The Magazine for LEGO® Enthusiasts of All Ages! Issue 45 • May 2017
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Anuradha Pehrson’s Pyke Castle! Fernanda Rimini’s Microscale Models! Breann Sledge’s Bionicle Builds!
Birgitte Jonsgard’s LEGO Art!
Instructions and MORE!
ISBN-13: 978-1-60549-075-5 ISBN-10: 1-60549-075-X 50895
9 781605 490755
Spotlighting Female LEGO Builders!
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Issue 45 • May 2017
Contents
From the Editor........................................................2
News To the Batmobile!...................................................3
People Female Builders Spotlight: Introduction....7 Fernanda Remini....................................................8 Birgitte Jonsgard..................................................13 Deborah Higdon.................................................18 Anuradha Pehrson..............................................23 Suzanne (Rich) Eaton.........................................28 Terri Landers...........................................................33 Breann Sledge.......................................................36
Building One Brick, Two Bricks, Red Bricks ,Blue Bricks!...................................40 You Can Build It: Sneetch!................................................................46 Godzilla Strikes!....................................................49 BrickNerd’s DIY Fan Art: Camera Dolly......................................................52 You Can Build It: MINI U-Wing.......................................................58 Minifigure Customization 101: Philanthropic Endeavors..............................62
Community R ob Coleman: Bringing The LEGO Batman Movie to Life......................................66 Community Ads...................................................78 Last Word.................................................................79 AFOLs........................................................................80
From the Editor: May 2017 Issue 45
Publisher John Morrow
Editor in Chief Joe Meno
Photography Editor Geoff Gray Proofreader John Morrow
Japanese Bureau Editor Nathan Bryan West Coast Editors Todd Kubo Ashley Glennon
LEGO Ideas Correspondent Glen Wadleigh
Contributors: Jared Burks, Anuradha Pehrson, Fernanda Remini, Birgitte Jonsgard, Deborah Higdon, Suzanne Eaton, Terri Landers, Breann Sledge, Kyle Keller, Kelvin Low, Rob Coleman, Tommy Williamson, and Greg Hyland. Many thanks to the websites who have served as mirrors for BrickJournal:
We’re going all over the place in this issue—which is an indicator of how much the hobby has expanded. It wasn’t too long ago that the only Batmobiles came from the DC comics and movies. It wasn’t too long ago that BrickJournal focused on the LEGO hobby only. It wasn’t too long ago the magazine only had one or two sets of instructions. It wasn’t long ago that I was asked on a visit to Billund about how to make LEGO more appealing to girls. And it wasn’t too long ago that we only had one female builder in a BrickJournal issue. This issue shows how far things have changed since BrickJournal started. The community has grown in all directions along with the company. And with this growth, more people have joined and made their own niche. BrickJournal has done spotlights on Steampunk, Space, and Robotics, so now is the time to spotlight another expanding group: Female builders. It’s been a bit overdue. Build on! Joe Meno, Editor P.S. Have ideas or comments? Drop me a line at admin@brickjournal.com. I’m open to suggestions and comments and will do my best to reply. P.P.S... Yes, BrickJournal has a website — www.brickjournal.com! Twitter? Yep, there too — http://twitter.com/brickjournal. Facebook? Yup — http://www.facebook. com/group.php?gid=58728699914&ref=mf. Or you can scan the bottom codes with a QR reader! P.P.P.S. If you want info on a subscription, you can go to: http://twomorrows.com/ index.php?main_page=product_info&cPath=78&products_id=616 or scan below! Website
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About the Cover: Pyke Castle, by Anuradha Pehrson. Photo provided by Anuradha Pehrson. About the Contents: A view of Snugburg, a town layout by Birgitte Jonsgard. Photo by Birgitte Jonsgard.
