Major Fall Auction: Inuit art | November 7 - 20 2025

Major Fall Auction: Inuit Art

NOVEMBER 7 - 20, 2025

bid and view all lots online at bid.waddingtons.ca

auction ends

Thursday, November 20, 2025 starts to close at 6 pm ET

on preview

Thursday, November 13 from 10 am to 5 pm

Friday, November 14 from 10 am to 5 pm

Saturday, November 15 from 12 pm to 4 pm

Sunday, November 16 from 12 pm to 4 pm

Monday, November 17 from 10 am to 7 pm

Tuesday, November 18 from 10 am to 5 pm

Wednesday, November 19 from 9 am to 12 pm

Or by appointment.

preview held at 100 Broadview Ave., Suite 200 Toronto, Ontario M4M 3H3

register to bid

You must be registered to bid in this auction. Please register at bid.waddingtons.ca

inuit art

inuitart@waddingtons.ca

senior specialist

Palmer Jarvis

416-847-6191

consignment specialist

Elizabeth Gagnon

416-847-6184

senior specialist

Duncan McLean

This catalogue and its contents © 2025 Waddington McLean & Company Ltd.

This auction is subject to Waddington’s Conditions of Sale. Photography & design by Waddington’s. All rights reserved.

front cover

Lot 9

Judas Ullulaq ᔪᑕ

Rearing Bear with Catch, ca. 1980s

front inside cover

Lot 8

Luke Anguhadluq ᓗᐅᒃ

Geese in September, 1972

opposite

Lot 21

Niviaxie

The Archer, 1960

back inside cover

Lot 5

Luke Iksiktaaryuk ᐃᓯᑕᔪ

The Herd, 1972 back cover

Lot 57

Davie Atchealak ᑎᕕ

Transformation, ca. 1980s

Celebrating 175 Years

Some of the most meaningful memories we hold dear are about the many clients we have come to know and consider to be part of the Waddington’s family.

The collections that our auctions were based on, the collections that have been built from our auctions, and those that return full circle to be entrusted to us once again. The relationships passed down through families and friends. We remember and celebrate you.

As 2025 marks our 175th anniversary, we are so very delighted to share another season of major auctions.

Thank you for the memories.

Duncan McLean President, Waddington's

Our major Fall 2025 auction of Inuit Art presents a carefully curated selection of significant artworks which span early to contemporary periods of sculpture and graphics. The works included exemplify the energy and sophistication of artists' engagement with their respective genres.

One of the great themes of this season is the power of collectors, whose singular visions are a joy to behold when viewed as a whole. It is they who serve as the custodians to great masterworks across decades, ensuring that future generations will enjoy these artworks as much now as when they were first acquired.

We would like to spotlight three such collections in this auction. First, the S. Family collection, which was built over nearly seven decades by a husband and wife. A pioneering and important collection, it is distinguished by its remarkable diversity and uniformly high quality. The couple took great pleasure in watching the artists and their output evolve over the course of their collecting journey. Some works were bought directly from artists, others from important dealers. Through their immersion in the Inuit art community, the couple built relationships with — and collected important works by — many of the most significant Inuit artists including Davie Atchealak, Judas Ullulaq, Ooviloo Tunillie, Parr, John Tiktak, Joe Talirunili, Kiugak Ashoona, Charlie Ugyuk, Nuna Parr, Aqjangajuk Shaa, and Mathew Aqigaaq.

The second notable collection comes from Ken Mantel. The London-born Mantel started his career as a petroleum geologist in 1975. His work took him to Arctic Canada in the 1970s where he became fascinated by Inuit Art, and began to collect seriously. On returning to Britain in 1981, Mantel opened the Narwhal Inuit Art Gallery, alongside his wife, Tija. Mantel was regarded as the British authority on the subject of Inuit art and the gallery was the only one of its kind in the country. Mantel’s knowledge and passion culminated in ‘Tuvaq’, the first British-led book on the subject. After his death in 2024, Tija and her children are repatriating this collection to continue Mantel’s legacy.

The third collection belongs to David Sutherland. A former Northwest Territories Arts and Crafts Development Officer and an artist in his own right, Sutherland developed a lifelong passion for Inuit Art, and was an outspoken advocate and author on all matters Inuit. Sutherland and his wife Aiko were popular residents in the various locations in which they were posted, including Inuvik, Churchill, and Yellowknife. Sutherland declined promotions to stay in the Arctic, where he continued to develop artists’ facilities into environments of creativity and self-discipline. His work brought him into intimate contact with important artists who he continued to champion after his retirement, including Marion Tuu'luq, Janet Kigusiuq, John Pangnark, Lucy Tasseor Tutsweetok, John Kavik, Andy Miki, Luke Iksiktaaryuk, Mathew Aqigaaq and countless others. An avid collector, Sutherland also purchased works, primarily from the Miqsuvik Sewing Shop, and other craft stores in the communities in which he served.

Lot 15

John Hoover

Grebe Spirit, 1988

The S. Family Collection

For nearly seven decades, a husband and wife built a shared world through Inuit art — a love story told through stone, ivory, and paper. The S. Family Collection stands as the culmination of their lifelong passion.

A pioneering and important collection of Inuit art, the S. Family Collection is distinguished by its remarkable diversity and uniformly high quality. Mrs. S. spoke with us about the collection solo, her husband having passed away two years prior. Married at 19, they began collecting across a wide range of categories before focusing on Inuit art. Over the years, they organized exhibitions, specializing in sculpture. In their private collection, the couple did not restrict themselves to one region, medium, or artist. Their collecting philosophy was “to purchase things that we fell in love with, that we got excited about.”

The couple took great pleasure in watching the artists and their output evolve over the course of their collecting journey. As Mrs. S. explains, “we saw the development of the art form unfold in front of us—from the simplicity of the early sculptures to the intricate, detailed works created years later that told complex stories and legends. It was remarkable to witness the arc of that evolution.”

Their tastes were deeply in sync, and the couple always agreed on a purchase. Some works were bought directly from artists, others from important dealers. Art collecting was a major point of connection in their marriage, as was a great love of the outdoors. Canoeing and hiking were central to their lives, and to those of their four children. Mr. S took several trips to the North, hiking across the Arctic Circle with two of their children, as well as visiting Auyuittuq National Park, Ivvavik National Park, Kluane National Park, Katmai National Park and Ellesmere Island. Mrs. S. recalls that to prepare for the arduous trips, her husband would strap a flat of Coca-Cola cans to his back and walk around their Toronto neighbourhood to build up strength. He would also prepare his own freeze-dried food, a cache which took a year to prepare.

Through their immersion in the Inuit art community, the couple built relationships with — and collected important works by — many of the 20th century’s most significant Inuit artists including Davie Atchealak, Judas Ullulaq, Ooviloo Tunillie, Parr, John Tiktak, Joe Talirunili, Kiugak Ashoona, Charlie Ugyuk, Nuna Parr, Aqjangajuk Shaa, and Mathew Aqigaaq. Mrs. S. expresses a deep satisfaction with their lifetime of collecting. “We were lucky that we could do it and enjoyed it so much. I get emotional parting with these pieces, but it’s time for others to appreciate them.”

Lot 18

Joe Talirunili

Hunter with Tumpline, 1960s

APAKARK ANGHIK

PAULATUK

HAWK, 1986

stone, signed in Roman; dated 12 x 8.5 x 4 in — 30.5 x 21.6 x 10.2 cm

PROVENANCE:

S. Family Collection, Toronto, ON

$1,500—2,500

VIEW LOT

ᐊᒋ, OC (B. 1951)

PITSEOLAK QIMIRPIK ᐱᑦᓯᐅᓚ ᕿᒥᐱ (B. 1986)

KINNGAIT (CAPE DORSET)

OWL, 2006

stone, signed in syllabics; dated; accompanied by a “Canada Eskimo Art” tag inscribed “Pits Qimirpik / Lake Harbour / 2006 / owl”

7 x 4 x 5.25 in — 17.8 x 10.2 x 13.3 cm

PROVENANCE:

Northern Images Gallery, Edmonton, AB, 28 Dec 2006

Private Collection, Alberta

Accompanied by the original invoice from Northern Images.

$800—1,200

VIEW LOT

3

DAVID RUBEN PIQTOUKUN ᑎᕕᑎ

(B. 1950) PAULATUK

WOMAN WITH KAKINIIT (TATTOOS), CA. 1994 stone, wood, unsigned 9 x 5.25 x 2.75 in — 22.9 x 13.3 x 7 cm

PROVENANCE:

S. Family Collection, Toronto, ON

$1,000—2,000

VIEW LOT

4

MATHEW AQIGAAQ ᒪᑐ ᐊᑭᒐ (1940- 2010)

QAMANI’TUAQ (BAKER LAKE)

DRUM DANCER, CA. 1980

stone, antler, signed in syllabics

9.5 x 6.5 x 6 in — 24.1 x 16.5 x 15.2 cm

PROVENANCE:

S. Family Collection, Toronto, ON

$2,000—3,000

VIEW LOT

5

LUKE IKSIKTAARYUK ᐃᓯᑕᔪ (1909-1977)

QAMANI’TUAQ (BAKER LAKE)

THE HERD, 1972

stonecut and stencil, titled and dated; artist’s proof II/IV; artist’s and printer’s name in Roman and syllabics sheet 25 x 39.75 in — 63.5 x 101 cm

PROVENANCE:

Private Collection, Hamilton, ON

$3,000—5,000 VIEW LOT

6

NINGIUKULU (NINGEOKULUK) TEEVEE ᓂᒋᐅᑯᓗ ᑎᕕ (B. 1963)

KINNGAIT (CAPE DORSET)

NO TURNING BACK, 2021

stonecut & stencil, titled, dated, and numbered 7/50; artist’s name in Roman and syllabics

sight 30.75 x 23.25 in — 78.1 x 59.1 cm

PROVENANCE:

Private Collection, Ottawa, ON

$900—1,200

VIEW LOT

7

TIM PITSIULAK ᑎᒻ ᐱᓯᐃᓚ (1967-2016)

KINNGAIT (CAPE DORSET)

QIMAAJUQ UKALI (RUNNING RABBIT), 2016

stonecut and stencil, titled, dated, and numbered 21/50; artist’s name in Roman sheet 21.25 x 28 in — 54 x 71.1 cm

PROVENANCE:

Private Collection, Australia

$900—1,200

VIEW LOT

LUKE ANGUHADLUQ ᓗᐅᒃ ᐊᒐᓴᓗ (1895-1982)

QAMANI’TUAQ (BAKER LAKE)

GEESE IN SEPTEMBER, 1972

stencil, titled, dated, and numbered 50/50; artist’s and printer’s name in Roman and syllabics sheet 26 x 40 in — 66 x 101.6 cm

PROVENANCE:

Private Collection, Hamilton, ON

$3,000—4,000

VIEW LOT

JUDAS ULLULAQ ᔪᑕ ᐅᓗᓚ (1937-1999)

UQSUQTUUQ (GJOA HAVEN)

REARING BEAR WITH CATCH, CA. 1980s stone, antler, signed in syllabics

14.25 x 9.5 x 8.5 in — 36.2 x 24.1 x 21.6 cm

PROVENANCE:

Private Collection, Ontario

$5,000—7,000

VIEW LOT

10

JUDAS ULLULAQ ᔪᑕ ᐅᓗᓚ (1937-1999)

UQSUQTUUQ (GJOA HAVEN)

OWL WITH CATCH, CA. 1985

stone, ivory, sinew, signed in syllabics

5.5 x 7.5 x 4 in — 14 x 19.1 x 10.2 cm

PROVENANCE:

Northern Images, Yellowknife, NWT, 21 Jun 1985

The Collection of David Sutherland, Victoria, BC

$3,000—4,000

VIEW LOT

11

KANANGINAK POOTOOGOOK ᑲᓇᒋᓇ ᐳᑐᒍᑭ, (1935-2010)

KINNGAIT (CAPE DORSET)

WINDSWEPT MUSK OX, CA. 1990

stone, signed in syllabics

5.5 x 8.5 x 5.25 in — 14 x 21.6 x 13.3 cm

PROVENANCE: Private Collection, Ontario

$1,500—2,500

VIEW LOT

DAVID RUBEN PIQTOUKUN ᑎᕕᑎ

PAULATUK

BIRD SPIRIT, 2010

stone, signed in Roman; dated

12.5 x 16 x 7.5 in — 31.8 x 40.6 x 19.1 cm

PROVENANCE:

Private Collection, Victoria, BC

$5,000—7,000

VIEW LOT

(B. 1950)

13

JESSIE OONARK ᔪᓯ ᐅᓇ, OC, RCA (1906-1985)

QAMANI’TUAQ (BAKER LAKE)

FLIGHT OF THE SHAMAN, 1970

stonecut, titled, dated, and numbered 47/50; artist’s and printers’ names in Roman and syllabics sheet 20.75 x 26.27 in — 52.7 x 66.7 cm

PROVENANCE:

Private Collection, Ontario

$2,500—3,500

VIEW LOT

PAUTA SAILA ᐸᐅᑕ ᓯᓚ, RCA (1916-2009)

KINNGAIT (CAPE DORSET)

TWO CARIBOU, 1967

stonecut, titled, dated, and numbered 42/50; artist’s name in Roman and syllabics; also inscribed “43” sheet 33.6 x 24.5 in — 85.3 x 62.2 cm

PROVENANCE:

Private Collection, Australia

$1,000—1,500

VIEW LOT

JOHN HOOVER (1919-2011) ALUET

GREBE SPIRIT, 1988

wood, paint, metal hinges, signed, titled, and dated verso open 35.75 x 22.75 x 1 in — 90.8 x 57.8 x 2.5 cm

PROVENANCE:

Private Collection, Seattle, WA

$5,000—7,000

VIEW LOT

LUKE IKSIKTAARYUK ᐃᓯᑕᔪ (1909-1977)

QAMANI’TUAQ (BAKER LAKE) CRANE, 1970

stonecut, titled, dated, and numbered 49/50; artist’s and printer’s name in Roman and syllabics sheet 21.5 x 30.75 in — 54.6 x 78.1 cm

PROVENANCE:

Private Collection, Alberta

$1,000—1,500 VIEW LOT

17

TUNA IQULIQ ᑐᓇ ᐃᑯᓕ (1935-2015) QAMANI’TUAQ (BAKER LAKE)

MOTHER WITH CHILD IN AMAUTI, CA. 1980s

stone, unsigned 4.25 x 11 x 5.75 in — 10.8 x 27.9 x 14.6 cm

PROVENANCE:

S. Family Collection, Toronto, ON

$500—700

VIEW LOT

18

JOE TALIRUNILI ᔪᐅ ᑕᓚᕈᓂᓕ (1893- 1976)

PUVIRNITUQ (POVUNGNITUK)

HUNTER WITH TUMPLINE, 1960s

stone, signed in Roman; also inscribed “E-9” 12.25 x 5.5 x 5.25 in — 31.1 x 14 x 13.3 cm

PROVENANCE:

S. Family Collection, Toronto, ON

$8,000—12,000

VIEW LOT

19

AKEEAKTASHUK ᐊᑭᐊᑐᓱ (1898-1954)

INUKJUAK (PORT HARRISON)

HUNTER CAPTURING A SEAL, CA. 1950

stone, antler, sinew, lye soap, unsigned overall 9 x 5.25 x 6 in — 22.9 x 13.3 x 15.2 cm

PROVENANCE:

Private Collection, Ottawa, ON

$6,000—9,000

LOT

20

EDDIE OLEEKATALIK ᐅᓕᑲᑕᓕ

TALOYOAK (SPENCE BAY)

ARCHER, CA. 1990s

stone, antler, ivory, sinew, signed in Roman 8.5 x 4.5 x 2.25 in — 21.6 x 11.4 x 5.7 cm

PROVENANCE:

Private Collection, Ontario

$800—1,200

VIEW LOT

NIVIAXIE (NIVIAKSIAK) ᓂᕕᐊᓯ (1909-1959) KINNGAIT (CAPE DORSET)

THE ARCHER, 1960

sealskin stencil, titled, dated, and numbered 8/50; artist’s name in Roman sight 22 x 11.75 in — 55.9 x 29.8 cm

PROVENANCE:

S. Family Collection, Toronto, ON $7,000—10,000

VIEW LOT

PARR ᐸ (1893-1969)

KINNGAIT (CAPE DORSET)

THE CARIBOO HUNT, 1962

stonecut, titled and numbered 3/50; artist’s name in Roman sheet 19.5 x 28 in — 49.5 x 71.1 cm

$3,000—5,000

VIEW LOT

PARR ᐸ (1893-1969) KINNGAIT (CAPE DORSET)

SEAL HUNTER, 1968

stonecut, titled, dated, and numbered 18/50; artist’s name in Roman sight 22.25 x 15 in — 56.5 x 38.1 cm

PROVENANCE:

Private Collection, Montreal, QC

$1,500—2,500

VIEW LOT

24

PARR ᐸ (1893-1969)

KINNGAIT (CAPE DORSET)

HUNTER HAULING A SEAL, 1966

stonecut, titled, dated, and numbered 17/50; artist’s name in Roman and syllabics sheet 19.75 x 25 in — 50.2 x 63.5 cm

PROVENANCE: Private Collection, Australia

$1,500—2,500 VIEW LOT

FLOYD KUPTANA (1964-2021) PAULATUK

SHAMAN AND CONSORT, 2005

stone, antler, metal, horse hair, leather, signed in Roman; dated 17 x 21 x 7 in — 43.2 x 53.3 x 17.8 cm

PROVENANCE:

Private Collection, Alberta

$5,000—7,000

VIEW LOT

ABRAHAM APAKARK ANGHIK ᐊᐃᐊᔭᑲ ᐊᐸᑲ ᐊᒋ, OC (B. 1951)

PAULATUK

SEDNA AND RAVEN, 1990

stone, signed in Roman; dated 17.75 x 24 x 11 in — 45.1 x 61 x 27.9 cm

PROVENANCE:

S. Family Collection, Toronto, ON

$6,000—8,000

VIEW LOT

MANASIE AKPALIAPIK ᒪᓇᓯ

IKPIARJUK (ARCTIC BAY)

BASKING WALRUS, 2005

stone

ivory, signed in syllabics; dated 7.5 x 12 x 10 in — 19.1 x 30.5 x 25.4 cm

PROVENANCE:

Private Collection, Ontario

$1,500—2,500

VIEW LOT

(B. 1955)

KIUGAK (KIAWAK) ASHOONA ᑭᐊᒐ, OC, RCA (1933-2014) KINNGAIT (CAPE DORSET)

BIRD AND PREY, CA. 1985

stone, unsigned

19.5 x 12 x 11 in — 49.5 x 30.5 x 27.9 cm

PROVENANCE:

S. Family Collection, Toronto, ON

$4,000—6,000

VIEW LOT

PAUTA SAILA ᐸᐅᑕ ᓯᓚ, RCA (1916-2009) KINNGAIT (CAPE DORSET)

ROARING BEAR, CA. 1968

stone, ivory, signed in syllabics

12.5 x 16 x 9.5 in — 31.8 x 40.6 x 24.1 cm

PROVENANCE:

Marion Scott Gallery, Vancouver, BC, 18 May 1979

Private Collection, British Columbia

Accompanied by a copy of the original invoice from Marion Scott Gallery.

