APRIL 16 - 30, 2026
Editions
APRIL 16 - 30, 2026
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Thursday, April 30 at 2 pm
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FINE ART fineart@waddingtons.ca
DIRECTOR, FINE ART
Goulven Le Morvan glm@waddingtons.ca 438-528-8489
CONSIGNMENT SPECIALIST, INTERNATIONAL ART
Alicia Bojkov ab@waddingtons.ca 416-847-6176
ASSOCIATE SPECIALIST, CANADIAN FINE ART
Kendra Popelas kp@waddingtons.ca 416-967-6027
ADMINISTRATOR
Holly Yake fineart@waddingtons.ca 416-504-9100
FRONT COVER Lot 52
David Hockney Glass Table With Objects, 1969 [S.A.C. 68; M.C.A.T. 65]
FRONT INSIDE COVER Lot 23
Marc Chagall
Les Vendanges, from Daphnis et Chloé, 1961 [m. 322, C.b. 46]
BACK INSIDE COVER Lot 58
David Lloyd Blackwood Barbour’s ‘Seabird’ Leaving Newtown, 1998
BACK COVER Lot 50
Alex Katz Oona, from Black Dress, 2015
MAX KLINGER (1857-1920), GERMAN NO. 26 FROM DAS ZELT, TEIL II, 1916 etching in black on Chine appliqué; drystamped “57” to lower left margin, this example is the 57th from the first edition of 100; published by Amsler & Ruthardt, Berlin 23.6 x 16.1 in — 60 x 41 cm
PROVENANCE:
Private Collection, Toronto, ON
$400 — 600
2
AFTER GUSTAV KLIMT (1862-1918), AUSTRIAN
25 ZEICHNUNGEN, 1964
complete portfolio with 25 offset lithographs in black and in colours on paper, with 14 text pages, loose as issued; published by Akademische Druck und Verlagsanstalt, Vienna; enclosed in the original portfolio and slipcase
each 23.6 x 16.9 in — 60 x 43 cm
PROVENANCE:
Private Collection, Toronto, ON
$500 — 700
3
ANTON PIECK (1895-1987), DUTCH VIEW INSIDE THE OLD CASTLE OF HOHENSALZBURG, 1920 etching in black on wove paper; signed, numbered 20/75, and inscribed in pencil image 22.4 x 13.5 in — 57 x 34.2 cm
PROVENANCE: Kunsthandel Gebroeders Koch, The Hague, Netherlands Private Collection, Toronto, Ontario, acquired from the above in 1980
$600 — 800
4
EDUARD WIIRALT (1898-1954), ESTONIAN EESTI NEIU, 1942 [K. 121] soft ground etching and drypoint on wove paper, with full margins; signed and dated in ink plate 12.8 x 9.4 in — 32.5 x 24 cm
PROVENANCE: Dadashi Art Gallery, Toronto, ON Private Collection, Kingston, ON
LITERATURE: Kangilaski 121.
$1,000 — 1,500
JAMES JACQUES JOSEPH TISSOT (1836-1902), FRENCH LE HAMAC, 1880 [W. 46]
etching and drypoint in black on Van Gelder Zonen watermarked laid paper; signed and dated in plate, from the edition of 100 11 x 7.25 in — 27.9 x 18.4 cm
PROVENANCE:
Private Collection, Toronto, ON
LITERATURE: Wentworth 46.
$800 — 1,200
6
KÄTHE KOLLWITZ (1867-1945), GERMAN
SELBSTBILDNIS, 1912 [K. 122]
etching in black on wove paper; later impression plate 5.6 x 3.9 in — 14.2 x 10 cm
PROVENANCE: Private Collection, Montreal, QC
LITERATURE: Klipstein 122.
$200 — 300
7
FRANCISCO JOSÉ DE GOYA Y LUCIENTES (1746-1828), SPANISH SE APROVECHAN (THEY MAKE USE OF THEM), PLATE 16 FROM LOS DESASTRES DE LA GUERRA, 1810-1815
etching, lavis, drypoint, burin, and burnishing on laid paper; titled lower centre, numbered 16 to upper left corner, likely from the 7th edition; printed by Ruperez, published by the Calcografia for the Ministro de Intruccíon Pública, Madrid, 1937; blindstamp to lower right corner; stamped “24” verso plate 6.3 x 9.3 in — 16 x 23.5 cm
PROVENANCE: Private Collection, Toronto, ON
$500 — 600
8
DAVID JONES (1895-1974), BRITISH THE BOOK OF JONAH, 1926; ORDER, 1929; THE BRIDE, 1930 three woodcuts in black on wove paper; 1) The Book of Jonah signed, titled, and numbered 11/15 2) Order signed and dated “29”
3) The Bride signed, titled, and dated “’30”; dedicated verso sight 7.1 x 4.7 in — 18 x 12 cm; sight 6.5 x 4.9 in — 16.5 x 12.5 cm
PROVENANCE:
Estate of Prof. William Blissett, Toronto, ON
NOTE:
Accompanied by a signed and annotated photograph of calligraphy by the artist.
$400 — 600
DAVID JONES (1894-1974), BRITISH
3 PROOFS FROM THE RIME OF THE ANCIENT MARINER, 1928-29
copper engravings in black on wove paper; 1) Illustration 1, The Wedding Guests, 1928 signed, dated “’28”, and editioned “No1 Proof” 2) Illustration 2, 1928 signed, dated “’28”, and numbered “7/13 first state” 3) Illustration 9, 1929 signed, dated “’29”, and inscribed “abandoned version of illus. 9 for A. Mariner” each plate 6.9 x 5.4 in — 17.5 x 13.7 cm
PROVENANCE:
Estate of Prof. WIlliam Blissett, Toronto, ON
$1,000 — 2,000
10
DAVID JONES (1895-1974), BRITISH THE WOUNDED KNIGHT; NATIVITY WITH SHEPHERDS AND BEASTS REJOICING; DRINK THE WATER OF LIFE FREELY, CA. 1930 three drypoint and etchings in black on wove paper; each signed and dated, proofs aside from the editions of 20 and 30 plates 7.9 x 6.2 in — 20 x 15.7 cm; plates 7.9 x 6.3 in — 20 x 16 cm
PROVENANCE:
Estate of Prof. William Blissett, Toronto, ON
$300 — 500
11
AFTER DAVID JONES (1895-1974), BRITISH THE CHAPEL IN THE PARK, 1932 offset lithograph in colours on wove paper laid on board; signed and dated “32” in plate lower right
17.3 x 20.5 in — 44 x 52 cm
PROVENANCE:
Estate of Prof. William Blissett, Toronto, ON
$100 — 200
12
MARGUERITE KIRMSE (1885-1954), BRITISH TRY AND GET IT!; UP FOR INSPECTION; SOCIAL SECURITY; PLAIN SPEAKING; HIDE AND SEEK five etchings in black on wove paper; each signed and titled plate 6 x 8.75 in — 15.2 x 22.2 cm; plate 7.7 x 5.7 in — 19.5 x 14.5 cm; plate 8.5 x 6.4 in — 21.5 x 16.2 cm; plate 4.1 x 6.3 in — 10.5 x 16 cm; plate 7.3 x 5.1 in — 18.5 x 13 cm
PROVENANCE:
Private Collection, Quebec
$500 — 700
ÉMILE HENRI BERNARD (1868-1941), FRENCH THE SIRENS AND THE MAN, FROM HOMÈRE, L’ODYSSÉE, 1930
two hand-coloured woodcuts on wove paper; published by Ambroise Vollard each image 9.3 x 6.6 in — 23.5 x 16.7 cm
PROVENANCE:
Private Collection, Ontario
$200 — 300
14
ATTRIBUTED TO MAURICE DE VLAMINCK (1876-1958), FRENCH NO. 21
woodcut in black on wove paper ; signed and inscribed “no 21” sheet 15 x 12 in — 38 x 30.5 cm
PROVENANCE:
Private Collection, Montreal, QC
$600 — 800
15
MARC CHAGALL (1887-1985), FRENCH/BELARUSIAN
L’ARCHE PORTÉE À JÉRUSALEM, FROM LA BIBLE II, 1956
lithograph in black on Arches paper; from the unnumbered of 295; printed by Maurice Potin and Raymond Haasen, Paris sheet 17.5 x 13.1 in — 44.5 x 33.3 cm
PROVENANCE:
Private Collection, Toronto, ON
$400 — 600
16
MARC CHAGALL (1887-1985), FRENCH/BELARUSIAN
LE SATYRE ET LE PASSANT, PLATE 57 FROM FABLES DE LA FONTAINE, 1952 [C. 22; S.151]
etching and drypoint in black on wove paper; from the unsigned edition of 100; printed by Maurice Potin, Paris, published by Tériade, Paris plate 11.4 x 9.3 in — 29 x 23.6 cm
PROVENANCE:
Private Collection, Toronto, ON
LITERATURE:
Cramer Book 22.
Sorlier 151.
$300 — 500
17
MARC CHAGALL (1887-1985), FRENCH/BELARUSIAN
IL Y A LÀ-BAS AUX AGUETS UNE CROIX, FROM SIX GRAVURES SUR LINOLEUM, 1984 [C.B. 114]
linocut in black on BFK Rives paper, with full margins; signed and numbered 36/40; published by Gérald Cramer, Geneva sheet 14.8 x 11 in — 37.5 x 28 cm
PROVENANCE:
Park West Galleries, Southfield, MI Private Collection, Toronto, ON
NOTE:
Accompanied by a certificate of authenticity issued by Albert Scaglione, Park West Galleries.
LITERATURE:
Cramer Books 114.
$3,000 — 5,000
18
MARC CHAGALL (1887-1985), FRENCH/BELARUSIAN
PARADISE II FROM THE ILLUSTRATIONS FOR THE BIBLE, 1956 [M. 233] lithograph in colours on wove paper, the full sheet; from the unnumbered edition of 6500; printed by Mourlot Frères, Paris and published by Harcourt, Brace and Co., New York
13.8 x 10.2 in — 35 x 26 cm
PROVENANCE:
Park West Galleries, Southfield, IL Private Collection, Ontario
LITERATURE: Mourlot 233.
$300 — 400
19
ALEXANDER CALDER (1898-1976), AMERICAN UNTITLED (MAGIE ÉOLIENNE VI), FROM THE MAGIE ÉOLIENNE, 1972
lithograph in colours on Arches paper, the full sheet; signed and numbered 59/75; printed by Arte Adrian Maeght, Paris and published by Société Internationale d’Art XXe Siècle, Paris
25.6 x 19.7 in — 65 x 50 cm
PROVENANCE:
The Pollock Gallery Ltd., Toronto, ON Private Collection, Toronto, ON
$4,000 — 6,000
20
SYBIL ANDREWS (1898-1992), BRITISH/CANADIAN GYPSIES, 1939 [C. SA 43]
linocut in 4 colours on oriental laid paper; signed, titled, and numbered 47/60 upper left
10.7 x 13.7 in — 27.2 x 34.8 cm
PROVENANCE:
Private Collection, Edmonton, AB
EXHIBITED:
This edition was exhibited in the major retrospective Sybil Andrews: Colour Linocuts, a travelling exhibition organized by the Glenbow Museum in 1982 with the following stops:
Vancouver Art Gallery, Vancouver, BC, 16 Jan-28 Feb 1982.
