DESIGN PORTFOLIO "Beyond Architecture"王天韵作品集锦 by Tianyun Wang

DESIGN PORTFOLIO

“Beyond Architecture”

王天韵作品集锦

wang_tianyun@u.nus.edu

+65 90790256 +86 13703688800

WANG TIANYUN

YUN

SPECIAL EXPERIENCE 特别经历

2016:

Arrived in Singapore alone as a recipient of the People’s Republic of China Junior Middle 3 (PRC JM3) four-year scholarship under the Singapore Ministry of Education.

荣获新加坡教育部四年全额奖学金，独自赴坡留学（本校该届唯一且最后一届、全黑龙江省唯八入选的奖学金生）

2017:

Achieved the first prize in the 15th XIN LEI JIANG National Secondary School Chinese Writing Competition Upper Secondary Category.

Interviewed by Zao Bao and featured in Zao Bao newspapers.

第十五届新蕾奖全国中学生华文创作大赛高年级组一等奖，受邀采访并荣登新加坡联合早报

2019:

Participated in the renowned performance art artist Tang Da Wu’s show “Sembawang: The D.D Land.” 有幸参与并与新加坡当代著名行为艺术家唐大雾先生同台表演《深疤凰·蹄蹄曲》

2020:

Founded Team “TRASHURE” under Temasek Junior College Mazarin Program. Initiated the “I Pledge Your Meal” online campaign during the circuit breaker, raising $660.5 through fundraising activities and nearly 40kg of food donations for FoodBank Singapore in a college-wide food drive in a week.

成立学生组织，与慈善机构新加坡食物银行合作，在疫情封控期间发起线上号召，为贫困家庭筹款、捐赠食品

2021:

Offered NTU Science and Engineering Undergraduate Merit Scholarship (CN). Enrolled in National University of Singapore’s Architecture Major with interviews exempted, being part of the first batch in the College of Design and Engineering with a cross-disciplinary curriculum.

获得南洋理工大学科学与工程学部本科优秀奖学金；免试录取新加坡国立大学建筑专业，成为继设计与工程学院合并后跨学科复合型人才培养课程的第一届试验生

2022:

Pioneered exposure to the cutting-edge computational design software Möbius Modeller, developed by Professor Patrick Janssen, achieving an outstanding grade.

First batch for the newly launched “Creating Narratives” module, top scorer, invited for module review session with department head Mr. R. Brian Stone, and selected as the first part-time teaching staff of this course under the Undergraduate Teaching Opportunities Program (UTOP).

作为第一且唯一一届学生，学习应用由本校詹森教授自我研制开发的前沿编程建模软件，并取得优异成绩；作为新课程“创意叙事”的第一批示范生，取得年级第一的成绩，后受邀与系主任进行课程研讨，在大三上当选成为该课程的第一位学生助教

2023:

Exclusive exposure to Evomass, a toolkit for agile performance-based building massing design generation, optimization, and exploration, developed by Dr. Wang Likai, and achieved a perfect score.

在唯一一批接触由王力凯博士开发的灵活性建筑形态生成优化设计的学生中取得满分位列第一

EDUCATION 教育背景及成就

2021-2025 (Ongoing): Bachelors of Arts in Architecture (Honors)

2024-2026 (Expected): Master of Architecture (Architecture Concurrent Degree Programme)

National University of Singapore (QS 8th globally, 1st in Asia)

Current CAP: 4.7/5, First Class Honours 新加坡国立大学建筑系五年本硕连读（一等荣誉学位）

2024 (Offered): Exchange Semester M.Arch 1 Technical University of Munich (QS 11th in Europe, 1st in Germany) 硕士第一学期将于慕尼黑工业大学进行交换

2021-2023: University Town College Programme

Residential College 4, Honour Roll Award Nominee (Processing)

Senior Retention Offer Granted 新加坡国立大学书院课程（杰出贡献者）

2019-2020: GCE A’ LEVELS

Temasek Junior College

UAS 87.75/90, 4H2 As for Mathematics, Physics, Chemistry and Art 新加坡淡马锡初级学院

2017-2018: GCE O’ LEVELS

Cedar Girls Secondary School L1R5 4, CCA Grade A 新加坡四德女子中学

2016: MOE SM1(PRC JM3) Four-Year Scholarship Offer

Harbin No.113 Middle School, Harbin No. 3 High School 哈尔滨第一一三中学校，中考以优异成绩录取哈尔滨第三中学实验班，后获得新加坡教育部四年全额奖学金出国留学

Proficient in design, modeling and analysis tools including:

Microsoft Office Suite

Adobe Creative Suite

Rhino, Revit, AutoCAD, Fusion360, UltiMaker Cura (3D Printing) Enscape, Vray, D5 Render

ClimateStudio, Computational Fluid Dynamics (CFD) Simulation, Microclimate Digital Platform, RStudio Cloud Radiant

Experienced with computational and AI-aided design softwares such as:

Grasshopper, Meshroom, Midjourney, Stable Diffusion, Möbius Modeller, and EvoMass

Native speaker of Mandarin, fluent in English, and having basic knowledge of French.

擅长双语（母语中文，英语听说读写无障碍交流）及法语

Accomplished in Chinese calligraphy with expertise in five fonts (Kai, Li, Zhuan, Xing and Cao), skilled in Yin and Yang seal cutting, proficient in various Chinese and Western painting techniques, and holds a certification at the tenth level of Guzheng. 热爱书法并精通楷隶篆行草五种书体及阴阳篆刻，熟练掌握中西方各种画法，尤其擅长国画山水，古筝十级

NUS Annual Architecture Exhibition Archival 2022 & 2023, Top 10% Outstanding Student Works

NUS Center for the Arts First Student Public Art Competition 2021, 2nd Runner-Up Team

ACE Award for Holistic Excellence (JC1 and JC2)

Subject Award for Top in H2 Art in GCE “A” Level Examinations 2020 and 2020 Preliminary Examinations, and Top 10 percentile for H2 Mathematics and Physics

Academic Excellence Gold Award for GCE “O” Level Examinations 2018

Academic Excellence Award for Top in Higher Chinese in GCE “O” Level Examinations 2018

Social Innovation Award 2018 for designing and donating a game box to Therapy Alliance Singapore for dyspraxia children to train muscles and enhance hand and eye cooperation

Nov 2022 – Present: EduFirst Learning Centre Contract Tutor and Relief Teacher (Primary and Secondary) 新加坡中小学辅导中心签约教师

Aug – Dec 2023: National University of Singapore CDE2000 Creating Narratives (UTOP) Part-Time Teaching Staff AR1101 Design 1 Part-Time Teaching Assistant 新加坡国立大学跨学科及大一设计课程助教

Jun – Aug 2023: H.U.A.Y Architects Architectural Intern 新加坡建筑事务所实习生

Aug 2022 – May 2023: NUS RC4 College Students’ Committee Director of Publicity, 2022 Open House Creative Head 国大书院学生会宣传部部长，开放日创意总监

May – Jul 2022: Brahm Centre Pte Ltd Intern, Invited Designer for Blk 148 Simei Renovation Project 新加坡百仁慈善中心特聘设计师兼实习生

Nov – Dec 2019: ARC Studio Architecture + Urbanism Pte Ltd Architectural Intern 新加坡建筑事务所实习生

WORK

工作能力

EXPERIENCE

In the realm of architecture, my profound passion finds its roots in a deep-seated love and reverence for life. I am devoted to infusing every design endeavour with a pursuit of “critical realism”, driven by the conviction that each creation should aim for discernible impacts on both human society and the natural environment. A continuous journey propels me beyond the comfort of familiarity, delving into the avant-garde realms of computational design. With a fervent wish to attain seamless integration, I aspire to not only better design for the future but also to intricately preserve the treasures of the past.

