In Process 2022

With gratitude for your contribution and participation:

[in] Process 2022

This All-Third Year Portfolio Document presents the work of the students in both the Architecture and Planning programmes at the School of Architecture and Planning at the University of the Witwatersrand. These student projects were completed during the 2022 academic year.

November 2022

Graphic Design and Layout Artist: Brigitta Stone-Johnson Editor: Patricia Theron With the assistance of Melinda Silverman, Sandra Felix and Nomonde Gwebu

Professor Nnamdi Elleh (Head of School)

Professor Mfaniseni Sihlongonyane (Director of the Planning Programme)

Garret Gantner (Director of the Architecture Programme)

Sandra Felix (Third Year Course Coordinator, Architecture)

Melinda Silverman (Third Year Course Coordinator, Architecture)

Patricia Theron (Third Year Lecturer, Architecture)

Avish Mistry (Third Year Lecturer, Architecture)

Mawabo Msingaphantsi (Third Year Course Coordinator, Planning)

Neil Klug (Third Year Course Coordinator, Planning)

Skhumbuzo Mtshali (Third Year Lecturer, Planning)

Nkosilenhle Mavuso (Third Year Course Coordinator, Planning)

And the Third Year Architecture and Planning students

Foreword from Professor Nnamdi Elleh (Head of School) (Page VII)

Perspectives from the Architecture and Planning Programmes (Page IX)

Note from the Curatorial Team (Page XI)

An Overview of Third Year Architectural Design at Wits SoAP

Studio Masters: Melinda Silverman and Sandra Felix (Page XIII)

An Overview of Third Year Urban and Regional Planning at Wits SoAP

Studio Masters: Mawabo Msingaphantsi and Nkosilenhle Mavuso (Page XV)

Research Focus Areas:

Society + Transformation (Page 2)

Embodiment + Phenomenology (Page 36)

Nature, Ecology + Sustainability (Page 62)

City, Metro and Urban Territories (Page 132)

History, Memory + Tradition (Page 156)

Aesthetics, Pleasure + Excess (Page 182)

Materiality + The Poetics of Place (Page 206)

#BraamNgomso: Narrating & Envisioning Braam Tomorrows (Page 228)

Note from the Head of School:

Congratula�ons to a Versa�le Genera�on of Graduates

The outstanding quality of projects produced across the board by the undergraduate and postgraduate students, and this gradua�ng class of architecture and planning students in their third year at the School of Architecture & Planning (SoAP) in the 2022 academic year, is a sign of emerging opportuni�es in educa�on and prac�ce that come with challenges.

The projects are reflec�ons of the dedica�on of the students and the lecturers to the pursuit of excellence in architectural and planning educa�on. Covid and associated unforeseen social hardship could not deter the students and their lecturers from aspiring to achieve the best in their respec�ve projects and fields. For the first �me in the School’s history, a genera�on of students is gradua�ng in architecture and planning with the experiences of the University campus, lecture halls, and studios, and yet who were also facilitated by blended learning.

SoAP congratulates the students, lecturers, families, and contributors from different agencies and walks of life who have made it possible for the staff and the students to complete the school year successfully.

The challenges lie in the educa�onal ins�tu�ons and the professions being able to tap into the technology and the versa�le skills of the students fully, and to usher in the next spa�al and economic transforma�ons that would benefit the society at large.

We look forward to the incoming classes in 2023 with hope and expecta�on for those entering programmes in their first year of degrees (1st; Honours; Masters), and the con�nuing students, who all move forward in the pursuit of excellence in architectural and planning educa�on.

With much gra�tude to the lecturers and administra�ve colleagues for the excellent contribu�ons.

Professor Nnamdi Elleh, Head of School School of Architecture and Planning

Perspectives from the Architecture and Planning Programmes

The year 2022 has brought a new spark of hope as the restric�ve condi�ons of COVID 19 go away from our pallet of rules for social interac�on. Our students once more make us proud by showcasing their work in this new edi�on of the online exhibi�on. This por�olio is an outcome of hard work and a tes�mony to their design, spa�al and communica�on skills. It is a crucial complement to our well-known strengths in planning theory, history, analysis, design, and cri�cal thinking. This exhibi�on is a way of talking to other students elsewhere, and to the public. It is an ambassadorial vehicle for showcasing the skills in design, planning, urbanism, and cri�cal thought. Through the vehicle of word, image, design and technology, the exhibi�on assists our students to convey their thinking, reflec�ons, and world views. It opens a window for viewing something of the knowledge, skills and thought forms that preoccupy students in the planning programme. Their reflec�on enhances our understanding of space, place and people and the urban reali�es of life. Their work is also a reflec�on of the mode and mood of intellectual transforma�on that has preoccupied students in the school. It gives us a measure of the quality of students in the programme and tells a story of the training and thought transforma�on that happens in the school. I wish all our third years a successful year in their studies and look forward to mee�ng them at honours level in 2023.

Professor Mfaniseni Sihlongonyane (Director of the Planning Programme)

‘Hybridity’ has long been a term used in architecture that could take on mul�ple meanings: a hybrid programme, combining different building uses or unit types; hybrid drawings, combining digital and conven�onal representa�on techniques; hybrid structure, using different structural techniques within the same system. This year, the term ‘hybrid’ took on a new meaning that will likely stay with us for some �me: the combina�on of remote and in-person modes of teaching. While we, as educators, try to perfect this kind of hybridity, students have been exploring myriad other forms of hybridity in their design work, preparing for a professional world in which broad bases of knowledge and intellectual agility are likely to be important assets, more so than the hyper-specialisa�on which architecture has moved towards in the past. This online exhibit (itself part of a hybrid exhibi�on) demonstrates those explora�ons and achievements by the classes of 2022.

Garret Gantner (Director of the Architecture Programme)

The 2022 All Third-Year Exhibition as an Online Portfolio of Projects

2022 marks the third edi�on of the All-Third Year Por�olio Document: [in] Process 2022, showcasing the work of the third year architecture and planning gradua�ng classes.

We began this ini�a�ve in 2020 in response to the COVID-19 pandemic, as a way of con�nuing the tradi�on of the annual end-of-year school exhibi�on, although at the �me all events were held online. Although for the most part, we have been back in the lecture halls and in the studios this year, we have also come to recognise the relevance of presen�ng this online por�olio exhibi�on to a wider audience, made possible by ICT in a globally-connected world. The work of the students responds to issues faced in Johannesburg, and in South Africa, at a local level, but also has a resonance with the challenges faced by global society. This uniquely posi�ons the disciplines of architecture and planning in rela�on to ques�ons of design innova�on and the upholding of sociocultural and ecological values.

From its launch in 2020, the theme of ‘In Process’, has been retained in recogni�on of design and planning work as a process of explora�on, that involves itera�on and refinement of thinking through a project. The third year students in architecture and planning have presented both a concise statement of their interests, and a project that they felt best expressed their approach to the discipline. The por�olio document includes the work of the Architectural Design and Theory studio, and the Planning courses: Local Planning and Urban Design; and Applica�ons in Graphic and Spa�al Communica�on in Planning.

Several research areas are emerging in the undergraduate programmes; and for the purposes of this por�olio document, we have grouped the work according to the following themes:

• Society + Transforma�on

• Embodiment + Phenomenology

• Nature, Ecology + Sustainability

• City, Metro + Urban Territories

• History, Memory + Tradi�on

• Aesthe�cs, Pleasure + Excess

• Materiality + Poe�cs of Place

• #BraamNgomso: Narra�ng and Envisioning Braam Tomorrows

This document thus represents the collec�ve par�cipa�on of the third year cohort in 2022. This gradua�ng class would be looking for opportuni�es to con�nue learning in their professions, and we invite members of the professional networks to refer to this online collec�on as a resource.

Thank you for being a patron of the School of Architecture & Planning, SoAP. Brigi�a Stone-Johnson and Patricia Theron Curators

An Overview of Third Year Architectural Design at Wits SoAP

Studio Masters: Melinda Silverman, Sandra Felix, Patricia Theron and Avish Mistry Course: Architectural Design and Theory

This year, 2022, was an exci�ng one for our third-year students: in effect their first year on campus a�er two years of online learning necessitated by Covid. And the excitement on the first day of term was indeed palpable. We gathered for the first lecture in the amphitheatre at the pool, s�ll somewhat nervous about the dangers of crowded indoor lecture venues. But as the year progressed, we were able to re-introduce some of the more exci�ng aspects of ‘in-the-flesh’ educa�on: site visits, excursions, paper pin-ups, modelmaking, and most significantly studio work, engendering collegiality, crea�vity and produc�ve collabora�ons.

This is borne out in the three major projects of the year. In the first half of the year, the third years worked on the design of a Student Commons, in response to Wits’ Centenary celebra�ons. The building accommodated a diverse range of programmes tes�ng students’ abili�es to plan legible, welcoming and engaging spaces. All our students accomplished projects that helped to ac�vate the Amic Deck, straddling the freeway, and thereby bringing new life to this underu�lised area. In the la�er part of the year, students refined their architectural designs by taking their buildings into construc�on, transforming their crea�ve ideas into something immanently buildable. The second major design project called for the reconstruc�on of the Na�onal Assembly Chamber in Cape Town, which had burnt down earlier in the year. Students were asked to think about how the parliament might be reimagined to give expression to ideas about democracy, transparency and accountability.

