Fortunato Pio Castellani (1765-1865) created jewels inspired by the output of ancient craftsmen, most notably those of the Etruscan civilization (900 BC – 27BC). His designs were based on direct archaeological evidence and featured intaglios, cameos and micromosaics and his jewels were highly sought after throughout 19th century Europe. Castellani worked in finely wrought gold, invariably combined with carved stones and enamel and delicate and colourful mosaics which he used to depict religious, secular and mythological motifs | Carlo Giuliano (1831-1895) came to London in 1860, it is likely that he trained under Castellani, and initially he set up his workshop on Frith Street, Soho, by 1874 he had his own premises on Piccadilly. Giuliano favoured detailed enamel work and often used unusual gemstone combinations, such as lapis lazuli, zircons, fire opals and pearls, with cabochons employed as often as faceted gems. Giuliano's jewels are characterised by their wearability and Renaissance styling.
