Winifred Nevis Undergraduate Portfolio

PORTFOLIO

WINIFRED NEVIS

STUDIO

Fall 2024

Island Hopping - Factory + Island Production

Professor: Gideon Schwartzman

ACSA Steel Competition

Earl Prize Nomination

Spring 2025

Mid-Rise Housing

Professor: Sara Bartumeus Ferre

Earl Prize Nomination

Spring 2024

The Vision of Music - Music School

Professor: Alejandro Lapunzina

Fall 2023

Voided Conservation - Social Housing

Professor: Laia Cisteró

TABLE OF CONTENTS

HISTORY

Professor: Mónica Sambade

U niversitat de Barcelona

Torre Glòries

SKETCHING

Professors: Raimon Farré Moretó + Guillem Bosche

Santa Caterina Market

Santa Maria del Mar

St. Margaret’s Chapel

Institute del Teatre

Universidad

Cliffs of Moher Visitor’s Center

The Glucksman

Island Hopping

Bubbly Creek - Chicago, IL

Competition Studio - ACSA Steel Fall, 2024

Earl Prize Nomination

Partner: Natalia Awisha

- Collaborated on initial concept development - All work shown in this portfolio pertaining to Island Hopping is created and produced by Winifred Nevis; including all research, design development, 3D modeling, renderings, drawings, and all other media

Island Hopping

Once deemed the dumping ground of the meatpacking industry, Bubbly Creek - located on the southern branch of the Chicago River - is transforming. Originally an industrial neighborhood, the river has suffered extreme contamination. However, restoration attempts have begun to clean the pollutants from the water and river sentiment. One effective solution is the introduction of manufactured wetland islands.

Wetland islands have several ecological benefits, and reflect the original wetland ecosystem of Bubbly Creek prior to human interaction. The main cleansing aspect derives from the root system; the plantings’ roots purify the waterestablishing and regulating bacteria and algae levels. Likewise, the roots also provide protection and breeding areas for local fish populations - allowing them the opportunity to reestablish within the ecosystem; similarly, the islands offer safe havens for birds and animals to rest and huntreinstating ecology into the ecosystem.

There are three sizes of islands - large, medium, and small. The large and half of the medium islands are propagated for human use and feature docks accessible to kayaks. They harbor activities such as swimming, sunbathing, fishing, and adventuring. The other half of the medium islands and small islands: which are exclusively for animals and plants and include topography that cultivates productive habitats.

The islands are produced by a building on shore. During the initial stages of water purification, the building serves as a factory. A conveyor belt transfers the building elements from stage to stage, and the size of the operation is supported with long-span structure.

The process begins in a room designated for welding, where the prefabricated rebar cage and flotation canisters are unloaded and assembled. The cage is then loaded with pumice and capped. Finally, pre-cut PET pieces are layered on top and planted before the islands are launched into the river; the plants are harvested from a green facade of the factory. Visitors are able to view the process through a catwalk which lofted through the largest web of each truss.

Once the river has reached capacity, the factory is transitioned into an exhibition space with each construction step displayed on the conveyor belt. The storage units turn into classrooms, and the island launch becomes a kayak rental + launch.

CONSTRUCTION PROCESS

ARRANGE FLOTATION DEVICES RADIALLY TO UPHOLD STRUCTURE

ATTACH TO CAGE WITH A C-SHAPED BRACKET

STRUCTURALLY, CAGE ACTS AS THE ISLAND FLOOR PLATE

ISLANDS SPECIFIC TO WILDLIFE HOLD TOPOGRAPHIC CHANGES FOR HABITATS

HARVEST WETLAND PLANTS FROM THE FACTORY’S GREEN FACADE

REBAR ARRIVES TO SITE IN PREFAB. PIECES WELD TOGETHER TO FORM INITIAL CAGE, PLACE ON TOP AND ATTACH TO FLOTATION CANSITERS

FILL CAGE WITH PUMICE AND LEVEL OFF

PUMICE: VOLCANIC, POROUS ROCK WITH BUOYANT PROPERTIES

LAYER PRE-CUT

P.E.T. TO FORM DESIRED TOPOGRAPHY

HUMAN ISLAND TOPOGRAPHIC CHANGES FACILITATE ACTIVITIES

PLANT WHOLE ISLAND WITH A VARIETY OF SPECIESINCLUDING MOSSES AND REEDS

STEEL APPLICATION

The islands utilize chromium-infused steel as an integral structural component; its resilience to corrosion allows the structures to last within polluted water compared to other potential materials. The main flotation devices are steel canisters with systematic components that control the buoyancy of each island. The flotation devices are connected with steel to a rebar cage - lined with a steel mesh. This cage houses pumice - which provides a stable buoyant platform for the topography - created from layers of PET.