建筑于我，集之大成，究其热爱之心，源自生之敬畏。贯穿始终，务实求真之志不变；不断求索，突破创新，以求兼容并蓄，守望过去, 助力未来。

YUN

Stippling Art Self Portrait (2019)点技艺术自画像

SELECTED WORKS 作品概览

STUDIO PROJECTS 原创建筑设计

1 | Time Transformer 移行时空

2 | Rain Rhapsody 雨天狂想曲

3 | Urban Respiration 城市呼吸

ANALYTICAL DESIGN EXERCISES 研究型空间创意

4 | Ritualscape: Re-imagining Joss Paper Burning in Public Space 文明祭祀公共设施

5 | Tropicalization of the House of Cards 欧洲住宅的热带化改造

DRAWINGS AND PAINTINGS 手绘类作品欣赏

TIME TRANSFORMER 移行时空

Year 3 Semester 1, Design 5 Dr. Federico Ruberto Studio, 13 Weeks

Design 5, framed within the concept of ‘prototyping urban interfaces,’ delves into the intricate relationship between architecture and urban elements. It seeks to challenge conventional urban typologies, exploring innovative design possibilities in response to current and anticipated urban dynamics. Thoughtfully, project “Time Transformer” addresses time management challenges in a bustling city center.

Adapted to modern work schedules, the project reconfigures public spaces to provide respite for office workers and laborers. Inspired by the discourse between Non-Stop City and Stop City, the project adopts an intermediary stance, introducing two systems—transitory and stationary—to bring in change yet maximize impact, efficiency, and feasibility in Singapore’s meticulously planned urban space. The key concept of duality is pivotal, evident in the invention of modular spaces featuring sloped roofs, offering flexibility for formal use or leisurely exploration. The project explores the nuanced relationship between form and time, echoing Kevin Lynch’s question, “What time is this place?”. Modular spaces are strategically organized, considering time commitments ranging from 5 minutes to 1 hour.

Conceptually, the independent nature of these time modules allows for adaptable aggregation, fitting any site condition. Three illustrations showcase ‘linking’ building typologies in diverse contexts—mixeduse, residential, and commercial—respecting site limits and existing infrastructure. In essence, this project initiates a discourse on urban negotiation, implementing architecture in-between existing buildings with the potential to positively impact established societal structures.

大三上项目，以“模拟城市界面”的概念为框架，深入探讨了建筑与城市元素之间错综复杂的关系。其旨在挑战传统城市类型，激发突破性创新，以更好应对当前及未来的城市动态。经过一个月的实地考察和局部城市痛点分析，本次提案“移行时空”敲定方向：致力于解决繁忙市中心打工人士的时间管理难题。

该设计专为现代社会的快节奏生活及碎片化时间打造，通过对闲置公共空间的重新分配，为打工人提供一系列多功能可变幻的休闲娱乐场所。其项目灵感来自不同派系激进城市主义的碰撞和融合，采取中庸之道，提出“动”、“静”两种空间系统相通共存的新型解决方案---以在新加坡已经高度规划的城市空间中最大程度地发挥作用，实现高效性和可行性。功能与动线“双重性”和“灵活性”贯穿设计始终，这一概念在模块空间的形态中体现得尤为突出。例如可供停留的坡道屋顶设计，便使内外空间下的两种使用模式得以独立共存。由此，该设计的形式又与时间构成巧妙关系，即用时间长短定义空间大小，或利用三维实体空间让虚拟时间可视可感。结合打工人现状，方案中模块均匀排布，提供了从5分钟到1小时的活动项目。

理论上，这些模块独立完整的结构可以使它们任意组合以适应任何场地条件。但本项目仅以三种情境为例（综合区、住宅和商业街），在尊重场地限制和现有基础设施的情况下，展现“移行时空”的潜力和可塑性。总体而言，该项目充满思辨，是存在于城市接口与缝隙中的设计，是一种诉求和希望，希望对既定的固化的社会结构产生一点积极的影响，一点就好。