The final project of the year involved the design of an embassy building sited in Pretoria opposite the Union Buildings. Here students were asked to select an African country of their choice, and through their designs, probe no�ons of African iden�ty. Sustainability was a cri�cal component of the brief, informing both their ini�al design concepts and their thinking about construc�on.

We are extremely proud of the work produced by our students and have the utmost confidence that they are well equipped to venture out into the world of work or to pursue addi�onal studies.

An Overview of Third Year Urban and Regional Planning at Wits SoAP

Studio Masters: Mawabo Msingaphantsi, Neil Klug, and Skhumbuzo Mtshali Course: Local Planning and Urban Design

This course, Local Planning and Urban Design, draws from the wealth of skills that students have accumulated throughout their �me in the school, and pushes them to the peak of their capability. The site for this year was Frankenwald, a strategically located but highly contested piece of land that was donated to Wits University in 1922. The area is located between Alexandra to the south and the wealthy suburbs of Kelvin and Buccleuch to the west and north. It is also adjacent to the N3 na�onal highway and the Limbro Park industrial area. There is immense development pressure on this area but also divergent interests and thoughts on what form development might take. The owner of the land has a financial interest in maximizing the return on the sale of the land, but also has a social responsibility. Students were tasked with developing a proposal on a 20ha por�on of Frankenwald that would create a mixed-use neighbourhood with 1200 residen�al units. They had to conduct a feasibility study to es�mate the poten�al yield from the site; subdivide the site into individual proper�es and roads; and determine the zoning and densi�es. The process culminates in a township layout that is ready for submission to a municipality. We are excited and proud to share what our students have managed to achieve.

Studio Master: Nkosilenhle Mavuso Course: Applica�ons in Graphic and Spa�al Communica�on in Planning

#BraamNgomso: Narra�ng and Envisioning Braam Tomorrows

Students were required to represent graphically and to profile the spa�al and demographic dimensions of a chosen Block in Braamfontein, Johannesburg. Students had to spend �me physically (and virtually) on their chosen block, where they collected data on how the property/space owners, residents, daily users and visitors perceive the block and what they would like the block to be in future.

They were asked the ques�on: If you had the power to change this block Ngomso (Tomorrow), what would you make it into?

The task was to narrate visually, the visions of the users of the Block. These illustra�ons were all presented as an Instagram Profile, where all posts included the hashtags #BraamNgomso.

These profiles were a crea�ve representa�on of the percep�ons and visions or desires of the occupants and users of the chosen Block, and represen�ng these in a two- or three-dimensional manner using Instagram as pla�orm.

The Frankenwald development is ideally located within the City of Johannesburg to integrate and include people from the Alexandra informal se�lement into the city structure through mixed-use development and integrated housing opportuni�es for low-income earners to live within well-connected neighborhoods. Housing development for marginalized communi�es o�en leaves people residing within poorly facilitated and connected urban periphery spaces, the development, and growth of these se�lements aid sprawl and fragmenta�on within the country.

The People’s Place will address the issues of social inequali�es and create an urban space of integrated living for communi�es of low to middle income to live together. The use of compact living and mixed-use design combines various land-uses such as residen�al, retail, educa�on, and open space for relaxa�on and informal economic ac�vity. The People’s Place also provides tenure op�ons through rental units, bonded houses, community rentals, and RDP tenure opportuni�es. The project focuses on permeability that will support the integra�on of urban spaces and people in private and public spaces, at human scale, ensuring that public spaces are not too large or small to move through and that they are tailored to the needs of the community.

As a young urban designer, it is difficult to ignore the growing inequality within South Africa. Designing spaces for the marginalized is not merely the thought of providing housing to the poor but integra�ng people through space with the opportunity to enter the economy and par�cipate in society without the burden of being singled out by their economic status or limita�ons.

Frankenwald is located within the City of Johannesburg to the north of the Kelvin suburb and west of the Linbro industrial and business park. The major movement systems that border Frankenwald is the N1 Eastern By-pass to the north and the M3 towards its western border.

SWOT Analysis

Strengths

Located within a transforma�on zone which will connect economic nodes and connect marginalized areas to economic ac�vi�es

Weaknesses

The global pandemic has declined the economic growth in the country and increasingly unequal access to employment, quality services, and infrastructure.

Opportunity

Mixed-use development may create employment opportuni�es in close proximity to living spaces. The development may also address the city’s housing backlog and locate housing on well connected land.

Threats

The site contains soil that may hinder high-density residen�al development.

Key Prinicples

Concept

3D Rendering

1. Displays the locality of retail on ground floors with residen�al apartments above to promote human-scale and accessibility to retail services.

2. The market space within the site is for residents of the community to sell products and ac�vate micro-economies for those who are low-income earning

Street design is oriented toward pedestrian use, with extended sidewalks that range between 2.5- 3m.

Shared lanes for cars and bicycles have a width of 4.5m. Cars and pedestrians have separate movement networks, with greenery such as plant boxes placed on sidewalks as a buffer to increase safety.

I am a highly mo�vated student who is interested in making a difference. I hope to create spaces that would promote equality for all. I view space as one of life's greatest treasures and constantly strive to produce works that provide enjoyable and las�ng experiences. I adopt a grounded approach, and wish to demonstrate how feasible ideas can be in reali

Frankenwald is a sizable and no�ceable land holding, situated next to the N3 freeway in Sandton, Gauteng. The problem with the site and its surrounds is that there is inequality; some places are making a posi�ve contribu�on, while others are exacerba�ng inequali�es, and human suffering, fuelling discontent and disrup�ng development. There is also a problem related to the accessibility of the site. Due to junc�on spacing restric�ons, Marlboro Drive and the N3 freeway create a barrier from other areas and provide few alterna�ves for access. In addi�on, the site's terrain will present difficul�es in crea�ng the internal road network

Different land uses promote variety, enhanced mobility, as well as integra�on through mixed-use communi�es. The construc�on of spaces that foster interac�on is necessary for achieving equitable access. Equitable access would bring people closer to jobs, markets, social networks, and other possibili�es (Johannesburg 2040 GDS). The aim for this project was to create a public space that would be a�rac�ve to a diversity of users and at different �mes of the day. A café, play facili�es or community programmes can assist in ac�va�ng public space. I have set out to create a space that will support safe, convenient access and circula�on for residents and visitors to the medium-density residen�al buildings. A variety of transport modes and support ac�vi�es are accommodated.

I am a third-year BSc student of urban and regional planning at the University of the Witwatersrand. My main focus as a planner in the making is offering equity and accessibility in space. I began my studies during the pandemic with many difficul�es, but I have learned skills that are useful in planning. My studies will enable me to work on projects that could have a direct impact on people living and working in urban neighbourhoods. I believe I can use my own experiences and educa�on for improving infrastructure and quality of life in space. I am glad for the opportunity to study alongside, and learn from, the talented individuals in my degree programme.

The aim of this project is to develop a concept for a township layout and an urban design framework for a site in Frankenwald, Johannesburg. The site is located between Alexandra and Woodmead. The vision for the site is to create a well-connected, mixed-used development that would fit in with the exis�ng urban form and surrounding area. At the same �me, bringing people around the world to a place where they would feel at home, thereby promo�ng integra�on. In South Africa, a frequent problem that leads to growing inequality and inaccessibility, is the lack of suitable housing. The proposed development in Frankenwald aims to provide well-located, affordable, and architecturally diverse housing op�ons, providing 1200 units.

Urban Design Framework

Dwellings

Apartments consist of 5 storeys, 14 parking per building, and a green backyard for residents living on the first floor, and trees on the sidewalk

The single buildings consist of private backyards, and trees on the street, and each property is separated by a fence.

The market stall will promote affordability on site accep�ng any working class to use the site

The overall goal for Faranani is to bring people together fulfilling its name meaning (TOGETHERNESS). The vision for the site is to provide convenience and connect people from different regions without economic segrega�on. The overall projects provides the land uses that are most suitable for Faranani.

Personal Statement

I enjoy urban and regional planning. In my third year I look back on �me that has been well spent gaining knowledge of a field in which I hope to make a difference. My focus would be on developing communi�es and producing the best work possible, while making use of best planning prac�ces. As urban and regional planning is a passion of mine, every project I work on receives my all.

Open green spaces provide space for both visual and physical permeability of the site which increases walkability.

Project Statement

Frankenwald, which has long been held by the University of Witwatersrand, has been opened for development. We have been tasked with finding a suitable site for a new development, which would be the crown jewel and opening salvo of Frankenwald. This 22ha town must make use of mixed-use development and it must support those in the low to middle income classes. Throughout the course of this module and three projects, I developed “Srelitzia Heights” as the jewel of Frankenwald.

Low income groups have space on the site with apartments that are pleasant but also affordable, the site will be able to house over six thousand residents.

The market street is open to all people and there is space in all green areas for informal trading to take place, this ensures that everyone can

Strelitzia heights

Approach

Walkability, Enclosure, and Community development are cornerstones of Strelitzia Heights. This development makes use of perimeter blocks, pedestrian corridors, and community spaces to build a sense of community iden�ty in the area.

