VIM
1
22
VIM COLLECTIVE
Abigail Nellis Alexis Morton Alexis Schmidt Amrita Rajkumar Annaliese Boglione Arshiya Jain Arzoo Chhaya Ashley Edmonds Ashley Gilbert Audrey Quintal Autumn Matt Ava White Avery Gibb Ayla Berner Bianca Kerr Brianna Schmidt Brooke Behaylo Carly Dean Carter Thornburgh Cassidy Devergilio Chloe Cox Chloe Halverson Claire Plaskey Clara Carvalho Clare Miller Daniel Shine Daniella Lahoud Dawn King Dedria Willis Donovan Dennis Dowon Song Dung Nguyen Ellie Lanigan Elyssa Haddad Emily House Emma Anderson Enna Fretz
Fatima Montanez Fatou Dieng Gaby Clark Grace Mcdermott Grace Preslock Hailey Allmand Isabella Johnson Jacie Walden Jacqueline Maleson Jake Klein James Werner Jana Marcou Jenna Driscoll Jillian Whitley Josephine Deveau Josie Doss Kate Hazen Kathleen Mulhearn Kayla Ursitti Keerthi Gogineni Lana Nehme Laura Stebbins Lauren Ergelic Lauren Golden Lauren Muller Leah Talerico Leslie Drueke Lisa Regan Lucy Youngblood Lula Karakitsos Macy Binienda Maddie Santoro Madeleine Bamberg Madeline Patterson Madison Coryn Marella Pezza Marianne Baran
Marissa Carr Marissa Opferman Marrianna Cruz Mary Auterman Megan Howarth Micaela Proefrock Morgan Tschetter Natalie Muday Nathan Brinker Navya Abraham Olivia Gamelin Patricia Brown Rachel Shepard Raleigh Hoenstine Ross Feldpausch Sara Lusky Sarah Ryan Shahad Almoayyad Shannon Pilat Shaunna Bining Silvana Tremonti Sofia Camacho Sofia Poulos Sophia Pearlman Sophie Abejean Srishti Kumar Susan Doolittle Suzanne Kemp Sydney Staton Sydni Maloney Tess Reid Tiffany Nadjarian Victoria Klimowski Victoria Reynolds Vivek Kilari Yasmeen Khanfar Zaynah Arja
33
Editors-In-Chief: Morgan Barbat & Lily Champine Assistant To The Editors: Milcah Solomon Art Director: Sabrina Seldon Assistant Art Director: Evelyn Diamond Art Team: Marissa Malleck, Kira Vance, Julia Clemens, Grace McClure, Caroline Parthum, Bailey Maloney, Nia Kalinovic, Harrison Sanders, Sophie Champion & Jillian Moreno
Finance Directors: Fiona Braja & Shreya Peddi Assistant Finance Directors: Denise Grigorov & Sofia Mukhtar Finance Team: Esha Varchasvi, Abby Drueke & Bruna Fruchtengarten
Advertising Directors: Ruby Stewart & Liv Ceithaml Graphic Design Directors: Avery Antal & Sofia Diaz Assistant Advertising Director: Gabrielle Clark Graphic Design Team: Kiana May, Savannah Verhage, Advertising Team: Amelia Lally, Grace Lopata, Haley Burton, Cassandra Joseph Jones & Corey Jeffries North, Trisha Ha, Abigail O’Connor, Emily Cassetti & Grace Regan Health & Beauty Directors: Lane Pruban & Peggy Smith Blog & Podcast Director: Gia Economopoulos & Health & Beauty Team: Kellie Krueger, Kathleen Mahoney Natalie McLaughlin, Abigail Jones, Laura Stephan, Assistant Blog & Podcast Director: Zoe Komar Tara Vizzaccaro, Hajer Alsalman, Blog & Podcast Team: Karson Green, Edvige Spizzirri, Nina Cascardo, Bhavya Thotakura, Gracie Sink & Hanna Rutila Jayden Vann, Olivia Ogle, Claire Erb, Meghan Valade, Maura Shine & Bella Johnson Lifestyle Directors: Kari Eickholdt & Maggie Scheff Lifestyle Team: Katelyn Naert, Isabella Crociata, Board of Diversity & Inclusion Director: Natasha Patel Emily Seitz, Grace Oluwole, Olivia Berke, Ashlyn Gordy, Assistants Diversity & Inclusion Director: Caesar Roundtree, Ashley Grifka, Ana Sullivan & Molly McGrath Yazan Zalmout & Paris Carter Diversity & Inclusion Team: Katharine Higgins, Autumn Cottrell, Claire Marketing Directors: Julia Tatone, Maya Abbasi & Riya Patel Duris, Laasya Koduri, Safiya Fareed & Maia McGillis Assistant Marketing Director: Allie Thomas Marketing Team: Maria Perales, Avery Jordan, Creative Directors: Kate Blaszkiewicz & Milan Lazovski Lea Tsalis, Krishna Devdhara, Hannah Kilbride, Assistant Creative Directors: Vanessa Yousif & Samiyah Wheeler Yejin Moon, Samantha Kitchen, Esperanza Nunez, Ruhani Singh, Catherine Keller & Shealee King Creative Beauty Directors: Madison Girodat & Evan Yalowitz Assistant Creative Beauty Director: Ateeyah Abdul-Wasi Photography Directors: Bella Lee & Audrey Richardson Creative Beauty Team: Autumn Decker, Lilly Pilat, Emily Burke, Analise Photography Team: Graham Lightle, Karina Stankowski, Krawczuk, Emma White & Lauren Davis Isabella Ngo, Megan Basile, Aastha Singh, Amanda Lada, Kimberly Sy, Sophie Fonte, Jade Lilly, Trina Fiebig, Copy Editing Directors: Hannah Young & Molly Melnick Emma Conwell, Megan Rabaut, Trelana Allen, Copy Editing Team: Madeline Bist, Claire Danohoe, Cleo Vollstedt, Bella William Allen, Natalie Vezina & Olivia Jordahl Short & Stella Govitz Public Relations Directors: Kaitlyn Keele & Gabriella Lopez Events Directors: Caitlyn Cieslik & Joanie Langan Assistant Public Relations Director: Olivia Thaler Assistant Events Director: Abby Sparkman Public Relations Team: Riley Stebbins, Emily Manriquez, Events Team: Allison Hawkins, Riley Lingerfelt, Macy Murdock, Jordyn Caroline Parent, Sophie Nunez, Sarah Helling, Heaney & Amanda Vogel Darien Mcenroe, Gabriella Bacigalupi & Natalie Carlisi Fashion Directors: Justice Seay, Brandon Roberts, Amy Chong & Kelsey Lester Fashion Team: Lily Stroup, Leah Stchup, Leah Stchur, Ava Fawcett, Merin Nazli, Halina Newland, Evie Shadoff, Macy DeBear, Celeste Roberts, Sophia Jarvis, Dylan Howell & Jordyn Wilcox
Student Relations Directors: Chloe Marcou & Jackson Tucker Student Relations Team: Lex Hall-Bacon, Sofia Leone, Bella Karageanes, Lucy Stoy, Kyrsteen Nguyen & Alaina Nofar
Social Media Directors: Morgan Cornillie & Natalie Lopez Assistant Social Media Director: Shannon Lynch Fashion Relations Directors: Bailey Beauchamp, Social Media Team: Kalila Grant, Katie McKitrick, Bella Finnigan & Carlina Pitello Sydni Pieczarka, Reghan Scharlach, Marki Jennings Fashion Relations Team: Callyn Brown, Danielle Kashat, Dylan McCracken, & Amelia Zeitlin Emily Tremewan, Emma Baran, Logan Neaton, Maria Ortisi & Zoe Janson UX Directors: Megan Gleason & Neha Gurung Film Directors: Kaya Chamberlain, Megan Lear & Madi Hood UX Team: Jenna Salhab, Mikel Riffrani, Delilah Coe & Amelia Kenny Assistant Film Director: Parker Beavens Film Team: Riya Patchava, Antonio Dimovski, Kyle Johnson, Ever Pratt-Hart, Founders: Kerry Chereskin, Naiomi Malcheff, Kara Thornton, Cornelia Ovren, Vincent Le, Danielle Pollak, Lauren Christopherson & Julie Christopherson Abby Nellis, Evie Ansari, Griffin Lantz, Jehu Lee & Marcayla Armstrong