Density | Urbanism | Publicness

0 5 10 20m SCALE 1:500 0 5 10m SCALE 1:250 0 5 10m SCALE 1:250 External Site Consideration @Maxwell Carpark is open car park experiences high utilization, primarily by visitors frequenting the nearby restaurants in the adjacent shophouses. Despite the presence of a tness center and a cafe, they are somewhat overshadowed by the dominant car park function, receiving minimal foot tra c. Tra c congestion is a common issue, with people o en resorting to jaywalking across the road from the Guoco passageway to the car park. In response, the design of the 'transitory system' takes the form of an overhead bridge, aiming to address the tra c concerns and simultaneously activate the underutilized tness center and cafe. External Site Consideration @Tanjong Pagar Plaza e Tanjong Pagar Plaza is a bustling area, especially during lunch hours. However, on-site observations reveal that most visitors prefer walking along the street and accessing retail shops from outside, with minimal use of the main entrance, except for residents. e existing main entrance appears outdated and dimly lit, featuring a staircase leading to an underutilized second oor. ere is signi cant potential for redevelopment, envisioning an integrated double-volume space with upgraded stationary areas to replace the current stage-like seating. A transformative aspect of this proposal involves replacing the ceiling with glass, allowing natural light to ood in, and presenting an opportunity to establish access to the level 3 community void deck. External Site Consideration @Guoco Urban Park Guoco Urban Park stands out as a success story, drawing crowds on both weekdays and weekends. is adaptable space, equipped with shelter, fans, and audio facilities, proves ideal for hosting diverse events. Its strategic integration with the MRT station entrance, restaurants, and parks enhances its appeal. However, the park faces challenges, with congestion arising from the competing space requirements of restaurants and events, as well as con icting needs between transient and stationary visitors. Furthermore, in this highly commercialized area, the lack of free, self-serving spaces is notable. e proposed 'stationary system' within the passageway addresses this gap by providing a space for individuals to spend time as they wish, while also managing and diversifying the ow of people, e ectively separating transient and stationary needs. Internal Site Consideration @Guoco Passageway e current passageway, standing at 10m high, appears vacant and brightly illuminated without arti cial lighting. Despite the perception of being a wasted space, the glass-panelled li s create a visually open and interconnected ambiance, linking the underground shops. E ectively utilizing this empty space while preserving its climatic and visual qualities poses a challenge, especially in this box-like environment. e proposed design capitalizes on existing walls for structural support, introducing a system of modular spaces in glass with mesh-wrapped material. is design divides the passageway into three storeys, featuring overhead platforms that create ground space for the existing car drop-o function. Internal Site Consideration @Level 3 Void Deck e current state of the level 3 void deck reveals vast untapped potential. While a small children's playground is present near a childcare center, the lack of shelter leaves the space exposed, hot, and underutilized by residents. Even with furniture xtures under residential blocks, there is minimal usage. Interestingly, three void decks under residential blocks align, forming a linear track or suggesting a pathway. is serves as the initial implementation site for the "transitory system", fostering horizontal movement to create connections and interactions between three distinct residential blocks. Internal Site Consideration @Carpark e residential blocks are positioned above and traverse the retail space in the front, with the carpark situated at the rear. Tra c ow is somewhat intricate, given the alley between these areas, and the li of the middle residential block is positioned within the carpark. Unfortunately, residents of the middle block face challenges in accessing the community void deck due to its proximity to the carpark. As a conceptual solution to enhance mobility and space exibility, a "space li " is proposed, as the second part of the "transitory system". is innovative idea involves connecting the three li with xed modules, generating additional spaces and platforms for residents to engage in various activities. External Site Consideration @Shophouse Alleys Behind Craig Place Apartment, encircled by shophouse restaurants and bars, lies the sole paved pedestrian pathway in Tanjong Pagar. is secluded street, tranquil during the day and vibrant at night, hosts a discreet linkway staircase beneath the carpark, serving as an exit to the main road. e convergence of several shophouse back alleys, characterized by uneven typography and adorned with mature trees in the courtyard, creates intimate spaces for shophouse workers to enjoy brief respites. Inspired by this setting, the proposed "transitory system" is strategically positioned here, its track hovering above the back alleys, providing shelter and establishing a third space for these workers. Capitalizing on surplus carpark space, two storeys at the corner of the carpark are repurposed as the "stationary system," serving as an indoor garden—a shared urban living room for nearby shophouse workers to savor their precious micro rest time. TANJONG PAGAR CITY ARCHITECTURE CAPITALISM NO-STOP CITY STOP CITY FORM PROBLEM 2: Underutilized Green/Open Zones PROBLEM 3: Disorganized Transitory Areas SHARED SITE CONDITION A JUXTAPOSITION OF THE OLD AND THE NEW A HIDDEN UNDERGROUND LINK AMONG SHOPHOUSES WITHIN RESIDENTIAL BLOCKS UNDERNEATH MIX-USE TOWER BY ARCHIZOOM(1969) BY DOGMA(2005) AN UNDERUSED COURTYARD/ CORRIDOR A GIGANTIC LEVEL 1 PASSAGEWAY POTENTIAL URBAN TIME PUZZLE Single Activities Multiple Activities How can architectural programs be leveraged to enhance the meaningful utilization of micro-time for ce workers? ENHANCED WORK-LIFE BALANCE BOOSTED PRODUCTIVITY INCREASED SOCIAL CONNECTIVITY SUSTAINABILITY AND ADAPTABILITY 15 30 45 60 Inspire Celebrate Unwind 10 20 35 50 25 40 55 5 0 PROBLEM 4: Lack of Adaptive Stationary Spaces the prototypical dens y: iving and working ha uld ter the lifestyle of ndividualism nd laissez-far elled by neo-liberal urban polices.” top City lationship etween he inside" and the "outside"... pres Architecture... formin he coexistence within he city.” pelago Find eace in the b main in the public nking in looking ou A gigantic passagewa that is underused => An opp tunity an in-between link Optimizati ysical, M tal, Psychological ps --- eign talen rkers --- migran elderly urists --- gr nj gar MR Car Par Mixed-us people Divers y pr unique? wer and shophouses Ad tive, lexible, Relaxing, Nurturin gain something as they walk through ledge? ppre st-paced life, High index + Integration PROBLEM 1: Disconnection among User Groups 20 IN-BETWEEN SPOTS, 3 INTERVENTION SITES IN-BETWEEN PEOPLE OFFICE WORKERS MICRO-TIME IN-BETWEEN ACTIVITIES IN-BETWEEN TIME MODULAR ROOMS FREE OPEN SPACE an architectural concept envisioning a perpetually changing and uid city with no xed structures, embracing constant motion and adaptability e problem of “lack of adaptive stationary spaces” in Tanjong Pagar stems from the area’s heavy commercialization, where services are available but o en come at premium cost. What’s missing is a versatile, free, and inclusive public space that serves as multifunctional urban living room, welcoming diverse individuals and fostering sense of community and comfort for leisure and In-between buildings semi-indoor underutilised next to commercial activities somewhat quiet and away from heavy tra PEOPLE Young or middle-aged adults Employees/ O ce Labours Up to minutes: Quick relaxation (meditation, breathing exercises) Short breaks (stretching, phone calls) ese innovative modular spaces come in range of sizes, each thoughtfully designed to accommodate activities of varying durations and di erent group sizes larger rooms o er exibility for multiple users to engage in various activities simultaneously, fostering a dynamic and adaptable environment. Whether ce workers are looking for a space to meditate in solitude, hold a team meeting, or engage in group tness sessions, these modular rooms can be tailored to suit their needs and into their tight schedule, making them versatile and cient solution for a wide range of activities. In the proposed design intervention, the existing footpath is reimagined as multi-level passage. ese three storeys o er varied environments for di erent activity durations. rst level provides easy access for short activities, while higher levels o er quieter surroundings and scenic views, ideal for longer engagements. Existing li can be repurposed to serve levels 2 and 3. Furthermore, existing entrance overhangs and garden areas can be creatively transformed into shared spaces with comfortable seating. is design is an optimization and integration of existing site condition. Current programs are kept. Passengers can still walk through and cars can still drive in. Shops’ business would not be ected wither. design of these modular spaces is primarily shaped by their intended functions. Creating modular system presents the challenge of harmonizing circulation and spatial considerations Central to this design is the concept of duality o ering two distinct modes of time utilization. rst mode involves purposeful navigation directly to speci activity rooms, driven by targeted goals. e second mode encourages more leisurely experience, allowing individuals to meander freely and casually explore the roo op. To facilitate this, the roofs feature sloped surfaces that create cozy, lounge-like pockets of space, inviting people to gather and interact. Up to 15 minutes: Engaging activities (simple exercises, gym workouts, art/history gallery visits) Relaxation (massages, music listening, concerts) Up to 30 minutes: Socializing and leisure (meeting friends, browsing mini library, reading, karaoke, playing board games, taking a nap) Up to 60 minutes: Productive work (co-working, meetings) Creative pursuits (art-making). Formless Outdoor General and Flexible Temporary Transitory Random Interpreted Scattered Independent Equality Directional Guided Sequenced Ordered Hierarchy Curated Indoor Speci and Targeted Permanent StationaryGRAMS Lunch break (>45mins), Overtime a proposal of return to traditional urban planning with de ned spaces, clear boundaries, and permanence, emphasizing designated stopping points and structured urban environments. Stop city refrain from architecture; it is a model of a city in which there is no architecture as traditionally intended, but only the attempt to architecturally frame the city. Stop City is architecture freed from itself; it is the form of the city. “No-Stop City” challenges conventional urbanism, envisioning hyper-commercialized, hyper-individualistic urban future as response to the politics and ecoLIMIT ORDER REPETITION TIME TRANSFORMER WORKPLACE HOME Commute 4250.0 5750.0 7000.0 1-3 people 1-3 people 3-5 people 3-5 people 5-7 people 5-7 people 7-10 people 5 mins Quiet Zone Readily Accessible FORMAL Time Management: Li + Modular Rooms Taking the most direct and cient route to scheduled, planned activities INFORMAL Time Management: Staircases + Roo ops Navigating upward and nding moments of respite at elevated spaces OG A CS Big d d p p gS tt tsy p W d id d Unf ble ts G d de d e S id p M adi h c Hidden TARGET AUDIENCE O d G 80% t lic TARGET AUDIENCE Senior Residents Reside C Lim d acce h blic TARGET AUDIENCE S oph u e Wo k r O d y Cr ig P C le lic URBAN ANALYSIS MAPPING SITE CONDITIONS SITE SELECTION SITE ADAPTATION WHAT TIME IS THIS PLACE? LEGEND blic k 0-5 p p t/ min 5-10 10-20 20-50h MRT b li t Wh le d H h ks ble p d d p si le sid alks b sh br ks ui ky ts, ces,g g g y h T T eizes h d b lic R nizi heir b d fac h ni d c bl heir ci s mic g guni h ic, in- hin hi h-yp g p pg g pp k li ba hi d p de hi h eside Add al d si ui di b d ies, mp si h n ps b en p d p lic pdu on h a na sy em a d an or sy em a a es h pace b n oducp g gs g ti d s d SITE 1 G T L T P MRT B1 Walli h Ca p k L2 & 3 ace (B1-L5) eside p G G ace in F n Cen er b hin y SITE 2 LOCAT ON T P P L eside ks 3 S ys C p b hi 100 AM h M in o g a a et & oo SITE 3 LOCAT ON Cr ig C k 2 & 3 psS ys C p Cr ig P A y p ba h ad DEMOGRAPH CS DEMOGRAPH CS Mo y w h n 2 Me o-A eas o 300x300m ITE 1 (MAIN) D d p 4.1, g 2.1 S p d 2.4 SITE 3 T ts C s m r eni Reside V r pp Reside Wor e ISCONNECT O P A b S e 1 C vs Reside Fl S p ISO GANISAT O g ps U de d G en/O Z L Ad p S y p Youth

