PROTAGONIST
ELIZA LEAN
ELIZA LEAN
SIGNATURE PROJECT
BACHELOR OF INTERIOR DESIGN
CONTENTS Introduction
4
The Brief and Concept
5 6
Site One - Tasmania
8
The Client
Proposed Design
10 12
Site Two - New South Wales
28
Site Context
Site Context
Proposed Design
30 32
THE CLIENT
DOVECOTE ABOUT
Dovecote is currently owned by designer Jeffrey Simpson and Property Manager Kathryn Durham. Dovecote is award-winning ‘Australian House of the Year 2019’, providing breathtaking accommodation. Located in Gerringong, 90 minutes south of Sydney on 150 acres of oceanfront farmland overlooking the nearby Werri Beach, The Headland and The Range at Dovecote are two beautifully appointed getaway retreats that offer the ultimate luxury escape. The property, known as Dovecote, references the homeowner’s primary residence in Sydney, aptly named the Pigeon Shed; 1914 converted warehouse (once intended to house pigeons or doves) in Sydney’s Chippendale.
DESIGN
“Every inch of the design is a direct response to the immediate and greater landscape” says architect Atelier Andy Carson. “The building twists and morphs toward specific views. Climatic and spatial considerations with the placement of every wall or change of direction serve several purposes. The focus is firmly on the user experience being heightened and forging a greater connection to landscape.” The interiors were designed by Carson in collaboration with owner/designer Jeffrey Simpson. Both The Headland and the range were fitted with timeless furnishings selected by Jeffrey Simpson and Kathryn Durham which compels guests to sit and soak in the breathtaking landscape at every opportunity. “We wanted to support and showcase as many Australian Designers and Artists in a house that represents great design. The contents and design needed to be on the same level to achieve harmony within the space. There is also a mix of incredible European designers and classic pieces of furniture including the PK80 daybed.” (Simpson, J 2020). The overall interiors are minimal, neutral and moody but most importantly complement the sites surroundings.
SIGNATURE PROJECT
DESIGN BRIEF The brief for this project is to branch out Dovecote’s demographic and services by introducing two new accommodation sites. These two sites are requested to be located on two different sites with contrasting environments. This distinct difference in location will broaden desired availabilities and choices for potential guest, as well as provide new sources of design inspiration. The proposed designs are required to be small house builds with only one bedroom fitted for a couples destination, and most importantly the design needs to fit the requirements for a PassivHaus certification. Stepping foot into the future of design and being aware of the impact it can have on the environment, these small builds need to set a pathway for sustainable leisure based design.
DESIGN CONCEPT
PROTAGONIST ‘Protagonist’ is a place to escape from the roller coaster of reality and feel like the main character in your life story. Dovecote has spread its name by featuring in the 2020 film ‘The Invisible Man’. Even though this is a horror movie, nothing is horrifying about the stunning design of Dovecote that has its own back story and rewrites itself. The following proposed designs are the sequel to the Dovecote story in the form of a short story (small builds). ‘Protagonist’ promotes the movies, books and stories we adore and their ability to take us to another world, a desirable life and an escape. These passive houses provide that escape both through destination and through the stimulation of the senses that can bring one back to themselves and recognise their main character presence. These houses will make visitors never want to leave and go back into the ‘real world’. Approaching this project as my personal signature project and my first self directed project creates a connection as if it is my story and I’m the protagonist - OR - I’m writing my own story, and my designs are the protagonist. This is the start of a new chapter in my life where I will discover new things, see new places and meet new people, just as these proposed designs will.
SITE ONE
TASMANIA
Address
11 Upper Mcewans Road, Legana, Tas 7277
Lot Plan Number
CT 169533/1
Land size
36.27 ha
Council
West Tamar Council
PS TAS
West Tamar Interim Planning Scheme 2013 (WTIPS)
PA TAS
Land Use Planning and Approvals Act 1993 (the Act)
Land Zoning
26.0 - Rural Resouce
Max. Building Height
8m
Site Orientation
North-East
Slope of the Site
The sides of the plateau slope away steeply forming an escarpment around the west, south and east of the subject site.
