Fine Furniture & Collections | 7th-8th October

FINE FURNITURE & COLLECTIONS WEDNESDAY 7TH OCTOBER & THURSDAY 8TH OCTOBER 2026

www.woolleyandwallis.co.uk

FINE FURNITURE & COLLECTIONS WEDNESDAY 7TH & THURSDAY 8TH OCTOBER 2026

SPECIALIST DEPARTMENTS

AUCTION CALENDAR OCTOBER

Please dial +44 (0)1722 followed by the number listed below

JANUARY 2027

FURNITURE, WORKS OF ART & CLOCKS

7th & 8th

Fine Furniture & Collections

13th & 14th

Fine Furniture & Collections

20th & 21st

Fine Silver & Objects of Vertu

27th & 28th

Fine Jewellery

22nd

Dürer to Warhol: A Private Collection

22nd

British & Continental Ceramics & Glass

Mark Yuan-Richards Neil Grenyer Jim Gale Sarah Stone Becky Tilly-Trickett

28th & 29th

Fine Jewellery

20TH CENTURY DESIGN Max Fisher Zoe Smith

NOVEMBER 10th

Fine Asian Art

11th

Japanese Works of Art

25th

Medals & Coins, Arms & Armour

Will Hobbs Becky Tilly-Trickett

DECEMBER 1st

Modern British & 20th Century Art

2nd

British Art Pottery & Studio Ceramics

424505 446955

AFRICAN & OCEANIC ART ANTIQUITIES

ASIAN ART

John Axford MRICS Alexandra Aguilar Freya Yuan-Richards Jeremy Morgan Olivia Jones

CHINESE PAINTINGS & CALLIGRAPHY Freya Yuan-Richards A GEORGE II GILTWOOD SIDE TABLE,

INTERIORS

C.1740-50.

Will Hobbs

Sold for £63,200*

JAPANESE ART

Alexandra Aguilar Olivia Jones

JEWELLERY

Marielle Whiting FGA Jonathan Edwards FGAA (Consultant) Jacob Carpenter Freya Miller Beth Reardon

MEDALS & COINS, ARMS & ARMOUR +44 (0) 1722 424500 info@woolleys.live 51-61 Castle Street, Salisbury, SP1 3SU www.woolleyandwallis.co.uk *Price included buyer’s premium

ENTRIES ARE CURRENTLY BEING ACCEPTED FOR OUR 2026/2027 AUCTIONS

Ned Cowell Zoe Smith

PAINTINGS

Victor Fauvelle Ed Beer Richard Kay Heidi Easton

339752 339161

424506 424583 424589 +44 (0)7812 601098 424591

BRITISH AND CONTINENTAL CERAMICS & GLASS Neil Grenyer MRICS Becky Tilly-Trickett

411854 446974 339161 339161 339161

446974 339161

424589

339752

424583 424591

424595 424504 424586 424569 424509

SILVER

Rupert Slingsby Archie Swann Demi Jueno-Chapman

VALUATIONS

Jeremy Lamond MRICS FRSA Frances Woodhams

CLIENT SERVICES

Ruth Pike (Client Services Manager) Sarah Bennie Julie Langstaff Riin Rohtla-Szeverenyi Jen Russell-Smith

446961 446962 446964 446970

424502

424500

PHOTOGRAPHY Fahmeeda Yasmin Oscar Eccleston Annabelle Hunt

MARKETING

Emma Clement Frances Woodhams

BOARD OF DIRECTORS John Axford MRICS Chairman

Natalie Milsted FCCA Managing Director Alexandra Aguilar Director Ed Beer Director Rupert Slingsby Director Marielle Whiting FGA Director

ASSOCIATE DIRECTORS 341469 446955

446956 446959 446957

Ned Cowell Victor Fauvelle Will Hobbs Jeremy Lamond MRICS FRSA Freya Yuan-Richards Mark Yuan-Richards

424571

FINE FURNITURE & COLLECTIONS

Head of Department Mark Yuan-Richards 01722 411854 myr@woolleys.live

WEDNESDAY 7th OCTOBER 2026 10.00AM LOTS 1-313

Will Hobbs 01722 339752 wh@woolleys.live

THURSDAY 8th OCTOBER 2026 10.00AM LOTS 314-628 at our City Centre Salerooms, 51-61 Castle Street SP1 3SU

Jim Gale 01722 339161 jg@woolleys.live

VIEWING AT OUR OLD SARUM GALLERIES Unit 1B, Castle Gate Business Park, Old Sarum, Salisbury SP4 6QX Saturday 3rd October Monday 5th October Tuesday 6th October Wednesday 7th October Thursday 8th October

Sarah Stone 01722 339161 ss@woolleys.live

10am – 1pm 10am – 4pm 10am – 4pm 9am – 1pm By appointment

Becky Tilly-Trickett 01722 339161 bt@woolleys.live

BUYER’S PREMIUM

EXPORT AND CITES LICENCES

Each lot is subject to a Buyer's Premium of 27% (+VAT) on the first £20,000 of the hammer price, reducing to 26% (+VAT) up to £500,000 and 20% (+VAT) thereafter.

Some lots will require export or CITES licences in order to leave the UK or Europe, please refer to the department for guidance.

CONDITION OF LOTS

LIVE ONLINE BIDDING - FREE OF CHARGE

The condition of lots is not stated in the catalogue descriptions. Reports on condition may be available on request. The absence of condition reports in the catalogue does not imply that the lot is free from imperfections or faults

IMPORTANT NOTICE TO ALL PURCHASERS REGARDING STORAGE AND COLLECTION OF LOTS WE ARE PLEASED TO OFFER TWO WEEKS FREE STORAGE FOR ALL LOTS PURCHASED FROM THIS SALE, HOWEVER, OWING TO A BUSY SCHEDULE ALL LOTS NOT COLLECTED BY 4PM ON THURSDAY 22ND OCTOBER 2026 WILL BE TRANSFERRED TO SACKVILLE-WEST MOVING AND STORING (ANDOVER SP10 3SA), WHERE THEY WILL BE AVAILABLE FOR COLLECTION FROM TUESDAY 27TH OCTOBER. LOTS WILL BE UNAVAILABLE FOR COLLECTION FROM THE 23RD OCTOBER TO THE 26TH OCTOBER AS THE ITEMS WILL BE IN TRANSIT. PLEASE NOTE, HANDLING AND STORAGE CHARGES WILL BE APPLIED FROM 8AM ON TUESDAY 27TH OCTOBER. FOR FULL DETAILS, PLEASE REFER TO ‘AUCTION INFORMATION’ UNDER THE ‘PAYMENT AND CLEARANCE’ SECTION AT THE BACK OF THE CATALOGUE AND ON OUR WEBSITE.

LIVE

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ILLUSTRATIONS Front cover: Lot 96 Back cover: Lots 123, 128, 467, 469

DAY 1

7TH OCTOBER 2026 LOTS 1-313

2

A PRIVATE COLLECTION LOTS 1-88

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λ 1 A VICTORIAN EBONISED AND BOULLE MARQUETRY CHEST

C.1860-70

with gilt bronze mounts and fitted with six long drawers, with tortoiseshell and brass marquetry 107.3cm high, 74.5cm wide, 35.5cm deep

£500-800 2 A PAIR OF ANGLO-FRENCH MAHOGANY AND PARCEL GILT OPEN ARMCHAIRS

IN REGENCY OR EMPIRE STYLE, LATE 19TH CENTURY

each decorated with rosettes and lappets, with panelled frames and scroll arms (2)

£800-1,200 1 2 3 A FRENCH EMPIRE MAHOGANY AND ORMOLU MOUNTED SECRETAIRE A ABATTANT

C.1815

the mottled marble top (broken) above a frieze drawer mounted with two opposing seated and crouching Bacchantes with a nearby Bacchic boy tending to a central wicker basket replete with vine leaves and grapes, flanked by two further boys, a leopard and a ram, with protruding swan form and laurel wreath mounted angles, the drawer with a handwritten paper label inscribed ‘Bureau belongs to... Angerstein Lancelot Smythies... given (?) to (?)... him on his 21st Birthday by Georgiana Angerstein, his Grandmother, and given to her by his father-in-law, William Angerstein, it was in his bedroom at Weeting Hall, Brandon, Norfolk’ above a hinged fall enclosing a burr elm veneered interior with one long frieze drawer over one shelf flanked by mounted engine turned Doric columns, with one central deep drawer and four short drawers below, flanked by engaged columns each mounted with a stiff leaf and beaded acanthus cast capital and with palmette cast baluster bases, above a pair of doors mounted sans traverse with an arrow dividing an olive leaf wreath, enclosing three long drawers 143.5cm high, 97cm wide, 43.5cm deep Provenance The offered lot originally belonged to William Angerstein who was the uncle of John Julius Angerstein (1735-1823). The latter’s collection, which was purchased by the government in 1824, formed the core of the National Gallery, in London. Dreweatt Neate, Donnington Priory, Donnington, 6th November 2002, Yuki House and Studio Sale, lot 69.

£1,500-2,000

3

4 A FRENCH ORMOLU TAZZA

IN EMPIRE STYLE, 19TH CENTURY

the bowl with pierced anthemion decoration 30.7cm high, 18.3cm diameter

4

£300-500

3

5 6

5 A PAIR OF FRENCH LOUIS XVI PAINTED FAUTEUIL

LATE 18TH CENTURY

each with a later upholstered padded back and seat, with moulded frames (2)

£300-500 6 A FRENCH MAHOGANY AND EBONISED GUERIDON

IN EMPIRE STYLE, 19TH CENTURY

the black marble top above parcel gilt column supports and metal castors 74.5cm high, 81cm (diameter)

£300-500 λ 7 7

A FRENCH TORTOISESHELL AND PEWTER BOULLE MARQUETRY JARDINIERE

19TH CENTURY

with gilt metal mounts and a lift-out liner 72.5cm high, 53cm wide, 37cm deep

£300-500 8 A DUTCH MAHOGANY AND MARQUETRY DECANTER BOX

C.1840

inlaid with a basket of flowers, the interior with four parcel gilt glass bottles and stoppers 25cm high, 19.2cm wide, 19cm deep

£200-300

8 4

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9 A FRENCH KINGWOOD AND ORMOLU MOUNTED VITRINE

IN LOUIS XV STYLE, LATE 19TH CENTURY

the breche verre marble top above a moulded frieze and a central bevelled door centred by a winged mask, the interior with a single glass shelf (with no stays), the back with stencil mark for ‘Ameublements, Pagny Fils, P. Thomas, 100 Rue de Bac, Paris’ 154.3cm high, 145cm wide, 45cm deep

£2,000-3,000

9 10 A LATE VICTORIAN KINGWOOD AND THUYA DECANTER BOX

LATE 19TH CENTURY

with ebonised banding and brass mounts, the hinged front and lid revealing four decanters with stoppers and fourteen liqueur glasses, with key 27.2cm high, 34cm wide, 26cm deep

£300-500

11 A RUSSIAN NEO-CLASSICAL MAHOGANY AND BRASS MOUNTED BUREAU PLAT

19TH CENTURY the top inset with a green leather lining, above three frieze drawers, opposing false fronts on square tapering fluted legs, united by ‘X’ stretchers, originally on brass caps and castors

10

75cm high, 182.3cm wide, 95cm deep

Provenance Purchased from Nicolas Guedroitz, Russian Furniture.

£2,000-3,000

11 5

13

12

12 A PAIR OF GILT BRONZE MODELS OF HIPPOCAMPI

LATE 17TH / 18TH CENTURY

each later mounted on a verde antico marble plinth (2) 10cm high, 10.5cm wide

£300-500 λ 13 A GEORGE IV ROSEWOOD SEWING BOX

C.1825-30 14

the divided velvet lined interior with lidded compartments with ivory handles, together with a Victorian walnut stationery box by Melliship & Harris, with key (2) 35.5cm wide (max) Ivory Registration number: RPH1V1QD

£200-300 14 A CHINESE POTTERY MODEL OF A HORSE AND RIDER

HAN DYNASTY OR LATER

together with three pottery dogs (4) 32cm high (max)

£300-400 15 A LARGE PAIR OF VENETIAN SCAVO GLASS VASES

BY PINO SIGNORETTO, 20TH CENTURY

each with an antique finish and with lion’s masks and an elephant stem (2) 61cm high

£200-300 15

16 TWO EGYPTIAN STYLE CARVED AND POLYCHROME WOOD SEATED FIGURES

IN THE LATE PERIOD STYLE, 20TH CENTURY set on modern brass bases (2) 15cm high (max)

Provenance Purchased from Jean-Claude Ciancimino, London in the 1970s. Dreweatts, Guy Tobin: ‘For the Love of Objects!’ sale, 7th January 2025, lot 211.

£100-200

16 6

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17 A FRENCH MAHOGANY BIBLIOTEQUE IN EMPIRE STYLE

BY MAISON KRIEGER, LATE 19TH CENTURY

with ormolu mounts, the central door originally with wirework or glass now missing, enclosing adjustable shelves, flanked by a pair of doors with trellis panels, above three drawers, all locks engraved ‘MON KRIEGER, AMEUBLEMENT, PARIS’ 231.5cm high, 225.5cm wide, 59.5cm deep

£500-800

17 19 A FRENCH LOUIS XV ORMOLU MOUNTED BOULLE BRACKET CLOCK AND BRACKET

BY BACQUET, PARIS, C.1750

18

18

A FRENCH ORMOLU AND CHAMPLEVE ENAMEL MANTEL CLOCK

LATE 19TH CENTURY

the brass eight day drum movement signed ‘HP & Co’, striking on a bell (missing), the circular dial with Roman numerals, the architectural case decorated with winged cherubs 37.7cm high, 22.5cm wide

£400-600

the brass twin barrel movement with five tapered baluster pillars and an outside countwheel striking on a bell, the backplate signed ‘Bacquet A Paris’, with later anchor escapement regulated by a lenticular bob pendulum, the 10 inch circular twelve-piece cartouche numeral dial with concentric trellis bordered Rococo cartouche cast centre within a chapter ring with blue-on-white Roman hour numerals within Rococo borders and every minute numbered to the outer track, with blued steel hands over small enamel pendant panel inscribed ‘BACQUET’, the cut brass and brown shell marquetry decorated case with a surmount cast as a robed putto releasing a bird seated over a gadrooned panel-cast caddy to the concave-sided superstructure, with its original ogee-shaped wall bracket 84cm high, (the clock) 114cm high, 43cm wide, 21.5cm deep ( the clock on wall bracket ) Provenance The Estate of a deceased Gentleman, purchased from Pelham Galleries, London, July 1966.

£1,000-1,500

19

20 A DUTCH MAHOGANY AND FRUITWOOD COMMODE

19TH CENTURY

the mottled grey marble top with a pierced brass gallery above three long panelled drawers inlaid with parquetry and stringing, flanked by stop fluted pilasters 89cm high, 136.5cm wide, 58cm deep

£600-1,000

20 7

21 A LARGE WILLIAM IV MAHOGANY WINE COOLER

POSSIBLY IRISH, C.1835

the edge carved with a grapevine, above a metal liner, with Rococo decoration on scroll feet and wooden castors 51.3cm high, 90cm wide, 77cm deep

£400-600

21

22 A GEORGE IV MAHOGANY CHEVAL MIRROR

IN THE MANNER OF GILLOWS, C.1825

with ebonised decoration, the rectangular plate within a reeded frame and with ring turned baluster supports, on brass castors 155.7cm high, 67.3cm wide, 65.5cm deep

£300-500

22

23

23 A WILLIAM IV GONCALO ALVES CENTRE TABLE

IN THE MANNER OF GILLOWS, C.1835

the circular tilt-top above a tapering stem and a lappet carved collar, on sunken castors 72cm high, 136 diameter

£300-500 24 A MAHOGANY WARDROBE

EARLY 19TH CENTURY AND LATER ADPATED

with panelled doors, with two cupboard compartments with shelves and a full hanging section fitted with wooden pegs 212.2cm high, 130.8cm wide, 58cm deep

£200-400 8

24

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λ 25 A REGENCY ROSEWOOD AND BRONZE MOUNTED LIBRARY TABLE

IN THE MANNER OF MOREL AND SEDDON, C.1820

the shaped top above a laurel band and ribbed baluster legs and on winged scroll paw cast brass feet and castors 73cm high, 154cm wide, 77.5cm deep

£2,000-3,000

25

26 A PENWORK AND POLYCHROME DECORATED LAMP TABLE

C.1825 AND LATER

the top decorated with chinoiserie with figures on horseback and on a lion hunt 72cm high, 47cm wide, 35cm deep

£150-250

26

λ 27 A GEORGE IV ROSEWOOD AND SPECIMEN WOOD OCCASIONAL TABLE

C.1830

with brass mounts and parcel gilding, the top inlaid with a parquetry panel 67cm high, 44.5cm wide

£400-600

27 9

29 28

28 A VICTORIAN IRISH WALNUT AND MARQUETRY TRIPOD TABLE

C.1860 AND LATER

the circular tilt-top inlaid with a basket of flowers within floral borders, the block with a hinged lid revealing a compartment with two drawers 76.5cm high, 75cm diameter

£500-800 29 A PAIR OF MAHOGANY BEDSIDE TABLES

IN GEORGE III STYLE, LATE 20TH CENTURY each with a three quarter gallery pierced with a pair of handgrips with urn finials above a pair of doors (2) 80.7cm high, 55.3cm wide, 42cm deep

30

£300-500 30 A GEORGE III MAHOGANY CELLARET

LATE 18TH CENTURY

the domed hinged lid revealing eight divisions 71.2cm high, 52.2cm wide, 29.5cm deep

£400-600 λ 31 A REGENCY ROSEWOOD SOFA TABLE

EARLY 19TH CENTURY

with satinwood banding and with a pair of frieze drawers on brass castors 74cm high, 100cm wide, 60.5cm deep

£400-600

31 10

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32 λ 32 A GEORGE IV ROSEWOOD BREAKFRONT OPEN BOOKCASE

C.1825-30

with adjustable shelves flanked by pilasters with foliate capitals 96.7cm high. 259cm wide, 42cm deep

£800-1,200

33 A PAIR OF REGENCY MAHOGANY ARMCHAIRS

C.1820

each with a bar back above a carved horizontal splat, with open scroll arms and drop-in seats (2)

£300-500 33

34 A GEORGE IV MAHOGANY WINDOW SEAT

IN THE MANNER OF GILLOWS, C.1825

of ‘X’ shape, with spiral ribbed lifts, above a dropin seat 61cm high, 115cm wide, 44cm deep

£2,000-3,000

34 11

35 A SET OF THREE REGENCY POLISHED STEEL FIRE TOOLS

EARLY 19TH CENTURY

each with a brass handle with leaf and bead decoration, with a pierced pan (3) 76.5cm long (max)

£200-300 36 A SET OF THREE VICTORIAN POLISHED STEEL AND BRASS FIRE TOOLS

C.1860

the handles formed as a seed pod, with a pierced pan (3) 75cm long (max)

£200-300 37 A SET OF THREE VICTORIAN POLISHED STEEL AND BRONZE HANDLED FIRE TOOLS

MID-19TH CENTURY

each with a fluted and foliate decorated handle above a spiral twist stem, with a solid pan (3) 76cm long (max)

36

£200-300

35

38 A SET OF REGENCY POLISHED STEEL FIRE TOOLS

EARLY 19TH CENTURY

each with a baluster handle and with a pierced pan (3) 77cm long (max)

£200-300 39 A REGENCY GILT BRASS FENDER

C. 1820

the frieze pierced with birds amongst strapwork, on lion’s paw feet 26cm high, 149cm wide, 32cm deep

£100-200 40 AN AESTHETIC MOVEMENT BRASS MAGAZINE RACK

37

BY S. H. & S, LATE 19TH CENTURY,

38

stamped for the maker and registration number ‘80693’ 79cm high

£50-100

39

40 12

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41 A FINE GEORGE III WEST INDIAN SATINWOOD SOFA TABLE

C.1790

the top with burr yew and kingwood banding above a pair of frieze drawers, on trestle ends united by a low turned stretcher 71.5cm high, 94cm wide, 63.3cm deep

£3,000-5,000

41

42 A CARVED GILTWOOD WALL MIRROR

18TH CENTURY AND LATER

the oval plate in a Rococo frame decorated with leaves and scrolls 103 x 78cm

£300-400

42

43 TWO SIMILAR FRENCH WALNUT AND VERDURE TAPESTRY ARMCHAIRS

EARLY 18TH CENTURY

each with an arched padded back, centred with a bird, one with shell carved cabriole legs, the other with horsebone legs (2) Provenance Dreweatts, Guy Tobin: ‘For the love of objects!’, 7th January 2025, lot 15, £17,000 (hammer).

£1,200-1,800

43 13

45 44 44 A SET OF FLOOR STANDING BRASS BUTCHER’S SCALES

PROBABLY PORTUGUESE OR SPANISH , EARLY TO MID-20TH CENTURY

with a bull’s head supporting a double set of scales, on a shaped base with a set of fifteen weights up to 5kg, with various stamped marks 167cm high

£500-800 45 A PINE PLATE RACK

19TH CENTURY

of slatted form 112cm high, 82cm wide, 26.5cm deep

£100-200 46 46

A MOTHER OF PEARL INLAID AND POLYCHROME PAINTED TEAPOY

19TH CENTURY

with a geometric inset hinged top enclosing compartments 71.5cm high, 43cm wide, 33cm deep

£300-400 47 A PAIR OF CONTINENTAL POLISHED CAST IRON VENTILO RADIATORS

PROBABLY BELGIAN, LATE 19TH CENTURY

the entablature top above six rectangular pilaster columns flanked by crowned putto caryatid draped terms, the figures with crossed arms wearing helmets, the tapering foliate lower sections with monopodium lion’s paw feet, all raised on a corresponding rectangular plinth (2) 92cm high, 68.3cm wide, 13cm deep

47 14

£800-1,200

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48 A BLACK LACQUER AND GILT CHINOISERIE BOOKCASE OR DISPLAY CABINET

IN THE MANNER OF THOMAS CHIPPENDALE, 19TH CENTURY

decorated with scrolling foliage and flowers and landscape scenes, with ram’s head masks and husks, the four astragal glazed doors enclosing adjustable shelves above three drawers 228.4cm high, 219cm wide, 51cm deep

£3,000-5,000

48

49 A RED JAPANNED BRACKET CLOCK

SIGNED ‘JOHN GRAHAM LONDON’

the brass eight day movement with an anchor escapement striking on a bell, the backplate engraved with leaves and signed ‘John Graham Londini Fecit’, the arched dial with a silvered chapter ring with Roman numerals, with winged cherub mask spandrels and a circular signature panel ‘Graham London’, the parcel gilt case decorated with chinoiserie, with pendulum 42.2cm high, 30cm wide, 16.8cm deep

£400-600 49

50 A FINE GEORGE III BLACK JAPANNED TAVERN WALL TIMEPIECE

BY PHILIP LLOYD, BRISTOL, C.1775

the four pillar weight-driven movement with a five-wheel train, an anchor escapement regulated by a seconds pendulum and tapered plates, the 24 inch wide gilt on black painted shield-shaped Roman numeral dial with Arabic five minutes and brass spade hands, the lower margin with foliate scroll painted spandrel decoration over the signature ‘P. Lloyd, BRISTO’L, the case with lift-out panels to the side apertures over a concave throat moulding and break-arch door decorated in polychrome and gilt with chinoiserie figures within a garden trellis landscape 155cm high, 75cm wide, 20cm deep Provenance From the private collection of a professional sportsman and commentator. Catalogue Note The life and work of Philip Lloyd is discussed by Brian Loomes in his article Philip Lloyd of Llawhaden and Bristol published in the July 2022 issue of ‘Clocks’ magazine.

£3,000-4,000

50 15

51

53

A GEORGE III WOODEN-DIALLED FUSEE WALL DIAL TIMEPIECE

A FRUITWOOD BRACKET CLOCK

BY THOMPSON, WOODBRIDGE, C.1800

the four pillar single fusee movement with tapered plates and anchor escapement regulated by lenticular bob pendulum, the 12 inch circular convex cream painted wooden dial with Roman numerals and signed ‘THOMPSON, WOODBRIDGE’ to the centre and with blued steel spade hands, set behind heavy hinged cast brass cavetto moulded convex-glazed bezel, the rear of the case inscribed in ink ‘Lord Cambridge, Bergh Apton’ 36cm diameter, 19cm deep.

51

Provenance The inscription to the rear of the case suggests that the present timepiece was once the property of Lord Canterbury and was probably housed in a property at Bergh Apton, Norfolk. This would seem to most likely fit the profile of Charles Manners-Sutton who was consecrated as Bishop of Norwich before serving as Lord Archbishop of Canterbury from 1805 until his death in 1828. Catalogue Note A Philip Thompson is recorded in Baillie, G.H. Watchmakers & Clockmakers of the World as working in Woodbridge, Suffolk in around 1815.

£500-800 52 A FINE GEORGE III MAHOGANY FUSEE WALL DIAL TIMEPIECE

BY JOHN WIGHTWICK, LONDON, C. 1790

52

the brass four knopped pillar single fusee movement with plates measuring 8.5 by 3.5 inches and an anchor escapement regulated by lenticular bob pendulum, the 13 inch circular engraved silvered brass dial with Roman numerals and signed ‘J no Wightwick, London’ to the centre and with Arabic five minutes, with pierced blued steel spade hands set behind a generous hinged glazed cast brass ogee moulded bezel applied within slender ogee moulded wooden surround 42cm diameter, 16.5cm deep

18TH CENTURY AND LATER

the brass double fusee five pillar movement with a verge escapement and fully engraved backplate striking both the hours and half hours on a bell, the later 7 inch continental dial with a silvered chapter ring with Roman and Arabic chapter numerals and blued steel hands, with a mock pendulum aperture and a strike/silent function, framed by brass spandrels and engraved Rococo decoration, the inverted bell top surmounted by a brass carrying handle, above four acorn shaped brass finials over a moulded top, the front with cast decorated panels, with glazed sides and back door, upon a moulded base with carved ogee feet 48cm high

£400-600 54 A GEORGE III MAHOGANY BRACKET CLOCK

BY JOHN LONG, LONDON, C.1780

the brass five pillar eight day movement striking on a bell, with a replaced anchor escapement, the backplate with Rococo engraved decoration, the arched dial with a silvered chapter ring with Roman and Arabic numerals, with date aperture and strike / silent dial, with gilt metal scrolls and foliage spandrels, signed ‘John Long London’, the case with cone finials and fret panels to the sides, now missing 50cm high, 30.2cm wide, 18cm deep Catalogue Note John Long is recorded in Baillie, G.H. ‘Watchmakers & Clockmakers of the World’ as apprenticed in London in 1767.

£500-800

Catalogue Note John Wightwick is recorded in Baillie, G.H. Watchmakers & Clockmakers of the World as first recorded in 1775 and working in London 17811805; he entered into the Partnership of Wightwick and Moss in 1788.

£1,500-2,500

53 16

54

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55 A LARGE PAIR OF CARVED PINE MODELS OF EGYPTIAN PHAROAHS

AFTER THE DEEPDENE TEMPLE MODELS DESIGNED BY THOMAS HOPE, OF RECENT MANUFACTURE each modelled standing on an oval plinth (2) 162.7cm high

£800-1,200

55 56 A FRENCH BRONZE MODEL OF A SPHINX

LATE 19TH CENTURY

mounted on a later ebonised stepped plinth, together with a bronze model of a griffin in Assyrian style (2) 14.3cm high, 24.1cm long (max)

£200-300

56

57 A PAINTING OF EGYPTIAN FIGURES ON PAPYRUS

DEPICTING HATHOR, ISIS, HORUS AND PHARAOHS, FRAMED 110cm high, 218cm wide, 4cm deep

£200-300

57 17

58

59

58

60

AN USHAK DESIGN RUG

A PAIR OF SMALL FRENCH ORMOLU AND MARBLE OCCCASIONAL TABLES

61

each with a later circular marble top above a foliate and scroll stem and a Rococo triform base decorated with three infant tritons (2) 47.2cm high, 38.5cm diameter

the ivory field of scrolling vines centred by a raspberry and sky-blue medallion framed by spandrels, raspberry cartouche borders and meandering vine guard stripes 419 x 315cm

MODERN

with a pale mint field of angular vines 230 x 196cm

£100-200 59 A FRENCH GILT BRONZE STAND

IN THE MANNER OF BARBEDIENNE, LATE 19TH CENTURY the circular top on lion’s mask headed pierced supports, on paw feet 88.5cm high, 36cm diameter

IN LOUIS XV STYLE, 19TH CENTURY AND LATER

NORTH WEST PERSIA, SECOND QUARTER 20TH CENTURY

Provenance The Court House, Bolton-by-Bowland.

£500-800

£800-1,200

£500-800

60

18

A TABRIZ CARPET OF ARDABIL DESIGN

61

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62 AN EXTREMELY RARE ROMANESQUE CARVED AND POLYCHROME MADONNA AND CHILD GROUP

CASTILE, C.1150

the serene Madonna, wearing a simple draped gown, holds the Christ child to her waist, with extensive original paint, particularly to the face and shoulders of the Madonna 50.5cm high (the figure), 14cm wide

£1,200-1,800

63 A CARVED FRUITWOOD AND POLYCHROME BUST OF CHRIST

FLEMISH OR SPANISH, 16TH OR 17TH CENTURY 22cm high

£200-300 62

63

64 A BRONZE GRAND TOUR FIGURE OF THE CAPITOLINE DYING GAUL

AFTER THE ANTIQUE, MID-19TH CENTURY

on an oval plinth strewn with a sword and a horn 17.7cm high, 34.5cm wide

£800-1,200

64 19

65 A RARE FRENCH DOUBLE DIALLED CENTRE SECONDS WALL CLOCK IN THE FORM OF A GRIDIRON PENDULUM

LA GARDE A AGEN, MID-19TH CENTURY

the movement with deadbeat escapement, driven by a going barrel, not currently ticking, the heavy bob incorporating a 9.25 inch enamel Roman dial to each side, the first with centre seconds hand, the obverse with concentric date and Breguet style hands, signed ‘La Garde A Agen’, the case in the form of a gridiron pendulum with five steel and four brass substantial rods with screw adjustment to the top, together with the wall mount consisting of a brass bracket with heavy brass spring suspension point 116cm high

£600-1,000

65

66 66 A REGENCY MAHOGANY AND LACQUERED BRASS TWO INCH REFRACTING TELESCOPE

BY DOLLOND, LONDON, EARLY 19TH CENTURY

with a 28.75 inch slightly tapered mahogany tube with a brass dust cap to the objective end opposing rack-and-pinion focus adjustment and telescopic eyepiece assembly threaded into the tube endpiece engraved ‘DOLLOND * LONDON’, mounted via an universal pivot joint onto a rotating column and on folding tripod supports cast as cabriole legs with pad feet, in its original mahogany box with additional eyepiece tube, eyepiece lens and a filter 77cm long, 16.5cm deep, 10cm high (the box) Catalogue Note Peter Dollond is recorded in Edwin Banfield ‘Barometer Makers and Retailers 1680-1860’ as born 1730 and died 1820.

