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A nationally recognized expert in brain and spinal cord injury, Nicholas Theodore, MD, MS, is the chair of the University of Arizona College of Medicine – Phoenix’s Department of Neurosurgery at Banner – University Medical Center Phoenix. He seeks to propel the college’s research mission and further establish the campus as a premier institution in the fields of minimally invasive spine surgeries and robotics.
What interested you in returning to Phoenix?
Phoenix has always felt like home. I completed my neurosurgical residency and fellowship here, and my wife and I raised our two sons in the Valley of the Sun. This was a chance to help shape the future of a place that means a great deal to my family and me.
What truly excited me was the extraordinary momentum at the U of A College of Medicine – Phoenix. The institution is attracting outstanding faculty, expanding its research enterprise and building powerful connections with the community. And Phoenix itself has become one of the fastest-growing hubs for technology, innovation and entrepreneurship in the country. The convergence of medicine, engineering and data science here is remarkable.
What are your goals for the Department of Neurosurgery?
We are focused on recruiting extraordinary faculty — surgeons, scientists and educators who are leaders in their fields and who share a commitment to providing the highest level of care to the communities we serve — creating a comprehensive neurosurgical program with access points and collaborative partnerships across the entire Phoenix metropolitan region.
And we are deeply committed to education. Training the next generation of neurosurgeons is one of our most important responsibilities.
Ultimately, our goal is to build a department that stands among the premier neurosurgical programs in the country.
What early signs of degenerative spinal disorders should people watch for?
Degenerative spinal conditions are a natural part of aging, and most people will experience at least one episode of neck or back pain in their lifetime. In most cases, those episodes resolve on their own within a few days.
However, persistent pain that lasts more than several days — or pain accompanied by symptoms such as numbness, weakness in the arms or legs, difficulty walking, or problems with bowel or bladder control — should prompt medical evaluation.
Early evaluation allows us to intervene appropriately and often prevent more serious problems down the road.
What inspired you to pursue neurosurgery?
What drew me to the field was the profound impact we can have on patients’ lives. When we relieve pressure on the spinal cord, restore movement after injury or alleviate debilitating pain, we are giving people the opportunity to reclaim their independence and their future.
Even more inspiring is the pace of discovery. Every year brings new technologies, new insights and new treatments that allow us to help patients in ways that were unimaginable a generation ago. Being part of that progress is what motivates me every day.
How do you see the future of treatment for brain and spinal cord injury?
I have treated injured people from every walk of life. My work as chairman of the NFL’s Head, Neck & Spine Committee taught me the value of bringing multi-disciplinary teams to solve complex problems. I also know that traumatic brain and spinal cord injuries are devastating conditions — and they do not discriminate. While treatment has improved dramatically over the past several decades, we still have far to go. The future will be driven by research, technology, and precision medicine — such as robotic assistance, advanced monitoring devices and artificial intelligence — to guide treatment decisions tailored to each patient.
What discovery do you most hope to achieve through your work?
My research has focused on improving the treatment of acute spinal cord injury, one of the most devastating conditions in medicine. Today, when a spinal cord injury occurs, our priority is urgent surgery to decompress the spinal cord and stabilize the spine. But what happens in the hours and days afterward remains poorly understood.
We’ve been developing a novel micro-ultrasound technology that enables real-time monitoring of the spinal cord’s blood supply in patients in the intensive care unit. Until recently, this type of monitoring was considered impossible.
The ability to observe spinal cord physiology continuously after injury could fundamentally change how we manage these patients and open the door to entirely new therapies.
How have advances in technology impacted the diagnosis and treatment of brain and spinal cord injury?
Progress in neurosurgery happens through steady, disciplined innovation — placing patient safety at the forefront. Over the past three decades, we have seen a continuous stream of advances in imaging, surgical technology, monitoring devices and critical care strategies. Each incremental improvement moves the field forward.
Today, we are witnessing the convergence of robotics, advanced imaging, machine learning and bioengineering — technologies giving us unprecedented insight into neurological disease and enabling treatments that were once thought impossible.
The balance — between careful progress and bold innovation — is what makes neurosurgery such an exciting and rapidly evolving field.
For more information contact: Julie Bowe, Director of Development, University of Arizona College of Medicine – Phoenix Bowej@arizona.edu
Trending with McKenna
By McKenna Wesley
Known for her effortlessly blended color and signature blonde transformations, Macy Fournier of Shag Salon is quickly becoming a go-to for elevated, lived-in hair. Specializing in blonding, extensions, and styling, Macy creates soft, dimensional looks that feel both polished and natural. Whether you’re looking for a fresh bright blonde, seamless extensions, or a voluminous blowout, her attention to detail and modern approach make every appointment a personalized experience.
Now accepting new clients at Shag Salon 480-932-9091
4 Carat Total Diamond Stud Earrings
Timeless, refined, and effortlessly elegant, these 4 Carat Total Diamond Stud Earrings from Oliver Smith Jeweler are the ultimate expression of everyday luxury. Featuring GIA-certified diamonds with exceptional cut, clarity, and brilliance, each hand-matched stone is designed to maximize sparkle and sophistication. Set in classic 14-karat white gold, these iconic studs offer a polished finish that elevates any look – from casual daytime to evening glamour.
Available at Oliver Smith Jeweler, an authorized luxury jewelry partner.
Ramy Brook “Orion” Strapless Tie-Front Satin Mini Dress
Fresh, feminine, and effortlessly striking, the Ramy Brook “Orion” Strapless Satin Mini Dress is the perfect statement for the season.
Designed with a flattering sweetheart neckline and a chic front-tie detail, this vibrant green silhouette brings a modern edge to classic elegance. Crafted in smooth satin with a structured yet playful fit, it transitions seamlessly from daytime events to evening outings. Bold yet refined, it’s a must-have piece for spring styling.
Available at Neiman Marcus Scottsdale or online at neimanmarcus.com.
Givenchy Mini G Canvas Tote
Effortlessly chic and endlessly versatile, the Givenchy Mini G Canvas Tote is the perfect blend of modern sophistication and everyday functionality. Designed in sleek black canvas with the iconic Givenchy Paris logo, this structured silhouette features top handles and a detachable crossbody strap for seamless day-to-night styling. Polished yet practical, it’s the ultimate statement piece for the fashion lover on the go.
Available at Mo Money Pawn, located at 1152 E. Indian School Rd.
Pucci “Yummy” Green Patterned Sandal Slides
Bold, playful, and unmistakably iconic, the Pucci “Yummy” Green Patterned Sandal Slides bring a vibrant statement to any look. Featuring Pucci’s signature swirling print in rich green and blue hues, these effortlessly chic slides combine comfort with high-fashion appeal. Perfect for elevating everyday style or adding a pop of color to a polished ensemble, they’re a must-have for the fashion lover who isn’t afraid to stand out.
Available at High Society Resale Boutique, located at 10805 N. 71st Way.
Hair by Macy – Shag Salon
LA DOLCE VITA
By Bill Dougherty
The Season October to June
Online social calendar: www.trendspublishing.com/social-calendar
Like it or not, after 32 years at Trends I have the ear of the community. Since January of 1994, I have heard the good, the bad, and even the ugly of the social community. Everyone always wants to debrief on long wait lines at bars, not enough hors d’ oeuvres, serpentine valet lines, no host cocktails, and live auctions and paddle raises that go deep into the night. I’ve seen everything imaginable. For the most part, the majority of events come off without a hitch. That is a good thing! But as of late, there seems to be a growing obsession with money. Not the first time I have had to address this either. Just the other day, I reached out to a gala chair for additional information on her event. Rather than give me the brass tacks, you guessed it, she wrote about money. Didn’t your parents teach you not to talk about
Gotcha!
money? It’s vulgar. I do not care how much you raised. Every organization needs funding. We get it – this is why you’re at a charity function. The old guard, now a distant memory, is rolling in their respective graves. These women drove Buicks and shopped off the rack at Goldwater’s and Diamond’s. They spoke of the end result at their events, not the money raised. There were no drum rolls or numbers announced. Everyone just came to support the event and had a good time. You got the picture?
