bapte de Roose f (lower right) Sepia wash with pen and ink, laid down onto card 24.7 x 19.7cm; 9¾ x 7¾in Unframed

Provenance: The Collection of Dr Edward Peart (c.1756/8 1824), his stamp lower left corner (Lugt 892) £200A300

41 CIRCLE OF SAMUEL DE WILDE 1748/51A1832

The Dramatist, seated between Comedy and Tragedy (recto); Studies (verso) Graphite with black crayon, heightened with white chalk 31.5 x 21cm; 12½ x 8¼in £150A250

42 ATTRIBUTED TO ADRIAEN HENDRICKSZ. VERBOOM Dutch, 1627A1673

A River Landscape with Figures in a Boat 40

Brown ink on paper 15.7 x 16cm; 6>LGC x 6<LGCin Provenance: From a Distinguished Collection, London £300A500

43 JURRIAAN ANDRIESSEN Dutch, 1742A1819

Classical Landscape with Figures by a Temple Pen and dark brown ink with washes, graphite underdrawing 26.5 x 21cm; 10½ x 8¼in Provenance: The Collection of Raine, Countess Spencer; By whom given to the vendor’s late father £500A700

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44 44 JACQUES GUILLAUME VAN BLARENBERGHE

45 FOLLOWER OF CHARLES THÉODORE FRÈRE

French, c.1679Ac.1742

French, 1814A1888

Military Encampment with Horses Watering at a Fountain; Military Encampment with Figures Resting a Cart being Repaired

Constantinople

A pair, the former signed with initials J:B (lower right), the latter signed with initials J:B (lower centre) Both bodycolour on vellum Each 15.2 x 21.2cm; 6 x 8¼in (2) Provenance: Christie’s, London, Collection of Objects of Art and Decoration of Mr Edward Joseph, 12 June 1890, bt. Lady Montgomerie Currie (nee Violet Fane, 1843 1905), £17; By descent to her daughter, Sally Harbord, 1906; Sale, London, 11 March 1964, lot 216; Christie’s, New York, Old Master & Early British Drawings & Watercolours, 30 January 2014, lot 42; Private Collection

Brown ink with nib and brush on paper 14 x 20.7cm; 5¼ x 8¼in Provenance: From a Distinguished Collection, London £200A300

46 NICHOLAS POCOCK

1740A1821

The French National Frigate Vengeance striking to His Majesty’s Ship Seine, David Milne, Commander RN; His Majesty’s Ship Seine, David Milne Esq Commander, towing her Prize the French National Frigate Vengeance into Port Royal Harbour, Jamaica, 27th August 1800 A pair, both watercolour on paper, backed onto canvas, verre eglomise glass Each 50 x 69.5cm; 19¾ x 27¼in (2) £600A800

Literature: Monique Maillet Chassange and Irene de Chateau Thierry, Catalogue Raisonne des Oeuvres des Van Blarenberghe (1690-1853), (Lille, 2004), p.89, nos. 1 120 3 and 4 £800A1,200

Lots marked may be subject to an addiUonal fee - please see ARR informaUon on page 131 • Framed images of each lot are available on www.woolleyandwallis.co.uk

47 HUGH DOUGLAS HAMILTON

48 WILLIAM PARRY

Irish, c.1739A1808

1743A1791

Portraits of a Gentleman, wearing a pale coat; Portrait of a Lady wearing a grey dress with blue ribbons and a black shawl

Portrait of a Lady, identified as Miss Lovett, Half length, Wearing a Coral Dress with Lace Borders

A pair, the former signed and dated H. D. Hamilton fect 1770 (lower right) Pastels with graphite or black chalk, each framed as an oval 26.5 x 21cm; 10½ x 8¼in; 25.5 x 20 cm; 10 x 7¾in (2)

Bears inscription Miss .Lovett/ 1782 (in ink, on backboard) Pastels on paper 36 x 27cm; 14¼ x 10½in, framed as an oval

Provenance: Bonhams, Knightsbridge, British & Continental Pictures, 15 September 2009, lot 241; Alexander Schott, Munich (where identified as Mr. and Mrs Seymore)

Literature: Neil Jeffares, “William Parry”, Dictionary of pastellists before 1800, online edition, no. J.5744.1065

Literature: Neil Jeffares, “Hugh Douglas Hamilton”, Dictionary of pastellists before 1800, online edition, nos. J.375.2224 & J.375.2225

Parry drew Joseph Venables Lovett and his wife, Anne (née Sherman,1710 1780); their son Thomas (1749 1801) and his wife, Mary Jones; and some undocumented sisters.

£700A1,000

£100A200

49 AFTER OLOF ARENIUS Swedish, 1700A1766

Portrait of Field Marshal Count Augustin Ehrensvärd (1710 1772) Pastels on paper, on stretched canvas 43 x 36cm; 17 x 14¼in £100A200

50 CIRCLE OF ELLEN SHARPLES

51 GEORGE SMITH

1769A1849

c.1763Ac.1802

Portrait of Mary Williams, Seated, Half Length, Wearing a White Dress and Hat, with a Blue Spray of Flowers in a Corsage, a Landscape Beyond

Portrait of a Lady, Bust length, Wearing an Elegant White Dress with Blue Ribbon and Sash

Bears inscription Mary Williams/ Given to her most affectionate Grandchild/ Elizabeth . Moore Bennett/ on March 18th 1835 (in ink, on the backboard) Pastels 24.7 x 21cm; 9¾ x 8¼in

Signed Geo Smith and further indistinctly inscribed (lower left) Pastels on paper 53 x 42.5cm; 20¾ x 16¾in Literature: Neil Jeffares, “George Smith”, Dictionary of pastellists before 1800, online edition, nos. J.6844.161 £200A300

£200A300

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52 CHARLES JAMES RICHARDSON

53 GEORGE PYNE

1806A1871

1800A1884

The Courtyard of Somerset House from the North Wing Entrance

Rugby School

Pen and black ink with blue and grey wash, within black framing lines 45 x 75cm; 17¾ x 29½in

Signed and indistinctly dated G. Pyne. 18** (lower right) Watercolour and pencil 21 x 29.5cm; 8¼ x 11½in

Richardson was originally a pupil of Sir John Soane, but by 1832 was working for himself. There is another comparable depiction of Somerset House by Richardson, signed and dated 1833, in the collection of the Royal Institute of British Architects. We are grateful to Charles Hind, Chief Curator Emeritus at the RIBA, for his assistance with the cataloguing of this lot.

Another view of the school by Pyne, sold at Sotheby’s London, 10 November 1994 (lot 109) was dated to 1851. £300A500

£600A800

54 EDWARD DAYES

55 JOSEPH NASH

1763A1804

1809A1878

Dunkeld Cathedral, Perthshire

Figures by the Fireplace in the Drawing Room at Speke Hall

Bears inscription J. Wilke’s Circulating Drawing/ Library (paid) - 10.6/ (2)/ Dunkeld Cathedral (to verso) Watercolour and pencil, laid down on old mount with framing lines 17 x 21.7cm; 6¾ x 8½in

Signed and dated Josh Nash 1856 (lower right) Watercolour heightened with bodycolour 29.7 x 42.5cm; 11¾ x 16¾in

Provenance: Christie’s, London, British Art on Paper, 4 June 2008, lot 8 £250A350

A variant of the lithograph by Charles Hullmandel, published by Thomas McLean, for The Mansions of England in the Olden Time suite, 1839 1849. £200A300

Lots marked may be subject to an addiUonal fee - please see ARR informaUon on page 131 • Framed images of each lot are available on www.woolleyandwallis.co.uk

56 ANTHONY VANDYKE COPLEY FIELDING 1787A1855

Near Cuckfield Signed and dated Copley Fielding 1845 (lower left) Watercolour and bodycolour with stopping out, scratching out and gum arabic 24.5 x 35.5cm; 9¾ x 14in Provenance: Guy Peppiatt Fine Art Ltd, London, May 2010, where acquired by the present private collector £250A350

57 ANTHONY VANDYKE COPLEY FIELDING 1787A1855

View on the Downs near Worthing, Cusbury Hill seen through a Shower Signed Copley Fielding (lower left) Watercolour and bodycolour with stopping out, scratching out and gum arabic 25 x 38.5cm; 9¾ x 15¼in Provenance: Thomas Agnew and Son Ltd, London, 1970; Private Collection; Guy Peppiatt Fine Art Ltd, London, May 2019, where acquired by the present private collector Exhibited: London, Society of Painters in Water Colours, 1839, no.294 £250A350

58 JOHN VARLEY 1778A1842

Aberystwyth Castle Bears inscription Aberistwich Castle S. Wales/ J Varley 1807 (on old label on backboard) Watercolour 16.5 x 23.5cm; 6½ x 9¼in Provenance: Anthony Reed, London, 1986; John Spink, London, John Varley Exhibition, 2008; Christies, London, 6 July 2020, lot 99 (labels on backboard) £500A800

59 ATTRIBUTED TO JOHN VARLEY 1778A1842

Landscape with a Lake and Mountains in the Distance Watercolour 22.5 x 52cm; 8¾ x 20½in £200A300

60 JAMES DUFFIELD HARDING

1798A1863

Trees in Norbury Park Inscribed Norbury Park/ Sep.12-1857- (lower right), bears attribution James Duffield Harding (to verso) Charcoal and stump work 51 x 39.5cm; 20 x 15½in £120A180

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61 FREDERICK NASH

62 GEORGE HAYDOCK DODGSON

1782A1856

1811A1880

A Distant View of Paris

Durham Cathedral and Castle

Signed F.NASH (lower right) Watercolour 22.2 x 32.5cm; 8¾ x 13¾in

Signed and dated GDodgson/64 (lower right) Watercolour and bodycolour over traces of pencil 24.5 x 52.5cm; 9¾ x 20¾in

In 1819 1823, Nash produced a folio of studies of Paris (acquired by Sir Thomas Lawrence, PRA) and he published these as a suite of 57 engravings in Picturesque Views of the City of Paris and its Environs

£150A250

63 ATTRIBUTED TO JAMES BURRELL SMITH

64 FREDERICK CLIVE NEWCOME

1822A1897

An Italianate Lake Scene with Figures on a Track

Muckross Abbey Watercolour heightened with gum arabic 37 x 51.5cm; 14½ x 20¼in £50A70

1847A1894

Signed with initials and dated FCN 1869 (lower left) Watercolour and pencil heightened with white 34 x 53.5cm; 13½ x 21in £100A150

£100A150

65 HENRY JOHN SYLVESTER STANNARD 1870A1951

The Haycart; Herding Sheep A pair, both signed Sylvester Stannard (lower right) Both watercolour, heightened with bodycolour Each 16 x 32cm; 6¼ x 12½in (2) Provenance: Swan Gallery, Sherborne (label on one backboard) £150A250

Lots marked may be subject to an addiUonal fee - please see ARR informaUon on page 131 • Framed images of each lot are available on www.woolleyandwallis.co.uk

66 EDWARD LEAR 1812A1888

Bordighera Signed and inscribed Bordighiera [sic] Edw Lear del (in ink, lower left) Watercolour and bodycolour, with pen and sepia ink 14.5 x 22.5cm; 5¾ x 8¾in

In December 1864, Lear would have arrived in Bordighera, on the French Italian border, returning from his walking tour along the Riviera to Genoa. Shelley, a poet whom Lear much admired, had been enraptured by the place. In correspondence, Lear praised the creature comforts and admired the cleanliness, the sanitation and the cuisine. From a light four wheeled carriage called a vettura, Lear enjoyed the “poke up queer lanes & into olive woods & palm gardens to find a `view`. Very beautiful semi oriental places, & Corfu like groves of olives..”. This Italian sojourn left a strong impression: `Exit from Italy which I am vexed at.’ £5,000A7,000

67 EDWARD LEAR 1812A1888

Monaco Signed and inscribed Monaco Edw Lear del (in ink, lower right) Watercolour, with pen and sepia ink 14.7 x 22.5cm; 5¾ x 8¾in Lear wrote to his friend Chichester Fortescue in November 1864 that he ‘had no idea the Cornice was so magnificent in scenery; Eza [sic Eze] and Monaco are wondrously picturesque, and Mentone very pretty’. £4,000A6,000

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68 EDWARD LEAR 1812A1888

Nice Watercolour and bodycolour, with pen and sepia ink 14.2 x 22.5cm; 5½ x 8¾in Edward Lear’s frail constitution gave him greater comfort when he chose to pass his winters abroad. The warmer climate soothed his bronchitis, asthma, grand mal fits and `the morbids`(probably his term for incipient depression). He visited Nice each year from 1864 1870; the town had become the fashionable winter resort for the wealthy since being ceded by Italy to France in 1860. Within its streets and gardens, Lear found friends and patrons alike. Despite its climate, landscape and comfort, the South of France was not quite as isolated as Lear may have chosen. In a letter to Holman Hunt, he wrote: ‘If you want to be quiet anywhere for miles round Nice, and sit down to draw lo! presently, 30 parties of smart young ladies on donkies immediately surround you and in a twinkling the ground is white with tablecloths, and liveried servants are opening champagne bottles’.

£5,000A7,000

69 EDWARD LEAR 1812A1888

Mentone Signed and inscribed Mentone/ Edw Lear del (in ink, lower right) Watercolour, with pen and sepia ink, heightened with scratching out 14.3 x 22.3cm; 5½ x 8¾in In correspondence to a friend in November 1864, Lear wrote that he was about to ‘flee away south to Mallorca, Marseilles, Monpelier, Mentone, Malta, Malaga, Madiera I don’t know which or much care, provided the place begins with a Nem.’ During the winter of 1864 5, he made many detailed studies along much of the south coast of France.

£3,000A5,000

Lots marked may be subject to an addiUonal fee - please see ARR informaUon on page 131 • Framed images of each lot are available on www.woolleyandwallis.co.uk

70 GIULIO ROSATI Italian, 1858A1917

Arab Horsemen Signed Giulio Rosati (lower right) Watercolour 52 x 34.5cm; 20½ x 13½in £3,000A5,000

71 AUGUSTUS OSBORNE LAMPLOUGH 1877A1930

The Great Sphinx of Giza Signed A. Lamplough A.R.A (lower left) Watercolour over traces of pencil 41 x 63.5cm; 16 x 25in £3,000A5,000

72 EDWARD ANGELO GOODALL, RWS 1819A1908

A Caravan Proceeding up a Hill Signed E A Goodall RWS (lower right) Watercolour and pencil heightened with white 32.25 x 51.5cm; 12¾ x 20¼in Provenance: By descent in the family of the artist; Martyn Gregory, London; Christie’s London, Dramas of Light and Land: The Martyn Gregory Collection of British Art, 10 March 2022, lot 186 £300A500

73 CHARLES ROBERTSON, RWS 1844A1891

The Green Mosque, Damascus Signed CRobertson RWS (lower right) Watercolour 26 x 17.5cm; 10¼ x 7in £300A400

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Lots marked may be subject to an addiUonal fee - please see ARR informaUon on page 131 • Framed images of each lot are available on www.woolleyandwallis.co.uk

74 HENRY JOHN KINNAIRD 1861A1929

Old Mill near Winchester; Herding Sheep at Dusk Two, the former signed Henry J. Kinnaird (lower right) and titled Old Mill/ near Winchester (lower left); the latter signed Henry J. Kinnaird (lower left) Both watercolour heightened with white 18.5 x 27cm; 7¼ x 10½in; 12 x 22.5cm; 4¾ x 8¾in (2) Provenance: Swan Gallery, Sherborne (label on backboard) £100A150

75 HENRY JOHN KINNAIRD

76 N GERALD ACKERMANN

1861A1929

1876A1960

Haymaking

Ploughing the Field

Signed Henry J Kinnaird (lower right) Watercolour heightened with white 35 x 49.5cm; 13¾ x 19½in

Signed GERALD/ACKERMANN (lower right) Watercolour heightened with some scratching out 22.5 x 48.7cm; 8¾ x 18¼in

Provenance: Swan Gallery, Sherborne (label on backboard)

£200A300

£120A180

77 RICHARD BEAVIS

78 MORTIMER LUDDINGTON MENPES

1824A1896

1855A1908

Sussex Ox Wagon

Night Scene at Puebla

Signed and dated RBeavis/ Aug 31/63 and inscribed Sussex Ox Wagon (lower left) Watercolour and pencil, heightened with white 23.7 x 35.5cm; 9¼ x 14in

Signed Mortimer Menpes (lower right) Indian ink with brush and pen, heightened with white, on paper laid on card, c.1895 64.5 x 49.5cm; 25½ x 19½in

Provenance: Spink & Son Ltd, London (label on backboard)

£150A250

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79 SIR EDWARD JOHN POYNTER, BT. GCVO, PRA

80 DOMINGOS EQUIEPETHA

1836A1919

Portrait of a Naval Officer, Standing, Three Quarter Length, Wearing Uniform, Holding his Hat, a Sword on his Left Hip, Sailing Vessels beyond

Studies of a Female Nude Indistinctly dated Nov. 19 (on left) Red chalk 25 x 23cm; 9¾ x 9in £700A1,000

fl.c.1832

Signed and dated Domingos Equiepetha/ 1832 (lower right) Pencil and black chalk 55 x 44.5cm; 21½ x 17½in £200A300