£300-500 λ 67 A REGENCY MAHOGANY MARINE STICK BAROMETER BY PASTORELLI & CO., LONDON

EARLY 19TH CENTURY

the slender case with a solid door opening to reveal the mercury thermometer reading against an ivory Fahrenheit scale, the barometer scales set at an angle and marked ‘27 to 31 inches’ with a manual vernier, marked with seven weather predictions 96cm high Ivory Registration number: UCN4FJXQ

£200-300 λ 68 A REGENCY MAHOGANY MARINE STICK BAROMETER

BY THOMAS JONES, LONDON, EARLY 19TH CENTURY

surmounted by a hanging pendant over a brass signature plaque engraved ‘Thomas Jones, 62 Charing Cross, London’, with a door revealing a lacquered brass barometer dial, over an ivory adjuster, the case terminating in an ebonised reservoir cover and a mercury adjustment control below 99cm high Ivory Registration number: U7SZAVWT

67 20

£400-600

68

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70

71

69

70

71

A QUEEN ANNE WALNUT AND FLORAL MARQUETRY LONGCASE CLOCK

A WILLIAM AND MARY WALNUT AND MARQUETRY LONGCASE CLOCK

A WALNUT AND MARQUETRY LONGCASE CLOCK

the brass eight day movement with six finned and latched pillars, the inside countwheel striking on a bell with plates measuring 7.5 by 5 inches and an anchor escapement regulated by seconds pendulum, the 12 inch square brass dial with a silvered chapter ring with Roman and Arabic numerals and stylised fleur-de-lys markers signed ‘Jn’o Drew, Johnsons Court, Fleet Street, London’, the matted centre with a subsidiary seconds dial and date aperture, the hood with brass finials and with foliate marquetry, thr trunk door with urns of flowers and a lenticle with a conforming plinth 234cm high (excluding finials)

the brass eight day movement with five finned pillars, an inside countwheel striking on a bell, with anchor escapement regulated by seconds pendulum, the 11 inch square brass dial with a silvered chapter ring with Roman and Arabic numerals and fleur-de-lys markers and signed ‘Fab’ Robin, Londini Fecit’ to lower edge, the matted centre with a subsidiary seconds dial and date aperture engraved with a triple crown motif, with winged cherub mask spandrels with sculpted steel scroll pierced hands, the flat top hood above a blind fret panel and Solomonic columns and meandering leaves and flowers, the trunk door with three panels of flowers, leaves and birds centred with a lenticle, with a conforming plinth 207cm high

the brass eight day movement with five knopped pillars, anchor escapement and internal countwheel striking on a bell, the 11 inch brass dial with a silvered chapter ring with Roman and Arabic numerals and fleur-de-lys markers, signed ‘J-hn Barrow, London fecit’, the matted centre with engraved decoration and a subsidiary seconds dial and date aperture, with winged cherub spandrels, the flat top hood above a blind fret panel and Solomonic columns, the trunk door with panels of floral marquetry with birds and with a lenticle, with a conforming plinth 208.8cm high

BY JOHN DREW, LONDON, C.1705

Catalogue Note John Drew is recorded in Brian Loomes, 'The Early Clockmakers of Britain 1286-1700’ as born around 1663 and apprenticed to Joseph Knibb for eight years from September 1676 until 1684.

£800-1,200

BY FABIAN ROBIN, LONDON, C.1695

BY JOHN BARROW, LONDON, LATE 17TH CENTURY

Catalogue Note Fabian Robin is noted in Brian Loomes, 'The Early Clockmakers of Britain 1286-1700’ as essentially being unrecorded in the Clockmakers’ Company records or anywhere else, except for an individual of that name being buried at Stepney in 1723. Loomes further notes that Fabian Robin did not sign the oath of allegiance for any livery company in 1697.

Catalogue Note John Barrow (1657–c.1725) was a distinguished London clockmaker who lived through some of the city’s most turbulent times, having been born just before the Great Plague (1665–1666) and surviving the Great Fire of London (1666). He was made free of the Worshipful Company of Clockmakers in 1681 and went on to become Master of the Clockmakers’ Company in 1714.

£3,000-5,000

£4,000-6,000 21

72 A GEORGE III BLACK JAPANNED TAVERN WALL TIMEPIECE

UNSIGNED, C. 1780

the unusual four pillar single train weight-driven movement with arched iron plates measuring 10 by 9 inches, the 26 inch circular slightly convex gilt-on-black Roman numeral dial with gilt spade hands, within a stepped ogee moulded surround and secured to the drop-trunk case with pegs, the case with gilt chinoiserie decoration (dial panel repainted) 140cm high, 66cm wide, 19cm deep

£800-1,200

72 73 NO LOT

74 A GEORGE III CHINOISERIE DECORATED BLACK JAPANNED TAVERN WALL TIMEPIECE

SIGNED FOR COWLEY, LONDON, C.1780

the four pillar weight-driven movement with a five-wheel train, the anchor escapement regulated by seconds pendulum and tapered plates, the circular cream painted slightly convex wooden dial with Arabic numerals and decorative scroll-pierced brass spade hands, within a black and gilt stepped ogee moulded surround and secured to the drop-trunk case with pegs, the case with side doors behind the dial over gilt signature ‘Cowley, OXFORD STREET’ flanked by gilt floral trail painted scroll-outline ears, over concave-topped rectangular door decorated in varying shades of gilt with raised chinoiserie figures within a garden trellis landscape (finish with restoration) 139cm high, 58.5cm wide, 18cm deep Catalogue Note A clockmaker with the surname Cowley does not appear to be recorded in the usual sources as working in London during the late 18th century.

£1,000-2,000 74 22

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75

76

75

76

A WILLIAM III WALNUT AND FLORAL MARQUETRY LONGCASE CLOCK

A WALNUT AND MARQUETRY MONTH-GOING LONGCASE CLOCK

the brass eight day movement with four finned and latched pillars and an inside countwheel striking on a bell, with plates measuring 6.75 by 5 inches and anchor escapement regulated by seconds pendulum, the 11 inch brass dial with a silvered chapter ring with Roman and Arabic numerals and fleurde-lys markers, signed ‘Rich. Fennell, Kensington’ to lower, the matted centre with a subsidiary seconds dial and date aperture, with winged cherub mask spandrels and fine scroll-pierced sculpted blued steel hands, the hood with with an ogee moulded cornice and plain frieze over floral marquetry trail, the trunk with floral bloom decorated convex throat moulding above a door centred with a circular lenticle and with three shaped marquetry panels decorated with bird inhabited floral sprays and scrolling foliage on an ebonised ground, with half-round edge mouldings, the sides veneered with twin panels within crossbanded borders 210cm high

the brass month-going movement with four knopped and finned pillars and five-wheel trains to an anchor escapement, the strike with a centrally mounted solid countwheel mounted on the backplate striking on a bell (stand broken) the lifting piece and hammer arbor mounted on a separate cock to the frontplate, the 10 inch brass dial with a silvered chapter ring with Roman and Arabic numerals and fleur-de-lys markers, signed ‘S. Bouquett, London (sic)’, the matted centre with a subsidiary seconds dial and date aperture and alarm setting disc to the centre, with winged cherub mask spandrels, the flat top previously rising hood with a blind fret frieze and Solomonic columns, with fret side panels, the trunk door inlaid with panels of flowers, leaves and a bird, with a conforming plinth 198.2cm high

BY RICHARD FENNELL, KENSINGTON, C.1695

Provenance Private collection. Inherited by Mr. & Mrs. Curling Hunter, 9, Westbourne Terrace, London.

£4,000-6,000

BY SOLOMON BOUQUET, LONDON, LATE 17TH CENTURY

Catalogue Note Solomon Bouquet, was a Huguenot clockmaker born in 1659, he became free of the Clockmakers’ Company by patrimony in 1682. By 1694 he was residing in White’s Alley, Grub Street, London and in 1697 he affirmed his loyalty by signing the Clockmaker’s Oath of Allegiance. He remained active in the profession until his death in 1727 at the age of 68.

£6,000-8,000 23

78 77

79

TWO PAIRS OF AMMONITE HALVES

FOUR PAIRS OF PYRITIZED AMMONITES WITH CALCITE

JURASSIC PERIOD

77

one pair with pyritization, the second pair with crystallised formations to the chambers, together with three ‘desert rose’ formations (7) 31cm wide (max)

JURASSIC OR MESOZOIC PERIOD

£200-300

TWO MEGALODON TEETH

78

14cm high, 11cm wide (max) (2)

A GROUP OF SIX AMMONITES

RANGING FROM DEVONIAN TO THE PALAEOCENE PERIOD two on rock bases (6) 21cm high, 18cm wide (max)

£200-300

14cm high, 17.5 wide (max) (8)

£100-150 80 MIOCENE PERIOD £200-300 81 A GROUP OF AMMONITES

JURASSIC PERIOD

including: two calloceras johnstoni ammonite and a harpoceras ammonite nodule, with another two examples (3)

£300-400

79

80 24

81

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82 A NAPOLEONIC BONE PRISONER OF WAR GAMES BOX

EARLY 19TH CENTURY

of sarcophagus form, the sliding cover and sides with painted watercolour scenes of figures, vases of flowers and buildings, containing fifty-four double ended dominoes, twenty-seven bone playing ‘cards’, three bone dice and a marker (A lot) 5.3cm high, 25.5cm long, 9.4cm wide

£400-600

82 λ 83 NAPOLEONIC INTEREST. A RARE ANGLO-CHINESE TORTOISESHELL ETUI

19TH CENTURY

the box and cover mounted with a white metal clasp, the exterior carved with two scenes from St. Helena titled ‘Napoleon’s House’ and ‘Napoleon’s Tomb’, interior with four fitted knives 8cm high, 4.2cm wide Provenance The Leonard Fuller Collection.

£200-300

83

84 A FRENCH NAPOLEONIC PRISONER OF WAR BONE MODEL OF A GUILLOTINE SCENE

EARLY 19TH CENTURY

the tiered platform framework connected by a ladder surmounted by the guillotine, with prisoner and executioner/officer and a further figure of an officer, the whole raised on a footed base 30.5cm high (overall)

£400-600 84 25

85 A RARE PAIR OF GEORGE III MAHOGANY DECANTER STANDS

C.1770

of shaped open form (2) 29cm high

£600-800

85 86 A PAIR OF LATE VICTORIAN WALNUT ADJUSTABLE CANDLESTANDS

IN REGENCY STYLE, C.1900

22cm high (28cm max when extended), 15cm diameter (2) Provenance From the collection of the late Peter Fowler, a visionary newspaper publisher who consolidated and expanded regional media in Northern Scotland.

£100-200

86

87 A PAIR OF CUT GLASS AND BRASS MOUNTED STORM LANTERNS

IN REGENCY STYLE, IN THE MANNER OF JOHN BLADES, EARLY 20TH CENTURY each with a conical shades, with a brass fitment above the faceted baluster bases (2) 59cm high

£200-300

87

88 A LATE VICTORIAN MAHOGANY AND MARQUETRY KIDNEY SHAPE TABLE

SHERATON REVIVAL, LATE 19TH / EARLY 20TH CENTURY

inlaid with ribbon tied flowers, with a frieze drawer 72.7cm high, 56.5cm wide, 35cm deep

£400-600

88

END OF COLLECTION 26

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89 A WALNUT AND STAINED PINE CABINET ON CHEST

EARLY 18TH CENTURY AND LATER

with a pair of astragal glazed doors enclosing two shelves, above four long drawers on bracket feet 182.4cm high, 106.5cm wide, 49.5cm deep

£300-500

89 90 A GEORGE II WALNUT FRET-FRAME WALL MIRROR

C.1735

the arched plate within a carved slip and with a ho-ho bird surmount 79.5cm x 45cm

£100-200

90

91 A GEORGE II WALNUT KNEEHOLE DESK

C.1730

with cross and feather banding, the quarter veneered top with cusped front corners, above an arrangement of seven drawers, around an arched cupboard, with fluted pilasters 74.7cm high, 76cm wide, 49.5cm deep Provenance Purchased by the current vendor from Paul Clarke at Asprey’s in the 1970s.

£200-300 91

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93

92

92 A GEORGE II NEEDLEWORK PANEL

C.1740

worked with gros and petit point with a figure holding a scythe riding a dragon with attendant figures, in a later glazed and ebonised frame, damages 68.5 x 54cm

£100-150 93 A GEORGE II WALNUT STOOL

C.1735

the later drop-in needlework seat, on cabriole legs and pad feet 44cm high, 35cm wide, 39cm deep

£200-300 94

94 A MAHOGANY TRIPOD TABLE

C.1760 AND LATER

the circular tilt-top with a pie crust moulded edge above a birdcage and a baluster turned stem on acanthus carved legs 70cm high, 89cm diameter

£300-400 95 A GEORGE II VIRGINIAN WALNUT LOWBOY

C.1740

the caddy moulded edge top above three drawers on trefid feet 70.3cm high, 76cm wide, 48.5cm deep

£300-400

95 28

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96 A FINE WILLIAM AND MARY WALNUT AND FLORAL MARQUETRY CABINET ON CHEST

C.1690

inlaid overall with carnations, tulips, roses and birds, with a pair of doors with oval panels enclosing a fitted interior with an arrangement of fourteen drawers around a central door enclosing a vacant recess with a slide-out liner concealing eight secret drawers with original gilt brass drop handles, the base with two short and three long drawers on later bun feet, the sides with arched panels 191.6cm high, 125cm wide, 57cm deep Provenance By family repute purchased by the vendors parents from H. W. Keil in the 1960s and by descent. Catalogue Note An almost identical cabinet also reputedly purchased from H. W. Keil was sold by Christie’s, The Collector: English Furniture, Clocks and Works of Art, 15th November 2017, lot 146 for £43,750 (including premium).

£15,000-25,000

96 29

98 97 97

100

A GEORGE III MAHOGANY WING ARMCHAIR

A GEORGE III MAHOGANY AND PINE SIDE TABLE

on moulded front legs, united by an ‘H’ stretcher, on castors, in need of reupholstering

with a pair of frieze drawers with oversized brass handles 72.2cm high, 83.2cm wide, 52.5cm deep

C.1770-80

LATE 18TH CENTURY

£200-300

£100-150

98

101

A GEORGE II MAHOGANY ENVELOPE CORNER TABLE

A PAIR OF MAHOGANY AND BRASS CANDLESTICKS

the twin hinged top revealing a vacant interior on turned legs and pad feet 71cm high, 91.5cm wide, 46.3cm deep

each with an urn shaped nozzle above a fluted and spiral twist stem (2) 37.7cm high (max)

C.1740-50

£200-300

IN GEORGE III STYLE, 19TH CENTURY

£200-300

99 A GEORGE II MAHOGANY TEA TABLE

C.1740

99

the fold-over top on a single gate support 71.5cm high, 81.5cm wide, 39.5cm deep

£200-300

100

101 30

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102 A MINIATURE WILLIAM AND MARY OYSTER VENEERED CHEST

102

C.1690

the top and sides with holly banding and inlaid with boxwood stringing, the three drawers with marbled paper lining, on turned bun feet 27.2cm high, 31.5cm wide, 21.7cm deep

£3,000-5,000 103 A RARE GEORGE II WALNUT KNEEHOLE DESK

C.1735

with cross and feather banding, the quarter veneered top above an arrangement of nine drawers around a moulded breakfront arch with fluted pilasters and a central cupboard fitted with a shelf 75.5cm high, 127cm wide, 61cm deep

£1,000-1,500

103

31

105

104

104 TWO EARLY GEORGE III MAHOGANY TRIPOD WINE TABLES

C.1760

each with a dished top, above a turned and spiral twist bowl (2) 66.4cm high, 31cm diameter (max)

£200-300 105 A GEORGE III MAHOGANY PEMBROKE TABLE

C.1790

106

the drop-leaf top with canted corners and tulipwood banding, the frieze drawer with a printed paper label inscribed ‘Borough of Nottingham Art Museum’, on roller castors 72cm high, 47.5cm wide, 79.3cm deep

£50-100 106 A NEAR PAIR OF LATE GEORGE III MAHOGANY SIDE TABLES

C.1800-10

each with a three quarter gallery above a frieze drawer, on square tapering legs united by stretchers (2) 83cm high, 104.5cm wide, 52.5cm deep (max) Provenance Property from Burghclere House.

£100-200 107 AN EARLY GEORGE III MAHOGANY TEA TABLE

C.1760

with a frieze drawer on moulded legs 71.7cm high, 77.5cm wide, 37.5cm deep

107 32

£150-250

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108 A CHARLES II WALNUT, OYSTER VENEERED AND MARQUETRY LONGCASE CLOCK

BY THOMAS HARRIS, LONDON, C.1680-85

the brass eight day movement with five finned pillars and an anchor escapement, with an outside countwheel and striking the quarters, half-hours and hours on three bells, the 10 inch dial with a silvered chapter ring with Roman and Arabic numerals and fleur-de-lys markers, the matted centre with a subsidiary seconds dial and date aperture, with winged cherub mask spandrels, signed ‘Tho Harris in ye Strand Fecit’, the hood with a scroll, flowerhead and swag surmount centred with a shell, with ebonised Solomonic columns, the case with a trunk door inlaid with pewter stringing and fruitwoods and stained and natural bone with an urn of flowers and a bird, with further flowers and a lenticle, the plinth with a parquetry star, with pendulum and two brass cased weights 204.3cm high Catalogue Note Thomas Harris was a London clockmaker of the Restoration/William and Mary period, working during the important transition from lantern clocks to the sophisticated longcase and spring-driven clocks of the late 17th century. His name is particularly associated with St Dunstan-in-the-West on Fleet Street, where he made the famous public clock installed in 1671. It was installed on the medieval church of St Dunstan-in-the-West and was designed to be visible to people in Fleet Street. Importantly, it had a minute hand. It is commonly described as one of London's earliest — and possibly the first — public clocks with a minute hand. The clock was double-sided and incorporated two striking figures, traditionally known as Gog and Magog, which strike the bells. The original medieval church was subsequently demolished and replaced by the present building. The clock was removed and later installed at a house in Regent's Park before being returned to St Dunstan's in 1935, where it remains.

£6,000-8,000

108 109 A RARE GEORGE I ‘MULBERRY’ BUREAU

IN THE MANNER OF COXED & WOSTER, EARLY 18TH CENTURY

the mulberry or stained field maple veneers with walnut banding, the interior with an arrangement of pigeonholes and ripple moulded drawers, one fitted for pens and ink, with a sliding well cover above two short and two long drawers on later bracket feet 102cm high, 88.2cm wide, 55.3cm deep

109

£2,000-3,000 33

110 A GEORGE III MAHOGANY DINING TABLE

LATE 18TH CENTURY

comprising: a pair of ‘D’ ends and three additional leaves 74cm high, 123cm wide, 203cm long

£400-600 110

111 A GILTWOOD PIER MIRROR

MID-18TH CENTURY

the rectangular plate beneath a crest with a basket of fruit flanked by fruiting foliage 94 x 40cm

£200-300

111 112 A SET OF EIGHT MAHOGANY DINING CHAIRS

IN HEPPLEWHITE STYLE, 19TH CENTURY

each upholstered in silk damask and with fluted decoration, comprising: a pair of open armchairs and six side chairs (8)

£500-800 112

113 A GEORGE III MAHOGANY SERVING TABLE

C.1780-90

the slab top with a raised back on fluted chamfered legs 84cm high, 186.5cm wide, 73cm deep

£400-600 113

34

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114 A GEORGE III MAHOGANY SERPENTINE SOFA

LATE 18TH CENTURY

with a serpentine back and scroll arms, upholstered in Guy Goodfellow Cothay striped linen, on chamfered legs united by stretchers 91.3cm high, 179cm wide, 70cm deep

£1,000-2,000

114

115 A PAIR OF GEORGE III MAHOGANY COCKPEN ARMCHAIRS

C.1770

each with a lattice back and arm supports, above a later needlework stuffed-over seat (2)

£400-600

115

116 A PAIR OF GEORGE III MAHOGANY DEMILUNE CARD TABLES

C.1780-90

each with a crossbanded fold-over top on paterae headed square tapering legs and spade feet (2) 73.3cm high, 96.5cm wide, 45.5cm deep

£800-1,200

116 35

118 117 A GEORGE II MAHOGANY SQUARE WASHSTAND OR BEDSIDE TABLE

117

MID-18TH CENTURY

with a frieze drawer on pad feet 76.2cm high, 35.5cm wide and deep

£200-300 118 A PAIR OF GEORGE III MAHOGANY ARMCHAIRS

IN THE MANNER OF JOHN LINNELL, C.1775-80

each with a moulded frame, carved with flowerhead paterae and husks, the rails stamped with initials ‘WN’, damages (2)

£100-200 119 A SMALL GEORGE III MAHOGANY CHEST

LATE 18TH CENTURY

of six graduated drawers 80cm high, 56cm wide, 36cm deep

119

£300-400 120 A GEORGE III MAHOGANY TRAY TOP BEDSIDE COMMODE

LATE 18TH CENTURY

the galleried top pierced with three handgrips above a pair of doors and a converted base 79cm high, 52cm wide, 45cm deep

£200-300

120 36

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121

122

123

A PAIR OF GEORGE III BLUE JOHN AND GILT BRONZE MOUNTED CASSOLETTES

A TURNED BLUE JOHN BOWL

A GEORGE III BLUE JOHN SOLID URN

together with a blue john specimen (2) 6.2cm high

on an Ashford black marble plinth 15cm high

LATE 18TH / EARLY 19TH CENTURY

each with a reversible top with a cone finial and a lappet decorated sconce above a collar with foliate decoration on an Ashford white and black marble plinth base (2) 18.5cm high

DERBYSHIRE, 19TH CENTURY

£150-250

LATE 18TH CENTURY

£300-400

£800-1,200

121

123

122

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124 A GEORGE III GILTWOOD WALL MIRROR

C.1770

the Rococo frame carved with scrolls, leaves and rocaille 114 x 57cm

£400-600

125 TWO GEORGE III MAHOGANY TRIPOD WINE TABLES

LATE 18TH CENTURY AND LATER

124

each with a dished top on a baluster turned stem (2) 68.3cm high, 44.6cm diameter (max)

£200-300

125

126 A REGENCY MAHOGANY STANDING CORNER CUPBOARD

EARLY 19TH CENTURY

with ebonised and reeded decoration 190.9cm high, 91.5cm wide, 49cm deep

£150-200

126 127 A SET OF SEVEN EARLY GEORGE III MAHOGANY DINING CHAIRS

C.1770

each with a shaped top rail, above a pierced splat and a later needlework drop-in seat, comprising: a single open armchair and six side chairs (7)

£300-500 38

127

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128 A FINE GEORGE II MAHOGANY SIDE TABLE

IN THE MANNER OF WILLIAM KENT, C.1740-50

the verde antico marble top above a Vitruvian scroll carved frieze and a ribbon moulding, with a leaf scroll and lambrequin carved apron, on acanthus carved cabriole legs and lion's paw feet 76cm high, 128cm wide, 67.5cm deep Provenance Purchased by the current vendor from the Pelham Galleries, 23rd June 1977, as 'A George II finely carved mahogany side table on cabriole legs, with original fossil top'. Catalogue Note This handsome side table, of exceptionally robust and sculptural character, belongs to the sophisticated Roman Revival furniture produced during the early years of the George II period. The boldly articulated apron, enriched with exuberant foliate and lambrequin carving and centred by a finely carved Vitruvian-scroll frieze, reflects the classical vocabulary championed by the 3rd Earl of Burlington and developed with particular theatricality by his protégé, the artist and architect William Kent (1685–1748). With its Vitruvian frieze, exuberant acanthus ornament and sculptural supports, the present table finds a particularly interesting comparison in a George II giltwood side table from the collection of the 7th Earl of Lanesborough, sold at Sworders, Fine Interiors, 23 June 2026, lot 9, for £90,000 hammer. The related use of deeply carved classical ornament and the Kentian vocabulary of the frieze and supports provides a compelling comparison for the present example.

£20,000-30,000

128

39

THE COMBE SUITE

Combe House is a distinguished Garde I listed Elizabethan country house with medieval origins, the present house having been substantially rebuilt for the Beaumont family in the late 16th century, with the principal range constructed in 1572. In 1615 the estate passed to the Putt family, who remained at Combe for more than two centuries. The house was successively enlarged and remodelled, notably during the 17th and 18th centuries, and retains an important sequence of architectural fabric and interiors reflecting the history of an established Devon landed family. Among its later occupants was Thomas Putt (1722–1787), whose tenure saw significant alterations to the house. Following the death of Thomas Putt in 1844, the estate passed by inheritance to his sister Margaretta Putt, wife of the Reverend Henry Marker, and subsequently descended through the Marker family. The Combe Suite comprises a pair of George II library armchairs, two pairs of side chairs and a stool, together with a pair of George II walnut side tables. They feature in an article by Christopher Hussey for Country Life in June 1955 where they are visible in-situ in the interiors of Combe.

40

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129

129 A FINE PAIR OF GEORGE II MAHOGANY LIBRARY ARMCHAIRS

ATTRIBUTED TO PAUL SAUNDERS, C.1755-60

each with a padded back and seat, covered with later floral needlework, the arms carved with leaves and cabochons, on scroll and leaf carved cabriole legs, terminating in cabochon toes (2) 95cm high, 79cm wide, 80.5cm deep Provenance Almost certainly commissioned by Thomas Putt (1722-87) for Combe House, Gittisham, Devon and by descent. See Country Life, 16th June 1955, 'Combe, Devon-II The Home of Mr. Richard Marker' by Christopher Hussey, for a photograph of the Great Hall with one of the present chairs in-situ. Catalogue Note Combe House, Gittisham Thomas Putt, known as “Black Tom” Putt, was the owner of Combe House, Gittisham, Devon, from 1757 until his death in 1787. A barrister by profession and member of the longstanding Putt family of Combe Thomas Putt was responsible for the late-18th-century refurbishment of parts of Combe House, carried out to a notably high standard, as well as the development of its gardens and pleasure grounds, it is believed that it was in this period that the Combe suite was commissioned. Paul Saunders (1722-1771) Paul Saunders was one of the leading London upholsterers, cabinet-makers and tapestry-makers of the mid-Georgian period. Apprenticed to the upholsterer Michael Bradshaw in 1738, Saunders subsequently established himself in Soho, entering into partnership with George Smith Bradshaw. By the 1750s, his workshop had become an important source of fashionable furniture and furnishings for the aristocratic interiors of England. Based in Soho Square, Saunders supplied suites of seat furniture in the fashionable Rococo and French taste to distinguished clients including the 3rd Viscount Weymouth at Longleat, the 1st Earl of Leicester at Holkham Hall and the 2nd Earl of Egremont at Petworth House. Saunders was appointed Tapestry Maker to His Majesty George III in 1757 and subsequently held offices within the Great Wardrobe.

£20,000-30,000 41

130 130

131

A PAIR OF GEORGE II WALNUT SIDE TABLES

A MAHOGANY STOOL

each with a white and grey veined marble top with a moulded edge, above a plain frieze on hocked cabriole legs and hoof feet (2) 78.5cm high, 113cm wide, 61cm deep

the later needlework seat decorated with flowers, with initials ‘BM’, on leaf and cartouche carved front legs terminating in cabochon toes 44.7cm high, 104cm wide, 63cm deep

C.1740

IN THE MANNER OF PAUL SAUNDERS, C.1755-60

Provenance Probably commissioned by William Thomas Putt (1725-97) for Combe House, Gittisham, Devon and by descent. See Country Life, 16th June 1955, 'Combe, Devon-II The Home of Mr. Richard Marker' by Christopher Hussey, for a photograph of the Dining Room (now Morning Room) with one of the tables in-situ.

Provenance Almost certainly commissioned by Thomas Putt (172287) for Combe House, Gittisham, Devon and by descent. See Country Life, 16th June 1955, 'Combe, Devon-II The Home of Mr. Richard Marker' by Christopher Hussey.

£4,000-6,000

Catalogue Note William Thomas Putt (1725-97) was an 18th century clergyman and squire of the Combe Estate, he obtained a BCL in 1751.

£3,000-5,000

131 42

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132 A PAIR OF GEORGE II MAHOGANY SIDE CHAIRS

ATTRIBUTED TO PAUL SAUNDERS, C.1755-60

each with a padded back and seat, covered with later fabric, on leaf carved and scroll cabriole legs terminating on cabochon scroll toes, the back legs also partially carved (2) Provenance Almost certainly commissioned by Thomas Putt (1722-87) for Combe House, Gittisham, Devon and by descent. See Country Life, 16th June 1955, 'Combe, Devon-II The Home of Mr. Richard Marker' by Christopher Hussey, for a photograph of the north west corner of the Hall with one of the present chairs in-situ..

£6,000-10,000 132

133 A PAIR OF GEORGE II MAHOGANY SIDE CHAIRS

ATTRIBUTED TO PAUL SAUNDERS, C.1755-60

each with a padded back and seat, covered with later needlework, on leaf carved and scroll cabriole legs terminating on cabochon scroll toes, the back legs also partially carved (2) Provenance Almost certainly commissioned by Thomas Putt (1722-87) for Combe House, Gittisham, Devon and by descent. See Country Life, 16th June 1955, 'Combe, Devon-II The Home of Mr. Richard Marker' by Christopher Hussey, for a photograph of the north west corner of the Hall with one of the present chairs in-situ.

£6,000-10,000 133

43

134

135

137

136

138

139

134

136

138

A VICTORIAN BRASS WOODSMAN DOORSTOP

A BRASS CHERUB DOORSTOP

A VICTORIAN BRASS DOG DOORSTOP

the iron weighted base numbered ‘6782’ 38cm high

the iron weighted base indistinctly stamped 48.3cm high

19TH CENTURY

PROBABLY BY PEERAGE, EARLY 20TH CENTURY

£150-200

£100-150

135

137

A CORNISH SERPENTINE DOORSTOP

A CORNISH SERPENTINE DOORSTOP

with a brass ring handle 18cm high

with a brass ring handle 22.8cm high

LATE 19TH / EARLY 20TH CENTURY

£100-150 44

LATE 19TH / EARLY 20TH CENTURY

£150-200

19TH CENTURY

the hound seated on an iron base 30.5cm high

£100-150 139 A CORNISH SERPENTINE DOORSTOP

LATE 19TH / EARLY 20TH CENTURY the based lined with marbled paper 20cm high

£100-150

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140 AN EARLY GEORGE III POLISHED STEEL AND CAST IRON FIREGRATE

AFTER A DESIGN BY THOMAS CHIPPENDALE, C.1760-70 AND LATER

the back with a Rococo crest, the front decorated with Gothic arches, the backplate probably later 90.5cm high, 81cm wide, 33cm deep Catalogue Note This firegrate matches a design in the third edition of Thomas Chippendale’s ‘Gentleman & Cabinet-Maker’s Director’; it is on pl.CXC and is the most overtly ‘Gothick’ of his eight designs for ‘Stove Grates’.