Elevation of the Site
RL 200m
Access
The main access to the site is from Upper Mcewans Rd and through the property in front. Access is also possible through the north side of the site, but not resourceful as the main access point for deliveries and services.
Heritage Impact
The subject site does not appear on any statutory heritage register. Aboriginal Heritage Act 1975.
ELIZA LEAN
NOV 2021
DESIGN PROPOSAL
10
BACHELOR OF INTERIOR DESIGN
SITE ONE
SITE CONTEXT SURROUNDINGS Located 1.5 km to the north-west of Legana. It has frontage to Pine Tree Avenue and Eiger Court, which are residential streets that connect with Alpine Crescent and ultimately Atkinsons Road and Waldhorn Drive. Established low density residential area to the north, a number of dwellings within the Rural Living zone to the south, and land within the Rural Resource zone to the east which is used for a combination of grazing and viticultural purposes. Legana is praised for its homely atmosphere and stunning location by Tamar River. This has attracted people looking for a place to settle among the old cottage homes and iconic vineyards. Houses have drastically grown in size the past few decades, taking advantage of the available land. This has provided the ‘dream home’ luxury to Legana, whilst still combating any harsh Tasmania weather thrown it’s way. Analysing the surrounding properties it is clear that the common materiality is the use of hard surfaces. Concrete, render, stone, Colorbond steel, are the most used, as they are ideal for the climate and harsh conditions associated with Tasmania, especially and area only 50km from the Bass Strait. Aesthically there is a pattern of warm neautral tones and overall a ‘mature’ design to every home.
LEGANA HISTORY The local aboriginal community and tradition custodians of this land are the North-Eastern Tribe who are connected to Kanamaluka (Tamar River). Legana is the aboriginal dialect for Fresh Water. It was the centre of trade between new settlers and the native people. There is not any distinct historic events that aside from tragedy. The depressive history do not represent Legana today, the beautiful scenery is what defines this town. Since the settling of this town, there has be minimal growth and has remained a livestock and vineyard/fresh goods production location.
DEMOGRAPHIC Analysing the collected data the most suitable demographic would be elderly couples or young individuals / couples looking for an off the grid getaway, with respect for sustainable design and living. This is a place where people can immerse in themselves, ideal for someone needing to get in touch with their centre ground without the distraction of the outside world. This refined location has a reasonable living price, which makes it affordable, expanding the demographic range, but the ideal location and exquisite views would be appealing to a demographic with more wealth willing to pay more then the average expected.
SITE ONE
MOODBOARD
SITE ONE
BUILDING DESIGN
The main features of the exterior would include the roof-top garden that filters and recycled the rainfall Tasmania often receives. The other being the 3m wide balcony framing the double glazed windows.
The materials selected for the exterior of the build are those which comply with PassiveHaus minimum requirements. These materials include; CLT Timber structure, Double-glazed windows, Reclaimed timber and Colorbond Steel which is manufactured in Australia and designed to withhold the harsh Australian weather.
A double-glazed curtain wall covers the adjacent north and east sides of the building which is strategically designed for the north-east orientation desired in southern hemisphere architecture. This design will not only provide optimum light but will also take advantage for the stunning 360 scenery viewable from the elevation of this site.
SITE ONE
ELEVATIONS
NORTH - EAST FACADE
NORTH - WEST FACADE
SITE ONE
ELEVATIONS
SOUTH - WEST FACADE
SOUTH - EAST FACADE
SITE ONE
SUSTAINABLE DESIGN GARDEN ROOF TOP
Opting for a sustainable design for the roof top, deep dives further into optimising innovative design. Tasmania is located in a sub-temperate climate which is relatively colder the climate in Sydney, therefore may not be most resourceful to use solar power, and due to land zone, wind turbine is not an option. The most appropriate method would be a garden top that filters and recycled rain water, as it is 50kms from the Tasman sea, Legana receives a decent amount off rain fall.
SITE ONE
SPATIAL PLANNING 1
LAYOUT ONE This layout portrays that of the current day ‘open plan’ style of living space. The connection between space work well but not efficiently. The placement of the bathroom does not best suit the desired layout, plus does take advantage of the site views.
