Image: Paul Tadday
AUSTRALIA
CAT HOPE
SPEECHLESS 26 FEB – 3 MAR 2019 SUNSET HERITAGE PRECINCT
A PERTH FESTIVAL CO-COMMISSION WORLD PREMIERE Produced by Tura New Music
Image: Paul Tadday Pictured are the hands of the four soloists, Tara Tiba, Sage Pbbbt, Judith Dodsworth & Karina Utomo.
SPEECHLESS SUNSET HERITAGE PRECINCT Tue 26 Feb - Sun 3 Mar 8pm Duration 70mins
In 2019 Perth Festival presents seven world premieres of daring new work by Western Australian companies co-commissioned by the Festival and proudly stamped MADE IN WA.
Post Show Panel Discussion Tue 26 Feb 9.10pm Post Show Conversation Sat 2 Mar 9.10pm
We invite our audience and visitors from across the country and around the world to our Festival city to discover the brilliant work being made here in Western Australia.
Wheelchair accessible Please note: Contains smoke or haze effects, strobe lighting and loud sounds
Commissioned by Tura New Music and Perth Festival
PERTH FESTIVAL 08 6488 2000 perthfestival.com.au Artistic Director Wendy Martin Executive Director Nathan Bennett Perth Festival Board Chair John Barrington
Perth Festival and Tura New Music acknowledge that our events take place on the lands of the Noongar people.
LOOKING FOR SOMETHING TO DO AFTER THE SHOW? Wind up or down and grab a drink and bite to eat with artists, friends and strangers at the onsite Sunset bar or one of our Festival hubs.
CHEVRON GARDENS
at Elizabeth Quay Kick back under the stars to enjoy late-night DJ tunes Thursday–Sunday.
BAR UNDERGROUND
Venture down below at the State Theatre Centre and slide into the late-night world of Perth Festival open every night until late.
CREDITS An Opera Composed & Devised by Cat Hope Soloists Judith Dodsworth, Karina Utomo, Tara Tiba, Sage Pbbbt With Australian Bass Orchestra & Decibel New Music Ensemble Cello Tristen Parr, Anna Sarcich, Miranda Murray-Yong, Stephanie Jeffries, Cameron Wright Double Bass Phil Waldren, Sarah Claire, Ebony Lim, Djuna Lee, Joshua Cusack Electric Bass Leon Ewing, Theo Bird Bass Flute Kirstin Smith, Emily Clements Bass Clarinet Oliver Crofts, Eljo Agenbach, Shoshana Rosenberg Contra Bass Clarinet Lindsay Vickery Contra Bassoon Stephanie Sheridan Euphonium Natalie Mandry, Cameron Harries Bass Trombone Rob Coleman, Ewan Potter Tuba Steven Harmer, Wafi Zainal Drums Tina Havelock Stevens Percussion Louise Devenish, Carissa Soares Harp Catherine Ashley Piano Gabriella Smart Electronics Stuart James Soloist Understudies Caitlin Cassidy & Rachel Singer Musical Director Aaron Wyatt Assistant Director Rakini Devi Sound Designer Guy Smith Lighting Designer/Scenography Matthew Adey Lighting Design realised by Andre Vanderwert Costume Designer Alex McQuire Hair & Makeup Consultant Steph Elkington Produced by Tura New Music Producer Annalisa Oxenburgh (Tura New Music) Production Management Tracey Shaw, Tristen Parr, Guy Smith Stage Manager Sue Fenty Studham Deputy Stage Manager Laura Boynes Production Assistant/Lighting Board Operator Ben Nelson Set Construction Tahlia Cole & Tessa Laing
The post show panel discussion on Tue 26 Feb includes Cat Hope, social justice lawyer Melissa Parke and Amnesty International Regional Campaign Organiser for My New Neighbour Claire Birch Acknowledgments The 2017 workshop of Speechless, produced by Tura New Music, was held in Port Adelaide with the support of Development Partner Vitalstatistix. Enormous thanks to Wendy Martin, Anna Reece, Jessica Darlow, Stephen Bevis, Georgia Malone, Fiona Smith, Ellie Murray-Yong, Andi Lawson-Moore and all at Perth Festival; Dan Little, Jasmine Romeo, Joanne Vinci and Paul Vallerius; Deborah May, Sally Richardson, Alice Hui Sheng Chang, Kusum Normoyle, Jazmine Hope-Scuderi, Dan Thorpe, Emma Webb and the team at Vitalstatistix for the 2017 Adelaide workshop; Amanda Morrison, Roslyn, and Komixx Perth office; Ella McNeill and the Minderoo Foundation; Becky Chilcott and Betty Richards at Chil3; Nimrod at Kazoomies; Vanya at Cullen Wines; Megan Salmon; Paul Tadday, Peter Baker, Karl Ockelford. Speechless will be supporting the following charities during the Perth Festival season: Amnesty International