44
50
30
46
FA L L 2 0 2 3
ISSUE
FASHION
IN THIS
The Jane Birkin Effect 8 I Am Your Alien 16 Reclaimed Athletics 28 I Spy 46 Do The Right Thing 55
CREATIVE La Dolce Vita 24 Cover 40
LIFESTYLE Mindful Tourism 12 The Dinner Party 30 Equation of Love 36 Stuck in Suburbia 57
CREATIVE BEAUTY Chainmail 14 Kiss and Tell 53
HEALTH AND BEAUTY Sleep on It 20 Temptation 32 Backpedaling 44 Archetype 50
GRAPHIC DESIGN Rockstar 34
5
Letter From The Editors
66
Come along with us through our
Fall’23 issue,
For those of you who are new here, welcome to VIM Magazine. VIM is a student-run fashion, beauty and lifestyle publication at Michigan State University. We are made up of 250 students, with 50+ directors and 21 total business, content and editorial teams. Each semester, VIM produces one print and digital publication available to students free of charge. In this issue, you can explore the creative minds of our members through artistic spreads, detailed photography and styling, imaginative glam and outstanding student models. From creative to informational articles, VIM aims to both educate and inspire our readers. As VIM Magazine’s Editors-in-Chief, we are thrilled to share our accomplishments this semester. Our first meeting kicked off the semester strong with an attendance of 300+ students. Additionally, VIM Magazine still stands as one of the top 10 largest RSO’s at Michigan State. During this semester, we launched the new and improved VIM Magazine website, highlighting all aspects and benefits of joining the magazine. At our biweekly meetings, members are provided with the opportunity to connect with professionals across the fashion, beauty and creative industries. This semester, we were fortunate to have speakers from Variety Magazine, Fenty Skin, MVE Entertainment, TJX and a special intern panel featuring our very own VIM directors. As we come to a close this semester, we want to extend our gratitude to our amazing directors, team members and VIM collective. We could not execute this magazine without your consistent dedication and passion to the publication. We are extremely proud of you all, and cannot wait to see what’s in store for next semester. With that, we put a bow on our Fall 2023 issue of VIM Magazine ;)
XOXO , Morgan Barbat & L ily Champine
77
the jane birkin effect
The unanimous ‘Cool Girl’ of the late 60s and early 70s, Jane Birkin was the touch of raw beauty that stood out in a crowd. For her, fashion was just another part of easy living — an effortless style sought after by generations of young women who wished to live and love the way she did.
A
t VIM Magazine this autumn, we salute Ms. Birkin as the inspiration for a resurgence of refined, elegant style with a touch of that timeless late 60s groove. Against the silhouette of a war-torn London, a city brought to its knees by violence and bombings, Jane Birkin symbolized a generation of youthful exuberance. The 1960s were an era within which the micro-hemline
88
and designer Mary Quant ruled the young woman’s dress, yet Birkin stood indifferent. She was relatively unknown, in stark contrast to the other icons of London’s 60s fashion scene, such as Twiggy and Jean Shrimpton. She was a young British actress and singer praised for her performances in provocative French films. Her infamous presence in the French fashion sphere helped refine Birkin in her mastery of such laissez-faire style.
99
“The look can be seen as an ode to the late French film star, or perhaps to some, the reconstruction of a bygone era.”
French fashion of the late 60s and early 70s was dominated by the idea that women’s fashion should be wearable, realistic and manageable. Jane Birkin’s wardrobe was often simple: a white shirt tucked into a pair of patchwork jeans, or a thin billowy blouse adorning a paisley print with pants to match. Though accredited today as a “bohemian style,” for Birkin, it was just comfortable living. VIM stylist Celeste Roberts saw Miss Birkin in a very different light — straying away from her infamy as the muse and inspiration of Hermès’ most sought-after bag. Instead, Roberts perceived the British-French fashion powerhouse as someone with an effect similar to that of Nancy Sinatra. The wardrobe for this editorial shoot is a modern American interpretation of 60s French fashion, focusing on simplicity, natural beauty and of course, the utility of the color black. The clothing consists of a tight, turtleneck knit dress with knee-high socks and Mary Janes, all
1010
in black, complemented by a vintage tan fur coat with warm gray tones woven through. The dress itself references the popular 1960s tank dress but with a twist of modernity, considering its formfitting design. The look is complete with a timeless statement piece; a broad, black leather belt and a large gold buckle to emphasize the waist with simple hardware and break up the silhouette. This keeps the viewer’s eye in motion. The fur coat adds texture, as the warm tones of browns and gray blues catch the light, illuminating the model from the inside out. This interpretation of Jane Birkin’s style is through modern eyes peeking into the past. The look can be seen as an ode to the late French film star, or perhaps to some, the reconstruction of a bygone era. That may just be the simple brilliance of Jane Birkin. Her style was and remains a slight nod to her carefree nature, articulately encapsulating a period of peace and love. To this day, fashion audiences recognize Jane Birkin as a breath of fresh air, reminding us all that sometimes less is more.
