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2026 brochure

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TrilithonPartners Connectingthe creationofartto thebusinessof thearts

TrilithonPartners Welcome

Mission

TrilithonPartnersprovides consultingandfree-lanceprogram managementtoartsinstitutionsand totheexecutiveswholeadthem.I understandandservethevital componentsthatcontributetoyour success–includingresearch, audience/patronanalysis,brand positioning,communications& marketing,loyaltyprogramand fundraisingefforts.Myexperience isbasedonengagementswith performingartsprograms, museums,contemporarydance programs,symphonies,opera companies,andartseducation initiatives.Iapproachevery challengewiththebeliefthatan openmindandaclearpointofview canunlockthepotentialthatexists ineachinstitution.

Thecreationofart

Anyonewhoworksintheartshasa handinthecreationofart.Artists–composers,musicians,painters,and thelike–employtalentandhard worktocreateandinterpret compellingartworksfortheir audiences.Managersanddirectors inartsorganizationscreateaswell, fromtheperspectiveofpresenting artisticexperiences–curators, programmers,marketers,producers andfundraisersareinvolvedinthe labyrinththatisanexhibition,a show,afestival.Boththeartistand theartsprofessionalsharemuchin common–training,skill,asenseof themuseandafeelforthosewho supportthearts.

Thebusinessofthearts

Andanyonewhoworksinthearts knowsthatagreatartisticidea cannotliveandgrowwithoutsound businesspracticesbehindit. Practiceslikeacompellingvision;a curatorialfocus;asustainable organizationalstructureand businessplan;aneffective marketingandcommunications platform;ananalyticalapproachto maximizingrevenue;andmost importantly,acommitmentto buildingandengaginga“family”of friends,ticketbuyers,membersand donors.TrilithonPartnerslives comfortablyinalloftheseareas, andunderstandstheconnection betweenthecreativeandthe businessaspects–andhowthetwo worktogether–oftheartsinthe 21stCentury.

Connectingdatatoinsights Market&customeranalysis

Yourdata

Artsinstitutionsofallsizeshave businessdata,someorganizations havealotit.Inmanycases, relationshipsandinsightsare lockedinsideit,orarerevealed whenbroughttogetherinone comprehensivepointofview.These insightsformthefoundationforan analyticalapproachthatcanunearth opportunitiesforpatron engagementandrevenuegrowth. Myapproachinvolvesadeepview intomeasuresincludingpatron segmentsandtheirinvolvement withyourofferings,earnedrevenue efforts(ticketbuyers),contributed revenue(donors),therelationship betweenthetwo,costofpatron acquisition,andmarketingexposure (bothdigitalandtraditional),among others.

Primaryresearch

Afresh,externalviewofpatrons andprospectscanprovide additionalinsighttoa comprehensiveviewofthe organization–whichprovides criticallinkages,aswellasfillin gapsthatmayexistinyourdata.I havedevelopedauniqueprimary researchprotocolthroughthe Qualtricsanalyticalsuitethatsheds lightonmeasureslikeattitudesand motivations,howyourpatrons perceiveandparticipateinyour offerings,artsparticipationamong yourtargetaudience,andrelevant demographicvariables.Further,my extensiveexperienceinthisarea canunearththeseinsightsina detailedandcost-effectivemanner.

Yourplaceinthemarketplace Noartsorganizationexistsina vacuum.Youcreate,presentand buildafamilyofsupportersand donorsincontext.Differentiationof yourprogramallowsyouto competemoreeffectivelyfor awarenessandrevenueina clutteredmarketplace.Additionally, differentiationsetsyouapartinthe worldofindividualandinstitutional funders–whosesupportcriteriaare becomingmorespecific,while availablefinancialresourcesgrow increasingscarce.Trilithon Partnerscancreateacompetitive “map”ofthemarket–frombothan artisticandfinancialpointofview–whichguidesthedevelopmentofa resonantandrelevantbrand positioningtobestservethegrowth ofyourmission.

Connectinginsightstoaplan Strategicandtacticalexecution

Execution

Planscantakeonmanyshapesand sizes.Basedonmyprofessional backgroundasamarketingplanner andmyextensivenonprofit experience,Idevelopandexecute plansinthefollowingareas:

•Brandidentity

•Creativedevelopment

•Traditionalanddigital advertising/mediaplacement

•Digitalandsocialmediaprograms

•Directmarketing

•Loyaltyandmembership initiatives

•Development/fundraising programs

Mykeyoperationalfocusiscreating aseamlessprogram,whichIcan supportbymyselforinconcertwith yourstaff.