81 ENGLISH SCHOOL, 19th Century

Portrait of a Lady, Half Length, in Profile, Wearing a Russet Dress Watercolour 18 x 15.5cm; 7 x 6 in £40A60

82 FOLLOWER OF THOMAS WILMER DEWING American, 1851A 1938

Lady in a Pink Gown Bears signature T. W. DEWING (lower right) Pastels on paper 54.5 x 40cm; 21½ x 15¾in Provenance: Waddington’s, Toronto, British, European and American Art, 12 June 2000, lot 37 (unsold) £200A300

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83 ALFRED WILLIAM HUNT, RWS

84 MYLES BIRKET FOSTER, RWS

1830A1896

The Eagle Tower, Caernarfon Castle

Twixt Land and Sea, North Wales Signed and dated A W HUNT. 1866 (lower right) Watercolour 47 x 68.5cm; 18½ x 27in

Provenance: Norman C. Cookson, 1897 Chris Beetles Ltd, London (label on backboard) Christie’s, London, The Fuller Collection of Victorian Landscape Watercolours, 7 April 2000, lot 23 (unsold) Private Collection Exhibited: London, Old Water Colour Society, Summer 1872, no.216 Liverpool, Walker Art Gallery, Memorial Exhibition of Pictures by Alfred W. Hunt, 1897, no.114 London, Burlington Fine Arts Club, Exhibition of Drawings in Watercolour by Alfred William Hunt, 1897, no.88

Signed with initials and inscribed BF Eagle Tower Carnarvon (lower left) Pencil and watercolour, heightened with white, on pale blue paper 14.2 x 24.2cm; 5½ x 9½in Literature: A. & C. Black (Publishers), Picturesque Guide Through North and South Wales, drawings by Birket Foster, engraved by Edmund Evans, 1860, p.66 (illustrated) £200A300

85 HENRY GEORGE HINE 1811A1895

Lobster Fishers at Swanage, Dorset Signed and dated H G HINE 1863 (lower left) Watercolour 23.5 x 55cm; 9¼ x 21½in Provenance: Guy Peppiatt Fine Art Ltd, London, April 2006, where acquired by the present private collector

£300A500

£200A300

86 HENRY GEORGE HINE

87 TOM LLOYD, RWS

1811A1895

1849A1910

Figures and Cattle above Swanage Bay, Dorset

Summer Morning on the Cliffs

Signed and dated HG HINE 1866 (lower left) Watercolour 32 x 59cm; 12¼ x 23¼in

1825A1899

Provenance: Guy Peppiatt Fine Art Ltd, London, February 2006, where acquired by the present private collector

Signed and dated Tom Lloyd 1904 (lower right) Watercolour 17.7 x 33.7cm; 7 x 13¼in Provenance: Richard Gardner, Petworth, December 2009, where acquired by the present private collector £150A250

£200A300

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88 TOM SCOTT, RSA

89 FREDERICK JOHN WIDGERY

1854A1927

1861A1942

Loch Landscape with a Rainbow

Lowering Cloud, Dartmoor

Signed and dated Tom Scott. 99. (lower left) Watercolour 24 x 33.7cm; 9½ x 13¼in

Signed F. J WIDGERY (lower left) Watercolour and bodycolour 49 x 75cm; 19¼ x 29½in

Possibly St Mary’s Loch, in the Borders between Selkirk and Moffat.

Possibly a view of Hound Tor. £150A250

£80A120

90 ROBERT THORNE WAITE, RWS

91 ELLIOT H. MARTEN

1842A1935

fl.1866A1910

Landscape at Dusk with Cattle Watering

Coastal Landscape, possibly in Dorset

Signed Thorne Waite (lower right) Watercolour 25.5 x 35.5cm; 10 x 14in

Signed E H Marten (lower left) Watercolour 35 x 52cm; 13¾ x 20½in

Provenance: Swan Gallery, Sherborne (label on backboard)

Provenance: E. Chrimes, Bournemouth (as `English Coast Scene`); Swan Gallery, Sherborne (labels on backboard)

£100A150

92 92 CLAUDE HAYES 1852A1922

Near Arundel Bears strengthened signature Claude Hayes (lower left), and inscribed Near Arundel Surry/Near Arundel in pencil (lower right) Watercolour over traces of pencil 37.5 x 53.5cm; 14¾ x 21in Provenance: Beryl Kendall, London (label on backboard) £150A200

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93 93 GUSTAVE PAUL LOUIS DORÉ

94 ALBERT GOODWIN, RWS

French, 1832A1883

1845A1932

Lake Landscape

Sunset, The Light Ship

Signed Gve Doré (lower left) Watercolour over traces of pencil 39.7 x 72.7cm; 15¾ x 28½in

Signed Albert Goodwin (lower right), and inscribed Sunset. The Light Ship. (lower left) Watercolour and bodycolour, with black chalk 25 x 37cm; 9¾ x 14½in

Provenance: Mrs Aked, from c.1940; Given to Colonel Brake c.1990 and thence by descent

£700A1,000

Doré is associated principally with dramatic book illustrations but his landscapes show a more personal and atmospheric interpretation of the natural world. He travelled widely through the Alps, Scotland and rural France and focused upon the sublime power of nature, with towering peaks, deep valleys, rugged cliffs and expansive skies. The watercolours show a sensitivity to weather, light and mood with atmosphere used to enhance emotional intensity. Freer brushwork and the use of transparent washes are employed with care to capture fleeting moments. Doré’s fondness for including deer in such subjects, as here, was intended to reflect both the enormity of the scene and the idyllically Edenesque mood. By exploring themes of awe, isolation, spirituality and the connection between humanity and nature, Doré’s landscapes align the artist with the purest aspects of the Romantic tradition. £2,000A3,000

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95 ALBERT GOODWIN, RWS 1845A1932

Nile Banks, Cairo Signed Albert Goodwin (lower right), and inscribed Nile Banks Cairo (lower left) Watercolour and bodycolour with pen and black ink 24.5 x 36cm; 9¾ x 14¼in £1,500A2,500

95 96 ALBERT GOODWIN, RWS 1845A1932

Engelberg Signed and dated 1915/ Albert Goodwin (lower right), and inscribed Engelberg (lower left) Watercolour and bodycolour with pen and black ink and scratching out 24.5 x 36.5cm; 9¾ x 14¼in £800A1,200

Lots marked may be subject to an addiUonal fee - please see ARR informaUon on page 131 • Framed images of each lot are available on www.woolleyandwallis.co.uk

97 EVGENI EVGENIEVICH LANCERAY Russian/French, 1875A1946

Northern Fishing Outpost Signed and dated E Lancere 1902 (lower right) Gouache 18.5 x 28.5cm; 7¼ x 11¼in Provenance: Ivan Mikhailovich Stepanov, editor and publisher, Derzhavin House, Fontanka, St Petersburg; Sotheby’s, London, The Russian Sale, 14 December 1995, lot 254 (when sold with a postcard of the same subject) £600A800

97 98 WILLIAM WALCOT 1874A1943

Piazza S. Pietro, Rome Signed and dated W. WALCOT/ 1908 (lower left) Watercolour and pencil with touches of gum arabic 17 x 26.5cm; 6¾ x 10½in Provenance: The Fine Art Society Ltd, London, 1909 (according to inscription to backing board)

£200A400

99 WILLIAM YORK MACGREGOR Scottish, 1855A1923

A Fishing Village Signed and dated W Y Macgregor 1904 (lower left) Watercolour and black chalk heightened with bodycolour 38.8 x 49.5cm; 15¼ x 19½in Provenance: Dreweatt Neate, Newbury, 23 February 2000, lot 117, where purchased by the present private collector; Property from Burghclere House, Hampshire £300A500

100

101 WILLIAM TATTON WINTER, RBA

101

1855A1928

100 HARRY GOODWIN

On the Road to St Valery, France

1842A1925

Lucerne Twilight Signed with monogram HG and dated 1890 (lower left), bears inscription or inscribed Dudley Gallery. March 1892./ 1 Lucerne Twilight/ Harry Goodwin/ Old Town House/ Croydon/ Taken from the Hotel des Balances (apparently in two hands, on label on backboard) Watercolour with pen and ink and pencil, heightened with bodycolour 53.5 x 34.5cm; 21 x 13½in

Signed TATTON WINTER. (lower right) Watercolour with scratching out 43.5 x 43.5cm; 17 x 17in Provenance: Swan Gallery, Sherborne £100A150

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102 CECIL CHARLES WINDSOR ALDIN

103 HELENA J. MAGUIRE

1870A1935

1860A1909

A Farmer Greets a Huntsman

Shelter from the Shower

Signed CECIL ALDIN (conjoined, lower left) Pen and black ink with coloured washes, on ivorine 12.7 x 17.7cm; 5 x 7in Unframed

Signed Helena Maguire (lower right) Watercolour heightened with scratching out 74.5 x 52.5cm; 29¼ x 20¾in

£300A400

£800A1,200

104 WILLIAM PAGE ATKINSON WELLS Scottish, 1872A1923

102

Feeding the Chickens Signed Wiliam Wells (lower right) Watercolour heightened with bodycolour and scratching out 30.7 x 25.8cm; 12 x 10¼in Provenance: Duncan R. Miller Fine Arts, London £300A500

105 WILLIAM PAGE ATKINSON WELLS Scottish, 1872A1923

Tending Geese Signed William Wells (lower right) Watercolour heightened with bodycolour and scratching out 30.2 x 35.5cm; 11¾ x 14in Provenance: Duncan R. Miller Fine Arts, London £300A500

106 WILLIAM PAGE ATKINSON WELLS

103

104

105

106

Scottish, 1872A1923

Mussel Gatherers Signed and dated William Wells 09 (lower left), and inscribed Mussel Gatherers/William Wells./Sunderland Point where cotton/was first carried from the West/Indies (to label) Watercolour heightened with bodycolour and scratching out 18 x 24.2cm; 7 x 9½in Provenance: Duncan R. Miller Fine Arts, London £300A500

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107

108

109

110

107 WILLIAM HENRY HUNT

108 ENGLISH SCHOOL

1790A1864

c.1900

Grapes, Medlars, Walnuts, Chestnuts and Capsicums and Chilli, South of Spain

A Vase of Sunflowers upon a Draped Table

Signed W. HUNT (lower right), and bears inscription and signature Grapes, Medlars Walnuts Chestnuts and Capsicums and Chilli/ South of Spain/ William H Hunt (to verso) Watercolour 21 x 26cm; 8¼ x 10¼in

With ESK blindstamp (Examined South Kensington) (lower left) Watercolour and pencil 32 x 43cm; 12½ x 17in £100A150

£800A1,200

109 FRENCH SCHOOL,

110 ERWIN GRANNER

Early 19th Century

20th Century

Study of Wild Flowers

Coat of Arms of The Austrian Empire

Black and red chalk, heightened with white chalk 40 x 51cm; 15¾ x 20in

Signed ERWIN GRANNER (lower right) Watercolour 28.5 x 45cm; 11¼ x 17¾in

£200A300

£150A250

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111 111 WILLIAM LIONEL WYLLIE, RA

112 WILLIAM LIONEL WYLLIE, RA, RE

1851A1931

Nelson’s Old Flagship HMS Victory Dressed Overall as usual for Trafalgar Day every 21st October

Beach Scene with Figures and Fishing Boats

Signed W L Wyllie (lower right) Watercolour and pencil 33 x 49.5cm; 13 x 19½in

Signed W L Wyllie (lower left) Watercolour 13.5 x 43cm; 5¼ x 17in £300A500

£4,000A6,000

112

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113 113 M. T. HLA

114 M. T. HLA

Burmese, 1874A1946

The Fort, Mandalay; The Royal Lake and the Shwedagon Pagoda

Portrait of a Gentleman Wearing a Turban; Portrait of a Lady Wearing a Red Necklace

Two, both signed M T Hla (lower right and lower left respectively) Both watercolour 18 x 26.5cm; 7 x 10½in; 12.7 x 18cm; 5 x 7in (2) Provenance: By family descent to the present owner £400A600

A pair, both signed M T Hla (lower right) Both watercolour Each 21.5 x 17cm; 8½ x 6¾in (2) Provenance: By family descent to the present owner £300A500

114

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115 MUGHAL SCHOOL, AFTER USTAD MANSUR d.1624

Turkey Cock Watercolour and bodycolour, within a scrolling floral border 14.5 x 11cm; 5¾ x 4¼in (image) The subject derives from a drawing of a turkey cock produced for the Mughal emperor Jahangir (r. 1605 1627), recording the arrival of this exotic creature in 1612. Muqarrab Khan introduced an intriguing variety of foreign fauna to the Court after a consignment had arrived at the port of Cambay (now Gujarat) on the western coast. £300A500

116 ANGLO-INDIAN SCHOOL 115

116

18th Century

Twelve Sketches of Indian Subjects Nine inscribed in ink Courez, Courez, Victoire; Why sare vat make you use `em so/ I suppose he think I can’t see him because he out of my sight; If I had yo.. Down here I would be on you all the w.. Down; arrah honey be quiet I can’t tell you vat it is; If I had two such boats I’d give the Devil one to take the others away; Tunder alive te ye I wish I had my shillela; Il n’y en a déjà que trop; A tempiores A Morery (some inscriptions indistinct) Most with ink writing, figure studies or sketches verso (some possibly by a younger hand) Watercolour 11 x 16.5cm; 4¼ x 6½in approx (framed as three) £200A300

117 AFTER THOMAS DANIELL, RA 1749A1840

117

Sher Shah’s Mausoleum, Sasaram Watercolour 46 x 64.5cm; 18 x 25½in After Daniell’s oil (97 x 136cm) of 1810 (Tate Collection). £150A200

118 PATNA SCHOOL c.1830

Gentlemen of Distinction out Hunting Watercolour on European paper 32 x 50cm; 12½ x 19¾in Provenance: Eyre & Hobhouse, London (label on backboard) £500A700

118 Lots marked may be subject to an addiUonal fee - please see ARR informaUon on page 131 • Framed images of each lot are available on www.woolleyandwallis.co.uk

OILFPAINTINGS

119 119 EAST ANGLIAN SCHOOL Late 15th Century

The Assumption of the Virgin Oil and tempera on coarse linen 134 x 166cm; 52¾ x 65¼in Unframed Provenance: Mallett at Bourdon House, London; Private Collection; Rosebery’s, Old Master, British & European Pictures, 9 July 2024, lot 1; Where purchased by the present private collector Literature: Denys Sutton, English Medieval Paintings Newly Discovered in Norfolk Apollo, Volume III, 220 (1980), p.464 465 This picture, known as a dorsarium, is one of six such works discovered in East Anglia in 1980. Intended as a wall hanging for a church, such pictures were used as decoration from the 13th century until the end of the 15th century. Three possibilities have been suggested as the place of origin: the private chapel of the Lucas family house at Saxham, near Bury St Edmunds; the church of the Holy Trinity at Long Melford; or perhaps even the Abbey church of St Edmund in Bury St Edmunds. Sutton describes how, ‘When Bury Abbey church sustained a great and terrible fire in 1465, every effort would have been made to replace what was destroyed’, an era that tallies closely with Sutton’s proposed dating of this work. £5,000A7,000

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120

120 FLEMISH SCHOOL c.1700

The World Reversed or The Hares’ Revenge Oil on canvas 166.2 x 211cm; 65½ x 83in Provenance: The Eyre Family, Newhouse, Redlynch, Salisbury, by 1871, and by repute earlier commissioned by them; And by family descent Literature: John Gough Nichols, The Herald and Genealogist, vol.6 (London, 1871), p.460; Country Life, 31 July 1926, p.179; Arthur Foss and Rosemary Joekes, Country House Treasures of Britain (National Trust, 1980), p.245 This extraordinary painting is part of a tradition of pictures, showing animals taking revenge on hunters and their dogs, that dates to the early seventeenth century. An anonymous engraving published by Theodoor Galle in 1604 is

entitled Wild animals taking their revenge on hunters and hunting-dogs. The earliest depiction of hares alone turning the tables on man is in a ceiling fresco in the villa of Bucovice in Moravia, in a chamber known as the zajeci sal (Hall of Hares). Dating from c.1637, this fresco perhaps reflects the tumultuous world of Central Europe during the Thirty Years War. It may be that it had a source in a print also available to later painters of this subject, since like the present picture, the much earlier fresco also includes a huntsman being tossed in a blanket. Two further variants of this work are known, one previously at Hampton Court Leominster, and the other at Tetton House, Taunton. For all its recorded history, our painting has belonged to the Eyre (later Eyre Matcham) family and hung at Newhouse, Wiltshire, known for its links to Nelson and for being one of only two ‘trinity’ houses in Britain. A letter to Country Life in 1927 suggested that the painting was painted for the family as a pun on their name, which was originally Le Heyr, but in any case the painting was certainly in situ, and attracting comment from visitors, by the mid nineteenth century. Various attributions have been suggested, including Van Kessel and Ridinger, and dates ranging from 1640 to 1715. £10,000A15,000