Apparently, a nouveau riche woman new to our world thinks it’s perfectly okay to treat everyone like the hired help. This includes a cherished Trends staff member. Your co-chair was absolutely horrified by your behavior. The museum and specialty retailer that had to deal with you were left speechless. No one has the right to treat anyone badly. Clearly, there’s something in your troubled personal life to cause this. You have just been exiled to social Siberia and you’re probably too daft to realize it. Rue the day the slave girl becomes the queen …
Luxury Fitness. Unmatched Experience.
Divorcing?
SAVOR THE SYMPHONY 2026 DISCO DIVAS
If Donna Summer were still with us, she would have been quite impressed the other morning with a fitting tribute to her and other artists of the disco era. Savor The Symphony, the much-anticipated cocktail party, performance, and luncheon blew it up this year. First, guests mixed and mingled in the posh lobby of Symphony Hall. Champagne flowed as guests played cocktail polo before the doors opened for a live performance. Emcee Susan Casper, of Arizona’s Family 3TV fame,
welcomed all. Herb Smith conducted, as Tamika Lawrence, Shayna Steel and Kelly LeVesque sang a melody of disco hits. The place became so lively that guests started to dance! Afterwards, everyone found themselves seated back in the lobby for a beautiful luncheon, prepared by famed Chef Stephani O’Connor. Co-Chairs Cathy Stein and Meghan Cox did an absolutely brilliant job. What an affair!
Linda Cebulski, Olinda Young and Cassandra Lawson Jane Jozoff and Deborah Nardozzi
Deborah Berkley, Matt Feeney and Beth Maloney Peter Kjome
Mary Jane Rynd and Angie Hallier
Rebecca and Peter Fine
Colleen Jennings-Roggensack Sharon and Oliver Harper Mo and Catherine Stein
Marisa Butler, Jenny Holsman Tetreault and Meghan Cox
Coverage courtesy of Beth McRae and Bill Dougherty
The Road Less Traveled
By Patsy Lowry
“They carried in their hearts the hope that what they did would reward them with a tomorrow far different from the reality they endured today.”
Do you know that inside each one of us there is a landscape larger than the one we can see? Are you open to new ideas, experiences, and possibilities? Would you like to add something different, a new element to your life?
I did this by asking a good friend of mine this question, “What would you like to do that you never get to do?” She told me she hadn’t been able to drive for a few years and that she hadn’t been feeling well for quite some time. She wanted me to take her to downtown Scottsdale and walk around to see the stores. She hadn’t been there in several years.
I picked her up and off we went.
We had the best time going in and out of the many stores, just being together and doing something different that we ordinarily never would have thought of doing. We spent over two hours exploring stores in downtown Scottsdale and that I had only driven by for years.
By being open to doing whatever my friend wanted to do, we shared an experience that was fun, unique, interesting and memorable.
Think about what you would like to do that you never do. Ask members of your family, your friends this question. Step outside of your comfort zone.
Focus on bringing the unknown and shared magic into your life.
My friend asked me this same question and now we are going to do something that I never have taken the time and opportunity to do. Plus, it was interesting and fun thinking about it.
I am a Native Phoenician. I wanted to revisit where I grew up, see the houses I lived in, drive past my old schools, see my old neighborhood. Step back in time.
Now my friend and I have shared two experiences that we never would have shared if I hadn’t asked her that question.
“Two roads diverged in a wood, and I –I took the one less traveled by, And that has made all the difference.” – Robert Frost
We learned about each other in a new way. We created new experiences that we will always cherish and treasure.
A few ideas to think about:
1. Be open to possibilities of all kinds.
2. Listen to your friends’ wishes and act upon them.
3. Be open to doing something you have never done before.
4. Unlock your creative imagination and do something that gives you joy, happiness and peace.
5. Experiment. Push your boundaries in new and unexpected ways.
6. Surprise yourself by embracing new ideas and experiences with creativity and (perhaps) collaboration.
Why the Fine Art World Feels Stagnant – and Why It Is
By Palmer Saylor, III
To many observers, today’s fine art world feels repetitive and oddly inert. Museums mount carefully curated exhibitions that rarely surprise or delight. Major galleries rotate the same familiar names. Even “emerging” artists often arrive prepackaged – with a calculated image, wedged within some new ideology.
The unspoken question – one shared quietly by artists, collectors, and serious admirers alike – is simple: why does so much contemporary art feel stuck?
At the risk of sounding cynical, it isn’t because the art world lacks production. Quite the opposite. It is louder, busier, and more global than ever. The problem lies in how platforms and institutions prop up the art world. Museums, biennials, and nonprofits face shrinking budgets, risk-averse boards, and relentless public scrutiny, often from audiences with little visual literacy. The result: consumer-safe programming marked by dumbed-down palettes, watered-down subject matter, simplified compositions, or endless retrospectives of already canonized artists.
The collectors market mirrors this pattern. At the top sit the so-called blue-chip artists – names treated less like cultural contributors and more like financial instruments. Their work circulates endlessly, auctioned and re-auctioned, valued for stability rather than vitality. At the other end, young and emerging artists remain active in local scenes and online platforms. What has eroded is the middle ground – the essential stage where artists once moved from promise to recognition. A glut of the truly most talented artists occupy this space. It does not help that there are precious few educated eyes left willing or able to recognize raw ability.
This stagnation is further reinforced by aesthetic fatigue. We are deep in what I call “recapitulationism”: a contemporary condition defined by the confinement of traditional media and the endless recycling of old styles and movements. Artists shamelessly mimic recognizable predecessors under the polite cover of “influence.” Inspiration is healthy. Theft dressed as homage is not. You can’t lift a chord progression, swap every fifth word, and call the song original –though, yes, you can’t patent a chord progression. That’s another argument entirely.
Art attempts to eat itself and fails. Viewers now recognize the framework of a work before they feel anything at all. Politics further narrows the field. Contemporary art is now expected to educate, represent, and signal moral correctness and partisan virtues. These aims are not wrong – but they become limiting when artists feel obligated to take a prescribed stance simply to remain visible. Too often, art reads like compliance rather than conviction. This bias is never viewed favorably by history.
Cultural breakthroughs tend to follow periods of consolidation, exhaustion, and repetition. Today, the most vital work is happening in the shadows and off-stage – in artist-run spaces, small presses, small exhibitions, and informal networks.
Much like the music industry, these quieter zones are likely shaping what comes next. When conditions finally allow risk, imagination, and genuine discernment again, the center will move – whether the institutions are ready or not.
palmer saylor III artist | designer | creative https://palmerandcompanyart.com/
Photos courtesy of Maynard Dixon and Palmer Saylor II
Preventing Homelessness During a Child’s Medical Crisis
What is Care Fund and what are they doing in the community?
Care Fund serves families throughout Arizona who must take a leave from work or lose their job to be by their child’s side while facing a serious medical crisis (childhood cancer, transplant, pre-mature birth defects, end-of-life renal failure).
What is your primary focus?
Our primary focus is preventing homelessness during a child’s medical crisis. Parents need to be present to make critical decisions while their focus is where it belongs: at their child’s bedside in the hospital during this time.
What is the main source of the applications you receive?