Mount St. Vincent University, Halifax, NS, 19 Mar-18 Apr 1982.
Art Gallery of Ontario, Toronto ON, 28 May-25 Jul 1982.
Edmonton Art Gallery, Edmonton, AB, 6 Aug-5 Sep 1982
Glenbow Museum, Calgary, AB, 14 Sep-22 Oct 1982.
Norman MacKenzie Art Gallery, Regina, SK, 10 Nov-8 Dec 1982.
Art Gallery of Victoria, Victoria, BC, 14 Jan-28 Feb 1983.
LITERATURE:
Peter White, Sybil Andrews: Colour Linocuts (Calgary: Glenbow Museum, 1982), 60, no. 43 (b/w repro.).
Stephen Coppel, Linocuts of the Machine Age, 1995, repro. 124, cat. #SA 43.
$12,000 — 18,000
SYBIL ANDREWS (1898-1992), BRITISH/CANADIAN WINGS, 1979 [C. SA 74]
linocut in 4 colours on oriental laid paper; signed, titled, and numbered 7/60 upper left; also signed, titled, and numbered 7/60 lower left
14.75 x 12.25 in — 37.5 x 31.1 cm
PROVENANCE:
Private Collection, Edmonton, AB
EXHIBITED:
Edition 5/60 was exhibited in the major retrospective Sybil Andrews: Colour Linocuts, a travelling exhibition organized by the Glenbow Museum in 1982 with the following stops: Vancouver Art Gallery, Vancouver, BC, 16 Jan-28 Feb 1982.
Mount St. Vincent University, Halifax, NS, 19 Mar-18 Apr 1982. Art Gallery of Ontario, Toronto ON, 28 May-25 Jul 1982. Edmonton Art Gallery, Edmonton, AB, 6 Aug-5 Sep 1982 Glenbow Museum, Calgary, AB, 14 Sep-22 Oct 1982.
Norman MacKenzie Art Gallery, Regina, SK, 10 Nov-8 Dec 1982. Art Gallery of Victoria, Victoria, BC, 14 Jan-28 Feb 1983.
LITERATURE:
Peter White, Sybil Andrews: Colour Linocuts (Calgary: Glenbow Museum, 1982), 46, plate 14 (col. repro.); 65, no. 64 (b/w repro.). Stephen Coppel, Linocuts of the Machine Age, (London: Scholar Press, 1995), 124.
$15,000 — 20,000 22
MARC CHAGALL (1887-1985), FRENCH/BELARUSIAN THOU SHALT ALSO ANOINT AARON AND HIS SONNES, FROM THE STORY OF EXODUS, 1966 [C. 64; M. 458]
lithograph in colours on Japon paper, with full margins; signed and numbered XVII/XX, aside from the edition of 250; published by Léon Amiel, Paris and New York, printed in France sheet 19.8 x 14.6 in — 50.2 x 37 cm
PROVENANCE:
Private Collection, Toronto, ON
LITERATURE: Cramer 64. Mourlot 458.
$6,000 — 8,000
23
MARC CHAGALL (1887–1985), FRENCH/BELARUSIAN
LES VENDANGES, FROM DAPHNIS ET CHLOÉ, 1961 [M. 322, C.B. 46]
lithograph in colours on Arches paper, with full margins; signed and numbered 47/60, there was also an unsigned edition of 250 without margins, 3 proofs for collaborators and a few hors commerce; printed by Mourlot, Paris and published by Tériade Editeur, Paris sheet 21.1 x 15 in — 53.7 x 38.2 cm
PROVENANCE:
Dunkelman Gallery, Toronto, ON Private Collection, Toronto, ON
LITERATURE:
Mourlot 322. Cramer Books 46.
$15,000 — 20,000
24
JOAN MIRÓ (1893-1983), SPANISH
OISEAU ZEPHYR, 1960 [M. 227] lithograph in colours on Arches paper, with full margins; signed and numbered 51/100; published by Maeght, Paris and printed by Mourlot, Paris sheet 16 x 22.8 in — 40.7 x 58 cm
PROVENANCE:
Pucker/Safrai Gallery, Boston, MA Waddington Galleries, Toronto, ON Private Collection, Toronto, ON
LITERATURE: Mourlot 227.
$1,500 — 2,500
SALVADOR DALÍ (1904-1989), SPANISH LA CONQUÊTE DU COSMOS I (CONQUEST OF THE COSMOS I), 1974 [F. 74-12] complete set of six etchings and aquatints in colours with embossing, on BFK Rives paper, with full margins; each signed and numbered XLIII/CLXXXXV, there was also an edition of 195 on Arches paper and 25 artist’s proofs; published by Levine & Levine Graphics, Inc, New York, with justification plates 29.5 x 21.5 in — 74.9 x 54.6 cm
PROVENANCE:
Private Collection, Toronto, ON
LITERATURE: Field 74-12.
$8,000 — 12,000
26
SALVADOR DALÍ (1904-1989), SPANISH LINCOLN IN DALI VISION, 1977 [F. 74-1A] bronze bas-relief plaque; signed and numbered 55/195; published by Martin Lawrence Ltd. Editions, Van Nuys, California 34.75 x 25.75 in — 88.3 x 65.4 cm
PROVENANCE:
Private Collection, Alberta
LITERATURE: Field 74-1A.
$1,500 — 2,500
27
SALVADOR DALÍ (1904-1989), SPANISH INTRA-UTERINE PARADISIAC LOCOMOTION, FROM IMAGINATIONS AND OBJECTS OF THE FUTURE, 1975 [F. 75-11 D.]
lithograph in colours with drypoint on wove paper; signed and numbered 7/250 in pencil, there were also 75 proofs numbered in Roman; published by Merill Chase Publishing Association, Chicago image 30.3 x 22 in — 77 x 56 cm
PROVENANCE:
Private Collection, Ontario
LITERATURE:
Field 75-11 D.
$800 — 1,200
28
SALVADOR DALÍ (1904-1989), SPANISH
5 PLATES FROM ALICE IN WONDERLAND, 1969 five heliogravures on Mandeure paper, each with full margins; from the edition of 2500 with text by Lewis Carroll; printed by Ateliers Rigal and Nourisson, Paris and published by Maecenas Press and Random House, New York
1) Down the Rabbit Hole
2) Advice from a Caterpillar
3) Who Stole the Tarts?
4) The Rabbit Sends in a Little Bill
5) The Mock Turtle’s Story
15.5 x 10.5 in — 39.4 x 26.7 cm
PROVENANCE:
Private Collection, Toronto, ON
$800 — 1,200
PABLO PICASSO (1881-1973), SPANISH PEINTRE ET MODÈLE EN ROBE TRICOTÉE, FROM LA SÉRIE 156, 1971 [B. 1921; BA. 1929] etching in black on BFK Rives paper, with full margins; stamp-signed and numbered 24/50, there were also 15 artist’s proofs in Roman numerals
plate 5.9 x 8.3 in — 14.9 x 21 cm
PROVENANCE:
Weinstein Gallery, San Francisco, CA Private Collection, Ontario
LITERATURE:
Bloch 1921.
Baer 1929.
$3,000 — 4,000
30
PABLO PICASSO (1881-1973), SPANISH EXPOSITION CERAMIQUE VALLAURIS, 1959 [B. 1286; BA. 1216.B.A.]
linocut in colours on Arches paper, with full margins; signed and numbered 38/175; printed by Hidalgo Arnéra, Vallauris, published by the Association des potiers de Vallauris sheet 29.9 x 22.1 in — 75.9 x 56.1 cm
PROVENANCE:
Park West Galleries, Southfield, IL Private Collection, Toronto, ON
LITERATURE:
Bloch 1286.
Baer 1216.b.a.
$4,000 — 6,000
31
PABLO PICASSO (1881-1973), SPANISH MOTIF SPIRALÉ, 1957 [A.R. 404] white earthenware ceramic plate, partially engraved, with coloured engobe and glaze; stamped, marked, and numbered “Edition Picasso / Madoura Plein Feu / K 119 / Edition Picasso / 151/500 / Madoura” verso diameter 9.5 in — 24.1 cm
PROVENANCE: Private Collection, Toronto, ON
LITERATURE: Alain Ramie 404.
$4,000 — 6,000
32
DONALD JUDD (1928-1994), AMERICAN TABLE OBJECT, FROM TEN FROM LEO CASTELLI, 1968 [S. 1] folded stainless steel; signed and numbered 124/200 to label affixed to underside; published by Tanglewood Press, New York 20.1 x 24 x 2.6 in — 51 x 61 x 6.7 cm
PROVENANCE:
Collection of Carol and Morton Rapp, Toronto, ON Private Collection, Toronto, ON
LITERATURE: Schellmann 1.
$10,000 — 15,000
LARRY POONS (B. 1937), AMERICAN UNTITLED, FROM TEN FROM LEO CASTELLI, 1967
screenprint in colours on wove paper, with full margins; signed and numbered 124/200, there were also 25 proofs lettered from A to Y; published by Tanglewood Press, New York sheet 24 x 20 in — 60.9 x 50.7 cm
PROVENANCE:
Collection of Carol and Morton Rapp, Toronto, ON Private Collection, Toronto, ON
$500 — 800
34
LEE BONTECOU (1931-2022), AMERICAN SILKSCREEN, FROM TEN FROM LEO CASTELLI, 1967
screenprint on muslin laid on board; signed and numbered 124/200, there were also 25 proofs lettered from A to Y; published by Tanglewood Press, Inc., New York image 14 x 13 in — 35.6 x 33 cm
PROVENANCE:
Collection of Carol and Morton Rapp, Toronto, ON Private Collection, Toronto, ON
$2,500 — 3,500
35
ANDY WARHOL (1928-1987), AMERICAN PORTRAITS OF THE ARTISTS, FROM TEN FROM LEO CASTELLI, 1967
screenprints in black on 100 acrylic boxes; initialled and numbered 124/200 to verso of blue box with Warhol’s portrait, there were also 25 proofs lettered from A to Y; by Tanglewood Press, Inc., New York
20 x 20 in — 50.8 x 50.8 cm
PROVENANCE:
Collection of Carol and Morton Rapp, Toronto, ON Private Collection, Toronto, ON
$15,000 — 20,000
36
ROY LICHTENSTEIN (1923-1997), AMERICAN FISH AND SKY, FROM TEN FROM LEO CASTELLI, 1968
screenprint in colours on two gelatin silver prints, with full margins; signed and numbered 124/200, there were also 25 proofs lettered from A to Y; printed by Maurel Studios, New York, published by Tanglewood Press, New York
11.1 x 14 in — 28.2 x 35.6 cm
PROVENANCE:
Collection of Carol and Morton Rapp, Toronto, ON Private Collection, Toronto, ON
$4,000 — 6,000
CLAES OLDENBURG (1929-2022), SWEDISH/AMERICAN LONDON KNEES, 1966 [A.&P. 51]
polyurethane coated latex sculptures; signed and numbered 36/120 to justification; initalled and dated “66” to underside of each sculpture; published by Editions Alecto Ltd., London each height 14.6 in — 37 cm
PROVENANCE:
Private Collection, Toronto, ON
LITERATURE:
Axsom and Platzker 51.