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121

122

123

124

121 FOLLOWER OF GILLIS VAN TILBORGH THE YOUNGER

122 CIRCLE OF PIETERS NEEFS THE YOUNGER

Dutch, c.1625Ac.1678

c.1620Ac.1675

The Soldier’s Meal

Procession in a Church Interior

Oil on panel 24.2 x 34.5cm; 9½ x 13½in

Oil on canvas laid on panel 28 x 41cm; 11 x 16in

£200A300

£300A500

123 AFTER DAVID TENIERS THE YOUNGER

124 AFTER DAVID TENIERS THE YOUNGER

Dutch, 1610A1690

1610A1690

Peasants Merry making

Boors Drinking and Smoking in an Inn

Oil on panel 49 x 67.5cm; 19¼ x 26½in

Oil on panel 20.5 x 26cm; 8 x 10¼in

After the original composition in The Prado, Madrid

£150A250

£400A600

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125 ANTWERP SCHOOL c.1530

The Adoration of the Magi Oil on panel with arched top 101.2 x 69.8cm; 39¾ x 27½in Provenance: In the family of the present owner by 1916; And by descent Another version of this composition is in the Royal Collection (RCIN 403955), attributed to a Follower of Pieter Coecke van Aelst. £10,000A15,000

125

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127

126

128

129

126 AFTER AELBERT JACOBSZ. CUYP

127 MANNER OF JAN VAN DER CAPELLE

128 AFTER GERBRANDT VAN DEN EECKHOUT

1620A1691

Dutch, 1626A1679

Dutch Hoys Inshore Waiting for Trade

Portrait of an Elderly Lady, Seated, Three Quarter Length, in a Black Costume with White Ruff and Lace Cap

French, 1600A1638

Mountainous Landscape with Cattle and Ruins Oil on copper 19.7 x 25.5cm; 7¾ x 10in

Oil on panel 22.5 x 29.5cm; 8¾ x 11½in

Bears signature, date and inscription Aetatis suae/64/1651/G.V.Eeckhout (centre left, strengthened) Oil on panel 81 x 68.2cm; 32 x 26¾in

Oil on canvas, within an oval, laid on panel 39 x 34.5cm; 15¼ x 13½in Unframed

Provenance: Bonhams, Knightsbridge, British, Continental and Old Master Pictures, 17 June 2008, lot 15

£150A250

After the original composition by Cuyp, c.1642 5 (Rijksmuseum, Amsterdam). £150A250

£200A300

Dutch, 1621A1674

129 FOLLOWER OF JACQUES BLANCHARD Portrait of a Lady, Wearing Pearls in her Hair

After the original composition at the Musee Goya, Castres. £600A800

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130 STUDIO OF FRANS FLORIS Flemish, c.1519A1570

Heracles wearing the Pelt of the Nemean Lion Oil on panel 50 x 41.5cm; 19¾ x 16¼in Provenance: Collection of Legationstrat Dr. R. Krippl Redlich (label on reverse); Bonhams, Knightsbridge, British & European Pictures, 11 September 2012, lot 61 £300A500

131 AFTER SIR ANTHONY VAN DYCK Flemish, 1599A1641

Study of a Bearded Man resting his Head on his Hand Bears inscription Jacobus Robusti/ Il Tintoretto (in ink, verso) and remains of an inscribed label Oil on canvas 20.2 x 17.2cm; 8 x 6¾in

130

131

132

133

This is derived from a study by Van Dyck, c.1615 17 (Munich, Alte Pinakhotek) that was used for the apostle to the right of Christ in Rubens’ `Christ in the House of Simon the Pharisee` (Petersburg, Hermitage). £120A180

132 CIRCLE OF ADRIAEN VAN DER WERFF Dutch, 1659A1722

Venus and Cupid with a Putto Oil on canvas 46.5 x 40cm; 18¼ x 15¾in £500A800

133 ITALO-FLEMISH SCHOOL, Late 17th Century

Lazarus and the Angels Oil on panel 48.5 x 42cm; 19 x 16½in £400A600

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134 CIRCLE OF ANGELO MARIA CRIVELLI Italian, 1660A1730

A Turkey and other Fowl Oil on canvas 120.5 x 99cm; 47½ x 39in Unframed £1,000A1,500

134 135 FOLLOWER OF JACQUES COURTOIS, IL BORGOGNONE French, 1621A1676

A Cavalry Skirmish on a Stone Bridge over a River Oil on canvas 31 x 73.5cm; 12¼ x 29in £250A350

135 136 FOLLOWER OF PHILIPP PETER ROOS, CALLED ROSA DA TIVOLI German, 1655A1706

Study of Four Sheep Oil on canvas laid on board 32 x 48cm; 12½ x 19in £800A1,200

136

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137 FOLLOWER OF WILLEM VAN AELST Dutch, 1627Ac.1683

Still Life of Peaches, Grapes, a Cut Melon and a Wine Bottle upon a Draped Table Oil on canvas 114.5 x 93.5cm; 45 x 36¾in £1,000A1,500

138 FOLLOWER OF PIETER CASTEELS III Flemish, 1684A1749

Still Life of Flowers Oil on canvas 76 x 62cm; 30 x 24½in Provenance: Collection of Peter Kaufmann (label on stretcher) £600A800

139 CIRCLE OF JEAN GEORGES HIRN French, 1777A1839

A Bunch of Grapes Oil on copper, within a part painted oval 18 x 14cm; 7 x 5½in £800A1,200

137

138

139

Lots marked may be subject to an addiUonal fee - please see ARR informaUon on page 131 • Framed images of each lot are available on www.woolleyandwallis.co.uk

140 FOLLOWER OF SOFONISBA ANGUISSOLA Italian, 1532A1629

Portrait of a Young Gentleman, Standing Three Quarter Length, wearing a Black Doublet and White Ruff Collar Inscribed CAROLUS. B./ ... ANOR. (centre right) Oil on canvas 105 x 76cm; 41¼ x 30in Provenance: Private Collection, Somerset £800A1,200

141 NEAPOLITAN SCHOOL 18th Century

Portrait of a Nobleman, Seated, Three Quarter Length, Wearing Robes Decorated with Lace, Holding a Folio Oil on canvas 132 x 94.5cm; 52 x 37¼in £500A800

142 CIRCLE OF CHRISTIAN SEYBOLD German, 1697A1768

Portrait of a Lady, Head and Shoulders, Wearing a Blue Velvet Hat Oil on canvas 44.5 x 36cm; 17½ x 14¼in Provenance: Bonhams, Knightsbridge, British and Continental Pictures, 1 March 2011, lot 242

140

141

£600A800

142 Visit www.woolleyandwallis.co.uk to read the full Terms & CondiUons

143 CIRCLE OF CARLO CERESA Italian, 1609A1679

Portrait of a Young Lady, Standing, Full Length, Wearing a Blue Dress with Lace Sleeves, Holding a Book, before a Red Swag Oil on canvas 196 x 106cm; 77¼ x 41¾in Provenance: Christie’s, London, Old Master Paintings, 30 October 1987, lot 133; Bonhams, London, Old Master Paintings, 21 October 2020, lot 114; Bonhams, London, Old Master Paintings, 13 18 February, 2025, lot 96 £2,000A3,000

143 Lots marked may be subject to an addiUonal fee - please see ARR informaUon on page 131 • Framed images of each lot are available on www.woolleyandwallis.co.uk

144 MANNER OF SIR GODFREY KNELLER, BT. 1646A1723

Portrait of King William III, Half Length, Wearing Armour, Lace Jabot and a Long Wig, within a Painted Oval Oil on canvas 76.5 x 64cm; 30 x 25¼in Unframed £400A600

145 FOLLOWER OF SIR PETER LELY 1628A1682

Portrait of King Charles II, Half Length, wearing Garter Robes and Chain Oil on canvas 78 x 64.5cm; 30¾ x 25½in

144

145

Provenance: The Davies Cooke Collection, Gwysaney Hall, North Wales; Dreweatts, Newbury, Old Master, British and European Art, 11 June 2025, lot 17 £800A1,200

146 ENGLISH SCHOOL c.1700

Portrait of Col. Edward Thornycroft, Three Quarter Length, Wearing Armour and a Long Wig, a Castle Ablaze Beyond Oil on canvas 37.3 x 28.6cm; 14¾ x 11¼in £150A250

147 AFTER SIR GODFREY KNELLER, BT. 1646A1723

146

147

Portrait of Queen Anne, Half Length, Wearing a Dress Decorated with Pearls and Ermine Trimmed Robes, in a Painted Oval Oil on canvas 35.5 x 30.5cm; 14 x 12in £800A1,200

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148 148 FOLLOWER OF PIETER NASON Dutch, c.1612A1688/90

Portrait of a Young Gentleman, Standing, Three Quarter Length, Wearing a Silver Grey Tunic with Gold Bands and a Red Mantle, in a Park Landscape Bears inscription Prince Rupert/ painted by/ Wm Dobson (in ink, on later label on stretcher) and Prince Rupert/ painted by Wm Dobson (in ink, on later label on frame) Oil on canvas 123 x 101cm; 44½ x 39¾in Provenance: Collection of Capt. Richard Henry Prior Wandesforde (1870 1956); Auction, 25 February 1982, lot 96 (untraced); Private Collection, Somerset £3,000A5,000 Lots marked may be subject to an addiUonal fee - please see ARR informaUon on page 131 • Framed images of each lot are available on www.woolleyandwallis.co.uk

149 CIRCLE OF ROBERT BYNG 1666A1720

Portrait of Three Children with a Pet Spaniel Oil on canvas 110.5 x 96.5cm; 43½ x 38in £1,500A2,000

149

150 FOLLOWER OF CHARLES JERVAS c.1675A1739

Portrait of a Lady, Half Length, Wearing a Blue and Red Dress, in a Landscape Bears later inscription Cln. Earl March/ Duchess Malbrough [sic]/ B-Rf.. (to verso) Oil on panel, oval 29 x 25cm; 11½ x 9¾in £200A300

150

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151 CIRCLE OF JOHN THEODORE HEINS SENIOR AngloAGerman, 1697A1756

Portrait of a Girl, Standing Full Length, Wearing a Blue Dress and a Red Mantle, Flowers to her Left, a Playful Dog at her Right Side Oil on canvas 127 x 103.5cm; 50 x 40¾in Provenance: Bonhams, Knightsbridge, Old Master Paintings, 28 October 2009, lot 117 £2,000A3,000

151

152 FOLLOWER OF JOHN THEODORE HEINS German, 1697A1756

Portrait of a Child, Standing, Full Length, in a Landscape, Wearing a Floral Patterned Dress and Red Coat, Holding a Robin Oil on canvas 112.5 x 87.5cm; 44¼ x 34½in Provenance: Reeman Dansie Auctions, Colchester, Fine Art Sale, 24 November 2009, lot 802; Dreweatts, Newbury, Old Master, British and European Art, 4 November 2025, lot 147 (as English School, 18th Century) £1,200A1,800

152

Lots marked may be subject to an addiUonal fee - please see ARR informaUon on page 131 • Framed images of each lot are available on www.woolleyandwallis.co.uk

153 153 FOLLOWER OF ISAAC WHOOD 1688/9A1752

Portrait of the Rev. John Lewes of Bath, Quarter Length, Wearing a Brocaded Red Coat, Armour Breastplate and White Chemise, in a Painted Oval Oil on canvas 76 x 63.5cm; 30 x 25in £200A400

154 154 ENGLISH SCHOOL, c.1700

Portrait of a Girl, Half Length, Wearing a Blue Dress and Holding Flowers Oil on canvas 46 x 38.5cm; 18 x 15¼in, framed as an oval Provenance: Dreweatts, Newbury, 4 June 2008, lot 129 £400A600

155

156

155 FOLLOWER OF THOMAS HICKEY

156 CIRCLE OF JOHN DOWNMAN

1741A1824

1749A1824

Portrait of a Gentleman, Half Length, Wearing a Pale Grey Coat with Gold Buttons and Braid

Portrait of a Gentleman, Bust Length, Wearing a Dark Red Coat and Mustard Waistcoat

Oil on canvas, oval 29.5 x 24.5cm; 11½ x 9¾in

Oil on canvas, mounted oval 26 x 21cm; 10¼ x 8¼in

£150A250

£200A300

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157 157 FOLLOWER OF HANS HYSING Swedish, 1678A1752/3

Portrait of a Lady, traditionally identified as Lady Rachael Russell, Bust Length, Wearing a Black Dress and a Black and Grey Headdress Oil on canvas 71 x 59cm; 28 x 23¼in A later label on the stretcher reads No.43/ Fine Portrait, believed to be/ Lady Rachael Russell/ in the widow’s cap of the day/ Purchased at the Aston Hall/ sale/ query by/ Walker.

158 158 CIRCLE OF PHILIPPE MERCIER FrancoAGerman, c.1689A1760

Three Musicians: Portrait of a Lady, with a Boy Playing a Lute and a Girl Playing a Triangle Oil on canvas 127.5 x 104cm; 50 x 41in

159 PIERRE ALEXANDRE WILLE

Provenance: Woolley & Wallis, Salisbury, Old Master, British and European Pictures, 12 September 2017, lot 360

French, 1748A1821

£1,500A2,500

£800A1,200

Father and Daughter: Threading the Needle Bears possible traces of a signature (lower right) Oil on canvas 49 x 57cm; 19¼ x 22½in

159

Provenance: Woolley & Wallis, Salisbury, Old Master, British & European Paintings, 15 March 2017, lot 354 £1,000A1,500

Lots marked may be subject to an addiUonal fee - please see ARR informaUon on page 131 • Framed images of each lot are available on www.woolleyandwallis.co.uk

160 CUZCO SCHOOL St Isidore the Labourer Oil on canvas 95.7 x 72.5cm; 37¾ x 28½in £500A700

161 CUZCO SCHOOL St Michael the Archangel Oil on canvas 77.5 x 58.5cm; 30½ x 23in £200A300

162 RUSSIAN SCHOOL Icon of Mother of God of Tikhvin, with Ss. Peter and Onuphrius Oil or tempera on wood, the white metal oklad offered separately 31 x 26.5cm; 12¼ x 10½in; Oklad 34.5 x 26.75cm; 13½ x 10½in (2) £150A200

160

161

162

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163

163 SPANISH COLONIAL SCHOOL c.1737

The Flight into Egypt Bears inscription DIERON DE LIMOSNA ESTE QU/ ESTE TEMPLO DEL SANTUA/ BELEM ENTRE SALBADOR SA/ FERES JOSEPH CASTILLO MU/ JOSEPH LEON CASTILLO MU/ JOSEPH LEON DE GARABITO/ TO I PEDRO NOLASCO CA/ CABOS DELA MARCHA DEL A/ 1737 (lower right) Oil on canvas 212.2 x 227.7cm; 83½ x 89½in £2,000A3,000

Lots marked may be subject to an addiUonal fee - please see ARR informaUon on page 131 • Framed images of each lot are available on www.woolleyandwallis.co.uk

164

164 CIRCLE OF JEAN BAPTISTE OUDRY

165 WILLIAM ELMER

French, 1686A1755

1762A1799

A Pointer Espying a Pheasant

Portrait of Edward William Scott (1783 1836), Standing Full Length, Wearing a Green Suit, Holding a Hoop, with a Dark Bay Horse; Portrait of James Smyth Scott (1782 1854), Standing Full Length, Wearing a Green Suit, with a Light Bay Horse

Oil on canvas 77.5 x 132cm; 30½ x 52in £3,000A5,000

A near pair, the latter signed and dated W Elmer Dublin/ 1790 (lower centre) Both oil on canvas 101.5 x 127cm; 40 x 50in; 101.5 x 126cm; 40 x 49½in (2) Provenance: By descent in the family of the sitters Elmer, born and raised in Farnham, lived in Ireland from 1788 c.1796 before returning to Surrey. £10,000A15,000

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165

Lots marked may be subject to an addiUonal fee - please see ARR informaUon on page 131 • Framed images of each lot are available on www.woolleyandwallis.co.uk

166

167

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168

166 J. COOK

167 THOMAS WHITCOMBE

168 SAMUEL WALTERS

fl. 1720A1760

c.1763Ac.1824

1811A1882

An English Frigate in Two Positions off the ‘White Cliffs’ of the South Coast

An English Frigate Signalling her Number off an Anchorage

Oil on canvas 64 x 127cm; 25¼ x 50in

Oil on canvas 63 x 91cm; 24¾ x 25¾in

The Barque Lady Charlotte in Two Positions off the South Stack, Holyhead, with the Pilot Cutter Close By

Biographical details about J. Cook are unexpectedly scant. Evidently a follower of the Van de Veldes, his subject matter was principally Mediterranean ports and harbours and he painted a number of topographical views of Alexandria in Egypt.