The building utilizes steel as its main structural element. It provides a long-span structure which allows the production of islands to continue without interruption of columns. These trusses also house a catwalk, due to the application of rigid joints in the largest web of each truss. Finally, the structure holds a green facade, tensioned between each column with steel cable.

RIGID JOINTS

REMOVES NEED FOR BRACED FRAME - ALLOWS FOR CATWALK

LAYER P.E.T. POLYETHELYNE TEREPHALATE

RECYCLED, POROUS, PLASTIC LAYERS FOR PLANTING PUMICE LAYER

INCREASES BUOYANCY AND STABILITY OF STRUCTURE

FLOTATION CANISTERS

MAIN FLOTATION DEVICESACT AS THE BEAMS OF THE STRUCTURE

FLOTATION MOTORS

MOTOR FLOODS OR DRAINS TO REGULATE BUOYANCY OF EACH ISLAND DEPENDING UPON ITS RESIDENCES

LONG-SPAN STRUCTURE

SUPPORTS FACTORY

PRODUCTION WITHOUT INTERRUPTION OF COLUMNS

REBAR CAGE LINED WITH STEEL MESH

ACTS AS FLOOR PLATE

DISTRIBUTES LIVE AND DEAD LOADS TO STABILIZE ISLANDS

STEEL ANCHOR

ATTACHES TO RIVER FLOOR

Filling the Frame

Park - Chicago, IL Spring, 2025

Earl Prize Nomination

Filling the Frame

Humboldt park is a vibrant Puerto Rican neighborhood located within Chicago. In response to the need for affordable housing - this project implements Puerto Rican affordable housing practices into the frame of the Chicago urban fabric, following the patterns and rhythms of a city block.

A common practice of Puerto Rican housing revolves around shipping containers. A shipping container unit maintains the height and width of 9.5 feet, and several options of depth including 10 feet, 20 feet, 30 feet, and 40 feet. The housing typologies in this project add and stack shipping container units to create functional and enjoyable spaces. There are 89 total units; 22 studios, 22 one-bedrooms, 24 twobedrooms, and 21 three-bedrooms.

The containers are held by an HSS scaffolding frame which relates to the steel gateway flags; the structural frame follows a 20 foot by 20 food grid. Due to the nature of the structure, typologies can be interchangeable with thousands of different combinations and configurations. This project maximizes the integrity of the plan by first pairing typologies that share wet zones and circulation - then, these typologies are integrated into the plan with their locations resulting from their levels of privacy.

The scaffolding does not just frame the project - but its relationship to the neighborhood as well. The pockets of solid wall between pixelated facade creates a canvas for murals and artist interaction with the space - carrying on the vibrant nature of the Puerto Rican neighborhood.

The cultural and urban context of Humboldt Park are the driving force behind the integration of this project.

Artwork is instrumental within the Humboldt park community - as its presence increased over time so did pedestrian circulation and interaction with the space. It also functions as a guide, adorning points of access and transitionary spaces; this project seeks to continue these patterns, furthering the extent of Puerto Rican culture within the Chicago.

The massing responds to the urban fabric itself. The ground floor is split following preexisting intersections and and connected with vertical circulation nodes. While the housing mass vertically responds to the surrounding building heights, the facade along Division Street shifts back and fourth, extending the preexisting rhythm of the Chicago block.

MASSING:

URBAN

CARTOGRAPHY: Examining Impact of Artowrk + Ground Floor Plane

LOW HIGH

PLINTHS + CIRCULATION

HOUSING MASS

HEIGHTS

AGGREGATE

PEDESTRIAN CIRCULATION: 2025

PEDESTRIAN CIRCULATION: 2007

VEHICULAR CIRCULATION: 2025

VEHICULAR CIRCULATION: 2007

PREVIOUS INFRASTRUCTURE: 2007

PARKING LOTS

PARKS: 2025

PARKING LOTS (2007) TO PARKS (2025)

MURALS: 2025

MURALS: 2007

INTERACTIVE ART

PROPOSAL: ECLECTIC REAR-FACADE

SITE MAP: Humboldt Park Neighborhood

The ground floor is comprised of four plinths, which are split following the natural extension of the urban fabric. At these divisions, circulation cores not only connect the plinths but also provide vertical circulation for residential areas.

The ground floor of the project serves as a replacement to the existing Erie Health Center; in addition to providing the health center’s programatic needs, the building also maintains a market, adjacent to the natural pedestrian flow on Division Street.