action.amnesty.org.au/donate We call out injustice, wherever it happens, and work together with people just like you to stand for human dignity- we believe that together, we can create a world where the most basic human rights are enjoyed by all
The Centre for Asylum Seekers, Refugees and Detainees (CARAD)
givenow.com.au/caradappeal The Centre for Asylum Seekers, Refugees and Detainees (CARAD) is an independent, not-for-profit organization that represents a community of people who support the rights of asylum seekers, refugees and detainees in Western Australia.
Tura New Music Founder & Artistic Director Tos Mahoney Executive Director Annalisa Oxenburgh Artistic Program Manager Tristen Parr Marketing, Development & Program Coordinator Anna Sparkes Development Liesbeth Goedhart iMprov Coordinator Josten Myburgh Archive Jameson Feakes Accounting Richards and Co. IT John Patterson Marketing Design Chil3 Media Tracy Routledge Social Media Rachel Davison Patron Wayne Martin AC Board of Directors Gavin Ryan (Chair) Rod Campbell (Treasurer) Simon Dawkins Robyn Johnston Justine Lawler Dominique Monteleone Helen Symon QC
Tura thanks the following for their support of this production: The Bux Foundation, Melissa Parke and Warwick Hemsley. And the At the Heart donors, helping to put women at the heart of Tura’s programming: Irene Lawson and Brendan Kissane, Feilman Foundation, Katrina Chisholm, Zelinda Bafile, Mariana Atkins, Ros de Souza, Helen Rusak, Elizabeth Fong, Emily Green-Armytage, Anonymous. Tura New Music is also generously supported by the Rowley Foundation, Helen Symon and Ian Lulham, Debra Knight, Joan Spiller and Philip Yetton, John Barnier, Carl Erbrich and a host of other generous donors. Tura’s Annual Program and Speechless are supported by the State Government through the Department of Local Government, Sport and Cultural Industries, in association with Lotterywest and The Australian Government through the Australia Council, its arts funding advisory body. Tura acknowledges the Western Australian Academy of Performing Arts at Edith Cowan University, CCA Productions, Elite Audio Visual Productions, One20 Productions, and Audio Technik. Tura Corporate Partners:
tura.com.au
Tura New Music Established by founder and artistic director Tos Mahoney in 1987 as a producer and champion of new music and the sonic arts, Tura New Music is a multi-award-winning Australian arts organisation. With its expansive range of city-based and regional programs, Tura works with both high profile and emerging artists to ignite the disruptor in music through artistic risk and discovery. Tura is not about the conventional or the expected, but rather what can be born from nurturing daring and embracing boldness. Due to the diversity of its programs, in designing them, Tura provides an arena for the constant development of globally significant artworks that reflect Australia’s energy, diversity and sense of place. In doing this, Tura creates an essential pipeline for Australian new music and the sonic arts. Tura paves the way for exceptional and curious encounters with unique sound worlds.