Sidewalks that are a minimum of 4m wide provide space for pedestrian movement beyond the green corridors within the site. While walking along these sidewalks, pedestrians are flanked by three to four storey buildings and green trees.

Inspiration

When doing case studies for this site, significant precedents were located in Copenhagen in Denmark, Trang in Thailand, and Killarney in South Africa. Each of these case studies added aspects to the development, culmina�ng in a space that places pedestrians first; something that is sorely needed within a car-dominated South Africa.

Personal Statement

Dineo is a 21-year-old Urban and Regional Planning student currently developing her skills to find be�er solu�ons for African problems. She is from Mankweng in Limpopo, an isolated township from the City of Polokwane. Therefore, she knows what it is like to experience having been isolated from the opportunity that the city has to offer. Her work in Urban Planning Design is concerned with finding a place for the poor and marginalized. Her cri�cal thinking and analy�cal thinking ability, understanding, perseverance and crea�vity have been developed through naviga�on of contextual challenges faced by a diversity of people residing in diverse loca�ons, and development of strategies that provide more suitable design solu�ons.

Future proposed developments in South Afria to lessen the imapct of Power, racial segrega�on and brining upon balance into space. This translates to the ver�cal expansion of neighborhoods, shared dwelling units as opposed to single dwelling units, publiv transport emphasis, pedestrian streets to respond be�er to the large popula�on of South Africans which does not have cars, pedestrian malls and street markets to support informal and small businesses in Space

Project Statement

This project looks into the way that power influences the livelihoods of people in space, as well as the posi�on that one occupies in society by virtue of being black, and the balance that is needed and required for specific neighbourhoods to serve their different groups of people.

Instragram: @studentemployee_balance

Personal Statement

I am an alterna�ve R&B singer-songwriter and recording ar�st with an interest in evolving into a mul�-disciplinary ar�st and designer, working with a range of media. I enjoy exploring the dance between the sonic and visual worlds, and how both art forms can be used to complement and enhance one another. I use my knowledge of architecture to experiment with these ideas in my free �me.

Project Statement

The concept for this design was conceived with the inten�on of crea�ng spaces that felt inclusive, non-tradi�onal and quirky. I aimed to design mul�ple opportuni�es for large and small group gatherings. I also wanted to priori�se movement as a design driver; allowing users easy and unrestricted movement throughout the building. The building is divided up into three segments; the more one moves further south and ascends, the more private the programmes become.

Personal Statement

Planning is a mul�disciplinary course that has taught me about the poli�cal, social and economic rela�onships that exist between people and the built environment. This has provided me with a new perspec�ve on some of the challenges that face South African ci�es, such as spa�al fragmenta�on and inadequate housing. I have taken an interest in the historical aspects of planning, and I am intrigued by the complex topic of incorpora�ng indigenous planning and knowledge with modern planning systems to come up with solu�ons tailored for our ci�es' complex spa�al structure. Contradictory to the remarks made by our President, I do not think we should be comparing or trying to create Roman ci�es in South Africa. Rather we should aim to create ci�es designed by South Africans for South Africans. Moreover, before one can run, one must crawl: so we need to ensure that people have access to basic facili�es and infrastructure before we can think of comparing our ci�es with those in other countries. Lastly, we need to reimagine and come up with new unconven�onal towns that are not just aesthe�cally pleasing, but incorporate peoples’ needs and cultures. Thai would enable our people to not only read or watch movies that portray what an African city could look like, but to live in one.

Project statment

The goal for the site was to establish a well-connected, self-sufficient mixed-use community that would blend in with the neighbourhood's current urban form. The development was also intended to have a dis�nc�ve architectural quality by offering a variety of housing typologies, building heights, and land uses. This is an a�empt to alter the typical township plan. The lack of suitable housing and the ongoing housing backlog in South Africa result in accessibility issues and inequality. In order to create housing that is both inexpensive and conveniently situated for the low-income and GAP market popula�on, the proposed development would include the exci�ng, quickly expanding concept of transit-oriented development, which aims to develop small, walkable, pedestrian-oriented, mixed-use towns centred on excellent transport networks, and some�mes referred to as transit oriented development or TOD. Moreover, inclusionary housing is about providing affordable low-income housing within economic centres.

Embodiment + Phenomenology

Project Statement

In the year of 2022, the University of the Witwatersrand celebrated the centenary of the ins�tu�on: an opportunity to reflect on both the past and “look towards transforming the future”. The university intends to reconceptualise the Amic Deck, as well as create a mixed-use building on the site adjacent to the Amic Deck.

The building has been inspired by the student body of the university, which is o�en viewed as a single en�ty, but which is, however, much more complex. The student body is made up of diverse groups characterised by different religious beliefs, or par�cipa�on in various sports, or forming part of facul�es specialising in different disciplines. These represent subsects within the university and can be conceptualised in the project for a student centre as a mul�tude of ‘boxes’ which fit together to create a whole and func�onal en�ty.

Designer’s Statement

Everything I have ever created has been a product of memory. It is difficult to imagine something without having the basis of what I already know. My memories and feelings that are associated with my experiences have a constant impact on the process of design realisa�on, not only in what I create physically, but also in the way that I conceptualise and ra�onalise space. My design ability involves a culmina�on of memory that serves to inform crea�ve possibility.

Through influencing the built form around us in a logical and pragma�c way so as to shape light, space, material and the user experience, the designer can promote architecture that has a posi�ve influence on society, and that connects people to nature and to their built environment. I am drawn to the idea that buildings tell the story of their context. This is key to my process of explora�on: the way in which we can connect to the context in a pragma�c way that influences the user experience.

Located in Pretoria and represen�ng the Namibian Embassy, the concept was to create a spa�al experience by taking a journey through the desert as a public space. The forecourt is a threshold into the building that connects the users to a safe and welcoming space where people can gather. In addi�on, the courtyards allow light to filter down to the lower levels of the building, crea�ng so� natural ligh�ng throughout. The collec�on of natural light, combined with energy collectors, responds to the energy issue stated in the project. Being a mul�-use space, public and private spaces are divided into the building, with the most public being on the ground floor and the most private on the second floor.

In South Africa, exclusion is one of the biggest factors of inequality, this means that elements of exclusion which are inclusive of access to basic ameni�es, services and infrastructure must otherwise be eliminated in order to formulate mechanisms which help exacerbate integra�on and par�cipa�on between classes. According to (StatsSA, 2012), more than 19,03% of people live in inadequate and informal urban se�lements. This leaves them vulnerable to accessibility problems such as transport, refuse, water and steady power connec�ons.

A prime example of lack integra�on, is the visible dispari�es between the area of Alexandra and the affluent area of Kelvin, Sandton. This would include the dras�c increasing of densi�es from the North such as Kelvin and Buccleuch to the immediate south, which is Alexandra. Another problem elemental to the forma�on of such densi�es would be proximity to economic op�portuni�es, causing a spike in the squander of informal se�lements in Alexander.

Designer’s Statement

My name is Kgotso Mahopo, a third year urban and regional planning student. My interests are spa�ally ana lysing complexi�es within plac es, this would mean that I daily a�empt to understand the human element and its rela�on to the built environment by forming webs of rela�ons between elements.�

Shows the different densi�es on the plot

Shows the open spaces and other green spaces on the plot

Shows the circula�on levels on site with blue and yellow indica�ng high speed and medium speed, and red showing walkable pathways

In South Africa, exclusion is one of the most significant factors of inequality. This means that elements of exclusion or inequality, including access to basic ameni�es, services and infrastructure must be eliminated in order to formulate mechanisms which aid integra�on and par�cipa�on between classes. According to (StatsSA, 2012) more than 19,03% of people live in inadequate and informal urban se�lements. This leaves them vulnerable to accessibility challenges, such as transport, refuse services, access to water and steady power connec�ons. A prime example of lack of integra�on is the visible dispari�es between the area of Alexandra and the affluent areas of Kelvin, Sandton. This would include the dras�cally increased densi�es of people from the North, such as Kelvin and Buccleuch, to the immediate south, which is Alexandra.

Personal Statement

My name is Angelina Ngoepe and I am a final year student at the University of Witswatersrand, pursuing a degree in Urban and Regional Planning. I have always had an interest in transport planning and I am specifically interested in the role of women (or lack thereof) in the transporta�on industry, specifically in the taxi industry. My other interests are in crea�ng spaces that acknowledge people’s crea�vity and innova�on within informal areas.

Project Statement

Frankenwald, a vacant land in the City of Johannesburg, Gauteng, with the poten�al of being developed. It is centrally located within the different economic nodes and 2 major roads N3 and M1, namely, Sandton, Greenstone, Woodmead and Waterfall. The undeveloped land is surrounded by suburbs, respec�vely, Kelvin and Buccleuch. Nonetheless, Marlboro drive acts as a buffer between the encroaching informal se�lement of Alexandra’s southern boundary of the site. Thus, the aim is to undertake a mixed-use development on a 20ha, keeping in mind that the development should cater to 1200 residen�al units. The project development characteris�cs could resemble a compact city with elements of diversity, mixed land use and compactness. The urban environment addresses the housing backlog and empowers disadvantaged people by suppor�ng small micro businesses. In other words, the development aims at crea�ng a smart city with smart people, which enforces crea�vity and innova�on.

