Skip to main content

Design 15 April 2026

Page 1


WEDNESDAY 15TH APRIL 2026

APRIL

14th Fine & Important Glass

15th Design

22nd & 23rd Fine Jewellery

28th & 29th Fine Silver & Objects of Vertu

30th The Gordon Reece Collection

MAY

19th Fine Asian Art

20th Asian Art II & Japanese Works of Art

JUNE

2nd Modern British & 20th Century Art

3rd British Art Pottery & Studio Ceramics

10th Medals & Coins, Arms & Armour

30th Classics Week (Fine Furniture, Interiors, British & Continental Ceramics & Glass)

Dates may be subject to change Colin Reid (b.1953) A large wave form glass sculpture, 2010 SOLD FOR £5,080*

+44 (0) 1722 424500 info@woolleys.live 51­61 Castle Street, Salisbury, SP1 3SU www.woolleyandwallis.co.uk *Price includes buyer’s premium

DESIGN

WEDNESDAY 15TH APRIL 2026

10.00AM at our City Centre Salerooms, SP1 3SU

VIEWING WILL TAKE PLACE AT OUR OLD SARUM GALLERIES

Saturday 11th April 10.00am – 1.00pm

Monday 13th April 10.00am – 4.00pm

Tuesday 14th April 10.00am – 4.00pm

Wednesday 15th April BY APPOINTMENT

BUYER’S PREMIUM

ALSO ON VIEW

Fine and Important Glass

Auction: Tuesday 14th April

A rare documentary Dutch goblet by Frans Greenwood, signed and dated 1742 Estimate: £20,000­30,000

Max Fisher 01722 424505 mf@woolleys.live

Zoe Smith 01722 446955 zs@woolleys.live

Annabelle Hunt Photographer

Each lot is subject to a Buyer’s Premium of 27% (+VAT) on the first £20,000 of the hammer price. reducing to 26% (+VAT) up to £500,000, and 20% (+VAT) thereafter.

CONDITION OF LOTS

Buyers are advised to obtain a full condition report prior to bidding, as descriptions do not necessarily list all faults.

COLLECTION OF LOTS BY APPOINTMENT

Collection is from our warehouse, Unit 1B, Castle Gate Business Park, Old Sarum, Salisbury, SP4 6QX. Please instruct carriers accordingly and note, the warehouse is closed over weekends. Please call 01722 446950 or 01722 424500 prior to collection to ensure the items are ready

All accounts to be settled prior to collection

EXPORT AND CITES LICENCES

Some lots will require export or CITES licences in order to leave the UK or Europe, please refer to the department for guidance.

ARTIST’S RESALE RIGHT / DROIT DE SUITE

Droit de Suite is a royalty payable to a qualifying artist or the artist’s heirs each time a work is resold during the artist’s lifetime and up to a period of 70 years after the artist’s death. Lots marked with a Φ symbol which sell for more than £1000 are subject to the levy, payable by the bidder. Please refer to page 87 for full details.

LIVE ONLINE BIDDING – FREE OF CHARGE

bid.woolleyandwallis.co.uk

Instagram: @woolleyandwallisdesign @woolleyandwallissalerooms

Facebook: @woolleyandwallis

Pinterest: Woolley and Wallis

ILLUSTRATIONS

Back cover: Lot 451 detail

Catalogue £10.00 (£15.00 by post)

MOUSEMAN & THE YORKSHIRE CRITTERS

201

Robert Thompson of Kilburn (1876­1955)

A Mouseman powder box and cover, circa 1940 oak, octagonal form with an adzed surface carved mouse signature 10cm high (2).

Provenance: Private collection.

£600­800

202

Robert Thompson of Kilburn (1876­1955)

A Mouseman jar and cover, circa 1940 oak, cylindrical form with raised horizontal bands carved mouse signature 18cm high (2).

Provenance:

Private collection.

£800­1,200

203

Robert Thompson of Kilburn (1876­1955)

A Mouseman scalloped bowl, circa 1940 oak with an adzed surface carved mouse signature 8cm high, 24cm wide.

Provenance:

Private collection.

£600­800

204

Robert Thompson of Kilburn (1876­1955)

A Mouseman chamber candlestick, circa 1940 oak, with an adzed surface carved mouse signature 12cm high, 15cm diameter.

Provenance:

Private collection.

£300­500

205

Robert Thompson of Kilburn (1876­1955)

A Mouseman mantle clock, circa 1940 oak, the case with triangular carving set with a Smiths MA car clock, serial number H5138

carved mouse signature 18cm high.

Provenance: Private collection.

£1,000­2,000

206

Robert Thompson of Kilburn (1876­1955)

A pair of Mouseman bookends, circa 1930 oak with an adzed surface in places carved mouse signatures, both with long curly tails 16cm high, 9cm wide (2).

£600­800

207

Robert Thompson of Kilburn (1876­1955)

An early Mouseman fruit bowl, circa 1930 oak with adzed surface carved mouse signature 25cm diameter.

£300­500

208

Robert Thompson of Kilburn (1876­1955)

A Mouseman cheese board oak carved mouse signature to handle 38cm long.

£150­250

209

Robert Thompson of Kilburn (1876­1955)

An early Mouseman cheeseboard, circa 1940 oak carved mouse signature 37cm long.

£400­600

211

210

Wilf Hutchinson (1936­2013)

A Squirrelman oak occasional table with an octagonal adzed top over four octagonal supports carved squirrel signature 48cm high, 49cm wide.

£200­300

211

Wilf Hutchinson (1936­2013)

A Squirrelman oak stool with a dished top and an adzed finish carved squirrel signature 39cm high, 40cm wide, 28cm deep.

£200­300

212

Robert Thompson of Kilburn (1876­1955)

A Mouseman dressing table stool, circa 1930 oak with a slung leather seat carved mouse signature to one leg 46cm high, 44.5cm wide, 35cm deep.

£400­600

213

Robert Thompson of Kilburn (1876­1955)

A Mouseman footstool, circa 1930 oak with drop­in leather seat carved mouse signature to one leg 37cm high, 52cm wide, 38.5cm deep.

£300­500

214

Robert Thompson of Kilburn (1876­1955)

A Mouseman nest of three tables, circa 1960s oak, two with adzed top carved mouse signatures largest 48cm high, 61cm wide, 37cm wide (3).

£700­1,000

215

Robert Thompson of Kilburn (1876­1955)

A rare Mouseman armchair, circa 1930 oak, with panelled back and seat and shaped arms and front stretcher, with leather cushions carved mouse signature 104cm high, 66cm wide, 74cm deep.

£3,000­5,000

216

Thomas Whittaker (1910­1991)

A Gnomeman dining table and six chairs the table with an octagonal top with an adzed surface, raised on a cruciform base the chairs with leather seats and carved supports the table 135cm wide, 74cm high; the chairs 87cm high, 40cm wide, 39cm deep (7).

£1,500­2,500

215 detail

AESTHETIC MOVEMENT, ART NOUVEAU & ARTS AND CRAFTS

217

Aesthetic Movement

An ebonised and brass writing desk, circa 1880 with four short and one long drawer beneath a rectangular top, over turned and inlaid legs and stretcher 72cm high, 107wide, 61cm deep.

£200­300

218

Attributed to Peter Cooper (1791­1883)

A steel and leather rocking chair, circa 1880 retailed by R.W. Winfield & Co. 107cm high, 85cm long (approx.), 64cm wide.

Catalogue Notes:

A similar chair was exhibited at the Great Exhibition in London in 1851 and again at the World Expo in 1862.

£300­500

219

Kimbel & Cabus, New York

An Aesthetic Movement writing table, circa 1885 mahogany, with incised detail and brass bindings 80cm high, 56cm wide, 36cm deep.

£400­600

220

Shapland and Petter

An Art Nouveau cabinet, circa 1900 marquetry inlaid in brass and copper with a frieze of stylised flower heads, above glazed doors and side panels with an open shelf below and with a mirror back 178cm high, 82cm wide, 35cm deep.

£200­300

221

Arts and Crafts

A three seater elm bench, circa 1920 90cm high, 152cm wide, seat depth 39.5cm.

£200­300

222

In the manner of Liberty & Co.

An oak occasional table with an inset tile top, circa 1900 the four Kutahya/Iznik tiles decorated in blue, white, green, and black 65cm high, 52cm wide.

£200­300

223

William De Morgan (1839­1917)

A Persian bottle vase by J S Babb painted with berried foliage stems in green and white on a turquoise ground painted monogram JB 14.3cm high.

Provenance: Private collection.

£400­600

224

William De Morgan (1839­1917) at Sands End Pottery

Six BBB pottery tiles, circa 1890 decorated in blue and green, showing carnations impressed Sands Ends mark to the reverse each 15 x 15.5cm (6).

£500­700

225

Bombay School of Art

A Wonderland pottery charger, circa 1880 painted to the well with figures, the rim with a frieze of flowers painted marks 48cm diameter.

Catalogue Notes:

The Bombay School of Art, whose ceramic works were marketed under the name Wonderland Art Pottery, operated under the direction of George Wilkins Terry, who became its first drawing master in 1857. The pottery flourished from the mid­1870s until around 1890, but continued on a reduced scale after Terry’s retirement into the early years of the 20th century. Early wares were influenced by ceramics produced in Sind, as Terry established his workshop with a Sindhi craftsman named Nur Muhammad.

£150­250

226

Bombay School of Art

A Wonderland pottery charger, circa 1880 painted with flowers and stylised pattern in blues, greens, and browns painted marks 47cm diameter.

£100­200

227

Louise Powell (1882­1956) for Wedgwood

A porcelain jar and cover painted with foliate decoration numbered ‘33534’ and signed with initials 12cm high (2).

£80­120

228

Helen Miles for Wedgwood

A set of four A Midsummer Night’s Dream tiles, circa 1880 in blue an white depicting, Oberon, Cobweb, Moth, and Puck each 21 x 21cm (4).

£100­200

229

Christopher Dresser (1834­1904) for Linthorpe Pottery

A pair of ewers model no.342, ovoid with vertical spout and loop handle, covered in a streaky turquoise and brown glaze impressed model no and printed factory marks 16.5cm high (2).

£500­700

230

Attributed to Liberty and Co.

An Arts and Crafts bookcase, circa 1910 oak, the frieze with the applied motto ‘Choose An Author As You Choose A Friend’ 202cm high, 137cm wide, 30cm deep.

£600­800

231

Harris Lebus, London

An Arts and Crafts dresser, circa 1920 shelved upper section with panelled back and classical cornice, lower section with cupboard and drawers stamped marks 205cm high, 122cm wide, 53cm deep.

Provenance: Purchased from Liberty & Co., 2003.

£500­700

232

Attributed to Gavin Morton (1867­1954) for Alexander Morton & Co.

A large Arts and Crafts Donegal carpet, circa 1900 with a central blue and red Celtic medallion against a green ground, the borders with a Celtic­style pattern 338 x 350cm.

Catalogue Notes: Alexander Morton & Co. opened its first factory in Scotland in 1881. In 1896, Gavin Morton’s cousin, Alexander Morton (1844–1923), travelled to County Donegal, Ireland, where he helped revive the hand­knotted carpet industry in Killybegs by drawing on the local community’s long­standing expertise in working with wool. Inspired by the ideals of the Arts and Crafts movement, Morton aimed to both provide employment for those in poverty and preserve the region’s traditional woolweaving skills.

£3,000­5,000

EDWARD BARNSLEY

233

Edward Barnsley (1900­1987)

An Arts and Crafts cabinet writing desk, circa 1935

English walnut with cedar lined drawers, the fall front enclosing writing space and various drawers, flanked by sections of four drawers 117cm high, 138cm wide, 42cm deep.

Provenance:

Commissioned from Edward Barnsley to furnish Springfold, Haslemere, Surrey. Springfold was constructed in 1937 and designed by W.S Grice Esq. The majority of the furnishings in the house were designed by Edward Barnsley.

The writing desk was designed two years prior, in 1935, with the original pencil sketch design by Edward Barnsley being held in the Barnsley Archives.

£3,000­5,000

234

Edward Barnsley (1900­1987)

A pair of Arts and Crafts chairs, circa 1935 English walnut, the slatted backs above drop­in tapestry seats

90cm high, 49cm wide, 42cm deep (2).

Provenance:

Commissioned from Edward Barnsley to furnish Springfold, Haslemere, Surrey. Springfold was constructed in 1937 and designed by W.S Grice Esq. The majority of the furnishings in the house were designed by Edward Barnsley.

£600­800

235

Edward Barnsley (1900­1987)

An Arts and Crafts standard lamp, circa 1935 English walnut, the octagonal column over a tiered octagonal base 163cm high.

Provenance:

Commissioned from Edward Barnsley to furnish Springfold, Haslemere, Surrey. Springfold was constructed in 1937 and designed by W.S Grice Esq. The majority of the furnishings in the house were designed by Edward Barnsley.

£800­1,200

233 design
233 open

236

William Birch

240

Christopher Dresser (1834­1904)

An Arts and Crafts rush­seated chair with an Arts and Crafts organ stool and two chairs

Chair (largest) 104cm high, 56cm wide, 46cm deep (4).

£100­200

237

Arts and Crafts

An oak dining table the rectangular top over square cut legs joined by an ‘X’ shape stretcher 78cm high, 152cm wide, 92cm deep.

£300­500

238

John Pearson (1859­1930)

A large Arts and Crafts repousse copper charger, 1896 hammered to the well with a warship at full sail, with oars out, the rim a frieze of large scaly fish in turbulent waters signed and dated ‘John Pearson 2nd July 1896’ 59cm diameter.

Provenance:

Woolley and Wallis, Fine Arts and Crafts, 15 June 2022.

£1,000­1,500

239

Keswick School of Industrial Arts

A large Arts and Crafts copper charger embossed with flowers within a scroll border stamped ‘KSIA’ 48cm diameter.

£100­200

A set of Aesthetic Movement brass fire irons, circa 1880 probably retailed by Benham and Froud 60cm long; and a brass andiron designed by Christopher Dresser for Benham and Froud (4).

£80­120

241

Aesthetic Movement

A decorative brass frieze, circa 1880 embossed with birds flying near a pond with flowers and frogs

22 x 119cm; with two Arts and Crafts carved wooden panels (3).

£150­250

242

In the manner of Ernest Gimson (1864­1919)

A Cotswold School wrought steel toasting fork two­prong, the handle and collar with stamped design and heart­shaped terminal 81cm long, and another smaller toasting fork designed by Ernest Gimson, with an octagonal shield (2).

Literature:

Annette Carruthers & Mary Greensted, Simplicity or Splendour, Lund Humphries, figure 61 for a comparable toasting fork illustrated.