Most of our families are referred to us through the amazing social workers at Phoenix Children’s Hospital, Children’s Medical Center of Tucson, Banner Children’s hospitals and most recently Hospice of the Valley.
How do you ensure the money is spent appropriately?
Payments are made directly from Care Fund to the landlords or mortgage companies after verification of all information.
How has Care Fund continued to raise funds to help Arizona families?
For the past 13 years, we have applied for grants, sponsorships for our fundraising events (galas in Scottsdale and Tucson, auctions, tax credits), the kindness of philanthropists and the generosity of others. In 2025, Care Fund held events at Scottsdale’s Desert Foothills Event Center (Buckles, Boots & Bling) and the U of A stadium in Tucson (Wonderlust- A Night of Giving).
How do you spread Care Funds information?
Our website is: www.thecarefund.org
We also have our two social media platforms Facebook at Care Fund and on Instagram at @carefundorg.
What is the goal for Care Fund for 2026 and going forward?
As a small non-profit in Arizona, Care Fund makes a huge impact on the lives we serve, and our focus for 2026 is to help more Arizona families by growing our donations to support the increasing needs of our family grant applications. We run with a very small staff to ensure that more than 85% of the funds raised go directly to ensure our families have a home to go to after their hospital stays.
How can the community help?
Please visit our website, be a part of our fundraising events (listed below), follow us on social media and share us on yours, join our Board of Directors, or volunteer on our Advisory Councils. Contact us to learn more!
• There’s No Place Like Home (through June 30th) – an UnGala where every donation builds the Yellow Brick Road for immediate impact.
• 1st Annual Ruby Red Slipper Luncheon –We’re launching a brand-new, elegant daytime signature event at a premier Scottsdale location. Details to follow on our website www.thecarefund.org. For more information, contact 480-272-0176 or email yvette@thecarefund.org or visit www.thecarefund.org/donate.
Kyle and Melissa Fleeger
Eric Williamson, Yvette Sierra, Ruthie Hunt, Cindy Johnson, Kathy Till
Piper and Brad Jameson
Colten and Monet Bacs with Alissa and Ron Glover
WISDOM FROM THE FUTURE
An introspective experience that pairs artwork with reflections revealing stories of inspiration, challenge, and growth, along with insights into their approach and creative processes. heard.org
PAINTINGS FROM THE HEARD COLLECTION
A collection of more than thirty artworks by Native artists spanning multiple generations and offering a dynamic view of Native painting through the decades. heard.org
Image Credit: Tony Abeyta (Diné), Canyon, 2004. Oil on canvas. Gift of American Indian Art Magazine. Heard Museum Collection.
Image Credit: Tony Abeyta (Diné), Canyon, 2004. Oil on canvas. Gift of American Indian Art Magazine. Heard Museum Collection.
Trends to Watch in 2026 — and the Ones to Leave Behind
By Barbara Kaplan, IFDA, Allied ASID www.BarbaraKaplan.com
As the world of interior design continues to evolve, 2026 is shaping up to be a year of thoughtful, warm, and functional spaces. Gone are the days when interiors relied solely on cool greys, stark whites, and completely open floor plans. “We are again seeing more definition in spaces – a bit of displeasure with spaces being so open and undefined.
Defining Spaces and Multi-Functional Living
The pandemic has influenced how we use our homes, emphasizing comfort, practicality, and versatility. People now desire warmth and multi-functional living. Homes need spaces that work, not necessarily always look perfect. Walls, once minimized in favor of open floor plans, now provide valuable privacy, sound barriers, and a backdrop for personal art and decor.
Biophilic Design and Wellness
Nature continues to play an essential role indoors through biophilic design, which integrates elements like plants, natural light, wood, stone, and water features. It is an advantage if you have big windows and areas with clear views of gardens or planters on patios.
A related trend is wellness-focused design. Our homes must highlight the importance of supporting well-being. The choices that we make in our homes affect our wellness. Personalize your home. It could be a quiet meditation area, the kitchen of your dreams, or a reading space that invites you in. The goal is to feel peace, comfort, and joy in your environment.
Warmer Colors and Textures
The shift toward warmer, richer tones is expressed through paint, cabinetry, and flooring. Sunset hues, ochres, and velvety browns replace cool greys and blues. Benjamin Moore’s 2026 color of the year, Silhouette, combines rich espresso and charcoal notes, reflecting this trend. Homeowners are crav-
ing the opportunity to express their personality in their spaces, adding interesting design details, lighting, and patterns. They are more open to giving their spaces a personal identity and are willing to consider living with bolder colors.
Striking earth tones in the textures of walls and upholstery create an enveloping sense of drama. The richer, deeper tones also provide warmth and invite you into a space, creating comfort and inspiration.
Overrated Trends Designers Are Saying Goodbye To
While some trends are on the rise, others are losing favor among industry professionals. Here are a few to reconsider in 2026:
1. All-Light Colors: Excessively neutral palettes can feel flat and repetitive. Be brave, and instead, look toward darker woods and vibrant touches that add depth, personality, and contrast.
2. Overly Styled Coffee Tables: The coffee table look of a stack of books and a candle hardly feels authentic. Tables should showcase personal items and leave lots of breathing room.
3. Hiding Your TV: We now acknowledge the TV to be a daily part of everyone’s life So, the design should reflect real life, not just aesthetic perfection.
4. Shopping from One Store: Our spaces tell our story. So, take your time and shop at many places to achieve the look of your individually chosen style, acquired over time, not purchased in a single afternoon. Incorporating vintage or secondhand items adds interest, history, and character.
5. Matching Wood Finishes: Naturally, every piece of wood is different, so do not fear contrast of color and finishes to create visual interest and flexibility.
Looking Ahead
As a designer, I believe that everyone is their own “Trend”. When you decorate thoughtfully, with your heart and mind, you will create a unique look and feel that is yours alone. Every piece in your home should bring you joy and pride when you see it and touch it. Enjoy it for as long as you want, and if your taste has changed and you’re no longer the same person who chose all those pieces, ask yourself what is no longer the real you and find your new trend for now!
In 2026, the ideal home will combine warmth, personality, and function – spaces designed not just to look good, but to feel right. I always tell my clients, “If it feels right, it is right!”
Always remember, rooms have no feelings, YOU do!
Colorwear:
The Best-Kept Secret in Arizona Animal Welfare, Until Now
For readers discovering PACC911 for the first time, how would you describe who you are and what you do?
Founded in 1999, PACC911 was created to bring together a fragmented rescue community in Arizona. At the time, small grassroots rescues existed, driven by heart but working in isolation. PACC911 introduced a simple idea: work together to be stronger for the animals.
For nearly 27 years, PACC911 has served as the connective tissue of Arizona’s rescue community, uniting independent organizations into a collaborative statewide network. We don’t replace rescues, we empower them to save more lives together.
What inspired PACC911’s founding, and how has that mission stayed consistent over time?
Shelters and rescues play different but complementary roles. Shelters intake animals and must move them through quickly due to capacity limits, while rescues provide longer-term care for animals needing time to heal and recover.
PACC911 was founded to organize and elevate rescue efforts, creating a critical second layer of protection for the most vulnerable animals. That mission, collaboration, support, and life-saving impact has remained unchanged for nearly three decades.
Why has PACC911 been called “the best-kept secret” in Arizona animal welfare?
Because PACC911 supports rescues rather than operating as one, our work often happens behind the scenes. When lives are saved, the rescue partner is rightfully recognized, while PACC911 remains unseen.
Within the rescue community, however, PACC911 is well known and deeply respected. We’re grateful for the
opportunity to help the broader community understand who we are and why our role matters.