Glossary AFOL (Adult Fan of LEGO) AFFOL (Adult Female Fan of LEGO) TFFOL (Teen Female Fan of LEGO) NLSO (Non-LEGO Significant Other) MOC (My Own Creation) TLG (The LEGO Group) BURP (Big Ugly Rock Piece) LURP (Little Ugly Rock Piece) POOP (Pieces—that can be or should be made—Of Other Pieces)
SNOT (Studs Not on Top) LUG (LEGO Users Group) LTC (LEGO Train Club) MECHA (a large armored robot on legs, typically controlled by a pilot seated inside) MECH (a large piloted combat robot) DARK AGES (usually teen years, when you drift away from building) STUDS OUT (building where the studs on bricks face the viewer)
LEGO®, TECHNIC, MINDSTORMS, Belville, Scala, BIONICLE, ExoForce, Mars Mission, World City, and other LEGO theme lines are trademarks of the LEGO Group of companies. All articles, photos, and art are copyright BrickJournal Media, LLC 2011, TwoMorrows Publishing and the respective writers, photographers, and artists. All rights reserved. All trademarked items are the property of their respective owners and licensees. Subscriptions are
$60 Economy US, $70 Expedited US, $97 International, or $23.70 Digital Only and can be purchased at www.twomorrows.com or payment sent to: TwoMorrows Publishing, 10407 Bedfordtown Drive, Raleigh, NC 27614 USA. The editorial/advertising office address for BrickJournal is: BrickJournal Editor, 5610 Briar Oak Lane #510, Raleigh, NC 27612 USA or admin@brickjournal.com. First Printing. Printed in China. ISSN 1941-2347.
BrickJournal and its staff would like to thank the LDraw community for the software it makes available to the community, which we use for making all of the instructions and renderings in this magazine. We would especially like to thank Kevin Clague for his continued upgrades of the LPub tool that is a part of2the LDraw suite. For more information, please visit http://www.ldraw.org.
News
The Batmobile in Detroit.
To the Batmobile: Building the Speedwagon Article by Joe Meno
On January 14, 2017, a new vehicle was unveiled in Detroit at the North American International Car Show. However, it wasn’t an upcoming model or concept car. It was vehicle for an upcoming film The LEGO Batman Movie, due out a couple of weeks later. The vehicle was the Batmobile, or as Batman calls it, “The Speedwagon.” Flanked by children from the local community, the car quickly became a online celebrity with photos and video going viral within hours after revealing it. But how did it get there and how was it made? What is the story behind the Speedwagon? Well, the story starts in Enfield, Connecticut with LEGO Master Builder Erik Varszegi a few months before. In a phone interview, he talked about the model.
Starting Up
The idea to build a vehicle came from Chevrolet, who signed up to be a sponsor for the movie in 2016. Initial ideas for the vehicle were discussed during early summer. Erik explained, “The original concept of the car [with] Warner Brothers and Chevrolet was that it was going to be an actual LEGO representation of one of Chevy’s real cars. It was going to be a Chevy Traverse at first, but tricked out to look like Batman got his hands on it, so it was going to be all in black, and there were going be Batfins and stuff on top of this Chevy SUV, with red windscreens and bats on the tires, maybe even some kind of armor and stuff like that all over the car.” However, it became apparent that the car wasn’t quite LEGO enough. The decision was made to recreate a vehicle from the movie. The problem was that this was before trailers were out for the movie, so there was no clear idea of which vehicle was going to be chosen to be built. Batman has a lot of different vehicles, so Erik needed to know which one to build. To find out, he got some virtual models of the things in the trailers and started asking which vehicle to use. He had to build the vehicle, but in order to do that, he had to know which vehicle was the main Batmobile in the film.
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People
Female Builders Spotlight
Fernanda Rimini What genre or theme do you like to build? At the moment I’m essentially a builder of architecture and microscale LEGO MOCs, but I have built lots of vignettes in the past. How long have you been building? I’ve been building, as an adult, for about 13-14 years now. Tell us a little about your background. I have a degree in Physics and I’m lucky enough to work in research—Nuclear Fusion research, to be precise. But I don’t make bombs. I’m Italian but my job brought me to the UK, the USA, then to France, and now back in the UK. When and how did you start building? I’m a child of the Sixties, so LEGO was the toy of choice when I grew up. I remember building houses; very traditional, red bricks and windows with green blinds. And lights—I had a few precious, transparent bricks with a little light bulb inside, to be connected to a battery. At some point I got the “LEGO family”, so I started building to their size. Then came the Dark Ages and my mum gave my huge box of LEGO away. Centuries later I had kids of my own, started them off with Duplo and LEGO, built with them for a while until I realized that, actually,
Casa Milan
One of my most recent builds, this is the headquarters of the AC Milan Football Club. It happens to be just across the road from my parent’s flat. I followed with curiosity the progress of this building and the result, with its striking stripes in the colors of the football shirts, did not disappoint.