£150­250

243

Attributed to W.A.S. Benson (1854­1924)

A wrought iron and copper hanging lantern, circa 1895 with glass vaseline shade attributed to James Powell & Sons

57cm high approx.

£300­500

244

Albert James Rowley (1875­1944) for the Rowley Gallery

Thames Sunset inlaid picture, circa 1920 with the original Rowley Gallery label, titled to the label 53 x 70cm.

£100­200

245

Ansonia Clock Company

An Art Nouveau Ophelia mantel clock, circa 1900 patinated metal cast with a maiden holding flowers, 8­day movement 40cm high.

£150­250

246

Sir William Hamo Thornycroft (1850­1925)

Joan, 1896

a large patinated bronze portrait panel of Joan Thornycroft signed, titled, and dated in the cast 51.5 x 35.5cm.

£200­300

247

Wemyss

A set of three tygs or loving cups painted in the Cabbage Rose pattern each impressed ‘WEMYSS’ and with retailer’s printed mark of ‘T. Goode & Co., London’ each 10.5cm high (3).

£100­200

247A

Doulton Lambeth

A Faience stoneware vase painted with white lilies against a green ground monogrammed ‘MA’ and ‘Z’, painted ‘487’, and with printed and impressed factory marks 26cm high; with fourteen pieces of Doulton stoneware, including a large jug by Francis E Lee, and a pair of ewers by Bessie Newberry (qty.)

£200­300

248

Frederick Rhead for Wood & Sons

A Mikado pattern wall charger printed in blue with Aesthetic Movement cranes flying past water lily flowers and foliage, and an Art Nouveau style charger painted with a bat, by Charma printed factory marks 36.5cm diameter (2).

£100­200

247 247A
245
243

A PRIVATE COLLECTION OF MOORCROFT POTTERY

249

William Moorcroft (1872­1945) for Moorcroft Pottery

An Eventide miniature vase, circa 1920 baluster form impressed ‘MOORCROFT MADE IN ENGLAND’ and Cobridge factory mark 9.5cm high.

£150­250

250

William Moorcroft (1872­1945) for Moorcroft Pottery

A Flambe Leaf and Berry vase, circa 1930 swollen baluster form impressed ‘MADE IN ENGLAND’ and with impressed signature 11cm high; with a small Moorcroft Flambe Leaf and Berry tapering vase (2).

£100­200

251

Walter Moorcroft (1917­2002) for Moorcroft Pottery

An African Lily vase, circa 1950 tubelined with sprays of flowers against a flambe, green and blue ground signed with initials and impressed ‘MADE IN ENGLAND’ ‘MOORCROFT’ and with a sticker 22cm high; and a similar Moorcroft vase (2).

£100­200

252

William Moorcroft (1872­1945) for Moorcroft Pottery

A Leaf and Berry vase, circa 1930 impressed ‘MADE IN ENGLAND’ and with an impressed signature 12cm high; with a similar Leaf and Berries vase and an Orchid box and cover, both by William Moorcroft (4).

£100­200

253

Walter Moorcroft (1917­2002) for Moorcroft Pottery

A Flambe Spring Flowers vase, circa 1950 tubelined with sprays of flowers against a flambe, green and blue ground signed with initials and impressed ‘MADE IN ENGLAND’ ‘MOORCROFT’ 23cm high.

£100­200

254

William Moorcroft (1872­1945) for Moorcroft Pottery

A Flambe Anemone vase, circa 1930 shouldered form impressed signature and ‘MADE IN ENGLAND’ and signed in blue 23.5cm high.

£150­250

255

Walter Moorcroft (1917­2002) for Moorcroft Pottery

A Flambe Leaf and Berries twin­handled cup and dish, circa 1940 impressed marks and painted initials the cup 7cm high, the dish 19.5cm diameter; with a Flambe Leaf and Berries cup and saucer by William Moorcroft (4).

£100­200

256

Walter Moorcroft (1917­2002) for Moorcroft Pottery

A Flambe Clematis vase, circa 1940 baluster form impressed marks and painted initials 16cm high; with two Flambe Anemone vases by Walter Moorcroft (3).

£150­250

257

William Moorcroft (1872­1945) for Moorcroft Pottery

A Freesia vase, circa 1930 shouldered form, tubelined with freesias on blue and ochre signed in blue and with impressed marks 15cm high.

£100­200

258

William Moorcroft (1872­1945) for Moorcroft Pottery

A Pomegranate tazza, circa 1930 impressed marks and shape number ‘201’ 9cm high, 22cm; with a similar Moorcroft pedestal bowl, and a Moorcroft pottery and pewter tazza, retailed by Liberty & Co., number 01351 (3).

£100­200

259

William Moorcroft (1872­1945) for Moorcroft Pottery

A Pomegranate candlestick, circa 1920 impressed ‘MOORCROFT’ and ‘MADE IN ENGLAND’, and with a rectangular paper label 26cm high; with a similar Moorcroft Pomegranate candlestick (2).

£100­200

260

William Moorcroft (1872­1945) for Moorcroft Pottery

A Pomegranate inkwell/tray, circa 1920 impressed ‘MOORCROFT’ and signed in green 23cm wide; with a Moorcroft Pomegranate cup, saucer, plate, pedestal bowl, and a bowl with a silver­plated rim (6).

£200­300

261

William Moorcroft (1872­1945) for Moorcroft Pottery

A Pomegranate vase, circa 1915 impressed ‘MOORCROFT’ ‘BURSLEM’ and signed with initials in green 18cm high; with three Moorcroft Pomegranate vases and a vesta, all from circa 1915 (5).

£200­300

262

William Moorcroft (1872­1945) for Liberty and Co.

A Tudric pewter handled dish, circa 1925 with an inset pottery roundel in the Pomegranate pattern model no. 0287, impressed marks 28cm wide.

£100­200

263

William Moorcroft (1872­1945) for Moorcroft Pottery

A Pomegranate biscuit barrel, circa 1915 shape 102, with silver­plated mounts and lid impressed ‘MOORCROFT’ ‘BURSLEM’ and signed with initials in green 19cm high; with five Moorcroft Pomegranate pieces ­ a tazza, a pot with screw­top lid, an inkwell, a pot, and a bowl (6).

£200­300

264

Walter Moorcroft (1917­2002) for Moorcroft Pottery

A Flambe Leaf and Berry vase signed with initials and impressed ‘MADE IN ENGLAND’ ‘MOORCROFT’

10cm high; with nine Moorcroft vases, mainly by Walter Moorcroft (10).

£300­500

265

William John Moorcroft for Moorcroft Pottery

A Finches vase, circa 1990 tubelined in shades of blue and orange, showing finches and fruit impressed marks and painted initials 20cm high; with a Finches pattern ginger jar and a smaller vase, with two further Moorcroft vases by William John Moorcroft (6).

£100­200

266

William Moorcroft (1872­1945) for Moorcroft Pottery

A Leaf and Berries miniature vase, circa 1932 baluster form impressed ‘MADE IN ENGLAND’ and impressed signature

9.5cm high; with four Moorcroft pieces of the same period (7).

£200­300

267

William Moorcroft (1872­1945) for Moorcroft Pottery

A Waving Corn pedestal bowl, circa 1930 impressed signature and signed in green 23.5cm diameter; with a Moorcroft Flambe African Lily dish, a Moorcroft flambe box and cover, and a Moorcroft flambe bowl (5).

£150­250

268

Walter Moorcroft (1917­2002) for Moorcroft Pottery

A Fish ashtray, circa 1940 impressed marks and painted initials 14cm diameter; with a large selection of Moorcroft dishes and plates, with various Moorcroft books and catalogues (qty.)

£200­300

269

Vicky Lovatt for Moorcroft Pottery

A pair of Bassett Lowke candlestick holders, 2018

impressed and painted marks

18.5cm high; with five Moorcroft vasesBishop’s Beauty, Cluny, New Zealand Tree Fern, Anna Lily, Endangered Species, a miniature trial vase, and two Moorcroft enamel boxes (12).

£200­300

270

Roger Mitchell for Moorcroft Pottery

Peter the Pig, 1990

a pottery model of a pig decorated in the Temptation pattern impressed marks and date cypher, painted initials 32cm long.

£300­500

271

Sally Tuffin for Moorcroft Pottery

A Carp pattern vase, 1996

ovoid form with twin handles, decorated with swimming Koi carp painted and impressed marks 34cm high.

£200­300

272

Kerry Goodwin for Moorcroft Pottery

A Whitby Harbour trial vase, 2018 tubelined with the harbour, abbey, and boats impressed and painted marks 26cm high.

£150­250

273

Paul Hilditch for Moorcroft Pottery

A large Ancient Woodland vase, 2019 made for the RSPB woodland collection signed and numbered 3/20, impressed marks 37cm high.

£200­300

274

Sally Tuffin for Moorcroft Pottery

A pair of Rainforest vases, 1994

tubelined with green foliage and pink and ochre flowerheads impressed and painted marks each 28cm high (2).

£150­250

275

Paul Hilditch for Moorcroft Pottery

A London trial jug, 2018

tubeline decoration depicting classic cars in the city impressed marks with painted initials, date, and ‘trial’ 31cm high; with a similar Moorcroft London trial vase, 31cm high (2).

£200­300

276

Emma Bossons for Moorcroft Pottery

A William’s Pear vase, 2019

tubelined with growing pears in greens on a white ground impressed and painted marks, numbered 1/2 and with date cypher 27cm high; with a taller Moorcroft William’s Pear vase, 42cm high (2).

£200­300

277

Emma Bossons for Moorcroft Pottery

A Shepherd’s Delight vase tubelined with a woodland scene impressed marks and date cypher 22cm high; with three Moorcroft vases ­ Bolderwood, Shepherd’s Delight, and Western Isles (4).

£200­300

278

Emma Bossons for Moorcroft Pottery

A Moorcroft Pottery display sign, 2002 triangular, with Hartgring pattern to the reverse impressed marks and dated 19cm wide; with two similar Moorcroft Pottery display signs (3).

£150­250

279

Emma Bossons for Moorcroft Pottery

The Centenarians limited edition vase, 2002 14/100, retailed by Liberty of London

30cm high; with a Moorcroft Winds of Change vase and jug, and a Moorcroft ginger jar retailed by Liberty (5).

£200­300

280

Paul Hildetch for Moorcroft Pottery

A trial vase, 2014 tubelined, depicting a house within an autumnal setting impressed marks and painted date 26cm high; with three Moorcroft vases ­ Harvest Mouse (trial), Whitby Lighthouse, and Demeter (4).

£200­300

281

Kerry Goodwin for Moorcroft Pottery

A Lest We Forget vase from the Remembrance series impressed and painted marks 19cm high; with four Moorcroft vases ­ Marine Magic, Millefiori, Red Tulip, and Poppy (5).

£200­300

282

Rachel Bishop for Moorcroft Pottery

An Islay vase, 1998 tubelined showing flowers against a background of mountains and lakes

impressed marks with painted initials and date 15cm high; with three Moorcroft vases ­ Hartgring, Grasmere Bluebells, and Derwentwater (master trial) (4).

£200­300

283

Rachel Bishop for Moorcroft Pottery

A Phoenix Bird vase, 1996 impressed and painted marks with gilt signature 20.6cm high; with a Phoenix Bird vase, of squat form, 12.5cm high (2).

£150­250

284

Vicky Lovatt for Moorcroft Pottery

A Music of the Planets trial vase, 2018 tubelined with a city skyline with the planets above impressed and painted marks 15cm high; with a Moorcroft Merry-goround vase by Emma Bossons, 14.5cm high (2).

£150­250

285

Beverley Wilkes for Moorcroft Pottery

A Kerala vase, 1998

tublined with Indian Elephants within a stylised border impressed marks and numbered 114/400

18cm high; with a Moorcroft Treetops ginger jar and cover designed by Vicki Lovatt, 20cm high (3).

£200­300

286

Sally Tuffin for Moorcroft Pottery

A Finches Ochre vase, circa 1990 impressed and painted marks

31cm high; with two Moorcroft Lamia vases designed by Rachel Bishop, 32cm and 31cm high (3).

£200­300

287

Kerry Goodwin for Moorcroft Pottery

A pair of Spirit of the Season vases, 2012 numbered 228 and 246 impressed and painted marks

31.5cm high (2).

£150­250

288

Sally Tuffin for Moorcroft Pottery

A large Violet vase, 1991 tubelined, depicting repeating flowerheads impressed and painted marks 31.5cm high; with a Queens’s Choice Moorcroft vase (2).

£100­200

289

Vicky Lovatt for Moorcroft

Pottery

An Aurelian Pheasant vase, 2017 squat form with slender neck signed and dated and with impressed marks 24cm high; with two Moorcroft vases ­ Florian Yacht and Windermere Charr (3).

£200­300

290

Rachel Bishop for Moorcroft

Pottery

A large Kyoto vase, 1994 tubelined with birds and flowers amidst clouds impressed and painted marks 20.5cm high; with four Moorcroft vases ­ Deers (2014 trial), Bramble Revisited, Leicester, and Finches & Fruit (5).

£200­300

291

Kerry Goodwin for Moorcroft Pottery

A Delphinium vase, 2015 impressed and painted marks 26cm high; with five Moorcroft vases ­ Delphinium, Confetti, Sweet Thief, Bramble Revisited, and Cosmos (6).

£100­200

292

Emma Bossons for Moorcroft

Pottery

A Modernity mantle clock, 2018 in the style of Charles Rennie Mackintosh impressed and painted marks 23cm high; with four pieces of Moorcroft ­ a Damascus squared vase (trial), a Papunya Aboriginal Snake squared vase, a Twilight Bonnets lidded jar, and a Symphony bonbonniere (7).

£200­300

293

Rachel Bishop for Moorcroft

Pottery

A Montana Cornflower vase, 2000 shape 92/11, numbered 23/300 impressed and painted marks 16cm high; with six Moorcroft vases ­ Albany, Red Tulip, Pheasant’s Eye, Prairie Summer, and Chocolate Cosmos (7).

£200­300

294

Paul Hilditch for Moorcroft

Pottery

A Chimneys in the Snow vase, 2014 impressed and painted marks 24cm high; with a smaller Moorcroft vase with factories, and a model factory by Moorcroft (3).

£150­250

295

Jeanne McDougall for Moorcroft

Pottery

A Balloons ginger jar and cover, 1998 printed and painted marks 21cm high; with four Moorcroft ginger jars with covers ­ Fairy Rings, Cala Lily (trial), Magnolia, Anna Lily, and a Moorcroft lidded box (12).

£150­250

296

Sian Leeper for Moorcroft

Pottery

A Western Isles lamp tubelined with sunset landscape impressed marks to the felt 23cm high; with two Moorcroft lamps ­ Tribute to Charles Rennie Mackintosh, and Anna Lilly (3).