£4,000-6,000

140

141 A PAIR OF GILT BRONZE FIRE DOGS

IN GEORGE II STYLE

each with an urn finial above shells, scrolls and leaves (2) 53.5cm high, 23cm wide, 25cm deep

£200-300

141 142 A PAIR OF CARVED MARBLE GARDEN MODELS OF LIONS

19TH CENTURY

each crouching holding an oval shield (2) 74.5cm high, 29cm wide, 60cm deep

£500-800

142

143 A LEAD GARDEN URN

IN 18TH CENTURY STYLE, POSSIBLY BY THE BULBECK FOUNDRY, 19TH CENTURY with a pair of caryatid handles, the body decorated with a mask 47.3cm high, 58cm wide

£300-500

143 45

145 144 144 A VICTORIAN BRASS AND IRON STICKSTAND

LATE 19TH CENTURY

with six divisions and a lift-out liner 61.5cm high, 31cm wide, 19.5cm deep

£200-300 145 A SET OF THREE EARLY VICTORIAN POLISHED STEEL FIRE TOOLS

MID-19TH CENTURY

each with a brass handle and a spiral twist stem, comprising: a pair of tongs and two pokers, unusally fitted in a stained deal case (4) 8.5cm high, 86cm wide, 18.5cm deep (the case)

£100-150 146 A VICTORIAN CAST IRON FIREGRATE

LATE 19TH CENTURY 147

146

decorated with scrolls, leaves and a Greenman mask, on eagle’s talon front feet 71.5cm high, 72cm wide, 42cm deep

£200-300 147 A VICTORIAN CAST IRON MODEL OF A RAMPANT LION

MID-19TH CENTURY

with a bronzed finish and on a brass base, possibly originally an andiron 35.8cm high

£200-300 148 TWO DUTCH FRUITWOOD AND EBONISED TEA BUCKETS

19TH CENTURY

each with a ribbed body and a brass swing handle, one with a brass liner (2) 32cm high, 30cm diameter (max)

£200-300 148 46

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149 A TEAK GARDEN BENCH

POSSIBLY RETAILED BY LIBERTY’S, FIRST HALF 20TH CENTURY

of typical slatted form, with an ivorene trade label inscribed ‘Castles Shipbreaking Co. Ltd’ 90cm high, 138.5cm wide, 58cm deep Catalogue Note Castles Shipbreaking Co. Ltd were famously known for recycling teak and oak timber from dismantled Royal Navy warships into garden and household furniture.

£500-700

149

150 A LEAD GARDEN FIGURE OF A YOUNG BOY

EARLY 20TH CENTURY

holding a swan or a goose 59cm high

£400-600

150

151 A LEAD GARDEN BIRD BATH

20TH CENTURY

depicting a seated cherub on a shell supported by a pair of dolphins 57cm high

£300-500

151 47

152

154

153 152

154

156

A LEATHER AND BRASS CLUB FENDER

A GEORGE III BRASS SERPENTINE FENDER

A POLISHED STEEL FIRE FENDER

with tan leather upholstery 48cm high, 152cm wide, 65cm deep

with pierced and engraved decoration with scrolling foliage and with pairs of lions flanking crowned urns 19cm high, 127cm wide, 25cm deep

with scrolling leaf decoration 28.5cm high, 140.3cm wide, 35.7cm deep

LATE 19TH / EARLY 20TH CENTURY

£600-800 153 A FRENCH BRASS AND POLISHED STEEL ADJUSTABLE FENDER

19TH CENTURY

LATE 18TH / EARLY 19TH CENTURY

£200-400

157

155

LATE 19TH / EARLY 20TH CENTURY

A VICTORIAN GILT BRASS FIRE FENDER

EARLY 19TH CENTURY

with pierced and gadrooned decoration 17.7cm high, 122cm wide, 26cm deep

£100-150

155

the railed front centred with a female mask, with registration mark 30.5cm high, 151cm wide, 48cm deep

£200-300

156

157 48

£200-300

£150-200 A REGENCY BRASS FENDER

decorated with cherubs, lappets and rosettes 25cm high, 111.5cm wide (closed)

20TH CENTURY

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158

λ 159

λ 160

λ 161

A PAIR OF GEORGE III HAREWOOD AND MARQUETRY OVAL TEA CADDIES

AN UNUSUAL LATE GEORGE III SATINWOOD TEA CADDY

A GEORGE III TORTOISESHELL AND IVORY TEA CADDY

A FRENCH TORTOISESHELL AND SILVER MOUNTED TEA CADDY

the hinged lid inlaid with a compass motif and with a plated handle, the front with marquetry French windows, the lidded interior with an ivory handle 16.2cm high, 16.5cm wide, 16.3cm deep Ivory Registration number: DE2MN3XT

of flattened octagonal form, the tent top with a silver handle, the interior with remains of a foil lining 11.5cm high, 13cm wide, 9cm deep Ivory Registration number: RPANXPK1

LATE 18TH CENTURY

each inlaid with a paterae and leaf and flower borders, with a bone escutcheon (2) 13cm high, 18cm wide, 10.5cm deep

£1,000-1,500

C.1795-1800

C.1790-1800

£800-1,200

LATE 18TH / EARLY 19TH CENTURY

of circular form, the pull-off lid decorated with leaves and with a turned finial 12cm high, 12cm diameter

£600-800

£600-800

158

161

160

159

49

163

162

164 162 A MINIATURE VICTORIAN MAHOGANY CHEST

LATE 19TH CENTURY

possibly an apprentice piece, with four long graduated drawers, with key 44cm high, 41cm wide, 24cm deep

£200-300 163 A SHAGREEN TEA CADDY OR BOX

IN THE MANNER OF JOHN PAUL COOPER, EARLY 20TH CENTURY of flattened hexagonal form, with white metal mounts and a tinned copper lining 8.3cm high, 14.5cm wide

£300-400 164 A VICTORIAN COROMANDEL TEA CADDY

165

C.1860-70

with brass strapwork mounts, the interior with a pair of domed lidded compartments 14cm high, 22.8cm wide

£100-150 165 A VICTORIAN WALNUT AND BRASS BOUND WRITING SLOPE

C.1850-60

the interior with a gilt tooled leather writing slope and a pair of glass inkwells 14.7cm high, 35cm wide, 22.6cm deep

£150-250 166 A REGENCY MAHOGANY TEA CADDY

EARLY 19TH CENTURY

of sarcophagus shape with brass inlay, the interior with twin lidded divisions 18.5cm high, 33cm wide, 17.5cm deep

£100-150 166 50

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167 A TREEN FRUITWOOD APPLE TEA CADDY

LATE 18TH / EARLY 19TH CENTURY

with a stalk finial, the interior with traces of foil, with an iron escutcheon, with key 10cm high, 11cm diameter

£500-800

167 168 A GEORGE III HAREWOOD AND MARQUETRY TEA CADDY

C.1785-90

with kingwood banding and inlaid with paterae and trophies, the interior originally with divisions 11.5cm high, 19.3cm wide, 11cm deep

£200-300

168

λ 169 A REGENCY ROSEWOOD TEA CHEST

EARLY 19TH CENTURY

of sarcophagus form, with boxwood stringing and stylised Greek key banding, the interior with a pair of canisters flanking a cut glass sugar bowl, with an ivory escutcheon and on brass claw and ball feet, with key 19.8cm high, 30.5cm wide, 16cm deep Ivory Registration number: SEMCJZSN

£200-300

169

λ 170 A WILLIAM IV ROSEWOOD AND MOTHER OF PEARL TEA CHEST

C.1837

of sarcophagus form, the interior with a pair of lift-out canisters flanking a glass sugar bowl 21cm high, 36.5cm wide, 20.7cm deep

£150-250

170 51

171 A GEORGE III BLACK JAPANNED LONGCASE CLOCK

BY BENJAMIN ANNS, HIGHWORTH, LATE 18TH CENTURY

the brass eight day movement with four turned pillars and an anchor escapement striking on a bell, the 11 inch dial with a silvered chapter ring with Roman numerals, the centre with Rococo style engraving with a cherub and scrolls, signed ‘Benjn Anns, Highworth’, the case decorated in gilt with chinoiserie, with a pair of weights, pendulum and winding key 223cm high

£400-600 172 A LATE GEORGE III MAHOGANY CHIMING BRACKET CLOCK

LATE 18TH CENTURY AND LATER

the triple fusee movement with an anchor escapement, striking on eight bells and a gong, the arched 8 inch painted dial, with Roman and Arabic numerals, inscribed ‘PERIGAL Coventry St, LONDON’, with a ‘Strike/Silent’ dial to the arch, the mahogany case with a triple pad top with gilt brass mounts, handle and feet 48cm high

172

Provenance Property from a Deceased Estate.

£800-1,200 171

173 A MAHOGANY AND BRASS INLAID BRACKET CLOCK

C.1800 AND LATER

the brass eight day repeating twin fusee movement with an anchor escapement and striking on a bell, a domed painted dial with black Roman numerals and inscribed ‘Chas Young, LONDON’, the case with a caddy reeded sarcophagus top, gilt brass flowerbud finial, the case with scrolling foliate inlay, arching gilt brass and silk lined sound panels, on brass ball feet, with a pendulum 52cm high

£600-1,000 174 A REGENCY MAHOGANY BAROMETER

BY P. AGGIO, COLCHESTER, C.1830-50

with silvered gauges and dials beneath a broken swan neck pediment 99cm high

£150-250

173 52

174

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175 A REGENCY PAINTED AND GILT BRASS MANTEL CLOCK

BY THOMAS WEEKS, LONDON, EARLY 19TH CENTURY

with a brass drum eight day movement, the backplate finely engraved with leaves and flowers, the circular enamel dial with Roman and Arabic numerals, signed ‘Weeks, Coventry Street, London’, the case with an urn surmount, the waisted body decorated with classical medallions 37.2cm high, 17.5cm wide Provenance Edward Austen at Godmersham Park. Edward was the brother of Jane Austen and she was a frequent visitor to Godmersham. The Tritton Collection. Christie’s, Godmersham Park House Sale, 6th-9th June 1983, lot 369. Purchased by the current vendor from Stair & Company Ltd. 9th April 1984. Catalogue Note Thomas Weeks (1743-1834), established his celebrated Museum of Mechanical Curiosities at nos. 3 & 4 Tichborne Street, London, in 1797. The Museum became a place of amusement for sophisticated Londoners, not only was it a private house but also a shop where Weeks displayed a variety of mechanical toys, elaborate temples and contrivances ranging from self playing organs to mechanical spiders. His premises also included an adjoining shop, where it is presumed that pieces such as this clock, signed by Weeks, were offered for sale.

£1,500-2,000

176 A VICTORIAN BRASS LANTERN CLOCK

175

IN 17TH CENTURY STYLE, LATE 19TH CENTURY

the brass eight day twin fusee movement striking on a gong, with a 6 1/2 inch dial with Roman numerals and signed ‘Goldsmiths and Silversmiths Company, 112 Regent St. London’, mounted on an oak plinth 42.7cm high (overall)

£300-400

176

λ 177 AN EARLY VICTORIAN GILT AND PATINATED BRONZE CARRIAGE TIMEPIECE

ATTRIBUTED TO PAYNE & CO, C.1850

the brass eight day timepiece movement with an English platform lever escapement visible from the top of the case with a ‘slow / fast’ lever, the back with shuttered winding and set holes, the silvered dial with Roman numerals and blued steel hands, the front of the case is finely engraved with foliate scrolls, together with its original rosewood travelling case, with a later winding key and case key 13.2cm high

£800-1,200

177 53

178 A FRENCH RESTAURATION ORMOLU MANTEL CLOCK

IN EMPIRE STYLE, C.1820-30

the brass drum movement with an outside countwheel striking on a bell, the silvered dial with Roman numerals and pierced hands, the sculptural case modelled with a philosopher or scholar 55cm high, 43cm wide, 17.5cm deep

£500-800 λ 179 A LARGE FRENCH BOULLE AND ORMOLU MANTEL CLOCK

IN LOUIS XV STYLE, LATE 19TH CENTURY

the brass eight day movement striking on a gong, the backplate with a pastille and ‘Fabrique de Paris’ mark and numbered ‘1036 7 2 ‘, the part enamelled dial with Roman and Arabic numerals, the Rococo tortoiseshell and ormolu case of cartouche shape and inlaid with scrolling leaves and flowers 49cm high, 31.3cm wide, 17.5cm deep

178

Provenance Purchased by the current vendor from Tim Saltwell Antiques, 5th November 2014.

£500-800 180

179 182 A CONTINENTAL GILT METAL MOUNTED MANTEL CLOCK

A LARGE FRENCH ROUGE GRIOTTE AND PATINATED METAL MANTEL CLOCK

IN LOUIS XV STYLE, LATE 19TH / EARLY 20TH CENTURY

the brass eight day drum movement striking on a bell, the enamel dial with Arabic numerals, the marble case surmounted by a classical lady with two cherubs, signed ‘Poitevin’, with winding key 80.8cm high, 35.5cm wide, 25.2cm deep

Provenance Property from Burghclere House.

LATE 19TH CENTURY

£400-600

with a lever escapement and a German movement by Lenzkirch, striking on a gong, to an enamel dial and a bird’s eye maple veneered front 34cm high

£150-250

181 A FRENCH NAPOLEON III GILT SPELTER AND BLACK MARBLE MANTEL CLOCK

C.1870

the brass eight day movement with an outside countwheel striking on a bell, the backplate stamped ‘Mebwerfils Paris ‘505’, the dial with Roman numerals, the case surmounted by a female allegorical figure of industry 46.5cm high, 62cm wide, 20.5cm deep

180

£400-600

181 54

182

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183 A FINE FRENCH LOUIS XVI ORMOLU AND WHITE MARBLE MANTEL CLOCK

BY MATHIEU LAINE, PARIS, C.1780

the brass eight day twin train movement with an outside countwheel striking on a bell, with silk suspension, the circular white enamel dial with Arabic numerals and concentric calendar and days of the week dials, signed ‘Mathieu Laine A Paris’, the case surmounted arrow and flaming torch trophies above ribbon tied leaves, the sides with trailing ivy, on toupie feet, with winding key and pendulum 47cm high, 31cm wide, 16.3cm deep Provenance Purchased by the current vendor from Jeremy Ltd, 29 Lowndes Street, London, 1st June 1998. Catalogue Note Mathieu Claude (Charles) L’aine master 1754-1789. A similar clock is illustrated in Pierre Kjellberg, Encyclopedie de la Pandule Francais du Moyen Age au XX siecle, p.176, fig. A.

£800-1,200

183

184 A FINE FRENCH DIRECTOIRE MARBLE AND ORMOLU BRONZE TEMPLE OR PORTICO MANTEL CLOCK

BY LE SIEUR A PARIS, LATE 18TH / EARLY 19TH CENTURY

the brass drum eight day movement with an outside countwheel striking on a bell, the circular white enamel dial with Roman and Arabic numerals and pierced hands, signed ‘Le Sieur a Paris’, the case decorated with palmettes and with a basket of flowers surmount and figural pendulum 53.8cm high, 36cm wide, 10cm deep Provenance From the collection of Mr Van Nieuwenhuise, 1928-2022, South Africa.

£3,000-5,000

184 55

185 A FRENCH ORMOLU PENDULE PORTATIVE

BY PAUL GARNIER, C.1835 AND LATER

the 3 inch engine turned silvered dial with replaced hands, bell striking with an outside countwheel, the backplate stamped ‘P G. Breveté, PAUL GARNIER PARIS’ and numbered ‘239’ with a Garnier two plane chaff cutter escapement, the balloon shape case decorated with leaves, batons and rosettes, framing the movement with a glass cylinder drum, with a carrying handle, the case stamped ‘RAULIN’ (twice), with the original velvet lined, leather and gilt tooled covered travelling case (2) 20cm high

£100-200

185 186 A GILT BRASS OVAL CARRIAGE CLOCK

SWISS OR FRENCH, LATE 19TH CENTURY the brass eight day movement with a platform lever escapement striking on a gong, the backplate numbered ‘3950’, the circular enamel dial with roman numerals and signed ‘ANGHAV KERESCHE GENEVE’, the case with engraved decoration 14cm high

£300-500

186

λ 187 A FRENCH TORTOISESHELL AND GILT BRASS MANTEL CLOCK

IN LOUIS XIV STYLE, 19TH CENTURY

the brass eight day movement with an outside countwheel striking on a gong, the backplate stamped ‘Planchon A Paris’ and numbered ‘6726’, the circular enamel dial with Roman and Arabic numerals and with pierced hands, signed, the case with flaming urn finials 32.5cm high

£300-400

187 λ 188 A SWISS ROSEWOOD AND FRUITWOOD MUSICAL BOX

LATE 19TH CENTURY

the 11 inch brass barrel playing six airs, with a handwritten tune sheet, the crank handle numbered ‘16158’ 14.7cm high, 51cm wide, 23cm deep

£300-400

188 56

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189 A FINE PAIR OF WILLIAM IV TERRESTRIAL AND CELESTIAL 18 INCH LIBRARY GLOBES

BY S.S. EDKINS, DATED '1833'

each comprising of twenty-four engraved gores with and with a dedication to Sir Joseph Banks, Bar, KB, President of the Royal Society, titled 'A New British Terrestrial Globe, Outlining all the latest discoveries and communications from the most observed and authentic Observations and Surveys to the year 1833' and signed 'Manufactured & Sold...& Retail by S. S. Edkins, Son in law & Successor to the late T. M. Bardin, Salisbury Square, London' , each globe with a brass engraved meridian within a mahogany ring applied with a paper zodiac and calendar scale, supported by four curved brackets on a turned stem and tripod supports, united by a printed paper compass rose with blued steel needle and glass cover, on brass castors (2) 110cm high Literature See John R. Milburn and T. Rossaak, 'The Bardin Family, Globe-Makers in London and their Associate Gabriel Wright',1992. Catalogue Note William Bardin began manufacturing globes around 1780. His earliest globes, measuring 9 and 12 inches in diameter, were produced in collaboration with Gabriel Wright, a mathematical instrument maker who had previously worked for eighteen years in the workshop of the renowned instrument maker Benjamin Martin. In 1790, Bardin was joined by his son, Thomas Marriott Bardin (1768–1819), who had been apprenticed to him since 1783 and had recently attained his freedom of the City. The partnership subsequently traded as W. & T. M. Bardin. In 1794, the firm relocated to new premises in Salisbury Square, off Fleet Street. Following William Bardin’s death, Thomas assumed sole control of the business. After his death in 1819, the firm passed in 1820 to his daughter, Elizabeth Marriott (1799– 1851). Elizabeth married in 1832, following which the business was taken over by her husband, S. S. Edkins. In 1848, their son joined the firm, which thereafter traded as S. S. Edkins & Son.

£20,000-30,000

57

190

191

192 193 A REGENCY LACQUERED BRASS TWO INCH REFRACTING TELESCOPE

BY DOLLOND, LONDON, EARLY 19TH CENTURY

190 A 19 INCH TABLE TERRESTRIAL GLOBE

BY PHILIPS, FIRST HALF 20TH CENTURY

with a signature cartouche, numbered ‘2615’, with brass support and stepped base 60cm high

£200-300 191 AN 8 INCH TABLE TERRESTRIAL GLOBE

BY GEOGRAPHIA, EARLY 20TH CENTURY 193

with a signature cartouche and on an ebonised stand 37cm high

£100-150 192 A 12 INCH TABLE TERRESTRIAL GLOBE

BY GEOGRAPHIA, EARLY 20TH CENTURY with a signature cartouche and on a Regency style mahogany tripod base with a bone collar 48cm high

£200-300

194 58

with a 28.75 inch slightly tapered tube with a brass dust cap to the objective end, opposing rack-and-pinion focus adjustment and telescopic eyepiece threaded into the tube endpiece, engraved ‘DOLLOND * LONDON’, mounted via a universal pivot joint onto a rotating column and on folding tripod supports cast as cabriole legs with pad feet, in its original mahogany box with additional eyepiece tube and lens, with key 78.5 cm long, 19cm deep, 11.5cm high (the box) Catalogue Note Peter Dollond is recorded in Edwin Banfield ‘Barometer Makers and Retailers 1680-1860’ as born 1730 and died 1820.

£300-400 194 A GEORGE III NICKEL PLATED BRASS MONOCULAR SPY GLASS

BY ADAMS, LATE 18TH CENTURY

the eyepiece decorated with the Prince of Wales plumes and the Royal Coat of Arms, signed ‘Adams Fleet St. London’ above a nine draw stem and an ebonised band, in a red leather case 2cm diameter

£100-150

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195 A GEORGE III OAK DRESSER

NORTH COUNTRY, LATE 18TH CENTURY

fitted with six drawers flanking a central fielded panelled door 79.7cm high, 182cm wide, 53cm deep

£300-500

195

196 A LIGNUM VITAE WASSAIL BOWL

MID-17TH CENTURY

with reeded bands to the body and impressed with the date ‘1603’ twice 22.7cm high, 20cm deep

£500-800

196

197 A GEORGE II OAK WING ARMCHAIR

C.1740

with a fielded panelled back above a later leather squab cushion and a strung seat, on cabriole front legs Provenance Purchased from Wakelin & Linfield.

£800-1,200

197 59

198 'THE MEDALLION CHEST' AN EXCEPTIONALLY RARE AND FINE HENRY VIII OAK MARRIAGE CHEST

WEST COUNTRY, POSSIBLY EXETER, C.152030 AND LATER the probably later hinged top above a panelled front centred with a Tudor triple trinity rose flanked by a pair of Romayne portrait busts of a bride and groom with panels carved with their respective initials, 'A T' and 'R T', the left end with a portrait panel of the bride's father and the right end with a linenfold panel carved in the solid, feet lacking, now on later wooden blocks 49cm high, 158cm wide, 44cm deep Provenance A Private Collector, purchased from Michael Dann. Literature See Michael Dann, 'The English Smile, English Furniture and the Renaissance 1490-1590' pp.2431, where this chest is illustrated and discussed.

£20,000-30,000

60

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61

199 199

201

A COLLECTION OF EIGHT CASTS OF MEDIEVAL CHESS PIECES

TWO FRENCH STAINED GLASS BORDER FRAGMENTS

IN CHARLEMAGNE OR ISLE OF LEWIS STYLE, LATE 20TH CENTURY probably in plaster or resin (8) 10cm high (max)

£100-150 200 FOUR TAROT CARD STAINED GLASS PANELS

IN 15TH CENTURY STYLE, IN THE MANNER OF WILLIAM BURGES based on the Viscontin-Sforza tarot deck, two titled ‘Fear’ and Generosity’, in lead frames (4) 18.1 x 13cm

£100-150

16TH CENTURY 18.3cm (max) (2)

Provenance Purchased by the current vendor from George Wigley.

£150-200 202 A CONTINENTAL BRASS CASKET

IN GOTHIC STYLE, LATE 19TH CENTURY

decorated with arched panels of figures, with a velvet lined interior 23.7cm high, 23.5cm wide, 13.5cm deep

£100-150

200

202 201 62

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203 A GEORGE III WELSH OAK PRESS CUPBOARD

LATE 18TH CENTURY

with three arched panelled doors above three drawers and a pair of panelled doors enclosing a shelf 188cm high, 145.7cm wide, 55.8cm deep

£500-800

204

203

AN UNUSUAL OAK TRIPOD TABLE

18TH CENTURY

the dodecagonal burr top revolving on a large birdcage carved with flowers, on scroll legs 71.5cm high, 63cm wide Literature For a related tripod table see Victor Chinnery, ‘Oak Furniture The British Tradition’, p. 297 fig. 3:184.

£500-800 204

205 A YEW FARMHOUSE KITCHEN TABLE

LATE 20TH CENTURY

the boarded top with cleated ends on turned legs united by an ‘H’ stretcher 78.5cm high, 199cm long, 79cm deep Provenance Great House, Hasfield.

£600-800 205

206 A WEST COUNTRY ‘FOREST’ BEECHWOOD AND ELM STICKBACK WINDSOR ARMCHAIR

PROBABLY DEVON, EARLY 19TH CENTURY

the comb top rail, above scroll arms, with traces of original green paint

£200-300

206 63

207

208

207

210

A PAIR OF LATE GEORGE III PEWTER CANDLESTICKS

AN ENGLISH PEWTER FLAGON

C.1800

each with an urn shaped nozzle with a beaded rim and conforming foot (2) 25cm high

£100-150 208

EARLY 18TH CENTURY

the hinged lid with a turned urn finial, with a scroll handle 28.2cm high

£200-400 211

A GEORGE III PEWTER QUART MUG

A GRADUATED SET OF THREE GEORGE III SCOTTISH PEWTER MUGS

together with a pewter flat-lid flagon, by Munden, Grove or Bewdley, Stynt Duncomb, London (2) 20.2cm high (max)

each with a ribbed band and scroll handle, comprising: quart, pint and half-pint, the quart mark with indistinct mark to interior (3) 15.2cm high (max)

£100-150

£100-200

209

212

A PEWTER CHARGER

SEVEN CONTINENTAL PEWTER SALTS

BY WILLIAM BOLTON, WIGAN, LATE 18TH CENTURY

BY GEORGE SMITH, DERBY, LATE 17TH CENTURY

with a semi-broad rim and triad ownership initials ‘S T E’, the underside with touchmark 44.5cm diameter

LATE 18TH / EARLY 19TH CENTURY

EARLY TO MID-18TH CENTURY

with beaded, fluted and ribbed decoration (7) 6.2cm high, 8cm diameter (max)

£100-200

£200-300

210

211 64

209

212

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213

213

215

A PAIR OF OAK PANELS

A CONTINENTAL CARVED WALNUT PANEL

each relief carved, one depicting Roman centurions beside a terrace overlooking the sea and a longboat, the other with a castle in a landscape setting (2) 21.5 x 25.5cm

relief carved with the Old Testament biblical story of Susanna and the Elders, in a later frame 28.5 x 28.8cm

PROBABLY 18TH / 19TH CENTURY

PROBABLY FRENCH, 17TH CENTURY

214

£200-400

£100-150

216

214

16TH CENTURY

TWO OAK ROMAYNE PANELS

TWO OAK ROMAYNE PANELS

16TH CENTURY

one carved with a portrait of a bearded man with a helmet the other of a lady wearing a bonnet, within a rondel and above foliage (2) 38.5 x 18.5cm

one carved with a portrait of a bearded man with a helmet the other of a lady wearing a bonnet, within a rondel and above foliage (2) 38.5 x 18.8cm

£200-300 217

£200-300

A SET OF FOUR CONTINENTAL CARVED OAK AND CHESTNUT GARGOYLES

IN MEDIEVAL STYLE, 17TH CENTURY AND LATER

each crouching with a pained expression, together with a smaller example (5) 30.8cm (max)

£100-200 218 TWO OAK ROMAYNE PANELS

16TH CENTURY

216

each relief carved with a bearded male mask within a rondel with leaf decoration, one with a separate upper section (3) 29 x 20cm (max)

£200-300 215

217

218 65

219 A RARE MEDIEVAL LATTEN SPOON

14TH CENTURY

with a proto-acorn knop, with a maker’s mark to the back of the fig shape bowl 16.7cm long

£300-400 220 A TUDOR PEWTER SPOON

LATE 15TH / EARLY 16TH CENTURY

with a diamond point knop and extensive nature’s gilding, collector’s mark ‘81. A. 1’ 15.7cm long

£150-250 221 220

219

TWO ENGLISH POLISHED IRON FOLDING KEYS

18TH CENTURY

together with two German iron keys, 17th / 18th century (4) 10.5cm (max) Provenance The two folding keys ex. Tobias Jellinek collection.

£150-250 222 TWO MEDIEVAL ENGLISH IRON KEYS

14TH CENTURY 221

each with a solid shank and an oval bow, one with two-part bit the other with symmetrical notches (2) 18cm long (max) Provenance Ex. Tobias Jellinek collection.

£150-200 223 A LONDON WHITECHAPEL BRONZE MORTAR

MID-17TH CENTURY

222

with typical decoration of a band of shells, scrolls and flowers together with a Lezant polished bronze mortar by Christopher Pennington III, early 18th century, dated ‘1718’ flanked by two stylised tulips (2) 10.2cm high, 13cm diameter (max) Literature See Michael Finlay, 'English Decorated Bronze Mortars and their Makers', item 88 for a similar Whitechapel mortar and item 29 for a mortar attributed to the Pennington foundry.

£200-300 224 TWO NORWICH BRONZE MORTARS

EARLY TO MID-17TH CENTURY 223

one decorated with the head of Christ within a scrollwork cartouche twice, the other with a crowned Tudor rosette, four times (2) 10cm high, 12.8cm diameter (max) Literature See Michael Finlay, 'English Decorated Bronze Mortars and their Makers', items 163 and 164 for related Norfolk mortars in the Science Museum, London.

£200-300

224 66

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225 AN EXTREMELY RARE ELIZABETH I TREEN PAINTED SYCAMORE BANQUETING DESSERT TRENCHER

C.1550-1600

of rectangular form and titled ‘The Storie of Susanna’ painted with figures in a garden beside a fountain, with a Renaissance architectural interior within an elaborate border with scrolls, angels and cherubs with drapes and fruit, with a tablet with a moralising verse, now worn, ‘Flyr filthe, luste and slanderous breathe, elle children that thy fautes declaime, As Danyell doom..Their too to dearthe........Susannas shame’ with an outer border and later mounted on a giltwood board 12.2 x 15.2cm Catalogue Note For a number of similar examples see Norwich Castle Museum, accession numbers: NWHCM : 1894.76.435.1, NWHCM : 1894.76.435.3 and NWHCM : 1894.76.435.2. This Tudor trencher was made especially for serving desserts. It illustrates the Old Testament story of Susanna and the Elders. The painting derives from a contemporary German engraving. Sugar reached Europe in quantity for the first time in the sixteenth century, imported from the newly established colonies in the New World. This set an extravagant trend for banquets consisting entirely of sweet dishes. The most spectacular, such as those for the Royal court, could run to over one hundred different desserts. These would include sugar paste and marzipan moulded into sculptures, sometimes covered in gold leaf. Trenchers were almost always decorated with religious scenes. They were placed on the table painted-side uppermost and were turned over for use, the dessert being served on the plain underside. It was felt morally important for diners to be warned of the consequences of sinful self-indulgence and neglecting their duties to the poor.

£1,000-2,000

225

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228

227

226 226

229

A GEORGE III WELSH WROUGHT IRON TABLE RUSHNIP AND CANDLEHOLDER

A SCOTTISH PEWTER FLAGON

on tripod legs and disc feet 26.5cm high

the hinged flat lid with an acorn finial and with a scroll handle, signed to interior with touchmark 25.3cm high

BY JAMES WYLIE, GLASGOW, LATE 18TH / EARLY 19TH CENTURY

LATE 18TH / EARLY 19TH CENTURY

£300-400

£150-200

227

230

A PAIR OF GEORGE III STEEL ‘LAZY’ TONGS

LATE 18TH / 19TH CENTURY

A TALL PAIR OF GEORGE III PEWTER CANDLESTICKS

with a criss-cross extending arm 23.5cm long

C.1800

228

each with beaded borders above a baluster stem and with an ejector to the base (2) 30.2cm high

A PEWTER MULTI-REEDED CHARGER

£200-300

£200-300

BY JOSEPH GIDDINGS, LEICESTER, EARLY 18TH CENTURY

229

231

with ownership triad mark ‘L H E’ together, a single reeded plate by Richard Cuming, Exeter or Totnes, mid-18th century together with a pewter dish and a pewter plate both late 17th century English (4) 34.5cm diameter (max)

A GRADUATED SET OF THREE VICTORIAN SCOTTISH PEWTER MEASURES

GLASGOW, MID-19TH CENTURY

each marked ‘Imperial Standard’ with a crown to the lid, comprising: pint, half-pint and gill, together with two late 18th century pewter double volute lidded measures with fleur-de -lys attachments, half-pint and gill (5) 16cm high (max)

£200-300

£200-300

230 68

231

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232 AN OAK AND STAINED PINE HUTCH OR ARK

MID-17TH CENTURY AND LATER

with arcaded gouge carved decoration, the front with 18th century paterae around an arched opening 37.5cm high, 26cm wide, 49.7cm deep

£400-600

232 233 A PAIR OF CARVED OAK ARCHITECTURAL WALL APPLIQUES

17TH CENTURY

pierced and carved with scrolling foliage, together with an oak panel carved with a central rosette (3) 45.2 x 31.5cm (max)

£150-250

233 234 A PAIR OF GEORGE III TREEN WALNUT CANDLESTICKS

LATE 18TH CENTURY

each with a turned baluster stem and discoid knops (2) 18.5cm high, 13.2cm diameter

£200-300

234

235 AN OAK SPICE CUPBOARD

LATE 17TH / EARLY 18TH CENTURY

with a panelled door enclosing eight drawers with brass ring handles 39cm high, 40.2cm wide, 26cm deep

£300-400

235

235 open 69

237

236

236

238

239

A PAIR OF GEORGE III BRONZE 14LB WOOL WEIGHTS

A CHARLES II BRONZE MORTAR

A PAIR OF BRASS FIRE DOGS

each of shield form and cast with the Royal Coat of Arms and initials ‘G R’ and the letter ‘A’ (2) 19 x 13cm

decorated with a crowned rosette twice 13.3cm high, 16.8cm diameter

each cast as a spire with knops and two spheres, above a pair of feet, with a wrought iron bracket (2) 71cm high, 23cm wide, 47cm deep

LATE 18TH CENTURY

£1,500-2,000 237 A PAIR OF GEORGE II BRASS CANDLESTICKS

BY GEORGE GROVE, BIRMINGHAM (FL.1748-1768)

BY THE RUDHALL FOUNDRY, GLOUCESTER, LATE 17TH CENTURY

Literature See Michael Finlay, 'English Decorated Bronze Mortars and their Makers', item 48 for a similar Gloucestershire mortar by Abraham Rudhall I.