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I wanted to build stuff for myself and not just to play with them. What keeps you going? LEGO relaxes me. It’s challenging without being too stressful. I mean, it keeps my mind occupied and seems to push my worries aside. And it gives me some sort of gratification when I share my MOCs online and people make positive, constructive comments. Why did you pick this/these genres to build? I’ve always been passionate about architecture in the real world. LEGO gives me the freedom to imagine buildings and make them real, although in very small scale. Or to rebuild in LEGO some of the brutalist architecture examples that I find online (I just love the ugly, concrete look of the Socialist/Communist Eastern European period). If you had no limits of time, space or parts availability, what would you build and why? I have recently seen somebody building a microscale reproduction of Copenhagen and, if I had no time/money/space limits, I would like to do the same with my hometown, Milan in Italy. Tell us about your building area/space. I used to squat in a mezzanine in my son’s room. But now that he is a teenager I had to move out and I’ve equipped for my LEGO a corner in what is actually the laundry/storeroom/pantry. Not a lot of room but fairly well organized in terms of storage and light, Internet access—and music! What has the response from your family and friends been to your hobby? My family is very supportive. And they say that my hobby actually helps choosing my presents for birthdays, etc.: they know that an expensive LEGO set
People
Female Builders Spotlight
Deborah Higdon
What genre or theme do you like to build? Predominantly architecture and design, furniture and real-life articles. Tell us a little about your background. I have a degree in Italian literature and English as a second language education. I am now a retired teacher—kindergarten, computer, library, ESL (English as a Second Language). When and how did you start building? I discovered it at age 7 at a family friend’s house and couldn’t get enough. I got a little bit as a child, started buying it for nieces and nephews as an adult, then for myself at age 40, only to discover the online adult community a few years later.
Building Style
Furniture design is sometimes inspired by something I’ve seen (usually on the ’Net), or a particular piece of LEGO. I have drawers of sorted “small bits”, the smallest pieces of LEGO, that usually would not go together in sorting categories, but they’re the size I might need when creating miniature models. Perusing them will sometimes inspire furniture designs, but keeping an eye on styles/eras will also help when creating furniture.
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What keeps you going? Traveling for inspiration and reading design blogs. Wanting to design new pieces, figuring out new techniques to replicate building features, furniture designs, and using pieces in unconventional ways. Why did you pick this/these genres to build? I wanted to be an architect or interior designer at a young age. I was always
interested in design, in form and function, and aesthetics. I didn’t go that way in my education/career but I explore it a lot with my building. What are your aspirations as far as building goes? I don’t have huge aspirations—I have a long list of ideas, don’t know if I’ll get around to them, just happy to check a few off my list, but new ideas are always getting in the way. I see myself as a modeler—I have always loved miniatures and miniaturism; not the dolls, just the structures and the bits that go with them. It’s probably the reason I don’t care for minifigs, though I like building in minifig scale. I never think about setting up a diorama, an action scene; there is rarely anything going on in my MOCs. If you had no limits of time, space or parts availability, what would you build and why? I like the idea of creating organic space with a very non-organic material. It would be nice to replicate the Gardens of Versaille to scale—buildings, gardens, waterworks. I don’t really have huge aspirations