THE UNIVERSITY OF
SOU THERN MISSISSIPPI
SY M P HONY ORCHESTRA 106th SEASON 2025-26
Star-Spangled
Greetings and welcome to another program in our ambitious American Perspectives season. For one evening, we will depart from our exploration of American music to celebrate the virtuosity and talent of our School of Music students. Three winners of the annual William T. Gower concerto competition will be featured as we present eclectic works from around the world. One of the most popular works by one of the symphony orchestra’s most important voices will round out our evening. Thank you for joining us!
"A flag appears 'mid thunderous cheers, The banner of the Western land. The emblem of the brave and true." - John Philip Sousa
PROGRAM THE UNIVERSITY OF SOUTHERN MISSISSIPPI COLLEGE OF ARTS AND SCIENCES SCHOOL OF MUSIC present
Star-Spangled
The University of Southern Mississippi Symphony Orchestra Gregory Wolynec, music director Tuesday, February 10, 2026 - 7:30 p.m. Bennett Auditorium Felix Mendelssohn Bartholdy (1809-1847) Concertpiece No. 2 in D minor, Op. 114 (1833) (orch. Baermann) Presto – Andante – Allegro gracioso Matthew Barron and Brad Pilcher, clarinet Takashi Yoshimatsu (b. 1953) Saxophone Concerto Cyber Bird (1994) I. Birds in Color Preston Davis, alto saxophone Carlos Tello, guest conductor Oscar Navarro (b. 1981) Legacy Concerto (2015) Juan Carlos Piedra Carvajal, oboe Erick Diaz Quispe, guest conductor
Intermission Ludwig van Beethoven (1770-1827) Symphony No. 7 in A, Op. 92 (1812) I. Poco sostenuto - Vivace II. Allegretto III. Presto – Assai meno presto IV. Allegro con brio This program is presented in part by a generous grant from Partners for the Arts.
CONDUCTOR’S NOTES This year’s Gower Competition was open to woodwind, brass and percussion students. As a year ago with voice, string and piano, I sat mesmerized as I listened to 20 or so marvelous performances by our students. The judging is done by an outside panel who were uniform in their acclaim for the breadth of talent on display. I was glad I did not have to be involved in deciding the winners. The judges expressed that what helped them separate our winners was an ability to “tell a story” and “present a character.” I am confident you will see this on display. Felix Mendelssohn Bartholdy was one of the most prodigiously talented musicians in history. Like Mozart before him, he began turning out masterpieces by his early teens. While celebrated during his own lifetime, Mendelssohn and his music suffered for decades because of two contributing factors. Young Felix was an important voice in the rediscovery and celebration of the music of J.S. Bach, famously staging the earlier composer’s St. Matthew Passion (in abridged fashion and with “modern” instruments) while still a student. The interest and influence of an earlier master contributed to a relatively conservative aesthetic, which composers such as Hector Berlioz and Richard Wagner had little appetite for. At least as important, the Mendelssohn family’s Jewish heritage, coupled with a growing wave of European antisemitism, challenged the legacy of a precocious talent. The Concertpiece No. 2 was written for the acclaimed clarinetist Heinrich Baermann and his son Carl. As a “recovering clarinetist,” I can vouch for the outsized role that the elder Baermann had on the repertoire for the instrument, with many of its cornerstone works either commissioned by, or dedicated to, him. This piece has a soft spot in my heart, as it was a competition piece for a trio I was part of during my undergraduate studies. The origin of this commission does have a great story. In 1832, the Baermann’s were on a concert tour. While visiting Mendelssohn in his home, they were asked to create two of the composer’s favorite dishes – sweet dumplings and cheese strudel. They agreed on the whimsical condition that a trio for clarinet, basset clarinet (a lower version of the regular clarinet with an extended range) and piano would be composed for them. A year later, the clarinetists received: The Battle Near Prague! Grand Duet for Sweet Dumplings and Cheese Strudel
The work was heavily edited and eventually orchestrated by Heinrich. A modified version of the basset horn part was created for clarinet. Mendelssohn himself had encouraged the modification for instruments that were still evolving by the performers who knew it best. Three bon-bon sized movements (or are they dumplings?) are played without interruption in our opening work. Takashi Yoshimatsu is a fascinating Japanese composer with diverse tastes. This is the first work of his that I have spent time with, and I am certainly intrigued. Largely self-trained as a composer, his music is influenced by Beethoven and Tchaikovsky, as well as folk culture from Japan, progressive rock bands from the 1970s, jazz, and a host of other sources. Cyber Bird is for alto saxophone, an instrument we don’t often feature in the orchestral worlds but will this spring, with prominent use of piano and percussion. It is rhythmically intriguing, colorful and brash. You are in for a wild ride! Oscar Navarro is a Spanish composer noted for his film work. He has also written extensively for both orchestra and band. This Legacy concerto is a real barn burner for an instrument that doesn’t always get to display flashy virtuosity. Navarro explains that the work explores the capabilities of the instrument by placing it in various historical contexts. A recurring “tic-tock” motive identifies our journey from antiquity to the present before a look back to the Baroque period. Thousands of years in about 12 minutes – I’m breathless. The nine symphonies of Ludwig van Beethoven are uniformly regarded as being at the core of the orchestra’s literature and the influence of much of the following century’s music. This master’s work to elevate the genre and empower it with personal emotion and perspective were truly revolutionary, so much so that many important composers of the generations that followed chose not to take on the challenge of creating a symphony, fearing the inevitable comparisons with the incomparable. The fact that Beethoven created exactly nine symphonies itself seemed to create a line in the sand that few who followed were able to surpass.
For conductors, Beethoven’s symphonies form the basis of our study from our earliest experiences within the field. Portions of the symphonies have historically been used to gain entrance to graduate programs in conducting, while others are dissected in the sorts of marathon sessions that can only be found in academia. Inevitably, one can lose the forest from the trees. Thankfully, time enhances perspective so that moments, such as the ones we are about to share, remind us of the wonderful vitality of each of these landmark creations. The 7th symphony is a perennial favorite with audiences and musicians alike. It starts with a bang and never loses steam. This is our first Beethoven symphony together, and I am delighted that we will start our journey here. The heroic optimism of the 5th, the melodic elegance of the 6th, the emotional range of the 3rd, and the merging of the past with the future in the 2nd are melded into a single work. Beethoven’s ability to make a lot out of a little knows no equal. The first movement features an expansive introduction. The long note melody heard in the winds is joined by unrelenting scales that require the precision of a fine watch. A delicate dialog between winds and strings ushers in the noble flute melody. This melody features a rhythmic idea that Beethoven uses as the glue to hold this entire movement together. Three notes, all of different lengths, yet played consistently by all possible combinations of the orchestra, have perplexed even the world’s greatest ensembles. With it, Beethoven unleashes a drama of epic proportions. The iconic second movement is among Beethoven’s most famous and popular. At its debut in 1813, the audience demanded an immediate encore before the third movement could be heard. The opening chord in the winds seems to invoke an unsettling call to an ancient dance. An unending repetition of “long – short – short” begins in hushed low strings with new musical lines and instruments joining to build one of music’s greatest crescendos. It has also been used for numerous funerals of great musical and political figures, as well as to accompany dramatic moments in famous films. The contrasting major key section provides a wonderful moment of reflection that seems to invoke remembrance. Composer Richard Wagner, head of one of the two rival camps of composition in the 19th century that both looked back to Beethoven as their source of inspiration, referred to this symphony as the “apotheosis of dance.” A second movement of such emotional weight that still inspires movement requires tremendous inspiration. The two movements that follow only confirm Wagner’s assessment. The third alternates between dances of sprightly and noble character. The fourth, well that is one of the great romps in musical history. Exhausting, but so worth it!
ORCHESTRA PERSONNEL Violin 1 Bass Kevin Andre Zerrate Aria* Marcus Silva* Juan Lincango Daniel Magalhaes Allyson Gomes Matheus Ferreira de Souza Keyu Zheng Jose Cuellar João Vitor Gonzaga Manuel Jara Dexter Rodkey JaLaan Dubose Paul Armijos Yambay Daniel LaMere Katarzyna Gwiazda Amelia Brencick Harp Christian Onyewuche Tess Fullerton Violin 2 Carlos Suarez* Ethne Killgore Paulo Victor Alves Lucas Gonzalez Sofia Araujo Paloma Vieira Guillory Elizabeth Brown Veronica Morales Grace Pineda Katelynn Ferguson Viola Rene Espinal Reyna* Christian Avila Adelle Paltin Panella Renata Andrade Natalia Escobedo Jordan Wayne Violoncello Cristian Sanchez* Evelin Lopez Gabriel Barros Mauricio Unzueta Salas Vivian Herring Itzel Orellana Xinguang Zou Kassandra Henriquez Frank Palomino
Flute Hallie Ward* David Reyes Oboe Geordie Nabors* Joshua Strobel*
Horn Abby Loftin* Chance Rootes Gracie Bridges Eli Wright Kallie Olivarez Trumpet Mariah Atwood* Clayton Jacocks* Anthony Leggio Johnathan Evans Trombone Belle Tadlock* Brandon Domingue Bass Trombone Alex Handley
Clarinet Brad Pilcher* Eva Matson* Matthew Barron Maddison Prattini
Tuba Clenon Hartzog
Bass Clarinet Cameron Nix
Percussion Yu Chih Cherry Chen* Zurielys Correa
Bassoon Zachary Howell* Osvaldo Redondo Alfaro* Gabe Flores
* denotes principal players
Timpani Nathan Wright*
Piano
Jianing Pan Zhaloei Xie
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STRINGS Dr. Borislava Iltcheva, violin Dr. Hsiaopei Lee, viola Dr. Alexander Russakovsky, cello Dr. Marcos Machado, bass Dr. Nicholas Ciraldo, guitar WOODWINDS Dr. Danilo Mezzadri, flute Dr. Pablo Hernandez, oboe Dr. Jackie McIlwain, clarinet Dr. Kim Woolly, bassoon Dr. Dannel Espinoza, saxophone BRASS Dr. Rob Detjen, horn Dr. T.J. Tesh, trumpet Dr. Ben McIlwain, trombone Dr. Richard Perry, tuba PERCUSSION Dr. John Wooton, percussion PIANO Dr. Michael Bunchman, piano Dr. Ellen Elder, piano Dr. Hongzuo Guo, staff pianist Dr. Elizabeth Moak, piano Zhaolei Xie, staff pianist ORCHESTRAL ACTIVITIES Dr. Gregory Wolynec CHORAL ACTIVITIES Dr. Gregory Fuller Dr. Jonathan Kilgore VOICE Dr. Kimberley Davis Dr. Taylor Hightower Dr. Meredith Johnson Dr. Jonathan Yarrington MUSIC EDUCATION Dr. Ashley Allen Dr. Melody Causby Dr. Ian Cicco Dr. Kellie Clark
UNIVERSITY BANDS Dr. Catherine Rand Dr. Travis Higa Dr. Cody Edgerton JAZZ STUDIES Larry Panella MUSIC HISTORY Dr. Vanessa Tonelli Dr. Edward Hafer Dr. Joseph Jones MUSIC THEORY Dr. Danny Beard Dr. Joseph Brumbeloe Dr. Douglas Rust DIRECTOR Dr. Colin McKenzie ASSOCIATE DIRECTORS Dr. Joseph Jones Dr. T.J. Tesh ASSISTANT TO THE DIRECTOR Laurie Rinko FINANCE AND ADMINISTRATION SPECALIST Jennifer Knue ADMINISTRATIVE SPECALISTS Sinetta Bolton Dr. Kevin Ledgewood ACADEMIC ADVISEMENT COORDINATOR Kristin Sheppard GRADUATE COORDINATOR Dr. Melody Causby PR/MARKETING AND EVENT COORDINATOR Dr. Mike Lopinto PIANO TECHNICIAN Carlos Boza
ABOUT THE ARTISTS Matthew Barron is a multi-instrumentalist specializing in clarinet, flute and saxophone, performing as a soloist, chamber musician and musical theatre pit orchestra musician. His musical interests span a wide range of styles, including classical, jazz and contemporary music. Matthew has performed at notable venues, such as the Alys Stephens Center for the Performing Arts, BJCC Legacy Concert Hall and the Alabama Theatre. Based in Alabama’s Birmingham metro area, Matthew has performed in over 50 musical theatre productions. His work with Red Mountain Theatre Company includes Shrek the Musical, Mary Poppins, Frozen and The Little Mermaid. In addition to live performance, Matthew has contributed to studio recording projects, including serving as conductor for the 2023 recording of the opera Longing by Craig Alan Brandwein. The album received media recognition from Big Celebrity Buzz, highlighting the ensemble’s artistry and leadership. As both a performer and educator, Matthew is passionate about music education and community engagement. He believes music provides essential life skills, such as discipline, collaboration and effective communication, and he is dedicated to making music accessible and enjoyable for performers and audiences alike. His commitment to service and outreach was shaped in part by his involvement in the Boy Scouts of America, where he earned the rank of Eagle Scout. Matthew earned his Bachelor of Music Education from the University of Alabama at Birmingham and is currently pursuing a Master of Music in clarinet performance at The University of Southern Mississippi, where he studies with Dr. Jackie McIlwain and serves as a graduate assistant. He aspires to a career teaching music at the university level. Brad Pilcher is a clarinetist at The University of Southern Mississippi. Originally from Atlanta, Georgia, he has performed throughout the southern United States, as well as internationally at the 2024 ICA ClarinetFest Conference in Dublin, Ireland. He currently holds positions in the University of Southern Mississippi Wind Ensemble, Symphony Orchestra and Graduate Wind Quintet. Previously, he earned appointments to the Florida State University Wind Orchestra and Symphony Orchestra, the Columbus State University Wind Ensemble, Philharmonic and Contemporary Ensemble, as well as in chamber orchestras across the southeast. Additionally, he had the privilege of performing with members of the Atlanta Symphony Orchestra while at Columbus State University in 2023. Brad holds a BM in clarinet performance from Columbus State University’s Schwob School of Music, studying with Dr. Lisa Oberlander. Additionally, he holds an MM in woodwind performance from Florida State University, studying with Dr. Deborah Bish and Dr. Jonatha Holden. At Southern Miss, he studies with Dr. Jackie McIlwain and serves as a clarinet studio graduate assistant, where he assists with the needs of the studio, codirects the clarinet choir, performs in the graduate woodwind quintet, and holds appointments in the university bands and orchestra.
Preston Davis is a saxophonist in his third year pursuing a Bachelor of Music Education at The University of Southern Mississippi, where he studies under Dr. Dannel Espinoza. He is an active and versatile performer in both classical and jazz settings and has appeared in a wide range of large ensemble, chamber and solo contexts. His performance experience includes work with Symphonic Winds, Wind Ensemble, Jazz Band, Jazz Combo, Saxophone Chamber Orchestra, the Aquila Saxophone Quartet and the Sonoré Duet. He is also a member of The Pride of Mississippi Marching Band, where he serves as a saxophone section leader. Preston has appeared in a variety of solo, chamber and large ensemble performances throughout his collegiate career. He participated in the U.S. Navy Band Saxophone Symposium, where he engaged in performances, masterclasses and professional development with leading saxophonists from across the country. He also performed at the North American Saxophone Alliance Conference in Oklahoma and attended performances and masterclasses with internationally respected artists. Preston has been selected to perform at the 2026 North American Saxophone Alliance Conference as a member of the Sonoré Duet, an emerging chamber ensemble focused on expressive and contemporary repertoire for saxophone duo. His musicianship is rooted in expressive storytelling, stylistic versatility and technical excellence. Whether performing in ensemble, chamber or solo settings, Preston brings a dynamic and thoughtful musical presence to the stage. Juan Carlos Piedra Carvajal is a Costa Rican oboist whose work spans orchestral and chamber performance, solo playing, and a strong commitment to music education. He has performed internationally in Mexico, Hungary, Canada and the United States, and has participated in masterclasses with renowned oboists such as Alex Klein, Vincent Boilard, Pedro Díaz and Nathan Hughes. Piedra Carvajal has appeared with several professional ensembles in Costa Rica, including the Orquesta Sinfónica de la Universidad de Costa Rica, the Orquesta Filarmónica de Costa Rica, and the Banda Nacional de Conciertos de la Provincia de Cartago. He has also been featured as a soloist with the University of Costa Rica Symphony Orchestra and was the winner of both major performance competitions at the University of Costa Rica in 2018. In addition, he has been selected for prestigious summer programs such as the Advanced Program at Domaine Forget in Canada. His previous teachers include José Ángel Ábrego and Dr. Euridice Álvarez. He holds degrees from the University of Costa Rica, the University of Northern Colorado, and Baylor University. He is currently pursuing his Doctor of Musical Arts at The University of Southern Mississippi, where he studies with Dr. Pablo Hernandez.
For Carlos E. Tello Herrera, conducting is more than leading an orchestra—it is about channeling music’s profound ability to inspire and transform. A native of Cali, Colombia, he currently serves as the Symphony Orchestra conducting graduate assistant and co-conductor of the new Hattiesburg Civic Orchestra. Carlos is currently pursuing a Doctor of Musical Arts (DMA) in orchestral conducting at Southern Miss with Dr. Gregory Wolynec, where he also received his master’s degree in orchestral conducting studying with Dr. Michael Miles. His musical foundation began with a bachelor’s degree in double bass performance from the Conservatorio Antonio María Valencia in Cali, Colombia, and a Master of Music Research from the International University of La Rioja, Spain. Previous conducting experiences include leading the Bolívar Symphony Orchestra and the Chamber Orchestra Tito Sangiorgi, where he served as chief conductor. Carlos’ artistic vision emphasizes music’s transformative power, bridging cultures and ideas through performance. Erick Diaz Quispe is a conductor, pianist and educator originally from Lima, Peru. He currently serves as graduate assistant of the University of Southern Mississippi Symphony Orchestra and co-conductor of the Hattiesburg Civic Orchestra. Erick is pursuing a Master of Music degree in orchestral conducting at Southern Miss under the guidance of Dr. Gregory Wolynec, further expanding his artistic focus on the podium. He previously completed both his Doctor of Musical Arts and Master of Music degrees in piano performance at Southern Miss under the mentorship of Dr. Ellen Elder. Originally trained as a pianist, he earned his Bachelor of Music in piano performance and the professional degree of Licentiate in piano performance from the National Conservatory of Music in Lima, studying with Carlota Bravo. In addition to his orchestral work, Erick has developed meaningful experience in the choral conducting field, working with beginning and intermediate choirs in both Peru and the United States. His broad musical background and growing leadership experience reflect his commitment to developing a dynamic and versatile career as a conductor. Since 2022, Erick has been an active member of the Music Teachers National Association (MTNA), the Mississippi Music Teachers Association (MMTA), and the Hattiesburg Music Teachers League (HMTL), through which he continues to promote excellence in music education and community engagement.
Gregory Wolynec is in his second year as director of Orchestral Activities at The University of Southern Mississippi. He directs the Symphony Orchestra, oversees the graduate program in orchestral conducting, and conducts performances of the Southern Opera and Musical Theatre Company. He is also the founder and music director emeritus of Middle Tennessee’s acclaimed Gateway Chamber Orchestra (GCO), which he directed for 17 years. Wolynec previously served as director of instrumental ensembles at Austin Peay State University (APSU) in Clarksville, Tenn.,
from 2003-24. Wolynec has sought to revolutionize the potential of the 21st century orchestra. His unique programming philosophy received national attention with GCO producer Blanton Alspaugh receiving two GRAMMY nominations and a win as Classical Producer of the Year. Ambitious multi-media family concerts have been recognized by the National Endowment for the Arts and the League of American Orchestras. He spearheaded pandemic projects, including the Magical Music & Timeless Tales video series, the YouTube broadcast of the Beethoven @250: Humanity in 2020 concert, and America’s Haydn Festival in May of 2021, featuring performances by GCO, as well as the St. Lawrence String Quartet, pianist Henry Kramer and hosted by Bill McGlaughlin. In 2021, Wolynec also worked with composer Cristina Spinei to successfully launch the first NFT of a musical work commissioned by an American orchestra. This was profiled on NPR’s Marketplace Money. He also oversaw a multi-year project in collaboration with Nashville Ballet to create a new Nutcracker employing the music of Tchaikovsky, Duke Ellington and Vinico Meza. In 2025, Wolynec oversaw the groundbreaking release of recordings of Osvaldo Golijov’s massive La Pasión según San Marcos in audio, video and virtual reality formats. Wolynec holds a BM in music education and clarinet performance from SUNY Potsdam’s Crane School of Music, as well as the MM and DMA in instrumental conducting from Michigan State University. He was a recipient of a Fulbright Grant to Prague, Czech Republic, where he studied conducting at the Prague Conservatory. There he also worked with the Karlovy Vary Symphony.
Symphony Patrons, For decades, your staggeringly talented orchestra has been “Bringing the World to Mississippi” with student musicians from more than a dozen countries and guest performers from all over the planet. In my second year as director, I think it’s time we start “Bringing Mississippi to the World.” As we announced at our season launch reception, we need your help to do this! I’m thrilled to share that Becky and Doug Montague are leading the charge, along with several other generous donors, to jump-start our efforts. Together, they have donated $65,000 and challenge our remaining symphony supporters to match that gift. If we can do this together, we’ll have met almost 90% of our annual $150,000 goal. With these funds, we’ll be able to (1) professionally livestream our world-class performances so that they’ll be available anywhere the Internet can be accessed, (2) record these incredible musicians’ concerts for commercial release, and (3) take this show on the road with touring ensembles playing in prestigious concert halls throughout the country and eventually the world. I can think of no better cultural ambassadors for our great state than our own gem here in Hattiesburg, and we invite you to join us on this adventure with a one-time or multi-year gift to the USM Foundation’s “Bringing Mississippi to the World” fund. With gratitude, Gregory Wolynec, DMA Director of Orchestral Activities BRINGING MISSISSIPPI TO THE WORLD
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AMERICAN PERSPECTIVES
Final two events!
Bars of Red
Thursday, March 26, 2026 – 7:30 p.m. The Thomas V. Fraschillo Stage at the Mannoni Performing Arts Center A most extraordinary evening opens with Ravel’s tender evocation of innocent youth. Gershwin’s iconic score takes us on a Parisian sojourn filled with American influence and the blues. Julia Wolfe’s mesmerizing cantata, Her Story, dramatically explores the historic struggle for women to secure equal rights. Scored for large orchestra and women’s voices, with stage direction by Anne Kauffman, scenic design by Jeff Sugg, and production by Bang on a Can, you won’t want to miss one of the cultural events of the year in Mississippi.
Ground of White
Thursday, May 7, 2026 – 7:30 p.m. Main St. Baptist Church The majestic voices of the Hattiesburg Choral Union present the poetry of Robert Frost in a tender fashion. Aaron Copland’s mighty third and final symphony is often referred to as the essential American symphony. This work personifies the “Dean of American” composer’s voice, which defines American music. It also prominently features his “Fanfare for the Common Man.”
Bring a friend!
TICKETS 800.844.8425 601.266.5418 usm.edu/symphony
ENDOWMENTS When it comes to making a long-term impact on Southern Miss, there are many giving options to choose from besides simply writing a check. To find a charitable gift that best meets your family's goals and supports Southern Miss for years to come, please contact us and join this family that will sustain the Symphony for generations.
CONTACT
Amy Antoinette Batiste 601.266.6114 amy.batiste@usm.edu BAND/DIXIE DARLING Dewey W. Camp Scholarship Endowment – Fund 0846
Charles and Diane Thomas Endowment in the School of Music – Fund 0511
Billie and Homer Sullivan Jr. Pride Scholarship – Fund 1237
Anita Joe “Butch” McDonald Endowed Dixie Darling Scholarship – Fund 0667
Martha and Noobar Odjakjian Memorial Scholarship Endowment – Fund 1250 Margaret and Warren Dunn Pride Scholarship – Fund 1426 Drs. Mark and Martha Stevens and Anna Stevens Swann Pride Endowment – Fund 1463 Barnes-Manning Scholarship Endowment – Fund 1716 Janet Sims Band Scholarship Endowment – Fund 1727 Band Scholarship Endowment – Fund 2482 Kappa Kappa Psi Gamma Chi Chapter Alumni Scholarship Endowment – Fund 2515
Carl and Margaret Alesio Dixie Darling Scholarship Endowment – Fund 1421 Kristen Margaret Warren Memorial Scholarship – Fund 1591 Linda Smith Abner Dixie Darling Scholarship Endowment – Fund 2108 Alma Murphy Dixie Darlings Scholarship Endowment – Fund 2155 Sherman and Mildred Hong Percussion Scholarship Endowment – Fund 2419 Pep Band Scholarship Endowment – Fund 2213
CHOIR Charles and Diane Thomas Choral Tour Endowment – Fund 1465
Mabel Ve. Shannon Silver Memorial Scholarship Endowment – Fund 0864
Steffan Myers Spirit of Southern FFE – Fund 2366
Joe Barry Mullins Scholarship – Fund 0905
Drs. Mark and Martha Stevens and Anna Stevens Swann Choir Endowment – Fund 1463
Mary Lillian Peters Whitten Music Endowment – Fund 0968
CHOIR/VOCAL Tennessee Ernie Ford Music Scholarship Endowment – Fund 1218 GUITAR Elmo and Mary Glenn Harrison Guitar Scholarship Endowment – Fund 0931 Pat and Brett McKenzie Music Scholarship Endowment – Fund 2564 JAZZ M. Ashley DuBoise Scholarship Endowment in Jazz Studies – Fund 0570 Jerald S. and Christine B. Hughes Jazz Studies Scholarship Endowment – Fund 1273 MUSIC Frank Earl Marsh Scholarship Endowment – Fund 0690 Raymond and Karen Mannoni Music Scholarship Endowment – Fund 0737 Kathryn Swetman Page Scholarship Endowment – Fund 0821
Thad and Gerry Waites Music Scholarship Endowment – Fund 0980 Dr. Nancy O’Neal Tatum Music Scholarship Endowment – Fund 0982 Edna and Dave Perkins Music Faculty Enhancement Endowment – Fund 1261 Lorena Bessey Mangin Music Scholarship Endowment – Fund 1270 Zackery Music Scholarship Endowment – Fund 1750 James O. and Mary Ann Schnur Lower Brass Scholarship – Fund 1278 J. Larry and Linda B. Smith Music Scholarship Endowment – Fund 2063 Jim and Jamie Self Tuba Scholarship Endowment – Fund 2488 Dr. Patricia Ann Sharpe Malone Memorial Scholarship Endowment – Fund 2526
MUSIC EDUCATION Dr. Jack P. Donovan Memorial Scholarship – Fund 1153 Charles and Carolyn Elliott Endowed Scholarship in Music Education – Fund 1162 Dorothy and Laurance Cunningham Endowment in Music Education – Fund 1167 Mississippi Orchestra Teachers Association/Sara Dean Music Scholarship Endowment – Fund 1608 Agnes and Joseph “Bud” Hillman Scholarship Endowment – Fund 2127 ORCHESTRA Edna and Dave Perkins Endowed Scholarship in Strings – Fund 0515 Harry Wells McCraw Violin Scholarship Endowment – Fund 0629 Harold Luce Orchestra Scholarship Endowment – Fund 0659 June Ross Vardaman Violin Chair Orchestra Endowment – Fund 0669 John P. and Ellene C. Moseley Scholarship Endowment – Fund 0966 Hilda and George McGee Endowed Music Scholarship – Fund 0979 Tom and Claire Brantley Trombone Scholarship – Fund 1364 William T. Gower Orchestra Scholarship Endowment – Fund 1499
Thomas D. and Lorraine Smith Ott Wind Scholarship – Fund 1539 Jaime Jiménez Endowed Cellist Scholarship – Fund 1638 Beau Rivage Orchestral Chair Scholarship – Fund 1688 Beau Rivage Endowment for the Mississippi Gulf Coast – Fund 1689 Mary Jordan Symphony Orchestra Scholarship Endowment – Fund 1702 Gertrude C. Ford Orchestral Scholars Endowment – Fund 1735 Chisholm-Lindsey Orchestral Chair Scholarship Endowment – Fund 1747 Garland and Sally Sullivan Symphony Orchestra Brass Scholarship Endowment – Fund 1764 Herbert Allen Hart Symphony Percussion Scholarship Endowment – Fund 1765 Allen Hale Southern Mississippi Symphony String Scholarship Endowment – Fund 1766 Jay Dean USM Symphony Woodwind Scholarship Endowment – Fund 1767 Hattiesburg Civic Association Orchestra Scholarship Endowment – Fund 1778 Partners for the Arts Orchestra Scholarship Endowment – Fund 1779
Elizabeth M. Irby Orchestral Chair Scholarship Endowment – Fund 1780 John N. Palmer Foundation Orchestral Scholarship Endowment – Fund 1794 Richard Fabian and Katherine Smith McCarthy Violin Scholarship Endowment – Fund 1799 Hattiesburg Coca-Cola Symphony String Scholarship Endowment – Fund 1818 Orpheus Orchestral Scholarship Endowment – Fund 1869 The University of Southern Mississippi Opera Endowment – Fund 1939 Voice of the Century Centennial Orchestra Scholarship Endowment – Fund 1945 Rebecca Smart Montague Symphony Scholarship Endowment – Fund 1975 Sonya Rebecca Jordan Fox Symphony Orchestra and Opera Endowment – Fund 2099 Jay Dean International Music Scholarship Endowment – Fund 2281 Joe B. Price Horn Scholarship Endowment – Fund 2291 Dr. Toxey Micheal and Mrs. Virginia Wick Morris Orchestra Symphony Endowment – Fund 2602
PIANO Dr. Trelles Glenn Case Piano Performance Scholarship Endowment – Fund 2601 Fannie Godbold Ginn Piano Scholarship Endowment – Fund 0584 Melba Ough Ragsdale Memorial Piano Scholarship Endowment – Fund 2073 George Imbragulio Piano Memorial Scholarship Endowment – Fund 2240 PIANO/VOICE Patricia Graham Gable Endowment in Music – Fund 0517 VOICE Angela Stevens Wallace Voice Scholarship Endowment – Fund 0697
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CONTACT
Amy Antoinette Batiste 601.266.6114 amy.batiste@usm.edu
PATRON - $500
LEGACY LIFETIME MEMBERS Gold Legacy Society - $25,000 Gail and Larry Albert Becky and Doug Montague Dr. Steven Moser Ms. Sandra and Dr. R. Greer Whitacre
Silver Legacy Society - $12,500 Dr. Shannon Campbell Tammy and Arthur Martin Pam and Doug Rouse
Bronze Legacy Society - $5,000 Alexander Brady Foundation Linda Boutwell-Griffith and John Griffith Jennifer Brannock and Dr. David R. Davies Dr. Amy Chasteen Iris Easterling Erin and Dennis Granberry Lt. Col. Jason Hillman in honor of Carole Marshall Amy and Don Hinton Carole Marshall in memory of John Ivany Marshall Stace and Andy Mercier Drs. Stacey and Michael Miles Ruth and Dr. Lance Nail Dr. and Mrs. Joe Paul Eula and Dr. Roderick Posey Dee and Toddy Tatum in memory of Dr. and Mrs. A.T. Tatum Becky and Doug Vinzant
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PRESIDENT’S CIRCLE - $5,000+ Cadence Bank Beverly Dale
GRAND BENEFACTOR - $2,500 Catherine and Donald Cotten Dr. and Mrs. Chris Winstead
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Myrle-Marie Bongiovanni Gwen and Perry Combs Mo and Dick Conville Iris Easterling HCS Trading, LLC Dr. and Mrs. Lawrence Leader Jane and Charles Lewis The Linda Becker Smith Revocable Trust Dr. Keith and Carolyn McLarnan Dr. Steven and Anita Murphey Dr. and Mrs. Tom Puckett Southern Miss Alumni Association Mrs. Sandra and Dr. R. Greer Whitacre
Dr. Chris and Missy Crenshaw Drs. Jeremy Deans and Alyson Brink Allyson Easterwood Althea and Raoul Jerome in memory of Dr. Patricia Malone Lee-Way Financial Robert Lochhead John M. and Carolyn Lopinto Sr. Missy Warren McGee Mrs. Virginia M. Morris Kathryn and Robert Morrow Pinebelt Realty Enterprises, LLC and Mason and Magnolia Real Estate Kathy and Randy Pope Rion Snowden Architect, PLLC Dr. Edward Sayre Russ Willis
DONOR - $250
Linda and Larry Basden Mary Glenn and Todd Bradley Lt. Col. Raylawni Branch Drs. Marvin and Bitsy Browne Miller Rachel and Nicholas Ciraldo Joelle Crook in memory of George T. Crook Kimberley Davis Beejee and Andy Dickson Katherine and Chad Driskell Kim Gallaspy Cheryl L. Goggin Dr. and Mrs. Robert Heath Rebekah and Jeff Johnson Richard and Elizabeth Johnson Dr. Mike Lopinto in honor of Carolyn and John Lopinto Tammy and Steve Mansfield Carole Marshall Maureen K. Martin in honor of Dr. and Mrs. Aubrey K. Lucas Cody and Joan McKeller Dr. Colin and Mandie McKenzie Becky and Doug Montague Drs. Suzanna and Andrew Nida Hal E. Odom Dr. Derek and Mrs. Stephanie Patton Denise and Richard Ratcliffe Mr. and Mrs. William K. Ray Dr. and Mrs. Douglas M. Rust Mary and Eric Sumrall Martha and Tommy Thornton Debra and Richard Topp Carey and Sharon Varnado Sharon Weathersby
CONTRIBUTOR - $150 Anonymous Dr. Jenna and Mr. Daniel Barton Dennis Baum Mitch and Marcia Cochran Dr. Veronica Dzugan
Barbara Jane Foote Howard and Liz Fromkin John and Susan Howell LuAnn Knight Lorinda Krhut Vicki R. Leggett Milo McCarthy Bebe McLeod and Bill McLeod in memory of Dr. John A. McLeod III LTC and Mrs. E. Walker Nordan Betty and Bob Press George and Jann Puckett in honor of DeAnna Douglas Ann and Bill Simmons in honor of Dr. Jay Dean and Dr. Mary Ann Kyle Carol and Ken Simpson David Sliman Nancy Steen
FRIEND - $50
Anonymous Donors Elizabeth and Chris Bedenbaugh Drs. Diana and Joshua Bernstein Dr. Cherie and Mr. Lance Bowe Joe Brumbeloe Darcie Conrad Jennifer Courts Mr. and Mrs. Charles Daughdrill Bethanie and Jerry DeFatta Diane Dobson Carol and Gardner Fletcher Lauren and J.R. Gerhart Harry and Marcia Goff Heather and Ken Graves
in memory of Jeremy Lespi Bridget Hayden Brenda Hesselgrave Clark and Kathia Hicks Emily and Dale Holmes Dr. Luis A. Iglesias Jane W. Jones Nicolle Jordan and Tom O’Brien Linda and Mike Kuykendall Karen LeBeau Hsiaopei Lee Linde and Jeff Lynn Marcos Machado Jackie and Ben McIlwain Louise and John Meyer Danilo Mezzadri Dr. Mark Miller Jeremiah Parker Ellen Price-Elder Terry and Julie Puckett Julie Reid Sherrie Mitchell Richmond Mark Rigsby and Melanie Eubanks Barbara Ann Ross Dr. Alexander Russakovsky Joseph Steadman Susan Straus Lorraine A. Stuart Jennifer Torres Joanne Tran Donnie and Barbara Tynes Brittney Westbrook Cory R. Williams Dr. John Wooton
If you would like to join PFTA, visit usm.edu/partners-arts or call 601.266.5095.
EOE/VETS/DISABILITY