Style: Celeste Roberts Glam: Autumn Decker Photo: Olivia Jordahl Words: Dylan Howell Models: Olivia Ogle Spread Designer: Caroline Parthum
11 11
1212
MINDFUL TOURISM
Traveling mindfully allows people to contribute to a more sustainable and responsible tourism industry, and simultaneously provides opportunities for self-growth, enhanced well-being and enriched quality of life.
T
raveling has always been a means of exploring the world, escaping comfort zones and meeting people from different regions and cultures. However, the way people approach tourism must take into account the cultural, environmental and economic consequences of travel to any vacation destination. Mindful tourism, or sustainable tourism encourages travelers to self-educate before traveling, calling for respect and awareness. Sustainable tourism has the capacity to catalyze genuine connections with others and places people encounter by leaving a positive impact. Even without malicious intentions, tourists often impede other cultures and traditions. To avoid this, it’s crucial to learn and adapt to other cultures, customs and traditions, particularly in interaction with locals.
It should also be necessary to consider the environmental impact of tourism which is so often overlooked by Western travelers. The commercialization of destinations in other countries is likely to foster a negative impact on local communities and people by raising the cost of living exponentially as foreign investors seek out beachfront real estate for new boardwalks, bars and hotels. As tourists, it is unlikely that we will be able to reverse these consequences alone, but collectively increasing self-awareness as consumers and visitors can help alleviate some of the havoc wreaked on the local communities of vacation hotspots around the world. This self-awareness comes in many forms including, but not limited to, being environmentally conscious of waste production and disposal, shopping from local vendors and small businesses to stimulate the economy of the working class and respecting locals by becoming conversational in their language and knowledgeable of their culture and customs. Not only does mindful tourism positively impact communities around the world, but it can also create transformative experiences for tourists and travelers by expanding worldview and cultural consciousness. Traveling mindfully allows people to contribute to a more sustainable and responsible tourism industry, and simultaneously provides opportunities for self-growth, enhanced well-being and enriched quality of life. In order to preserve a culture or destination’s history while traveling, one must be able to respectfully adapt to their surroundings. It can be difficult to understand new languages, cultures and customs while navigating new environments, but the exposure to unfamiliarity enriches cognitive ability by boosting creativity, innovation and problem-solving skills. Traveling tests interpersonal skills and requires quick thinking as individuals adapt to new environments. These experiences invigorate the innate curiosity and desire for exploration. Though travel is often full of spontaneity, it should still be encouraged that tourists prepare for trips to new regions and
places by researching the cultural and environmental implications of their presence. While traditional classroom learning has its merit, many find the hands-on experience of traveling the world to be absolutely invaluable. The immersion into new cultures offers meaningful, transformative experiences that profoundly impact an individual’s self-understanding and mental health. The mere anticipation of a trip provokes inspiration, and the experiences and lessons learned during travel are far more valuable than material possessions. Exploring new cultures and breaking from the daily routines of work or school, enables reflection of our own cultural principles and values, broadening our perspectives as tourists, Americans and individuals. Looking to visit the vintage train car? These pictures were taken at Bobcat Bonnie’s in Lansing, Michigan. The train car is a part of the restaurant; a perfect place to enjoy food with family and friends!
Style: Emily Seitz, Molly McGrath Glam: Autumn Decker Photo: Megan Basile Words: Emily Seitz, Molly McGrath Models: Jacie Rish Spread Designer: Sophie Champion
13 13
Glam: Emma White, Emily Burke Photo: Megan Rabaut, Kimberly Sy Models: Rowland Badru, Haley Burton Spread Designer: Kira Vance
1414
15 15
1616 16
I AM YOUR
ALIEN It’s human nature to want to be the line leader, the first, the winner. Everyone wants to be a trendsetter, even if they don’t want to admit it. But not everyone is cut out for it. Uniqueness and approval hardly go hand in hand in society. Many have said it’s “lonely at the top,” but when it comes to the world of fashion, it truly is. It takes courage to be bold and bring a unique outfit to life, especially in the public eye. And when it feels like people just “don’t get it,” what else is there to do but create your own society? The Club Kids of New York brought this idea to life, and remnants of their influence continue to be seen in today’s fashion world. Composed of club sensations and big personalities, the Club Kids were young in age and daring in looks. With foundations largely based in the Queer community, notable members included the It Twins, Jennytalia (Jenny Dembrow), Richie Rich and Amanda Lepore. In the late 80s and early 90s they were known for their bold and striking outfits, which were considered scandalous and “too much” for the time. The personal values and beliefs of this group were often thought to be out of line with the rest of society and dubious in nature. With gender fluidity and open sexuality at the forefront of the organization, the public had their reservations about the group. Despite their reputation, the Club Kids made a lasting impact on the local fashion scene, inspiring innumerable style, makeup and hair looks. Many news outlets now refer to the group as “the first influencers,” as they had a tremendous effect on thepublic at the height of their popularity.
17 17
The influence of the Club Kids first spread through the underground club scene, where trends would steadily make their way up to mainstream bars and the rest of society. The group encouraged individualism and personality via sourcing your own materials.
“CreAtivity waS at the Root oF eveRy Look, anD they wEre Nothing iF noT oRiginAl.” Copying other artists, replicating, or taking too much inspiration from elsewhere was frowned upon, as authentic self-expression was valued above all else. Keeping the movement underground was a priority, and many of the group’s parties were impromptu and unplanned. Train tracks, old restaurants and many other uninhabited areas served as a stomping ground for the Club Kids. Only at the height of their success did they throw open parties at multiple popular venues across the United States, where they sought to recruit new members. The Club Kids avoided spaces in which the public would judge or attempt to replicate their style. They preferred to let loose in a judgment-free setting with other artists, as most creatives do. Style: Brandon Roberts, Ava Fawcett Glam: Evan Yalowitz, Ateeyah Abdul-Wasi Photo: Megan Rabaut, Olivia Jordahl Words: Halina Newland Models: Willow Symonds, Ashna Karikalan, Jovana Nagj, Farhan Hasan Spread Designers: Jill Moreno, Gracie McClure
1818
19 19
SLEEP on it
2020
Have you ever been Have you ever blindsided by a been major life blindsidedconfronted by a majorby life decision, decision, by an ex-bestconfronted friend seeking an ex-bestor friend resolution evenseeking resolutionaor even received text to grab received a text to grab coffee with someone coffee with someone you’re not sure you want you’re you want to hangnot outsure with? to hang out with?
while the other group whilegranted the other group was a night’s was to granted night’s rest mull it aover. rest to mull it over. Defying age-old wisdom, Defying age-old wisdom, the results reflected that the group resultswith reflected that the less time thedecide group was with far lessmore time to to decideand wasconfident far more in satisfied satisfied and confident in their choice. their choice.