What makes PACC911’s approach different from shelters or individual rescues?
Our strength is collaboration. Working with more than 140 rescue partners statewide has shown us that networking saves lives. PACC911 serves as a central hub, distributing emergency pleas and coordinating support across Arizona.
In 2024 alone, this model helped save more than 32,000 animals, with similarly strong numbers expected for 2025.
Can you share an example of PACC911’s impact that people may not realize?
PACC911 supports its rescue partners and pets in Arizona through a range of programs, including large-scale adoption events, the Chuck Waggin Pet Food Pantry, and other resources designed to help our rescue partners continue their life-saving work. While each plays an important role, our signature initiative is the Critical Care Program (CCP).
CCP provides direct funding for lifesaving veterinary care at a time when rising medical costs often limit how many animals rescues can take in. In 2025 alone, the program helped 1,725 animals receive critical treatment, distributing more than $600,000 in veterinary support. Since its launch in 2012, CCP has saved over 13,000 lives, often making the difference between euthanasia and survival.
Why does this feel like the right moment for PACC911 to step into the spotlight?
As Arizona faces a growing animal overpopulation crisis, PACC911’s work is more needed than ever. To continue supporting our rescue partners at this level, community awareness and support are essential.
Our major fundraiser, Glimmer of Hope, will be held on November 15, 2026, and this visibility helps ensure our life-saving mission can continue and grow.
What is your vision for the future, and how can the community get involved?
We envision a future where no rescue stands alone, and no animal is without options. The community can support that vision by attending adoption events, supporting Glimmer of Hope, donating, volunteering, fostering, and engaging with our rescue partners.
For nearly 27 years, PACC911 has shown up quietly and consistently. Now, we’re ready for people to know who we are, because the animals need us.
Bari Mears
UNWIND WHERE TIME STANDS STILL.
Soak up the refreshing new chapter of wellness for Arizona’s most iconic spa.
The Power of PRESENCE
By J’aime Radow, Executive Optimization
There is a well-known saying, each moment is a gift – and that’s why we call it the present.
I would like to take it even a step further.
The greatest gift we may give another is offering them our full PRESENCE. Our complete attention, focus, and energy.
In our world today, that is not easy to do. We are spread thin, our attention spanning a myriad of technology, apps, email, responsibilities, we are constantly distracted, always reachable without the option of disconnecting. Which is why presence is more important than ever before. Why being human, and utilizing the full capabilities and spectrum of unique qualities within our humanity, is everything. Connecting with others with a pause, creating space for a smile, eye contact, a nod, a wave, a “hello” can literally change the trajectory of a person’s day. And maybe, they’ll pass it on.
As we move into spring, (though this doesn’t apply as much to us in Arizona) many animals are coming out of hibernation. Waking from their slumber, bears crawling out of their caves back into the world looking to reconnect. Perhaps as humans we can look at March as an opportunity to reconnect with ourselves and with the world with a bit more awareness.
We can set the intention to gift others with our full attention. The present of our presence. If this resonates with you, here is a practical framework of how to approach it.
1. Seeing: Attention is 100% dedicated to the other, eye contact, connection
2. Hearing: Listening with genuine curiosity and the intention to understand. Focus is on them, not internal dialogue.
3. Acknowledging: Respecting a person’s experience, even if it’s different than yours.
4. Supporting: In the way they desire to be supported. If unclear how, ask for clarification.
5. Receiving: Giving others the gift of connection with the real you by allowing yourself to be truly seen. In the end, we are just mirrors and teachers for each other. As Carl Jung once said, ”We meet ourselves time and again in a thousand disguises on the path of life.”
We all have the opportunity to do good and serve others each and every day just by practicing presence. This one practice has the potential to transform every single relationship in your life. Personally and professionally. It may show you where, in your own self-awareness and inner work, there are spots that need a bit more light shone on them. And, it just feels good. As humans, we are designed for connection, to live as a tribe, to be attuned to one another’s needs in a holistic sense. To work together as a community in moving forward.
Experiencing the disconnection from how we are designed to optimally live is the root of so much disease, unhappiness, loneliness, and lack of direction. When lost – serve. In the end, we are just walking each other home, so in practicing presence with others we are guided back to our true selves and realigning with our greatest potential.
To connect with J’aime, please visit jaimeradow.com.
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ARIZONA OPERA MIDNIGHT MASQUERADE 2026
A night of masks, melodies, and magic didn’t disappoint. Arizona Opera held a breathtaking affair in the central corridor opera center, just before temperatures started to rise. Jenny Holsman Tetreault chaired the bash, and she did a brilliant job with the evening’s festivities. Guests gathered just as the sun was setting, to sip champagne
and socialize. Afterwards, the crowd moved inside. During a lavish dinner, all were treated to fine performances by the opera company. Everyone wanted to know who Sher Hurlburt was. She arrived with the equally beautiful Ruby Farias. Markus Ford was the Dapper
in the crowd.
Dan
Brian and Amanda DeMaris with Richard Joaquim
Lorraine Fitting
Kay and Ron McDougall
Markus Ford and Darlene Richert
Ginny Compton and Bryan Seegers
Miranda Lumer and Nick Woodruff
Jenny Holsman Tetreault and Beth McRae
Peter Kjome and Judy Wolf
John Tompkins and John Ott
Sher Hurlburt and Ruby Farias
Coverage courtesy of Beth McRae and Bill Dougherty
“The Fairy Godmother of Fashion”
You deserve to look great! Our extensive collection of beautiful fabrics and trims are perfect for dressing you in suits, tuxedos, formals, MoB, MoG, Bridal, Bridesmaids gowns and casual wear made specifically for you and your style.
–Owner and Designer Scylvia-Elvira Danese
Scylvia-Elvira Danese
'The Fairy Godmother of Fashion' and 'The Boob Whisperer'
9 out of 10 women are wearing the WRONG size bra.
8 out of 10 don’t know how to put it on.
• This creates pain in your neck muscles
• Puts pressure on your organs
• Makes your back hurt
• Gives you bad posture
• makes your clothes not fit properly
• and the worst part as if that isn’t enough … IT MAKES YOU LOOK FAT!!!!
I do a FREE BRA FITTING, and in 5 minutes I make you look as if you lost 10 pounds.
I’ll show you how to put it on, how to wear it, and if we don’t have your size we order it.
We don’t give you “the sister size” as they call it.
If you are tired of having your boobs everywhere except where they should be on your body, call the ‘The Boob Whisperer’.
MEN, we are NOT afraid of your suit alterations!
We do it ALL and do it BEST!
The Passion for Giving Back
What is your background in Scottsdale and in charity work?
From my early 20s, I had a desire to help others in need and started involving my daughters, Jinger Richardson and Missy Anderson, in this endeavor when they were young. They learned of the importance of caring for others – and as parents, they did the same with their children.
Our family has had a business in Scottsdale since 1963, starting with a western store when Jinger and Missy were very small. I opened Scottsdale’s first art gallery in 1968 and spent much time promoting Scottsdale. We helped start Scottsdale Christian Academy in 1968 –now 3rd generation with many family members attending since its inception.
How did you become involved with Childhelp?
I changed professions to the field of psychology in 1981 and met Sara O’Meara and Yvonne Fedderson at Childhelp in California in 1984. I had a second home in Palm Springs and joined their Childhelp auxiliary. I connected with Sara and Yvonne at numerous Childhelp events and also did a Murray Method training for their staff. When Childhelp headquarters moved to AZ, I made certain Jinger and Missy met Sara and Yvonne shortly after they arrived.
What is your family legacy with Childhelp and local charities?