Systems

Evensmall,emergingarts organizationsutilizepatron managementsystems.The combinationofopensource technologyandcloudcomputing providespowerfulsolutionsto institutionslargeandsmall.

Understandingandutilizingthat powerallowsyoutocapture, analyzeandreportonprogramsfor buildingcloserpatronsupport.My servicesincludeacomprehensive levelofuse,integrationand selectionofabroadarrayof applications,including:

•Ticketing

•Donor/CRMmanagement

•Digital/socialmediamanagement

•Financialmanagement

LongRangePlanning

Successfulartsorganizationsstay successfulwhentheytakethelong view–blendingartisticvisionwith bestpractices.Mostartistic projectsofvaluetaketimeto develop,toaggregateresources,to engageandattractfunders. Executingalongrangeplanisa balancingactbetweenmanaging theday-to-dayoperationsofthe organizationandfocusingenergies onthefuture.TrilithonPartners createsaplanningprocessthatis comprehensive,specificand reflectstheinterrelatednatureofall theorganization’seffortstoward thefuture.Moreimportantly,this processtranslatestoaplanthatis relevanttoallstakeholders, providesclearguidancefor execution,andisdesignedfor flexibilityovertime.

RaleighSymphonyOrchestra Buildingacommunityartsorganization

Introduction

TheRaleighSymphonyOrchestra (RSO)wasfounded42yearsagoto createanopportunityfor avocationalmusicianstoperform orchestralmusic,asanalternative sourceofliveperformanceinthe Triangle.Asanelementofthe missionreveals,theyserve“lovers oforchestramusicinour community–audiences,musicians ofallagesandsupporters…and provideauniqueopportunityto participateinthecreation, expressionandappreciationof livingart.”Ibecameexecutive directorin2019tomanagea programofperformance,education andoutreachandaplatformfor emergingartists.Likemanyother communityartsorganizations,the RSOexistsinacompetitive environmentforawareness, engagementandfinancialsupport inadiverseandrichartsmarket.

OperationalAchievements

Duringmytenure,theRSO:

-Increasedearned(ticket)revenue rangingfrom50-300%,basedon individualconcerts

-Nearlydoubledcontributed revenuefrominstitutionaland municipaldonors,including additionalofnew/lapsed partnerships

-Grewdigitalaudiencebyover 50%,leveragingsocialmediaand emailplatformstodriveawareness andtransaction

Theseachievementsarepartof establishingafirmfoundationof outreachtothecommunity–which playsanintegralroleinthefuture growthandrelevanceofthe orchestra,competingforaudiences andfunding.

StrategicAchievements

ThefoundationfortheRSO’sfuture hasbeenestablishedthrough:

-Creationandexecutionofthe long-rangeplanningprocessforthe organization,inconjunctionwith boardofficers;includingtotal recraftingofthestrategicplan

-Managementandcultivationof artisticpartnerships,including RaleighLittleTheatreandthe PaderewskiFestival

-Expansionoforganization’sdigital footprint,includingintroductionof the“VirtualRSO”throughthe creationoftheRSO’sYouTube Channel

TheRSOiswellpositionedfor growthandrelevanceinitsfifth decadeofperformanceinNorth Carolina.

DukePerformances Capacitybuilding

Introduction

DukePerformancesisa“willfully eclectic”performingartsprogram ofmusic,danceandtheaterwitha fifty-yearheritageattheuniversity. Theprogrambreaksnewcreative andcuratorialgroundeveryseason andtheireffortshavebecomean integralpointofconnection betweenDukeandthelocal community.Thatconnectionis enhancedbyadiverse,multi-venue approach–eachyear,worldclass artistscreateandperformon15 stages,onandoffcampus,inbars andtheDukeChapel,allamixof smallandlargevenues.Withover 70presentationsthroughoutthe year,DukePerformanceshas becomeoneofthemostrespected performingartsprogramintheUS.