2
LAYOUT TWO
The configuration of this layout reflects that of the previous layout. The main inconveniences that arise with this design is the bed directly facing the bathroom. Even though this is designed for couples, its still questions privacy as well as hygiene.
3
LAYOUT THREE
This layout is almost identically the final design, the only obvious difference is the position of the bedroom entry doors. The set back in the doors lines nicely with the window placement but will most likely interfere the entry way into the storage space.
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SITE ONE
INTERIOR SECTIONS
KITCHEN + DINING
BATH
KITCHEN
LAUNDRY + STORAGE
BEDROOM
LIVING
DINING
BATH
SITE ONE
KITCHEN / DINING The first room upon entry from all access points foreshadows the continuing design throughout the space. The combined kitchen and dining space represents the central layout designed around the 360 view accessible from every room. The central kitchen design not only plays as a unique key feature of the design but also maintains an efficient spatial flow without disturbing the view through the double glazed curtain walls. Having the kitchen placed in the centre physically incorporates the phrase “the kitchen is the heart of the home” which provides continuous connection between the dining and living space, creating a connection to each other and ourselves.
SITE ONE
LIVING SPACE This living space is designed to evoke a feeling of warmth and comfort. Circled around the low combustion fireplace can create that connection with the natural elements even on a cold Tasmanian winter night. This strategic design will make the site more appealing to potential visitors/tourist all year round, as well make any individual fall naturally into place, feeling home at heart but in a whole new world. All materiality is inspired by several elements associated with Tasmania including the Tasmanian sourced timber, woolen boucle and the rough clay plaster, concealing the bedroom entrances, represents the rocky north-east coastline of Tasmania.
SITE ONE
BEDROOM Approaching the bedroom, the idea was to focus on the feeling of the space, both physically, mentally and emotionally. The desired concept for the room is ‘In the sheets’, with all considered factors, including the site location, the design concept and the desire use of the space, the mood of the space was perfectly curated. Ideally the excessive use of soft fabrics and furnishings will create the constant feeling we associate with waking up next to a loved one snuggled in the comfort of white linen bedding. This also works in favour for the cold Tasmanian mornings as the softs surfaces assist in retain thermal heat. The layout and placement of the bedroom is designed around the visibility of the surrounding scenery, as well as the entrance walk ways not only provide access to the laundry and storage cabinetry but also provide a sense of privacy and intimacy. The space is then topped off with handmade pendants by Dace Suna and custom bedside table mounted to the wall.
SITE ONE
BATHROOM Featured to the right is a conceptual illustration demonstrating the purpose of the bathroom design and its focus on the rolling hills seen directly through the double glazed windows. This emphasis on the view alongside the suspended mirror and natural stone sink influences a psychological effect of grounding whilst evoking a euphoric feeling being “on top of the world”, “on cloud 9”. The materials were strategically selected with several innovative, sustainable and more considerations. Materials include the custom sink handcrafted from natural stone. The flooring is an organic arrangement of recycled tile off-cuts. The choice of flooring is not only unique and brings a luxurious feel but it also minimise wastage, and reduce materials shipped to landfill. The organic shapes and aesthetic are the ideal look for the project’s concept.
SITE TWO
NEW SOUTH WALES
Address
37 Byron Street, New Brighton, NSW 2483
Lot Plan Number
3/-/DP869207
Land size
52,040 m2
Council
Byron Shire Council
LEP
Byron Local Environmental Plan 2014
DCP
Byron DCP 2014 - effective 11 Sept 2019
Land Zoning
DM, E1, RU2
Max. Building Height
9m
Site Orientation
East
Slope of the Site
Minimal Slope context to site, earthworks report indicates wetland forest zoning on property, suggesting possible movement of ground/soil.
Elevation of the Site
RL 2m
Access
The main road, Byron Street runs directly through the property, leading to the 37B and 37C. Even thought there are alternative access points, this is the main access for vehicles and essentials services.
Heritage Impact
Not identified as a heritage item, nor is it located within a heritage conservation area.