GROUND FLOOR PLAN: Erie Health Center + Market

UNIT AGGREGATION

STUDIO

ONE-BED TWO-BED THREE-BED COMMUNAL

HOUSING AGGREGATION: Second Level

VOIDS

Disperse circulation to create semi-private housing walkways and larger, public spaces for gathering

SECTION: Interior Wall Connection

SPRAY FOAM INSULATION

2 1/2” METAL FRAMING

1/2” GYPSUM WALL BOARD

CONTAINER DECK

A common practice of Puerto Rican housing revolves housing typologies in this project add and stack shipping for wet zones. These unit types are mixed together

TYPOLOGIES: Shipping Container Aggregations

ONE-BEDROOM

TYPOLOGIES: Upper Levels

TYPOLOGIES: Lower Levels

revolves around shipping containers. A shipping container unit maintains the height and width of 9.5 feet, and several options of depth including 10 feet, 20 feet, 30 feet, and 40 feet. The shipping container units to create functional and enjoyable spaces. There are two of each unit type: studio, one-bed, two-bed, and three-bed. Each unit type has a pair, which shares a wall across all floor plans to ensure the interaction of different tennants.

ONE-BEDROOM

30ft + 20ft

THREE-BEDROOM

+ 30ft + 30ft + 10ft

TWO-BEDROOM

+ 20ft + 20ft

THREE-BEDROOM

+ 30ft + 20ft

CIRCULATION

Horizontal circulation paths are supported by the steel structure

Voids in the pathways provide exterior spaces for group gathering, and deter circulation towards private residences

CIRCULATION

The vertical circulation cores bridge between the four housing plinths

STRUCTURE

The main structure is held by a 20’x20’ grid of HSS

The ground floor crosssection is 8.25”x8.25” and it decreases by floor until the top level which maintains a cross-section of 4.125”x4.125”

MARKET

Adjacent to

Park downtonprovides fresh food to surrounding neighborhood

SHADING

The Vision of Music

Spring, 2024

Program

The Vision of Music

Often, sound connotes movement; it is observed physically within rhythm and dance, and it is also present in the invisible movement of the soundwave on the decibel scale. This project manifests a physical representation of sound - as a layering of distinct waves.

Two holes puncture these forms; the southernmost void extends to the ground, and the northernmost void extends up from the auditorium and is open to the sky. In sound, when a wave hits a hole, part of the sound energy is stored in the hole and is rejuvenated - in other words, sound energy is created. The holes in the building break into the waves, rejuvenating energy by housing outdoor music spaces.

The site is located on an edge of a superblock in Poblenou, Barcelona. The area was originally part of industrial Barcelona, and is currently in development. The site illustrates a variety of buildings, ranging from empty lots and one-story factories, to skyscrapers. To relate to this context, the elevation of each level corresponds to neighboring building heights to match and not overwhelm the surrounding context.

PROGRAM

There are six floors - or layers; the uses of the building stratify by layer and its level of privacy.

The ground floor is the only level open to the public, and is denoted by its larger porportion of glass facade on the exterior. There are two entrances, one which leads into a cafe and faces the main pedestrian pathway, and one which leads to the central stair and auditorium space.

Each floor above the ground floor is private to the students and faculty of the music school. The second and third floors are reserved for administration, and the remaining upper floors are dedicated for student use - learning and practicing.

FIFTH FLOOR: INDIVIDUAL-INSTRUMENT

THIRD FLOOR: ADMIN + LIBRARY

GROUND FLOOR: CAFE, FRONT DESK, + AUDITORIUM

SIXTH FLOOR: MULTI-INSTRUMENT + PERCUSSION

FOURTH FLOOR: INDIVIDUAL-INSTRUMENT + CLASSROOMS

SECOND FLOOR: ADMIN

STRUCTURE

The music school structure is a complex structure - it is a meld of three cooperating systems: concrete, wood, and steel.

The concrete is applied to the two northeast service bars - housing the elevators, emergency stairs, and bathrooms.These bars are typical from per floor, and provide support for horizontal and vertical loads.

Steel HSS columns provide vertical support, connecting to the steel beams with welded joist hangers. There are two column grids which extend radially outwards from the voids. The stairs function as an intermediary structural system where the two grids meet.

Mass timber is utilized for the floor slabs - which are topped with concrete per. code. Wood is beneficial for several means; the material is acoustically absorbent, which benefits the function of the building. Likewise, timber is a natural carbon sink and provides sustainable benefits. While the structure may have not been possible utilizing only CLT, the fusion of multiple systems allows the structure to function while having the greatest positive environmental impact possible.

