> Show quoted text >
subject:
FWD: Sept/10
> > > > > >
message>> bruna
erhardt,
frey
mudd
by
michael tintiuc, Mia-Mala McDonald,
objectified. robert mapplethorpe,
patti smith nude, madison, skin, isa jacob, couples, charles ray, donat, melissa
mattos,
to corinne day,
madison,
tribute
marco van rijt
> cover boy: jo達o zavaski @ joy photographed by hugo toni
the boy with the thorn in his side Sent from my iphone,
ipad, blackberry, whatever > Hide quoted text u_mag/september2010
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SORRY FOR THE DELAY, HERE’S THE FULL CONTENT, ANY DOUBT, PLEASE FEEL FREE TO ASK US. X
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CONTENTS 2-3 FAKE ADVERTI ATTACHMENTS 8-11 FAKE ADVERTI by MARCO VAN RIJT 14& JOAO ZAVASKI by HENRIQUE TANK_creative 41 objectified by donat MALA MCDONALD 56-77 86-93 ANTONIUS BLOCK BY MADISON 93-107 MARINA BY ISA JACOB 112-125 page 02
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ADVERTISING_001 4-5 CHARLES RAY 6-7 ADVERTISING_002 12-13 PARIS IS BURNING 27 BRUNA ERHARDT HUGO TONI_styling by direction_IGI AYEDUN_ 2842-55 just kids BY MIAFREY MUDD BY TINTUIC SAYS 94-95 THE LOST BOYS ABRAMOVIC 110-111 NOMI
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Fwd:Charles Ray (born 1953) is
a _____________Los_Angelesbased_sculptor. He is known for his strange and enigmatic sculptures that draw__________ the viewer’s perceptual judgments into question in jarring and _unexpected_ ways. Christopher Knight in the Los Angeles Times wrote that Ray’s “career as an artist…is easily among the most important of the last twenty years.” He is represented by the Matthew Marks Gallery in New York.
++++Early life and education
Charles Ray was born in Chicago. He studied sculpture at the University of Iowa with Roland Brener, who exposed Ray to many of developments of Modernist sculpture, in particular the constructivist aesthetic of artists like Anthony Caro and David Smith. In an interview, Ray spoke of his artistic education and early influences.
“Caro’s work was like a template; I saw it as almost platonic. The formal rules as taught by Brener were a kind of nourishment for me. The actual working in the studio was, in a sense, the expression. I was taught that the finished sculpture was maybe the end of the paragraph. Once a sculpture was completed it was critiqued and put back on to the scrap pile. This way of working taught me to think sculpturally rather than to think about sculpture. At this time in my life the historical context of high Modernism was really beyond my grasp. I saw Caro as super-contemporary. His work was, and is, so alive. It bridges the gap between the inside and outside of my mind.” Ray recapitulated many of the developments in twentieth-century sculpture in his first show in 1971 with an installation entitled One-Stop Gallery. The show consisted of a collection of small sculptures, resting directly on floor. Some of the works, in their attention to materials, were clearly inspired by Minimalist artists like Robert Morris, while two small constructed steel sculptures invoke the traditions taught by his teacher, Brener; they were even painted the same red as Caro’s Early One Morning (1962, Tate Modern). One-Stop Gallery would anticipate the tone for much of Ray’s work to come in its plumbing and reinterpreting of the canon of twentiethcentury sculpture without having his own work appeal to any particular period or style.
Work+++++ Ray’s work is difficult to classify. Style, materials, subject, presence, and scale are all variable. What is consistent is as critic Anne Wagner put it, “In all his seamlessly executed objects, Ray fixates on how and why things happen, to say nothing of wondering what really does happen in the field of vision, and how such events might be remade as art.”[3] This and the level of art historical awareness behind his works has led many critics to call Ray a sculptor’s sculptor. Nevertheless, his art has managed to find a large audience, thanks in part to its often striking or beguiling nature. His most recent work is marked by its extreme labor-intensiveness. With Hinoki (2007, Art Institute of Chicago), Ray had a mold made of a large rotting tree he found in California. He
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wood than that
Charles Ray is the son of Helen and Wade Ray. He has 4 brothers and 1 sister.