£150­250

297

Rachel Bishop for Moorcroft

Pottery

A tall Foxglove vase, 1993 shouldered form, tubelined with pink flowers on a cream ground impressed and painted marks 37cm high; with a Moorcroft Foxglove vase by Rachel Bishop, 30cm high; and a limited edition print of a Foxglove vase, signed by Rachel Bishop (3).

£100­200

298

Rachel Bishop for Moorcroft

Pottery

An Oberon tea set, 1993 comprising a teapot, two cups and saucers, a milk jug, and a sugar bowl each with impressed and painted marks the teapot 13cm high; with two Moorcroft jugs ­ Hypericum and Finches (10).

£100­200

299

Nicola Slaney for Moorcroft

Pottery

An Eventide style vase, 2019 tubelined with the Moorcroft Factory within a wooded landscape impressed and painted marks 14cm high; with a quantity of Modern Moorcroft ­ including eleven dishes, an octagonal plate titled Designer’s Medley, and two framed lids (qty.).

£200­300

300

William Moorcroft (1872­1945) for Moorcroft Pottery

A large Flambe Leaf and Berries vase, circa 1920 baluster form, tubelined with large fruit and leaves signed in blue, impressed ‘MOORCROFT’ ‘MADE IN ENGLAND’ 31.5cm high.

£200­300

301

William Moorcroft (1872­1945) for Moorcroft Pottery

A rare and early Flambe Landscape vase, circa 1920 tubeline decorated in shades of red and purple with an orange sky, within geometric borders signed, impressed ‘MADE IN ENGLAND’ ‘MOORCROFT’ 25cm high.

£2,000­3,000

302

William Moorcroft (1872­1945) for Moorcroft Pottery

A Revived Cornflower vase, circa 1920 shouldered form, with a green glaze to the interior signed in green and impressed ‘348’ 15cm high.

Provenance: Hansons Auctioneers, The Mitchell Collection of Moorcroft, lot 80, 24 February 2021.

£700­1,000

303

William Moorcroft (1872­1945) for Moorcroft Pottery

A large Big Poppy vase, circa 1920

tubeline decorated with poppy heads against a blue ground signed in blue and impressed factory marks 32cm high.

£700­1,000

304

William Moorcroft (1872­1945) for Moorcroft Pottery

A large Yellow Flambe Fuchsia vase, circa 1940 tubeline decorated with fuchsias on a rich orange ground signed with initials and impressed signature, label ‘Potter to HM the Queen’ 31cm high.

£800­1,200

305

William Moorcroft (1872­1945) for Liberty & Co.

A Pomegranate ewer, circa 1912 tubeline decorated in shades of red, purple, ochre and green on a green ground signed in green and impressed factory marks 27.5cm high.

£200­300

306

William Moorcroft (1872­1945) for Moorcroft

Pottery

A Grape Vine pattern tall vase slender baluster form, tubeline decorated with bands of grape vine, in shades of purple, green and blue on a mottled lustre ground painted Moorcroft signature 40cm high.

Catalogue Notes:

The base is signed W Moorcroft New York suggesting the vase was made for export to Tiffany’s New York.

Literature:

Paul Atterbury Moorcroft, Richard Dennis Publications, page 62 figure 1 for a comparable lustre vase and also a lustre rose vase made for Tiffany’s New York.

£150­250

307

William Moorcroft (1872­1945) for Moorcroft

Pottery

A Flambe Leaf and Blackberries vase, circa 1928 signed in blue and impressed signature 25cm high.

£500­700

308

William Moorcroft (1872­1945) for Moorcroft Pottery

A rare copper Flambe Freescia vase or lamp base, circa 1930 with a signature to the body and to the base 25cm high.

£600­800

309

William Moorcroft (1872­1945) for Moorcroft Pottery

A large Flambe Orchid lamp base, circa 1937 baluster form, tubelined with wild flowers signed in blue and with impressed signature, impressed ‘MOORCROFT’ ‘MADE IN ENGLAND’ 26cm high; and a Moorcroft Flambe Anemone baluster vase (2).

£200­300

310

William Moorcroft (1917­2002) for Moorcroft Pottery

An Orchids vase, circa 1950 baluster form

signed with initials, impressed ‘MOORCROFT’ ‘MADE IN ENGLAND’ and ‘Potter to the late HM the Queen’ label 12cm high; with a Moorcroft Orchids vase, a Florianware jug, a Moorcroft Pomegranate vase, and a Moorcroft African Lillies box and cover (6).

£200­300

307
308
309
308 signature

ART DECO

311

Maurice Adams (1887­1941)

An Art Deco armchair, circa 1920 walnut and burr walnut, with shaped back and carved front legs, covered in blue fabric upholstery

87cm high, 57.5cm wide.

Provenance: Private collection.

£800­1,200

312

Eileen Gray (19878­1976) for Jumo

An Art Deco desk lamp, designed in 1935 brass frame with teak veneer 49cm high, base width 12cm.

£200­300

313

Art Deco School

A pair of club armchairs covered in a tan leather 67cm high, 67 wide, 50cm deep (2).

£200­300

314

French School

An Art Deco sideboard, circa 1920 walnut, with four central doors flanked by cupboard sections 90cm high, 53cm deep.

Provenance: Harrods, London.

£200­300

315

Henri Petitot (1914­1938)

An Art Deco chandelier, circa 1925 with a patinated chrome branch with a large central frosted glass light, flanked by four smaller glass lights 68cm high approx.

£500­700

316

Art Deco School

A figural bronze table lamp with Sabino glass waterfall shade, circa 1920 upon an oval onyx base the shade marked ‘Sabino’ the lamp 69cm high, the shade 18cm high.

£600­800

317

Vandamme & Degué

A pair of Art Deco wall sconces, circa 1925 with frosted glass shades with moulded pattern fitting into chrome frames 22cm high (2).

£500­800

318

Kieninger

An Art Deco style regulator wall clock ebonised and glass case with a walnut back plate 83cm high, 24cm wide.

£200­300

Φ 319

Attributed to William John Patton McDowell (1888­1950)

A Cunard White Star Liner advertising board depicting the Queen Mary oil and mixed media on board signed (upper left) 93 x 121cm.

£200­300

320

Henry Matthew Brock (1875­1960)

An original advertising poster for D’Oyly Carte Opera Company, 75 x 50cm; together with another advertising poster for D’Oyly Carte Opera by Dudley Hardy (2).

£100­200

321

In the manner of Adolf Loos (1870­1933)

An Art Deco dining table and chairs, circa 1930 black lacquered, over curved supports, and a central base

164cm long, 92cm wide, 74cm high (table), 92cm high, 44cm wide, 38cm seat deep (chairs) (6).

£200­300

322

In the manner of Émile­Jacques Ruhlmann (1879­1933)

Two similar Art Deco cabinets or wardrobes, circa 1930 black lacquered wood with stylised metal handles the larger cabinet 151cm high, 98cm wide (2).

£200­400

323

Léon Charles Perrin (1886­1978)

A pair of Art Deco bookends, circa 1920 modelled as birds perched on a wall, on a marble type base signed 18cm high, 14cm wide (2).

£100­200

324

René­Paul Marquet (1875­1939)

An Art Deco gilt bronze model of an Alsatian, circa 1930 signed and with ‘ Société des Bronzes de Paris’ foundry mark 45cm high.

£300­500

325

Longwy Atelier Primavera Pottery

An impressive Art Deco vase, circa 1925 enamelled with a nude female figure stroking a stylised peacock, the reverse with an ibex in shades of blue printed marks 32cm high.

£800­1,200

326

Richard Bøcher and Karl Andersen for Royal Copenhagen

A monumental exhibition vase, 1932 shape no.1599, porcelain with a bronze cover, painted with a wrap around landscape with farmhouses, trees, and fields, in muted shades of green, blue, cream and brown painted factory marks with artist’s monogram and date, cover with artist’s monogram ‘KA’ 48cm high.

Provenance:

Bonham’s London, Ceramic Design1860 to 1945, 1st March 2005, lot 162; The Daryl Fromm collection.

Catalogue Notes:

This monumental vase is a unique exhibition piece and was on display when H.R.H Prince of Wales (later Edward VIII), visited the Royal Copenhagen factory in 1932.

£600­800

327

Robj, Paris

A Curacao porcelain decanter and stopper, circa 1930 modelled as a Russian soldier printed factory marks 25cm high; together with five further Robj decanters ­ Monk Flacons, Big Mama, Scottish Soldier, La Professeur, and La Bressan (12).

£300­500

328

Robj, Paris

A Napolean porcelain decanter and stopper glazed in colours printed factory mark 30cm high; and a Robj decanter and stopper modelled as a lady in a green hat and jacket, holding a handbag (4).

£100­200

329

Édouard­Marcel Sandoz (1881­1971) for Theodore Haviland

A porcelain box and cover modelled as two ducks in white and blue signed and with printed factory mark 17cm across.

£150­250

RENÉ LALIQUE

330

René Lalique (1860­1945)

A Cytise glass vase, designed in 1926 model no.1095, with blue staining stencilled ‘R LALIQUE FRANCE’ 13cm high, 12cm diameter.

£200­300

331

René Lalique (1860­1945)

A Spirales glass vase, designed in 1930 model no.1060, opalescent, with a trace of blue staining stencilled ‘R LALIQUE FRANCE’ 16.5cm high; and a René Lalique Saint Francois vase, 17.5cm high (2).

£500­800

332

René Lalique (1860­1945)

A Ceylan vase, designed in 1924 no. 905, opalescent glass with blue staining wheel­cut ‘R Lalique France’ 24.5cm high.

£1,000­2,000

333

René Lalique (1860­1945)

A Ceylan vase, designed in 1924 no. 905, opalescent glass with blue staining and metal band to the rim wheel­cut ‘R Lalique France’ 24.5cm high.

£1,500­2,500

334

René Lalique (1860­1945)

A Sirene glass coupe trepied, designed in 1920 model no.376, moulded with a mermaid in swirling water moulded ‘R. LALIQUE’ 34.5cm diameter.

£800­1,200

335

René Lalique (1860­1945)

An Ondines glass plate, circa 1921 no.3003, opalescent glass decorated with swimming ladies moulded ‘R.Lalique’ 20.6cm. diameter.

Provenance: Private collection.

£500­700

336

René Lalique (1860­1945)

A Volubilis glass bowl, designed in 1921 model no.383, in yellow stencilled ‘R Lalique France’ and ‘No.383’ 21.5cm diameter.

£200­300

337

René Lalique (1860­1945)

A Chiens glass bowl, designed in 1921 model no. 3214, moulded with greyhounds in clear glass with blue staining moulded ‘R. LALIQUE’ 9cm high, 24cm diameter.

£200­300

338

René Lalique (1860­1945)

A Poissons opalescent glass dish, 1931 opalescent glass with blue staining stencilled ‘R LALIQUE FRANCE’ 32cm diameter; and two René Lalique Poissons bowls, 31cm and 25cm diameter (3).

£600­800

339

René Lalique (1860­1945)

Three Coquilles footed dishes, designed in 1924

opalescent glass model no. 3012 each etched ‘R,LALIQUE, FRANCE 3012’ 20cm diameter (3).

£400­600

340

René Lalique (1860­1945)

A Vernon glass bowl, designed in 1928 no. 905, opalescent glass with blue staining moulded ‘R.LALIQUE FRANCE’ 20.5cm diameter.

£100­200

341

René Lalique (1860­1945)

A Poissons glass bowl, designed in 1921 model no. 3211, moulded with fish in clear glass with blue staining moulded ‘VDA’ (Verrerie d`Alsace) and etched ‘R.Lalique’ 9cm high, 23.8cm diameter.

£150­250

342

René Lalique (1860­1945)

An Ondines glass bowl, circa 1921 model no.380, opalescent glass decorated with swimming ladies moulded ‘R.Lalique’ and etched ‘Lalique’ 20.6cm. diameter.

Provenance: Private collection.

£500­700

343

René Lalique (1860­1945)

A Marienthal glass plate, designed in 1932 model no.3022, opalescent glass with blue staining relief moulded ‘R.LALIQUE’ and etched model number 23.5cm diameter.

£150­250

344

René Lalique (1860­1945)

A large Asters glass bowl, designed in 1935 clear and frosted glass with blue staining stencilled ‘R LALIQUE FRANCE’ 26cm diameter; with a smaller René Lalique Asters bowl (2).

£200­300

345

René Lalique (1860­1945)

A Poissons opalescent glass bowl moulded ‘R Lalique’ to well 29.5cm diameter; with a René Lalique Nonnettes glass bowl (2).

£300­500

346

René Lalique (1860­1945)

A Eucalyptus glass vase, designed in 1925 model no. 936, opalescent frosted glass with blue staining Moulded ‘R.LALIQUE’ 16.5cm high; and a Lalique Parquerettes square plate (2).

£500­700

347

René Lalique (1860­1945)

A Malaga vase, designed in 1937 clear glass modelled with grapes stencilled ‘R.LALIQUE FRANCE’ 15cm high.

£100­200

347A

René Lalique (1860­1945)

A Moissac vase, designed in 1924 no. 992, opalescent and frosted glass wheel­cut ‘R LALIQUE FRANCE’ 13.5cm high.

£300­500

348

René Lalique (1860­1945)

A Vases plate, designed in 1921 etched ‘R LALIQUE’ and with moulded VdA France mark 27cm diameter; and a René Lalique Vases 2 glass plate with green staining, 27.5cm diameter (2).

£300­500

349

René Lalique (1860­1945)

An Ondines glass bowl, circa 1921 model no.380, opalescent glass decorated with swimming ladies moulded ‘R.Lalique’ 20.6cm. diameter.

Provenance: Private collection.

£500­700

350

Marc Lalique (1900­1977) for Lalique Virgin with Hands Together glass figure, designed in 1995 etched ‘Lalique France’ 25cm high; with a René Lalique Soucis bowl, 10cm high, 24.5cm diameter (2).

£150­250

351

René Lalique (1860­1945)

A pair of St James glass candlesticks, designed in 1926 model no.2126, in clear glass stencilled ‘R Lalique France’ 14cm high; with an Art Nouveau glass vase by Edmond Enot, 17cm high (3).

£300­500

352

Lalique

An Iris clock, circa 2003 clear and frosted glass moulded with flowers the face marked ‘LALIQUE’ 18cm high, 21cm wide.

£200­300

353

Lalique

Three vases ­ Tulip, Coeur de Fleur, and Vibration

each marked ‘Lalique France’ 17cm, 16cm, and 21.5cm high (3).