The aim of this project is to design an African embassy within a prominent posi�on east of the Pretoria CBD, where the urban grid meets the more organic structure of the park landscape of the union buildings. The architectural language of my Embassy expresses the na�onal context and tradi�ons of Kenya. The building responds to its site and urban context. The front of the building houses a shaded public plaza that spills out onto the street. Enclosed within the building is a courtyard, a space that invokes an experience of connec�on and diplomacy. The space symbolises the African tradi�on of “jus�ce under a tree”. The space allows users of the building to connect with nature, rest, interact, communicate, and socialise. The curved and circular form of the building is meant to imitate a tradi�onal Kenyan rain harves�ng technique used in farming, as the main driving concept for this embassy building is to conserve and harvest water to pay homage to the droughts and water crises in Kenya.

Architecture, to me, is a way to form and shape perspec�ves within our world. My design ethos priori�ses the design of spaces that respond to humans’ lived experience. I strive to create tangible spaces that embody the individual’s experience in that environment. I ins�nc�vely use thresholds and transi�onal design methods to create these spa�al experiences and I acknowledge that the people who inhabit the buildings designed today will con�nually change and have different requirements over �me. I aim to impart a more empathe�c approach to the architectural journey.

Nature, Ecology + Sustainability

V E C T O R C E

Personal Statement

Project Statement

What is it that defines me as an architectural designer? This is a ques�on that I have been considering since the beginning of my journey as a student. Biophilia is the innate tendency for human beings to be a�racted towards nature. I have explored this term in depth through my projects and it has begun to shape my thinking. My work provides a reflec�on upon the deep-rooted ins�nct of people to gravitate towards landscape, and in the urban context: ‘green buildings’. I have explored unique organic forms, materials, and sustainable principles to differen�ate my work and integrate this aspect of biophilia.

The Wits Student Commons was designed using organic forms to create unique spaces. With this design, I was taken back in my mind to my childhood, during which I discovered the importance of the experience of space: how different spaces might make me feel; how they may alter my thought pa�erns; and the way that they might affect me in daily life. The objec�ve was to design an interes�ng building that would be welcoming for students and staff. Biophilia was an integral part of the design concept, and it informed the process through to the resolu�on of the building. Bold, cut back and organic forms were placed in irregular ways to create a variety of beau�ful open spaces, carved out entry points, and the main feature of the building: the central void. The void extends through all five floors and allows for passive ven�la�on and adequate sunlight. The idea was to incorporate a design feature that everyone could experience, from the public entering the ground floor, to the staff occupying the fi�h floor. The design integrates open courtyard spaces, and the ecology of the site is expressed on the facades, to enable the occupants to enjoy the outdoors, while the building frames views and provides areas for social interac�on. The form of the building and the biophilic principles that have been employed in this project, would draw passers by into the building where they could experience the unique sequence of spaces

My chosen country is Zambia. Much of its vernacular architecture consisted of mud bricks and pole construc�on. Zambia also has a tradi�onal artefact called the Tonga stool. Tradi�onally, only the head of the household could own and take his place on a Tonga stool. Women were prohibited from si�ng on stools. Just by observing this wooden chair, you can easily weave together a story about the owner and his posi�on in the wider community.

My most public space was then greatly inspired by this artefact. Since the Tonga stool represented so much power in the Zambian community, I wanted to give this power to the

public. Therefore, upon entry, I wanted the space to resemble the stool, from its circular layout to its heavy roof and large suppor�ng columns, which closely resemble a stool's structure.

I chose to focus on the environmental water crisis. I drew inspira�on from Zambia's Victoria Falls, designing the roof to collect rainwater. This also became a water feature on the facade and part of a sustainable water system for the building.

As a designer, one should be conscious that design is sensual. It should posi�vely influence the person walking by as well as the person who will be using the space. Trea�ng buildings as simply objects or empty sculptures is something that usually disadvantages the user. When a space is being designed, the end user must always be kept in mind, and building design should work in harmony with the building's surroundings.

Statement

Cote d’Ivoire has been facing a water sanita�on crisis for many years due to rapid urbanisa�on that soon impacted living standards in these urban areas. One such ma�er was a lack of access to clean drinking water, as well as a decrease in sanitary spaces. Built as a Cote d’Ivoire Embassy, this building is designed to relate to the country’s cultures and hardships by including aesthe�c elements and renewable systems. Tradi�onal cylindrical silos influenced the shape of the building and its programme placement and inspired the s�lted design. Mul�ple water systems were introduced in recogni�on of the country’s water crisis. The most prominent of these are the concave rain basins a�ached to mul�ple roofs, which func�on to collect rainwater that can be reused and fed back into the greywater system for use in ablu�ons. This system is further supported by ponds placed around the site, which catch runoff water and are connected to the same collec�on system when overfilled. These aspects, along with other elements of the design, a�empt to relate back to the parent country: Cote d’Ivoire

Statement

Kat Gardiner aspires to be a designer who is open to the discovery of new and improved sustainable systems, prac�ces, and materials. She believes that by achieving environmental sustainability, social sustainability will follow – and vice versa. Without one, the other will eventually fall short or fail. And so her mission in her architectural future is to try to find the elements to achieve both.

Statement

Architecture is all about people. It should be inclusive by providing space that does not discriminate. The themes explored the most in my projects are circula�on and programming, which are integral in forming a comfortable and func�onal space that supports the no�on of architecture being about the people. As architects and designers, we create forms and spaces to evoke certain emo�ons that give a sense of a space's essence—my percep�on of architecture is that it holds poten�al for crea�ng something where formerly there was nothing: it represents an infrastructure that can support community life.

Statement

The design of the Malawian Embassy has been considered in rela�on to a sustainability issue, in this case: materiality. The aim was to reuse the exis�ng building on the site and incorporate it into the design. Building rubble is incorporated in various ways into elements such as stairs, planters and benches. The glass is to be used for �les and countertops. The design is derived from forestry principles, as the inten�on was for the building to mimic a forest and to provide a connec�on to the earth. Malawian people are known to be "the heart of Africa" meaning that they are welcoming. A large gathering space includes the recep�on, hall and main outdoor communal space. The building design is intended to encourage both economic and social sustainability through job crea�on and educa�on.

Gree�ngs to Unity! Welcome to the Rwandan Embassy, located in Pretoria. This embassy embodies a unity in diversity and opens the doors to opportunity for a community. This place represents the beau�ful land of Rwanda and its unique culture. In this project, I explored cultural heritage: the Ikinimba dance is the tradi�onal dance of Rwanda. Dancers mimic the shape of cows’ horns and the elegant movements of nature. This dance is performed during courtship rituals by the women, and by warriors preparing for ba�le. Inherent to Rwandan culture is pride in community and in leadership. The word “Umuganda” has the meaning of “coming together in common purpose to achieve an outcome”. This culture is what brings the people of Rwanda together a�er a difficult past. The inten�on in this project was to create an architecture that celebrates unity: a coming together as one to celebrate the new Rwanda and its rise in economic power. Light, volume and context formed the important drivers in the design of a building intended to create a special experience within each space, where people would feel comfortable exis�ng within the architecture. The aim was that the building was to provide a space for people today, tomorrow and forever.

Designer’s Statement

Gree�ngs. I am Luke Jasper, currently comple�ng my third year of Bachelor of Architectural studies at the University of the Witwatersrand and am looking to forward to my gradua�on at the end of 2022. I have skills in many computer programs, mainly Revit, Photoshop, and any of the commonly used so�ware programs u�lized in an office and always willing and able to learn new programs. During my studies I have proven to myself and my lecturers that I have a good work ethic and I always strive to do my best and learn from every experience. I have thoroughly enjoyed my degree so far and I am enthusias�c about my studies. I really enjoy problem-solving using Revit, to bring crea�ve ideas into reality and I enjoy fine detailing, whether this is at a larger scale of a landscape, or the smaller more intricate scale of interior detailing.

The two projects presented both deal with the principles of biophilic design through different perspec�ves and show how the subjects of nature/ecology/sustainability have been dealt with.

The central concept of the Tanzanian Embassy in the Lakes is derived from the geographical footprint of Tanzania, specifically the East African Great Lakes and Mount Kilimanjaro. This concept is expressed through a series of onsite ponds that are designed as part of a rainand stormwater catchment system as well as the building massing that represent the three dis�nct volcanic cones that together form Mount Kilimanjaro.

The central concept of the Biophilic Healthcare Facility is focused around crea�ng an organic form as a response to the surrounding vegeta�on and site, resul�ng in a building that embraced nature and relates to its immediate context. A natural focal point was observed and became the centre of the radial grid. The structure emerged around a cluster of trees, radia�ng into a circular form that preserved the exis�ng vegeta�on while crea�ng a courtyard-like space that felt connected to nature.

