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Valeria Parada -- Portfolio

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ABOUT ME

EDUCATION

• CURRENTLY ENROLLED AT CALIFORNIA POLYTECHNIC STATE UNIVERSITY, POMONA

• THIRD YEAR, INTENDED GRADUATION MAY 2028

• B.ARCH

SKILLSET

DIGITAL

• RHINOCEROUS 3D

• ADOBE SUITE (PHOTOSHOP, ILLUSTRATOR, INDESIGN)

• TWINMOTION

• V-RAY

• REVIT

PHYSICAL MEDIA

• MODEL MAKING

• LASER CUTTING

• 3D PRINTING

• CNC MACHINE

• SHOP CERTIFIED

PROGRAM ORGANIZATION + SOLAR ORIENTATION (AZIMUTH)

The program is organized using solar position, and how it relates to the activity happening in certain spaces. For example, the office and labs are north facing, using indirect sunlight and large curtain walls to create a more enjoyable workspace. The scupltural roof shapes are informed by solar angles, with skylights that “scoop” and diffuse light into the building.

Facade + Massing

Circulation + Program Diagrams

Ground floor plan

Third floor plan

Second floor plan

WALL ASSEMBLY, CODES, AND STRUCTURAL DIAGRAMS

BEDROOM BEDROOM

Interior perspective: Laboratory

Interior perspective: Lobby/ atrium

Experientially, the scoops work to define the boundaries and unique qualities of each room. This takes the user on a journey, as they discover the various methods in which natural light enters; whether it be through scoops, small openings, or large ribbon windows. At night, the skylights become portals for views of the stars above, giving users a totally different experience than in the daytime.

North elevation
West elevation

02.

DOWNTOWN POMONA ARCHITECTURE SCHOOL

SPRING 2025

This project aims to revitalize downtown Pomona, through a pedestrian-oriented site response, with ammenities such as a cafe, gallery, and lecture halls open for public use.

Exterior perspective

DERIVATION + CONCEPT

The geometries and overall strategy were derived from an exercise where extruded shapes clashed into a normative tower model, resulting in voids that would later become atriums. The tower is organized by programmatic “chunks” with atriums corresponding to its neighboring uses. The bottom two floors and atrium are public facing; the next three are for admin, classrooms, and makerspaces, therefore, the atrium is intended for studying and is at a smaller scale; and the upper six floors are studios, so their respective atriums encourage interaction and are a space to disconnect from the studio.

Program Diagram Circulation Diagram

TERRACED

FACADE PRECEDENT STUDIES

FACADE EXPLORATION

Facade exploration began through precedent studies, where each “layer” was analyzed to reveal its underlying geometries, alignments, and systems. From there, these geometries were kitbashed to create a geometric expression for my facade. Elevation studies were done in tandem to define the relationship between “building” and “atrium” as a contrast between a mesh facade and skeleton-like atriums.

Unrolled elevation

The facade of this project took the geometries from the kitbash exercise, where each geometry was made either solid, frame, or void to provide solar shading. The atriums were covered in a wire mesh, with visible steel frames to further emphasize the contrast between the building and voids.

FUJI-KAN

CINEMATHEQUE

The Fuji-Kan Cinematheque is a public center that celebrates cinema and educates patrons through regular showings, galleries, and libraries. Wedged in the middle of Little Tokyo, the bottom, two floors engage the public and connect 1st street to the Japanese Village Plaza on the back entrance.

1STST

Exterior perspectives (left and middle), Interior perspective (right)

Perspective vignettes

Exploded Iso

Inspired by movie scores, the plan mimics soundwaves, with undulating walls, allowing for a unique experience, giving the user a sense of discovery as they round each corner. The facade continues this, and through its fins, diffuses sunlight into spaces.

LOBBY
SECTION C - C’
1/8” = 1’ - 0” SECTION B - B’
Section B - B’ (left), Section C - C’ (right)

LITTLE TOKYO PUBLIC ARTS CENTER

Little Tokyo has a prevalent art scene, however it is usually only accessible through a paywall. This project responds to that and makes a public art space that features murals and sculptures made by locals, engaging the community and all demographics.

NALAMEDAST
JUDGE
JOHN AISO ST
Site Isometric

Exterior Perspectives

The parti of the theater building is shown as orthogonal program blocks in an organically-shaped shell. The residual space is for visitors to enjoy and gather in. The void in the center is where the lobby and primary circulation occurs. The shell “peels” in certain areas to reveal new spaces inbetween the program and shell.

Parti Diagram

ORGANIC-SHAPED SHELL

ORTHOGONAL PROGRAM

CIRCULATION + UNPROGRAMMED PUBLIC AREAS

SCULPTURE GARDEN

Sub-ground foor plan

The site is defined by four canopied areas, with geometries inspired by paint on a palette. In creating a public art space, the boundaries of each place are loosely defined, using overhead canopies to inform where certain activity takes place. Additoinally, parts of the project sink below ground, giving users a more cozy and intimate experience as opposed to other bustling plazas in the area.

LOBBY
MURAL GARDEN
Interior perspective: black box theater
Model Photography
Interior Perspective: lobby

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