After you ask your After you ask your what friends and family friends and family what you should do, they’ll you should do, they’ll often advise you to often “sleepadvise on it” –you thetoage“sleep on it” – the you ageold phrase telling old phrase telling you to push your decision to your decision to push the next morning. to the next morning. While sleep allows the While sleep the brain to relaxallows and allots brain to relax and allots time for processing, one time processing, one can’t for help but wonder can’t help but wonder if “sleeping on it” (in ifits“sleeping on sense) it” (in most literal its most literal sense) is just a clever way is a clever way to just procrastinate the to procrastinate the inevitable. inevitable.
While we may not know While weormay know whether not not sleep whether or not sleep always leads to clearer always leads to clearer answers, understanding answers, understanding the psychology behind the psychology behind decision-making at large decision-making is a a good placeattolarge start. is a a good place to start.
Do we sleep better if we Do sleep if we justwe make up better our minds? just make up our minds? Or does this extra Or does this extra unconscious period allow unconscious allow us to wake upperiod refreshed us to wake up refreshed with a perfectly clear with a perfectly clear decision? decision? The phrase originated The in thephrase 1500soriginated when King in the when Henry 1500s VIII would tellKing state Henry VIII would tell state papers that “he must papers must sleep onthat the“he matter.” sleep on the matter.” Over 500 years later, Over 500 years this wisdom still later, stands. this wisdom stands. However, in still a world that However, in moving, a world that never stops the never stops moving, the pressure to be decisive pressure to be decisive is ever-present. Swift is ever-present. Swift decisions can showcase decisions can showcase one’s confidence and one’s confidence and level-headedness, while level-headedness, while sleeping on it exhibits sleeping on exhibits patience andit inner trust. patience and inner trust. The Harvard Business The Harvard Business Review put this theory Review put this theory to the test by conducting to the test by conducting an experiment based an based on experiment decision-making. on decision-making. One group had to make One group had to a snap decision onmake a a snap decision on a laptop case purchase, laptop case purchase,
When we are confronted When are confronted with a we choice, our with abegins choice,collecting our mind mind beginsfrom collecting information multiple information from multiple sectors of our brain sectors of our brain – including biases, – includingand biases, emotions memories. emotions and leads memories. This analysis to This analysis leads to weighing the benefits weighing of saying the yes benefits or no, of saying yes or no, along with processing along with processing the hypothetical the hypotheticaland consequences consequences and opportunity costs. opportunity costs. While this step-by-step While this step-by-step process provides the process provides ideal scenario for the making ideal making up ourscenario minds, itforbegs up our minds, it begs the question if humans the if humans are question rational enough to are rational enough to truly think through and truly think through and consider each of these consider of these factors ineach a shortened factors in a shortened amount of time. amount of time. So what about the other So what aboutDoes the other perspective? sleep perspective? Does sleep allow us to make rational allow us to make rational and informed decisions? and decisions? The informed short answer is yes. The short answer is yes. Sleep can act as our Sleep can act as our private advisor, slipping private answersadvisor, into ourslipping minds answers into our minds each night without our each night without our to knowledge. According knowledge. According a study from Current to a study from Biology, whileCurrent falling Biology, whiletofalling asleep leads a asleep leads to a decrease in “sensory decrease in “sensory awareness,” complex awareness,” complex stimuli like decisionstimuli like decisionmaking making
21 21
can be processed unconsciously. This version of auto-pilot is between the left and right hemispheres of the brain, lateralizing our thought processing even while we’re snoozing. After sleeping, we are more inclined
to make enlightened decisions from recharging our brains and allowing our memories to consolidate. And if you don’t have time to sleep on a decision, there are still plenty of tips and tricks to get you where you need to be. After initially recognizing the situation, don’t immediately go searching for your solution without taking a step back to consider all options. Gather the data! This could look like a pros and cons list, or jotting down what would happen if you said yes or no to explore all options. Just like your class assignments, the more research and sources the better. Visualizing the aftermath of either path you decide to take will also give you a taste of what to do. The more comprehensive and in-depth your personal research, the more profound your sense of clarity might be.
2222
The decision-making process doesn’t always have to be filled with stress and anxiety – be enthusiastic, be grateful and be open to the new opportunities and curveballs
life has decided to throw at you. And if you do have time before your decision’s due date, get plenty of sleep so you can make your dreamiest decision. The art of decision-making cannot be mastered overnight. There is comfort in knowing that even if you feel like you have made a nightmarish choice, a lesson will come along with it, letting you know what you want for your future. Understanding your own decisionmaking process – whether it be wellconsidered or a little impulsive – is the first step to becoming confident in your choices. Trust that either process will bring you the clarity you seek. To the midnight thinkers and the decisive deciders, rest assured that each choice you make will somehow make your dreams come true.
Style: Peggy Smith Glam: Lilly Pilat Photo: Megan Rabaut, Jade Lily Words: Peggy Smith Models: Emily Cassetti, Advait Paliwal Spread Designer: Bailey Maloney
23 23
2424
25 25
Style: Milan Lazovski, Vanessa Yousif Glam: Madison Girodat, Lilly Pilat Photo: Isabella Ngo, Audrey Richardson Models: Halina Newland, Yazan Zalmout, Antwan Hart, Neil Singh, Aadi Kapoor, Jake Klein, Calvin Aupperlee, Andrew Mamo Spread Designer: Sabrina Seldon
2626
27 27
athletics
Reclaimed
2828
A
s sportswear proves to be one of the biggest trends of the decade, it’s the perfect time to lace up our chicest sneakers, wear our favorite jerseys and start a new era of fashion: The Reclaimed Athletics era. When it comes to fashion, we at VIM are firm believers that there are no rules – only self-expression. This new era is the ultimate embodiment of that philosophy. Think about your favorite sports jersey – it’s iconic, it’s fierce, yet it’s mainstream. Styling with feminine pieces, such as a cute mini skirt or ribbons, can make your style both coquette and energetic. We love seeing masculine and feminine pieces, often considered opposite aesthetics, fashionably paired. It’s like meshing the styles of your favorite pop princess and star athlete to make one edgy yet adorable outfit.