$25,000—35,000 VIEW LOT

OVILOO TUNNILLIE ᐅᕕᓗ ᑐᓂᓕ, RCA (1949-2014)

KINNGAIT (CAPE DORSET)

BIRD ON THE EDGE OF FLIGHT, 1980s stone, signed in Roman

9.5 x 20.5 x 13.5 in — 24.1 x 52.1 x 34.3 cm

PROVENANCE: S. Family Collection, Toronto, ON

$6,000—9,000

VIEW LOT

AQJANGAJUK SHAA ᐊᔭᒐᔪ ᓴᐊ, RCA (1937-2019)

KINNGAIT (CAPE DORSET)

RESTING CARIBOU, 1980s

stone, antler, unsigned

22.5 x 25 x 5.75 in — 57.2 x 63.5 x 14.6 cm

PROVENANCE:

S. Family Collection, Toronto, ON

$7,000—10,000

VIEW LOT

OSUITOK IPEELEE ᐅᓱᐃᑐ ᐃᐱᓕ, RCA (1923-2005)

KINNGAIT (CAPE DORSET)

STRIDING CARIBOU, CA. 1990 stone, antler, signed in syllabics overall 22.75 x 18 x 9.5 in — 57.8 x 45.7 x 24.1 cm

PROVENANCE:

Private Collection, New Brunswick, acquired directly from the artist when stationed in Kinngait, NU, ca. 1990

$10,000—15,000

33

GEORGE ARLUK ᐊᓗ (1949-2023)

ARVIAT (ESKIMO POINT)

FIGURES, CA. 1970s

stone, signed in syllabics

14.5 x 10.5 x 2.75 in — 36.8 x 26.7 x 7 cm

PROVENANCE:

S. Family Collection, Toronto, ON

$1,000—1,500

VIEW LOT

34

JOHN PANGNARK ᔭᓐ ᐸᓂ (1920-1980)

ARVIAT (ESKIMO POINT)

FIGURE, CA. 1970

stone, signed in syllabics

6 x 4 x 2 in — 15.2 x 10.2 x 5.1 cm

PROVENANCE:

Government of North West Territories Craft Shop, Arviat, NU

The Collection of David Sutherland, Victoria, BC

$2,000—3,000

VIEW LOT

JOHN TIKTAK ᔭᓐ ᑎᑕ, RCA (1916- 1981)

KANGIQLINIQ (RANKIN INLET)

STANDING MAN, CA. 1975

stone, signed in syllabics

9.75 x 4 x 3.25 in — 24.8 x 10.2 x 8.3 cm

PROVENANCE: S. Family Collection, Toronto, ON

$6,000—8,000

VIEW LOT

MATHEW AQIGAAQ ᒪᑐ ᐊᑭᒐ (1940- 2010)

QAMANI’TUAQ (BAKER LAKE)

MUSK OXEN WITH SHAMAN, CA. 1975

stone, signed in syllabics

4.75 x 9 x 3.5 in — 12.1 x 22.9 x 8.9 cm

PROVENANCE:

S. Family Collection, Toronto, ON

$2,000—3,000

VIEW LOT

RALPH QAYALIK PORTER SR. ᑲᔭᓕ ᐳᕐᑐ (B. 1942)

UQSUQTUUQ (GJOA HAVEN)

HUNTER, 1992

whalebone, wood, antler, sinew, stone, unsigned; accompanied by a “Canada Eskimo Art” tag inscribed “Ralph Porter / Gjoa Haven / 1992 / Whalebone Hunter”

14 x 14 x 7 in — 35.6 x 35.6 x 17.8 cm

PROVENANCE:

Northern Images, Edmonton, AB, 29 Nov 2001

Private Collection, Alberta

Accompanied by the original invoice from Northern Images.

$1,000—2,000

VIEW LOT

DAVIE ATCHEALAK ᑎᕕ ᐊᓯᐊᓪ (1947- 2006)

IQALUIT (FROBISHER BAY)

DRUM DANCE, 1989 whalebone, antler, hide, signed in Roman overall 35 x 75 x 24 in — 88.9 x 190.5 x 61 cm

PROVENANCE: Nunavut Gallery, Toronto, ON S. Family Collection, Toronto, ON

$50,000—70,000

VIEW LOT

LUKE AIRUT ᐊᐃᕈ (1942-2018)

IGLULIK (IGLOOLIK)

WAY OF LIFE, 1998

whalebone, sinew, antler, stone, signed in Roman; accompanied by a “Canada Eskimo Art” tag inscribed “Lukie Airut / Igloolik / 1998 / Way of Life”

6.25 x 10 x 13.5 in — 15.9 x 25.4 x 34.3 cm

PROVENANCE:

Aboriginart Galleries, Vancouver, BC

Private Collection, Alberta

$2,000—3,000

MANASIE AKPALIAPIK ᒪᓇᓯ ᐊᐸᓕᐊᐱ (B. 1955)

IKPIARJUK (ARCTIC BAY)

SHAMAN CONJURING SPIRITS, 1989

whalebone, ivory, stone, signed in syllabics; dated 13.25 x 7 x 5.5 in — 33.7 x 17.8 x 14 cm

PROVENANCE:

S. Family Collection, Toronto, ON

$4,000—5,000

VIEW LOT

41

KENOJUAK ASHEVAK ᑭᓄᐊᔪᐊ ᐊᓯᕙ, CC, RCA (1927-2013)

KINNGAIT (CAPE DORSET)

UNTITLED (RAVENS), CA. 1995 felt tip on paper, signed in syllabics sheet 20 x 26 in — 50.8 x 66 cm

PROVENANCE:

Private Collection, Australia

$2,000—3,000

VIEW LOT

42

LUKE ANGUHADLUQ ᓗᐅᒃ ᐊᒐᓴᓗ (1895-1982)

QAMANI’TUAQ (BAKER LAKE)

UNTITLED (FAMILIES), CA. 1973

coloured pencil on paper, signed in syllabics; disc number inscribed sheet 26 x 20 in — 66 x 50.8 cm

PROVENANCE:

Private Collection, Hamilton, ON $3,000—4,000

VIEW LOT

LUKE ANGUHADLUQ ᓗᐅᒃ ᐊᒐᓴᓗ (1895-1982)

QAMANI’TUAQ (BAKER LAKE)

SHAMAN ENTERING THE DRUM DANCE, 1976

screenprint, titled, dated, and numbered 16/59; artist’s and printer’s name in Roman and syllabics sheet 29.75 x 22 in — 75.6 x 55.9 cm

PROVENANCE:

Private Collection, Hamilton, ON

$1,000—2,000

VIEW LOT

44

KENOJUAK ASHEVAK ᑭᓄᐊᔭᐊ ᐊᓯᕗ, CC, RCA (1927-2013)

KINNGAIT (CAPE DORSET)

VIGILANT OWL, 2007

lithograph, titled, dated, and numbered 2/50; artist’s name in Roman and syllabics sheet 22.5 x 30.25 in — 57.2 x 76.8 cm

PROVENANCE:

Private Collection, Vermont, USA

$3,000—4,000

VIEW LOT

NUNA PARR ᓄᓇ ᐸ (B. 1949) KINNGAIT (CAPE DORSET) POLAR BEAR, CA. 1995 stone, ivory, signed in Roman 16 x 33 x 8.5 in — 40.6 x 83.8 x 21.6 cm

PROVENANCE: S. Family Collection, Toronto, ON $15,000—25,000

VIEW LOT

KENOJUAK ASHEVAK ᑭᓄᐊᔪᐊ ᐊᓯᕙ, CC, RCA (1927-2013)

JOHNNIEBO ASHEVAK ᔭᓂᕗ ᐊᓴᕙ (1923-1972)

KINNGAIT (CAPE DORSET)

TWO BIRDS, CA. 1965

stone, left: no visible signature; right: signed in syllabics “ᔭᓂ”

right 9.75 x 9 x 4.25 in — 24.8 x 22.9 x 10.8 cm;

left 5.5 x 9.5 x 4.25 in — 14 x 24.1 x 10.8 cm

PROVENANCE:

Waddington’s Auctioneers, Toronto, ON, 27 Nov 1986, lot 967

An important Private Collection, Toronto, ON

$5,000—7,000

VIEW LOT

47

KIUGAK (KIAWAK) ASHOONA ᑭᐊᒐ, OC, RCA (1933-2014)

KINNGAIT (CAPE DORSET)

SWIMMING BIRD, CA. 1975

stone, signed in syllabics

4.5 x 6.5 x 2 in — 11.4 x 16.5 x 5.1 cm

PROVENANCE:

S. Family Collection, Toronto, ON

$400—600

VIEW LOT

48

HENRY EVALUARDJUK ᐃᕙᓗᐊᔪ (1932-2007)

IQALUIT (FROBISHER BAY)

WALKING BEAR, CA. 1980

stone, signed in Roman and syllabics

4.5 x 7.5 x 4.5 in — 11.4 x 19.1 x 11.4 cm

PROVENANCE: Private Collection, Ontario

$2,000—4,000

VIEW LOT

49

UNIDENTIFIED ARTIST, PUVIRNITUQ (POVUNGNITUK)

HUNTER TRACKING IN THE SNOW, CA. 1955

stone, ivory, sinew, signed in Roman “Audlalooapik” overall 11.75 x 7 x 7 in — 29.8 x 17.8 x 17.8 cm

PROVENANCE:

S. Family Collection, Toronto, ON

$3,000—5,000

VIEW LOT

50

PETER SEVOGA ᐱᑕ ᓯᕗᒐ (1940- 2007)

QAMANI’TUAQ (BAKER LAKE)

FAMILY, CA. 1970s

stone, signed in syllabics

12 x 16.5 x 5.5 in — 30.5 x 41.9 x 14 cm

PROVENANCE:

S. Family Collection, Toronto, ON

$5,000—8,000

VIEW LOT

51

TUNA IQULIQ ᑐᓇ ᐃᑯᓕ (1935-2015)