£300­500

354

René Lalique (1860­1945)

A Volutes glass plate, designed in 1934 model no.10­395, opalescent glass with blue staining stencilled ‘R LALIQUE FRANCE’ 25.5cm diameter.

£200­300

355

Lalique

A Libellule glass vase frosted glass with moulded dragonfly ‘LALIQUE PARIS’ label and with the original box 20.5cm high.

£100­200

356

René Lalique (1860­1945)

A Paquerettes glass vase, circa 1930 model no. 10­877, in clear glass, moulded with daisies stencilled ‘R LALIQUE FRANCE’ 18.5cm high.

£400­600

357

René Lalique (1860­1945)

A Fleurons glass bowl, designed in 1935 model no. 3314, opalescent glass with blue staining stencilled ‘R LALIQUE FRANCE’ 8cm high, 20.4cm diameter.

£200­300

358

René Lalique (1860­1945)

A large Asters glass charger, designed in 1935 clear and frosted glass with blue staining stencilled ‘R LALIQUE FRANCE’ 28cm diameter; with a smaller René Lalique Asters plate (2).

£300­500

359

Marie­Claude Lalique (1935­2003) for Lalique

A Zeila Panther crystal glass sculpture, designed in 1989 model no. 1167100, in black etched ‘Lalique France’ 36.5cm long, 10.5cm high.

£500­700

360

René Lalique (1860­1945)

A Néfliers glass vase, designed in 1923 model no. 940, frosted glass with blue staining Moulded ‘R.LALIQUE’ 15cm high.

£400­600

361

René Lalique (1860­1945)

An Art Deco Ricquewihr glass vase, designed in 1934 clear and frosted glass with sepia staining each stencilled ‘R LALIQUE’ 12.5cm high.

£100­200

362

René Lalique (1860­1945)

A set of eight Art Deco Riquewihr glass candleholders, designed in 1934 clear and frosted glass with sepia staining each stencilled ‘R LALIQUE’ four 13cm diameter, four 9cm diameter (8).

£400­600

363

Marc Lalique (1900­1977) for Lalique

A Narcisse glass vase, designed in 1967 model no. no. 12264, twisted form with brushed effect finish etched ‘Lalique, France’ 27cm high.

£100­200

364

René Lalique (1860­1945)

A L’Origan box and cover, designed in 1912 relief moulded with black staining relief moulded ‘LALIQUE DÉPOSÉ’ ‘Trade Mark Coty France’ 9cm diameter; with a Lalique Quatre Falcons box lid (3).

£300­500

365 Lalique

A Roger glass box and cover, designed in 1926 model no.75, polished and frosted with black enamel etched ‘Lalique France’ 13.4cm diameter (2).

£200­300

CLARICE CLIFF AND SUSIE COOPER

366

Clarice Cliff (1899­1972)

A Blue Autumn pattern wall plaque painted in colours printed Bizarre factory marks 26cm diameter.

£200­300

367

Clarice Cliff (1899­1972)

A Limberlost pattern wall plaque painted in colours printed Fantasque Bizarre factory marks 26cm diameter.

£100­200

368

Clarice Cliff (1899­1972)

A Inspiration Knight pattern charger painted in colours printed Bizarre factory marks and painted ‘Inspiration’ 34cm diameter.

£600­800

369

Clarice Cliff (1899­1972)

A large Pine Grove Bizarre sample ribbed wall charger painted in colours inside an orange band printed factory mark, painted S mark 46cm diameter.

Provenance:

Clarice Cliff, Christie’s, London, 10 November 1999 lot 421 The André Aerne Collection of Clarice Cliff ­ Christie’s 18th August 2017 lot 1045.

Private collection

£600­800

370

Clarice Cliff (1899­1972)

A Pastel Melon pattern wall plaque painted in colours printed Bizarre factory marks 34cm diameter.

£150­250

371

Clarice Cliff (1899­1972)

A Melon pattern Fantasque plate painted in colours printed Fantasque factory marks 22.5cm diameter.

£100­200

372

Clarice Cliff (1899­1972)

A Delicia Pansy pattern charger painted in colours printed Bizarre factory marks 34cm diameter.

£100­200

373

Clarice Cliff (1899­1972)

A Tulips pattern charger painted in colours printed Bizarre factory marks 34cm diameter.

£200­400

374

Clarice Cliff (1899­1972)

An Alpine Trees and House pattern fern pot painted in colours

printed Fantasque Bizarre factory marks 7cm high; with a Clarice Cliff Mountain pattern sugar bowl, 6cm high (2).

£150­250

375

Clarice Cliff (1899­1972)

A Crocus pattern conical sugar sifter painted in colours printed Bizarre factory marks 14cm high; with a Crocus pattern preserve pot and cover, 8.5cm high (3).

£100­200

376

Clarice Cliff (1899­1972)

A Sunray (Night and Day) pattern conical cup and saucer, circa 1929 painted in colours printed Bizarre factory marks 6cm high, 14.5cm diameter (2).

£100­150

377

Clarice Cliff (1899­1972)

A Forest Glen pattern vase

cylindrical form, shape no. 602, painted in colours printed factory marks 17cm high.

Provenance:

Bonham’s London, Decorative Art and Design, 27th September 2017, lot 137; Private collection.

£150­250

378

Clarice Cliff (1899­1972)

A Coral Firs pattern Biarritz plate

painted in colours printed Bizarre factory marks 18cm wide; and a Clarice Cliff Galleon pattern Biarritz plate (2).

£80­120

379

Clarice Cliff (1899­1972)

An Umbrellas and Rain pattern vase shape no. 365, painted in colours between orange, yellow, green, and blue bands printed factory marks 21cm high.

Provenance

Clarice Cliff, Art Deco & Design, Woolley and Wallis, 21st March 2018, lot 36.

Private collection.

£200­300

380

Clarice Cliff (1899­1972)

A Tartan Poppy (Hatched Rose) pattern part tea set, circa 1935

painted in colours, comprising a Bonjour shaped teapot, milk jug and sugar basin, a conical cup and saucer, side plate and a larger plate printed Bizarre factory marks teapot 14cm high (8).

£200­300

381

Clarice Cliff (1899­1972)

A Crocus pattern early morning breakfast set, circa 1932

painted in colours, comprising Stamford shaped tea pot, Bonjour milk jug and sugar bowl, two conical cups with saucers and one side plate printed Crocus Bizarre factory marks teapot 12.5cm high (9).

£400­600

382

Clarice Cliff (1899­1972)

A Rhodanthe pattern vase shape no. 362, painted in colours printed Bizarre factory marks 20.5cm high; and a Rhodanthe pattern semi­circular centrepiece (2).

£200­300

383

Clarice Cliff (1899­1972)

A Rhodanthe pattern twin­handled Lotus vase painted in colours printed Bizarre factory marks 30cm high.

£300­500

384

Clarice Cliff (1899­1972)

A graduated set of four Lodore pattern jugs painted in colours printed factory marks largest jug 18cm high (4).

£200­300

385

Clarice Cliff (1899­1972)

Two Lodore pattern Conical bowls painted in colours printed factory marks largest bowl 11cm diam. (2).

£80­120

386

Clarice Cliff (1899­1972)

A Lodore pattern conical tea set painted in colours, teapot, milk jug and five cups with saucers printed factory marks teapot 15cm high (13).

£300­500

387

Clarice Cliff (1899­1972)

A large collection of Lodore pattern dinner ware painted in colours, comprising eleven dinner plates, three larger plates, eleven side plates, four dessert plates, four various size bowls, a large platter, two handled serving platters, gravy boat and dish, a cheese dish and cover, a candle holder, four cups, six saucers, one octagonal dish, two egg cups and one beaker printed factory marks platter 37cm wide (qty).

£400­600

388

Clarice Cliff (1899­1972)

A My Garden pattern vase painted in colours moulded marks

31cm high; with three Clarice Cliff jam pots, and a Clarice Cliff bowl (8).

£100­200

389

Clarice Cliff (1899­1972)

A Rhodanthe pattern conical sugar sifter painted in colour printed Bizarre marks 14cm high; with four further pieces of Clarice Cliff, a Dolly Cliff sifter, a Susie Cooper jug and dish, a Zsolnay lustre rabbit, and a Wedgwood teapot designed by Eric Ravilious (qty).

£200­300

390

Clarice Cliff (1899­1972)

A Citrus Delecia pattern conical jug painted in colours printed Delecia Bizarre factory marks

391

Clarice Cliff (1899­1972)

A collection of The Collector’s Club and modern pieces painted in colours, to include seven Wedgwood Age of Jazz centrepieces, a modern Clarice Cliff stem vase signed Renie Dale 2000, a Wedgwood Age of Jazz mug and two Clarice Cliff inspired pieces, a Clarice Cliff style modern glass lamp, seven Clarice Cliff books and one poster printed factory marks (qty).

£100­200

392

Daisy Makeig­Jones (1881­1945) for Wedgwood

A Fairyland lustre footed bowl decorated in the Leapfrogging Elves pattern painted ‘Z4968’ and printed Wedgwood marks 5.5cm high, 9.9cm diameter.

£200­300

393

Daisy Makeig­Jones (1881­1945) for Wedgwood

12cm high; with Clarice items, two hippo pipe holders, Marguerite teapot, a Yoo Hoo sifter, chick pot and unglazed teapot lid (8).

£100­200

A Fairyland lustre bowl decorated with butterflies on a mottled ground painted ‘Z4827’ and printed Wedgwood marks 8cm high, 17cm diameter; with five Fairyland lustre bowls (6).

£300­500

394

Daisy Makeig­Jones (1881­1945) for Wedgwood

A Fairyland lustre footed bowl decorated in the Butterfly pattern painted ‘z4832’ and printed Wedgwood marks 9.5cm high, 21cm diameter.

£150­250

395

Susie Cooper (1902­1995)

A Gloria lustre exhibition footed bowl, 1924 made for the British Empire Exhibition, painted with a goat in a landscape printed exhibition marks and A.E Grays stamp, and painted ‘SVC’ and ‘5122’ 21cm diameter.

Provenance:

Christies, South Kensington, 7 November 1991.

£300­500

396

Susie Cooper (1902­1995)

A Gloria lustre bowl, circa 1925 painted with a deer beneath a tree A.E Grays stamp, and painted ‘SVC’ and ‘5108’ 23cm diameter; with a Susie Cooper Gloria lustre bowl painted with a Cockerell and a Susie Cooper Gloria lustre bowl painted with a dragon (3).

£300­500

397

Susie Cooper (1902­1995)

A Gloria lustre charger, 1924 painted with a Griffin within a stylised border of flowers

printed exhibition marks and A.E Grays stamp, and painted ‘SVC’ and ‘5131’ 32cm diameter; and a Susie Cooper charger painted with fruit, 31cm diameter; and a Susie Cooper gloria lustre vase (3).

Provenance:

Christies, South Kensington, 7 November 1991.

£300­500

398

Susie Cooper (1902­1995)

An Art Deco bowl painted with a cubist pattern in red, black, and orange printed Gray’s Pottery mark 21cm diameter; with a Susie Cooper h’ors d’oeuvres dish (2).

£100­200

399

Susie Cooper (1902­1995)

An Art Deco cup and saucer painted with cubist pattern painted and printed marks 6cm high; with four pieces of Susie Cooper ceramics (6).

£150­250

397 part
395 interior

400

Gourdel Vales and Co.

An Arts and Crafts silver, enamel, and pearl necklace, 1908 the heart­shaped pendant with a central pearl, suspended on a chain hallmarked for Birmingham central pendant 3.5cm long approx.

£200­300

401

James Fenton & Co.

An Arts and Crafts silver and enamel bracelet, 1908 the enamel in red, blue and yellow hallmarked for Birmingham 19cm long.

£150­250

402

James Fenton & Co.

An Arts and Crafts silver and enamel pendant necklace, 1910 the enamel in blue and turquoise hallmarked for Birmingham the pendant 4.5cm long.

£200­300

403

Gourdel Vales and Co.

An Arts and Crafts silver, enamel, and pearl necklace, 1908 the triform pendant with blue and green enamel hallmarks indistinct beneath the enamel the pendant 3.5cm long.

£150­250

404

James Fenton & Co.

An Arts and Crafts silver and enamel brooch, 1908 the enamel in blue and green hallmarked for Birmingham 2.5cm wide.

£150­250

405

Georg Jensen (1866­1935)

A silver necklace, circa 1920 with a green agate pendant drop no.54, impressed silver .830 marks and Georg Jensen mark (1919­1927) 4.8cm wide.

£400­600

406

Georg Jensen

A silver and hardstone ring design no.21, with Danish silver marks, impressed Jensen mark (post 1945) ring size K.

£100­200

407

Vivianna Torun Bülow­Hübe (1927­2004) for Georg Jensen

A pair of silver drop earrings no. 370, with Danish silver marks and stamped ‘TORUN’, impressed Jensen mark (post 1945) 4.3cm long.

£150­250

408

Art Nouveau

A 9ct gold pendant necklace, circa 1910 set with a peridot and split pearls stamped ‘9ct’

5cm long, 6 grams approx.

£200­300

409 James Fenton & Co.

An Arts and Crafts silver and enamel pendant necklace, 1908 the enamel in blue and green hallmarked for Birmingham the pendant 3.5cm wide.

£200­300

410

Archibald Knox (1864­1933) for Liberty and Co.

An Arts and Crafts silver and enamel stick brooch, circa 1900

Liberty Jewellery sketch no 1255, in green and orange enamel marked ‘SILVER L&Co’, in Sanford Bros retailers fitted case 3.4cm wide.

£200­300

411

Vivianna Torun Bülow­Hübe (1927­2004) for Georg Jensen

A silver necklace and pendant the pendant with eight quartz and amethyst drops the necklace no. 169, the pendant no. 135 both with Danish silver marks and stamped ‘TORUN’, impressed Jensen mark (post 1945).

£700­1,000

412

Arno Malinowski (1899­1976) for Georg Jensen

A silver Kneeling Fawn brooch, circa 1930 no.256, Danish silver marks and impressed GJ mark (1933­44) 4.5cm wide.

£150­250

413

Georg Jensen

A silver Lovebirds brooch no.316, Danish silver marks and impressed Georg Jensen mark (post 1945) 4.2cm wide.

£100­200

414

Arno Malinowski (1899­1976) for Georg Jensen

A silver Lamb and Ivy brooch no.311, Danish silver marks and impressed Georg Jensen mark (post 1945) 4.8cm wide.

£150­250

415

Vivianna Torun Bülow­Hübe (1927­2004) for Georg Jensen

A silver necklace and pendant the pendant with eight quartz drops the necklace no. 169, the pendant no. 135 both with Danish silver marks and stamped ‘TORUN’, impressed Jensen mark (post 1945).