Family
you.” Hinoki took four years to carve of what was a ten year project: from the initial discovery of the tree in 1997-1998 to its exhibition in 2007.
there, even if normally it couldn’t be seen. So that was really important. And then I became involved with the outside as well…It mattered to me that somebody had looked at it, and I wanted to make it matter to
have,” he says. “It happens when bugs eat out the hard wood, so you have this hollow thing. All I knew was that I wanted to carve that, I wanted them to have a sense of that interior [of the log] because it’s in
of the original tree. In a forthcoming interview, Ray made it clear that the purpose of the piece was not to photorealistically carve an exact replica of the tree. “The tree had that beautiful interior that fallen logs
then hired a team of Japanese woodcarvers to essentially re-carve the tree in Japanese cypress (hinoki), a different
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(att)ach_ments
Benjamin Alexander Huseby
is a photographer of Norwegian/ Pakistani descent who was born in 1978, and grew up outside Oslo in Norway. He came to Chelsea School of Art in London to study Fine Art in 1997, during which time he began making fashion imagery for Dazed & Confused magazine. Since then he has gone on to work with high-profile stylists including Nicola Formichetti, Katy England, Alister Mackie, Cathy Edwards, Mattias Karlsson and Jane How. He has contributed to i-D, Vogue (US and UK), V, V Man, Another Magazine, Another Man, Pop, Arena Homme + and Self Service. His work has recently been shown at the Whitechapel Art Galley and in solo shows at KunstWerke (Berlin), Fotogalleriet (Oslo) and Dicksmith Gallery (London). Benjamin currently lives in Berlin.
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SARA RAHBAR Is a contemporary artist living and working in New York Sara Rahbar was born in Tehran in 1976, but fled her birthplace during the period of immense upheaval that followed the revolution in Iran and the start of the Iran-Iraq war. This distance, this proximity is developed by the artist, based on memory, longing and inertia in inhabiting tensions of dual disjuncture. Rahbar studied in London and New York, and now spends most of her productive life between Tehran and New York. In this going back and forth, an apocalyptic memory has been revised in her reworking of traditional materials into proto-contemporary textiles and textures of national belonging. The symbol of ideological and nationalistic violence, the Flag, has been one of the main focuses of her collage conversations and contestations. Multiplying the number of possible readings by drawing on heritage provides a diachronic innovation within which interpoetic relations are realizable- both on the level of aesthetic inventions from multiple sources and in how styles and ideas illustrate certain realities- of geographies, of hope and of history. In routing the audience through the multiple spaces that one image can occupy, Rahbar manages to provide a matrix within which a cultural translation and contradiction is articulated. By curating tradition, these beautiful flags attract both the western gaze and allow for an aesthetic dynamism to be exemplified. We begin with attraction and end up being repulsed within the same moment of negotiating her works- in refusing the atrocious to be removed from the works, Rahbar creates a political power that imbues her statement about seeing and being. In one of her recent statements, she states, Our foundations lay, but our houses have burned to the ground. Building castles in the sky, for a species that cannot fly, brick by limb we tear it down. Thinking that we are moving forwards, yet moving backwards all along. Gajar woman and golden toys, we wait for dawn. Even within this contemporary evocation, across borders and palpitating with barbarism, her constant vigilance regarding the fallen past and an unrealized future remain the means of her economic reality and her imagination. The global neighborhood, she inhabits, where disenfranchisement through plight and flight are becoming important, offer fragments by which we understand the configurations of the US version of free trade and democracy. Text Written by: Shaheen Merali u_mag/september2010
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imgae from Horror Vacui
PsychopompÂŤ, 2010 by Marcus Coates.
photography by Germinal
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Pantha du Prince ... the first song was a lullaby for children; another, that men began to make music in order to please the women. Hendrik Weber a.k.a. Pantha du Prince does not worry about such genealogies. For music is always already there, even without humans. On his new album, the producer and DJ, who lives in Berlin and Paris, claims: music slumbers in all matter; any sound, even silence, is already music. The mission, then, must be to render audible what is unheard and unheard of: black noise, a frequency that is inaudible to man. Black noise often presages natural disasters, earthquakes or floods; only some animals perceive this “calm before the storm.” Black noise is something archaic and earthy. Some tracks on Pantha du Prince’s third album—the first to be released on Rough Trade—are based on field recordings and improvisations produced in collaboration with Joachim Schütz (Arnold Dreyblatt Trio) and Stephan Abry (Workshop) in the Swiss Alps.
Roaux
Good Evening«, 1996 by Apsolutno and Aleksandar Davic. Video excerpt.
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> CLOTHING: MODEL OWN MODEL: SIMON NYGARD @ ANGELS & DEMONS MODEL MANAGEMENT PARIS > > >
PHOTOGRAPHY MARCO VAN RIJT
> > > >
“I always had hopes of being a big star.But as you get older, you aim a little lower. Everybody wants to make an impression, some mark upon the world. Then you think, you’ve made a mark on the world if you just get through it, and a few people remember your name. Then you’ve left a mark. You don’t have to bend the whole world.