$3,000 — 5,000
38
ROBERT MORRIS (1931-2018), AMERICAN MODEL, FROM TEN FROM LEO CASTELLI, 1968
vacuum-formed plastic; signed, dated, and numbered 124/200, there were also 25 proofs lettered from A to Y; published by Tanglewood Press, Inc., New York
23.1 x 19.3 x 0.6 in — 58.6 x 49 x 1.6 cm
PROVENANCE:
Collection of Carol and Morton Rapp, Toronto, ON
Private Collection, Toronto, ON
$600 — 800
39
JACK HAMILTON BUSH, OSA, ARCA (1909-1977), CANADIAN LINCOLN CENTRE, 1974
screenprint in colours on paper, with full margins; signed, dated, and numbered 31/144, there were also 15 artist’s proofs numbered in Roman 61.5 x 36.5 in — 156.2 x 92.7 cm
PROVENANCE:
Private Collection, Toronto, ON
$6,000 — 8,000
40
JACK HAMILTON BUSH, OSA, ARCA (1909-1977), CANADIAN ORANGE, PINK, BROWN, PLATE 2 FROM GRAPHICS: TORONTO 20, 1965 screenprint in colours on wove paper; signed, dated, situated at “Toronto”, and numbered 96/100; published by Art Publications in cooperation with The Art Gallery of Ontario, Toronto, printed at University of Toronto Press, Toronto
26 x 20 in — 66 x 50.8 cm
PROVENANCE:
Private Collection, Toronto, ON
$2,500 — 3,500
KAREL APPEL (1921-2006), DUTCH
FIVE NIGHT FACES ON BROADWAY II, 1975 etching and aquatint in colours with carborundum on wove paper; signed, dated “75”, and numbered 18/50
31.1 x 37 in — 79 x 94 cm
PROVENANCE:
Private Collection, Ontario
$400 — 600
42
KAREL APPEL (1921-2006), DUTCH
TÊTE DANSANTE, 1973
lithograph in colours on wove paper; signed, dated, and editioned “H.C.” for hors commerce; aside from the edition of 120; published by L’Oeuvre Gravée, Switzerland
19.7 x 26 in — 50 x 66 cm
PROVENANCE:
Private Collection, Toronto, ON
$400 — 600
43
KAREL APPEL (1921-2006), DUTCH BLACK EYED ANIMAL, 1979-80 lithograph in colours on wove paper; signed and numbered 164/175 in white pencil 20.9 x 29.1 in — 53 x 74 cm
PROVENANCE:
Private Collection, Toronto, ON
$400 — 600
44
KAREL APPEL (1921-2006), DUTCH FLOATING FLOWER PASSION (GREEN), 1975 screenprint in colours on wove paper, with full margins; signed and numbered 92/100; published by London Arts, Detroit and London image 25.6 x 37 in — 65 x 94 cm
PROVENANCE:
Private Collection, Toronto, ON
$400 — 600
KAREL APPEL (1921-2006), DUTCH MOUSE
lithograph in colours on wove paper, the full sheet; initialled and numbered 91/300; titled to gallery label verso 15 x 10.9 in — 38 x 27.8 cm
PROVENANCE:
Park West Galleries, Southfield, MI Private Collection, Ontario
NOTE:
Accompanied by a certificate of authenticity issued by Albert Scaglione, Park West Galleries.
$300 — 400 46
LE PHO (1907-2001), VIETNAM SISTERS
lithograph in colours on wove paper; signed and numbered 106/120 in pencil sight 24 x 15 in — 61 x 38.1 cm
PROVENANCE:
Private Collection, British Columbia
$600 — 800
47
AFTER FERNAND LEGER (1881-1955), FRENCH LES FEMMES AU BOUQUET, 1960 [S. 142] lithograph in colours on wove paper; stamp-signed and numbered 157/250; published by Musée Biot Fernand Léger, Biot, blindstamp sight 23 x 28 in — 58.4 x 71.1 cm
PROVENANCE: Private Collection, British Columbia
LITERATURE: Saphire 142.
$800 — 1,200
48
AFTER FERNAND LÉGER (1881-1955), FRENCH LES OISEAUX, 1955 lithograph in colours on wove paper, with full margins; stamp-signed and numbered 260/300; published by Musée Biot Fernand Léger, blindstamp image 22.2 x 15.6 in — 56.5 x 39.5 cm
PROVENANCE: Private Collection, Toronto, ON
$1,000 — 1,500
FRIEDEL DZUBAS (1915-1994), GERMAN/AMERICAN DISTANT JOURNEY, 1983 monoprint and paint on handmade paper, the full sheet; signed lower right 31 x 25 in — 78.7 x 63.5 cm
PROVENANCE:
Gallery One, Toronto, ON Private Collection, Toronto, ON
$15,000 — 20,000
50
ALEX KATZ (B. 1927), AMERICAN OONA, FROM BLACK DRESS, 2015 screenprint in colours on Saunders Waterford 425gsm paper, the full sheet; signed and numbered 34/35; published by Lococo Fine Art, St. Louis, Missouri
79.9 x 30 in — 202.9 x 76.2 cm
PROVENANCE: Private Collection, Montreal, QC
$20,000 — 25,000
51
ALEX KATZ (B. 1927), AMERICAN SHARON, FROM BLACK DRESS, 2015 screenprint in colours on Saunders Waterford 425gsm paper, the full sheet; signed and numbered 34/35; published by Lococo Fine Art, St. Louis, Missouri
79.9 x 30 in — 202.9 x 76.2 cm
PROVENANCE:
Private Collection, Montreal, QC
$20,000 — 25,000
52
DAVID HOCKNEY (B. 1937), BRITISH GLASS TABLE WITH OBJECTS, 1969 [S.A.C. 68; M.C.A.T. 65] lithograph in colours on BFK Rives paper, with full margins; signed, dated and numbered 49/75, there were also 16 artist’s proofs; printed by Atelier Desjobert, Paris, published by Petersburg Press, London sheet 17.8 x 22.1 in — 45.2 x 56.2 cm
PROVENANCE:
The Pollock Gallery, Toronto, ON Private Collection, Toronto, ON
LITERATURE:
Scottish Arts Council 68. M.C.A. Tokyo 65.
$8,000 — 12,000
PAUL JENKINS (1923-2012), AMERICAN PHENOMENA FRANKLIN’S KITE, 1973 lithograph in colours on wove paper, the full sheet; signed, dated, and numbered 48/175 26 x 19 in — 66 x 48.3 cm
PROVENANCE:
Gallery One, Toronto, ON Private Collection, Toronto, ON
$800 — 1,200
54
JAMES ROSENQUIST (1933-2017), AMERICAN F-111 (CASTELLI MAILER), 1965 offset lithograph in colours on wove paper, the full sheet; from the edition of unknown size, folded as issued; published by Leo Castelli Gallery, New York 28 x 24 in — 71.1 x 61 cm
PROVENANCE:
Dunkelman Gallery, Toronto, ON Private Collection, Toronto, ON
$400 — 600
55
BEN NICHOLSON (1894-1982), BRITISH TWO TURKISH FORMS, FROM GREEK AND TURKISH FORMS, 1967
etching in black on wove paper, with full margins; signed, dated “67”, and numbered 21/50 to lower margin; printed by Lafranca, Locarno, blindstamp
14.9 x 12.6 in — 37.8 x 32 cm
PROVENANCE:
Private Collection, Ontario
$600 — 800
56
ELISABETH FRINK (1930-1993), BRITISH SPINNING MAN I, 1965
lithograph in colours on wove paper; signed, dated “65”, and numbered 31/50 in pencil; printed by Curwen Studio, Cambridge, published by Curwen Prints, Cambridge sight 21 x 30 in — 53.3 x 76.2 cm
PROVENANCE:
Pollock Gallery, Toronto, ON Private Collection, Ontario
$500 — 700
57
PATRICK HERON (1920-1999), BRITISH EIGHT INCLUDING ULTRAMARINE, 1971 screenprint in colours on JR Green paper; signed, dated “71”, and numbered 71/75; printed by Kelpra Studio, published by Waddington Graphics, London image 23 x 31 in — 58.4 x 78.7 cm
PROVENANCE:
Private Collection, Montreal, QC
Waddington’s Auctioneers, Toronto, ON, 21 Oct 2010, lot 75
Private Collection, London, ON
$3,000 — 4,000
58
DAVID LLOYD BLACKWOOD, RCA (1941-2022), CANADIAN BARBOUR’S ‘SEABIRD’ LEAVING NEWTOWN, 1998
hand coloured etching and aquatint on wove paper, with full margins; signed, titled, dated, and numbered 15/75 image 24 x 35 in — 61 x 88.9 cm
PROVENANCE:
Edward Day Gallery, Kingston and Toronto, ON Private Collection, Toronto, ON
$4,000 — 6,000
59
DAVID LLOYD BLACKWOOD, RCA (1941-2022), CANADIAN THE INTERNATIONAL CODE, 1996 monotype on wove paper; signed and dated lower right; titled and dated to gallery labels verso
36 x 24 in — 91.4 x 61 cm
PROVENANCE: Gallery One, Toronto, ON Private Collection, Toronto, ON
$5,000 — 7,000
60
DAVID LLOYD BLACKWOOD, RCA (1941-2022), CANADIAN STUDY FOR SAFE HARBOUR, 1980 etching and aquatint in colours on wove paper; signed, titled, dated, and numbered 50/50, there were also 10 artist’s proofs image 4.75 x 8 in — 12.1 x 20.3 cm
PROVENANCE: Private Collection, Toronto, ON
$1,200 — 1,800
61
DAVID LLOYD BLACKWOOD, RCA (1941-2022), CANADIAN SICK CAPTAIN LEAVING, 1972
etching and aquatint in colours on wove paper ; signed, titled, dated, and editioned “artist proof”, aside from the edition of 25 image 31.5 x 20 in — 79.4 x 50.8 cm
PROVENANCE:
Heffel, Toronto, 30 Apr 2004, lot 32 Private Collection, Toronto, ON
$3,000 — 5,000
62
DAVID LLOYD BLACKWOOD, RCA (1941-2022), CANADIAN SEALER’S DREAM : FAMILY, 1975 etching and aquatint in colours on wove paper; signed, titled, dated, and numbered 24/25 sight 11.75 x 9 in — 29.8 x 22.9 cm
PROVENANCE: West End Gallery, Edmonton, AB Private Collection, Vancouver, BC
$1,000 — 1,500
63
CHRISTOPHER PRATT, RCA (1935-2022), CANADIAN LANCE POINT ROCK, 1990 screenprint in colours on wove paper, with full margins; signed, titled, dated “Dec 1990”, and numbered 69/70
13.5 x 30 in — 34.3 x 76.2 cm
PROVENANCE: Private Collection, Ontario
$5,000 — 7,000
64
JOSEPH YVON FAFARD, RCA (1942-2019), CANADIAN NEW VEAU, 1980 screenprint in colours on wove paper; signed, titled, dated “80”, and numbered 33/70 image 18 x 18 in — 45.7 x 45.7 cm
PROVENANCE: Private Collection, Toronto, ON
$800 — 1,200
JOSEPH YVON FAFARD, RCA (1942-2019), CANADIAN HI, 1979
screenprint in colours on wove paper ; signed, titled, dated “’79”, and numbered 170/500
sight 6.25 x 6.25 in — 15.9 x 15.9 cm
PROVENANCE:
Susan Whitney Gallery Ltd., Regina, SK Private Collection, British Columbia
$800 — 1,200
66
DAVID BROWN MILNE (1882-1953), CANADIAN
PAINTING PLACE, 1930-31
drypoint in colours on Fabriano wove paper; signed, from the edition of 3000; published by Pynson Printers, New York
4.8 x 6.8 in — 12.2 x 17.3 cm
PROVENANCE: Private Collection, Toronto, ON
NOTE:
Accompanied by a copy of The Colophon: A Book Collectors’ Quarterly, Part V, Colophon Ltd., New York, 1931.