Provenance: Frost & Reed Ltd, London, as one of a pair (label on frame) £1,500A2,000

Oil on canvas 57 x 84.5cm; 22½ x 33¼in Provenance: N. R. Omell, London, 21st Annual Marine Paintings Exhibition, no.31 (label on frame) £4,000A6,000

£1,000A1,500

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169 WILLIAM JOHN HUGGINS 1781A1845

Two English Frigates on a Converging Course Signed W.I.Huggins (lower left) Oil on canvas 38 x 52cm; 15 x 20½in £2,000A3,000

169

170 FOLLOWER OF THOMAS LUNY 1759A1837

Vessels in a Stiff Breeze off a Headland with a Ruined Castle Bears initials TL on spar (lower right) Oil on canvas 45 x 62.5cm; 17¾ x 24½in £1,000A1,500

170

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171

171 JAMES EDWARD BUTTERSWORTH 1817A1894

A First Rate Ship Of The Line Heeling Over in a Choppy Sea Offshore, with other Vessels Nearby Signed J E Buttersworth (lower right) Oil on canvas 69 x 91cm; 27¼ x 35¾in £10,000A15,000

171 (framed)

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172

172 ANTON SCHRANZ German, 1769A1839

The Parthenon of the Acropolis, Athens, Greece Oil on canvas 36.5 x 56.5cm; 14¼ x 22¼in £6,000A8,000

172 (framed)

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173

173 ANTON SCHRANZ German, 1769A1839

A View of Nafplio, Greece, possibly with the Battle of Nauplia in the Distance Oil on canvas 37.5 x 60cm; 14¾ x 23½in £6,000A8,000

173 (framed)

Lots marked may be subject to an addiUonal fee - please see ARR informaUon on page 131 • Framed images of each lot are available on www.woolleyandwallis.co.uk

174 THOMAS BEACH 1738–1806

Portrait of George John Audley, Merchant of Liverpool, three quarter length, standing in an interior, wearing a brown coat and yellow waistcoat and breeches Signed and dated T Beach/1793 (lower right) Oil on canvas 127.1 x 102.3cm; 50 x 40¼in Provenance: John Audley (1806 1885), grandson of the sitter by 1843; By descent to George Audley (1864 1932); Sold by his executors Christie’s, London, 12 May 1932, lot 12, where purchased by Fane (15 gns); Christie’s, London, 25 April 1958, lot 106, where purchased by Sherborn (24 gns); Sotheby’s, London, 15 July 1959, lot 162, where purchased by Sawyer (£50); Walker Art Gallery, Liverpool, 1973 (on loan); Sotheby’s, London, 10 July 1991, lot 130; Sotheby’s, London, 12 May 1993, lot 14 Literature: Elsie S. Beach, Thomas Beach A Dorset Portrait Painter (1934), p.54, no.5 Mary Bennett, Merseyside Painters, People & Places, vol. 1 (Walker Art Gallery, 1978), p.33, L136 £500A700

174 175 AFTER GILBERT STUART 1755A1828

Portrait of a Gentleman, traditionally identified as The Rt Hon. John Beresford (1738 1805), Quarter Length, Wearing a Buff Coat, Mustard Waistcoat and White Stock Oil on canvas 76.5 x 63.5cm; 30 x 25in Unframed Provenance: The Collection of John D. Beresford, 1948 (by gift) This 19th century copy may derive from the mixed method engraving of the sitter by William Sharp (published 1796). £400A600

175

176

176 CIRCLE OF SIR MARTIN ARCHER SHEE, PRA 1769A1850

Portrait of a Gentleman, Quarter Length, Wearing a Dark Blue Coat, Cream Waistcoat and Stock Bears indistinct inscriptions verso (Martin Shee and possibly George Shackram/ of Twickenham Lodge) Oil on canvas 76 x 64cm; 30 x 25¼in £300A500

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177 FRENCH SCHOOL, Early 19th Century

Portrait of a Gentleman, Bust length, Wearing a Dark Coat, Pale Grey Waistcoat and Blue Cravat Oil on canvas 71 x 57cm; 28 x 22½in £700A1,000

178 ENGLISH SCHOOL c.1800

Portrait of a Gentleman, Half Length, Wearing a Black Coat and Waistcoat Oil on canvas 76.3 x 63.6cm; 30 x 25in £200A300

179 FOLLOWER OF SIR THOMAS LAWRENCE, PRA 1769A1830

Portrait of a Gentleman, Half Length, Wearing a Black Coat and White Stock Oil on canvas 76.5 x 63.7cm; 30 x 25in £250A350

177

178

179

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180 SIR HENRY RAEBURN, RA, RSA 1756A1823

Portrait of Robert Spears, Quarter Length, Wearing a Dark Coat, Yellow Waistcoat and White Stock Oil on canvas 76.5 x 63.5cm; 30 x 25in Provenance: By descent in the family of the sitter Private Collection, Buckinghamshire £3,000A5,000

180 181 CIRCLE OF ARTHUR WILLIAM DEVIS 1762A1822

Portrait of General Alexander Ross (1742 1827), Half Length, Wearing Uniform Oil on canvas 76.5 x 64cm; 30 x 25¼in Provenance: Charles Ross (1799 1860), son of the sitter, and Lady Mary Cornwallis (1804 1872), granddaughter of General Sir Charles Cornwallis, 1st Marquess Cornwallis; And by family descent Ross’s career spanned major conflicts of the later Georgian era. He entered the Army at the age of 18, joining the 50th Regiment of Foot. He rose steadily through the ranks, serving nobly in the War of Independence and later in campaigns associated with the French Revolution and the Napoleonic Wars. Capable, dependable and sagacious, Ross’s experience earned him steady promotion to the rank of General (1812) and throughout his service he showed great efficiency in the training, organisation and management of regiments. He had married Isabella Barbara Evelyn, daughter of Sir Robert Gunning, Bt. in 1795 and Ross’s close friendship with Lord Cornwallis (see lot 182) was reflected in the three volumes of correspondence between the two men (edited by his son Charles in 1859). £1,000A1,500

181

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182 182 JOHN HOPPNER, RA AND STUDIO 1858A1810

Portrait of Charles Cornwallis, 1st Marquess and 2nd Earl Cornwallis (1738 1805), Half Length, in Uniform, wearing the Sash and Star of The Order of the Garter Oil on canvas 76.5 x 63.5cm; 30 x 25in Provenance: Charles Ross (1799 1860), son of General Alexander Ross, and Lady Mary Cornwallis (1804 1872), granddaughter of the sitter; And by family descent Charles Cornwallis (1738 1805) was educated at Eton and at Cambridge and succeeded to the Earldom in 1762. He married Jemima Tullekin Jones in 1768 and flourished in the Army where he was promoted to Major General by 1775, playing a significant role in the American War of Independence. In 1778, he was promoted once again to Lieutenant General and served under General Sir Henry Clinton, taking charge of the south in 1780 but the surrender at Yorktown (1781) signalled the end of the War. Cornwallis was made a Knight Companion of the Most Noble Order of the Garter in 1786 and appointed Governor General and Commander in chief of India, where he remained for seven years. He was created a Marquess in 1792 and returned to Britain before becoming Commander in chief of Ireland in 1798. In collaboration with Viscount Castlereagh, the Chief Secretary to Ireland, Cornwallis played a decisive role in the passing of the Act of Union between Great Britain and Ireland in 1800. The lure of India drew him back in 1805 and he served as Governor General but he died from a fever just two months later. He was interred at Gausput in Ghazipur, overlooking the Ganges River, a site that is now a protected monument. £3,000A5,000

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183

184

185

186

183 DAVID COX SENR, OWS 1783A1859

Homeward Bound Bears indistinct inscriptions in ink on stretcher, including belongs to David Cox Junior

Oil on canvas

28 x 37cm; 11 x 14½in Provenance: Thos. Agnew & Sons Ltd, London, as `Homeward Bound` (no date, no.10369, label attached to reverse of frame)

184 FOLLOWER OF JOHN CONSTABLE, RA

185 AFTER JOSEPH MALLORD WILLIAM TURNER, RA

186 FOLLOWER OF GEORGE BARRET, RA

1776A1837

1775A1851

c.1728A1784

Warwick Castle

South View of the Gothic Abbey (Evening) Now Building at Fonthill

Extensive Lake Landscape with Figure and a Ruined Castle

Oil on canvas 37.7 x 45cm; 14¾ x 17¾in

Oil on canvas 78.7 x 126.5cm; 31 x 49¾in Unframed

Oil on panel 13.5 x 22cm; 5¼ x 8½in £500A700

After the original watercolour composition of 1800 by Turner (Montreal, Musee des Beaux Arts).

£200A400

£200A300

£800A1,200

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187 FOLLOWER OF THOMAS BARKER OF BATH 1769A1847

Peasant tending Cattle and Sheep in a River Landscape Oil on canvas 34.5 x 49cm; 13½ x 19¼in £150A250

188 ENGLISH PROVINCIAL SCHOOL, 18th/19th Century

A Stag Hunting Party Oil on panel 46 x 118.5cm; 18 x 46¾in Provenance: Dreweatts, Newbury, Old Master, British and European Art, 11 June 2025, lot 323 £600A900

187

188

189 189 ATTRIBUTED TO W. S. COOPER fl. midA19th Century

A Groom and Bay with a Hackney Coach in a Yard; A Groom and Dark Bay with a Buggy in a Yard A pair, both oil on canvas Each 40.5 x 61cm; 16 x 24in (2) £300A500

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190

191

192

190 JOHN SYER

191 JOHN SYER

192 CIRCLE OF WILLIAM COLLINS, RA

1815A1885

1788A1847

Logging Scene in Coastal Marshland, a Town beyond

A Logging Cart on a Track near a Riverside Town

Fisherfolk on the shore

Signed and dated J Syer. 74. (lower left) Oil on canvas 65.5 x 99cm; 25¾ x 39in

Signed and dated J. Syer. 54. (lower right) Oil on canvas 60.5 x 91.5cm; 23¾ x 36in

£1,000A1,500

£800A1,200

Oil on canvas 51 x 73.5cm; 20 x 29in Provenance: Bruton Knowles, Gloucester, 11 May 1989, lot 423, (as School of William Shayer Senior), where purchased by the present private collector £200A300

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193

193 JOHN WRIGHT OAKES 1820A1887

Heysham on the Lancashire Coast Signed JW Oakes (lower left), and bears indistinct inscription label Heysham on the .../coast J W Oakes (to label) Oil on canvas 76 x 102.5cm; 30 x 40¼in £4,000A6,000

193 (framed)

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194 CIRCLE OF JOHN GRAHAM-GILBERT, RSA 1794A1866

Portrait of a Gentleman, Seated Three Quarter Length at a Desk, Wearing a Dark Coat and Waistcoat and Buff Trousers; Portrait of Lady, Seated Half Length at a Table, Wearing a Black Dress with White Lace Blouse with a Box and Basket of Flowers A pair, both oil on canvas Each 61 x 50.5cm; 24 x 20in (2) £600A800

194 195 CIRCLE OF JOHN GRAHAM-GILBERT, RSA

196 FOLLOWER OF SIR FRANCIS GRANT, PRA

1794A1866

1803A1878

Portrait of a Young Lady, Seated in a Park, Wearing a Pale Blue Dress with Lace Blouse

Portrait of a Young Lady, Seated, Half Length, Wearing a Blue Dress with Lace Borders, Holding a Book, her Hair in Long Ringlets

Oil on canvas 61 x 50.5cm; 24 x 20in

Oil on canvas 76.5 x 63.7cm; 30 x 25in

£600A800

£600A1,000

195

196

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197

198

200

199 197 FOLLOWER OF CHARLES BAXTER

198 FREDERIC YATES

199 JENNY LANJAINAIS

200 CIRCLE OF HARRY HALL

British 1854A1919

19th Century

1815A1882

1809A1879

Portrait of A Lady In Red Cloak and Plumed Hat

Portrait of a Lady, Mrs Walter Leith (nee Alice Lee Jortin), Bust

Signed and dated Fred Yates/ 1901 (lower right) Oil on canvas 60 x 45.5cm; 23½ x 18in

Length, Wearing a White Dress, Flowers in her Hair Oil on canvas 66 x 54cm; 26 x 21¼in, framed as an oval

Portrait of Percy Frederick Williams (1860 1930), Son of Colonel and Mrs Benjamin Williams, CBE, Wearing a Dark Suit and Top Hat, upon a Dappled Grey Horse, in a Rural Landscape

Portrait of a Lady, bust length, wearing a Russet Robe, Ivy in her hair Bears a monogram and date 1861 (the 6 in reverse) (lower right) Oil on canvas, unstretched, oval 68.5 x 58cm; 27 x 22¾in £120A180

Provenance: Dreweatts, Newbury, Old Master, British and European Art, 9 October 2024, lot 187 £600A800

Provenance: Dreweatt Neate, Newbury, Pictures and Books, 15 July 1998, lot 120 £150A250

Oil on canvas, arched mount 76 x 64cm; 30 x 25¼in Provenance: By descent in the family of the sitter £300A500

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201 201 JOHN LASHBROOK TUDGAY

202 CIRCLE OF NICHOLAS MATTHEW CONDY

203 CIRCLE OF HENRY REDMORE

1798A1874

1818A1851

1820A1887

A Schooner Rigged Steam Yacht Passing the Needles

An English Frigate Threading her way through Crowded Waters

Signed and dated I.TUDGAY/ 1871 (on keg in foreground) Oil on canvas 53.5 x 82cm; 21 x 32¼in

Oil on board 25.2 x 35.2cm; 10 x 13¾in

Dutch Hoys Plying their Trade in a Heavy Swell, with Larger Vessels, including a Paddle Steamer, in the Distance

£200A400

£1,500A2,000

Bears signature A Redmore (sic, lower left) and inscribed Rink Hunter Row/ Scarbro. (to verso) Oil on canvas 51 x 91.5cm; 20 x 36in £800A1,200

202

203

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204 204 JAMES WEBB

205 AFTER JOHN HEAVISIDE CLARK

206 FOLLOWER OF DANIEL TURNER

1825A1895

c.1771A1863

Portsmouth Harbour

View of Montrose with Vessels on the South Esk River

A View on the Thames, looking to Lambeth Palace

Oil on canvas 60.5 x 90.5cm; 23¾ x 35½in

Oil on canvas 28 x 33cm; 11 x 13in

Signed James Webb (lower right) Oil on panel 22.5 x 36cm; 8¾ x 14¼in Provenance: Willow Gallery, London, May 2010 (label on frame), where acquired by the present private collector £1,000A2,000

205

fl.1782A1801

Derived from the artist’s colour aquatint from `Clark’s Views in Scotland` series (1824)

£150A200

£400A600

206

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207

208

209

210

207 CIRCLE OF HERMANUS KOEKKOEK THE ELDER

208 ABRAHAM HULK

1815A1882

AngloADutch, 1813A1897

A Coastal Marine Scene with Sailing Boats, Fishing Boats and Figures

Squally Weather on the Dutch Coast

Bears signature and date H. Koekkoek 1857 (lower left) Oil on canvas 46 x 61.2cm; 18 x 24in

Signed A. Hulk. (lower left) Oil on canvas 57.5 x 87.5cm; 22¾ x 34¾in £3,000A5,000

£2,000A3,000

209 FOLLOWER OF JOHANNES HERMANUS KOEKKOEK

210 GERARDUS JOHANNES DELFGAAUW

Dutch, 1778A1851

Dutch, 1884A1947

Sailing Vessels in Distress in Perilous Seas

Windmills by a Canal

Bears signatures J H Koekkoek/Koek .... (lower left) Oil on panel 36.5 x 50.5cm; 14¼ x 19¾in

Signed G.J.DELFGAAUW (lower right) Oil on canvas 30.2 x 40.5cm; 12 x 16in

£300A500

£300A400

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211

212

214

213

211 JAN MICHIEL RUYTEN Belgian, 1813A1881

212 FOLLOWER OF HENDRICUS JOHANNES SCHEERES Dutch, 1829A1864

Figures and Boats at a Waterfront of a Dutch River Town The Artist’s Home Signed Jn. Ruyten ft./ 1851 and with monogram (lower right) Oil on panel 53.5 x 68.5cm; 21 x 27in

Oil on canvas 13.5 x 15.5cm; 5¼ x 6in £100A150

Provenance: Omell Galleries, London (label verso) £600A800

213 LAURENT DE BEUL Belgian, 1821A1872

The End of the Day Signed and dated Laurent. De Beul/1862 (lower right) Oil on panel 50 x 69.5cm; 19¾ x 27½in

214 FOLLOWER OF JAN KOBELL III Dutch, 1800A1838

A Grey Horse with Cattle and Figures by a Barn Oil on canvas 30.5 x 41.5cm; 12 x 16¼in

Provenance: £250A350 Woolley & Wallis, Salisbury, Old Masters, British & European Paintings, 11 September 2018, lot 376

215 215 FOLLOWER OF THÉODORE ROUSSEAU French, 1812A1867

Workers Digging near Trees Oil on paper 24.5 x 35cm; 9¾ x 13¾in £100A200

£500A700 Lots marked may be subject to an addiUonal fee - please see ARR informaUon on page 131 • Framed images of each lot are available on www.woolleyandwallis.co.uk

216

216 CHARLES LEICKERT Dutch, 1816A1907

Winter in Holland Signed Ch Leickert. ft (lower right) Oil on canvas 81.5 x 117cm; 32 x 46in Provenance: Rayner MacConnal, London (label verso) £6,000A8,000