I think it’s better to just enjoy it. Pay your dues, and just enjoy it. If you shoot an arrow and it goes real high, hooray for you.” says Dorian Corey
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CLOTHING: MODEL OWN MODEL: SIMON NYGARD @ ANGELS & DEMONS MODEL MANAGEMENT PARIS
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> Show quoted text > BEAUTY BY KRISNA CARVALHO > FASHION PRODUCTION BY FELIPE MIGUELE> MODELS: BRUNA ERHARDT (WAY) & JOAO ZAVASKI (JOY)
Everybody scream when i kiSsed mY Sister (...) yesterday i faLL iN love With him 09:38 PM photography by HUGO TONI styling by henrique tank and creative direction by igi ayedun
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all clothes by colcci
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all clothes by RESERVA
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all clothes by LEVIS LIMITED EDITION
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all clothes by JOAO PIMENTA
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HE WEARS REVERSA AND SHE WEARS JOAO PIMENTA
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HE WEARS PANTS RONALDO FRAGA AND BRUNA MARCELU FERRAZ
JACKET, RONALDO FRAGA AND Ankle boots, STUDIO TMLS
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JOAO WEARS BODY
ACERVO CAOS AND BRUNA DRESS BY CARLOTA JOAKINA
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BRUNA WEARS MARCELU FERRAZ
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ALL CLOTHES BY TNG AND ANKLE BOOTS BY STUDIO TMLS
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Styling: Melissa Matos (Trusst Club) Hair/Beauty: Jessica Cohen Model: Raphaelle (Next) Assistant stylist: Ximena Becerra
Photographed BY Donat
objectified
Objectification is the process by which an abstract concept
is treated as if it is a concrete thing or physical object. In this sense the term is synonym to reification. IMG_8506.jpg - Hat, Beacon’s Closet; Collar, PowerHaus. page 042
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IMG_8578.jpg - Head piece, PowerHaus
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IMG_8665.JPG- Finger glasses, PowerHaus; Shirt, Acne; Necklace, PowerHaus
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IMG_8799.JPG - Head piece, stylist’s own; Shirt, Acne; Necklace, PowerHaus
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IMG_8707.JPG - Head piece; stylist’s own; Fringe bangs, Andrew Ly; Shirt, Acne; Necklace, PowerHaus
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IMG_8851.JPG- Glasses and head piece, Melissa Matos; Shirt, Acne; Necklace, PowerHaus
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IMG_8649- Head piece, Dane Richards; Shirt, Acne; Necklace, PowerHaus
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IMG_8597.JPG - Head piece, stylist’s own
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IMG_9052.JPG - Full look, stylist’s own; Shoes, Browns
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IMG_8953.JPG - Dress, Melissa Matos; Leggings, Wolford; Shoes, Browns; Bracelet, stylist’s own
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IMG_9182- Shirt, Acne; Harness, PowerHaus; Pants, Shoes, Rad Hourani;
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Stylist: Katherine Polk Hair & MUA: Patricia Iglesias Models: Laura & Aris @ Fusion Models
“Take me now baby here as I am Pull me close, try and understand Desire is hunger is the fire I breathe Love is a banquet on which we feed Come on now try and understand The way I feel when I’m in your hands”
photography by Mia-Mala McDonald
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in front of Chelsea Hotel Laura Bra: Charlotte Ronson Leather Jacket: Charlotte Ronson Pants: ADAM Adam Lippes Shoes: Pedro Garcia Aris White Shirt: Trovata Jeans: Billy Reid Belt: HTC. Hollywood Trading Company. Red Leather Jacket: General Idea Shoes: Florsheim by duckie brown Jewelry: Bangle and dog tag necklace: Chrome Hearts
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Aris: Chrome Hearts and Robert Maplethorpe limited edition scarf, Lost Art Leather Pants Laura: ChoCheng Dress
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LauraSweater: Shipley & Halmos
ArisSweater: Billy Reid Leather Pants: Lost Art Jewelry: Bangle and dog tag necklace: Chrome Hearts
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LauraSweater: Shipley & Halmos
ArisSweater: Billy Reid Leather Pants: Lost Art Jewelry: Bangle and dog tag necklace: Chrome Hearts
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ArisMatthew Ames Blk Leather Jump Suit Shoes: Billy Reid Booties Jewelry: Bangle and dog tag necklace: Chrome Hearts
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ArisMatthew Ames Blk Leather Jump Suit Shoes: Billy Reid Booties Jewelry: Bangle and dog tag necklace: Chrome Hearts
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LauraTop: Kimberly Ovitz Leather Necktie: Timo. Pants: Bibhu Mohapatra Jacket: Kimberly Ovitz Jewelry: Horn Necklace- Sherry
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LauraSweater: Shipley & Halmos ArisSweater: Billy Reid Leather Pants: Lost Art Jewelry: Bangle and dog tag necklace: Chrome Hearts
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Top: Timo. Weiland Jeans: Agave Nectar Belt: Birger by Malene Shoes: Billy Reid Booties Hat: Lost Art Jewelry: Bangle and dog tag necklace: Chrome Hearts
Top: Anne Fontaine Leather Pants: MCB By Malene Birger Jewelry: Bangle and dog tag necklace: Chrome Hearts
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Top: Anne Fontaine Leather Pants: MCB By Malene Birger Jewelry: Bangle and dog tag necklace: Chrome Hearts
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Matthew Ames Blk Leather Jump Suit Shoes: Billy Reid Booties Jewelry: Bangle and dog tag necklace: Chrome Hearts
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LauraTop: Anne Fontaine Sequin Pants: Twenty Cluny Leather Neck Tie: Timo Weiland
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LauraCream Dress: ADAM by Adam Lippes Leather Jacket: Provider Shoes: Pedro Garcia
ArisShirt::Bespoken Pants: Robin Shoes: Pedro Garcia Jewelry: Bangle and dog tag necklace: Chrome Hearts
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LauraWhite Tulle/Green Dress: Cho Cheng
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LauraPink Dress: Cho Cheng
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Bra: Charlotte Ronson
Leather Jacket: Charlotte Ronson Pants: ADAM Adam Lippes Shoes: Pedro Garcia
Aris-
White Shirt: Trovata Jeans: Billy Reid
Belt: HTC. Hollywood Trading Company.