£100-150

240 IN GOTHIC STYLE, 19TH CENTURY

each with a dished drip-tray, above a faceted knopped stem (2) 50.5cm high

£200-300

£300-400

70

£150-250 A PAIR OF GILT BRASS PRICKET CANDLESTICKS

each with a single mid-fillet socket, with an integral cusp edge, above a knopped stem, seamed each signed ‘GEO.GROVE’ to the underside (2) 20.3cm high

238

IN THE 17TH CENTURY STYLE, 19TH CENTURY

239

240

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241 A RARE AND FINE CHARLES II BRASS CANDLESTICK

C.1680-85

the stem with both square and turned sections above a discoid knop on a square foot with cast and chased foliate decoration 16.5cm high Literature See Rupert Gentle and Rachael Feild, ‘Domestic Metalwork 1640-1820’, p.20, pl.4 for an identical pair of candlesticks.

£3,000-5,000

242 A RARE PAIR OF GERMAN BRASS MAKER-STAMPED CANDLE SNUFFERS

BY GEORG TRATZ, NUREMBERG, C.1570

of scissor form, one blade with a pointed tip (for lifting the wick) and a tall tear shaped box decorated with Renaissance strapwork and portrait medallions, the other blade with a conforming shaped plate, stamped with the makers mark of Georg Tratz, the pin hinge with a rosette decorated cover, the handle cast with addorsed balusters 19.5cm long Catalogue Note Georg Tratz was made master in 1563.

£400-600

241

242

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244

243

245

A GEORGE III OAK LOWBOY

A GERMAN IRON ARMADA CHEST

with mahogany banding, the moulded edge top above three drawers 77cm high, 85.5cm wide, 51.5cm deep

with riveted strapwork and side carrying handles, the hinged lid with an ornate key and open handle, the interior with a covered lock mechanism and a three division drawer, with two drilled holes to the base 36cm high, 62.5cm wide, 39.5cm deep

C.1770-80 243

Provenance Property from a Deceased Collector.

£100-200 244

£300-500

A CARVED OAK FRIEZE

246

centred by a lively procession of putti carrying branches and foliage, emblematic of fertility and abundance, at either end mermaid inspired figures frame the scene, each supporting a cartouche within leafy volutes 17.8cm high, 132cm wide, 5cm deep

17TH CENTURY AND LATER

DUTCH, C.1620-40

Catalogue Note The combination of playful infant figures and fantastical marine grotesques reflects the decorative vocabulary of early 17th-century Dutch Mannerism, indebted to the engravings of Cornelis Floris and the influence of Antwerp ornament prints.

£200-300 245

18TH / 19TH CENTURY

AN UNUSUAL OAK TABLE CABINET with applied leaf decoration to the top and sides, with gouge carved and incised zigzag decoration, the hinged door centred with a rosette, the interior with a single shelf 41cm high, 37cm wide, 20.5cm deep

£400-600 247 A SMALL QUEEN ANNE OAK BUREAU

EARLY 18TH CENTURY

the interior with an arrangement of drawers and pigeonholes around a mirrored cupboard and with a sliding well cover, with two short and two long drawers 91.5cm high, 79.5cm wide, 46.5cm deep Provenance Property from a Deceased Collector.

£100-200

246 72

247

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248 A RARE FRENCH OAK COFFER FRONT

16TH CENTURY, DATED ‘1577’

carved with four lunettes, three with winged angels the other with a mask flanking the initials ‘L A N’ and the date ‘1577’ above four Renaissance inspired niches each with a figure, one possibly a Bishop holding a book and a sceptre, one holding a mandolin, with three further panels with winged angels and pendants of fruit and leaves 95.5 x 156.3cm

£600-800

248 249 A RARE QUEEN ANNE OAK TRIPOD TABLE

EARLY 18TH CENTURY

the circular burr oak top revolving on a birdcage, on a baluster turned stem and triform base, with acorn finials 66.8cm high, 76.5cm diameter Literature For a related tripod table see Victor Chinnery, ‘Oak Furniture The British Tradition’, p. 297 fig. 3:184.

£500-800

249

250 AN OAK DOOR

PROBABLY 16TH / 17TH CENTURY

with an iron handle and studded decoration 157 x 93.5cm

£300-500

250 73

251

252 251 A PAIR OF PAINTED CUPBOARD DOORS

POSSIBLY RUSSIAN OR EASTERN EUROPEAN, 18TH CENTURY

one painted with a portrait of St. Zeferino, titled ‘Sn zeferino P.P.Y.M’ (2) 53.5 x 50.5cm

£100-150 252 TWO FOLK ART NAIVE PAINTINGS OF DOGS

19TH CENTURY

each oil on board, one depicting three dogs in a landscape setting (2) 28.3 x 32.3cm and 21.2 x 22.7cm

£150-200 253 AN AUSTRO-HUNGARIAN TREEN BEER JUG

LATE 19TH CENTURY

254

253

the lid carved with oak leaves and with initials ‘L B’ 26cm high

£200-300 254 A LARGE CONTINENTAL WALNUT GINGERBREAD MOULD

19TH CENTURY

in the form of King Wenceslas 66.4 x 27.3cm

£150-250 λ 255 A REGENCY TREEN EBONY AND IVORY EGG CRUET

EARLY 19TH CENTURY

with six egg cups and a central salt with spoon 11.5cm high, 17.5cm diameter Ivory Registration number: P1BN19P4

£150-250

255 74

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256 A WEST COUNTRY GRAINED PINE CURVED SETTLE

POSSIBLY CORNISH, FIRST HALF 19TH CENTURY

with original painted finish, of boarded construction with a single wing end and a box seat, with a panelled back and a later squab cushion 143.5cm high, 122cm wide, Provenance A Gloucestershire Farmhouse.

£800-1,200

256 257 A FOLK ART SHEET IRON WELSH DRAGON WEATHER VANE

POSSIBLY LATE 18TH / EARLY 19TH CENTURY later mounted on a hardwood plinth 46cm high, 61cm wide

£350-450

257

258 A RARE GEORGE II STEEL CHURCHWARDEN’S PIPE

C.1740-50

in one section, the bowl with a pointed spur 70.5cm long Catalogue Note Very long pipes such as this one are traditionally called ‘churchwarden’s’ pipes. Some were made in three or four sections which could be unscrewed, inserted into a case and carried in the pocket.

258

Literature Rupert. Gentle & Rachael. Feild, ‘ Domestic Metalwork 1640 - 1820’, p. 347 illustrates four ‘churchwarden’s’ pipes made from steel, iron, brass and copper measuring 15in to 31.5in long.

£600-800 75

259 A GEORGE III OAK DRESSER

LATE 18TH CENTURY

with an arrangement of five drawers flanked by a pair of fielded panel doors 86cm high, 178.2cm wide, 48.7cm deep

£400-600

259 260 TWO SIMILAR VICTORIAN ASH AND ELM WINDSOR HIGHBACK ARMCHAIRS

SECOND HALF 19TH CENTURY

each with a pierced splat above a saddle seat (2)

£100-200

260 261 AN ELM CRICKET TABLE

IN GEORGE III STYLE

the circular top on stretchered supports 60cm high, 45.5cm diameter

£150-250 261

262 A SCOTTISH LEATHER AND BRASS MOUNTED SPORRAN OR LEATHER POUCH

HIGHLANDS, LATE 17TH / EARLY 18TH CENTURY with braided style decoration 20cm high

Provenance Purchased by the current vendor from Rankine Taylor Antiques, Cirencester, 7th March 1998 for £800.

£200-300

262 76

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263 A GERMAN BRONZE LION AQUAMANILE

IN 12TH / 13TH CENTURY STYLE

modelled with his head held high, with a spout emanating from his mouth, the top of the head open previously with a hinged lid, with a stylised mane 20cm high, 20cm long Literature See O. Falke and E. Meyer, ‘Romanische Leuchter und Gefässe Giessgefässe der Gotik’, Berlin, 1935, reprint. 1983, pp.109-110, 144, no. 353, fig. 328. This aquamanile is virtually identical to an example in the Nationalmuseum, Munich (see Falke and Meyer, loc. cit.) dated to c.1200 and also an example in the V&A Museum: accession number 1582-1904.

£2,000-3,000

263

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264

265 264

266

A TREEN BOXWOOD DOUBLE SHOE SNUFF BOX

A GEORGE II COPPER TOBACCO BOX

18TH CENTURY

the lid with chip carved decoration with a central fan with a mask boss, the scroll handle with three further masks, with applied white metal buckles 11cm long

£200-300 265 A VICTORIAN TREEN SPECIMEN WOOD SNUFF BOX

PROBABLY SCOTTISH IN THE MANNER OF CHARLES STIVEN, SECOND HALF 19TH CENTURY

the hinged lid inlaid with thirteen samples of wood each titled including: ‘Queen Mary’s Yew’, ‘Glasgow University Oak’ ‘Trysting Tree’, ‘Broom of Cowden Knowes’ ‘Mauchline Pulpit Oak’, the interior with a foil lining 8.5cm wide

267

266

Catalogue Note A similar box was sold in these rooms Furniture, Works of Art & Clocks, 12th January 2022, lot 250 for £1,300 (hammer).

£100-200

C.1740-50

the hinged lid with Rococo engraving and with owner’s name ‘Humy Hughes, Woodcoat’, the interior with a printed paper label for the ‘Hornsby Collection 113’, together with a Dutch mid-18th century example engraved with script and coaching scenes (2) 16.5ccm wide (max)

£150-250 267 A GEORGE III TREEN LIGNUM VITAE AND COPPER BOUND MEASURE OR TANKARD

C.1800

of cylindrical form, stamped ‘G’ beneath a crown and above a dagger, inscribed ‘BURLINGTON’ to the foot rim 18.5cm high Catalogue Note This tankard forms part of a set of similar tankards or measures each inscribed with a different market town. Others include Bedford, St. Neots, East Dereham, Rutihn (sic) and Warminster. The dagger verification mark is similar to those used by the Founders Company and found on wool weights of a similar date.

£200-300 268 TWO WELSH TREEN LOVESPOONS

LATE 18TH CENTURY AND LATER

one a double spoon example with two smaller spoons inset, the back with a paper label inscribed in ink ‘Prov. Krasinsky Lloyd Coll, Sold Sotheby’s 14.9...., lot 453’ numbered ‘27’, with losses, together with a lovespoon carved with two horses and initials ‘M J J’ (2)

£100-150

268

78

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269 A DOLL DIORAMA

FRENCH OR SPANISH, 18TH CENTURY

the tableau comprising of three dressed wax dolls (cires habiliees) depicting Saint Anne, Saint Mary and Saint Catherine, wearing silk dresses with a gilt metal flaming sacred heart, with a block printed polychrome wallpaper lined interior and with a black and white floor, in a glazed oak case 55.2cm high, 70.5cm wide, 22cm deep Provenance Athelhampton House. Sold by Dukes, Athelhampton House Sale, 9th October 2019, lot 265.

£600-800

269 270 MARY QUEEN OF SCOTS INTEREST. A NEEDLEWORK FRAGMENT

POSSIBLY 16TH CENTURY

worked with mythical beasts and stylised trees within decorative borders and in a later glazed silver frame, hallmarked Birmingham, the reverse with a handwritten postcard inscribed ‘This is part of the border of a Bedspread worked by Queen Mary of Scotland and given to my husband Cyril Brett by the owner of the Bedspread’ 9.5 x 13cm

£300-400 270 271 MARY QUEEN OF SCOTS INTEREST. A CREWELWORK NEEDLEWORK FRAGMENT

16TH CENTURY AND LATER

the fragment worked with flowers and leaves on a velvet ground, later mounted in a glazed gilt composition frame, with a handwritten paper label in a 19th century hand, inscribed ‘A piece of the Bed-Hanging embroidered by Mary Queen of Scots and her Ladies. Brought from Scone Palace about 1820’ 12.5 x 9cm (the fragment), 32 x 19.5cm (the frame) Provenance Athelhampton House. Sold by Duke’s, Athelhampton House Sale, 9th October 2019, lot 226.

£400-600

271 272 A CHARLES II STUMPWORK NEEDLEWORK PICTURE

C.1660-70

worked with a central figure of a mother with her three children within a grapevine arbour, with flowers and butterflies and with a lion and leopard flanking a lake, in a later glazed mahogany frame 43 x 54.8cm

£200-400

272 79

273

274

275

276

277

278

273

274

276

278

AN ITALIAN CARTOON FOR A TAPESTRY

A VICTORIAN PATCHWORK QUILT

A NEEDLEWORK SAMPLER

TWO EARLY VICTORIAN NEEDLEWORK SAMPLERS

worked in silk and cotton, with a hexagonal polychromatic field of various fabrics, enclosed by black borders, with a paper label inscribed ‘Made out of pieces of dress of Harriet Eliza Wainwright of Hoe Place, Old Woking 1810-1894, Given me by Desmond Nairn....1938’ 220 x 186cm

worked with coloured silks on a linen ground, with alphabet, numbers, birds, urns of flowers, and two religious verses, in a later glazed ebonised frame 40 x 32.2cm

BY ERULO EROLI (ITALIAN 18541916), LATE 19TH / EARLY 20TH CENTURY

depicting the Madonna & Child, The Madonna with a fine medieval style dress of ‘gold embroidery’, flanked by upper spandrels of lion masks surrounded by foliate, enclosed by narrow borders, with the words ‘ Ave Maria’ beneath and signed 'Erylo Erolo' 172 x 85cm Catalogue Note Erulo Eroli (1854–1916) was an Italian painter, tapestry designer and ceramicist whose career was closely connected with the artistic life of late-19th- and early-20th-century Rome. Born in Rome on 31 August 1854, he was the son of the sculptor Pio Eroli and studied at the School of San Michele a Ripa under Alessandro Ceccarini, where he developed skills in painting, mosaic, ceramics, stained glass and tapestry.

£300-400

LATE 19TH CENTURY

£100-150 275 A REGENCY NEEDLEWORK SAMPLER

BY SUSANNAH NICHOLLS DATED ‘1807’

worked with alphabets, numbers, a religious verse, birds and thistles, in a later glazed green painted frame, together with a small needlework alphabet sampler (2) 39.7 x 26.6cm (max) Provenance Property from a Deceased Collector.

£100-200 80

LATE 18TH / EARLY 19TH CENTURY

Provenance Property from a Deceased Collector.

£100-200 277 A LATE REGENCY QUAKER NEEDLEWORK SAMPLER

OF ACKWORTH TYPE, BY ANN HALL, DATED ‘1818’

worked with octagonal medallions decorated with birds and flowers one imscribed ‘A Token of Love 1818’, interspersed with letters, in a later glazed and ebonised double sided frame 51.5 x 53.5cm

£200-300

DATED ‘1843’ AND ‘1849’

one worked by Mary Brown Borrows, titled ‘On Friendship’ and decorated with urns of flowers, grape pickers and Adam and Eve, signed ‘Mary Brown Borrows Work Aged 16 Feby 11 1843 Mareham’, together with a sampler by Mary Ann Baker aged 11, worked with a deers, peacocks, dogs and a religious verse, both in later glazed frames (2) 40.5 x 33cm and 42.2 x 32.2cm

£200-300

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279 A PAIR OF BROCADED SILK AND METAL THREAD LADY’S SHOES

C.1720-40

with curved heels and green edging, together with a handwritten label ‘Pair of Shoes 1722’ (2) 12.5cm high, 21.5cm long Provenance By repute from the Penrose Estate, nr. Porthleven, Cornwall.

£1,200-1,800

279

280 A VICTORIAN NEEDLEWORK APPLIQUE PICTURE OF DASH THE KING CHARLES SPANIEL

C.1850

Victoria’s favourite spaniel depicted lying in a basket, in a glazed bird’s eye maple frame 19 x 24cm

£100-150

280 281 A GEORGE III WOOLWORK NEEDLEWORK PICTURE

LATE 18TH / EARLY 19TH CENTURY

depicting a young shepherd asleep with flock in a landscape setting, with watercolour details and background together with a similar picture of a young lady beside a river, each in a glazed gilt frame (2) 43.2 x 30.5cm (max)

£100-150

281

282 A GEORGE III SILKWORK NEEDLEWORK PICTURE

LATE 18TH / EARLY 19TH CENTURY

depicting a pastoral scene with a countryman smoking a pipe accompanied by a young woman holding a pitcher, with painted facial and hand details, in a glazed gilt frame 55 x 37.5cm

282

£100-150 81

283 A GEORGE III SILKWORK NEEDLEWORK OVAL PICTURE

LATE 18TH / EARLY 19TH CENTURY

depicting a young boy holding a palm frond in a landscape setting, together with a silkwork picture of a young lady fishing, each in a later glazed gilt frame (2) 31.5 x 28cm (max)

£100-200

284 A GEORGE III SILKWORK NEEDLEWORK OVAL PICTURE

LATE 18TH / EARLY 19TH CENTURY

depicting a mother and daughter beside stream with raised work and painted details, together with a smaller silkwork picture of a young girl picking fruit, each in a later glazed and gilt frame (2) 29.8 x 24cm (max)

£100-150

283

285 THREE GEORGE III SILKWORK NEEDLEWORK PICTURES

LATE 18TH / EARLY 19TH CENTURY

of figures in landscapes, with painted facial details, each in a verre eglomise and gilt frame (3) 43.7 x 37.5cm

284

£100-200

286 AN ENGRAVED MAP OF KENT

AFTER JOHN SPEED (1552-1629), C.1676

hand coloured and titled ‘Kent with her Cities and Earles described and observed’, with plans of Canterbury and Rochester, in a later glazed gilt frame 37.7 x 50.5cm

285

£150-200

286 287 FIVE SATIRICAL PRINTS

EARLY 19TH CENTURY

each hand-coloured engravings or etchings, comprising: ‘A Rustic Retort or A Wit Outwited’ by Charles Williams, ‘The Exciseman and the Countryman’ and ‘Unlawful Union’ by George Cruikshank and ‘A Glee’ and ‘A Going! A Going!’ by Thomas Rowlandson, each in a later glazed moulded ebonised frame (5) 25.5 x 36.3cm

£150-250

287 82

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288 ANTI-SLAVERY INTEREST. A RARE NEEDLEWORK SAMPLER

EARLY 19TH CENTURY

worked with coloured wools, depicting a kneeling chained slave and with an inscription ‘On africa’s wide plains where the lions now roam..Freedom stalks forth the vast desert exploring, I was dragged from my hut and enchained as a Slave in a dark floating dungeon up on the salt waves, spare a halfpenny to blind negro’, within a floral border, unframed 50.5 x 67cm Catalogue Note A related sampler can be found in the Colonial Williamsburg Foundation. Although women could not hold public office at the time, needlework provided a means of expressing political and moral convictions. This poignant picture depicts a kneeling enslaved African man, derived from Josiah Wedgwood’s celebrated abolitionist seal, modelled by William Hackwood in 1787. The image was widely reproduced in abolitionist broadsides and prints, one of which likely inspired this embroidered example. The inscription is taken from the opening verse of Desponding Negro, a poem and song by John Collins, published in London in 1792. The work offers a striking example of the role of women’s needlework in communicating the humanitarian ideals of the abolitionist movement.

£800-1,200

288

289 ANTI-SLAVERY INTEREST. AN ABOLITIONIST’S SILK RETICULE OR BAG

C.1820-30

the front with a transfer printed scene of a slave in chains, with four slaves being beaten in the background, on the reverse is an inscription ‘Thus man devotes his brother and destroys, And worse than all, and most to be deplored, As human nature’s broadest foulest blot, Chains him and whips him and exacts his sweat, With stripes, that Mercy, with a bleeding heart, Weeps when she sees inflicted on a beast’ 25 x 24.5cm Catalogue Note See the V&A Museum for two similar bags produced by the Female Society of Birmingham as part of their campaign for the abolition of slavery. The Society was founded in 1825 (originally called the Ladies Society for the Relief of Negro Slaves) in West Bromwich, near Birmingham. The bags were made by women at sewing circles where objects decorated with abolitionist emblems were produced to decorate their homes and for distribution as part of their campaigning activities.

290

£500-800

289

ANTI-SLAVERY BRISTOL INTEREST. A GEORGE IV BRASS PLAQUE

DEDICATED TO EDWARD PROTHEROE JNR ESQ., DATED ‘1830’

one side is engraved with a kneeling chained slave with the words ‘Come Over & Help Us’ coming from his mouth and inscribed ‘Injured Brethren from your chains, you shall Freedom know. The arm of Liberty is strong. To crush its mightiest Foe’, the other side inscribed ‘To Edward Protheroe Junr Esqr, We the undersigned unbiased Free men in the employ of Messrs Wasbrough, Hale & Co. Brass Founders & Coppersmiths. Present this small Tribute of our Esteem for your very Able and Manly conduct in the late Election for this City’, with fifteen names and ‘Bristol Augt. 17th 1830’, with a suspension ring 19.2 x 14cm Catalogue Note Edward Protheroe Junior (1798-1852) was a British Radical and Whig politician, merchant, plantation owner, antiquary and prominent advocate of liberal and abolitionist principles. The only son of the Bristol merchant and politician Edward Protheroe senior (1774–1856), he entered Parliament as Member for Evesham in 1826, subsequently representing Bristol and, from 1837, Halifax. Protheroe was an active supporter of parliamentary reform, religious liberalism and the abolition of slavery. His political career was particularly closely associated with the anti-slavery cause, which featured prominently in the contested Bristol election of 1830 and his subsequent political activities in Halifax.

£200-300

290 291 ANTI-SLAVERY INTEREST. A PAIR OF COLOURED MEZZOTINTS

AFTER GEORGE MORLAND, ENGRAVED BY J. R. SMITH, C.1814

titled ‘Slave Trade’ and ‘African Hospitality’, each in a later glazed parcel gilt frame, the backs with printed trade labels for ‘The Parker Gallery, 3 Albermarle Street London’ (2) 47.5 x 64cm Catalogue Note The first image shows the brutality of a captive slave being beaten and separated from his wife and child. The second is of African natives saving a white English family from a storm that has shipwrecked them. An anti-slavery polemic in the form of a pair of powerful allegorical engravings.

£200-300

291

83

A PRIVATE COLLECTION OF PAPIER-MACHE

292

293

294 THREE EARLY VICTORIAN PAPIERMACHE PLATES

BY JENNENS & BETTRIDGE, C.1850-60

one painted with a house in a woodland scene titled ‘Northumberland’, another with landscape vignettes, together with an example by ‘Clay’ and a crumb brush and pan (6) 34cm max Provenance A Private Collection of Papier-Mache.

295 292 294

A LARGE EARLY VICTORIAN PAPIER-MACHE TRAY

painted to simulate walnut, with gilt brass strapwork mounts, comprising: a penbox, a stationery casket and a blotter, together with three door plates, two by ‘Jennens & Bettridge’ and two Russian lacquer boxes (8) 28.5cm max

of shaped outline and decorated in gilt with flowers and leaves, with impressed marks ‘Clay, Kings St. Covt Garden’ 58 x 81cm

Provenance A Private Collection of Papier-Mache.

£100-150

MID-19TH CENTURY

293 AN EARLY VICTORIAN PAPIERMACHE TRAY

BY JENNENS & BETTRIDGE, C.1850 inlaid with mother of pearl and decorated in gilt with Rococo motifs, with impressed marks, together with three smaller trays and a pair of small trays by ‘Clay’ (6) 44cm (max)

Provenance A Private Collection of Papier-Mache.

£100-200 84

295

AN EARLY VICTORIAN PAPIERMACHE DESK SET

£100-150

296

£100-200

BY CLAY, C.1850

Provenance A Private Collection of Papier-Mache.

296 THREE EARLY VICTORIAN PAPIERMACHE BLOTTERS

MID-19TH CENTURY

one depicting Norwich Cathedral, titled with initials ‘J&B’, another of Raglan Castle, Wales and one with Rococo decoration, together with a small notelet cover with a white metal pencil (4) Provenance A Private Collection of Papier-Mache.

£100-150

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297

297

A LATE REGENCY PAPIER-MACHE TRAY

EARLY 19TH CENTURY

gilt decorated with birds and a butterfly with leaves and flowers 50 x 67.8cm Provenance A Private Collection of Papier-Mache.

298 300

301

A LARGE EARLY VICTORIAN PAPIER-MACHE TRAY

SEVEN EARLY VICTORIAN PAPIER-MACHE BASKETS

C.1850

painted with an urn of flowers and a bird with gilt borders 63 x 81.3cm

£150-250

Provenance A Private Collection of PapierMache.

298

£150-250

AN EARLY VICTORIAN PAPIER-MACHE INKSTAND

FIRST HALF 19TH CENTURY

each with a gilt metal swing handle and with various decoration including landscape scenes, figures in a garden, birds and flowers and an Ottoman titled ‘Tomb of the Bereed Kings Bidar’, two by Jennens & Bettridge and one by ‘Mapplebeck & Lowe’ (7) 30cm diameter (max) Provenance A Private Collection of Papier-Mache.

£150-250

BY JENNENS & BETTRIDGE, C.1850-60

decorated with gilt and polychrome, with two glass inkwells, the underside with impressed ‘Jennens & Bettridge Birmm & London’, beneath a crown, together with another similar (2) Provenance A Private Collection of Papier-Mache.

£150-250 299 A SMALL COLLECTION OF EARLY VICTORIAN GREEN PAPIER-MACHE ITEMS

MID-19TH CENTURY

decorated with flowers, birds and gilt borders, comprising: a pair of spill vases, two gilt handled baskets, two trays and a wall pocket (7) 28.5cm max

299

Provenance A Private Collection of Papier-Mache.

£100-150

300

301 85

304 302

302

305

A PAIR OF EARLY VICTORIAN PAPIERMACHE LETTER RACKS

A PAIR OF EARLY VICTORIAN PAPIERMACHE FACE SCREENS

each decorated with a bird above a landscape scene and flowers, with a base drawer, together with a pair of spill vases by ‘Clay’ and another and an etui case, a tray and a small box and cover (8) 28.3cm (max)

painted with possible ‘Dr.Syntax’, one in a village setting beside a school, each with a turned wood and parcel gilt handle (2) 40.7cm high

C.1850

Provenance A Private Collection of Papier-Mache.

£100-150 303 FOUR PAPIER-MACHE SPECTACLE CASES

MID-19TH CENTURY

three containing spectacles, two silver with French marks, together with a watch holder, napkin ring, sewing shuttle, a wall pocket and a lorgnette (12) 20cm (max)

303

Provenance A Private Collection of Papier-Mache.

£100-150 304

C.1850

Provenance A Private Collection of Papier-Mache.

£100-150 306 AN EARLY VICTORIAN PAPIER-MACHE STEREOSCOPIC VIEWER

C.1850

inlaid with mother of pearl and decorated with flowers, together with a quantity of viewing cards, of mainly Irish and Continental views 18cm high Provenance A Private Collection of Papier-Mache.

£100-200 307 NO LOT

A GEORGE III MAHOGANY TEA CHEST

LATE 18TH CENTURY

inlaid with fan paterae, the interior with three pewter canisters, together with another tea caddy, with a bone escutcheon and a Victorian walnut stationery casket (3) 26cm wide (max)

£100-150

305 306 86

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308

309

λ 308

311

TWO PAIRS OF EARLY VICTORIAN PAPIERMACHE FACE SCREENS

AN EARLY VICTORIAN PAPIER-MACHE GAMES TABLE

each of shaped outline, one pair decorated with an exotic bird and flowers and with turned rosewood handles, the other pair painted with flowers (4) 42.6cm high (max)

the circular tilt-top inlaid with a mother of pearl chequer board on a faceted baluster stem 73.5cm high, 61.5cm diameter

C.1850

Provenance A Private Collection of Papier-Mache.

C.1850

Provenance A Private Collection of Papier-Mache.

£200-300 312

£100-150

THREE EARLY VICTORIAN PAPIER-MACHE TEA CADDIES

309 TWO PAIRS OF EARLY VICTORIAN FACESCREENS

C.1850

each painted with landscape scenes, one pair titled ‘Upper Lake, Killarney’ and ‘Glengariff’, both signed with initials ‘J&B’, the other pair titled ‘Loch Katrine’ and ‘Loch Achnay’, with turned handles (4) 40.5cm high (max)

19TH CENTURY

one by Jennens & Bettridge, with faux walnut decoration (3) 25.5cm wide (max) Provenance A Private Collection of Papier-Mache.

£200-300

Provenance A Private Collection of Papier-Mache.

£150-250 310 AN EARLY VICTORIAN PAPIER-MACHE POLE FIRESCREEN

C.1850

the adjustable screen painted with a Highland landscape scene, together with a mahogany pole firescreen with a silkwork panel and a Victorian papier-mache child’s chair (3) 137cm high (max) Provenance A Private Collection of Papier-Mache.

£100-150

311

310 313 TWO EARLY VICTORIAN PAPIER-MACHE WINE TRAYS

C.1850

one by Jennens & Bettridge, with gilt and polychrome decoration, with impressed marks, ‘Jennens & Bettridge, Makers to the Queen’ beneath a crown and printed mark of ‘Richard Redgrave’, together with a similar example (2) 72.5cm wide (max) Catalogue Note Extract from ‘Japanned Papier-mâché and Tinware c.1740-1940’, by Yvonne Jones (2012). ‘Amongst the goods exhibited by Jennens & Bettridge at the Birmingham Exposition of 1849, was “a new shape of wine tray designed by Richard Redgrave in 1847, under the auspices of Felix Summerley’s Art Manufacturers, which the Art Union had featured the year before. Decorated with ‘vine and grapes’ and incorporating ‘compartments to receive the decanters and prevent their shifting among the glasses’, the tray was shaped to fit comfortably round the waist when carried, and thus provided ‘the convenience of horse-shoe tables. Instead of the painful sight of waiters holding trays of wine and cake at a long stretch ... we shall now see them in a state of ease, if not an attitude of grace.’” Richard Redgrave CB RA (1804-1888) worked first as a designer; he was elected to the RA in 1851. His reputation as an artist was established in zdriving forces behind the reform of art education in the mid 19th century. In 1847 he became art director of the South Kensington Museum (now the V&A) and was instrumental in establishing and securing the future of the museum as well as designing a new gallery. He was offered, but refused, a knighthood in 1869. Provenance A Private Collection of Papier-Mache.

