Fine New Zealand & European Paintings, Oriental Art, English Silver and Furniture, April 1986

Oriental Art English Silver & Furniture

Conditions of Sale

1. The highest bidder to be the purchaser, subject to the Auctioneers having a right to refuse the bidding of any person Should any dispute arise as to the b1dd1ngs , the lot In dispute to be 1mmed1ately put up for sale again at the preceding b1dd1ng , or the Auctioneers may declare the purchaser.

2. No person shall advance less at a bid than a sum to be nominated by the Auctioneer and no bid shall be retracted.

3. All lots' are sold subject to the right of the seller or his agent to bid or else to impose a reserve.

4 The purchaser to give his name , address and to pay down 10 per cent of the purchase money In part payment thereof. In default of any of which matters the lot or lots purchased may be 1mmedlately put up again and resold.

5. All lots are sold as shown and with all faults , 1mperfect1ons , and errors to description. The Auctioneers act as agents ; they have full d1scret1on to refuse any b1dd1ng or to withdraw any lot or lots from the sale without In either case giving any reason ; neither they nor the Vendor are responsible for errors of description or for genuineness or authenticity of any lot or fault or defect In It , and make no warranty whatever.

6 The lots are at the buyer ' s risk from the fall of the hammer and are to be taken away at the buyer ' s expense , In default of which the Auctioneers will not hold themselves responsible ; 1f the same are lost. stolen, damaged, or otherwise destroyed , but they will be left at the sole risk of the purchaser If the lots are not cleared or paid for , they may then be sold immediately either publicly or by private treaty without any notice being given to the defaulter

7. Upon failure of the purchaser to comply with any of the above conditions the money deposited In part payments shall be forfeited , and the defaulter shall make good any loss arisI11g from the resale. together with the charges and expenses In respect of both sales

8. No goods are to be removed while selling Is In progress Receipted invoices must be produced prior to delivery of any lot. The auctioneers reserve the right to request 1dent1f1cat1on In the case of any purchaser not known to the Auctioneer who pays by cheque Charging to credit cards will not be accepted as means of payment.

"No person being the purchaser of any item falling w1th1n the provIsIons of the Antiquities Act 1975 or the Arms Act 1958 shall be entitled to take possession of such item or to demand possession thereof from the Auctioneer unless and until such person produces to the Auctioneer a licence pursuant to the appropriate one of the two Acts referred to above."

Instruct ion to Bid

Instructions to bid at sales are accepted by Peter Webb Galleries L1m1ted and carried out free of charge Lots will be bought as favourably as Is allowed by the b1dd1ng In the saleroom and ':lily reserve imposed

Sale No. 83

Webb's

catalogue of Oriental Works of Art

including rare items from the collection formed by Edward Gilbertson in the 19th Century

English Silver & Jewellery

including a superb Adam style silver salver , London 1777

English

Furniture

including a fine set of Hepplewhite period dining chairs

The Anton Seuffert Bonheur-du-Jour & Fine Paintings & Sculpture

Including paintings of the Thermal Region by Charles Blomfield from the collection of Mr Maurice Lennard of Auckland

Sculpture by John Francis Kavanagh from the collection of Margaret Kavanagh , his widow and a superb oil portrait of Harata Rewiri Tarapata by Charles Frederick Goldie to be held on

WEDNESDAY, 23 APRIL 1986 at 6 p.m. Lots 1-300

THURSDAY, 24 APRIL at 6 p.m. Lots 301-497

Viewing: The catalogue can be viewed in our gallery saleroom at the following times: Friday, 18th April 9 a.m. to 6 p.m. Sunday, 20th April 11 a m. to 4 p.m. Monday and Tuesday, 21st and 22nd April, 9 a.m. to 6 p.m.

Viewing day of sale by appointment only Cover illustration Lot 324

Peter Webb Galleries Limited

Fine Art Auctioneers and Appraisers

T & G Building Corner Wellesley & Elliot St P O Box 7008 Telephone 734 -404 Auckland

Jewellery

1 A good Georgian 18ct gold verge pair case pocket watch with movement by Paynes London 1776 case hallmarked (glass cracked) 1400-1800

2 A ladies 18ct white gold Buren Grand Prix wrist watch, the bezel set with 34 small diamonds with diamond set crescent shoulder (total 60 stones in all) 800-1000

3 A 9ct gold Rolex open face dress pocket watch with keyless movement and Arabic numerals 350-500

3a An 18ct gold Rolex "Oyster Perpetual " gentleman ' s wrist watch. Circa 1950 2500-4000

4 A good string of 68 graduated opal beads together with a pair of long pendant opal earrings L 46cm 1400-1900

5 A very fine quality unset emerald cut diamond Weight 1.81ct. Colour F V.S.I. 8000-12000

6 A_n 18ct white gold bracelet set with n_ineteen oval sapphires of graduated sI ze between two borders of small d!amonds : The band and bridge pierced with a scroll design 1200-1600

6a A very stylish Art Deco emerald and diamond necklace of eleven square sections of graduated size interspaced with triangle cut emeralds and diamond drops. Each section link with emerald corners and square cut centre. 9ct with four diamonds (s~tting 9ct gold and silver) together with matching earrings. Total stones 75 emeralds and 85 diamonds 6000-7500

7 A fine late 18th Century French natural seed pearl and gold chain necklace with two rosette and two large filagree teardrop shaped links set both sides of a large rectangular natural emerald of good colour . Size 12 x 10mm. Approx 5.5cts 3000-4000

8 A very attractive 18ct gold bar brooch set with two 30pt diamonds and four small shoulder stones each side of a natural emerald Approx 1.5cts 2000-3000

9 A ladies 18ct gold Ebel wrist watch The bracelet bezel and shoulders set with eighty one small diamonds Approx 1.40cts in all 1500-2000

10 A very attractive 19th Century Italian 15ct gold shield shaped pendant. Finely enamelled with one of the muses dancing on a red and green background. The border set with fifty rose cut diamonds Circa 1860 600-900

11

12

An impressive 18ct white gold ribbon bow brooch with diamond set fronds and cluster centre 25 modern cut stones in all. Approx 5.5cts total. Colour I. Clarity VS 7000-10000

An 18ct w~it~ gold _dress ring set with a large solitaire brilliant cut diamond 1.95cts above a diamond set sho~lder of entwined leaf and petal design. Colour I. (included) 5000-7000

13 A good string of slightly graduated cultured pearls " Mikimoto" with marcasite set silver catch L. 68 500-650

14 An~ther very good string of larger M1~1moto cultured pearls 7mm in size (uniform) L. 76 1500-2000

2

15

16

17

An 18ct gold open face keyless

22 A very fine four case inro in guri pocket watch and a 15ct gold Albert lacquer , deeply carved with stylised chain reishi fungus designs with a key L 32cm Wt 35gms border (nine layers) signed with 600-900 inscribed monogram Soma

95 x 55mm

Coll No. 5097

An 18ct white gold cluster ring set 2000-3000 with 19 modern cut white diamonds 1600-2000

An attractive 18ct gold dress ring set

23

Another very fine brown lacquer four with two 70 point modern cut case inro in Togadashi technique with diamonds and an oval sapphire

a pattern of three birds in low relief 1.15cts flying above a flowering cotton plant, 2000-2500 signed with seal 'Mitsumasa' (minor chips)

18 An attractive cluster dress ring in 18ct

Coll. No 4505 76 x 55mm 2000-3000 gold with centre natural emerald

Illustrated 1.83ct surrounded by 10 small brilliant cut diamonds 2000-2500

24 A good shibayama four case inro with

19 A large art deco figure of a semi-clad a pattern of four birds and a butterfly around various flowers and blossom young woman leaning back on her Chrysanthemum , peony , plum and arm and listening to a sea shell. The apple on a gold nunome ground with long base in black marble with raised fan shaped outline (some geometric green , brown and black chips) onyx sides signed on base

85 x 55mm D H. Chiparus

1500-2000 75 x 33cm

Illustrated ll' 3000-4000

Illustrated

20 A good gilt art deco standing figure

25 A small three case inro with raised of a dancing man wearing a short gold lacquer leaves on a simulated jacket, cap and boots. Lightly sharkskin ground (some chips) decorated with red lacquer , on an L 70mm alabaster plinth 450-600 H 36cm

Illustrated 1200-1600

26 A very fine and rare Aikuchi Tanto dagger in black lacquer scabbard decorated with gold birds and diaper patterned panels.

Fuchi: shakudo with gold wire shippo

enamel work

The Gilbertson

Kashira: shakudo monkey with gold

Collection face

Kojiri : a robed gold and shakudo Daruma holding a tama with silver wave band collar.

21 A very fine Japanese black lacquer

Soritsuno: shakudo and copper toadstools with gold detail Shippo leaf four case inro with delicate somada and bird menuki on a bound shark inlay of a cockerel with hen and skin grip chicken in a background of flowers L. OA 35cm and leaves (silver detail)

Blade signed Aritsu Osafune of Bizen Coll. No 4897 L. 90mm 15th Century 2500-3500 4000-6000

Illustrated

Illustrated 4

27

A very fine miniature Tachi sword

34

Unsigned , oval in shakudo with with black lacquer scabbard nikubori carving of landscape scene decorated with gold scrolls and mons. with gold details , Tsuchime and All fittings in rogin with gold edges nanako ground. and paulowina badges Shakudo Coll. No 755 66mm paulowina mon memuki on a bound 350-600 sharkskin grip (silk bag)

Illustrated L. 35.5cm

Given at birth to a baby boy child of

35 'Joshi Koyie ' A fine work in sentoku high rank 3000-4000 bronze rounded shape with incised Illustrated leaves and pierced gourd shaped cut out. 18th Century Coll. No. 21 75mm

28 A good Tachi sword in gold nashiji 1500-2000 scabbard decorated with tokugawa Illustrated and another mon , the fitting in nanako rogin with gold edges, double mon menuki on a shark skin grip

36

Unsigned , 18th Century oval shape The blade signed Morimitsu carved and pierced to resemble 16th Century rotting wood with eleven ants in gold , 3000-3500 silver and bronze 70mm 250-400

29 A good 19th Century kagmibuta netsuke in shippo enamel with gold

37 'Signed ' , rounded square in shakudo scroll work centre with tsuchime ji takazogan scene of Coll. No. 4723 the sun rising on a landscape with a 400-700 bird in a plum tree.