$800 — 1,200
67
COREY BULPITT (TAAKEIT GAAYAA) (B. 1978), HAIDA LOVE, 2020 digital print on paper; signed and numbered 15/25 20 x 20 in — 50.8 x 50.8 cm
PROVENANCE: Casey House, Toronto, ON
NOTE:
Proceeds to benefit Casey House, Toronto, ON.
$800 — 1,000
68
JOHN HARTMAN, RCA (B. 1950), CANADIAN
A FOX AT THE CABIN DOOR, 1991 drypoint and etching in colours on wove paper, with full margins; signed, titled, dated “12.1.91”, and numbered 5/10 image 13 x 9.5 in — 33 x 24.8 cm
PROVENANCE: Private Collection, Ontario
$600 — 800
JOHN HARTMAN, RCA (B. 1950), CANADIAN
TORONTO FROM ABOVE THE DON RIVER, 2011
etching, drypoint, and aquatint on wove paper, with full margins; signed, titled, dated, and numbered 23/30
13 x 13.75 in — 33 x 34.9 cm
PROVENANCE: Casey House, Toronto, ON
NOTE:
Proceeds to benefit Casey House, Toronto, ON.
$1,500 — 2,500
70
THOMAS DE VANY FORRESTALL, RCA (1936-2024), CANADIAN STARTLED DOG, FROM WELL KNOWN PLACES, 1980
lithograph in colours on wove paper; signed, titled, dated, and numbered 44/145; published by Madison Gallery, Toronto, printed in La Spiral Print Studio, Milan
27 x 18.5 in — 68.6 x 47 cm
PROVENANCE: Private Collection, Toronto, ON
$300 — 400
71
ANDRÉ CHARLES BIÉLER, OSA, RCA (1896-1989), CANADIAN LA CHAPELLE DE ST. FAMILLE, 1927 woodcut in colours on wove paper; signed, titled, dated, and numbered 66/125 sight 7.5 x 7.5 in — 19.1 x 19.1 cm
PROVENANCE: Roberts Gallery, Toronto, ON Private Collection, Toronto, ON
$400 — 600
72
MARGARET DOROTHY SHELTON (1915-1984), CANADIAN LOUISE BRIDGE, CALGARY, 1972 linocut in black on wove paper ; signed, titled, dated “72”, and numbered 5/100 image 7 x 9.5 in — 17.8 x 24.1 cm
PROVENANCE: Masters Gallery Ltd., Calgary, AB Private Collection, Toronto, ON
$500 — 700
JEAN PAUL LEMIEUX RCA (1904-1990), CANADIAN JEAN PAUL LEMIEUX, 1979
Portfolio (57x55cm), complete with 15 facsimiles of the paintings Time Remembered, with the lithograph in colours on BFK Rives wove paper Les Jours à Kent House, each print signed and numbered by the artist; additionally signed and numbered 18/100 to colophon, there were also 5 AP and 25 HC both numbered in Roman; printed by Mintmark Press Toronto, published by Mira Godard Gallery, 1979; under slipcase bound in Suedalope and beige linen
PROVENANCE:
Private Collection, Toronto, ON
$300 — 500
74
JEAN PAUL LEMIEUX, RCA (1904-1990), CANADIAN LE TRAIN DE PORTAGE-DES-PRÉS FROM LA PETITE POULE D’EAU, 1971 lithograph in colours on wove paper, with full margins; signed and numbered 68/200, there were also 20 proofs hors commerce numbered in Roman; printed by Imprimerie Arte, Paris, published by Gilles Corbeil, Montreal
image 9 x 16.5 in — 22.9 x 41.9 cm
PROVENANCE:
Private Collection, Quebec
$2,000 — 3,000
75
WILLIAM KURELEK, OSA, RCA (1927-1977), CANADIAN
MAP OF METROPOLITAN TORONTO, 1976 lithograph in colours on wove paper, with full margins; signed and numbered 78/150; published by Pagurian Press Limited, Toronto 18.5 x 24 in — 47 x 61 cm
PROVENANCE: Private Collection, Toronto, ON
$1,000 — 1,500
76
WILLIAM KURELEK, OSA, RCA (1927-1977), CANADIAN
A WINTER PASTIME, 1975 photolithograph in colours on wove paper; signed and numbered 21/300 image 11.5 x 9.5 in — 29.2 x 24.1 cm
PROVENANCE: Private Collection, Toronto, ON
$300 — 500
WILLIAM KURELEK, OSA, RCA (1927-1977), CANADIAN LIGHT TRADING ON THE TORONTO STOCK EXCHANGE, 1973 photolithographic reproduction on wove paper; signed and numbered 165/950 sheet 19 x 21.5 in — 48.3 x 54.6 cm
PROVENANCE: Private Collection, Ontario
$800 — 1,200
78
RONALD YORK WILSON OCA, RCA (1907-1984), CANADIAN CAIRO, FROM THE CITIES, 1967 screenprint in colours on wove paper, with full margins; signed and numbered 35/60 Sight 15.5 x 20.375 in — 39.4 x 51.8 cm
PROVENANCE: Beaverbrook Art Gallery, Fredericton, NB; Deaccessioned to benefit art purchases at the Beaverbrook Art Gallery
$200 — 300
79
RONALD YORK WILSON OCA, RCA (1907-1984), CANADIAN CAIRO, FROM THE CITIES, 1967 screenprint in colours on wove paper, with full margins; signed, titled, and editioned “E/A” for épreuve d’artiste (artist’s proof), a proof aside from the edition of 60 Sight 16 x 21 in — 40.6 x 53.3 cm
PROVENANCE:
Beaverbrook Art Gallery, Fredericton, NB; Deaccessioned to benefit art purchases at the Beaverbrook Art Gallery
$200 — 300
80
RONALD YORK WILSON, OSA, RCA (1907-1984), CANADIAN MARRAKECH, FROM THE CITIES, 1967 screenprint in colours on wove paper, with full margins; signed, titled, and numbered 15/60 sheet 22.5 x 28 in — 57.2 x 71.1 cm
PROVENANCE:
Roberts Gallery, Toronto, ON Private Collection, Toronto, ON
$200 — 300
WILLIAM PEREHUDOFF, RCA (1918-2013), CANADIAN
LA PLONGE #12, 1974
screenprint in colours on wove paper, with full margins; signed, titled, and numbered 61/75
22.5 x 29.75 in — 57.2 x 75.6 cm
PROVENANCE:
Waddington Galleries, Montreal, QC Waddington’s Auctioneers, Toronto, 16 Oct 2008, lot 257
Private Collection, Toronto, ON
$500 — 700
82
RITA LETENDRE, RCA (1928-2021), CANADIAN INTO NIGHT, 1967
screenprint in colours on wove paper, the full sheet; signed, titled, dated “67”, and numbered 5/20
sheet 16.5 x 14 in — 41.9 x 35.6 cm
PROVENANCE: Private Collection, Toronto, ON
$800 — 1,200
83
RITA LETENDRE, RCA (1928-2021), CANADIAN ENVIRONMENT II, 1967 screenprint in colours on wove paper, the full sheet; signed, titled, and editioned “Artist Proof”
13.75 x 18 in — 34.9 x 45.7 cm
PROVENANCE:
Gallery Pascal Graphics, Toronto, ON Private Collection, Toronto, ON
$600 — 800
84
LE CORBUSIER (1887-1965), SWISS/FRENCH
MAINS CROISÉES, 1964 [W. 82] lithograph in black and yellow on wove paper, the full sheet; signed and numbered 92/150 28.3 x 21.3 in — 72 x 54 cm
PROVENANCE:
Waddington’s Auctioneers, Toronto, ON, 13 Oct 2004, lot 118 Private Collection, Toronto, ON
LITERATURE: Weber 82.
$2,000 — 3,000
LE CORBUSIER (1887-1965), SWISS/FRENCH
ICÔNE 8, 1964 [W. 81]
lithograph in black and red on wove paper, the full sheet; signed, a proof aside from the edition of 150 sheet 28.3 x 21.3 in — 72 x 54 cm
PROVENANCE:
Waddington’s Auctioneers, Toronto, ON, 13 Oct 2004, lot 118
Private Collection, Toronto, ON
LITERATURE: Weber 81.
$2,500 — 3,500
86
ADOLPH GOTTLIEB (1903–1974), AMERICAN GERMINATION II, 1969
lithograph in colours on wove paper, the full sheet; signed, dated, and numbered 22/65 in pencil; published by Marlborough Graphics, New York sheet 22.2 x 30.1 in — 56.5 x 76.5 cm
PROVENANCE: Private Collection, Toronto, ON
LITERATURE: Associated American Artists 60.