I am very proud that Jinger and Missy have been so active in supporting Childhelp – they co-chaired the Drive the Dream fundraiser for three years. Jinger has been president of the Phoenix chapter and a board member for many years.
I am delighted that my granddaughter, Janell Richardson Grady (Jinger’s daughter), has been president of WINGS for two years and produced their marvelous annual fundraisers. And now Janell, Jinger, Missy, and her daughter Ashley Anderson will chair WINGS this year!
My wonderful great-grandchildren are now helping their mothers, Janell and Ashley, at various Childhelp events and carrying on our family legacy.
Missy also spent many years as board chair and in charge of the fundraising for Florence Crittenton. She was one of the people primarily responsible for the beautiful campus and buildings they have now.
Jinger and Missy have always had loving, giving hearts and have participated in many areas of charity, not just in Arizona but worldwide. They work beautifully together and I am deeply proud of them both.
How are you personally involved in recent charitable work?
I lived and worked pro bono nearly half-time in Russia for 18 years, training health professionals regarding the treatment of trauma and deprivation. We now have Murray Method International Centers in Russia, Ukraine, and Central Asia.
Ticket information: 480-922-8212.
Back row: Ashley Anderson, Missy Anderson, Jinger Richardson, Janell Grady, Front row: Scarlett Czupryn, Marilyn Murray, Shea Grady
Pursuing cancer cures at the speed of
cityofhope.org/phoenix
THE WESTIN KIERLAND RESORT & SPA
Save the date for the Arizona Humane Society’s 28th Annual Compassion with Fashion. This lifesaving event is dedicated to raising funds for the more than 25,000 sick, injured and abused pets that will receive lifesaving care and a second chance this year, all thanks to generous supporters like you.
Remembering The First Ladies
How did the earliest First Ladies shape public expectations?
The “first three” established how to operate in a new republic. Martha Washington balanced accessibility with formality to ensure America’s global legitimacy, using social events to gather political intelligence. Abigail Adams was a passionate political advocate; though critics dubbed her “Mrs. President,” she pioneered the effort to influence media opinion. Dolley Madison included her husband’s critics along with his supporters at her events, creating an idea of bipartisan entertaining- she would work the room while gathering information, and her husband valued her political acumen.
How did they define American social customs and etiquette?
Martha Washington’s personal style championed American-made textiles. Dolley Madison’s gracious entertaining included her vibrant fashion, and she left her mark on the President’s House by furnishing it with American-made pieces to demonstrate national craftsmanship. In contrast, Elizabeth Monroe faced backlash for her European-style formality and for shunning the tradition of returning social calls, which scandalized Washington society.
How has the role changed from its inception to today?
Public curiosity has remained constant, but the role has evolved alongside women’s rights. Originally operating in an era where women were less visible and lacked a legal voice, First Ladies have transitioned from background figures to independent political players.
Which First Ladies most dramatically reshaped the position?
• Eleanor Roosevelt: Shifted the role from hostess to activist, holding press conferences and championing her husband’s New Deal.
• Jacqueline Kennedy: Used her great style to focus on historic preservation of the White House and served as a global cultural ambassador.
• Lady Bird Johnson: Professionalized the role with her own press secretary & independent campaigning in support of her husband.
• Betty Ford: Demonstrated political independence by supporting the ERA and was transparent regarding her struggle with cancer.
• Rosalynn Carter: Modernized the role by securing a budget for the first lady’s staff and moving the office out of the Residence to the East Wing.
• Hillary Clinton: Expanded boundaries by operating from the West Wing and leading policy initiatives like healthcare reform.
• Jill Biden: Continued the evolution by maintaining a professional career outside the White House.
What modern pressures do they face?
Digital technology and 24-hour media have eliminated privacy. Michelle Obama dealt with intense scrutiny as the first African
American first lady as well as first (in many years) to raise children in the White House, while Melania Trump is managing the role in her second term during the rise of social media and AI.
How do First Ladies shape successful initiatives?
Because the Constitution doesn’t define the role, each woman creates her own agenda. Successful initiatives – like Eleanor Roosevelt’s response to Pearl Harbor or Laura Bush’s compassion after 9/11 – feel authentic and provide strength and comfort during national crises.
What is the most surprising aspect of this research?
The most striking discovery is the limited study of the First Ladies, despite the significant influence they’ve have had on both the American presidency and society. These women act as both mirrors and leaders of their times. Lucy Hayes’s temperance work, Ellen Wilson’s workplace safety, Nellie Taft’s support for suffrage, and Florence Harding’s women’s prison reform are examples of how First Ladies have long championed vital social movements. Our books address the research gap by analyzing how these women uniquely influenced their position and shaped their spouse’s administrations. We also account for how the role has always adapted to each occupant and will be well-positioned to adapt to a First Gentleman in the future.
For more information on the Sandra Day O’Connor Institute, please log into: https://oconnorinstitute.org/
Anita McBride
Build Something Exceptional, and People Will Respond
You’ve built success in real estate sales, development, and restaurants. What connects those three businesses for you, and how do they influence each other?
Real estate has always been the foundation for everything I do – it’s the tip of the spear. Being an agent gives me a first-mover advantage when it comes to identifying great development opportunities, and it’s where I really learned the value of networking and delivering exceptional service. Through investing and development, I gained a deeper understanding of how real estate truly works at a higher level –how markets move, what creates value, and what people actually want. When you apply that thinking to development, the market tends to respond.
The same principle carries over to the restaurant business. When you walk into a restaurant, you quickly realize that if you focus on creating the best product – great food, great service, and a great experience – the market will find you. Across all
three businesses, it really comes down to the same idea: build something exceptional, and people will respond.
Luxury real estate is highly competitive. What separates you from other agents?
The biggest difference is sales ability. The truth is, there’s very little formal sales training required to become a real estate agent, and very few agents actually have high-level sales training. What the market often sees as “top agents” are simply agents who market well. But marketing alone isn’t what sells homes.
Think about it – when was the last time you decided to buy a house because of a marketing piece? That’s rarely how real estate transactions occur in todays “Zillow” era. Buyers typically already know what they want: the location, price range, bedroom and bathroom count, views, sun orientation, architectural style, and the interior and landscape design that fits their lifestyle. Today, most of the “search” happens online or through those
agents who are well connected and know about off-market opportunities.
Beyond that, what really matters at the luxury level is depth of knowledge and the ability to navigate complex transactions. At that level, you’re not just selling square footage – you’re evaluating architecture, land value, construction quality, privacy, and the long-term investment potential of the property.
Because I’ve been on all sides of the business – as an investor, builder, developer, and agent – I understand the entire asset, not just the listing. That perspective allows me to evaluate opportunities and advise clients in a much more comprehensive way.
When someone is buying or selling a home worth tens of millions of dollars, they want more than a marketer. They want someone who can speak the language of developers, investors, architects, and builders. And someone who understands how all those elements come together to create real value.
Arizona’s luxury market has changed dramatically. What’s driving the evolution of high-end real estate in places like Paradise Valley and Scottsdale?
Arizona has quietly become one of the premier luxury markets in the country. Buyers from places like Seattle, Portland, parts of California, and even internationally are discovering that you can
have space, privacy, and incredible architecture here in a way that’s much harder to find in other major markets.
What we’re seeing now is the rise of true trophy properties –custom estates on exceptional lots with world-class design. At that level, buyers aren’t just looking for a house. They’re looking for something that feels like a private resort and also serves as a long-term legacy asset.
Right now, that segment of the market is incredibly strong. Over the past few years, we’ve seen more $10 million, $15 million, and even $20 million sales than anyone would have imagined a decade ago. And in my opinion, the market still has room to grow as more high-net-worth buyers continue to discover what Arizona offers.