COLUMN 1

Urban Analysis and Conceptual Diagram: Programming and Formal Development

COLUMN 2

Three Site-Specific Prototype Adaptations: Tailoring Designs to Unique Contexts

COLUMN 3

Modular Configuration: Illustrating Transitory and Stationary Systems for Versatile Solutions

（左一）城市问题分析、边缘目标人群、空间功能与形式概念

（左二）主次场地实地考察、模块空间的定制化组合与应用

（左三）多功能模块配置、动静系统与场地的适配性

SITE DOCUMENTATION VIDEO

Crafted using on-site sound recording, scanning photography and Meshroom 3D reconstruction

场地情况复现视频（包含音频采集及照片合成式建模技术）

TIME TRANSFORMER DESIGN 5 | UNIT 1 | STUIDIO FR | WANG TIANYUN OUT SOFITEL HOTEL DROP-OFF OFFICE LOBBY DROP-OFF OUT Moving Mode Insu cient pedestrian access to the car park and tness center necessitates an upgraded overhead bridge, known as the "Transitory System." is enhanced bridge seamlessly connects various programs, featuring side-lane modular units with staircases that align with central-lane modules. dynamic cycle within the system ers exibility for erent con gurations. is innovative solution resolves crossing challenges and enhances overall space functionality. PROJECT OVERVIEW e "Time Transformer" project envisions a modernist lifestyle in the heart of Tanjong Pagar, a bustling urban center characterized by high-rise o ce towers and a fast-paced environment. It aims to provide a sanctuary for working individuals, particularly o ce laborers, to escape the con nes of towering buildings and nd respite in a curated modular space. is space o ers relaxation and rejuvenation for the body, mind, and soul. Located beneath Guoco Tower and extending across Wallich Street to connect with an underutilized tness center within a car park, the project repurposes neglected passageways into valuable in-between spaces. ese spaces cater to the needs of lower-middle-class individuals who o en have short breaks, ranging from 5 minutes to 1 hour, amidst their busy routines. e project's goal is to o er intangible bene ts to both society and individuals, such as happiness, knowledge, or the opportunity to make new friends. It strives to provide solace within the bustling urban landscape and create a sense of belonging through simple and short activities aligned with individuals' genuine interests. As the name suggests, "Time Transformer" aims to revolutionize the monotonous lives of o ce workers by introducing modular spaces and programs that can adapt and change dynamically based on events and needs. While the initially box-like passageway may seem limiting, it provides a unique opportunity for structural support to design modular units that move along tracks in an organized grid layout. By breaking down the vast empty space into individual rooms, a cozy ambiance is curated, and the ceiling is transformed into an integral part of the design. Rather than randomly shaping forms, this design features a distinctive sloped walkable roo op that caters to two contrasting ways of spending time: leisurely and relaxed versus targeted and purposeful. rough creative integration of circulation and program, the "Time Transformer" project not only optimizes underused space but also elevates the system to propose a new way of life that embraces change and innovation. STATIONARY SYSTEM SCALE 1:500 Fixed LEVEL 2, 3 Transformable Default Mode Activity rooms are independent and scattered. Lounge Mode Creative rooms are grouped and linked to form bigger double volume space, suitable for gallery A central square is conducive for gathering. A movie night becomes possible. Performance Mode Rooms are pushed further to form an even larger stage facing the street for open concert or art perforPeople can enjoy the performance by sitting on level roo op or DESIGN STRATEGIES 1. Site Condition and Building Typology: - Consistent site conditions and building typology are maintained, focusing on areas within the "podium" and passageways/linkages. Emphasis on similar design components, integrating stationary/ xed systems and transitory/movable systems. 2. Design Components: - Integration of stationary/ xed systems and transitory/movable systems is a key design approach. - Ensuring these components harmonize with existing tra c patterns, predominantly pedestrian, optimizing and enhancing available space. 3.Tra c Integration and Optimization: - Integration and optimization of existing pedestrian tra c patterns. - Ensuring the coexistence of new modular spaces with the functionality of existing programs. 4. Conceptual Consistency: - A consistent conceptual approach is applied to create free and non-commercialized common spaces. Focused on providing overlooked low-middle working-class individuals with a sense of belonging in the city center, addressing their micro-resting time needs. 5. Community-Centric Design: Prioritizing the creation of spaces that cater to the needs of the community, particularly the low-middle working class. - Ensuring that the design facilitates a sense of belonging and community engagement. 6. Micro-Resting Time Focus: - Designing with a speci c focus on addressing the micro-resting time of the target demographic. - Creating spaces that allow for relaxation and a break from the bustling urban environment. ese strategies collectively aim to foster inclusivity, optimize space utilization, and enhance the overall urban experience for the designated user group. “ ere is an alternative: the unfashionable but powerful notion of letting time use you, approaching life not as an opportunity to implement your predetermined plans for success but as a matter of responding to the needs of your place and your moment in history. Oliver Burkeman, Four ousand Weeks: e Time Management for Mortals, 2021 STATIONARY SYSTEM TRANSITORY SYSTEM STATIONARY SYSTEM STATIONARY SYSTEM TRANSITORY SYSTEM TRANSITORY SYSTEM

