Drawn to Dance
Art may be set in stone or hang upon a wall, but it’s never lifeless. Dancers are particularly aware of the dynamic and fluid nature of art. That’s what propelled two students to partner with the Weatherspoon Art Museum to create a program where art inspires dancers, and dance inspires artists. Liz Anderson and Tiffany Moss Hale are the brains behind “Drawn to Dance,” a series of free public events at the museum where UNCG dance students improvise performances for art students to sketch or film. The successful events launched in the fall of 2023. “As a dance artist, I am a collaborator at heart,” says Anderson. “One of our goals is to make dance and art less removed from each other.” UNCG Dance Director Lee Walton says this is the kind of activity the school is seeking to promote. “We want to turn the school inside out, so that it becomes more accessible, and the public become collaborators in our research.”
Art Begets Art Anderson and Hale’s work began in the first year of their master of fine arts program, as part of a graduate assistantship aimed at developing new dance programming with the Weatherspoon. Anderson had seen a program where dance companies held practices at the High Museum of Art in Atlanta, Georgia, and they decided they wanted to bring a similar experience to Greensboro. “Liz and Tiffany had a vision of the museum as a place for not only exhibiting art, but for the practice and creation of art,” says Mei Méndez, the Weatherspoon’s assistant director for strategic engagement. At the museum events, guests that pass through the atrium or the second-story overlook can watch the dancers and the artists creating alongside them. Paper and pencils are available for any guests who wish to join in. Hale was particularly touched to see a little girl sitting down to draw alongside the UNCG student artists at a fall event. “We gave
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MFA STUDENTS Anderson and Hale dance at the Weatherspoon Art Museum.
people a way to see dance that isn’t just on the proscenium stage that they’re used to.” She says the exhibits also encourage the dancers to improvise. “I would look at the mural on the wall in the atrium and mimic the lines within it. Dancers would interact with the sculptures in the courtyard and let them influence their movement.” “The art students were fascinated with how the dance students interacted with the space,” adds Walton, who is also a professor of art. “They got to see all the things they were learning in art – line, tension, rhythm, pattern – embodied in their performances.”
Room to grow This is not the first time the Weatherspoon has partnered with UNCG dance, but Walton hopes to foster even more of these collaborations and others across UNCG’s College of Visual and Performing Arts – especially in ways that increase public access to art. “Communities benefit from the college making art, artists, and research accessible,” he says. “And our students and faculty benefit greatly from the expertise within our communities.” Walton was proud to see first-year students work alongside graduate students in “Drawn to Dance.” “Within their first semester, they were performing publicly. We were inspired to see them take that chance, to know that they felt supported.”