Red Leather Jacket: General Idea
Shoes: Florsheim by duckie brown
Jewelry: Bangle and dog tag necklace: Chrome Hearts
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Ruffle Shirt: Anne Fontaine Sequin Jacket: Farah Khan Pants: Shipley & Halmos Shoes: Pedro Garcia
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Tulle Skirt: Chocheng Jacket: Twentycluny Shoes: Lace up Booties- Malene Birger.
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> Show quoted text - Post production: Olga Lirfon’s Model: Frey Mudd @ Red Models Clothes: LIRFON’S @ Larapixie Accessories: Designed by Frey Mudd
Photography BY Michael Tintiuc
Meanwhile night falls into regions and if we could just see faster we could watch everything FREY MUDD page 086
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“ shall remember t lence, the twilight, berries, the Your faces in light. Mikael with his lyre. to remember shall carry ry carefully as if it were ful of fresh be a sign to me, ________sufficiency page 094
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this moment: the si, the bowl of strawbowl of milk. the evening asleep, Jof I shall try our talk. I this memoin my hands a bowl brimmilk. It will and a great y. � says Antonius Block
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> Show quoted text > Models: Dylan@Republicmen and Wick@TonyJonesMM. MUA: Dirk Ploeg. Photograpy Assistent: Astrid Van Sterkenburg. Special Thanks: SPRMRKT, Cream PR, Soepboer&Stooker >
PHOTOGRAPHY MADISON STYLING MITCHEL VERBOND
“Now you know_ what we are, now you know_what you are. You’ll never {grow old}, Michael, and you’ll never die. But you must feed!” says David 10:56 AM
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Jacket: Realitystudio Shirt: Miharayasuhiro
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Jacket: Blank Label
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Singlet: Damir Doma, shirt: Ted Baker, jeans: Bluenotch
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jacket: Acne Shirt: Bas Kosters Pants: Isaac
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Fur jersey: Nonbykim, Boots: Nobrand
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jacket: Ted Baker Pants: Acne Shoes: Footwork
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Left Pants: Nonbykim Above Shirt: Diesel
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“The experience I learne decision to the public, felt really violated: the rose thorns in my stom the gun at my head, and It created an aggress
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ed was that…if you leave you can be killed.” ... “I ey cut my clothes, stuck mach, one person aimed d another took it away. ssive atmosphere. After exactly 6 hours, as planned, I stood up and started walking toward the public. Everyone ran away, escaping an actual confrontation.” says Marina Abramovic u_mag/september2010
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> Show quoted text >Styling Nestor Make & Hair Mette T / Unique Look Model Nomi / Gossipmodels Photographers Assistant Kazuma Kagawi Retouch Munzer Hodayfa / Wetouch Studio The Lab Thanks to Emil & Shai All clothes Noir showpieces and Bllack Noir
“For a french man It’s very difficult to explain But What can i do I like your body your eyes Baby blue” says Serge Gainsbourg PHOTOGRAPHY BY ISA JACOB
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“I made of myself somethin what I could make of myself tume that I wore was all wro for someone I was not and When I tried to take off the When I took it off and looked in the mirror, had grown old, I was drunk, and I didn’t know how to put on the costume that I had not taken off. I threw the mask away and slept in the dressing room As a dog tolerated by the management because he’s harmless. And I’m going to write this story to prove that I’m sublime.” says Fernando Pessoa, artwork, dash snow page 0126
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ng beyond my knowledge, And I failed to do. The domino cosong. They immediately took me d I didn’t deny it, and I was lost. e mask,It was stuck to my face. I
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