SOUTH ELEVATION SCALE 1:100 DEFAULT MODE NE ISOMETRIC VIEW SCALE 1:100 Recon guring the initial overhang, a platform is fashioned to reach the previously inaccessible garden. e choice of building material prioritizes durability, lightness, and waterproof characteristics to suit the outdoor setting and provide adequate structural support. Internally, the aim is to preserve the passageway's luminous and transparent aesthetic. Modular rooms are constructed using glass panels supported by metal mesh for structural integrity and privacy. e design prioritizes enhanced interconnectivity within this shared space. In the outdoor setting of the transitory system, durable and lightweight materials are ideal for the modules, allowing for exible programming. e modules can be combined in various ways, with a weekly changing layout to create visual interest, attracting footfall for events, exhibitions, and sales. During the night, this "bridge" transforms into an ideal performance stage. Additionally, individual groups can book the space for co-working purposes. To minimize congestion in the use of li s, a strategic approach is implemented. Li 1 stops at the new Level 2, Li 2 stops at the new Level 3, and Li 3 goes directly from Level 1 to Level 4. LIFT 1 LIFT 2 LIFT 3

NORTH ELEVATION SCALE 1:100 LEVEL 2 PLAN SCALE 1:100 LEVEL 1 PLAN SCALE 1:100 Lorem ipsum SPACES & PROGRAMS LEVEL 1 3500 x 4250 5 mins 1-3 people teleconference room 5500 x 7000 15 mins 3-5 people yoga studio 3500 x 7000 10 mins 1-3 people mindfulness space LEVEL 2 4250 x 5500 20 mins 3-5 people gym 6000 x 9500 60 mins 7-10 people game room 6000 x 7500 50 mins 5-7 people art studio/gallery 5250 x 9500 50 mins 7-10 people music room 4250 x 7500 30 mins 5-7 people mini cinema LEVEL 3 STATIONARY SYSTEM 5250 x 7500 40 mins 5-7 people library 3500 x 5250 20 mins 1-3 people resting room 6000 x 7500 50 mins 5-7 people meeting room 5250 x 7500 40 mins 5-7 people co-working space 5250 x 9500 50 mins 7-10 people co-working space LEVEL 4 5250 x 5500 30 mins 3-5 people pantry 4250 x 9500 40 mins 7-10 people mini bar 5500 x 6000 40 mins 3-5 people cafe LEVEL 5 5250 x 7500 40 mins 5-7 people dining room LEVEL 4 PLAN SCALE 1:100

MAXWELL

TOWER FRASERS TOWER

CHAMBER SUITES

AIBI MAXWELL FITNESS CENTRE AND

CARPARK CAPITAL

MAXWELL

INTERNATIONAL PLAZA

LEVEL 4 (ORIGINAL GUOCO TOWER LEVEL 2)

+ 10500mm

WALLICH CARPARK

LEVEL 3 CO-WORKING AREA

+ 7100mm

+ 3850mm

LEVEL 2 CREATIVE SPACE

+ 0mm

GROUND FLOOR WALLICH RESIDENCE DROF-OFF

BASEMENT 1 RETAIL SPACE AND CARPARK

BASEMENT 2 TANJONG PAGAR MRT

GUOCO TOWER AND WALLICH RESIDENCE

RAIN RHAPSODY 雨天狂想曲

Year 2 Semester 2, Design 4 Prof. Cheah Kok Ming Studio, 13 Weeks

In Design 4, under the big theme of environmental design, building facade, as an architectural interface between shelter and the natural climate, is first studied and understood in sectional layers to achieve microclimatic performative results. Inspired by David Orr on the theory of architecture as pedagogy, this project added value by exploring the possibility to integrate teacher’s apprentice with facade design such that architecture is able to perform, curate, express, narrate, foster and engage users or to be more case-specific, primary and kindergarten students of Jurong West Primary School.

“Rain Rhapsody” tapped into kids’ fantasy with tropical rain to create a whole system of water-activated musical glass facade. In each step from rain harvesting to rain manipulation, kids would be engaged in learning through five senses. The result is a special external building skin that deals with climatic conditions including heat, glare and flood in a positive space that facilitates learning and can be used for various activities. During the design process, it is part of the journey to resolve conflicts in terms of quantitative and qualitative performance aspects, as well as document and evaluate experimentations through proof of concept.

以环境设计为课题，大二下学期项目聚焦建筑立面，对其进行剖面层次的深度思考：即建筑立面，并非平面，而是存在于室内居住空间与外部自然气候之间的三维立体建筑空间，可以通过材料的组合运用及动态开合来实现微观气候调控的效果。基于对此次场地-裕廊西小学的综合考量以及用户画像的理解，本项目特别提出将立面设计与教学器具进行融合的大胆设想，让建筑成为教育的一部分，让建筑立面对外部环境的感应和变化成为最生动的实验，自然而然地吸引孩子们的注意力并传授知识。

于是，“雨天狂想曲”满足了孩子们对热带雨的奇幻想象，为其精心打造了一整套由雨水激活的玻璃音乐墙。敲击盛有雨水的玻璃外墙，就可以创造美妙的音乐。这样，雨天不再是所有阴郁的代名词。雨天，会是游戏开启的机关，会充满欢声笑语！在从收集雨水到与水互动的每一步中，孩子的五感都将参与学习。本项目从玻璃与水的碰撞中得到灵感，对玻璃材料颜色和纹理的遮光性能进行进一步实验探究，兼顾物理环境层面的的宜居性和心理学角度的舒适度。同时尝试多种动态排列组合，特别关注各年级学生的身高尺度，以达到气候调节、教学娱乐、资源节约等多层功能的高度整合。

Environment | Climate | Envelope

Rain Rhapsody 75mm Top Pivot Bottom Pivot Hinge Optional Bracket Track Hanger e musical glass facade features a bifold door mechanism that allows the glass cups to be toppled in a row, enabling the quick and easy disposal of water. When the facade is folded, the cups are pushed outwards to prevent the stage and the interior corridor from getting wet. Conversely, when the facade is attened, the 500 mm wide seat can be folded up to provide seating for children both inside and outside, enabling them to interact and play with the musical glass cups.

“Music

is liquid architecture ...”

PROOF OF CONCEPT VIDEO 概念验证视频（测试雨水收集至处理过程，雨链效果，遮阳功能及彩虹配色光影氛围等）

Add di erent amount of water to a set of glass cups. e more water added, the lower the pitch. Tuning by adjusting the water level. • Tabbing the side of the glass cups will generate “water xylophone”; rubbing the wet nger around the rim of a glass produces an ethereal tone, creating a “glass harmonica”. Vibration, Frequency, Resonance, Pitch Music is created by glass cups containing water due to resonance. Resonance in physics is a phenomenon in which an external force or a vibrating system forces another system around it to vibrate with greater amplitude at a speci c frequency of operation. Factors that a ect the tone and pitch of the glass: the quality of glass, its thickness, its shape, and amount of water inside. Glass cup with less water will produce a higher pitch. Rounded glass with bigger openings creates better sound quality. Rectangular shapes tend to produce more complex harmonic spectra because of their irregular and uneven surface areas. Glass cups can be rotated to discard water or change to an other section with a higher pitch. Seven glass cups are designed as one set to give seven musi cal notes (from right to le , do, re, mi, fa, sol, la, ti) in two sections. Only one end of the glass can be hold or supported so that the vibration and the sound quality would not be a ected. us, the “one up one down” composition is invented with two glass cups joined together and supported at the solid middle part to balance the weight. Rainbow (seven) colors could be used to help children recognize the each musical note. λ/4 5λ/4 3λ/4 1 Resonance 2 Resonance (third harmonic) 3rd Resonance ( h harmonic) Vibrates faster Higher pitch 1 2 3 4 5 6 Rain chains are a decorative, functional alternative to downspouts. ey beautifully move rainwater from gutters to drains. Harvesting or collecting rainwater Directing the water ow using a series of connected cups or channels Dispersing the water into a collection or storage system e rain collection roof could be at or has a downwards or upwards slope. ese three pro les have di erent sun-shading e ectiveness. While an upwards slope invites more sunlight and reduces less sun glare on sunny days, it can work better on rainy days for rain harvesting. All the rainwater will be directed to the pipes and ow into the glass cup instruments, with no extra chain of rain generated along the roof edge. Children can be better protected from the rain. Another layer of music could be added by changing the roof to a hollow material so as to simulate sound of a the rain drum. Rainwaves by Studio Vallbo used steel to create 25 rain drums with di erent tones. Rainwater that over ows could also be used to water plants in the little garden.