Coll. No 374 67mm

300-500

30 A seven tiered case used by Gilbertson to store Tsuba Black

Illustrated lacquer over wood with gold

38 ' Mitsuaki ' Rounded square 18th decoration Century goto school in shakudo with mid 19th Century takazogan, Noh actors in gold , silver , Coll. No. 898 shakudo copper and shibuichi on a 200-400 nanako ground , fine work , signed with Kakihan 19th Century

31 A cut off handle section of a Tanto Coll. No 1625 69mm 600-900 leather bound with gold bamboo

Illustrated trellis and entwined silver and gold leaves

86mm. Coll. No 397

39

Unsigned , 18th Century iron oval with 300-400 finely pierced design of geese flying in the rain 72mm

Coll. Mo 1276

Tsuba 200-300

32 'Ruiso Hogen' A very fine work in Takabori shibuichi In the shape of

40 Daikoku's bag with gold and shippo

Unsigned , 18th Century for a enamel scroll , fan , tama and symbols

Wakazash i. Moto gata in shape with 19th Century a damascened floral edge in silver Coll No 1565 74mm and gold. 2500-3500

Illustrated

33 Unsigned , oval in gilt bronze with pierced design of two dragons , coral

Coll. No 46 49mm

200-300

Illustrated

41

Unsigned , circular in pierced iron with and other bead decoration 18th gilt rim, the design of two opposing

Century. dragons with gold eyes , 18th Century Coll. No 1382 71mm Coll. No . 508 71 mm

700-1000

500-750

6

42

Unsigned, 18th Century goto school ,

50 Unsigned , in yellow bronze with oval in shakudo with gilt nikubori shippo panel of flowers and leaves pattern of wisteria around the rim on Coll. No. 4679 a nanako ground

Coll. No 757 70mm

400-600

Illustrated

51

250-350

Unsigned , iron with nikubori basket weave , applied shibuichi and silver carp with gold flounder and water

43 ' Umetada ' A 16th Century oval iron weeds piece Tsuchime ji with shishiaibori

250-350 paulowina mon

Coll. No 1300 80mm

250-400

52

Illustrated

Unsigned , a good Kogotana with signed blade , the kozuka gilt bronze with full length shakudo takabori

44 Unsigned , Mokogata shape in centipede Coll No . 5898

400-600 shakudo and copper , carved in Illustrated imitation of guri lacquer with stylised Reishi pattern (17 layers). Coll. No 403 78mm 1500-1800

Fuchi & Kashiri

53 A matched set with takazogan.

45 'Masatsane ' A good large iron piece

Fighting samurai beneath pine trees in moko gata shaped in Takazogan with gold detail , nanako shakudo Shanghai cockerel strutting amid gold ground (unsigned) 19th Century and bronze leaves. Coll. No 1327

Coll. No 1526 93mm

900 -1300

Illustrated

Kozuka

400-600

Illustrated

54 Hirata Harunari

A fine set in shibuich i w ith gold and

46 Unsigned shibuichi with takazogan shippo enamel decoration on a and shakudo floral detail and copper tsuchime ji ground 19th Century peony signed Coll. No 1302 Coll. No . 3795

300-450

Illustrated

600-900

Illust rated

47 ' Signed with Kakihan in shakudo with 55 18th Century iron , a set with gold tsuchime ji and takazogan , a cockerel paulowina badge decoration beneath a plum tree , gold , silver and Unsigned bronze details Coll. No 3971 Coll. No 1288

300-400

Illustrated

200-300

Illustrated

48 Unsigned , a fine piece in shakudo 56 lshiguro Koreyoshi with Tsuchime ji and gold detailed

A good set in bronze and shakudo shippo enamel panels with takazogan eagles in pine trees , Coll. No. 4678 gold details (signed) 19th Century

700-1000 Coll. No 5763

Illustrated

400-550

Illustrat ed

49 Signed shibuichi with Ta.kabori design of Mt Fuji with gold sun and shakudo 57 18th Century fine set w ith inlaid gold trees diaper patterned panels on polished Coll. No 1301 shakudo ground. Unsigned 400-600 Coll. No 2396

Illustrated

350-500

8

58 19th Century fine set in copper and

66 A very good ivory manju netsuke w ith shakudo in imitation of guri lacquer shibayama design of a fisher boy (7 layers) seated on an anchor , signed Coll. No 403 Masatsugu 500 -700 Coll. No 5917 1200-1600

59 Five Kashira , two shakudo nanako with gold details , one copper, one

67

A very good netsuke in ivory sentoku bronze and one iron (5) depicting Hotei playing go with a bear 200-300 (and losing) while a frog looks on , Two Illustrated signed Chikusai Coll. No . 5567 1200-1600

60 Three fuchi ' Ari-yoshi ' shakudo with shibuichi mask gold and silver details ' Narimasa ' shibuichi with shakudo

68 A good 19th Century wooden netsuke clam shells , unsigned copper with of a lotus pod with seven movable takazogan shakudo crab and gold seeds (the stork forms the himotoshi) details (3) 400 -600 Coll. No 5742 , 4092 , 3504 150-200

69 A very good 19th Century ivory netsuke depicting a barrel maker at

61 Three Fuchi , two polished soft metal work , signed on a rectangular tablet. negoro style , the other iron with silver lch ishin , characters possibly reversed and gold floral detail. - Shinichi Coll. Nos 5715 , 4199 , 4204 (3) 800-1200 150-200

70 A good early 19th Century netsuke d~ depicting a grimacing Daruma with

62 Two Tanto Kojiri , fine work , one in hands raised and clasped above his silver with shishiaibori and shakudo head in stag antler , the back bindings , the other in shakudo with engraved with a whisk and four ebony studs kinzogan , gold diaper patterns 500-650 Coll. No 4092 & 4518 200-300

71 A good tall 18th Century stag antler netsuke of Gamma Senn in with his toad and coat of mugwort leaves

63 Four menuki , wild grasses, grains 400-500 and dragon (4) 300-350

72 A 19th Century lacquer Manju with floral arrangement in gold silver and red hiramakie on olive green ground Netsuke

Dia 3.5 475-550

64 A fine black lacquer manju netsuke

73 A fine 18th Century ivory figure of with somada inlay design of a curled dragon amid waves and clouds

Shokwaro Sennin with large gourd D. 41 mm (silver fittings) slung over shoulders Good Coll. No 4698 patination 700-1000

Dia 9.9 1700-2500

74 A 19th Century stained ivory model of

65 A very good boxwood netsuke of a a cricket cage , square , with sides goat climbing over a recumbant cow , carved with mountain scenery inlaid eyes , signed Masayoshi Together with lacquer gourd ojime Coll. No. 4057

Dia. 2.5 1200-1600

500-700

75 A 19th Century wood figure of a man

81 An 19th Century horn model of with large sack Daikoku playing Bekkano and holding Dia 4 a mask of Hiottoko behind his back 225-325 150-250

76 A 19th Century ivory Noh mask of a

82 smiling man A 19th Century horn netsuke of a a~ Dia 5 peasant carrying a large sack in 00 320-420 which an oni is hiding 150-250

77 Another mask of a smiling woman Dia 5

83 A 19th Century painted wooden figure 320-420 of a Noh dancer in the style of Nagamachi Shuzan

78 A rare early 19th Century pottery 150-200 netsuke of a fat bodied tiger in brown glaze with black stripes

84 A good early 19th Century Ryusa 300-400

manju in marine ivory depicting an entwined flowering and fruiting vine

79 An early 19th Century wooden model 350-500 of Hotei with fat belly, fan and sack

200 -300

85 A good metalwork netsuke in the form of a miniature Abumi (stirrup)

80 An early simple manju style netsuke with gold and silver mons and silver with stylised mon pattern on a section and copper inlaid detail NneiSli12 of stag antler Coll. No. 4917 uuira~ 120-200 300-500 dat,:m

86

A yellow bronze netsuke of a Tengu

95 A very interesting peach stone mask with silver eyes carving depicting the 16 Lohan hiding Coll. No. 3687 in a pine tree landscape from two 150-250 attacking tigers possibly used as an ojime Coll. No 5361

87 A fine 19th Century tobacco pouch , 150-200 the clasp in silver depicting a coiled dragon with back plate, suspended

96

A good brown thumb print agate by forty silver chains from a large kagamibuta ivory netsuke, the silver globular shaped snuff bottle with sou disk in the form of a raised coiled chow carved bat. No stopper dragon H 62mm Coll. No 5828 Together with: 200-300

A good large smoking pipe with silver ends decorated in Shishiaibori with a tiger growling at a dragon

97

Another good snuff bottle in carved L. 23cm cinnabar lacquer depicting figures in complete with leather case a landscape H 69mm Coll. No. 5797 250-400 1700-2500

98 A fine 19th Century Chinese moss

88 A fine ivory and Shibuichi hair pin agate spatula with tapered section with gold detail of dragonflys and Coll. No 101/19 L. 17cm flowers 60-90 Coll. No. 3606 L 16cm 300-400

99 A small fan with pierced bone sticks and a Japanese lacquer tea dish A.F. 20-30

89 A semi circular gold lacquer comb with inlaid pearl shell peony and takiamakie floral lacquer decoration

200-300

100 A small circular 19th Century Chinese Illustrated cloisonne dish with grapevine and butterfly motif together with a small

90 A small wooden panel with two Noh cloisonne salt pot (2) 50-80 opera masks in ebony and ivory 40-60

101 A small Japanese satsuma paint pot

91 and a tea bowl with woven bamboo A miniature double gourd metal scent sides bottle with screw thread top and all 30-50 over gold diaper pattern together with another similar piece (2) Coll. No 1319

102 A Chinese silver cigarette case with 150-250 high repousse pattern of an angry dragon amid swirling clouds.

92 Nineteen various cloisonne and 83 x 62mm 80-100 porcelain ojime beads Coll. No 3889 200-400

103 A small Chinese cloisonne on porcelain lidded bowl with coloured

93 Nine assorted glass ojime beads butterflys and symbols on a blue ground 80-100 60-90

94 Three large carnelain medallions with 104 Six 18th Century porcelain tea bowls , incised Turkish inscription in nickel three Chinese with finely painted silver mounts enamel work , three Marcolini Miessen Coll. No 400 (6) c 1790 all A. F. 80-120 100-150

105 A 19th Century Turkish spoon with

112 A Japanese porcelain planter with painted bone handle and tortoise elephant handles having two fan shell bowl plus a handle only (2) shaped reserves decorated in 20-30 polychrome enamels and gilt. Of birds amongst flowers and grasses and with enamel and gilt scroll and diaper panels on a jet black ground Signed by Rihei Hayo , Mino no Kuni.

106 A square lacquer tray with design of 19th Century rafts and falling leaves in gold and Dia 21 5 koban hiramakie on nashiji ground. 300-500 19th Century (Meiji Period) , signed on base.