£700­1,000

416

Georg Jensen (1866­1935)

A rare silver Master Brooch, circa 1934 with amazonite cabochon drops no.96, impressed ‘925S GJ STERLING SILVER’ and import mark 8.5cm long, 5.5cm wide.

Literature:

Janet Drucker, Georg Jensen – A Tradition of Splendid Silver, page 94/95 for the same example.

£2,000­3,000

417

Attributed to Charles Fleetwood Varley (1863­1942) for G.W. Lewis & Co.

An Arts and Crafts silver gilt and enamel box and cover, circa 1923 the lid with enamel depicting a river and trees at sunset hallmarked for Birmingham, date letter indistinct 3.5cm square.

£300­500

418

Stuart Devlin (1931­2018)

A silver and silver gilt surprise egg, Old Mother Hubbard, London 1983 number 95, from the Nursery Rhyme series hallmarked for London 7cm high, with the original fitted box.

£200­400

419

Stuart Devlin (1931­2018)

A silver and silver gilt surprise egg, London 1981 number 162, commemorated for the wedding of HRH Prince Charles and Lady Diana Spencer hallmarked for London 6.5cm high.

£200­400

420

William A. Phipps (1936­2009)

Three silver serving spoons, 1984, 1991,1994, hallmarks for London, two with Britannia standard mark largest 26cm long, approx. 12 oz total (3).

£300­500

421

Archibald Knox (1864­1933) for Liberty and Co.

A set of six Cymric silver and enamel buttons, 1905 hallmarked for Birmingham each 2.2cm diameter (6).

£400­600

417 side

422

English School

A gilt and enamel compendium, circa 1890 modelled as a travelling trunk with compartments for ink, lights, and stamps 8cm high, 16cm wide, 10cm deep.

£200­300

423

Archibald Knox (1864­1933) for Liberty & Co.

An Arts and Crafts Tudric biscuit box and cover pewter with enamel roundels, embossed with stylised flowers

impressed marks and model no. 0194 to the base 13cm high, 15cm wide.

£200­300

424

WMF

An Art Nouveau desk mirror, The Echo, circa 1900 pewter, cast in relief with an Art Nouveau maiden looking at her reflection, bevelled mirror, wooden back with easel support stamped marks to the foot 37cm high, 26.5cm wide.

£300­500

425

WMF

An Art Nouveau desk mirror, The Echo, circa 1900 pewter, cast in relief with an Art Nouveau maiden looking at her reflection, bevelled mirror, wooden back with easel support stamped marks to the foot 37cm high, 26.5cm wide; with a WMF pewter card tray (2).

£200­300

426

Keith Murray for Mappin and Webb

An Art Deco silver plated tea set, circa 1935 Model W27681 teapot 21cm high (6).

£200­300

427

Archibald Knox (1864­1933) for Liberty & Co.

A silver spoon

hallmarked for Birmingham, 1910 19.5cm long; the stem cast with foliate terminal, a pair of Sybil Dunlop silver and enamel teaspoons, an A E Jones silver spoon and a Liberty & Co silver mug (5).

£200­300

Φ

428

Mark Coreth (b.1958)

A Bloodhound Head, circa 1990 a silver plated model in the form of a stirrup cup signed 14cm high, 14cm wide.

£1,000­2,000

429

Luc Lanel (1893­1965) for Christofle

An Art Deco Undulation champagne cooler, designed in 1933 silver plate stamped ‘CHRISTOFLE FRABCE’ 21cm high.

Catalogue Notes:

The design was created for the First Class Dining Room and Bar of the SS Normandie.

£200­400

430

Art Deco School

A champagne bucket, circa 1930 silver plate with crystal glass 23.5cm high.

£150­250

431

Baccarat

A Harmonie crystal glass ice bucket with fluted design and gold plated handles and tongs stamped marks to the handles and with original box 23cm high.

£300­500

432

Lino Sabattini (1925­2016) for Christofle

A Galia ewer silver plate impressed marks 26cm high; with a Lino Sabattini (1925­2016) for Christofle Como dish, 18cm high (2).

£200­300

433

Lino Sabattini (1925­2016) for Christofle

A Gallia breadstick tray silver plate impressed marks 30cm wide.

£80­120

434

In the manner of Michel Decoux (1837­1924)

Diana and the Antelopes, an Art Deco figural group, circa 1920 patinated nickel on marble base 50cm high, 54cm wide.

£300­500

435

Evan Jensen (1888­1978)

An Art Deco bronze dish, circa 1930 relief cast with an antelope central roundel within a textured pattern stamped signature and model no. 270, also stamped ‘Grand Prix Barcelona’ 18cm diameter.

£150­250

436

Karl Sterrer (1844­1918)

Luna, a German Jugendstil copper plaque embossed signature (lower left)

51 x 25cm; with a framed French School Art Nouveau brass plaque, and a Bronze Art Nouveau relief, circa 1900, signed ‘Eichmann’ (3).

£400­600

434

THE ESTATE OF ALAN PETERS OBE

ALAN PETERS OBE (1933–2009): THE MAKER’S MAKER

Lots 437­450

We are delighted to offer this collection from the estate of Alan Peters, a seminal figure in 20th­century British studio furniture. Often described as the “Maker’s Maker,” Peters was a craftsman who was taught in the Arts and Crafts tradition but moved on to being a pioneer of the studio furniture movement, which embraced the clean, functional aesthetics of modern design.

The lots offered in this auction are the remainder of his studio, works commissioned but never sold, and design extras held at his workshop. Alongside this are works he collected by other makers and artists; some by friends such as Hugh Birkett, and others by artists he admired, like Peter Collingwood.

Alan Peters’ career began with a seven­year apprenticeship under Edward Barnsley, providing him with a direct link to the traditions of Sidney Barnsley and Ernest Gimson. However, while he remained rooted in these traditional techniques, Peters was never a prisoner of the past.

In the 1970s, a seminal trip to Japan and South Korea, supported by a Crafts Council bursary, transformed his design language. He became one of the first Western makers to successfully fuse the Cotswold School ethos with the understated purity of Far Eastern woodworking. This resulted in furniture that was structurally honest, visually light, and deeply respectful of the natural grain of the timber.

Over a career spanning 50 years, Peters received the highest accolades in his field, including an OBE in 1990 for services to British furniture design and the Award of Distinction from the American Furniture Society in 2002. His work is held in permanent collections worldwide, including the Victoria & Albert Museum and the Crafts Study Centre.

437

Alan Peters (1933­2009)

A Chinese/Gothic coffee table

Burmese teak, carved and shaped ends with a rectangular top

47cm high, 114cm wide, 53cm deep.

Provenance: The estate of Alan Peters (1933­2009).

£600­800

438

Alan Peters (1933­2009)

A large console table sycamore, inlaid with red stained beech 90cm high, 160cm wide, 49cm deep.

Provenance: The estate of Alan Peters (1933­2009).

£700­1,000

437

439

Alan Peters (1933­2009)

A freeform occasional table in the manner of George Nakashima the top a single piece of elm, with a single support to one end, and a slatted support to the other end 39cm high, 120cm wide, 50cm deep.

Provenance:

The estate of Alan Peters (1933­2009).

£300­500

440

Gwen Mullins (1904­1997) and Barbara Mullins (1927­2023)

Little Boats, a hand­woven woollen textile in browns, creams, and whites 185 x 75cm.

Catalogue Notes:

Gwen Mullins was a British hand­weaver and influential patron of the twentieth­century crafts movement. Born in London in 1904, she began weaving after studying at the London School of Weaving, developing a practice centred on richly coloured rugs and textiles made from wool and linen. Following the Second World War, Mullins established a craft workshop at Graffham in West Sussex, where she co­founded the Graffham Weavers with her daughter Barbara. The workshop functioned both as a studio and a training centre, producing rugs, hangings, and other textiles while nurturing a community of skilled craftspeople. One of her most notable students was Peter Collingwood.

Provenance:

The estate of Alan Peters (1933­2009).

£300­500

439 detail

441

Peter Collingwood (1922­2008)

An early Macrogauge hanging, circa 1970

woven linen in black and cream on stainless steel rods 115 x 48cm.

Provenance:

Bonhams, London, Decorative Arts Today, 25th January 1993, Lot 122C.

The estate of Alan Peters (1933­2009).

£2,000­4,000

442

Hilda Breed (1898­1984)

A woven wall hanging, circa 1960 woven linen 124 x 61cm.

Catalogue Notes:

Hilda Breed was a textile artist who exhibited at the famous Weaving for Walls exhibition at the V & A in 1965. She exhibited widely, including annual one­person shows at the Flansham Weaving Studios from 1963­1969; Peter Dingley Gallery, Stratford upon Avon, in 1967, and an exhibition of bedcovers at Heal & Sons in 1970.

Provenance: The estate of Alan Peters (1933­2009).

£100­200

443

Hugh Birkett (1919­2002)

A specimen wood caddy and cover, 2001 octagonal, with squares of English and exotic timbers impressed initials and date 15cm high.

Provenance: The estate of Alan Peters (1933­2009).

£200­300

444

Alan Peters (1933­2009)

A pair of beech and walnut bookends stamped signature 12cm high; and a similar pair of bookends by Alan Peters (4).

Provenance: The estate of Alan Peters (1933­2009).

£150­250

445

Neville Neal (1924­2000)

A Clissett armchair, after a design by Ernest Gimson ash, ladderback with cord seat 116cm high, 59cm wide, 42cm deep.

Provenance: The estate of Alan Peters (1933­2009).

£150­250

446

David Colwell (b.1944)

A Trannon C3 Modernist chair, circa 1989 ash, with a steambent back and supports, and a solid circular seat 85cm high, 47cm wide.

Provenance: The estate of Alan Peters (1933­2009).

£100­200

443 445 444

447

Alan Peters (1933­2009)

A pair of William Morris style chairs ash with upholstered drop­in seats 45cm high, 43cm wide.

Provenance: The estate of Alan Peters (1933­2009).

£200­400

448

Alan Peters (1933­2009) Wall mirror English walnut, carved and with stained lines 76 x 56cm.

Provenance: The estate of Alan Peters (1933­2009).

£200­300

449

Alan Peters (1933­2009)

A sycamore chair curved and shaped back with a black leather seat 92cm high, 53cm wide; and a similar slatted elm and ash chair by Alan Peters (2).

Provenance:

The estate of Alan Peters (1933­2009).

£200­400

450

Alan Peters (1933­2009)

A Modernist hall chair in olive ash with tan leather seat 102cm high, with two Alan Peters chairs, one made from Sisso rosewood, the other made from walnut (3).

Provenance:

The estate of Alan Peters (1933­2009).

£300­500

END OF COLLECTION

447

A PRIVATE COLLECTION OF ALVAR AALTO FURNITURE

451

Alvar Aalto (1898­1976) for Finmar

A pair of Model 51 armchairs, circa 1930 birch and laminated birch, with ebonised seats produced by Huonekalu­ja Rakennustyötehdas

Oy Turku

Finmar labels

78cm high, 55cm wide, 49cm deep (2).

£1,500­2,500

452

Alvar Aalto (1898­1976) for Finmar

A Model 202 chest of drawers, circa 1930 laminated birch, with two short drawers over one long drawer, over 'L' shape bentwood legs produced by Huonekalu­ja Rakennustyötehdas

Oy Turku

with a rectangular ‘Finmar Ltd’ label

66cm high, 79cm wide, 45cm deep.

£2,000­3,000

453

Alvar Aalto (1898­1976) for Finmar

A Model 2 library armchair, circa 1930 birch frame and seat with upholstered cream seat

produced by Huonekalu­ja Rakennustyötehda stamped ‘Aalto Design made in Finland’ 74cm high, 52cm wide, 42cm seat depth.

£800­1,200

454

Alvar Aalto (1898­1976) for Finmar

A Model 91 dining table and Model 91A Lazy Susan, with a set of six Model 611 stacking chairs, circa 1930 birch plywood, the legs of the table made from laminated bentwood the lazy susan with label ‘MADE IN FINLAND’, the chairs with ‘Finmar Ltd’ labels and stamped in red ink ‘AALTO DESIGN / MADE IN FINLAND’ the table 120cm diameter, 72cm high; the lazy susan 62cm diameter; the chairs 79cm high, 50cm wide, 41cm deep (8).

£6,000­8,000

455

Alvar Aalto (1898­1976) for Finmar

A Model 81A table, circa 1933 birch and laminated birch Finmar Ltd. label to the underside 69.5cm high, 99cm wide, 53cm wide.

£600­800

456

Alvar Aalto (1898­1976) for Finmar

Two Model 66 chairs, circa 1930 birch plywood with upholstered seats one with ‘Finmar Ltd’ rectangular label 79cm high, 38cm wide, 38cm deep (2).

£500­700

457

Alvar Aalto (1898­1976) for Finmar

Two Model 60 stools, circa 1933 laminated birch

43.5cm high, 38cm diameter (2).

£400­600

458

Alvar Aalto (1898­1976) for Finmar

A Model 81A table, circa 1933 birch with a laminated blue top 69.5cm high, 99cm wide, 53cm wide.

£400­600

SCANDINAVIAN AND MODERN DESIGN

459

Gio Ponti (1891­1979) for Cassina

A set of four Leggera chairs, designed in 1951 model number 646, oak with coloured woven seats in red, orange, yellow, and green 83cm high, 42.5cm wide, 42cm deep (4).

£400­600

460

Peter Hvidt (1916­1986) and Orla Mølgaard­Nielsen (1907­1993) for Fritz Hansen

A pair of Portex chairs, designed in 1944 beech, with curved back and turned legs 82cm high, 60cm wide, 45cm deep (2).

Catalogue Notes:

The Portex chair, designed by Peter Hvidt and Orla Mølgaard­Nielsen in 1944–1945, is a landmark of early Danish Modernism. Produced by Fritz Hansen, it was specifically engineered for post­war global export ­ its name being an anagram for “export”. The Portex was the first stackable chair designed in Denmark.

£300­500

461

Eero Saarinen (1910­1961) for Knoll

A Tulip dining table

laminated white circular top over a metal base

‘Knoll Inc.’ label to the underside of the top 120cm diameter; with four Tulip chairs by Arkana (5).

£400­600

462

Arne Jacobsen (1902­1971) for Fritz Hansen

A pair of Dot stools, circa 1954 rounded teak seats over tubular metal legs both stamped ‘FH DENMARK’ 45cm high, 34cm diameter.

Catalogue Notes:

The stool was designed for the Rødovre Town Hall in Denmark.

A fourth leg was added to the stool in 1970, so this pair dates to the original production in the early 1950s (2).

£200­300

463

Peter Nelson (1928­2009) for Architectural Lighting Ltd.