A NOTE FROM THE COMPOSER I have been concerned about what processes our elected Australian government apply to asylum seekers coming to Australia, the attitudes they have toward Indigenous communities, the apparent disregard for the equality of women and those suffering domestic violence. These are groups who, as a result of being spoken for by others, are left without a voice in the decisions affecting their lives. I started to question what I could possibly do, as an artist, in the face of these issues. I believe music can be a conduit for contemplating difficult subjects, responding to them in a different way than a news report, overcoming the communication limits and barriers of words or the cold realism of a photograph. Opera is a large-scale, multimedia yet music-based form that has proven a historically successful medium for transmitting stories throughout history. I believe it can represent the stories of my time too, in a way that is poignant and relevant to us today, using musical materials familiar to most of us. Whilst I have retained the humanist dilemma at the core of opera – and its framework of overture, arias, recitatives, interludes and music driven action – I have applied them to a more diverse range of musical and performative approaches more familiar to my own practice. Witnessing the politicised response to the Human Rights Commission’s 2014 report ‘The Forgotten Children: National Inquiry into Children in Immigration Detention’ inspired me to use it as a libretto for my opera about voicelessness. But rather than setting the words in the 315-pages to music, as one would normally do in an opera, I extracted source material from the report to create a graphic score. I copied and manipulated colour schemes, drawings, tables, photographs and and even the graphic design of the report to create the score, leaving the
singers without words. In this way, the score provides both the libretto and music score simultaneously. The musicians, and as a consequence, the audience, re-read this report through my adaptation of it into music. The colour scheme of the set and costumes is drawn from drawings in the report, and the directorial approach references migration, government facilities and formalities, adapted possessions, historical turning points and the seeking of objects for comfort, contrasted with an installation based approach to scenography. I was keen to write the opera for the Australian Bass Orchestra, who only play notes in the low end of the sound spectrum. Low frequency sound is quite unique when isolated from other frequency ranges – it has a warmth and depth that can be felt in the body, creating a physical response to the music for the listener, strengthening engagement with the thematic material. Members of the local community are involved in each performance, so that their own voices become part of the work. The orchestra is made up of musicians from Perth and surrounds. A Noongar man is the music director. Engaging vocalists and local community choirs with radically different stylistic practices give the opera a contemporary sound. There are short moments where the performers improvise freely, offering them an opportunity to highlight their own musical language. Music’s power is in the abstract. It is not my intention to speak on behalf of anyone – rather, I have used music to describe my personal response to one of the great humanitarian crises of Australia today. Cat Hope
BIOGRAPHIES Cat Hope Composer & Director Cat Hope is a composer, performer, songwriter, noise artist and researcher. Her work as the artistic director of Decibel led to her being awarded the APRA|AMC Award for Excellence in Experimental Music in 2011 and 2014. She has been a resident at the Peggy Glanville Hicks composers house, as well as at Civitella Ranieri and the Visby International Centre for Composers. She is also a Churchill Fellow. Her work has been discussed in books such as Loading the Silence (Kouvaris, 2013), Women of Note (Appleby, 2012), Sounding Postmodernism (Bennett, 2011) as well as periodicals such as The Wire, Limelight, Neue Zeitschrift für Musik Shaft and Gramophone Magazine, who called her ‘one of Australia’s most exciting and individual creative voices’. Her monograph CD on Swiss label Hat Hut won the German Record Critics prize in 2017. An advocate for Australian music and gender diversity, she is also the co-author of Digital Art – An Introduction to New Media (Bloomsbury) and Professor of Music at Monash University.
Karina Utomo Soloist Indonesian born Karina Utomo is the vocalist for Australian metal band High Tension, with members Matt Weston (The Nation Blue), Lauren Hammel (Tropical F* Storm) and Mike Deslandes (YLVA). High Tension’s critically acclaimed releases have been nominated for ARIA and AIR awards for Best Heavy Album and received The Age Music Victoria Award. High Tension has toured with Refused, Sick Of It All, The Bronx and performed at Laneway, Splendour in the Grass, Download and Dark Mofo festivals. Utomo is a regular fill-in host on Triple J’s metal program ‘The Racket’ and hosts a regular monthly segment.