216 (framed)

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217 217 JOHAN BERNARD KLOMBECK Dutch, 1815A1893

& EUGENE VERBOECKHOVEN Belgian, 1798A1881

Tending Cattle and Sheep in a Wooded Landscape Signed by both artists and dated J B Klombeck f 1856/ E Verboeckhoven Jnr (lower left) Oil on canvas 93 x 126cm; 36½ x 49½in £12,000A18,000

217 (framed)

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218

218 SIDNEY RICHARD PERCY

219 SIDNEY RICHARD PERCY

220 SYDNEY ARTHUR WATSON

1821A1886

1881A1932

Autumn

In the Thames Valley

Loch Tay, Perthshire

Signed and dated S R Percy.66 (lower left), and inscribed No.2 Autumn/ Sidney R Percy/Gt Missenden Bucks (to label) Oil on canvas 51.5 x 97cm; 20¼ x 38¼in

Signed SRPercy. (lower left) Oil on canvas 40.5 x 61cm; 16 x 24in

Signed and dated Sydney Watson 19 (lower left), and inscribed `LOCH TAY`/ PERTHSHIRE. NB. (to verso) Oil on canvas 41 x 61cm; 16 x 24in

Provenance: Richard Gardner Antiques, Petworth, March 2009, where acquired by the present private collector Exhibited: London, Royal Society of British Artists, 1867, no.299

Provenance: Frost & Reed Ltd, London (label on stretcher) Millington Adams Ltd, Knutsford, November 2013, where acquired by the owner

£1,500A2,000

£1,000A1,500

£3,000A5,000

218 (framed)

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219

220

Lots marked may be subject to an addiUonal fee - please see ARR informaUon on page 131 • Framed images of each lot are available on www.woolleyandwallis.co.uk

222

221

223

224 221 ALFRED VICKERS 1786A1868

A Farm by the River Signed A Vickers (lower right) Oil on canvas 25 x 38.5cm; 9¾ x 15¼in Provenance: Stephen Garratt Fine Paintings, Southampton and London, November 1980 (£1250) £200A300

222 CARL BRENNIR

223 FOLLOWER OF JOHN DEARMAN

1850A1920

Silver Birches: A Girl and Dog with Sheep on a Heath Signed and dated C. BRENNIR 1909 (lower left) Oil on canvas 41 x 61.5cm; 16¼ x 24¼in Provenance: Stephen Garratt Fine Paintings, Southampton and London, November 1980 (£1050)

fl.1824A1857

Cattle Watering at a Country Pool Oil on canvas 45.5 x 76cm; 18 x 30in £100A200

£120A180

224 A. COLE

225 ATTRIBUTED TO CLARENCE HENRY ROE

Late 19th Century

Tending Cattle on a Riverside Path at Dusk, possibly at Mapledurham on the Thames Signed A. Cole. (lower left) Oil on canvas 51 x 76.5cm; 20 x 30in

225

Provenance: Stephen Garratt Fine Paintings, Southampton and London, November 1981, as Alfred Benjamin Cole (£1500)

1850A1909

Wooded Scene with a Bridge over a Brook, a Cottage beyond Oil on canvas 91.5 x 71cm; 36 x 28in £300A500

£150A200

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226

227

228

229

226 CIRCLE OF PETER DE WINT

227 HENRY JOHN BODDINGTON

1784A1849

1811A1865

Cornfield

Rustic Landscape with Children by a Stream

Bears indistinct signature (lower left) Oil on panel 21.5 x 44.5cm; 8½ x 17½in

Signed indistinctly ******Boddington (lower left) Oil on canvas 63.5 x 77cm; 25 x 30¼in

£100A200

£200A300

228 FREDERICK HENRY HENSHAW

229 AMERICAN SCHOOL,

1807A1891

19th Century

Chepstow Castle, Monmouthshire

A Settlement with a Railroad

Signed F H Henshaw (lower right), and inscribed Chepstow Castle/ Monmouthshire/ F. H. Henshaw (to label) Oil on canvas 41 x 61cm; 16 x 24in

Oil on paper, within a painted border 25 x 30.2cm; 9¾ x 12in £300A500

Provenance: Stephen Garratt Fine Paintings, Southampton and London, November 1980 (£950) £100A200

Lots marked may be subject to an addiUonal fee - please see ARR informaUon on page 131 • Framed images of each lot are available on www.woolleyandwallis.co.uk

230

231

232

230 HENRY W. PEARSALL

231 JOSEPH THORS

232 HENRY CHARLES TRERY

fl.1824A1861

Dutch, 1835A1920

fl.1844A1854

At Close of Day

Figures in a Punt on a Reedy Backwater

Setting Off to Market

Oil on panel 71 x 92cm; 28 x 36¼in

Signed with initials JT (lower right) Oil on panel 13 x 27cm; 5 x 10½in

Signed and dated H. C. Tre../1844 (lower centre), bears later inscribed label on stretcher Oil on canvas 60.5 x 74cm; 23½ x 29in

Provenance: David Messum, The Studio, Marlow, Buckinghamshire (label on frame) £2,500A3,500

Provenance: Swan Gallery, Sherborne (label on backboard)

£150A250

£100A150

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233 WILLIAM HUGGINS 1820A1884

‘Malta’, a Bay Horse Signed and dated W Huggins.1861. (lower right) Oil on canvas 63.5 x 76cm; 25 x 30in Provenance: Collection of the Lieutenant Colonel the Rt. Hon. Lord Richard Cavendish, CB, CMG, DL, JP (1871 1946) of Holker Hall, Lancashire; Oscar and Peter Johnson Ltd, London; Private Collection Malta was the favourite mount of Lt. Gen. Edward Seager, CB (1812 1883). Seager was Lieutenant and Adjutant of the 8th Hussars at the time of the Charge of the Light Brigade and fought at Alma, Balaclava (where Malta sustained wounds), Inkerman and at The Siege of Sebastopol. He claimed that he owed his life to the gallant Malta who carried him through. When safely back at home, Seager put Malta out to breed and she had two foals, aptly named Alma and Balaclava. £3,000A5,000

233 234 HARRY HALL 1814A1882

Admiral Harcourt’s Dark Bay Ellington, with Tom Aldcroft Up Signed, dated and inscribed Harry Hall./ Newmarket 1856 (lower centre) Oil on canvas 59 x 76cm; 23¼ x 30in Provenance: Williams & Son, London, where purchased by the present owner’s father; And by descent Ellington, by The Flying Dutchman out of Ellerdale, won the Epsom Derby in 1856. £2,000A3,000

234

Lots marked may be subject to an addiUonal fee - please see ARR informaUon on page 131 • Framed images of each lot are available on www.woolleyandwallis.co.uk

235 WILLIAM GILL fl.1826A1869

A Midsummer Night’s Dream: Puck with Nick Bottom as the Donkey Oil on panel, 56.5 x 37.5cm; 26¼ x 14¾in, framed and mounted with an arched top Provenance: David Messum Fine Art, Marlow, Buckinghamshire (label verso) £1,000A1,500

236 FOLLOWER OF GEORGE GARRARD, ARA 1760A1826

The Horse Rustlers Oil on canvas 54.5 x 43.5cm; 21½ x 17in £300A500

237 FOLLOWER OF FREDERICK RICHARD PICKERSGILL, RA 1820A1900

Memories of Mother Oil on canvas 59.5 x 48cm; 23½ x 19in Unframed £100A150

235

236

237

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238 238 FREDERICK DANIEL HARDY 1827A1911

A Midnight Feast Signed and dated F D Hardy/ 1866 (lower right) Oil on panel 22 x 35.5cm; 8½ x 14in Provenance: Christopher Wood Gallery, London (label verso) £4,000A6,000

239 ARTHUR JOSEPH WOOLMER 1805A1892

Peaceful Rest Bears name .. Woolmer (indistinctly incised on stretcher) Oil on canvas 51 x 60.5cm; 20 x 23¾in £1,200A1,500

239

Lots marked may be subject to an addiUonal fee - please see ARR informaUon on page 131 • Framed images of each lot are available on www.woolleyandwallis.co.uk

240 GEORGE PAUL CHALMERS 1833A1878

The Auld Dominie Signed Geo Chalmers (lower left) Oil on panel 30.5 x 25cm; 12 x 9¾in £100A200

240

241 241 MARK MILBANKE 1875A1927

Portrait Francis Johnston (1831 1911), Seated Three quarter Length, in a Chair at a Desk, Wearing a Grey Suit and Buff Waistcoat Signed and dated MARK MILBANKE/ 1901 (lower right) Oil on canvas 128 x 97cm; 50½ x 38¼in Provenance: By descent in the family of the sitter £200A300

242

242 E. N. EUSTACE act.1899

A Kangaroo by Black Dog Creek, Australia; Birds over Black Dog Creek Two, bears inscription E. N. Eustace/ Artist/ 1899 The old man at Black Dog Creek and Paintings on Gum Leaves/ . Australia on support sheet Both oil on gum leaf 12 x 12cm; 4¾ x 4¾in; 10.5 x 12.5cm; 4¼ x 5in, framed as one (2) £150A250

243 LOUIS HUBNER German, c.1694A1769

Capercaillie, Pheasant, Grouse, Woodcock and Partridge in a Landscape Signed and dated L Hubner Pinxit/ 1760 (lower centre) Oil on canvas 71 x 88.5cm; 28 x 34¾in £500A700

243

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244 ATTRIBUTED TO HENRIK THEODOR LUNDH Swedish, 1812A1896

A Brace of Partridge hanging from a Nail Inscribed and dated Mr. AFR 1834 on a painted tag Oil on canvas 56 x 46.5cm; 22 x 18¼in £400A600

245 ALICE S. RICHARDS fl.c.1892A1893

Old Servants Bears signature Richard (sic, upper right), bears later inscription “Old Servanis”/ A. Richard/ 23 Romals Road/ Tulse Hill./ SE/ 18/3 92 (sic, verso) Oil on canvas laid on panel 45.5 x 40cm; 18 x 15¾in

244

245

Exhibited: London, The Royal Society of British Artists, 1893/4, no.190 £600A800

246 N MANUEL VENTURA MILLAN Spanish, 1923A1984

Still Life of Gamebirds and Cartridges; Still Life of Gamebirds and Brassware A pair, both signed M. V. Millan (lower right) Both oil on panel Each 44 x 61.5cm; 17¼ x 24¼in (2)

246

£200A300

247 CORNELIS RAAPHORST Dutch, 1875A1954

A Troublesome Trio Signed C Raaphorst (lower left, conjoined) Oil on canvas 30 x 40cm; 11¾ x 15¾in £800A1,200

247

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248

249

250 248 JANE VIVIAN fl.1861A1877

Coblenz on the Rhine Signed J Vivian (lower left), and further signed and inscribed “Coblenz on the Rhine” £15.0.0/ J Vivian (to artist’s label) Oil on canvas 38.5 x 30.5cm; 15¼ x 12in £200A300

251 249 FOLLOWER OF WLADIMIR PETROFF

250 WLADIMIR PETROFF

251 LUIGI MARIA GALEA

c.1880A1935

Maltese, 1847A1917

c.1880A1935

The Blue Mosque, Constantinople

Marsamxett Harbour at Valletta, Malta

A Moslem reading The Koran in a Mosque Signed with monogram and indistinctly dated (lower right) Oil on canvas 56 x 36.5cm; 22 x 14¼in

Signed and dated W.Petroff.1929 (lower right) Oil on canvas laid on board 34.5 x 46.8cm; 13½ x 18½in

Signed L.M.Galea (lower left) Oil on card 11 x 26.5cm; 4¼ x 10½in

£300A500

£800A1,200

£300A500

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252 252 ERNST CARL KOERNER German, 1856A1927

The Great Sphinx of Giza Signed and dated Ernst Koerner/ 1918. (lower right) Oil on canvas 84.5 x 127cm; 33¼ x 50in £6,000A8,000

252 (framed)

Lots marked may be subject to an addiUonal fee - please see ARR informaUon on page 131 • Framed images of each lot are available on www.woolleyandwallis.co.uk

253

254

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255

253 SALVATORE CANDIDO

254 CHARLES EUPHRASIE KUWASSEG

255 ALFRED POLLENTINE

Italian, 1798A1869

French, 1838A1904

1836A1890

La Villa Reale, Naples

Venice, Sunset

Oil on canvas 40.7 x 60.5cm; 16 x 23¾in

Signed and dated C. Kuwasseg fils/ 1868 (lower left) Oil on canvas laid on board 56.5 x 100.5cm; 22¼ x 39¾in

The Grand Canal and the Santa Maria della Salute, Venice

£2,000A3,000

Signed A Pollentine (on barge freeboard lower right) Oil on canvas 76.5 x 127cm; 30 x 50in £3,000A5,000

255 (framed)

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256 256 ROBERT WALKER MACBETH RA

257 ALFRED DE BREANSKI

258 ALFRED DE BREANSKI

1848A1910

1852A1928

When Jove Makes Hay with the Weather

Llyn y Ddinas, Beddgelert, North Wales

Evening, Arrochar

Signed with initials and dated RM 1901 (lower right) Oil on canvas 133.8 x 189.6cm; 52¾ x 74¾in

Signed and dated Alfred. de Breanski/ 1887 (lower left), and further signed and inscribed `Llyn-yDdinas` Beddgelert/ N. Wales/ Alfred. de Breanski (to verso) Oil on canvas 61.5 x 91.5cm; 24¼ x 36in

Signed Alfred. de Breanski (lower left), also signed and inscribed Evening - “Arrochar” NB-/ Alfred. de Breanski Senr (verso) Oil on canvas 50.5 x 76.5cm; 20¼ x 30in

Provenance: Property of the artist; By whom sold, Christie, Manson & Woods, London, 28 November 1908, lot 112 (bt Harrison £56 14s); Dr E. S. Langworthy, by 1911; Purchased at auction in Northumberland, 1950s; And by family descent to the previous owner; By whom sold, Woolley and Wallis, Salisbury, Old Masters, British & European Paintings, 4 September 2026, lot 938, where purchased by the present private collector

£5,000A7,000

£3,000A5,000

Exhibited: London, Royal Academy, 1901, no.150; London, Royal Academy, Exhibition of Works by Five Deceased British Artists, Winter Exhibition 1911, no. 106 (The Storm at Haytime) £4,000A6,000

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257

258

Lots marked may be subject to an addiUonal fee - please see ARR informaUon on page 131 • Framed images of each lot are available on www.woolleyandwallis.co.uk

259

260 259 N ALFRED FONTVILLE DE BREANSKI 1877A1957

Ullswater Signed Alfred.de.Breanski junr. (lower left), and bears inscription Ulleswater [sic]/Alfred de Breanski junr (to verso) Oil on canvas 46 x 61.5cm; 18 x 24¼in Provenance: Millington Adams Ltd, Knutsford, where acquired by the present private collector £600A800

261 260 N ALFRED FONTVILLE DE BREANSKI

261 GEORGE BLACKIE STICKS

1877A1957

Sunrise on the East; Glentill

The Village Pond, Twilight Signed A. F. de Breanski (lower right), inscribed The Village Pond Twilight/ A. F. de. Breanski (verso) Oil on canvas 40.5 x 61cm; 16 x 24in £300A400

1843A1938 A pair, both signed and dated GBSticks/1891 (lower right), and further signed and inscribed Sunrise. on the East/GB. Sticks/ 1891 and Glentill/ G. B. Sticks/1891 (respectively to verso) Both oil on canvas Each 46 x 41cm; 18 x 16in (2) £300A500

262 H. EAST fl.1900A1920

Evening Glow

262

Signed H. EAST (lower right) Oil on canvas 30.5 x 40.5cm; 12 x 16in Provenance: Swan Gallery, Sherborne £100A150

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263

264

263 JOHN JAMES WILSON

264 HENRY H. PARKER

1818A1875

1858A1930

Spring Study with Hedging

The River Mole, near Dorking, Surrey

Signed with initials and dated JJW. 1837 (lower right), and further signed JWilson Jun (to verso) Oil on board 20 x 27.5cm; 7¾ x 10¾in

Signed Henry.Parker (lower right), and further signed and inscribed The River Mole. Near Dorking. Surrey./ Henry. H. Parker (to verso) Oil on canvas 51 x 77cm; 20 x 30¼in

£400A600

£800A1,200

265 265 A. STONE

266 EDWARD NOEK

c.1900

fl.1901

A Wooded River Scene

Lang’s Cottage Coombe Fishacre, South Devon

Signed A Stone (lower left) Oil on canvas 50.5 x 76cm; 20 x 30in £200A300

Signed E. Noek (lower left), and further signed, inscribed and dated Lang’s Cottage Coomb Fishacre S Devon/ by Edward Noek 1901 (to stretcher) Oil on canvas 61 x 51cm; 24 x 20in Provenance: Roland Goslett, Richmond, December 1993 £500A700

266

Lots marked may be subject to an addiUonal fee - please see ARR informaUon on page 131 • Framed images of each lot are available on www.woolleyandwallis.co.uk