An FB2 floor lamp, circa 1967 aluminium 138cm high.

£200­300

464

In the manner of Poul Hennigsen (1894­1967)

A chrome and glass table lamp 41cm high.

£80­120

465

Gae Aulenti (1927­2012) for Kartell

A pair of Model 4794 lounge chairs black lacquered polyurethane moulded marks

77cm high, 77cm wide, 80cm deep (2).

£300­500

466

John Reeves for Heals

A Louis occasional table oak and oak veneer

45cm high, 100cm wide, 60cm deep.

£200­300

467

Harry Bertoia (1915­1978)

A set of six model 420 side chairs, designed in 1952

chrome plated frames with leather seat pads 77cm high, 54cm wide, 53cm deep (6).

£200­300

468

Charles and Ray Eames for Vitra

A set of six EA109 high back chairs, first designed in 1958 black leather and chromed aluminium Vitra labels to the base and seats, impressed marks to the base

103cm high, 56cm wide, 48cm deep (6).

£2,000­3,000

469

Poul Kjærholm (1929­1980) for E. Kold

Christensen

A PK22 lounge chair, circa 1960 steel frame with a slug leather seat stamped ‘E. Kold Christensen Denmark’ mark to the frame

73cm high, 60cm wide, 70cm deep.

£1,000­2,000

470

Alvar Aalto (1898­1976) for Artek

A Model 60 stool laminated birch with black linoleum top 43.5cm high, 38cm diameter.

£150­250

471

Jean Prouvé (1901­1984)

A Métropole n°305 standard chair, circa 1953 beech dished seat with painted steel frame 81cm high, 42cm wide.

Literature:

N. Prat, Jean Prouvé , exhibition catalogue, Galerie Jousse Seguin­Enrico Navarra, Paris, 1998, pp. 41, 167, 179, 183, for the same example.

Provenance: Private collection.

£300­500

472

Han Pieck for Morris & Co.

A Bambi stacking chair, circa 1946 walnut­veneered laminated plywood

77cm high, 42cm wide, 34cm deep.

£400­600

473

Robert Heritage (1927­2008) for Heals

An early sideboard, circa 1950 ebonised wood and ash with designs by Dorothy Heritage to the front, depicting a classical garden and buildings produced by G.W. Evans 88cm high, 137cm wide, 43cm deep.

£1,000­2,000

474

Judith Johansson (1916­1993)

Norrviken, a Swedish flatweave kilim, circa 1950 in tonal grey, cream, and blue signed ‘JJ’ lower left 191 x 282cm.

Catalogue Notes:

The artist was inspired by the Norrviken Gardens, Båstad, at twilight. Båstad is the home of Märta Måås­Fjetterström’s textile workshop which she started in 1919 until her death in 1941.

£700­1,000

475

Judith Johansson (1916­1993)

Strømmar Grå, a Swedish Röllakan kilim rug, circa 1950 with geometric design on a grey ground signed ‘JJ’ lower left 300 x 200cm.

£500­700

476

Erik Lundberg (1895­1968) for Vävaregården Korall, a large Swedish flatweave carpet, circa 1955 with coral pattern in orange and white on a brown ground 246 x 172 cm.

£300­500

477

Lizette Norlander for Vävaregården Eringsboda Lyckeby, a large Rolakan flatweave rug, circa 1960 with blue, white, and pink geometric design 200 x 145cm.

£300­500

478

Marc Saint Saëns (1903­1973)

L’Oiseau Lyre, a woollen tapestry depicting a bird and a harp signed in the tapestry (lower left), with the original label to the reverse with a further signature and title 132 x 89cm.

£600­1,000

479

In the manner of Marianne Richter (1916­2010)

Three Swedish Rya rugs, circa 1960 of Modernist design each 168 x 102cm (3).

£300­500

Φ 480

David Linley (b.1961)

A bespoke boardroom table designed for Beeson Gregory with a sycamore, burr ash, and grey sycamore inlaid rectangular top with blue sycamore inlaid detail to the sides, over a twin­pedestal base in English oak with the original watercolour plan by David Linley, with samples of each wood used 300cm long, 149cm wide, 74cm high (2).

£3,000­5,000

Φ 481

David Linley (b.1961)

A Linley Lizard Collection macassar ebony dining table, 2004 rectangular top, each end with fitted drawers, with chrome handles, the U­section legs with perspex runner stamped ‘Linley’ to the handles 110cm wide, 230cm long, 73.5cm high.

£1,000­2,000

482

Dimitri Omersa (1927­1985) for Liberty & Co.

A leather footstool modelled as a bull with horns 98 wide, 62cm high.

£300­500

483

Hannes Wettstein (1958­2008) for Baleri Italia

A pair of Juliette stacking chairs steel frames with black laminated steel seats and curved backs impressed marks to the back of the seat 67cm high, 40cm wide, 40cm seat depth (2).

£200­300

484

Rodolfo Dubarry

A pair of large lantern table lights octagonal form, brass with mirrored sections signed 57cm high (2).

£150­250

485

Svend Aage Holm Sørensen (1913­2004)

A pair of tripod floor lamps, circa 1950 manufactured by Holm Sørensen & Co., Copenhagen, Denmark 100cm high (2).

Literature:

Henry Fuller, The Studio Year Book 1959­1960, London, p. 124, for a similar example.

£400­600

486

Finn Juhl (1912­1989) for Niels Vodder

A Danish FJ-40 desk, circa 1950 teak, with three drawers to the top with ring pull brass handes, the sloped top opening to reveal desk space 75cm high, 66cm wide, 66cm deep.

£2,000­3,000

487

Yrjö Kukkapuro (1933­2025) for Haimi, Finland

A Junior lounge armchair, circa 1960 model 417, fibreglass seat shell with red leather upholstery, rotating base ‘Haimi’ label to the base 88cm high, 70cm wide, 65cm deep.

£600­800

488

Sergio Asti (1926­2021) for Raak, Amsterdam

A Kilamanjaro desk lamp, designed in 1978 two­piece opaline glass 25cm high, 28 cm diameter

£100­200

489

Sergio Asti (1926­2021) for Fontana Arte

A Daruma desk lamp, designed in 1969 two­piece opaline glass 28cm high, 22cm diameter

£150­250

490

Pierre Cardin (1922­2020) for Venini

A rare wall mirror, circa 1960 clear glass with orange bands original Venini label 30 x 30cm.

£300­500

491

Enzo Mari (1932­2020)

A Dumbell desk lamp spherical weighted base with chrome ring 23cm high.

£150­250

492

In the manner of Ernest Race (1913­1964)

A set of six (4+2) stacking chairs, circa 1960 green leather upholstery with tubular metal frames 82cm high, 57cm wide, depth 50cm (carver) (6).

£150­200

493

In the manner of Ernest Race (1913­1964)

A set of seven (4+3) stacking chairs, circa 1960 red leather upholstery with tubular metal frames 81cm high, 57cm wide, 53cm deep (carver) (7).

£150­200

494

In the manner of Ernest Race (1913­1964)

A set of six stacking chairs, circa 1960 yellow leather upholstery with tubular metal frames 79cm high, 45cm wide, 36cm deep.

£150­200

496

495

Two French Armchairs upholstered with John Piper (19031992) fabric upholstery the fabric Chiesa Delia Salute, designed in 1959 for Sanderson 99cm high, 64cm wide, 52cm deep (2).

£200­300

496

In the manner of Maison Jansen A Hollywood Regency style mirrored glass cabinet with gilt frame and brass handles, raised on a rectangular base 111cm high, 106cm wide, 40cm deep.

£200­300

497

Michael Bell (Contemporary)

A set of four stools walnut with slung woollen seats 52cm high, 67cm wide (4).

£100­200

498

Michael Bell (Contemporary) Matador console table oak with metal joints, the rectangular top with curved ends 94cm high, 152cm wide.

£150­250

499

Emanuel Ungaro (1933­2019)

A large glass topped dining table over a scrolled gilt metal base marked ‘The House of Ungaro’ to the glass

350cm long approx, 124cm wide approx.

£1,500­2,000

497

500

In the manner of Guglielmo Ulrich (1904­1977)

Dining table, circa 1950 mahogany and glass 81cm high, 175cm wide, 84cm deep.

£200­300

501

Hans Wegner (1914­2007) for FDB Møbler

A J16 rocking chair, designed in 1944 black painted beech with woven cord seat with the original label 109cm high, 79cm deep, 63cm wide.

£300­500

502

Kerstin Holmquist (1925­1997)

A rare high­back Stora Eva lounge chair, circa 1960 with yellow wool upholstery and beech legs 135cm high, 70cm wide, 64cm deep (seat).

£800­1,200

503

No lot

504

Jamie Reid (1947­2023)

A Sex Pistol’s Fuck Forever original poster, 1983 from the Hamilton’s Gallery Exhibition printed by Hamilton’s Gallery, London, first printing, double­sided silkscreen with monochrome to the reverse 101 x 67cm.

£300­500

505

Grayson Perry (b.1960)

The Great Beauty, Portrait screenprinted cotton 67cm x 48cm.

£100­200

506

Yayoi Kusama (b.1929)

Alone, Buried In A Flower Garden, 2014 screenprinted cotton textile 53cm x 53cm.

£150­250

507

Richard La Trobe Bateman (b.1938)

A set of six high­back chairs, circa 1972 oak, with adzed plank seat and curved back each chair 122cm high, 42cm wide, seat depth 38cm (6).

510

Jens Quistgaard (1919­2008)

A teak bowl, circa 1960 simple curved form branded ‘Staved Teak Danmark’ 62cm wide.

£80­120

£400­600

508

Norman Foster (b.1935) for Tecno, Italy

A Nomos desk, circa 1982 with a laminate top with a leather writing surface, raised on tubular chrome supports 73cm high, 169cm wide, 101cm deep.

£400­600

509

Arne Tjomsland (1915­1970) for Hiort & Østlyngen

Two models ­ a walrus and a bear, circa 1950 the walrus oak with composite tusks, the bear mahogany the walrus stamped ‘ARNE TJOMSLAND NORWAY’, the walrus stamped ‘NORWAY’ the bear 19.5cm wide (2).

£300­500

511

Yoshitomo Nara (b.1959)

Peace Dog (blue) screenprinted cotton textile 53 x 51cm.

£100­200

512

Felice Galbiati, Arte­Decorativa, Milan

A pair of Italian bookends, circa 1950 painted metal depicting books and objects grouped on a shelf printed mark to the underside 19cm high.

£80­120

513

Märta Måås­Fjetterström (1873­1941)

A small hand­woven tapestry, circa 1930 signed with initials (lower left), and with the original label (to the reverse) 26 x 26cm.

£300­500

PIERRE JEANNERET

514

Pierre Jeanneret (1896­1967) for Chandigarh

A set of four PJ-010102T King chairs, circa 1957 teak with the seat and backrest in braided canework variously signed and inscribed in ink 76cm high, 50cm wide (4).

Provenance: Private collection.

£3,000­5,000

515

Pierre Jeanneret (1896­1967) for Chandigarh

A Student desk, circa 1957

teak, with a rectangular top with drop­down sides 73cm high, 82cm wide, 58cm deep.

£1,500­2,500

516

Pierre Jeanneret (1896­1967) for Chandigarh

A PJ-BU-02-A pigeonhole desk, circa 1957

teak and leather, with pigeon holes to the reverse 71cm high, 121.5cm wide, 84cm deep.

Literature:

Le Corbusier, Pierre Jeanneret: Chandigarh, India, Galerie Patrick Seguin, pages 248/249.

£3,000­5,000

515
514 stamp

518 part

517

Ewald Kröner

A Modernist woollen wall hanging, circa 1960 with tassels and wool pile 190cm long.

£100­200

518

Finnish School

Three flatweave wall hangings, circa 1960 each of striped design in colours the largest 161 x 61cm (3).

£100­200

519

Margareta Ahlstedt­Willandt (1888­1967)

Three Wise Men, a Finnish wall hanging tapestry, circa 1930 hand­woven 200 x 148cm.

£200­300

520

Ingrid Starling for Rya Masugn, a shag pile woollen rug, 1969 in red and black 115cm x 98cm.

£80­120

521

Ewald Kröner

Mexican Sun, a Modernist woollen wall hanging, circa 1960 with tassels and wool pile 120 x 120cm.

£150­250

522

Berit Woelfer (1925­2001) for Kasthall Atelje Aniara, a Swedish woollen wall hanging, circa 1960 depicting a sunrise 80 x 100cm.

£100­200

523

Attributed to Aappo Härkönen for Rya

A shag pile woollen rug, circa 1960 in pink and brown on a cream ground 115cm x 98cm.

£80­120

519

524

Ilaria Gibertini for Nemo

A pair of Virgo table lamps, designed in 1993 aluminium moulded manufacturer’s marks 28cm high (2).

£150­250

525

Vico Magistretti (1920­2006) for Artemide

A Telegono table lamp, designed in 1968 cream coloured plastic with acrylic white adjustable shade 41.5cm high, 27cm wide.

£150­250

† 526

Enzo Mari (1932­2020) for Danese, Milan

A Tokelau paperweight, 1983 cast metal and polyurethane stamped manufacturer’s marks 10cm diameter.

VAT will be charged on the hammer at the standard rate.

£100­200

527

Hivo Van Teal (b.1976)

A Modernist sculpture lucite, with two vertical sections with cut­out sections creating a star signed ‘Van Teel’ 51.5cm high, 33cm wide.

£100­200

528

A large collection of books relating to Design, Architecture, and Modern Art mainly early 20th Century, to include Architectural Review 1930, The Architectural Forum 1929

The Modern House by F R S Yorke, 1927, Moderne Architectuur 1927, Das Plakat 1916, Gebrauchsgraphik (2 volumes), Publicite Arts Et Metiers Graphiques 1936, and others (qty.)

£200­400

529 Wendingen

40 volumes of the architecture/art magazine, 1918­1931 comprising 1918 (first issue produced), 5 from 1920, 2 from 1921, 6 from 1923, 2 from 1924, 5 from 1925, 8 from 1927, 2 from 1928, 1 from 1929, 7 from 1930, 1 from 1931 (some repeats) with the Wendingen Work of Frank Lloyd Wright, 1965 re­issue (41).

£200­300

530

Art et Decoration ten volumes, published by Albert Levy, mainly in original bindings; with Innen Dekoration, 5 volumes, Deutsch Kunst und Dekoration, 2 volumes, and other similar books (qty.)

£100­200

531

Ingo Maurer (1932­2019)

Passion for Light, 2001

Two volumes in a set, is a retrospective of Ingo Maurer’s best designs and exhibitions, with an original lamp designed by Ingo Maurer (poet of light)

In cardboard slipcase 30 x 22cm (3).