STRUCTURAL PLAN

CLT FLOOR SLAB

STEEL BEAMS HIDDEN WITHIN SLAB

PROVIDES ACOUSTICAL BARRIER

INTERMEDIARY

ADMINISTRATION

OFFICES, CONFERENCE ROOMS, + LOUNGE AREAS

PERFORMANCE VOID

ACTS AS A SOUND

DISTRIBUTOR - CONNECTS TO BASEMENT

CLASSROOMS

MUSICAL + NON MUSICAL CLASSROOMS

CAFE

PUBLIC TO VISITORS

PROVIDES ACCESS TO PERFORMANCE VOID

BALCONY

ADDITIONAL EXTERIOR PERFORMANCE SPACE

LOCKERS PROVIDE INSTRUMENT STORAGE

PRACTICE ROOMS

SINGLE-INSTRUMENT AND MULTIINSTRUMENT SPACES

LIBRARY

ENCAPSULATES PERFORMANCE SPACE

PERFORMANCE VOID

ACTS AS SOUND DISTRIBUTORCONNECTS TO AUDITORIUM CEILING

AUDITORIUM

CEILING SUPPORTED BY STEEL SYSTEM

CEILING AND ROOM GEOMETRY ENHANCE SOUND PROJECTION + ACOUSTICS

HOUSES 120 PEOPLE

BASEMENT

PROVIDES STORAGE AND FULFILLS STRUCTURAL FOUNDATION NEEDS

Voided Conservation

Poblenous - Barcelona, Spain

Fall, 2023

Voided Conservation

In a city whose history is built in density and constant addition, this project revolves around creating a healthy living environment through the extraction of mass. Located at 149 Carrer de Viladomat, in the Eixample district of Barcelona, this social housing project focuses on sustainability and health for a its residents.

To achieve this, the project revolves on creating voids to foster greenspace and facilitate natural ventilation. There are three main voids - the largest forming a central community space and garden for the housing residents, while two peripheral voids create small, vertical garden ventilation stacks.

While the overall form of the project conforms to the rectilinear nature of the Eixample, the three voids pierce through the building to create a mass which is unique and cuts openings within a densely populated neighborhood - adding breath to a condensed area.

As one of the few remaining Eixample blocks with an inner courtyard, green space is incorporated wherever possible. The roof terrace is home to solar panels and a community garden; the crops grown by residents are then transported to the ground floor - occupied by a market.

One-third of the ground floor is occupied by a market with a seating area, with entrances from both sides of the Eixample. As it is public to everyone, the market provides the residents to expand on their community and share their produce with the city. The opposing side features a pathway through the dense block into one of the few remaining Eixample courtyards; one horizontal void connects the outside world to an oasis of green.

The first floor is marked with the large, main void. This extraction allows for the application of greenspace within a rather dense array. This greenspace is beneficial in multiple aspects; it acts as a carbon sink while also promoting biophilia and increased mental health for residents. The greenspace extends out onto a roof terrace, overlooking the Eixample courtyard. The first floor also harbors a gym, enhancing the residents’ physical health.The first floor is public for resident usage, and also houses laundry, a lounge, and office space.

ROOF GARDEN

EDIBLE GARDEN GROWN BY RESIDENTS, SOLD IN MARKET GROUND +

RESTROOMS

RESTROOMS

PRODUCE GROWN ON ROOF

HOUSING TYPOLOGIES

Each typical floor plan for the upper five floors two-bedroom units and 20 one-bedroom units. efficient - creating livable and enjoyable housing while typologies are streamlined with a floor plan created and dining - on one side and private zones - bed The bar typology is also effective in terms of health effective ventilation throughout each zone of space. to one of the three void-like courtyards, or through windows also provides sunlight, views, and access the residents as well.

floors contains eight units, with 40 units in total: 20 units. Each apartment typology is designed to be while taking up minimum spatial requirements. The created by two bars, separating public zones - living and bath - on the other.

health and wellness of the residents; it allows for space. Each area is ventilated either through access through access to the site. This amount of doors and access to green space, increasing the mental health of

