We pirouette into the month of love with a preview of the Royal New Zealand Ballet’s Macbeth, visit France, and shine a spotlight on some of Auckland’s hidden havens.
$5M NZB KIWI RACE
(New Zealand’s richest race)
THE NED PRIX DE FASHION
AFTER PARTY FT. EXAMPLE
Champions Day isn’t just a raceday — it’s the headline act of Auckland’s summer, where sport, style and entertainment collide.
At its heart is the NZB Kiwi, New Zealand’s richest race with a record $5 million in stakes and bonuses. Add world-class racing including the New Zealand Derby and Auckland Cup, standout fashion with the Prix de Fashion, free kids’ entertainment, and an a er-party at the Birdcage Bash headlined by Example.
Big stakes. Big style. Champions Day.
THAYER CONSOLE TABLE
PRYCE 3 SEATER SOFA
BRIXTON ACCENT TABLE
RL-CJ LOUNGE CHAIR
DALTON SIDE TABLE
COLORADO CLUB CHAIR
FROM THE GUEST EDITOR
FOR LOVE & ARTS
France and romance are two of our main themes this month, and I was lucky enough to have a front row seat on a recent trip to Paris – while also sating my appetite for all things art.
Studying and admiring from afar is one thing, but being in among the centuries of history and immense culture is another thing entirely. It’s completely overwhelming to visit somewhere so legendary, and for good reason, too. You can read all about my time there on page 12.
However, for all of Paris’s beauty, I was happy to swap the northern hemisphere winter for the warmth of our New Zealand summer as I arrived home to contribute to this first issue of 2026.
A new year is such a fantastic time to start afresh and explore unknown avenues – for example, trying a new artistic experience. Maybe you'll be inspired by our cover story of the Royal New Zealand Ballet’s spectacular adaptation of Macbeth, or our wellness stories that include a look at freediving.
On a personal note, I’m extremely thrilled to be taking on the role of arts correspondent and can’t wait to work more with the amazing galleries operating around our beautiful city. Support Auckland’s art scene this February!
Happy Valentine's Day, from all of us at Verve .
Lucy
Editorial & Creative Directors
Arna Kennedy
Jamie Christian Desplaces
Graphic Designer / Social Media
Yamin Cook
Contributors
Hamish Kenworthy, Jessica Weale, Karen McMillan, Lucy Kennedy, Paul Leuschke, Steve Huỳnh, Tim Warren
Subscriptions arna@vervemagazine.co.nz
Published by V24 Limited PO Box 16040, Sandringham Auckland 1041
Verve is published monthly (except in January) and has an estimated readership of 60,000. It is a free lifestyle magazine delivered to cafes and businesses throughout Auckland.
For distribution details or to sign up for your free monthly digital copy please visit our website vervemagazine.co.nz
Verve is printed by Blue Star, 8 Collard Place, Henderson, Auckland. It is distributed by Verve, ERC Contracting and Mailchimp.
The entire content of this publication is protected by copyright. All rights reserved. No part of this publication may be reproduced or transmitted in any form or by any means, without prior permission in writing of the copyright owner. Any material submitted for publication is at the owner’s risk. Neither V24 Limited nor its agents accept any responsibility for loss or damage. Although every effort has been made to ensure accuracy of information contained in this publication, the publisher cannot accept any liability for inaccuracies that may occur. The views and suggestions expressed in this magazine are those of individual contributors and are not necessarily supported by V24 Limited.
Award-winning living starts here
Sipping a drink in the privacy of your garden, listening to native birdsong – this is the lifestyle Settlers residents cherish. Set on 12 acres of bushland in Albany, our village offers privacy, luxuriously designed townhouses and apartments, and the chance to enjoy nature in established gardens.
That’s one reason Settlers has been voted Best Large Retirement Village in the North Island at the AgedAdvisor People’s Choice Awards, four years running.
Change can be beautiful
“There’s nothing more rewarding than seeing someone blossom. You witness people rediscovering themselves.
Talking with Tracey at Waterford is lively from the start. She speaks with purpose, bouncing between ideas and looping back to the small details that matter to her. Her stories have that kind of texture. She’s animated, expressive, and completely present, the sort of person who brings scenes to life simply by describing them.
“I grew up on a farm in Ōtorohanga,” she began. “Mum was a registered nurse but always sewing, dad was always flying his plane for fun.” Alongside her two older brothers, her days were shaped by feeding animals, chores, slingshot battles, and that satisfying tiredness that comes from being outside until dusk.
At home, her mother stitched everything on a humming Bernina, “Mum could turn a piece of fabric into anything - even my first ski suit was homemade. It looked fabulous right up until it got wet, which was immediately.”
It wasn’t until boarding school that Tracey realised handmade clothes set her apart. While other girls compared labels, she arrived in outfits sewn at the kitchen table. She laughs now at the memory - not because she disliked it, but because it sparked her curiosity about style. Later, in Auckland, she studied fashion and textile design, experimenting with colour and silhouette. “Fashion was my way of figuring out who I was.” She reminisces “I wore bright yellow linen trousers… I thought I was fabulous.”
Her career didn’t unfold in the way fashion school might have predicted. For seventeen years, Tracey led and managed international students travelling to the US and South Pacific on educational programmes. They arrived with excitement, nerves, and stories they hadn’t always shared yet. She learned how to read situations quickly, how to step in gently, how to become the person who smoothed the edges of big experiences.
Later, when her mother moved into an Oceania retirement village, Tracey found herself navigating a system she had only observed from a distance. “The decisions, the timing, the emotional weight of each choice,” she lived it all firsthand. “And when mum moved into Care, it affected me deeply, not in a dramatic sense,” she smiles “but in the quiet, practical way that changes how you can help other people.” It also reshaped her work, eventually leading to her role as Sales Manager at Waterford Village, in Hobsonville. “I feel very privileged.”
“There’s nothing more rewarding than seeing someone blossom. You witness people rediscovering themselves.”
What makes Tracey’s work meaningful has nothing to do with titles. She doesn’t present herself as someone guiding life transitions; she simply meets people where they are. That’s a skill shaped as much by her childhood on the farm as by her years working with students and supporting her mother. A mix of practicality, humour, compassion, and the understanding that change rarely arrives neatly.
Today, Tracey’s sense of style feels settled, confident, and unmistakably her own. When she pulls out her phone to show a photo of her lounge, the connection is immediate – soft textures, considered finishes, warmth without fuss. It’s stylish, yes, but also inviting. The kind of space designed to be lived in. It’s hard not to notice how closely it mirrors the lodge at Waterford: elegant, light-filled, and quietly contemporary.
As we wander around the gardens encouraging Tracey to smile with the word “banana”, we’re entertaining the sunbathing residents on their balconies. Heckles of encouragement “give us a smile Trace!” and a joke about canaries and islands keeps the momentum going. A wave of laughter permeates around the place, and it’s clear Tracey is very much loved.
As the laughter from the balconies fades and Tracy brushes off one last joke from the residents, she shakes her head with the kind of smile that says she wouldn’t have it any other way. This place suits her - the rhythm, the people, the stories still waiting to unfold. She looks toward what’s next with the same calm curiosity she’s carried since childhood, certain only of one thing: there will always be someone new to support, another conversation to start, another person ready to blossom. And she’ll be right there, ready for them. Waterford Village,
The Work That Remains
There’s a particular moment that always stays with me after a large gathering.
When all that remains is the quiet choreography of people stacking chairs, sweeping empty beverage cans, and rolling cables into crates. The afterlife of the event.
It’s in this moment I feel closest to the real work of community.
There is of course an obvious pressure on spectacle. We measure cultural value in attendance numbers, ticket sales, Instagram reach, moments that can be captured, clipped, and circulated. Pride, like so many other movements, is often understood through this same logic.
But queer life, especially Takatāpui life, has never been sustained by singular moments alone. It has been sustained by what happens around them long after the music stops.
In te ao Māori, we speak of Te Kete Tuauri, the basket of sacred knowledge and all that is hidden, and of arriving in this world already loved, already bound to whakapapa that precedes us.
Ngā Uri E! is not, for me, a festival theme so much as a way of relating to time. It asks us to understand ourselves as part of an unfinished conversation, accountable to our ancestors and responsible for those who will come after us.
This is why I have become increasingly interested in what remains once the event is over.
WORDS
—
HĀMIORA BAILEY
What remains is not just the memory of a good night out. What remains are the relationships built between artists who may have never met before. The young person who finds their first sense of belonging in a community space. The pakeke who sees themselves reflected in a new generation. The divas who did it all, committed to the vision.
This kind of work is rarely visible. It doesn’t photograph well. It happens in spreadsheets, hui, contracts, budgets, conflict resolution, mentorship, long conversations over iced plant-based milk coffee. It is the difference between a culture that appears and disappears, and one that endures.
Queer communities have always been masters of this kind of stewardship. Our forebears – particularly our queens – did not just create moments of resistance, they built conditions for survival. They fundraised when no one else would. They organised when it was dangerous. They created culture in the absence of safety, recognition, or institutional support. Kuinitanga, to me, is not a performance of glamour. It is a lineage of governance. A way of holding people, telling the truth, transmitting knowledge, and staying accountable across generations.
I feel this most strongly when I think about Out of the Gutter, a gathering we will hold later this summer in Beresford Square. On the surface, it looks like a party. But it is deeper. A ritual of return. A public act of memory. It brings together five generations of artists,
activists, and community members. Icons and emerging voices share a stage not as nostalgia, but as continuity.
What moves me about this kind of gathering is not the spectacle, but the transmission. The vibe. The way knowledge passes through proximity. The way young people learn that they are not alone, not accidental, not disposable. That they belong to a lineage that has always existed, and always will.
In a world increasingly defined by algorithms designed by tech oligarchs to isolate us, I find myself drawn to the quieter question: what are we actually leaving behind?
Not content. Not brand impressions. Not moments of visibility. But conditions.
Conditions for artists to grow without being rushed. Conditions for communities to gather without being commodified. Conditions for memory to be held collectively rather than individually. Conditions for the memory of care to outlive the ecstasy of charisma.
I am proud to say, in reflection of our team, board, membership and Ropu Maori Auckland Pride: We are not the event. We are what remains after it. We are the ones who stay to pack down the chairs. Who carry stories forward. Who hold our centre when everything else pulls at the edges. Who understand that the real work of culture is not in how brightly it flares, but in how long it can be sustained.
PARIS... EN CINQ!
WORDS — LUCY KENNEDY
Paris is a city of contradiction, where traces of revolution and historic strife contrast with a sense of romance and beauty.
IMAGE: LOUVRE MUSEUM
The silent bookshops, gardens, and cemeteries serve as restful havens within the eternal pulse of its two million inhabitants.
I recently joined the throng of people for whom those legendary locations are part of just another daily commute, riding busses that rumble along Haussmann’s boulevards.
Day 1: Eiffel Tower
As we drove into Paris from the airport, our cab driver informed us that Paris was in “Christmas mode”, his favourite time of year to be in the city. Travelling to visit the most iconic symbol of Paris, the Eiffel Tower, it was obvious what he meant. Bright boulangeries on street corners were hung with festive lights and window chalk snowflakes drifted on glass shop fronts; the city was aglow for the holidays.
As the iconic tower appeared through the fog, the utmost tip remained obscured. Wandering through the park, the tower guided like a beacon, and we emerged from a quiet Impressionist scene into a bustling street flooded with tourists. The tower was more intricate than I expected, the latticed ironwork forming twirling cross-hatched patterns, star shapes, and curving arches. It’s also absolutely massive, and decorated with the gold-engraved names of significant French scientists, mathematicians, and engineers.
Day 2: The Louvre
We descended beneath the iconic glass pyramid in an escalator to the bright, open centre of the Louvre, and began by stepping into the Denon Wing. I wandered in a daze, enchanted by the storied collection of some history’s most significant artworks – particularly incredible is ‘The Raft of the Medusa’ (1818) by Théodore Géricault, a mammoth piece of thrashing surf and roiling storm clouds, a billowing sail the only propelling force for stranded survivors of a shipwreck.
The Denon Wing is also home to Leonardo da Vinci’s ‘Mona Lisa’ (1503) which is said to be the reason 80% of its nine million yearly visitors come to the Louvre.
An incredible surprise was Napoleon’s apartments. Their beauty is comparable to rooms within the Palace of Versailles. Chandeliers, dripping with diamonds, hang from extensively decorated ceilings, some even with marble busts set into gold sculptural elements.
Nobody advised me to look up when visiting the Louvre, but it’s certainly essential. Each gallery ceiling is painted with sweeping murals, with symbolic goddesses in swirling drapery and cherubs playing amongst rolling clouds.
continued over page
Day 3: The Palace of Versailles
Compared to the intensity of Paris, Versailles felt subdued to the point of being peaceful. Built in 1631, the palace has been home to four French monarchs, perhaps the most well-known being King Louis XVI – husband of Queen Marie Antionette. It’s only a short walk from the train station, and through the gloom of wintery fog the first hint we saw of the magnificence inside were the tall, gilded gates of the palace grounds.
We followed the throngs into the palace, but with over 2,000 rooms, soon found
less crowded areas to explore. The layout of the rooms can appear strange, with stretching hallways connecting each room, usually ending at a spiralling stairway or small gallery. As you move through each opulent room, another seems to rise, equal in beauty and splendour.
The palace grounds seem to stretch endlessly, and hours can easily be spent wandering through perfectly formed gardens and peering into the many ponds topped with drifting swans.
continued over page
IMAGE: PALACE OF VERSAILLES
Day 4: Pere Lachaise Cemetery
Scenes straight out of Miroslav Šašek’s This is Paris rushed by the bus windows as we hurtled towards the Père Lachaise Cemetery. We passed a local flower market, saw a baker stride across the street with an armload of bread, and watched from traffic lights as a woman polished to gleaming gold the typically brassy doorknobs on one of many ornate entryways.
Arriving at the cemetery gates, instantly the bustle and noise of the street fell away. There was an air of solemnity amongst the scattered visitors stood at the cemetery map – a deeply necessary provision as the grounds cover 44 hectares. The map displays a confusion of grids which turn to winding pathways, with a list of where the notable dead reside. We were here to undergo a pilgrimage to two significant graves: The Doors frontman Jim Morrison, and the Irish playwright Oscar Wilde.
We located Morrison first. We knew we were drawing near as we spotted graffiti tributes scratched into surrounding graves, with etched arrows pointing us to the ‘Lizard King’. His grave was littered with offerings like fresh-cut flowers, hand-written letters, CDs and cigarettes. Small tombs lined cobbled paths, some with stained glass depicting saints or family emblems. It felt extremely Edward Gorey, with strange sculptures, uneven stone stairways, and intricate memento mori art.
On our way to visit Wilde, we heard a tinkering kind of pecking sound accompanied by the drone of a portable radio. Turning a corner, a man in work clothes was tapping
a new name into a fresh gravestone, a reminder that the cemetery is still very much in use. Oscar Wilde’s grave is comparatively sparse compared to the extensive tributes at Morrison’s, as it’s shielded by glass and adorned with a plaque asking visitors to respect the wishes of his family by paying respects tracelessly. Once however, his grave was coated in lipstick kisses, with stacks of his books and piles of flowers left in tribute.
continued over page
IMAGE: PÈRE LACHAISE CEMETERY
Day 5: Canal Saint Martin, the Notre Dame, and the Seine Along the Seine’s embankment are a multitude of stalls selling maps, books, keepsakes, posters, postcards, allowing you to shop as you stroll along the riverside. Love for Antoine de Saint-Exupéry’s children’s book, The Little Prince, is strong here – each stall seems to have its own gorgeous vintage copy and referential postcards. We descended a long staircase from street level to the side of the river, and listened to the car horns on the bridges above.
I have aspired to visit Shakespeare and Company Bookshop for many years, and it didn’t disappoint. It’s a kind of literary institution, famed for its status as a place of inspiration and support for authors – even going so far as allowing some, including Darren Aronofsky, Kate Grenville, and Ethan Hawke, to spend a night inside the shop. It was very busy on the day we visited, and I found that slightly wonderful – that so many people wanted to be a part of the literary community the shop fosters, to share in the cultural and artistic history of Paris.
Shakespeare and Company is a three-minute walk from Notre Dame Cathedral, so of course we stopped to marvel at its gorgeous architecture. Similarly to the Eiffel Tower,
the exterior of Notre Dame was more intricate up close than I had previously noticed. Worked into the patterning of stone archways above the entrances are statues of people, martyrs crowned by angels. Swathed in cloaks, the folds are carved with incredible realism – almost like columns supporting the ancient stone.
In the afternoon, we headed to Canal Saint Martin. This is a neighbourhood of Paris named for its nearly 5-km canal, which was implemented by Napoleon Bonaparte. It’s known for its quirky independent shops, creative atmosphere, and picturesque footbridges arching over the waterway. We enjoyed exploring a less intense, more artsy neighbourhood of Paris, and managed to pick up some really unique items whilst strolling through the streets.
I adored the magic of Paris. Like the memory of a silent cemetery on a shimmering morning, or that shiver you get whilst witnessing iconic artworks or a bed where a queen once slept – Paris keeps coming back to me. And, one day, I hope to return the favour.
IMAGE: NOTRE DAME CATHEDRAL
Learn the language, live the culture
YOUR FRENCH CULTURAL CENTRE SINCE 1896
CARDAMOM POLENTA ROSE WATER BUNDT
CAKE
MAKES ONE 2.8L - BUNDT CAKE
INGREDIENTS:
CARDAMOM POLENTA BUNDT CAKE
Softened unsalted butter and flour, for the pan
75g (¼ cup) unsalted butter, at room temperature and cut into small pieces
1/8 teaspoon grated lemon zest (from 1 medium lemon)
1/8 teaspoon fine sea salt
1 teaspoon dried organic rosebuds and rose petals, for serving
METHOD:
FOR THE CARDAMOM POLENTA BUNDT CAKE
Set a rack in the middle of the oven and preheat to 180°C. Generously butter a 2.8l (12-cup) ring (bundt) tin, then dust it with a thick layer of flour.
In a stand mixer fitted with the paddle, beat the butter, flour, cornmeal, white sugar, brown sugar, cardamom, baking soda and salt on medium–low speed until fully combined, about 2 minutes. Scrape down the bottom and sides of the bowl. Gradually add the whole eggs and egg yolks and beat, scraping the bowl as needed, until fully incorporated. Scrape the bowl, then beat for 15 seconds more. Gradually add the buttermilk, followed by the canola oil, and beat until fully incorporated.
Pour the batter into the prepared pan, smoothing the top. Bake until the top is lightly golden and a skewer inserted near the centre of the cake comes out clean, 45 to 50 minutes. Be careful not to overbake this cake or it will dry out!
Let the cake cool in the pan on a wire rack for 30 minutes. Carefully flip the pan onto the rack and tap it to make sure the cake is released. Remove the pan and let the cake cool completely.
FOR THE ROSE WATER GLAZE
Sift the icing sugar into the bowl of a stand mixer, then add the rose water and use the whisk attachment to mix on low speed for 15 seconds. Scrape the bowl, then add the milk, lemon zest and salt and whip on medium–high speed for 30
Edited recipe extract from Cake from Lucie by Lucie Franc de Ferriere, published by Hardie Grant Books. In stores nationally from 12 May 2026.
seconds. If the glaze seems too runny, let it stand for a few minutes to firm up.
Place the cake on a wire rack set inside a baking tray.
Transfer the glaze to a small, spouted measuring cup, then slowly pour it over the top of the Bundt, using a small spoon to scoop the glaze onto the cake as needed so it drizzles down the sides.
Before the glaze sets, sprinkle the cake with dried rosebuds and rose petals and let set for a few minutes before serving. The cake keeps covered in the refrigerator for up to 1 day.
PHOTOGRAPHY: LUCIA BELL-EPSTEIN
ORANGE BLOSSOM MADELEINES
MAKES 18 TO 20 MADELEINES
INGREDIENTS:
140g (1 cup) plain flour
1 teaspoon baking powder
2 large eggs, at room temperature
100g (½ cup) sugar
2 teaspoons honey
1/8 teaspoon fine sea salt
145g (½ cup) unsalted butter, melted and cooled
2 tablespoons orange blossom water
Softened unsalted butter and flour, for the pans
METHOD:
Sift the flour and baking powder into a small bowl.
In a medium bowl, whisk together the eggs and sugar until just combined. Whisk in the honey and salt. Add the flour mixture and whisk until just combined. Add half of the melted butter and the orange blossom water and whisk until combined. Then add the remaining butter and whisk again. The batter should be thick but drizzle-able. Press plastic wrap directly on the surface of the batter and refrigerate for at least 4 hours but preferably overnight.
When ready to bake the madeleines, set a rack in the middle of the oven and preheat
to 220°C. Butter two 12-cavity madeleine pans with 7.5cm moulds and then dust them with flour, tapping out any excess.
Remove the batter from the refrigerator and briefly beat it with a rubber spatula until creamy again. Transfer the mixture to a piping bag and cut the end so it has a 13mm diameter opening. Pipe the batter into the prepared madeleine moulds until they are three-quarters full, so they don’t overflow in the oven. Put the pans in the refrigerator to chill for 10 minutes.
Remove the pans from the refrigerator and bake for 4 minutes, then reduce the oven temperature, without opening the oven door, to 190°C and bake until
Edited recipe extract from Cake from Lucie by Lucie Franc de Ferriere, published by Hardie Grant Books. In stores nationally from 12 May 2026.
the madeleines are lightly golden on top and the dome springs back when lightly pressed, about 5 minutes.
Let the madeleines cool briefly in the pans on a wire rack, then flip them upside down and remove the pan. Flip the madeleines so they are right-side up to make sure the domes aren’t deflated. Serve warm. Madeleines are best enjoyed right out of the oven or the day they're baked, but they keep in an airtight container in the refrigerator for 1 to 2 days.
PHOTOGRAPHY: LUCIA BELL-EPSTEIN
SAGE SEA SALT BROWNIES
MAKES ABOUT 12 BROWNIES
INGREDIENTS:
225g (1 cup) unsalted butter
10 large fresh sage leaves, roughly chopped, plus more leaves for decorating
Softened unsalted butter, for the baking pan
METHOD:
In a small saucepan, melt the butter over medium–low heat. Remove from the heat, then stir in the chopped sage, cover and let stand for 30 minutes.
Set a rack in the middle of the oven and preheat to 180°C. Lightly butter the bottom and sides of a 20cm square metal baking pan, then line the pan with baking paper, leaving about 2.5cm hanging over the sides.
Fill a medium saucepan with about 2.5cm of water and bring to a simmer over medium–low heat. Add the dark chocolate to a large heatproof bowl, then set the bowl over the pan of simmering water, making sure the water does not touch the bottom of the bowl. Warm the chocolate, stirring occasionally, until melted. Remove the bowl from the pan (careful – it will be warm!) and use a clean kitchen towel to carefully wipe any condensation from the bottom of the bowl.
90g (2/3 cup) dark chocolate, chopped
80g (2/3 cup) unsweetened Dutch-process
cocoa powder
70g (½ cup) plain flour
½ teaspoon fine sea salt
275g (1¼ cups) sugar
3 large eggs, at room temperature
45 g (1/3 cup) roughly chopped raw almonds
¼ teaspoon Maldon sea salt
Pour the sage-infused butter through a fine-mesh sieve set over the bowl of melted chocolate, pressing on the sage to extract as much flavour as possible (discard the sage). Stir until the butter is fully incorporated into the melted chocolate.
Sift the cocoa powder and flour into a medium bowl. Add the salt.
In a stand mixer fitted with the whisk, whip the sugar and eggs on high speed until fluffy and doubled in volume, 2 to 3 minutes. Add the chocolate mixture and whip on medium–low speed, scraping the bottom and sides of the bowl as needed, until incorporated, about 30 seconds. Gradually add the flour mixture and mix on low speed, scraping the bowl as needed, until just combined, about 30 seconds. Do not overmix, as you don’t want to lose all the fluffy texture you created by whipping the eggs and sugar.
Edited recipe extract from Cake from Lucie by Lucie Franc de Ferriere, published by Hardie Grant Books. In stores nationally from 12 May 2026.
Remove the bowl from the stand mixer, then scrape it. Add the almonds and gently fold with a rubber spatula until incorporated.
Pour the mixture into the prepared pan, smoothing the top. Sprinkle with the Maldon salt and a few sage leaves for decoration.
Bake until slightly cracked and firm along the edges but soft and gooey in the middle, 20 to 25 minutes.
Let the brownies cool completely in the pan on a wire rack. Carefully wiggle the baking paper to release the brownies from the pan, then lift the baking paper and use it to place the brownies on a cutting board. Cut into equal squares for serving. T he brownies keep in an airtight container in the refrigerator for up to 5 days, or can be well wrapped and frozen for up to 2 months.
PHOTOGRAPHY: LUCIA BELL-EPSTEIN
Aotearoa: A Star Destination
Did
you know that the
Michelin Star system has its roots not in the restaurant industry, but in that of the automobile?
At the turn of the 20th century, French industrialist brothers André and Édouard Michelin created the first Michelin Guide to encourage people to drive more – and, in turn, wear out their tyres! The original guide was free and featured the
likes of maps, listings for hotels, mechanics, petrol stations, roadside restaurants across France. Its popularity boomed, spreading across Europe and North Africa within a decade.
The first world war temporarily halted production and the guide relaunched in 1920 with a major strategy shift. Legend has it André Michelin discovered their guide propping up a workbench, prompting the decision to charge for it, believing
people place more value on what they pay for. Advertising was removed, anonymous inspectors were introduced, and restaurant listings were refined – culminating in the introduction of the now iconic Michelin Stars in 1926.
Exactly one hundred years later, Michelin has announced its first foray into Oceania with its inaugural edition set to spotlight four key culinary destinations in Auckland, Wellington, Christchurch, and Queenstown. The selection will be unveiled in the middle of the year.
“We are thrilled to bring the Michelin Guide to Aotearoa New Zealand for the very first time,” says Gwendal Poullennec, international director of the guide. “The country offers a rich and diverse culinary landscape, shaped by its indigenous Māori heritage, Pacific influences, and a new generation of chefs who champion local produce with creativity and passion.”
“This recognition is more than a win for our chefs and winemakers – it’s a triumph for our entire hospitality and tourism sector,” adds Tourism and Hospitality Minister Louise Upston. “It celebrates the incredible dedication and talent of the people who bring our food and beverage experiences to life every day.”
Joining the guide truly places New Zealand firmly on the global culinary map, positioning the country as a destination where food is an experience worth travelling for. It recognises the excellence of local chefs, producers and hospitality, while inviting discerning travellers to explore the country through taste. Thanks to Michelin’s spotlight, our food story enters the global conversation – driving tourism, elevating homegrown talent, and deepening international appreciation for our distinctive flavours and manaakitanga.
“This recognition is more than a win for our chefs and winemakers – it’s a triumph for our entire hospitality and tourism sector.”
HOW TO SHINE
The guide’s debut here follows swiftly on the heels of the 2025 Michelin Global Keys reveal, in which 19 Kiwi hotels received Michelin Key distinction for excellence in design, architecture, service and personality. As for restaurant selection, it follows historic methodology focusing only on the quality of the cuisine which anonymous inspectors evaluate by following five universal criteria:
T he quality of the ingredients.
T he mastery of cooking techniques.
· T he harmony of flavours.
T he personality of the cuisine.
· T he consistency both over time and across the menu.
One star is awarded to restaurants for “high-quality cooking that is worth a stop”; two stars for “excellent cooking that is worth a detour”; and three stars are given for “exceptional cuisine that is worth a special journey”. The guide also includes the Bib Gourmand category for restaurants that provide good quality food at a moderate price.
A Little Piece of France
alliance-francaise.co.nz
There’s a special kind of magic that awaits at Alliance Française Auckland – a place where the French way of life is not just taught, but truly lived.
For more than 130 years, this iconic institution has opened the door to the language, tastes, and joie de vivre of France, right here in Auckland.
At the heart of this vibrant community is the chance to learn French with passionate, qualified teachers. Whether you’re a complete beginner or looking to refine your fluency, classes for adults, teens, and children are engaging, supportive, and inspiring. Learning French here isn’t just about words; it’s about discovering a different way of seeing the world.
Alliance Française is so much more than an institution. It’s a cultural hub, where the traditions of France are celebrated through experiences that delight the senses. Imagine a sunny morning at a French Market, tasting freshly baked croissants, delicate pastries, and artisanal cheeses that whisk you straight to Provence. Live music, handcrafted goods, and good conversation complete this vibrant expression of la vie française. The year-long calendar brims with cultural experiences – from classic cinema evenings and spirited pétanque tournaments to French-themed talks, workshops, and Petit-déjeuners.
This year, the 130th anniversary celebrations mark a remarkable legacy of connection, creativity, and cultural exchange. Alliance Française Auckland invites you to learn this beautiful language, experience French life, and immerse yourself in a culture that has enchanted generations.
131 Remuera Road, Remuera 09 376 0009
Always Have Paris
Heralding from rock royalty, Lily Collins has spent much of her career quietly determined to be known for her own work, not just as the daughter of Phil Collins.
It’s a path that has proven fruitful, with nominations for the likes of Emmys, MTV Awards, and Golden Globes, most notably for her leading role in the Netflix show, Emily in Paris.
“It’s a challenge to be in the limelight when you are the offspring of someone who has done so much,” she admits. “Of course, things were different growing up and that’s undoubtedly given me a different perspective on life, but the passion I have to do something important and impressive is no different to that of someone who didn’t grow up with such an obvious inspiration around them.
“I’ve made a very conscious effort not to ask my father for support. I didn’t want that to be a factor. I adore him and he’s really my best friend, but I wanted to feel that whatever success I’ve achieved, I earned it on my own. I would never even use my father’s name to get into parties in Los Angeles. I just don’t want to be that person.”
For Lily, the drive to perform is innate.
“In my heart, I would say you are either driven about drama and performance, or you aren’t,” she continues. “It’s inherent and you can’t change that.”
Now, Collins has returned as Emily Cooper in season five of Emily in Paris, which expands the show’s glamorous footprint to Italy, too. “This season is a tale of two cities: Rome and Paris,” creator Darren Star says, offering fresh romance, high fashion and another bold chapter in Emily’s ever-evolving story.
Oui Oui Emily
In honour of the fifth season of Emily in Paris, Glasshouse Fragrances has been working away on a seriously chic, fashion-led collaboration: Oui Oui Emily. The limited-edition candle captures the show’s couturemeets-croissant energy in both its scent profile and design. A love letter to Paris that’s playful, chic and irresistibly bold, the Nude Violette & Praline fine fragrance is adorned with illustrated fashion silhouettes across the packaging.
WIN a Oui Oui Emily (Nude Violette & Praline) 380g soy candle, valued at $69.95. To enter visit vervemagazine.co.nz , click win then follow the directions.
Eccentric Romance
twenty-seven names Transference Dress
The once-debatable Pantone Colour of the Year prediction, Cloud Dancer White, appears to be losing its momentum. Recent Paris Fashion Week Fall collections suggest a decisive shift away from muted minimalism. Moving away from quiet luxury toward bold self-expression through unexpected colour and playful patterns, while still exuding elegance and romance, the City of Love’s fashion scene signals a renewed appetite for individuality and personal style — an Emily in Paris fever dream.
Levi's Adrienne Crochet Tank
Camilla and Marc Starling Fringe Midi Dress in Deep Red
Fendi x Emily in Paris Multicolor Fendi Dots Tapestry-Effect Fabric Bag
Bared Footwear
Sunbeam Poppy Red Patent Leather Flats
Deadly Ponies Mr Chopalopagus Mini in Tamarillo
Proper Goods, Moscot Traif Blue Silver Frame
Jean Paul Gaultier
Gaultier Divine Perfume
moochi
Tied Shirt in Sangria Red
Dior Small Bow Bag in Bleu Tourmaline
Camilla and Marc Rhys Pump
ARTWORK:
Creator of Worlds
Constantin Prozorov creates animated worlds that collapse fashion, art and digital culture into a single, striking visual language.
The Paris-based artist fuses digital and traditional creative techniques to create animated collages that incorporate cultural icons. It’s a method that has led to collaborations with the likes of Moncler, Gucci and Louis Vuitton.
“I was born in Almaty, Kazakhstan, and grew up in a working- class family, where I devoured visual culture, cutting out magazines, drawing, and immersing myself in films by directors like Tim Burton,” Constantin tells Verve . “After studying fashion and communication design in Munich, I worked at Condé Nast in Paris, then moved to Berlin to pursue my own practice. Eventually, I decided to make collage my primary language. My journey has always been about fusing fashion, art and narrative to build worlds that feel cinematic, poetic and boundless.”
Tell us more about how digital collage is transforming the industry.
We’re witnessing a collage renaissance. Digital technology and animation let us go beyond static images, creating immersive campaigns that blend art, fashion, nature and fantasy. This approach extends beyond fashion: it’s being used in automobile design, watchmaking and other industries to tell stories that resonate with a new generation.
The key to keeping the work warm and emotive is intention: each layer is chosen to evoke a feeling or advance a narrative. I think of myself as a storyteller first – technology is just a tool that helps me weave myths, dreams and memories into immersive worlds.
How do you balance creative freedom with the expectations of global luxury brands?
Collaboration is key. Each project starts with understanding a brand’s history and values – be it Louis Vuitton’s travel heritage or Moncler’s spirit of adventure. I then reimagine that narrative through my lens, blending their motifs with my surreal aesthetic. Brands approach me because of my signature style; trust in that vision allows me to push boundaries while honouring their identity. It’s about finding common ground between their story and my imagination.
What do you believe makes an artist or musician ‘collage -worthy’?
I’m drawn to artists who reinvent themselves and create worlds beyond music. Cher, Ozzy Osbourne and Tina Turner embody resilience, theatricality and transformation – qualities that resonate with my approach to collage. Their music and personas inspire me to become a better storyteller and to give back that sense of dreaming I experience when I encounter art, film or
fashion. This resonates with me because, as an artist, I’m also continually reinventing myself – exploring different techniques, media and narratives to push beyond set boundaries and evolve my own practice.
Have you always been drawn to fashion?
Absolutely. Fashion has fascinated me since childhood; it’s a universal language. Studying fashion and communication design and working at Condé Nast sharpened my appreciation for the power of imagery. I realised that fashion can be a vehicle for storytelling and social commentary. My earliest collaborations – Gucci’s Fashion Diary, Moncler’s Genius collection – allowed me to explore this synergy between fashion and art. Over time, I’ve continued to work with designers who inspire me to push the medium further.
Your work fuses nostalgia and futurism – are you inspired by the past?
Yes, I’m inspired by art history and the pioneers of collage. I look to artists like Hieronymus Bosch, Frida Kahlo and Remedios Varo, whose surreal visions offer timeless narratives. The early 20th- century experiments of Picasso, Dadaists and Surrealists inform my practice, as does Pop Art’s ability to integrate popular culture and advertising. Contemporary influences include Andy Warhol and Jeff Koons, and filmmakers like Tim Burton and Wes Anderson. By combining these references with AI and digital animation, I aim to create images that feel both nostalgic and futuristic.
How do you see your work evolving in the next few years?
I believe digital collage will become increasingly immersive. I’m interested in extending my work into live -action film and immersive exhibitions, creating environments where audiences can walk through my collaged worlds. I’m also developing a book about my process and the history of collage. In the near term, I’m thrilled to unveil my first permanent installation this year, while continuing collaborations with luxury brands and exploring sustainable narratives through collage. My goal is to keep expanding the medium, connecting art and technology in new ways.
At the time of the interview, Constantin was preparing to unveil his first permanent physical artwork – at the new Parisian flagship store of De Breers London – during Haute Couture Fashion Week in Paris. Visit constantinprozorov.com to learn more.
ARTWORK: 00 LOUIS VUITTON
themaximhotel.co.nz
Maximum Calm
Tucked into Albany’s vibrant commercial heart, Maxim Hotel
Auckland is where modern life gently slows. Step inside and the pace shifts – clean lines, warm textures, and thoughtfully designed spaces create an immediate sense of ease. Whether arriving from a busy workday, a long flight, or a weekend adventure, Maxim feels like a quiet pause between where you’ve been and where you’re going.
DESIGNED FOR LIVING, NOT JUST STAYING
Each suite is crafted for flexibility and flow: generous space, full kitchens, and separate living areas that adapt effortlessly from work mode to unwind mode. Mornings begin with natural light and calm routines; evenings wind
down with soft tones, comfortable furnishings, and the privacy to truly switch off.
Whether you’re staying one night or many, Maxim offers the freedom of an apartment with the polish of a hotel –no compromises, just choice.
EFFORTLESS COMFORT, THOUGHTFULLY
PLACED
Moments matter at Maxim. On-site wellness facilities, relaxed dining options, and complimentary parking remove friction from your stay, while the hotel’s location places you minutes from beaches, shopping, business hubs, and North Harbour Stadium. It’s convenience without noise, connection without chaos.
For business travellers, families, and lifestyle-led explorers alike, Maxim becomes a base that quietly supports every plan.
A MODERN STAY WITH A HUMAN TOUCH
Recognised by Qualmark New Zealand for service and quality, Maxim Hotel Auckland is defined not by excess, but by intention – warm service, intuitive design, and an atmosphere that feels genuinely welcoming. Thoughtfully positioned near coastal walkways, major sporting venues, and the city’s northern gateways, Maxim offers a stay that feels both connected and calm –a place where business, leisure, and lifestyle flow naturally together.
From the moment guests arrive, the hotel’s understated design language sets the tone. Guest rooms are crafted for modern living, balancing functionality with comfort.
Luxury isn’t loud at Maxim, it’s felt. In the ease of the stay, the quiet confidence of the space, and the genuine care behind every interaction. Whether you’re visiting for work, rest, or discovery, Maxim invites you to experience Auckland at a more considered pace – elevated, effortless, and entirely your own.
M SPA: FLOAT ABOVE THE NOISE
Wellness is woven into the experience through M SPA. From tailored massage treatments to restorative facilities including steam rooms, sauna, and heated pool, M SPA offers a private pause from the city’s pace.
Stepping into M SPA feels like pressing mute on the city’s fast rhythm: soft lighting, low-saturation tones, and natural textures ease the transition
from guest room and corridor into the treatment zone, gradually calming both body and mind. The journey flows seamlessly from the lifts to the spa area and onwards to steam rooms, Himalayan salt sauna, and heated pool, creating a complete ritual from tension to ease, from noise to stillness.
UNIQUE AND PRIVATE
Step into the serene haven of M Spa’s exclusive massage suite, a space thoughtfully crafted to elevate your wellness journey with absolute privacy and supreme comfort.
Unlike a typical treatment room, the suite features a personal shower, offering the ultimate expression of convenience and exclusivity, allowing you to refresh, unwind, and rejuvenate in complete seclusion from beginning to end.
QUIET LUXURY IN BOTANICALS AND MINERALS
The product philosophy leans into clean formulas and high-performance
botanicals, weaving antioxidantrich plant oils, marine minerals, and carefully blended essential oils through body oils, scrubs, and facials. Brightening and glow-focused facials, customised botanical treatments, and efficient express options are designed to reset the skin’s clarity and radiance in a short time.
A TAILORED STORY WRITTEN ON THE BODY
Signature body treatments range from 60- to 90-minute deep tissue and Balinese-inspired rhythmic massages to Himalayan hot stone and chakrabalancing experiences, forming a progression from structural release to energetic alignment. Targeted sessions for office fatigue, travel recovery, and post-workout soreness highlight the back and legs or reflex zones of the feet, so each booking feels like a short story written for your body that day.
Love & Marriage
Marriage, as a formal institution, is just a few thousand years old – but a brief moment in humans' roughly 300,000-year history…
LIFTING THE VEIL
The earliest recorded evidence of a formal marriage ceremony dates to around 2350 BC in Mesopotamia –however, it had little to do with love or religion. Anthropologists believe that for millennia, families were loosely organised in groups of around 30 people, often with several male leaders, shared partners and communal childrearing. As hunter-gatherers settled into agrarian societies, more stable arrangements became necessary to manage land, inheritance, and workload.
In Ancient Greece marriage was unashamedly transactional, with fathers hand over their daughters with the words: “I pledge my daughter for the purpose of producing legitimate offspring.” Ancient Roman marriage was similarly pragmatic, functioning as a way to transfer property, wealth, rights and alliances across generations.
Also, romantic or sexual fidelity was not expected of men, while wives were expected to remain within the domestic sphere.
In Islamic tradition, marriage carries great emphasis, for many Muslims representing a lifelong partnership and a social contract between families that strengthens the wider community. It is widely regarded as the foundation of family life, with the Prophet Muhammad teaching that marriage completes “half of one’s religion”.
Marriage within traditional Māori society was shaped by the importance of whakapapa and tribal connections. Partners – particularly those of high rank – were often carefully chosen to maintain or strengthen links between hapū and iwi.
In medieval Europe, marriage remained largely strategic. Among the AngloSaxons it was used to secure trade, peace and mutual obligation; personal consent mattered little. As Christianity gained power, marriage became formalised by the Church. By the eighth century it was recognised as a sacrament, and in the 16th century modern wedding vows were codified. By the late 19th century, marriage patterns began to shift again, and the upheavals of the 20th century –particularly war – reshaped family life even further. World War Two say more than 3,000 wives, 1,000 children, and 700 fiancées arrive in Aotearoa New Zealand from 35 countries in Europe, the Middle East, and the Pacific. And around 3,000 Kiwi women married US troops stationed locally.
Civil unions – widely interpreted as a type of gay marriage – were introduced in New Zealand, in 2005. Eight year later, same-sex marriage was made legal; the Netherlands was the very first country to legalise it in the year 2000.
Love Spreads
A
look at some of the stories behind some famous in-the-mood foods…
CHOCOLATE
The Aztecs consumed cacao as a bitter ceremonial drink, believing it enhanced stamina and virility. When it reached Europe, it became associated with luxury, secrecy, and moral temptation – often enjoyed behind closed doors by aristocratic women despite clerical warnings. Chemically, chocolate contains compounds that stimulate dopamine and serotonin, echoing the brain chemistry of attraction.
GINSENG
In Ancient China ginseng was revered as a restorative for vitality, longevity, and sexual strength. Its human-like root shape reinforced the belief that it replenished the body’s core energies. Emperors hoarded wild ginseng, and its trade routes were fiercely protected. Today, some studies suggest benefits for erectile function and fatigue, but its aphrodisiac reputation was forged long before laboratories.
OYSTERS
Oysters owe their erotic reputation largely to the Greek goddess Aphrodite, who, according to myth, emerged from the sea on an oyster shell. Their visual resemblance to female anatomy only strengthened the association. In the 18th century, Giacomo Casanova famously claimed to eat dozens a day to sustain his libido.
Beyond myth, though, oysters are rich in zinc, essential for testosterone production and fertility. Science aside, oysters remain shorthand for indulgence, intimacy, and anticipation – a food that feels slow, sensual, and slightly decadent.
SAFFRON
Saffron has long been linked to desire, mood, and fertility. In ancient Persia it was prescribed for low libido and melancholy, while Greek lovers were said to sleep on saffron-scented beds,
New
and Cleopatra reportedly bathed in saffron-infused water before encounters with Roman generals. Modern research suggests saffron may improve blood flow and emotional wellbeing, but its mystique lies elsewhere: rare, costly, and painstaking to harvest.
STRAWBERRIES
Heart-shaped, vividly red, and bursting with juice, strawberries were associated with Venus – the Roman goddess of love – and later with purity and temptation in Renaissance art. In France, newlyweds were once served strawberry-based breakfasts to encourage passion. Rich in vitamin C, strawberries support circulation and energy, but their real allure is theatrical: dipped in chocolate, shared slowly, eaten with fingers.
Available in short/long sleeved or custom fit.
We're also renowned for men's tailoring, come in and view our range of English and European cloth.
Talk to us about what your requirements are and we’ll help you with the rest.
Established in 1977, we're still in the hands of the same partners.
All garments that bear the Strangely Normal brand are made here in Aotearoa New Zealand.
in the birdlife shirt range, the Piwakawaka print shirt by Liberty of London Art Nouveau.
Valentine’s Pick’s
Heartfelt gifts, handpicked for Valentine’s Day.
MOR
Marshmallow Deluxe Soy Candle
This iconic scent entwines elegant notes of English Rose and Snow Musk to create a nostalgic, captivating ambience.
LOVE IN A JEWEL
The Pear Love Note Diamond Pendant
Converse
Chuck 70 Valentine’s Day
Love is in the details and these heart-themed Chucks deliver. Lace up that butterfly feeling with this heartfelt take on an icon, including heartshaped tongue and eyelets, embroidered detailing.
This two-carat lab diamond pendant designed by awardwinning goldsmith, Joachim van Oostrum, includes a special compartment to safely hold your handwritten note. Available in yellow gold, rose gold, white gold or platinum.
ghd
Chronos Styler
ghd’s most advanced styler, delivering ultra-fast, onestroke styling.
instax
Mini Evo Cinema
Le Creuset
Cast Iron Heart Round Casserole
Perfectly designed for stews, roasts, soups, casseroles and baking heart-shaped cakes.
Hansen
A solid gold kiwi pendant designed to be worn, loved, and lived in.
Capture cinematic moments and print them instantly, because some love stories develop faster than film.
Aesop
Home Kagerou
Aromatique Incense
Incense inspired by the woody, earthy, green and smoky facets of Vetiver that smoulders gently to emit delicate ribbons of aroma.
Jens
Golden Kiwi
finewinedelivery.co.nz
Wedding Wine, Made Easy
Expert tips from Fine Wine Delivery.
Planning a wedding is exciting – and choosing the right wine is one of the simplest ways to elevate your celebration from lovely to unforgettable. At Fine Wine Delivery, we specialise in helping couples select beautiful wines, beers and spirits that suit their menu, guests and budget.
With over 47 years’ experience planning weddings and parties, get in touch with us today for a free consultation and personalised quote. We're here to pour magic into your big day and take the stress out of selecting your wine.
WHAT VARIETIES OF WINE SHOULD YOU OFFER YOUR GUESTS?
Our best advice is to keep it simple. For wine, we recommend two varieties of white a red, a bubbly and if you fancy, a rosé. This will suit most menus and guest preferences.
Whites : chardonnay and a sauvignon blanc or pinot gris
Reds : pinot noir or shiraz and a dry rosé
Bubbles : champagne or sparkling wine (budget dependant)
PAIRING WINE WITH YOUR WEDDING MENU
Keep the season in mind when making your choices. Winter weddings may call for more red wine and warming spirits, while summer weddings may favour lighter, refreshing options and bright signature cocktails. What pairs well together:
Salmon and seafood: pinot gris, sauvignon blanc, pinot noir
Many venues will allow you to take your own wine for a ‘corkage fee’, this can vary hugely depending on the venue. When you buy a wine at retail and add $10-$15 per bottle ‘corkage fee’, you’ll be spending less or the same than the cheapest wines on their list – but you will be drinking much higher quality wines. If your budget prioritises premium wines, then
the value and selection is even greater. Make sure you check out your options before picking off the list!
WHY CHOOSE FINE WINE DELIVERY FOR YOUR WEDDING
Our wine experts taste over 3,000 wines every year, selecting only the best. You can have confidence we will find the perfect wine for you. When you choose Fine Wine Delivery you’ll enjoy:
E xcellent pricing plus over 1,800 products to choose from.
E xpert advice and free consultation (in person or online if based outside Auckland).
Accurate volume recommendations.
· C omplimentary secure storage in our temperature-controlled warehouse.
· Nationwide delivery, on time and stress-free.
For a free consultation and personalised quote, contact our wedding specialists wine@finewinedelivery.co.nz or jeff@finewinedelivery.co.nz
The 2021 Bleasdale Broad-Side Shiraz Cabernet Malbec blend shocked judges at Australia’s National Wine Show 2023, winning Champion Shiraz Blend of Show BEATING Tyrells Vat 8 ($90), Dandelion Moonrise Kingdom ($120), Henschke Keyneton Euphonium ($80), Jacob’s Creek Johann ($80) & more.
Abel Estate is best known today as one of Kumeū’s most distinctive wedding venues, defined by expansive lake views, open skies and a sense of calm that feels far removed from the city – even though it’s within half-an-hour of town.
Set across a two-hectare property, the estate blends landscape with light and modern architecture to create celebrations that feel spacious and on trend. Beneath that contemporary appeal sits a subtle layer of history, with the land once playing a formative role in New Zealand’s early pinot noir story.
The private lake is the visual and emotional centrepiece of the venue. Ceremonies take place on its edge, with reflections on the water, gently contoured land and uninterrupted views creating a backdrop that feels both dramatic and serene. Couples often remark on the sense of space and stillness the setting provides.
“The views were absolutely stunning, recalls bride Lidia Sokolova. “it felt like we were somewhere far away, even though it was so easy for our guests to get to.”
That sense of flow continues as celebrations move from ceremony to reception. The venue has been designed so transitions feel natural rather than staged, allowing the day to unfold seamlessly.
In 2022, the original winery – once used to produce wines under the Abel & Co label – was fully renovated to create a light, modern reception space. Clean architectural lines and new glazing now frame panoramic views across the grounds and lake, ensuring the landscape remains central even when celebrations move indoors.
For under-cover ceremonies, a marquee with transparent walls sits alongside the vines, offering guests shelter from rain or sun without losing connection to the setting. The structure allows light to move through the space while maintaining clear views of the lake and vineyard, providing reassurance in variable weather while preserving the open, relaxed atmosphere that defines the estate.
Only after the setting has made its impression does the estate’s deeper history quietly reveal itself. In the 1970s, Abel Estate was home to some of New Zealand’s earliest pinot noir plantings, with cuttings that later became known as the Abel clone. That lineage still lives on today in vineyards across the country, linking the estate to the ongoing story of New Zealand wine.
PHOTOGRAPHY: lioneltan.co.nz
PHOTOGRAPHY: dear-white.com
Hospitality at Abel Estate reflects the same sophistication. Food is designed to complement the pace and tone of the day, while service is attentive without drawing focus. Groom Nathan Tavelia-Augustine says: “Everything ran smoothly from start to finish – the food, the timing, the way the whole day flowed.”
Supporting it all is a planning process built around clarity and foresight. Couples are guided through decisions early, allowing the wedding day itself to unfold without friction – a quality frequently cited as one of the venue’s defining strengths.
Today, Abel Estate stands as a venue shaped by landscape first and legacy second. With its lakefront setting, light-filled spaces and thoughtful weatherproofing woven into the design, it offers a wedding experience that feels assured, considered and enduring.
Visit abelestate.co.nz to find out more.
tuihills.co.nz
Tui Hills
The ultimate Kiwi wedding venue.
PHOTOGRAPHY: iknowit.nz
Set deep within the Waitākere Ranges, Tui Hills has built its reputation as one of Auckland’s most recognisable wedding venues – a place where native bush, mature palms and thoughtful architecture combine to create celebrations that feel distinctly modern while remaining in touch with nature.
The site itself has a history as a place for gatherings and weddings, having hosted celebrations in various forms for more than two decades. Since current owners Ruth Carpenter and Kevin Townsend took over in 2019, that legacy has been carefully evolved rather than rewritten.
Significant renovations to the main dining space, the Nectar Room, modernised the venue while preserving its character, followed in 2024 by the addition of the award-w inning Nikau Pavilion – a bold architectural statement designed to sit lightly within its natural surroundings.
Outdoor ceremonies are central to the Tui Hills experience. The Kōwhai Glade is nestled deep within the gardens, surrounded by towering nikau palms and dense ferns that create a sense of immersion from the moment guests arrive. Brides enter along a fern-l ined bridal path that builds anticipation and heightens the emotional impact of the ceremony. As bride Fran Beatson says, “We chose Tui Hills primarily because of the location – it felt like being surrounded by nature, without being too far from Auckland.”
This strong connection to the landscape continues throughout the day. Guests move between outdoor and indoor spaces, with sightlines, light and materials all reinforcing the feeling of being close to nature. Even as celebrations transition to the Nectar Room dining space, with its native timber floors and hanging garden, the venue stays in touch with its setting.
The Nikau Pavilion has become a defining feature, particularly valued as Auckland’s most compelling wet-weather option. Far from a fallback, the pavilion offers design sophistication that complements the bush rather than competing with it. Expansive glazing, on four sides, ensures the natural environment remains front and centre. Bride Ashlee Hay beams, “The venue looked
incredible on the day – everything flowed so well, and the indoor space was just as beautiful as outside.”
Food and Kiwi hospitality add to the appeal. Menus are designed to suit the flow of each celebration, balancing polish with generosity – as bride Mikayla Palffy recalls: “The food was amazing – we had so many guests comment on how good it was.”
It’s a recurring theme in feedback, underscoring the venue’s reputation for delivering quality without pretension.
The other service that makes Tui Hills stand out is its approach to planning. The team is deeply involved from early on, guiding couples through decisions and logistics in a way that removes pressure rather than adds to it, with different levels of assistance available as couples choose. Nadia Hassan describes the experience simply: “The planning process was so easy — we felt supported the whole way through.”
More than two decades on, Tui Hills continues to evolve, offering couples a setting that feels contemporary, confident and deeply connected to its natural surroundings – a place where modern design and the New Zealand landscape are in constant conversation.
Visit tuihills.co.nz to find out more.
PHOTOGRAPHY: lioneltan.co.nz
PHOTOGRAPHY: momentsproductions.nz
PHOTOGRAPHY: iknowit.nz
AUCKLAND’S
Hidden Haven
From the black sands of Muriwai to the vineyards of Kumeū, Riverhead’s riverside beauty, and Albany’s growing urban hub, this diverse, underexplored corner of Tāmaki Makaurau blends rustic splendour with lifestyle opportunity.
Over the following pages, we highlight its many charms, including world-class golfing, luxurious accommodation, its sprawling, natural playgrounds, and some of North Island’s finest real estate…
MURIWAI
Famed for its dramatic stretch of blacksand coastline, cliff-top trails and vast gannet colony, Muriwai is an Auckland icon for very good reason. The rugged, windswept stretch is a favourite with surfers of all levels – and beyond surfing, visitors can hike coastal tracks, fish from the shore, fly kites or try blokarting and biking. Sweeping Tasman Sea views and fresh ocean air complete the experience, both of which can be enjoyed from some world-class golfing and luxury accommodation.
COATESVILLE
Charming Coatesville is set among rolling countryside, offering a peaceful escape from city life. Its standout highlight is the popular Coatesville Market, where visitors can browse local produce, artisan goods and homemade treats while soaking up the famous community atmosphere. The village also punches above its weight for dining, while providing convenient access to the Riverhead Forest.
continues over page
WOODHILL FOREST
Te Ngahere o Woodhill/Woodhill Forest is a sprawling commercial pine forest near Muriwai and Waimauku. Another outdoor adventure haven, visitors can enjoy horse trekking, tackle the Sandpit motorcycle playground, explore the mountain bike park, take on Tree Adventures, test off-road skills at the Woodhill 4WD Park, or jump into actionpacked games at Delta Force Paintball.
KUMEŪ
Historic Kumeū is a regional jewel with its lively blend of boutique wineries, orchards and rolling green farmland. Home to the area’s oldest wineries –established by Croatian families in the 1940s – expect cellar-door tastings and award-winning restaurants – the Hallertau brewbar is a must! Beyond the vineyards, explore roadside stalls selling fresh seasonal produce, browse specialty shops, cafes, and galleries. Plus, it’s the ideal launchpad to all the local natural wonder like Muriwai, and Woodhill.
RIVERHEAD
Sitting at the head of the upper Waitematā Harbour, pretty Riverhead is another historic gem. In the 19th century it was a hub for gum digging and river trade with Helensville and the Kaipara, later supporting timber milling and tobacco farming. Today, this riverside township blends its heritage character with modern village life, with historic buildings sitting alongside cafes, restaurants and boutiques, while the surrounding countryside offers easy access to parks, reserves and popular mountain-biking trails in the nearby Riverhead Forest. With waterfront dining, leafy walking tracks and a relaxed community atmosphere. The 160-year-old Riverhead tavern is believed to be the nation’s oldest waterside pub!
ALBANY
Ōkahukura Albany marks the northern edge of Auckland’s urban sprawl, blending a busy university hub with major retail precincts and pockets of peaceful countryside. Once home to dairy farms and strawberry fields, the suburb expanded rapidly in the 1990s with the arrival of Massey University, new housing developments and Westfield Albany. Sitting at a key transport junction, Albany also acts as a gateway linking the North Shore’s east and west coasts, making it a convenient base for exploring beaches and hinterland alike.
muriwaigolfclub.co.nz
A Golfing Feast
All eyes turn west this autumn as Muriwai Golf Course hosts the Autex Muriwai Open from 30 April to 3 May.
Muriwai Golf Links is a truly unique golfing experience – one that’s ranked among the nation’s best. The stunning course provides outstanding views of the Tasman Sea, ensuring that every round is a feast for the eyes while offering a formidable test for the country’s leading professional golfers.
With coastal winds, rolling fairways and dramatic ocean vistas in play, the Autex Muriwai Open promises four days of high-calibre competition and compelling spectator viewing – where strategy, precision and resilience are pushed to their limits.
Just 40 minutes from Auckland’s CBD, the tournament offers an accessible yet distinctly immersive championship experience. Spectators can enjoy the action across the course before retreating to the newly refurbished clubhouse and cafe, now led by a newly appointed chef delivering fresh, seasonal fare – the perfect vantage point to reflect on the day’s play.
While the spotlight is firmly on tournament week, Muriwai’s remarkable coastal setting also lends itself to unforgettable private events, including weddings staged between the fairway and the ocean.
101 Coast Road, Muriwai
REAL PASSION
Shaped by more than two decades of building and managing successful beauty and wellness businesses, alongside plenty of hands-on experience as a property investor, Lani Allard brings a strong commercial foundation to real estate.
“That background has given me a clear understanding of asset value, presentation, client service, and strategic decisionmaking,” she tells Verve . “All of which translate seamlessly into achieving strong outcomes for my clients.”
How would you describe your approach to marketing and presentation?
I have a very keen eye for design, aesthetics, and the small details that often make the biggest difference. I’m meticulous about how a property is presented and marketed, ensuring it resonates emotionally with buyers while being positioned strategically in the market.
What types of properties and locations do you specialise in?
I specialise in lifestyle and residential properties across Rodney, a region I know intimately. Having lived on lifestyle properties in the area for over 14 years, I focus on locations including Kumeu, Coatesville, Riverhead, Waimauku, Waitoki, Dairy Flat, Woodhill and the surrounds. That lived experience gives me a genuine understanding of what buyers value in these communities along with sharing future plans and improvements proposed for the area.
How do your interests outside of real estate add value for your clients?
I have a strong connection to the local community through lifestyle living, a love of animals, and long-standing involvement in the motorsport and equestrian worlds. Over time, this has created an extensive and diverse network, which often provides an advantage when it comes to buyer reach and meaningful connections.
What can clients expect when working with you?
Clients can expect a high level of care, professionalism, and integrity throughout the process. I’m deeply committed to protecting the value of their asset and ensuring every transaction is handled ethically and diligently, putting integrity
first always. My client reviews have been nothing but five stars which is something I take great pride in.
Why did you choose to align with Precision?
Partnering with Precision felt like a natural progression. The ability to work autonomously while being supported by a highly respected, carefully curated group of professionals was incredibly appealing. Being invited into a network of like-minded, high-performing associates is something I value greatly.
How do you help clients bridge the mindset shift from town to country living?
Moving from town to country is as much a mindset shift as it is a physical move. I help clients understand the practical realities alongside the lifestyle benefits – from land use and maintenance, to privacy, community, and day-to-day living. By bridging aspiration with practical guidance, clients feel informed, supported, and confident in embracing a country lifestyle that truly suits them.
From a vendor’s perspective, how do you position a property to urban buyers?
Positioning a lifestyle or semi-rural property for urban buyers starts with understanding what they value most – clarity, confidence, and ease of transition. The key is to translate the lifestyle into benefits they already relate to, rather than assuming familiarity with country living.
I focus on presenting the property through an urban lens: highlighting proximity to the city, schooling options, village amenities, and transport links, while also clearly explaining how the property functions day to day. Well-prepared information around land use, maintenance, and infrastructure helps remove uncertainty and builds trust.
Presentation is critical. Buyers need to emotionally connect first, then feel reassured by the practical details. Ultimately, it’s about reframing the property as an upgrade in lifestyle rather than a leap into the unknown.
How do you see the relationship between town and country property evolving?
The relationship between town and country property is becoming far more interconnected than it has been in the past. Lifestyle living is no longer viewed as a compromise; it’s increasingly seen as a considered choice that prioritises space, wellbeing, and flexibility, while still remaining connected to employment, education, and amenities.
As infrastructure improves and hybrid working becomes more established, buyers are re-evaluating what ‘convenience’ really means: access to nature and recreational hobbies, exploring the outdoors and getting away from screens, providing children with that option and still being connected to local village hubs is narrowing the gap between urban and rural living, particularly in regions like Auckland’s northwest. At the same time, town properties are influencing expectations in the country – buyers want well-designed homes, strong aesthetics, and lowfriction living, even on lifestyle blocks. In response, we’re seeing lifestyle properties evolve to offer more refined, efficient, and sustainable solutions.
Ultimately, I see the future as less about choosing between town or country, and more about finding the balance – where lifestyle, practicality, and longterm value coexist.
Get in touch with Lani Allard on 021 281 8700 or visit sellwithlani.co.nz
WHY LANI RECOMMENDS THE NORTHWEST
Privacy, and breathing room. One of the biggest drawcards is space: larger sections, lifestyle blocks, and a sense of openness that’s increasingly hard to find closer to the city. Buyers enjoy privacy, quieter surroundings, and the freedom to live with fewer compromises.
A true balance between town and country. Northwest offers the best of both worlds – a relaxed, semi-rural lifestyle while still being within easy reach of the city. It’s a region where country calm meets city convenience.
Strong community and village life. The area is known for its welcoming, close-knit communities. Local villages such as Kumeū, Riverhead, Waimauku, Coatesville, and Kaukapakapa offer cafes, markets, schools, sports clubs, and community events.
Natural beauty. From rolling countryside and native bush to black-sand surf beaches like Muriwai, and the trails of Riverhead and Woodhill Forests, outdoor living is a way of life, often just minutes from home.
Award-winning vineyards and dining. It’s home to some of Auckland’s most respected wineries, cellar doors, and destination eateries. This adds a lifestyle richness that appeals to both everyday living and entertaining friends and family.
Lifestyle properties with versatility. Many value the flexibility lifestyle properties provide – space for animals, gardens, home businesses, or simply room for children to roam. It’s a lifestyle that adapts as families and priorities evolve.
Quality schooling and family appeal. The region is well regarded for its mix of local schools and easy access to private and city-based options. Combined with safe, open environments, it’s particularly attractive to families looking for long-term lifestyle value.
Future growth with considered development. With ongoing infrastructure improvements and carefully managed growth – such as a possible planned high school for Kumeū, and the new multimillion-dollar golf course at Muriwai – it’s an area that offers both lifestyle enjoyment and long-term confidence.
On the Market
Get in touch with Lani Allard on 021 281 8700 or visit sellwithlani.co.nz
LOTS 1-4, 5 DYSART LANE, KUMEŪ
Four exceptional 1ha (approximately 2.5ac) lots each offer a unique blend of privacy, space, and natural beauty just minutes from Kumeū village. Set within an exclusive enclave and positioned down a long driveway well off the road with gated entries, these lifestyle blocks are a showcase of rural charm and modern convenience. Invest in a country lifestyle within commuting distance to the CBD.
5 DYSART LANE, KUMEŪ
This beautifully appointed property includes the main Tuscan-inspired residence, a garage/workshop, rustic barn, and a charming farm cottage, all set on approximately 1ha of land. Remodelled and extended by the acclaimed House of Nautica in 2009, the solid masonry home blends rustic charm with modern refinement. A chef’s kitchen with Falcon range and butler’s pantry anchors the open-plan living, featuring exposed beams, polished concrete floors, and seamless flow to outdoor entertaining areas. A spa patio, open fireplaces, and parklike grounds complete the picture of relaxed luxury.
124 RIMMER ROAD, HELENSVILLE
There’s something for everyone here, with 5.97ha of glorious, elevated countryside. This lifestyle haven offers space, privacy, and exceptional facilities – all centred around a soulful circa-1915 villa full of warmth, character, and generous proportions. There’s a 40x60m LED-lit arena, 14 stables, washdown bays, tie-up areas, tack room, and a large utility shed. Extensive off-street parking makes it ideal for trucks, floats, or heavy machinery, well off the road down a private driveway.
173 TAHA ROAD, WAIMAUKU
Set on a beautifully landscaped 1.21ha block, this circa-1905 home combines the charm of the past with modern comforts, featuring a dream workshop with ample space for parking, two stables and covered yards, five manageable paddocks and a riding arena. A lock-off flat with separate access for extended family living gives excellent options. A gardento-table ethos is truly embraced here, with an established orchard and raised vegetable gardens ready for harvesting. The wraparound covered decking is ideal for year-round outdoor living.
903 OLD NORTH ROAD, WAIMAUKU
This 5.79ha estate offers the rare opportunity to live in Rodney’s fabled wine country. A private lane lined with majestic London Planes gives way to expansive grazing paddocks, and views of the rustic hills, complete with water bore, stables, barn or workshop shed, and round pen with riding surface. Excellent for livestock and horticulture, the flat usable land offers an abundance of opportunity in a prime location.
101 TAYLOR ROAD, WAIMAUKU
Get in touch with Lani Allard on 021 281 8700 or visit sellwithlani.co.nz
The striking rock entrance unfolds into a pristine native bushframed corridor, where greenery forms a natural canopy and opens to a breathtaking backdrop of rolling hillside, setting the tone for a truly memorable first impression. Distinguished by its unique cedar and schist construction, this residence marries modern sophistication with comfort. Set on approximately 1.72ha in a private estate just minutes from Waimauku village.
Education is Changing
Stability, balance and opportunity in a time of transition.
Education in New Zealand is changing. With NCEA undergoing review and new grading systems being trialled, many parents are asking the same question: “What does this mean for my child’s future?”
At Pinehurst School in Albany, these questions have a clear answer. For nearly 25 years, Pinehurst has offered the Cambridge International pathway – a qualification that is globally recognised, academically rigorous, and accepted by universities both here and overseas.
As an independent school with no zoning, Pinehurst welcomes families from across the city. While based in Albany, students travel from all over Auckland to access a Cambridge education in a school known for academic strength and strong pastoral care.
“The best thing for us is knowing what’s ahead. Cambridge has a clear pathway so we can see how it leads to university. It takes away the uncertainty, which is a relief with all the changes happening.”
Cambridge: proven and accessible
There’s a common perception that Cambridge is only for ‘top academic performers.’ Pinehurst’s experience shows otherwise. The programme is designed to be challenging but achievable, with a clear structure and regular milestones to build confidence.
Teachers at Pinehurst focus on breaking learning into manageable steps and offering personalised guidance. Small classes and strong pastoral care mean students don’t have to start as high achievers to succeed – curiosity, effort, and support make the difference.
Beyond Academics
Life at Pinehurst extends well beyond the classroom. Students are encouraged to take part in sport, music, drama, leadership, and service activities,
ensuring they grow not just as learners but as people.
“My daughter discovered a passion for volunteer work, something she might never have found otherwise, it’s not just about results, it’s about giving them opportunities to try new things and gain confidence.”
This balance is intentional. While Cambridge provides the academic backbone, Pinehurst provides the breadth of experiences that prepare young people for life.
Ready for the world
Graduates from Pinehurst step out ready to thrive. Many secure places at top universities in New Zealand and overseas; others move directly into trades, training, or entrepreneurial ventures. Whatever their path, they carry with them the skills, discipline and global outlook that come from the Cambridge experience.
Change is coming. Pinehurst is ready. As New Zealand’s education system continues to evolve, Pinehurst’s commitment stays the same: to nurture confident, balanced young people who are prepared for whatever comes next.
pinehurst.school.nz
A Wildly Beautiful Escape
High above the black-sand shoreline, where the Tasman Sea dictates the rhythm of the day, Muriwai Estate slowly reveals itself.
There’s a particular calm that settles in as you arrive. The air feels fresher here, the horizon wider.
Perched high above Muriwai Beach on Auckland’s untamed West Coast, Muriwai Estate is a private luxury retreat designed for those who value space, connection and considered indulgence.
Inspired by Tuscan architecture yet unmistakably of Aotearoa, the estate sits across 6.6 acres of native gardens and sweeping lawns. Interiors are warm and elegant, where natural textures, soft light and generous proportions create spaces that invite lingering rather than rushing.
Get the look with Resene
Resene Spanish White
Resene Truffle
Resene Friar Grey
The seven-bedroom villa sleeps up to 14 guests, while a beautifully appointed pool house offers a sense of retreat within a retreat.
Privacy is paramount, with the estate designed to feel both expansive and secluded. Floor-to-ceiling glazing frames sweeping ocean views, while sheltered outdoor living areas encourage long lunches, evening aperitifs and fireside conversations under the stars. As dusk settles, the West Coast delivers its signature spectacle – molten sunsets melting into deep indigo skies that are best enjoyed from the terrace.
Thoughtful landscaping blends the property seamlessly into its natural surroundings, creating a sense of harmony between architecture and landscape.
Days at Muriwai Estate unfold intuitively. Morning coffee is enjoyed to birdsong and surf. Some might head for a coastal walk, others to the heated pool or a quiet moment on the terrace as the sun climbs.
A dedicated concierge ensures each stay is tailored, whether that means arranging a private chef, sourcing local produce for a beach picnic, or curating wellness experiences that mirror the restorative nature of the coast.
Get the look with Resene match
Resene Double Merino
Resene Papier Mache
Resene Colorwood Candlelight
Bespoke packages reflect the wild beauty of the region. Wellness retreats combine beach yoga, sauna sessions and guided walks, while surf-focused stays cater to all abilities. Beyond the gates, waterfalls, vineyards and rugged coastal trails invite exploration, offering a perfect balance between adventure and repose.
For more information or to book please visit muriwaiestate.co.nz
Meat ‘n’ Expectations
Marrow is a community-driven butchery and kitchen store in Ōrewa dedicated to reshaping how we source, produce and enjoy food – for the good of animals, the environment and our local community.
“I’m a butcher and I try to do that well,” says founder Nick Thomson. “I consider the whole process, from the animal in the fields, to the steak frying in your pan. Also, all of our products are naturally preserved using our homemade celery extract.”
You’ve worked around the world and alongside culinary icons like Fergus Henderson and Michael Van de Elzen. What have those experiences taught you?
eating quality is consistently held at the highest level.
What drew you to open Marrow in Ōrewa, and how has the community shaped the shop’s personality?
Ōrewa is my home – where I grew up and completed my apprenticeship. After living overseas and returning home, it was time to introduce Marrow to Ōrewa first, with Auckland to follow.
I like to think of Marrow as an extension of my home. The concept was traditional craft, within a minimal retail setting. I think presenting yourself personally, and your space is so important. Along the way I have teamed up with Barkers clothing. They keep me dapper, and I look after the store!
bring a book to life with a focus on the secondary cuts or offal. The first recipe of the book is tongue, the last is tail, and as your read through, you take a trip through the anatomy of the animal.
What’s your go-to weekend dish?
I’m very traditional, so Sunday roast is a non-negotiable! I change it around and have leftovers for lunch to start the week.
And finally, what refuels you on your days off?
I live near the ocean so my time out is rowing my dinghy off the point – no cell phone, maybe a cold can of beer, and throw a line out hoping for seafood to break it up.
Find Marrow at Hillary Square in Ōrewa. Instagram: @marrow_nz marrowstore.co.nz
They’re the ones who showed me respect for the food, the idea and concept of simplicity done well, and the importance of what we put into our bodies. Those legendary guys have elevated my cooking and general knowledge – and I’m very grateful to them. Oh, and our black pudding, white pudding, and haggis are made using recipes I brought back from the UK!
Marrow champions whole-animal butchery and ethical sourcing. Why is this approach so important to you? The idea was always to use the whole animal and know where those animals come from and what life they live. Through our own channels, we can now avoid and bypass animals travelling on trucks preslaughter, ensuring animal welfare is held at the forefront and the
You’re about to open another butchery in Devonport?
I am! Opening on Victoria Street right in the heart of the village, it will be a great addition to what I believe to be a great little community. I love Devonport and hopefully Devonport loves Marrow. Doors are opening late March.
Also, from mid-March you can expect Auckland-wide delivery from our online store –we’re are just finetuning the website and finalising sustainable packaging.
You’ve got an exciting cookbook coming out. What can readers expect from it?
I was very fortunate to have Sally from Beatnik publishers offer me a deal to
All Rise
Yoga is truly global. Wherever you go in the world, it’s there.
Yoga dates back millennia. It has evolved over time. To be so ubiquitous, to have endured for so long, there must be real benefits to the practice. There certainly are.
In yoga, we speak of the panchamaya kosha system. This is the five layers of one’s being: physical, energetic, mind, discerning wisdom, and inner peace. The practice of yoga offers benefits at all five levels.
THE PHYSICAL
I started yoga seeking to stretch. I approached yoga at the first layer of my being. The physical. Most people, when they think of yoga, think of the physical and, particularly, stretching.
Yoga goes much further than that. My style of yoga is very physical and does not just mobilise through stretching but strengthens students’ bodies. Yoga develops enhanced balance and coordination. Yoga improves posture.
Many people’s lifestyles have caused disproportions in their bodies. Yoga works to restore physical balance. Areas that are tight and weak become lengthened and strengthened. Areas that are neglected are brought into use, creating functional strength and mobility.
THE ENERGETIC
The second layer of being is the energetic. Yoga stimulates and balances energy throughout your whole being. People have areas in their body that have become lifeless through disuse, neglect or injury. Others have dense areas from stress or over-use.
Yoga moves energy through your whole body, bringing to life the inert areas, relaxing the tense areas, and creating connected wholeness.
THE MIND
In the context of yoga poses and in meditation, we become more aware of our minds and more disciplined in their use.
A lot of people experience themselves as their thoughts. Their thoughts are constant and are filled with negativity, anxieties,
and notions of not being enough. Yoga helps us create a distinction between who we are and what we think.
This lets us decide where to put our awareness in the gigantic fields of their mind. The mind becomes a tool rather than a tyrannical master.
DISCERNING WISDOM
The fourth layer of being is discerning wisdom. Yoga teaches us how to make enlightened responses to our circumstances. It enables us to have critical distance, to not take things personally, to not be brought down by disappointment or loss, and to make conscious choices.
BLISS BEING
Yoga teaches that inner peace and contentment are possible for us all. If we practise yoga and apply ourselves to its methods, we will come deeper into an appreciation of ourselves, a reconciliation with our surroundings and a calm, contented way of being.
SOCIAL
In addition, practising yoga gives you access to a wonderful community of people.
I started yoga to stretch. I committed to yoga because it showed me deeper layers of benefits. I teach yoga because of the holistic benefits it offers. If you have not yet, take up yoga. Be committed to the process of your practice. By degrees, the many and sophisticated layers of yogic benefits will come to you.
Hamish Kenworthy is the 2025 Yoga Teacher of the Year. Head to yourvitallifenz.com to learn more.
TUSCANY, ITALY
The Club House
In the refined five-star luxury hotel in Castelnuovo Berardenga, nestled among vineyards and the rolling hills of Siena, guests rediscover the pleasure of slow living, where authentic and discreet luxury blends with the harmony of body, mind, and taste.
Every detail of The Wellness Sanctuary has been designed to transform wellness into a sensory journey.
The Wellness Sanctuary at The Club House is a 400sqm retreat dedicated to wellness, where elegance and nature come together to provide a completely rejuvenating experience.
Nestled in the tranquillity of the Chianti Classico region, this space is designed to restore harmony to body and mind, enveloping guests in a relaxing atmosphere and delicate scents. The spa experience is an invitation to let yourself be carried away by profound sensations: the tepidarium with salt mist purifies and relaxes, the sauna and experiential showers stimulate and revitalise, while the ice fountain and Kneipp therapy invigorate circulation.
The wellness lounge is a peaceful corner where guests can enjoy herbal teas and moments of total relaxation while admiring the Tuscan landscape.
Four cosy cabins offer individual or couples' treatments, with massages and rituals that combine holistic techniques and natural ingredients, inspired by local traditions and viticulture.
For those who wish to maintain an active lifestyle even on holiday, there is a gym equipped with Technogym machines and a dedicated yoga space, perfect for regaining energy and concentration.
The indoor pool is a bright oasis with hydromassage areas and heated water, ideal for relaxing in any season, whereas the panoramic outdoor pool delivers sheer visual and sensory delight, overlooking vineyards and rolling hills of Siena.
Every detail of The Wellness Sanctuary has been designed to transform wellness into a sensory journey, where balance is achieved through the combination of self-care and the authentic beauty of Tuscany.
PUERTO ESCONDIDO, OAXACA, MEXICO
Mantra Hotel Boutique
Located in Punta Zicatela, Puerto Escondido, Mantra Hotel Boutique is an intimate 12-room hotel conceived as a wellbeing sanctuary facing the Pacific, where body and mind find a slower rhythm.
Created by an Oaxacan team with a deep connection to the region, the hotel brings together nature, contemporary design, and warm service, with a strong commitment to the local environment and regional traditions.
Its inviting architecture, rooftop with a glassbottom pool, and wellbeing program - including sauna, steam room, massages, and yoga sessions - create an oasis designed to invite guests to reconnect with themselves in the heart of Punta Zicatela.
Conceived as a holistic retreat Mantra Hotel Boutique presents itself as an invitation to wellbeing. The boutique hotel unfolds as a contemporary space where serenity, comfort, and local authenticity coexist with the vibrant energy of the destination.
Just a short walk from Playa Zicatela and surrounded by tropical vegetation, Mantra combines the character of an intimate hotel with
the services of a getaway for prolonged relaxation: massages, sauna, steam room, a rooftop bar, and a viewing terrace designed for sunset contemplation or morning yoga sessions.
With 12 rooms across Mantra organises its offering around various ways of inhabiting rest, from intimate stays to trips for couples or small groups.
continues over page
Wellbeing is part of daily life at the hotel thanks to a comprehensive program that goes beyond traditional self-care.
On the rooftop, an area dedicated to sauna and steam allows guests to activate or relax the body, while a menu of personalised massages — relaxing, hot stones, rebozo, Chinese spheres, or bamboo, among others — offers treatments of 45, 70, and 90 minutes tailored to different needs for tension release or rest. This is complemented by yoga classes on the viewing terrace and other relaxation and guided meditation practices, offering a range of possibilities each guest can tailor to their need for pause, reconnection, or celebration.
The rooftop is one of the core elements of the Mantra experience. From its terrace overlooking Punta Zicatela, guests enjoy a glass-bottom pool, sun
loungers, and a bar serving signature cocktails, mocktails, and craft beers, with an emphasis on mezcal and fresh coastal flavors.
Mantra proposes a particular way of experiencing Punta Zicatela. An ‘ideal day’ may include sunrise surfing, a yoga session on the viewing terrace, and a walk among the area’s restaurants, cafes, and boutiques, before returning to the hotel to end the day with a mezcal on the rooftop as the sun sets. Its location - steps from the beach and at the heart of the bohemian sceneallows guests to enjoy the destination’s vibrant energy while maintaining the serenity of a controlled environment where they decide how near or far they wish to be from the hustle and bustle.
PHOTOGRAPHY: COURTESY OF MANTRA HOTEL BOUTIQUE
Wellbeing is part of daily life at the hotel thanks to a comprehensive program that goes beyond traditional self-care.
Through sold-out events and a global virtual studio, Owaken Breathwork has begun attracting the attention of Hollywood elite.
Founded by Kiwis, Lukis Mac and Hella Omega, Los Angeles-based Owaken guides participants into non-ordinary states of consciousness, creating space to access parts of themselves that sit beyond everyday awareness.
“We both grew up in Auckland and met through mutual friends. Hella and I have been together for over 20 years, and from early on, our relationship was also a shared journey of personal development and healing,” Lukis tells Verve . “We studied a range of modalities together, including coaching, BodyTalk, Mindscape, Hypnotherapy, NLP and eventually became trauma-informed facilitators.”
Power of Breathwork
Ancient breathing techniques are being reimagined for the modern world to help unlock deeper physical, emotional and spiritual wellbeing.
While living in Bali, the pair attended a breathwork workshop led by visiting US facilitators. The experience was transformative, releasing deep emotions and unlocking an unexpected sense of clarity and inner connection.
“That moment changed everything, continues Lukis. “We became obsessed with breathwork because we could feel how powerful it was, not just for us, but for what it could offer others.”
What parts of your Kiwi upbringing still shape how you approach wellness since moving to the US?
“We bring a deep sense of groundedness. We teach practical spirituality for modern living, leading from the heart, staying real, and never trying to be anything we’re not. That authenticity becomes a permission slip for others to do the same, and that’s what we love most: leading by example.
“A lot of people let fear stop them, but fear isn’t a stop sign. It’s an invitation. An invitation to face what scares you and move forward anyway. That’s the path we’ve chosen, and it’s shaped everything we’re building.”
Breathwork teaches people to recognise their stress patterns and nervous system responses. With awareness and self-regulation tools, individuals stop losing themselves and redirect their life-force energy into empowered, aligned living, not only supporting people to process stress, emotions, and trauma, “it also helps them access more clarity, joy, creativity, and energy flow”.
“A common misconception about healing is that once you understand something, you should be ‘over it’,” says Lukis. “But intellectual insight doesn’t always mean the body has caught up. The body and nervous system may still
PHOTOGRAPHY: CHRISTOPHER BROWN
hold conditioned stress responses linked to the past. If those responses aren’t processed and regulated through the body, they can continue to influence how we feel, react, and behave even when we know better cognitively.
“This is what makes the work so powerful and sustainable: it’s not about overriding the body; it’s about bringing the body back into balance.”
Why do you think breathwork is having such a major moment, particularly in LA and NYC?
“Because people are overwhelmed, disconnected, and living in a constant state of stress and they’re looking for tools that actually work, not just more information. In places like LA and NYC especially, life moves fast. There’s a lot of ambition, pressure, stimulation, and mental load. People are high performing on the outside but often dysregulated on the inside. Breathwork meets that moment because it’s immediate, experiential, and embodied. You don’t have to believe anything or analyse your way through it you feel the shift in real time.”
Owaken has captured the attention of some serious stars, with the likes of Kourtney Kardashian, Megan Fox Fox, Jake Paul, and Travis Barker of band Blink-182 counted as regular clients.
“A lot of the high-profile people we work with came through referrals, says Lukis. “We’ve grown almost entirely through our social media presence, client referrals, and the real impact the work creates. When people have a genuine experience and feel meaningful change, they talk about it.”
Was there a point when you realised you’d started a movement?
“We didn’t set out to build a movement. There wasn’t one defining moment, but over time we noticed the ripple effect. People weren’t just attending sessions they were sharing the work, bringing friends, integrating it into their lives, and carrying it forward in their own way. That’s when we realised it had become bigger than us.
“At this point, we’ve worked with thousands of people from around the world and have personally trained hundreds of trauma-informed facilitators globally. When something genuinely helps people reconnect with themselves, it naturally grows and that’s exactly what’s happened with Owaken.”
Their recently launched Intuitive Impact Academy offers in-person and online programmes designed to help people understand and regulate stress by working consciously with the nervous system. The aim is to provide safe, embodied experiences of real transformation – practical, personal tools that can be integrated into everyday life, rather than a onesize-fits-all approach.
“We also have the Owaken Podcast and an app which is essentially a virtual studio,” says Lukis. “It offers shorter breathwork and meditation classes designed to fit into real life. These classes support people to master their mindset, release stress, and access more clarity, joy, peace, creativity, and energy flow from within. There’s a class for whatever someone is navigating – whether they need regulation, activation, grounding, or inspiration, we have you covered.”
Learn more at owaken.com
Re-born Free
Freediving has evolved from an ancient ocean food-gathering technique into a mastery of calm, controlled breathing and mental clarity.
Practised for around 8,000 years, freediving – sometimes referred to as apnea, from the Greek for ‘without breathing’ – has long been adopted by coastal cultures the world over.
Sponge diving in Ancient Greece was even an Olympic sport, while the Bajau people of Southeast Asia, renowned for their ability to hold their breath for many minutes at a time, are often called the ‘Sea Gypsies of Malaysia’.
PHOTOGRAPHY: PHILIP PUCKY
saltaotearoa.co.nz
Nowadays, freediving has also evolved into a modern sport focused less on speed and adrenaline, and more on mastering calm, controlled breathing and deep relaxation beneath the surface of the sea.
“Once people understand that freediving isn’t about pushing limits but about listening to your body, most fears soften,” says freediving instructor and founder of Salt Aotearoa, Renee Taylor. “It becomes grounding rather than extreme. Freediving is actually built on slowing down: slowing your breath, your heart rate, your nervous system.”
Fear, she continues, is best “reframed as respect”. Though she admits to sometimes being afraid in the ocean – whether it be of the depth, the darkness, or the sharks – Renee has learnt to safely channel panic into awareness and emphasises that she teaches others to do that before they even step into the water.
“My whakapapa is Albanian, Māori (Ngāti Ranginui, Ngāti Raukawa), English and Scottish,” she says. “I didn’t grow up with a strong connection to my Māori identity or the ocean, and for a long time I felt incredibly disconnected, from my culture, from self, from belonging. I discovered freediving and spearfishing at 30 – I’m 37 now – during a period of burnout and big personal change.”
The ocean, she continues, became a place where “everything came together” – her identity, mindfulness, food gathering, responsibility to the environment and more. She feels “most indigenous” in the moana, and it was that journey that ultimately became the foundation for Salt Aotearoa.
“The more time I spent in the ocean, the more I recognised how deeply it supported my hauora: mental, physical, social, emotional, spiritual. Freediving speaks to all pillars of Te Whare Tapa Whā, so in this way is so incredibly powerful as a tool for healing and wellness.”
Renee describes freediving as “mindfulness in action”.
“It quietens internal noise, reconnects you to your body, and places you directly within te taiao rather than above it. Over time, I began to see the ocean not as something to conquer, but as rongoā, a medicine that restores balance. That understanding now sits at the heart of Salt Aotearoa.”
Renee also made the decision to make the programme a women-only space.
PHOTOGRAPHY: SAM WILD
“When I started freediving almost seven years ago, it was very male dominated, and while there’s nothing wrong with that, many wāhine didn’t feel comfortable entering those spaces, asking questions, being beginners, or simply being themselves.
“A wāhine-focused space removed a lot of those barriers. Something really special happens when you bring women together around a shared passion, there’s a collective energy, deep support, and genuine connection. Salt prioritises wāhine, while still working alongside tāne and mixed support crews, because ultimately, it’s about restoring balance, not exclusion.”
Even for participants that choose to never freedive again, Renee says that the skills learnt can be lifechanging.
“The breathwork alone can improve sleep, reduce anxiety, and build resilience. It is something that can have a positive impact on all of our pillars of wellbeing. I’ve actually developed my own self-reported measurement tool to help generate data to prove what we know, that freediving can be a healing tool, and we hope that this might be able to provide more funded pathways to access the moana for healing.”
Being beneath the ocean with nothing but your breath – “no machinery, no distractions” – is the ultimate in empowerment.
“When you add gathering your own kai, understanding ecosystems, and sharing food together, it becomes a full-circle experience that most fitness activities just can’t offer,” says Renee. “It connects you to yourself, to your community, to your culture, to the taiao, and to your kai. It does everything.”
Renew from Within
NeoGenesis uses patented S²RM® technology to deliver natural skincare products that nourish, rejuvenate, and restore.
How would you describe what your product does?
When our skin is wounded or inflamed, distress signals are released and the body responds by sending healing molecules. The body creates ‘exosomes’ – fatty spheres that protect and provide safe transportation of those molecules. In healthy young people, this process works well – but because of age, stress, hormones, and genetics, our bodies aren’t always able to produce enough healing molecules. This is where NeoGenesis comes in! Our S²RM® technology provides additional healing molecules, captured directly from the same skin-tissue-specific stem cells that produce these exosomes.
What does S²RM mean?
It refers to ‘stem cell released molecules’. The ‘2’ references the cell lines that we pull from – fibroblast and adipose mesenchymal stem cells. These are the skin-tissue specific healing molecules released from the stem cells and transported via exosomes.
It’s a multi-pathway approach that encompasses a full spectrum of skin healing. The S²RM® technology does not use just one pathway for healing. For example: a child’s skin does not rely on peptides alone to maintain youthful appearance. By including a host of healing molecules, we’re able to provide a comprehensive approach to topical wound healing and skin rejuvenation.
What part of the product is derived from stem cells?
Our S²RM® technology is featured in the highest concentrations within our three powerhouse serums: Recovery, Booster, and Skin Serum. None of our products contain actual stem cells or genetic material. The stem cell-conditioned media used in our products refers to the multitude of natural healing molecules released from the exosomes.
How are the original human cell sources obtained?
NeoGenesis sources the cells from tissue banks with healthy adult donors in the US that are under strict compliance with the FDA. This ensures we’ve an identified cell that’s not contaminated with any pathogens or abnormal chromosomes. From there, cells are identified, karyotyped, cleaned and brought to our laboratory. Our team cultures the cells under
optimised conditions, collects all the molecules they release, and utilise them in our formulations.
How does your technology differ from conventional ‘active ingredient’ skincare like peptides?
NeoGenesis S²RM® technology shouldn’t be thought of as a conventional ‘active ingredient’, but as a deep skin healer that delivers nutrients while strengthening the skin barrier. Our S²RM® technology can be used on its own or in conjunction with other active ingredients.
What does ‘oncology friendly’ specifically mean in practical terms?
NeoGenesis oncology-friendly products cater to cancer patients because of their gentle formulas. Our skincare products are toxic-free and packed with healthy ingredients free of any contraindications. Simple topical application of these products should help mitigate redness, irritation, and pain.
When you state ‘no known contraindications’, what safety testing supports this?
These claims begin in the lab with our Chief Scientific Officer Dr Gregory Maguire’s robust research. NeoGenesis has done, and continues to do, rigorous clinical testing through our wide professional network to support these claims. Dr. Maguire has published a variety of whitepapers and peer-reviewed PubMed publications to support the safety and efficacy of our technology.
Are your products classified as cosmetics or therapeutic goods?
Having spoken with the Therapeutic Goods Administration, our technology is not classified as a therapeutic good. Our products are classified as cosmetics in the US.
Have your claims been approved by regulatory authorities?
NeoGenesis is in ongoing conversations with the TGA. At this stage, NeoGenesis has not had contact with Medsafe. NeoGenesis is exploring the viability of the New Zealand market.
Discover more at neogenesispro.com.au
Where Skin Health Meets Technology
A new year is the perfect time to reassess not only how your skin looks, but how well it functions.
In clinic, we often remind clients that healthy, resilient skin is the foundation of every great result. One treatment we frequently recommend to reset and strengthen the skin is Dermalogica’s LuminFusion.
LuminFusion is a clinically designed facial that works across multiple layers of the skin to improve hydration, luminosity and texture. It combines targeted exfoliation, advanced infusion technology and LED light therapy to encourage a healthy cellular activity and optimise your overall skin performance.
The treatment begins with professional exfoliation to remove dull surface cells and stimulate fresh cell turnover, which helps refine texture and improve clarity. This is followed by NanoInfusion,
a technology that enhances the delivery of hydrating and corrective actives so ingredients can work more effectively within the skin. LED red light therapy then supports cellular repair and collagen activity, helping strengthen the skin barrier and improve firmness and tone.
What we love most about LuminFusion is that it supports the skin long after you leave the clinic. Rather than creating only a short term glow, it improves how the skin retains moisture, responds to environmental stress and maintains balance over time. Clients often notice smoother texture, increased hydration, a brighter complexion and healthier looking skin after just one treatment.
It is ideal for dull, dehydrated or uneven skin, and for anyone wanting
to proactively support skin health and slow visible ageing.
Starting the year by strengthening your skin from within is one of the most effective ways to build confident,
2/224 Kepa Road, Mission Bay 09 528 9010 lgskinclinic.co.nz
saintbeauty.nz
Luminous Skin at Saint Beauty
Saint Beauty is an advanced skin and laser clinic in the heart of St Heliers, offering cutting-edge BBL, Moxi laser, and bespoke advanced facials.
Known for its refined, clinical approach with a calm boutique feel, the clinic delivers noticeable results without compromising comfort. Saint Beauty has quickly become a go-to destination for locals seeking luminous, healthier skin.
@saintbeauty.nz 09 575 1600 11 Saint Heliers Bay Road
clinic42.co.nz
Precision Dermal Fillers
After the festive season of indulgence—think bubbly, desserts, and endless holiday feasts—many of us notice a little extra padding in the mirror, but not necessarily in the right places.
How fabulous would it be if the extra plumping we’ve gained over the holidays found its way to our cheeks to reinstate the volume loss that comes naturally with aging?
Thankfully, the Clinic 42 doctors and nurses can help to restore volume and combat sagging using precision dermal filler techniques to create a lifted and more refreshed appearance.
We think of contouring as equal parts art and anatomy. Rather than overfilling the face, leading to the dreaded “pillow face”, we use hyaluronic acid (HA) dermal fillers to subtly support and shape the face. The aim is not to change how you look, but to gently restore structure where volume has been depleted and bone density lost—particularly along the cheekbones (zygomatic area), the temple region and jawline (mandibular angle).
When placed with precision, small volumes in the right planes can lift the mid-face and refine the jaw, enhancing natural lightand-shadow and recreating a more defined profile.
WHY PRECISION MATTERS
HA dermal fillers can help to replenish volume where it’s needed most. But here’s the catch: placement is everything. A millimetre too far, and the result looks unnatural.
This isn’t guesswork. Our Clinic 42 practitioners are experienced injectors, they understand facial anatomy and use advanced contouring techniques, strategic placement and premium products. The key is a thorough consultation and assessment of facial proportions, symmetry, tissue quality, and facial movement, which all guide where, how much and which products are used.
While HA dermal fillers can be dissolved, don’t let that lull you into thinking precision isn’t crucial. Poor technique can lead to
lumps, asymmetry, or even vascular complications. That’s why choosing an experienced injector is non-negotiable.
CHEEKS, TEMPLES AND JAWLINES: THE DYNAMIC TRIO
Volume and bone density loss in the cheeks and temples, and sagging along the jawline, is a normal part of aging but can leave us looking prematurely tired and worn out. However, strategic cheek and temporal support with accurately placed HA dermal filler can softly elevate the mid-face and lessen the look of heaviness below to help recreate a refreshed appearance.
Similarly, expertly placed filler can also restore jawline definition, creating clearer angles and a cleaner side profile to effectively rejuvenate the lower face. The combination of all three treatments can result in a more balanced facial silhouette—think polished , not over-sculpted.
A FRESH START
Post-holiday rejuvenation isn’t about chasing trends or dramatic change. It’s about small, carefully judged adjustments that bring features back into focus.
So, if your New Year’s resolution involves feeling more confident in your skin, precision dermal fillers might be your secret weapon and the perfect starting place. They’re quick, minimally invasive, and when done with artistry and anatomical expertise, they deliver results that look like you—just more refined and defined.
Thank goodness it’s not as simple as eating a piece of cake, otherwise we would all be out of a job!
To book a treatment or a complimentary consultation with one of Clinic 42’s nurses visit the website clinic42.co.nz | 096384242 | reception@clinic42.co.nz
DERMAL FILLER, Medical Device Class III to smooth facial wrinkles and folds, correct facial wrinkles and folds, correct facial atrophic scars, restore, or enhance the lips, or restore facial volume. Dermal filler has risks and benefits. Ask your doctor if dermal filler is right for you. For product information, check with your doctor or the supplier.
When Care is Felt…
… It’s the greatest compliment.
For many, the thought of having a Colonoscopy or Gastroscopy can be a time of anxiety and uncertainty, which is why choosing a trusted provider is essential to ensure a safe and comfortable experience.
At Waitematā Endoscopy, genuine patient experience is the most meaningful feedback and powerful form of endorsement. We deeply value the trust patients and referrers place in us during these vulnerable moments, and authentic feedback reminds us of the responsibility we carry and how care is felt.
As expressed by a few of our recent patients who have shared the following:
“From the very minute I walked in I was so impressed with how friendly and helpful all the staff were. They went above and beyond and I loved the little touches like putting on a heater for me and lots of smiles and great instructions. Doctor John Perry was very good and informative and I felt I had a very professional procedure to the highest standard. All the nurses were
so friendly and helpful and I had the best experience. Thank you for your hard work and I really appreciated it all.”
“I know it sounds very strange to say you had a positive experience having a colonoscopy but that is how the staff here make you feel. From the time I walked through the door everyone was so kind and caring. From the receptionist to the nurses, and the lovely Dr Pandey, everyone was very professional and everything was well organised. Lovely touch at the end when I was having my sandwich and coffee and they brought my friend who had come to pick me up through to sit with me. Sent me home with a full report and lots of helpful literature to provide more information. They managed to make something that is inherently very stressful into a very calm and positive day. Thank you.”
“What a great experience from the teamfully prepped for my colonoscopy (yikes!) I turned up early – a day early it turns out – I was met without judgement and with incredible kindness and they fitted me in without it feeling like they were. Six-star
are dedicated to exceptional patient care
With increased capacity, Waitemata Endoscopy is able to offer timelier access to a group of experienced Gastroenterologists and Surgeons.
Appointments are available within 7 working days for most Colonoscopy & Gastroscopy procedures by matching you with the availability of our experienced Specialists*
Talk to your GP about a referral to the Waitemata Endoscopy Group, or you can self-refer at: waitemataendoscopy.co.nz/referrals
WE have you covered from ‘Top to Bottom’
service when it was my responsibility for mixing up the days - so grateful.”
These speak to our level of clinical excellence and affirm that our purpose, to provide exceptional endoscopy care at every opportunity, matters.
With a commitment to continuous quality improvement, we also regularly survey our patients’ experiences, and are delighted that in our most recent results, over 99% said they would recommend us to a family member or friend needing an endoscopy.
At Waitematā Endoscopy, we aim to make taking a proactive approach to your health easier. Our experienced team will help to put you at ease when it comes to your endoscopy. Take a virtual tour of the patient journey and our clinic for an insight of what to expect at waitemataendoscopy.co.nz/locations
Noho ora mai (stay well), Sarah McNamara, Quality Coordinator & Endoscopy Nurse, Waitemata Endoscopy
Behind the Beauty
Dr Katarzyna Mackenzie was drawn to plastic surgery for its rare fusion of precision, problem-solving and artistry.
“From a technical standpoint, plastic surgery never stops challenging me,” she tells Verve . “Every case is different; you’re always tailoring the plan to the person in front of you and I find it fascinating.”
Many people associate plastic surgery purely with aesthetics, but your work spans reconstruction as well? They’re much more connected than people assume. Many reconstructive cases have aesthetic goals built in: creating a natural shape, matching the other side, choosing incisions that hide well, and refining contour. When you bring both together, you can deliver results that are not only technically sound, but also truly restorative for the person living in that body.
How would you describe your personal philosophy when it comes to patient care?
My philosophy is that great results start with great listening. I don’t offer false promises, but I will be able to give you a realistic idea of what’s possible. I strongly believe, the idea is not to have surgery, but to have the right surgery with the right surgeon.
You’ve trained and worked internationally – are there any lessons or influences from overseas that have particularly shaped how you practise?
I’ve worked with pioneering minds in aesthetic surgery in London who taught me about the emphasis on meticulous technique and efficiency. Seeing a wide range of approaches overseas reinforced something simple: there’s rarely one ‘right’ operation. The best plan is the one that fits the patient’s anatomy, treatment, lifestyle, and priorities.
How has the conversation around cosmetic surgery changed over the years?
For a long time cosmetic surgery was either stigmatised or spoken about quietly, almost as a guilty secret. Now it’s much more mainstream and openly discussed.
Social media has really reshaped expectations. If you’re considering plastic surgery and have been influenced by social media, it’s important to take a step back and make sure you’re making an informed decision. Do your research and see a reputable specialist plastic surgeon.
Another major change is the growth of non-surgical treatments and the idea of cosmetic work as a spectrum rather than a single dramatic step. Alongside that, there’s been a shift toward more natural-looking outcomes and preserving individuality, rather than chasing one ideal.
Is there a moment in your career that stands out as especially meaningful or affirming?
For me the most meaningful moments still tend to happen outside the operating theatre, usually during the follow-up with my patients. When someone’s comfort and confidence comes back in an everyday, practical way, that’s incredibly affirming.
I also find it meaningful when a patient who was understandably nervous beforehand comes back surprised by how smooth the recovery was. Those moments reinforce that the details matter: careful planning, honest expectation-setting, and doing the right operation for that person, not a one-size-fitsall approach.
Outside of surgery, what helps you switch off and recharge?
Outside of work, I’m pretty intentional about doing things that pull me out of ‘private practice mode’. Time with family is the biggest one – simple things like dinner, and Zoom calls with my family back in Europe, being present, and catching up properly. Exercise and being outdoors helps reset my head. A walk can make a big difference after a long day, and I love gardening.
And of course my frequent travels back home to Europe. They give me perspective, feel familiar and energising. Europe is a proper reset for me.
Learn more at visageplasticsurgery.co.nz
re-dental.co.nz
Celebrate the Smile Season
at re-dental clinic.
There’s still time to book your summer appointment!
Summer is a time of more photos, more laughter, and those close-up moments that make the season special. It’s the perfect time to refresh your smile, prioritise your wellbeing, and treat your dental care as an act of selfcare.
At re-dental, every treatment is guided by precision, artistry, and calm expertise. From aesthetic enhancements to routine care, every detail is designed to feel personal, effortless, and uniquely you.
NORDIC KIWI – NORDIC WALKING
Nordic Walking is a fitness activity which uses specifically designed poles to enhance and intensify the natural way of walking. It’s essential to learn the correct technique, as the well-performed Nordic Walking action incorporates the upper body, improves posture and engages 90% of muscles, giving a ‘total body workout’.
nordicwalking.co.nz
SUMMER SPECIAL
Enjoy a complimentary cosmetic consultation , an offer so popular that we’ve extended it till the end of summer! The tailored, expert experience explores every option of your smile.
Book online at re-dental.co.nz 09 600 1739 info@re-dental.co.nz
Beauty Picks
Designed to keep skin fresh, radiant and comfortable through heat and humidity.
Umberto Giannini
Curl Jelly
This iconic formula delivers long-lasting, frizz-free definition with a soft, touchable finish - just scrunch to reveal perfectly formed curls.
Estée Lauder Futurist HydraPlump
Lip Balm
Infused with hyaluronic microspheres and nourishing fruit oils for smoother, healthierlooking lips.
Avène Sunsitive® Oil
Control SPF 50+ Lightweight, matte, and comfortable, while still providing the high, reliable protection Avène is known for.
Dove Raspberry & Rose Whole Body Deodorant Aerosol
Goes on invisible for all-day odour protection. Easily reach areas like the back, feet and beyond.
Jo Malone Sakura Cherry Blossom Cologne
Pretty, delicate layers of cherry blossom and a note of rose are brightened with sparkling bergamot.
Jacques Janine J18 Hair Mist
J18 Hair Mist is the perfect finishing product for all hair types. Illuminates the hair and provides an amazing glow.
Bobbi Brown Extra Blushing Lip Oil
This new Extra Blushing Lip Oil is curated to adapt to your natural lip pH, creating a healthylooking flush on all skin tones. Wear it alone or layered for a hydrated, glossy finish every day.
Design of February
Sit in style with these luxurious lounge chairs.
Ligne Roset Kovacs Design Furniture
kovacs.co.nz
Reed
A versatile lounge piece that blends timeless Kovacs design with the strength and durability suited to New Zealand living, outside and inside.
ligne.nz
Kashima Armchair
Designed as a reimagining of the classic English Chesterfield, this armchair has a fully quilted cover, ‘pinched’ corner seams and nest-shaped seat, providing softness and playfulness.
designitalia.co.nz
The flowing lines feel light yet assured, lending a poised, contemporary presence.
A sleek silhouette, softened by plush cushioning and a tailored fabric finish.
boconcept.com
Soft curves, playful charm, and sculptural comfort.
Siena Armchair
Petalo Lounge Chair
Sweet Art Chair
Refined Living
refinedliving.nz
Andorra Armchair
Crafted with a focus on quality and functionality, it is the perfect complement to both modern and classic homes.
Mauro Armchair
A classic rattan armchair with a curved back.
AW 44 Armchair
The decorative rivets, high back, and elegant wooden legs create a piece of furniture that exudes charm.
Trenzseater
trenzseater.com
Jackie Lounge Chair
The dry silhouettes with an enveloping trend define the Jackie lounge chair.
Ralph Lauren
CJ Lounge Chair
An open wood frame complements the angled back and low-slung seat.
Jardin
jardin.co.nz
Etude Lounge Armchair
Combines comfort and sustainability in one refined, European-made piece.
Blind Choices
The extensive options for styles, fabrics and finishes can make choosing a window blind feel a little daunting.
With over 40 years’ experience in custom blinds and curtains, Lahood® Window Furnishings makes the process easier, helping you choose a window blind that feels right for your space and the way you live.
Choosing what works best
The right blind balances style with everyday comfort and functionality. Light, privacy, insulation and durability all matter, and each room in your home has its own needs. While Lahood design consultants will guide you through the types of blinds, these popular options offer a helpful starting point.
Shutters
If you’re drawn to a timeless, architectural look, shutters are a
beautiful choice. Adjustable louvres give you excellent control over light and airflow, while durable materials such as timber, Polysatin® and aluminium are designed for everyday living. Available in hinged, bi-fold and sliding styles, and made to measure, shutters work across many window types and shapes.
Roller blinds
Sleek, discreet and versatile, with a contemporary feel, roller blinds suit most areas of the home. Blockout fabrics are ideal when you want darkness in bedrooms, light-filtering fabrics soften daylight in living spaces, and sunscreen fabrics reduce glare while maintaining views, making them a practical option for kitchens and everyday areas.
Venetian blinds
Venetian blinds offer precise control, allowing you to fine-tune both light and privacy throughout the day. Aluminium and Woodmates® Venetians are durable, low-maintenance choices for kitchens and bathrooms, while timber Venetians bring warmth and texture to living rooms and studies.
Cellular blinds (honeycomb)
If comfort and energy efficiency are important to you, cellular blinds such as Luxaflex Duettes® are worth considering. Their distinctive honeycomb structure helps regulate temperature and absorb sound, making them a welcoming choice for bedrooms and living areas where warmth and quiet matter.
EXCLUSIVE OFFER THIS FEBRUARY
With 15% off Luxaflex blinds and shutters this February at Lahood (including automation), now is the perfect time to think about your Blind Choices . To get started visit the extensive Luxaflex displays at Lahood’s showroom at 104 Mount Eden Road or book a complimentary in-home consultation at lahood.co.nz .
LUXAFLEX POLYSATIN® HINGED SHUTTERS
LUXAFLEX ROLLER BLIND (LIGHT FILTERING)
LUXAFLEX DUETTE® SHADES
Grounded
In the digital age, earthy colour palettes continue to dominate, driven by a desire for warmth, authenticity and a stronger connection to nature.
These grounded schemes move away from cool greys and stark whites, instead favouring softer mineral tones that feel calm, welcoming and grounding.
Warm clay shades such as Resene Coral Tree are being used to add richness to feature walls, kitchen spaces and outdoor living areas. When paired with soft neutrals like Resene Sauvignon , the result is balanced and contemporary, allowing bolder tones to shine without overwhelming a space.
Muted greens remain a popular choice for creating restful environments. Resene Eucalyptus brings a subtle, organic softness that works beautifully in bedrooms and living areas, especially when layered with natural textures such as timber, linen and stone.
For contrast and definition, deeper earthy accents are increasingly used on joinery, doors and architectural details. Resene Wood Bark adds warmth and depth.
The key to successful earthy schemes lies in thoughtful layering – combining light and dark, warm and cool, and mixing finishes to add visual interest. With Resene’s carefully curated range of natural hues, it’s easy to create spaces that feel grounded, inviting and effortlessly in tune with their surroundings.
Resene ColorShops and the Resene website offer a comprehensive array of options visit resene.co.nz .
Our Sleepyhead Sanctuary range is handcrafted in New Zealand using luxury wool and silk materials, and features OptiTemp technology.
It’s the most beautiful sleep ever made.
Sleepyhead’s revolutionary OptiTemp technology combines KülKōte Copper with cutting-edge heat dissipation technology to keep you comfortable for over 12 hours, whether you sleep hot or cold.
Resene Coral Tree
Resene Sauvignon
Resene Rivergum
Resene Wood Bark
A Clifftop Masterpiece
Architectural brilliance meets harbour views.
PHOTOGRAPHY: BLANK CANVAS PRODUCTION
3 & 5 HANENE STREET, ST HELIERS
Represented by UNIQ, specialists in discreet advisory and the sale of significant residential property across New Zealand. UNIQ works with a select group of clients across Auckland and New Zealand, advising on significant residential assets where architecture, privacy, and enduring value matter.
This property is a rare opportunity — two north-facing blocks side-by-side on the cliff with its own access to Tāmaki Drive, local beaches, and the village.
Commanding a prized north-facing double block atop one of Auckland’s most exclusive clifftops, this newly reimagined architectural residence delivers a rare opportunity to own an architectural coastal residence with breathtaking 270-degree views across the Waitematā Harbour, Rangitoto Island, and beyond.
Set on an expansive 1,613sqm freehold site and spanning four meticulously crafted levels, this exceptional home is well thought out. Every detail has been considered to create an uncompromising lifestyle—seamlessly blending family comfort, resort-style entertaining, and timeless design.
A series of beautifully appointed living spaces cater to every occasion: a formal lounge, a rooftop bar with an entire floor of panoramic viewing decks, a home cinema, and a private office provide both relaxation and productivity. An internal lift ensures easy movement across the upper three levels.
Boasting five generously proportioned bedrooms and eight luxurious bathrooms, the home includes a stunning master retreat with private terrace and uninterrupted sea views.
Indoor and outdoor living merge effortlessly through expansive decks oriented to capture the northerly sun and panoramic vistas. The landscaped grounds have been thoughtfully curated to include a tranquil water feature, putting green for the golf enthusiast, and a private path leading directly to Tāmaki Drive— unique to this address on Hanene Street.
The home’s lower level hosts a fully self-contained suite perfect for guests, extended family, or staff—ensuring privacy without compromise. Wine connoisseurs will appreciate the wine and whiskey cellar, while fitness lovers can easily convert existing space into a private gym. For collectors and adventurers alike, the garaging is exceptional with secure accommodation for six vehicles—including a separate street level garage on Tāmaki Drive, ideal for a Sealegs or a classic car.
continues over page
It’s a statement of prestige, privacy, and permanence.
Moments from the shoreline, vibrant cafes, and premier schools, this is more than a residence—it’s a statement of prestige, privacy, and permanence.
A rare double-site offering to secure a landmark residence in the heart of Auckland’s most coveted coastal enclave: this is more than a home, it’s a legacy.
A note from the owners:
“In a time when blocks are getting smaller, it’s virtually unheard of to find a double site like this, particularly in one of Auckland’s most prestigious streets.
“You feel a sense of peace and serenity as you wander through the home. Each room offers a different view of the coast and it can often feel like you’re sailing on a massive ship!
“Despite its size, the home is so warm and inviting. You can live very comfortably day to day, using only the areas you need, then also enjoy the extra spaces to entertain. Plus, its practical and purposeful design aside, it’s right on the doorstep of one of Auckland’s loveliest villages, St Heliers.”
For more information or to book a viewing, vist uniq.nz For further details or a confidential discussion please contact Brendan Goodwin, Founder of UNIQ. brendan@uniq.nz | uniq.nz
Rooted in Design
WORDS PAUL LEUSCHKE
Architecture design is control.
I was having a quick lunch at home when the chainsaw started. The whole neighbourhood tensed.
It was pre-Christmas and the neighbour’s mature pōhutukawa, clothed in red, was being attacked.
We enjoyed seeing it over the top of our neighbour's house.
The tree was located on the neighbour's street boundary, but its roots had destroyed the public footpath and the neighbour's path and was now attacking their house. It was reasonable they were cutting it down. It was also on their northern boundary and having a huge canopy completely shaded their house.
Now that the pōhutukawa is gone, I miss that tree. I now look at the hard edge of the house not the softness of the tree, silhouetting the skyline.
I know there is nothing like a nice neighbour's tree. No responsibility, no cost and adds positively to your outlook and feel of space. A borrowed garden.
Unfortunately, many of the trees are left for generations without care and so they outgrow their location.
I have a client with a large tree which covers the corners of three of their neighbours' sections. All enjoy the tree, but it is just too big and encroaches on the properties. I suggested my clients get an arborist’s report and approach the neighbours to see if they wanted the tree kept and if so, will they all contribute to the tree being cut back. As it turned out, all wanted the tree kept and were happy to contribute to it being pruned and shaped.
Trees can be assets or liabilities. Existing trees should be shaped and topped; it will also improve the trees health. When planting new trees, their expected height and canopy size should be considered.
If you want an example of ugly trees look no further than the street trees the linesmen have hacked.
This February enjoy 15% off our Luxaflex Blinds & Shutters*
For over 40 years, Aucklanders have trusted Luxaflex for beautifully made custom blinds and shutters, and Lahood for thoughtful advice and professional installation, together delivering a reliably elegant solution for your home.
Explore the Luxaflex range at our showroom, 104 Mount Eden Road, call 0800 524 663 or book a complimentary in-home consultation at lahood.co.nz
*Conditions apply. Offer ends 28/2/2026
Become the Standard
The SoftWash Company
WORDS — MAX DAWSON, OWNER
At some point, I realised that if I wanted to build something meaningful in this industry, I had to be visible in it.
The SoftWash Company didn't begin with a big plan or a polished playbook. It grew from being on the tools, walking properties, and understanding how Auckland homes really weather over time. You learn quickly that no two houses age the same. Sun, shade, moisture and materials all play their part. The work demands care, patience, and an eye for detail.
That same thinking shapes how I run the business.
Auckland's climate sets the pace. Coastal air, seasonal rain, and fluctuating UV levels affect every surface differently. The SoftWash Company is built for these local conditions and the expectations of homeowners who understand their property as an investment worth protecting.
Today, the business grows through trust rather than traditional advertising.
Homeowners want to know who they're inviting onto their property. They want to see the work, understand the process, and feel confident that the person leading the business stands behind every job. I show up on site, online, and behind the scenes because that accountability matters.
Most homeowners don't realise there's a fundamental difference in cleaning methods. Some use high pressure that can compromise paint, strip timber grain, or damage delicate joinery. It's fast. It's common. And on many architectural surfaces, it's destructive.
Soft washing is about restraint and precision. It's a low-pressure technique that uses professional solutions to address organic growth at its source rather than simply displacing it. Done properly, this approach extends the life of exterior finishes and maintains the visual clarity of a well-kept home.
That philosophy carries through everything we do: thoughtful service, long-term thinking, and consistency over shortcuts.
One of our core values is something I call "painting the back of the fence." It's the idea that the unseen work matters just as much as the visible result. Thorough rinses. Clean edges. Clear communication. The details most people don't notice but always feel.
The brand isn't the logo on the truck. It's the standard you live by and whether you show up to meet it, every day.
softwashco.co.nz
When Value Deserves Protection
For those who have invested in gold and silver bullion, the true worth of your holdings may be greater than you realise.
Beyond market value, precious metals represent foresight, legacy, and long-term security – assets chosen with care and intention.
Yet many bullion owners still store their investment at home, exposed to risks that are easily overlooked. Fire, theft, loss, or simple misplacement can erase years of careful planning in an instant.
Commonwealth Vault offers a considered next step: ultrasecure, privately owned safe-deposit boxes housed within their purpose-built College Hill facility in Auckland. Designed to the highest international standards, the vault provides discreet access, uncompromising security, and peace of mind that simply cannot be replicated at home.
In times of financial uncertainty, gold and silver are trusted safe-haven assets. Ensure your investment is safeguarded with the security it deserves.
Safe-deposit boxes are available both for rental and purchase, giving you the flexibility and control over how your assets are secured. Because when your wealth is this valuable, protecting it properly now and for the future, is not a luxury, it’s essential.
To find out more visit commonwealthvault.co.nz
30 Hargreaves Street, St Marys Bay
Planning for Love…
… not separation.
Talking about relationship property isn’t romantic. It can feel uncomfortable, awkward, or even unnecessary, especially when a relationship is new or going well.
Yet, for many couples, particularly those entering second relationships, or bringing assets into a partnership, having a contracting out agreement is one of the most practical and caring steps you can take.
A contracting out agreement isn’t about preparing for failure. It’s about fairness, clarity, and protecting the lives you’ve built, both together and apart.
What
is a contracting out agreement?
A contracting out agreement, (sometimes referred to as a “prenup”) allow couples to agree in advance how their property will be divided if the relationship ends through separation or death.
Under the Property (Relationships) Act, most relationship property is divided equally once a relationship reaches certain thresholds. A contracting out agreement enables couples to opt out of those default rules and record their own intentions instead.
Why modern relationships need modern planning
Relationships today look very different to those of previous generations. Many couples enter relationships later in life, once careers are established, properties are purchased, or families already exist. Second marriages, blended families, unequal financial contributions and business ownership are now common. Without a contracting out agreement, New Zealand’s property laws can apply in ways that surprise many couples.
Protecting assets without
undermining trust
One of the most common misconceptions is that contracting out agreements signal a lack of trust. In reality, they often strengthen relationships by encouraging open conversations about finances and expectations. A well-drafted contracting out agreement can protect prerelationship assets such as business and investments, while also reducing the likelihood of conflict if circumstances change. When both partners understand where they stand, uncertainty and stress are minimised, particularly during times that are already emotionally challenging.
Working alongside your wider estate plan
A contracting out agreement works best as part of a broader estate plan. It should align with your will, any trust structures, Memoranda of Wishes, and Enduring Powers of Attorney. When these documents work together, they provide consistency and clarity, both during your lifetime and after your death.
If you are entering a new relationship, moving in together, purchasing property, or reviewing an existing agreement, now is the right time to seek advice. Addressing these matters early is far simpler and far less costly than resolving disputes later.
If you would like advice tailored to your circumstances, our team is here to help.
Ray White Mount Eden realtor Claudia Wright grew up in a family of real estate agents in Wellington where she learnt all facets of the industry from staging through to selling.
Hear from one of Claudia’s satisfied clients below.
“We are very pleased we enlisted Claudia Wright to sell our property. Right from the start she showed enthusiasm and the drive to go the distance. Always contactable at any time and helped us navigate and remedy the numerous requests from the purchaser to make the deal happen. On top of that Claudia is reliable, engaging and professional in her approach to confidentially communicate to all parties to achieve the best outcome. I wouldn’t hesitate to recommend her.” — Julian Snelgrove
You can email Claudia at claudia.wright@raywhite.com or call 022 040 2942 to find out more.
Pale in Comparison is a solo exhibition of new works by Gaen, opening 12 – 25 February.
Drawing on the landscapes of his childhood — the Hawkdun Range, the Southern Alps and beyond — Gaen
distils place into memory, light and form. Rendered in soft, nostalgic pastel palettes, the works reduce familiar terrain to its geometric essence: a single contour, a rising peak, a band of cresting light.
Working in blocks of pure colour, these fragments are enough to conjure the feeling of a landscape rather than its literal likeness. The paintings play with notions of near and far; up close, they
dissolve into abstraction, while from a distance they begin to resolve into place. This shifting clarity mirrors the way we often understand the power of the landscapes we grow up in — most clearly when viewed from afar.
The result is a quiet, reflective body of work: a gentle meditation on distance, memory and belonging. Join the opening night on 12 February, 5.30pm7.30pm, with drinks and music.
Art of February
CURATED BY — LUCY KENNEDY
INTERNATIONAL ART CENTRE New works available Patterson Parkin
Currently on view
Le Danseur is one of several new works by Patterson Parkin currently on view in the gallery. The focus of this latest collection is the female figure.
Contemporary subjects are set within pleasingly geomantic spaces, softly contoured and coloured. Decorative motifs and fabrics are referenced adding further interest to the quiet elegance of these works.
Green Noise is Tove Spary's reflection on her experiences with lhi Ora, the Grafton-based mental health services. Her work explores the lived disharmony between her trans-self and her material conditions. lhi Ora, a brutal concrete and glass structure, is transformed by its surroundings and function into a sanctuary. This contradiction of organic and manmade environments mirrors Tove's relationship with her external world, reimagining it through a space of therapy and transformation.
1 Ponsonby Road, Auckland studioone.org.nz
ARTWORK: PATTERSON PARKIN, LE DANSEUR
ARTWORK: TOVE SPARY, GREEN NOISE
TE URU
Serenading Imagined Worlds
Bill Hammond
Until 22 February 2026
Te Uru opens Serenading Imagined Worlds, a major survey exhibition celebrating the life and work of Bill Hammond (1947–2021), one of Aotearoa’s most original and influential painters. Spanning more than four decades, the exhibition brings together significant – and some never seen before – works from across Hammond’s career, from early etchings and handcrafted wooden toys to the raw energy of his punk-inflected paintings and the iconic bird-human figures inspired by his 1989 Auckland Islands expedition.
420 Titirangi Rd, Titirangi teuru.org.nz
SANDERSON
Fugitives
Brenda Nightingale
4 February - 1 March
This exhibition features large-scale abstract works informed by the conceptions of New Zealand poet Ursula Bethell. Over 70 years later, Nightingale’s work similarly explores “the burden of time’s omnipresence”, articulated through gestures of immediacy and an energetic layering of paint. A dog haunts Nightingale’s canvases – are they a memory or a projection of the future? The animal’s fugitive nature captures the feeling of the inescapable transient nature of time, as well as the beauty in presence.
Osborne Lane, 2-4 Kent Street, Newmarket sanderson.co.nz
STUDIO ONE - TOI TŪ
Forever
Two Hands Tattoo
5 February - 5 March
Forever presents a diverse collection of works by both local and international tattoo artists, including paintings, drawings, photographs, posters, videos, and installations. The exhibition highlights the artistic evolution of Two Hands Tattoo, showcasing distinctive styles and offering visitors a glimpse into the studio's rich creative history. This year the exhibition will also feature flash from each of the 35 artists invited to Tattoo Time, from Aotearoa, Australia, Europe, and the United States.
1 Ponsonby Road, Auckland studioone.org.nz
ARTWORK: BILL HAMMOND, ALL ALONG THE HEAPHY HIGHWAY, 1990 COLLECTION OF THE SUTER ART GALLERY TE ARATOI O WHAKATŪ
ARTWORK: BRENDA NIGHTINGALE, IN THE KITCHEN
ARTWORK: TWO HANDS TATTOO, FOREVER
Holding the Fort
Bartók’s Bluebeard’s Castle comes to Auckland Town Hall on 13 and 14 March as part of Te Ahurei Toi o Tāmaki Auckland Arts Festival, featuring the Auckland Philharmonia Orchestra and international opera stars baritone Lester Lynch (US) and soprano Susan Bullock (UK).
Verve chats with the conductor and General Director of NZ Opera Brad Cohen.
From a conductor’s point of view, how does Bartók use the orchestra to express emotion?
What the two characters say is poetic rather than detail-led. What is astonishingly specific is the way the orchestra works as a magic carpet underneath and between what the singers say, with iridescent aural
colours and texture expressing their emotional journey second by second. There’s really nothing else like it in the whole operatic repertoire.
This staging replaces the traditional Gothic setting with something much more familiar and domestic. Did that change the way you approached the music?
The challenge with Bluebeard is one of scale. There’s almost no repetition in the entire hour of the opera –everything is in constant musical flux. Having an intimate, domestic setting actually helps to focus the audience on the detail and precision of what’s happening between the characters. Instead of humans casting huge spooky shadows on a large wall, this staging holds us at a human scale – albeit one pulsating intensely with both emotion and what is unspoken.
Lester Lynch and Susan Bullock have both lived with this production for some time. What do they bring to these roles that feels distinctive or especially moving?
The benefits of repetition! Both Susan and Lester truly inhabit their roles. There is no acting – at least as far as we can see it – which is to say it is acting of the highest refinement. Bluebeard is an opera, but most of all it’s an experience conducted through the ears into the body; and physicality characterises the way Lester and Susan have built their interpretations over many years of experience.
This is Bartók’s only opera. What do you think opera allowed him to express that other forms didn’t?
Bluebeard owes a lot to Debussy’s only opera, Pelléas et Mélisande. Both are psychodramas, intense dramas which trust the orchestra to carry the emotional narrative for characters who leave much unsaid. It comes from Wagner, actually, this idea of the orchestra carrying the emotional content as a kind of subconscious ocean. Bluebeard, as I say, is a one-off. I can’t imagine what another opera by Bartók would even be like – and that uniqueness is a beautiful thing!
For people who may not attend opera often, what do you hope they take away from experiencing Bluebeard’s Castle live… and how would you entice firsttimers to attend?
At NZ Opera we say that opera is, at its core, simply telling stories through the power of the human singing voice. In 2023, what our Wellington and Christchurch audiences of Bluebeard’s were left with was perhaps a sense of overwhelm, of rich lived experience –and of sorrow. The long silence after the final note sounded was magical and resonant. And that, in a way, is the moment I am most keenly looking forward to; when all the freight of storytelling and emotion lands, and we are left simultaneously connected and stunned.
For tickets and further info visit nzopera.com
ANDI CROWN
BLUEBEARDS CASTLE, SUSAN BULLOCK AND LESTER LYNCH; LATITUDE CREATIVE
The Blood, the Bard, the Ballet
PHOTOGRAPHY: ROSS BROWN. PICTURED PRINCIPAL ANA GALLARDO LOBAINA & SOLOIST BRANDEN REINERS
Celebrated as one of Shakespeare’s greatest tragedies, Macbeth is a psychological exploration of fate, free will, and conscience...
… and the Royal New Zealand Ballet is thrilled to open its 2026 season with a searing interpretation of it.
Created by internationally acclaimed choreographer Alice Topp (Aurum, Logos, High Tide), the ballet unfolds in a ruthless, modern world shaped by political ambition, media manipulation and the fatal seduction of power.
“Macbeth explores themes as current today as they were when first written,” says Alice. “An epic story fuelled by political ambition, passion, desire for power and the burden of guilt, its potency endures. Our Macbeth is set in a hierarchy-hungry, high-society city, where political storms, media frenzy and personal ambition collide.”
The ballet centres on the rapid ascent and brutal downfall of Macbeth and his formidable wife – a glittering power couple whose ambition proves equally intoxicating and fatal. Following public acclaim, they rise to extraordinary heights only to be cut down by guilt, paranoia and bloodshed. Through the raw physicality of contemporary ballet, the pair’s psychological unravelling is mercilessly exposed.
“Shakespeare’s text might be dense, but it also has movement written into the language,” continues the choreographer. “The story is a psychological drama, full of behaviours, emotions and atmosphere. All the movement is right there in his words, and my role is to find where those emotions land in the body and let them speak physically.”
Long-time RNZB collaborator and award-winning designer Jon Buswell has created both set and lighting, crafting a darkly glamorous world that mirrors the ballet’s volatile political
landscape. Costumes by Sydney-based designer Aleisa Jelbart – lauded for bold contemporary work across ballet, opera and theatre – bring a sharp modern aesthetic that amplifies the production’s themes of power, status and image.
And then there’s the newly commissioned contemporary score by composer Christopher Gordon which underpins the whole production. Performed by a string ensemble from the New Zealand Symphony, it fuses sweeping orchestral sound with driving heavy-metal elements to deliver relentless momentum that echoes the characters’ rapid descent into chaos.
Macbeth undoubtedly stands as one of the most ambitious new works in the ballet company’s history. A bold and bloody retelling of Shakespeare’s iconic tragedy, it promises audiences a searing, high-octane theatrical experience that speaks to the contemporary world while honouring the enduring power of the original.
“Macbeth is the Royal New Zealand Ballet as you’ve never seen us before,” says artistic director Ty King Wall. “Alice is bringing a world of bloodshed, betrayal and intrigue to our stages in a cutting-edge production which draws upon the versatility of our dancers, the skill of our technical team, and demonstrates our incredible artistic range as a company.”
A co-production with West Australian Ballet, Macbeth will premiere as part of Te Ahurei Toi o Tāmaki Auckland Arts Festival at Kiri Te Kanawa Theatre, Aotea Centre, 4-7 March. Visit rnzb.org.nz to learn more.
Around Town
SPLORE
20 – 22 February
Tāpapakanga
Regional Park
KELMARNA
11 – 14 & 18 – 21
February
Kelmarna
Community Farm
For three unforgettable days and long into the nights, Splore ignites the landscape with music, performance and art across multiple stages and spaces. From local and international acts to immersive installations, workshops and spontaneous moments of magic, it’s a place where everyone dances freely. More than a festival, Splore is a community.
splore.net
Kelmarna’s much-loved Farm Dinners return for their eighth season, bringing four standout chefs together across eight golden evenings of organic, farm-fresh feasting. Inspired by what’s growing on site, chefs create shared multi-course meals served at long tables among the trees and gardens – a truly magical farm-to-table experience in the heart of Auckland.
kelmarna.co.nz
CANDLELIGHT: VALENTINE’S DAY SPECIAL
14 February
St Mary’s in Holy Trinity
A distinct romantic experience in an intimate, candlelit setting, this concert brings romance to life with a string quartet performing timeless love songs and iconic film themes such as ‘Unchained Melody’, ‘La Vie En Rose’, ‘Can’t Help Falling in Love’, and ‘My Heart Will Go On’. All songs are beautifully reimagined for a magical evening.
feverup.com
ABILITOPIA + WHITE NOISE
26 – 28 February
Te Pou Theatre
Touch Compass, Aotearoa’s leading disability-led arts organisation, presents a bold double bill of contemporary dance-theatre at Te Pou Theatre. Spanning four performances, the programme challenges ideas of ability and creativity, blending cuttingedge technology with raw, intimate storytelling in a daring and deeply human experience. tepoutheatre.nz
IMAGE: SPLORE 2024 PHOTOGRAPHY: NICOLE BRANNEN
FARM DINNERS
TE AHUREI
TOI O TĀMAKI
AUCKLAND
ARTS FESTIVAL
5 – 22 March
Citywide
Tāmaki Makaurau will be transformed into a sprawling celebration of creativity and connection across 18 vibrant days, with audiences able to experience powerful storytelling, standout performances and joyful moments that showcase the best of Aotearoa and beyond.
aaf.co.nz
THE ROCKY HORROR SHOW
26 February – 8 March
The Civic
Celebrating 50 years of outrageous fun, Richard O’Brien’s legendary rock ’n’ roll musical returns to thrill a new generation. Seen by more than 35 million people worldwide, The Rocky Horror Show invites audiences to join Brad and Janet on a wildly unforgettable adventure, packed with iconic hits including ‘Sweet Transvestite’, ‘Damn It, Janet’, and the show-stopping ‘Time Warp’.
aucklandlive.co.nz
LIVE AT THE DOMAIN
27 February
Auckland Domain
US rock favourites Highly Suspect and iconic Kiwi band Tadpole join an already stacked line-up led by pop-punk heavyweights Good Charlotte and alt-rock favourites Yellowcard. The four acts will take over Auckland Domain for a powerhouse night of rock.
endeavour.live
AUCKLAND PRIDE FESTIVAL
Until 28 February
Citywide
With more than 200 events announced – including the iconic Big Gay Out and the return of Auckland Council Proud Centres — the festival promises a month of colour, culture and community. The festival theme is Ngā Uri E! A call, rallying communities in the wake of all that oppresses Takatāpui, MVPFAFF+ and Rainbow Communities, to join in working together as a united front.
aucklandpride.org.nz
IMAGE: THEIA, AUCKLAND PRIDE FESTIVAL
IMAGE: 27 CLUB, TE AHUREI TOI O TĀMAKI AUCKLAND ARTS FESTIVAL
Box Office
CRIME 101
12 February
Set against the sun-bleached grit of Los Angeles, Crime 101 weaves the tale of an elusive jewel thief (Chris Hemsworth) whose string of heists have mystified police. When he eyes the score of a lifetime, his path crosses that of a disillusioned insurance broker (Halle Berry) who is facing her own crossroads. Convinced he has found a pattern, a relentless detective (Mark Ruffalo) is closing in, raising the stakes even higher. As the heist approaches, the line between hunter and hunted begins to blur, and all three are faced with lifedefining choices–and the realisation that there can be no turning back.
WUTHERING HEIGHTS
12 February
Margot Robbie leads this adaptation of the classic Emily Brontë story from Oscar-winning filmmaker Emerald Fennell (Saltburn). Co-stars Jacob Elordi BAFTA-nominee Jacob Elordi (Priscilla) and Academy Award-nominee Hong Chau (The Whale). Set against the backdrop of the Yorkshire moors, this tumultuous love story explores the intense and destructive relationship between Heathcliff and Catherine Earnshaw.
HOLY DAYS
26 February
A lost boy in search of heaven, three odd nuns on a mission, and a car powered by God (and stolen money): this is a Kiwi road trip like no other. Brian is on a mission to reach the peak of Aoraki Mt Cook, where he believes he’ll find his recently deceased mother before she transcends into the spirit world. A comedic near-tragedy that just keeps going south. Based on the novel by Joy Cowley.
NO OTHER CHOICE
19 February
A man is laid off from the paper company he has worked at for 25 years. Over a year later and still jobless, he hits on a solution: eliminate the competition. A film by Park Chan-wook, starring Lee Byung-Hun, Son Ye-Jin, Park Hee-Soon, Lee Sung-Min, Yeom Hye-ran, Cha Seung-won.
IMAGE: CRIME 1O1
IMAGE: NO OTHER CHOICE
Location Meets Luxury
The Foundation is about retirement without compromise. It is a place for you to enjoy your retirement years with security, vitality and engagement. The Nathan Residences are now complete, and plans are available for the next stage – Abbott Residences.
Contact us today to book a private tour of The Foundation and experience its immense potential first-hand.
541 PARNELL ROAD09 869 3947
Summertime Reads
Books that will refresh and inspire.
WORDS — KAREN MCMILLAN , bestselling author karenm.co.nz | nzbooklovers.co.nz
THE ART OF SPENDING MONEY
Morgan Housel
If you want one book about lessons on money and living a happier life, I think this book is it! Rather than a one-sizefits-all approach, the author explores the psychology behind our money choices, and with that understanding comes the ability to make better decisions and avoid common spending pitfalls. This is the book I wish I’d had in my twenties – it’s practical and inspiring.
Harriman House, RRP $40
THREEPENCE ON THE CARPET
David Whittet
Tommy Trevelian risks losing everything when he is swept up in the rise of protests in the 1960s and finds his voice as a trailblazing singer-songwriter. An epic book in scope, spanning the roaring 60s, the turbulent 80s, and into the modern day. The novel follows Tommy’s life and his many obstacles and comebacks. A story of loss, love, and never giving up hope.
Audacious Ink, RRP $46
MY GRANDFATHER, THE MASTER DETECTIVE
Masateru Konishi
A special novel that will tug at your heartstrings, it features a grandfathergranddaughter crime-solving duo with a difference. She is a schoolteacher with a love of classic crime stories, he is a retired grandfather with a sharp, creative mind, despite his dementia diagnosis. Cosy crime with many playful nods to the genre – light in tone, but with thoughtful undertones.
Pan Macmillan, RRP $25
DEAR NEW YORK
Brandon Stanton
Humans of New York was a New York Times bestseller, and this storytelling platform has over 30 million followers. Dear New York is Stanton’s most personal work yet – a photographic love letter to the city within a compelling book that combines people's on-the-spot interviews and their images to create a work as vibrant as those in it. Bursting with heart and soul.
Pan Macmillan, RRP $70
Berries, White Chocolate Cream, Pistachio Crumb & Lemon Sherbet
Otago Central Rail Trail
PHOTO CREDIT — WILL NELSON (PICTURED)
Roxburgh Gorge Trail
Clutha Gold Trail Lake Dunstan Trail
WIN WITH VERVE
Entering is simple. Visit VERVEMAGAZINE.CO.NZ and click WIN then follow the directions. Follow us on Facebook and Instagram @vervemagazine .
FALL IN LOVE WITH YOU
Celebrate confidence, self-love and connection with a premium portrait experience from Moments in Light. Begin with professional hair and makeup, followed by a relaxed two-hour studio photography session. This beautiful image of Ivanka Zonjic shows just what’s possible – beautiful, timeless portraits that reflect personality, strength and elegance.
WIN a luxury studio portrait experience that also includes 10 beautifully edited and retouched digital images, and five fineart prints (8” × 10”), valued at $1,995.
momentsinlight.co.nz/portraits
WIN FRONT ROW FASHION AT CHAMPIONS DAY
Champions Day isn’t just a raceday – it’s the headline act of Auckland’s summer, where sport, style, and entertainment collide on a scale like no other.
WIN a double pass to The Ned Fashion Garden (RRP $170) where you can enjoy a stunning precinct nestled in the fashion lawn gardens, a crisp glass of The Ned wine, and easy access to The Ned Prix de Fashion marquee.
(Racecourse and hospitality terms and conditions apply. Prizes are not transferable or redeemable for cash. For further information, visit ellerslie.co.nz)
FLORAL POET
Visit the gorgeous Floral Poet on Waiheke Island. One-off treasures, wedding florals and beautiful blooms – too much pretty all in one place! See for yourself at 114 Ocean View Road, Oneroa. Flowers and beautiful things can be ordered at floralpoet.co.nz
WIN a monthly bouquet valued at $150 for three months. Pick up in store.
JACQUES JANINE J18
From Brazil’s bestselling haircare brand comes J18 by Jacques Janine – a next-generation hair repair system delivering salonlevel results at home. Working deep within the hair fibre, it reconnects broken polypeptide chains to restore strength, elasticity and resilience. Powered by peptides, vegetable keratin and argan oil, J18 repairs damaged hair for lasting shine and visibly healthier results. Available exclusively at Farmers.
WIN the J18 by Jacques Janine set, comprising a shampoo, conditioner, hair mist, and mask.