267

268

269

270

267 CIRCLE OF RICHARD HENRY NIBBS

268 WILLIAM EDWARD WEBB

269 W. B. WEBB

270 WILLIAM THORNLEY

c.1862A1903

19th/20th Century

fl.1858A1898

1816–1893

At Dartmouth

Fishing Boats nearing a Harbour Wall

Fishing Boats in Choppy Coastal Waters

Signed W. B. Webb (lower right) Oil on canvas 51 x 87cm; 20 x 34¼in

Bears signature T B Hardy (lower left) Oil on canvas 20 x 40.5cm; 7¾ x 16in

£300A400

£150A250

Wreckers with a Boat in a Cove Oil on canvas 76.5 x 64cm; 30 x 25in £300A500

Signed W. WEBB (lower right), and further signed and inscribed “AT DARTMOUTH”/ W WEBB (to verso) Oil on canvas 50.5 x 40.5cm; 20 x 16in £200A300

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271

272

273

271 ALEXANDER B. MACGIBBON fl.1894A1901

Evening on the Maas, Holland Signed MAcGibbon (lower right), inscribed “Evening on The Maas Holland”/ by A. B. MacGibbon/ Exhibited, Antwerp 1894 where it/ was awarded a gold medal, also/ at Munich where it got a bronze/ medal (in ink, on label on backboard) and Received from W [..] Handley Esqr the/ Sum of One hundred and fifty seven/ pounds, ten shillings £157.10/- being/ price paid for picture, “Evening on/ the Maas Holland”/ 29th June 1898/ A. B MacGibbon/ Address/ Boskennell/ Near Ivy Bridge/ South Devon (in ink, on label on backboard) Oil on canvas 83 x 184.5cm; 32¾ x 72¾in £1,200A1,800

274

272 GEORGE GREGORY

273 FOLLOWER OF FRANCOIS ETIENNE MUSIN

274 CIRCLE OF HENRY THOMAS DAWSON

1849A1938

Belgian, 1820A1888

1841Ac.1896

Fishing Boats in Onshore Winds

Fisherfolk with Boats on a Shore at Evening, Boulogne

Hay Barges at Sunset

Signed and dated Geo. Gregory/ 1876 (lower left) Oil on canvas 45.5 x 81.5cm; 18 x 32in £800A1,200

Oil on canvas 75 x 120.5cm; 29½ x 47½in £250A350

Bears a monogram HD (lower right) Oil on canvas 41 x 76.5cm; 16¼ x 30in Provenance: Corfield, Lymington, Hampshire, January 1989, as by Henry Thomas Dawson (£445) £150A200

Lots marked may be subject to an addiUonal fee - please see ARR informaUon on page 131 • Framed images of each lot are available on www.woolleyandwallis.co.uk

275 275 EDWIN HAYES 1819A1904

Vessels in Rough Weather off a Pier, Possibly at Gorleston; Vessels off Calshot Castle A pair, both signed E. Hayes (lower left) Both oil on canvas 21 x 30.7cm; 8¼ x 12in; 20.5 x 30.5cm; 8 x 12in (2) Provenance: Duke’s Auctions, Dorchester, Paintings and Drawings, Furniture and Works of Art, 15 April 2010, lot 194 £800A1,200

276

277 276 CIRCLE OF EDWIN HAYES, RHA

277 J. DAY

1819A1904

19/20th Century

Returning to Harbour, in Choppy Seas

Sunlit Harbour; Moonlit Harbour

Oil on canvas 51 x 76.5cm; 20 x 30in

A pair, each signed J DAY (lower right and lower left) Both oil on canvas Each 51 x 77cm; 20 x 30¼in (2)

£200A300

£150A200

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278 278 DAVID JAMES 1853A1904

A Breezy Day, Tenby Signed and dated D. James 87 (lower right), also signed and inscribed A BREEZY DAY TENBY/D James 87 (verso) Oil on canvas 45 x 76cm; 17¾ x 30in £3,000A5,000

279 CHARLES NAPIER HEMY, RA, RWS 1841A1917

A Plymouth Trawler Signed with initials and indistinctly dated C.N.H. 190.. (lower right) Oil on board 47.5 x 70cm; 18¾ x 27¾in Provenance: Roger King Fine Art, Newport, Rhode Island (label on backboard) £1,500A2,000

279

Lots marked may be subject to an addiUonal fee - please see ARR informaUon on page 131 • Framed images of each lot are available on www.woolleyandwallis.co.uk

280 JAMES MCINTYRE fl.1867A.1898

`You Naughty Boy!` Signed J. McIntyre (lower left) Oil on canvas, laid on Masonite 70.7 x 91.5cm; 27¾ x 36in Exhibited: London, Royal Academy, 1891, no.35 £800A1,200

281 HENRY SMARTLY fl.1839A1848

A Visit to the Tinsmith Signed and dated Smartly 1845 (lower right), indistinctly inscribed with provenance on labels on the stretcher Oil on canvas 46 x 38cm; 18 x 15in £150A250

282 R. HAYWARD fl.c.1910

Fireside Stories

280

Signed R. Hayward. (lower right) Oil on board 40 x 28cm; 15¾ x 11in £120A180

283 ARTHUR JOHN EISLEY 1860A1952

Are You There? Oil on canvas 73 x 53.5cm; 28¾ x 21in The subject was used as an advertisement for biscuits and cakes at Peek Frean & Co Ltd. £3,000A5,000

281

282

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283

Lots marked may be subject to an addiUonal fee - please see ARR informaUon on page 131 • Framed images of each lot are available on www.woolleyandwallis.co.uk

100

284 JONATHAN PRATT 1835A1911

Posies for Sale Signed and dated J. Pratt/ 1865 (lower right) Oil on canvas, laid on panel 45.5 x 35.5cm; 18 x 14in £200A300

285 CIRCLE OF ARTHUR TREVOR HADDON 1864A1941

Flower Sellers Bears indistinct signature (lower left) Oil on canvas 46.5 x 33cm; 16¼ x 13in £200A300

284

285

286

287

286 ANNE MILNES

287 CIRCLE OF JOHN GEORGE BROWN

fl.1892A1910

1831A1913

The Admirer

Boy with Sticks; A Young Lad

Signed A Milnes (lower left) Oil on canvas 91.5 x 71cm; 36 x 28in

Two, both oil on canvas, the former laid on board, the latter laid on panel 75.5 x 32.5cm; 29¾ x 12in; 69 x 33.5cm; 27 x 13¼in (2)

£600A900

£500A700

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101

288

289

290

291

288 WILLIAM BRADLEY LAMOND, RBA

289 EMILE GOBBAIRTS

1857A1924

A Music Class

Mindin’ the Bairn Signed W. B. Lamond (lower right) Oil on board 27.5 x 38cm; 10¾ x 15in Provenance: David C. Lamond, Dundee; The Swan Gallery, Sherborne (labels verso) £300A500

19th Century Signed A Gobbairts (lower left) Oil on panel 42 x 54cm; 16½ x 21¼in Provenance: Dreweatts, Newbury, Art & Interiors, 6 February 2025, lot 102 (where described as titled and dated verso) £200A300

290 ALEXANDRE-MARIE GUILLEMIN

291 BERNARD POTHAST

French 1817A1880

The Happy Family

Flowers for Grandma Signed A Guillemin (lower left) Oil on panel 67 x 81cm; 26¼ x 31¾in

Dutch, 1882A1966 Signed B Pothast. (lower right) Oil on canvas 50 x 60.5cm; 19¾ x 23¾in £800A1,200

Provenance: William Rodman & Co, Belfast, (label verso); John Magee Ltd, Belfast, (label verso) £500A700

Lots marked may be subject to an addiUonal fee - please see ARR informaUon on page 131 • Framed images of each lot are available on www.woolleyandwallis.co.uk

102

292

292 JOHN EMMS 1843A1912

The New Forest Hounds, with Henry Martin Powell (1868 1943), Master of Foxhounds Signed JNO EMMS (lower right) Oil on canvas 76 x 114.5cm; 30 x 45in Provenance: Sotheby’s, London, Victorian Paintings, Drawings and Watercolours, 14 June 1989, lot 105; Private Collection Henry Martin Powell (1868 1943), of Wilverley Park, Lyndhurst, served as Master of Foxhounds of The New Forest Hunt between 1894 99 and again between 1905 07. His father Colonel William Martin Powell (1824 1909) had been Honorary Secretary to the Hunt between 1853 1887. In her history of the New Forest Hunt, Mary S. Lovell notes Henry "dashing style of riding" and records that he was said to be "the best woodland huntsman who ever lived in the Forest” (Mary S. Lovell, “A Hunting Pageant”, 1981 p.134). He was also a great patron of Emms, commissioning the a portrait of the New Forest Foxhounds, which sold at auction $760,000 in 2006, a record price for the artist.

292 (framed)

£4,000A6,000

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103

293

293 JOHN EMMS 1843A1912

The Gamekeeper Signed and dated JNO EMMS/ 1897 (lower right) Oil on canvas 74 x 151cm; 29 x 59½in Provenance: Christie’s, London, 19th Century Pictures and Continental Watercolours, 25 March 1988, lot 80 Private Collection £8,000A12,000

293 (framed)

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104

ALBERT DURER LUCAS (1828A1919) Albert Durer Lucas was the son of engraver and sculptor Richard Cockle Lucas (who was involved with devising a notorious bust of Flora, acquired by Berlin Museum as a work by Leonardo da Vinci). However, unlike his father, Albert became synonymous with detailed and finely coloured compositions of wild flowers with insects. Drawing upon subjects found within a few miles of his of his home in Padwell Road in Southampton, Lucas refined his technique with meticulous execution and rich but natural colour to create closely focused compositions of the natural world. Working with the eye of both a botanist and an entomologist, his small but beautifully balanced studies of the teeming splendour of nature were an abiding fascination and dominated his oeuvre to the exclusion of almost any other theme. He is buried in Southampton Old Cemetery. Examples of his work are in the Southampton City Art Gallery, Russell Cotes Art Gallery & Museum in Bournemouth, the Shipley Art Gallery, and elsewhere. This group is from a private collection, assembled by the owner's late father.

294 ALBERT DURER LUCAS 1828A1918

Daisies and Red Admiral Butterfly; Yellowhammer’s Nest Two, the former signed and dated 1888./ A D Lucas. (lower right) and inscribed Albert Durer Lucas/ AET. 60./ 1888/ 50. Padwell Road/ Southampton (verso), the latter signed A:D: Lucas (lower right) and inscribed Yellowhammer nest and Albert/ Durer/ Lucas/ 1889/ 50 Padwell Road/ Southampton (verso) The former oil on board, the latter oil on canvas Each 21 x 15.5cm; 8¼ x 6in (2) £500A700

295 ALBERT DURER LUCAS 1828A1918

Pine Wood Heath and Blue Bells Signed and dated A D Lucas/ 1881 (lower left), inscribed Pine Wood Heath/ Blue Bells/ 7=7 and Albert/ Durer/ Lucas/ Chilworth/ Romsey/ Hants. and No.1/ Badge of Mac Alistair and Gold Medal Melbourne 1880/ Bronze Medal Sydney 1879 and further indistinctly inscribed (to stretcher) Oil on canvas 25 x 20.2cm; 9¾ x 8in

294

£400A600

296 ALBERT DURER LUCAS 1828A1918

Wild Flowers Signed A D Lucas/ 1889 (lower centre), inscribed Albert Durer Lucas/ 1889/ 50 Padwell Road/ Southampton/ Stitchwort Cranesbill, small Forget me not/ Germander Speedwell Pimperne, star [?]/ cow wheat curious as being the same now/ as in the Fossil ages/ pea green oak Moth (to verso) Oil on board 19.5 x 14.5cm; 7¾ x 5¾in £200A300

295

296

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105

297 ALBERT DURER LUCAS 1828A1918

Primroses and Violets; Heather and Peacock Butterfly Two, each signed and dated A. D. Lucas/ 1874 (lower right and lower left) Both Oil on canvas 25.5 x 20.5cm; 10 x 8in; 26 x 21cm; 10¼ x 8¼in (2) £500A700

298 ALBERT DURER LUCAS 1828A1918

Spring Bank with a Bird’s Nest, Chilworth Church in Distance Signed and dated A. D. Lucas./ 1882 (lower left), inscribed Chilworth Church in distance./ AD. Lucas./ Chilworth/ Romsey/ Hants./ £7-7s (to overlap) and Wood sorrel ivy Cranebill Blubell (to stretcher) Oil on canvas 25.5 x 20.2cm; 10 x 8in

297

£400A600

299 ALBERT DURER LUCAS 1828A1918

An Urn of Heather and a Butterfly within a Niche Signed A D. LUCAS (lower left) and dated 1882. (lower right) Oil on canvas 40.5 x 30.5cm; 16 x 12in £300A500

300 ALBERT DURER LUCAS 1828A1918

The Vase of Ceres Signed A. D. LUCAS (lower left) and dated 1880 (lower right), and extensively and indistinctly inscribed (to stretcher) Oil on canvas 40.5 x 30.5cm; 16 x 12in

298

299

£400A600

301 ALBERT DURER LUCAS 1828A1918

Cross leaved Heath Furze and Dodder Signed A D Lucas/ 1898 (lower right), inscribed Cross leaved Heath./ Furze and dodder. and A. D. Lucas./ 50. Padwell Road Southampton (to overlap) and Azure blue Butterfly (to stretcher) Oil on canvas 20.5 x 15cm; 8 x 6in £300A500

300

301

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106

302

304

303

305

302 GEORGE BUNN

303 CIRCLE OF ROBERT MCGOWN COVENTRY, ARSA, RWS

fl.1887A1898

1855A1914

Vessels on the Beach

Harbour Scene with Puffers

Signed and dated Geo. Bunn./95 (lower left) Oil on canvas 58.5 x 80cm; 23 x 31½in

Oil on canvas laid on board 24 x 32cm; 9½ x 12½in

Provenance: Sotheby’s, London, Marine Sale, 18 June 2003, lot 31

£400A600

£500A800

304 ALEXANDER YOUNG

305 PAUL LOUIS DELANCE

1865A1923

French 1848–1924

Unloading the Catch

Saint Malo

Signed AYoung (lower left) Oil on canvas 50.7 x 76.3cm; 20 x 30in

Signed Paul DELANCE (lower left) and inscribed St Malo (lower right) Oil on canvas 50 x 80.9cm; 19¾ x 31¾in

Provenance: Dreweatt Neate, Newbury, 15 September 2004, lot 158, where purchased by the present private collector; Property from Burghclere House, Hampshire

Provenance: Dreweatt Neate, Newbury, 29 January 2003, lot 161, where purchased by the present private collector; Property from Burghclere House, Hampshire

£400A600

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107

306

306 JULES ACHILLE NOEL French, 1815A1881

La Plage du Treport Signed and dated JULES NOEL/ TREPORT/ 1869 (lower right) Oil on canvas 27.5 x 38.5cm; 10¼ x 15¼in Provenance: Richard Green, London (label on frame) £4,000A6,000

306 (framed)

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108

307

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109

307 ALEXEI ALEXEEVICH HARLAMOFF Russian, 1840A1925

Pink Ribbons Signed Harlamoff (lower right) Oil on canvas 42 x 34cm; 16½ x 13¼in Provenance: HRH The Grand Duke Mikhail Mikhailovitch of Russia; Richard Green, London (label verso) Literature: Olga Sugrobova Roth and Eckart Lingenauber, Alexei Harlamoff: Catalogue Raisonné (Düsseldorf, 2007), p.130, no.59; p. 136, pl.59 £20,000A30,000

308 ALEXEI ALEXEEVICH HARLAMOFF Russian, 1840A1925

Innocence Signed Harlamoff (lower left) Oil on canvas 44 x 31.5cm; 17¼ x 12½in Provenance: Richard Green, London Literature: Olga Sugrobova Roth and Eckart Lingenauber, Alexei Harlamoff: Catalogue Raisonné (Düsseldorf, 2007), p.132, no.67; p.142, pl.67 £30,000A40,000

308

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110

309 N NOEL GEORGES BOUVARD French, 1912A1975

Venice Signed Bouvard (lower right) Oil on canvas 50 x 65cm; 19¾ x 25½in £1,200A1,800

309 310 N NOEL GEORGES BOUVARD French, 1912A1975

A Side Canal, Venice Signed Bouvard (lower right) Oil on canvas 50 x 65cm; 19¾ x 25½in Provenance: Mitchell Galleries Ltd, London (label on frame verso) £1,200A1,800

310

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111

311 N ANTOINE BOUVARD French, 1870A1956

Sunshine, St Mark’s, Venice Signed Bouvard (lower right) Oil on canvas 25 x 34cm; 9¾ x 13½in Provenance: Leslie Lewis, London Willow Gallery, London, October 2008, where acquired by the present private collector £1,500A2,000

311 312 N ANTOINE BOUVARD French, 1870A1956

Venice Signed Bouvard (lower left) Oil on canvas 24 x 33cm; 9½ x 13in Provenance: Willow Gallery, London, May 2008, where acquired by the present private collector £1,500A2,500