£100­200

528
529
524
526 525

CERAMICS AND GLASS

532

Josef Hoffmann (1870­1956) for Wiener Werkstätte

A set of eight Secessionist Bamboo Stem liqueur glasses, designed in 1922 the stems of amber glass cut with a six­sided design each 19.5cm high (8).

£200­300

533

Louis Comfort Tiffany (1848­1933)

A Favrile glass bowl iridescent glass decorated with a leaf and branch pattern signed ‘L.C.T Favrile’ 29.7cm diameter.

£600­800

534

Louis Comfort Tiffany (1848­1933)

A Favrile glass vase model D298, blue and gold iridescent etched ‘L.C.T’ and ‘D298’ 12cm high.

Provenance:

From the collection of Mr Van Nieuwenhuise (1928­2022); purchased from Edition Graphiques, London, 7th July 1983

£500­800

535

Robert Holubetz for Loetz

A twin­handled vase, 1901 iridescent green glass 26cm high; and a shouldered green glass vase, attributed to Loetz, and an enamelled glass vase by Legras (3).

Catalogue Notes:

The design was created by Robert Holubetz, one of Koloman Moser’s most talented students at the Vienna School of Applied Arts, who designed the vase in 1901 on behalf of the glass publisher E. Bakalowits Söhne.

£300­500

536

Loetz

A large Art Nouveau high­sided bowl, circa 1901 iridescent glass with spun pattern and pinched rim

19cm high, 23.5cm diameter.

£200­300

537

Attributed to Thomas Webb & Sons

A bronze glass vase double gourd form with modelled loop handles, enamelled with geometric bands in green, white and red 21cm high.

£100­200

538

Émile Gallé (1846­1904)

A cameo glass vase, circa 1890 shouldered form with a wide circular base, the glass in purple and orange signed in cameo 16cm high; with a Thomas Webb cameo glass vase, 12cm high (2).

£300­500

539

François Théodore Legras (1839­1916)

A cameo glass vase, circa 1910 acid­etched with blue and yellow scrolling foliage on a textured ground cameo signature 14cm high.

£150­250

540

Émile Gallé (1846­1904)

A large cameo glass vase, Prunelles, circa 1900 overlaid and acid­etched in yellow and dark purple signed in cameo 32cm high.

£800­1,200

541

Émile Gallé (1846­1904)

A large cameo glass vase overlaid and acid­etched showing flowers in purple and orange signed in cameo 28cm high.

£600­800

542

Muller Freres Luneville

A large Art Deco table lamp, circa 1930 the stylised brass base below a glass shade in purple and orange etched signature 51cm high, 50cm diameter.

£400­600

543

Muller Freres Luneville

A large Art Deco table lamp, circa 1930 the stylised brass base below a glass shade in yellow, orange, and purple etched signature

52cm high, 35cm diameter.

£400­600

538
539
540
541

544

Daum Nancy

An Art Deco glass table lamp, circa 1930 a light orange with a moulded geometric design signed ‘Daum Nancy’ 30.5cm high, the shade 18.5cm diameter.

£1,000­2,000

545

Émile Gallé (1846­1905)

A cameo glass Hortensias vase, circa 1905 in shades of pink and yellow with cameo signature and star mark 16.5cm high.

£300­500

546

Moncrieff’s Monart Art Glass

A large glass vase blue with light and dark inclusions 26cm high.

£100­200

547

Gunnel Nyman (1909–1948) for Nuutajärvi Notsj

A Chiffon glass vase, circa 1940 yellow tinted glass with controlled bubbles etched signature 17cm high.

£100­200

548

Andries Dirk Copier (1901­1991) for Leerdam

A Unica glass vase, circa 1930 textured blue glass with underwater design signed and inscribed ‘Leerdam Unica, F291’ 18.3cm high.

Provenance:

The Kenneth Brown Collection of Glass.

£200­300

549

Daum Nancy, France

An Art Deco glass pedestal vase, circa 1930 cut­sided design in orange signed ‘Daum Nancy France’ 24cm high, 27cm diameter; with a clear glass Daum vase, two Art Deco glass vases, and a bowl by Dirk Copier (5).

£150­250

550

Karl Wiedemann (1905­1992) for WMF

A large Ikora glass vase, circa 1920 shouldered form with green, black, and purple inclusions 26cm high; with two smaller vases by Karl Wiedemann for WMF (3).

£150­250

551

Karl Wiedemann (1905­1992) for WMF

A large Art Deco glass bowl, circa 1930

decorated with silver mica and purple inclusions

17cm high, 27cm wide; with four smaller bowls by Karl Wiedemann for WMF (5).

£200­300

549
548
545

552

Vicke Lindstrand (1904­1983) for Orrefors

A glass vase, circa 1950 etched with a Dutch lady playing a horn etched signature

16.5cm high; with a collection of Art glass, to include Whitefriars, Kosta, Mdina (qty).

£200­300

Φ 553

Peter Layton (b.1937)

An iridescent glass vase, 1981 in green with purple and blue spots signed and dated 13cm high; with three Peter Layton iridescent glass vases (4).

£300­500

554

Ermanno Nason (1928­2013) for Vetreria Gino Cenedese Omaggio a Henry Moore, glass figure, 1965­72 clear glass signed

22.5cm high, 30cm wide.

Catalogue Notes:

In his celebrated Henry Moore Series, Ermanno Nason pays tribute to the sculptural language of Henry Moore, translating the British artist’s explorations of reclining figures and pierced forms into the medium of Murano glass.

£500­700

† 555

Carlo Moretti (1934­2008)

A set of twenty Asymmetric drinking glasses, designed in 1986 hand blown Murano clear glass each signed the largest 21cm high (20).

VAT will be charged on the hammer at the standard rate.

£600­1,000

556

Geoffrey Baxter (1922­1995) for Whitefriars

A TV glass vase, circa 1967 pattern no 9677, tangerine coloured textured glass, pattern no 9677 21cm high; with five Whitefriars textured glass vases ­ a Coffin vase in tangerine, and four bark vases in meadow green, tangerine, and ruby red; and a Whitefriars textured ashtray in tangerine (7).

£200­300

557

Geoffrey Baxter (1922­1995) for Whitefriars

A Textured range tangerine bottle vase

pattern no.9730

20.5cm high; with two textured Whitefriars vases designed by Geoffrey Baxter and a Whitefriars ruby vase (4).

£150­250

557
556
552
553
554
555

558

Alessandro Pianon (1931­1964) for Vistosi

A Pulcino glass bird, circa 1962 hand­blown glass in green with internally applied murrines, on copper wire feet model no. S189 29cm high.

£2,000­3,000

559

Fulvio Bianconi (1915­1996) for Venini

A large Fazzoletto handkerchief vase irregular form, orange and white cased glass acid etched Venini mark and original Finmar label 22cm high.

£300­500

560

Fulvio Bianconi (1915­1996)

Two Fasce Orizzontali bottles in green and grey with red and blue bands one with Venini label 30.5cm high (2).

£200­300

561

Fulvio Bianconi (1915­1996) for Venini

A Murano glass bottle, circa 1960 in green and blue stripes marked to base 38.5cm high.

£300­500

562

Tapio Wirkkala (1915­1985) for Iittala

A Versanjalka (foal’s foot) glass vase, 1955 with etched line decoration etched signature and date 16.5cm high; with two similar foal type vases by Tapio Wirkkala (3).

£300­500

563

Tapio Wirkkala (1915­1985) for Iittala

A large Kantarelli glass vase, 1957 with etched line decoration etched signature and date 15cm high, 22.5cm wide; with three smaller Kantarelli vases (4).

£400­600

564

Tapio Wirkkala (1915­1985) for Iittala

Two glass leaf dishes, circa 1955 with etched line decoration etched signature (2).

£100­200

† 565

Tapio Wirkkala (1915­1985) for Iittala

A leaf dish, 1955 with etched line decoration etched signature and model number 3837 18cm wide.

VAT will be charged on the hammer at the standard rate.

£150­250

566

Verlys, France

A large opalescent glass plafonnier, circa 1930 moulded with birds and fish in swirling water with original metal mounts 39cm diameter.

£150­250

567

Cenedese

A set of four Murano champagne glasses clear glass (4).

£80­120

568

Lena Bergström (b.1961) for Orrefors

An angled glass sculptural vase, 2002 sommerso glass with white and black layers etched signature and date, etched design number ‘939286’ 30cm wide.

£100­200

† 569

Alfredo Barbini (1912­2007)

Two rare Flavio bowls in black glass with curved rims 24cm and 19cm diameter (2).

VAT will be charged on the hammer at the standard rate.

£100­200

570

Gianni Versace for Venini

A Rivoli glass vase, 2002 yellow with trailed white, black, and yellow lines etched ‘Versace Venini 2002’ 32.5cm high, 19cm diameter.

£400­600

571

Alfredo Barbini (1912­2007)

A Murano glass vase, circa 1960 spherical form in pink Murano label to the underside 24.5cm high.

£100­200

572

Attributed to Paolo Venini (1895­1959) for Venini

An early glass trumpet vase in shades of purple and pink with an early etched mark 37.4cm high.

£200­300

573

Björn Weckström (b.1935) for Nuutajärvi Notsjö

A large glass charger, 1972 clear glass with cased blue, purple, and white swirls signed and dated 43cm diameter.

£200­400

574

Cenedese Vetri

A Murano glass paperweight or candle holder, circa 1980

four stacking forms, in purple, blue, and clear glass Murano Vetri label to the largest form 18cm high (4).

£80­120

575

Antonio da Ros (1936­2012) for Vetreria Gino Cenedese

Two freeform glass sculptural vessels sommerso glass in purple and blue both signed 16cm wide approx. (2).

£200­300

Φ 576

David Burnham Smith (1937­2019)

Ariel Confirmed, a porcelain and mixed media diptych, 1995 after the Tempest by William Shakespeare both panels signed, dated, and inscribed (to paper labels on the reverse) each panel 21cm high, 32cm wide, 7cm deep (2).

£800­1,200

577

Janos Torok (1932­1996) for Zsolnay Pecs

A tall porcelain vase, circa 1950 decorated with orange musicians against a striped background printed blue Zsolnay mark 41cm high; with six Zsolnay vases, and six Zsolnay dishes, all circa 1950 (13).

£300­500

578

Janos Torok (1932­1996) for Zsolnay Pecs

A porcelain figure of a musician, circa 1950 printed blue Zsolnay mark and impressed ‘IT­810/P’ 22cm high; with three Zsolnay figures, and two Zsolnay style figures (6).

£200­300

577
576
578

579

Richard Guyatt (1914­2007) for Wedgwood and Liberty & Co.

A lemonade set, designed in 1966 transfer printed and hand painted decoration each with printed Wedgwood marks the jug 19.5cm high, the beakers 11cm high (5).

£300­500

580

Eric Ravilious (1903­1942) for Wedgwood

A Harvest Festival dinner service comprising thirty two pieces printed marks the serving plates 37cm diameter (32).

£200­300

581

Reginald John ‘Rex’ Whistler (1905­1944) for Wedgwood

A Cloverlly tea set, circa 1935 transfer printed, comprising two cups and saucers, a sugar bowl, a milk jug and dish, and a teapot printed Wedgwood marks the teapot 12cm high; with a Wedgwood jug, The London Jug, 19.5cm high (10).

£100­200

582

Keith Murray (1892­1981) for Wedgwood

A Bomb vase with matt straw glaze, ribbed ovoid form with collar rim

printed factory marks and facsimile signature 22cm high; and two Keith Murray designed bowls, and a Mintons vase designed by John Wadsworth (4).

£150­250

583

Félix Lafond (1851­1901) for Faïencerie de Gien

A large earthenware bowl, circa 1880 glazed in a blue­green mottled tone with encrusted flowers to the body signed ‘Gien Lafond’ 26cm high, 48cm diameter (2).

Catalogue Notes:

Félix Lafond is credited as one of the creators of the barbotine technique. He worked for the potter François Laurin (1826­1901) and Haviland & Co. In 1881, Lafond worked for the Manufacture de Gien (Faïencerie de Gien), in the workshop of Dominique Grenet (1821­1885). The present work was made during this period.

£150­250

584

Minton

A collection of nine large pictorial plates, circa 1950 printed in colours with different designs, two after Picasso, others with stylised animals largest 45cm across; with three similar plates stamped ‘R Heald’ (12).

£150­250

585

Grayson Perry (b.1960)

100% Art plate, 2020 ceramic

with artist’s seal printed on the base, produced for The Holburne Museum, Bath 21cm across; with a Grayson Perry Gentrification printed textile (2).

£250­350

586

Anthony Redmile (1940­2016)

A glass finial with brass mounts 41cm high; with a pair of pottery dishes moulded with Cherubs by Anthony Redmile, 19cm diameter (3).

Provenance:

The vendor was a close friend of Anthony Redmile and had the pieces commissioned.

£150­250

† 587

Piero Fornasetti (1913­1988)

A set of six appetiser bowls, circa 1950 each with a different printed design, with a gilt band to the low foot and rim each with printed marks 5cm high, 8cm diameter (6).

VAT will be charged on the hammer at the standard rate.

£300­500

† 588

Piero Fornasetti (1913­1988)

A rare pair of Cammei espresso cups and saucers, circa 1950 printed with Roman Emperors within gold borders printed marks the cups 5.5cm high, the saucers 11cm diameter (4).

VAT will be charged on the hammer at the standard rate.

£200­300

† 589

Piero Fornasetti (1913­1988)

A rare Roman Emperor’s pebble paperweight, circa 1950 printed with roundels of Emperor’s in profile within a gilt background 10cm diameter.

VAT will be charged on the hammer at the standard rate.

£150­250

590

Piero Fornasetti (1913­1988)

A rare Carta Stradale D’Italia dish, circa 1950 printed with an Italian map 16 x 13cm; with another dish by Fornasetti (2).

£150­250

591

Piero Fornasetti (1913­1988)

A Zodiac paperweight, circa 1950 printed with Zodiac signs and a calendar 11cm high; with two further Fornasetti paperweights (3).

£300­500

592

Stig Lindberg (1916­1982) for Gustavsberg, Sweden

A tall bottle vase

painted in polychrome and decorated with sgraffito bands painted monogram and painted inscription 'Sweden GG/21­187', and with Gustavsberg Sweden label 39cm high.

£200­300

593

Phillippe Bestenheider (b.1971) for Driade, Italy

A tall Gear vase

porcelain with a matt white glaze printed Driade mark 43cm high; with a similar Driade vase (2).