Dia. 30

113 A porcelain vase of slender baluster 450 -550 form with vibrant underglaze blue decoration of pine, bamboo , crane and spotted deer and with bands of Juyi on shoulder. Repair to neck

107 A set of three ceremonial lacquer Jiaquing Period. 19th Century. Dia 30cm sake cups with mountain and lake 150-200 scenery in gold koban and black hiramakie on bright orange ground Circa 1900 (Meiji Period)

114 An iron glaze Kendi of green Dia 13, 11.5 and 10 5 250-350 colouring with yellow/brown splashes The spout repaired Yuan Period 13th Century Dia. 16

108 A rectangular lacquer stationary box 150-200 with centrally applied figure of a dancer in ivory bone and mother of

115 A large ochre glaze Martaban jar. pearl. The interior and exterior in all over Nashiji 19th Century (Meiji Floral roundels over breaking waves , Period) Juy motif on shoulder and having 6 19 X 21.5 lug handles. Late Ming 17th Century 500-700

Dia 69 1500-2000

116 A large Chinese polychrome enamel

109 A set of three miniature lacquer porcelain dish with 5 dragons picnic boxes with roundels of encircling a fan shaped reserve miniature landscape scenes in having a peacock and hen on a variously coloured hiramakie on a peony bough The reverse with 8 fundame ground and containing three mystic animals All on a turquoise smaller boxes within. Signed Some blue ground with all over cloud rubbing. 19th Century (Meiji Period) scrolls Underglaze blue seal mark of 11 X 7 Qianlong A F 300-500 Dia 73 500-800

110 A pair of Japanese lacquer panels of 117 A satsuma style vase decorated with birds and flowering trees in raised multi-coloured floral and bird motifs lacquer and inlaid with ivory. Late and gilded

19th Century H 31

32.5 X 17 80-120

120-150

118 An Orbie bowl with freely drawn

111 flowering spray decoration and thick A lacquer sake set containing 6 small lustrous blue/green glaze overlapping bowls and one large with ladle All the rim onto a finely crackled buff with multi-coloured floral designs on a coloured glaze Ex Morse Collection gold ground. Circa 1900 Dia. 11 5 50-80 350-450

Lot 164 Lot 204

119 A Shina ware slab potted vase of

122 An Arita porcelain plate in vivid square section and having extruded underglaze blue and white. Japanese handles. Irregular thick white crackled screens with chrysanthemums and glaze over underglazed calligraphic peonies arranged assymetrically in characters . 19th Century. nabeshima style. The exterior with Dia. 14 foliate scroll. 18th Century 700-900 Dia 19

180-250

120 An lmari porcelain plate in orange,

123 A Kyoto ware pottery bowl with black and green over-glaze enamels grey/white body terminating in a on white ground of foreigners on a neatly trimmed footrim The exterior

100 sailing ship In the ' Namban' style partially glazed and decorated with a Minor restoration to rim 18th Century scene from the Genji Monogatari of a

Dia 22 discarded palanquin among autumn 150-250 foliage 19th Century. Dia 13 250-350

121 A pair of Arita porcelain saucer

d~A~ dishes with underglaze blue

124 A Bizen ware sake bottle of matt

1arii decoration of stylized foliage clouds brown glaze and partial overglaze

~411 . and falling leaves in overglaze streaming from the mouth Ex. Morse

~of enamels 18th Century Collection 19th Century

Cd Dia 12 Dia. 20.5

180-280

300-400

125 A Kyoto ware bowl with moulded and

131 A fine Koryo celadon bowl with blue painted decoration of flower internal painted design of flying crane sprays and butterflies on a crackled and floral rosettes (Decoration partly white gorund The lid surmounted by inlaid) 13th Century a low perforated topknot. Dia 19 19th Century 600-900 Dia. 9 5

220-300

132 A Silla dynasty stoneware mug with raised rib decoration and simple

126 A pottery water jug. The shiny white handle 6th Century H 8 glaze decorated with blue foliate 250-350 sprays and irregular green glaze. The body moulded with circular bands 19th Century.

133 A Japanese scroll depicting cranes Dia 10 and a pine tree. Circa 1900 275-350 50-70

127 A soft paste porcelain vase of pear

134 A large 20th Century Chinese shape with underglaze blue embroidered silk cover Floral decoration of 2 five clawed dragons roundels on white ground Lined amongst clouds and over wildly 250-350 breaking waves done in vivid linear style under a regularly crackled white

135 glaze Six character mark of Cheng

An early 20th Century lacquer six fold Hua but Kang Hsi period screen. An unusual feature is the use 18th Century of mother of pearl chips to ' lustre' the Dia . 19.5 background of the subject 1300-1800 1200-1600

128 A porcelain bowl with deep lapis blue glaze on the exterior The interior and

base glazed white and the flared rim washed brown Qianlong seal mark

and of the period Repair to rim

18th Century

Dia. 19.5

200-300

136

Furniture, Silver,

Miscellaneous

Oriental Items

and Porcelain

An impressive mahogany longcase

129 An Imperial famille rose porcelain clock. The case decorated in the bowl with flared sides to a gilt Sheraton revival manner. Inlaid at the washed rim Decorated with bottom with a swagged urn and alternating dragon and pheonix around the hood by entwined stylised roundels on a flower strewn yellow leaves. Broken swan neck pediment ground. The interior base also to top The eight day movement of decorated with the five clawed dragon the highest quality Westminster and flaming pearl. Yongzheng seal chime. Circa 1910 mark on base but Daoguang Period 7000-9000 19th Century . Illustrated Dia 17.5

1500-2500

137 Another clock very similar to the previous lot , probably made at the

130 A 'Tea-Dust' vase of compressed same factory at a similar time. The case of this clock is in rosewood and form and slender waisted neck. The the hood has a few additional fine speckled yellow/brown glaze with features , namely ormolu columns , brown washed lip rim Daoguang and is surmounted by three ormolu

Period 19th Century finials. Having fretted vents at each Dia 15 5 side

500-600 7000-9000

138

A set of seven (six side and one

143 A characterful Queen Anne japanned carver) highly important dining chairs side table . The top (the japanning in the manner of Geo. Hepplewhite being applied on to lamination of Mahogany inlaid with boxwood and walnut indicates that this piece may ebony. The tapered legs supporting have been decorated by an an upholstered seat and an oval back enthusiastic owner determined to which has a pierced back splat with emulate the fashion of this period for central medallion inlay of a family oriental furniture) shows four crest , surmounted by another inaly. processing figures under a bough of Whilst some resoration is required , leaves, fruit and flowers. Four cabriole these chairs represent a unique legs japanned over walnut. opportunity for investment in 18th Early 18th Century. Century English furniture Circa 1780 H 950 x 660 x 730 cm 3000-5000 1000-2000

Illustrated

144 A fall front bureau in mahogany The

139 An exquisite writing table in rosewood front opening to reveal a well fitted interior of pigeon holes , drawers and inlaid with -brass, silver , ivory and a central cupboard flanked by two abalone shell. The entire piece richly reeded columns which in turn are adorned. The serpentine shaped top 'secret' drawers. Four oak lined lifts to reveal a leather skivered graduated drawers faced with fiddle writing slope/reading stand, two ink back mahogany supported on shaped bottles and a pen box. Supported on bracket feet. The swan neck handles four scroll shaped , decorated with shaped back plates are supports rising from a platform base . replacements but do not detract from Circa 1830. the integrity of this pleasantly H 570 x 420 x 760cm proportioned piece. Circa 1800. Illustrated H. 915 x 560 x 1 30cm 3000-4000

140 A late 18th Century chest on chest.

145 An Edwardian walnut framed wing This eminently practical piece of chair. The frame being finely inlaid furniture is made entirely from solid with bone and boxwood . On cabriole oak (back boards excepted) and legs , this elegant chair is upholstered incorporates such features as cock in green/gold cotton velvet bending, bracket feet, a well moulded 1000-1500 frieze and has a mellow wax finish H. 980 x 535 x 1.780 cm

145a A very fine walnut breakfront 1500-2500 sideboard The two side drawers are glazed and enclose velvet lined shelves The panelled centre door is cross banded with a border of burr

141 A rare and handsome bookcase elm and features an inset Sevres cabinet. The base comprises a plaque framed in ormolu Eight double cupboard with brass moulding ormolu brackets and ormolu beading on bracket feet , the top a bookcase complete the decoration Circa 1860 with two astragally glazed doors , 62 X 33cm three adjustable shelves and a dentil 5000-8000 moulded cornice Of fine , rich colour in mahogany Circa 1800

146 5000-7000

142 An impressive late Regency sideboard The two tapered ends

A sterling silver basting spoon Crested fiddle pattern London 1822 100-200

147 A sterling silver lade Fiddle thread each hav ing a large drawer with and shell pattern London 1863 cupboard under and standing on 250-300 short sabre legs. The middle section having two drawers and supporting a scroll back In faded mahogany with

148

A pair of sterling silver fiddle pattern cross banding. desert spoons London 1820 3500-4000 60-90

149 A sterling silver salt spoon Fiddle

160

A sterling silver card case. Open rose pattern. London 1822 in relief 25-35 Birmingham 1911 250 -300

150 Seven sterling silver desert forks

Crested fiddle pattern. London 1863

161

A sterling silver purse case. 250-300 Chester 1915 180-220

151 Eight sterling silver table forks

Crested fiddle pattern. London 1863

162

A sterling silver toast rack . 350-450 Birmingham 1934 225-275

152 Five sterling silver table spoons

Crested fiddle pattern London 1863

163

A pair of elaborate sterling silver 300-400 photograph frames Birmingham 1897 300-400

153 Eight sterling silver desert spoons. Crested fiddle pattern London 1863

320-420

164 A superb sterling silver salver in Adams style The bed of the salver

154 Six sterling silver teaspoons. Crested which bears a contemporary engraved armorial is surrounded by fiddle pattern. London 1863 cast, applied borders of drapery 200-250 swags depending from rams heads and centred on vase medallions

London 1776 Maker probably William

155 A sterling silver tea pot. Melon Cox 1777

Weight 87 oz shaped, fluted body on four ornate 5000-7000 feet. Flower finial to lid. Maker not Illustrated traced London 1842-3

Weight 24 oz 700-900

165

A sterling silver cheese scoop with bone handle. Maker Yapper

156 A sterling silver coffee pot a Woodward companion piece to the previous lot. Birmingham 1847 Maker not traced. London 1842-3 180-220

Weight 28 oz 1200-1600

166 A sterling silver pap boat. London 1809

157 A sterling silver waiter of particular 350-450 rarity 140cm square Maker not traced. London 1693

Weight 7 oz

167 A rare sterling silver two handled 1400-1600 lemon strainer . London 1766

158 A sterling silver waiter Gadrooned 350-450 edges on four legs. Initialled. Sheffield 1917

Weight 29 oz.

168 A sterling silver vinaigrette. Maker 1200-1500 Nathaniel Mills. Birmingham 1857 350-450

159 A sterling silver four piece tea set comprising tea pot , coffee pot , cream 169 jug and sugar basin.

A sterling silver card case Sheffield 1926-27 Birmingham 1908 1300-1700 180-220

170 A sterling silver card case. Machine engraved Birmingham 1877 180-200

171 A large pair of Continental porcelain vases Purple ground with gold decoration and handles. The central panels in one depicting a marriage and in the other a street scene Circa 1860. Height 460cm 1000-1500

172 A Royal Daulton Burslem dinner set in navy blue, white and gold. Comprises 12 large plates, 12 luncheon plates , 10 soup plates, 8 bread and butter plates , 6 oval serving dishes, 5 lidded vegetable dishes and 2 small tureens 500-1000

173 A Victorian cruet set of two pepper shakers , 2 vinegar bottles and a mustard pot on a plated stand. In immaculate order 200-400

174 A highly ornate plated butter dish with goat finial 150-250

175 A sterling silver fiddle pattern basting spoon. Maker Joseph Savory. London 1839 200-250

176 A pair of sterling silver sauce ladles Fiddle pattern. London 1827 300-350

177 A sterling silver fiddle pattern caddy

187 A pair of sterling silver lotus shaped spoon. Maker George Adams. open salts and spoons. Maker Martin London 1853 Crested Hall & Co. London 1875. 110-150

Weight 5 oz. 300-400

178 A sterling silver fiddle pattern caddy spoon. Maker George Adams .

188 A pair of sterling silver open salts. London 1853 Each with repousse decoration and 110-150 on three legs. With sterling silver spoons. London 1876

179 A set of six sterling silver fiddle

Weight 5 oz

300-500 pattern, rat tail teaspoons .