£200-300

312

313 87

DAY 2

8TH OCTOBER 2026 LOTS 314-628

88

THE SELECTED CONTENTS OF A MANOR HOUSE, THE INTERIORS DESIGNED AND SUPPLIED BY GUY GOODFELLOW. LOTS 314-380

89

314 A PAIR OF ITALIAN PAINTED AND PARCEL GILT TABLE LAMPS

19TH CENTURY AND LATER

each in the form of a fluted urn, with a brass twin light fitting (2) 54cm high (excluding fittings) Provenance The Selected Contents of a Manor House, the interiors designed and supplied by Guy Goodfellow.

£300-500

314 315 A FRENCH LOUIS XV PROVINCIAL WALNUT COMMODE

C.1770

fitted with three long drawers with moulded fronts 83.8cm high, 116.3cm wide, 63cm deep Provenance The Selected Contents of a Manor House, the interiors designed and supplied by Guy Goodfellow.

£600-800

315 316 A FRENCH CAST IRON TABLE

19TH CENTURY

the marble top with a moulded edge above three stretchered legs cast with marks ‘Bouvot Lyon’ 70cm high Provenance The Selected Contents of a Manor House, the interiors designed and supplied by Guy Goodfellow.

£400-600

316 λ 317 A REGENCY MAHOGANY PEMBROKE TABLE

EARLY 19TH CENTURY

the frieze drawer fitted with a pen tray and with an ivory escutcheon 66.8cm high, 37.5cm wide, 45.7cm deep Provenance The Selected Contents of a Manor House, the interiors designed and supplied by Guy Goodfellow. Ivory Registration number: L9TCGFKM

£100-150

317 90

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318 318 A PAIR OF CHAISE LONGUES IN VICTORIAN STYLE

BY HOWE, OF RECENT MANUFACTURE

each button-upholstered in Guy Goodfellow lichen Fez fabric, on turned walnut legs and brass castors stamped ‘Howe London’ (2) 67.3cm high, 174cm wide, 96cm deep Provenance The Selected Contents of a Manor House, the interiors designed and supplied by Guy Goodfellow.

£800-1,200

319 A PAIR OF STONE BALUSTRADE TABLE LAMPS

LATE 20TH CENTURY

with moulded decoration and shades (4) 64.2cm high (excluding fittings)

£300-500

319 320 AN UPHOLSTERED OCTAGONAL STOOL

OF RECENT MANUFACTURE

covered with Guy Goodfellow Indus pattern fabric, on brass castors 49cm high, 90.2cm wide Provenance The Selected Contents of a Manor House, the interiors designed and supplied by Guy Goodfellow.

£300-500

320 91

321 A WHITE PAINTED SERPENTINE SOFA

IN GEORGE III STYLE, MODERN

upholstered with pale mint Stanhope damask, with a moulded frame on fluted legs 94cm high, 198cm wide, 68cm deep Provenance The Selected Contents of a Manor House, the interiors designed and supplied by Guy Goodfellow.

£600-1,000

321

322

323

A FAMILLE ROSE VASE TABLE LAMP

A GEORGE III FADED MAHOGANY TRIPOD TABLE

LATE 19TH CENTURY

together with a blue glazed pottery table lamp (2) 42.2cm high (max, excluding fittings) Provenance The Selected Contents of a Manor House, the interiors designed and supplied by Guy Goodfellow.

£150-250

C.1760

the circular tilt-top revolving on a birdcage above a turned stem 71.5cm high, 91.5cm diameter Provenance The Selected Contents of a Manor House, the interiors designed and supplied by Guy Goodfellow.

£150-250 323

322

324 A CARPET OF USHAK DESIGN

20TH CENTURY

the ivory lattice field of floral vines enclosed by olive green borders of meandering vines flanked by guard stripes 402 x 345cm Provenance The Selected Contents of a Manor House, the interiors designed and supplied by Guy Goodfellow.

£700-1,000

324

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325 A LARGE PAIR OF FRENCH CAST IRON ORANGERIE VERSAILLES PLANTERS

BY PAUL, BORDEAUX, C.1920-30 signed ‘Paul Bordeaux’ (2) 74.3cm high, 71cm wide

Provenance The Selected Contents of a Manor House, the interiors designed and supplied by Guy Goodfellow.

£2,000-3,000

325

326 A PAIR OF SIMULATED GREY MARBLE COLUMNS

OF RECENT MANUFACTURE 111cm high, 38.5cm square (2)

Provenance The Selected Contents of a Manor House, the interiors designed and supplied by Guy Goodfellow.

£400-600

327

326

A WHITE PAINTED BERGERE ARMCHAIR OR DUCHESS BRISE

IN LOUIS XV STYLE, MODERN

upholstered in pale mint fabric, together with a matching footstool (2) Provenance The Selected Contents of a Manor House, the interiors designed and supplied by Guy Goodfellow.

£400-600

327 93

328

330

329

λ 328

330

A REGENCY MAHOGANY SERPENTINE SIDEBOARD

A GEORGE III MAHOGANY PEMBROKE TABLE

with crossbanding and inlaid with stringing, fitted with two deep drawers flanking a central frieze drawer, with ivory escutcheons 90.1cm high, 175cm wide, 76cm deep Ivory Registration number:

with a frieze drawer to either end, on brass roller castors 69.7cm high, 57.5cm wide, 91cm deep

EARLY 19TH CENTURY

Provenance The Selected Contents of a Manor House, the interiors designed and supplied by Guy Goodfellow. Ivory Registration number: KY64HLT9

£200-300 331 A PAIR OF BRASS TABLE LAMPS

329

each of slender baluster form, with an hexagonal base (2) 58.8cm high (excluding fittings)

LATE 19TH CENTURY

each with buttoned leather upholstery, on sprial twist front legs (4) Provenance The Selected Contents of a Manor House, the interiors designed and supplied by Guy Goodfellow.

£200-400

94

Provenance The Selected Contents of a Manor House, the interiors designed and supplied by Guy Goodfellow.

£400-600 A SET OF FOUR VICTORIAN WALNUT SIDE CHAIRS

331

C.1790-1800

20TH CENTURY

Provenance The Selected Contents of a Manor House, the interiors designed and supplied by Guy Goodfellow.

£200-300

Visit www.woolleyandwallis.co.uk to read the full Terms & Conditions

332 332

333

AN ITALIAN GILTWOOD WALL MIRROR

A PAIR OF ITALIAN ALABASTER COLUMN TABLE LAMPS

POSSIBLY VENETIAN, 18TH CENTURY

20TH CENTURY

the rectangular plate in a foliate carved moulded frame with an elaborate Rococo surmount with male figures to the corners 157.5 x 119cm

each on a stepped base (2) 51.3cm high (excluding fittings)

333

Provenance The Selected Contents of a Manor House, the interiors designed and supplied by Guy Goodfellow.

Provenance The Selected Contents of a Manor House, the interiors designed and supplied by Guy Goodfellow.

£300-400

£600-1,000

334 AN ITALIAN WALNUT COMMODE

LATE 18TH / EARLY 19TH CENTURY

with two drawers inlaid with stringing on shaped legs 83cm high, 115.4cm wide, 52cm deep Provenance The Selected Contents of a Manor House, the interiors designed and supplied by Guy Goodfellow.

£400-600

334 95

335 335 A REGENCY BIRD’S EYE MAPLE LAMP TABLE

EARLY 19TH CENTURY

inlaid with stringing and with a frieze drawer to either end and ribbed quarter angles, on brass castors 68.2cm high, 65cm wide, 48cm deep Provenance The Selected Contents of a Manor House, the interiors designed and supplied by Guy Goodfellow.

£400-600 336 A CONTINENTAL WALNUT TRIPOD TABLE

EARLY 19TH CENTURY

with a dished tilt-top, together with a similar fruitwood example (2) 68.5cm high, 77.8cm diameter and 71cm high, 79.2cm diameter Provenance The Selected Contents of a Manor House, the interiors designed and supplied by Guy Goodfellow.

£300-400

336 337 A CHINESE BLUE AND WHITE VASE TABLE LAMP

19TH CENTURY

with a brass twin light fitting, together with a Victorian cut glass table lamp (2) 56.5cm high (excluding fittings) Provenance The Selected Contents of a Manor House, the interiors designed and supplied by Guy Goodfellow.

£300-400 338 AN UNUSUAL KILIM

PROBABLY NORTH WEST PERSIA, THIRD QUARTER 20TH CENTURY

the ivory stepped diamond lattice field enclosed by raspberry borders of reciprocal angular vines 478 x 270cm Provenance The Selected Contents of a Manor House, the interiors designed and supplied by Guy Goodfellow.

£250-350 337

λ 339 A PAIR OF WILLIAM IV ROSEWOOD OCCASIONAL TABLES

IN THE MANNER OF GILLOWS, C.1830-35

each with a baluster and ribbed stem on a triform base (2) 68.5cm high, 45.3cm wide, 37.5cm deep Provenance The Selected Contents of a Manor House, the interiors designed and supplied by Guy Goodfellow.

£300-500 339

338 96

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340 A MAHOGANY FOUR POSTER BED IN GEORGE III STYLE

BY BEAUDESERT, MODERN

the front posts with cluster columns and carved with stiff leaves and wheatsheaves, hung with tendril pattern linen fabric probably by Soane Britain with matching valance and tiebacks, the bespoke UK super-king mattress by Beaudesert 256cm high, 183cm wide, 210cm deep Provenance The Selected Contents of a Manor House, the interiors designed and supplied by Guy Goodfellow.

£1,000-2,000

340

341 A PAINTED AND GILT SERPENTINE SOFA

IN GEORGE III STYLE, MODERN

the frame with guilloche and husk decoration and upholstered with pink chequered fabric 86.5cm high, 205.5cm wide, 72cm deep Provenance The Selected Contents of a Manor House, the interiors designed and supplied by Guy Goodfellow.

£500-800 341 97

342 A REGENCY MAHOGANY BOWFRONT SIDE CABINET

EARLY 19TH CENTURY

with a pair of frieze drawers with later divisions above a pair of pleated silk and gilt brass lattice grille doors enclosing a shelf, flanked by a pair of giltwood fluted pilasters 90.4cm high, 147.2cm wide, 48.5cm deep Provenance The Selected Contents of a Manor House, the interiors designed and supplied by Guy Goodfellow.

£800-1,200

342

344 344 A PAIR OF BEECHWOOD FAUTEUIL

IN LOUIS XV STYLE, OF RECENT MANUFACTURE covered in green paisley linen (2)

343 343 A VICTORIAN CUT GLASS TABLE LAMP

LATE 19TH CENTURY

of faceted baluster form, together with a simulated marble table lamp with a twin light fitting (2) 50cm high max, (excluding fittings) Provenance The Selected Contents of a Manor House, the interiors designed and supplied by Guy Goodfellow.

£200-300

Provenance The Selected Contents of a Manor House, the interiors designed and supplied by Guy Goodfellow.

£500-800 λ 345 A REGENCY PAINTED AND SIMULATED ROSEWOOD SIDE CABINET

EARLY 19TH CENTURY

with a faux marble top above painted faux pleated silk and brass grille doors 89cm high, 95.2cm wide, 46cm deep Provenance The Selected Contents of a Manor House, the interiors designed and supplied by Guy Goodfellow.

£400-600 98

345

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346 A LARGE REGENCY MAHOGANY LIBRARY BOOKCASE

IN THE MANNER OF GILLOWS, EARLY 19TH CENTURY AND LATER REDUCED

with reeded decoration, the top section with glazed doors with gilt brass lattice panels enclosing adjustable shelves, the base with pleated silk panels and on lion’s paw cast brass feet 244.4cm high, 281cm wide, 43cm deep Provenance The Selected Contents of a Manor House, the interiors designed and supplied by Guy Goodfellow.

£3,000-5,000

346

347

348

A PAIR OF LATE VICTORIAN CUT GLASS TABLE LAMPS

A LARGE SOFA

LATE 19TH CENTURY

IN HOWARD STYLE, MODERN

each of faceted baluster form (2) 46.8cm high (excluding fittings)

with mustard plush upholstery, on square tapering front legs and castors 79cm high, 217cm wide, 101cm deep

Provenance The Selected Contents of a Manor House, the interiors designed and supplied by Guy Goodfellow.

Provenance The Selected Contents of a Manor House, the interiors designed and supplied by Guy Goodfellow.

£300-500

£800-1,200

347

348 99

349 A VICTORIAN MAHOGANY AND SATINWOOD OCCASIONAL TABLE

IN THE MANNER OF MORRIS & CO., LATE 19TH CENTURY the moulded edge top above an undertier 65cm high, 61cm wide, 60.4cm deep

Provenance The Selected Contents of a Manor House, the interiors designed and supplied by Guy Goodfellow.

£150-250

349

350 350 A FRENCH GREEN GLAZED POTTERY PART SERVICE

LATE 19TH / EARLY 20TH CENTURY AND LATER

some with impressed marks ‘Travia Joseph, Poterir Provencale, Poet-Laval France’, including: dinner plates and side plates, a tureen and cover and a serving bowl on stand (45) Provenance The Selected Contents of a Manor House, the interiors designed and supplied by Guy Goodfellow.

£300-500

351 351

λ 352

A FRENCH LIMED WOOD WALL MIRROR

A LATE VICTORIAN SCOTTISH SOLID ROSEWOOD OCCASIONAL TABLE

19TH CENTURY

the frame carved with a hatched pattern 122.8 x 102cm Provenance The Selected Contents of a Manor House, the interiors designed and supplied by Guy Goodfellow.

£400-600

BY WYLIE & LOCKHEAD, LATE 19TH CENTURY

of two tiers and on turned legs, the underside stamped twice ‘Wylie & Lockhead Ltd, Glasgow’ and numbered ‘87427’ 68cm high, 58.7cm wide, 58cm deep Provenance The Selected Contents of a Manor House, the interiors designed and supplied by Guy Goodfellow.

£200-300 352 100

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353 353

354

355

A LARGE LIMED OAK REFECTORY STYLE DINING TABLE

A SET OF TEN PAINTED DINING CHAIRS

A MODERN HAND KNOTTED CARPET

the extending boarded top with detachable ends on turned column supports and scroll sleigh type feet, with two leaves 79cm high, 111.3cm wide, 330cm long (extended)

each with an oval back with vertical splats above a stuffed-over seat covered in Guy Goodfellow Cognac fabric (10)

523 x 323cm

MODERN

Provenance The Selected Contents of a Manor House, the interiors designed and supplied by Guy Goodfellow.

£800-1,200

354

IN GEORGE III STYLE, OF RECENT MANUFACTURE

Provenance The Selected Contents of a Manor House, the interiors designed and supplied by Guy Goodfellow.

£800-1,200

355

OF RECENT MANUFACTURE the pale coffee field enclosed by similar deeper borders Provenance The Selected Contents of a Manor House, the interiors designed and supplied by Guy Goodfellow.

£400-600

356 A MAHOGANY SERPENTINE SOFA

IN GEORGE III STYLE, LATE 19TH CENTURY

covered in Guy Goodfellow chequered fabric, with scroll arms and on moulded stretchered supports 85cm high, 231cm wide, 75cm deep Provenance The Selected Contents of a Manor House, the interiors designed and supplied by Guy Goodfellow.

356

£600-1,000

357 AN UNUSUAL GEORGE IV MAHOGANY CENTRE TABLE

C.1820

the tilt-top with a spindle gallery and with kingwood crossbanding, on a leaf carved stem and four splay legs and castors 76.5cm high, 97cm wide, 75cm deep Provenance The Selected Contents of a Manor House, the interiors designed and supplied by Guy Goodfellow.

£400-600

357

λ 359 A ROSEWOOD AND MARQUETRY GAMES TABLE

EARLY 19TH CENTURY AND LATER

358 358 A FRENCH GILTWOOD AND COMPOSITION WALL MIRROR

IN LOUIS XVI STYLE, 19TH CENTURY

the arched plate in a moulded frame with a leaf and scroll cartouche surmount 154.7 x 100.5cm Provenance The Selected Contents of a Manor House, the interiors designed and supplied by Guy Goodfellow.

£300-500 102

the specimen wood top inlaid with fan spandrels and scrolling leaves and flowers around a central chequerboard and ebony banding, above a frieze drawer 70cm high, 93.2cm wide, 61.2cm deep Provenance The Selected Contents of a Manor House, the interiors designed and supplied by Guy Goodfellow.

£300-500 359

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λ 360 A REGENCY MAHOGANY CENTRE TABLE

IN THE MANNER OF MARSH & TATHAM AFTER HENRY HOLLAND, C.1810 the circular plum pudding tilt-top with rosewood crossbanding on an ebonised faux fluted stem and a triform base with winged paw cast brass feet and castors 112cm diameter Provenance The Selected Contents of a Manor House, the interiors designed and supplied by Guy Goodfellow.

£1,000-1,500

360

λ 361 A REGENCY ROSEWOOD AND BRASS MOUNTED GAMES / WORK TABLE

IN THE MANNER OF GEORGE OAKLEY, C.1815

the hinged central top on a ratchet revealing a backgammon compartment and a pull-out chequerboard, with three frieze drawers, the right-hand drawer fitted for pens and inkwells, on lion’s paw feet and brass castors 75.5cm high, 101cm wide, 60.5cm deep Provenance The Selected Contents of a Manor House, the interiors designed and supplied by Guy Goodfellow.

£2,000-3,000

361

362 A GEORGE IV LACEWOOD AND ELM SOFA TABLE

IN THE MANNER OF GEORGE BULLOCK, C.1820-25

inlaid with ebonised stringing and with a pair of frieze drawers on triple turned column ends and cast brass paw feet and castors 75cm high, 99cm wide, 69.3cm deep Provenance The Selected Contents of a Manor House, the interiors designed and supplied by Guy Goodfellow.

£800-1,200

362

103

363 A LARGE FRENCH PLASTER FIGURE OF FLORA

AFTER RENE FREMIN (1672-1744), LATE 20TH CENTURY with a terracotta finish, with impressed marks ‘FREM AN 1’ 169cm high

Provenance The Selected Contents of a Manor House, the interiors designed and supplied by Guy Goodfellow.

£800-1,200

364 A LIMED PITCH PINE GATELEG DINING TABLE

PROBABLY BY GUY GOODFELLOW, MODERN the oval drop-leaf top, above a frieze drawer to either end 76.8cm high, 61cm wide, 137cm deep Provenance The Selected Contents of a Manor House, the interiors designed and supplied by Guy Goodfellow.

363

£200-300

364

365 A MODERN PATINATED METAL AND GLASS COFFEE TABLE

OF RECENT MANUFACTURE 45.2cm high, 129.5cm square

Provenance The Selected Contents of a Manor House, the interiors designed and supplied by Guy Goodfellow.

£300-500

365

366 A CREAM CARPET

OF RECENT MANUFACTURE

the plain beige field enclosed by deeper borders 379 x 375cm Provenance The Selected Contents of a Manor House, the interiors designed and supplied by Guy Goodfellow.

£400-600

366

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367 A FINE FRENCH EBONY, PEWTER AND BRASS BOULLE MARQUETRY SECRETAIRE A ABATTANT

IN LOUIS XIV STYLE, 18TH CENTURY AND LATER

with ormolu mounts and all over inlaid with scrolling floral strapwork, the white marble top above a frieze drawer, the fall front revealing a fitted interior with seven drawers and an open compartment, above a pair of doors, on hoof feet 134cm high, 80cm wide, 41cm deep Provenance Purchased from Adam’s, 21st September 2014, lot 189 for €21,000 (hammer). The Selected Contents of a Manor House, the interiors designed and supplied by Guy Goodfellow.

£2,000-3,000 368 TWO GEORGE III GILTWOOD OPEN ARMCHAIRS

ONE ATTRIBUTED TO THOMAS CHIPPENDALE C.1775-80

the oval back with bead moulding, the arm supports decorated with leaves, with cut-outs to the seat rails, the other attributed to John Linnell, with guilloche decoration to the oval back and with foliate ball arm terminals (2) Provenance The Selected Contents of a Manor House, the interiors designed and supplied by Guy Goodfellow.

£2,000-3,000

367

368

369 A PAIR OF GEORGE III GILTWOOD ARMCHAIRS

ATTRIBUTED TO JOHN LINNELL, C.1775-80

each with an oval padded back carved with guilloche decoration and a rose surmount, the arms terminating in foliate balls, on paterae headed fluted legs (2) Provenance The Selected Contents of a Manor House, the interiors designed and supplied by Guy Goodfellow.

369

£2,000-3,000

105

371

370 370

372

AN ITALIAN CEDAR AND POKERWORK CASSONE

A GEORGE III MAHOGANY PEMBROKE TABLE

ALTO-ADIGE, LATE 16TH / EARLY 17TH CENTURY the front with three panels of foliate strapwork, the underside of the lid with a central urn of flowers flanked by reclining Venus figures, with a lidded till and wrought iron side carrying handles 52cm high, 144.5cm wide, 56.5cm deep

Provenance The Selected Contents of a Manor House, the interiors designed and supplied by Guy Goodfellow.

£400-600

with satinwood banding and an end frieze drawer, on leather roller castors 68.5cm high, 49cm wide, 66.8cm deep Provenance The Selected Contents of a Manor House, the interiors designed and supplied by Guy Goodfellow.

£200-300 λ 373 A VICTORIAN SOLID ROSEWOOD OCCASIONAL TABLE

BY HOWARD & SONS, LATE 19TH CENTURY

371 the top with a caddy moulded edge above cabriole legs and pad feet, together with an Edwardian oval table (2) 73.2cm high, 76.4cm wide, 50cm deep

the circular top on spiral ribbed bulbous legs, the underside with an enamel trade label inscribed ‘Howard & Sons Manufacturers 25,26,27, Berners St. London’ and numbered ‘16920 4013’ 67.2cm high, 61cm diameter

Provenance The Selected Contents of a Manor House, the interiors designed and supplied by Guy Goodfellow.

Provenance The Selected Contents of a Manor House, the interiors designed and supplied by Guy Goodfellow.

£300-400

£200-300

A GEORGE II OAK LOWBOY

C.1735-40 372

LATE 18TH CENTURY

374 FOUR WALL MIRRORS

19TH CENTURY AND LATER

comprising: a rectangular example with a bronze painted moulded frame and with chain hooks, an ebonised mirror with a gilt sanded ground, a gilt mirror and a walnut effect mirror (4) 110.7 x 100.2cm (max) Provenance The Selected Contents of a Manor House, the interiors designed and supplied by Guy Goodfellow.

£100-200 373

106

374

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375 A FINE BIDJAR CARPET

PERSIAN KURDISTAN, LATE 19TH / EARLY 20TH CENTURY the deep indigo field of large polychrome flowerheads framed by madder borders of angular vines flanked by floral guard stripes 489 x 424cm Provenance The Selected Contents of a Manor House, the interiors designed and supplied by Guy Goodfellow.

£3,000-5,000

375

376 A SPECIMEN WOOD AND MAHOGANY TRIPOD TABLE

λ 377

the circular fixed top inlaid with cube parquetry in Tunbridge Ware style, on a fluted stem and toupie feet 66.7cm high, 79cm diameter

LATE 18TH / EARLY 19TH CENTURY

19TH CENTURY

Provenance The Selected Contents of a Manor House, the interiors designed and supplied by Guy Goodfellow.

£400-600

A FRENCH FRUITWOOD TRIC-TRAC TABLE the leather and baize lined reversible lift-off top revealing an ebony and bone inlaid backgammon board with ivory markers together with boxwood and ebony counters, four dice and with four frieze drawers Provenance The Selected Contents of a Manor House, the interiors designed and supplied by Guy Goodfellow. Ivory Registration number: QFWAG525

£800-1,200

377 376

107

378 A PAIR OF FRENCH DIRECTOIRE DEMI-LUNE CONSOLE TABLES

C.1800

each with a brass gallery and a marble top, above a frieze drawer and on fluted legs 82.7cm high, 94.5cm wide, 43.4cm deep Provenance The Selected Contents of a Manor House, the interiors designed and supplied by Guy Goodfellow.

£600-1,000

378 379 A MODERN QUARTZITE AND PERSPEX COFFEE TABLE

OF RECENT MANUFACTURE

with a faux arabescato levanto marble top 41cm high, 150cm wide, 100cm deep Provenance The Selected Contents of a Manor House, the interiors designed and supplied by Guy Goodfellow.

£300-400 379

380 A SPANISH BAROQUE FRUITWOOD TABLE

17TH / 18TH CENTURY

the boarded top above open shaped ends united by a wrought iron stretcher 79cm high, 202cm long, 82cm deep Provenance The Selected Contents of a Manor House, the interiors designed and supplied by Guy Goodfellow.

£600-1,000

380

END OF COLLECTION 108

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381 TWO VICTORIAN FRAMED RED WAX SEAL GROUPS

MID-19TH CENTURY

one containing twelve seals, the other with seven, each in a glazed bird’s eye maple frame (2) 39 x 32.5cm (frame max)

£100-150 382 AN UNUSUAL EBONISED WAX SEAL WALL MIRROR

FIRST HALF 19TH CENTURY

the rectangular plate within a gilt slip, the frame decorated with various wax seals, with portraits, coats of arms and classical subjects 30.2 x 26.5cm

£200-300 383

382

FIVE RED WAX GREAT SEALS OF THE REALM

EARLY 19TH CENTURY AND LATER

including: examples for the reign of George IV, William IV and Queen Victoria (5) 16cm diameter

381

384

£100-200

AN OVAL CLAUDE GLASS

EARLY 19TH CENTURY

possibly obsidian, in a red leather case 12cm wide Catalogue Note A Claude glass (or black mirror) is a small mirror, slightly convex in shape, with its surface tinted a dark colour. Bound up like a pocket-book or in a carrying case, Claude glasses were used by artists, travellers and connoisseurs of landscape and landscape painting. Claude glasses have the effect of reducing and simplifying the colour and tonal range of scenes and scenery to give them a painterly quality. The user would turn their back on the scene to observe the framed view through the tinted mirror — in a sort of prephotographic lens — which added the picturesque aesthetic of a subtle gradation of tones.

£100-200

383

384

λ 385 A ROSEWOOD AND MAHOGANY GALLERY GLASS

19TH CENTURY

with a moulded frame and a turned handle 24cm diameter, 42.2cm long

£100-150 385 109

387

386

389 388

386

389

A PAIR OF VICTORIAN CARVED OAK PANELS

A LARGE TREEN CLAM SHELL FORM BOWL

MID-19TH CENTURY

relief decorated with a ‘fruits of the hunt’ motif, in a later ebonised frame 66.7 x 54.5cm (overall)

390

£200-300 390 A NOVELTY GILT BRONZE OSTRICH INKWELL

387

modelled running, with inset red paste eyes, the wings hinged and with a liner, with a quill pen, set in an oval metal base 14cm high, 18cm wide

A BLACK FOREST CARVED LINDEN WOOD MODEL OF A BEAR

LATE 19TH / EARLY 20TH CENTURY

£200-300 388 A REGENCY PAPIER-MACHE TRAY

BY CLAY, KING ST, COVT. GARDEN, EARLY 19TH CENTURY

of circular form painted with flowering foliate decoration, together with another of oval form painted with a naval battle, possibly the Battle of Ushant in 1794, and a tole peinte tray painted with flowers (3) 61 x 75cm (max)

110

78.5cm wide

£150-250

standing with his head turned, with glass eyes 13cm high, 22.5cm long

391

LATE 20TH CENTURY

£80-120

LATE 19TH CENTURY

£150-250 391 A VICTORIAN BRASS ROYAL WARRANT WALL PLAQUE

LATE 19TH CENTURY

cast with the Royal Coat of Arms, alongside ribbons inscribed ‘Purveryors of Tea, By Appointment’ 39.7 x 31cm

£300-400

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392 A CONTINENTAL PAINTED PAPIER-MACHE OVAL SNUFF BOX

POSSIBLY FRENCH OR GERMAN, 18TH CENTURY

the lid decorated en grisalles with a panel of cherubs, the boy with a glittering crystalline finish, with gilt metal mounts and Rococo thumbpiece, the underside of the lid painted with Venus and Cupid 9cm wide

£300-400 392

392 (open)

393 JACOBITE INTEREST. A FAUX BOIS TOLE AND BRASS SNUFF BOX

C.1730-40

of circular form, the underside of the lid painted with a portrait of Prince Charles Edward Stuart (Bonnie Prince Charlie 1720-1788) 9cm diameter

£300-500

393 393 (open)

394 394 A CONTINENTAL REVERSE GLASS PRINT

POSSIBLY GERMAN OR DUTCH, LATE 18TH CENTURY

depicting a huntsman in a hilly landscape setting with deer and birds, in an ebonised and parcel gilt moulded frame 15.5 x 23cm

£100-150

395 395 A PAIR OF TURNED MAHOGANY WINE BOTTLE TABLE COASTERS

19TH CENTURY

each with pewter stringing and on three brass ball feet, the underside with a collector’s inventory label inscribed ‘BM454 453’ 13.2cm diameter

£200-300 111

396 A DUTCH MAHOGANY DECANTER BOX

19TH CENTURY

inlaid with a marquetry urn, the interior with four glass and parcel gilt decanters and stoppers 25.3cm high, 19.6cm wide, 19cm deep

£200-300 397 A LATE GEORGE III MAHOGANY TEA CHEST

C.1806 397 396

with a silver handle hallmarked for London 1806, the interior with a single lidded canister and a cut glass sugar bowl, with key 14.1cm high, 25.3cm wide, 14cm deep

£100-150 398 A NEPHRITE JADE LETTER OPENER OR PAGE TURNER

LATE 19TH / EARLY 20TH CENTURY with a white metal collar 29cm long

£100-150 399 A FRENCH NAPOLEON III CASED BOUQUET DE MARIEE

C.1870

the flower bridal bouquet in a glazed ebonised frame 40.5 x 32.5cm

£100-150 398

400 A FOLK ART TREEN WALKING STICK

399

19TH CENTURY

the handle carved in the form of a clenched fist, with a spiral twist shaft, together with a treen pot and cover and a stained pine model of an Ionic column (3) 81cm (max)

£100-200 401 A RARE TALBOTYPE PHOTOGRAPH OF HAMPTON COURT PALACE

ATTRIBUTED TO REVEREND CALVERT JONES (1802-1877), C.1846

mounted on buff Art Union page, the reverse with a paper label inscribed ‘PATENT TALBOTYPE OR SUN PICTURES’ later inscribed in pencil ‘Hampton Court Palace’ 10 x 8cm Provenance Previously offered through Christie’s South Kensington, Sale of 19th and 20th Century Photographs, 27th October 1977, lot 283. Catalogue Note For another version of this photograph, see The Talbot Catalogue Raisonne, Schaaf article 2859, owned by the Clark Art Institute Library.