$2,000 — 3,000
87
JIM DINE (B. 1935), AMERICAN UNTITLED, FROM TEN WINTER TOOLS, 1973 [C. 32; W.C. 114]
lithograph in colours with hand colouring on Richard de Bas paper, with full margins; signed, dated, and numbered 1/10, aside from the edition of 100, there were also 4 additional proofs; printed by William Law, published by Petersburg Press, New York sheet 26.2 x 20.1 in — 66.5 x 51 cm
PROVENANCE: Private Collection, Montreal, QC
LITERATURE:
Carpenter 32. Williams College 114.
$1,000 — 1,500
88
SAM FRANCIS (1923-1994), AMERICAN UNTITLED (SF-274), CA. 1977-78 [L. 229; G. 821] lithograph in black on Arches 88 paper, the full sheet; signed and numbered 4/25 in pencil to lower edge; published by Gemini G.E.L., Los Angeles, blindstamp
51.2 x 51.2 in — 130 x 130 cm
PROVENANCE: Private Collection, Toronto, ON
LITERATURE: Lembark L229. Gemini 821.
$2,000 — 3,000
LOUISE NEVELSON (1899-1988), AMERICAN UNTITLED (T-2173 & 2173A), 1967 [B. 93] lithograph in colours on wove paper, the full sheet; signed and dated “67” lower right; numbered 16/20 to gallery label verso; printed by Tamarind Lithography Workshop, Los Angeles 22.4 x 41.3 in — 57 x 106 cm
PROVENANCE:
Marlborough Godard Gallery, Toronto, ON Private Collection, Ontario
LITERATURE:
Baro 93.
$1,000 — 1,500
90
ROBERT RAUSCHENBERG (1925-2008), AMERICAN STORYLINE II, FROM REELS (B + C), 1968 lithograph in colours on wove paper, with full margins; signed, dated “68”, and numbered edition 38/59 in pencil; published by Gemini G.E.L., Los Angeles sheet 22 x 17.9 in — 56 x 45.5 cm
PROVENANCE:
Private Collection, Toronto, ON
$1,500 — 2,500
91
YVES GAUCHER, RCA (1934-2000, CANADIAN
JERICHO - AN ALLUSION TO BARNETT NEWMAN, 1978
lithograph in colours on wove paper, the full sheet; signed, titled, dated “78”, and numbered 70/85 upper right, there were also 3 printer’s proofs; printed by Open Studio, Toronto
28.7 x 40.9 in — 73 x 104 cm
PROVENANCE:
Private Collection, Westmount, QC
$1,500 — 2,500
92
YVES GAUCHER, RCA (1934-2000), CANADIAN TRANSITIONS, 1967
complete portfolio with eight lithographs in black on Johannot watermarked wove paper, each signed, dated “67” and numbered 31/50, each plate numbered in Roman from I to VIII, additionally numbered 31 to colophon, there were also 10 portfolios editioned Artist’s Proofs and numbered in Roman; with the title page, the introductory text in French and English by Doris Shadbolt; published by Editions Galerie Godard-Lefort; contained in the original white linen-wrapped hard cover folio under brown linen-covered slipcase sheet 23 x 17.5 in — 58.4 x 44.5 cm
PROVENANCE:
Private Collection, Westmount, QC
$1,000 — 1,500
HANS HARTUNG (1904-1989), GERMAN L 1973-8, 1973 [R.M.M. 406]
lithograph in black on BFK Rives paper, with full margins; signed, titled, and editioned “H.C.” for hors commerce, a proof aside from the edition of 75; published by Galerie de France, Paris, printed by Erker-Presse, Saint-Gall, 1988
41.1 x 29.1 in — 104.3 x 74 cm
PROVENANCE:
Private Collection, London, ON
LITERATURE:
Rainer Michael Mason 409.
$300 — 500
94
VICTOR VASARELY (1906-1997), HUNGARIAN
VECA’SAKK, CA. 1969
lithograph in colours on wove paper; signed, titled, and editioned “EA” for épreuve d’artiste (artist’s proof); published by Editions Denise René, Paris
27 x 31 in — 68.6 x 78.7 cm
PROVENANCE:
Private Collection, British Columbia
$600 — 800
95
VICTOR VASARELY (1906-1997), HUNGARIAN GESTALT YELLOW, 1970
lithograph in colours on wove paper, the full sheet; signed and numbered 139/200; published by Editions Denise René, Paris 35 x 36 in — 88.9 x 91.4 cm
PROVENANCE: Private Collection, British Columbia
$600 — 800
96
VICTOR VASARELY (1906-1997), HUNGARIAN/FRENCH TRIDIMOR, 1969
screenprint in colours on wove paper, with full margins; signed and editioned “FV65/150”; published by Bruckmann Verlag, Germany sheet 33.1 x 24.8 in — 84 x 62.9 cm
PROVENANCE: Fondation Vasarely, Aix-en-Provence, France Private Collection, Toronto, ON
$400 — 500
SOREL ETROG, RCA (1933-2014), CANADIAN UNTITLED (FIGURE STUDY )
embossed intaglio on wove paper; signed and numbered 23/50
11 x 8.5 in — 27.9 x 21.6 cm
PROVENANCE:
Private Collection, Toronto, ON
$150 — 200
98
CHARLES PACHTER (B. 1942), CANADIAN PACHTER, 1992
in-folio (292 x 241 mm), Bogomila WelshOvcharov, McClelland & Stewart, pub., 1992, signed by the publishers and the artist, and numbered 119/150 to colophon, from an edition totalling 175, complete with the screenprint in colours on cotton and linen handmade paper, signed, dated “92”, and numbered 119/150, in the separated beige linen covered portfolio, all under the original beige linen covered slipcase stamped with the title
11.5 x 9.5 in — 29.2 x 24.1 cm
PROVENANCE:
Private Collection, Montreal, QC
$400 — 600
99
CHARLES PACHTER (B. 1942), CANADIAN RED BARN REFLECTED, 1999 screenprint in colours on archival matte paper, with full margins; signed, titled, dated “99”, and numbered 14/150 24 x 28 in — 61 x 71.1 cm
PROVENANCE:
Private Collection, Toronto, ON
$1,500 — 2,500
100
WALTER JOSEPH PHILLIPS, RCA (1884-1963), CANADIAN SOFT MAPLE, 1930 woodcut in colours on wove paper; signed; from the unnumbered edition of 54 image 4 x 4 in — 10.2 x 10.2 cm
PROVENANCE: Private Collection, Toronto, ON
$600 — 800
101
WALTER JOSEPH PHILLIPS (1884-1963), CANADIAN MOUNT CATHEDRAL AND MOUNT STEPHEN, PLATE 7 FROM THE CANADIAN SCENE, 1928
woodcut in colours on Goyu paper ; signed and numbered “19”, from the edition of 300 6.4 x 8.7 in — 16.2 x 22.2 cm
PROVENANCE:
Richardson Brothers Art Gallery, Winnipeg, MB Private Collection, Ontario
$1,000 — 1,200
102
WALTER JOSEPH PHILLIPS, RCA (1884-1963), CANADIAN ALPINE MEADOW, 1926 (CHRISTMAS CARD) woodcut in colours on Japanese paper, with full margins; monogrammed in print lower right; stamped “Walter J. Phillips A.R.C.A., Produced in Canada, Canadian Artists Series, 329” verso, folded as issued 3.25 x 4 in — 8.3 x 10.2 cm
PROVENANCE:
Private Collection, Toronto, ON
$500 — 800
103
WALTER JOSEPH PHILLIPS (1884-1963), CANADIAN
LAKE OF THE WOODS, PLATE 8 FROM TEN WOODCUTS, 1931
woodcut in colours on Goyu paper ; signed, from the unnumbered edition of 200 7 x 8.25 in — 17.8 x 21 cm
PROVENANCE:
The Richardson Brothers Gallery, Winnipeg, MB
Private Collection, Ontario
$2,000 — 3,000
104
WALTER JOSEPH PHILLIPS, RCA (1884-1963), CANADIAN SUNSET, LAKE OF THE WOODS, PLATE 1 FROM THE CANADIAN SCENE, 1928 woodcut in colours on Goyu paper, with full margins; signed and indistinctly numbered, from the edition of 300 image 7 x 8.25 in — 17.8 x 21 cm
PROVENANCE:
Richardson Brothers Art Gallery, Winnipeg, MB Private Collection, Ontario
$2,000 — 3,000
105
WALTER JOSEPH PHILLIPS, RCA (1884-1963), CANADIAN WATERFALL, LAKE OF THE WOODS, 1934 woodcut in black on wove paper; signed, from the unnumbered edition of 200; published by Prairie Print Makers, Wichita, Kansas image 4.25 x 7.25 in — 10.8 x 18.4 cm
PROVENANCE:
Private Collection, Toronto, ON
$600 — 800
106
JACK LEONARD SHADBOLT, RCA (1909-1998), CANADIAN BIRDS IN THE THICKET, PLATES I, II, III ,IV, 1996 four lithographs in black on wove paper, the full sheets; each signed, titled, dated, numbered 13/85, and additionally numbered in Roman from I to IV each sheet 36.75 x 26.75 in — 93.3 x 67.9 cm
PROVENANCE: Private Collection, British Columbia
$2,000 — 3,000
107
NORVAL MORRISSEAU, CM, RCA (1932-2007) THE ART OF NORVAL MORRISSEAU, 1979 five screenprints in colours and gallery edition book; complete portfolio including The Dawn, Shaman Conjuring Speech, Composition with Loons, Young Gulls Watching, and Shaman and Apprentice; each signed and numbered 337/350; accompanied by the French edition of the calfskin bound book, number 29/350 and signed by the artist, The Art of Norval Morrisseau by Lister Sinclair and Jack Pollock, Toronto/ New York: Methuen, 1979, signed by Norval Morrisseau; housed in the original wood and linen case with calfskin straps each sheet 24 x 18 in — 61 x 45.7 cm
PROVENANCE:
Private Collection, Toronto, ON
$2,000 — 3,000
108
LAWRENCE PAUL YUXWELUPTUN (B. 1957), CANADIAN N.W.C. MAN, 2021 etching and aquatint in black on wove paper, with full margins; signed, titled, and numbered 42/100, there were also 10 artist’s proofs; published by New Leaf Editions, Vancouver, blindstamp sheet 10 x 7.25 in — 25.4 x 18.4 cm
PROVENANCE:
Private Collection, Toronto, ON
$250 — 350
109
LAWRENCE PAUL YUXWELUPTUN (B. 1957), CANADIAN RAIN BIRD MAN, 2021
etching and aquatint in black on wove paper, with full margins; signed, titled, dated, and numbered 42/50; published by New Leaf Editions, Vancouver, blindstamp 12.75 x 6.75 in — 32.4 x 17.1 cm
PROVENANCE:
Private Collection, Toronto, ON
$250 — 350
110
LAWRENCE PAUL YUXWELUPTUN (B. 1957), CANADIAN NIGHT WALKER, 2021
etching and aquatint in black on wove paper, with full margins; signed, titled, dated, and numbered 42/100; published by New Leaf Editions, Vancouver, blindstamp 10 x 6.75 in — 25.4 x 17.1 cm
PROVENANCE:
Private Collection, Toronto, ON
$250 — 350
111
JEAN PAUL RIOPELLE, RCA (1923-2022), CANADIAN
AU REPOS, 1983 [YSEULT RIOPELLE 1981.13EST.LI]
lithograph in colours on Arches paper ; signed and numbered 72/75; printed by Arte Adrien Maeght, Paris and published by Maeght, Paris 26 x 30.75 in — 66 x 78 cm
PROVENANCE:
Private Collection, Toronto, ON
LITERATURE:
Yseult Riopelle, Jean Paul Riopelle: Catalogue raisonné des estampes (Montreal: Hibou Éditeurs, 2005), 280, no. 1981.13EST.LI.