Personal Statement

I, Lonene Kgoedi, am an aspiring architect and climate ac�vist comple�ng third year architecture at the University of the Witwatersrand. I am a strong believer in the ability of the architecture and research, combined with design thinking, to strengthen our socie�es and produce posi�ve effects in the built world. Throughout the degree, I have gained a more focused approach on how to express the rela�onship between architecture and the environment, discovering a dis�nct typology of building that aims to respond to its surroundings and further enhance the biophilic ideologies that connect people with nature. I hope to use design to transform how people interact with the environment and to focus my future career on comba�ng climate change through architecture.

Buhlebenkosi Ko� is a third-year student at the University of the Witwatersrand, and she is comple�ng her degree in urban and regional planning. Her work addresses the effects of apartheid-era spa�al planning by narrowing the socioeconomic divide between the rich and the poor. Her work is dis�nguished by a focus on accessibility and development that benefits the underprivileged. In addi�on, she thinks that effec�ve planning strategies are essen�al for reducing social and spa�al dispari�es between people and groups, which necessitates the coopera�on of municipali�es and authors.

The development of the ini�a�ve aims to remedy historical geographical and social inequi�es brought about by apartheid policies. This development seeks to alleviate the problem of fragmented ci�es by giving the township more socioeconomic op�ons. The development will provide affordable low-cost and middle-income housing to blend diverse class levels within the area. The following principles have been given priority: walkability, greenery, cultural vibrancy, and mixed-use. The results I would wish to see from this ini�a�ve include greater involvement of communi�es in development decisions, so as to be able to achieve a shared vision and an environmentally responsible development. This project inves�gates building an accessible, inexpensive, and equitable neighbourhood. The availability of other ameni�es besides the dwelling component, guarantees easy access to essen�al services and conveniences. The goal for this design was to develop a walkable and lively site with various building types that would accommodate a range of societal groups in a lively and diversified neighbourhood.

Personal Statement

Due to the capacity that town planning has to change how people perceive and use space, it is both a fascina�ng and challenging occupa�on. I developed a par�cular interest in sustainability, ecology, green space, and the nature of the built form. We see the environment in terms of aesthe�cs, however, the shape of the built form plays a significant role in how these spaces come about and are used. This is achieved through town planning and design. While we may evaluate an environment in terms of aesthe�cs, the built form and its context combined, convey a message at a deeper level.

Project Statement

The study area is Frankenwald, which is an open space surrounded by very strong economic nodes and high-quality townships. High walls surround the property and detract from its posi�ve features. There are a number of disputes and court cases regarding development on the site. Due to its central loca�on, however, development is cri�cal. Any development imposed should, however, be highly beneficial to the community, as well as address the challenges such as the shortage of housing, reduc�on of informal housing, and reduc�on of spa�al inequality. A key principle is to develop a mixed-use area. Mixed-use development will enhance the community and promote local business, whilst crea�ng a live-work-play environment for the people of Frankenwald.

For the satis ed residents

Personal Statement

My name is Nandipha Ndlebe a 3rd-year student in Urban Planning Student. This has been a long life fulfilling degree that made me realise the importance of pu�ng people first. The memories and experiences make spaces for the individual. Space can be defined in many ways, and this project's spa�al and social aspects of it were touched more. Residents are gonna have housing that is adequate and has access to necessary services. And this has been done through mixed-use typologies that enable connec�vity and access. I hope my project is considered in the near future in solving spa�al problems.

Project Statement

Frankenwald is located in the city of Johannesburg, which is in the middle and the centre of economic nodes. It is a large unbuilt, and underdeveloped land that 257,8 ha. There is no infrastructure or typologies on site. The site is comprised of an environmentally sensi�ve area which includes floodplains found on site from the Jukskei River—crea�ng wetlands prohibi�ng and limi�ng development. In addi�on, there is a need for inclusive, affordable housing that accommodates the future predicted popula�on of Frankenwald. A minimum 1200 units of houses will accommodate residents and services that are also close in proximity to the residents as well as the neighbourhood. Frankenwald is situated around and close to medium-density houses; however, people need to make means to buy food and necessi�es for example, the Kelvin Mall is 9km. Mixed-use services are also required to address the issues of accessibility to social and important places that have necessi�es. Frankenwald needs to be a community of all without any exclusion.

The model shows the developed Frankenwald that has components of mixed use, the mix uses consists of services such as salons, local shops, parks, den�st, and garage. These makes the site more accessible. The wide sidewalks also allows ac�vity to take place. Lastly, the types of typologies densifies the site in order to ensure that residents are sa�sfied

OPEN SPACE AND AN INTEGRATED COMMUNITY

Parks range in size from 0.5 hectares (Ha) to 2 Ha or more and offer a range of recrea�on opportuni�es extending from a place to sit in the shade through playgrounds, circuit paths, water bodies, picnic and kickabout areas to larger parks with sports facili�es. While new parks should ideally be no smaller than 0.5 ha, this may vary in urban infill sites, where a minimum of 0.3 Ha is generally considered the smallest viable size for most local informal recrea�on ac�vi�es. This guideline emphasises on the importance of public space, preferably on ac�ve edges in order to promote movement and business to land uses in place. The guideline ensures:

- Ac�vate exis�ng public open spaces in parks and public Right Of Ways.

- Encourage effec�ve and welcoming open space in private developments

- Retain exis�ng gathering space

- Encourage gathering space for the community in exis�ng or new development

- Encourage sidewalk café

The Wits University Student Commons project sought to connect with the urban life associated with the Amic Deck and encapsulate it into a new kind of public learning architecture. The project houses an auditorium, various computer labs, and classrooms alongside an abundance of public programmes such as an exhibi�on space, public library and reading room, demonstra�on hall and student empowerment centre, alongside retail spaces including cafes and restaurants. The concept was derived from the clustering of programmes according to requirements for privacy, while stacking them to achieve desired private zones and all the while crea�ng an urban public realm for students. The structure makes use of ETICS wall systems, while the façades of the building were designed to be a symbol of connec�on between the Wits East and West campuses.

Hi! I am Mohammed Patel, a student of architecture. I am interested in architectural design on various scales. I believe that architecture can posi�vely impact the environment with the help of technology and environmentally integrated design decisions. I try to explore different approaches to design to try and progress the way we, as architects, can develop buildings, while bearing in mind prac�cal, economic and social factors. Spaces make an unbelievable mark on our percep�on of the world, and architects have the power to give form to these spaces and in turn, give form to our future.

Statement

Sustainability does not only refer to the use of green renewable energy and a clima�c response to design, sustainability also demands a social and economic response. Architecture connects people by expressing cultural beliefs and responding to environmental factors. Buildings that do not respond to their immediate context, tend also not to respond to history. The key aspects I explored in my projects were ‘site’ and ‘context’. The concept was influenced by the environmental context, people, and their cultural beliefs. In my work I explore the connec�on between sustainable and biophilic design to create a healthier and happier environment.

Project Statement

The Egyp�an Embassy is designed to respond to the need for architecture to be sustainable. I paid careful a�en�on to materiality by reusing the materials from the exis�ng building on the site. The key concept for this project was to ac�vate courtyard spaces, as well as incorporate Egyp�an design through the use of Mashrabiya screens. In addi�on, the Embassy focuses on social and economic sustainability by crea�ng various job opportuni�es and offering educa�onal programmes.

City, Metro + Urban Territories

NIGERIAN EMBASSY- ARCADIA, PRETORIA

Personal Statement Project Statement

My transforma�on in the field of design has been a journey of growth that centred on the furthering of conceptual explora�on. This had been a weakness in the past before I developed the ability to work from the conceptual to the prac�cal ar�cula�on of space, with resolu�on being one of mys strengths. I believe this skill and ability has begun to manifest to a greater and greater degree over the projects and through the challenges in the course of my academic journey. It has been a journey involving learning, failure, success, and personal development.

The design for the Nigerian Embassy in Arcadia, Pretoria is an a�empt to embody the spirit of Nigeria. The specific inspira�on is the dynamic markets that exist in Nigeria, occupying the space temporarily between the running and sta�oning of trains. Many such dynamic spaces exist throughout this vibrant and developing na�on, poised to be one of the world's most populous before the end of the century. The design of the building is structured in rela�on to a versa�le central courtyard that serves as a focal point for most of the func�onal areas. This dynamism is further emphasised by the ar�cula�on of architectural shading elements and thresholds.

UMPHAKATHI WASE FRANKENWALD- IKUPHI INDAWO?

Project Statement

Frankenwald is the study site located in the Gauteng province of South Africa. It is 9,5 kilometres from Sandton City, Johannesburg's financial hub, and Johannesburg CBD to the south. Waterfall City, Kelvin, and Alexandra Township are all converging on Frankenwald. Three different socioeconomic zones surround the loca�on, resul�ng in a highly no�ceable spa�al inequality. With well-known routes like the M1, N3, and Marlboro Drive to the east and south, the loca�on is fairly accessible from the rest of the city. Any future development on the 2, 906 990 hectare-area should be carefully planned and sustainable because it has the poten�al to be a significant loca�on within the city. The main task is to provide a minimum of 1200 residen�al units. The planned project should connect to the neighbourhood, erase current spa�al inequality, and blend into the greater city's urban fabric.