£150­250

588
591
589
590

594

Alan Clarke for Poole Pottery

The set of nine The Planets chargers, 2000 glazed earthenware, each represents a single planet, Mercury, Venus, Earth, Mars, Jupiter, Saturn, Uranus, Neptune, Pluto each numbered from an edition of 500 each 44cm diameter (9).

£500­800

595

Alan Clarke for Poole Pottery

Three Phases of the Moon chargers, 2002 glazed earthenware, showing the crescent, half, and full moon each numbered from an edition of 500 each 42cm diameter (3).

£100­200

596

Poole Pottery

Two large African Series chargers, 2010/11 painted by Jane Brewer, one with a pride of lions, the other with African animals at sunset signed and dated. (2)

£100­200

597

Poole Pottery

A large early Delphis charger, circa 1960 with yellow and black abstracted design, painted by Shirley Campbell 36cm diameter; and a large early Delphis bowl, 28cm diameter (2).

£80­120

598

Poole Pottery

A unique Festival of the Seas charger 1/1, painted by Nicola Massarella painted ‘Poole Studio 1/1 N.Massarella’ 41cm diameter.

£100­200

599

Robert Jefferson for Poole Pottery

A Poole Studio vase, circa 1965 ovoid form, with black and white design printed mark ‘POOLE STUDIO

ENGLAND’ 13.5cm high.

£100­200

600

Ros Sommerfelt for Poole Pottery

Two large Flower for the Birds chargers painted with a woman within a simple border pattern impressed marks 32cm diameter each (2).

£100­200

601

Carter Stabler, and Adams

A large early Poole Pottery Ewer and basin

painted by Anne Hatchard blue and white the ewer 33cm high, the basin 37cm diameter; and a Poole Pottery wall plaque of Harold Brownswood (3).

£200­300

602

Alfred Read and Guy Sydenham for Poole Pottery

Seven Freeform vases/dishes, circa 1955 painted in patterns ­ Bamboo, Looks, Butterflies, Totem, Burst, Purple Stars, and Tadpoles painted and printed marks each 44cm diameter (7).

£200­400

603

Carter, Stabler and Adams

A Poole Pottery Persian Deer charger, circa 1950

painted in colours on an off white ground, painted by Nellie Blackmore impressed and painted marks 40cm diameter.

Catalogue Notes: By repute, this lot was owned by Nellie Blackmore and displayed in her guest house.

£200­400

604

Truda Adams for Carter Stabler Adams

A rare pair of large Poole Pottery vases, circa 1926

painted in the ZW pattern, decorated by Anne Hatchard each with impressed factory mark, painted pattern code, and incised shape number 35.5cm high (2).

£200­400

604
599
600
601 part
602

DESIGN, CERAMICS AND GLASS

WEDNESDAY 6TH MAY | 10AM-1PM

Second Floor, 17 Clifford Street, London, W1S 3RQ

A large Russian Porcelain Figure, Imperial Porcelain Factory, Nicholas II period, from the People of Russia series, 39cm high.

Jeremy Lamond

Head of Valuations

+44 (0)1722 424 502 jl@woolleys.live

Susan Parkinson (1925­2012), A porcelain bust of a Judge, 33.5cm high.

TO BOOK AN APPOINTMENT PLEASE CONTACT

Neil Grenyer Head of Ceramics & Glass

+44 (0)1722 446 974 ng@woolleys.live

Max Fisher Head of Design

+44 (0)1722 424 505 mf@woolleys.live

WEDNESDAY 22ND & THURSDAY 23RD APRIL 2026 Cartier, an Art Deco seed pearl and diamond necklace Estimate £15,000 ­ 20,000* ENQUIRIES Marielle Whiting | +44 (0) 1722 424595 | mw@woolleys.live *Visit woolleyandwallis.co.uk/buying for additional charges on final hammer price

TUESDAY 28TH & WEDNESDAY 29TH APRIL 2026

By Hiroshi Suzuki ­ a contemporary fine silver Terre P ­ Yuu vase, London 2012, also marked with Queen Elizabeth II's Diamond Jubilee mark, HS654, Provenance: A Private Collection. Adrian Sassoon, London. The proceeds from the sale of this vase are being gifted to the charity Centrepoint (RCN 292411). Estimate £8,000 ­ 12,000*

ENQUIRIES Rupert Slingsby | +44 (0) 1722 446956 | rs@woolleys.live *Visit woolleyandwallis.co.uk/buying for additional charges on final hammer price

TUESDAY 2ND JUNE 2026

BRITISH ART POTTERY & STUDIO CERAMICS

WEDNESDAY 3RD JUNE 2026

Ivon Hitchens (1893­1979)

Water Meadows

Estimate £30,000­50,000*

Dame Lucie Rie (1902­1995)

Tall bottle with flared rim

Estimate £6,000­10,000*

Hans Coper (1920­1981)

Vessel with disc rim

Estimate £20,000­40,000*

ENQUIRIES

Victor Fauvelle

Head of Paintings

vf@woolleys.live | +44 (0) 1722 446 961

Max Fisher

Head of Design

mf@woolleys.live | +44 (0) 1722 424 505

*Visit woolleyandwallis.co.uk/buying for additional charges on final hammer price

AUCTION INFORMATION

OPENING HOURS

City Centre Salerooms

Monday to Friday 9am – 5pm

Old Sarum Galleries

Monday to Friday 9am – 5pm

VIEWING

All our auctions are on view at least two days prior to the sale and details will be found in the relevant catalogues.

REGISTERING WITH US

All first time buyers need to register with us. To register, you will need to provide two forms of identification:

1. a passport or photographic driving licence

2. a utility bill or document showing your name and address

You can register in person or by contacting client services on 01722 424500 or emailing id@woolleys.live

You will be asked to show your documents or email copies.

PLEASE NOTE: Registering with our website, or any third party website, does not automatically register you to bid with us.

BIDDING AT AUCTION

See below for the different options for bidding. Please note that you may be asked to provide two forms of identification, even if you have bid with us before, in order that we are compliant with Money Laundering Regulations.

BIDDING IN THE ROOM

To bid at auction you will need a paddle number. This can be obtained from client services either during the view or on the day of the sale.

COMMISSION BIDDING

If you are unable to attend the sale you can leave a commission bid. This will be executed on your behalf by the auctioneer who will purchase the lot as cheaply as possible bearing in mind any reserve price and other bids.

TELEPHONE BIDDING

It is usually possible to bid on the telephone by prior arrangement with client services

LIVE ONLINE BIDDING

Live online bidding is now available free of charge for most of our auctions via bid.woolleyandwallis.co.uk, enabling you to take part in the bidding from anywhere in the world live as it happens.

BUYER’S PREMIUM

The Buyer shall pay the hammer price together with a Buyer's Premium thereon of 27% plus VAT at 20% (totalling 32.4% inclusive) on the first £20,000 of the hammer price and 26% plus VAT at 20% (31.2% inclusive) up to £500,000, and 20% plus VAT at 20% (24% inclusive) thereafter.

CONDITION REPORTS

The relevant department will be pleased to give condition reports on any lot, where practical. All weights and measures given in the catalogue should be regarded as approximate.

The colours printed in the catalogue are not necessarily true.

SALE RESULTS

These will be posted on our website shortly after the sale.

PACKING AND SHIPPING

Woolley & Wallis do not offer a packing and despatch service but the following are carriers in our area.

Alban Shipping +44 (0)1582 493099 info@albanshipping.co.uk www.albanshipping.co.uk

Kimdan Ltd +44 (0)7973 389436 andy@kimdan.co.uk

Mailboxes +44 (0)1962 622133 info@mbewinchester.co.uk www.mbe.co.uk/winchester

ZIXIS Fine Art Limited +44 (0)7873 981026 zixisfineart@163.com www.zixisfineart.co.uk

Please note that we cannot be held responsible for any damage or loss to items once they are in the hands of a carrier.

EXPORTING YOUR PROPERTY FROM THE UK

If you are exporting your property, import taxes, customs duties and other fees may apply at the country of destination. It is also your responsibility to ensure that your shipment can be lawfully imported to the destination country.

Please note that due to the withdrawal of the Retail Export Scheme by HMRC, we are unable to provide VAT refund documentation (C88) for hand­carried exports.

In order to qualify for a VAT refund, your lots must be exported by a shipper and valid export documentation must be provided.

PAYMENT AND CLEARANCE

Payment is due immediately after the auction in pounds sterling. If you are a first time buyer we will need your name, address and bank details and will require funds to be cleared before purchases can be released. Please note that payment will only be accepted from the registered bidder.

The following methods of payment may be made:

Bacs, debit and credit cards

Wire transfers should be sent to:

Lloyds Bank plc, Blue Boar Row, Salisbury SP1 1DB.

Account no. 00957707

Sort code 30­97­41

IBAN no. GB20LOYD30974100957707

BIC code LOYDGB21063

Debit and Credit cards: Visa, Mastercard, Amex or Union Pay.

Where practical, payment can be made and purchases collected during the auction.

We reserve the right to add storage charges to all lots not collected within 30 calendar days of the sale. This will include a handling fee of £20 (+ VAT) per consignment and a storage charge of £2 (+ VAT) per lot per day. No goods will be allowed to be collected until these charges have been paid.

LOT SYMBOLS

VAT

Lots marked with an dagger (†) are subject to VAT on the hammer price. Lots marked with an omega (Ω) have been temporarily imported from outside the EU and are subject to VAT at 5% on the hammer price and the buyer’s premium. In online catalogues, the Sales Tax % column indicates the rate of VAT on hammer price.

CITES REGULATIONS

Please note that lots marked λ may be subject to CITES Regulations when exported.

The CITES Regulations may be found at www.defra.gov.uk/ahvlaen/imports­exports/cites/

ARTIST’S RESALE RIGHT / DROIT DE SUITE

Lots marked with a Φ symbol are potentially subject to a levy.

Droit de Suite is a royalty payable to a qualifying artist or the artist’s heirs each time a work is resold during the artist’s lifetime and up to a period of 70 years after the artist’s death.

Royalties are calculated on a sliding percentage scale based on the hammer price excluding the buyer’s premium. The royalty does not apply to lots selling below £1,000 and the maximum royalty payable on any single lot is £12,500.

Droit de Suite, which is not subject to VAT, will be added to the buyer’s purchase price and then passed on to the relevant collecting agency.

Royalties for Droit de Suite are as follows:

4% Up to £50,000

3% £50,000.01 ­ 200,000

1% £200,000.01 ­ 350,000

0.5% £350,000.01 ­ 500,000

0.25% In excess of £500,000

Up to a maximum levy of £12,500

FIREARMS

Lots marked Ƒ in the catalogue, or by any other means identified as controlled firearms, are subject to the UK firearms/shotgun licencing regime, and should only be viewed/purchased by individuals with appropriate licences. It is the responsibility of the bidders to ensure that they are legally authorised to acquire the lot that they are bidding for. In the event that such a lot is successfully bid for by an individual who is not authorised to possess it, that individual will be required to pay for it, but will not be allowed to take physical possession of it. The auctioneers will re­offer the lot on behalf of the buyer in a future auction; or may accept instructions to dispose of it by some other legal means, at their discretion.

VALUATIONS

Valuations are a core part of our business and are usually carried out by a senior specialist or directors. Accuracy, speed and above all confidentiality are paramount.

INSURANCE VALUATIONS

Written valuations for insurance can vary from a single item to a large estate. Before starting we discuss the various options available so that the valuation is specifically tailored to individual client’s needs.

For valuations of an entire house contents an itemised bound valuation is produced and can be accompanied by photographs when required. In addition to providing an inventory, written valuations can prevent painful arguments with a loss adjuster in the event of a claim.

Woolley & Wallis valuations are accepted by all leading insurance companies.

PROBATE VALUATIONS

We offer a speedy and professional service for executors and trustees and provide bound valuations for probate and duplicate copies when required. Since security is often a consideration, we can usually arrange for a house to be cleared and sent for auction, our Valuations Department ensures that executors are informed of which sales are involved and the results thereof.

We also carry out valuations for Family Division, Capital Gains Tax, and Private Treaty Sales.

Contact Jeremy Lamond +44 (0)1722 424502 | valuations@woolleys.live

FREE AUCTION VALUATIONS

Free verbal valuations of items for sale are available by appointment. Please email valuations@woolleys.live or call +44 (0)1722 424500

SPECIALIST DEPARTMENTS

Please dial +44 (0)1722 followed by the number listed below

20TH CENTURY DESIGN

Max Fisher 424505

Zoe Smith 446955

AFRICAN & OCEANIC ART ANTIQUITIES

Will Hobbs 339752

ASIAN ART

John Axford MRICS 424506

Alexandra Aguilar 424583

Freya Yuan­Richards 424589

Jeremy Morgan +44 (0)7812 601098

Olivia Jones 424591

BRITISH AND CONTINENTAL CERAMICS & GLASS

John Axford MRICS 424506

Neil Grenyer MRICS 446974

CHINESE PAINTINGS & CALLIGRAPHY

Freya Yuan­Richards 424589

FURNITURE, WORKS OF ART & CLOCKS

Mark Yuan­Richards 411854

Neil Grenyer MRICS 446974

Jim Gale 339161

Sarah Stone 339161

Suilven Hunter 339161

INTERIORS

Will Hobbs 339752

JAPANESE ART

Alexandra Aguilar 424583

Olivia Jones 424591

JEWELLERY

Marielle Whiting FGA 424595

Jonathan Edwards FGAA (Consultant) 424504

Jacob Carpenter 424586

Freya Miller 424569

Beth Reardon 424509

MEDALS & COINS, ARMS & ARMOUR

Ned Cowell 341469

Zoe Smith 446955

PAINTINGS

Victor Fauvelle 446961

Ed Beer 446962

Richard Kay 446964

Heidi Easton 446970

SILVER

Rupert Slingsby 446956

Archie Swann 446959

Becky Tilly­Trickett 446957

VALUATIONS

Jeremy Lamond MRICS FRSA 424502

Frances Woodhams

CLIENT SERVICES

Ruth Pike (Client Services Manager) 424500

Julie Langstaff

Gemma Pointer

Riin Rohtla­Szeverenyi

Demi Jueno­Chapman

PHOTOGRAPHY

Fahmeeda Yasmin

Oscar Eccleston

Annabelle Hunt

BOARD OF DIRECTORS

John Axford MRICS Chairman

Natalie Milsted FCCA

Managing Director

Alexandra Aguilar Director

Ed Beer Director

ASSOCIATE DIRECTORS

Ned Cowell

Victor Fauvelle

Will Hobbs

Jeremy Lamond MRICS FRSA

Rupert Slingsby

Marielle Whiting FGA

Freya Yuan­Richards

Mark Yuan­Richards

Turn static files into dynamic content formats.

Create a flipbook