What drew you into the restaurant world?
What draws me to new ventures is really the mindset of an entrepreneur. When you see an opportunity, and especially when you see a market that’s underserved, it’s in your DNA to try to fill that gap.
Early in my career, that meant renovating and flipping single-level homes in Paradise Valley from about 1990 to 2010. There was a clear demand for updated homes in great locations, and we stepped in to meet that need. Later, we saw a growing market for large, estate-level spec homes designed
for high-net-worth buyers, and we began developing those as well.
The restaurant business came from a similar realization. As a former New Yorker, I could never quite find the kind of authentic New York–style Italian restaurant I loved back east. When I met Chef Brandon and experienced what he was creating – food that was every bit as good, if not better, than what you find on the East Coast – I realized there was a real opportunity.
In many ways, it comes down to a simple philosophy: life doesn’t come at you, it comes from you. If you see an opportunity to create something great, you take it, build what you wish existed, and if you’re right the market will respond.
To what do you attribute the meteoric rise of DiMaggio’s Italian Restaurant?
I think it really comes down to a combination of authenticity, timing, and an unwavering commitment to the experience. From day one, the goal with DiMaggio’s Italian Restaurant was never just to open another restaurant – it was to create something that felt like a true “Little Italy” experience in the middle of Scottsdale. A place you don’t want to just “get in and get out”. A place that feels more like home and eating with family.
We are a scratch kitchen with the highest ingredients and freshness. We don’t want to turn and burn. We want people to really soak it up and enjoy their dinner. That meant getting the food right, of course, but just as importantly, getting the atmosphere, the energy, and the hospitality right.
We’ve been very intentional about building a place where people don’t just come to eat – they come to stay, to celebrate, and to feel something. The design, the music, the service, and the way the staff engages with guests – it all plays a role. When you combine that with consistent, high-quality food and a brand that people connect with, it starts to build momentum quickly.
I also think we hit the market at the right time. Scottsdale was ready for something that blended elevated dining with an old-school vibe. Once people experienced it, word-of-mouth took over in a big way. At the end of the day, you can’t fake that – if people don’t feel it, they don’t come back. We’ve been fortunate that they not only come back, but they bring their friends.
You operate at such a high level and fast pace – always in “go mode.” How do you make time to give back, and what does philanthropy look like for you right now? It’s true – when you’re constantly pushing forward, it’s easy to lose sight of the importance of giving back. But for me,
philanthropy is something I’ve made a conscious effort to prioritize, especially as my career has grown. This year, I have the honor of chairing the board for a charity gala called A Night in Monaco in Scottsdale. Now in its third year, the event continues to gain momentum and has become a meaningful platform for raising funds that directly support children’s charities through The Saguaros. It’s incredibly rewarding to see the community come together for a cause that has such a real and lasting impact.
Philanthropy is also something my family is deeply involved in. My wife serves on the board of The Phoenix Children’s Ambassadors, an organization dedicated to funding special initiatives for Phoenix Children’s Hospital. Watching the work they plan to do, and the lives they hope to touch, has been both inspiring and grounding. At the end of the day, success isn’t just about what you build in business, but also about the difference you make in people’s lives.
So what’s next for Frank DiMaggio and DiMaggio’s Italian Restaurant?
It’s an incredibly exciting time on all fronts right now. On the development side, our company will be breaking ground this year on two estate properties that we expect to list for over $30 million each. We’re also finishing a spectacular home in El Maro Estates that will be coming to market for just under $25 million. The demand for truly exceptional, one-of-a-kind properties continues to grow, and we’re focused on building homes that stand at the very top of the market.
In real estate, I’m continuing to build an outstanding team at The Agency. Our goal is ambitious but very achievable – to sell $1 billion in real estate as a company by 2027. That means bringing together the best agents, creating a strong culture, and delivering a level of service and expertise that clients at the highest level expect.
And on the restaurant side, we’re expanding as well. We’re currently building out our second location for DiMaggio’s Italian Restaurant, which is something we’re very excited about. The response to the first restaurant has been incredible, and we’re looking forward to bringing that same energy, authenticity, and quality food to a new location.
Overall, it’s a period of growth across development, real estate, and the restaurant business – and we’re just getting started. Stay tuned.
For more information:
DiMaggio’s Italian Restaurant https://www.dimaggiosrestaurant.com
Frank DiMaggio – The Agency https://www.theagencyre.com/agent/frank-dimaggio
Creating an Experience from Scratch
Frank DiMaggio has never been one to stay in a single lane. In Arizona’s ultra-competitive real estate and development market, he has achieved a rare feat: expanding not just in scale, but in scope. Realtor, developer, investor, and now restaurateur –each title is accurate, yet none fully captures the ambition behind his fast-paced trajectory.
DiMaggio’s rise began with an instinct for identifying opportunities where others saw friction.
Long before multimillion-dollar acquisitions, he built his reputation by moving properties that had been disregarded and overpriced. By treating every listing like a strategic campaign – focusing on positioning, timing, and presentation –he turned overlooked properties into success stories. Deals that had been stagnant began to move, and with each one his credibility deepened.
However, real estate was merely the foundation. As the luxury markets in enclaves like Paradise Valley and Scottsdale surged, DiMaggio shifted from representing deals to creating them. Development became a natural evolution. He wasn’t just selling homes; he was shaping them from the ground up. His projects blur the line between architecture and experience, designed with a specific buyer in mind and every detail meant to resonate a defined lifestyle. It’s a perspective that originates from his years of experience on what sells and why.
This same philosophy anchors his investment strategy, where DiMaggio focuses on leverage and control rather than volume, owning the outcome rather than reacting to it. It’s a mindset that allowed him to move fluidly into the ownership of The Agency Arizona. By acquiring this major real estate brokerage, he moved beyond being a top producer to becoming a leader who shapes the culture and performance of the platform itself.
That pattern continued with perhaps his most unexpected venture into the notoriously unforgiving hospitality sector. Though the restaurant business might seem worlds apart from real estate, DiMaggio sees the same core challenge: creating an experience from scratch. It wasn’t just about food, but also atmosphere, identity, and brand storytelling.
In many ways, the restaurant serves as a physical extension of his broader philosophy. Attention to detail. Consistency. Presentation. Just as a luxury home must deliver from the moment a buyer walks through the door, a restaurant must do the same for each guest, every night. The crossover is more natural than it seems, and DiMaggio has leaned into it.
What’s most striking about his portfolio is its interconnectivity. Real estate informs development; development informs investing; investing creates opportunities for acquisition. Each piece strengthens the others. It’s not a collection of ventures, but an ecosystem.
Despite this expansion, there is a clear throughline: control of the narrative. From repositioning stagnant listings, designing $30 million estates, heading up a brokerage or reimagining a restaurant, DiMaggio’s edge is his approach to each project with the same core question – how should this be experienced?
While others react to trends, DiMaggio builds on anticipation, identifying current and future values. It’s a subtle difference, but one that compounds over time.
Looking ahead, the momentum shows no signs of slowing. With two new $30 million developments underway and continued expansion across his business interests, DiMaggio is firmly in a phase of building – literally and figuratively. Not just properties, but infrastructure. Not just deals, but legacy.
Arizona is a state that has increasingly become a destination for luxury living and investment, and figures like DiMaggio represent a new kind of operator – one who doesn’t rely on a single identity but instead builds across verticals with intention.
And for DiMaggio himself, the path forward seems less about choosing a lane and more about continuing to widen the road.