QAMANI’TUAQ (BAKER LAKE)

MOTHER IN AMAUTI, CA. 1970s

stone, signed in syllabics

10.5 x 10.5 x 8 in — 26.7 x 26.7 x 20.3 cm

PROVENANCE:

S. Family Collection, Toronto, ON

$1,000—2,000

VIEW LOT

52

PHILLIP HAKULUK ᐊᑯᓗ (1916-1989)

KANGIQLINIQ (RANKIN INLET)

HUNTER IN SNOW GOGGLES, CA. 1968

ceramic, signed in syllabics; disc number inscribed 12 x 12 x 8.5 in — 30.5 x 30.5 x 21.6 cm

PROVENANCE:

S. Family Collection, Toronto, ON

$1,000—2,000

VIEW LOT

KENOJUAK ASHEVAK ᑭᓄᐊᔪᐊ ᐊᓯᕙ, CC, RCA (1927-2013)

KINNGAIT (CAPE DORSET)

OWL WITH YOUNG, CA. 1975 stone, unsigned

15.25 x 12 x .5 in — 38.7 x 30.5 x 1.3 cm

PROVENANCE:

Private Collection, British Columbia

$5,000—7,000 VIEW LOT

54

KENOJUAK ASHEVAK ᑭᓄᐊᔪᐊ ᐊᓯᕙ, CC, RCA (1927-2013)

KINNGAIT (CAPE DORSET)

GEESE FRIGHTENED BY FOX, 1960

stonecut, titled, dated, and numbered 40/50; artist’s name in Roman sheet 19 x 21 in — 48.3 x 53.3 cm

PROVENANCE:

Private Collection, Alberta

$8,000—12,000

VIEW LOT

55

KENOJUAK ASHEVAK ᑭᓄᐊᔪᐊ ᐊᓯᕙ, CC, RCA (1927-2013)

KINNGAIT (CAPE DORSET)

OWL SPIRIT, 1969

stonecut, titled, dated, and numbered 18/50; artist’s name in Roman sight 23.5 x 32.5 in — 59.7 x 82.6 cm

PROVENANCE:

Private Collection, Montreal, QC

$3,000—5,000

VIEW LOT

56

KENOJUAK ASHEVAK ᑭᓄᐊᔪᐊ ᐊᓯᕙ, CC, RCA (1927-2013)

KINNGAIT (CAPE DORSET)

SONG OF SPRING, 2006

lithograph, diptych, titled, dated, and numbered 45/50; artist’s name in Roman and syllabics overall 33 x 46 in — 83.8 x 116.8 cm

PROVENANCE:

Private Estate, Toronto, ON

$3,000—5,000 VIEW LOT

DAVIE ATCHEALAK ᑎᕕ ᐊᓯᐊᓪ (1947- 2006)

IQALUIT (FROBISHER BAY)

TRANSFORMATION, CA. 1980s

stone, antler, hide, sinew, signed in Roman

overall 20 x 16 x 8.5 in — 50.8 x 40.6 x 21.6 cm

PROVENANCE:

S. Family Collection, Toronto, ON

$4,000—6,000

VIEW LOT

58

NICK SIKKUARK ᓂᑯᓚ ᓯᑯᐊ (1943-2013)

KUGAARUK (PELLY BAY)

FISH SPIRIT, CA. 1990

antler, teeth, synthetic, signed in syllabics

overall 5.5 x 12 x 4 in — 14 x 30.5 x 10.2 cm

PROVENANCE:

Private Collection, Ontario

$1,000—1,500

59

NICK SIKKUARK ᓂᑯᓚ ᓯᑯᐊ (1943-2013)

KUGAARUK (PELLY BAY)

TRANSFORMATION, 1994

antler, synthetic hair, signed in syllabics; dated 4 x 12.5 x 2.75 in — 10.2 x 31.8 x 7 cm

PROVENANCE:

Private Collection, Ontario

$1,000—1,500

60

LUKE IKSIKTAARYUK ᐃᓯᑕᔪ (1909-1977)

QAMANI’TUAQ (BAKER LAKE)

SHAMAN’S NECKLACE, CA. 1975

antler, caribou hide, 29 heads

overall 10.5 x 11.25 x .75 in — 26.7 x 28.6 x 1.9 cm

PROVENANCE: Private Collection, Ontario

$3,000—5,000

VIEW LOT

The Ken Mantel Collection

Ken Mantel was born in 1950 in London, England and started his career as a petroleum geologist in 1975.

His work took him to Arctic Canada in the 1970s where he became fascinated by, and started to collect Inuit Art, in common with so many of the earlier collectors who travelled to the north. In Ken’s case, the link from science to art was undoubtedly the raw medium and its evolution into dramatic sculpture.

On returning to Britain in 1981 Ken opened the Narwhal Inuit Art Gallery, alongside his wife, Tija. As collectors turned slowly to gallery owners instead of their annual trips to Toronto, to buy from the major co-ops and auction houses, in 1999 the Mantels also established NIAEF (Narwhal Inuit Art Education Foundation) as a registered charity to help raise awareness of the Inuit through their art.

Ken Mantel was regarded as the British authority on the subject of Inuit art and the gallery stood in a unique position as the only one of its kind in the country. Following his early papers, newspaper articles, art publications, public talks and discussions, etc, Ken’s knowledge and passion for the artform culminated in ‘Tuvaq’, the first British-led book on the subject.

It is with great fondness that Tija and her children, Sasha, Tanja and Misha now repatriate this collection to continue Ken’s legacy, as another chapter in the history of Inuit Art in Britain.

- Tija, Sasha, Tanja and Misha Mantel

“It has been a privilege and a pleasure to have known and met many of the characters who have helped to shape the history of Inuit art, mostly in Canada but also in the USA, Europe and of course my homeland Britain.”

- Ken Mantel, 1950-2024

Ken Mantel with artist Davie Atchealak in London in 1987

61

JAMES ARCHIBALD HOUSTON, OC, FRSA (1921-2005)

CANADIAN PEOPLE, 1961

charcoal on paper, signed and dated lower right

sight 11.25 x 9 in — 28.6 x 22.9 cm

PROVENANCE:

Gimpel Fils, London, UK

The Collection of Ken Mantel, Chiswick, UK

By descent to the present Private Collection, United Kingdom

$400—600

VIEW LOT

62

JAMES ARCHIBALD HOUSTON, OC, FRSA (1921-2005)

CANADIAN

WOMAN AND CHILD, 1958

ink on paper, signed and dated lower left

sight 9.75 x 7.5 in — 24.8 x 19.1 cm

PROVENANCE:

Gimpel Fils, London, UK

The Collection of Ken Mantel, Chiswick, UK

By descent to the present Private Collection, United Kingdom

$400—600

VIEW LOT

KANANGINAK POOTOOGOOK ᑲᓇᒋᓇ ᐳᑐᒍᑭ, RCA (1935-2010)

KINNGAIT (CAPE DORSET)

WALRUS ON ICE, 1958

stonecut, titled, dated, and numbered 5/30; artist’s name in Roman sheet 9 x 12 in — 22.9 x 30.5 cm

PROVENANCE:

Gimpel Fils, London, UK

The Collection of Ken Mantel, Chiswick, UK By descent to the present Private Collection, United Kingdom

$3,000—5,000 VIEW LOT

64

JOSEPHIE POOTOOGOOK ᔭᓴᐱ ᑭᑐᒍ (1887-1958)

KINNGAIT (CAPE DORSET)

BAFFIN ISLAND WOMAN, 1958

stonecut, titled, dated, and numbered 13/30; artist’s name in Roman sheet 11.75 x 7.5 in — 29.8 x 19.1 cm

PROVENANCE:

Gimpel Fils, London, UK

The Collection of Ken Mantel, Chiswick, UK

By descent to the present Private Collection, United Kingdom

$4,000—6,000

VIEW LOT

65

LUKTA QIATSUK ᓗᑕ ᑭᐊᓱᑲ (1928-2004)

KINNGAIT (CAPE DORSET)

OWL, 1959

stonecut, titled, dated, and numbered “artist’s proof I”; artist’s name in Roman sheet 13.25 x 18 in — 33.7 x 45.7 cm

PROVENANCE:

Gimpel Fils, London, UK

The Collection of Ken Mantel, Chiswick, UK By descent to the present Private Collection, United Kingdom

$3,000—5,000

VIEW LOT

DAVIE ATCHEALAK ᑎᕕ ᐊᓯᐊᓪ (1947-2006)

IQALUIT (FROBISHER BAY)

FALCON AND FACE TRANSFORMATION, 1987

stone, signed in Roman

11.5 x 12 x 5.5 in — 29.2 x 30.5 x 14 cm

PROVENANCE:

The Collection of Ken Mantel, commissioned from the artist, Chiswick, UK, 1987 By descent to the present Private Collection, United Kingdom

$1,500—2,500

VIEW LOT

PAUTA SAILA ᐸᐅᑕ ᓯᓚ, RCA (1916-2009)

KINNGAIT (CAPE DORSET)

DANCING BEAR, CA. 1979

stone, ivory, signed in Roman and syllabics; accompanied by wood veneered base

14 x 14 x 4.5 in — 35.6 x 35.6 x 11.4 cm

PROVENANCE:

The Collection of Ken Mantel, Chiswick, UK

By descent to the present Private Collection, United Kingdom

$10,000—15,000

VIEW LOT

HENRY EVALUARDJUK ᐃᕙᓗᐊᔪ (1932-2007)

IQALUIT (FROBISHER BAY)

LARGE STRIDING BEAR, CA. 1990

stone, signed in Roman and syllabics

7 x 15 x 4.5 in — 17.8 x 38.1 x 11.4 cm

PROVENANCE:

Private Collection, London, UK

The Collection of Ken Mantel, Chiswick, UK

By descent to the present Private Collection, United Kingdom

$2,000—4,000

VIEW LOT

HENRY EVALUARDJUK ᐃᕙᓗᐊᔪ (1932-2007)

IQALUIT (FROBISHER BAY)

ARCTIC HARE, CA. 1982

stone, signed in Roman and syllabics

10 x 5 x 3 in — 25.4 x 12.7 x 7.6 cm

PROVENANCE:

Private Collection, London, UK

The Collection of Ken Mantel, Chiswick, UK

By descent to the present Private Collection, United Kingdom

$1,500—2,500

70

LATCHOLASSIE AKESUK ᓚᓴᓚᓯ ᐊᑲᓴ (1919-2000)

KINNGAIT (CAPE DORSET)

BIRD, CA. 1979

stone, signed in syllabics; mounted to base not including base 14.25 x 8.25 x 5 in — 36.2 x 21 x 12.7 cm

PROVENANCE:

Private Collection, London, UK

The Collection of Ken Mantel, Chiswick, UK

By descent to the present Private Collection, United Kingdom

$1,000—2,000

71

UNIDENTIFIED ARTIST

INUKJUAK (PORT HARRISON)

HUNTER, CA. 1958

stone, antler, sinew, unsigned; inscription to top of base inscribed “DSS 12.00”

8.25 x 5 x 5 in — 21 x 12.7 x 12.7 cm

PROVENANCE:

Gimpel Fils, London, UK

The Collection of Ken Mantel, Chiswick, UK

By descent to the present Private Collection, United Kingdom

$1,000—1,500

LOT

72

GEORGE ARLUK ᐊᓗ (1949-2023)

ARVIAT (ESKIMO POINT)

MAN ON SNOWMOBILE, CA. 1985 stone, signed in syllabics

3.5 x 5.75 x 4.25 in — 8.9 x 14.6 x 10.8 cm

PROVENANCE:

Waddington’s Auctioneers, Toronto, ON, 7 Nov 2011, lot 363

The Collection of Ken Mantel, Chiswick, UK

By descent to the present Private Collection, United Kingdom

$900—1,200

LOT

73

LUCY QINNUAYUAK ᓗᓯ ᑭᓐᐅᐊᔪᐊ (1915-1982)

KINNGAIT (CAPE DORSET)

YOUNG HUNTERS, 1970

stonecut, titled, dated, and numbered 9/50; artist’s name in Roman sheet 17 x 24.5 in — 43.2 x 62.2 cm

PROVENANCE:

The Collection of Ken Mantel, Chiswick, UK By descent to the present Private Collection, United Kingdom

$300—500

74

LUCY QINNUAYUAK ᓗᓯ ᑭᓐᐅᐊᔪᐊ (1915-1982)

KINNGAIT (CAPE DORSET)

FAMILY GROUP, 1967

stonecut, titled, dated, and numbered 35/50; artist’s name in Roman and syllabics sheet 20 x 24 in — 50.8 x 61 cm

PROVENANCE:

The Collection of Ken Mantel, Chiswick, UK By descent to the present Private Collection, United Kingdom

$300—500 VIEW LOT VIEW LOT

75

JESSIE OONARK ᔪᓯ ᐅᓇ, OC, RCA (1906-1985)

QAMANI’TUAQ (BAKER LAKE)

GIVER OF LIFE, 1984

stonecut, titled, dated, and numbered 36/40; artist’s and printer’s name in Roman and syllabics sheet 27.5 x 40 in — 69.9 x 101.6 cm

PROVENANCE:

Gimpel Fils, London, UK

The Collection of Ken Mantel, Chiswick, UK By descent to the present Private Collection, United Kingdom

$2,000—3,000

VIEW LOT

76

ANNIE POOTOOGOOK ᐊᓂ ᐳᑐᒍ (1969-2016)

KINNGAIT (CAPE DORSET)

KIJJAUTIK (SCISSORS), 2007

lithograph, titled, dated, and numbered 33/50; artist’s name in Roman and syllabics sheet 15 x 22.25 in — 38.1 x 56.5 cm

PROVENANCE:

The Collection of Ken Mantel, Chiswick, UK By descent to the present Private Collection, United Kingdom

$1,500—2,500

VIEW LOT

77

TUDLIK ᑐᓕ (1890-1966) KINNGAIT (CAPE DORSET) MAN KILLS SEAL, 1961

stonecut, titled, dated, and numbered 3/50; artist’s name in Roman sight 29 x 20 in — 73.7 x 50.8 cm

PROVENANCE:

Private Collection, British Columbia

$3,000—5,000

VIEW LOT

TUDLIK ᑐᓕ (1890-1966) KINNGAIT (CAPE DORSET)

OWL, CA. 1957

stone, unsigned

5 x 2.25 x 2.25 in — 12.7 x 5.7 x 5.7 cm

PROVENANCE:

Barbara Kilvert, Public Relations Executive at Hudson’s Bay House, Winnipeg, MB, ca. 1960s

By descent to the present Private Collection, British Columbia

$3,000—4,000

VIEW LOT

TUDLIK ᑐᓕ (1890-1966) KINNGAIT (CAPE DORSET)

OWL, CA. 1960

stone, unsigned

8 x 6.25 x 3.75 in — 20.3 x 15.9 x 9.5 cm

PROVENANCE:

Private Collection, Ontario

$2,000—3,000 VIEW LOT

KIUGAK (KIAWAK) ASHOONA ᑭᐊᒐ, OC, RCA (1933-2014) KINNGAIT (CAPE DORSET)

SEA SPIRIT TRANSFORMATION, CA. 1965

stone, unsigned

4.25 x 11.75 x 1.5 in — 10.8 x 29.8 x 3.8 cm

PROVENANCE:

Private Collection, Toronto, ON

$4,000—6,000

VIEW LOT

81

PARR ᐸ (1893-1969)

KINNGAIT (CAPE DORSET)

UNTITLED (HUNTERS AND ANIMALS), 1961 graphite on paper, unsigned sheet 24 x 18 in — 61 x 45.7 cm

PROVENANCE:

S. Family Collection, Toronto, ON

$4,000—6,000

VIEW LOT

82

PARR ᐸ (1893-1969)

KINNGAIT (CAPE DORSET)

UNTITLED (FIGURES), 1961 graphite on paper, unsigned sheet 24 x 18 in — 61 x 45.7 cm

PROVENANCE: S. Family Collection, Toronto, ON

$4,000—6,000

VIEW LOT

83

PARR ᐸ (1893-1969)

KINNGAIT (CAPE DORSET)

UNTITLED (HUNTERS AND ANIMALS), 1961

graphite on paper, unsigned 24 x 18 in — 61 x 45.7 cm

PROVENANCE:

S. Family Collection, Toronto, ON

$4,000—6,000

VIEW LOT

84

JOHN KAVIK ᔭᓐ ᑲᕕ (1897-1993)

KANGIQLINIQ (RANKIN INLET)

UNTITLED (DRUM DANCE), CA. 1980 coloured pencil on paper, signed in syllabics sheet 9.5 x 12.5 in — 24.1 x 31.8 cm

PROVENANCE:

Private Collection, Alberta

$800—1,200

VIEW LOT

MANASIE AKPALIAPIK ᒪᓇᓯ ᐊᐸᓕᐊᐱ (B. 1955)

IKPIARJUK (ARCTIC BAY)

DRUM DANCER, CA. 1989

ivory, stone, musk ox horn, antler, signed in syllabics

9.25 x 3.5 x 2.5 in — 23.5 x 8.9 x 6.4 cm

PROVENANCE:

S. Family Collection, Toronto, ON

$500—700

VIEW LOT

MANASIE AKPALIAPIK ᒪᓇᓯ ᐊᐸᓕᐊᐱ (B. 1955)

IKPIARJUK (ARCTIC BAY)

BOUNDING MUSK OX, CA. 1989

ivory, musk ox horn, unsigned

2.25 x 4 x 1.5 in — 5.7 x 10.2 x 3.8 cm

PROVENANCE:

S. Family Collection, Toronto, ON

$500—700 VIEW LOT

MARK TUNGILIK ᒪᑭ ᑕᒐᓕ (1913-1986), NAUJAAT (REPULSE BAY)

THREE MUSK OXEN, CA. 1970s stone, ivory, signed in syllabics; possible museum inventory number inscribed to base

1.5 x 4.75 x 2.75 in — 3.8 x 12.1 x 7 cm

PROVENANCE:

Isaacs Innuit Gallery, Toronto, ON, 1977

Private Collection, Montreal, QC

Waddington’s Auctioneers, Toronto, ON, 8 Nov 2010, lot 56

Private Collection, Toronto, ON

EXHIBITED:

McCord Museum, Montreal, QC

$300—500

VIEW LOT

JACOPOSIE TIGLIK ᔭᑯᐳᓯ ᑎᓕ (B. 1952) PANNIRTUQ (PANGNIRTUNG)

TOTEM, CA. 1980

ivory, stone, signed in Roman

17.25 x 5.75 x 5 in — 43.8 x 14.6 x 12.7 cm

PROVENANCE:

S. Family Collection, Toronto, ON

$1,500—2,500 VIEW LOT

OVILOO TUNNILLIE ᐅᕕᓗ ᑐᓂᓕ, RCA (1949-2014)

KINNGAIT (CAPE DORSET)

SEDNA, CA. 2000

stone, signed in syllabics

13.5 x 26 x 4.5 in — 34.3 x 66 x 11.4 cm

PROVENANCE:

Private Collection, Victoria, BC

$6,000—8,000

VIEW LOT

FLOYD KUPTANA (1964-2021) PAULATUK

SEDNA, 2000

stone, antler, synthetic hair, steel, signed in Roman; dated

5 x 15 x 4.5 in — 12.7 x 38.1 x 11.4 cm

PROVENANCE:

Private Collection, London, ON

$2,000—3,000

VIEW LOT

FLOYD KUPTANA (1964-2021)

PAULATUK

BEAR SHAMAN, 2002

stone, antler, metal, signed in Roman; dated 11 x 6 x 8 in — 27.9 x 15.2 x 20.3 cm

PROVENANCE:

Private Collection, British Columbia

$2,000—3,000 VIEW LOT

DAVID RUBEN PIQTOUKUN

ᑎᕕᑎ ᐱᑐᑯ ᕈᐱᐃᓐ (B. 1950)

PAULATUK

MUSK OX TRANSFORMATION, 2006

stone, antler, signed in Roman; dated; accompanied by a “Canadian Eskimo Art” tag inscribed “David Ruben / Paulatuk / Muskox Man Transformation” 13.75 x 15 x 5.5 in — 34.9 x 38.1 x 14 cm

PROVENANCE:

Mia Gallery, Toronto, ON Private Collection, Alberta

$2,000—3,000 VIEW LOT

93

PITALOOSIE SAILA ᐱᑕᓗᓯ ᓴᐃᓚ, RCA (1942-2021)

KINNGAIT (CAPE DORSET)

WOMAN PROUDLY SEWING, 1988

lithograph, titled, dated, and numbered 22/50; artist’s name in Roman and syllabics sheet 45 x 31.75 in — 114.3 x 80.6 cm

PROVENANCE:

Private Collection, Australia

$3,000—5,000

VIEW LOT

PITSEOLAK ASHOONA ᐱᓯᐅᓚ ᐊᓱᓇ, OC, RCA (1904-1983)

KINNGAIT (CAPE DORSET)

TATTOOED WOMAN, 1963

stonecut, titled, dated, and numbered 32/50; artist’s name in syllabics sheet 23.5 x 24.5 in — 59.7 x 62.2 cm

PROVENANCE:

Private Collection, Australia

$3,000—5,000

VIEW LOT

95

PITALOOSIE SAILA ᐱᑕᓗᓯ ᓴᐃᓚ, RCA (1942-2021)

KINNGAIT (CAPE DORSET)

ARCTIC MADONNA, 1980

stonecut and stencil, titled, dated, and numbered 21/50; artist’s name in Roman and syllabics sheet 23.75 x 27.5 in — 60.3 x 69.9 cm

PROVENANCE:

Private Collection, British Columbia

$2,000—3,000

VIEW LOT

96

NAPATCHIE POOTOOGOOK ᓇᐸᓯ ᐳᑐᒍ (1938-2002)

KINNGAIT (CAPE DORSET)

MY NEW ACCORDION, 1989

lithograph, titled, dated, and numbered 23/50; artist’s name in Roman and syllabics sheet 44.25 x 31.5 in — 112.4 x 80 cm

PROVENANCE: Private Collection, Australia

$3,500—5,500 VIEW LOT

KIUGAK (KIAWAK) ASHOONA ᑭᐊᒐ, OC, RCA (1933-2014)

KINNGAIT (CAPE DORSET)

DRUM DANCER, CA. 1990

stone, antler, hide, unsigned 25 x 22 x 9 in — 63.5 x 55.9 x 22.9 cm

PROVENANCE:

S. Family Collection, Toronto, ON

$7,000—10,000

VIEW LOT

CHARLIE UGYUK ᓴᓕ ᐅᔭ (1931-1999)

TALOYOAK (SPENCE BAY)

DRUM DANCER, 1990

stone, antler, musk ox horn, signed in syllabics

13 x 11.5 x 9.5 in — 33 x 29.2 x 24.1 cm

PROVENANCE:

S. Family Collection, Toronto, ON

$1,000—2,000

VIEW LOT

JOHNNY INUKPUK ᔭᓂ ᐃᓄᐸ, RCA (1911-2007)

INUKJUAK (PORT HARRISON)

WOMAN MENDING KAMIK, CA. 1970s

stone, signed in Roman 16.75 x 10 x 6 in — 42.5 x 25.4 x 15.2 cm

PROVENANCE:

Private Collection, Toronto, ON

$8,000—12,000

VIEW LOT

100

TUTUYEA IKKIDLUAK (1962-1989) KINNGAIT (CAPE DORSET)

MOTHER AND CHILD WITH CATCH, CA. 1980s stone, unsigned

13.5 x 9.5 x 7.5 in — 34.3 x 24.1 x 19.1 cm

ROVENANCE:

S. Family Collection, Toronto, ON

$6,000—9,000

VIEW LOT

SAGGIAK ᓴᒋᐊ (1897-1980) KINNGAIT (CAPE DORSET)

FISH TRANSFORMATION, CA. 1970

stone, unsigned

5.5 x 20 x 8.5 in — 14 x 50.8 x 21.6 cm

PROVENANCE:

Private Collection, Toronto, ON

$700—900 VIEW LOT

102

MIKIGAK KINGWATSIAK ᒥᑭᒐ ᑭᒍᐊᓯᐊ (B. 1943)

KINNGAIT (CAPE DORSET)

UGJUNGNUK, 1960

stonecut, titled, dated, and numbered 40/50; artist’s name in Roman sheet 19 x 12.75 in — 48.3 x 32.4 cm

PROVENANCE:

Private Collection, Australia

$700—900 VIEW LOT

KANANGINAK POOTOOGOOK ᑲᓇᒋᓇ ᐳᑐᒍᑭ, RCA (1935-2010)

KENOJUAK ASHEVAK ᑭᓄᔭᐊ ᐊᓯᕗ, CC, RCA (1927-2013)

PETER PITSEOLAK ᐱᑕ ᐱᓯᐅᓚ (1902-1973), WITH THE WORLD WILDLIFE FUND KINNGAIT (CAPE DORSET)

THE WORLD WILDLIFE FUND COLLECTION: ART OF THE ESKIMOS, 1977 stonecuts; stonecut and stencils, limited edition print portfolio containing six prints; all works titled, dated, and numbered 177/200; artists’ names in Roman and syllabics portfolio 30 x 24.5 in — 76.2 x 62.2 cm

PROVENANCE:

Private Collection, British Columbia

$3,000—5,000

The leather-bound and pewter-trimmed portfolio contains explanatory texts accompanied by drawings and artist biographies. This specially commissioned work of six prints for the 1977 Art of the Eskimos, a co-operative project between the West Baffin Eskimo Co-operative and the International World Wildlife Fund. The portfolio “is dedicated to the animals of the Arctic and those men and women around the world.” Each print is blind embossed with the Panda symbol of the World Wildlife Fund.

Kananginak Pootoogook ᑲᓇᒋᓇ ᐳᑐᒍᑭ, RCA (1935-2010)

Walrus [Timertik], 1977

Kananginak Pootoogook ᑲᓇᒋᓇ ᐳᑐᒍᑭ, RCA (1935-2010)

Caribou [Tuktu], 1977

Kananginak Pootoogook ᑲᓇᒋᓇ ᐳᑐᒍᑭ, RCA (1935-2010)

Ducks [Metik], 1977

Peter Pitseolak ᐱᑕ ᐱᓯᐅᓚ (1902-1973)

Hawk [Unnuarsiutit], 1977

Kananginak Pootoogook ᑲᓇᒋᓇ ᐳᑐᒍᑭ, RCA (1935-2010)

Big Male Musk Ox [Omingmungjuaq], 1977

Kenojuak Ashevak ᑭᓄᔭᐊ ᐊᓯᕗ, CC, RCA (1927-2013)

Owl of the Sea [Kiggavik], 1977

VIEW LOT

KANANGINAK POOTOOGOOK

KINNGAIT (CAPE DORSET)

KUPANUAQ, 1975

, RCA (1935-2010)

stonecut print together with printing stone, titled, dated, and numbered 35/50; artist’s name in Roman and syllabics

printing stone 18.5 x 30 in — 47 x 76.2 cm; sheet 24 x 33.25 in — 61 x 84.5 cm

PROVENANCE:

S. Family Collection, Toronto, ON

$3,000—4,000 VIEW LOT

105

MARION TUU’LUQ ᒪᕆᓂ ᑐᓗ, RCA (1910-2002)

QAMANI’TUAQ (BAKER LAKE)

UNTITLED (SPIRITS AND JOCKEYS), 1981

stroud, felt, thread, embroidery floss, signed in syllabics

26.75 x 29.75 in — 67.9 x 75.6 cm

PROVENANCE:

Miqsuvik Sewing Shop, Qamani’tuaq, NU, 17 Dec 1981

The Collection of David Sutherland, Victoria, BC

$5,000—7,000 VIEW LOT

ELIZABETH QUINANAGNAQ ANGRNAGANGRNIQ

ᐃᓕᓴᐱ ᑯᐃᓇᓇ ᐊᓇᒐᓂ (B. 1938)

QAMANI’TUAQ (BAKER LAKE)

UNTITLED (SPIRITS AND ANIMALS), 1976

stroud, felt, thread, embroidery floss, signed in syllabics

68.5 x 9.25 in — 174 x 23.5 cm

PROVENANCE:

Miqsuvik Sewing Shop, Qamani’tuaq, NU, 6 May 1977

The Collection of David Sutherland, Victoria, BC

$2,000—4,000

VIEW LOT

107

MARTHA APSAQ ᐊᓴ (B. 1930)

QAMANI’TUAQ (BAKER LAKE)

UNTITLED (CAMP SCENE), 1974

stroud, felt, thread, embroidery floss, signed in syllabics

8.25 x 71 in — 21 x 180.3 cm

PROVENANCE:

The Collection of David Sutherland, Victoria, BC

EXHIBITED:

Crafts From Arctic Canada, Toronto Dominion Centre, Toronto, ON, 1974

Untitled (Camp Scene) is from the important lifetime collection of David Sutherland, former Northwest Territories Arts and Crafts Development Officer.