ELIZA LEAN
NOV 2021
DESIGN PROPOSAL
32
BACHELOR OF INTERIOR DESIGN
SITE TWO
SITE CONTEXT SURROUNDING The following property 37B and Byron Street crossing over property boundaries. As well as dense foliage. Heavy vegetation, covering the rear end of the property. Wetland zone with various flora and fauna who have made the area home. A direct view out onto the Pacific ocean, boarding New Brighton beach. Beach sand bank is only 130m from site boundary. New Brighton, Alongside Byron Bay, saw settlement dominate the area in the 1880s. Still to this day New Brighton holds its history through its architecture. What may have only been working class settler houses originally, they have influenced the designs for modern day housing. Even though new developments bring new innovative materials and new way of living, through research and analysis there is a clear connection between the old and the new. Most common building envelope and interiors materials include washboard cladding or raw timber cladding with alternative surfaces ideal for the climate. Natural Timbers, neutral tones and natural colour palette with pops of various blues and greens to reflect the coastal water and vast greenery.
NEW BRIGHTON HISTORY The local aboriginal community and tradition custodians of this land are the Arakwal people of the Bundjalung nation. Area growth and increase settlers brought farming, the railway, Australia’s first ever jetty and NORCOS butter factory in the 1880s. Now days New Brighton has a large area of conservation rain forest running along the coastline. All indigenous landmarks within this national park are managed by the Bundjalung community.
DEMOGRAPHIC Byron Bay is a popular tourist location perfect for a coastside getaway. New Brighton is 20km north of Byron Bay, which is it local town and part of the Byron Shire. New Brighton / Byron Shire is known for its celebrities, home to Hollywood stars including Chris Hemsworth, Olivia Newton-John, Zac Effron and many more well known figures. The main demographic is young adults. The area has always been known to attract backpackers and travelers but recently there has been a large increase in ‘Influences’ using social platforms to document the beautiful beaches and scenic location. This sort of demographic maintains the ‘organic’ lifestyle associated with Byron Shire which stabilises the various sustainable, herbal, vegan, etc. stores. The ideal for a Passive House as it attracts environmentally conscious people who care and understand the importance of sustainable living. Tourism, sustainable understanding mixed with luxurious lifestyle, this is a place where visitors can immerse themselves into the local atmosphere, the idea of relaxation the Australian beach side vision of Hollywood.
SITE TWO
MOODBOARD
SITE TWO
BUILDING DESIGN
As this site is oriented to the east looking out onto the ocean, in order the take advantage of the view without the disruption of the bright morning sun, the front of the balcony will be fitted with customised shade panels that can be moved where ever the occupant desires.
The materials selected for the exterior of the build are those which comply with PassiveHaus minimum requirements. These materials include; CLT Timber structure, Double-glazed windows, Reclaimed timber and Colorbond Steel which is manufactured in Australia and designed to withhold the harsh Australian weather.
Since this illustration was completed there have been modifications to the side of the building to optimise the northern sunlight. There are now 2 large vertical windows framing the dining area inside.
SITE TWO
ELEVATIONS
EAST FACADE
NORTH FACADE
SITE TWO
ELEVATIONS
WEST FACADE
SOUTH FACADE
SITE TWO
SUSTAINABLE DESIGN PIVOT SOLAR PANELS SunPower Maxeon Solar Panels, 6.2 kW Maxeon 5 ACModule System. Energy converted from sun rays into energy, with storage battery.
SHADE PANELS
Shutters to block any eastern morning sun, designed specifically for the orientation of the site. The individual panels slide and overlap which can either be manually or remote controlled to place in desired spot.
SITE TWO
SPATIAL PLANNING 1
LAYOUT ONE This layout portrays that of the current day ‘open plan’ style of living space. The connection between space work well but not efficiently. The placement of the bathroom does not best suit the desired layout, plus doesn’t catch the eye.
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LAYOUT TWO
LAYOUT THREE
The configuration of this layout reflects that of the previous layout. The main inconveniences that arise with this design is the bed directly facing the bathroom. Even though this is designed for couples, its still questions privacy as well as hygiene.