312

Lots marked may be subject to an addiUonal fee - please see ARR informaUon on page 131 • Framed images of each lot are available on www.woolleyandwallis.co.uk

112

313

314

315

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113

316 313 N ANTOINE BLANCHARD French, 1910A1988

Paris: Rue Royale Signed Antoine.Blanchard. (lower right), inscribed A. Blanchard./PARIS./RUE ROYALE (verso) Oil on canvas 45.5 x 56cm; 18 x 22in £1,500A2,500

314 ALEXANDER WILLIAM WELLWOOD RATTRAY, ARSA

315 HEINRICH HERMANNS

316 N EDOUARD LEON CORTES

German, 1862A1942

French, 1882A1969

1849A1902

The Koepelkerk, Amsterdam

Les Grands Boulevards, Paris

Signed HEINRICH HERMANN (lower left) Oil on canvas 61 x 85cm; 24 x 33½in

Signed EDOUARD CORTES. (lower right) Oil on canvas 50.5 x 65cm; 20 x 25½in

£400A600

Provenance: Willow Gallery, London, May 2010, where acquired by the present private collector

Venice Signed Wellwood Rattray (lower left) and inscribed Venice (lower right) Oil on canvas 22.5 x 32cm; 8¾ x 12½in Provenance: By descent to the present owner £200A300

£12,000A18,000

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114

317

317 WILLIAM MARSHALL BROWN, RSA

318 ADAM EDWIN PROCTOR

1863A1936

1864A1913

Bringing in the Catch

The Village Shop

Signed Marshall Brown (lower right) Oil on canvas 91.5 x 145cm; 36 x 57in

Signed and dated Adam E PRoctoR. 96. (lower right) Oil on canvas 91.5 x 61cm; 36 x 24in

Provenance: Woolley & Wallis, Salisbury, Modern British & 20th Century Art, December 4th 2008, lot 262 Private Collection

Provenance: Sotheby’s, London, British Sale: Paintings, Drawings and Watercolours, 15 June 2000, lot 356

£2,500A3,500

Exhibited: Possibly London, Royal Academy, 1896, no.925 (as `The Sweets of Life`) This is believed to be a view of a shop at Shere in Surrey. £1,000A1,500

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115

318

Lots marked may be subject to an addiUonal fee - please see ARR informaUon on page 131 • Framed images of each lot are available on www.woolleyandwallis.co.uk

116

319

320 319 N FRANCES MABEL HOLLAMS

320 N FRANCES MABEL HOLLAMS

1877A1963

The Turnip Field

Flooded Road

Signed and dated F M Hollams/ 1900 (lower left), and inscribed No. II “The Turnip Field”/ Miss F. M. Hollams Dene Park Tonbridge (to stretcher) 63.5 x 76cm; 25 x 30in

Signed F. M. Hollams (lower right), and bears inscription Flooded Road/ Mrs Hollams/ Puttenden/ Tonbridge (to overlap) Oil on canvas 38 x 51cm; 15 x 20in

Provenance: By descent in the family of the artist £800A1,200

321 321 N FRANCES MABEL HOLLAMS

322 N FRANCES MABEL HOLLAMS

1877A1963

The Artist’s First Dog, Scamp

1877A1963

Mrs Somers Cocks’ Hunter `Nancy` Signed and dated F. M. Hollams/ 1929 (or 1920) (lower right) Oil on board 31 x 41cm; 12¼ x 16¼in Provenance: By descent in the family of the artist £700A1,000

322

Signed and dated FM Hollams/ 94 (lower left), bears faint initials FMH (in pencil, lower right) Oil on canvas, cut down 38 x 29.2cm; 15 x 11½in Together with Porch Door, Dene Park; signed with initials FM in monogram and inscribed Dene Park. (lower left); watercolour; 31.5 x 21cm; 12½ x 8¼in (2) Provenance: By descent in the family of the artist Dene Park (near Shipbourne, Kent) was the artist’s childhood home. £200A300

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117

323

323 ROWLAND WHEELWRIGHT 1870A1955

A Coming Storm Signed R. WHEELWRIGHT (lower left), and inscribed A COMING STORM./ R. WhEELWRIGHT./ 18 GROSVENOR Rd./ WATFORD/ HERT.S. (to verso) Oil on canvas 90 x 182cm; 35½ x 71½in Provenance: Sotheby’s, London, Victorian Pictures, 12 November 1992, lot 222 £5,000A8,000

323 (framed)

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118

324

325

326

327

324 JAMES CAMPBELL NOBLE, RSA

325 JAMES VALENTINE JELLEY

1845A1913

1856A1950

Landscape Scene

Building Hayricks on Staddle Stones

Signed J Campbell Noble (lower right) Oil on canvas 50.5 x 61cm; 20 x 24in

Signed J V Jelley. (lower left) Oil on board 19 x 28.5cm; 7½ x 11¼in

Provenance: Adam Gallery, John Street, Bath

Exhibited: Birmingham, City Museum & Art Gallery, Masterly Art (Birmingham School of Art 18841920), November 1986 January 1987 (lent by Colmore Galleries) (label on backboard)

£400A600

£200A300

326 JOHN RATHBONE HARVEY

327 PERCY TARRANT

1862A1933

1855A1934

Their Daily Toil

Sheep Dipping

Signed J R Harvey (lower right) Oil on canvas 56 x 76cm; 22 x 30in

Oil on board 14.2 x 17.2cm; 5½ x 6¾in

£150A250

£200A300

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119

328

328 WILLIAM LIONEL WYLLIE, RA 1851A1831

Pleasure Boating at Hampton Court Reach Signed W. L. Wyllie (lower right) Oil on canvas 46 x 81cm; 18 x 31¾in £4,000A6,000

328 (framed)

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120

329

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121

329 THOMAS BENJAMIN KENNINGTON 1856A1919

The Lavender Gown Signed T B Kenning*** (lower right) Oil on canvas 52.5 x 43.5cm; 20¾ x 17in £5,000A8,000

330 EDUARD CHARLEMONT Austrian, 1848A1906

Portrait of the Hon. Alice Antoinette Evelina Henrietta de Worms (1865 1952), Standing, Full Length, Wearing a Black Dress with White Lace Collar and Cuffs, a Yellow Sash and Jewellery, Holding a Plumed Hat, her Shoes with Red Soles and Heels Signed and dated Ed. Charlemont 1873. (lower right) Oil on panel 141 x 80.5cm; 55½ x 31¾in Provenance: By descent in the family of sitter, until sold Duke’s, Dorchester, Paintings and Drawings, Furniture and Works of Art, 15 September 2016, lot 823 The Hon. Alice de Worms was the daughter of the first Baron Pirbright (1840 1903) and the great granddaughter of Mayer Amschel Rothschild (1744 1812), the founder of the Rothschild banking dynasty. She married her second husband David MacLaren Morrison in 1892 and their daughter Theodora (1900 1928) married Herbert Weld (1852 1935) of Lulworth in 1923. £3,000A5,000

330

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122

331 JOSEPH HERBERT BENTLEY 1866A1934

Portrait of a Lady, Half Length, Wearing a Cream Chiffon Dress and Gold Neck Chain Signed and dated J H Bentley. 190.. (the last digit indistinct) Oil on canvas 76.5 x 64cm; 30¼ x 25¼in £1,000A1,500

332 WALTER E. SPINDLER c.1865A1940

Portrait of the Actress Sarah Bernhardt (1844 1923), Quarter Length, in Profile, Wearing a Dark Dress Signed, inscribed and dated Walter Spindler [incised]/A MADAME LOUIS MAES/ HOMMAGE AFFECTUEUX/ WALTER SPINDLER/ OLD PARK 1885. (upper left) and SARAH BERNHARDT/ Sept 1885 (lower left), bears inscription [....] Spindler 57 Avenue [...] Paris 1893 (to upper overlap) and Old Park 1885 (to lower overlap) Oil on canvas 56 x 40.5cm; 22 x 16in Provenance: Bonhams, Knightsbridge, The Chelsea Collection of Severin Wunderman, 30 September 2009, lot 6 £800A1,200

331 333 CIRCLE OF WILLIAM BREAKSPEARE, RBA 1856A1914

The Lace Shawl Oil on board 23 x 15cm; 9 x 6in £100A150

332

333

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123

334 VEREKER MONTEITH HAMILTON 1856–1931

Morning Practice Oil on canvas 40.6 x 50.9cm; 16 x 20in Provenance: Dreweatt Neate, Newbury, 30 January 2002, lot 129, where purchased by the present private collector; Property from Burghclere House, Hampshire Exhibited: London, Beaux Arts Gallery, Memorial Exhibition of Paintings by the late Vereker Hamilton, Principally of the Russian Ballet, 1934, no.16 This work possibly depicts a group of dancers taught by Laurent Novikoff (1888 1956) at the Mayfair School of Dancing. £800A1,200

335 HUGH ALLAN 1862A1909

The Japanese Fan Signed and dated Ugolin Allan/ 96 (Ugolin indistinct, lower right) Oil on canvas 41 x 31cm; 16 x 12¼in

334

Provenance: Sotheby’s, London, 19th Century Paintings and Watercolours, 17 July 2002, lot 310 £500A800

336 N GLADYS MARGUERITE BAKER 1889Ac.1974

The Distraction of City Temple and St Andrews Holborn Inscribed with title and further indistinctly dated (to stretcher) Oil on canvas 61 x 50.5cm; 24 x 20in £700A1,000

335

336

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124

337 SIR ALFRED EAST, RA 1844A1913

In Japan Signed ALFRED/ EAST (lower left) Oil on canvas 61 x 91.5cm; 24 x 36in Provenance: The artist’s grandson, J. A. Churchill Marcus Huish, Managing Director of the Fine Art Society, commissioned East to spend six months in Japan 1889 1890. The ensuing exhibition of 104 paintings from this extensive tour was held at the Fine Art Society shortly after East’s return. £3,000A5,000

337

338 338 HENRY JOHN YEEND KING

339 EDGAR BARCLAY

1855A1924

1842–1913

The Goose Girl at Dusk

Walk in Spring, Hampstead Heath

Signed YEEND KING (lower right), initialled YK (verso) Oil on canvas 50.5 x 76.5cm; 19¾ x 30in

Signed E BARCLAY (lower right) and dated 1908 (lower left) Oil on canvas 93 x 61.5cm; 36½ x 24¼in

£300A500

Provenance: Christie’s, South Kensington, Victorian Paintings, 3 November 1994, lot 133, where purchased by the present private collector; Property from Burghclere House, Hampshire £800A1,200

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125

340 AMBROSINI JÉRÔME NÉ JAMES PARKER, 1810A1883

Portrait Study of a Girl, possibly Miss James Signed and inscribed Miss James/ 204 Portland Road/ A Jérôme / Feby 9 1864 (in pencil, verso) Oil on paper 31 x 25.5cm; 12¼ x 10in, mounted as an oval Mounted and unframed £200A300

341 ENGLISH SCHOOL c.1900A1920

Girl Preparing Rhubarb Oil on canvas 61 x 51cm; 24 x 20in

340

341

Provenance: Roland Goslett, Richmond, April 1987 (as by `Weston`) £600A900

342 CIRCLE OF HENRY JAMES PIDDING, RBA 1797A1864

Learning to Read Oil on canvas 44 x 37cm; 17¼ x 14½in £600A800

343 AFTER GOTTFRIED LINDAUER Czech/New Zealand, 1839A 1926

Heeni Hirini and Child Oil over a printed base 48 x 38.5cm; 19 x 15¼in After the original oil on canvas of 1878 (Auckland Art Gallery, Toi o T:maki), the gift of Henry Partridge, 1915.

342

343

Lindauer’s painting was awarded a gold medal when displayed at the St Louis World’s Fair in 1904 but the honour was given to Lindauer’s patron Henry Partridge and not to the artist. Formerly identified as Ana Rupene and Child, this subject was one of the most popular oil paintings in this genre and a large number of variants are known to exist. £200A300

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126

344 OLIVER CLARE 1852A1927

Summer Fruits; Autumn Fruits A pair, both signed OLIVER. CLARE (lower right) Both oil on board Each 21 x 27.5cm; 8¼ x 10¾in (2) £500A700

345 VINCENT CLARE 1856A1917

344

A Basket of Summer Fruits; A Pannier of Summer Flowers A pair, both indistinctly signed Vincent Clare (lower right) Both oil on canvas Each 30.5 x 25.5cm; 12 x 10in (2) £400A600

346 CHARLES AUGUSTUS HENRY LUTYENS 1829A1915

Putti with Garlands of Flowers; Putti with Fruit A pair, each signed Lutyens (lower right, under frame) Both oil on canvas laid on panel, mounted as oval Each 35.5 x 30cm; 14 x 11¾in (2) £400A600

345

346

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127

ARTISTS INDEX A

Carracci, Annibale

Casteels III, Pieter

138

East Anglian School

337

Ackermann, Gerald

Van Aelst , Willem

137

Ceresa, Carlo

143

East, H.

Aldin, Cecil Charles Windsor

102

Chalmers, George Paul

240

East, Sir Alfred

Charlemont, Eduard

330

Edridge, Henry

Clare, Oliver

344

Clare, Vincent

345

Clark, John Heaviside

205

Cole, A.

224

Collins, William

192

Condy, Nicholas Matthew

202

Confortini, Jacopo

Allan, Hugh

335

American School

229

Andriessen, Jurriaan

Anglo Indian School

116

Anguissola, Sofonisba

140

Antwerp School

125

Arenius, Olof

Harding, James Duffield

119

Hardy, Frederick Daniel

238

262

Harlamoff, Alexei Alexeevich

326

Hayes, Claude

165

Hayes, Edwin

276

Hayes, Edwin

275

292, 293

Hayward, R.

282

128

Eisley, Arthur John

283

Elmer, William Emilian School

English School 3, 9, 10, 13 15 18, 23, 48, 81, 108, 146, 154, 178, 188, 341 Equiepetha, Domingos

Eustace, E.. N.

242

Baker, Gladys Marguerite

336

Constable, John

184

Barclay, Edgar

339

Continental School

Barker of Bath, Thomas

187

Cook, J.

166

Barret, George

186

Cooper, W. S.

189

Baxter, Charles

197

Beach, Thomas

174

Copley Fielding, Anthony Vandyke

Beavis, Richard

Cortes, Edouard Leon

316

Bentley, Joseph Herbert

331

Courtois, Jacques

135

De Beul , Laurent

213

Coventry, Robert McGown

303

Cox, David

183

Crivelli, Angelo Maria

134

Cuyp, Aelbert Jacobsz.

126

Galea, Luigi Maria

251

Garrard, George

236

van Blarenberghe, Jacques Guillaume de Breanski, Alfred de Breanski, Alfred Fontville

44 257, 258 259, 260

Cuzco School

Blake, T.

Blanchard, Antoine

313

Blanchard, Jacques

129

Daniell, Thomas

Boddington, Henry John

227

Bouvard, Antoine

311, 312

Bouvard, Noel Georges

309, 310

56, 57

160, 161

117

F Flemish School

120

Floris, Frans

130

Foster, Myles Birket

Freese, Nicholas

French School

Frère, Charles Théodore

Hazlehurst, Thomas

Heins Senior, John Theodore

151

Heins, John Theodore

152

Hemy, Charles Napier

279

Henshaw, Frederick Henry

228

Hermanns, Heinrich

315

Hesse, Henri Joseph

Hickey, Thomas

155

Hine, Henry George

85, 86

Hirn, Jean Georges

139

Hla, M. T.

113, 114

Hollams, Frances Mabel

319 322

Hoppner, John

182

Hubner, Louis

243

Huggins, William

233

Huggins, William John

169

Hulk, Abraham

208

Hunt, Alfred William

Ghisi, Giovanni Battista

Gill, William

235

Gobbairts, Emile

289

Hunt, William Henry

107

Hysing, Hans

157

274

Goodall, Edward Angelo

Day, J.

277

Goodwin, Albert

94 96

Dayes, Edward

Goodwin, Harry

100

Dearman, John

223

Delance, Paul Louis

305

Breakspeare, William

333

Brennir, Carl

222

Brown, John George

287

Brown, William Marshall

317

Bunn, George

302

Denon, Dominique Vivant

Buttersworth, James Edward

171

Devis, Arthur William

181

Byng, Robert

149

Dewing, Thomas Wilmer

Doré, Gustave Paul Louis

Haddon, Arthur Trevor

Downman, John

156

Hall, Harry

20, 109, 177

Dawson, Henry Thomas

Delfgaauw, Gerardus Johannes 210

Harvey, John Rathbone

van den Eeckhout, Gerbrandt

Emms, John

307, 308

Harrison, J. L.