Lessons learnt were deriva�ves of my aims on placemaking along with walkability, these are sensi�ve to the human element.

For convenience and other elements promo�ng liveability, Mixed-use and responsive environments were aplicable

SWOT Analysis

Strengths: Available land for development; Low traffic movement around Kelvin; Surrounded by important road infrastructure such as M1, N3 and Marlboro Drive.

Weaknesses: Poor sidewalks; Lack of eyes on the street; The M1 and N3 interchanges func�on well during peak hours, however, these highways are jam-packed, which affects how well the interchanges func�on.

Threats: Exis�ng compe��on between Sandton City and Waterfall City

Opportuni�es: A�ract visitors with the inclusion of commercial and mixed-use development

To show my aim, the concept of an accessible environment is shown here with the complementary land-uses

• An accessible urban environment includes various access points and ensures mobility around the site.

• There is an inclusion of a public bus route along North Way and through the site. This caters for residents who use public transport to move to and from the site.

• There is a pedestrian-only walkway that is an effort to improve pathways and links for people commu�ng on foot.

• Inclusion of public green spaces in the courtyards offers variety throughout the site.

I am a bold and innova�ve aspiring urban and regional planner, par�cularly interested in placemaking that focusses on social-redress, promo�ng sustainable racial and gender equity, as well poverty and inequality allevia�on.

Vision

Create a Mixed-use development primarily focused on (income) integrated housing typologies that will respond to the City’s housing crises while providing a healthy and livable environment.

In 2021, around 70% of South Africans were living in urban areas. Furthermore, this increasing popula�on has exacerbated pressure on basic infrastructure and housing.

With a housing backlog in the hundreds of thousands, the City of Johannesburg needs to respond to the housing crisis innova�vely, providing well-located human se�lements close to social and economic opportuni�es. Frankenwald has been earmarked as one of the few remaining pieces of land in the city that is in a prime loca�on, close to major arterials such as the N3 and economic nodes such as Sandton.

Planning and Urban Design

My name is Philasibonge Mkhize. I am an intersec�onal feminist, advocate for women’s rights and a cultural ac�vist. My contribu�on in planning will be made through crea�ng spaces that cater for the development of children and support women-led households, as well as community farming. The past three years of pursuing an Urban and Regional Planning degree have taught me quite a lot about my morals and values as a professional. My other passions include nail design, livestock farming, travel and cooking. I hope to one day pursue these aspects in a professional se�ng in the future.

The project aimed to find the most suitable area in Frankenwald for a 20ha mixed-use development. Before undertaking this project, one needed to draw on Housing Policy, Property Development, and Integrated Development Planning.This mixed-use development will need to accommodate high densi�es near the transport node that exists already,. The great demand for affordable housing will need to be met, housing that is part of a livable and safe community. Addi�onally, the development needs to be connected to economic nodes to facilitate job crea�on. The target for this development is 1200 residen�al units.

Access for all Frankenwald township establishment

Personal Statement

I am an ar�st and planning student in the School of Architecture and Planning at the University of the Witwatersrand. I design with a strong sense of community in mind and with the inten�on to address socio-spa�al issues using urban design principles. I am interested in urban design and the use of public spaces that might enable one to become crea�ve and though�ul about the spaces we inhabit. I believe a good urban design approach considers the needs of the user while bringing people together. I create spaces inten�onally in each design that could improve the wellbeing of people and society. I am trained in crea�ng designs for communi�es and for ci�es that relate to their residents, their surroundings, and the natural environment, in addi�on to being func�onal.

Urban land form illustration with land-use

C-Mixed-use building(s) B-Duplexes A-Urban public space

Project Statement

The project is based on developing an urban design concept for township establishment and an urban design framework that comprises 1200 residen�al units, with mixed-use development and public space for a site in Frankenwald which is located northeast of Johannesburg between Alexandra and Woodmead. The project was focussed on the vision to create a development that is a well-connected and that would address the issue of lack of housing, as well as the lack of employment opportuni�es in the vicinity of Frankenwald. Addi�onally, the project brief required that we develop urban design guidelines that would work best in rela�on to the exis�ng se�lement of Kelvin, while enhancing the uniqueness and quality of the new development.

E-Educational institution

The 3rd year urban planning class of 2022 was presented the challenge of crea�ng a suitable mixed-use development on the vacant Frankenwald site within the Gauteng City Region. Given its advantageous loca�on along the Corridors of Freedom, and its proximity to economic nodes such as Sandton and the O.R. Tambo Interna�onal Airport, the strategy adopted was to maximise the poten�al this site has to offer and densify it as far as possible, whilst providing for a level of conformity with the elements that define a liveable neighbourhood for people. The aim for my project was to create an inclusive neighbourhood that has variety and offers choice across different social groups.

Township Layout

Designer’s Statement

Chidimma is an enthusias�c urban and regional planning student, passionate about the trajectory that development has followed and interested in its future trajectories. With a fervent interest in people and the way mul�ple structures in society define how people live and can influence their perspec�ve of the world, she takes a human-centric approach to urban design. This is to say that the reali�es and local challenges faced by people are core factors influencing her work.

Urban Development Framework

Typologies

The different typologies in this design give way to variety and choice for people. To add to it, the courtyard typology of the mul�-storey apartments give the communal open space a defined edge and offer a sense of safety, security and enclosure. The row-housing is low-cost and gives lower income groups the ability to secure tenure and have a be�er sense of privacy.

Medium density 3 storey walk-ups

Plot size: 80m x 50m

Unit size: 10m x 7m (market) ; 6m x 8m (low-cost housing)

Affordable Row Housing

Plot size: 35 m x 9 m

Unit size: 15m x 9 m; 2 storeys

Concepts

Concept 1: Intergrated use of space

This concept is focused on providing a choice of both residen�al and retail spaces. Retail establishments are posi�oned in the centre of the site so that both townhouses and apartment residents may easily access them. Retail is posi�oned adjacent to the main road so that everyone who enters the area has easy access to the stores.

Concept 2: Improving accessibility and mobility

This concept focusses on improving accessibility and mobility for all land uses including, mixed use, townhouses, apartments and ins�tu�ons, which is in this case a school. To make more space for residen�al and different residen�al forms, the mixed use is used strategically.

Concept 3: Perfect mixture of land uses

This concept offers townhouses, mixed use and open spaces that can be used for a variety of purposes. Open spaces give people places to relax and contribute to the aesthe�c appeal and environmental quality of the site. Addi�onally, open spaces can be used as mee�ng loca�ons.

This open space is located at the back of the apartments so that children would be able to play in a safe environment without worrying about cars.

Urban Design Framework (UDF)

This UDF shows how mixed use will work together with townhouses, apartments and the school.

UDF in reta�on to height.

Zebra crossings offer pedestrians priority over vehicular traffic. Drivers are warned not to speed since there are pedestrians passing by through zebra crossings.

Memory +Tradition

Project Statement

Embassies are vital to establishing diploma�c rela�ons between na�ons, while also serving the na�onals within the hos�ng countries as one of the cri�cal missions of an embassy. The main goal of this project is to ar�culate Moroccan culture through a Moroccan architectural language. The embassy must be uniquely iden�fied in South Africa and achieve a successful architectural design language represen�ng Moroccan culture. The architectural language of the Moroccan Embassy is derived from a rigorous explora�on of the history, materiality, and architectural tradi�ons of Morocco. The site study and historical research informed the massing of the project. Careful considera�on has been taken in represen�ng and ar�cula�ng the architectural language of Morocco in a way that promotes stability, permanence, and dignity through the lens of modernity while maintaining a connec�on to the tradi�onal

elements rooted in Morocco. The main inten�on of this project is to explore a responsive way to deal with ar�cula�ng the Moroccan architectural language, effec�ve and responsive programs, and to service the wider government precinct.

Personal Statement

Through the course of developing and ar�cula�ng the Moroccan Embassy, I have ques�oned with rigor, how to give expression by means of the architectural language which represents the rich Moroccan culture. With

programma�c uses, in addi�on to strategies to ar�culate appropriate interface between the building facade and various public and private spaces. It is important that the building contribute posi�vely to the surrounding context through sustainable architecture that promotes the health of the building's occupants, at the same �me as reducing the adverse effects of the construc�on process on the environment.

Everyone has a different journey they take as a South African but through the shared experience of our vast journey; we reach a common ground of understanding. In this project, this is represented by the Na�onal Assembly. The movement of people inspired the concept for the new addi�on through the Houses of Parliament and the Na�onal Assembly. The round shape of a rondavel’s floor plan has inspired the circular shape of the reimagined Na�onal Assembly and has also inspired the form of the roofscape, represen�ng a cluster of rondavels; an interpreta�on of the kind of gathering space that would enable a variety of voices to play different but important roles in South African communi�es.

A song by Muneyi �tled "Makhulu" tells a story of a grandmother warning their grandchild about the joys and disappointments of the world at hand: that they should be cau�ous but at the same �me not forget to live and experience life. This inspired the idea of walls that tell a story, and I explored this storytelling through the materiality of the building, with moments in both the exterior and interior spaces where people can interact with the different materiality of the architecture. GroundFloorPlan

1stFloorPlan

2ndFloorPlan

South - West Elevation

Personal Statement

There is a subconscious connec�on between my own spa�al experiences and the spa�al experiences that I design. Most of the concepts that drive my designs, stem from a�emp�ng to create personal spa�al experiences for the users of that space. I think of people and how they would interact with spaces incorpora�ng a diversity of materials and objects; how the different materials and objects might make one person feel at ease while leaving the next in�midated by the same space. I a�empt to tell stories through these spaces, stories that feel like home.