Tap Closed Tap Open On non-rainy days, children can add water to the glass cups and use turn the tap to adjust the water level so as to obtain desirable tunes. A glass cup lled with water denotes its lowest note. When water drains slowly, the glass cup is tuned to a higher note.

is project aims to address two challenges: the intense morning glare lasting for three hours on sunny days and the dullness of rainy days. e proposed solution is a facade design that creatively manages sunlight to provide shade and visual interest, while also incorporating rainwater collection and playfulness through the use of musical glass rain chains. Vernal Equinox 09:00 Mar 20 Vernal Equinox 12:00 Mar 20 Spatial Daylight Autonomy e percentage of the regularly occupied oor area that is “daylit.” In this context, “daylit” locations are those meeting target illuminance levels (300 lux) using daylight alone for at least 50% of occupied hours. Such locations are said to be 50% daylight autonomous. Mean Illuminance Simulation e corridor functions as a bu er against sun glare, but the level one oor-to-ceiling windows necessitate shading devices. Installing the musical glass facade and a 2.5-meter rain collection roof further decreases interior illuminance. 3000 mm 1400 mm 500 mm 1500 mm 300 mm An additional dark colored membrane is installed onto the existing glass window, with gap between the two layers. e membrane is level with the window frame to ensure at surface and prevent rainwater from accumulating. When it rains, the membrane is like a drumhead, creating a soothing sound reminiscent of a rain drum. Existing top hung window frame Double glazed glass e window grid is designed to gradually increase in size as it goes down four rows, creating a terraced pro le. is design allows for rainwater owing through the down pipe to cascade from top to bottom, generating soothing sound and providing an interesting visual e ect. larger windows at the bottom of the grid ensure unobstructed views. e down pipes of the rainwater harvesting system are designed to be rotatable water spouts. is allows children to adjust the direction of water ow and play with the falling rainwater during rainfall event. e musical glass facade is elevated by 500 mm to create a stage and cozy reading/play area. To avoid obstructing the corridor, it is also pushed out by 1000 mm. All design elements take into account the height of both kindergarten and primary school students. Corridor KindergartenClassroom Sta Room ArtandCra Room VideoEditingRoom WaterPlaygroundandEcoPond Corridor Kindergarten Students (ages 3-5) Mean Seat Height K1: 25-30 cm K2: 30-35 cm Kindergarten Students (ages 3-5) Mean Height: 90-110 cm Primary School Students Grade 1-2 (ages 6-8) Mean Height: 110-125 cm Primary School Students Grade 3-4 (ages 8-10) Mean Height: 125-140 cm Primary School Students Grade 5-6 (ages 10-12) Mean Height: 140-140 cm

Stage 1 Compressed Glass Cups are lowered when the frame expands. Middle 1/3 of the facade has double layers. Fixed Structure Staggered Arrangement Rotate 90° to pour away rainwater. Rotate 180° to change to the higher pitch section. Gentle slope to empty the cup with a 90° tilt Sliding tracks do not interfere rain pipes. Horizontal beam is introduced for structural support, and also as a track. “One in one out” arrangement to balance the weight. Distance is doubled. Rain pipes are shared. 2.25m Sliding Expandable • Weight Distribution Mechanism Stage 2 Half Open Stage 3 Overlapping Stage 4 Rotated 1.2m • View Spatial Quality “... architecture is frozen music.” Johann Wolfgang Von Goethe Facade Iteration 2 expanded state Opaque material, without roof 21.6 klux Sun glare reduction: 58.4% Facade Iteration 3 closed state Transparent material, without roof 29.2 klux Sun glare reduction: 43.8% Facade Iteration 3 closed state Translucent material, without roof 28.1 klux Sun glare reduction: 45.9% Facade Iteration 3 open state Opaque material, without roof 22.8 klux Sun glare reduction: 56.1% Facade Iteration 3 closed state Transparent color material, with roof 14.9 klux Sun glare reduction: 71.3% Facade Iteration 2 expanded state Opaque material, with roof 11.3 klux Sun glare reduction: 78.2% Facade Iteration 3 closed state Transparent material, with roof 15.9 klux Sun glare reduction: 69.4% Facade Iteration 3 closed state Translucent material, with roof 14.6 klux Sun glare reduction: 71.9% Facade Iteration 3 open state Opaque material, with roof 11.8 klux Sun glare reduction: 77.3% Facade Iteration 3 open rotated state Transparent color material, with roof 15.3 klux Sun glare reduction: 70.5% State 1 Flattened State 2 Folded Two modes restrict the water collection to take place only when the facade is folded 90 degrees. e triangular space creates three locations to place the two sets of glass xylophone. CLIMATE STUDY VIDEO Understanding the impact of the uninsulated roof design of Marika-Alderton House in Singapore context (data collected using anemometer) 案例分析视频（风速仪数据采集过程）

URBAN RESPIRATION 城市呼吸

Design 3 seizes the collective dwelling building project as an opportunity to introduce modular aggregation as a key design strategy. From micro (housing unit cells) to macro (clusters forming building blocks) and eventually to the mega level, the core theme revolves around understanding the concept of “void.” In the “Urban Respiration” proposal, void is defined as flexible space connected to the external natural environment and the neighborhood. This connection, both physical and visual, addresses the crucial need for interaction between individuals and nature, as well as among different social groups, particularly in the challenging context of pandemic lockdowns.

Through in-depth ergonomic studies, considering human scale, and numerous spatial configuration iterations, three cell types with semi-open void spaces are derived. These are strategically combined with a critical reflection on structure, in-between spaces, and circulation. The result is an approximately 40-meter-high residential tower, exhibiting a rotational symmetrical X shape through repetitive aggregation. This design serves as a critical response to both climatic and contextual site conditions, maximizing green common spaces to enhance neighborhood bonding. The ultimate aim is to create an oasis-like kampong community in a vertical setting.