that way. I’ve thought about replicating furniture at human scale, but it doesn’t seem to be all that much of a challenge—the bigger the scale, the easier it seems to be. I prefer modeling in miniature. I’d love to do the completely mechanized opening of Game of Thrones. That will never happen, I’m not committed enough to building giant things—I don’t think I have the attention span, and I like to travel too much to spend that much money on a MOC. Tell us about your building area/space. I have a dedicated LEGO room/studio—it’s nicely decorated in my favorite LEGO colors (white, dark tan and dark red) and pretty well organized—I used to be a teacher-librarian, so it’s catalogued, inventoried. I sort by usage, and favorites. I sort mostly by part, but then I have a drawer called small bits—which contains a large variety of the smallest parts—because that’s where I’ll go for furniture design, or ornamentation. My tower of drawers with tile are closest to my building table, wheels and car parts the furthest. The building table isn’t big enough but I make it work. Minifigs are thrown in a drawer, their hands pulled off and put into the small bits drawer. Apart from MOCs that are packed in bins in the basement, LEGO does
Chesterfield Set
The newish “brick, modified 1x1 with scroll” instantly made me think of the old scrolled wooden legs of chesterfields, so I used them to create the tan sofa from this set. I wanted that sofa/chair combo to have soft, shallow curves so the “slope, curved 2x2 no studs” had the right radius. Making the ends of the sofa was much easier than figuring how to get the seat back attached. All the newer bracket styles and SNOTed bricks help to point pieces in the right direction. This type of furniture is usually very delicate, being held together precariously with only 1 or 2 connections, but the wanted style is achieved. The matching bookcase comes from the desire for thin shelving, and the older style panels with the thinnest smooth surface are ideal and a technique I use often in different configurations.
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People
Female Builders Spotlight
Suzanne (Rich) Eaton What genre or theme do you like to build? I like a wide range of stuff—from DUPLO to robotics. I’ve modeled town/train, castle, etc. and built mosaics, sculptures and games. I love Steampunk, Mecha, and GBC modules, though I’m not as skilled there. I also collect specific things, like: Technic motorcycles and LEGO Dacta (educational) sets. My three latest MOCs are Friends-themed, only because I was entering the LEGO Rebrick “Best Friends” contest. Next, I might build some hand-cranked automata. Tell us a little about your background. I have a degree in art and have worked as an illustrator and magazine designer. One of my clients, actually, was LEGO Futura (R&D) in Boston. When media publishing went online, I taught myself how to build websites and worked at Last year, when I heard about the LEGO Rebrick “Best of LEGO Friends” contest, I felt super motivated to enter. I hoped I might have a shot at winning because there aren’t too many people building in that theme and the AFOL events I planned to attend would each be picking a semi-finalist. In actuality, there were many excellent entries and winning at events wasn’t simple. But the contest did give me a “mission” and motivated me to finish my models, which is normally my biggest hurdle in creating MOCs.
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Once I settled on a concept, I built three giant Friends accessories in LEGO Digital Designer (there was also a spray-bottle in medium azure). I was checking to see if convincing replicas were possible at human scale, given part availability in the Friends color palette. Once satisfied, I started placing BrickLink orders. It took a few months (and more money than I’d like to admit), but I finally gathered all my supplies and it snapped together easily. Making the comb “usable” however was a challenge. A core of stacked plates adds strength and works pretty well. It’s been passed around to many people at events, but hasn’t broken yet!