FirstEngagement

From2010through2013,Ihelped theexecutivedirectorunderstand thebusinessofhisprogram–includingticketbuyer segmentation,fitwithinhis competitiveset,marketpotential, opportunitiesforexpansion,and refinementstothemarketing program.Primaryresearchthrough theuniversity’sInstitutional Researchdivisionprovidedaunique viewoftheattitudes,motivation andhabitsofhispatrons,whichlead tothefoundationoftheprogram’s strategicplan–wherethese businessinsightswerewoveninto theartisticmission,alltowardfuture growth,vitalityandrelevance.This activitycontributed,inpart,to increasedfundingfromthe universityandanenhancedrolein Duke’scommitmenttothearts.

SecondEngagement

In2015,theprogramenteredan importantgrowthphase;expanding programming,commissionsand residencies.Italsoembarkedonits firstcomprehensivefundraising program–tosecurefinancial supportinordertobolsterthis growth.Idevelopedanintegrated approachfortheprogram–includingtargetsegments, communicationsprograms (traditionalanddigital),revenue projectionsandintegrationofa donorrelationshipmanagement systemtoassureconsistentand relevantcontactswithsupportersat alllevels.Theseactivitieshelped assureDukePerformancesits rightfulplaceinthefutureofthe artsattheuniversity.

NorthCarolinaMuseumofArt Exhibitionsandperformingarts

Introduction

TheNorthCarolinaMuseumofArt isoneofthemostuniquearts institutionsinthecountry.On160 acresinRaleigh,themuseumoffers anunparalleledparkenvironment–mixingcontemporaryart,hiking trailsandmeetingspaces–witha world-classpermanentcollection ondisplayintwoexceptional,freestandinggallerysettings.Asapart oftheircomprehensivepublic programming,theypresent exhibitionsofgrandmastersanda performingartsprogramfeaturing thefinestemergingtalentontour eachyear.Mypartnershipwiththe museuminvolvedtwoselect engagementsdesignedtosupport andpromotetheseimportant offerings–ahigh-profileexhibition andtheSummerConcertSeriesat the2,700seatamphitheateron campus.

RembrandtInAmerica

In2012,themuseumpresentedthe largestcollectionofthemaster’s worksintheUnitedStates,nearly 50paintings–inconjunctionwith theClevelandMuseumofArtand theMinneapolisInstituteofArts.I createdandexecutedthe advertisingmediaprogramforthis exhibition,developingamulti-media campaignincludingTV,radio,print anddigitalelementsexposedinthe Southeast.Iemployedthe museum'sdetailedvisitor informationforthefoundationof thisplan,andmanagedacomplex promotionalpartnershipwitha locally-ownedgroupoftelevision stations,radiostationsandonline newssites–providingtotalstatewidecoveragefortheexhibition. 150,000visitorscamethroughthe doors,exceedingvisitorand revenueprojections.

NCMASummerSeries

Aspartofacapacitybuilding engagementwiththeprogram director,Iwasabletodemonstrate itsvalueasaconsistentand significantdrawtothecampus. Further,marketingsupportwas refinedtoprovidefocusand competitivepresenceinthemarket –onechock-fullofworld-class artistsfromatleasteight presenterslocally.Finally,anindepthsurveyofpatronsunearthed vitalinsightsintoaudiencemix, motivationsanddemographics–whichpositionedtheprogramas theprimedriverofthenext generationofpatronstothe museum,andtheleadelementof theirpublicprogram.Annual attendancecontinuestobreak recordseachseason.

CultureMill A21stCenturyartsinstitution

Startingfromscratch

Imaginebuildinganarts organizationfromthegroundupin 2016.Theforcesatplaypushin manydirections.First,thereisthe desiretocourtyounger,digitallyorientedandmoretraditionallyorientedpatronsatthesametime. Second,anemergingfourthsector ofenterpriseisstrivingtobalance financialsustainabilityandsocial benefit.Andthesecontemporary forcesaretryingtofitintoa conservativeenvironmentof curating,presentingandfunding. Successhingesonthecombination ofagreatidea,drivenbygreat talent.Andthatisthefoundationof CultureMill.

Thefounders

TommyNoonan(ontheleft): educatedindanceatVassar. MurielleElizeon(ontheright): educatedindanceinParis.Spent thepastsevenyearsas collaboratorsincontemporary performanceandaudienceimmersingprojectsbasedinBerlin. NowencampedinSaxapahaw, NorthCarolina,theirmissionof fosteringacreativecommunity, artisticexchange&collaboration throughresidencies,performances andeducationisbeingbuiltasthe livingembodimentofatruly21st Centuryexampleofanarts organization:making,sharingand coexistingwithinanincreasingly vitalartsenvironment.