400 112

401

£500-800

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402 A MAHOGANY AND WIREWORK BIRDCAGE

EARLY 20TH CENTURY

of architectural form, the base with three pull-out trays 111.4cm high, 107.4cm wide, 46.2cm deep

£300-400

402

403 403 A FRENCH FELT AND PAPIER-MACHE MODEL OF A BULLDOG

EARLY 20TH CENTURY

with nodding head and glass eyes, on wooden castors, growler not working 26cm high, 46cm long

£200-300

404 404 405

405 A VICTORIAN COUNTRY HOUSE BAMBOO LIBRARY BOOK GRAB

19TH CENTURY

with brass and iron mounts 153cm long

£100-150

A VICTORIAN CARVED WOOD ELEPHANT HEAD WALL TROPHY

LATE 19TH CENTURY / EARLY 20TH CENTURY with glass eyes 53cm high, 68cm wide

£300-400

113

406 A DUTCH STAINED OAK DISPLAY CABINET

LATE 18TH / EARLY 19TH CENTURY AND LATER

with a terracotta finish, the astragal glazed door enclosing two shaped shelves above a panelled door enclosing a shelf 198cm high, 149cm wide, 46cm deep

£300-500 407 A DUTCH WALNUT AND MARQUETRY WALL MIRROR

19TH CENTURY

the shaped plate in a frame inlaid with flowers and leaves 83.2 x 47.3cm

£100-150 408

407

A DUTCH MAHOGANY AND MARQUETRY DINING TABLE

LATE 18TH / EARLY 19TH CENTURY

406

inlaid with urns of flowers, butterflies, scrolling leaves and ribbons, the drop-leaf oval top above a frieze drawer 73cm high, 54cm wide, 112cm deep

£300-500 409 A DUTCH WALNUT AND MARQUETRY STANDING CORNER DISPLAY CABINET

EARLY 19TH CENTURY

408

inlaid with an urn of flowers and scrolling leaves, the upper section with an arched glazed door enclosing two shelves, the base with a single shelf 195cm high, 81cm wide, 49cm deep

£300-400 410 A DUTCH MAHOGANY AND MARQUETRY CARD TABLE

EARLY 19TH CENTURY

inlaid with scrolling leaves and flowers, the swivel fold-over top revealing a compartment 76.5cm high, 84cm wide, 42cm deep

£300-400

410

114

409

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411 A MINIATURE DUTCH WALNUT AND MARQUETRY CABINET

LATE 18TH / 19TH CENTURY

inlaid with urns of flowers, cherubs and sea creatures, with a pair of doors enclosing shelves, the bombe base fitted with three drawers 115.5cm high, 72.4cm wide, 31.3cm deep

£800-1,200

411 412 A DUTCH WALNUT AND MARQUETRY DISPLAY CABINET ON CHEST

EARLY 19TH CENTURY

inlaid with urns of flowers and scrolling leaves, the glazed top fitted with two shaped shelves, the base with four long drawers 176.4cm high, 89cm wide, 47.5cm deep

£400-600

412

413 A DUTCH MAHOGANY AND MARQUETRY TRIPLE TOP TABLE

LATE 18TH / EARLY 19TH CENTURY

of demi lune form and inlaid with an urn of flowers, a bird and scrolling leaves, the interior with a baize lined playing surface and a marquetry tea section, on brass castors, the back with a drawer 76cm high, 107cm wide, 53.2cm deep

£400-600

413 115

414

415 414

416

A BIEDERMEIER WALNUT SOFA

19TH CENTURY

A FRENCH THUYA AND MARQUETRY GUERIDON

£400-600

with gilt brass mounts, the circular top with quarter veneers above a frieze inlaid with leaves 75.5cm high, 60cm deep

with later plush upholstery, the frame decorated with stylised swan and fan motifs 100cm high, 203cm wide, 70cm deep

415 A FRENCH MAHOGANY AND BRASS MOUNTED SIDE CABINET

IN DIRECTOIRE STYLE, LATE 19TH / EARLY 20TH CENTURY

the marble top above three frieze drawers and a pair of doors enclosing a shelf 97cm high, 112cm wide, 41.5cm deep

£300-500

EARLY 20TH CENTURY

£200-300 417 A SMALL FRENCH RESTAURATION FADED MAHOGANY CANAPE

EARLY 19TH CENTURY

90cm high, 98cm wide, 52.5cm deep

£200-300 418 A PAIR OF FRENCH RESTAURATION ORMOLU AND SIENA MARBLE URNS

C.1820-30

each decorated with winged cherubs in various pursuits above a stepped plinth (2) 26.3cm high

416

£300-500

417 116

418

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419 A FRENCH LOUIS XV KINGWOOD AND MARQUETRY SECRETAIRE A ABATTANT

BY PIERRE PIONIEZ, C.1770

with ormolu mounts and inlaid with table laid with a teapot, a vase of flowers, a candlestick and writing accessories under swags of husks, with further urns and trellis panels, with a frieze drawer above a fall revealing five drawers and pigeonholes, above a pair of doors enclosing a velvet lined interior with a hinged front cupboard, stamped ‘P. Pioniez’ 131.3cm high, 85cm wide, 39.3cm deep Catalogue Note Pierre Pioniez was made maitre on 14th August 1765.

£2,000-3,000

419

420

420

421

A PAIR OF FRENCH RESTAURATION BRONZE AND SIENA MARBLE GRAND TOUR TAZZAS

A FRENCH LOUIS PHILIPPE MAHOGANY CURVED CONSOLE TABLE

C.1830

each with a lobed bowl with satyr mask lifts on a stepped plinth (2) 32.5cm high, 24cm wide

£400-600

BY KLEIN EBENISTE, C.1830

the mottled grey marble top, above turned column supports and an undertier, with several printed paper trade labels ‘Klein Ebeniste A Paris’ approx 300cm long

£2,000-4,000

421 117

422

423

424

422

425

A PAIR OF FRENCH NAPOLEON III ORMOLU TABLE LAMPS

A VICTORIAN EBONISED COLUMN

IN LOIUS XVI STYLE, LATE 19TH CENTURY

BY GAGNEAU ET CIE, MID-19TH CENTURY

with gilt metal mounts 119.3cm high, 31.5cm diameter (the top)

in Rococo style, decorated with scrolls and cartouches, signed ‘Gagneau’ (2) 41cm high (excluding fittings)

£300-400 426

£500-800

A PAIR OF FRENCH GILT AND PATINATED BRONZE URNS

423

IN LOUIS XVI STYLE, 19TH CENTURY

A FRENCH BRONZE AND SIENA MARBLE MANTEL CLOCK

each with a cartouche decorated with figures before cityscapes, with silvered and copper highlights, numbered ‘6202’ (2) 29cm high

POSSIBLY BY E. VITTOZ ET CIE, 19TH CENTURY

the brass eight day movement with an outside countwheel striking on a bell, stamped ‘Pons’ for Honore Pons, the circular dial with Roman numerals, the sculptural case modelled with a figure of a fawn playing pipes, possibly Marsyas 69.5cm high, 43cm wide, 18cm deep

£200-300 427 A PAIR OF FRENCH EMPIRE GILT BRONZE TWIN LIGHT WALL APPLIQUES

EARLY 19TH CENTURY

£1,000-1,500 425

each with a cannon and laurel leaf backplate and with serpent arms (2) 21.5cm high, 22cm wide

424 A PAIR OF FRENCH CHARLES X ORMOLU URNS

£150-250

C.1830

each mounted on a grey marble plinth (2) 21cm high Provenance Property from Burghclere House.

£100-200

426 118

427

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428 A FINE PAIR OF FRENCH ORMOLU FIVE LIGHT CANDELABRA IN LOUIS XIV STYLE

AFTER THE MODEL BY CORNEILLE VAN CLEVE, 19TH CENTURY

the stems individually modelled, one with a male figure supporting a cherub, the other with a female figure also with a cherub on her shoulders, with leaf scroll arms and urn shaped nozzles (2) 58.5cm high, 38.2cm wide Provenance From the collection of Mr Van Nieuwenhuise, 1928-2022, South Africa.

£3,000-5,000

428

119

429

430

429

431

AFTER MIGUEL CABRERA (MEXICAN, 1695-1768)

A DAMASCENED METAL OIL LAMP OR INCENSE BURNER

Inscribed COP. LOS ART DE PARREIL

OIL ON CANVAS, MODERN 100 x 79.5cm

with silver and gilt decoration of scrolling leaves and shell motifs, the lid attached to a chain with a tweezer 13cm high

£300-500

£100-200

430

432

A CUZCO SCHOOL PAINTED WALL MIRROR

A GERMAN CAST IRON RONDEL OR SHIELD

the centre painted with St. Isidore in an agricultural setting, the frame in the form of birds and butterflies, the back with a gallery label for ‘Maria Lopez Paraguay’ 61 x 50.5cm

decorated with classical figures, stamped ‘Gesetlich / Geschutzt’ and numbered ‘3045’ 59.3cm diameter

SPANISH FATHER AND ALBINA MOTHER

19TH CENTURY

£200-300

431 120

IN THE MANNER OF PLACIDO ZULOAGA, 19TH CENTURY

BERLIN, IN RENAISSANCE STYLE, LATE 19TH CENTURY

£300-400

432

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433 A RARE AND FINE GERMAN IRON AND BRASS MOUNTED COFFRE FORT

PROBABLY DRESDEN, SAXONY, EARLY 18TH CENTURY

of serpentine form, with engraved brass mounts decorated with foliage, the front angles with a stylised caryatid surmounted by an eagle, flanking an elaborate Rococo cartouche escutcheon with a coronet above a scrolling foliate swivel lockplate, the hinged lid with a recumbent lion finial, revealing a brass letter cover to the underside of the lid decorated with a pastoral scene of a shepherd and shepherdess in a woodland landscape above a panel of strapwork centred with a chinoiserie bust, the top of the lock similarly engraved and with a rubbed inscription 'Dier....Fr......hof...Di..dret', with cast side carrying handles and with flattened bun feet concealing screwable fixing supports for travelling, with two keys 28.1cm high, 37.5cm wide, 26.5cm deep

£20,000-30,000

433 detail

433

121

434 A PAIR OF SWEDISH GILTWOOD AND GESSO PIER MIRRORS

IN EMPIRE STYLE, LATE 19TH / EARLY 20TH CENTURY each of architectural form and decorated with a basket of fruit, birds and classical masks (2) 168.3 x 85cm

£1,200-1,800

434 (pair)

434 (pair)

435 A CONTINENTAL GILTWOOD DRESSING TABLE MIRROR

ITALIAN OR FRENCH, LATE 19TH / EARLY 20TH CENTURY

the adjustable circular bevelled plate supported by Nike of Samothrace 62.8cm high, 36.5cm wide, 25cm deep

£300-500

436 A PAIR OF CONTINENTAL GILTWOOD AND GESSO CHERUB WALL BRACKETS

IN BAROQUE STYLE, 19TH CENTURY

each winged putto supporting a scallop shell shelf (2) 18.5cm high, 18.5cm wide

£100-150 435

122

436

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437 AN ITALIAN CARVED FRUITWOOD MONKEY DUMBWAITER

VENETIAN, LATE 19TH CENTURY

the monkey crouching on a rockwork base, wearing Renaissance style clothes and holding a platter relief carved, with script 144.5cm high Catalogue Note For a very similar dumbwaiter, sold in these rooms, see Furniture Works of Art & Clocks, 6th July 2021, Lot 464, sold for £4,800 (hammer)

£2,000-3,000

438 AN ITALIAN FLORENTINE GILTWOOD WALL MIRROR

IN BAROQUE STYLE, PROBABLY 18TH CENTURY

the later rectangular plate within a leaf and scroll carved frame 103 x 75.5cm

£300-500 437

438

439 A PAIR OF ITALIAN WALNUT AND MARQUETRY COMMODINI

LATE 18TH / EARLY 19TH CENTURY

in Neo-classical style, each inlaid with paterae and with a cupboard door enclosing a shelf (2) 80.2cm high, 58.3cm wide, 43cm deep

£300-500

439

123

441 440

441

A LATE VICTORIAN ONYX AND GILT BRASS MOUNTED COLUMN

AN ITALIAN ALABASTER GRAND TOUR TAZZA

LATE 19TH CENTURY

LATE 19TH CENTURY

with a detachable revolving top 104cm high

with twin serpent and leaf and shell carved handles 23.5cm high, 44cm wide

£250-350

£150-250

440

442 A COLLECTION OF EIGHT ITALIAN ALABASTER GRAND TOUR PLINY’S DOVE TAZZAS

LATE 19TH CENTURY

in various sizes, each mounted with four doves (8) 20cm wide (max)

£300-500

442

443 AN ALABASTER SEATED FEMALE FIGURE

EARLY 20TH CENTURY

on a painted stool, with a loose drape over her lap and adjusting a slipper on her left foot, the back inscribed ‘Faulkner and Son, London’ on an onyx base 25.5cm high, 19.5cm long

£150-200

444 AN ALABASTER FIGURE OF A YOUNG DUTCH GIRL

C.1900 443

with a crab by her right foot 62cm high

£150-200 444 124

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445 A VICTORIAN WHITE MARBLE PORTRAIT BUST OF J. MICKILLOP ESQ

BY JOHN ADAMS-ACTON (1830-1910)

signed, dated and inscribed ‘J. Mickillop Esqre John Adams 1862’ 64cm high, 56.5cm wide Catalogue Note James Mackillop (1786–1870) was a Scottishborn East India merchant, Tory politician and prominent figure in the Anglo-Indian mercantile community. Born at St Ninians, Stirlingshire, the son of farmer John Mackillop and Mary Downie, he travelled to Calcutta and established his career in the East India trade, becoming a partner in the influential mercantile house Cruttenden, Mackillop & Co. He subsequently maintained business interests in London and India and was closely involved in commercial affairs between Britain and the East. Mackillop was elected Tory MP for Tregony, Cornwall, in 1830, representing the borough until its abolition under the Reform Act of 1832. He was a Fellow of the Royal Asiatic Society and an early member of the Royal Geographical Society, reflecting his longstanding connections with India and interest in the wider region. He never married and died at Nice, France, in 1870, aged 83.

£500-800

445

446 A VICTORIAN PARIAN FIGURE OF A CLASSICAL LADY

IN THE MANNER OF WILLIAM HENRY GOSS, 19TH CENTURY 36.5cm high

£100-150

447 A MARBLE BUST OF A BOY

BY WILLIAM BATEMAN FAGAN (1860-1948)

signed ‘W B Fagan’, mounted on a verde antico marble plinth 45.3cm high (overall)

446

Catalogue Note William Bateman Fagan (1860–1948) was an English sculptor and architectural carver, born in Bermondsey, London. He studied at the South London Technical School of Art (Lambeth School of Art) between 1881 and 1885 under William Silver Frith, subsequently establishing a substantial London workshop. Although principally known for architectural sculpture in stone, bronze and concrete, Fagan also produced portrait heads, statuettes and reliefs, exhibiting regularly in London from the 1880s onwards.His portrait work demonstrates the sensitivity to character and modelling evident elsewhere in his sculpture. Fagan was elected a Fellow of the Royal Society of British Sculptors in 1938. During the First World War he served with the Royal Army Medical Corps at the 3rd London General Hospital, working alongside the sculptor Francis Derwent Wood in the treatment of facial injuries.

£1,500-2,000

447 125

448

449

450

448 A CONTINENTAL CARVED SOFTWOOD FIGURE OF ST. JOHN THE BAPTIST

17TH CENTURY

raised on a later circular plinth 48.5cm high

£150-200 449 A PAIR OF FRENCH TREEN CARVED CHESTNUT FIGURES OF BEGGARS

LATE 19TH CENTURY

each standing on a naturalistic base (2) 37.5cm high (max)

£150-250 450 A LARGE BRONZED CERAMIC MODEL OF AN ELEPHANT

AFTER ANTOINE-LOUIS BARYE, 20TH CENTURY 451

indistinctly signed and on a black marble plinth 54.5cm high, 49cm wide, 20.3cm deep

£400-600 451 AN AUSTRIAN COLD PAINTED TERRACOTTA FIGURE OF A YOUNG GIRL

BY RIESSNER, STELLMACHER & KESSEL, LATE 19TH / EARLY 20TH CENTURY signed ‘A. Konig’ and with impressed marks and numbered ‘1360 15’ 65.5cm high

£300-500 452 A PAIR OF GERMAN BRONZE FIGURES OF VICTORY AND JUSTICE

19TH CENTURY

each raised on a marble plinth (2) 36.2cm high (max)

£200-300

452 126

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453 AN AUSTRIAN BRONZE FIGURE OF THE PUGILIST CREUGAS

BY M. EHLEDER, AFTER ANTONIO CANOVA, LATE 19TH / EARLY 20TH CENTURY signed ‘M Ehleder’ 65.2cm high

£1,200-1,500

454 A GERMAN BRONZE FIGURE OF AN ARCHER

BY JULIUS SCHMIDTFELLING (GERMAN 18351920), EARLY 20TH CENTURY

modelled holding a bow with a quiver at his feet, signed ‘Schmidt-Felling’ and ‘Bronze Garantie’, on an alabaster base 28.5cm high

£200-300

453

455

454

A FRENCH BRONZE FIGURE OF HUGUES BOUFFE AS JOSEPH

ATTRIBUTED TO ETIENNE MARIN MELINGUE (FRENCH 1808-1875)

modelled in his role as Joseph in Gamin de Paris, mounted on an ebonised plinth with an inset portrait medallion, ‘Bouffe H. D. Marie’ 27cm high (the bronze), 41cm high (overall)

£200-300

455 456 A FRENCH BRONZE FIGURE OF A PHILOSOPHER

ATTRIBUTED TO ANTOINE PIERRE AUBERT (FRENCH 1853-1912)

the man of letters holding a pen and papers, mounted on a black marble plinth 40.8cm high

456

£150-200 127

457 AN ITALIAN BRONZE ALLEGORICAL FIGURE OF ABUNDANCE

VENETIAN, LATE 17TH / EARLY 18TH CENTURY

the female figure holding a bundle of flowers and a plough blade, with a dark brown / green patina, later mounted on a wooden plinth, possibly a bozzetto cast 13cm high, 19.3cm high (overall) Provenance Stefano Bardini Collection, sold Christie’s 5th / 7th June 1899 and 26th / 30th May 1902. Alfred Spero Collection. Acquired in 1966.

£600-800

458 AN ITALIAN BRONZE GRAND TOUR FIGURE OF MERCURY

AFTER GIAMBOLOGNA (FLEMISH 1529-1608), LATE 19TH CENTURY

457

the classical god holding a caduceus in his left hand, with a foundry signature ‘Fond Lagana Napoli’, on a turned wood base 55.8cm high

£300-500

458

459 AN ITALIAN PIETRA PAESINA BOX

20TH CENTURY

with a hinged lid 20cm wide, 9.2cm deep

£100-150 459

460 AN ITALIAN BAROQUE TRAVELLING ALTAR TABERNACLE

POSSIBLY VENETIAN, LATE 17TH / 18TH CENTURY

with a pair of twin hinged doors revealing a giltwood and painted faux marble interior containing a corpus Christi, a pair of giltwood altar candlesticks and a pair of cherub candelabra, the top with an iron carrying handle 50.7cm high, 32cm wide, 22.2cm deep (closed)

£400-600 460 128

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461

461 AN ITALIAN MICROMOSAIC GRAND TOUR PLAQUE OF THE COLOSSEUM

ROME, C.1850-60

viewed from the Roman Forum with figures and the Arch of Titus in the foreground, in a moulded ebonised frame, the reverse with a paper trade label for ‘E. Tombini, Roma, Piazza di Spagna, Via de Condotti’ 18.2 x 22.5cm Catalogue Note C. and E. Tombini, was a Roman firm active in the 19th century, associated with archaeological jewellery, micromosaics and decorative mosaics. The firm is documented at various addresses around the Piazza di Spagna/Via del Babuino area.

£3,000-5,000

129

463 464

462

TWO ITALIAN GILT BRONZE PLAQUETTES

PROBABLY 17TH / 18TH CENTURY

each depicting a mythological subject (2) 7.5 x 13cm (max)

£200-300 465 A FRENCH JAPONAIS ORMOLU DRAGON FURNITURE MOUNT

LATE 19TH CENTURY

together with a bronzed spelter model of a fawn, on a marble base, a bronze figure of Venus de Medici, after the antique and a Grand Tour grotesque mask serpentine lamp (4) 22cm (max)

464

462

463

A FRENCH BRONZE GRAND TOUR BUST OF APOLLO

A DANISH TERRACOTTA GRAND TOUR FIGURE OF VENUS

AFTER THE SEVRES MODEL BY LOUISSIMON BOIZOT (1743-1809)

the back inscribed ‘Apollon d’apres Boizot, Musee de Sevres, Modele original’ 47cm high

£600-800

AFTER BERTEL THORWALDSEN (DANISH 1770-1844), BY IPSEN OF COPENHAGEN, 19TH CENTURY the base with impressed marks ‘P. Ipsen, Kjobenhavn Eneret 315’, together with a terracotta model of the Portland vase (2) 31.7cm high (max)

£200-300 466 A LARGE COLLECTION OF GRAND TOUR INTAGLIOS AND CAMEOS

18TH CENTURY AND LATER

in predominantly plaster and wax, of portraits and mythological subjects (approximately 900)

£300-500

£150-200

465

130

466

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467

468

AN ITALIAN GIALLO ANTICO GRAND TOUR MODEL OF THE TEMPLE OF CASTOR AND POLLUX

AN ITALIAN GIALLO ANTICO GRAND TOUR SCIPIO’S TOMB INKWELL

AFTER THE ANTIQUE, ROME, MID-19TH CENTURY

AFTER THE ANTIQUE, ROME, SECOND HALF 19TH CENTURY

raised on a black marble plinth 42.2cm high

Catalogue Note This model is one of the most celebrated ancient monuments in the Roman Forum: the Temple of Castor and Pollux. By the eighteenth century, these ruins had become essential sights for travellers undertaking the Grand Tour, admired as evocative remnants of Rome’s Imperial past. The three surviving Corinthian columns of the temple formed a dramatic landmark that attracted artists, antiquarians, and collectors alike. The Temple of Castor and Pollux, originally dedicated in 484 BCE, commemorated the legendary twin sons of Jupiter and played an important role in Roman political and civic life. Images of these ruins were widely circulated through paintings, prints, and souvenirs purchased by Grand Tour travellers. Such representations combined archaeological interest with picturesque appeal, reflecting contemporary fascination with the classical world and the enduring legacy of ancient Rome. For an almost identical column sold in these rooms see Fine Furniture & Collections, 1st July 2026, lot 716.

£2,000-3,000

the lift-off cover reveals six apertures, two for inkwells and four for quills, the front with a Latin inscription on a black marble base 11cm high, 19.5cm wide, 7cm deep Catalogue Note The Tomb of the Scipios is one of the most important surviving funerary monuments of the Roman Republic. Located along the ancient Via Appia, the tomb served as the burial place of the distinguished Scipio family, whose members included renowned military leaders and statesmen. Established in the early third century BCE, the monument preserves valuable evidence of Roman funerary practices and aristocratic selfrepresentation during the Republican period.

£800-1,200

469 AN ITALIAN GIALLO ANTICO GRAND TOUR MODEL OF THE PHOCAS COLUMN

AFTER THE ANTIQUE, ROME, MID-19TH CENTURY the fluted column with a Corinthian capital surmounted with a bronze statue of the emperor, the plinth with a Latin inscription, on a black marble base 43cm high

Catalogue Note The Column of Phocas was the last monumental addition to the Roman Forum and one of the most distinctive surviving landmarks of ancient Rome. Erected in 608 CE, the column was dedicated to the Byzantine Emperor Phocas by the exarch of Ravenna, marking a final phase in the Forum’s long history as a civic and ceremonial centre. A similar column was sold in these rooms Fine Furniture & Collections, 1st July, lot 717.

£1,000-1,500

467

469

131 468

A NEWLY DISCOVERED MARBLE PORTRAIT OF POPE CLEMENT XII modelling a closely related version in preparation for its casting in bronze for the Campidoglio. The two monuments share the same fundamental conception, although Bracci adapted the composition of the Capitoline version to the requirements of bronze and its architectural setting. The portraits can therefore be understood not merely as representations of Clement XII, but as monuments to his patronage. The Capitoline bronze, in particular, commemorated Clement's transformation of the Campidoglio and his foundation of the public museum. Its inscription celebrated his building projects and, above all, his enrichment of the Capitoline collections. Bracci's involvement extended beyond portraiture: during the same period he undertook important restorations of ancient sculpture associated with the collections, including the Capitoline Antinous. Bracci's portraits thus occupy a significant position within Clement XII's artistic legacy. They present the pope as both ecclesiastical sovereign and civic benefactor, while Bracci's participation in the project reflects his increasingly prominent role in the sculptural culture of eighteenth-century Rome.

470 A RARE AND IMPORTANT ITALIAN CARVED MARBLE MODEL OR MAQUETTE OF POPE CLEMENT XII

BY PIETRO BRACCI (ROME 1700-1773), C.1733

after the original bronze portrait of Pope Clement XII which graced the Great Hall of the Palazzo Nuovo on the Capitoline, opposite Algardi’s portrait of Innocent X, the Pope modelled enthroned wearing a cope with fine relief carved decoration, the architectural throne decorated with winged cherubs and scrolls, signed to the right side ‘P. Bracci, Rom. F.’, in weathered condition 68cm high, 42cm wide, 41.5cm deep Catalogue Note This remarkable marble model of Pope Clement XII Corsini is identical to a lost bronze version that was sculpted by Bracci in 1736 and subsequently cast in bronze by Francesco Giardoni. The bronze was initially placed in the Great Hall of the Palazzo Nuovo in the Campidoglio, opposite a portrait of Pope Innocent X by Alessandro Algardi and a bust of Pope Urban VIII Barberini by Gian Lorenzo Bernini. Thence it was transferred to the Hall of the Horatii and Curiatii in the Palazzo dei Conservatori where it was melted down in 1798 during the First Italian Republic. The only surviving visual document of the bronze was thought to be an engraving by Stefano and Rocco Pozzi, until the discovery of our marble figure. There is known to be only two examples of the engraving, one can be found in Rome in the Cabinet of Prints, the other in collection of the Royal Art Gallery in Dresden. The Commission The portrait of Pope Clement XII (Lorenzo Corsini, 1652–1740) should be understood within the remarkable programme of artistic, architectural, and civic renewal that characterised his pontificate. Elected pope in 1730 at the age of seventy-eight, Clement XII governed Rome for a decade, during which he promoted extensive building projects and greatly strengthened the cultural importance of the Capitoline Hill. Beyond the Capitoline Museums, Clement XII's architectural patronage included the new façade of San Giovanni in Laterano, the Palazzo della Consulta on the Quirinal, the restoration of the Arch of Constantine, improvements to Rome's streets and roads, and the initiation of the Trevi Fountain. He also commissioned the magnificent Corsini Chapel in the Lateran, intended to house his tomb. His most significant achievement in relation to the Campidoglio was the establishment of the Capitoline Museums as a public museum. In 1733 Clement XII acquired the celebrated antiquities collection of Cardinal Alessandro Albani, using funds derived in part from the papal lottery, and in 1734 the Palazzo Nuovo was opened as a museum. This transformed the Campidoglio into a major centre for the public appreciation of Rome's ancient artistic heritage. The acquisition was particularly significant because it prevented a major private collection from leaving Rome and placed its

132

‘Clement XII. Pont. Max. OB Senatus. Privilegia’, engraving, by Stefano and Rocco Pozzi, after Pietro Bracci, c.1780. Image Courtesy of the Central Institute for Graphics, Ministry of Culture,Rome Copyright protected not to be reproduced.

contents in public ownership. It was in this context that Pietro Bracci was commissioned to execute a bronze portrait of Pope Clement XII, commemorating the pope’s donation to the Capitoline Museums. The sculpture was funded by the Roman Senate and followed a successful marble portrait of Clement XII that Bracci had produced for the city of Ravenna. Clement had played an important role in the development of Ravenna, commissioning the construction of the Candiano Canal, which linked the city to the sea, and promoting the development of its port. The marble was originally installed in the Piazza del Popolo, before subsequently being moved to the Chiostro di San Vitale, where it remains today. Pietro Bracci and Pope Clement XII The relationship between Pietro Bracci and Pope Clement XII was closely bound to the artistic and cultural ambitions of Clement's pontificate. Bracci emerged as one of the leading sculptors working in Rome during the 1730s, a period of exceptional papal patronage in which Clement XII promoted an ambitious programme of architectural renewal and, most significantly for the sculptor, established the Capitoline collections as a public museum. Bracci's portraits of Clement formed an important part of this programme. He began a marble statue of the pope in 1733, which was subsequently sent to Ravenna in 1738, where it was installed in the Piazza del Popolo and is now preserved in the Museo Nazionale. By 1736, Bracci had begun

Pietro Bracci (1700-1773) Pietro Bracci was one of the leading sculptors of eighteenth-century Rome, working within the late Baroque tradition while developing a distinctive style characterised by animated movement, rich surface treatment and a strongly pictorial handling of marble. He probably trained under Camillo Rusconi becoming an important sculptor of papal Rome and was particularly active during the pontificate of Clement XII (1730–1740). Among his most significant early commissions include: the relief of the Miracle of Saint Andrew Corsini for the Corsini Chapel in San Giovanni in Laterano, and the sculpture for the tomb of Pope Benedict XIII in Santa Maria sopra Minerva. He subsequently produced major funerary monuments, including those of Maria Clementina Sobieski in St Peter's and Cardinal Giuseppe Renato Imperiali in Sant'Agostino. His later career included important commissions for St Peter's, notably the monument to Pope Benedict XIV. Bracci is best known today for the monumental figure of Oceanus, with the accompanying Tritons and sea horses, at the centre of the Trevi Fountain. Working from the designs of Nicola Salvi and the modello of Giovanni Battista Maini, Bracci executed the marble group between 1759 and 1762, creating one of the defining sculptural ensembles of the late Roman Baroque. Literature Pesci Gradara, 'Pietro Bracci, Scultore Romano 1700-1773, 1920. Elisabeth Kieven and John Pinto, 'Pietro Bracci and Eighteenth-Century Rome-Drawings for Architecture and Sculpture in the Canadian Centre for Architecture and other Collections', 2001. With thanks to Professor John A. Pinto for his assistance in cataloguing this lot.

£5,000-10,000

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470

133

472

471 ‘CALL OF THE SEA’, A BRONZE FIGURE OF A LADY

BY CHARLES LEONARD HARTWELL, R.A.(1873-1951)

471

the young woman wearing a cap and billowing drapery, signed ‘C.L.Hartwell’, mounted on an ebonised plinth 49.5cm high (overall)

£800-1,200 472 AN ITALIAN BRONZE FIGURE OF A WATER CARRIER

LATE 19TH CENTURY

the base signed ‘F.Rosse’ and dated ‘1892’, on a serpentine base 39cm high

£100-150 473 473

A LARGE FRENCH PATINATED METAL FIGURE OF AN ARMURIER OR GUNSMITH

AFTER FRANCOIS MAGE (1826-1910) signed ‘Mage’ 68cm high

£200-300 474 TWO FRENCH BRONZE FIGURES OF CHERUBS

19TH CENTURY

one signed ‘Clodion’, the other of a boy holding a jug, signed ‘A.Moreau’ (2) 20cm high (max)

£200-300

474 134

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475 A FRENCH TERRACOTTA GROUP ‘ALLEGORY OF THE VINE’

BY ALBERT-ERNEST CARRIER-BELLEUSE (FRENCH 1824-1887)

depicting a naked female figure beside a Bacchanalian term, signed ‘A. Carrier-Belleuse’ 68cm high

£800-1,200

475 476 A FRENCH SEVRES TERRACOTTA BACCHANALIAN GROUP

AFTER CLAUDE MICHEL, KNOWN AS CLODION (1738-1814), 19TH CENTURY

depicting four cherubs cavorting with a ram, the underside with impressed Sevres mark and numbered ‘206 L’ 35.8cm high, 47cm wide Provenance Purchased by the current vendor from a dealer on the Quai Voltaire, Paris.