进入二年级的学习，项目规模逐步扩大，由单体建筑升级为集合性住宅，并引入模块化设计作为其核心设计理念与技巧。此次项目围绕对“空、空间、空白等”抽象概念的创造性理解，完成了从微观建筑层面（即个体居住单元）到宏观层面（指单元模块进行组合排列构成集群并最终形成完整建筑）的递进式探究和思考。在“城市呼吸”这一提案中，“空”被定义为与外部自然及社会环境相连接的灵活自定义空间。这种连接，无论是物理接触还是视觉交流，都对经历过大规模疫情封锁的我们来说，尤为重要。其理念，源于对于人类群居本质的反思：人，需要亲近自然，需要社交活动，才能达到全身心的深层次的健康与快乐。

该提案通过对人体工学的研究，在设计中充分考虑人体活动尺度并尝试了大量的空间整合方式，首先优选出三种具有半开放空间的单元模块类型；而后在模块的进一步排列组合中兼顾空间结构的高效性与功能动线的合理性，不断优化改进，最终形成了一座近40米高、X形旋转对称的集合住宅楼，并在其27户单元模块中包含了一组茶室和微型书屋，均可通过三层的中央空中公园步行到达。总体来讲，“城市呼吸”体现了对气候和场地条件的综合性考量和批判性回应，最大程度地增加了绿色公共空间以加强邻里互动，以求在高楼耸立的城市中心营造一片绿洲，重现甘榜时代居民之间那种肝胆相照、守望互助的友爱精神。

Year 2 Semester 1, Design 3 Ar. Lee Hui Lian Studio, 13 Weeks

Structure | Space | Aggregation

COMPLETE DESIGN 3 PORTFOLIO

For a more in-depth exploration of this process-driven design and spatial configuration studies please scan the provided QR code.

完整作品展示详见右方二维码链接

Void in contrast. Is void a contrast of solid mass? Does void have different forms compared to mass? Void in planes. If three out of six faces form 3D, how many surfaces could define or enclose void? Is void a 2D or 3D presence? Void in progress. Can void grow or develop with time? Is there any connection between voids? Void in perspective. Could void change when viewed from varies perspectives or angles? Void in balance. If void must be contrasted with mass, is there any ratio or percentage to determine the hierarchy? Void in natural corrosion. Where is the usable space, in the holes or the mass? Void in bubbles. Could voids shape the void space and become the “cause” rather than the “result”? Void in grids. Will void be affected by materials to express different qualities and languages? Void in infinity. Does void exist in the inside or outside? Must voids have definite boundaries? X --- Open Space Kitchen & Dining Area Bathroom & Toilet Bedroom Study Room Construction Area: 54.54 sqm Construction Area: 55.195 sqm Cell Type 1 Cell Type 2 Cell Type Void as a turning point --- Change Void as a pivot point --- Balance e “cell” as the creative containment of life. ere are two layers of void de ned --- connection with the exterior (nature and people), and the spacial people spend di erent amount of time for each activity and they tend to invest more in wherever they stay for the longest. us, each cell type uses volumes routine. All three cell types have open or semi-open spaces to engage with the outside environment. 2.5 m 3.0 m Void Void Inspired by 四合院 for the central courtyard, but with reduced hierarchy among four other spaces to describe a highly routinary and cient life. Long and open lower oor is a strong contrast to the minimalistic upper oor. is cell type features clear segregation between personal and shared spaces. Vertical arrangement lights the hierarchy Meeting room is spacious and and lighting. enclosed and private. X --- Open Space Kitchen & Dining Area Bathroom & Toilet Bedroom Study Room Construction Area: 54.54 sqm Construction Area: 55.195 sqm Cell Type 1 Cell Type 2 Cell Type Void as a turning point --- Change Void as a pivot point --- Balance e “cell” as the creative containment of life. ere are two layers of void de ned --- connection with the exterior (nature and people), and the spacial people spend di erent amount of time for each activity and they tend to invest more in wherever they stay for the longest. us, each cell type uses volumes routine. All three cell types have open or semi-open spaces to engage with the outside environment. 0 5 10 m SCALE BAR 1:100 3.0 m Void Void Inspired by 四合院 for the central courtyard, but with reduced hierarchy among four other spaces to describe a highly routinary and Long and open lower oor is a strong contrast to the minimalistic upper oor. is cell type features clear segregation between personal and shared spaces. Vertical arrangement lights the hierarchy Meeting room is spacious and and lighting. enclosed and private. AGGREGATION POSSIBILITIES ERGONOMIC STUDY Cell 2 Cluster A = Cell 2 + Cell 1 Cluster B = Cell 1 + Cell 3 Mirrored Cell 3 Cluster C = Cluster A + Cluster B Cluster D = Cell 2 + Rotated Cell 1 + Mirrored Cell 3

Design 3 | Unit 1 | Studio LHL | Wang Tianyun

Construction Area: 55.695 sqm Type 3 Void as a joining point --- Connection MICRO VOID quality to conduct each activity. As lifestyles di er, volumes to portrait a certain type of personality and daily arrangement of spaces highhierarchy and priority in life. on the uppermost level high, with the best view Bedroom below is private. A D URBAN RESPIRATION

Conserved Shophouses Commercial Buildings Greenery Roads Site B C Sun Study e current view shows lights and shadows at 0900. Most of the time, the site is under the shadow cast by surrounding high-rise buildings. ere are only 3 hours a day when the site is fully exposed to sunlight, from 0930 to 1100 and from 1230 to 1400. Surface Wind e site is divided into four quadrants. C is the hottest region as it is heated by the west sun. In the hottest month which is June, wind direction is from C to A. Sunset N Sunrise Located at the boundary between two extreme conditions --- low rise fabric of shophouses and the high rise CBD, the site has special physical environmental conditions --- unevenly heated and mostly in the shade. If shophouses represent the nostalgic past, CBD re ecting our materialistic present, then “Urban Respiration” is a proposal for the future, a more ecocentric and less hectic future. Drawing attention to the green spaces ranging from the Tras Link Park, this proposal aims to explore the inhabitable tower as a possible vertical garden for the highly urbanized city, at the same time emphasizing on the kampung-like interaction between neighbors. e resultant is a hopeful wish for a comfortable way of life-- to catch a breath, to socialize and to enjoy.

SPATIAL EVALUATION

SCALE

CONFIGURATION

SCALE

Rotated Cell 1 Cell 1 Cell 3

CELL TYPE 1&3

AT 1:20

CLUSTER C

AT 1:50

CELL TYPE 2 VISUALIZATION AT 1:50 SCALE

4th FLOOR PLAN 8th FLOOR PLAN MACRO VOID Top oor shows layers of cells in the terraced tower. As upper oors do not block sunlight, lower oors would have good natural lighting and suitable temperature for plants to grow. A B C D oor and above have diagonal arrangement where only quadrant B and D have housing units. is enables wind to pass through and cool the inner side of the tower. void A and C quadrants are for communal and circulation needs. SCALE BAR 1:100 0 5 10 m SCALE BAR 1:100 0 5 10 m 3rd FLOOR PLAN (GARDEN) GARDEN SECTIONAL PERSPECTIVE A B C D 3 oor and below have symmetrical arrangement where all four quadrants are lled with housing units. entire tower has a rotational symmetry of order 2. e ground oor features in a cross-shaped pathway with changing volumetric qualities. Standing in the center of the cross and look around, the tower is rather porous with various pockets bringing in light and wind. Residents need to pass through these two houses to enter level 3. us, these two units (cell type 1) could become co ee shops or bookstores. e roof of these two houses also become the level garden. SCALE BAR 1:100 0 5 10 m Wallich St. motorcycle parking motorcycle parking N Fenestration design is inspired by stomata on leaves, which is essential for photosynthesis and respiration. Similarly, the narrow window frames on large openings prevent direct a ernoon sunshine and become a vent to draw in air ventilation. Widening the frame is to provide structural support for the staircase, but it also creates an extra cozy space for the dweller. 0 5 10 m SCALE BAR 1:50 0 10 m SCALE BAR 1:100 5