$2,000—4,000 VIEW LOT

ELIZABETH ANGRNAQQUAQ ᐃᓕᓴᐱ (1916-2003)

QAMANI’TUAQ (BAKER LAKE)

UNTITLED (SCENES OF LIFE), CA. 1975

stroud, felt, thread, embroidery floss, signed in syllabics

54 x 18.75 in — 137.2 x 47.6 cm

PROVENANCE:

Miqsuvik Sewing Shop, Qamani’tuaq, NU, 1980 The Collection of David Sutherland, Victoria, BC

$1,000—2,000

VIEW LOT

109

JESSIE OONARK ᔪᓯ ᐅᓇ, OC, RCA (1906-1985)

QAMANI’TUAQ (BAKER LAKE)

BIG WOMAN, 1974

stonecut and stencil, titled, dated, and numbered 48/50; artist’s and printer’s name in Roman and syllabics sheet 24.75 x 37.25 in — 62.9 x 94.6 cm

PROVENANCE:

Private Collection, Hamilton, ON

$4,000—5,000

VIEW LOT

110

JESSIE OONARK ᔪᓯ ᐅᓇ, OC, RCA (1906-1985)

QAMANI’TUAQ (BAKER LAKE)

PEOPLE IN KAYAKS, 1982

stencil, titled, dated, and numbered 39/40; artist’s and printer’s name in Roman and syllabics sheet 24.75 x 37 in — 62.9 x 94 cm

PROVENANCE:

Private Collection, Hamilton, ON

$3,000—5,000 VIEW LOT

111

JESSIE OONARK ᔪᓯ ᐅᓇ, OC, RCA (1906-1985)

QAMANI’TUAQ (BAKER LAKE)

UNTITLED (SIGHTING CARIBOU), CA. 1979 coloured pencil on paper, signed in syllabics sheet 22.25 x 15 in — 56.5 x 38.1 cm

PROVENANCE:

Northern Images Arctic Cooperative Ltd., Yellowknife, NU, 26 October 1987 Private Collection, Hamilton, ON

$3,000—5,000

VIEW LOT

112

JESSIE OONARK ᔪᓯ ᐅᓇ, OC, RCA (1906-1985)

QAMANI’TUAQ (BAKER LAKE)

UNTITLED (ULU FACES), CA. 1979

coloured pencil and graphite on paper, signed in syllabics sheet 11.25 x 15 in — 28.6 x 38.1 cm

PROVENANCE:

Northern Images Arctic Cooperative Ltd., Yellowknife, NU, 26 October 1987

Private Collection, Hamilton, ON

$3,000—5,000

VIEW LOT

LUCY TASSEOR TUTSWEETOK ᓗᓯ

ARVIAT (ESKIMO POINT)

FAMILY, CA. 1968

(1934-2012)

stone, unsigned; inventory number inscribed on base, and old tag affixed reading “5209 Tasseor”

7 x 7 x 1.75 in — 17.8 x 17.8 x 4.4 cm

PROVENANCE:

Private Collection, Montreal, QC

$1,000—2,000

VIEW LOT

114

DAVID IKUTAAQ ᐃᑯᑕ (1929-1984)

QAMANI’TUAQ (BAKER LAKE)

MUSK OX AGGRAVATED BY ARROW, CA. 1970s stone, ivory, signed in syllabics

3.75 x 5.75 x 2 in — 9.5 x 14.6 x 5.1 cm

PROVENANCE:

Private Collection, Ontario

$500—700

VIEW LOT

115

MARK TUNGILIK ᒪᑭ ᑕᒐᓕ (1913-1986)

NAUJAAT (REPULSE BAY)

MUSK OX AT REST, CA. 1970s stone, antler, signed in syllabics

3.5 x 6 x 3 in — 8.9 x 15.2 x 7.6 cm

PROVENANCE:

Waddington’s Auctioneers, Toronto, ON, 8 Nov 2010, lot 409 Private Collection, Toronto, ON

$500—700

VIEW LOT

116

ANDY MAMGARK ᒪᒐ (1930-1997)

ARVIAT (ESKIMO POINT)

MOTHER AND CUBS, CA. 1980s

stone, ivory, unsigned; old inventory sticker present inscribed “Andy Mamgark / Eskimo Point”

7.5 x 8.25 x 7.75 in — 19.1 x 21 x 19.7 cm

PROVENANCE:

S. Family Collection, Toronto, ON

$800—1,200

VIEW LOT

117

JUDAS ULLULAQ ᔪᑕ ᐅᓗᓚ (1937-1999)

UQSUQTUUQ (GJOA HAVEN)

DRUM DANCER, CA. 1980s

stone, antler, sinew, signed in syllabics

6.75 x 6.25 x 3 in — 17.1 x 15.9 x 7.6 cm

PROVENANCE:

S. Family Collection, Toronto, ON

$1,000—1,500

VIEW LOT

118

POSSIBLY SHEOKJUK OQUTAQ

ᓱᐅᔪ ᐅᑯᑕ (1920-1982)

KINNGAIT (CAPE DORSET)

WOMAN IN AMAUTI, CA. 1950s

ivory, stone, pigments, unsigned

5.5 x 3.25 x 2.5 in — 14 x 8.3 x 6.4 cm

PROVENANCE:

S. Family Collection, Toronto, ON

$1,000—2,000

119

UNIDENTIFIED ARTIST

POSSIBLY QAMANI’TUAQ (BAKER LAKE)

HUNTER POISED WITH BOW, CA. 1980s

ivory, musk ox horn, sinew, pigment, unsigned

3.75 x 2.75 x 1.5 in — 9.5 x 7 x 3.8 cm

PROVENANCE:

S. Family Collection, Toronto, ON

$400—600 VIEW LOT

120

MANASIE AKPALIAPIK ᒪᓇᓯ ᐊᐸᓕᐊᐱ (B. 1955)

IKPIARJUK (ARCTIC BAY)

BEAR AND CUB, CA. 1989

ivory, pigment, signed in syllabics

2.5 x 2 x 1.5 in — 6.4 x 5.1 x 3.8 cm

PROVENANCE:

S. Family Collection, Toronto, ON

$400—600

VIEW LOT

121

UNIDENTIFIED ARTIST LABRADOR

SHIP’S OFFICER OR CLERK, CA. 1900

ivory, pigment, unsigned; accompanied by stand 2.75 x 1.5 x .5 in — 7 x 3.8 x 1.3 cm

PROVENANCE: Private Collection, Vancouver, BC

$3,000—5,000

VIEW LOT

122

UNIDENTIFIED ARTIST LABRADOR

FAMILY, CA. 1900

ivory, pigment, unsigned

tallest 2.25 x 1 x .5 in — 5.7 x 2.5 x 1.3 cm

PROVENANCE:

S. Family Collection, Toronto, ON

$800—1,200

123

UNIDENTIFIED ARTIST LABRADOR

OTTER

ivory, pigment, unsigned; mounted to base overall 1.25 x 4 x 3 in — 3.2 x 10.2 x 7.6 cm

PROVENANCE:

S. Family Collection, Toronto, ON

$300—500

UNIDENTIFIED ARTIST LABRADOR ANIMALS

ivory, pigment, unsigned

largest .5 x 3.5 x .5 in — 1.3 x 8.9 x 1.3 cm

PROVENANCE: S. Family Collection, Toronto, ON

$500—700 VIEW LOT

ABRAHAM APAKARK ANGHIK ᐊᐃᐊᔭᑲ ᐊᐸᑲ ᐊᒋ, OC (B. 1951) PAULATUK

TRANSFORMATION, CA. 1980 stone, catlinite, unsigned; mounted to stand overall 4.25 x 3 x 2 in — 10.8 x 7.6 x 5.1 cm

PROVENANCE: S. Family Collection, Toronto, ON

$400—600

LOT

126

MATHEW AQIGAAQ ᒪᑐ ᐊᑭᒐ (1940-2010)

QAMANI’TUAQ (BAKER LAKE)

MOTHER WITH CHILD IN AMAUTI, 1982 stone, signed in syllabics; dated; old inventory stickers to underside of foot 7 x 4.25 x 4.25 in — 17.8 x 10.8 x 10.8 cm

PROVENANCE:

Sanavik Co-Operative, Qamani’tuaq, NU

The Collection of David Sutherland, Victoria, BC

$1,000—1,500

LOT

127

GEORGE TATANIQ ᑕᑕᓂ (1910-1991)

QAMANI’TUAQ (BAKER LAKE)

DRUM DANCER, CA. 1975

stone, antler, signed in syllabics

3.75 x 3.25 x 3.25 in — 9.5 x 8.3 x 8.3 cm

PROVENANCE: S. Family Collection, Toronto, ON

$500—700

VIEW LOT

128

GEORGE TATANIQ ᑕᑕᓂ (1910-1991)

QAMANI’TUAQ (BAKER LAKE)

FIGURE WITH SATCHEL, CA. 1975 stone, signed in syllabics

4.25 x 2.5 x 1.5 in — 10.8 x 6.4 x 3.8 cm

PROVENANCE: S. Family Collection, Toronto, ON

$500—700

VIEW LOT

129

OVILOO TUNNILLIE ᐅᕕᓗ ᑐᓂᓕ, RCA (1949-2014)

KINNGAIT (CAPE DORSET)

WOMAN HOLDING STONE IN RAISED HAND, CA. 2000 stone, signed in syllabics

16.5 x 4.75 x 4.25 in — 41.9 x 12.1 x 10.8 cm

PROVENANCE: Private Collection, Victoria, BC

$4,000—6,000

VIEW LOT

POSSIBLY IRENE AMAAK NIUQTUK ᓂᐅᑐ (B. 1940)

QAMANI’TUAQ (BAKER LAKE)