Judith Dodsworth Soloist Judith Dodsworth has come to be regarded as one of Australia’s finest interpreters of contemporary vocal repertoire. A graduate of the Australian National University and the Australian National Academy Of Music she has a Masters degree in performance from the University Of Melbourne and has studied in Vienna and London, including with legendary new music soprano Jane Manning.
Tara Tiba Soloist Tara Tiba is one of Australia’s most distinctive and significant musical voices. Born in Iran and based in Western Australia since 2012, Tiba has been acclaimed as an expatriate trailblazer for her extraordinary voice and repertoire that fuses traditional Persian singing with jazz, latin, contemporary and experimental music. Prohibited from performing in public as a female singer Tiba released her debut album, A Persian Dream, in Australia in 2014. Since then she has toured extensively internationally with shows including at New York’s The MET, National Auditorium of Madrid and the 2016 Perth Festival opening event Home and Siren Song in 2018.
Sage Pbbbt Soloist Sage Pbbbt’s singing practice takes inspiration from Tuvan and Mongolian overtone singing, Inuit throat singing, sound poetry and her ongoing exploration of extra-normal vocal techniques. She also draws on industrial musick, trance, and drone; insight meditation practice, urban/industrial shamanism and chaos magick; feminist, queer and trans praxis; and Discordianism. She has performed both as a soloist and in various bands and collaborations for over 17 years.
Australian Bass Orchestra The Australian Bass Orchestra was founded by Cat Hope in 2014. It is a scratch orchestra that comes together from the city where the performance occurs and follows a single manifesto, that states: ‘The Australian Bass Orchestra is a group of bass range instrumentalists from any instrumental group or family that perform scores written for the group. There may be any number of instruments from a minimum of 15. No pitch above middle C (or 262hZ) should be played by the orchestra. Instruments can be established, invented, electronic or acoustic’. Highlight performances have been at the Perth Institute of Contemporary Arts and the Now Now Festival (NSW) in 2014.
Decibel New Music Ensemble Founded in Western Australia in 2009, Decibel are world leaders in the integration of acoustic instruments and electronics, the interpretation of graphic notations and pioneering digital score formats for composition and performance. Decibel have commissioned over 70 new works since their foundation in 2009, have toured Europe, Japan and Australia, recorded for ABC Classic FM and SWR German Radio, and released five albums to date on Australian and international labels. The ensemble has developed and commercialised the Decibel ScorePlayer iPad App, a score reading program incorporating mobile score formats and networked coordination of performance environments, used in the opera. Decibel are Cat Hope (artistic director, flutes, bass), Lindsay Vickery (reeds), Stuart James (electronics, keyboards), Aaron Wyatt (viola), Tristen Parr (cello) and Louise Devenish (percussion).
WE COULDN’T DO IT WITHOUT... Founder
Civic Partner
Principal Partner
International Excellence Partner
Festival Partner
Leadership Partners
Production Partner
Premier Partners
Major Donors ADRIAN AND MICHELA FINI
THE ALEXANDRA AND LLOYD MARTIN FAMILY FOUNDATION
PATRON MAJOR NEW WORKS (ANONYMOUS)
THE MCCLEMENTS FOUNDATION
Major Partners
Hotel Partners
Public Funding Partners
International Government
Department of Education Department of Local Government, Sport and Cultural Industries Tourism Western Australia
SUPPORTING PARTNERS
SUPPORT FOR MADE IN WA