Dublin 1861 180-220

189 A pair of sterling silver sugar tongs. Sheffield 1853

180 A pair of sterling silver sugar tongs. Pierced sides with shell grips 60-80

Maker Thomas Walker. London 1780

190 A pair of sterling silver crested, 100-200 Georgian sugar tongs 60-80

181 A sterling silver sifter spoon Maker

John Wren. London 1871

191 A sterling silver tankard Charmingly 190-220 decorated with a 'nature scene'. Birmingham 1879.

Weight 14 oz .

182 A sterling silver George II basting 600-800 spoon. Old English pattern with beaded edges. Crested. Maker George Camper Circa 1750

192 A sterling silver christening mug with 250-350 bright cut decoration Maker Robert Hennell. London 1871

183 A sterling silver George Ill basting

Weight 5 oz. spoon Old English pattern with 500-700 beaded edges London 1778 250-350

193 A sterlin~ silver chirstening mug with repousse decoration and acanthus leaf foot. Maker Barnards

184 A sterling silver fiddle pattern basting

London 1859. spoon. Maker Ely, Fearn and

Weight 6 oz Shawner. 500-700 London 1812 200-300

194 A sterling silver christening mug of simple yet elegant design. Maker

185 A sterling silver fiddle pattern basting

William Purse Sheffield 1872 spoon. Maker Joseph Savory

Weight 4 oz. London 1839 250-350 200-250

186

195 A sterling silver mustard pot. Helmet A sterling silver mustard pot of ovoid shape with blue glass liner and shape Blue glass liner and sterling sterling silver spoon. Maker Thomas silver spoon. Maker W Bennett. Jenkinson. London 1814 London 1808. Weight 4 oz.

Weight 4 oz. 550-650 550-650

196 A richly decorated Vienna porcelain

203 An impressive sterling silver spirit plate The central scene depicting a kettle on stand. Bright cut decoration. Roman remonstrating with two The kettle has a pineapple finial to classically dressed people. Circa 1870 the lid. The stand has the unusual 200-300 feature of pierced work screening the burner. Maker Martin Hall. London 1874.

Weight 72 oz. H. 360cm

197 Three meerschaum pipes: 4500-6000

1. A stylised claw supports the bowl

2. A jockey drinks from a beaker resting on a horses foot. Amber mouth piece. Cased.

Illustrated

204 A sterling silver coffee pot. The body

3. A stallion and a dog in aggressive stance Bone mouth piece. shaped and engraved. Ornate pierced

250-500 base, flower finial to lid. London 1854. Maker BP not traced

Weight 26 oz. H. 230cm

2300-2600

197a A pair of Cattle Horns with scrimshaw decoration of Victorian ladies, Britannia and a toga clad youth with

205 A sterling silver coffee pot. The body a dog fluted and with repousse decoration

300-500

Circular foo t. Flower finial to lid.

Sheffield 1852 Maker Roberts and Slater

Weight 28 oz. H. 240cm

198 A sterling silver porringer Maker 2300-2500

Thomas Wayne. London 1780

Weight 9 oz.

700-900

199 A sterling silver tankard with

206 A sterling silver salver with shell decorated piecrust border surrounding an engraved centre Maker William K Reid. London 1854.

Weight 13 oz. Dia. 23cm engraved decoration. Maker William 900-1100 Marshall. Edinburgh 1865

Weight 9 oz .

700-900

200 A sterling silver cream jug. The pear

207

A sterling silver salver with decorated piecrust edge border surrounding an engraved and crested centre. London 1845. Maker Hands and Son.

Weight 12 oz. Dia 21.5cm shaped body with repousse 900-1100 decoration , on three legs. Maker John Law (probably). London 1852

Weight 8 oz H 135cm

650-850

208 An important sterling silver salver A highly ornate pierced border surrounds a very finely engraved centre. Crested Maker Rawlinse and

201 A sterling silver cream jug Helmet Sumner . London 1850. shaped on four paw feet. Maker not

Weight 26 ozs Dia 30 5cm traced London 1820. 5000-7000

Weight 6 oz.

500-600

209 A sterling silver salver. Stylised

202 A sterling silver fruit bowl. Scalloped pierced border incorporating swagged flowers, Elizabethan heads and rim with decoration of swags and shields surround a bright cut and acanthus leaves. Maker Robert engraved centre Maker Hyam Hennell. London 1883. Hyams. London 1865.

Weight 24 oz. Dia. 255cm

Weight 18 oz. Dia. 24cm

2500-2700 1400-1800

210 A pair of mid-19th Century porcelain

221 A pair of gadrooned edged old figures. Probably French.

Height 235cm

200-400

211 A pair of decorative stemmed

Sheffield plate wine coasters

Circa 1810

221a

Three late 19th Century Indian silver chalices The bowls being made from sweetmeat dishes. Pierced and with a coconut and the bases stylised repousse decoration palm trees from plated metal. 175-200 Crested.

Circa 1850

100-200

222

Three beautifully wrought Indian silver sweet meat dishes Gilded interiors

212 An old Sheffield plate snuffer tray 150-250 with plated snuffers.

Circa 1820

250-350

223

Two Indian silver cannisters Overall decoration of superior quality

213 An old Sheffield plate sauce tureen 200-300

A very appealing piece decorated with flowers and leaves.

Circa 1820

224 A pair of Indian silver basins of the 1000-1500 same excellent quality as the above three lots

214 A rare old Sheffield plate dish cross.

Circa 1800

350-500

215 An old Sheffield plate fruit bowl.

Circa 1820

400-500

100-150

225 A Harlequin set of single struck Kings

Pattern sterling silver and plated flatware comprising :

Sterling silver

12 tablespoons Newcastle 1854

12 desertspoons Edinburgh 1822

12 table forks Edinburgh 1849

12 desert forks Edinburgh 1827 and

216 A pair of highly ornate electro plated 1821

12 teaspoons Edinburgh 1829, 1825 , candlesticks 1838 , 1826

Circa 1860 Plate

300-500

217 A pair of Sheffield plated three

12 table knives

12 small knives

12 modern soup spoons 4000 -5000 branch candleabra

Circa 1825

1500-2000

226 A fine Tibetan wooden jewel casket

218 An old Sheffield plate coffee pot of of rectangular shape, all sides and restrained design. edges strapped with silver bands and

Circa 1820 set with coral and turquoise stones.

700-900

219 A pair of Sheffield plate lidded entree

The handles hinges and lockplate in matching silver (Chinese marks). Silk interior

38 x 19 5cm dishes. Gadrooned edges . Crested. 1500-2000

Circa 1810

1000-1500

220

227 A 19th Century Chinese carved ivory

A pair of Sheffield plate telescopic chess set. The well carved red and candlesticks white pieces all on stands

Circa 1820 incorporating puzzle balls

450-650 500-700

228

A mid-20th Century music box in the

236 A pair of carved wooden peasant form of seated mandarin whose figures with painted and gilt hands, head and tongue are decoration Thailand designed to move in an amusing Circa 1910 way. The figure is in porcelain and is H. 50cm possibly Meissen Small chip to collar 100-150 and repairs to hands 500-1000

237 A good antique bronze Laotian frog drum of waisted shape with

229 concentric band of raised geometric

A rice wine bowl and saucer in lmari pattern. Double loop handles porcelain. The decoration very fine Dia 33cm Signed Circa 1850 400-600 100-200

238 An extremely fine imperial quality 19th Century Japanese fat bodied

230 A good 19th Century Indian bronze baluster shaped satsuma vase figure of a seated Bodhisatava in decorated with two panels of playing teaching pose children and adults walking in 700-1000 woodland landscape with lakes and bamboo groves , the borders ornately decorated with fan panels and floral

231 A good 18th Century Burmese gilt and diaper patterns papier mache Buddha seated Signed H 40cm Decorated with inset mirror beads 3000-5000 and panels on red and black lacquer Illustrated base H. 70cm 1500-2000

239 A pair of Thai 12th Century bronze male and female figure candlesticks or censers

232 A rare Indonesian carved sandstone H 9.6cm attendant figure standing and holding 900-1200 a vase and a wreath Circa 10th Century AD 1000-1500

240 A small gilded cast lead figure of Buddha in the lotus posture Burmese 19th Century

233 A large Burmese 19th Century carved H 11cm wooden figure of a standing Buddha 80-120 gesturing fearlessness on a lotus plinth and showing traces of original gilding

241 A Tang period storage jar, brown H. 77cm 500-800 glaze 200-250

234 A rare Indonesian carved sandstone

242 figure of a buffalo lying prone.

An 18th Century divinity within a L. 45cm shrine . Thai. 2000-3000 H 31cm 200-300

235 A good large 18th Century Burmese carved wooden figure of a standing

243

An exceptionally fine and large 12th Buddha offering fruit. Showing traces Century Kmer pottery vase. of polychrome painting and inlaid Variagated brown glaze. Repaired mirror work H 51 5cm H. 70cm 1500-2000 500-800

Illustrated

244 A bronze head of Buddha Thai.

254 An early 19th Century Japanese Circa 1850 On painted wooden base porcelain two handled vase with fine H 26.5cm gilt basketwork decoration on a black 700-1000 ground . Repaired Height 34cm 200-300

245 A Ching period bronze censer on four legs , decorated with archaic symbols

255 A fine large Chinese porcelain floor with wooden cover. vase , the body decorated in H 15 3cm underglaze blue with a peacock and 700-900 hen amid pine trees , chrysanthemum and other foliage Floral borders with

246 A good Ching dynasty painted screen character panels , the neck similarly decorated with feeding birds depicting exotic birds and flowers in Vase H. 83cm tempera The carved rosewood frame 2200 -2800 needing repair 1000-1500

256 Another large Chinese porcelain vase

247 An octagonal shaped red and black richly decorated with a turquoise and floral decorated lacquer bowl and pink floral and scroll pattern over a cover Thai. 19th Century deep blue enamel glaze , and having 80-120 gilt stylised fi sh handles and pink glaze borders H 55cm

248 A late 19th Century Chinese painted 1500-2000 porcelain table screen. Rosewood frame 800-1000

257 A fine pair of late 19th Century famille rose baluster shaped vases decorated with cartouche panels of

249 A Japanese cloisonne jar and cover various figures on a background of Circa 1900 flowers and symbols , key and diaper H. 15cm pattern borders 120-160 H 57.5cm 2500-3500

250 A good Ching period incense holder in the form of Kylin on a plinth . Black

258

An interesting 19th Century Chinese glaze with traces of gilt. H 18 3cm porcelain triple gourd shaped vase , 450-650 each section well painted with scenes of dragons chasing flaming pearls amid clouds in underglaze blue H 55cm

251 An interesting Chinese export 1500-2000 porcelain plate depicting an elephant and rider within the famille rose decorated borders.

Circa 1820. Dia . 23cm

259

A late 19th Century Chinese 150-200 cloisonne plate , the centre decorated with a pattern of buds , flowers and leaves on pink with a decorative

252 A 19th Century Japanese lmari jar border and cover D 30cms 450-550 150-200

253 Three Japanese dressed dolls ,

260

A fine pair of large Ch inese floor c 1920: vases Decorated in the famille verte 1. A seated female dancer palette with panels of figure~ on a 2. A Samurai in fighting armour background of grapes , flowers and mounted on a white horse fruit , complete with wooden stand 3. A Samurai in armour Vase H. 91 5cm 350-500 5000-7000

261

A well carved Chinese ivory

268

A fine large pair of Chinese double ' Okimono ' style figure depicting a gourd shaped cloisonne vases and Chinese warrior being attacked by a covers , both sides decorated with robber , while an angry dragon unfolds panels of birds and flowers , the body behind them (signed) with wooden having double scroll handles and stand relief cloisonne floral leaf and scroll 800-1200 work , wooden bases H. 36cm 1500-2000

262 A well carved Chinese ivory figure of Hotei standing with arms raised , his

269

An amber glass Lalique fruit bowl robes finely patterned with medallions on a background of small circles with stylised fern pattern Signed H 10cm with wooden stand Signed R. Lalique France 500-700 D 18 5cm 200 -300

270

A Chinese bronze lamp base with

263 A well carved Chinese ivory figure of Champleve enamel floral and a standing goddess with pheonix geometric borders perched behind her while a dragon H 36cm winds around her feet , signed H 75-100 18cm with wooden base 1200-1800

27 1

A pair of Japanese Kutan i octagonal baluster shaped vases painted with a scene of birds amid blossoms and

264 A large Chinese ivory carving of leaves H. 30cm Kwan Yu with two fan carrying 300-400 attendants and three children offering food , all supported by the tree of life while a dragon looks on from behind .

272

A good pair of Japanese cloisonne On wooden plinth Signed vases with a bird in a flowering tree 2500-3500 above a cluster of flowers and leaves on a dark deep ground (one damaged) H 18cm 600-800

265 A pair of Japanese satsuma pottery wall plaques painted in enamels with domestic scene of women with young

266

267

273

A miniature Japanese lacquer chest children with four drawers and a cupboard , all D 12cm surfaces decorated with parquetry 100-150 panels H 27cm 130-180

A well carved Chinese ivory figure of a standing goddess holding a large

274

A red lacquered wood food carrying flowering rose branch. On teak plinth basket with decorated handle with silver inlay , signed Chinese H 22cm Circa 1850 1500-2000 300-500

275 A Chinese carved ivory boxer dog

A well carved Chinese ivory figure of H 8cm Shau Lao standing with a staff and 200-300 holding a peach branch while a young child, a crane and a deer cluster around his feet

276 A 19th Century Chinese cobalt blue

Signed , wooden plinth overlay glass snuff bottle with H 23cm aventurine stopper 1500-2000 80-100

277 An antique stone head of Buddha

287 An unglazed pottery wine jar. Thai. H. 11 cm on stand 18th Century 200-300 80-120

278 Another

288 A bronze cosmetic jar and cover. H. 10cm on stand Thai. 18th Century 150-250 80-100

289 A fine quality Ch inese brass vase

279 A set of three Japanese satsuma with an iris in relief pottery vases of square baluster Circa 1890. Height 350cm shape decorated in enamels with scenes of samurai and geisha , between gilt diaper patterned fan and

290 A set of twelve cased hardstone man borders (wooden stands) animals depicting the Chinese H. 12cm calendar. All with stands Two with 200-300 breaks 1000-1500

280 A pair of Satsuma moon shaped vases with gilt borders and four feet ,

291 A Chinese porcelain jardiniere The the sides painted with scenes of rim decorated with linked stylised samurai and women butterflies and the body with iris H 10cm flowers and foliage Hair crack to 140-200 bottom 500-800

281 A good Satsuma pottery dish with shaped pierced gilt border painted

292 A spectacular 20th Century Dresden with figural landscape and Mt Fuji scene Signed Akizan porcelain figure group. ' A Musical D. 17cm Soiree' with eight figures in 19th 100-200 Century costume. 70 x 36 wide 6000-9000

282 A set of three Chinese figures (Three Gods of Happiness) , on tiered wooden stand

293 A Shirvan rug. Dark blue ground 1500-2000 210 X 140 1400-1700

283 A pair of small spherical shaped Japanese cloisonne vases with dragonfly and floral pattern on a pale

294

An Afghan Beluchi rug green ground 430 X 2000 Circa 1920 H 9cm 800-1000 100-200

284 A similar period Japanese cloisonne

295 A Chinese Kerman design. Tree of vase with poppy floral pattern on a Life pattern rug Wool with silk inlay pale blue ground 1370 X 2110 H. 15cm 4000-5000 80-120

296

An lsfahan rug in silk and wool

285 Two small antique carved stone 1600 X 2480 heads 9000-10000 120-160

297 A pure silk rug with gold thread

286 A 19th Century Japanese decorated Imperial Hereke pottery umbrella stand 88 X 58 350-450 2500-4000

298 An lsfahan rug in silk and wool.

305 C. H. A. 170 X 1590 Flagstaff Hill, North Head and 4000-5000 Rangitoto with St Stephen's School and Cape Colville watercolour

299 A fine large Turkoman carpet. The titled, inscribed and dated Aug. 17, design of dark blue and red on a 1855 claret field 18 X 26 2700 X 4100 1000-1200 3500-4500

300 A very fine Feraghan rug An unusual

306 C. H. A. design incorporating at each end four Rangitoto and Cape Colville columns supporting a pediment. The Headlands and Wakatukataka from field is of soft red covered with floral the Cathedral Grounds , Aug. 17, motif The main border incorporates 1855 architectural and floral motifs

watercolour, inscribed, initialled and 2700 X 4330 dated in pencil 7000-9000 18 X 26 1200-1500

307 Lieutenant General Charles Emilius Gold

Wairau, April 1851

Second Day

watercolour , inscribed and signed on reverse 16 X 25

Illustrated

301 George Frederick Swainson 1500-2000 Auckland Harbour from the Bastion Rock watercolour and pencil drawing, title inscribed , signed and dated Aug.

308 Artist Unknown 1851 19th Century New Zealand School 24 X 36 2000-2500 Wairau war graves , Taranaki Illustrated watercolour 22 X 31 700-1000

302 George Frederick Swainson Tararua Range from the Wairarapa Valley

309 watercolour and pencil drawing, title

John Philemon Backhouse inscribed , signed and dated Feb 17, Four miniature views of the Thermal 1851 in pencil Region: 22 X 30

a. The Old Bridge and Toll House , 1200-1600 Whakarewarewa Illustrated b. The Pink Terrace c Ohinemutu , Rotorua

d. Lakes Rotorua and Rotoiti

303 John Barr Clarke Hoyte

All entitled , one dated 1886, all Bay of Islands rubber stamped on back watercolour J. P Backhouse, Artist, Auckland signed with initials each 7.8 x 12 8 framed together 19 X 36 1000-1500 3000-4000

Illustrated

304 John Barr Clarke Hoyte

310 John Philemon Backhouse The Pink and White Terraces

A pair of miniature oils on cardboard Great Barrier Island each titled and dated 1886 in ink on watercolour the back One signed with initials on signed the face 23 X 41 7.5 X 12 7 4000-5000 500-800 36

311

John Philemon Backhouse

315 J.CH.

A view of the North Shore and West Coast Lighthouse and Signal Rangitoto and Auckland Harbour Station oil on board. c.1886, inscribed on the watercolour, signed J.CH. in back brush point

6.3 X 15 2 39 X 26

300-500

Collection : Maurice Lennard

The subject is possibly the North Manukau Heads Signal Station that

312 was destroyed by the Maoris in the

John Philemon Backhouse 1860's Although this work is signed

Two views: Lake Taupo and Mt J.CH and has been considered to be Egmont, as previous lot by J C. Hoyte, it is much more likely 500-700 to be by Josephine Cheeseman , sister of E. M Cheeseman. There is no stop after the initial 'C' and the

313 John Philemon Backhouse artist has probably signed the work with her first initial 'J' and with the Two miniature studies of geysers two first letters of her surname. The watercolour style is quite unlike that of Hoyte but each 12.8 x 8.3 exactly like that of the previous lot 160-200 1200-1600

316 Christopher (Charles) Aubrey

314 E. M. Cheeseman

The Pink and White Terraces Waitakerei Bush and Kauri Tree a pair of watercolours watercolour, inscribed and signed in one signed with initials brushpoint each 13 x 22 36 X 40 1200-1600

Collection: Maurice Lennard Miss E. M. Cheeseman was the sister of the eminent botanist Thomas 317 William Strutt Cheeseman. A collection of her Study of a part-Maori youth paintings and drawings is in the pen and wash, signed in ink Auckland Institute and Museum inscribed ' Poor Hookey Walker ' s Library Trousers Floated Away' 1200-1600 19 X 13

Provenance : The artist's descendants 1000-1200 Illustrated

321 John Barr Clarke Hoyte River Landscape watercolour

318

19th Century Artist Unknown signed British Soldier standing before a Lake 18 X 33 watercolour 1600-2000 17 X 24

A faded inscription on the mount board indicates the subject is the Hawke's Bay

322 John Barr Clarke Hoyte

300-400 Lake Manapouri watercolour signed

319 Henry William Kirkwood 14 X 27 Lake Ada 1200-1500 oil on board 18 X 12 500-800

323 James Peele Lake Wakatipu oil on board

320 Henry William Kirkwood signed and dated 1874 Wanganui River Scene 18 X 29 oil on board 2000-3000 21 X 18

Illustrated

500-700

324

Charles Frederick Goldie 1870-1947

Portrait of Harata Rewiri Tarapata

oil on canvas

56 X 46

The subject's name is vertically inscribed on the left ; the painting is signed C F Goldie , Auckland and dated 1902

Provenance : Purchased in 1904 directly from the artist and held in the same family for three generations. (Full particulars can be made available to the purchaser )

Harata Rewiri Tarapata was a descendant of two famous Chiefs , Tamati Waaka Nene and Eru

Patuone She was a remarkable beauty and when she came to Auckland she met and married Chief Paora Tuhaere of Orakei When her husband died in 1892 Harata moved to a Maori Hostel where she lived with her co usin Ina te Papatahianother fam ou s Goldie subjectuntil she died in 1911

Goldie ' s earliest recorded Maori portraits date from 1900 and it is in these first few years that he is considered to have produced his finest works The later paintings most often being repetitions of his early subjects This portrait of Harata is probably the first of the nine or so he painted of her because the previously earliest recorded portrait is dated 1903

" The old woman gazes slightly downward, her dim rheumy eyes indicating that years ago fire dwelt there , fire which kindled fire in male breasts difficult to extinguish Now there is left but the past to gaze into ", fr.am an unnamed newspaper clipping dated 19041"and quoted in C F. Goldie , His Lifd' and Paintings , Alister Taylor and Jan Glen 1977

References : There are a number of references to the subject in the above mentioned work. An uninscribed and undated version of this painting is reproduced , idem p.190.

Illustrated front cover and opposite page

Estimate on request

325

Charles Frederick Goldie Portrait of Tamaiti Tukino

An Arawa Chieftainess

oil on canvas signed and dated 1918

25.5 X 20

This may be the painting ' Ninety years have passed ' listed as not traced in C F. Goldie , Prints Drawings and Criticism Alister Taylor and Jan Glen 1979 , p.276

20 ,000-25 ,000 Illustrated

Anton Seuffert 1815-1887

Anton Seuffert was born in Bohemia in 1815 After working to set up a major exhibit at the Great Exhibition in London 1851 , he decided to settle in England where he met one Johann Martin Levien whose London based business was concerned with the importation of New Zealand native timbers It could be surmised that Seuffert , after this association with Levien , may have emigrated to New Zealand to supervise Levien ' s still existing cabinet making and timber procuring business He was naturalised in Auckland in 1861. He exhibited at the Dunedin Exhibition of 1865 and supplied furniture from his Elliott Street address to exhibitions in Vienna 1873, Sydney 1879 , London 1886 , where he achieved distinction In May 1869 he was appointed cabinet maker to His Royal Highness , The Duke of Edinburgh The following obituary notice appeared in the New Zealand Herald dated Aug. 8 , 1887: " Death is busy just now among old colonists. Among those who have passed away during the present week is Mr Anton Seuffert who has earned a worldwide fame for his artistic skill in inlaid and cabinet work, and the products of his skill in that branch , have been distributed to eve,y part of the civilised world. He was a native of Austria , one time foreman in one of the departments in the warehouses of Lister & Co of Vienna , Cabinet makers to the Emperor At the Great Exhibition of 1851 he was engaged on the exhibits of that firm which were then shown , and subsequently employed on designs of the furniture for Prince Lichenstein 's palace. Some 30 years ago, Mr Seuffert immigrated to New Zealand, settling at Auckland, where he has been so long and favourably known It will be remember that he executed a cabinet with inlaid work, consisting of 30,000 pieces, valued at 300 guineas , which was purchased and presented by the citizens of Auckland to Her Majesty the Queen He passed away peacefully on Saturday morning at the ripe age of 72 He leaves a widow and three sons and three daughters. Mr Seuffert 's art has not died with him , as he has studiously trained up his son , who promises to inherit all the .father's wonderful artistic skill in inlaid work ".

Of seven bonheur-du-jours known to have been made , we have traced four to collections in Australia , one is

in the Dominion Museum Wellington , another in the Auckland Institute and Museum. We believe this to be the last of the recorded bonheur-du-jours and possibly the desk made for Sir George Grey

326 The Anton Seuffert Bonheurdu-jour.

A nationally important piece of furniture in native timbers by the leading cab inet maker of 19th Century New Zealand The top comprises a breakfront cabinet , the central door of which opens to reveal an 'architectural' mirrored interior with drawers and removable pigeon holes , (see illustrated detail) , this arched panel door is inlaid with a scene of a moa , a kiw i and a ponga surrounded by Maori motifs A writing slope is beneath. The pair of side doors each panelled in diamond parquetry enclose four drawers

This superstructure is supported on a ' bureau plat' of serpentine shape with carved cabr iole legs and having a shaped , marquetry and inlaid single drawer

This highly skilled cabinet maker was recognised as a master craftsman in the art of furniture embellishment and consequently a wide variety of native timbers are employed throughout the construction of this piece Illustrated opposite Estimate on request

327 A circular occasional table attributed to Seuffert

The top exquisitely inlaid with central star form from which radiates graduated bands of semi-eliptical native wood inlays. The top is supported on three turned and fluted posts in kauri which emanate from an initial tier which in turn is supported by three legs inlaid with totora burr

Dia 565 cm. H 730cm

5000-9000

Illustrated

Charles Blomfield 1848-1926

Paintings of the Thermal Region from the Collection of Maurice Lennard

Maurice Lennard , a retired Auckland barrister , was born in 1903 From his mother who was in Rotorua at the t ime of the Tarawera eruption , he acquired his enduring interest in the region. From an early age he collected literature and illustrations of the district. Paintings by Charles Blomfield who had made a specialty of paint ing the pink and white terraces , particularly appealed to him and he began a collection Some of these have been disposed of over the years, and others have been lent to public galleries , but his favourites he retained and these are catalogued below . Maurice Lennard has provided the catalogue notes accompanying each painting

328 Charles Blomfield

Rotokakahi , The Green lake oil on canvas on hardboard signed and dated 1885

50 X 75

Collection : Maurice Lennard

This pre-eruption view of Rotokakahi shows the village of Epiha (Ephisus) built by the Maoris with the guidance of the missionary Thomas Chapman

Writing in 1860 , Lieutenant.Bates describes it as " the most picturesque pa I have ever seen , with whares and storehouses painted red , with peach trees and shrubs, encircled on three sides by the lake and enclosed by a stockade of posts ".

The island of Motutawa is said to have been the scene of the first exploits of Te Rauparaha and was said to be unhealthy owing to the burial of dead there

25 ,000-35 ,000

Illustrated

329 Charles Blomfield

The Pink Terrace , Otukapuarangi, Rotomahana oil on canvas signed and dated 1887

48 X 88

Collection : Maurice Lennard

This view of the Pink Terrace shows the White Terrace and Mount Tarawera in the background. The terrace covered about two and a half acres formed by the overflow of the Otukapuarangi (cloud of heaven) Geyser at its top. The geyser sent its silica charged waters over the terraces and dissolved oxides in the water caused the pink colouration At the bottom the terrace was white, becoming salmon pink deepening to a roseate hue higher up, and at the top a delicate primrose The surface was smooth and the basins a popular bathing place

15 ,000-25 ,000

Illustrated

330 Charles Blomfield

The White Terrace Cups , Rotomahana oil on canvas signed and dated 1887

48 X 88

Collection : Maurice Lennard

The White Terrace was built on a much grander scale than the Pink , in a spreading arc of glistening pools covering about eight acres. The lower buttresses each held a lake of intense blue but higher up there was a profusion of smaller alabaster cups This is the only painting I know of the cup area and of this Blomfield says " It is very awkward when the hot water is running over Some of the pictures I have had to take standing in the hot water. "

15 ,000-25 ,000

Illustrated

331 Charles Blomfield 47

The White Terrace , Buttresses , Rotomahana oil on canvas signed and dated 1890?

50 X 76

Collection : Maurice Lennard

Some of these buttress pools were eight feet deep but because their surfaces were rough , they were not popular for bathing

15 ,000-20 ,000

Illustrated

332 Charles Blomfield

The Champagne Pool , Wairakei

337 Laurence William Wilson

Middle Fiord , Lake Te Anau , Otago oil on canvas oil on canvas on board signed and dated 1888 inscribed , signed and dated 1898 58 X 41

Collection: Maurice Lennard

69 X 130

25 ,000-35 ,000 Blomfield in a letter to his wife in Illustrated October 1886 writes " The Geyser Valley alone is a sight worth coming

338 thousands of miles to see. I am

Laurence William Wilson painting on the canvases here. There West Coast Road from near the is a great deal in the valley to paint Sealey , Canterbury , New Zealand and I am the first and only one to oil on canvas , inscribed and signed have attempted it in colour I must do 50 X 75 justice to it. " Owing to the use of the 10,000-20,000 valley for generating geo-thermal

Illustrated power , the thermal activity has largely disappeared

339 8000-12 ,000

Illustrated

333 Charles Blomfield

Petrus van der Velden

Mother and Child oil on canvas c 1890-95 signed 96 X 57

Provenance : Private Collection The The Huka Falls , Waikato River, New Hague , Holland Zealand 9000-12 ,000 oil on canvas signed and dated 1887 title inscribed on stretcher

340 Petrus Van der Velden 42 X 58

Sketch of a Dutch Boy 7000-9000 watercolour Illustrated 32 X 42

Exhibited : The Art of Petrus Van der Velden , Robert McDougall Art Gallery 1963 Cat. 78; The Origins of Frances

334 Charles Blomfield Hodgkins in New Zealand, Robert McDougall Art Gallery 1969, Cat 39 Geysers at Whakarewarewa

Collection: W. S Baverstock, A pair of oils on board Christchurch each signed and dated 1890 5000-7000 16.5 X 29

3000-5000

335 Charles Blomfield

341 Frances Mary Hodgkins Cate Scene watercolour over pencil

inscribed and dated 1924

Mount Cook and Mount Tasman from 33 X 35 5 Cook River Flats 20 ,000-25,000 oil on canvas, signed Illustrated Collection : Maurice Lennard

An etherial view of the mountains from the present Westland National

342

Frances Mary Hodgkins Park

Portrait of a Young Maori Girl 25 ,000-35 ,000 watercolour , signed with initials and Illustrated dated 1896 in brushpoint 32 X 25 15 ,000-20 ,000

336 Charles Blomfield

Milford Sound

oil on canvas, titled, inscribed and

343

John Weeks

A View of the Seine , Paris priced 3-3-0 in pencil on stretcher in oil on board, signed the artist's hand 22 X 26 35 X 52 2500-3500

5000-7000

Illustrated

50

344

Edward t-'ristrom

Landscape Near Wellington

352 Vera Cummings

An Old Maori Woman oil on board, signed oil on board, signed 23 X 29 25 X 20

Exhibited: Auckland City Art Gallery , 900-1200 Nairn and Fristrom Exhibition 1964 Cat. 41

3000-5000

Illustrated

353 Joseph Gaut

Portrait of a Maori Chief oil on canvas signed and dated 1894

345 John Barr Clarke Hoyte 161 X 72

The White Terrace , Rotomahana 5000-7000 watercolour Illustrated 30 X 48

8000-10 ,000

Illustrated

354 Joseph Gaut

Portrait of a Maori Chieftainess oil on canvas

346 John Barr Clarke Hoyte 101 X 71

Lake and Mountain Scene 4000-5000 watercolour signed in brushpoint

31.5x47

355 John Gully 15 ,000-20 ,000

A View of the Southern Alps watercolour , signed in brushpoint

33.5 X 54.5

347 William George Baker 18 ,000-25 ,000

The Mokau River oil on canvas

titled and signed

75 X 111

356 John Barr Clarke Hoyte

The Remarkables 6000-9000 watercolour, signed and dated 1874 in brushpoint

40 X 68

348 Girolamo Pieri Nerli 12 ,000-16 ,000

Portrait of Dr William Stenhouse oil on canvas

32 X 24

6000-8000

349 John Barr Clarke Hoyte

A View of Mt Cook in the Southern

John Barr Clarke Hoyte

The following four small oil sketches Alps New Zealand are the first works in oil we have watercolour 1876 handled that are clearly by this artist. signed and dated in ink

The unsophisticated nature of Hoyte ' s

38.5 X 64 5 artistic abilities is clearly in evidence 18 ,000-25 ,000 in these charming works all of which are inscribed on the back in the artist's hand They carry further

350 John Barr Clarke Hoyte inscriptions and faded signatures in ink on old labels attached to the Lake Wakatipu backs of the original gilt frames watercolour , signed and dated 1876 in brushpoint

37 X 63

357 Wade ' s Town near Woodwards 12 ,000-15 ,000 12 X 17

351 Vera Cummings

Moh i, a Maori Chief oil on board , signed

Illustrated 1000-1500

358 Warou ... .? New Zealand

25 X 20 12 X 17 900-1200 1000-1500 51

359 The Snowy Range as seen from Munguru Dia 16 1000-1500

360 Prairie Fire , New Zealand Dia. 16 1000-1500

John Francis Kavanagh 1903-1984

Sculpture by John Francis Kavanagh

F.R.B.S. from the collection of Margaret Kavanagh , his widow.

In 1979, the Auckland City Art Gallery arranged an exhibition of John Kavanagh ' s sculpture which included all the pieces in this catalogue. It was the only exhibition this retiring and modest man ever enjoyed in his adopted country , and it came very late in his life, just five years before he died. Lack of reputation in New Zealand must be due partly to the fact that his teaching position at Elam School of Art absorbed most of his energy , and his output here was small. Notable commissions in New Zealand included designing the seal in 1951 for the Medical Research Council. In 1956 he executed a bust of the eminent Auckland surgeon Sir Douglas Robb which was exhibited in the Royal Academy in 1957.

In 1935 John Kavanagh was elected a fellow of the Royal Society of British Sculptors. At this time he was head of the department of Sculpture and Modelling at the Leeds College of Art.

Numerous commissions occurred over the next few years. For the Catholic Church of Our Lady in Leeds , he carved in limewood , Christ Triumphant on the Cross . This was the largest wooden figure made in England since the Renaissance In London , for the Catholic Hospital in Lambeth Road he executed a nine foot high limestone carving of Our Lady of Consolation which stood above the entrance to the Hospital. The bronze study for this carving was exhibited at the Royal Academy in 1948 and is in this catalogue The most important commission at this period was to carve all the sculpture for the new Walthamstow Town Hall , including sixteen relief panels and five statues , each seven foot six inches high. During these years he exhibited regularly with the Royal Academy

The war years put an end to commissions and in 1947 he suffered a major disappointment that may have contributed to his decision to quite Europe and take up a teaching post in New Zealand .

An international competition was held to design the bronze door for the Basilica of Saint Pietro in the Vatican . Kavanagh worked very hard on his models but because of post war transport complications, they failed to reach the vatican within the allowed time and he was disqualified

He believed he had a very good chance of winning the commission and had he done so his reputation would have been secure for all time. John Kavanagh is represented in the Tate Gallery Collection, London. References for all the following works and a bibliography can be found in the catalogue for the Auckland City Art Gallery Exhibition 1979 Introduction by Eric Young

361 John F. Kavanagh

Tanith

bronze , signed and dated , Rome , 1932 , Height 157

Exhibited: Royal Academy 1933 , Paris

Salon 1934

20 ,000-30 ,000

Illustrated

362 John F. Kavanagh

Cora Ann : The Spirit of Youth

bronze c 1945 , Height 75

Exhibited : Royal Academy 1946

This is a model for a commissioned memorial to a retiring headmistress of the Roundhay Girls School , Leeds

The final bron ze statue is two and a half metres high

6000-10 ,000

Ill ustrated

363 John F. Kavanagh

Madonna and Child

bronze 1940, Height 55

Exhibited : Royal Academy 1948

This is a study for the 3.5 metre

Portland Stone carving commissioned for the Catholic Hospital , Lambeth Road, London

5000-8000

Illustrated

364 John F. Kavanagh

Satyr and Nymph

bronze c.1930, Height 36

This group is a study for the centre portion of a fountain which the artist executed in Italy

4000-7000

Illustrated

365 John F. Kavanagh

Lady Jane

bronze c.1940, Height 53cm

Exhibited: New York, Chicago, Los Angeles with works by Frank Dobson, Jacob Epstein and Henry Moore

These four British sculptors were invited to show works in aid of the British Red Cross 4000-7000

Illustrated

366 John F. Kavanagh

Torso

bronze 1936, Height 34

Exhibited : Royal Academy 1936

3000-4000

Illustrated

367 John F. Kavanagh

Seated and Kneeling Nudes

stone c.1935

Height 40.5

2000-3000

375 John F. Kavanagh

Work 1940*

stone

Height 210 8

The Walthamstour Town Hall design Illustrated included five over life-size figures

Work is an early concept for one of these, rejected in favour of a more

368 John F. Kavanagh simplified design.

• Because of its size and weight , this

Earth

bronze plated c 1935 carving has not been brought into the

Height 57 saleroom. It will be offered for sale in

2500-3500 its present situation in storage in Illustrated Auckland from where it will be moved at the expense of the buyer. It can be viewed by arrangement with the

369 John F. Kavanagh auctioneers

Crouching Figure 20 ,000-30 ,000

Sandstone c.1936 Illustrated

Height 35 1500-3000 Illustrated

370 John F. Kavanagh

Torso

limestone c.1935

Height 44 1500-3000 Illustrated

371 John F. Kavanagh

Torso

sandstone c.1935

Height 32 1000-1500

372 John F. Kavanagh

Head of Miss Georgia Leprohon aged four

bronze 1973, Height 25

Exhibited: Paris Salon 1978, Lyons 1978

Awards: Grand Prix de Lyon 1978 2000-3000

373 John F. Kavanagh

Bust of the Mathematician, Pierre Duval

bronze c.1932, signed

Height 41.5

2000-3000

374 John F. Kavanagh

Head of C St Clair R. Oakes

bronze, signed and dated 1932

Height 36

Exhibited: Royal Academy 1932

The subject was Rome Scholar in Architecture, 1931-32

John Kavanagh had won the scholarship the previous year 2000-3000

376 Colin McCahon

Manukau 4 oil on hardboard, inscribed signed and dated 1954 56 X 76

Provenance: Private Collection, Auckland

This fine painting is from. the artist's first series of Manukau paintings which immediately followed the Towards Auckland watercolours of 1953-54. The second Manukau series in watercolours comes two years later. The first series in oils looks away from French Bay , Titirangi, across the Manukau Harbour in the direction of the Airport There are approximately five works in the series , number '3 ' of which formerly was owned by Charles Brasch and is now in the Hocken Library Collection

Exhibited Dunedin Public Library April 1958 Cat. 26

30 ,000-50 ,000

Illustrated

377 Colin McCahon

Little Landscape with Tree oil on hardboard , signed and dated 1951 , titled , inscribed on back 43 X 50

From the collection of Mr Maurice Shadbolt , Auckland

This landscape , from the same area that inspired the 1967 North Otago landscapes , was painted sixteen years earlier , and with it , the artist brings the early phase of his work to a close. Thereafter , the paintings move towards greater abstraction beginning with the cubist works , of which the preceding lot is a very fine example

25 ,000-35 ,000

Illustrated

378 Colin McCahon

Sketch for International Air Race 1953 oil on board 28x51.5

Provenance: Mr Robert Allender, Sydney

During 1952, the artist received a commission from Tasman Empire Airways Ltd for a large painting to commemorate the London to Christchurch air race due to take place in October 1953 McCahon produced several studies for the subject , all titled Sketch for Teal These were shown in the 1953 Group Show in Christchurch together with Comet and the main International Air Race painting.

The above study was not included in the Group Show as it had already been gifted to the present owner , who was the publicity manager for the airline and the officer responsible for the commission. In a letter accompanying this study, the vendor comments ''The painting (International Air Race) had excited little public or art world interest. McCahon was virtually unknown and the painting was thought incomprehensible ." International Air Race was subsequently lost, and was presumed " thrown out with outdated publicity material " some years after the vendor had left the airline 7000-9000

Illustrated David John Payne 1880-C.1960

David (Davie) Payne came to Auckland from his birthplace Birmiragham in 1906. He had trained as a toolmaker and he first worked in Auckland for Alex Harvey & Sons He was an active amateur artist and he was quickly associated with Tom Gulliver and the Quoin Club and with the Auckland Society of Arts He was later a drawing master with the Education Board and later still a commercial artist. The majority of his subjects are of Auckland and the West Coast.

379 Pohutukawa and the South West Wind

61 oil on canvas

signed and dated 1936 76 X 101

2000-3000

Illustrated

380 David John Payne

386 David John Payne Mt Kariori, Raglan , Ti Tree and Gorse West Coast oil on canvas oil on board , signed and dated 1922 signed with monogram 76 X 101 22 X 29 2000-3000 300-500

381

382

David John Payne Old Stock Road , Tauranga oil on canvas

387 David John Payne signed and dated 1939 West Coast Landscape. c1950 50 X 75 oil on board , signed 1500-2000 11 X 15 250-400

David John Payne

West Coast Landscape oil on board

signed with monogram

388 David John Payne 21.7 X 29 5 West Coast Beach 500-700 oil on board 11 X 15 200-300

383 David John Payne Rocks Low Tide oil on board signed and dated 1954 30 X 47

389 David John Payne 400-600 'Quoin Club Sketch ', Nude oil on board

384 signed and dated 1919 David John Payne 27 X 19 Inside Mt Smart Crater 250-400 oil on board, signed 21 X 29 500-700

385 David John Payne

390 David John Payne

Crossing the Ford , with Pipiriki 19/25 , The Gap , Piha with Wanganui River oil on board , signed three etchings , titled and signed in 22 X 29 pencil 400-500

391 Thomas Sydney Cooper R.A.

399 James McIntosh Madden A Summer Noon Mt Cook oil on board, signed T. Sydney watercolour, signed in ink Cooper R.A. 1896 12 X 18 46 X 61 1600-2200

With o riginal pine backboard impressed stamped TSC and having faded exhibition label and address label in the artist's hand

400 Francis McCracken 10,000-15,000 The Rest, Portrait of Kitty Illustrated watercolour, signed in brushpoint 30 X 24 3000-5000

392 Frank Wright Illustrated Early Evening, Waikato River watercolour signed and dated 1918

401 12 5 X 20 Francis McCracken 1200-1600 Boats at Wharfside oil on board signed and dated 1917

393 Charles Blomfield 1500-2000 Lake Wakatipu Illustrated oil on canvas signed and dated 1888 20 X 35 1600-2200

402 Tom Peerless South Island Lake with Fishing Boats

394 James Peele watercolour , signed Waterfall Gorge - Bradshaw Sound 48 X 60 oil on canvas, signed 2500-3500 76 X 55 3000-5000

Illustrated

403 Sydney Lough Thompson Brittany Fishing Boats

395 C. W. Smith oil study on panel Upper Rakaia River signed w ith initials oil on canvas , signed 11.2 X 10 5 45 X 75 1500-2500 2000-4000