CONCRETE WALLS ATTACH TO EXISTING SITE BUILDINGS

MASS TIMBER STRUCTURE FROM SECOND FLOOR TO ROOF

TOPPED WITH CONCRETE PER CODE

STACK VENTILATION

VERTICAL GARDEN SPACE OPEN TO TUNNEL

TUNNEL PASSES THROUGH BUILDING PROVIDES ACCESS FROM EXTERIOR TO INTERIOR OF EIXAMPLE

STACK VENTILATION

VERTICAL GARDEN SPACE

CONCRETE WALLS ATTACH TO EXISTING SITE BUILDINGS

CONCRETE COMMUNICATION CORE

CONCRETE GROUND FLOOR + FOUNDATION

Work Sketching

University of Barcelona

ARCHITECTS: Francisco Javier Carvajal Ferrer + Rafael García de Castro Peña

LOCATION: Diagonal 696, Barcelona, Spain

YEARS: 1955-1961

The School of Business of the University of Barcelona plays with structure and form - it consists of two volumes: one five-story block and one two-story plinth. The upper five stories contain small classrooms and offices, and the plinth houses larger classrooms and an auditorium.

The structure of the five-story block revolves around a grid of reinforced concrete; along the facade, the columns are spaced 3m apart; in the perpendicular direction, the columns are spaced 12m apart. The simplicity of this structure allowed for the creation of a functional building - illustrating the concept of “less is more” in the shift towards architectural modernity.

The structure affects many of the elements of the building, which increase functionality. On the facade, the structure provides opportunity for porticoes - as well as gaps for the placement of windows in each void of the grid, forming an outside wall made up of almost entirely windows; the facade provides key sunlight and ventilation to all the classrooms. Likewise, the combination of glass and structure illustrates ideas of contrast - comparing the transparency of glass with the rigidity of the structure.

In the ground stories, the structural grid allows for the distribution of multiple green spaces - creating miniature sanctuaries for students and teachers. The grid structure also allows for vertical elements - such as stairs - to be placed easily with the distribution per floor and with good accessibility.

Finally, the structure allows for a free plan, and partitions - such as those highlighted in brown - to be placed in many different configurations per floor to form the distribution of classrooms. The functionality of the building is enhanced with its variability and adaptability in plan.

TYPE WINDOWS

VERTICAL ELEMENTS

FREE PLAN PARTITIONS

BY: WINNIE NEVIS, SAMANTHA MEYERS, AND MICHAEL JOZWIAK

TOILET-WINDOW FACADE SYSTEM

Torre Glòries

ARCHITECTS: Jean Nouvel and Fermín Vázquez Huarte-Mendicoa

LOCATION: Sant Martí, Barcelona, Spain

YEARS: 1999-2005

The Torre Glòries is an icon amongst the Barcelona skyline, sitting on the edge of a preexisting highway. The shape is marketed as a multitude of symbolsincluding a geyser, the Sagrada Familia, and Montserrat. However, the building was originally created to mirror a Montecristo cigar used by Mies van der Rohe.

The complex structure of the tower is made up of two concrete massesone central and one peripheral - connected with large beams in tension. The structure allows for an open plan with no columns, providing office space which can be manipulated by the user, the central core houses the main circulation of the building, such as the stairs and elevator. The exterior mass contains punctuated holes for windows - these manipulate the tension points of the structure, increasing the complexity.

The facade on the exterior mass is coated with a translucent wall of glass sheets, lining aluminium plates painted with earth colors which fade as the height continues to increase - visually connecting the tower with the sky.

The facade is a display - used to light the city with projected images on holidays, joining the city with unifying images of shared experiences. However, the tower is not universally liked, and faces many criticisms on its shape and appearance. Despite this, it remains a talking point - and therefore, an icon.

TORRE GLORIES

The Torre Glòries is an icon amongst the Barcelona skyline, sitting on the edge of what used to be a highway. The shape is marketed as a multitude of symbolsincluding a geyser, the Sagrada Familia, and Montserrat. However, the building was created to mirror a Montecristo cigar used by Mies van der Rohe.

The complex structure of the tower is made up of two concrete masses - one central and one peripheral - connected with large beams in tension. The structure allows for an open plan with no columns, providing office space which can be manipulated by the user; the central core houses the main circulation of the building, such as the stairs and elevators. The exterior mass contains punctuated holes for windows - these manipulate the tension points of the structure, increasing the complexity.

The facade on the exterior mass is coated with a translucent wall of glass sheets, lining aluminum plates painted with earth colors which fade as the height continues to increase - visually connecting the tower with the sky. The facade is a display - used to light the city with projected images on holidays, joining the city with unifying images of shared experiences. However, the tower is not universally well liked, and faces many criticisms on its shape and appearance. Despite this, it remains a talking point - and therefore, an icon.

The original site contained a large round-a-bout for a highway; the tower was designed partly as a way-finding landmark within the location. Now, the site is being developed into a public park and grasps onto the iconic nature of the tower as one of the largest markets. in Barcelona.

BY: