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THE #GIRLPOWER ISSUE
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42 Art That Changed History
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28 Women Rule The Runway
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46 The Street Artists
60 Bloggers Take Over
36 Nicky Hilton
52 Girls Rule
62 Art Is The Answer
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RISING STARS 84 Alanna Masterson 86 Tove Lo 90 Bebe Rexha 94 Camren Bicondova 98 Petite Meller 104 Tove Styrke 106 Nervo 112 Melanie Martinez 116 Lynn Gvnn 118 Betty Who 122 Elliphant 126 Isabella Manfredi 128 Kerris Dorsey 130 Kimbra 134 Grace Chatto 136 Jess Glynne 138 Rosie Lowe 144 Meredith Graves
148 Pins 152 Justine Skye 154 Jesse Jo Stark 158 Neon Hitch 162 Hannah Cohen 164 Elle King 168 Tamera Foster 172 Lenka 174 Jacquie Lee 176 Holland Roden 180 Jessica Szohr 184 Dead Sara 185 Lizzie Brochere 186 Flo Morrissey 188 Ophelia Lovibond 192 Gemma Chan
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COVERS NAOMIE HARRIS
INDIRA CESARINE Editor in Chief & Creative Director
Photography by Indira Cesarine. Naomie Harris wears a dress and belt by Kristian Aadnevik, a cape by Zeynep Kartal, and a ring by Maria Francesca Pepe. Styling by Deborah Latouche. Hair by Renda Attia, makeup by Kenneth Soh. Photographed at Saint Martin’s Lane Hotel, London, UK.
FASHION DIRECTOR Indira Cesarine CONTRIBUTING STYLE DIRECTOR Phillip Bloch
CHARLI XCX
Photography by Indira Cesarine. Charli XCX wears a black dress by Sass & Bide with earrings by Alexis Bittar. Styling by Karen Levitt. Hair by Ryan Kazmarek, makeup by Colby Smith. Photographed at Haus, New York.
BEAUTY EDITOR Roberto Morelli SENIOR COPY EDITORS Marianne White, Sophie Saint Thomas
LIZZY CAPLAN
Photography by Indira Cesarine. Lizzy Caplan wears a red sequin turtleneck by Dior, sapphire and diamond rings by Effy Jewelry, and studs by Melinda Maria. Styling by Kelly Brown. Hair by Christian Marc, and makeup by Rachel Goodwin. Photographed at James Goldstein Residence, Beverly Hills.
CONTRIBUTING FASHION EDITORS Deborah Latouche, Jules Wood, Karen Levitt, Kelly Brown
BANKS
FASHION ASSISTANTS Ginevra Valente, Laura Hernandez
Photography by Indira Cesarine. Banks wears a dress by Jason Wu, worn over a bralette by Georgine. Fashion Editor: Indira Cesarine. Hair by Hanjee, and makeup by Nina Park. Photographed at The Untitled Space, New York.
CONTRIBUTING JOURNALISTS Anabel Maldonado, Elizabeth Hazard, Jessica Natale, Julie Walker, Liz Belilovskaya, Lydia Snyder, Madison Bloom, Marianne White, Sophie Lloyd, Sophie Saint Thomas
REBECCA FERGUSON
Photography by Iris Brosch. Rebecca Ferguson wears a corset and knickers by Agent Provocateur, kimono by BLK DNM, bracelet by Mawi, and necklace by Rosantica. Styling by Deborah Latouche. Hair by Carlos Ferraz, and makeup by Caroline Barnes. Photographed at Blake’s Hotel, London.
ADDITIONAL COPYEDITING Lydia Snyder EDITORIAL ASSISTANTS & INTERNS Courtney Podvin, Eduardo Morel, Hannah Chusid, Jessica McKinney, Kasaya Nacharoen, Marissa Desimone, Michael Cruz, Patrica Gloum, Sandra Werb, Taylor Campbell, Yulia Yurasova
MARINA & THE DIAMONDS
Published by UNTITLED MEDIA
LYDIA HEARST
Photography by Indira Cesarine. Marina & The Diamonds wears a dress by Roberto Cavalli. Fashion Editor Indira Cesarine. Hair by Anthony Joseph Hernandez. Makeup by Roberto Morelli. Photographed at The Carlton Hotel, New York.
Photography by Indira Cesarine. Lydia Hearst wears a dress by Zimmermann, a gold necklace by Erickson Beamon with rings by Melinda Maria. Fashion Editor Indira Cesarine. Styling by Kelly Brown. Hair by Frankie Payne, and makeup by Stephen Dimmick. Photographed at the Avalon Hotel, Beverly Hills.
45 LISPENARD STREET NEW YORK, NY 10013 www.untitled-magazine.com
SHARAYA J.
Email: info@untitled-magazine.com
Photography by Indira Cesarine. Sharaya J. wears a metal jacket and long skirt by Rubie Singer, necklaces by Tuleste, with heels by Christian Louboutin. Fashion Editor Phillip Bloch. Hair by Al X Graham, makeup by Felicia G., nails by Jessica Allen. Photographed at The Untitled Space, New York.
ISSN: 2167-1990 PRINTED IN THE UK BY PUREPRINT
SAY LOU LOU
DISTRIBUTED BY PINEAPPLE MEDIA
Photography by Indira Cesarine. Elektra and Miranda wear a complete look by Saint Laurent. Fashion Editor Indira Cesarine. Hair by Hanjee, and makeup by Bobby Bujisic. Photographed at The Morgans Hotel, New York.
REPRESENTED BY BIG MACHINE MEDIA www.bigmachineagency.com Special Thanks to Gloria Martinez, K & M Camera and all additional contributors.
AIMEE OSBOURNE
Photography by Indira Cesarine. Nude bodice by Cheng-Huai Chaung, layered with a coat from Lie SangBong. Fashion Editor Indira Cesarine. Hair by Anthony Joseph Hernandez. Makeup by Robert Morelli. Photographed at The Untitled Space, New York.
ALL INTERVIEWS by INDIRA CESARINE and The Untitled Magazine editorial team unless otherwise noted in credits.
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The #GirlPower Issue is a celebration of femininity in all its forms. This is truly one of the most unique issues I have worked on since launching The Untitled Magazine. Not only does it feature some of the most inspirational women on the radar today, it was also photographed exclusively by female photographers and written exclusively by female journalists. I can truly say it is an act of sheer female willpower. I wanted to shape it with the perspectives and voices of women today - what makes us tick, what inspires us and what challenges our ideologies. Over twenty years ago, upon graduating from Columbia University with a triple major in Art History, French and Women’s Studies, I was at a crossroads: to pursue the path of my mother, and go to law school, or to follow my passion and pursue a career in photography. I decided to take the challenge of the far more risky path. I packed my bags and moved to London, armed only with a camera and a dream. At the time there were almost no female fashion photographers. I was determined to make an impact with my work – to present a female voice against the mass of male domination in the photo industry. Back then, the vast majority of images that women saw in magazines were those that were taken by men. The “male gaze” ruled the media industry, and aside from a handful of exceptions, fashion images of women by women were rarely seen. Over the years I worked not only in London, but also New York, Paris, Milan, and many other international cities. Throughout my freelance career, many models told me I was the only female photographer with whom they had ever worked. This issue was by far my most challenging to date, partially because when I set out to produce an issue photographed exclusively by women, I didn’t realize how hard that was going to be. I was shocked to see that many photography agencies in the industry still do not represent any women whatsoever. Many mainstream magazines still only publish fashion photography shot by men. Some photo agencies told me that they don’t bother to represent women as it’s too hard to get them work. I truly believe that not only are women just as talented as men when it comes to photography, but that readers are truly interested in seeing images created by female photographers. Despite it being over a century since women have gained the vote in many countries, including America, gender bias continues to be an issue in almost all sectors of employment. In the past twenty years since I started working in the photo industry, the statistics have hardly changed. Women still make up less than 13% of represented fashion photographers today. Female film directors have actually declined in numbers since the ‘90s with statistics reporting less than 8% of hired directors are women, and less than 5% of studio films are directed by women. To date only one woman has ever won an Oscar for Best Picture. In the field of journalism male domination still rules the landscape of reporting with less than 30% of bylines by women on average across the medias of TV, print and digital. I felt the timing couldn’t be better than now to create this issue, celebrating so many truly inspirational women. It is time for women to be fairly represented in the work forces of the media, to gain equality on all fronts, and not to have to fight for these rights, but to be able to take them as a given. One thing there was no shortage of while curating the #GirlPower Issue was phenomenal women to feature. The issue presents exclusives with women across the arenas of fashion, film, music, art, business, politics, tech and sports. We talked to Bond actress Naomie Harris; Rebecca Ferguson, star of Mission Impossible: Rogue Nation; Lizzy Caplan of Masters of Sex and Sophie Turner, star of Games of Thrones. Musicians Charli XCX, Banks, Marina & The Diamonds, Carly Rae Jepsen, Nervo, and Tove Lo opened up about their paths to success and inspirations along the way. Street artist Swoon talked to us about art and activism, while we gained insight from fashion moguls Carmen Busquets, Alexandra Wilkis Wilson and Lauren Santo Domingo. These are just a few of the incredible women we interviewed for this issue, who not only inspired us, but who have succeeded in paving the way for future generations of women to follow in their footsteps. I was honored to work with such a diverse selection of fearless and accomplished women and to feature their honest and candid interviews in this issue. I hope you appreciate the wealth of incredible talent on these pages – made by women, but for all to enjoy. This issue is dedicated to my mother Gloria, who has been a personal inspiration for me throughout my career. A National Merit Scholar, she was one of the few female graduates of The University of Chicago Law School in 1959. She was the editor-in-chief of The National Student Lawyer Journal published by the American Bar Association. Over the years she passed the bar in numerous states, including New York, California, Massachusetts, Texas, Iowa and South Dakota. She was instrumental in creating the first constitution for the Cheyenne River Sioux Tribe and was recognized by Presidents Kennedy and Nixon for her work setting up youth education programs throughout the United States. At the age of 79, she continues to practice law across the country, hosts her own legal TV and radio shows, and epitomizes nothing short of “Girl Power”. ndira Cesarine
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C O N T R I B U T O R S
Anabel Maldonado
www.anabelmaldonado.net
Anabel Maldonado is a Canadian-born and London-based fashion and lifestyle journalist specializing in the business of fashion, trends, style psychology, travel and well-being. Maldonado interned at Christian Louboutin and Mail on Sunday upon arriving in the UK prior to becoming editor-in-chief of CoutureLab.com. Maldonado’s work has appeared in Marie Claire magazine, and she regularly provides editorial consulting for luxury brands. For The Untitled Magazine’s #GirlPower issue, Maldonado contributed the article “Retail Royals”.
Dani Brubaker
www.danibrubaker.com
Dani Brubaker’s journey began in the American Southwest, Oklahoma to be exact, where she grew up by the code of the Native American Indian. From there it was further west to California where she worked as an award-winning art d irector. For more than a decade she honed her skills and taste, eventually craving the ability to work in a manner unfettered and untamed by modern life. She found that by looking through a lens she could tell her story. For this issue, Brubaker photographed musician Jesse Jo Stark and actress Ruby Rose.
Iris Brosch
www.irisbrosch.com
The artist, photographer, and director Iris Brosch is known internationally for restoring dignity and strength to the image of women in photography. Brosch’s unique celebration of female sensuality moves in fresh and fascinating directions in her ability to rework timeless classicism with a thoroughly modern twist. Brosch splits her time between New York and Paris. She contributed to this issue with a stunning photo shoot of actress Rebecca Ferguson, star of Mission Impossible - Rogue Nation.
Jennifer Massaux
www.jennifermassaux.com
Jennifer Massaux is a Belgian director and photographer who splits her time between New York City and Los Angeles. Drawing inspiration from her love of narrative, her work centers on themes of sensuality and surrealism. She has worked for commercial and fashion clients including Madonna, SHOWStudio, L’Officiel, Marie Claire and W Magazine. For The Untitled Magazine’s #GirlPower issue she turned her lens to the captivating Julie Budet of French pop band Yelle.
Jessie Craig
www.jessiecraig.com
Whether photographing actors, musicians, or models, Jessie Craig’s work has gained recognition for its otherworldly and often cinematic quality. Born in Canada, she first picked up a camera as a teenager before completing a BFA at OCAD and moving to London, where she is currently based. Craig has participated in numerous exhibitions including at the National Portrait Gallery in London. For this issue she photographed Games of Thrones star Sophie Turner.
Julia Fullerton-Batten
www.juliafullerton-batten.com
Julia Fullerton-Batten is a German-born critically acclaimed and widely exhibited fine art photographer. Her images are in permanent collections in the National Portrait Gallery, London, and the Musee d’Elysee, Lausanne (Switzerland). She has been the recipient of countless awards, including by the Royal Photographic Society, Photo District News, American Photography Awards, and Women in Photography Awards. Her work is known for its attention to detail and complex lighting. Fullerton-Batten lives in London with her family. She shared her talents with The Untitled Magazine in her shoot with French sensation Petite Meller.
Julie Walker
www.jwalkreporter.com
Julie Walker is an award winning radio, television, and print journalist based in New York City. She is an AP Radio correspondent and freelance reporter for CNN, NPR, Washington Post’s The Root and various other media outlets. She covers business news from the New York Stock Exchange as well as breaking news and general assignment stories from the streets of New York City. She began her career as an intern at ABC News in Paris. She spent eight years at NY1 News covering everything from 9/11 to the crash of flight 587 to entertainment news. In this issue of The Untitled Magazine Julie lends her voice for a poignant article on Hillary Clinton.
Rosi di Stefano
www.rosidistefano.com
Born in 1972, Italian photographer Rosi di Stefano began photography at the age of eight with a Kodak Instamatic. After having studied photography at IED (Istituto Europeo di Design) in Milan she began her career in fashion photography. Her work has been published in Vogue Italia, Vogue Accessories, as well as for commercial clients such as Max Mara. Don’t miss her shoot for this issue with Roisin Murphy.
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Ebba Tove Elsa Nilsson, 27 From Djursholm, Sweden Photography by Indira Cesarine Tove Lo wears a sequin detailed top by Sally LaPointe.
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“I’m always going to be honest and upfront in my music. Some people are going to be offended and some people are going to relate, and I think that’s just how it’s going to be.” Swedish pop star Tove Lo’s bare-all approach is the driving force behind her barrier-breaking song writing and far-reaching appeal. Her debut album, Queen of the Clouds, was released in the U.S. on September 30th, 2014 and received a profusion of praise and play. An autobiographical album that traces the singer’s past failed relationships, Queen of the Clouds is sectioned into three different themes: “The Sex,” “The Love” and “The Pain”. The confessional quality of Tove Lo’s album is best represented in her popular single “Habits (Stay High)” which appears under “The Pain” section of the album and reached number three on the Billboard Hot 100 chart. “[A relationship] starts passionately and intensely, and you fall in love because of the passion. It’s when you start to fall for someone for more than just the attraction that it starts to get a bit scary. That’s when you get to ‘The Love’ section. ‘The Pain’ is when something that’s been very passionate and very intense ends. I don’t think there’s any way to end something like that on good terms.” Tove Lo started her career at Sweden’s prestigious music academy Rytmus Musikergymnasiet where she became friends with Icona Pop’s Caroline Hjelt. “It was all music from day one. We were put into bands. Caroline from Icona and I were put into the same band on the first day. There was a drummer, a guitar player, a bass player, and two singers. Caroline and I were the singers, so that’s kind of how we became friends.” Along with penning songs for Icona Pop, Tove Lo had success as a songwriter for the likes of Girls Aloud and Cher Lloyd before starting her solo career as a performer. “When I decided to release stuff on my own, I thought it would be more of like, my indie career on the side. [Something] that I would just have for fun because I needed it. Then that started taking off, so it’s been really quite a ride!” That ride continues this fall when she’ll embark on a headlining tour across North America in support of Queen of the Clouds. After going through a Nirvana phase, Tove Lo credits fellow Swedish female artists such as Robyn and Lykke Li as her inspiration. Her concoction of grunge and pop is best illustrated in the video for her controversial drug-infused breakup anthem “Habits (Stay High),” which she filmed during a night of partying with lovers and friends. “I could have done [“Habits”] in a way where I looked perfect in every angle, where it’s super retouched and it’s beautiful, and it’s just a sexy video. But it’s not a sexy video,” says Tove Lo. “It’s all anxiety, which is what I wanted. I want to show the imperfections, so that people can see that I’m serious when I say that I’m honest about who I am, and that I think about my mistakes and my flaws. If I don’t dare to show them, no one is going to take me seriously.” Such an honest hold-nothing-back attitude propelled her into the international spotlight, grabbing attention from critics and fans alike. There’s been much buzz about the controversial lyrics of the song, which describes maintaining a high to numb the loss of her breakup. Of the controversy it stirred, Tove Lo calls out the industry’s double standard. “What I always wonder is, there are so many dudes singing about the same subject. I wonder if they get the same question or is it because I’m a girl that people...some people ask me, ‘Don’t you feel like you have a responsibility to be a role model?’ And I think: do I have that [responsibility] more than dudes because I’m a girl and I sing pop? I think there’s a kind of denial on how much drugs are a part of people’s lives. I see alcohol as a drug as much as anything else. Even though that may not be my drug of choice, for me, that’s as much of a drug as anything else.” “Habits (Stay High)” was followed by a string of hit singles, such as “Time Bomb.” “It really kind of romanticizes the one-time love or the one-night stand, where it’s like, we’re not forever; you’re not the one, but we could be the best thing ever.” Another hit from the album is her track “Talking Body.” During a recent performance of the song, Tove Lo flashed the audience as a nod to the #freethenipple campaign making us love her all the more for her fearless self-expression against double standards. “It’s like, you should play hard to get, and you’re not supposed to be the one who messed up, or the one who made a mistake. I think it’s changing a lot now because there are a lot of young girls coming out and saying, ‘Hey, this is me.’” When people ask her, “Why are you not embarrassed?” She replies, “Why should I be embarrassed? I’m just thinking of what I, in my gut, feel is right and wrong. I’m just going with what I think is right, and what is me.”
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Tanner Elle Schneider, 26 From Los Angeles, CA Lives in Brooklyn, NY Photography by Indira Cesarine
Both pages: Elle wears a sequin kaftan by Georgine over a black dress from Three of Something. Fashion Editor Indira Cesarine Make-up by Cynthia Christina Hair by Issac Davidson
“I’m not encouraging anyone to do anything that I’ve done, but I feel that this is the path that my life is on, and I’m even thankful for the hard things that have come my way, because they’ve made me who I am. I’m thankful for all of it, the good and the bad!” Elle King, daughter of comedian Rob Schneider, moved to New York at the age of thirteen with her mother and stepfather, who bestowed her with her first guitar. She has become known for her unabashed, robust music, which she describes as “soulful Southern rock and roll.” Her debut EP The Elle King EP was released to critical and commercial success in 2012 followed by her 2015 debut album Love Stuff, which secured her reputation as a spitfire and one of the most promising new performers of her generation. Elle was turned on to music at a young age. “My stepfather was the frontman for a rock ‘n’ roll band. He opened my eyes and ears to new music at age nine…I became obsessed with it and I knew that that’s what I wanted to do, so I’m totally, unbelievably thankful for him.” At fifteen, played her debut show in the West Village, even though she wasn’t yet of legal age to be in the venue. “You could get a fake ID for about twenty bucks on St. Mark’s Street. People would actually find me and ask me to play shows, and I just wouldn’t tell them my age,” she says. “The thing is, if you’re talented, they’re not really going to question it.” Between jamming on her banjo, her guitar and her saucy voice, her raw talent is uncontainable on stage. Both her musical talents and personal life have invoked comparisons to the legendary Janis Joplin, which King brushes off with humility. “There can only be one.” Inspired by greats such as Aretha Franklin and Otis Redding, Elle’s songs chronicle past loves and personal experiences. “I’ve been in so many crazy relationships. I fall in love so fast, and unfortunately, I fall out of love even faster…Music is cathartic and therapeutic for me.” She’s been through her fair share of heartache, but now focuses on using her talents to encourage positivity. “It’s really hard for girls. We’re told to constantly pick apart our bodies and our minds, and I think that that’s really fucked up. I‘m just like, ‘Fuck that!’ I’m talented, and I am beautiful, even though I’m not a size two!’” Elle spent this past summer on a headlining tour in support of Love Stuff, which features her hit single “Ex’s and Oh’s.” Through her music, which is unashamedly honest, Elle continues to promote self-acceptance. “If we didn’t have such different physical types of bodies…there would be no individuality, and who wants that?” She knows the struggle to fit an unattainable standard, because she lived it. Along with her killer confidence, Elle’s I-don’t-give-a-damn personality makes her stand out amongst the crowd of cookie-cutter performers. “I have ‘Damn I’m good’ tattooed on my boob because it really makes me feel better…I think that we’re all our own worst enemies, and no one can be as mean to you as you can be to yourself, and so sometimes I will try and shift that thinking. I want to be proud of myself. I want to love myself…You know, I’m a tough cookie, and I love rock ‘n’ roll!”
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don’t really know any woman who isn’t a feminist. I just think it’s without question that a woman or a man should be a feminist.” Sophie Turner, the British actress who plays Sansa Stark on Game of Thrones, describes herself as a “big pushover,” but she clearly takes a definite stance on important issues. Sophie was just thirteen when she started on the hit HBO show, which has steadily gained a huge base of dedicated fans. It’s a show which often grabs headlines for controversial displays of sex and violence, but it’s also become known for complex character development, in particular of powerful women. It’s the show’s strong female characters that Sophie loves about it. “They’ve taken a time period where women didn’t have the same rights as men, and they weren’t as powerful economically, or politically. But they’ve taken this time period, and they’ve put in these strong female characters who do have power, and who can achieve what they want. They’ve done it really subtly, and I really love that about the show.” From the name recognition she garnered from Game of Thrones came a slew of movie deals, with several due out in 2015 and 2016, giving Sophie an opportunity to expand her acting range and get out of the Game Of Thrones schema, which can take a psychological toll on her. While playing Sansa Stark, she got a little bit too accustomed to acting depressed. “I’m so used to crying and being sad a lot of the time in every scene I do, when I have to do something that’s happy, I can’t do it.” The comedy, Barely Lethal, starring Hailee Steinfeld, Samuel L. Jackson, and Jessica Alba, gave Sophie a chance to loosen up a bit and improvise. “We really had a chance to play and be stupid on set.” She will also star as a teenaged Jean Grey, a telekinetic and telepathic mutant, in the new X-Men: Apocalypse. Her character is “fiercely intelligent, and stands up for what she really believes in.” When asked what she would do if she had Jean Grey’s telekinetic powers, she said, “I would make everyone accepting of other people’s religions, that’s what I would do. I would put that into their brains somehow, that other people would be different, and that will be okay.” Wise words that show maturity and depth from a girl
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often bullied for her character’s actions. “People would sometimes come up to me and be like, ‘listen, I really hate you.’ And I’d be like, ‘alright, fair enough.’ It’s awkward, but fine.” She manages to take it positively. “I sometimes just take it as a compliment – that they think I’m so annoying...that I’m just playing myself. I hope I’m authentically annoying.” In the new season, which premiered April 12th, Sophie’s character, Sansa, has “definitely evolved into this kind of manipulator, who’s very powerful now.... So although there are a lot of downfalls for her, she picks herself up very, very, quickly, because she knows what to do, and how to get what she wants.” Sophie relates to her character in the sense that she pretty much grew up with her. “Our stories are quite similar. I was never abused, but...when I got the job on this show, I didn’t know anything about acting, and I was kind of thrown into this world. It was finding out what this fairytale for me would be like in reality. And the same thing happened to her in a sense...we kind of – I’m talking about her as a different person – we bonded in a way.” Being thrown into such a big production while still so young, she has come up against some uncomfortable situations. “There was one scene that was really awkward. It’s the one that sticks out the most in my mind. There’s a scene where terrible street men try to sexually abuse me. And that was the day that my dad decided to come up on set. My mom was always up on set with me, because she was my chaperone, but my dad decided to go as well. So the producer, Dan [D.B. Weiss], the creator, he just kind of sat on this chair watching the monitor, and he had my mom on one side, and my dad on the other, while I was just lying on the floor screaming.” She learned that despite being young, she wasn’t going to be coddled. “I always thought that my hand would be held the whole way, and everyone would forgive me for things...But it’s very much like an adult industry, and people treat you like an adult, and they work you like an adult, which I love.” Completely without pretension, Sophie says, “It sounds so cheesy, but I do actually learn something new every day that I work on a film set.” She says, “I never really found a mentor in one person.... I would watch how Lena Headey works, or watch Natalie Dormer, or even my friend
Sophie Turner, 19 From Northampton, UK Lives in London, UK Sophie wears a shirt by Paul & Joe layered under a vintage suede jacket by Rokit.
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Miranda Anna, Elektra June Kilbey-Jansson, 24 From Australia & Sweden Miranda and Elektra both wearing tops, skirts, and hats by KTZ, tights by Hue, with heels by Saint Laurent.
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