a dot-com company. Soon after, my then-partner (Todd Lehman) and I turned our LEGO hobby into a full-time business at home. I attended grad school for educational technology and worked in the MIT Media Lab, where LEGO was a sponsor of our research. In more recent years, I’ve been focused at home, on my family. But, now that our son is in school, I’m getting back into the hobby— building, exhibiting, and contributing reviews to the Friends Bricks community. What is your story of becoming a LEGO builder? As a kid in the ’70s, I had LEGO I played with. My parents bought me homemaker-type sets, but then I took over my brother’s town stuff and asked for Classic Space when it was launched. In college, I dabbled with LEGO a bit, as an art medium, while working on my BFA. But I didn’t really get heavily into buying and building until I had the regular income that comes with a career. Then, once I saw 9v trains (in the model railroad section of a TRU), I was hooked. That was in... probably ’94. Around the same time, I discovered rec.toys.LEGO and met up with other fans in my area. What keeps you going? My local club, NELUG (New England LEGO Users Group), really motivates me. I love getting together and we have a steady flow of events throughout the year. They’re my best friends and are definitely “enablers” in my LEGO habit. Other things that keep me going: showing my work at BrickFair, entering contests, talking with kids about what I do, and viewing others’ amazing creations. Why did you pick this/these genres to build? If there’s a running theme in what I build, it may be “hands on” or “community.” I like the social aspects of making things with other people and of building objects that folks can interact with. At BrickFair Virginia last summer, I made a human-scaled figure accessory (a big purple Friends comb) which people could handle and pose with. I really enjoyed sharing that experience. I’ve also made a working Lite-Brite and a Settlers of Catan game for friends to play with. And probably the MOC I’m most proud of (which wasn’t even built of LEGO) was LUGNET; a community. So perhaps, when it comes to this hobby, I thrive on interaction—which is funny because really, I’m an introvert. If you had no limits of time, space or parts availability, what would you build and why? One of my favorite LEGO experiences ever was when I helped build a
Friends Chess Set
The chess set came about because I wanted to work on a project with my husband (fellow AFOL David Eaton) where we each had separate clearly defined assignments, but our MOCs would function and display together. Our chess board is modular. It splits in the middle and each side has its own “team” and decor along the edge. David built a wonderful Elves chess set to battle with my Friends. It was a great collaboration and we hope to build additional themed sets in the future. For many evenings, we’d peek in on each other’s work, spurring the other on. I enjoyed telling a little story on each of my 6x6 vignettes and decorating my half of the board. Mainly I focused on representing the breadth and depth of the Friends line, but the pieces do have enough chesslike visual qualities to make it a playable game.
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People
Female Builders Spotlight
Breann Sledge
What genre or theme do you like to build? Bionicle/Technic. How long have you been building? Since 2004.
Tell us a little about your background. I got through high school and took a couple courses in college, but decided to pursue the trade of violinmaking instead, of which I worked as an apprentice and assistant for about ten years with John Osnes, a violinmaker in Anchorage. I built two violins and a viola under his tutelage. Currently I work as a captain on a 90’ salmon tender, collecting salmon from the fishermen in Prince William Sound, and taking the fish to the cannery in Seward. I do this in the summer, and process other fish for the same cannery in the winter months. I do artwork and sell collectibles on the side. Lately I have gotten into sculpting dinosaurs and other prehistoric creatures. It is a fun side hobby, and people really like my creatures. I also paint watercolor paintings of fishing boats. I really like to recreate old black and white historic photographs into full color paintings. The resulting painting often has enough realism to fool viewers into thinking it is an actual photograph until they get up close and see it’s a painting.
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What is your story of becoming a LEGO builder? When and how did you start? I bought my first Bionicle box at a garage sale, thinking they would make a neat little stop-motion movie. Komodo I ended up getting about $300 worth Komodo is one of the largest of sets for $35. It’s what started my creations I have made, rivaling the Bionicle affliction. size of a medium/small dog. Tail After obtaining my first LEGO haul in and neck outstretched, it measured the fall of 2004, I started making small over 5’ long! It suffered damage from figures and little stop-motion movies. being transported to a museum for I started to get into the Bionicle a show and is currently undergoing story and read the books. It’s quite a a rebuild. It took approximately compelling story once you get past two years to complete this creation, the first four books. I started to build working on and off on it, while also larger creatures and then discovered dealing with a move to a new home the BZPower Bionicle forum. I joined in the middle of the build.
and really got into building and discussing techniques, and participating in their building contests, and then started looking online. After a bit of time went on, and seeing the amazing builds by Bryce McGlone and many other awesome Bionicle builders of the time, I told myself that’s the kind of LEGO creations I want to make: big and awesome! From there my skills progressed, new parts came out, and I was having a ball! I don’t build as often as I used to, but I still am working on epic creations! What keeps you going? Coming up with new techniques will often start up a building spree. Also, when I take a break from building, and have a parts innovation, sometimes that will spur me on to create something new and awesome! I often get lost into a build for days if I am really into it—with my evenings filled with pops and clicks fueled by the strongest of coffees. Why did you pick this/these genres to build? I find Bionicle and Technic satisfies my love for making my own action figures. It’s a lot more forgiving than building with bricks alone, and offers up some unique solutions for making really organic looking creations. It works well with the way my mind imagines and creates things. I really enjoy the flexibility, and the visual texture of the parts. What are your aspirations as far as building goes? I build for the enjoyment of it. I was a little more competitive in my younger days, but it was always for the fun of building something cool to play with and display. My main love is building Rahi creatures versus building Toa humanoids or mecha robots.