476

£400-600

477 A BRONZE GROUP OF A SOW AND HER SUCKLING PIGLETS

BY AKSEL HANSEN (DANISH 1853-1933)

with a dark brown patination, the base signed ‘Aksel H.’ and dated ‘1928’, with fondeur’s mark ‘Copenhagen’ 19cm high, 23cm wide, 19.3cm deep

£600-1,000

477 135

478 A REGENCY MAHOGANY LINEN PRESS

IN THE MANNER OF GILLOWS, EARLY 19TH CENTURY

the lobed detachable cornice above a pair of arched panelled doors enclosing a later hanging rail, with two short and two long drawers on lobed bun feet, the back with a branded mark ‘Claremont’ 204.5cm high, 132cm wide, 60cm deep

478

Provenance Prince Leopold of Saxe-Coburg (1790-1865). Princess Charlotte (1796-1817), daughter of George IV married Prince Leopold of SaxeCoburg (1790-1865). Her father when Prince Regent gifted the house Claremont as a wedding present to them in 1816. However Charlotte died in childbirth the following year. Claremont in Surrey was known as Capability Brown`s Mansion and was originally built for Lord Clive of India. The linen press was removed from Boyton Manor where Prince Leopold also lived but had most likely come from Claremont originally. It is stamped ‘Claremont’ to the back.

481

£300-500

A REGENCY MAHOGANY STOOL

479 A REGENCY MAHOGANY CELLARET

of ‘X’ shape, the later stuffed-over button upholstered seat on scroll supports 44.6cm high, 67cm wide, 52.5cm deep

EARLY 19TH CENTURY

the interior originally with divisions, on turned legs and brass castors 61.7cm high, 37.5cm wide, 27.7cm deep

Provenance Purchased by the current vendor from Vanbrugh House Antiques, Stow-on-the-Woldm 21st October 2003.

£200-300

£400-600

479

EARLY 19TH CENTURY

λ 482 480

A ROSEWOOD OCCASIONAL TABLE

A GEORGE IV MAHOGANY CHEVAL MIRROR

C.1830 AND LATER ADAPTED

the rectangular plate supported by a ring turned baluster frame, on brass castors 180.8cm high, 75.3cm wide, 69 cm deep

£100-150

C.1820

with an inset mirrored top on a triform base 52.3cm high, 39cm wide, 32.5cm deep

£500-800

480

481 482 136

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483 λ 483 A REGENCY ROSEWOOD AND BRASS MARQUETRY BREAKFRONT SIDE CABINET

EARLY 19TH CENTURY

inlaid with foliate decoration, with three glazed doors enclosing shelves 101.3cm high, 244cm wide, 37.5cm deep

£2,000-3,000 484 A LATE GEORGE III IRISH CUT GLASS OVAL MIRROR

LATE 18TH / EARLY 19TH CENTURY

the frame decorated with faceted blue glass beads 64.5 x 44cm

£2,000-3,000 485 A LARGE GEORGE IV MAHOGANY CENTRE TABLE

C.1825-30

the circular tilt-top above a triform base and castors, the block stamped ‘E. Winter 505 New Oxford St. London’ 72.2cm high, 167.3cm diameter

£600-1,000 484

485 137

487

486 486

487

488

489

A HERIZ CARPET

A REGENCY MAHOGANY SOFA TABLE

A REGENCY MAHOGANY BREAKFAST TABLE

A KARAJAH CARPET

inlaid with ebonised stringing, with a pair of frieze drawers on trestle ends united by a high stretcher 71.5cm high, 94cm wide, 75cm deep

the tilt-top with a reeded edge on an urn turned stem and four splay legs and brass caps and castors 68.8cm high, 151 x 86.4cm

PERSIAN AZERBAIJAN, FIRST QUARTER 20TH CENTURY

the madder field of angular vines centred by an indigo, salmon pink and ivory medallion framed by ivory spandrels and indigo borders of samovar motifs flanked by pale lemon guard stripes 340 x 288cm

EARLY 19TH CENTURY

£400-600

Provenance Trafalgar Park, near Downton.

£200-300

£250-350

488 138

EARLY 19TH CENTURY

489

PERSIAN AZERBAIJAN, C. 1920

the madder field with central sky blue and deep indigo medallion surrounded by angular vines framed by spandrels and deep indigo samovar motif borders flanked by guard stripes 342 x 262cm

£700-1,000

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λ 490 A PAIR OF REGENCY SIMULATED ROSEWOOD AND PARCEL GILT TORCHERES

IN THE MANNER OF THOMAS HOPE, EARLY 19TH CENTURY each with an hexagonal top, supported by three lion’s head monopodia and on hairy paw feet (2) 101.2cm high, 54cm wide Provenance Formerly at Lygrove, Badminton.

£3,000-5,000

490

λ 491 A GEORGE IV ROSEWOOD AND PARCEL GILT CARD TABLE

ATTRIBUTED TO MOREL & SEDDON, C.1825 with a swivel fold-over top, revealing a baize lined playing surface, on an acanthus carved stem and winged hairy paw feet and castors 73.7cm high, 89.5cm wide, 44cm deep

£800-1,200

491 139

493 492

492 A REGENCY MAHOGANY WRITING TABLE

EARLY 19TH CENTURY

inlaid with ebonised stringing and with reeded decoration, with a pair of frieze drawers on brass castors 73.5cm high, 89.7cm wide, 60.5cm deep

£500-700

493 A PAIR OF REGENCY CUT GLASS TABLE LUSTRE CANDLESTICKS

EARLY 19TH CENTURY

each with an urn holder above a dished drip-tray hung with faceted lustres, with a cut glass baluster stem and square foot (2) 22.2cm high

494

£300-400

494 A PAIR OF REGENCY GILT AND PATINATED BRONZE CANDLESTICKS

EARLY 19TH CENTURY

each hung with faceted drops and lustres (2) 19.2cm high

£200-300

495 A PAIR OF REGENCY CUT GLASS SWEETMEAT JARS AND COVERS

EARLY 19TH CENTURY

with hobnail cut decoration (2) 25.5cm high

£200-300

495 140

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496 A LATE GEORGE III SATINWOOD AND AMBOYNA SIDE CABINET

ATTRIBUTED TO GEORGE OAKLEY, C.1800 with parcel gilding, the replacement grey marble top above a pair of gilt brass and fabric doors enclosing two shelves 82.3cm high. 90cm wide, 26.5cm deep

£1,000-3,000

496

497 A PAIR OF WILLIAM IV PATINATED BRONZE TABLE LANTERN PASTILLE BURNERS

C.1830-35

each in the form of a street lamp, suspending a glazed hexagonal lantern (2) 32.7cm high

£300-500

497

498 A REGENCY SATINWOOD AND MARQUETRY INKSTAND

ATTRIBUTED TO GEORGE BULLOCK, EARLY 19TH CENTURY

inlaid with entwined Thyrsus alternating with scrolling hops and honeysuckle, with two cut glass inkwells 36.6cm wide, 24cm deep Catalogue Note The design for marquetry on this inkstand can be found as part of the Wilkinson Tracings in the City Museum & Art Gallery, Birmingham.

£300-500

498 141

499 A PAIR OF GILT AND PATINATED BRONZE FIGURAL CANDLESTICKS

IN LOUIS XV STYLE, 19TH CENTURY

one with a male figure, the other with a female, each holding a cornucopia supporting the sconce (2) 34cm high

£300-500

499

500 A PAIR OF REGENCY CUT GLASS AND BRASS MOUNTED CANDLESTICKS

EARLY 19TH CENTURY

each with a single ‘thistle’ sconce above ten arms hung with faceted drops, brass balls and lustres, with a diamond cut baluster stem (2) 30cm high

£400-600

500

λ 501 A REGENCY ROSEWOOD BOOK CARRIER

C.1820

with a pierced gilt brass gallery and with a pair of scrolling leaf handles 16.5cm high, 70.5cm wide, 30.5cm deep

£250-350

501

142

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502 502 A ZIEGLER MAHAL CARPET

WEST PERSIA, C. 1890

the deep indigo field of large plants and flowerheads enclosed by madder turtle motif borders, flanked by guard stripes 513 x 265cm

£3,000-5,000 143

504

503

505 AN ANGLO-CHINESE HUANGHUALI WRITING SLOPE

19TH CENTURY

λ 503 A GEORGE III PADOUK OR ROSEWOOD CHEST

LATE 18TH CENTURY

inlaid with satinwood stringing and fitted with four long drawers on bracket feet 80.2cm high, 85cm wide, 52cm deep

£400-600

with brass mounts and sunken military style handles, the interior with a later leather lined writing surface and with a pair of glass inkwells and three secret drawers, with Chinese characters 18.5cm high, 49.8cm wide, 28cm deep

£300-500 λ 506 A CHINESE HARDWOOD BOX

504 A MAHOGANY COUNTRY HOUSE LETTER BOX

19TH CENTURY

with brass mounts, the hinged lid with three slots and three plaques inscribed ‘Letters Received’. ‘Letters to Post’ and ‘Letter Requiring Answers’, with key 17.7cm high, 40.7cm wide, 22.7cm deep

£600-800

LATE 18TH / EARLY 18TH CENTURY

possibly huanghuali with brass mounts, the interior with four divisions 11cm high, 35.5cm wide, 16.5cm deep

£150-200 λ 507 A VICTORIAN HARDWOOD AND BRASS BOUND WRITING SLOPE

C.1860

possibly huanghuali, the hinged lid inset with a brass plaque inscribed ‘Presented to the Revd William Glen By his Friends at Marsh Gibbon in Grateful Remembrance of his Ministry amongst them, September 1862’ the interior with a leather lined writing surface, inkwells and a pen tray 18.5cm high, 50.5cm wide, 28.7cm deep

£100-200

505

507

506 144

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λ 508 AN ANGLO-CHINESE EXPORT PADOUK SOFA GAMES TABLE

EARLY 19TH CENTURY

inlaid with stringing and banding, the drop-leaf top with a sliding central reversible chequer board revealing a backgammon board inlaid with ebony and bone lozenges, above a double sided frieze drawer, on trestle ends and splay legs 74.5cm high, 63.8cm wide, 53cm deep Literature See Carl L. Crossman, The Decorative Arts of the China Trade, pp. 236 and 237, pl.88 and 89, for two comparable examples with similar interiors. According to the author the interiors were based on a gaming box by Thomas Chippendale for Paxton House in 1774.

£4,000-6,000 508

509 AN ANGLO-CHINESE EXPORT PADOUK SOFA TABLE

EARLY 19TH CENTURY

the reeded edge top with satinwood banding above three drawers on trestle ends united by a turned stretcher and brass castors 70cm high, 76cm wide, 63cm deep

£500-800

509

145

511

510

512

510 A PAIR OF CHINESE VASE TABLE LAMPS

LATE 20TH CENTURY

each applied with gilt gourds and decorated in the famille rose palette with panels of figures in interiors, on a hardwood base (2) 36cm high (excluding fittings)

£300-400 511 THREE CHINESE CLOISONNE BOWLS

LATE 19TH CENTURY

each decorated with a scaly dragon, one with a four character mark ‘Da Ming Nian Zao’, together with a cloisonne cane handle and a Japanese cloisonne jewellery box (5) 25.2cm diameter (max)

£100-200 512 A PAIR OF CHINESE FLAMBE FANGHU VASES

20TH CENTURY

of faceted pear shape and with lug handles, together with a bronze Buddha, possibly Tibetan (3) 28.6cm high (max)

£200-300 513

513 A SMALL CHINESE BLACK AND POLYCHROME LACQUER CABINET

20TH CENTURY

decorated with auspicious symbols, with a pair of doors enclosing a shelf 77.5cm high, 59cm wide, 28.5cm deep

£300-400 514 A CHINESE HARDWOOD COFFEE TABLE

IN MING DYNASTY STYLE, 20TH CENTURY the rattan inset top on turned legs 46cm high, 91cm square

£100-200 514

146

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515 A CHINESE EXPORT BLACK AND GILT JAPANNED SIDE CHAIR

IN GEORGE II STYLE

the frame carved with leaves and scrolls and painted with flowers on lion’s mask capped cabriole front legs and claw and ball feet

£1,500-2,000

516 516 A CHINESE EXPORT LACQUER COUNTER BOX

LATE 18TH / EARLY 19TH CENTURY

decorated overall with Greek key borders on a fine foliate ground, with an oval cartouche with the initial ‘Y’ for the de Bude Young family, the interior with five lidded boxes containing a quantity of mother of pearl counters, of various shapes the majority also with the same initial ‘Y’ (A lot) 29.5cm wide, 26.6cm deep (max)

515

Provenance Colonel Frederick de Bude Young, CMG (1865–1920) was a distinguished British Indian Army officer, born at Naini Tal, India, in 1865. The son of Lieutenant-Colonel Henry Elliot Young of the Bengal Army, he followed his father into military service and transferred to the Indian Army in 1890, serving principally with the 6th Bengal Cavalry and later commanding the 32nd Lancers. He saw active service on the North-West Frontier, including the Tirah Campaign, and subsequently served in the South African War.During the First World War Young served at Gallipoli, where he was Commandant of the Anzac Advanced Base, and was appointed a Companion of the Order of St. Michael and St. George (CMG) in 1916. He married Alice Maude Mary Pirie in 1893; their eldest son, Martin Courtland de Bude Young, was killed at the Battle of Loos in 1915. Young retired from the Indian Army in 1919 and died at Ripley, Surrey, in 1920.

£800-1,200 517 A PAIR OF CHINESE FAMILLE VERTE ROULEAU VASES

IN KANGXI STYLE, 19TH CENTURY

each painted with continuous scenes of courtly figures seated at tables watching actors (2) 43.8cm high

£300-500 518 A PAIR OF CHINESE BLUE AND WHITE GINGER JARS AND COVERS

19TH CENTURY

517

each decorated four clawed scaly dragons chasing a pearl, damages (2) 25.7cm high

£200-300 518 147

519

520

519 A CHINESE PADOUK STAND

18TH / 19TH CENTURY

with scroll ends 5.5cm high, 33cm wide, 22.2cm deep Provenance The Simon Castle Collection of Treen.

£300-500

520 A PAIR OF CHINESE REVERSE GLASS MIRROR PICTURES

LATE 19TH / EARLY 20TH CENTURY

each decorated with figures in interiors with landscapes in the background, in a moulded frame with brass hanging hook (2) 50 x 69cm

£100-200 521 521 A PAIR OF CHINESE HARDWOOD STANDS

IN MING STYLE

each with a frieze drawer above an undertier and a slatted base (2) 106.5cm high, 33cm wide, 25.5cm deep

£200-300

522 A CHINESE BLUE AND WHITE MEIPING VASE

19TH / 20TH CENTURY

decorated with Buddhist lion dogs amidst scrolling clouds, the drilled base with a spurious Xuande six character mark 30cm high

£100-200 522 148

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523 A JAPANESE BLACK LACQUER CABINET ON STAND

EDO PERIOD AND LATER

gilt decorated with cranes and geese in landscape scenes, with engraved gilt brass mounts and hinges, with a pair of doors enclosing an arrangement of ten drawers, on a later chinoiserie stand, with castors 154.5cm high (overall), 95.5cm wide, 59.5cm deep

£600-1,000

523 524 A PAIR OF JAPANESE BRONZE VASES

MEIJI ERA (1868-1912)

each decorated with chrysanthemums, ducks and a tortoise (2) 30.5cm high

£200-300

524

525 A COLONIAL SATINWOOD MULE CHEST

MID-18TH CENTURY

with brass mounts and side carrying handles, fitted with two base drawers and on metal castors 65.5cm high, 111.5cm wide, 58.5cm deep

£300-500 525

149

526 A SMALL DUTCH COLONIAL HARDWOOD CHEST

18TH / 19TH CENTURY

with pierced foliate brass mounts, the interior with a Persian inscription 21cm high, 47.2cm wide, 29cm deep

£200-300 λ 527 A BURMESE CARVED ROSEWOOD CENTRE TABLE

LATE 19TH CENTURY

decorated with birds and animals and scrolling foliage, the tilt-top above an entwined stem and mythical beast tripod supports 75cm high, 64.5cm diameter

526

£200-300 528 527

AN INDIAN SANDALWOOD BOX

LATE 19TH / EARLY 20TH CENTURY

all over finely carved in relief, with leaves and flowers, the twin hinged top with urns, birds and serpents 6.8cm high, 23.7cm wide, 23.6cm deep

£100-150 529 A PAIR OF INDIAN SILVER, COPPER AND BRASS RONDELS

LATE 19TH / EARLY 20TH CENTURY

the centres repousse decorated with gods and goddesses (2) 20cm diameter

£100-150 528

λ 530 529

AN ANGLO-INDIAN IVORY, BONE AND SANDALWOOD CASKET

VIZAGAPATAM, 19TH CENTURY

extensively penwork decorated with panels of deities amongst foliate fretwork, the hinged cover enclosing a fitted interior with a tray with lidded and velvet lined compartments and watch stand lifting out to reveal a further blue velvet lined compartment, on lion paw feet 15cm high, 30.5cm wide, 24.8cm deep Ivory Registration number: P5T4QP31

£300­500 531 A PAIR OF INDIAN CARVED ALABASTER AND POLYCHROME DECORATED BAL GOPAL FIGURES

19TH CENTURY

each in a kneeling baby Krishna pose and with gilt highlights (2) 11.7cm high (max)

£100-150

530

150

531

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λ 532 A VICTORIAN CORAL SPECIMEN

LATE 19TH CENTURY under a glass dome 35cm high (overall)

£150-200

533 A TAXIDERMY PRESERVED CRAB

LATE 19TH / EARLY 20TH CENTURY in a glazed box frame 31 x 37cm

£100-150 533 534

532

A PAIR OF VICTORIAN CERAMIC ‘SHELL’ VASES

LATE 19TH CENTURY in Rococo style, with a turquoise finish (2) 28cm high

£100-150

λ 535 A COLLECTION OF SEASHELLS AND CORAL

together with a tole peinte monteith style footed bowl (A lot) £150-250

536 A GIANT CLAM SHELL

(TRICADNA GIGAS), PROBABLY 19TH CENTURY

535

534

with a weathered finish 67cm wide

£250-350

λ 537 A MAHOGANY DISPLAY CABINET

LATE 19TH / EARLY 20TH CENTURY numbered ‘7’ containing a small collection of shells and coral 39cm high, 48.5cm wide, 25.5cm deep

£150-200

536

537

151

538

539

538

539

A MAHOGANY HALF-BLOCK MODEL OF THE AMERICAN STEAM SHIP ‘ATALANTA’

A MAHOGANY HALF-BLOCK MODEL OF THE AMERICAN STEAM SHIP ‘ELECTRA’

later mounted with two brass plaques giving details of the ship’s designers and owners, on a rectangular backboard 41.5 x 167.5cm

later mounted with two brass plaques giving details of the ship’s designers and owners, on a rectangular backboard 40 x 166cm

LATE 19TH CENTURY

LATE 19TH CENTURY

Catalogue Note The brass plaques are inscribed ‘Designer Wm. Cramp & Sons, Built 1883 by Wm Cramp & Son, Material: Iron, Rig: Screw Schooner ...’ and ‘Owners: Jay Gould, George Gould 1883-1902, Venezuelan Navy 1902-1950 (Restaurador, General Salom). Designed by ‘Wm. Cramp & Sons’ and built in 1883 for Jay and George Gould.

Catalogue Note The brass plaques are inscribed ‘Designer N.G. Herreshoff, Built 1887 by Herreshoff Mfg. Co., Material: Wood, Rig: Screw Schooner ...’ and ‘Owners: Elbridge T. Gerry 1884-1912’. Designed by ‘Wm. Cramp & Sons’ and built in 1883 for Jay and George Gould.

£800-1,200

£800-1,200

λ 540

542

A LATE VICTORIAN BUTTERFLY AND MOTH DIORAMA

A QUOITS GAME

C.1900

with a variety of butterflies, moths and beetles arranged in a glazed ebonised box frame 33 x 37cm

BY JAQUES, LATE 20TH CENTURY

together with a set of oversize dominoes also by Jaques (33)

£300-400

£100-150 543 A LATE VICTORIAN TABLE CROQUET SET

541 A VICTORIAN BURR WALNUT HOMEOPATH’S BOX

BY W. GIBLING , C.1860-70

540

containing eighteen homeopathic tincture glass bottles, each with a cork stopper, the inside of the lid inscribed ‘W. Gibling, Homeopathic Pharmacy, Bournemouth’ 9.7cm high, 17.7cm wide, 10cm deep

LATE 19TH / EARLY 20TH CENTURY

the pine box containing four mallets, hoops, balls and markers 31.3cm wide

£200-300

£200-300

541 152

542

543

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544 544

546

A BROWN AMETHYSTINE QUARTZ

A GEODE WITH BELLOWING DRUZE COVERED CALCITE

CRETACEOUS PERIOD

brown coloured amethystine quartz with polished borders revealing a typical Uruguayan celadonite shell that lines the parent geode, on a metal stand (2) 14 cm high (with stand) 11.5cm (without) x 23cm wide x 10cm deep

CRETACEOUS PERIOD

£1,000-2,000

£2,000-3,000

545

547

A ROUND AMETHYST GEODE

CRETACEOUS PERIOD

A FORMATION OF CLEAR QUARTZ ON THICK AGATE

£1,500-2,000

formation of multiple stalactites quartz, on a bed of brown agate, on a stand (2) 15cm high (with stand) 11.5cm (without) x 19.5cm wide x 12.5cm deep

stalactite at the top with polished borders revealing multiple mineral layers, on a stand (2) 21cm high (with stand) 15.5cm (without) x 15cm wide x 15cm deep

lined with grey quartz and a large central calcite covered in a white and earthy druze, on a stand (2) 18cm high (with stand) 12cm (without) x 25cm wide x 18cm deep

545

CRETACEOUS PERIOD

£1,000-1,500 548 A POLISHED SPLIT AMETHYST GEODE

CRETACEOUS PERIOD

surrounded by white quartz and agate, on a stand (2) 21cm high (with stand) 16cm (without) x 14cm wide x 10cm deep

546

£1,000-1,500

547

548 153

549

550

549

551

A RARE AND EARLY LOUIS VUITTON TRUNK

HMS VICTORY INTEREST. A BLACK LEATHER FIRE BUCKET

SERIAL NUMBER ‘2062185’, LATE 19TH CENTURY

the green rexine exterior stencilled ‘FOLEY’, the brass latches and studs stamped ‘Louis Vuitton’, the hinged cover enclosing an interior with a tray with the trade label and stamped serial number, with side carrying handles 29.5cm high, 130.5cm wide, 50cm deep

with a copper riveted rim above a body faintly inscribed ‘Victory GR 1803’ 25.5cm high, 25.7cm wide

£300-500 552

£800-1,200

TWO HAMMERED COPPER SHOP SIGNS

550

‘CYCLES & ACCESSORIES’ and ‘BABY CARRIAGES’, each mounted on an oak plaque (2) 20 x 152.3cm

AN ELIZABETH II BLACK LEATHER DESPATCH BOX

SECOND HALF 20TH CENTURY

gilt tooled with the Royal initials and ‘S18’ twice, with a brass handle, with key 15cm high, 46cm wide, 31cm deep

£300-400 551

EARLY 19TH CENTURY

LATE 19TH / EARLY 20TH CENTURY

£400-600 553 A VICTORIAN NICKEL DOG OR CAT COLLAR

19TH CENTURY

with a red leather lining and hung with bells 7cm diameter

£200-300

552

154

553

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554 A LATE VICTORIAN CARVED AND PAINTED WOOD FISH TROPHY MODEL OF A SEA TROUT

BY MALLOCH OF PERTH, DATED ‘1895’

titled ‘Norway, 4th Sept. 1895 Sea Trout 14 Lbs’ mounted in a bowfront glazed and ebonised case 35cm high, 101cm wide, 14.3cm deep

£2,500-3,500

554

555 A GEORGE V CARVED AND PAINTED WOOD HALF-BLOCK FISHING TROPHY OF A TROUT

BY FOCHABERS, DATED ‘1924’

mounted on a stained pine plaque, inscribed ‘7 LBS. 2 ozs, Caught at Blagdon, Sept. 21, 1924. H. H. B. ‘ 30 x 73.5cm Catalogue The initials H. H. B. probably stand for Harold Harrington Balfour.

£2,000-3,000

555

556 TAXIDERMY. A GEORGE V PRESERVED PERCH

BY J. COOPER & SONS, C.1927

mounted in a naturalistic setting, with two paper labels, inscribed ‘Perch 2lbs, 5ozs 5 orms, Caught by S. Routley at Shrewsbury, Jan. 16 1927’ and ‘Preserved by J. Cooper & Sons, 28 Radnor Street, St. Lukes, London, E. C.’, in an ebonised and gilt bowfront glazed case 31.3cm high, 52cm wide, 15cm deep

£500-700 556

557 TAXIDERMY. A LATE VICTORIAN PRESERVED ROACH

BY J. COOPER & SONS, C.1897

mounted in a naturalistic setting, with two paper labels, inscribed ‘Roach caught by J. Jones in River Trent Rugeley January 4th 1897 Weight 1 lb 2ozs’ and the remains of a Cooper trade label, in an ebonised bowfront glazed case 27cm high, 43.2cm wide, 13cm deep

£250-350

557 155

558 558 HORSE RACING INTEREST. A COLLECTION OF HORSESHOES FROM FAMOUS RACEHORSES

EARLY 20TH CENTURY

comprising twenty-eight titled and dated horseshoes mounted on an oak plaque, dating from 1910-1925 from various horse races including: Prince Palatine, St. Leger 1912, Humorist, The Derby, 1921 and Sunstar The Derby 1911, with a silver plaque inscribed ‘Bequeathed by the late A. S. Galtrey (Hotspur) to A. Heathorn June 1935’ 34 x 231.3cm Catalogue Note Captain Albert Sidney Galtrey (1878–1935) was a prominent British horse racing journalist who famously wrote for The Daily Telegraph under the pen name “Hotspur”. Albert Heathorn was a well known bookmaker from the 1920s.

£800-1,200

559 MOTORING INTEREST. AN ASH FOLDING CAR STEP LADDER

ATTRIBUTED TO HODGKINSONS OF AMBERGATE, DERBY, EARLY 20TH CENTURY with metal treads and hooks 234cm long

£250-350 560 FOUR WROUGHT IRON EEL SPEARS

LATE 18TH / 19TH CENTURY each with serrated prongs (4) 56.5cm long (max)

559

£100-200

560 561 NINE PAIRS OF COCKFIGHTING SPURS

19TH CENTURY

of leather and brass, together with two pairs of buckles, four glass eyes and two steel utensils, housed in a fitted mahogany box, together with another mahogany box containing two further pairs and seven individual cockfighting spurs, predominantly in leather and one in chamois, together with a folding pocket tool and a further box containing another pair of leather and steel spurs (43) 9cm long (max)

£200-300 561

156

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562 A PAIR OF CARVED WOOD AND CAST IRON MODELS OF ORNAMENTAL TREES

20TH CENTURY

each with parcel gilt decoration and with an urn base (2) 127cm high

£1,500-2,500

562

563 λ 563 A PAIR OF EARLY VICTORIAN ROSEWOOD HOURGLASS STOOLS

C.1850

each with a floral needlework seat (2) 41.3cm high, 30.5cm diameter

£300-400

564 A FAUX BAMBOO CHEVAL MIRROR

IN BRIGHTON PAVILION STYLE, LATE 19TH / EARLY 20TH CENTURY the rectangular plate in a turned frame, on wooden castors 176cm high, 99cm wide, 61cm deep

£300-500

565 A PAIR OF BLUE JAPANNED CHINOISERIE TABLE LAMPS

EARLY 20TH CENTURY

decorated with birds, buildings and flowers (2) 32.5cm high (excluding fittings)

£100-150 565

564 157

567 566 566

λ 569

A PINE BAKER'S HUFFER CUPBOARD

AN EARLY VICTORIAN ROSEWOOD CORNER WHATNOT

19TH CENTURY

the front with a panelled door revealing three shelves with a zinc lined interior and an open back, with side carrying handles and on castors 112cm high, 119cm wide, 42.2cm deep

£500-800 567 A LARGE WICKER LOG BASKET

LATE 19TH / EARLY 20TH CENTURY with ‘Foot’s Patent’ brass spoke castors 80.2cm high, 104cm wide, 76cm deep

£500-800 568

C.1840-50

in Rococo style 89.5cm high, 67cm wide, 44cm deep

£150-200 570 A FRENCH KINGWOOD PARQUETRY KIDNEY SHAPE TABLE

IN LOUIS XV STYLE, LATE 19TH CENTURY with brass mounts and decorated with cube parquetry, with a frieze drawer 73.5cm high, 61.3cm wide, 37.3cm deep

£300-400

A VICTORIAN FAUX BAMBOO COUNTRY HOUSE FOLDING TOWEL RAIL

LATE 19TH CENTURY

568

91cm high, 65cm wide (each panel)

£150-250

569 158

570

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571

572

571

572

A MASHAD CARPET

A KASHAN CARPET

the raspberry field of scrolling vines centred by a sky blue and deep indigo medallion framed by spandrels and indigo borders of meandering vines flanked by guard stripes 447 x 317cm

the pale mint green field with palmettes and scrolling vines enclosed by dove grey borders of meandering vines, flanked by ivory guard stripes 400 x 285cm

NORTH EAST PERSIA, C.1920

£400-600

CENTRAL PERSIA, C.1970

£1,500-2,000

573

574

AN ISFAHAN PRAYER RUG

AN UNUSUAL TRIBAL KILIM

the ivory field with an urn issuing flowers enclosed by indigo borders of raspberry vines flanked by guard stripes 197 x 141cm

the pale terracotta field comprised of bands of hooked guls and reciprocal bird motifs enclosed by ivory borders of stepped medallions 288 x 204cm

CENTRAL PERSIA, C.1920

£100-200

20TH CENTURY

£100-200 573

574

159

576

575 575

577

A LATE VICTORIAN PAINTED SATINWOOD SIDE CHAIR

A VICTORIAN GILTWOOD AND COMPOSITION WALL MIRROR

together with a William IV mahogany side chair (2)

the oval plate in a moulded frame, the urn surmount issuing swags of husks 125 x 67cm

IN SHERATON STYLE, LATE 19TH CENTURY £100-200

IN ADAM STYLE, LATE 19TH CENTURY

£100-150 576 A NEST OF THREE VICTORIAN SATINWOOD OCCASIONAL TABLES

578

with ebonised decoration, each with a shaped top, the underside of one stamped ‘ OM 3339’ (3) 68.3cm high, 56.3cm wide, 35cm deep (max)

each with a shield shape back, carved with leaves, above a stuff-over seat, on fluted tapering front legs (2)

A PAIR OF MAHOGANY OPEN ARMCHAIRS

LATE 19TH CENTURY

IN HEPPLEWHITE STYLE,

£200-300

£300-400 579 A PAIR OF VICTORIAN CUT GLASS LUSTRE CANDLESTICKS

MID-19TH CENTURY

the foliate canopy hung with faceted beads and lustres (2) 27.7cm high

577

£200-300

578 160

579

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580 A VICTORIAN OAK DRAUGHTSMAN’S TABLE

C.1870

the hinged revolving adjustable top on a ratchet, with unusual carved winged and claw and ball supports on wooden castors 76.8cm high, 77cm wide, 53.5cm deep

£500-800

580

581 A LARGE GILT BRASS OR BRONZE WALL MIRROR

LATE 19TH / EARLY 20TH CENTURY

with a central rectangular bevelled plate flanked by marginal plates with scrolling leaf decoration with reeded borders 158.5 x 205.5cm

£600-1,000

581

582 A SMALL MODERNIST BRONZE DRESSING TABLE MIRROR

FIRST HALF 20TH CENTURY

with a mirrored base 33.7cm high, 30cm wide, 11.5cm deep Provenance By repute Burgh Island Hotel.