Adams Coachlines Advance Press Aesop Archie Rose City of Perth Library Community Newspaper Group Copyright Agency’s Cultural Fund Digital Loop Mello House Mt Franklin RTRFM 92.1 The Backlot Travel Beyond
Sunset, Le Nor, Speechless & Desert River Sea have been supported by the Australian Government through the Australia Council, its arts funding and advisory body; and the Government of Western Australia though the Department of Local Government, Sport and Cultural Industries. Desert River Sea has also been supported by the Department of Primary Industries and Regional Development and DRINK. DINE. DREAM. PARTNERS the Royalties for Regions program. Sunset has also been Adelphi Grill supported by City of Perth. Hadiqa PATRON ARTIST-IN-RESIDENCE Halford Bar Harvey Leigh’s at Highgate Haven Lounge at The Westin James St Bar + Kitchen Lalla Rookh Long Chim Perth Petition Kitchen Post Santini Grill Sentinel Bar and Grill The Standard Wildflower
Adrian and Michela Fini PATRON EDUCATION Fogarty Foundation PATRON MAJOR NEW WORKS Anonymous PATRON WA ARTS SECTOR DEVELOPMENT Ungar Family Foundation
THE MAGIC FLUTE DONORS MM Electrical Merchandising Mark Clapham and Dr Andrew Mulcahy Dr Sandy and David Heldsinger Fred and Georgina Nagle Michael and Helen Tuite Kathryn Hogan and Graham Droppert Roxane Clayton FESTIVAL CIRCLE DONORS Inspirer $20,000+ Gina and Ben Lisle The McClements Foundation Visionary $10,000+ Eureka Legacy Primewest Prof Fiona Stanley Innovator $5,000+ Maureen Connaughton Warwick Hemsley and Melissa Parke Joan Retallack and Peter Mallabone Linda Savage and Stephen Davis Peter Smith and Alexandrea Thompson Michael and Helen Tuite David Wallace and Jamelia Gubgub Anonymous Donors
Creator $2,500+ Joanne Cruickshank Delys and Alan Newman Gene Tilbrook Grant and Libby Robinson Anonymous Donors Discoverer $1,000+ Jo Agnew Nathan and Elly Bennett The Birman Family Shane Colquhoun and Leigh Cathcart Emma Fletcher David Flynn Brooke Fowles and Dane Etheridge Rosalind Lilley Lynn Murray Rosemary Pratt Kerry Sanderson Margaret and Roger Seares Bonney Tulloch Diana Warnock and the late Bill Warnock Anonymous Donors Explorer $500+ Bernard and Jackie Barnwell Sue Boyd Deborah Brady and Stephen Boyle Coral Carter and Terence Moylan
Tania Chambers OAM and Eddy Cannella Penny and Ron Crittall G and K Donohue Andrew Doyle Gerie and Ole Hansen Greg and Lisa Hutchinson Gillian and Stewart Johnson Janet King Mary-Ellen King and Jackie Dillon Vincent and Fiona Lau Megan Lowe Gaye and John McMath Margaret Whitter Anonymous Donors MEDICI DONORS $5,000+ Adrian and Kath Arundell John Barrington and Fiona Harris JL The McClements Foundation Anonymous $2,500+ Marco D’Orsogna and Terry Scott Megan Enders and Tony Dale Adrian and Michela Fini Griffiths Architects Kathryn Hogan and
Graham Droppert Greg Lewis and Sue Robertson Michael Wise and Kathryn Teale Anonymous Donors $1,400+ Neil Archibald and Alan Dodge AM Zelinda Bafile Robert Bayliss and Simon Dufall John and Linda Bond Anna Ciffolilli Mark Clapham and Dr Andrew Mulcahy Paul and Susanne Finn Andrew and Mandy Friars Derek Gascoine and Dale Harper John Goodlad Julanne and David Griffiths Terry Grose and Rosemary Sayer Mack and Evelyn Hall David and Sandy Heldsinger Janet Holmes à Court AC Jon and Tracey Horton Jim and Freda Irenic Janet and Rob Kirkby Lorton Investments Pty Ltd John and Elizabeth Mair Ian McCubbing Morris-Johnson Family Craig Merrey and
Michael Murphy Fred and Georgina Nagle Dr Walter Ong and Graeme Marshall Zahra Peggs and Anthony Maguire Mark and Ingrid Puzey Véronique Ramén Gary and Jacqueline Steinepreis Tim and Chris Ungar Sharon and Chloe Warburton Murray and Christine Westphal Terri-Ann White Jimmy and Karen Wilson Melvin Yeo Anonymous Donors LEGACY CIRCLE DONORS Anita Clayton Nigel and Dr Heather Rogers Anonymous Donors