MOTHER AND CHILD, CA. 1970s

stone, no visible signature

18.75 x 11.5 x 9 in — 47.6 x 29.2 x 22.9 cm

PROVENANCE:

Private Collection, British Columbia

$4,000—6,000

VIEW LOT

131

UNIDENTIFIED ARTIST SALLUIT (SUGLUK)

WOMAN, CA. 1955

stone, no visible signature; affixed to base without base 11 x 5 x 3.5 in — 27.9 x 12.7 x 8.9 cm

PROVENANCE:

S. Family Collection, Toronto, ON

$1,000—2,000

VIEW LOT

132

JOE TALIRUNILI ᔪᐅ ᑕᓚᕈᓂᓕ (1893-1976) PUVIRNITUQ (POVUNGNITUK)

WOMAN WITH CATCH, CA. 1965

stone, signed in Roman 6 x 3.25 x 1.75 in — 15.2 x 8.3 x 4.4 cm

PROVENANCE:

Private Collection, Toronto, ON

$4,000—6,000

VIEW LOT

LAZARUSIE EPOO ᓚᓴᔪᓯ (B. 1932) INUKJUAK (PORT HARRISON)

MOTHER SOFTENING KAMIK, CA. 1960

stone, signed in syllabics; disc number inscribed

7 x 7.5 x 7 in — 17.8 x 19.1 x 17.8 cm

PROVENANCE:

S. Family Collection, Toronto, ON

$1,500—2,500

VIEW LOT

134

PUDLO PUDLAT ᐳᓗ ᐳᓚ (1916-1992)

KINNGAIT (CAPE DORSET)

CARIBOU IN WINTER LIGHT, 1986

stonecut, titled, dated, and numbered 27/50; artist’s name in Roman and syllabics sheet 25 x 30.5 in — 63.5 x 77.5 cm

PROVENANCE:

Private Collection, Vermont, USA

$2,000—3,000

VIEW LOT

135

PITSEOLAK ASHOONA ᐱᓯᐅᓚ ᐊᓱᓇ, OC, RCA (1904-1983)

KINNGAIT (CAPE DORSET)

PLAYING KICKBALL WITH DEMONS, 1960

stonecut, titled, dated, and numbered 27/50; artist’s name in Roman sheet 19 x 22.75 in — 48.3 x 57.8 cm

PROVENANCE:

Private Collection, Australia

$3,000—5,000

VIEW LOT

136

PAUTA SAILA ᐸᐅᑕ ᓯᓚ, RCA (1916-2009)

KINNGAIT (CAPE DORSET)

STARTLED OWL, 1965

stonecut, titled, dated, and numbered 43/50; artist’s name in Roman and syllabics sheet 22.75 x 36.75 in — 57.8 x 93.3 cm

PROVENANCE:

Private Collection, Montreal, QC

$700—900

VIEW LOT

LUCY QINNUAYUAK ᓗᓯ ᑭᓐᐅᐊᔪᐊ (1915-1982)

KINNGAIT (CAPE DORSET)

TULUKARA, 1977

stonecut and stencil, titled, dated, and numbered 41/50; artist’s name in Roman and syllabics sheet 23.25 x 24.75 in — 59.1 x 62.9 cm

PROVENANCE:

Private Collection, Hamilton, ON

$600—900

VIEW LOT

138

MARY IGIU ᒥᐊᔨ (1925-1968) KINNGAIT (CAPE DORSET)

PEOPLE OF THE SEA, 1961

sealskin stencil, titled, dated, and numbered 35/50; artist’s name in Roman 19 x 24.75 in — 48.3 x 62.9 cm

PROVENANCE:

Private Collection, Australia

$2,000—3,000

VIEW LOT

139

PUDLO PUDLAT ᐳᓗ ᐳᓚ (1916-1992)

KINNGAIT (CAPE DORSET)

SEA GODDESS HELD BY BIRD, 1961

sealskin stencil, titled, dated, and numbered 15/50; artist’s name in Roman sheet 23.5 x 25.5 in — 59.7 x 64.8 cm

PROVENANCE:

Private Collection, Australia

$1,500—2,500

VIEW LOT

140

PUDLO PUDLAT ᐳᓗ ᐳᓚ (1916-1992)

KINNGAIT (CAPE DORSET)

UNTITLED (SUPPLY PLANE; CELEBRATION), 1980 coloured pencil and felt tip on paper, signed in syllabics sheet 20 x 26 in — 50.8 x 66 cm

PROVENANCE:

Gallery Phillip, Toronto, ON Private Collection, Hamilton, ON

$1,000—1,500

VIEW LOT

141

PUDLO PUDLAT ᐳᓗ ᐳᓚ (1916-1992)

KINNGAIT (CAPE DORSET)

UNTITLED (SUPPLY PLANE AND TRAVELLERS), CA. 1980 coloured pencil and felt tip on paper, signed in syllabics sheet 20 x 26 in — 50.8 x 66 cm

PROVENANCE:

Private Collection, Hamilton, ON

$1,000—1,500

VIEW LOT

142

JOE TALIRUNILI ᔪᐅ ᑕᓚᕈᓂᓕ (1893-1976)

PUVIRNITUQ (POVUNGNITUK)

CARIBOU, CA. 1965

stone, bone, signed in Roman and syllabics

5.25 x 7 x 3.25 in — 13.3 x 17.8 x 8.3 cm

PROVENANCE:

Private Collection, USA

Waddington’s Auctioneers, Toronto, ON, 18 Nov 2013, lot 156

Private Collection, Hamilton, ON

$1,000—2,000

143

$1,000—2,000 VIEW LOT VIEW LOT

ᔪᐅ ᑕᓚᕈᓂᓕ (1893-1976)

PUVIRNITUQ (POVUNGNITUK)

BEAR, CA. 1965

stone, signed in Roman

3.5 x 5 x 2.5 in — 8.9 x 12.7 x 6.4 cm

PROVENANCE:

Private Collection, USA

Waddington’s Auctioneers, Toronto, ON, 18 Nov 2013, lot 158

Private Collection, Hamilton, ON

144

ATTRIBUTED TO PAULASSIE POOTOOGOOK ᐸᓗᓯ ᐳᑐᒍ, RCA (1927-2006)

KINNGAIT (CAPE DORSET)

STANDING BEAR

stone, unsigned

3 x 1.25 x 1.25 in — 7.6 x 3.2 x 3.2 cm

PROVENANCE:

Private Collection, Ottawa, ON

$700—900

VIEW LOT

145

UNIDENTIFIED ARTIST, SANIKILUAQ (BELCHER ISLANDS) ARCTIC HARE, CA. 1950s stone, lye soap, unsigned 1.75 x 4 x 1.25 in — 4.4 x 10.2 x 3.2 cm

PROVENANCE: Private Collection, Ottawa, ON

$300—400

VIEW LOT

146

GERMAINE ARNATTAUJUQ (ARNAKTAUYOK)

ᔨᕐᒪᐃᓐ ᐊᕐᓇᑕᐅᔪᕐᒃ (B. 1946)

IGLULIK (IGLOOLIK)

ULUS

etching and aquatint, titled and numbered 77/100; artist’s name in Roman and syllabics sheet 12.5 x 11.5 in — 31.8 x 29.2 cm

PROVENANCE:

Private Estate, Ontario

$400—600

147

GERMAINE ARNATTAUJUQ (ARNAKTAUYOK)

ᔨᕐᒪᐃᓐ ᐊᕐᓇᑕᐅᔪᕐᒃ (B. 1946)

IGLULIK (IGLOOLIK)

TWO COMBS

etching and aquatint, titled and numbered 32/60; artist’s name in Roman and syllabics sheet 11 x 12.25 in — 27.9 x 31.1 cm

PROVENANCE:

Private Estate, Ontario

$500—700 VIEW LOT VIEW LOT

148

GERMAINE ARNATTAUJUQ (ARNAKTAUYOK) ᔨᕐᒪᐃᓐ ᐊᕐᓇᑕᐅᔪᕐᒃ (B. 1946)

IGLULIK (IGLOOLIK)

ULUS, 1995

etching and aquatint, titled, dated, and numbered 93/100; artist’s name in Roman and syllabics sheet 13 x 16.25 in — 33 x 41.3 cm

PROVENANCE: Private Estate, Ontario

$400—600 VIEW LOT

149

KIAKSHUK ᑭᐊᓱ (1886-1966)

KINNGAIT (CAPE DORSET)

SPIRITS DEVOURING FOXES, 1961

stonecut, titled, dated, and numbered 6/50; artist’s name in Roman sheet 12 x 16.25 in — 30.5 x 41.3 cm

PROVENANCE:

Private Collection, Australia

$1,000—1,500

VIEW LOT

SHEOJUK ETIDLOOIE

KINNGAIT (CAPE DORSET)

WOMAN IN SHAWL, 1998

(1929-1999)

etching and aquatint, titled, dated, and numbered 10/50; artist’s name in Roman and syllabics sheet 26.75 x 23.5 in — 67.9 x 59.7 cm

PROVENANCE:

Private Collection, Australia

$1,000—1,500 VIEW LOT

SHEOJUK ETIDLOOIE ᓯᐅᔪ

KINNGAIT (CAPE DORSET)

BLUE BIRD, 1998

(1929-1999)

etching and aquatint, titled, dated, and numbered 10/50; artist’s name in Roman and syllabics sheet 24.75 x 22.5 in — 62.9 x 57.2 cm

PROVENANCE: Private Collection, Australia

$1,000—1,500 VIEW LOT

VICTORIA MAMNGUQSUALUK

QAMANI’TUAQ (BAKER LAKE)

THE PREY, 1969

(1930-2016)

stencil, titled, dated, and numbered 15/40; artist’s and printer’s name in syllabics sheet 6.25 x 9.5 in — 15.9 x 24.1 cm

PROVENANCE:

Private Estate, Ontario

$300—500 VIEW LOT