Kanohi Vikora, Mask of Regeneration
Built for a competition put on by the LEGO group to win a one of a kind solid gold Bionicle mask of Creation. It didn’t place in the finals but got an honorable mention. The base frame was built to fit my head, and I built it from the face to the back of the skull, maintaining even color usage while creating unique and organic patterns to represent regrowth and new life and vitality. It’s the first truly serious wearable creation I have made that is 100% LEGO pieces.
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Community
Art and Design: Sunrise Concepts Painted Over Model of Gotham City
Rob Coleman: Bringing The LEGO Batman Movie to Life! Article by Joe Meno
Rob Coleman served as the Animation Supervisor on The LEGO Batman Movie at Animal Logic. Before that, he worked at Industrial Light and Magic and Lucasfilm Animation for 14 years doing visual effects for Dragonheart and the Star Wars prequels and Men in Black. For The LEGO Batman Movie, he was responsible for the animation staff. You could regard this movie as one big computer art effect, and Rob was the one that kept the art running. BrickJournal talked to him by phone about the movie and LEGO. It’s not too often that an interviewee is as candid and informative as Rob was, so this talk (in the space of 45 minutes) was not only educational, but also fun! Unfortunately, this also meant that the interview is longer than the pages assigned to it in the magazine, so it was split. This is one of the interviews, but both can be read separately. The interview series was by editor Joe Meno, who was interested in not only how The LEGO Batman Movie was made, but also Rob and his staffs’ contributions. Most of his answers can only be described as enthusiastic geeking punctuated by laughter. It turns out that when I was contacted and told who I was going to interview, I wasn’t familiar with Rob Coleman at all. This led to a slightly awkward beginning to my talk when I explained this to him. Rob’s question was, “All right, so what did you find out?” “I found out that you are an Animation Supervisor—” “That’s right!” he confirmed. I continued and went straight to the interview: “—which is pretty cool. You also worked on The LEGO Movie, so my first question would be: Were there any big differences between the movies?” Rob’s answer was the first of many extensive and fascinating responses:
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Yes, there actually were. In The LEGO Movie, the challenges initially were and the concerns from the studio were: would the audience
engage with and believe in little LEGO characters coming to life? Would we feel empathy for them? Would we go on the journey with Emmett? A lot of our concerns and work was in the facial animation. We were pretty sure early on that the frenetic action and the big set pieces, as we call them, from the big action scenes played really well, but we were worried about the emotional throughline of the film. After The LEGO Movie, we realized that the human audiences are very happy to project themselves onto the characters and they do feel empathy… even for little characters that have a couple of black dots for eyes and a little stroke of black for the mouth! They were very happy to go along with Emmett and feel for him when he found out that his crew of creative coworkers didn’t really remember who he was or didn’t think he was a criminal mastermind. So when it came to making The LEGO Batman Movie, we had established the style of animation, what I call ‘emulated stop-motion’ because we’re trying to make it look like we’re animating real LEGO bricks, but we’re all doing it in computer animation. So, I think stylistically, we knew what we were doing, but we knew that Batman came with 75 years of history and had a huge fanbase out there. Rob then continued by focusing on one aspect of Batman’s story: his city, Gotham City. The LEGO Batman Movie started out with the writers, the director, and the production designer trying to capture Gotham City, which is really a character onto itself, in LEGO. We built Bricksburg for The LEGO Movie, which was pretty awesome when we looked at it, and we could fly around it in the computer and look at all the buildings. It was pretty
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