£100-150

582

583 A PAIR OF FRENCH BRASS TABLE LAMPS

20TH CENTURY

each of urn form, with ring handles, with shades (4) 61.3cm high (excluding fitting)

£300-400 583 161

585

584

584

586

A FRENCH PORCELAIN AND BRASS MOUNTED VASE TABLE LAMP

A PAIR OF LATE VICTORIAN POLISHED BRASS STANDARD LAMPS

painted with flowers and with classical female masks 67.5cm high

each with lappet decoration and a triform base (2) 167.5cm high, 47cm wide

LATE 19TH CENTURY

LATE 19TH CENTURY

£500-700

£300-400

587

585

A VICTORIAN GILT AND COMPOSITION WALL MIRROR

A PAIR OF WILLIAM IV CUT GLASS LUSTRE CANDLESTICKS

LATE 19TH CENTURY

C.1830

each hung with faceted bead and ball lustres (2) 32.7cm high

of cartouche shape, the Rococo style frame decorated with figures 114.5 x 58.3cm

£300-400

£100-150 588 A VICTORIAN EBONISED PIER CABINET

C.1870

with amboyna banding and gilt brass mounts 106.2cm high, 90.2cm wide, 39cm deep

£100-200 586

587 162

588

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589 A VICTORIAN GILTWOOD AND COMPOSITION WALL MIRROR

C.1860-70

the arched plate within a moulded frame decorated with leaves, the surmount with two winged cherubs flanking a basket of flowers 121 x 86cm

£200-300

589

590 590 A PAIR OF GILTWOOD EAGLE CONSOLE TABLES

18TH CENTURY ELEMENTS AND LATER

each with a mottled green marble top above a frieze decorated with husk swags and with a monopodia support (2) 92cm high, 76.5cm wide, 38.5cm deep (max) Provenance Formerly the collection of Sir Edmund and Lady Leach, Provost of Kings College, Cambridge, acquired from them by the present private collector in c.1974.

£800-1,200

591 591 A VICTORIAN MAHOGANY CAMPAIGN CHEST

SECOND HALF 19TH CENTURY

with brass mounts and in two halves, fitted with two short and three long drawers, with sunken brass military style handles 106.5cm high, 99cm wide, 47.8cm deep

£600-800

592 A GILTWOOD TRUMEAU WALL MIRROR

IN CLASSICAL STYLE, 19TH CENTURY

the oval surmount inset with an oil on canvas scene of ‘Love Conquering Prudence’ after Angelica Kauffman, the frame decorated with ribbon tied garlands of flowers and with a bevelled rectangular mirror plate 180.3 x 142.5cm Provenance Property from Burghclere House.

£200-300 592 163

594 596 A KURDISH RUNNER

BIJAR REGION, PERSIAN KURDISTAN, FIRST QUARTER 20TH CENTURY

593

the indigo lozenge field of serrated leaves and flowerheads framed by ivory spandrels and madder borders of angular vines and carnation guard stripes 584 x 104cm

£200-400 597 A NORTH WEST PERSIA KILIM

SECOND QUARTER 20TH CENTURY

595 593 A VICTORIAN WALNUT AND MARQUETRY LOO TABLE

C.1850-60

the charcoal lattice field of stylised plants enclosed by ivory borders of hooked devices flanked by sawtooth guard stripes, together with an Anatolian kilim, 20th century, the compartmentalised field with panels containing latch hook guls surrounded by multiple flowerheads enclosed by borders of hexagons and sawtooth guard stripes (2) 355 x 117cm and 401 x 197cm

£150-250

with gilt metal mounts, the serpentine tilt-top inlaid with flower strapwork and with a central basket of flowers on an ebonised ground 69cm high, 109.5 x 85.5cm

£300-400 λ 594 A VICTORIAN ROSEWOOD FOOTSTOOL

IN THE FRENCH MANNER, C.1840-50 47.6cm high, 64cm wide, 62.5cm deep

£250-350 595 A VICTORIAN GILT COMPOSITION OVERMANTEL MIRROR

C.1860-70

the landscape plate in a Rococo frame decorated with scrolls and flowers 58 x 125cm

£150-200

596 164

597

Visit www.woolleyandwallis.co.uk to read the full Terms & Conditions

598 599 602 AN AFGHAN TURKMEN CARPET

NORTH WEST AFGHANISTAN, LATE 20TH CENTURY

the pale terracotta field with four columns of Salor guls enclosed by multiple narrow borders of geometric motifs, 283 x 209cm Provenance Purchased by the current vendor from Liberty.

£200-300 600

601 601

A VICTORIAN GILTWOOD AND COMPOSITION OVERMANTEL MIRROR

A PAIR OF EARLY VICTORIAN CUT GLASS TABLE LUSTRE CANDLESTICKS

the arched plate in a beaded and cabochon decorated frame, with applied leaves 85 x 132cm

each with a foliate canopy hung with faceted beads and lustres with ball terminals (2) 28cm high

£200-300

A BALUCH RUNNER

PERSIAN / AFGHAN FRONTIER, C.1900

598 LATE 19TH CENTURY

602A

MID-19TH CENTURY

the field with a column of stepped guls enclosed by terracotta borders of angular latch hook vines flanked by guard stripes 390 x 86cm

£200-300

Provenance Purchased by the current vendor from Liberty.

£100-150

599 A VICTORIAN MAHOGANY TWIN PEDESTAL DESK

C.1850-60

the top inset with a later gilt-tooled red leather writing surface, above an arrangement of nine drawers on castors 75cm high, 91cm wide, 59.8cm deep

£200-400 600 A PAIR OF VICTORIAN CUT GLASS LUSTRE CANDLESTICKS

MID-19TH CENTURY

the foliate canopy hung with faceted beads and lustres (2) 18cm high

£200-300

602

602A

165

λ 603 A COLLECTION OF SEVEN WALL MIRRORS

19TH CENTURY AND LATER

two in rosewood, two in faux bois wood frames and with a circular example (7) 39.5 x 33.5cm (max)

£100-150

603

604 A LATE VICTORIAN SORCERER’S TYPE WALL MIROR

LATE 19TH / EARLY 20TH CENTURY

of scalloped shape with a star cut centre and cut optic borders 36.2 x 36cm

£100-150

604

605 605

606

A MALACHITE BOWL

POSSIBLY RUSSIAN, LATE 19TH / EARLY 20TH CENTIURY

together with a malachite egg and two alabaster examples (4) 30cm wide (the bowl)

£150-250

606 A LATE VICTORIAN OAK PLATE STAND

BY HOWARD & SONS, C.1880

with two grooves and applied rondels, the back stamped ‘HOWARD & SONS, BERNERS St,’ and with remains of a paper label under the red baize 32.5cm high

£150-250 166

Visit www.woolleyandwallis.co.uk to read the full Terms & Conditions

607 607

608

A MAHOGANY TWO SEATER ‘BECKETT’ SOFA

A LARGE EDWARDIAN VICTORIAN THREE SEATER SOFA

with a serpentine back, above scroll arms, covered in ‘H & S’ monogrammed cotton ticking, on square tapering front legs and brass castors, stamped ‘Howard & Sons Ltd London’, the underside with a fabric label inscribed ‘Howard & Sons Ltd 31 Old Burlington St. London W.1.’ and numbered ‘14839 WJC’ and dated ‘06/05/41’, with loose covers. 90.5cm high, 200cm wide, 89cm deep

covered in ‘H & S’ monogrammed cotton ticking, all legs have been replaced and on stamped brass castors ‘Howard & Sons London’ the underside with a printed paper trade label ‘Howard & Sons Ltd, Upholsterers, 25, 26 & 27 Berners Street, London, Patent Dining Tables’ and with stencilled mark ‘ From Howards Ltd Berners St. London’, with loose covers. 85cm high, 244cm wide, 95cm deep

BY HOWARD & SONS, C.1935-47, IN GEORGE III STYLE

BY HOWARD & SONS, EARLY 20TH CENTURY AND LATER

£2,000-3,000

£2,000-3,000

608

167

A PRIVATE COLLECTION OF TRUNCHEONS 609

611

612

613

A GEORGE IV ASH 'BREAD RIOTS' TRUNCHEON

FOOTBALL INTEREST. AN ELIZABETH II WALNUT TRUNCHEON applied with a brass plaque inscribed 'Sincere best wishes George, Danny 22nd May 1989', with a ribbed handle 40cm long

A RARE GEORGE V EBONY LONDON SPECIAL CONSTABULARY TRUNCHEON

AN EBONY SPECIAL CONSTABULARY TRUNCHEON

C.1822-25

inscribed in ink 'Used by Thomas Ward Esq as special constable during the Bread Riots of 1822', with a ribbed handle, with leather strap 50cm long

£150-200 610 A LATE VICTORIAN LIGNUM VITAE WHISTLE / TRUNCHEON

LATE 19TH / EARLY 20TH CENTURY

stamped 'A. C. Riome, Maker Gravesend, Patent Applied For, Redg 604480', with a ribbed handle inset with a nickel whistle 42.5cm long

Catalogue Note Given to George Best on his 42nd Birthday by Danny Blanchflower, who in 1976 recalled George Best, then at Fulham, to play for Northern Ireland, of which Blanchflower was manager.

C.1920

applied with a silver plaque engraved with 'Used by Lieut Colonel A. N. St. Quintin, O.B.E. From 10th April 1915 till 19th July 1920, In 'F and B Division of the London Special Constabulary', with a ribbed handle stamped with various initials 40cm long

£150-250

20TH CENTURY

applied with three plaques one for the Metropolitan Constabulary and 'S C'. stamped 'V 1065' with a ribbed handle, together with a Victorian boxwood truncheon engraved with a crown above the City of London coat of arms, with a ribbed handle (2) 41cm long (max)

£100-200 614 A VICTORIAN LIFE PRESERVER

£200-300

LATE 19TH CENTURY

weighted with a leather handle, the bulbous end with an applied brass disc engraved with a fox head and 'Ashford Maker Regent Street' 35cm long

£100-150

£100-150 615 TWO RUBBER TRUNCHEONS

LATE 19TH / 20TH CENTURY

one with a ribbed handle, together with two leather coshs, each weighted (4) 38cm long (max)

£100-200

609 610

611

612

613

614

168 615

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616

619

FIRST WORLD WAR INTEREST. A WOOD TRENCH CLUB

A VICTORIAN CARIBBEAN CARVED WATCHMAN'S HARDWOOD STAFF

EARLY 20TH CENTURY the tip applied with nails and enmeshed wire, with an iron hook to end 63cm long

£150-250 617 A RARE GEORGE II PAINTED WOOD MAGISTRATES'S BATON OR STAFF OF OFFICE

DATED '1741'

of cylinder shape for John Thursby of Abuingdon Manor, decorated on a gilt ground with 'G R' crowned. with the Royal Coat of Arms and 'J T Abingdon 1741' 66.3cm long

suggests a Caribbean port context (likely La Habana or La Guaira), where US and British shipping converged during the American Civil War era. Such carved authority staves are extremely rare survivals of colonial policing and maritime culture.

DATED '1861'

of cylinder shape with rounded ends and scrimshaw decorated with four flags, the Union flag, St. George's cross, an striped ensign and the stars and stripes, with the garter motto, a paddle steamer, skeletons, skull and crossbones, a horse, arrow motifs and a male figure in a colonial hat 64cm long Catalogue Note The imagery combines official British authority with maritime folk symbols of seafaring and mortality. The mixture of British and American flags and the paddle steamer strongly

Literature Further reading: Arnold, David. Police Power and Colonial Rule: Madras 1859-1947. Oxford: Oxford University Press, 1986. Levi, John. Salilor Souvenirs: Folk Art from the Sea. Portsmouth Museums, 1998. Simper, Robert. Maritime Folk Art. Woodbridge: Antique Collectors' Club, 2000. Wilson, Timothy. Flags at Sea. London: National Maritime Museum, 1986.

£500-800

620 A RARE VICTORIAN ASKARI HARDWOOD BLUDGEON

LATE 19TH CENTURY

with a flat top and applied with fifteen iron studs 46cm long Catalogue Note This bludgeon would have been used by a native Askari policeman of Lundi, ex German East Africa. Literature Erland Fenn Clark, 'Truncheons their Romance and Reality', 1935, a similar example described and illustrated, pp 214-215.

£200-400 621 A VICTORIAN FOLK ART CARVED WOOD TRUNCHEON

Provenance Illustrated and described in Mitton, ‘The Policeman's Lot’, 1985, pp 80-81. The author's collection

DATED '1890'

of curved briar shape, carved with snakes and inscribed 'Fulham 1890' and the reverse with an inverted 'V' 46cm long

£500-800 618

£150-250

A RARE AMERICAN EBONISED WOOD 'NEW YORK CITY' TRUNCHEON OR NIGHTSTICK

LATE 19TH CENTURY

of cylinder form, with an applied brass plaque inscribed 'F. T. J. P., N. Y. C.', with original leather strap 66cm long Catalogue Note 'F.T.J.P.': Possibly Fort Tryon Junior Police

£200-300

620 616 619

617 618

621

169

626

622 A SCARCE PAINTED WOOD TRUNCHEON

LATE 18TH / EARLY 19TH CENTURY

of cylinder shape and decorated with a castle and numbered '26' on an ebonised ground, with a ribbed handle 64cm long

£200-300

627 A VICTORIAN PAINTED WOOD SHORT TRUNCHEON

A VICTORIAN PAINTED WOOD 'OLDHAM POLICE' TRUNCHEON

SECOND HALF 19TH CENTURY

SECOND HALF 19TH CENTURY

with a light brown ground painted with the crowned Royal Arms, above a rose, a shamrock and a thistle, the reverse with 'V+R I' and an Earls Coronet above 'N' to a baluster handle, scratched 'H I', and pierced for attachment 36cm long

decorated with a crown above the coat of arms for Oldham, Lancashire with initials 'VR and OP', with a ribbed handle 43cm long

£150-250

623

Catalogue Note First quarter of the Royal Coat of Arms unusually squeezed to the left leaving half the red ground blank.

A WILLIAM IV SCOTTISH PAINTED WOOD STAFF OF OFFICE

C.1835

with gilt decoration, inscribed 'P.C, W IV R' above a crown and '45' within a shield 59cm long

£250-350

£150-250

628 A VICTORIAN PAINTED WOOD TRUNCHEON

624 A VICTORIAN EBONISED WOOD TRUNCHEON

SECOND HALF 19TH CENTURY

decorated in gilt with rondel inscribed 'VR County Police', with a ribbed handle 50cm long

£150-200

of torpedo shape, decorated with a crown 'V. R.' 38.2cm long

SECOND HALF 19TH CENTURY

£100-150 625 A RARE VICTORIAN PAINTED WOOD SOUTH EAST RAILWAY TRUNCHEON

SECOND HALF 19TH CENTURY

decorated with a crown above 'S E R', with a ribbed handle 46.5cm long

£200-300

624 170

622

623

625

626

627 628

THE TIM WOOLLEY MEMORIAL LECTURE

REDISCOVERING TWO LOST RENAISSANCE CERAMIC MASTERPIECES PRESENTED BY PROFESSOR TIMOTHY WILSON Including a private view of the extraordinary Italian Renaissance maiolica plaques from 1536 by Francesco Xanto Avelli

THURSDAY 15TH OCTOBER at our City Centre Salerooms, 51 61 Castle Street, SP1 3SU

PROFESSOR TIMOTHY WILSON Honorary Curator, Department of Western Art, Ashmolean Museum Tim Wilson was Keeper of Western Art at the Ashmolean Museum and Professor of the Arts of the Renaissance at University of Oxford, posts from which he re red in 2017 a er more than 25 years. He is a specialist in European Renaissance po ery and decora ve arts, especially Italian maiolica. He is the author of a number of publica ons considered standard references on the subject. These include ‘Italian Maiolica and Europe’, which is both a catalogue of the Ashmolean’s Italian po ery and a study of the spread of the n glaze tradi on through Europe and beyond; ‘The Golden Age of Italian Maiolica Pain ng’ that was published by Allemandi in 2019; and he was principal author of ‘Tin Glaze and Image Culture – The MAK Maiolica Collec on in Its Wider Context’, that was published in November 2022.

Tickets for sale £15 – All monies donated to Salisbury Hospice Drinks & Canapés will be served 6pm / Lecture 7pm All enquiries to 01722 424500 or events@woolleys.live

FINE SILVER & OBJECTS OF VERTU

TUESDAY 20TH & WEDNESDAY 21ST OCTOBER 2026 Illustrated below left Φ HIROSHI SUZUKI A contemporary Fine silver Aqua-Poesy vase, London 2008

middle Φ HIROSHI SUZUKI A contemporary Britannia Standard silver AquaPoesy box and cover, London 2007

right Φ HIROSHI SUZUKI A contemporary Fine silver Aqua-Poesy Dom VI water jug, London 2004

Estimate: £2,500-3,000*

Estimate £1,500 -2,500*

Estimate £1,500-2,000*

ENQUIRIES Rupert Slingsby +44 (0)1722 446956 rs@woolleys.live

*visit woolleyandwallis.co.uk/buying for additional charges on final hammer price

FINE JEWELLERY

28TH & 29TH OCTOBER 2026

ENQUIRIES Marielle Whiting FGA +44 (0)1722 424595 mw@woolleys.live

VAN CLEEF & ARPELS A CULTURED PEARL AND DIAMOND CHOKER £15,000 – 20,000

AUCTION INFORMATION OPENING HOURS City Centre Salerooms Monday to Friday 9am – 5pm Old Sarum Galleries Monday to Friday 9am – 5pm VIEWING All our auctions are on view at least two days prior to the sale and details will be found in the relevant catalogues. REGISTERING WITH US All first time buyers need to register with us. To register, you will need to provide two forms of identification: 1. a passport or photographic driving licence 2. a utility bill or document showing your name and address You can register in person or by contacting client services on 01722 424500 or emailing id@woolleys.live You will be asked to show your documents or email copies.

BUYER’S PREMIUM For each lot sold, the Buyer shall pay the hammer price together with a Buyer's Premium thereon of 27% plus VAT at 20% (totalling 32.4% inclusive) on the first £20,000 of the hammer price and 26% plus VAT at 20% (31.2% inclusive) up to £500,000, and 20% plus VAT at 20% (24% inclusive) thereafter. CONDITION REPORTS The relevant department will be pleased to give condition reports on any lot, where practical. All weights and measures given in the catalogue should be regarded as approximate. The colours printed in the catalogue are not necessarily true. SALE RESULTS These will be posted on our website shortly after the sale. PACKING AND SHIPPING Woolley & Wallis do not offer a packing and despatch service but the following are carriers in our area.

PLEASE NOTE: Registering with our website, or any third party website, does not automatically register you to bid with us.

Alban Shipping

+44 (0)1582 493099 info@albanshipping.co.uk www.albanshipping.co.uk

BIDDING AT AUCTION

Kimdan Ltd

See below for the different options for bidding. Please note that you may be asked to provide two forms of identification, even if you have bid with us before, in order that we are compliant with Money Laundering Regulations.

+44 (0)7973 389436 andy@kimdan.co.uk

Mailboxes

+44 (0)1962 622133 info@mbewinchester.co.uk www.mbe.co.uk/winchester

BIDDING IN THE ROOM To bid at auction you will need a paddle number. This can be obtained from client services either during the view or on the day of the sale. COMMISSION BIDDING If you are unable to attend the sale, you may leave a commission bid. This will be executed on your behalf by the auctioneer who will purchase the lot as cheaply as possible, bearing in mind any reserve price and other bids. Commission bids may be submitted in advance by email to bids@woolleys.live. Please ensure you have received email confirmation afterwards. Please note that it may not be possible to execute commission bids left on the day of the sale itself, so please make sure these are placed well in advance. You may be contacted for ID. If this information is not received your bids will not be taken. TELEPHONE BIDDING It is usually possible to bid on the telephone by prior arrangement with client services. LIVE ONLINE BIDDING Live online bidding is now available free of charge for most of our auctions via bid.woolleys.live, enabling you to take part in the bidding from anywhere in the world live as it happens

Please note that we cannot be held responsible for any damage or loss to items once they are in the hands of a carrier. EXPORTING YOUR PROPERTY FROM THE UK If you are exporting your property, import taxes, customs duties and other fees may apply at the country of destination. It is also your responsibility to ensure that your shipment can be lawfully imported to the destination country. Please note that due to the withdrawal of the Retail Export Scheme by HMRC, we are unable to provide VAT refund documentation (C88) for handcarried exports. In order to qualify for a VAT refund, your lots must be exported by a shipper and valid export documentation must be provided.

PAYMENT AND CLEARANCE Payment is due immediately after the auction in pounds sterling. If you are a first time buyer we will need your name, address and bank details and will require funds to be cleared before purchases can be released. The following methods of payment may be made: Bacs, debit and credit cards Wire transfers should be sent to: Lloyds Bank plc, Blue Boar Row, Salisbury SP1 1DB. Account no. 00957707 Sort code 309741 IBAN no. GB20LOYD30974100957707 BIC code LOYDGB21063 Debit and Credit cards: Visa, Mastercard, Amex or Union Pay. Where practical, payment can be made and purchases collected during the auction. We reserve the right to add storage charges to all lots not collected within 30 calendar days of the sale. This will include a handling fee of £20 (+ VAT) per consignment and a storage charge of £2 (+ VAT) per lot per day. No goods will be allowed to be collected until these charges have been paid.

IMPORTANT NOTICE TO ALL PURCHASERS WE ARE PLEASED TO OFFER TWO WEEKS FREE STORAGE FOR ALL LOTS PURCHASED FROM THIS SALE, HOWEVER, OWING TO A BUSY SCHEDULE ALL LOTS NOT COLLECTED BY 4PM ON THURSDAY 22nd OCTOBER 2026 WILL BE TRANSFERRED TO SACKVILLE-WEST MOVING AND STORING (ANDOVER SP10 3SA), WHERE THEY WILL BE AVAILABLE FOR COLLECTION FROM TUESDAY 27th OCTOBER. LOTS WILL BE UNAVAILABLE FOR COLLECTION FROM THE 23rd OCTOBER TO THE 26th OCTOBER AS THE ITEMS WILL BE IN TRANSIT PLEASE NOTE, HANDLING AND STORAGE CHARGES WILL BE APPLIED FROM 8AM ON TUESDAY 27th OCTOBER.

LOT SYMBOLS VAT Lots marked with an dagger (†) are subject to VAT on the hammer price. Lots marked with an omega (Ω) have been temporarily imported from outside the EU and are subject to VAT at 5% on the hammer price and the buyer’s premium. In online catalogues, the Sales Tax % column indicates the rate of VAT on hammer price. CITES REGULATIONS Please note that lots marked λ may be subject to CITES Regulations when exported. The CITES Regulations may be found at www.defra.gov.uk/ahvlaen/importsexports/cites/ ARTIST’S RESALE RIGHT / DROIT DE SUITE Lots marked with a Φ symbol are potentially subject to a levy. Droit de Suite is a royalty payable to a qualifying artist or the artist’s heirs each time a work is resold during the artist’s lifetime and up to a period of 70 years after the artist’s death. Royalties are calculated on a sliding percentage scale based on the hammer price excluding the buyer’s premium. The royalty does not apply to lots selling below £1,000 and the maximum royalty payable on any single lot is £12,500. Droit de Suite, which is not subject to VAT, will be added to the buyer’s purchase price and then passed on to the relevant collecting agency. Royalties for Droit de Suite are as follows: 4% Up to £50,000 3% £50,000.01 200,000 1% £200,000.01 350,000 0.5% £350,000.01 500,000 0.25% In excess of £500,000 Up to a maximum levy of £12,500

TO DELIVER THEM WITHIN 2 WEEKS OF THE QUOTATION, HOWEVER TRANSFER FEES WILL STILL APPLY. THEY PROVIDE COMPETITIVE DELIVERIES TO MUCH OF THE UK AND OFFER TWICE WEEKLY TRIPS TO LONDON AND ACROSS THE SOUTH OF ENGLAND. WOOLLEY AND WALLIS CLIENTS ARE ELIGIBLE FOR A 10% DISCOUNT ON THEIR FIRST BOOKING WITH SACKVILLE-WEST.

FIREARMS Lots marked Ƒ in the catalogue, or by any other means identified as controlled firearms, are subject to the UK firearms/shotgun licencing regime, and should only be viewed/purchased by individuals with appropriate licences. It is the responsibility of the bidders to ensure that they are legally authorised to acquire the lot that they are bidding for. In the event that such a lot is successfully bid for by an individual who is not authorised to possess it, that individual will be required to pay for it, but will not be allowed to take physical possession of it. The auctioneers will reoffer the lot on behalf of the buyer in a future auction; or may accept instructions to dispose of it by some other legal means, at their discretion.

PLEASE CALL 01722 446950 OR 01722 424500 TO MAKE AN APPOINTMENT TO COLLECT FROM OUR WAREHOUSE, UNIT 1B, CASTLE GATE BUSINESS PARK, OLD SARUM, SALISBURY, SP4 6QX. PLEASE CALL 020 8090 9988, email: office@sackvillewest.co.uk, TO MAKE AN APPOINTMENT TO COLLECT FROM SACKVILLE-WEST MOVING & STORING.

Visit www.woolleyandwallis.co.uk to read the full Terms & Conditions

ON ACCEPTANCE OF A DELIVERY QUOTATION WITH SACKVILLE-WEST MOVING & STORING, THEY WILL WAIVE ANY STORAGE FEES IF THEY ARE INSTRUCTED BY THE PURCHASER

ALL ACCOUNTS TO BE SETTLED PRIOR TO COLLECTION

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Valuations are a core part of our business and are usually carried out by a senior specialist or director. Accuracy, speed and above all confidentiality are paramount.

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Written valuations for insurance can vary from a single item to a large estate. Before starting we discuss the various options available so that the valuation is specifically tailored to individual clients needs.

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VALUATIONS

LONDON, ANDOVER & WINCHESTER

For valuations of an entire house contents an itemised bound valuation is produced and can be accompanied by photographs when required. In addition to providing an inventory, written valuations can prevent painful arguments with a loss adjuster in the event of a claim.

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Woolley & Wallis valuations are accepted by all leading insurance companies.

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We offer a speedy and professional service for executors and trustees and provide bound valuations for probate and duplicate copies when required. Since security is often a consideration, we can usually arrange for a house to be cleared and sent for auction, our Valuations Department ensures that executors are informed of which sales are involved and the results thereof.

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We also carry out valuations for Family Division, Capital Gains Tax, and Private Treaty Sales.

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Contact Jeremy Lamond +44 (0)1722 424502 | valuations@woolleys.live

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DIRECTIONS FROM OUR CITY CENTRE SALEROOMS TO OUR OLD SARUM GALLERIES Woolley & Wallis City Centre Salerooms 51 – 61 Castle Street SP1 3SU

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Free verbal valuations of items for sale are available by appointment. Please email valuations@woolleys.live or call +44 (0)1722 424500

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A345 Castle Rd

ALLIS WA WOOLLEY & W SALISBURY

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17 (2nd floor) Clifford Street, London W1S 3RQ (open by appointment only) 51 61 Castle Street, Salisbury, Wiltshire SP1 3SU Registered in England No. 02998482 VAT No: 631 9832 29

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WOOLLEY & WOOLLEY & WALLIS WALLIS CITY CENTRE SALEROOMS SALEROOMS

Old Sarum

Follow A345 for 1.7 miles. At Beehive Park & Ride follow the signs for A338 Swindon and Marlborough

SPECIALIST DEPARTMENTS

AUCTION CALENDAR OCTOBER

Please dial +44 (0)1722 followed by the number listed below

JANUARY 2027

FURNITURE, WORKS OF ART & CLOCKS

7th & 8th

Fine Furniture & Collections

13th & 14th

Fine Furniture & Collections

20th & 21st

Fine Silver & Objects of Vertu

27th & 28th

Fine Jewellery

22nd

Dürer to Warhol: A Private Collection

22nd

British & Continental Ceramics & Glass

Mark Yuan-Richards Neil Grenyer Jim Gale Sarah Stone Becky Tilly-Trickett

28th & 29th

Fine Jewellery

20TH CENTURY DESIGN Max Fisher Zoe Smith

NOVEMBER 10th

Fine Asian Art

11th

Japanese Works of Art

25th

Medals & Coins, Arms & Armour

Will Hobbs Becky Tilly-Trickett

DECEMBER 1st

Modern British & 20th Century Art

2nd

British Art Pottery & Studio Ceramics

424505 446955

AFRICAN & OCEANIC ART ANTIQUITIES

ASIAN ART

John Axford MRICS Alexandra Aguilar Freya Yuan-Richards Jeremy Morgan Olivia Jones

CHINESE PAINTINGS & CALLIGRAPHY Freya Yuan-Richards A GEORGE II GILTWOOD SIDE TABLE,

INTERIORS

C.1740-50.

Will Hobbs

Sold for £63,200*

JAPANESE ART

Alexandra Aguilar Olivia Jones

JEWELLERY

Marielle Whiting FGA Jonathan Edwards FGAA (Consultant) Jacob Carpenter Freya Miller Beth Reardon

MEDALS & COINS, ARMS & ARMOUR +44 (0) 1722 424500 info@woolleys.live 51-61 Castle Street, Salisbury, SP1 3SU www.woolleyandwallis.co.uk *Price included buyer’s premium

ENTRIES ARE CURRENTLY BEING ACCEPTED FOR OUR 2026/2027 AUCTIONS

Ned Cowell Zoe Smith

PAINTINGS

Victor Fauvelle Ed Beer Richard Kay Heidi Easton

339752 339161

424506 424583 424589 +44 (0)7812 601098 424591

BRITISH AND CONTINENTAL CERAMICS & GLASS Neil Grenyer MRICS Becky Tilly-Trickett

411854 446974 339161 339161 339161

446974 339161

424589

339752

424583 424591

424595 424504 424586 424569 424509

SILVER

Rupert Slingsby Archie Swann Demi Jueno-Chapman

VALUATIONS

Jeremy Lamond MRICS FRSA Frances Woodhams

CLIENT SERVICES

Ruth Pike (Client Services Manager) Sarah Bennie Julie Langstaff Riin Rohtla-Szeverenyi Jen Russell-Smith

446961 446962 446964 446970

424502

424500

PHOTOGRAPHY Fahmeeda Yasmin Oscar Eccleston Annabelle Hunt

MARKETING

Emma Clement Frances Woodhams

BOARD OF DIRECTORS John Axford MRICS Chairman

Natalie Milsted FCCA Managing Director Alexandra Aguilar Director Ed Beer Director Rupert Slingsby Director Marielle Whiting FGA Director

ASSOCIATE DIRECTORS 341469 446955

446956 446959 446957

Ned Cowell Victor Fauvelle Will Hobbs Jeremy Lamond MRICS FRSA Freya Yuan-Richards Mark Yuan-Richards

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FINE FURNITURE & COLLECTIONS WEDNESDAY 7TH OCTOBER & THURSDAY 8TH OCTOBER 2026

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FINE FURNITURE & COLLECTIONS WEDNESDAY 7TH & THURSDAY 8TH OCTOBER 2026