For information: www.theagencyre.com/agent/frank-dimaggio
FRESH START GALA 2026 30TH ANNIVERSARY
A beautiful crowd of ladies and gentlemen gathered on a hot spring afternoon for the much-anticipated Fresh Start Women’s Foundation 2026 gala. This year, the evening was chaired by Carrie Hall and Kathy Munson. They did an extraordinary job! Neiman Marcus Scottsdale, together with Carolina Herrera and their Creative Director Wes Gordon, highlighted a smashing fashion show stylized by Margaret Merritt. She blew it up! Later, guests moved from the lawn to a lovely
evening of awards, the first given to Founder’s Circle Honoree Alicia Harrison. Dinner and dancing followed. Now in its 30th year, founder Pat Petznick Wick has a lot to be thankful for. Her beautiful sister and co-founder of the organization, Beverly Stewart, smiled from heaven. Julie Rauch, Cathy Kleeman and Laurie Swetonic stole the show in best dressed for the evening. Fabulous from start to finish!
Julie Rauch, Sandy Metzler and Sima Kertson
Maria Laura and Michael Creal
Pat Petznick Wick and Mike Wick
Cathy Kleeman, Brittany McGeorge and Kathy Muro
Susan and Jerome Grant Tristan Topps and Liz Keller
Elise Ballou, Laurie Swetonic and Amanda Hegland
Liz Manville, Jacquie Dorrance and Katie Mueller
Coverage courtesy of Sally and Peter Krzykos
Kathy Munson and Carrie Hall
Fashion photos courtesy of Peter Krzykos
SCOTTSDALE FERRARI ART WEEK 2026
Now in its second year, Scottsdale Ferrari Art Week 2026 proved a tremendous success yet again. A huge crowd of art enthusiasts and people all things high society gathered at WestWorld to mix and mingle,
purchase art, and sip champagne. Francis Najafi was honored for his tireless efforts in making the event even more of an incredible success. Kim
and Jeff Schwartz made a dashing couple in the
Alexis
crowd.
Janaki Ram and Kristen Titzck
Dionne and Francis Najafi
Lisa and Dan Shapiro with Patsy Lowry Maria and Merriam Aazami Kim Alexis and Jeff Schwartz Mark Vinciguerra and Carrie Martz
Clint and Marcela Jameson Melissa Turner and Bob Paz
Josh Shaver and Anita Lang
Gary Jackson and Oscar De las salas
Coverage courtesy of Beth McRae and Bill Dougherty
Photos by Scott Foust Studios
Ball gowns courtesy of Danese Creations, Phoenix
Fine jewelry courtesy of Estate Watch and Jewelry Company, Scottsdale
Photos by Scott Foust Studios
Ball gowns courtesy of Danese Creations, Phoenix
Fine jewelry courtesy of Estate Watch and Jewelry Company, Scottsdale
Photos by Scott Foust Studios
Ball gowns courtesy of Danese Creations, Phoenix
Fine jewelry courtesy of Estate Watch and Jewelry Company, Scottsdale
Photos by Scott Foust Studios
Ball gowns courtesy of Danese Creations, Phoenix
Fine jewelry courtesy of Estate Watch and Jewelry Company, Scottsdale
GATEWAY CELEBRITY FIGHT NIGHT
“A New Dawn” gave partygoers a festive and spring appeal as they entered the Fairmont Scottsdale Princess. The evening was hosted by Stacie and Richard Stephenson. Proceeds were put toward what the Stephenson’s called “a knockout blow to cancer.” Festivities were
hosted by Erich Bergen. Famed musical genius David Foster presented remarkable live performances throughout the night. Debbie Gibbs, Sandra McGann and Pat Bondurant looked absolutely stunning. Jeremy Kukla was the Dapper Dan in the crowd.
Richard and Stacie Stephenson
David Nevins, Carol Cassidy, and Michael Jessup
Sandra and George McGann Pat Bondurant and Lindsay Anderton
Martha and Wally Henkel
Nick and Kelsey Sundet
Jeremy and Sally Kukla
Becky Poliakoff and Andrey Ivchenko Debbie Gibbs with Matt and Terry Kibbe
Coverage courtesy of Veronica Cook and Kathy Scheib
Architecture in Motion
By Liz Manville
Dubbed “starchitect” by architectural critics and global media, Frank Gehry remains a tour de force and certainly the most recognizable architect in recent history. His buildings display a whimsical side of serious architecture, never before seen, almost scandalous. Gehry had the ability to take familiar geometric forms and reassemble them to create new forms of unprecedented complexity, a practice critics call deconstructivism. Gazing at a Frank Gehry structure for the first time is an ‘all angles at once’ experience – like viewing serious architecture on LSD! In 1989, he was honored with the Pritzker Prize – the most prestigious architecture award in the world.
Born in Canada in 1929, this legendary “free spirit builder” moved to California in 1947. He studied architecture and art at the University of Southern California, Los Angeles, and then city planning at Harvard University, Cambridge . Inspired by the fluidity of fish or a crumpled piece of paper, his kinetic sketches, or “scribbles” as he called them, captured the energy and movement of his original idea, evolving into his building mode. Model making was essential to his process, allowing him to experiment with volumes and shapes. Computer technology made it possible to turn his abstract scribbles into buildings. His approach was more artistic than architectural, analogous to sculpture in motion. Feeling insecure upon completion of one of his unorthodox ‘deconstructions’ was part of his creative process – ‘what have I done?’
Was his usual cry of victory! After serious self-reflection, he was always proud of what he accomplished – and so were the critics.
Gehry’s own house in Santa Monica, CA, was originally a basic Dutch Colonial which he deconstructed to create a sculpturistic, inimitable eyesore! He stripped the outer layers down to the beams and wrapped them with plywood, ribbed metal siding, and chain-link fencing. He believed:
Frank Gehry
Guggenheim Museum – Bilbao, Spain
“There are sort of rules about the architectural expression which have to fit into a certain channel. Screw that! It doesn’t mean anything. I am going to do what I do the best and if it’s no good the marketplace will deny it.”
Not everyone in this upscale neighborhood was thrilled with his unconventional renovation. It has been the talk of the town since 1978, launching his career into mainstream architecture.
In 1997, the Guggenheim Museum Bilbao opened in Spain, drawing crowds from around the world, and it continues to attract millions of visitors each year. The city’s airports had to expand to keep up with the demand. It confirmed Gehry as the world’s most famous living architect. “The museum in Bilbao leads to a new era in building”, stated British architect Norman Foster. Artist and friend Richard Serra believed, “Frank represents a break with all contemporary architecture. His is not an architecture that arises from an older order, he is the first really to break with the orthodoxy of the right angle.”
To me, Frank Gehry’s Walt Disney Concert Hall, in downtown Los Angeles, is his magnum opus, a miraculous accomplishment. Gehry loved great musicians and he built Disney Hall for them. The structure is clad in 160,000 square feet of stainless-steel waves, concrete, and glass curtain walls. The walls and ceiling of the interior auditorium are lined with Douglas fir for tonal warmth and beauty. The stage is Alaskan yellow cedar, enhancing the quality of sound, and specialized plaster and curved panels distribute the sound evenly. The distinc-
tive sonic character of the auditorium was a collaborative endeavor, bringing together master acoustician Yasuhisa Toyota, the renowned conductor Esa-Pekka Salonen (then music director of the Los Angeles Philharmonic, the Hall’s home orchestra) and the architect himself,
Gehry Residence – Santa Monica, CA
The Walt Disney Concert Hall – Los Angeles,
Frank Gehry. Salonen and Gehry designed a symbiotic space, uniting the musicians with their audience and curating a personalized soundscape. Before the completion of the Hall (still basically a construction site), Salonen and Gehry listened to Principal Concertmaster Martin Chalifour, on the makeshift stage, play Bach’s Prelude from Partita No. 3 for Solo Violin. The timbre of the violin was described as “floating on air”, embracing them with a sound never before experienced in any concert hall – it brought them both to tears!