Illustrated

404 John Weeks Tunisian Hill Town

396 C. W. Smith sepia wash , signed in pencil Upper Rakaia River 20 X 26 oil on canvas , signed 800-1200 45 X 75 2000-4000

405 A. H . Fullwood

397 Harry Linley Richardson The Remarkables , Lake Wakatipu River Landscape Near Wellington New Zealand watercolour , signed in brushpoint watercolour , titled and signed in 25 X 33 brushpoint 700-1000 18 X 36 1500-2000 Illust rated

398 John Weeks Moroccan Fortress

406 Tom Peerless pastel Lake Wakatipu 23 X 30 watercolour , signed Collection: The late Ida G Eise, 44 X 57 Auckland 3000-5000 1500-2000 Illustrated

407 Tom Peerless

416 James Peele Lake Manapouri Entering Milford Sound watercolour , signed oil on board 44 X 57 signed and dated 1900 3000-5000 30 X 46 1000-1500

408 John Gully Astrolabe , Nelson watercolour , title inscribed , signed

417 William Henry Raworth and dated April 1884 in pencil Llugwg North Wales 31 X 48 watercolour 5000-8000 signed and dated 1900 34 X 63 1000-1500

409 William George Baker West Coast oil on canvas 30 X 45

418 John Barr Clarke Hoyte 1500-3000 Bay of Islands watercolour , signed 18 X 36

410 Henry William Kirkwood 1500-2500 Wanganui River Scene oil on board, signed H.W K 23 X 15 700-900

419 Tom Peerless Lake Te Anau watercolour

411 Petrus Van der Velden signed Study of a Dutch Girl 35 X 54 watercolour over pencil with exhibition 2000-2500 labels on reverse Collection: W. S. Baverstock , Christchurch 1500-2000

420 New Zealand School. Artist Unknown Wiremu and Rangitoia

412 Sydney Lough Thompson performing a greeting Burning Seaweed , Brittany oil on canvas on board oil on canvas, signed 50 X 60 45 X 60 500-800 8000-12,000

413 Tom Peerless

421 Nicholas Chevalier West Coast Mountain Road Mountain Landscape , Switzerland oil on board , signed watercolour , signed in brushpoint 14 X 31 18 X 27 700-1000 800-1000

414 John Barr Clarke Hoyte

422 John Gully Sunset Southern Lake Brightwater, Nelson oil on board , signed watercolour , inscribed and signed 14 X 28 17 X 31 1200-1600 800-1200

415 James Peele

423 Cedric Savage Evening in Milford The Melon Market , Villa France , del oil on board Paudes signed and dated 1900 watercolour , signed 46 X 30 45 X 60 900-1200 500-800

424 New Zealand School c 1890

427 Horace Moore-Jones Mount Cook Lady in a Rose Co loured Gown oil on canvas oil on canvas , signed 65 X 45 50 X 90 900-1200 1000-1500

428 Horace Moore-Jones

425 Henry William Raworth Adam and Eve in Eden Hopefield , Waiau River oil on canvas watercolour signed and dated 1888 signed and dated 1870 75 X 90 33 X 53 1000-1500 1200-1600

429 Horace Moore-Jones

426 William Henry Raworth Lady in Rotorua Landscape Mountain Landscape with Waterfall oil on board watercolour signed 49 X 33 20 X 32 700-1000 1200-1600

430

Robert Wilkinson Pownall

438

William Henry Mallais Mitre Peak Flam borough watercolour, signed and dated 1884 watercolour in brushpoint inscribed and signed in brushpoint 47 X 63 30 X 48 1200-1600 1500-2500

431 Nugent Welch

439

William Henry Mallais Brunneu Pipinui , Ohariu watercolour watercolour, title inscribed and signed inscribed , signed and dated 1863 in on back in pencil brush point 38 X 55 36 X 62 2000-3000 2000-3000

432 Thomas Ryan

440

Walter Frederick Roofe Tyndale

The Wreck of the Wiltshire off Great A Fruit Stall Barrier Island , Hauraki Gulf, 1922 watercolour , signed twice in watercolour , signed and dated 1923 brushpoint 47 X 68 26 X 36 2000-3000 7000-9000

Illustrated

433 John Barr Clarke Hoyte

Illustrated

441

Walter F. R. Tyndale Fiord land watercolour, signed in brushpoint Tourists in a Square in Italy 32 X 43 watercolour 5000-8000 signed in brushpoint 24 X 34 4000-6000

434 John Barr Clarke Hoyte Coastal scene

442

Walter F. R. Tyndale water colour , signed An Eastern Well 29 X 46 watercolour 1500-2000 29 X 23 2000-3000

435 John Douglas Perrett Lake Rotorua pastel , signed in pencil

443 Julius Olsson 28 X 50 Marin-Gris 700-900 oil on canvas , signed 56 X 70 2500-3500

436 Alfred de Breanski Landscape with cattle in river and Highland road with travellers

444 W. J. Brandt a pair of oils on canvas one signed Old Town Hall and Drawbridge, and dated 1869 Holland each 60 x 90 oil on canvas 3000-6000 78 X 98 4000-6000

Illustrated

437 William Oliver Bridge over the Torrent , Tyrol oil on canvas, signed and dated 1853

445 19th Century Italian School title inscribed on stretcher in artist's hand Madonna and Child 61 X 39 oil on board 5000-8000 60 X 46

Illustrated 800-1200 69

446 Huibert Schallenberg

454 G. V. de Laan Poppies

Fishing Boats on a Coast oil on canvas , signed oil on canvas 54 X 64 signed

500-800 63 X 104 1500-2500

447 William Currie

Norman Castle on the Tweed oil on board

inscribed and signed in faded ink on

455 A. Greppi

Head of a Peasant Woman reverse oil on canvas 45 X 61 signed

500-1000 47 X 33 900-1200

448 19th Century British School

Landscape with Travellers

456 Johan Diog oil on canvas 40 X 49

Portrait of a Young Man 500-800 oil on canvas c 1800 signed on back 52 X 64

449 19th Century European School 350-450 Madonna and Child oil on canvas 67 X 57

457 T. Pascutti 1000-1500

Chess Players watercolour

450 J. F. Herring signed and dated 1930 Country Road with farm animals 20 X 26 oil on canvas

300-500 signed 50 X 75

4000-6000

458 E. Duncan Ice Gatherers

451 watercolour C. Rousse signed and dated 1848 Lake scene with yachts (North 33 X 51 America?) 250-350

watercolour , signed and dated 1899 12 X 27

500-700

459 H. H. Town St John ' s Ruin

452 Sir Frank Brangwyn watercolour

Arab figures beneath trees 18 X 22 oil on canvas board 100-150 signed with initials 26 X 31

Provenance : Purchased from the

460 J. A. Bond Norman Schureck Collection Sydney Fisherman ' s Hut Coromandel New 1962 Zealand 4500-6000 pastel , signed

Illustrated title inscribed on back 22 X 49

453 Mary Ellen Edwards

Good Bye oil on canvas

signed with initials

titled , signed and dated 1872 on back

300-400

461 J. A. Bond

Maori Camp near Coromandel of canvas pastel , signed 91 X 58 title inscribed on back

7000-10 ,000 22 X 49

Illustrated

300-400

462 Bradwen

Aorangi New Zealand

470 Norman Wilkinson

Anzac Transports under shell fire watercolour Suvla signed watercolour 53 X 74 signed and inscribed 600-800 25 X 36 600-800

463 J. C. Robertson

Rangitoto from the Domain

471 G. Malcolm

Mitre Peak and Milford Sound watercolour oil on canvas

27 X 37 signed and dated 1909 100-150 45 X 85 1000-1500

464 Rix Carlton

Edward Fristrom A Steam Ship Under Tow

472

Australian Landscape watercolour 29 X 45 oil on board, signed 600-800 29 X 39 900-1200

465 George Carrington

473

Esther Hope Tooth Peaks , Wakatipu

The Godley Valley oil on board gauche

signed and dated 1924 signed and dated 1943 20 X 35 38 X 54 350-500 600-800

466 Norman Wilkinson

Anzac Landing at Suvla

474 K. Airini Vane

Moroccan Mosque watercolour gouache signed signed and dated 1943 24 X 35 56 X 71 500-700 700-900

467 Chartes Wheeler

475 Isaac Naarden Mt Cook

Dutch Barns , Eembrugge oil on canvas watercolour

43 X 61 signed and dated 1938 700-1000 19 X 29 500-700

468 A. H. Fullwood

476 Trevor Lloyd Lion Rock wash drawing, signed

The Wild West Coast with The 12 X 21 Phantom Canoe 300-400 two etchings signed in pencil 150-250

469 Artist Unknown, New 2ealand School Champagne Geyser

477 M. Wills watercolour, signed with monogram M.F. or F M ?

Three views of Rangitoto 24 X 17 watercolour, signed 300-400 150-250

478 Blythe Fletcher

481 William Henry Raworth Moroccan Market West End Loch Tay gouache , signed watercolou r 20 X 19 signed and dated 1892 200-300 34 X 64 700-1200

479 John Douglas Perrett

South Island Mountains at Dusk

482 Gordon Tovey oil on panel , signed Landscape with Trees

11 X 21 watercolour , signed 500-700 20 X 24 150-200

480 John Barr Clarke Hoyte

Sunset Southern Lake

483 19th Century Australian School oil on board Sydney Heads signed watercolour 14 X 28 27 X 39 1200-1600 350-500

484 H. Martin

494 J.E.S.

Australian Landscape with Gum Trees Coastal Scene watercolour , signed oil on board c.1900 22 X 24 signed J.E.S. 350-500 19 X 29 150-200

485 W. Menzies Gibb

Mountain Landscape

495 Herbert Babbage watercolou r, signed Country Road 500-700 oil on board signed 40 X 29

486 K. Airini Vane 100-200 Mountain Landscape gouache

496 signed and dated 1946

Herbert Babbage 200-300 Cliffs, Wellington watercolour , signed

487 Rix Carlton 17 X 24 300-400 Pohutu Geyser watercolour , signed 250-400

497 European School Boat Harbour watercolour

488 Adolf lnkamala signature illegible Western McDougall Ranges 18 X 28 watercolour , signed 100-200 17 X 25 250-500

489 Charles Nathanial Worsley Perinaldo watercolour , signed 16 X 22 350-500

490 Arnold Jarvis

Landscape with Large Gum Trees watercolour , signed 25 X 35 400-600

491 L. Preston

The Squirrel oil on canvas , signed 45 X 35 600-800

492 19th Century Spanish School Village Scene oil on board 46 X 36 400-600

493 George Armfield (after) Terriers oil on canvas dia: 33 900-1 200

will sell at auction

IMPORTANT TWENTIETH CENTURY NEW ZEALAND PAINTINGS PRINTS DRAWINGS & SCULPTURE from various private collections

THURSDAY 15 MAY 1986

A fine catalogue with colour plates and the Auctioneer's Estimates for all lots available on publication at $10.00 (Add $1.00 for airmail postage)