Statement

I believe that through architecture, we can bring people together. Hence the importance to me of working on the cra� to create memorable spaces that foster engagement with the community and the user. I believe that all designs should be sustainable. However, by evoking memory, celebra�on and acknowledgement of history and embracing of tradi�on, I aim to make architecture relatable to the user. My goal is to design spaces that are func�onal and comfortable, yet which can be impac�ul to a user and contribute to the user’s wellness and level of social engagement.

Designer’s Statement

Throughout the design process, I remained cognisant of the history that the Na�onal Assembly building represents, whilst trying to acknowledge that I also wanted to shi� the narra�ve by centralising the Na�onal Assembly wing. I approached this design by acknowledging the history of segrega�on and exclusion embedded in the planning of the respec�ve wings of the parliamentary building. I wanted to create a space where both the parliamentary delegates and the public could feel a part of the na�on, although in different ways. To achieve this, I looked at the original planning of the building. Rather than focusing on the burnt Na�onal Assembly wing, I decided to centralise the Na�onal Assembly whilst crea�ng a walkthrough for the public to experience the building and interact with MPs as they all move to and from the Na�onal Assembly and between the gardens, respec�vely. The covered atrium becomes a space of connec�on between the public and the public servants.

Personal Statement

In my manifesto, I discovered a natural affinity for combining interior and exterior spaces through designing and studying building typologies, including courtyards, terraces and balconies. The goal is to design spaces which nurture the phenomenon of biophilia, while simultaneously ensuring that thermal comfort is achieved through responding strategically to the clima�c condi�on of each site. This goal, accompanied by other design drivers, became the main frame of reference for most of my projects in design.

Project Statement

Gatherings, mee�ngs and discussions were all held under a tree. In order to resolve issues within a tribe. This concept aims to reintroduce this form of gathering in an effort to establish a strong African iden�ty that is rooted in democracy.

Pleasure + Excess

An inclusive and easily accessible mixed-use development

Statement

My interest in planning stems from observing flaws in the physical environment I grew up in. In my view, urban planning is a way of becoming a part of the solu�on to these problems. We live in a country where poor infrastructure maintenance and poor service delivery are the norm. It is my aim to reverse that normality, encourage sustainable infrastructure development and improved ways of delivering services. It is my hope to specialize in sustainability and improving the lives of people, star�ng in my country and eventually worldwide.

Project Statement

For this project, I am a planning consultant and a client has asked for advice on which area of the approximately 20ha Frankenwald Framework site would be suitable for mixed use development. This area is located in Region E of the City of Johannesburg in Gauteng, South Africa. A�er undergoing a feasible spa�al analysis, I decided to create a mixed-use development mainly focusing on medium to high residen�al developments and more roads to income accessibility. Addi�onal, social facili�es such as a school, a medical centre, a shopping centre and public space were added to encourage social cohesion (Togetherness) within the community and improve the resident’s quality of life.

Centenary House is a celebra�on of the 100-year legacy of the University of the Witwatersrand.

The design is aimed at providing a modern feeling of progress and innova�on, while s�ll paying homage to the various neoclassical buildings across the Wits East Campus. The building becomes an important movement hub for the university, placed upon a central site in the campus, adjacent to the Amic Deck which connects the east and west campus precincts.

The large courtyard at the front provides an area for students and staff to relax outside and enjoy the company of others, as well as providing a safe movement route

from the Amic Deck and from Yale Road. The provision of relaxing public spaces for people was influen�al throughout the building's design. The enormous atrium space, with its overhanging balconies, provides many of these spaces and allows for increased interac�on between students in the building.

In the modern world, the influence of architecture is incredible and is o�en underes�mated. People spend almost all their �me using or being surrounded by architecture. As an aspiring architect, my designs are driven by a need to make life more comfortable and enjoyable for people. This goes beyond their temporary usage of space, as buildings have the power to shape the world we live in, and architects must ensure the world is shaped in a way that allows all people to benefit.

Project Statement

With 2022 marking the centenary of the University of the Witwatersrand, we were tasked with designing a Student Commons to be built on one of two sites surrounding the Amic Deck off Yale Road. The concept design went through various itera�ons. At first, I focused on establishing connec�ons and seeing how the surrounding movement would shape the building. Later on, it developed into a so� explora�on of the conflict between the surrounding styles of architecture. Over �me, however, the concept of the building revealed itself to be more about creating a visual expression of fluidity, the malleability of the future and doing that in a manner that would speak to the surrounding buildings and their aesthe�c language. The result is an undula�ng form with whispers of the surrounding architectural styles and a perforated exposed masonry façade.

Designer’s Statement

Personal Statement

Aesthe�cs, pleasure, excess, iden�ty… Architecture has evolved through the centuries, and many aesthe�cs and trends have come and gone. However, by following such temporary movements, the ar�st loses their iden�ty. My iden�ty as an architect is to show my individuality by exploring ar�s�c individualism and to relate this to the psychology of space and form-making. My endeavour is to break from societal expecta�ons and to pave the way for personality in architecture.

Project Statement

Movement is integral to the way we experience space. Through the analysis of the movement pa�erns of people in the University of Witwatersrand, I created the core concept of the Student Commons. A central axis pulls people along a linear route through the site, defined by built form. The aesthe�c expression is in the purity of the form and the rec�linear spaces that create direc�onal movement. Stepping the building made the form more invi�ng as the heights gradually increased. The layers of accessibility created by being cognisant of the natural slope of the site and level changes added to the experience of linear horizontal and ver�cal lines in form-making.

PROPOSED TOWNSHIP LAYOUT

Personal Statement

I am Lusanda Makhubele doing my third and final year of the Urban and Regional Planning degree at the University of the Witwatersrand. Coming from a disadvantaged rural area, also a former homeland, inspired me to emphasise pro-poor development. I focus mainly on promo�ng social cohesion in communi�es and society at large. I am also eager to address socio-economic inequali�es through spa�al planning. Furthermore, I advocate for marginalised and vulnerable groups and would like to make a difference in the planning field through community-based planning.

Project Statement

The project is based in Frankenwald. The main purpose of the project is to undertake a feasibility study and spa�al analysis, and to advise a client on which area would be most suitable for mixed-use development. Furthermore, the area should be approximately 20ha. The site is currently underdeveloped, with no permanent building structures or road infrastructure running through the site. No people live in Frankenwald, which also contains some environmentally sensi�ve areas. The proposed development priori�sed urban design principles such as inclusivity, the public realm and accessibility. The development will not only realise the poten�al for development but will increase social integra�on.

URBAN DESIGN FRAMEWORK

storey dwellings: Individual backyards 4 storey walk-ups: trees on sidewalks and communal yards

Medium to

Mixed use (retail shops and high density residential ) Clinic

5storey ats: mixed use (retail and residential), trees on sidewalks and variety of routes

Brief: Redesign South Africa’s Na�onal Assembly following the 2022 fire to reflect the future of democracy. Conceptual response: Democracy as a theatre of par�cipa�on through transparency.

Method: Hollow the exis�ng building into a mul�-volume atrium; excavate a circular assembly underneath, half inside and half outside; retain the floa�ng wall above the assembly as a projec�on screen for an addi�onal exterior public amphitheatre, and connect the south entrance road to Government Avenue in the north for pedestrian circula�on around the excavated chamber. The exterior amphitheatre can now grow outwards indefinitely, linking to fynbos and Protea growth. The circular shape of both the assembly and amphitheatre represents equality and inclusion. The abundant south glazing allows for transparency, accountability, and par�cipa�on.

Rethinking space means rethinking interac�on. Rethinking interac�on means rethinking democra�c par�cipa�on. Thus architecture is not simply a symbol or an object but is par�cipa�on.

Designer’s Statement

I maintain that architecture should speak through and for itself. Since architecture is shaping space and thus shaping experience, formal principles take precedence for me: propor�on, geometry, legibility, simple pale�es, and expressed structural systems. Buildings should read easily, and should not be obscure. They should educate and strive for inclusion through simplicity and openness rather than decora�on and symbolic reference.

Project Statement

Environmental Sustainability being practiced on the site through vegitated parks, on street treesrain gardens

The project is located in Frankenwald- Johannesburg; the overall context of the Frankenwald region is one of racial, financial and spa�al exclusion and inequality between races and different classes of people. With projected popula�on growths that suggest the need to cater to housing backlogs both for the present and the future, the project aimed to achieve a minimum of 1200 housing units. However, in addi�on to this, this project addressed issues of poverty through innova�ve economic endeavours; moreover, the project addresses the issue of decolonisa�on in space by a�emp�ng to provide a feasible spa�al plan for Afro-centric spaces.