$2,500 — 3,500
112
JACK LEONARD SHADBOLT, RCA (1909-1998), CANADIAN SHORE IMAGE, 1997
lithograph in colours on wove paper; signed, titled, dated “’97”, and numbered 84/100 sight 25 x 33.5 in — 63.5 x 85.1 cm
PROVENANCE:
Private Collection, British Columbia
$1,500 — 2,500
FRIEDEL DZUBAS (1915-1994), AMERICAN NIGHTSTAR, 1984 screenprint in colours on Arches paper, with full margins; signed, titled, and numbered 86/90; printed by Jerry Shiner at The Art Printer, Toronto, blindstamp sheet 12.7 x 19.1 in — 32.3 x 48.5 cm
PROVENANCE: The Art Printer, Toronto, ON
$600 — 800
114
KATHLEEN MARGARET (K.M.) HOWITT GRAHAM, RCA (1918-2008), CANADIAN FOR JACK, FROM HOMAGE TO JACK BUSH, 1983 screenprint in colours on Arches paper; signed, titled, and editioned “Hors de Commerce 5/5”; printed by Jerry Shiner, The Art Printer, Toronto, published by Merriot Editions Ltd., Toronto 22.25 x 29 in — 56.5 x 73.7 cm
PROVENANCE:
The Art Printer, Toronto, ON
$300 — 500
115
GORDON APPELBE SMITH, RCA (1919-2020), CANADIAN WEST COAST 2
screenprint in colours on wove paper; signed, titled, and numbered 2/30 image 10 x 15.5 in — 25.4 x 39.4 cm
PROVENANCE:
Private Collection, Vancouver, BC
$300 — 500
116
TAKAO TANABE (B. 1926), CANADIAN GOGIT PASSAGE Q.C.IS., 1988
woodcut in colours on wove paper; signed, titled, dated “’88”, and numbered 15/50 sight 19 x 30.75 in — 48.3 x 78.1 cm
PROVENANCE:
Private Collection, Victoria, BC
$1,200 — 1,600
117
BARKER FAIRLEY (1887-1986), CANADIAN PORTRAIT OF A LADY lithograph in colours on wove paper, the full sheet; signed and numbered 10/150 30 x 22.5 in — 76.2 x 57.2 cm
PROVENANCE:
Estate of Prof. William Blissett, Toronto, ON $200 — 300
118
GENERAL IDEA (ACT. 1968-1994), CANADIAN URSA MAJOR AND TAURUS: PAVILLION FRAGMENTS FROM THE STARRY VAULT, 1983 [F.8306]
embossing and gold foil on analine dyes wove paper, the full sheet; signed, titled, dated, and editioned “A/P” for artist’s proof, aside from the edition of 100 23 x 31 in — 58.4 x 78.7 cm
PROVENANCE: Private Collection, Toronto, ON
LITERATURE:
Barbara Fischer, General idea: Editions 19671995, Blackwood Gallery University of Toronto at Mississauga, 2003.
$500 — 700
119
DORIS SHADBOLT (1918-2003), CANADIAN
THE ART OF EMILY CARR, 1980 complete portfolio with six photolithographic reproductions on Stonehenge paper, signed and numbered 89 to colophon, from the edition of 250; printed by Herzig Somerville, Toronto, linen and leather bound portfolio in the original wooden box
PROVENANCE:
Private Collection, British Columbia
$800 — 1,200
120
ALFRED JOSEPH (A.J.) CASSON, OSA, PRCA (1898-1992), CANADIAN
A NORTHERN SUITE PORTFOLIO, 1981 complete portfolio of six photolithographs in colours on wove paper, with full margins including Passing Storm, Rock and Pine, King Side Road, Magnetawan, Forest Edge, and North Shore each signed, titled, and numbered 40/60; published by M.B. Loates Publishing, blindstamp, contained in the original felt-suede case with slipcover 20 x 24 in — 50.8 x 61 cm
PROVENANCE:
Private Collection, Toronto, ON
$2,500 — 3,500
121
ALFRED JOSEPH (A.J.) CASSON, OSA, PRCA (1898-1992), CANADIAN PRELUDE, 1898-1992
lithograph in colours on wove paper; signed, titled, and editioned “AP IX”, for artist’s proof, aside from the edition of 250 image 13.25 x 17.5 in — 33.7 x 44.5 cm
PROVENANCE:
Private Collection, Toronto, ON
$400 — 600
122
ALFRED JOSEPH (A.J.) CASSON, OSA, PRCA (1898-1992), CANADIAN GENERAL STORE, 1898-1992
lithograph in colours on wove paper; signed, titled, and editioned “AP IX”, for artist’s proof, aside from the edition of 250 image 14.25 x 17 in — 36.2 x 43.2 cm
PROVENANCE:
Private Collection, Toronto, ON
$400 — 600
123
ALFRED JOSEPH (A.J.) CASSON, OSA, PRCA (1898-1992), CANADIAN CALM AFTER STORM - LAC LA PÊCHE QUE. screenprint in colours on wove paper; signed and titled lower right sight 23 x 29 in — 91.4 x 81.3 cm
PROVENANCE: McDowell Gallery, Toronto, ON Private Collection, Toronto, ON
$200 — 300
124
ALFRED JOSEPH (A.J.) CASSON, OSA, PRCA (1898-1992), CANADIAN UNTITLED (OCTOBER LAKE SUPERIOR) photolithograph in colours on wove paper; signed
image 8.25 x 10.25 in — 53.3 x 58.4 cm
PROVENANCE: Design Collections, Toronto, ON Private Collection, Toronto, ON
$300 — 400
ALFRED JOSEPH (A.J.) CASSON, OSA, PRCA (1898-1992), CANADIAN THE WHITE FOREST photolithograph in colours on wove paper; signed image 8.25 x 10.5 in — 53.3 x 58.4 cm
PROVENANCE: Design Collections, Toronto, ON Private Collection, Toronto, ON
$300 — 400
126
GORDON APPELBE SMITH, RCA (1919-2020), CANADIAN MOUNTAIN, 1977 lithograph in black on wove paper, the full sheet ; signed, titled, dated, and numbered 29/50; printed by Don Holman and Otis Tamasauskas, Open Studio, Toronto 30 x 41 in — 76.2 x 105.4 cm
PROVENANCE: Private Collection, Ontario
$300 — 500
127
NORMAN ANTHONY (TONI) ONLEY (1928-2004), CANADIAN ARCH
screenprint in colours on wove paper; signed, titled, and editioned “AP” for artist’s proof sight 12 x 16 in — 30.5 x 40.6 cm
PROVENANCE:
Private Collection, Toronto, ON
$300 — 500
128
NORMAN ANTHONY (TONI) ONLEY (1928-2004), CANADIAN WETSAND
screenprint in colours on wove paper, with full margins; signed, titled, and editioned “AP V/ VI”, for artist’s proof 13 x 17 in — 33 x 43.2 cm
PROVENANCE:
Private Collection, Montreal, QC
$200 — 300
NORMAN ANTHONY (TONI) ONLEY (1928-2004), CANADIAN TWO ROCKS, JAPAN
screenprint in colours on wove paper, with full margins; signed, titled, and numbered 40/40
image 11 x 15 in — 27.9 x 38.1 cm
PROVENANCE:
Private Collection, Montreal, QC
$200 — 300
130
JOSEF
FISCHNALLER (1927-2006), AUSTRIAN 6 PRINTS
five linocuts and one woodcut in colours on paper; 1) Untitled (Still Life), 1980 signed, dated “80”, and numbered 3/40
2) Untitled (Landscape) signed, indistinctly dated, and numbered 48/50
3) Untitled (Horse & Crucifix), 1988 signed, dated “88”, and numbered 10/20
4) Untitled (Nude & Pierrot) signed, indistinctly dated, and numbered 20/38
5) Untitled (Still Life)
signed, indistinctly dated, and numbered 9/35
6) Untitled (Pierrot with Guitar), 1980 signed, dated “80”, and numbered 73/79
sheet 15 x 20.1 in — 38 x 51 cm;
sheet 8.5 x 12 in — 21.5 x 30.5 cm;
sheet 9.1 x 10.8 in — 23 x 27.5 cm;
sheet 18.9 x 13 in — 48 x 33 cm;
sheet 25.2 x 18.7 in — 64 x 47.5 cm;
sheet 21.1 x 15 in — 53.5 x 38 cm
PROVENANCE:
Private Collection, Toronto, ON
$300 — 500
131
HELMUT KIES (B. 1933), AUSTRIAN UNTITLED (LANDSCAPE WITH PLANES), 1973; UNTITLED (LANDSCAPE WITH NUDES), 1973; UNTITLED (PIERROT), 1972
three etchings in colours on wove paper; each signed, dated, and numbered sheet 13 x 17.3 in — 33 x 44 cm; sheet 15 x 18.9 in — 38 x 48 cm; sheet 20.1 x 16.1 in — 51 x 41 cm
PROVENANCE:
Private Collection, Toronto, ON
$300 — 500
132
ERNST FUCHS (1930-2015), AUSTRIAN BACHNYMPHE, 1976
etching in colours on wove paper, with full margins; signed and numbered 119/370 sheet 10 x 11.3 in — 25.5 x 28.6 cm
PROVENANCE:
Private Collection, Toronto, ON
$400 — 600
ARNULF RAINER (1929-2025), AUSTRIAN DENKE DEIN!, 1969
screenprint in colours on wove paper, with full margins; signed and numbered 78/80 sheet 20.9 x 29.9 in — 53.1 x 76 cm
PROVENANCE:
Private Collection, Toronto, ON
$800 — 1,200
134
ERNST FUCHS (1930-2015), AUSTRIAN DIE GEBURT DER VENUS, 1974
etching in black on wove paper, with full margins; signed and numbered 172/ 200 sheet 19.6 x 26.2 in — 49.7 x 66.5 cm
PROVENANCE:
Private Collection, Toronto, ON
$800 — 1,200
135
BRIAN KELLEY (B. 1946), AMERICAN/CANADIAN DREAM LANDSCAPE, 1979
aquatint in black on wove paper, with full margins; signed, titled, and numbered 2/20; published by Open Studio, Toronto, blindstamp
21.5 x 26 in — 55.9 x 66 cm
PROVENANCE:
Private Collection, Ontario
$400 — 600
136
LORNA LIVEY (B. 1951), CANADIAN SCHEFFLERA, 1980
etching in colours on wove paper, with full margins; signed, titled, dated “80”, and numbered 3/22
30 x 41.5 in — 76.2 x 105.4 cm
PROVENANCE:
Private Collection, Ontario
$200 — 300
137
MOIRA CLARK (B. 1950), CANADIAN INA AND KEVIN’S ART DECO DINING ROOM, 1978
etching in colours on wove paper, with full margins; signed, titled, dated “78”, and numbered 6/12
22 x 28 in — 55.9 x 71.1 cm
PROVENANCE:
Private Collection, Ontario
$200 — 300
138
EDUARD ANGELI (B. 1942), AUSTRIAN SMOG ÜBER WIEN, 1972; OHNE TITEL, 1975; OHNE TITEL, 1975
three lithographs in colours on wove paper, with full margins; each signed, dated, and numbered
sheet 16.9 x 25.8 in — 43 x 65.5 cm;