This layout is almost identically the final design, the only obvious difference is the position of the bedroom entry doors. The set back in the doors lines nicely with the window placement but will most likely interfere with the bedroom.
ENTRY
BATH These drawings, plans and specifications and the copyright therein are the property of EL.LE and must not be used, reproduced or copied wholly or on part without written permission of Eliza Lean.
C COPYRIGHT
BEDROOM
Whitehouse Institute 2 Short St, Surry Hills NSW
CLIENT P: 0000 000 000
LAUNDRY + STORAGE eliza.lean@student.whitehouse.edu.au
EL.LE Designs Eliza Lean 20WHI158
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LOT No. 1 Drawn | Checked EL | JS
DP. 169533
Address 11 Upper McEwans Road, Legana, TAS 7277
Project No. SP6ID21
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out in accordance with relevant vironmental planning and ulation under the act. All drawings ction with any architectural ules, consultants documentation.
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These drawings, plans and specifications and the copyright therein are the property of EL.LE and must not be used, reproduced or copied wholly or on part without written permission of Eliza Lean.
C COPYRIGHT
BATH
Whitehouse Institute 2 Short St, Surry Hills NSW
CLIENT P: 0000 000 000
LOT No. 1 Drawn | Checked EL | JS
DP. 169533
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1:100 Address 11 Upper McEwans Road, Legana, TAS 7277
Project No. SP6ID21
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NEW BRIGHTON BEACH
eliza.lean@student.whitehouse.edu.au
EL.LE Designs Eliza Lean 20WHI158
IR W
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BEDROOM
out in accordance with relevant vironmental planning and ulation under the act. All drawings ction with any architectural ules, consultants documentation.
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INTERIOR SECTIONS
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LAUNDRY + STORAGE
BATH
SITE TWO
OPEN LIVING The long corridor entry is a source of anticipation leading to the reveal of this eye catching open plan space. The circulation between the kitchen, living and dining maintains an efficient spatial flow. The open layout in emphasised by the immerse natural light reflected off the selection of bright surfaces and tones. The materiality of the space is designed to suit the sandy environment that may be carried though the home, minimsing soft materials that may trap in the natural elements. As what can be seen from the floor plan, all features of the layout are directed to face and/or focus towards the east, taking advantage of the beach front view, the window frames acting as a picture frame.
ELIZA LEAN
NOV 2021
DESIGN PROPOSAL
BACHELOR OF INTERIOR DESIGN
45
SITE TWO
BEDROOM Approaching the bedroom, the idea was to focus on the feeling of the space, both physically, mentally and emotionally. The design for this bedroom is through the stimulation of the senses that can bring one back to themselves and recognise their main character presence. The natural and rough textures of the stone cladding and Clayworks plaster contrasts that of the first site, just as their location and environments do. This bedroom reflects the coast line directly parallel from the space but just as the first site, it references sensual feelings that most can resonates with therefore its appropriate to name this room “sex on the beach”. The name is a twist of humour, a pun that could be taken both literal or left the imagination. However one wishes to interpret this sensual experience, the ideal common denominator will be ‘connection’, to one’s self, to each other, to the space, to the earth and to the present.
ELIZA LEAN
NOV 2021
DESIGN PROPOSAL
BACHELOR OF INTERIOR DESIGN
47
SITE TWO
BATHROOM The bathroom is designed the remain connected with the bedroom. This particular layout is arranged to carry romance through each space, the way waves naturally carry sand to the shore. To maintain this Intimacy, the toilet is located separately to the rest of the bathroom, this also was designed for practically, hygiene and privacy. The materiality of this space mirrors that of the first site, including the custom sink handcrafted from natural stone. Natural stone is one of the world’s first green building materials, as it doesn’t require any other materials or resources to create it. Natural stone is also more eco-friendly, as it doesn’t contain any harmful chemicals or toxins. Limestone is durable, required minimal maintenance and recyclable.
ELIZA LEAN
NOV 2021
DESIGN PROPOSAL
BACHELOR OF INTERIOR DESIGN
49