Workingwithartists

Weforgedthefoundationoftheir organization:craftingacompelling missionandstrategicbusinessplan; creatingacomprehensiveand powerfulbrandidentityplatform; understandingacomplexmixof donorsandpatrons;establishinga compellingnarrativestyleand contentcommunicatedthrough traditionalanddigitalchannels;and, buildingaconvincingcasefor supporttodevelopfinancial relationshipsfromdonors,grantors andthecommunity.Two exceptionalartistshavedeveloped anewmodel:aperformingarts laboratory.Andworkingdirectly withartistswasanextraordinary experience.

TheNasherMuseumofArt

Exhibitionpromotion&patroninsight

Introduction

TheNasherMuseumofArtisa leadingcontemporaryartmuseum intheUS,presentinganevolving showcaseofevocativeandgroundbreakingworks,whilebringing importantworld-classexhibitionsto DurhamandNorthCarolinasinceits inceptionin2004.Ipartneredwith theexecutivedirectorintwocritical initiativesaroundhowthemuseum relatestotheirpatrons.

Exhibitionpromotion

Insupportoftheirexhibition “CollectingMatisseandModern Masters:TheConeSistersof Baltimore”,Irecalibratedtheir marketingeffortsfromabusiness perspective–analyzedpatrondata andprojectedvisitor/revenuegoals, renewedthetraditionalanddigital mediaplan,informedcreative strategy,andcreatedanintegrated programwiththelocalNBCTV station–withadvertising,local programming,digitalandnews coverage.Revenueandvisitorgoals wereexceededby20%and becamethesecondlargestticketed exhibitioninthemuseum’shistory.

Patroninsight

Ifieldedaprimaryresearchproject throughDuke’sOfficeof InstitutionalResearchtobetter understandtheattitudesand motivationsofwhypeoplebecome membersandpatrons,thedecisionmakingprocesstovisitthemuseum andtheircompetitivesetinthelocal market.Theinsightsfromthis researchhasprovidedimportant directiontocreatemoreimpactful promotionalefforts,memberengagementprogramsanda seamlessinitiativetobuildpatron involvementandgivingoverthe nextfiveyears.

NorthCarolinaSymphony Marketingandsustainability

Introduction

In2009,theexecutivedirectorof theSymphonywasfacedwitha vexingbusinessdilemma.Atthe time,seasonsubscriptionshad dropped25%,singleticketsales weresliding,donorswerepulling backontheirgifts,andtheoverall operationsandmarketingbudget hadbeendramaticallyreduced.Was thisaforebodingofthe21stCentury challengefordomesticsymphony orchestras?Wereaudiencetrends changingthatquickly?Orwasthis somethingmorefundamentalabout thebusinessoftheorchestra? Duringmyimmersiveengagement, theanswerbecameclear:better marketing.

Bettermarketing,defined

Thefirstdefinitionofferedwas marketingasaninvestmentina transactionalrelationshipwith audiences–namely,sellingtickets. Whilethecosttoacquireaticket buyerhadremainedstable,the budgethadbeenreducedtoalevel thatcouldnotsustainsupport against50%oftheirtotalearned revenuegoal.

Theseconddefinitionofferedwas marketingasaconsistentand engagingexposureofthe Symphonybrand.Werefocused theirbrandidentity,including consistentusage,leveragingkey elementsoftheSymphony’s strengthsandhelpedintroducea cleaner,morecontemporary“lookand-feel”totheiradvertisingand collateral.

Moredefinitions

Thethirddefinitionofferedwas marketingastooltounderstand buyerdynamics.Weintroduceda methodologyofidentifyingbest prospects/newticketbuyers, categorizinglevelsofcurrent patrons(seasonticketbuyers& donors),andpotential communicationeffortsagainsteach grouptobuildloyaltyandincreased overallrevenue.

Theseandotherrefinements (digitalanddirectmarketingefforts) wereputintoaction,whichprovided theinstitutiontheinsighttolink effectivemarketingtofinancial sustainability–insightsthatare embracedtothisday.

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2026 brochure by John Klein | Trilithon Partners - Issuu