I highly recommend a Los Angeles excursion to visually behold the magnificence of Disney Hall, and to immerse yourself in its extraordinary, unrivaled sound quality.
Gehry designed his buildings to envelop and hug us with their warmth and humanity. He wrote, “I’m trying to make a building that invites you in – the body language is welcoming.”
“I am always trying to express movement, I was fascinated with the fold so basic to our first feelings of love and warmth.”
Frank Gehry died on December 5th, 2025 – his buildings remain timeless reminders of his genius.
A Frank Gehry site is a noteworthy addition to your future itinerary. Here are some other recommendations:
• The Dancing House (or Ginger and Fred) – Prague, Czech Republic
• MIT’s Ray and Maria Stata Center – Cambridge, MA
• Weisman Art Museum – Minneapolis, MN
• Museum of Pop Culture (MOPOP) – Seattle, WA
• The Fish Dance Sculpture – Kobe, Japan
• Fondation Louis Vuitton – Paris, France
Fondation Louis Vuitton – Paris, France
Ray and Maria Stata Center MIT – Cambridge, MA
The Dancing House (or Ginger and Fred) – Prague, Czech Republic
Audrey Alfano and Lee Courtney, the two beautiful gala chairs, raised the bar this year. Make -A-Wish 2026 was opulent and dazzling in every aspect. The Camelback Inn pulled out all the stops. Cocktails and hors d’oeuvres greeted an overflowing array of beautifully dressed people who came to make a difference. Following dinner, Emcee Nick Ciletti, of ABC15 fame, facilitated a sprawling live auction that went
on and on. Videos of children who have benefited greatly from the organization were shown. The night concluded with a paddle raise and dancing. Even the Wish children hit the dance floor with style and prestige. It was a fantastic event! Jeremy Brown and Colleen Rekuc were the most beautiful couple there. Lindsay Jackson looked amazing in flora to the floor.
Mile Boyd and Jessica Haag
Jeremy Brown and Colleen Rekuc
Brooke Rosenthal and Chris Burgweger Michael and Fran Mallace
Jeff Elliott and Lorraine Tallman
Bruce and Karen Guest
Halah Berglin and Elise Swanson
Amelia Decker and Aron Schmidt
Kurt Bailey and Jill Krigsten
Coverage courtesy of Sally and Peter Krzykos
Rachelle and Landon Jensen
Lee and Joe Courtney with Audrey and Charlie Alfano
Kyler and Jacqueline Swanson
Lindsay Jackson and Michael Finnerty
Casey and Matt Ramirez
Taylor Jackson and Matt Turner
Cathy Fitzpatrick and Theresa Melaragno Brent and Jennifer Moser
ARIZONA KIDNEY FOUNDATION DANCING WITH THE STARS ARIZONA
Now in its 20th year, Dancing with the Stars Arizona met yet again with continued success. The Phoenician received the overflow crowd again this year. Several local celebrities and dignitaries competed for the win. They were each paired with professional dancers. A trium-
phant evening indeed. The original idea was conceived by the late great couples Marguerite and Jack Clifford along with Glenna and Larry Shapiro. All smiling from heaven upon this great event. Char and Alan Augenstein dazzled the crowd.
Char and Alan Augenstein with Melissa Britt and Tran Vinh
Adam Chodorow, Rebel Rice, Doug Sylvester and Lauren Burkhart
Pam Gowda with Sheetal Chhaya and Maya Koppikar
Aziana Soto with Kiesha McFadden and Taylor Smith
Emily Nakasone and Mai-Ly Duong
Gabrielle Loomis and Sharmyn Townsend Randy and Molly Grudzinski Jeff Fisher with Chelsey and Chris Grabe
Coverage courtesy of Veronica Cook and Kathy Scheib.
TRENDS IN DINING: VINCENT ON CAMELBACK
Extraordinary Champagne Tasting Affair
By Bob Stearnes, Epicurean
DIning at Vincent On Camelback is always an affair, but when the doors are graciously thrown open and there’s a virtual who’s who of all the people that bring the charm and class to this town, then you add station after station of some of the finest champagnes in the world, you truly have an affair. The Vincent on Camelback Extraordinary Champagne Tasting Affair.
A cornucopia of tables were purposefully placed inside Vincents to showcase a myriad of champagnes. It was like Christmas for big kids. Many were very well known and many were from smaller boutique wineries. Guests were treated to delicious appetizers such as decadent smoked salmon quesadillas and stuffed endive bites. Spectacular French desserts were also passed around by attentive and friendly servers.
Big names, like Moet et Chandon and my personal favorite, Perrier-Jouet were showcased exquisitely with multiple varieties available for tasting and purchase. A playful Taittinger Cuvee Prestige Rose’ was delicate and refreshing. Overall there were 35 Houses represented and over 75 different and unique vintages were available.
Classy and inviting, just like Vincent on Camelback itself, the evening was professional and educational and was simply a delight to be a part of. I hope this becomes a regular event as I didn’t manage to taste all 75 varieties.
Probably a good thing.
Fashionality, noun
The unique combination of style, influence, and personality that de fines a woman who uses her presence, grace, and leadership to make a lasting impact on her community.
A woman of “fashionality” blends fashion and individuality with purpose, serving as a trendsetter not only in appearance but in actions that uplift and inspire others.
Bridget Binsbacher
Juliet Burgess
Rita Davenport
FASHIONALITIES 2026
Meghan Fable
Justine Hurry
Karlene Keogh Parks
Leslie Lehr
Veronica Penzone
Patsy Ritchie
Joy Zilar
Whether it’s a bold new
a vibrant color, or a complete hair makeover, we are here to bring your vision to life. With years of experience and a passion for creativity, we specialize in cutting-edge trends and personalized styles that suit your unique beauty.
SCULPT, DETOX, REJUVENATE THE ART OF BRAZILIAN LYMPHATIC DRAINAGE Where Wellness Meets Beauty.
Angiolo Livi Chef, Owner
STRANGER: A Memoir of Marriage
By Belle Burden
Reviewed by Liz Manville
Born into American Royalty, Belle Burden learned the hard way that not every fairytale has a happy ending. Belle inherited a legacy of betrayal from an elite lineage of philandering husbands and partners. Her grandmother, Babe Paley (a Truman Capote Swan and Cushing sister) married two; Stanley Mortimer Jr. (Belles grandfather) and CBS founder William S. Paley. Her mother, Amanda Burden (socialite and City Planner) married Carter Burden (a Vanderbilt and owner of The Village Voice and New York Magazine) and Steven J. Ross (head of Warner Communications) and a 10 year relationship with lothario Charlie Rose ( fired from CBS, PBS, and Bloomberg for sexual harassment.) Hardly the best role models for wedded bliss!
After a three month courtship and a ‘passion play’ of romantic gestures from Henry (she calls him James in the memoir) they were engaged. Five days before the wedding, against the advice of her family lawyer, he insisted she amend the prenup! Red flags ablaze, Belle admits “I was ignorant and complicit,” her choice to be ‘duped in plain sight’ makes the story even more tragic. Burden recounts the unraveling of her 20 year marriage (which she believed was intact) ending with a toxic voicemail she received during covid. She shares the arduous journey to rebuild her life, exploring the betrayal, financial dependency, and silent suffering she endured to maintain the peace.
In my opinion, Burden has established herself as a skilled writer as well as a solid survivor in this sometimes brutally unfair world. TRENDY READING
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