sheet 18.7 x 24.1 in — 47.6 x 61.2 cm; sheet 12.8 x 19.7 in — 32.5 x 50 cm
PROVENANCE:
Private Collection, Toronto, ON
$500 — 700
139
RICHARD SMITH (1931-2016), BRITISH SUN CURTAIN, 1971
lithograph in colours on two sheets of wove paper, with cut-outs; signed and dated “71” lower left
sight 23 x 35 in — 58.4 x 88.9 cm
PROVENANCE: Private Collection, Toronto, ON
$600 — 800
140
GORDON APPELBE SMITH, RCA (1919-2020), CANADIAN ROUND ROCK
screenprint in colours on wove paper; signed, a proof aside from the numbered edition of 25 sight 11 x 13 in — 27.9 x 33 cm
PROVENANCE:
Pegasus Gallery, Salt Spring Island, BC Private Collection, British Columbia
$500 — 700
141
ALEX CAMERON (B. 1947), CANADIAN UNTITLED (ABSTRACT), 1973 lithograph in colours on wove paper, the full sheet; signed and numbered 13/15; published by Open Studio, Toronto, blindstamp
30 x 22.25 in — 76.2 x 56.5 cm
PROVENANCE:
Private Collection, Ontario
$200 — 300
142
SANDRA ALTWERGER (B. 1942), CANADIAN BEAVER SLIDE, 1979 screenprint in colours on wove paper, with full margins; signed, titled, and numbered 6/28 33 x 46 in — 83.8 x 116.8 cm
PROVENANCE:
Private Collection, Ontario
$100 — 200
143
EMILIO VEDOVA (1919-2006), ITALIAN #22; #24; #27, 1990
three vitreographs on Arches paper, with full margins; each signed, dated “90”, and numbered 12/20
each 22 x 30 in — 55.9 x 76.2 cm
PROVENANCE:
The Glass Art Gallery Inc., Toronto, ON Janak Khendry Collection, Toronto, ON
$500 — 700
144
ERIK GAMBLE (1950-2007), CANADIAN DOPPLER KEY; RED BOAT ON BLACK, 1983 two screenprints in colours on black wove paper; each signed, titled, dated “’83”, and numbered in pencil; printed by Jerry Shiner at The Art Printer, Toronto
each 32 x 24 in — 81.3 x 61 cm
PROVENANCE:
The Art Printer, Toronto, ON
$300 — 500
145
DAVID THAUBERGER, RCA (B. 1948), CANADIAN
FLOCKED BUNNIES, 1977
screenprint in colours on wove paper, the full sheet; signed, dated, and numbered 33/70 sheet 22 x 29.75 in — 55.9 x 75.6 cm
PROVENANCE:
Private Collection, Toronto, ON
EXHIBITED:
Dunlop Art Gallery, Regina Public Library, Regina, SK, n.d.
$400 — 600
146
BPNICHOL (1944-1988), CANADIAN THREE DRAFTS, 1982
screenprint in colours on Arches 88 paper; signed, titled, and editioned “Printer’s Proof 1/2” in pencil; printed by Jerry Shiner at The Art Printer, Toronto, blindstamp 29.2 x 22.4 in — 74.2 x 57 cm
PROVENANCE:
The Art Printer, Toronto, ON
$200 — 400
147
EDWARD JOHN (TED) BARTRAM, OSA, RCA (1938-2019), CANADIAN ROCK REFLECTIONS, FROM PRECAMBRIAN SHIELD SERIES, 1979
etching in colours on wove paper ; signed, titled, dated “79”, and numbered 6/25 image 25 x 23.5 in — 63.5 x 59.7 cm
PROVENANCE:
Private Collection, Ontario
$400 — 600
148
ERTÉ (ROMAIN DE TIRTOFF) (1892-1990), ROMANIAN/FRENCH AMAZON, 1985
cold-painted bronze with gilt; signed, dated, and editioned “AP 12/37” to base, incised, aside from the edition of 375 16.75 x 13.5 x 5.25 in — 42.5 x 34.3 x 13.3 cm
PROVENANCE:
Private Collection, Ontario
$1,000 — 1,500
149
ERTÉ (ROMAIN DE TIRTOFF) (1892-1990), RUSSIAN/FRENCH
CORNUCOPIA, CA. 1991
cold-painted bronze with gilt; signed, dated, inscribed “Chalk & Vermillion and Sevenarts”, and numbered 333/375, incised including stand 19.5 x 6 x 17.75 in — 49.5 x 15.2 x 45.1 cm
PROVENANCE:
Private Collection, British Columbia
$2,500 — 3,500
150
ERTÉ (ROMAIN DE TIRTOFF) (1892-1990), RUSSIAN/FRENCH
SELECTION OF A HEART, 1978; RESTING, 1984; RED SEA, 1985 three screenprints in colours on wove paper; each signed and respectively numbered LXXXV/XCVIII, “A.P. 26/8” and 16/350 image 24 x 19 in — 61 x 48.3 cm; image 20 x 13 in — 50.8 x 33 cm; image 18.5 x 16 in — 47 x 40.6 cm
PROVENANCE:
Private Collection, Ontario
$600 — 800
151
JAMES RIZZI (1950-2011), AMERICAN LET’S GET WET, 1990
lithograph in colours with 3D collage; signed, titled, dated “90”, and numbered 292/350; printed by B.T. Werkner, Los Angeles, published by John Szoke Graphics, New York 3.7 x 2.8 in — 9.5 x 7 cm
PROVENANCE:
Private Collection, Toronto, ON
$400 — 500
152
JAMES RIZZI (1950-2011), AMERICAN SUN DAZE, 1984
lithograph in colours with 3D collage; signed, titled, dated “84”, and numbered 12/150 image 4.3 x 6.7 in — 11 x 17 cm
PROVENANCE:
Private Collection, Toronto, ON
$500 — 700
153
ROLAND TOPOR (1938-1997), FRENCH LES MAINS SALES, 1990 pâte de verre and patinated bronze; signed, dated “90”, and numbered 198/250; published by Daum, France with base 18 x 14 x 7 in — 45.7 x 35.6 x 17.8 cm
PROVENANCE:
Private Collection, British Columbia
$800 — 1,200
154
EMILIANO DI CAVALCANTI (1897-1976), BRAZILIAN MULATA CON VIOLÃO screenprint in colours on wove paper; signed and editioned “P/I” 18.9 x 12.2 in — 48 x 31 cm
PROVENANCE:
Tableau Arte & Leilões, Sao Paulo, Brazil Victor Hugo, Sao Paulo, 16 May 2024, lot 8 Private Collection, Ontario
NOTE:
Accompanied by a certificate of authenticity issued by Luiz Carlos Moreira on 24 Feb 2017.
$300 — 400
155
AUGUSTUS JOHN (1878-1961), BRITISH UNTITLED (GIRL IN YELLOW DRESS) offset lithograph in colours on wove paper; signed and stamped “Copyright W.J. Stacey London WC”, with Fine Art Trade Guild, blindstamp sheet 12.8 x 16.2 in — 32.5 x 41.2 cm
PROVENANCE: Private Collection, Toronto, ON
$300 — 500
156
TED GODWIN, RCA (1933-2013), CANADIAN DOG DAYS - DOG POUND, 1982 woodcut in colours on wove paper; signed, titled, dated, and numbered 40/86 image 13 x 10.75 in — 33 x 27.3 cm
PROVENANCE: Assiniboia Gallery Ltd., Regina, SK Private Collection, Toronto, ON
$600 — 800
157
PAUL KANE (1810-1871), IRISH/CANADIAN THREE PORTRAITS
three lithographs in colours on wove paper;
1) Portrait of Kee-Akee-Ka-Saa-Ka-Wow with Pipe-Stem
2) Portrait of Half-Breed Cree Girl
3) Portrait of Man-Ce-Muckt each image 6 x 4.25 in — 15.2 x 10.8 cm
PROVENANCE:
Private Collection, Toronto, ON
$700 — 900
158
JEAN LURÇAT (1892-1966); ARISTIDE MAILLOL (1861-1944); PABLO PICASSO (1881-1973), FRENCH/FRENCH/SPANISH
Jean Lurçat (1892-1966)
Géographie Animale, 1948, (32.2 x 25.5 cm), complete with the facsimiles of the prints on wove paper, numbered 4677 to colophon; published with the authorisation from André Gonin, Lausanne, the sheets loose as issued, linen covered portfolio with the original slipcase
Aristide Maillol (1861-1944)
Ovide, l’art d’aimer, 1935, (36 x 26 cm), complete with the facsimiles of the prints on wove paper, numbered 4008 to colophon; published with the authorisation from Les Frères Gonin, Lausanne, the sheets loose as issued, linen covered portfolio with the original slipcase
Pablo Picasso (1881-1973)
Ovide, Les Métamorphoses, 1931 (29 x 22.5 cm), complete with the facsimiles of the prints on laid paper, numbered 1793A* to colophon; published with the authorisation from Albert Skira, Switzerland, the sheets loose as issued, linen covered portfolio with the original slipcase
PROVENANCE:
Private Collection, Quebec
$500 — 700
HENRI MATISSE (1869-1954); PABLO PICASSO (1881-1974), FRENCH/SPANISH
Henri Matisse (1869-1954)
Mallarmé, Poésies, 1932, (21.5 x 28 cm), complete with the facsimiles of the prints on bouffant paper, numbered 3797 to colophon; published with the authorisation from Albert Skira, the sheets loose as issued, linen covered portfolio with the original slipcase
Henri Matisse (1869-1954)
Florilège des amours de Ronsard, 1948, (22 x 28cm), complete with the facsimiles of the prints on bouffant paper, numbered 1242 to colophon; published with the authorisation from Albert Skira, the sheets loose as issued, linen covered portfolio with the original slipcase
Pablo Picasso (1881-1974)
Eaux-Forte oiginale pour des textes de Buffon, 1942, (25 x 35cm), complete with the facsimiles of the prints on bouffant paper, numbered 002176 to colophon; published with the authorisation from Martin Fabiani, the sheets loose as issued, linen covered portfolio with the original slipcase
PROVENANCE:
Private Collection, Quebec
$300 — 400
160
DAVID T. ALEXANDER, RCA (B. 1947), CANADIAN
PRAIRIE STORM, CA. 1985
monotype on wove paper ; signed and dated “85” lower right 15.9 x 20.1 in — 40.5 x 51 cm
PROVENANCE:
Waddington and Shiell Galleries Ltd., Toronto, ON, acquired ca. 1985
Private Collection, United Kingdom
$500 — 700
161
JOHN PIPER (1903-1992), BRITISH LLAN-Y-BLODWELL, SHROPSHIRE: MID 19TH CENTURY FURNISHING AND PAINTING, 1964
lithograph in colours on wove paper; signed and numbered 17/70 in pencil; published by Marlborough Fine Art, London sheet 32.3 x 23.4 in — 82 x 59.5 cm
PROVENANCE:
Private Collection, Toronto, ON
LITERATURE:
Levinson 128.