Graham Gilbert, John

194, 195

J James, David

278 325

Granner, Erwin

110

Jelley, James Valentine

Grant, Sir Francis

196

Jérôme, Ambrosini

340

Gregory, George

272

Jervas, Charles

150

Guillemin, Alexandre Marie

290

K Kennington, Thomas Benjamin 329 285 200, 234

King, Henry John Yeend

338

Kinnaird, Henry John

74, 75

Candido, Salvatore

253

Durer, Albrecht

Hamilton, Hugh Douglas

Klombeck, Johan Bernard

217

van der Capelle, Jan

127

Van Dyck, Sir Anthony

131

Hamilton, Vereker Monteith

334

Kneller, Godfrey

144

Lots marked may be subject to an addiUonal fee - please see ARR informaUon on page 131 • Framed images of each lot are available on www.woolleyandwallis.co.uk

128

ARTISTS INDEX Kneller, Sir Godfrey

147

Kobell III, Jan

214

Nash, Frederick

Koekkoek the Elder, Hermanus

207

Koekkoek, Johannes Hermanus 209 Koerner, Ernst Carl

252

Kuwasseg, Charles Euphrasie

254

L Lamond, William Bradley

288

Lamplough, Augustus Osborne

Lanceray, Evgeni Evgenievich

Lanjainais, Jenny

199

Lawrence, Sir Thomas

179

Lear, Edward

Richardson, Charles, James

Turner, Daniel

206

Turner, Joseph Mallord William

185

Robertson, Charles

Nash, Joseph

33, 55

Roe, Clarence Henry

225

Nason, Pieter

148

Roos, Philipp Peter

136

Neapolitan School

141

Rosati, Giulio

Neefs the Younger, Pieters

122

de la Rose, Jean Baptiste

Varley, John

Newcome, Frederick Clive

215

Newton, Sir William John

Venetian School

Nibbs, Richard Henry

267

Russell, John

Verboom, Adriaen Hendricksz.

Noble, James Campbell

324

Russian School

162

Vickers, Alfred

221

Noek, Edward

266

Ruyten, Jan Michiel

211

Vivian, Jane

248

Noel, Jules Achille

306

S O

Saint, Daniel

66 69

Oakes, John Wright

193

Scheeres, Hendricus Johannes

212

Leickert, Charles

216

Oudry, Jean Baptiste

164

Schongauer, Martin

Lely, Sir Peter

145

Lens III, Bernard

Lindauer, Gottfried

343

Parker, Henry H.

Lloyd, Tom

Patna School Pearsall, Henry W.

Lucas, Albert Durer

294 301

Schranz, Anton

142

Webb, James

204

Sharples, Ellen

Webb, W. B.

269

230

Shee, Sir Martin Archer

176

Webb, William Edward

268

Smartly, Henry

281

Weinmann, Johann Wilhelm

Smith, James Burrell

Spanish Colonial School

163

Wells, William Page Atkinson

Spindler, Walter E.

332

Van Der Werff , Adriaen

132

Stannard, Henry John Sylvester

Wheelwright, Rowland

323

Sticks, George Blackie

261

Whitcombe, Thomas

167

Stone, A.

265

Whood, Isaac

153

Stuart, Gilbert

175

Widgery, Frederick John

de Wilde, Samuel

Wille, Pierre Alexandre

159

Wilson, John James

263

De Wint, Peter

226

Winter, William Tatton

101

Woolmer, Arthur Joseph

239

249, 250

MacGregor, William York

Maguire, Helena J.

103

Malton, James

Marten, Elliot H.

McIntyre, James

280

Pickersgill, Frederick Richard

237

Pidding, Henry James

342

Plimer, Andrew

Pocock, Nicholas

Pollentine, Alfred

255

Pothast, Bernard

291

Poynter, Sir Edward John

Pratt, Jonathan

284

Preti, Mattia

Proctor, Adam Edwin

318

Pyne, George

Tarrant, Percy

Menpes, Mortimer Luddington

Mercier, Philippe

158

Meryon, Charles

Meyer, Jeremiah

Milbanke, Mark

241

Millan, Manuel Ventura

246

Milnes, Anne

286

Rattray, Alexander William Wellwood

Mughal Schoo

115

Musin, Francois Etienne

273

168

Seybold, Christian

Petroff, Wladimir

256

Walters, Samuel

118

170

271

34, 98

264

Luny, Thomas

MacGibbon, Alexander B.

Walcot, William

220

218, 219

Macbeth, Robert Walker

Watson, Sydney Arthur

Percy, Sidney Richard

Waite, Robert Thorne

244

346

Scott, Tom

Lundh, Henrik Theodor

Lutyens, Charles Augustus Henry

172, 173

58, 59

Syer, John

190, 191

327

Teniers the Younger, David

123, 124

104 106

Testa, Pietro

Thornley, William

270

Thors, Joseph

231

314

van Tilborgh the Younger, Gillis

121

Redmore, Henry

203

Trery, Henry Charles

232

Yates, Frederic

198

Richards, Alice S.

245

Tudgay, John Lashbrook

201

Young, Alexander

304

Raaphorst, Cornelis Raeburn, Sir Henry Ramsay, Allan

247 180 2

Wyllie, William Lionel 111, 112, 328

Visit www.woolleyandwallis.co.uk to read the full Terms & CondiUons

BRITISH & CONTINENTAL CERAMICS & GLASS THURSDAY 22ND OCTOBER 2026

THE XANTO MAIOLICA PANELS

ENQUIRIES +44 (0)1722 446974 ceramics@woolleys.live The Xanto Panels will be exhibited alongside the Old Masters, BriUsh & European PainUngs sale in London and Salisbury.

Francesco Xanto Avelli 1487-1542 Plaque 4: The Baby Cyrus Exchanged for the Shepherd’s Son, 1536. Plaque 10: Cyrus Encouraging the People of Persepolis to Fight Astyages, 1536. £40,000 – 60,000 each

130

Monday to Friday 9am – 5pm Monday to Friday 9am – 5pm

All our auchons are on view at least two days prior to the sale and details will be found in the relevant catalogues.

All Srst hme buyers need to register with us. To register, you will need to provide two forms of idenhScahon: 1.Ha passport or photographic driving licence 2.Ha uhlity bill or document showing your name and address You can register in person or by contachng client services on 01722 424500 or emailing id@woolleys.live You will be asked to show your documents or email copies. PLEASE NOTE: Registering with our website, or any third party website, does not automahcally register you to bid with us.

See below for the diIerent ophons for bidding. Please note that you may be asked to provide two forms of idenhScahon, even if you have bid with us before, in order that we are compliant with Money Laundering Regulahons.

To bid at auchon you will need a paddle number. This can be obtained from client services either during the view or on the day of the sale.

If you are unable to aOend the sale, you may leave a commission bid. This will be executed on your behalf by the auchoneer who will purchase the lot as cheaply as possible, bearing in mind any reserve price and other bids. Commission bids may be submiOed in advance by email to bids@woolleys.live. Please ensure you have received email conSrmahon aTerwards. Please note that it may not be possible to execute commission bids leT on the day of the sale itself, so please make sure these are placed well in advance. You may be contacted for ID. If this informahon is not received your bids will not be taken.

It is usually possible to bid on the telephone by prior arrangement with client services.

Live online bidding is available free of charge for most of our auchons via bid.woolleys.live, enabling you to take part in the bidding from anywhere in the world, live as it happens.

BUYER’S PREMIUM )('&%$(#'")! ' !$' )(')! (#' # (' ( )(#' )'!'&%$(# "' #( % ' )(#( ' ' ' %"' '! ' ' ! ' ' %" ( ' ' )(' #" ' ' ' )(')! (#' # ('! ' ' %"' '! ' ' ' %" ( '% ' ' '! ' ' %"' '! ' ' ' %" ( ' )(#(! (# CONDITION REPORTS The relevant department will be pleased to give condition reports on any lot, where practical. All weights and measures given in the catalogue should be regarded as approximate. The colours printed in the catalogue are not necessarily true.

SALE RESULTS These will be posted on our website shortly after the sale. PACKING AND SHIPPING Woolley & Wallis do not offer a packing and despatch service but the following are carriers in our area. Alban Shipping

+44 (0)1582 493099 info@albanshipping.co.uk www.albanshipping.co.uk

Kimdan Ltd

+44 (0)7973 389436 andy@kimdan.co.uk

Mailboxes

+44 (0)1962 622133 info@mbewinchester.co.uk www.mbe.co.uk/winchester

Please note that we cannot be held responsible for any damage or loss to items once they are in the hands of a carrier. EXPORTING YOUR PROPERTY FROM THE UK If you are exporting your property, import taxes, customs duties and other fees may apply at the country of destination. It is also your responsibility to ensure that your shipment can be lawfully imported to the destination country. Please note that due to the withdrawal of the Retail Export Scheme by HMRC, we are unable to provide VAT refund documentation (C88) for hand carried exports. In order to qualify for a VAT refund, your lots must be exported by a shipper and valid export documentation must be provided.

PAYMENT AND CLEARANCE Payment is due immediately after the auction in pounds sterling. If you are a first time buyer we will need your name, address and bank details and will require funds to be cleared before purchases can be released. The following methods of payment may be made: Bacs, debit and credit cards Wire transfers should be sent to: Lloyds Bank plc, Blue Boar Row, Salisbury SP1 1DB. Account no. 00957707 Sort code 30 97 41 IBAN no. GB20LOYD30974100957707 BIC code LOYDGB21063 Debit and Credit cards: Visa, Mastercard, Amex or Union Pay. Where practical, payment can be made and purchases collected during the auction. We reserve the right to add storage charges to all lots not collected within 30 calendar days of the sale. This will include a handling fee of £20 (+ VAT) per consignment and a storage charge of £2 (+ VAT) per lot per day. No goods will be allowed to be collected until these charges have been paid. LOT SYMBOLS VAT Lots marked with an dagger (†) are subject to VAT on the hammer price. Lots marked with an omega ( ) have been temporarily imported from outside the EU and are subject to VAT at 5% on the hammer price and the buyer’s premium. In online catalogues, the Sales Tax % column indicates the rate of VAT on hammer price. CITES REGULATIONS Please note that lots marked may be subject to CITES Regulations when exported.

ARTIST’S RESALE RIGHT / DROIT DE SUITE Lots marked with a symbol are poten ally subject to a levy. Droit de Suite is a royalty payable to a qualifying artist or the artist’s heirs each time a work is resold during the artist’s lifetime and up to a period of 70 years after the artist’s death. Royalties are calculated on a sliding percentage scale based on the hammer price excluding the buyer’s premium. The royalty does not apply to lots selling below £1,000 and the maximum royalty payable on any single lot is £12,500. Droit de Suite, which is not subject to VAT, will be added to the buyer’s purchase price and then passed on to the relevant collecting agency. Royalties for Droit de Suite are as follows: 4% Up to £50,000 3% £50,000.01 200,000 1% £200,000.01 350,000 0.5% £350,000.01 500,000 0.25% In excess of £500,000 Up to a maximum levy of £12,500

FIREARMS Lots marked in the catalogue, or by any other means identified as controlled firearms, are subject to the UK firearms/shotgun licencing regime, and should only be viewed/purchased by individuals with appropriate licences. It is the responsibility of the bidders to ensure that they are legally authorised to acquire the lot that they are bidding for. In the event that such a lot is successfully bid for by an individual who is not authorised to possess it, that individual will be required to pay for it, but will not be allowed to take physical possession of it. The auctioneers will re offer the lot on behalf of the buyer in a future auction; or may accept instructions to dispose of it by some other legal means, at their discretion.

The CITES Regulations may be found at www.defra.gov.uk/ahvla en/imports exports/cites/

Visit www.woolleyandwallis.co.uk to read the full Terms & Condi ons

CASTLE RD A345

EET STR TLE CAS

D SR SE VI DE

LW AY W ES T

A3 60

WILTO NR DA

A 3 6(

T) C

WILTON & WARMINSTER

A36 CH UR CH ILL WA YN MR HA ND WY

CENTRAL CAR PARK

T WIN S BED

N SCOTS L SALISBURY S OUT H

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CHIPPER ST

D OA

LN SALT

WINCH ESTER ST

NEW

LL R OAD

Valuations are a core part of our business and are usually carried out by a senior specialist or director. Accuracy, speed and above all confidentiality are paramount.

OR TH

INSURANCE VALUATIONS

D OA

R EY

W AY E

E LS

HL AS

AMESBURY & MARLBOROUGH

Written valuations for insurance can vary from a single item to a large estate. Before starting we discuss the various options available so that the valuation is specifically tailored to individual clients needs.

A36(T) CH URC HIL L

VALUATIONS

LONDON, ANDOVER & WINCHESTER

For valuations of an entire house contents an itemised bound valuation is produced and can be accompanied by photographs when required. In addition to providing an inventory, written valuations can prevent painful arguments with a loss adjuster in the event of a claim.

L C AN A

NEW ST

REET

ST ANN S

Woolley & Wallis valuations are accepted by all leading insurance companies.

SOUTHAMPTON CATHEDRAL

SO Y

A36

( T)

L HI

A W

RO AD

We offer a speedy and professional service for executors and trustees and provide bound valuations for probate and duplicate copies when required. Since security is often a consideration, we can usually arrange for a house to be cleared and sent for auction, our Valuations Department ensures that executors are informed of which sales are involved and the results thereof.

ARN HAM

We also carry out valuations for Family Division, Capital Gains Tax, and Private Treaty Sales.

A338 BOURNMOUTH & RINGWOOD OW

RO AD

Contact Jeremy Lamond +44 (0)1722 424502 | valuations@woolleys.live

A33 8

NT ON

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Woolley & Wallis City Centre Salerooms 51 – 61 Castle Street SP1 3SU

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Woolley & Wallis Unit 1B Castle Gate Business Park Old Sarum Salisbury SP4 6QX

Piccadilly Circus

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Old Sarum Park

Westover Garage

Sarum Business Park

WOOLLEY & WALLIS

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MARLBOROUGH & SWINDON

Old Sarum Galleries

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WOOLLEY & WALLIS City Centre Salerooms

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DIRECTIONS FROM OUR CITY CENTRE SALEROOMS TO OUR OLD SARUM GALLERIES

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Free verbal valuations of items for sale are available by appointment. Please email valuations@woolleys.live or call +44 (0)1722 424500

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Woolley & Wallis W 17 Clifford Street S Second Floor M Mayfair London W1S 3RQ

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FREE AUCTION VALUATIONS

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A354 DORCHESTER WEYMOUTH & BLANDFORD

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PROBATE VALUATIONS

A345 Castle Rd

ALLIS WA WOOLLEY & W d Street, Mayfair Clifford

17 (2nd floor) Clifford Street, London W1S 3RQ (open by appointment only) 51 61 Castle Street, Salisbury, Wiltshire SP1 3SU Registered in England No. 02998482 VAT No: 631 9832 29

SALISBURY AMESBURY

A36

HAR NH AM RO AD A30 9

A36(T) SO UTHA MPT ON

WOOLLEY & WOOLLEY & WALLIS WALLIS CITY CENTRE SALEROOMS SALEROOMS

Old Sarum

Follow A345 for 1.7 miles. At Beehive Park & Ride follow the signs for A338 Swindon and Marlborough

SPECIALIST DEPARTMENTS Please dial +44 (0)1722 followed by the number listed below PAINTINGS

MEDALS & COINS, ARMS & ARMOUR

Victor Fauvelle Ed Beer Richard Kay Heidi Easton

446961 446962 446964 446970

20TH CENTURY DESIGN Max Fisher Zoe Smith

424505 446955

339752 339161

424506 424583 424589 +44 (0)7812 601098 424591

Neil Grenyer MRICS Becky Tilly!Tricke

446974 339161

Freya Yuan!Richards

Ruth Pike (Client Services Manager) Sarah Bennie Julie Langsta Riin Rohtla!Szeverenyi Jen Russell!Smith

424502

424500

Fahmeeda Yasmin Oscar Eccleston Annabelle Hunt

Emma Clement Frances Woodhams

411854 446974 339161 339161 339161

BOARD OF DIRECTORS

INTERIORS 339752

JAPANESE ART 424583 424591

JEWELLERY Marielle Whi ng FGA Jonathan Edwards FGAA (Consultant) Jacob Carpenter Freya Miller Beth Reardon

Jeremy Lamond MRICS FRSA Frances Woodhams

424589

FURNITURE, WORKS OF ART & CLOCKS

Alexandra Aguilar Olivia Jones

446956 446959 446957

MARKETING

CHINESE PAINTINGS & CALLIGRAPHY

Will Hobbs

Rupert Slingsby Archie Swann Demi Jueno!Chapman

PHOTOGRAPHY

BRITISH AND CONTINENTAL CERAMICS & GLASS

Mark Yuan!Richards Neil Grenyer Jim Gale Sarah Stone Becky Tilly!Tricke

SILVER

CLIENT SERVICES

ASIAN ART John Axford MRICS Alexandra Aguilar Freya Yuan!Richards Jeremy Morgan Olivia Jones

341469 446955

VALUATIONS

AFRICAN & OCEANIC ART ANTIQUITIES Will Hobbs Becky Tilly!Tricke

Ned Cowell Zoe Smith

424595 424504 424586 424569 424509

John Axford MRICS Chairman Natalie Milsted FCCA Managing Director Alexandra Aguilar Director Ed Beer Director Rupert Slingsby Director Marielle Whi ng FGA Director

ASSOCIATE DIRECTORS Ned Cowell Victor Fauvelle Will Hobbs Jeremy Lamond MRICS FRSA Freya Yuan!Richards Mark Yuan!Richards

424571