GROUND FLOOR 1st FLOOR 2nd FLOOR 3rd FLOOR 4th FLOOR 5th FLOOR 6th FLOOR 7th FLOOR 8th FLOOR MEGA VOID 3 2 2 3 1 2 3 1 1 1 1 1 1 3 Cluster A’ = Cell 1+2+3 Cluster C’ =Cell 1 (mirrored) +2+3+1 Cluster C =Cell 1+2+3+1 A’ C C’ Cluster A’ Con guration Circulation between Two Clusters Final Aggregation Strategy Peck Seah St. parking N Passengers and residents could walk through the tower via the cross-shaped paths. e intersection area features a triple-volume space. From there looking up, passengers would see layers of housing units unfolding. Front entrance Back entrance Triple volume entrance 0 10 m SCALE BAR 1:100 5 1 2

TOP Solid Void Circulation FRONT SIDE Void Void Void Tower Information Number of Housing Units: 27 • 11 Cell Type 1 • 8 Cell Type 2 • 8 Cell Type 3 Height: 38.7 m e starting form is a 20 x 30 x 40m 8-storey high block de ning the boundary and limits of this project. e block is divided into four quadrants based on site analysis. To facilitate prevailing wind, quadrants A and C are lowered to created two big voids in the tower. is also reduced heat at C. As the site is mostly under shadow, lighting at lower oors is a concern. erefore, the tower is terraced, creating a cross-shaped void space in the middle. A, B, C and D leaning towards the center also generates tension and structural support. A B C D D B C A A B D C N

RITUALSCAPE: RE-IMAGINING JOSS PAPER BURNING IN PUBLIC SPACE

文明祭祀公共设施

Year 3 Semester 1, “Introduction to Urbansim” Module, 6 Weeks

Envisioned with the “Urban Gallery” concept, this prototyping project can be considered to act as an incubator for urban evolution. It begins by identifying urban issues through “Mini-scenarios” and “Operational Fields”, followed by the improvisation and development of prototypes. To enhance the learning process and project feasibility, categorizing strategies like EOTM (Erasure, Origination, Transformation, and Migration) and BEFI (Branding, Earth, Flow, and Incorporation) are employed.

The proposal ‘Ritualscape’ addresses the joss paper burning issue in Singapore’s residential areas. Rooted in cultural understanding, it acknowledges its adverse impact on the natural environment and potential effects on social cohesion. Aligning with the seasonal nature of the ritual and adhering to the urban theory of the ‘Right to the City,’ the final prototype designs a multi-use space accommodating ritual practices and other public bonding programs throughout the year. Notably, the design details prioritize sustainability and foster interactions between humanity and nature.

本项目借用“现象展览”的概念，意在聚焦生活情景，陈列社会问题，筹集妙解巧思，以推动城市演变。其过程包括三步：一，倾听群众反馈，剖析不文明现象；二，研讨介入方向，确定实施范围；三，发散创意思维，优化设计方案。汇报形式遵循 EOTM 和 BEFI 的理论框架。

其中，“文明祭祀公共设施”这一提案在民俗文化领域重点关注了新加坡住宅区内的燃香烧纸的问题。该提案经过深入调查，充分理解烧纸作为传统祭祀行为背后重要的内涵和意义，同时对其带来的环境污染和潜在社会问题作出了客观评价。利用烧纸行为周期性的特质（主要发生在清明节前后）以及对公共空间使用规划的理解，最终版方案设计了一个双层复式多功能空间，方便过滤吸收烧纸所带来的烟尘，并且可以作为人工自然景观，在一年中的其他时间段展现不同的功能和状态。值得一提的是，本次设计在材料选择等方面注重环保和可持续性，同时在功能方面考虑到人类以外的用户需求及利益（例如鸟类喜欢吃祭品、树木怕热喜温），有助于促进人与自然的和谐共处。

REFLECTIVE ESSAY

OPERATIONAL FIELDS: Culture (Cu) & Sustainability (Su)

“Contemplating Tradition: A Critical Reflection on Joss Paper Burning in Singapore” 项目相关论文详见右方二维码链接

TROPICALIZATION OF THE HOUSE OF CARDS 欧洲住宅的热带化改造

Year 2 Semester 2, “Climate, Ecology & Architecture” Module, 4 Weeks

The project, titled ‘Tropicalization of the House of Cards,’ forms one of the three exercises within the supplementary architecture module ‘Climate, Ecology & Architecture.’ This module places a strong emphasis on climate-informed passive design strategies to achieve optimal thermal comfort. The subsequent pages are extracted from a comprehensive report, organized into three chapters. The initial chapter focuses on understanding the original design intention and efficiency of the House of Cards in the context of Italy. The second chapter involves a comparative analysis of climates between Singapore and Italy, considering aspects such as sun, wind, and rain. The final chapter introduces a modified design that preserves the original structure and style while adapting seamlessly to tropical weather conditions. The project showcases analytical capabilities, critical thinking, and proficiency in software, particularly the use of ClimateStudio for justifying design effectiveness and meticulous attention to detail.

本次欧洲住宅的热带化改造项目，是“气候、生态与建筑”专项研究课程中的任务之一。该项目侧重于以气象数据分析为导向的被动式设计，即顺应自然界的阳光、风力、气温、湿度等自然原理,尽量不依赖常规能源的消耗，以实现最佳的热舒适度，并在最大幅度上降低额外的供暖、空调、照明等需求。由于篇幅限制，本作品集摘录了此次研究项目的部分汇报内容。完整报告共分为三个章节：第一章重点研究了原设计在意大利人文与气候背景下的设计意图和使用效率；第二章从日照情况（时长、强度、路径）、季节性风向风力变化以及降雨量分布等角度对新加坡和意大利的气候进行了深入而具体的比较分析，结合湿度温度对照图的分析结果确定改造内容；第三章作为最后一章承接上文、前后呼应，依照光、风、雨的顺序介绍了改造后的热带化设计，并与原设计进行了各方面的比对，保证其既保留了原本的结构和风格，又能在适应本地热带气候并发挥优良性能。本次研究课题充分锻炼了辩证与批判性思维、数据分析技能以及新软件的快速学习与应用能力，培养了对环境设计的敏感度，为后续绿色低碳建筑设计学习奠定了坚实基础。

FULL REPORT 完整版报告

CARPENTER CENTER FOR THE VISUAL ARTS 哈佛大学视觉艺术中心

Feb 2022

Drawn in

GOLDEN MILE COMPLEX 新加坡黄金坊

in Oct 2021

Drawn

RIETVELD SCHRÖDER HOUSE

里特维德-施罗德住宅

RIETVELD SCHRÖDER HOUSE

Unconventional as a building, Schroder House has minimized the notion of hierarchy in traditional architecture. Avant-garde as an art piece, Schroder House expanses the difinition of De Stijl in a new dimension.

in Sep 2021

2D_3D_4D Drawn

PARTHENON 帕特农神庙

Drawn in Aug 2021

The theme for my drawings is Beauty in Science and Perfection. The plan is angled at 13 degrees following how the Parthenon building is orientated at an angle to the north point. The angle is special because it was painstakingly found by Greek scientists and mathematics so that on the birthday of goddess Athena, Parthenon would be directly facing the sunrise. The section and elevation are correspondingly extruded from the plan using generating lines with an intent to express the idea that the building was designed in a system proportions that binds all three into one.