$400 — 600
162
JOHN PIPER (1903-1992), BRITISH KILPECK, HEREFORDSHIRE: THE NORMAN SOUTH DOOR, 1964
lithograph in colours on wove paper; signed and numbered 17/70 in pencil; printed by Curwen Studio, London, published by Marlborough Fine Art, London 28.5 x 20.4 in — 72.5 x 51.7 cm
PROVENANCE:
Private Collection, Toronto, ON
$400 — 600
163
JOHN PIPER (1903-1992), BRITISH NORTH GRIMSTONE, YORKSHIRE (EAST RIDING): THE DEPOSITION - DETAIL FROM THE 12TH CENTURY FONT, 1964 lithograph in colours on wove paper; signed and numbered 17/70 in pencil image 29 x 21.1 in — 73.7 x 53.7 cm
PROVENANCE: Private Collection, Toronto, ON
$400 — 600
164
HARRY MITSUO KIYOOKA (1928-2022), CANADIAN SUMMER YELLOW screenprint in colours on wove paper; signed, titled, and numbered 27/45 image 18.75 x 24 in — 47.6 x 61 cm
PROVENANCE: Private Collection, Ontario
$600 — 800
165
KENNETH (KEN) EDISON DANBY (1940-2007), CANADIAN THE DREAMER, 1972
lithograph in black on wove paper, the full sheet; signed, dated “72”, and numbered 52/100
22.5 x 17.75 in — 57.2 x 45.1 cm
PROVENANCE:
Gallery Moos Ltd., Toronto, ON Private Collection, Toronto, ON
$200 — 300
166
TŌKŌ SHINODA (1913-2021), JAPANESE HAGOROMO C, 1985
lithograph in colours on wove paper, with full margins; signed, titled, dated, and numbered 30/39
28.3 x 20.3 in — 72 x 51.5 cm
PROVENANCE: Private Collection, Toronto, ON
$800 — 1,200
167
KIYOSHI SAITŌ (1907-1997), JAPANESE ANCIENT CITY, NARA, 1954 woodcut in colours on wove paper; titled, dated, and numbered 66/100 image 14.8 x 20.5 in — 37.5 x 52 cm
PROVENANCE: Private Collection, Toronto, ON
$200 — 300
168
JOHNNY FRIEDLAENDER (1912-1992), GERMAN/FRENCH OMBRES (SHADES) etching and aquatint in colours on wove paper; signed and numbered 55/95; titled to label verso 30.5 x 22.8 in — 77.5 x 57.8 cm
PROVENANCE: Waddington’s Auctioneers, Toronto, ON, 13 Oct 2004, lot 105 Private Collection, Toronto, ON
$300 — 400
169
JOHNNY FRIEDLAENDER (1912-1992), GERMAN/FRENCH
ACCORD DE TIERCE, 1963
etching and aquatint in colours on wove paper; signed and numbered 10/95
21.7 x 16.1 in — 55 x 41 cm
PROVENANCE:
Gallery Pascal, Toronto, ON Private Collection, Toronto, ON
$300 — 400
170
JOHNNY FRIEDLAENDER (1912-1992), GERMAN/FRENCH
NUIT PAVOISÉE
etching and aquatint in colours on wove paper; signed and editioned “épreuve d’artiste” (artist’s proof)
25.8 x 19.7 in — 65.5 x 50 cm
PROVENANCE: Private Collection, Toronto, ON
$300 — 400
171
HAROLD BARLING TOWN, OSA, RCA (1924-1994), CANADIAN UNTITLED (CERVANTES), 1958 lithograph in black on wove paper; signed, dated “58”, and numbered 43/70 14 x 8.5 in — 35.6 x 21.6 cm
PROVENANCE: Private Collection, Ontario
$200 — 300
172
HAROLD BARLING TOWN, OSA, RCA (1924-1994), CANADIAN CITY MEETS A VILLAGE, 1956 monoprint on wove paper ; signed and dated “56” in ink sight 21 x 16.5 in — 53.3 x 41.9 cm
PROVENANCE: Private Collection, Toronto, ON
$400 — 600
HEINZ STANGL (1942-2008), AUSTRIAN SCHRECKEN AM NACHMITTAG, 1973
etching in colours on wove paper, with full margins; signed and numbered 82/100
sheet 24.1 x 18 in — 61.3 x 45.7 cm
PROVENANCE:
Private Collection, Toronto, ON
$400 — 600
174
HEINZ STANGL (1942-2008), AUSTRIAN KINDER, 1970
lithograph in black on wove paper, with full margins; signed, dated “70”, and numbered 48/100
sheet 18.3 x 15 in — 46.5 x 38.2 cm
PROVENANCE:
Private Collection, Toronto, ON
$300 — 500
175
ADOLF FROHNER (1934-2007), AUSTRIAN ETCHING FROM DIE VERLORENEN FRAUEN etching in black on BFK Rives paper, with full margins; signed and numbered 4/99 sheet 16 x 12.2 in — 40.7 x 31 cm
PROVENANCE: Private Collection, Toronto
$200 — 300
176
JACQUES HNIZDOVSKY (1915-1985), UKRAINIAN/AMERICAN SELF PORTRAIT, 1971 etching in black on wove paper, with full margins; signed, dated, and numbered 76/120 plate 6.7 x 6.7 in — 17 x 17 cm
PROVENANCE: Private Collection, Ontario
$300 — 400
177
ULRICH GANSERT (B. 1942), AUSTRIAN ANDREA ENGLAENDER, 1973
etching in colours on wove paper, with full margins; signed, dated “73”, and numbered 195/200
sheet 19.7 x 27.4 in — 50 x 69.5 cm
PROVENANCE:
Private Collection, Toronto, ON
$300 — 500
178
JOHN MASSEY (B. 1950), CANADIAN BRIDGE AT REMAGEN, 1985
screenprint in colours on wove paper; signed, dated “’85”, and editioned “A.P. 6/10” for artist’s proof
35 x 30 in — 88.9 x 76.2 cm
PROVENANCE:
Private Collection, Toronto, ON
$300 — 400
179
JOSEF LEVI (B. 1938), AMERICAN UTAMARO AND VERMEER, 1987 lithograph in colours on wove paper; signed, dated, and numbered 20/149, there were also 10 printer’s proofs
22.5 x 32.5 in — 57.2 x 82.6 cm
PROVENANCE: Marcia Rafelman Fine Arts, Toronto, ON Private Collection, Toronto, ON
$500 — 700
180
JOHN HARTMAN (B. 1950), CANADIAN LUKE IN THE SANITORIUM, 1988 screenprint in colours on wove paper, with full margins; signed, titled, dated “1.2.88”, and editioned “AP” for artist’s proof
image 18 x 25.5 in — 45.7 x 64.8 cm
PROVENANCE: Private Collection, Toronto, ON
$300 — 400
LEROY NEIMAN (1921-2012), AMERICAN SANTA ANITA, 1979 screenprint in colours on wove paper, with full margins; signed and numbered 136/1200; printed by Styria Studio, New York
image 10 x 8 in — 25.4 x 20.3 cm
PROVENANCE:
Private Collection, Ontario
$200 — 300
182
LEROY NEIMAN (1921-2012), AMERICAN INTRODUCTION OF THE CHAMPIONS AT MADISON SQUARE GARDEN, 1977 screenprint in colours on wove paper; signed and numbered 199/300; printed by Styria Studios, New York
image 29.25 x 36.5 in — 74.3 x 92.7 cm
PROVENANCE:
Private Collection, Ontario
$200 — 300
183
DENIS JUNEAU, RCA (1925-2014), CANADIAN UNTITLED, 1972 screenprint in colours on wove paper, with full margins; signed, dated “72”, and editioned “E.A. 1/1” for épreuve d’artiste (artist’s proof); inscribed “2” upper left sight 17.5 x 21 in — 44.5 x 53.3 cm
PROVENANCE:
Private Collection, Ontario
$400 — 500
184
JOSEPH DRAPELL, RCA (B. 1940), CZECH/CANADIAN HEART, FROM HOMAGE TO JACK BUSH, 1984 etching and aquatint in colours on wove paper, with full margins; signed, titled, dated, and numbered 55/90; printed by Jerry Shiner, The Art Printer, Toronto, published by Merriot Editions Ltd., Toronto 22 x 29.5 in — 55.9 x 74.9 cm
PROVENANCE:
Private Collection, Toronto, ON
$400 — 600
185
ROBERT GENN (1936-2014), CANADIAN SALT; COBBISE two screenprints in colours on wove paper, with full margins; each signed, titled, respectively numbered 67/90, and editioned “Artist Proof 1/30” each sheet 19.25 x 22 in — 48.9 x 55.9 cm
PROVENANCE:
Private Collection, British Columbia
$250 — 350
186
ROBERT WAKEHAM PILOT, PRCA (1898-1967), CANADIAN BONSECOURS MARKET, MONTREAL etching in black on wove paper; signed and titled plate 8.5 x 6.5 in — 21.6 x 16.5 cm
PROVENANCE: Private Collection, British Columbia
$300 — 400
Inuit Art: Sculpture & Graphics
APRIL 16 - 30, 2026