The site walkable streets coser to the park and the street market to accommodate a wider pedestrian volume

Personal Statement

In the residential area the streets are less wide to decrease car velocity and to promote a community safety

The project aided my understanding and ability to create an integrated spa�al plan that is feasible in all aspects of space; culturally, economically, socially, environmentally and spa�ally. Moreover, it enabled me to create a be�er understanding of the philosophies of Afrocentric planning and ensure a blended planning system of modernity and Afrocentric ideologies.

Maiun Streets are intergrate transpooartation and pedestrian movement

Elements of Legibility

In order to invoke and promote an Afrocentric approach to the space, I have considered that mobility, access, legibility, walkability, ac�ve building fronts, and visual appropriateness are all significant. When the public is directed to engage with the spaces they inhabit, culture, beliefs, and prac�ces can be related to subconsciously. In order to promote Afrocentric spaces, the aesthe�cs need to resemble and respond to African spa�al tradi�ons. The public realm needs to provide the spaces that can be used to prac�ce African cultural tradi�ons, such as public parks. Streets also promote economic ac�vity, and they should be walkable and interac�ve.

Personal Statement

I found my passion for architecture while doing ‘Engineering Graphics and Design’ during school; this is where I started understanding the art and science behind architecture. Hence, I started falling in love with the cra�, and prac�ce of a discipline that runs in my family. I would consider my work to be more technical rather than ar�s�c. However, I love to explore new forms of design through interes�ng geometries that draw people in. My primary approach to architecture would be to create exci�ng spaces. I try to focus on crea�ng spaces for ‘posi�ve isola�on’. I aim to achieve these kinds of spaces through designs that would allow anyone to form a connec�on to the space. This creates buildings that would allow one to immerse oneself in the spa�al experience fully.

Project Statement

This mul�-purpose building for the University of the Witwatersrand houses an auditorium, classrooms, offices, a restaurant and much more. One of the ini�al concepts that is s�ll prominent is the extruded auditorium, which was inspired by the Casa da Música in Portugal. This extruded element of the building was intended to draw people towards the building from Yale Road and from all sides of the University of the Witwatersrand campus. The underside of the auditorium creates a shaded gathering space, which is currently lacking in the area. The courtyard in the centre of the building announces the main entrance and doubles as an addi�onal gathering space. This mul�-storey building has a steel frame with hollow core slabs, ETICS wall systems, and a combina�on of green roofs and flat concrete roofs. The steel framing allows for larger spans and more natural light. By using natural light, the need for ar�ficial ligh�ng is reduced, which in turn helps with the sustainability of the building.

Personal Statement

Sibusisiwe Zulu is a 3rd year student in Urban and Regional Planning. The need to alleviate spa�al inequality within human se�lements provides her primary concern for the built environment. She feels that everyone, regardless of status, should have equal access to liveable and safe spaces, as well as suitable infrastructure and public services. She is highly mo�vated by this inten�on to promote equality through her work, making provision for both disadvantaged and advantaged groups.

Project Statement

This project was set within the context of the Frankenwald site, located about halfway between Alexandra and Woodmead, to the northeast of Johannesburg. The primary goal for this project was to establish a high density, mixed-use development, which would yield more than 1200 residen�al units, thereby addressing the housing backlog in Alexandra, and eventually aiding in crea�ng employment for the unemployed popula�ons in the surrounding neighbourhoods. Inclusivity, densifica�on, liveability, safety and comfortability are the principles which have informed the development of “the Ul�mate Residen�al Address”. The objec�ves for this development are: to create a high density mixed-use development; to bridge the socioeconomic divide in and around the site by crea�ng a mix of housing typologies that would cater for the widest possible range of households, with the aim of densifying the region.

Active frontage - activates the street and lane frontages to create a vibrant, interactive and safe urban environment

Materiality + Poetics of Place

Personal Statement

Charna Harris is a writer and a 3rd year architecture student at Wits University. She is currently finishing her BAS degree and wri�ng a novel. Her design work is informed by the incorpora�on of green vegetated spaces as well as considera�on of the movement of people. Green principles are brought into the design to create sustainable buildings that are also comfortable and exci�ng environments.

Project Statement

The Seychelles is an island east of central Africa. It has a tropical mari�me climate with many sandy beaches and green forests. This project brief was to design an embassy. The concept for the design was inspired by the design of the Seychelles flag. The colours were derived from the edges, and all meet in the corner, symbolising the merging of different people and communi�es. The entrance is located in the southeastern corner of the site to allow people to walk past the retail and restaurant components. The garden forecourt is created for people to wander around and rest on one of the many ‘islands’. The building has an oversailing roof that spans over the stories that are stepped back underneath it. The roof is sloped to allow water to be captured and used for greywater: including bathroom facili�es and irriga�on of vegeta�on. The roof slopes towards a large gu�er that directs the water to a collec�on tank. The roof is held up by slanted columns represen�ng palm trees; each tree is slan�ng in a different direc�on. The materiality employed contributes towards crea�ng a sense of space and context, with the use of cobblestones and glazing as elements.

The main roads in-and-around larger Johannesburg mainly fall along two axes of movement that are mimicked on the WITS campus. Students typically move from the parking on West Campus to East Campus where they have access to various student ameni�es. This west-to-east movement is facilitated through various connec�ons, although these connec�ons rarely serve to connect the two campuses culturally or visually. Conceptually the goal was to create a ‘link’ between the two campuses without obscuring the current axes of movement.The ground floor of the building acts as a membrane. It is permeable and encourages “spill out spaces” between the various func�ons, being Amic deck and Yale road. Retail spaces “pull” users from the surrounding urban context to the centre of the design that boasts a sunny atrium.Ul�mately, the Student Commons serves as a space that is pleasant to pass through, but that encourages its users stay a while.

Personal Statement

Architectural space has always represented how I interact with my surroundings and how they interact with me in return.

It is this interac�on, or rather symbiosis, that enlightened a variety of spa�al interests that form part of the architectural manifesto, mainly: how we choose to interact with the earth’s physical features; the impact these interac�ons have on the planet, and its ability to provide for future genera�ons (sustainability); and how spaces have the poten�al to provide their communi�es with growth opportuni�es.

Using space and materiality to create a building that conveys a feeling or communicates a message is something I have aimed to achieve during my architectural degree. Something is compelling about the human senses (sight, smell, touch, hearing, and even taste) being engaged while experiencing architecture. Spa�al poe�cs can be expressed by a building that has spaces that create an immersive experience that can evoke a feeling that is embodied by the structures.

The country I have chosen to design an embassy for is South Sudan. The concept is expressed architecturally by using abstracted forms on the north facade, which are seen in the vernacular architecture of South Sudan. Timber and ver�cal thatch is used for the building facades as it represents the na�ve materiality of the country and contains a low embodied energy. South Sudan suffers from both severe flooding and droughts further to the north. The environmental issue thus chosen for this project is water, as there is a crisis related to water quality and water security. This is highlighted in the design for an embassy building through the small courtyard in the public forecourt, which also func�ons as a water catchment system.

Project Statement

Personal Statement

Architecture is an art that is inhabited by the mind, whether this involves human or non-human actors. Therefore, architecture should reflect the needs of conscious beings around it, limi�ng the self-expression of the architect and moving towards the colloquialisa�on of architecture. As a Wits-trained aspiring architect, I value contextually driven, sustainable architecture that is informed by building science, local tradi�ons, and the collabora�on of consultants to bring about architecture that addresses needs, and that brings delight into daily life.

WELink is the name that I have chosen for this proposal for the Amic Deck and the Student Commons; a name that reflects the func�on of the building in linking West and East campus. The design narra�ve is about crea�ng a more relatable architecture. This is achieved by ar�cula�ng a human-scaled perimeter around the site with which occupants can interact. For the Amic Deck, this means crea�ng small-scaled res�ng areas that break up the deck visually to facilitate more relatable experiences. This concept permeates into materiality. The interven�ons are made of rocks from the excava�ons on site and reclaimed �les from the old Amic Deck. The human-scaled perimeter differen�ates itself from a general ins�tu�onal typology. The approach seeks to set a new course for the image of Wits by using relatable materials like earth, wood, and corrugated shee�ng. A mul�-storey tower shoots up from the perimeter border. It looks to Wits Art Museum as a good indica�on of contemporary design within Wits’ iden�ty.

Project

Statement

This project is based on individuality, transparency, and movement. By ensuring that the building is never sta�c, while reposi�oning the ideologies of a university by ‘allowing in’ and ‘invi�ng all’, the interven�on seeks to promote inclusivity and freedom of expression.

The ground floor and first-floor act as an extension to Yale Road and the Amic Deck, as well as the Origins Centre, with retail and restaurants spilling onto Yale Road. The use of ramps allows for universal access to all floors. The natural slope of the site allowed for a double volume space below the auditorium, furthermore, this space, along with the internal atrium space, acts as a performance hub and a place for exhibi�ons. The structure is seen as a shell that accommodates various facili�es independently.

My design approach is not only to design buildings that are func�onal but also to provide users with a sensory experience. This is achieved through the play of different geometries, materiality, and the play of light to provide a spiritual experience. Buildings should not be seen in isola�on, rather we should take cognisance of their rela�onship to context and how this might be envisaged in a sustainable manner.