It allows us to pair opposite pieces — and, in a way, opposite identities — to create a collision of stylish perfection. We see the Reclaimed Athletics style in action with brands like Off-White, Balenciaga and Alexander Wang, high fashion brands known for combining sportswear with chic clothing items. This type of trend opens opportunities to express femininity and masculinity together in fashion. It allows us to pair opposite pieces — and, in a way, opposite identities — to create a collision of stylish perfection. Imagine strolling down the streets of New York with your jersey and mini ruffle skirt. It just screams downtown girl. Or picture a lace slip dress with sneakers and your favorite baseball team’s cap. It’s the perfect balance between strength and elegance. After all, who says you can’t be sporty, stylish and sophisticated all at once? Style: Leah Stchur, Amy Chong Glam: Ateeyah Abdul-Wasi, Madison Girodat Photo: Aastha Singh Words: Merin Nazli Models: Tracy Li, Nia Kalinovic, Thaneesha Sivapalan Spread Designer: Marissa Malleck
29 29
THE DINNER PARTY
3030
The concept of the Dinner Party has become a lost art form. It’s a symbolic act dedicated to being truly present with one another, creating environments that encourage meaningful conversation. In the age of technology we’re living in, less and less do we naturally find ourselves in situations where we are truly connecting with each other oneon-one. College is an environment built to meet new people, but it’s rare we find ourselves really getting to know someone at their core. In a typical college weekend setting, we often find ourselves standing in a crowded room shouting over loud music. The older we get, the less we find ourselves in situations where we really get a chance to know strangers beyond “what year are you?” Our generation is experiencing the distinct struggle of attending college while navigating a unique age of technology. Therefore, dedicating time and effort to create stimulating, engaging atmospheres is more important than ever. The discussion of the Dinner Party aims to emphasize the delicacy of putting intentional effort into nights-in with friends and those around us. The simplicity of getting dressed up just to have a cooked meal generates conversation and quality time with one another. In a digital age hinged on quick convenience, it’s vital we spend intentional time connecting with one another. Not only does putting effort into these intimate settings bring us closer, but they provide specific lasting memories of evenings, opposed to repetitive nights spent at the same bar that become impossible to distinguish. We as humans naturally crave connection – especially as we’re finally starting to fully come out of social isolation. It’s just a matter of curating those spaces. Style: Analise Sullivan Glam: Autumn Decker, Emily Burke Photo: Emma Conwell, Sophie Fonte Words: Caesar Roundtree Analise Sullivan Models: Tori Berris, Kaleb Davis, Makenna Masters Spread Designer: Evelyn Diamond
31
TEMPTATION
3232
I
n college, the temptations of drugs, alcohol, sex and toxic relationships are in arm’s reach; it can be hard to say no. College is a time for people to try new things in life and find their limits. The tough part is that you don’t have the guiding forces you once had to tell you what not to do. It takes trial and error, and self control isn’t something that can be learned overnight. It’s okay to realize that you are maturing and that some people you surround yourself with aren’t fit for you anymore. It’s human nature to want to fall into the group that’s always having fun, but at a certain point, fun turns to distractions and distractions turn to temptation. There are ways to resist temptation. Surround yourself with people who have positive impacts on your life, seek out friends who have similar goals and remember that positive peer pressure is important. With Michigan State University’s more than 1,000 student organizations, there’s something for everyone. Finding someone you can talk to to help you out of a tempting situation. Find a friend who tells you it’s okay if you want to stay in on a Saturday night, or that it’s okay if you want to leave a situation in which you feel uncomfortable. Sometimes it takes a good friend to notice that you haven’t been yourself or maybe you haven’t been doing things you’re comfortable with. This can kick you back into reality and take you outside the situation. Ask yourself, “is this something that is going to cause regret?” Set goals for yourself. Having a sense of purpose can motivate you to resist temptations that may set you off track of achieving these set goals. Set limits: It is more than okay to have fun in college, but it’s important to know your limits. You don’t automatically know your limits, but you will find them and become comfortable with them. College life is a whirlwind of experiences and temptation is everywhere. Remember, it is okay to make mistakes. College is all about learning, it’s a place to build character and resilience. You know who you are, take pride in the lessons you’ve learned and use them to give advice to others. It’s about learning from your experiences and how you grow from them.
Style: Gracie Sink Glam: Autumn Decker Photo: Sophie Fonte, Will Allen Words: Gracie Sink Models: Ava Foster 33 Spread Designer: Julia Clemens
3434
Style: Sofia Diaz Glam: Lauren Davis Photo: Amanda Lada, Aastha Singh Models: Liv Wheeler Spread Designer: Sofia Diaz, Avery Antal
35 35
Einstein's
3636
F
EQUATION of love
ollowing Albert Einstein’s death, Lieserl, his daughter, donated over 1,400 letters written by him to the Hebrew University. In one letter, he professed the existence of a powerful force governing the universe, transcending the boundaries of space and time, itself. Concerning a discovery more enigmatic than the Theory of Relativity, Einstein advised Lieserl to release the letter only once the world was ready. In April 2015, the world witnessed an internet reveal of Einstein’s revolutionary theory. The revelation of the renowned scientist and mathematician was revealed to be much simpler than anticipated. Einstein’s “Universal Force” was love. Though, in reality this letter proclaiming the “Universal Force” of love never actually existed. Einstein’s daughter Lieserl wasn’t known to have survived beyond infancy, and the only known love letters of Einstein to ever surface were in correspondence with his wife, Mileva Maric, who he divorced later in his life. Nonetheless, the fabricated letter piqued a mass of public interest and circulated until it was reduced to a cliche. Einstein’s Theory of Relativity revolutionized the scientific understanding of time, space, gravity, and the universe. A name synonymous with genius, endorsing love as a universal force, was reaffirming a collective desire to regard love as more powerful than gravity. It was a comforting embrace, falsified or not, to share the same values as one of the most influential minds of the 20th century when the fraudulent letter surfaced online. The widespread circulation of Einstein’s letter speaks volumes of our longing for love in community, friendship, romantic relationships and family. The formation and maintenance of our relationships drive decision-making, making love appear unparalleled in power. Researchers have explored the physiological and psychological benefits of love, which reflect a scientific basis for the belief in love as a universal force. Embracing platonic love, like that of friendships, is shown to benefit both mental and physical health. In fact, research has found that large social networks lower risk of premature death more so than dieting and exercise. Similarly, romantic love is known to boost the immune system, lower blood pressure, and promote emotional resilience, among many other diverse benefits.
37 37
possible, offering stability despite the ever expanding chaos of our surroundings. That is, we want to find truth in the idea that “love conquers all, is able to transcend everything and anything, because love is the quintessence of life.” Though the theory that “love conquers all,” has been reduced to a blanket platitude, it must be revelatory still that so many individuals were inclined to trust the authenticity of the letter. Love for humanity can heal and inspire individuals to improve their own lives, as well as the lives of those around them. Humanity’s devotion to love is powerful enough to invoke trust that the father of the Theory of Relativity, whose influence will be seen forever in the fields of science and mathematics, heralded the power of love as his greatest discovery. Love, or our faith in it, has the capacity to alter the boundaries of time and space. Even with the knowledge that the famed letter was debunked, the spread of its presence so rapidly around the world is proof that human beings search for and believe in the power of love. Despite Einstein never writing a letter preaching the “Universal Force,” the release of and response to the letter nevertheless captures the human 2 penchant to accept love as more revolutionary than
E=Mc
As technologies advance in the health sciences, we have been able to discover that love’s sentimental force has tangible chemical impacts and explanations alike. The gravitational pull of “love at first sight” is the result of the brain releasing excessive amounts of oxytocin and dopamine, especially when holding prolonged eye-contact with a romantic partner. The fabled letter of Albert Einstein’s also promotes selflove as a radical agent of change, declaring that everyone “carries within them a small but powerful generator of love whose energy is waiting to be released.” Though many large companies tend to promote hyperconsumerism as a vehicle of self-love, most psychologists advocate for internal, non-consumerist methods of loving oneself, such as the practice of mindfulness. The transformative benefits of increased self-love include an increase in productivity and a decrease in reported stress. Furthermore, the establishment of compassion for the self unlocks the ability to accept the vulnerability deemed necessary in the act of loving others. Is it safe to conclude that the force of love is stronger than any other? Well, the letter didn’t attract mainstream attention because of its reiteration of any scientific findings. Instead, it appeals to our faith that love encompasses all things arounus: understanding, compassion, selflessness, and gratitude. Similar to faux Einstein, we regard loving others and being loved as integral to our sense of self. We want to trust that love is a fundamental truth, or that love makes the impossible
3838
Style: Bella Crociata, Grace Oluwole, Ashley Grifka Glam: Lilly Pilat Photo: Isabella Ngo, Bella Lee Words: Bella Crociata, Grace Oluwole, Ashley Grifka Models: Milcah Solomon, Gabriel Estrada Spread Designer: Kira Vance
39 39
4040
Style: Kate Blaszkiewicz Glam: Ateeyah Abdul-Wasi Photo: Bella Lee, Audrey Richardson Models: Mya Smith Spread Designer: Sabrina Seldon, Evelyn Diamond
41 41
4242
43 43
BACK PEDALING
Style: Peggy Smith Glam: Lauren Davis Photo: Natalie Vezina, Jade Lilly Words: Peggy Smith Models: Brooke Behaylo Spread Designer: Caroline Parthum, Julia Clemens
4444
J
ust like any song, your body has a rhythm–one you can tune into to restore balance into your life. Menstrual cycle syncing goes beyond the physical, extending to mindful lifestyle adjustments to help regulate hormonal imbalance. Intensive, frequent cardio and weight training have been touted as the only route to achieving a healthy body for years. Diet cultures encourage women to limit themselves, eating only certain foods or amounts in order for their training to “pay off.”
The concept of cycle syncing has pivoted away from this harmful ideology, directing people who experience menstruation in a new direction, accounting for the vastly unique needs of all individuals. Menstrual cycles typically last 28 days. The hormonal cycles of biological males typically only last 24 hours. People who menstruate have unknowingly been subjected to the workout and diet procedures designed for the wrong hormonal cycle. The menstrual cycle is broken up into four parts: the menstruation, follicular, ovulatory, and luteal phases. Each entails its own hormonal fluctuations, and the familiarization of these can help anyone who experiences menstruation find workouts and foods that work with hormones, not against them.
During menstruation, exercises like yoga, pilates and walking are best to allow the body the rest it requires at a low-estrogen phase. Recommended foods are warming, like soup, oats, and tea. It’s also advised to increase intake of magnesium and iron rich foods which provide essential nutrients. Next is the follicular phase. Imagine this phase as spring: bright and full of energy. Intense cardio, swimming, stretching and eating cruciferous veggies and fibrous fruits make for a healthy cycle-conducive combination. During ovulation, estrogen and testosterone levels are at their highest, so it’s best to use this burst of energy for your favorite hardcore workouts and consume plenty of leafy greens and protein. The last phase, your luteal phase, calls for a period of nourishment. Rest, stretching, and maybe watching a rom-com while eating dark chocolate, will give your body what it needs to prepare for menstruation. The benefits of synced workouts and eating habits include decreased period symptoms, mood improvement and reduced premenstrual syndrome. As we learn more about female anatomical structures, we are able to effectively cater to our own bodily systems and understand what they need to function. Cycle-syncing is not only about healing hormones, but also about balancing your mind and body. After all, it’s best to go with your flow.
45 45
4646
I spy a bright red car, a black and white shoe, A safety pin, and a toothbrush that’s blue.
I SPY “I spy –” through smudged glasses. “I spy –” from a third-story window. “I spy –” remnants of the past and wonder, Where did the time go? In childhood, we looked to the world around us to plan the people we would be today. We knew ourselves vibrantly, the way only a child could. We harvested each detail like we were putting together a puzzle, certain that everything would someday find its place. Today the jigsaw is jumbled. In adulthood, that sense of surety fades. We look around us, grappling to find it again, but the world is not nearly as wondrous as it once was. The tutus and toys in the closet have been replaced by blazers and unread books. We find ourselves suspended in time, wondering how to reinstate that childlike confidence. We knew who we wanted to be then, and had the (perhaps naive) assurance that everything was going to be okay. The world is different now, we are different now, but sometimes the small things bring us back. “I spy” a man in a red and white shirt. “I spy” a little toy action figure. “I spy” in the small things, the person I once thought I would be. Style: Lily Stroup Glam: Analise Krawczuk Photo: Trina Feibig, Audrey Richardson Words: Evie Shadoff Model: Parker Beavens 47 Spread D designer: Sophie Champion
4848
49 49
Labels: why do we have them? Labels foster different senses of identity, while also impacting societal expectations in an individual with just a single word or phrase. Labels have been around since the beginning of modern psychology when Carl Jung, a Swiss psychiatrist and psychoanalyst, developed personality theories focusing on the conscious and unconscious parts of the human mind. Dubbed the father of analytical psychology, Jung laid the groundwork for building New Age thinking and the collective unconscious. Jung’s most mainstream idea of archetypes, originated from universal meanings and symbols in different cultures, literature and art, all shared by the human race as part of our collective consciousness. Jung proposed that there is an array of archetypes, but there are four that stood out: The Self, the Persona, the Shadow and the Anima/Animus. Each of these play a role in leading the subconscious and how people interact in social settings. The archetype model continues to shape the way not only individuals, but companies worldwide see themselves. People use this idea to build their brand upon the 12 consistent traits in Jung’s archetypes. These 12 traits allow people to tap into their own minds and dig a little deeper to find out who they are by relating to these certain characteristics. But which one are you? The Creator is an innovator such as an entrepreneur, musician or writer. They desire to empower others, to express themselves and to think creatively. They push their boundaries of imagination and look to create meaning and value in their fields. The Sage is a mentor: the person you go to for advice in times of need. They are determined and insightful leaders who look for the truth– even if sometimes people don’t want to hear it. The Caregiver looks over others, even when they don’t want it. They look after people they care for and reflect selflessness and generosity.
5050
The Innocent is an individual who searches for happiness and positivity in life. They are the person who always walks into a room with a smile on their face. The Jester is the class clown, the funny one with a desire to live in the moment and integrate a little goofiness into normal everyday life. The Magician is larger than life. They are theatrical and add spice to the plot. After all, who doesn’t love a little mystery? The Ruler is a natural-born leader, taking charge of group projects, breaking up arguments and establishing a middle ground. They keep their head level and always lead with confidence. The Hero could be someone who overcomes odds, triumphing over obstacles in life whether it be mental blocks or even physical roadblocks. The Everyman exhibits everyone in everyday life going through the motions. They demonstrate that everyone is on an equal playing field, just trying to get through life. The Outlaw rebels against societal norms. They’re someone who stands up for injustices; a modern-day Robin Hood. The Explorer seeks adventure. They search for the excitement and wonders of the world. The Lover is the hopeless romantic that lives inside of us. From wearing their hearts on their sleeves to holding it deep inside of them, they endlessly search for love. These archetypes are not a one-size-fits-all. In this modern day and age, there are millions of different traits each one of us show to the world, and others we keep inside. We are all one of a kind, and a blend of many archetypes in all.
The Hero
The Caregiver
The Magician
The Innocent
The Lover
The Jester
The Everyman
The Creative
The Queen
The Outlaw
The Sage
The Adventurer
51 51
Style: Lane Pruban Glam: Ateeyah Abdul-Wasi, Madison Girodat, Evan Yalowitz, Autumn Decker, Emily Burke, Emma White, Analise Krawczuk Photo: Amanda Lada, Megan Basile Words: Lane Pruban Models: Caitlyn Oudbier, Anvita Kakumanu, Jack Hughes, Cornelia Ovren, Hady Omar, Neil Desai, Anna LePage, Marcayla Armstrong, Jacqueline Wojcik, Celeste Roberts, Sofia Diaz, Dylan McCracken Spread Designer: Gracie McClure
5252 30
Glam: Emma White, Emily Burke, Ateeyah Abdul-Wasi, Analise Krawczuk Glam: Emma white, Emily Burke, Ateeyah Abdul-Wasi, Analise Krawczuk Photo: Natalie Vezina Photo: Natalie Vezina Models: Zaria Johnson, Donovan Dennis, Ladymar Rodríguez Torres, Kathleen Yang Yang Models: Zaria Johnson, Donovan Dennis, Ladymar Rodríguez Torres, Kathleen Spread Designer: Nia Kalinovic, Marissa Malleck Spread designer: Nia Kalinovic, Marissa Malleck
KISS AND TELL
53 53
5454
Style: Kate Blaszkiewicz, Sierra Law Words: Grace Oluwole, Halina Newland Photo: Denille Reid, Natalie Vezina Glam: Maliyah Coleman, Lauren Davis Spread Designer: Maddi Kort Models: Milo Lucas, Samiyah Wheeler
Style: Sophia Jarvis, Macy Debaar Glam: Autumn Decker, Emma White Photos: Emma Conwell, Kimberly Sy Words: Jordyn Wilcox Models: Lauren Muller, Jacob Jackson, Atticus Carridine, Tushar Thakur Spread Designers: Harrison Sanders, Bailey Maloney
55 55
The Black Lives Matter protests in 2020 showed that solidarity between people of color in the city is possible and exceedingly meaningful. Metro Detroit, once a segregated city, has grown to be not a melting pot but a cultural lasagna, building upon itself, layer by layer.
Metro Detroit has always been known for its rich culture. For decades, people from all different backgrounds have ended up in Metro Detroit. Beginning in the 1800s, the first group of Arab immigrants came to Metro Detroit. Then, during the Great Migration, Black Americans moved from the South to the North to escape Jim Crow laws and find better job opportunities to support themselves and their families. Next, Latin-Americans arrived in Detroit in the 1920s, often working automotive jobs, as they offered proper stability. They settled in south Detroit, otherwise known as “Mexicantown.” Today, Dearborn has the record of the highest Middle Eastern population in the United States and a booming Chinatown in the heart of the city. In the diverse mosaic of Metro Detroit’s ethnic communities, tensions have inevitably risen. These tensions have taken various forms: xenophobia and Islamophobia — particularly directed at Arab individuals — especially those who wear hijabs; racism and over-policing of the Black community, where those who embrace streetwear often find themselves subjected to targeted surveillance; xenophobia affecting the East Asian community, with their cultural practices sometimes being reduced to mere costumes; and xenophobia and racism within the Latinx community. These strains occasionally come to the surface.
5656
These issues are rooted in a history where ethnic groups have endured both the legacy of white supremacy and, at times, conflict amongst themselves. In the 1989 film, Do The Right Thing, a pizzeria in a Black community holds a stapled “Wall of Fame.” This causes tension because the wall only features Italian actors. The Black community in the film feels as though the wall should also feature prominent Black actors, but the owner, Sal, rejects the notion. This incident set the tone for the mess of racial tensions in the community that ensues. Situations like this are often seen in Detroit when businesses owned by other racial groups move into Black neighborhoods. It is not uncommon to hear Black patrons of these businesses feel that they are being followed in the aisles of hair shops, or accused of stealing in gas stations. Black Detroiters often feel that they aren’t welcomed or valued in the businesses that set up shop in the city. On the other hand, many business owners that open shops in Detroit face xenophobia from the community. This pairs with the occasional language barrier that only exacerbates the issue. It isn’t all bad. The integration of communities along with open dialogue has fostered an improving relationship between different racial communities in Metro Detroit.
In the film, Sal did not want to acknowledge that his pizzeria was in a Black community. Had he learned and accepted that the community was the thing fueling his pizzeria, he would have still had it by the end of the film. However, the pizzeria burns down in acts of protest and anger, because neither side wanted to respect each other’s existence. The pizzeria in this film stands as a metaphor for Detroit today. Every culture that came to metro Detroit to look for a better life, has cultivated a community that can thrive, but only if everyone works together to do so.
i rb a u b u S STUCK IN
Over 70 years ago, women across the country went to sleep in their frivolous nightgowns dreaming about suburbia. They may have thought that this was the American Dream; however, the media propagated this idea and narrowly defined success as the modern suburban family. In the 1950s, higher education and work were a fairly foreign idea to women, as they were told their hardest achievable work was housework and tending to their families. Women who did attend college were
told they were going for their “Mrs.” degree, or rather they were looking for husbands. Since then, society has transformed into becoming radically and profoundly new. However, at the surface of the transformation, these gender stereotypes still exist.
57 57
Good style shouldn’t Good style shouldn’t Good style shouldn’tbebebe stuck suburbs... stuck in inthe suburbs... stuck in the the suburbs...
WeWe can see this reflected in We can see this reflected in can see this reflected current media, such as as thisthis current media, such as this in current media, such summer’s film Barbie. summer’s summer’sfilm film,Barbie. Barbie.
We can see this reflected in current media, such as this Barbie is ‘plastic paradox’ Barbie paradox’ Barbieis isaaa‘plastic ‘plastic paradox’ summer’s film Barbie. of the modern woman; she is of ofthe themodern modernwoman; woman;she sheis isaaa
picket fences fences and and perfectly perfectly picket manicured lawns, lawns, but but beneath beneath manicured this exterior exterior there’s there’s aa web web of of this picket fences and stereotypes thatperfectly often inhibits inhibits stereotypes that often manicured lawns, but beneath women from from pursuing personal women pursuing personal thisambitions. exterior there’s a web of ambitions.
narrow definition of womanhood, narrow narrowdefinition definitionof ofwomanhood, womanhood, stereotypes that often inhibits but she still exists within all of us. women However, times have have changed. but she still within However, times changed. butis she stillexists exists withinall allof ofus. from pursuing personal Barbie a ‘plastic paradox’ Her existential crisis depicted in ambitions. Good style style doesn’t doesn’t come come from from Good existential crisis depicted us. Her existential crisis of the Her modern woman; she isdepicted a in the film is resolved when Barbie where you live, but how you where you live, but how you the film is resolved when Barbie in the film is resolved when narrow definition of womanhood, realizes that there’s there’s more tomore However, choose to totimes express yourself. choose express yourself. realizes that Barbie realizes that more there’s have changed. but she still exists within all of to us. life outside thethe dreamhouse. Suburban living living reflects reflects an an life outside the dreamhouse. IfIf Suburban to life outside dreamhouse. Her existential crisis depicted in Good style doesn’t come from Barbie can break barriers, soso even bigger bigger trend trend to to make make even Barbie can break barriers, so If Barbie can break barriers, you more live, but how you the filmcan is resolved when Barbie be where we. Good style shouldn’t fashion more accessible to to fashion accessible can canwe. we.Good Goodstyle styleshouldn’t shouldn’tbe be realizes that there’s more to choose to express yourself. everyone, proving proving the the concept concept stuck in the suburbs — it’s time stuck everyone, stuckin inthe thesuburbs suburbs— —it’s it’stime time living reflectsbe anstuck life outside thethese dreamhouse. If gain “good style style shouldn’t be stuck to break these barriers and gain “good shouldn’t to barriers tobreak break these barriersand and gain Suburban Barbieour canself-confidence break barriers, so even bigger trend as to in the the suburbs,” suburbs,” as make inclusivity our self-confidence back. in inclusivity back. our self-confidence back. fashion more accessible to can we. Good style shouldn’t be and diversity diversity gains momentum momentum and gains in an an industry industry that flourishes On the the surface, suburban life everyone, proving the concept stuck in On the suburbs —suburban it’s time life in that flourishes surface, withstyle creativity. Therebe are no may seem neatly modeled modeled with “good with creativity. There are no may seem neatly shouldn’t stuck to break these barriers and gainwith boundaries! picture-perfect homes, white boundaries! picture-perfect homes, white in the suburbs,” as inclusivity our self-confidence back.
Style: Katelyn Naert
5858
and diversity gains momentum Glam: Evan Yalowitz, Lilly Pilat Style: Katelyn Naert Naert Katelyn an industry thatStyle: flourishes On the surface, suburban life Photo:inKarina Noelle Stankowski, Graham Lightle Glam: Evan Evan Yalowitz, Yalowitz, Lilly Lilly Pilat Pilat Glam: may seem neatly modeled with Words: with creativity. ThereGordy, are no Katelyn Naert, Ashlyn Olivia Berke Photo: Karina Karina Noelle Noelle Stankowski, Stankowski, Graham Graham Lightle Lightle Photo: Models: Emilia Soto boundaries! picture-perfect homes, white Words: Words: Katelyn Katelyn Naert, Ashlyn Ashlyn Gordy, Gordy, Olivia Olivia Berke Berke Naert, Spread Designer: Nia Kalinovic
The
! re ar s e i e no boundar 59 59
6060
61 61
! g n i d a e r r o f ! s 4 k 2 n 0 a 2 Th n i u o y e e S
6262
NATIONWIDE TRANSPORTATION & EVENTS
DISCOUNT CODE: NATIONWIDE TRANSPORTATION & EVENTS
VIM
DISCOUNT CODE:
VIM
DATE PARTIES OUT OF STATE TRIPS, HOTELS, BOOKING & VENUES
BOOK NOW!
WWW.CATCHTRANSPORTATION.COM
+1 (248) 508 9516
DATE PARTIES OUT OF STATE TRIPS, HOTELS, BOOKING & VENUES
BOOK NOW!
WWW.CATCHTRANSPORTATION.COM
+1 (248) 508 9516
63 63
64